The Project Gutenberg EBook of Timothy's Quest, by Kate Douglas Wiggin
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Timothy's Quest
A Story for Anybody, Young or Old, Who Cares to Read It
Author: Kate Douglas Wiggin
Release Date: June 7, 2006 [EBook #18531]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK TIMOTHY'S QUEST ***
Produced by Bruce Albrecht, Janet Blenkinship and the
Online Distributed Proofreading Team at http://www.pgdp.net
(This book was produced from scanned images of public
domain material from the Google Print project)
By Mrs. Wiggin.
THE BIRDS' CHRISTMAS CAROL. Illustrated. Square 12mo, boards, 50 cents.
THE STORY OF PATSY, Illustrated. Square 12mo, boards, 60 cents.
A SUMMER IN A CAÑON. A California Story. Illustrated. New Edition. 16mo,
$1.25.
TIMOTHY'S QUEST. A Story for Anybody, Young or Old, who cares to read
it. 16mo, $1.00.
THE STORY HOUR. A Book for the Home and Kindergarten. By Mrs. Wiggin and
Nora A. Smith. Illustrated. 16mo, $1.00.
CHILDREN'S RIGHTS. A Book of Nursery Logic. 16mo, $1.00.
A CATHEDRAL COURTSHIP, and PENELOPE'S ENGLISH EXPERIENCES. Illustrated.
16mo, $1.00.
POLLY OLIVER'S PROBLEM. Illustrated, 16mo, $1.00.
HOUGHTON, MIFFLIN & CO.
BOSTON AND NEW YORK.
TIMOTHY'S QUEST
_A STORY FOR ANYBODY, YOUNG OR OLD,
WHO CARES TO READ IT_
BY
KATE DOUGLAS WIGGIN
AUTHOR OF "BIRDS' CHRISTMAS CAROL," "THE STORY OF PATSY,"
"A SUMMER IN A CAÑON," ETC.
[Illustration: The Riverside Press logo.]
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1894
Copyright, 1890,
BY KATE DOUGLAS WIGGIN
_All rights reserved._
THIRTY-SEVENTH THOUSAND
_The Riverside Press, Cambridge, Mass., U.S.A._
Electrotyped and Printed by H. O. Houghton & Company.
To
NORA
DEAREST SISTER, STERNEST CRITIC,
BEST FRIEND.
CONTENTS.
SCENE I.
PAGE
FLOSSY MORRISON LEARNS THE SECRET OF DEATH
WITHOUT EVER HAVING LEARNED THE SECRET
OF LIFE 7
SCENE II.
LITTLE TIMOTHY JESSUP ASSUMES PARENTAL RESPONSIBILITIES 17
SCENE III.
TIMOTHY PLANS A CAMPAIGN, AND PROVIDENCE
MATERIALLY ASSISTS IN CARRYING IT OUT, OR
VICE VERSA 26
SCENE IV.
JABE SLOCUM ASSUMES THE RÔLE OF GUARDIAN
ANGEL 39
SCENE V.
TIMOTHY FINDS A HOUSE IN WHICH HE THINKS A
BABY IS NEEDED, BUT THE INMATES DO NOT
ENTIRELY AGREE WITH HIM 51
SCENE VI.
TIMOTHY, LADY GAY, AND RAGS PROVE FAITHFUL
TO EACH OTHER 63
SCENE VII.
MISTRESS AND MAID FIND TO THEIR AMAZEMENT
THAT A CHILD, MORE THAN ALL OTHER GIFTS,
BRINGS HOPE WITH IT, AND FORWARD LOOKING
THOUGHTS 74
SCENE VIII.
JABE AND SAMANTHA EXCHANGE HOSTILITIES, AND
THE FORMER SAYS A GOOD WORD FOR THE
LITTLE WANDERERS 87
SCENE IX.
"NOW THE END OF THE COMMANDMENT IS CHARITY,
OUT OF A PURE HEART" 100
SCENE X.
AUNT HITTY COMES TO "MAKE OVER," AND SUPPLIES
BACK NUMBERS TO ALL THE VILLAGE
HISTORIES 112
SCENE XI.
MISS VILDA DECIDES THAT TWO IS ONE TOO MANY,
AND TIMOTHY BREAKS A HUMMING-BIRD'S EGG 126
SCENE XII.
LYDDY PETTIGROVE'S FUNERAL 143
SCENE XIII.
PLEASANT RIVER IS BAPTIZED WITH THE SPIRIT OF
ADOPTION 152
SCENE XIV.
TIMOTHY JESSUP RUNS AWAY A SECOND TIME,
AND, LIKE OTHER BLESSINGS, BRIGHTENS AS
HE TAKES HIS FLIGHT 166
SCENE XV.
LIKE ALL DOGS IN FICTION, THE FAITHFUL RAGS
GUIDES MISS VILDA TO HIS LITTLE MASTER 179
SCENE XVI.
TIMOTHY'S QUEST IS ENDED, AND SAMANTHA SAYS,
"COME ALONG, DAVE" 189
TIMOTHY'S QUEST.
SCENE I.
_Number Three, Minerva Court. First floor front._
FLOSSY MORRISON LEARNS THE SECRET OF DEATH WITHOUT EVER HAVING LEARNED
THE SECRET OF LIFE.
Minerva Court! Veil thy face, O Goddess of Wisdom, for never, surely,
was thy fair name so ill bestowed as when it was applied to this most
dreary place!
It was a little less than street, a little more than alley, and its only
possible claim to decency came from comparison with the busier
thoroughfare out of which it opened. This was so much fouler, with its
dirt and noise, its stands of refuse fruit and vegetables, its dingy
shops and all the miserable traffic that the place engendered, its
rickety doorways blocked with lounging men, its Blowsabellas leaning on
the window-sills, that the Court seemed by contrast a most desirable and
retired place of residence.
But it was a dismal spot, nevertheless, with not even an air of faded
gentility to recommend it. It seemed to have no better days behind it,
nor to hold within itself the possibility of any future improvement. It
was narrow, and extended only the length of a city block, yet it was by
no means wanting in many of those luxuries which mark this era of modern
civilization. There were groceries, with commodious sample-rooms
attached, at each corner, and a small saloon, called "The Dearest Spot"
(which it undoubtedly was in more senses than one), in the basement of a
house at the farther end. It was necessary, however, for the bibulous
native who dwelt in the middle of the block to waste some valuable
minutes in dragging himself to one of these fountains of bliss at either
end; but at the time my story opens a wide-awake philanthropist was
fitting up a neat and attractive little bar-room, called "The Oasis," at
a point equally distant between the other two springs of human joy.
This benefactor of humanity had a vaulting ambition. He desired to slake
the thirst of every man in Christendom; but this being impossible from
the very nature of things, he determined to settle in some arid spot
like Minerva Court, and irrigate it so sweetly and copiously that all
men's noses would blossom as the roses. To supply his brothers' wants,
and create new ones at the same time, was his purpose in establishing
this Oasis in the Desert of Minerva Court; and it might as well be
stated here that he was prospered in his undertaking, as any man is sure
to be who cherishes lofty ideals and attends to his business
industriously.
The Minerva Courtier thus had good reason to hope that the supply of
liquid refreshment would bear some relation to the demand; and that the
march of modern progress would continue to diminish the distance between
his own mouth and that of the bottle, which, as he took it, was the
be-all and end-all of existence.
At present, however, as the Oasis was not open to the public, children
carrying pitchers of beer were often to be seen hurrying to and fro on
their miserable errands. But there were very few children in Minerva
Court, thank God!--they were not popular there. There were frowzy,
sleepy-looking women hanging out of their windows, gossiping with their
equally unkempt and haggard neighbors; apathetic men sitting on the
doorsteps, in their shirt-sleeves, smoking; a dull, dirty baby or two
sporting itself in the gutter; while the sound of a melancholy accordion
(the chosen instrument of poverty and misery) floated from an upper
chamber, and added its discordant mite to the general desolation.
The sidewalks had apparently never known the touch of a broom, and the
middle of the street looked more like an elongated junk-heap than
anything else. Every smell known to the nostrils of man was abroad in
the air, and several were floating about waiting modestly to be
classified, after which they intended to come to the front and outdo the
others if they could.
That was Minerva Court! A little piece of your world, my world, God's
world (and the Devil's), lying peacefully fallow, awaiting the services
of some inspired Home Missionary Society.
In a front room of Number Three, a dilapidated house next the corner,
there lay a still, white shape, with two women watching by it.
A sheet covered it. Candles burned at the head, striving to throw a
gleam of light on a dead face that for many a year had never been
illuminated from within by the brightness of self-forgetting love or
kindly sympathy. If you had raised the sheet, you would have seen no
happy smile as of a half-remembered, innocent childhood; the smile--is
it of peaceful memory or serene anticipation?--that sometimes shines on
the faces of the dead.
Such life-secrets as were exposed by Death, and written on that still
countenance in characters that all might read, were painful ones. Flossy
Morrison was dead. The name "Flossy" was a relic of what she termed her
better days (Heaven save the mark!), for she had been called Mrs.
Morrison of late years,--"Mrs. F. Morrison," who took "children to
board, and no questions asked"--nor answered. She had lived forty-five
years, as men reckon summers and winters; but she had never learned, in
all that time, to know her Mother, Nature, her Father, God, nor her
brothers and sisters, the children of the world. She had lived
friendless and unfriendly, keeping none of the ten commandments, nor yet
the eleventh, which is the greatest of all; and now there was no human
being to slip a flower into the still hand, to kiss the clay-cold lips
at the remembrance of some sweet word that had fallen from them, or drop
a tear and say, "I loved her!"
Apparently, the two watchers did not regard Flossy Morrison even in the
light of "the dear remains," as they are sometimes called at country
funerals. They were in the best of spirits (there was an abundance of
beer), and their gruesome task would be over in a few hours; for it was
nearly four o'clock in the morning, and the body was to be taken away at
ten.
"I tell you one thing, Ettie, Flossy hasn't left any bother for her
friends," remarked Mrs. Nancy Simmons, settling herself back in her
rocking-chair. "As she didn't own anything but the clothes on her back,
there won't be any quarreling over the property!" and she chuckled at
her delicate humor.
"No," answered her companion, who, whatever her sponsors in baptism had
christened her, called herself Ethel Montmorency. "I s'pose the
furniture, poor as it is, will pay the funeral expenses; and if she's
got any debts, why, folks will have to whistle for their money, that's
all."
"The only thing that worries me is the children," said Mrs. Simmons.
"You must be hard up for something to worry about, to take those young
ones on your mind. They ain't yours nor mine, and what's more, nobody
knows who they do belong to, and nobody cares. Soon as breakfast's over
we'll pack 'em off to some institution or other, and that'll be the end
of it. What did Flossy say about 'em, when you spoke to her yesterday?"
"I asked her what she wanted done with the young ones, and she said, 'Do
what you like with 'em, drat 'em,--it don't make no odds to me!' and
then she turned over and died. Those was the last words she spoke, dear
soul; but, Lor', she wasn't more'n half sober, and hadn't been for a
week."
"She was sober enough to keep her own counsel, I can tell you that,"
said the gentle Ethel. "I don't believe there's a living soul that knows
where those children came from;--not that anybody cares, now that there
ain't any money in 'em."
"Well, as for that, I only know that when Flossy was seeing better days
and lived in the upper part of the city, she used to have money come
every month for taking care of the boy. Where it come from I don't
know; but I kind of surmise it was a long distance off. Then she took to
drinking, and got lower and lower down until she came here, six months
ago. I don't suppose the boy's folks, or whoever it was sent the money,
knew the way she was living, though they couldn't have cared much, for
they never came to see how things were; and he was in an asylum before
Flossy took him, I found that out; but, anyhow, the money stopped coming
three months ago. Flossy wrote twice to the folks, whoever they were,
but didn't get no answer to her letters; and she told me that she should
turn the boy out in a week or two if some cash didn't turn up in that
time. She wouldn't have kept him so long as this if he hadn't been so
handy taking care of the baby."
"Well, who does the baby belong to?"
"You ask me too much," replied Nancy, taking another deep draught from
the pitcher. "Help yourself, Ettie; there's plenty more where that came
from. Flossy never liked the boy, and always wanted to get rid of him,
but couldn't afford to. He's a dreadful queer, old-fashioned little kid,
and so smart that he's gettin' to be a reg'lar nuisance round the
house. But you see he and the baby,--Gabrielle's her name, but they call
her Lady Gay, or some such trash, after that actress that comes here so
much,--well, they are so in love with one another that wild horses
couldn't drag 'em apart; and I think Flossy had a kind of a likin' for
Gay, as much as she ever had for anything. I guess she never abused
either of 'em; she was too careless for that. And so what was I talkin'
about? Oh, yes. Well, I don't know who the baby is, nor who paid for her
keep; but she's goin' to be one o' your high-steppers, and no mistake.
She might be Queen Victory's daughter by the airs she puts on; I'd like
to keep her myself if she was a little older, and I wasn't goin' away
from here."
"I s'pose they'll make an awful row at being separated, won't they?"
asked the younger woman.
"Oh, like as not; but they'll have to have their row and get over it,"
said Mrs. Simmons easily. "You can take Timothy to the Orphan Asylum
first, and then come back, and I'll carry the baby to the Home of the
Ladies' Relief and Protection Society; and if they yell they can yell,
and take it out in yellin'; they won't get the best of Nancy Simmons."
"Don't talk so loud, Nancy, for mercy's sake. If the boy hears you,
he'll begin to take on, and we sha'n't get a wink of sleep. Don't let
'em know what you're goin' to do with 'em till the last minute, or
you'll have trouble as sure as we sit here."
"Oh, they are sound asleep," responded Mrs. Simmons, with an uneasy look
at the half-open door. "I went in and dragged a pillow out from under
Timothy's head, and he never budged. He was sleepin' like a log, and so
was Gay. Now, shut up, Et, and let me get three winks myself. You take
the lounge, and I'll stretch out in two chairs. Wake me up at eight
o'clock, if I don't wake myself; for I'm clean tired out with all this
fussin' and plannin', and I feel stupid enough to sleep till kingdom
come."
SCENE II.
_Number Three, Minerva Court, First floor back._
LITTLE TIMOTHY JESSUP ASSUMES PARENTAL RESPONSIBILITIES.
When the snores of the two watchers fell on the stillness of the
death-chamber, with that cheerful regularity that betokens the sleep of
the truly good, a little figure crept out of the bed in the adjoining
room and closed the door noiselessly, but with trembling fingers;
stealing then to the window to look out at the dirty street and the gray
sky over which the first faint streaks of dawn were beginning to creep.
It was little Timothy Jessup (God alone knows whether he had any right
to that special patronymic), but not the very same Tim Jessup who had
kissed the baby Gay in her little crib, and gone to sleep on his own
hard bed in that room, a few hours before. As he stood shivering at the
window, one thin hand hard pressed upon his heart to still its beating,
there was a light of sudden resolve in his eyes, a new-born look of
anxiety on his unchildlike face.
"I will not have Gay protectioned and reliefed, and I will not be taken
away from her and sent to a 'sylum, where I can never find her again!"
and with these defiant words trembling, half spoken, on his lips, he
glanced from the unconscious form in the crib to the terrible door,
which might open at any moment and divide him from his heart's delight,
his darling, his treasure, his only joy, his own, own baby Gay.
But what should he do? Run away: that was the only solution of the
matter, and no very difficult one either. The cruel women were asleep;
the awful Thing that had been Flossy would never speak again; and no one
else in Minerva Court cared enough for them to pursue them very far or
very long.
"And so," thought Timothy swiftly, "I will get things ready, take Gay,
and steal softly out of the back door, and run away to the 'truly'
country, where none of these bad people ever can find us, and where I
can get a mother for Gay; somebody to 'dopt her and love her till I
grow up a man and take her to live with me."
The moment this thought darted into Timothy's mind, it began to shape
itself in definite action.
Gabrielle, or Lady Gay, as Flossy called her, in honor of her favorite
stage heroine, had been tumbled into her crib half dressed the night
before. The only vehicle kept for her use in the family stables was a
clothes-basket, mounted on four wooden wheels and cushioned with a dingy
shawl. A yard of clothes-line was tied on to one end, and in this humble
conveyance the Princess would have to be transported from the Ogre's
castle; for she was scarcely old enough to accompany the Prince on foot,
even if he had dared to risk detection by waking her: so the
clothes-basket must be her chariot, and Timothy her charioteer, as on
many a less fateful expedition.
