The Project Gutenberg eBook of A lyttel booke of nonsense
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: A lyttel booke of nonsense
Author: Randall Davies
Release date: March 3, 2025 [eBook #75511]
Language: English
Original publication: London: Macmillan & Co. Ld, 1912
Credits: Alan, Susan E. and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
*** START OF THE PROJECT GUTENBERG EBOOK A LYTTEL BOOKE OF NONSENSE ***
A Lyttel Booke of Nonsense
A Lyttel Booke
of Nonsense
[Illustration]
R. D.
London: Macmillan & Co. Ld.
mdccccxii
Copyright
First published
1912
To the Reader
Few of the cuts in this book are less than four hundred years old. To
join them to new occasions need be no slur on their value and beauty,
if the rhyme be taken as lightly as it is offered by a lover of old
things as well as new, who is indebted to Messrs. Quaritch, Leighton,
Barnard, and others, for much more than is here to be seen, as also to
Edward Lear.
R. D.
Chelsea, mcmxii.
A Lyttel Booke of Nonsense
There was a young fellow of Sark,
Who wandered about in the Park;
When the constable said
He’d be better in bed,
He replied, “I’m afraid of the dark.”
[Illustration]
There was an old man of Sheerness,
Who invited a friend to play chess;
But he’d lent all the pieces
To one of his nieces,
And stupidly lost her address.
[Illustration]
There was an old fellow of Trent,
Who sold little boxes of scent;
But they said to him “Smell them
Yourself ere you sell them!”
Which made him feel far from content.
[Illustration]
There was an old fellow called Cox,
Who tried to jump over the rocks;
But they said “Poor old feller,
He has come a smeller,
And look at the holes in his socks!”
[Illustration]
There was a young fellow of Treves,
Who met with a watery grave;
There was nobody nigh
To attend to his cry
As he sank ’neath the swallowing wave.
[Illustration]
There was a young fellow of Cadiz,
Who said “What a blessing Free Trade is;
But it’s not my ambition
To turn politician--
So let’s go and talk to these ladies.”
[Illustration]
There was a young man of Athlone,
Who was trying to ride like Tod Sloan;
But a brute of a bee
So bewildered his gee
That he hardly escaped being thrown.
[Illustration]
There was a young fellow of Brill,
Who supported the Parliament Bill;
But he’d larger ideas
For reforming the Peers,
And suggested a better way still.
[Illustration]
There was an old fellow of Derry,
Who loved to see every one merry;
So he asked them to tea
At a mulberry tree,
And gave them some excellent sherry.
[Illustration]
There was a young fellow of Kansas,
Who couldn’t remember the Lancers;
When they’d got half way through
He’d forget what to do,
Which flummoxed the rest of the dancers.
[Illustration]
There was a young fellow of Sherborne,
Who would go to church in a turban;
When they put him outside
He politely replied
That he thought their ideas were suburban.
[Illustration]
There was an old fellow of Reading,
Who went to his granddaughter’s wedding;
When they asked for a present
He tried to look pleasant,
But said “This is what I was dreading.”
[Illustration]
There was a young housemaid at Ashdown,
Who strained herself pulling the sash down;
Being duly insured,
She was months being cured,
But the doctor insisted on cash down.
[Illustration]
There was an old girl of Carstairs,
Whose villa required some repairs;
When she asked if the plumber
Could finish next summer,
He said he should be there for years.
[Illustration]
There was a young lady of Bude,
Who frequently painted the nude;
So that some of her pictures
Invited the strictures
Of many an ignorant prude.
[Illustration]
There was an old man of Baroda,
Who said, “I perceive a bad odour”;
When they said, “Is it faint?”
He replied, “No, it ain’t,”
So they fetched him a whiskey and soda.
[Illustration]
There was a young fellow of Biscay,
Who gave all his horses some whiskey;
Which resulted in some
Being quite overcome,
And others decidedly frisky.
[Illustration]
There was an old fellow of Shere,
Who wanted to act Chanticler;
To say that his dress
Was a brilliant success
Would be saying as much as we dare.
[Illustration]
There was an old man of Shoreditch,
Whose motto was “Down with the rich,”
But the mounted police
In the interests of peace,
Succeeded in queering his pitch.
[Illustration]
There was a young man of Dunblane,
Who was seized with a horrible pain;
When his wife asked him “Where?”
He replied “Somewhere here;
I must never touch muffins again.”
[Illustration]
There was a young man of New Cross,
Who rode a most marvellous horse;
As it couldn’t be matched,
All the others were scratched,
And he simply walked over the course.
[Illustration]
There was a young fellow of Belvoir,
Who in Love was a stern disbeliever;
But on going to the Castle
To take them a parcel,
He caught the insidious fever.