After he had changed his ragged night-gown for a shabby suit of clothes,
he took Gay's one clean apron out of a rickety bureau drawer ("for I can
never find a mother for her if she's too dirty," he thought), her Sunday
hat from the same receptacle, and last of all a comb, and a faded
Japanese parasol that stood in a corner. These he deposited under the
old shawl that decorated the floor of the chariot. He next groped his
way in the dim light toward a mantelshelf, and took down a
savings-bank,--a florid little structure with "Bank of England" stamped
over the miniature door, into which the jovial gentleman who frequented
the house often slipped pieces of silver for the children, and into
which Flossy dipped only when she was in a state of temporary financial
embarrassment. Timothy did not dare to jingle it; he could only hope
that as Flossy had not been in her usual health of late (though in more
than her usual "spirits"), she had not felt obliged to break the bank.
Now for provisions. There were plenty of "funeral baked meats" in the
kitchen; and he hastily gathered a dozen cookies into a towel, and
stowed them in the coach with the other sinews of war.
So far, well and good; but the worst was to come. With his heart beating
in his bosom like a trip-hammer, and his eyes dilated with fear, he
stepped to the door between the two rooms, and opened it softly. Two
thundering snores, pitched in such different keys that they must have
proceeded from two separate sets of nasal organs, reassured the boy. He
looked out into the alley. "Not a creature was stirring, not even a
mouse." The Minerva Courtiers couldn't be owls and hawks too, and there
was not even the ghost of a sound to be heard. Satisfied that all was
well, Timothy went back to the bedroom, and lifted the battered
clothes-basket, trucks and all, in his slender arms, carried it up the
alley and down the street a little distance, and deposited it on the
pavement beside a vacant lot. This done, he sped back to the house. "How
beautifully they snore!" he thought, as he stood again on the threshold.
"Shall I leave 'em a letter?... P'raps I better ... and then they won't
follow us and bring us back." So he scribbled a line on a bit of torn
paper bag, and pinned it on the enemies' door.
"A kind Lady is goin to Adopt us it is
a Grate ways off so do not Hunt good by. TIM."
Now all was ready. No; one thing more. Timothy had been met in the
street by a pretty young girl a few weeks before. The love of God was
smiling in her heart, the love of children shining in her eyes; and she
led him, a willing captive, into a mission Sunday-school near by. And so
much in earnest was the sweet little teacher, and so hungry for any sort
of good tidings was the starved little pupil, that Timothy "got
religion" then and there, as simply and naturally as a child takes its
mother's milk. He was probably in a state of crass ignorance regarding
the Thirty-nine Articles; but it was the "engrafted word," of which the
Bible speaks, that had blossomed in Timothy's heart; the living seed had
always been there, waiting for some beneficent fostering influence; for
he was what dear Charles Lamb would have called a natural
"kingdom-of-heavenite." Thinking, therefore, of Miss Dora's injunction
to pray over all the extra-ordinary affairs of life and as many of the
ordinary ones as possible, he hung his tattered straw hat on the
bedpost, and knelt beside Gay's crib with this whispered prayer:--
"_Our Father who art in heaven, please help me to find a mother for Gay,
one that she can call Mamma, and another one for me, if there's enough,
but not unless. Please excuse me for taking away the clothes-basket,
which does not exactly belong to us; but if I do not take it, dear
heavenly Father, how will I get Gay to the railroad? And if I don't take
the Japanese umbrella she will get freckled, and nobody will adopt her.
No more at present, as I am in a great hurry. Amen._"
He put on his hat, stooped over the sleeping baby, and took her in his
faithful arms,--arms that had never failed her yet. She half opened her
eyes, and seeing that she was safe on her beloved Timothy's shoulder,
clasped her dimpled arms tight about his neck, and with a long sigh
drifted off again into the land of dreams. Bending beneath her weight,
he stepped for the last time across the threshold, not even daring to
close the door behind him.
Up the alley and round the corner he sped, as fast as his trembling legs
could carry him. Just as he was within sight of the goal of his
ambition, that is, the chariot aforesaid, he fancied he heard the sound
of hurrying feet behind him. To his fevered imagination the tread was
like that of an avenging army on the track of the foe. He did not dare
to look behind. On! for the clothes-basket and liberty! He would
relinquish the Japanese umbrella, the cookies, the comb, and the
apron,--all the booty, in fact,--as an inducement for the enemy to
retreat, but he would never give up the prisoner.
On the feet hurried, faster and faster. He stooped to put Gay in the
basket, and turned in despair to meet his pursuers, when a little,
grimy, rough-coated, lop-eared, split-tailed thing, like an animated
rag-bag, leaped upon his knees; whimpering with joy, and imploring, with
every grace that his simple doggish heart could suggest, to be one of
the eloping party.
Rags had followed them!
Timothy was so glad to find it no worse that he wasted a moment in
embracing the dog, whose delirious joy at the prospect of this probably
dinnerless and supperless expedition was ludicrously exaggerated. Then
he took up the rope and trundled the chariot gently down a side street
leading to the station.
Everything worked to a charm. They met only an occasional milk (and
water) man, starting on his matutinal rounds, for it was now after four
o'clock, and one or two cavaliers of uncertain gait, just returning to
their homes, several hours too late for their own good; but these
gentlemen were in no condition of mind to be over-interested, and the
little fugitives were troubled with no questions as to their intentions.
And so they went out into the world together, these three: Timothy
Jessup (if it was Jessup), brave little knight, nameless nobleman,
tracing his descent back to God, the Father of us all, and bearing
the Divine likeness more than most of us; the little Lady
Gay,--somebody--nobody--anybody,--from nobody knows where,--destination
equally uncertain; and Rags, of pedigree most doubtful, scutcheon quite
obscured by blots, but a perfect gentleman, true-hearted and loyal to
the core,--in fact, an angel in fur. These three, with the
clothes-basket as personal property and the Bank of England as security,
went out to seek their fortune; and, unlike Lot's wife, without daring
to look behind, shook the dust of Minerva Court from off their feet
forever and forever.
SCENE III.
_The Railway Station._
TIMOTHY PLANS A CAMPAIGN, AND PROVIDENCE ASSISTS MATERIALLY IN CARRYING
IT OUT, OR VICE VERSA.
By dint of skillful generalship, Timothy gathered his forces on a green
bank just behind the railway depot, cleared away a sufficient number of
tin cans and oyster-shells to make a flat space for the chariot of war,
which had now become simply a cradle, and sat down, with Rags curled up
at his feet, to plan the campaign.
He pushed back the ragged hat from his waving hair, and, clasping his
knees with his hands, gazed thoughtfully at the towering chimneys in the
foreground and the white-winged ships in the distant harbor. There was a
glimpse of something like a man's purpose in the sober eyes; and as the
morning sunlight fell upon his earnest face, the angel in him came to
the surface, and crowded the "boy part" quite out of sight, as it has a
way of doing sometimes with children.
How some father-heart would have throbbed with pride to own him, and how
gladly lifted the too heavy burden from his childish shoulders!
Timothy Jessup, aged ten or eleven, or thereabouts (the records had not
been kept with absolute exactness)--Timothy Jessup, somewhat ragged, all
forlorn, and none too clean at the present moment, was a poet,
philosopher, and lover of the beautiful. The dwellers in Minerva Court
had never discovered the fact; for, although he had lived in that world,
he had most emphatically never been of it. He was a boy of strange
notions, and the vocabulary in which he expressed them was stranger
still; further-more, he had gentle manners, which must have been
indigenous, as they had certainly never been cultivated; and, although
he had been in the way of handling pitch for many a day, it had been
helpless to defile him, such was the essential purity of his nature.
To find a home and a mother for Lady Gay had been Timothy's secret
longing ever since he had heard people say that Flossy might die. He
had once enjoyed all the comforts of a Home with a capital H; but it was
the cosy one with the little "h" that he so much desired for her.
Not that he had any ill treatment to remember in the excellent
institution of which he was for several years an inmate. The matron was
an amiable and hard-working woman, who wished to do her duty to all the
children under her care; but it would be an inspired human being indeed
who could give a hundred and fifty motherless or fatherless children all
the education and care and training they needed, to say nothing of the
love that they missed and craved. What wonder, then, that an occasional
hungry little soul, starved for want of something not provided by the
management; say, a morning cuddle in father's bed or a ride on father's
knee,--in short, the sweet daily jumble of lap-trotting, gentle
caressing, endearing words, twilight stories, motherly tucks-in-bed,
good-night kisses,--all the dear, simple, every-day accompaniments of
the home with the little "h."
Timothy Jessup, bred in such an atmosphere, would have gladdened every
life that touched his at any point. Plenty of wistful men and women
would have thanked God nightly on their knees for the gift of such a
son; and here he was, sitting on a tin can, bowed down with family
cares, while thousands of graceless little scalawags were slapping the
faces of their French nurse-maids and bullying their parents, in that
very city.--Ah me!
As for the tiny Lady Gay, she had all the winsome virtues to recommend
her. No one ever feared that she would die young out of sheer goodness.
You would not have loved her so much for what she was as because you
couldn't help yourself. This feat once accomplished, she blossomed into
a thousand graces, each one more bewitching than the last you noted.
Where, in the name of all the sacred laws of heredity, did the child get
her sunshiny nature? Born in misery, and probably in sin, nurtured in
wretchedness and poverty, she had brought her "radiant morning visions"
with her into the world. Like Wordsworth's immortal babe, "with trailing
clouds of glory" had she come, from God who was her home; and the heaven
that lies about us all in our infancy,--that Garden of Eden into which
we are all born, like the first man and the first woman,--that heaven
lay about her still, stronger than the touch of earth.
What if the room were desolate and bare? The yellow sunbeams stole
through the narrow window, and in the shaft of light they threw across
the dirty floor Gay played,--oblivious of everything save the flickering
golden rays that surrounded her.
The raindrops chasing each other down the dingy pane, the snowflakes
melting softly on the casement, the brown leaf that the wind blew into
her lap as she sat on the sidewalk, the chirp of the little
beggar-sparrows over the cobblestones, all these brought as eager a
light into her baby eyes as the costliest toy. With no earthly father or
mother to care for her, she seemed to be God's very own baby, and He
amused her in his own good way; first by locking her happiness within
her own soul (the only place where it is ever safe for a single moment),
and then by putting her under Timothy's paternal ministrations.
Timothy's mind traveled back over the past, as he sat among the tin cans
and looked at Rags and Gay. It was a very small story, if he ever found
any one who would care to hear it. There was a long journey in a great
ship, a wearisome illness of many weeks,--or was it months?--when his
curls had been cut off, and all his memories with them; then there was
the Home; then there was Flossy, who came to take him away; then--oh,
bright, bright spot! oh, blessed time!--there was baby Gay; then, worse
than all, there was Minerva Court. But he did not give many minutes to
reminiscence. He first broke open the Bank of England, and threw it
away, after finding to his joy that their fortune amounted to one dollar
and eighty-five cents. This was so much in advance of his expectations
that he laughed aloud; and Rags, wagging his tail with such vigor that
he nearly broke it in two, jumped into the cradle and woke the baby.
Then there was a happy family circle, you may believe me, and with good
reason, too! A trip to the country (meals and lodging uncertain, but
that was a trifle), a sight of green meadows, where Tim would hear real
birds sing in the trees, and Gay would gather wild flowers, and Rags
would chase, and perhaps--who knows?--catch toothsome squirrels and fat
little field-mice, of which the country dogs visiting Minerva Court had
told the most mouth-watering tales. Gay's transport knew no bounds. Her
child-heart felt no regret for the past, no care for the present, no
anxiety for the future. The only world she cared for was in her sight;
and she had never, in her brief experience, gazed upon it with more
radiant anticipation than on this sunny June morning, when she had
opened her bright eyes on a pleasant, odorous bank of oyster-shells,
instead of on the accustomed surroundings of Minerva Court.
Breakfast was first in order.
There was a pump conveniently near, and the oyster-shells made capital
cups. Gay had three cookies, Timothy two, and Rags one; but there was no
statute of limitations placed on the water; every one had as much as he
could drink.
The little matter of toilets came next. Timothy took the dingy rag which
did duty for a handkerchief, and, calling the pump again into
requisition, scrubbed Gay's face and hands tenderly, but firmly. Her
clothes were then all smoothed down tidily, but the clean apron was kept
for the eventful moment when her future mother should first be allowed
to behold the form of her adopted child.
The comb was then brought out, and her mop of red-gold hair was assisted
to fall in wet spirals all over her lovely head, which always "wiggled"
too much for any more formal style of hair-dressing. Her Sunday hat
being tied on, as the crowning glory, this lucky little princess, this
child of Fortune, so inestimably rich in her own opinion, this daughter
of the gods, I say, was returned to the basket, where she endeavored to
keep quiet until the next piece of delightful unexpectedness should rise
from fairy-land upon her excited gaze.
Timothy and Rags now went to the pump, and Rags was held under the
spout. This was a new and bitter experience, and he wished for a few
brief moments that he had never joined the noble army of deserters, but
had stayed where dirt was fashionable. Being released, the sense of
abnormal cleanliness mounted to his brain, and he tore breathlessly
round in a circle seventy-seven times without stopping. But this only
dried his hair and amused Gay, who was beginning to find the basket
confining, and who clamored for "Timfy" to take her to "yide."
Timothy attended to himself last, as usual. He put his own head under
the pump, and scrubbed his face and hands heartily; wiping them on
his--well, he wiped them, and that is the main thing; besides, his
handkerchief had been reduced to a pulp in Gay's service. He combed his
hair, pulled up his stockings and tied his shoes neatly, buttoned his
jacket closely over his shirt, and was just pinning up the rent in his
hat, when Rags considerately brought another suggestion in the shape of
an old chicken-wing, with which he brushed every speck of dust from his
clothes. This done, and being no respecter of persons, he took the
family comb to Rags, who woke the echoes during the operation, and hoped
to the Lord that the squirrels would run slowly and that the field-mice
would be very tender, to pay him for this.
It was now nearly eight o'clock, and the party descended the hillside
and entered the side door of the station.
The day's work had long since begun, and there was the usual din and
uproar of railroad traffic. Trucks, laden high with boxes and barrels,
were being driven to the wide doors, and porters were thundering and
thumping and lurching the freight from one set of cars into another;
their primary objects being to make a racket and demolish raw material,
thereby increasing manufacture and export, but incidentally to load or
unload as much freight as possible in a given time.
Timothy entered, trundling his carriage, where Lady Gay sat enthroned
like a Murray Hill belle on a dog-cart, conscious pride of Sunday hat on
week-day morning exuding from every feature; and Rags followed close
behind, clean, but with a crushed spirit, which he could stimulate only
by the most seductive imaginations. No one molested them, for Timothy
was very careful not to get in any one's way. Finally, he drew up in
front of a high blackboard, on which the names of various way-stations
were printed in gold letters:--
CHESTERTOWN.
SANDFORD.
REEDVILLE.
BINGHAM.
SKAGGSTOWN.
ESBURY.
SCRATCH CORNER.
HILLSIDE.
MOUNTAIN VIEW.
EDGEWOOD.
PLEASANT RIVER.
"The names get nicer and nicer as you read down the line, and the
furtherest one of all is the very prettiest, so I guess we'll go there,"
thought Timothy, not realizing that his choice was based on most
insecure foundations; and that, for aught he knew, the milk of human
kindness might have more cream on it at Scratch Corner than at Pleasant
River, though the latter name was certainly more attractive.
Gay approved of Pleasant River, and so did Rags; and Timothy moved off
down the station to a place on the open platform where a train of cars
stood ready for starting, the engine at the head gasping and puffing and
breathing as hard as if it had an acute attack of asthma.
"How much does it cost to go to Pleasant River, please?" asked Tim,
bravely, of a kind-looking man in a blue coat and brass buttons, who
stood by the cars.
"This is a freight train, sonny," replied the man; "takes four hours to
get there. Better wait till 10.45; buy your ticket up in the station."
"10.45!" Tim saw visions of Mrs. Simmons speeding down upon him in hot
pursuit, kindled by Gay's disappearance into an appreciation of her
charms.
The tears stood in his eyes as Gay clambered out of the basket, and
danced with impatience, exclaiming, "Gay wants to yide now! yide now!
yide now!"
"Did you want to go sooner?" asked the man, who seemed to be entirely
too much interested in humanity to succeed in the railroad business.
"Well, as you seem to have consid'rable of a family on your hands, I
guess we'll take you along. Jim, unlock that car and let these children
in, and then lock it up again. It's a car we're taking up to the end of
the road for repairs, bubby, so the comp'ny 'll give you and your folks
a free ride!"
Timothy thanked the man in his politest manner, and Gay pressed a piece
of moist cooky in his hand, and offered him one of her swan's-down
kisses, a favor of which she was usually as chary as if it had possessed
a market value.
"Are you going to take the dog?" asked the man, as Rags darted up the
steps with sniffs and barks of ecstatic delight. "He ain't so handsome
but you can get another easy enough!" (Rags held his breath in suspense,
and wondered if he had been put under a roaring cataract, and then
ploughed in deep furrows with a sharp-toothed instrument of torture,
only to be left behind at last!)
"That's just why I take him," said Timothy; "because he isn't handsome
and has nobody else to love him."
("Not a very polite reason," thought Rags; "but anything to go!")
"Well, jump in, dog and all, and they'll give you the best free ride to
the country you ever had in your life! Tell 'em it's all right, Jim;"
and the train steamed out of the depot, while the kind man waved his
bandana handkerchief until the children were out of sight.
SCENE IV.
_Pleasant River._
JABE SLOCUM ASSUMES THE RÔLE OF GUARDIAN ANGEL.
Jabe Slocum had been down to Edgewood, and was just returning to the
White Farm, by way of the cross-roads and Hard Scrabble school-house. He
was in no hurry, though he always had more work on hand than he could
leave undone for a month; and Maria also was taking her own time, as
usual, even stopping now and then to crop an unusually sweet tuft of
grass that grew within smelling distance, and which no mare (with a
driver like Jabe) could afford to pass without notice.
Jabe was ostensibly out on an "errant" for Miss Avilda Cummins; but, as
he had been in her service for six years, she had no expectations of his
accomplishing anything beyond getting to a place and getting back in the
same day, the distance covered being no factor at all in the matter.
But one needn't go to Miss Avilda Cummins for a description of Jabe
Slocum's peculiarities. They were all so written upon his face and
figure and speech that the wayfaring man, though a fool, could not err
in his judgment. He was a long, loose, knock-kneed, slack-twisted
person, and would have been "longer yit if he hedn't hed so much turned
up for feet,"--so Aunt Hitty Tarbox said. (Aunt Hitty went from house to
house in Edgewood and Pleasant River, making over boys' clothes; and as
her tongue flew as fast as her needle, her sharp speeches were always in
circulation in both villages.)
Mr. Slocum had sandy hair, high cheekbones, a pair of kindly light blue
eyes, and a most unique nose: I hardly know to what order of
architecture it belonged,--perhaps Old Colonial would describe it as
well as anything else. It was a wide, flat, well-ventilated, hospitable
edifice (so to speak), so peculiarly constructed and applied that
Samantha Ann Ripley (of whom more anon) declared that "the reason Jabe
Slocum ketched cold so easy was that, if he didn't hold his head jess
so, it kep' a-rainin' in!"
His mouth was simply an enormous slit in his face, and served all the
purposes for which a mouth is presumably intended, save, perhaps, the
trivial one of decoration. In short (a ludicrously inappropriate word
for the subject), it was a capital medium for exits and entrances, but
no ornament to his countenance. When Rhapsena Crabb, now deceased, was
first engaged to Jabez Slocum, Aunt Hitty Tarbox said it beat her "how
Rhapseny ever got over Jabe's mouth; though she could 'a' got intew it
easy 'nough, or raound it, if she took plenty o' time." But perhaps
Rhapsena appreciated a mouth (in a husband) that never was given to
"jawin'," and which uttered only kind words during her brief span of
married life. And there was precious little leisure for kissing at
Pleasant River!
As Jabe had passed the store, a few minutes before, one of the boys had
called out, facetiously, "Shet yer mouth when ye go by the deepot,
Laigs; the train's comin' in!" But he only smiled placidly, though it
was an ancient joke, the flavor of which had just fully penetrated the
rustic skull; and the villagers could not resist titillating the sense
of humor with it once or twice a month. Neither did Jabez mind being
called "Laigs," the local pronunciation of the word "legs;" in fact,
his good humor was too deep to be ruffled. His "cistern of wrathfulness
was so small, and the supply pipe so unready," that it was next to
impossible to "put him out," so the natives said.
He was a man of tolerable education; the only son of his parents, who
had endeavored to make great things of him, and might perhaps have
succeeded, if he hadn't always had so little time at his
disposal,--hadn't been "so drove," as he expressed it. He went to the
village school as regularly as he couldn't help, that is, as many days
as he couldn't contrive to stay away, until he was fourteen. From there
he was sent to the Academy, three miles distant; but his mother soon
found that he couldn't make the two trips a day and be "under cover by
candlelight;" so the plan of a classical education was abandoned, and he
was allowed to speed the home plough,--a profession which he pursued
with such moderation that his father, when starting him down a furrow,
used to hang his dinner-pail on his arm and, bidding him good-by, beg
him, with tears in his eyes, to be back before sun-down.
At the present moment Jabe was enjoying a cud of Old Virginia plug
tobacco, and taking in no more of the landscape than he could avoid,
when Maria, having wound up to the top of Marm Berry's hill, in spite of
herself walked directly out on one side of the road, and stopped short
to make room for the passage of an imposing procession, made up of one
straw phaeton, one baby, one strange boy, and one strange dog.
Jabe eyed the party with some placid interest, for he loved children,
but with no undue excitement. Shifting his huge quid, he inquired in his
usual leisurely manner, "Which way yer goin', bub,--t' the Swamp or t'
the Falls?"
Timothy thought neither sounded especially inviting, but, rapidly
choosing the lesser evil, replied, "To the Falls, sir."
"Thy way happens to be my way, 's Rewth said to Naomi; so 'f gittin'
over the road's your objeck, 'n' y' ain't pertickler 'baout the gait ye
travel, ye can git in 'n' ride a piece. We don't b'lieve in hurryin',
Mariar 'n' me. Slow 'n' easy goes fur in a day, 's our motto. Can ye git
your folks aboard withaout spillin' any of 'em?"
No wonder he asked, for Gay was in such a wild state of excitement that
she could hardly be held.
"I can lift Gay up, if you'll please take her, sir," said Timothy; "and
if you're quite sure the horse will stand still."
"Bless your soul, she'll stan' all right; she likes stan'in' a heap
better 'n she doos goin'; runnin' away ain't no temptation to Maria
Cummins; let well enough alone 's her motto. Jump in, sissy! There ye
be! Now git yer baby-shay in the back of the wagon, bubby, 'n' we'll be
's snug 's a bug in a rug."
Timothy, whose creed was simple and whose beliefs were crystal clear,
now felt that his morning prayer had been heard, and that the Lord was
on his side; so he abandoned all idea of commanding the situation, and
gave himself up to the full ecstasy of the ride, as they jogged
peacefully along the river road.
Gay held a piece of a rein that peeped from Jabe's colossal hand (which
was said by the villagers to cover most as much territory as the hand of
Providence), and was convinced that she was driving Maria, an idea that
made her speechless with joy.
Rags' wildest dreams of squirrels came true; and, reconciled at length
to cleanliness, he was capering in and out of the woods, thinking what
an Arabian Nights' entertainment he would give the Minerva Court dogs
when he returned, if return he ever must to that miserable, squirrelless
hole.
The meadows on the other side of the river were gorgeous with yellow
buttercups, and here and there a patch of blue iris or wild sage. The
black cherry trees were masses of snowy bloom; the water at the river's
edge held spikes of blue arrowweed in its crystal shallows; while the
roadside itself was gay with daisies and feathery grasses.
In the midst of this loveliness flowed Pleasant River,
"Vexed in all its seaward course by bridges, dams, and mills,"
but finding time, during the busy summer months, to flush its fertile
banks with beauty.
Suddenly (a word that could seldom be truthfully applied to the
description of Jabe Slocum's movements) the reins were ruthlessly drawn
from Lady Gay's hands and wound about the whipstock.
"Gorry!" ejaculated Mr. Slocum, "ef I hain't left the widder Foss
settin' on Aunt Hitty's hoss-block, 'n' I promised to pick her up when I
come along back! That all comes o' my drivin' by the store so fast on
account o' the boys hectorin' of me, so 't when I got to the turn I was
so kind of het up I jogged right along the straight road. Haste makes
waste 's an awful good motto. Pile out, young ones! It's only half a
mile from here to the Falls, 'n' you'll have to get there on Shank's
mare!"
So saying, he dumped the astonished children into the middle of the
road, from whence he had plucked them, turned the docile mare, and with
a "Git, Mariar!" went four miles back to relieve Aunt Hitty's
horse-block from the weight of the widder Foss (which was no joke!).
This turn of affairs was most unexpected, and Gay seemed on the point of
tears; but Timothy gathered her a handful of wild flowers, wiped the
dust from her face, put on the clean blue gingham apron, and established
her in the basket, where she soon fell asleep, wearied by the
excitements of the day.
Timothy's heart began to be a little troubled as he walked on and on
through the leafy woods, trundling the basket behind him. Nothing had
gone wrong; indeed, everything had been much easier than he could have
hoped. Perhaps it was the weariness that had crept into his legs, and
the hollowness that began to appear in his stomach; but, somehow,
although in the morning he had expected to find Gay's new mothers
beckoning from every window, so that he could scarcely choose between
them, he now felt as if the whole race of mothers had suddenly become
extinct.
Soon the village came in sight, nestled in the laps of the green hills
on both sides of the river. Timothy trudged bravely on, scanning all the
dwellings, but finding none of them just the thing. At last he turned
deliberately off the main road, where the houses seemed too near
together and too near the street, for his taste, and trundled his family
down a shady sort of avenue, over which the arching elms met and clasped
hands.
Rags had by this time lowered his tail to half-mast, and kept strictly
to the beaten path, notwithstanding manifold temptations to forsake it.
He passed two cats without a single insulting remark, and his entire
demeanor was eloquent of nostalgia.
"Oh, dear!" sighed Timothy disconsolately; "there's something wrong with
all the places. Either there's no pigeon-house, like in all the
pictures, or no flower garden, or no chickens, or no lady at the window,
or else there's lots of baby-clothes hanging on the wash-lines. I don't
believe I shall ever find"--
At this moment a large, comfortable white house, that had been
heretofore hidden by great trees, came into view. Timothy drew nearer to
the spotless picket fence, and gazed upon the beauties of the side yard
and the front garden,--gazed and gazed, and fell desperately in love at
first sight.
The whole thing had been made as if to order; that is all there is to
say about it. There was an orchard, and, oh, ecstasy! what hosts of
green apples! There was an interesting grindstone under one tree, and a
bright blue chair and stool under another; a thicket of currant and
gooseberry bushes; and a flock of young turkeys ambling awkwardly
through the barn. Timothy stepped gently along in the thick grass, past
a pump and a mossy trough, till a side porch came into view, with a
woman sitting there sewing bright-colored rags. A row of shining tin
pans caught the sun's rays, and threw them back in a thousand glittering
prisms of light; the grasshoppers and crickets chirped sleepily in the
warm grass, and a score of tiny yellow butterflies hovered over a group
of odorous hollyhocks.
Suddenly the person on the porch broke into this cheerful song, which
she pitched in so high a key and gave with such emphasis that the
crickets and grasshoppers retired by mutual consent from any further
competition, and the butterflies suspended operations for several
seconds:--
"I'll chase the antelope over the plain,
The tiger's cob I'll bind with a chain,
And the wild gazelle with the silv'ry feet
I'll bring to thee for a playmate sweet."
Timothy listened intently for some moments, but could not understand the
words, unless the lady happened to be in the menagerie business, which
he thought unlikely, but delightful should it prove true.
His eye then fell on a little marble slab under a tree in a shady corner
of the orchard.
"That's a country doorplate," he thought; "yes, it's got the lady's
name, 'Martha Cummins,' printed on it. Now I'll know what to call her."
He crept softly on to the front side of the house. There were flower
beds, a lovable white cat snoozing on the doorsteps, and--a lady sitting
at the open window knitting!
At this vision Timothy's heart beat so hard against his little jacket
that he could only stagger back to the basket, where Rags and Lady Gay
were snuggled together, fast asleep. He anxiously scanned Gay's face;
moistened his rag of a handkerchief at the only available source of
supply; scrubbed an atrocious dirt spot from the tip of her spirited
nose; and then, dragging the basket along the path leading to the front
gate, he opened it and went in, mounted the steps, plied the brass
knocker, and waited in childlike faith for a summons to enter and make
himself at home.
SCENE V.
_The White Farm. Afternoon._
TIMOTHY FINDS A HOUSE IN WHICH HE THINKS A BABY IS NEEDED, BUT THE
INMATES DO NOT ENTIRELY AGREE WITH HIM.
Meanwhile, Miss Avilda Cummins had left her window and gone into the
next room for a skein of yarn. She answered the knock, however; and,
opening the door, stood rooted to the threshold in speechless
astonishment, very much as if she had seen the shades of her ancestors
drawn up in line in the dooryard.
Off went Timothy's hat. He hadn't seen the lady's face very clearly when
she was knitting at the window, or he would never have dared to knock;
but it was too late to retreat. Looking straight into her cold eyes with
his own shining gray ones, he said bravely, but with a trembling voice,
"Do you need any babies here, if you please?" (Need any babies! What an
inappropriate, nonsensical expression, to be sure; as if a baby were
something exquisitely indispensable, like the breath of life, for
instance!)
No answer. Miss Vilda was trying to assume command of her scattered
faculties and find some clue to the situation. Timothy concluded that
she was not, after all, the lady of the house; and, remembering the
marble doorplate in the orchard, tried again. "Does Miss Martha Cummins
live here, if you please?" (Oh, Timothy! what induced you, in this
crucial moment of your life, to touch upon that sorest spot in Miss
Vilda's memory?)
"What do you want?" she faltered.
"I want to get somebody to adopt my baby," he said; "if you haven't got
any of your own, you couldn't find one half as dear and as pretty as she
is; and you needn't have me too, you know, unless you should need me to
help take care of her."
"You're very kind," Miss Avilda answered sarcastically, preparing to
shut the door upon the strange child; "but I don't think I care to adopt
any babies this afternoon, thank you. You'd better run right back home
to your mother, if you've got one, and know where 't is, anyhow."
"I--haven't!" cried poor Timothy, with a sudden and unpremeditated burst
of tears at the failure of his hopes; for he was half child as well as
half hero. At this juncture Gay opened her eyes, and burst into a wild
howl at the unwonted sight of Timothy's grief; and Rags, who was full of
exquisite sensibility, and quite ready to weep with those who did weep,
lifted up his woolly head and added his piteous wails to the concert. It
was a _tableau vivant_.
"Samanthy Ann!" called Miss Vilda excitedly; "Samanthy Ann! Come right
here and tell me what to do!"
The person thus adjured flew in from the porch, leaving a serpentine
trail of red, yellow, and blue rags in her wake. "Land o' liberty!" she
exclaimed, as she surveyed the group. "Where'd they come from, and what
air they tryin' to act out?"
"This boy's a baby agent, as near as I can make out; he wants I should
adopt this red-headed baby, but says I ain't obliged to take him too,
and makes out they haven't got any home. I told him I wa'n't adoptin'
any babies just now, and at that he burst out cryin', and the other two
followed suit. Now, have the three of 'em just escaped from some
asylum, or are they too little to be lunatics?"
Timothy dried his tears, in order that Gay should be comforted and
appear at her best, and said penitently: "I cried before I thought,
because Gay hasn't had anything but cookies since last night, and she'll
have no place to sleep unless you'll let us stay here just till morning.
We went by all the other houses, and chose this one because everything
was so beautiful."
"Nothin' but cookies sence--Land o' liberty!" ejaculated Samantha Ann,
starting for the kitchen.
"Come back here, Samanthy! Don't you leave me alone with 'em, and don't
let's have all the neighbors runnin' in; you take 'em into the kitchen
and give 'em somethin' to eat, and we'll see about the rest afterwards."