[Illustration]
There was a young lady called Pippa,
Who wanted to play hunt the Slipper;
But she said she’d prefer
Their removing the spur,
For fear that the rowel might nip her.
[Illustration]
There was a young man of Lepanto,
Who started to teach Esperanto;
But they said, “It’s too much,
We would sooner learn Dutch,”
And told him to pack his portmanteau.
[Illustration]
There was a young lady called Mabel,
Who hated a room with a gable;
If there wasn’t another
She said, “Oh don’t bother,
I’ll sleep on the dining-room table.”
[Illustration]
There was an old lady named Bonamy,
Who lectured them all on astronomy;
But they said, “It’s a bore,
We have heard this before,
You should stick to domestic economy.”
[Illustration]
There was a young man of Strathpeffer,
Whose uncle grew deafer and deafer;
When he asked after Mary,
He thought he said “dairy,”
And said, “She’s a beautiful heifer.”
[Illustration]
There was a young lady of Rome,
Who got lost in the great Catacomb;
At the end of the week
She was found by a Greek,
Who insisted on seeing her home.
[Illustration]
There was an old man of the Wye,
Who said, “I could sit down and cry;
When the fish are all biting,
This d----d little whiting
Has swallowed my favourite fly.”
[Illustration]
There was a young man who said, “How
Shall I flee from this horrible cow?
I will stand on a stool,
And pretend I’m at school,
With mamma’s cockatoo on my brow.”
[Illustration]
There was an old man of Montrose,
Who discouraged his granddaughter’s beaux;
When she asked them to call
He said nothing at all,
Or caught them a whack on the nose.
[Illustration]
There was an old fellow of Tweeddale,
Who played on the flute and the fiddle;
But he made such a din
That the neighbours came in,
And made him leave off in the middle.
[Illustration]
There was a young man of Spithead,
Who never could get enough bread;
Till he married a wife,
Who restored him to life,
For she made it herself--so she said.
[Illustration]
There was a young lady of Garth,
Who was just getting into the bath,
When her mother said, “Nelly,
You must eat this jelly,
You’re getting as thin as a lath.”
[Illustration]
There was a young damsel of Ore,
Who tickled a fool with a straw;
Quoth the fool, “How it tickles,
I can’t eat my victuals,
Oh, don’t make me laugh any more!”
[Illustration]
There was a young fellow of Raby,
Who behaved like a regular gaby;
When he went to the castle,
To call for a parcel,
He wanted to dandle the baby.
[Illustration]
There was a young man of Belgrade,
Who used to catch fish with a spade;
When he’d caught three or four,
He would fling them ashore,
Where he fried them in warm lemonade.
[Illustration]
There was a young fellow of Hawarden,
Who entreated his visitors’ pardon;
The boiler had cracked,
As a matter of fact,
So he brought them some lunch in the garden.
[Illustration]
There was an old fellow of Lee,
Who hid himself under a tree;
But when winter came round
He was easily found,
For the leaves had come off--don’t you see?
[Illustration]
There was an old lady of Lee,
Who thought that her Chow had a flea;
She was so much afraid,
That she rang for her maid,
But the butler said, “Leave it to me.”
[Illustration]
There was a young sportsman, whose trouble
Was constantly seeing things double;
His dog and his ape
Took a duplicate shape,
And he noticed the same with the stubble.
[Illustration]
There was an old man (of great age),
Whose daughters were both on the stage;
To the one who was Scotch
He presented his watch--
To the other a beautiful cage.
[Illustration]
There was an old knight of New Cross,
Who was riding a troublesome horse;
But he said, “If he rears,
I shall just box his ears,
Though I’d rather use kindness than force.”
[Illustration]
There was a young man of Southall,
Who went to a fancy dress ball;
Information we lack
As to how he got back--
Or whether he got back at all.
[Illustration]
There was an old fellow of Leek,
Who believed in compulsory Greek;
As from being at college
He’d no other knowledge,
The reason was not far to seek.
[Illustration]
There was a young man of Belgrade,
And this was a drawing he made;
People called it absurd,
Though the critics averred
That he must have been taught at the Slade.
[Illustration]
There was a young lady of Sfax,
Who purchased some promising hacks;
But when riding astraddle
Without any saddle,
She frequently fell off their backs.
[Illustration]
There was an old lady of Nice,
Whose house was a haven of peace;
Till they all got so warm
Over Tariff Reform,
That they had to call in the police.
[Illustration]
There was a young fellow of Sheen,
Who was trying to reach Gretna Green;
But he saw with impatience
That all his relations
Were trying to be first on the scene.
[Illustration]
There was an old man of the coast,
Whose wife was as deaf as a post;
Unaware of his tread
As he staggered to bed,
Or the groans of the family ghost.