Gay kindled at the first casual mention of food; and, trying to clamber
out of the basket, fell over the edge, thumping her head smartly on the
stone steps. Miss Vilda covered her face with her hands, and waited
shudderingly for another yell, as the child's carnation stocking and
terra-cotta head mingled wildly in the air. But Lady Gay disentangled
herself, and laughed the merriest burst of laughter that ever woke the
echoes. That was a joke; her life was full of them, served fresh every
day; for no sort of adversity could long have power over such a nature
as hers. "Come get supper," she cooed, putting her hand in Samantha's;
adding that the "nasty lady needn't come," a remark that happily escaped
detection, as it was rendered in very unintelligible "early English."
Miss Avilda tottered into the darkened sitting-room and sank on to a
black haircloth sofa, while Samantha ushered the wanderers into the
sunny kitchen, muttering to herself: "Wall, I vow! travelin' over the
country all alone, 'n' not knee-high to a toad! They're send in' out
awful young tramps this season, but they sha'n't go away hungry, if I
know it."
Accordingly, she set out a plentiful supply of bread and butter,
gingerbread, pie, and milk, put a tin plate of cold hash in the shed for
Rags, and swept him out to it with a corn broom; and, telling the
children comfortably to cram their "everlastin' little bread-baskets
full," returned to the sitting-room.
"Now, whatever makes you so panicky, Vildy? Didn't you never see a tramp
before, for pity's sake? And if you're scar't for fear I can't handle
'em alone, why, Jabe 'll be comin' along soon. The prospeck of gittin'
to bed's the only thing that'll make him 'n' Maria hurry; 'n' they'll
both be cal'latin' on that by this time!"
"Samanthy Ann, the first question that that boy asked me was, 'If Miss
Martha Cummins lived here.' Now, what do you make of that?"
Samantha looked as astonished as anybody could wish. "Asked if Marthy
Cummins lived here? How under the canopy did he ever hear Marthy's name?
Wall, somebody told him to ask, that's all there is about it; and what
harm was there in it, anyhow?"
"Oh, I don't know, I don't know; but the minute that boy looked up at me
and asked for Martha Cummins, the old trouble, that I thought was dead
and buried years ago, started right up in my heart and begun to ache
just as if it all happened yesterday."
"Now keep stiddy, Vildy; what could happen?" urged Samantha.
"Why, it flashed across my mind in a minute," and here Miss Vilda
lowered her voice to a whisper, "that perhaps Martha's baby didn't die,
as they told her."
"But, land o' liberty, s'posin' it didn't! Poor Marthy died herself more
'n twenty years ago."
"I know; but supposing her baby didn't die; and supposing it grew up and
died, and left this little girl to roam round the world afoot and
alone?"
"You're cal'latin' dreadful close, 'pears to me; now, don't go s'posin'
any more things. You're makin' out one of them yellow-covered books,
sech as the summer boarders bring out here to read; always chock full of
doin's that never would come to pass in this or any other Christian
country. You jest lay down and snuff your camphire, an' I'll go out an'
pump that boy drier 'n a sand heap!"
Now, Miss Avilda Cummins was unmarried by every implication of her
being, as Henry James would say: but Samantha Ann Ripley was a spinster
purely by accident. She had seldom been exposed to the witcheries of
children, or she would have known long before this that, so far as she
was personally concerned, they would always prove irresistible. She
marched into the kitchen like a general resolved upon the extinction of
the enemy. She walked out again, half an hour later, with the very teeth
of her resolve drawn, but so painlessly that she had not been aware of
the operation! She marched in a woman of a single purpose; she came out
a double-faced diplomatist, with the seeds of sedition and conspiracy
lurking, all unsuspected, in her heart.
The cause? Nothing more than a dozen trifles as "light as air." Timothy
had sat upon a little wooden stool at her feet; and, resting his arms on
her knees, had looked up into her kind, rosy face with a pair of liquid
eyes like gray-blue lakes, eyes which seemed and were the very windows
of his soul. He had sat there telling his wee bit of a story; just a
vague, shadowy, plaintive, uncomplaining scrap of a story, without
beginning, plot, or ending, but every word in it set Samantha Ann
Ripley's heart throbbing.
And Gay, who knew a good thing when she saw it, had climbed up into her
capacious lap, and, not being denied, had cuddled her head into that
"gracious hollow" in Samantha's shoulder, that had somehow missed the
pressure of the childish heads that should have lain there. Then
Samantha's arm had finally crept round the wheedlesome bit of soft
humanity, and before she knew it her chair was swaying gently to and
fro, to and fro, to and fro; and the wooden rockers creaked more sweetly
than ever they had creaked before, for they were singing their first
cradle song!
Then Gay heaved a great sigh of unspeakable satisfaction, and closed her
lovely eyes. She had been born with a desire to be cuddled, and had had
precious little experience of it. At the sound of this happy sigh and
the sight of the child's flower face, with the upward curling lashes on
the pink cheeks and the moist tendrils of hair on the white forehead,
and the helpless, clinging touch of the baby arm about her neck, I
cannot tell you the why or wherefore, but old memories and new desires
began to stir in Samantha Ann Ripley's heart. In short, she had met the
enemy, and she was theirs!
Presently Gay was laid upon the old-fashioned settle, and Samantha
stationed herself where she could keep the flies off her by waving a
palm-leaf fan.
"Now, there's one thing more I want you to tell me," said she, after she
had possessed herself of Timothy's unhappy past, uncertain present, and
still more dubious future; "and that is, what made you ask for Miss
Marthy Cummins when you come to the door?"
"Why, I thought it was the lady-of-the-house's name," said Timothy; "I
saw it on her doorplate."
"But we ain't got any doorplate, to begin with."
"Not a silver one on your door, like they have in the city; but isn't
that white marble piece in the yard a doorplate? It's got 'Martha
Cummins, aged 17,' on it. I thought may be in the country they had them
in their gardens; only I thought it was queer they put their ages on
them, because they'd have to be scratched out every little while,
wouldn't they?"
"My grief!" ejaculated Samantha; "for pity's sake, don't you know a
tombstun when you see it?"
"No; what is a tombstun?"
"Land sakes! what do you know, any way? Didn't you never see a graveyard
where folks is buried?"
"I never went to the graveyard, but I know where it is, and I know
about people's being buried. Flossy is going to be buried. And so the
white stone shows the places where the people are put, and tells their
names, does it? Why, it is a kind of a doorplate, after all, don't you
see? Who is Martha Cummins, aged 17?"
"She was Miss Vildy's sister, and she went to the city, and then come
home and died here, long years ago. Miss Vildy set great store by her,
and can't bear to have her name spoke; so remember what I say. Now, this
'Flossy' you tell me about (of all the fool names I ever hearn tell of,
that beats all,--sounds like a wax doll, with her clo'se sewed on!), was
she a young woman?"
"I don't know whether she was young or not," said Tim, in a puzzled
tone. "She had young yellow hair, and very young shiny teeth, white as
china; but her neck was crackled underneath, like Miss Vilda's;--it had
no kissing places in it like Gay's."
"Well, you stay here in the kitchen a spell now, 'n' don't let in that
rag-dog o' yourn till he stops scratching if he keeps it up till the
crack o' doom;--he's got to be learned better manners. Now, I'll go in
'n' talk to Miss Vildy. She may keep you over night, 'n' she may not; I
ain't noways sure. You started in wrong foot foremost."
SCENE VI.
_The White Farm. Evening._
TIMOTHY, LADY GAY, AND RAGS PROVE FAITHFUL TO EACH OTHER.
Samantha went into the sitting-room and told the whole story to Miss
Avilda; told it simply and plainly, for she was not given to arabesques
in language, and then waited for a response.
"Well, what do you advise doin'?" asked Miss Cummins nervously.
"I don't feel comp'tent to advise, Vilda; the house ain't mine, nor yet
the beds that's in it, nor the victuals in the butt'ry; but as a
professin' Christian and member of the Orthodox Church in good and
reg'lar standin' you can't turn 'em ou'doors when it's comin' on dark
and they ain't got no place to sleep."
"Plenty of good Orthodox folks turned their backs on Martha when she was
in trouble."
"There may be Orthodox hogs, for all I know," replied the blunt
Samantha, who frequently called spades shovels in her search after
absolute truth of statement, "but that ain't no reason why we should
copy after 'em 's I know of."
"I don't propose to take in two strange children and saddle myself with
'em for days, or weeks, perhaps," said Miss Cummins coldly, "but I tell
you what I will do. Supposing we send the boy over to Squire Bean's.
It's near hayin' time, and he may take him in to help round and do
chores. Then we'll tell him before he goes that we'll keep the baby as
long as he gets a chance to work anywheres near. That will give us a
chance to look round for some place for 'em and find out whether they've
told us the truth."
"And if Squire Bean won't take him?" asked Samantha, with as much cold
indifference as she could assume.
"Well, I suppose there's nothing for it but he must come back here and
sleep. I'll go out and tell him so,--I declare I feel as weak as if I'd
had a spell of sickness!"
Timothy bore the news better than Samantha had feared. Squire Bean's
farm did not look so very far away; his heart was at rest about Gay and
he felt that he could find a shelter for himself somewhere.
"Now, how'll the baby act when she wakes up and finds you're gone?"
inquired Miss Vilda anxiously, as Timothy took his hat and bent down to
kiss the sleeping child.
"Well, I don't know exactly," answered Timothy, "because she's always
had me, you see. But I guess she'll be all right, now that she knows you
a little, and if I can see her every day. She never cries except once in
a long while when she gets mad; and if you're careful how you behave,
she'll hardly ever get mad at you."
"Well I vow!" exclaimed Miss Vilda with a grim glance at Samantha, "I
guess she'd better do the behavin'."
So Timothy was shown the way across the fields to Squire Bean's.
Samantha accompanied him to the back gate, where she gave him three
doughnuts and a sneaking kiss, watching him out of sight under the
pretense of taking the towels and napkins off the grass.
It was nearly nine o'clock and quite dark when Timothy stole again to
the little gate of the White Farm. The feet that had traveled so
courageously over the mile walk to Squire Bean's had come back again
slowly and wearily; for it is one thing to be shod with the sandals of
hope, and quite another to tread upon the leaden soles of
disappointment.
He leaned upon the white picket gate listening to the chirp of the frogs
and looking at the fireflies as they hung their gleaming lamps here and
there in the tall grass. Then he crept round to the side door, to
implore the kind offices of the mediator before he entered the presence
of the judge whom he assumed to be sitting in awful state somewhere in
the front part of the house. He lifted the latch noiselessly and
entered. Oh horror! Miss Avilda herself was sprinkling clothes at the
great table on one side of the room. There was a moment of silence.
"He wouldn't have me," said Timothy simply, "he said I wasn't big enough
yet. I offered him Gay, too, but he didn't want her either, and if you
please, I would rather sleep on the sofa so as not to be any more
trouble."
"You won't do any such thing," responded Miss Vilda briskly. "You've
got a royal welcome this time sure, and I guess you can earn your
lodging fast enough. You hear that?" and she opened the door that led
into the upper part of the house.
A piercing shriek floated down into the kitchen, and another on the
heels of that, and then another. Every drop of blood in Timothy's spare
body rushed to his pale grave face. "Is she being whipped?" he
whispered, with set lips.
"No; she needs it bad enough, but we ain't savages. She's only got the
pretty temper that matches her hair, just as you said. I guess we
haven't been behavin' to suit her."
"Can I go up? She'll stop in a minute when she sees me. She never went
to bed without me before, and truly, truly, she's not a cross baby!"
"Come right along and welcome; just so long as she has to stay you're
invited to visit with her. Land sakes! the neighbors will think we're
killin' pigs!" and Miss Vilda started upstairs to show Timothy the way.
Gay was sitting up in bed and the faithful Samantha Ann was seated
beside her with a lapful of useless bribes,--apples, seed-cakes, an
illustrated Bible, a thermometer, an ear of red corn, and a large
stuffed green bird, the glory of the "keeping room" mantelpiece.
But a whole aviary of highly colored songsters would not have assuaged
Gay's woe at that moment. Every effort at conciliation was met with the
one plaint: "I want my Timfy! I want my Timfy!"
At the first sight of the beloved form, Gay flung the sacred bird into
the furthest corner of the room and burst into a wild sob of delight, as
she threw herself into Timothy's loving arms.
Fifteen minutes later peace had descended on the troubled homestead, and
Samantha went into the sitting-room and threw herself into the depths of
the high-backed rocker. "Land o' liberty! perhaps I ain't het-up!" she
ejaculated, as she wiped the sweat of honest toil from her brow and
fanned herself vigorously with her apron. "I tell you what, at five
o'clock I was dreadful sorry I hadn't took Dave Milliken, but now I'm
plaguey glad I didn't! Still" (and here she tried to smooth the green
bird's ruffled plumage and restore him to his perch under the revered
glass case), "still, children will be children."
"Some of 'em's considerable more like wild cats," said Miss Avilda
briefly.
"You just go upstairs now, and see if you find anything that looks like
wild cats; but 't any rate, wild cats or tame cats, we would n't dass
turn 'em ou'doors this time o' night for fear of flyin' in the face of
Providence. If it's a stint He's set us, I don't see but we've got to
work it out somehow."
"I'd rather have some other stint."
"To be sure!" retorted Samantha vigorously. "I never see anybody yet
that didn't want to pick out her own stint; but mebbe if we got just the
one we wanted it wouldn't be no stint! Land o' liberty, what's that!"
There was a crash of falling tin pans, and Samantha flew to investigate
the cause. About ten minutes later she returned, more heated than ever,
and threw herself for the second time into the high-backed rocker.
"That dog's been givin' me a chase, I can tell you! He clawed and
scratched so in the shed that I put him in the wood-house; and he went
and clim' up on that carpenter's bench, and pitched out that little
winder at the top, and fell on to the milk-pan shelf and scattered every
last one of 'em, and then upsot all my cans of termatter plants. But I
couldn't find him, high nor low. All to once I see by the dirt on the
floor that he'd squirmed himself through the skeeter-nettin' door int'
the house, and then I surmised where he was. Sure enough, I crep'
upstairs and there he was, layin' between the two children as snug as
you please. He was snorin' like a pirate when I found him, but when I
stood over the bed with a candle I could see 't his wicked little eyes
was wide open, and he was jest makin' b'lieve sleep in hopes I'd leave
him where he was. Well, I yanked him out quicker 'n scat, 'n' locked him
in the old chicken house, so I guess he'll stay out, now. For folks that
claim to be no blood relation, I declare him 'n' the boy 'n' the baby
beats anything I ever come across for bein' fond of one 'nother!"
There were dreams at the White Farm that night. Timothy went to sleep
with a prayer on his lips; a prayer that God would excuse him for
speaking of Martha's doorplate, and a most imploring postscript to the
effect that God would please make Miss Vilda into a mother for Gay;
thinking as he floated off into the land of Nod, "It'll be awful hard
work, but I don't suppose He cares how hard 't is!"
Lady Gay dreamed of driving beautiful white horses beside sparkling
waters ... and through flowery meadows ... And great green birds perched
on all the trees and flew towards her as if to peck the cherries of her
lips ... but when she tried to beat them off they all turned into
Timothys and she hugged them close to her heart ...
Rags' visions were gloomy, for he knew not whether the Lady with the
Firm Hand would free him from his prison in the morning, or whether he
was there for all time ... But there were intervals of bliss when his
fancies took a brighter turn ... when Hope smiled ... and he bit the
white cat's tail ... and chased the infant turkeys ... and found sweet,
juicy, delicious bones in unexpected places ... and even inhaled, in
exquisite anticipation, the fragrance of one particularly succulent bone
that he had hidden under Miss Vilda's bed.
Sleep carried Samantha so many years back into the past that she heard
the blithe din of carpenters hammering and sawing on a little house
that was to be hers, his, _theirs_. ... And as she watched them, with
all sorts of maidenly hopes about the home that was to be ... some one
stole up behind and caught her at it, and she ran away blushing ... and
some one followed her ... and they watched the carpenters together. ...
Somebody else lived in the little house now, and Samantha never blushed
any more, but that part was mercifully hidden in the dream.
Miss Vilda's slumber was troubled. She seemed to be walking through
peaceful meadows, brown with autumn, when all at once there rose in the
path steep hills and rocky mountains ... She felt too tired and too old
to climb, but there was nothing else to be done ... And just as she
began the toilsome ascent, a little child appeared, and catching her
helplessly by the skirts implored to be taken with her ... And she
refused and went on alone ... but, miracle of miracles, when she reached
the crest of the first hill the child was there before her, still
beseeching to be carried ... And again she refused, and again she
wearily climbed the heights alone, always meeting the child when she
reached their summits, and always enacting the same scene.... At last
she cried in despair, "Ask me no more, for I have not even strength
enough for my own needs!" ... And the child said, "I will help you;" and
straightway crept into her arms and nestled there as one who would not
be denied ... and she took up her burden and walked.... And as she
climbed the weight grew lighter and lighter, till at length the clinging
arms seemed to give her peace and strength ... and when she neared the
crest of the highest mountain she felt new life throbbing in her veins
and new hopes stirring in her heart, and she remembered no more the pain
and weariness of her journey.... And all at once a bright angel appeared
to her and traced the letters of a word upon her forehead and took the
child from her arms and disappeared.... And the angel had the lovely
smile and sad eyes of Martha ... and the word she traced on Miss Vilda's
forehead was "Inasmuch"!
SCENE VII.
_The Old Homestead._
MISTRESS AND MAID FIND TO THEIR AMAZEMENT THAT A CHILD, MORE THAN ALL
OTHER GIFTS, BRINGS HOPE WITH IT AND FORWARD LOOKING THOUGHTS.
It was called the White Farm, not because that was an unusual color in
Pleasant River. Nineteen out of every twenty houses in the village were
painted white, for it had not then entered the casual mind that any
other course was desirable or possible. Occasionally, a man of riotous
imagination would substitute two shades of buff, or make the back of his
barn red, but the spirit of invention stopped there, and the majority of
sane people went on painting white. But Miss Avilda Cummins was blessed
with a larger income than most of the inhabitants of Pleasant River, and
all her buildings, the great house, the sheds, the carriage and dairy
houses, the fences and the barn, were always kept in a state of dazzling
purity; "as if," the neighbors declared, "S'manthy Ann Ripley went over
'em every morning with a dust-cloth."
It was merely an accident that the carriage and work horses chanced to
be white, and that the original white cats of the family kept on having
white kittens to decorate the front doorsteps. It was not accident,
however, but design, that caused Jabe Slocum to scour the country for a
good white cow and persuade Miss Cummins to swap off the old red one, so
that the "critters" in the barn should match.
Miss Avilda had been born at the White Farm; father and mother had been
taken from there to the old country churchyard, and "Martha, aged 17,"
poor, pretty, willful Martha, the greatest pride and greatest sorrow of
the family, was lying under the apple trees in the garden.
Here also the little Samantha Ann Ripley had come as a child years ago,
to be playmate, nurse, and companion to Martha, and here she had stayed
ever since, as friend, adviser, and "company-keeper" to the lonely Miss
Cummins. Nobody in Pleasant River would have dared to think of her as
anybody's "hired help," though she did receive bed and board, and a
certain sum yearly for her services; but she lived with Miss Cummins on
equal terms, as was the custom in the good old New England villages,
doing the lion's share of the work, and marking her sense of the
situation by washing the dishes while Miss Avilda wiped them, and by
never suffering her to feed the pig or go down cellar.
Theirs had been a dull sort of life, in which little had happened to
make them grow into sympathy with the outside world. All the sweetness
of Miss Avilda's nature had turned to bitterness and gall after Martha's
disgrace, sad home-coming, and death. There had been much to forgive,
and she had not had the grace nor the strength to forgive it until it
was too late. The mystery of death had unsealed her eyes, and there had
been a moment when the sad and bitter woman might have been drawn closer
to the great Father-heart, there to feel the throb of a Divine
compassion that would have sweetened the trial and made the burden
lighter. But the minister of the parish proved a sorry comforter and
adviser in these hours of trial. The Reverend Joshua Beckwith, whose
view of God's universe was about as broad as if he had lived on the
inside of his own pork-barrel, had cherished certain strong and
unrelenting opinions concerning Martha's final destination, which were
not shared by Miss Cummins. Martha, therefore, was not laid with the
elect, but was put to rest in the orchard, under the kindly,
untheological shade of the apple trees; and they scattered their tinted
blossoms over her little white headstone, shed their fragrance about her
quiet grave, and dropped their ruddy fruit in the high grass that
covered it, just as tenderly and respectfully as if they had been
regulation willows. The Reverend Joshua thus succeeded in drying up the
springs of human sympathy in Miss Avilda's heart when most she needed
comfort and gentle teaching; and, distrusting God for the moment, as
well as his inexorable priest, she left her place in the old
meeting-house where she had "worshiped" ever since she had acquired
adhesiveness enough to stick to a pew, and was not seen there again for
many years. The Reverend Joshua had died, as all men must and as most
men should; and a mild-voiced successor reigned in his place; so the
Cummins pew was occupied once more.
Samantha Ann Ripley had had her heart history too,--one of a different
kind. She had "kept company" with David Milliken for a little matter of
twenty years, off and on, and Miss Avilda had expected at various times
to lose her friend and helpmate; but fear of this calamity had at length
been quite put to rest by the fourth and final rupture of the bond, five
years before.
There had always been a family feud between the Ripleys and the
Millikens; and when the young people took it into their heads to fall in
love with each other in spite of precedent or prejudice, they found that
the course of true love ran in anything but a smooth channel. It was, in
fact, a sort of village Montague and Capulet affair; but David and
Samantha were no Romeo and Juliet. The climate and general conditions of
life at Pleasant River were not favorable to the development of such
exotics. The old people interposed barriers between the young ones as
long as they lived; and when they died, Dave Milliken's spirit was
broken, and he began to annoy the valiant Samantha by what she called
his "meechin'" ways. In one of his moments of weakness he took a widowed
sister to live with him, a certain Mrs. Pettigrove, of Edgewood, who
inherited the Milliken objection to Ripleys, and who widened the breach
and brought Samantha to the point of final and decisive rupture. The
last straw was the statement, sown broadcast by Mrs. Pettigrove, that
"Samanthy Ann Ripley's father never would 'a' died if he'd ever had any
doctorin'; but 't was the gospel truth that they never had nobody to
'tend him but a hom'pathy man from Scratch Corner, who, of course, bein'
a hom'path, didn't know no more about doctorin' 'n Cooper's cow."
Samantha told David after this that she didn't want to hear him open his
mouth again, nor none of his folks; that she was through with the whole
lot of 'em forever and ever, 'n' she wished to the Lord she'd had sense
enough to put her foot down fifteen years ago, 'n' she hoped he'd enjoy
bein' tread underfoot for the rest of his natural life, 'n' she wouldn't
speak to him again if she met him in her porridge dish. She then
slammed the door and went upstairs to cry as if she were sixteen, as she
watched him out of sight. Poor Dave Milliken! just sweet and earnest and
strong enough to suffer at being worsted by circumstances, but never
quite strong enough to conquer them.
And it was to this household that Timothy had brought his child for
adoption.
When Miss Avilda opened her eyes, the morning after the arrival of the
children, she tried to remember whether anything had happened to give
her such a strange feeling of altered conditions. It was
Saturday,--baking day,--that couldn't be it; and she gazed at the little
dimity-curtained window and at the picture of the Death-bed of Calvin,
and wondered what was the matter.
Just then a child's laugh, bright, merry, tuneful, infectious, rang out
from some distant room, and it all came back to her as Samantha Ann
opened the door and peered in.
"I've got breakfast 'bout ready," she said; "but I wish, soon 's you're
dressed, you'd step down 'n' see to it, 'n' let me wash the baby. I
guess water was skerse where she come from!"
"They're awake, are they?"
"Awake? Land o' liberty! As soon as 't was light, and before the boy had
opened his eyes, Gay was up 'n' poundin' on all the doors, 'n'
hollorin' 'S'manfy' (beats all how she got holt o' my name so quick!),
so 't I thought sure she'd disturb your sleep. See here, Vildy, we want
those children should look respectable the few days they're here. I
don't see how we can rig out the boy, but there's those old things of
Marthy's in the attic; seems like it might be a blessin' on 'em if we
used 'em this way."
"I thought of it myself in the night," answered Vilda briefly. "You'll
find the key of the trunk in the light stand drawer. You see to the
children, and I'll get breakfast on the table. Has Jabe come?"
"No; he sent a boy to milk, 'n' said he'd be right along. You know what
that means!"
Miss Vilda moved about the immaculate kitchen, frying potatoes and
making tea, setting on extra portions of bread and doughnuts and a huge
pitcher of milk; while various noises, strange enough in that quiet
house, floated down from above.
"This is dreadful hard on Samanthy," she reflected. "I don't know 's I'd
ought to have put it on her, knowing how she hates confusion and
company, and all that; but she seemed to think we'd got to tough it out
for a spell, any way; though I don't expect her temper 'll stand the
strain very long."
The fact was, Samantha was banging doors and slatting tin pails about
furiously to keep up an ostentatious show of ill humor. She tried her
best to grunt with displeasure when Gay, seated in a wash-tub, crowed
and beat the water with her dimpled hands, so that it splashed all over
the carpet; but all the time there was such a joy tugging at her
heart-strings as they had not felt for years.
When the bath was over, clean petticoats and ankle-ties were chosen out
of the old leather trunk, and finally a little blue and white lawn
dress. It was too long in the skirt, and pending the moment when
Samantha should "take a tack in it," it anticipated the present fashion,
and made Lady Gay look more like a disguised princess than ever. The
gown was low-necked and short-sleeved, in the old style; and Samantha
was in despair till she found some little embroidered muslin capes and
full undersleeves, with which she covered Gay's pink neck and arms.
These things of beauty so wrought upon the child's excitable nature that
she could hardly keep still long enough to have her hair curled; and
Samantha, as the shining rings dropped off her horny forefinger, was
wrestling with the Evil One, in the shape of a little box of jewelry
that she had found with the clothing. She knew that the wish was a
vicious one, and that such gewgaws were out of place on a little pauper
just taken in for the night; but her fingers trembled with a desire to
fasten the little gold ears of corn on the shoulders, or tie the strings
of coral beads round the child's pretty throat.
When the toilet was completed, and Samantha was emptying the tub, Gay
climbed on the bureau and imprinted sloppy kisses of sincere admiration
on the radiant reflection of herself in the little looking-glass; then,
getting down again, she seized her heap of Minerva Court clothes, and,
before the astonished Samantha could interpose, flung them out of the
second-story window, where they fell on the top of the lilac bushes.
"Me doesn't like nasty old dress," she explained, with a dazzling smile
that was a justification in itself; "me likes pretty new dress!" and
then, with one hand reaching up to the door-knob, and the other
throwing disarming kisses to Samantha,--"By-by! Lady Gay go circus now!
Timfy, come, take Lady Gay to circus!"
There was no time for discipline then, and she was borne to the
breakfast-table, where Timothy was already making acquaintance with Miss
Vilda.
Samantha entered, and Vilda, glancing at her nervously, perceived with
relief that she was "taking things easy." Ah! but it was lucky for poor
David Milliken that he couldn't see her at that moment. Her whole face
had relaxed; her mouth was no longer a thin, hard line, but had a
certain curve and fullness, borrowed perhaps from the warmth of innocent
baby-kisses. Embarrassment and stifled joy had brought a rosier color to
her cheek; Gay's vandal hand had ruffled the smoothness of her sandy
locks, so that a few stray hairs were absolutely curling with amazement
that they had escaped from their sleek bondage; in a word, Samantha Ann
Ripley was lovely and lovable!
Timothy had no eyes for any one save his beloved Gay, at whom he gazed
with unspeakable admiration, thinking it impossible that any human
being, with a single eye in its head, could refuse to take such an angel
when it was in the market.
Gay, not being used to a regular morning toilet, had fought against it
valiantly at first; but the tonic of the bath itself and the exercise of
war had brought the color to her cheeks and the brightness to her eyes.
She had forgiven Samantha, she was ready to be on good terms with Miss
Vilda, she was at peace with all the world. That she was eating the
bread of dependence did not trouble her in the least! No royal visitor,
conveying honor by her mere presence, could have carried off a delicate
situation with more distinguished grace and ease. She was perched on a
Webster's Unabridged Dictionary, and immediately began blowing bubbles
in her mug of milk in the most reprehensible fashion; and glancing up
after each naughty effort with an irrepressible gurgle of laughter, in
which she looked so bewitching, even with a milky crescent over her red
mouth, that she would have melted the heart of the most predestinate old
misogynist in Christendom.
Timothy was not so entirely at his ease. His eyes had looked into life
only a few more summers, but their "radiant morning visions" had been
dispelled; experience had tempered joy. Gay, however, had not arrived at
an age where people's motives can be suspected for an instant. If there
had been any possible plummet with which to sound the depths of her
unconscious philosophy, she apparently looked upon herself as a guest
out of heaven, flung down upon this hospitable planet with the single
responsibility of enjoying its treasures.
O happy heart of childhood! Your simple creed is rich in faith, and
trust, and hope. You have not learned that the children of a common
Father can do aught but love and help each other.
SCENE VIII.
_The Old Garden._
JABE AND SAMANTHA EXCHANGE HOSTILITIES, AND THE FORMER SAYS A GOOD WORD
FOR THE LITTLE WANDERERS.
"God Almighty first planted a garden, and it is indeed the purest of all
human pleasures," said Lord Bacon, and Miss Vilda would have agreed with
him. Her garden was not simply the purest of all her pleasures, it was
her only one; and the love that other people gave to family, friends, or
kindred she lavished on her posies.
It was a dear, old-fashioned, odorous garden, where Dame Nature had
never been forced but only assisted to do her duty. Miss Vilda sowed her
seeds in the springtime wherever there chanced to be room, and they came
up and flourished and went to seed just as they liked, those being the
only duties required of them. Two splendid groups of fringed "pinies,"
the pride of Miss Avilda's heart, grew just inside the gate, and hard
by the handsomest dahlias in the village, quilled beauties like carved
rosettes of gold and coral and ivory. There was plenty of feathery
"sparrowgrass," so handy to fill the black and yawning chasms of summer
fireplaces and furnish green for "boquets." There was a stray peach or
greengage tree here and there, and if a plain, well-meaning carrot
chanced to lift its leaves among the poppies, why, they were all the
children of the same mother, and Miss Vilda was not the woman to root
out the invader and fling it into the ditch. There was a bed of yellow
tomatoes, where, in the season, a hundred tiny golden balls hung among
the green leaves; and just beside them, in friendly equality, a tangle
of pink sweet-williams, fragrant phlox, delicate bride's-tears,
canterbury bells blue as the June sky, none-so-pretties, gay cockscombs,
and flaunting marigolds, which would insist on coming up all together,
summer after summer, regardless of color harmonies. Last, but not least,
there was a patch of sweet peas,
"on tiptoe for a flight,
With wings of gentle flush o'er delicate white."
These dispensed their sweet odors so generously that it was a favorite
diversion among the village children to stand in rows outside the fence,
and, elevating their bucolic noses, simultaneously "sniff Miss Cummins'
peas." The garden was large enough to have little hills and dales of its
own, and its banks sloped gently down to the river. There was a gnarled
apple tree hidden by a luxuriant wild grapevine, a fit bower for a
"lov'd Celia" or a "fair Rosamond." There was a spring, whose crystal
waters were "cabined, cribbed, confined" within a barrel sunk in the
earth; a brook singing its way among the alder bushes, and dripping here
and there into pools, over which the blue harebells leaned to see
themselves. There was a summer-house, too, on the brink of the hill; a
weather-stained affair, with a hundred names carved on its venerable
lattices,--names of youths and maidens who had stood there in the
moonlight and plighted rustic vows.
If you care to feel a warm glow in the region of your heart, imagine
little Timothy Jessup sent to play in that garden,--sent to play for
almost the first time in his life! Imagine it, I ask, for there are some
things too sweet to prick with a pen-point. Timothy stayed there
fifteen minutes, and running back to the house in a state of intoxicated
delight went up to Samantha, and laying an insistent hand on hers said
excitedly, "Oh, Samanthy, you didn't tell me--there is shining water
down in the garden; not so big as the ocean, nor so still as the harbor,
but a kind of baby river running along by itself with the sweetest
noise. Please, Miss Vilda, may I take Gay to see it, and will it hurt it
if I wash Rags in it?"
"Let 'em all go," suggested Samantha; "there's Jabe dawdlin' along the
road, and they might as well be out from under foot."
"Don't be too hard on Jabe this morning, Samanthy,--he's been to see the
Baptist minister at Edgewood; you know he's going to be baptized some
time next month."