[Illustration]
There was a young fellow of Pisa,
Whose wife was descended from Caesar;
The shape of his feet
Made her joy incomplete--
But she valued his efforts to please her.
[Illustration]
There was an old fellow of Sheen,
Who was hired to read to the Queen;
But she told him to stop
When he got to the top
Of page ninety in chapter sixteen.
[Illustration]
There was a young lady of Shere,
Who was loved by an indigent Peer,
But she sacrificed rank
To a share in a Bank--
About 35,000 a year.
[Illustration]
There was an old man of St. Abbs,
Who wanted to buy a few crabs;
His annoyance was great
When they offered him skate,
And turbot, and haddocks and dabs.
[Illustration]
There was a young man of Seattle,
Whose brothers were killed in a battle;
He feelingly said,
“It’s a pity they’re dead--
But I shall inherit their cattle.”
[Illustration]
There was an old fellow of Quorn,
Who borrowed some dogs and a horn;
Though he hadn’t a nag
He got hold of a stag,
And chased it all over the lawn.
[Illustration]
The Lord Chamberlain, once, on a day,
Was requested to license a play;
But he said, “If it’s clever,
My answer is Never!”
And told them to take it away.
[Illustration]
There was an old fellow of Parma,
Who purchased a new suit of armour;
When they said, “Does it fit?”
He replied, “Not a bit--
Pray leave me until I am calmer!”
[Illustration]
There was a young lady whose bonnet
Had many remarks passed upon it;
But she answered them, “Rats!--
If you want to see hats
Look at these of my brothers’--they’re chronic!”
[Illustration]
See here how the damsels of Spiers,
Await the return of their Squires;
At the long-looked-for hour
They wave from the tower,
And light all the drawing-room fires.
[Illustration]
There was a young man with a yacht,
Who said, “Whether you love me or not,
You can hardly refuse
Just to come for a cruise”;
But she fainted away on the spot.
[Illustration]
There was an old man of the rocks,
Who never could find any socks;
So he put on his shoes
And his second-best blouse,
And danced a quadrille with a fox.
[Illustration]
There was a young lady of Annan,
Whose father-in-law was a Canon;
But she gave up the Church
For artistic research,
And consorted with Ricketts and Shannon.
[Illustration]
There was a young man of Newport,
Who was tried for a jester at Court;
But he frankly confessed,
After doing his best,
It was more of a job than he thought.
[Illustration]
There was a young man of St. Gatien,
Who strongly believed in cremation;
And few could find fault
With a family vault
That contained every single relation.
[Illustration]
There was a young fellow of Horta,
Who saw something strange in the water.
Preparing to dive,
He cried, “Bake me alive,
If it isn’t the Coastguardsman’s daughter!”
[Illustration]
There was an old man of Peru,
Who took both his boys to the Zoo;
But when some silly goose
Let the animals loose,
He didn’t quite know what to do.
[Illustration]
There was an old man with a flute,
A serpent ran into whose boot;
He played day and night,
But it didn’t take flight,
So he finally went for the brute.
[Illustration]
There was a young fellow of Hawarden,
Who was practising golf in the garden;
But he said, “If this fly,
Doesn’t instantly die,
I’m sure I shall never beat Vardon.”
[Illustration]
There was a young student of John’s,
Who always made friends with the dons;
He would ask them to dine,
Or to biscuits and wine,
With a dish of most excellent scones.
[Illustration]
There was a young fellow of Sparta,
Whose wife was a regular tartar;
When his apathy shocked her
She went for the doctor,
And said, “He pretends he’s a martyr.”
[Illustration]
There was a young man of Algiers,
Whose dog had been savage for years;
So he bought him a roll
(Which the brute swallowed whole),
And then gave him a box on the ears.
[Illustration]
There was an old fellow of Tooting,
Whose favourite amusement was shooting;
When he wounded a bear,
And took aim at a hare,
They thought it was time to be scooting.
[Illustration]
There was a young fellow of Clewer,
Who was trying the open-air cure;
When they said, “Are you snug?”
He said, “Bring me a rug--
It’s really too much to endure!”
[Illustration]
There was a young man who’d a pup,
Which he trained for the Waterloo Cup;
But though healthy and sound,
It would lie on the ground,
And firmly refuse to get up.
[Illustration]
There was a young fellow of Pannal,
Who rowed himself over the channel;
When they said, “You’ve no hat,”
He replied, “What of that?”
And wrapped up his head in a flannel.
[Illustration]
Glasgow
Printed at the University Press by
Robert MacLehose & Co. Ltd.
Transcriber's Notes:
On page 72, ‘'Who behaved like a regular baby’ has been changed to
‘Who behaved like a regular gaby’, to conform with limarick practice.
*** END OF THE PROJECT GUTENBERG EBOOK A LYTTEL BOOKE OF NONSENSE ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