"Well, he needs it! But land sakes! you couldn't make them Slocums pious
'f you kep' on baptizin' of 'em till the crack o' doom. I never hearn
tell of a Slocum's gittin' baptized in July. They allers take 'em after
the freshets in the spring o' the year, 'n' then they have to be
turrible careful to douse 'em lengthways of the river. Look at him, will
ye? I b'lieve he's grown sence yesterday! If he'd ever stood stiff on
his feet when he was a boy, he needn't 'a' been so everlastin' tall; but
he was forever roostin' on fences' with his laigs danglin', 'n' the heft
of his feet stretched 'em out,--it couldn't do no dif'rent. I ain't got
no patience with him."
"Jabe has considerable many good points," said Miss Cummins loyally;
"he's faithful,--you always know where to find him."
"Good reason why," retorted Samantha. "You always know where to find him
'cause he gen'ally hain't moved sence you seen him last. Gittin'
religion ain't goin' to help him much. If he ever hears tell 'bout the
gate of heaven bein' open 't the last day, he won't 'a' begun to begin
thinkin' 'bout gittin' in tell he hears the door shet in his face; 'n'
then he'll set ri' down's comf'table's if he was inside, 'n' say, 'Wall,
better luck next time: slow an' sure 's my motto!' Good-mornin',
Jabe,--had your dinner?"
"I ain't even hed my breakfast," responded Mr. Slocum easily.
"Blessed are the lazy folks, for they always git their chores done for
'em," remarked Samantha scathingly, as she went to the buttery for
provisions.
"Wall," said Laigs, looking at her with his most irritating smile, as he
sat down at the kitchen table, "I don't find I git thru any more work by
tumblin' out o' bed 't sun-up 'n I dew 'f I lay a spell 'n' let the
univarse git het up 'n' runnin' a leetle mite. 'Slow 'n' easy goes fur
in a day' 's my motto. Rhapseny, she used to say she should think I'd be
ashamed to lay abed so late. 'Wall, I be,' s' I, 'but I'd ruther be
ashamed 'n git up!' But you're an awful good cook, Samanthy, if ye air
allers in a hurry, 'n' if yer hev got a sharp tongue!"
"The less you say 'bout my tongue the better!" snapped Samantha.
"Right you are," answered Jabe with a good-natured grin, as he went on
with his breakfast. He had a huge appetite, another grievance in
Samantha's eyes. She always said "there was no need of his being so
slab-sided 'n' slack-twisted 'n' knuckle-jointed,--that he eat enough in
all conscience, but he wouldn't take the trouble to find the victuals
that would fat him up 'n' fill out his bag o' bones."
Just as Samantha's well-cooked viands began to disappear in Jabe's
capacious mouth (he always ate precisely as if he were stoking an
engine) his eye rested upon a strange object by the wood-box, and he put
down his knife and ejaculated, "Well, I swan! Now when 'n' where'd I see
that baby-shay? Why, 't was yesterday. Well, I vow, them young ones was
comin' here, was they?"
"What young ones?" asked Miss Vilda, exchanging astonished glances with
Samantha.
"And don't begin at the book o' Genesis 'n' go clean through the Bible,
's you gen'ally do. Start right in on Revelations, where you belong,"
put in Samantha; for to see a man unexpectedly loaded to the muzzle with
news, and too lazy to fire it off, was enough to try the patience of a
saint; and even David Milliken would hardly have applied that term to
Samantha Ann Ripley.
"Give a feller time to think, will yer?" expostulated Jabe, with his
mouth full of pie. "Everything comes to him as waits 'd be an awful good
motto for you! Where'd I see 'em? Why, I fetched 'em as fur as the
cross-roads myself."
"Well, I never!" "I want to know!" cried the two women in one breath.
"I picked 'em up out on the road, a little piece this side o' the
station. 'T was at the top o' Marm Berry's hill, that's jest where 't
was. The boy was trudgin' along draggin' the baby 'n' the basket, 'n' I
thought I'd give him a lift, so s' I, 'Goin' t' the Swamp or t' the
Falls?' s' I. 'To the Falls,' s' 'e. 'Git in,' s' I, ''n' I'll give yer
a ride, 'f y' ain't in no hurry,' s' I. So in he got, 'n' the baby tew.
When I got putty near home, I happened ter think I'd oughter gone roun'
by the tan'ry 'n' picked up the Widder Foss, 'n' so s' I, 'I ain't goin'
no nearer to the Falls; but I guess your laigs is good for the balance
o' the way, ain't they?' s' I. 'I guess they be!' s' 'e. Then he thanked
me 's perlite's Deacon Sawyer's first wife, 'n' I left him 'n' his folks
in the road where I found 'em."
"Didn't you ask where he belonged nor where he was bound?"
"'T ain't my way to waste good breath askin' questions 't ain't none o'
my bis'ness," replied Mr. Slocum.
"You're right, it ain't," responded Samantha, as she slammed the
milk-pans in the sink; "'n' it's my hope that some time when you get
good and ready to ask somebody somethin' they'll be in too much of a
hurry to answer you!"
"Be they any of your folks, Miss Vildy?" asked Jabe, grinning with
delight at Samantha's ill humor.
"No," she answered briefly.
"What yer cal'latin' ter do with 'em?"
"I haven't decided yet. The boy says they haven't got any folks nor any
home; and I suppose it's our duty to find a place for 'em. I don't see
but we've got to go to the expense of takin' 'em back to the city and
puttin' 'em in some asylum."
"How'd they happen to come here?"
"They ran away from the city yesterday, and they liked the looks of this
place; that's all the satisfaction we can get out of 'em, and I dare say
it's a pack of lies."
"That boy wouldn't tell a lie no more 'n a seraphim!" said Samantha
tersely.
"You can't judge folks by appearances," answered Vilda. "But anyhow,
don't talk to the neighbors, Jabe; and if you haven't got anything
special on hand to-day, I wish you'd patch the roof of the summer house
and dig us a mess of beet greens. Keep the children with you, and see
what you make of 'em; they're playin' in the garden now."
"All right. I'll size 'em up the best I ken, tho' mebbe it'll hender me
in my work some; but time was made for slaves, as the molasses said when
they told it to hurry up in winter time."
Two hours later, Miss Vilda looked from the kitchen window and saw Jabez
Slocum coming across the road from the garden. Timothy trudged beside
him, carrying the basket of greens in one hand, and the other locked in
Jabe's huge paw; his eyes upturned and shining with pleasure, his lips
moving as if he were chattering like a magpie. Lady Gay was just where
you might have expected to find her, mounted on the towering height of
Jabe's shoulder, one tiny hand grasping his weather-beaten straw hat,
while with the other she whisked her willing steed with an alder switch
which had evidently been cut for that purpose by the victim himself.
"That's the way he's sizin' of 'em up," said Samantha, leaning over
Vilda's shoulder with a smile. "I'll bet they've sized him up enough
sight better 'n he has them!"
Jabe left the children outside, and came in with the basket. Putting his
hat in the wood-box and hitching up his trousers impressively, he sat
down on the settle.
"Them ain't no children to be wanderin' about the earth afoot 'n' alone,
'same 's Hitty went to the beach;' nor they ain't any common truck ter
be put inter 'sylums 'n' poor-farms. There's some young ones that's so
everlastin' chuckle-headed 'n' hombly 'n' contrairy that they ain't
hardly wuth savin'; but these ain't that kind. The baby, now you've got
her cleaned up, is han'somer 'n any baby on the river, 'n' a reg'lar
chunk o' sunshine besides. I'd be willin' ter pay her a little suthin'
for livin' alongside. The boy--well, the boy is a extra-ordinary boy. We
got on tergether's slick as if we was twins. That boy's got idees,
that's what he's got; 'n' he's likely to grow up into--well, 'most
anything."
"If you think so highly of 'em, why don't you adopt 'em?" asked Miss
Vilda curtly. "That's what they seem to think folks ought to do."
"I ain't sure but I shall," Mr. Slocum responded unexpectedly. "If you
can't find a better home for 'em somewheres, I ain't sure but I'll take
'em myself. Land sakes! if Rhapseny was alive I'd adopt 'em quicker 'n
blazes; but marm won't take to the idee very strong, I don't s'pose, 'n'
she ain't much on bringin' up children, as I ken testify. Still, she's a
heap better 'n a brick asylum with a six-foot stone wall round it, when
yer come to that. But I b'lieve we ken do better for 'em. I can say to
folks, 'See here: here's a couple o' smart, han'some children. You can
have 'em for nothin', 'n' needn't resk the onsartainty o' gittin'
married 'n' raisin' yer own; 'n' when yer come ter that, yer wouldn't
stan' no charnce o' gittin' any as likely as these air, if ye did.'"
"That's true as the gospel!" said Samantha. It nearly killed her to
agree with him, but the words were fairly wrung from her unwilling lips
by his eloquence and wisdom.
"Well, we'll see what we can do for 'em," said Vilda in a non-committal
tone; "and here they'll have to stay, for all I see, tell we can get
time to turn round and look 'em up a place."
"And the way their edjercation has been left be," continued Mr. Slocum,
"is a burnin' shame in a Christian country. I don' b'lieve they ever see
the inside of a school-house! I've learned 'em more this mornin' 'n
they ever hearn tell of before, but they're 's ignorant 's Cooper's cow
yit. They don' know tansy from sorrel, nor slip'ry ellum from
pennyroyal, nor burdock from pigweed; they don' know a dand'lion from a
hole in the ground; they don' know where the birds put up when it comes
on night; they never see a brook afore, nor a bull-frog; they never
hearn tell o' cat-o'-nine-tails, nor jack-lanterns, nor see-saws. Land
sakes! we got ter talkin' 'bout so many things that I clean forgot the
summer-house roof. But there! this won't do for me: I must be goin';
there ain't no rest for the workin'-man in this country."
"If there wa'n't no work for him, he'd be wuss off yet," responded
Samantha.
"Right ye are, Samanthy! Look here, when 'd you want that box you give
me to fix?"
"I wanted it before hayin', but I s'pose any time before Thanksgivin'
'll do, seein' it's you."
"What's wuth doin' 't all 's wuth takin' time over, 's my motto," said
Jabe cheerfully, "but seein' it's you, I'll nail that cover on ter night
or bust!"
SCENE IX.
_A Village Sabbath._
"NOW THE END OF THE COMMANDMENT IS CHARITY, OUT OF A PURE HEART."
It was Sunday morning, and the very peace of God was brooding over
Pleasant River. Timothy, Rags, and Gay were playing decorously in the
orchard. Maria was hitched to an apple-tree in the side yard, and stood
there serenely with her eyes half closed, dreaming of oats past and oats
to come. Miss Vilda and Samantha issued from the mosquito-netting door,
clad in Sunday best; and the children approached nearer, that they might
share in the excitement of the departure for "meeting." Gay clamored to
go, but was pacified by the gift of a rag-doll that Samantha had made
for her the evening before. It was a monstrosity, but Gay dipped it
instantly in the alembic of her imagination, and it became a beautiful,
responsive little daughter, which she clasped close in her arms, and on
which she showered the tenderest tokens of maternal affection.
Miss Vilda handed Timothy a little green-paper-covered book, before she
climbed into the buggy. "That's a catechism," she said; "and if you'll
be a good boy and learn the first six pages, and say 'em to me this
afternoon, Samantha 'll give you a top that you can spin on week days."
"What is a catechism?" asked Timothy, as he took the book.
"It's a Sunday-school lesson."
"Oh, then I can learn it," said Timothy, brightening; "I learned three
for Miss Dora, in the city."
"Well, I'm thankful to hear that you've had some spiritual advantages;
now, stay right here in the orchard till Jabe comes; and don't set the
house afire," she added, as Samantha took the reins and raised them for
the mighty slap on Maria's back which was necessary to wake her from her
Sunday slumber.
"Why would I want to set the house afire?" Timothy asked wonderingly.
"Well, I don't know 's you would want to, but I thought you might get
to playin' with matches, though I've hid 'em all."
"Play with matches!" exclaimed Timothy, in wide-eyed astonishment that a
match could appeal to anybody as a desirable plaything. "Oh, no, thank
you; I shouldn't have thought of it."
"I don't know as we ought to have left 'em alone," said Vilda, looking
back, as Samantha urged the moderate Maria over the road; "though I
don't know exactly what they could do."
"Except run away," said Samantha reflectively.
"I wish to the land they would! It would be the easiest way out of a
troublesome matter. Every day that goes by will make it harder for us to
decide what to do with 'em; for you can't do by those you know the same
as if they were strangers."
There was a long main street running through the village north and
south. Toward the north it led through a sweet-scented wood, where the
grass tufts grew in verdant strips along the little-traveled road. It
had been a damp morning, and, though now the sun was shining
brilliantly, the spiders' webs still covered the fields; gossamer laces
of moist, spun silver, through which shone the pink and lilac of the
meadow grasses. The wood was a quiet place, and more than once Miss
Vilda and Samantha had discussed matters there which they would never
have mentioned at the White Farm.
Maria went ambling along serenely through the arcade of trees, where the
sun went wandering softly, "as with his hands before his eyes;"
overhead, the vast blue canopy of heaven, and under the trees the soft
brown leaf carpet, "woven by a thousand autumns."
"I don't know but I could grow to like the baby in time," said Vilda,
"though it's my opinion she's goin' to be dreadful troublesome; but I'm
more 'n half afraid of the boy. Every time he looks at me with those
searchin' eyes of his, I mistrust he's goin' to say something about
Marthy,--all on account of his giving me such a turn when he came to the
door."
"He'd be awful handy round the house, though, Vildy; that is, if he _is_
handy,--pickin' up chips, 'n' layin' fires, 'n' what not; but, 's you
say, he ain't so takin' as the baby at first sight. She's got the same
winnin' way with her that Marthy hed!"
"Yes," said Miss Vilda grimly; "and I guess it's the devil's own way."
"Well, yes, mebbe; 'n' then again mebbe 't ain't. There ain't no reason
why the devil should own all the han'some faces 'n' tunesome laughs, 't
I know of. It doos seem 's if beauty was turrible misleading', 'n' I've
ben glad sometimes the Lord didn't resk none of it on me; for I was
behind the door when good looks was give out, 'n' I'm willin' t' own up
to it; but, all the same, I like to see putty faces roun' me, 'n' I
guess when the Lord sets his mind on it He can make goodness 'n' beauty
git along comf'tably in the same body. When yer come to that, hombly
folks ain't allers as good 's they might be, 'n' no comfort to anybody's
eyes, nuther."
"You think the boy's all right in the upper story, do you? He's a
strange kind of a child, to my thinkin'."
"I ain't so sure but he's smarter 'n we be, but he talks queer, 'n' no
mistake. This mornin' he was pullin' the husks off a baby ear o' corn
that Jabe brought in, 'n' s' 'e, 'S'manthy, I think the corn must be the
happiest of all the veg'tables.' 'How you talk!' s' I; 'what makes you
think that way?'"
"Why, because,' s' 'e, 'God has hidden it away so safe, with all that
shinin' silk round it first, 'n' then the soft leaves wrapped outside o'
the silk. I guess it's God's fav'rite veg'table; don't you, S'manthy?'
s' 'e. And when I was showin' him pictures last night, 'n' he see the
crosses on top some o' the city meetin'-houses, s' 'e, 'They have two
sticks on 'most all the churches, don't they, S'manthy? I s'pose that's
one stick for God, and the other for the peoples.' Well, now, don't you
remember Seth Pennell, o' Buttertown, how queer he was when he was a
boy? We thought he'd never be wuth his salt. He used to stan' in the
front winder 'n' twirl the curtin tossel for hours to a time. And don't
you know it come out last year that he'd wrote a reg'lar book, with
covers on it 'n' all, 'n' that he got five dollars a colume for writin'
poetry verses for the papers?"
"Oh, well, if you mean that," said Vilda argumentatively, "I don't call
writin' poetry any great test of smartness. There ain't been a big fool
in this village for years but could do somethin' in the writin' line. I
guess it ain't any great trick, if you have a mind to put yourself down
to it. For my part, I've always despised to see a great, hulkin' man,
that could handle a hoe or a pitchfork, sit down and twirl a pen-stalk."
"Well, I ain't so sure. I guess the Lord hes his own way o' managin'
things. We ain't all cal'lated to hoe pertaters nor yet to write poetry
verses. There's as much dif'rence in folks 's there is in anybody. Now,
I can take care of a dairy as well as the next one, 'n' nobody was ever
hearn to complain o' my butter; but there was that lady in New York
State that used to make flowers 'n' fruit 'n' graven images out o' her
churnin's. You've hearn tell o' that piece she carried to the
Centennial? Now, no sech doin's 's that ever come into my head. I've
went on makin' round balls for twenty years: 'n', massy on us, don't I
remember when my old butter stamp cracked, 'n' I couldn't get another
with an ear o' corn on it, 'n' hed to take one with a beehive, why, I
was that homesick I couldn't bear to look my butter 'n the eye! But that
woman would have had a new picter on her balls every day, I shouldn't
wonder! (For massy's sake, Maria, don't stan' stock still 'n' let the
flies eat yer right up!) No, I tell yer, it takes all kinds o' folks to
make a world. Now, I couldn't never read poetry. It's so dull, it makes
me feel 's if I'd been trottin' all day in the sun! But there's folks
that can stan' it, or they wouldn't keep on turnin' of it out. The
children are nice children enough, but have they got any folks anywhere,
'n' what kind of folks, 'n' where'd they come from, anyhow: that's what
we've got to find out, 'n' I guess it'll be consid'able of a chore!"
"I don't know but you're right. I thought some of sendin' Jabe to the
city to-morrow."
"Jabe? Well, I s'pose he'd be back by 'nother spring; but who'd we get
ter shovel us out this winter, seein' as there ain't more 'n three men
in the whole village? Aunt Hitty says twenty-year engagements 's goin'
out o' fashion in the big cities, 'n' I'm glad if they be. They'd 'a'
never come _in_, I told her, if there'd ever been an extry man in these
parts, but there never was. If you got holt o' one by good luck, you had
ter _keep_ holt, if 't was two years or twenty-two, or go without. I
used ter be too proud ter go without; now I've got more sense, thanks
be! Why don't you go to the city yourself, Vildy? Jabe Slocum ain't got
sprawl enough to find out anythin' wuth knowin'."
"I suppose I could go, though I don't like the prospect of it very
much. I haven't been there for years, but I'd ought to look after my
property there once in a while. Deary me! it seems as if we weren't ever
going to have any more peace."
"Mebbe we ain't," said Samantha, as they wound up the meeting-house
hill; "but ain't we hed 'bout enough peace for one spell? If peace was
the best thing we could get in this world, we might as well be them old
cows by the side o' the road there. There ain't nothin' so peaceful as a
cow, when you come to that!"
The two women went into the church more perplexed in mind than they
would have cared to confess. During the long prayer (the minister could
talk to God at much greater length than he could talk about Him), Miss
Vilda prayed that the Lord would provide the two little wanderers with
some more suitable abiding-place than the White Farm; and that, failing
this, He would inform his servant whether there was anything unchristian
in sending them to a comfortable public asylum. She then reminded Heaven
that she had made the Foreign Missionary Society her residuary legatee
(a deed that established her claim to being a zealous member of the
fold), so that she could scarcely be blamed for not wishing to take two
orphan children into her peaceful home.
Well, it is no great wonder that so faulty a prayer did not bring the
wished-for light at once; but the ministering angels, who had the
fatherless little ones in their care, did not allow Miss Vilda's mind to
rest quietly. Just as the congregation settled itself after the hymn,
and the palm-leaf fans began to sway in the air, a swallow flew in
through the open window; and, after fluttering to and fro over the
pulpit, hid itself in a dark corner, unnoticed by all save the small
boys of the congregation, to whom it was, of course, a priceless boon.
But Miss Vilda could not keep her wandering thoughts on the sermon any
more than if she had been a small boy. She was anything but
superstitious; but she had seen that swallow, or some of its ancestors,
before.... It had flown into the church on the very Sunday of her
mother's death.... They had left her sitting in the high-backed rocker
by the window, the great family Bible and her spectacles on the little
light-stand beside her.... When they returned from church, they had
found their mother sitting as they left her, with a smile on her face,
but silent and lifeless.... And through the glass of the spectacles, as
they lay on the printed page, Vilda had read the words, "For a bird of
the air shall carry the voice, and that which hath wings shall tell the
matter;" had read them wonderingly, and marked the place with reverent
fingers.... The swallow flew in again, years afterward.... She could not
remember the day or the month, but she could never forget the summer,
for it was the last bright one of her life, the last that pretty Martha
ever spent at the White Farm.... And now here was the swallow again....
"For a bird of the air shall carry the voice, and that which hath wings
shall tell the matter." Miss Vilda looked on the book and tried to
follow the hymn; but passages of Scripture flocked into her head in
place of good Dr. Watts's verses, and when the little melodeon played
the interludes she could only hear:--
"Yea, the sparrow hath found her an house and the swallow a nest where
she may lay her young, even Thy altars, O Lord of hosts, my King and my
God."
"As a bird that wandereth from her nest, so is a man that wandereth from
his place."
"The foxes have holes and the birds of the air have nests, but the Son
of man hath not where to lay his head."
And then the text fell on her bewildered ears, and roused her from one
reverie to plunge her in another. It was chosen, as it chanced, from the
First Epistle of Timothy, chapter first, verse fifth: "Now the end of
the commandment is charity, out of a pure heart."
"That means the Missionary Society," said Miss Vilda to her conscience,
doggedly; but she knew better. The parson, the text,--or was it the
bird?--had brought the message; but for the moment she did not lend the
hearing ear or the understanding heart.
SCENE X.
_The Supper Table._
AUNT HITTY COMES TO "MAKE OVER," AND SUPPLIES BACK NUMBERS TO ALL THE
VILLAGE HISTORIES.
Aunt Hitty, otherwise Mrs. Silas Tarbox, was as cheery and loquacious a
person as you could find in a Sabbath day's journey. She was armed with
a substantial amount of knowledge at almost every conceivable point; but
if an unexpected emergency ever did arise, her imagination was equal to
the strain put upon it and rose superior to the occasion. Yet of an
evening, or on Sunday, she was no village gossip; it was only when you
put a needle in her hand or a cutting-board in her lap that her memory
started on its interminable journeyings through the fields of the past.
She knew every biography and every "ought-to-be-ography" in the county,
and could tell you the branches of every genealogical tree in the
village.
It was dusk at the White Farm, and a late supper was spread upon the
hospitable board. (Aunt Hitty was always sure of a bountiful repast. If
one were going to economize, one would not choose for that purpose the
day when the village seamstress came to sew; especially when the
aforesaid lady served the community in the stead of a local newspaper.)
The children had eaten their bread and milk, and were out in the barn
with Jabe, watching the milking. Aunt Hitty was in a cheerful mood as
she reflected on her day's achievements. Out of Dr. Jonathan Cummins'
old cape coat she had carved a pair of brief trousers and a vest for
Timothy; out of Mrs. Jonathan Cummins' waterproof a serviceable jacket;
and out of Deacon Abijah Cummins' linen duster an additional coat and
vest for warm days. The owners of these garments had been dead many
years, but nothing was ever thrown away (and, for that matter, very
little given away) at the White Farm, and the ancient habiliments had
finally been diverted to a useful purpose.
"I hope I shall relish my vittles to-night," said Aunt Hitty, as she
poured her tea into her saucer, and set the cup in her little blue
"cup-plate;" "but I've had the neuralgy so in my face that it's be'n
more 'n ten days sence I've be'n able to carry a knife to my mouth....
Your meat vittles is always so tasty, Miss Cummins. I was sayin' to Mis'
Sawyer last week I think she lets her beef hang too long. Its dretful
tender, but I don't b'lieve its hullsome. For my part, as I've many a
time said to Si, I like meat with some chaw to it.... Mis' Sawyer don't
put half enough vittles on her table. She thinks it scares folks; it
don't me a mite,--it makes me 's hungry as a wolf. When I set a table
for comp'ny I pile on a hull lot, 'n' I find it kind o' discourages
'em.... Mis' Southwick's hevin' a reg'lar brash o' house-cleanin'. She's
too p'ison neat for any earthly use, that woman is. She's fixed
clam-shell borders roun' all her garding beds, an' got enough left for a
pile in one corner, where she's goin' to set her oleander kag. Then
she's bought a haircloth chair and got a new three-ply carpet in her
parlor, 'n' put the old one in the spare-room 'n' the back-entry. Her
daughter's down here from New Haven. She's married into one of the first
families o' Connecticut, Lobelia has, 'n' she puts on a good many airs.
She's rigged out her mother's parlor with lace curtains 'n' one thing
'n' 'other, 'n' wants it called the drawin'-room. Did ye ever hear tell
such foolishness? 'Drawin'-room!' s' I to Si; 'what's it goin' to draw?
Nothin' but flies, I guess likely!' ... Mis' Pennell's got a new girl to
help round the house,--one o' them pindlin' light-complected Smith
girls, from the Swamp,--look's if they was nussed on bonny-clabber.
She's so hombly I sh'd think 't would make her back ache to carry her
head round. She ain't very smart, neither. Her mother sent word she'd
pick up 'n' do better when she got her growth. That made Mis' Pennell
hoppin' mad. She said she didn't cal'late to pay a girl three shillin's
a week for growin'. Mis' Pennell's be'n feelin' consid'able slim, or she
wouldn't 'a' hired help; it's just like pullin' teeth for Deacon Pennell
to pay out money for anything like that. He watches every mouthful the
girl puts into her mouth, 'n' it's made him 'bout down sick to see her
fleshin' up on his vittles.... They say he has her put the mornin'
coffee-groun's to dry on the winder-sill, 'n' then has 'em scalt over
for dinner; but, there! I don' know 's there's a mite o' truth in it,
so I won't repeat it. They went to him to git a subscription for the new
hearse the other day. Land sakes! we need one bad enough. I thought for
sure, at the last funeral we had, that they'd never git Mis' Strout to
the graveyard safe and sound. I kep' a-thinkin' all the way how she'd
'a' took on, if she'd be'n alive. She was the most timersome woman 't
ever was. She was a Thomson, 'n' all the Thomsons was scairt at their
own shadders. Ivory Strout rid right behind the hearse, 'n' he says his
heart was in his mouth the hull durin' time for fear 't would break
down. He didn't git much comfort out the occasion, I guess! Wa' n't he
mad he hed to ride in the same buggy with his mother-in-law! The
minister planned it all out, 'n' wrote down the order o' the mourners,
'n' passeled him out with old Mis' Thomson. I was stan'in' close by, 'n'
I heard him say he s'posed he could go that way if he must, but 't would
spile the hull blamed thing for him! ... Well, as I was sayin', the
seleckmen went to Deacon Pennell to get a contribution towards buyin'
the new hearse; an' do you know, he wouldn't give 'em a dollar? He told
'em he gave five dollars towards the other one, twenty years ago, 'n'
hadn't never got a cent's worth o' use out of it. That's Deacon Pennell
all over! As Si says, if the grace o' God wa'n't given to all of us
without money 'n' without price, you wouldn't never hev ketched Deacon
Pennell experiencin' religion! It's got to be a free gospel 't would
convict him o' sin, that's certain! ... They say Seth Thatcher's married
out in Iowy. His mother's tickled 'most to death. She heerd he was
settin' up with a girl out there, 'n' she was scairt to death for fear
he'd get served as Lemuel 'n' Cyrus was. The Thatcher boys never hed any
luck gettin' married, 'n' they always took disappointments in love
turrible hard. You know Cyrus set in that front winder o' Mis'
Thatcher's, 'n' rocked back 'n' forth for ten year, till he wore out
five cane-bottomed cheers, 'n' then rocked clean through, down cellar,
all on account o' Crany Ann Sweat. Well, I hope she got her comeuppance
in another world,--she never did in this; she married well 'n' lived in
Boston.... Mis' Thatcher hopes Seth 'll come home to live. She's dretful
lonesome in that big house, all alone. She'd oughter have somebody for a
company-keeper. She can't see nothin' but trees 'n' cows from her
winders.... Beats all, the places they used to put houses.... Either
they'd get 'em right under foot so 't you'd most tread on 'em when you
walked along the road, or else they'd set 'em clean back in a lane,
where the women folks couldn't see face o' clay week in 'n' week out....
"Joel Whitten's widder's just drawed his pension along o' his bein' in
the war o' 1812. ... It's took 'em all these years to fix it. ... Massy
sakes! don't some folks have their luck buttered in this world?... She
was his fourth wife, 'n' she never lived with him but thirteen days
'fore he up 'n' died. ... It doos seem's if the guv'ment might look
after things a little mite closer.... Talk about Joel Whitten's bein' in
the war o' 1812! Everybody knows Joel Whitten wouldn't have fit a
skeeter! He never got any further 'n Scratch Corner, any way, 'n' there
he clim a tree or hid behind a hen-coop somewheres till the regiment got
out o' sight.... Yes: one, two, three, four,--Huldy was his fourth wife.
His first was a Hogg, from Hoggses Mills. The second was Dorcas
Doolittle, aunt to Jabe Slocum; she didn't know enough to make soap,
Dorcas didn't.... Then there was Delia Weeks, from the lower corner....
She didn't live long.... There was some thin' wrong with Delia.... She
was one o' the thin-blooded, white-livered kind.... You couldn't get her
warm, no matter how hard you tried. ... She'd set over a roarin' fire in
the cook-stove even in the prickliest o' the dog-days. ... The
mill-folks used to say the Whittens burnt more cut-roun's 'n' stickens
'n any three fam'lies in the village. ... Well, after Delia died, then
come Huldy's turn, 'n' it's she, after all, that's drawed the
pension.... Huldy took Joel's death consid'able hard, but I guess she'll
perk up, now she's come int' this money. ... She's awful leaky-minded,
Huldy is, but she's got tender feelin's.... One day she happened in at
noon-time, 'n' set down to the table with Si 'n' I.... All of a suddent
she bust right out cryin' when Si was offerin' her a piece o' tripe, 'n'
then it come out that she couldn't never bear the sight o' tripe, it
reminded her so of Joel! It seems tripe was a favorite dish o' Joel's.
All his wives cooked it firstrate.... Jabe Slocum seems to set
consid'able store by them children, don't he?... I guess he'll never
ketch up with his work, now he's got them hangin' to his heels.... He
doos beat all for slowness! Slocum's a good name for him, that's
certain. An' 's if that wa'n't enough, his mother was a Stillwell, 'n'
her mother was a Doolittle!... The Doolittles was the slowest fam'ly in
Lincoln County. (Thank you, I'm well helped, Samanthy.) Old Cyrus
Doolittle was slower 'n a toad funeral. He was a carpenter by trade, 'n'
he was twenty-five years buildin' his house; 'n' it warn't no great,
either.... The stagin' was up ten or fifteen years, 'n' he shingled it
four or five times before he got roun', for one patch o' shingles used
to wear out 'fore he got the next patch on. He 'n' Mis' Doolittle lived
in two rooms in the L. There was elegant banisters, but no stairs to
'em, 'n' no entry floors. There was a tip-top cellar, but there wa'n't
no way o' gittin' down to it, 'n' there wa'n't no conductors to the
cisterns. There was only one door panel painted in the parlor. Land
sakes! the neighbors used to happen in 'bout every week for years 'n'
years, hopin' he'd get another one finished up, but he never did,--not
to my knowledge.... Why, it's the gospel truth that when Mis' Doolittle
died he had to have her embalmed, so 't he could git the front door
hung for the fun'ral! (No more tea, I thank you; my cup ain't out.) ...
Speakin' o' slow folks, Elder Banks tells an awful good story 'bout Jabe
Slocum.... There's another man down to Edgewood, Aaron Peek by name,
that's 'bout as lazy as Jabe. An' one day, when the loafers roun' the
store was talkin' 'bout 'em, all of a suddent they see the two of 'em
startin' to come down Marm Berry's hill, right in plain sight of the
store.... Well, one o' the Edgewood boys bate one o' the Pleasant River
boys that they could tell which one of 'em was the laziest by the way
they come down that hill.... So they all watched, 'n' bime by, when Jabe
was most down to the bottom of the hill, they was struck all of a heap
to see him break into a kind of a jog trot 'n' run down the balance o'
the way. Well, then, they fell to quarrelin'; for o' course the Pleasant
River folks said Aaron Peek was the laziest, 'n' the Edgewood boys
declared he hedn't got no such record for laziness's Jabe Slocum hed;
an' when they was explainin' of it, one way 'n' 'nother, Elder Banks
come along, 'n' they asked him to be the judge. When he heerd tell how
't was, he said he agreed with the Edgewood folks that Jabe was lazier
'n Aaron. 'Well, I snum, I don't see how you make that out,' says the
Pleasant River boys; 'for Aaron walked down, 'n' Jabe run a piece o' the
way.' 'If Jabe Slocum run,' says the elder, as impressive as if he was
preachin',--'if Jabe Slocum ever run, then 't was because he was _too
doggoned lazy to hold back!_ 'an' that settled it!... (No, I couldn't
eat another mossel, Miss Cummins; I've made out a splendid supper.) ...
You can't git such pie 'n' doughnuts anywhere else in the village, 'n'
what I say I mean.... Do you make your riz doughnuts with emptin's? I
want to know! Si says there's more faculty in cookin' flour food than
there is in meat-victuals, 'n' I guess he's 'bout right."
* * * * *
It was bedtime, and Timothy was in his little room carrying on the most
elaborate and complicated plots for reading the future. It must be known
that Jabe Slocum was as full of signs as a Farmer's Almanac, and he had
given Timothy more than one formula for attaining his secret
desires,--old, well-worn recipes for luck, which had been tried for
generations in Pleasant River, and which were absolutely "certain" in
their results. The favorites were:--
"Star bright, star light,
First star I've seen to-night,
Wish I may, wish I might,
Get the wish I wish to-night;"
and one still more impressive:--
"Four posts upon my bed,
Four corners overhead;
Matthew, Mark, Luke, and John,
Bless the bed I _lay_ upon.
Matthew, John, Luke, and Mark,
Grant my wish and keep it dark."
These rhymes had been chanted with great solemnity, and Timothy sat by
the open window in the sweet darkness of the summer night, wishing that
he and Gay might stay forever in this sheltered spot. "I'll make a sign
of my very own," he thought. "I'll get Gay's ankle-tie, and put it on
the window-sill, with the toe pointing out. Then I'll wish that if we
are going to stay at the White Farm, the angels will turn it around,
'toe in' to the room, for a sign to me; and if we've got to go, I'll
wish they may leave it the other way; and, oh dear, but I'm glad it's so
little and easy to move; and then I'll say Matthew, Mark, Luke, and
John, four times over, without stopping, as Jabe told me to, and then
see how it turns out in the morning." ...
But the incantation was more soothing than the breath of Miss Vilda's
scarlet poppies, and before the magical verse had fallen upon the drowsy
air for the third time, Timothy was fast asleep, with a smile of hope on
his parted lips.
There was a sweet summer shower in the night. The soft breezes, fresh
from shaded dells and nooks of fern, fragrant with the odor of pine and
vine and wet wood-violets, blew over the thirsty meadows and golden
stubble-fields, and brought an hour of gentle rain.
It sounded a merry tintinnabulation on Samantha's milk-pans, wafted the
scent of dripping honeysuckle into the farmhouse windows, and drenched
the night-caps in which prudent farmers had dressed their haycocks.
Next morning, the green world stood on tiptoe to welcome the victorious
sun, and every little leaf shone as a child's eyes might shine at the
remembrance of a joy just past.
A meadow lark perched on a swaying apple-branch above Martha's grave,
and poured out his soul in grateful melody; and Timothy, wakened by
Nature's sweet good-morning, leaped from the too fond embrace of Miss
Vilda's feather-bed.... And lo, a miracle!... The woodbine clung close
to the wall beneath his window. It was tipped with strong young shoots
reaching out their innocent hands to cling to any support that offered;
and one baby tendril that seemed to have grown in a single night, so
delicate it was, had somehow been blown by the sweet night wind from its
drooping place on the parent vine, and, falling on the window-sill, had
curled lovingly round Gay's fairy shoe, and held it fast!
SCENE XI.
_The Honeysuckle Porch._
MISS VILDA DECIDES THAT TWO IS ONE TOO MANY, AND TIMOTHY BREAKS A
HUMMINGBIRD'S EGG.
It was a drowsy afternoon. The grasshoppers chirped lazily in the warm
grasses, and the toads blinked sleepily under the shadows of the steps,
scarcely snapping at the flies as they danced by on silver wings. Down
in the old garden the still pools, in which the laughing brook rested
itself here and there, shone like glass under the strong beams of the
sun, and the baby horned-pouts rustled their whiskers drowsily and
scarcely stirred the water as they glided slowly through its crystal
depths.
The air was fragrant with the odor of new-mown grass and the breath of
wild strawberries that had fallen under the sickle, to make the sweet
hay sweeter with their crimson juices. The whir of the scythes and the
clatter of the mowing machine came from the distant meadows. Field mice
and ground sparrows were aware that it probably was all up with their
little summer residences, for haying time was at its height, and the
Giant, mounted on the Avenging Chariot, would speedily make his
appearance, and buttercups and daisies, tufted grasses and blossoming
weeds, must all bow their heads before him, and if there was anything
more valuable hidden at their roots, so much the worse!
And if a bird or a mouse had been especially far-sighted and had located
his family near a stump fence on a particularly uneven bit of ground,
why there was always a walking Giant going about the edges with a
gleaming scythe, so that it was no wonder, when reflecting on these
matters after a day's palpitation, that the little denizens of the
fields thought it very natural that there should be Nihilists and
Socialists in the world, plotting to overturn monopolies and other
gigantic schemes for crushing the people.
Rags enjoyed the excitement of haying immensely. But then, his life was
one long holiday now anyway, and the close quarters, scanty fare, and
wearisome monotony of Minerva Court only visited his memory dimly when
he was suffering the pangs of indigestion. For in the first few weeks of
his life at the White Farm, before his appetite was satiated, he was
wont to eat all the white cat's food as well as his own; and as this
highway robbery took place in the retirement of the shed, where Samantha
Ann always swept them for their meals, no human being was any the wiser,
and only the angels saw the white cat getting whiter and whiter and
thinner and thinner, while every day Rags grew more corpulent and
aldermanic in his figure. But as his stomach was more favorably located
than an alderman's, he could still see the surrounding country, and he
had the further advantage of possessing four legs (instead of two) to
carry it about.
Timothy was happy, too, for he was a dreamer, and this quiet life
harmonized well with the airy fabric of his dreams. He loved every stick
and stone about the old homestead already, because the place had brought
him the only glimpse of freedom and joy that he could remember in these
last bare and anxious years; and if there were other and brighter
years, far, far back in the misty gardens of the past, they only yielded
him a secret sense of "having been," a memory that could never be
captured and put into words.
Each morning he woke fearing to find his present life a vision, and each
morning he gazed with unspeakable gladness at the sweet reality that
stretched itself before his eyes as he stood for a moment at his little
window above the honeysuckle porch.
There were the cucumber frames (he had helped Jabe to make them); the
old summer house in the garden (he had held the basket of nails and
handed Jabe the tools when he patched the roof); the little workshop
where Samantha potted her tomato plants (and he had been allowed to
water them twice, with fingers trembling at the thought of too little or
too much for the tender things); and the grindstone where Jabe ground
the scythes and told him stories as he sat and turned the wheel, while
Gay sat beside them making dandelion chains. Yes, it was all there, and
he was a part of it.
Timothy had all the poet's faculty of interpreting the secrets that are
hidden in every-day things, and when he lay prone on the warm earth in
the cornfield, deep among the "varnished crispness of the jointed
stalks," the rustling of the green things growing sent thrills of joy
along the sensitive currents of his being. He was busy in his room this
afternoon putting little partitions in some cigar boxes, where, very
soon, two or three dozen birds' eggs were to repose in fleece-lined
nooks: for Jabe Slocum's collection of three summers (every egg acquired
in the most honorable manner, as he explained), had all passed into
Timothy's hands that very day, in consideration of various services well
and conscientiously performed. What a delight it was to handle the
precious bits of things, like porcelain in their daintiness!--to sort
out the tender blue of the robin, the speckled beauty of the sparrow; to
put the pee-wee's and the thrush's each in its place, with a swift throb
of regret that there would have been another little soft throat bursting
with a song, if some one had not taken this pretty egg. And there was,
over and above all, the never ending marvel of the one humming-bird's
egg that lay like a pearl in Timothy's slender brown hand. Too tiny to
be stroked like the others, only big enough to be stealthily kissed. So
tiny that he must get out of bed two or three times in the night to see
if it is safe. So tiny that he has horrible fears lest it should slip
out or be stolen, and so he must take the box to the window and let the
moonlight shine upon the fleecy cotton, and find that it is still there,
and cover it safely over again and creep back to bed, wishing that he
might see a "thumb's bigness of burnished plumage" sheltering it with
her speck of a breast. Ah! to have a little humming-bird's egg to love,
and to feel that it was his very own, was something to Timothy, as it is
to all starved human hearts full of love that can find no outlet.
Miss Vilda was knitting, and Samantha was shelling peas, on the
honeysuckle porch. It had been several days since Miss Cummins had gone
to the city, and had come back no wiser than she went, save that she had
made a somewhat exhaustive study of the slums, and had acquired a more
intimate knowledge of the ways of the world than she had ever possessed
before. She had found Minerva Court, and designated it on her return as
a "sink of iniquity," to which Afric's sunny fountains, India's coral
strand, and other tropical localities frequented by missionaries were
virtuous in comparison.
"For you don't expect anything of black heathens," said she; "but there
ain't any question in my mind about the accountability of folks livin'
in a Christian country, where you can wear clothes and set up to an
air-tight stove and be comfortable, to say nothin' of meetinghouses
every mile or two, and Bible Societies and Young Men's and Young Women's
Christian Associations, and the gospel free to all with the exception of
pew rents and contribution boxes, and those omitted when it's
necessary."
She affirmed that the ladies and gentlemen whose acquaintance she had
made in Minerva Court were, without exception, a "mess of malefactors,"
whose only good point was that, lacking all human qualities, they didn't
care who she was, nor where she came from, nor what she came for; so
that as a matter of fact she had escaped without so much as leaving her
name and place of residence. She learned that Mrs. Nancy Simmons had
sought pastures new in Montana; that Miss Ethel Montmorency still
resided in the metropolis, but did not choose to disclose her modest
dwelling-place to the casual inquiring female from the rural districts;
that a couple of children had disappeared from Minerva Court, if they
remembered rightly, but that there was no disturbance made about the
matter as it saved several people much trouble; that Mrs. Morrison had
had no relations, though she possessed a large circle of admiring
friends; that none of the admiring friends had called since her death or
asked about the children; and finally that Number 3 had been turned into
a saloon, and she was welcome to go in and slake her thirst for
information with something more satisfactory than she could get outside.
The last straw, and one that would have broken the back of any
self-respecting (unmarried) camel in the universe, was the offensive
belief, on the part of the Minerva Courtiers, that the rigid Puritan
maiden who was conducting the examination was the erring mother of the
children, visiting (in disguise) their former dwelling-place. The
conversation on this point becoming extremely pointed and jocose, Miss
Cummins finally turned and fled, escaping to the railway station as fast
as her trembling legs could carry her. So the trip was a fruitless one,
and the mystery that enshrouded Timothy and Lady Gay was as impenetrable
as ever.
"I wish I'd 'a' gone to the city with you," remarked Samantha. "Not that
I could 'a' found out anything more 'n you did, for I guess there ain't
anybody thereabouts that knows more 'n we do, and anybody 't wants the
children won't be troubled with the relation. But I'd like to give them
bold-faced jigs 'n' hussies a good piece o' my mind for once! You're too
timersome, Vildy! I b'lieve I'll go some o' these days yet, and carry a
good stout umbrella in my hand too. It says in a book somewhar's that
there's insults that can only be wiped out in blood. Ketch 'em hintin'
that I'm the mother of anybody, that's all! I declare I don' know what
our Home Missionary Societies's doin' not to regenerate them places or
exterminate 'em, one or t' other. Somehow our religion don't take holt
as it ought to. It takes a burnin' zeal to clean out them slum places,
and burnin' zeal ain't the style nowadays. As my father used to say,
'Religion's putty much like fish 'n' pertetters; if it's hot it's good,
'n' if it's cold 'tain't wuth a'--well, a short word come in there, but
I won't say it. Speakin' o' religion, I never had any experience in
teachin', but I didn't s'pose there was any knack 'bout teachin'
religion, same as there is 'bout teachin' readin' 'n' 'rithmetic, but I
hed hard work makin' Timothy understand that catechism you give him to
learn the other Sunday. He was all upsot with doctrine when he come to
say his lesson. Now you can't scare some children with doctrine, no
matter how hot you make it, or mebbe they don't more 'n half believe it;
but Timothy's an awful sensitive creeter, 'n' when he come to that
answer to the question 'What are you then by nature? An enemy to God, a
child of Satan, and an heir of hell,' he hid his head on my shoulder and
bust right out cryin'. 'How many Gods is there?' s' e, after a spell.
'Land!' thinks I, 'I knew he was a heathen, but if he turns out to be an
idolater, whatever shall I do with him!' 'Why, where've you ben fetched
up?' s' I. 'There's only one God, the High and Mighty Ruler of the
Univarse,' s' I. 'Well,' s' e', 'there must be more 'n one, for the God
in this lesson isn't like the one in Miss Dora's book at all!' Land
sakes! I don't want to teach catechism agin in a hurry, not tell I've
hed a little spiritual instruction from the minister. The fact is,
Vildy, that our b'liefs, when they're picked out o' the Bible and set
down square and solid 'thout any softening down 'n' explainin' that they
ain't so bad as they sound, is too strong meat for babes. Now I'm
Orthodox to the core" (here she lowered her voice as if there might be a
stray deacon in the garden), "but 'pears to me if I was makin' out
lessons for young ones I wouldn't fill 'em so plumb full o' brimstun.
Let 'em do a little suthin' to deserve it 'fore you scare 'em to death,
say I."
"Jabe explained it all out to him after supper. It beats all how he gets
on with children."
"I'd ruther hear how he explained it," answered Samantha sarcastically.
"He's great on expoundin' the Scripters jest now. Well, I hope it'll
last. Land sakes! you'd think nobody ever experienced religion afore,
he's so set up 'bout it. You'd s'pose he kep' the latch-key o' the
heavenly mansions right in his vest pocket, to hear him go on. He
couldn't be no more stuck up 'bout it if he'd ben one o' the two
brothers that come over in three ships!"
"There goes Elder Nichols," said Miss Vilda. "Now there's a plan we
hadn't thought of. We might take the children over to Purity Village. I
think likely the Shakers would take 'em. They like to get young folks
and break 'em into their doctrines."
"Tim 'd make a tiptop Shaker," laughed Samantha. "He'd be an Elder afore
he was twenty-one. I can seem to see him now, with his hair danglin'
long in his neck, a blue coat buttoned up to his chin, and his hands
see-sawin' up 'n' down, prancin' round in them solemn dances."
"Tim would do well enough, but I ain't so sure of Gay. They'd have their
hands full, I guess!"
"I guess they would. Anybody that wanted to make a Shaker out o' her
would 'a' had to begin with her grandmother; and that wouldn't 'a' done
nuther, for they don't b'lieve in marryin', and the thing would 'a'
stopped right there, and Gray wouldn't never 'a' been born int' the
world."
"And been a great sight better off," interpolated Miss Vilda.
"Now don't talk that way, Vildy. Who knows what lays ahead o' that
child? The Lord may be savin' her up to do some great work for Him," she
added, with a wild flight of the imagination.
"She looks like it, don't she?" asked Vilda with a grim intonation; but
her face softened a little as she glanced at Gay asleep on the rustic
bench under the window.
The picture would have struck terror to the sad-eyed æsthete, but an
artist who liked to see colors burn and glow on the canvas would have
been glad to paint her: a little frock of buttercup yellow calico, bare
neck and arms, full of dimples, hair that put the yellow calico to shame
by reason of its tinge of copper, skin of roses and milk that dared the
microscope, red smiling lips, one stocking and ankle-tie kicked off and
five pink toes calling for some silly woman to say "This little pig went
to market" on them, a great bunch of nasturtiums in one warm hand and
the other buried in Rags, who was bursting with the white cat's dinner,
and in such a state of snoring bliss that his tail wagged occasionally,
even in his dreams.
"She don't look like a missionary, if that's what you mean," said
Samantha hotly. "She may not be called 'n' elected to traipse over to
Africy with a Test'ment in one hand 'n' a sun umbreller in the other,
savin' souls by the wholesale; but 't ain't no mean service to go
through the world stealin' into folks' hearts like a ray o' sunshine,
'n' lightin' up every place you step foot in!"
"I ain't sayin' anything against the child, Samanthy Ann; you said
yourself she wa'n't cut out for a Shaker!"
"No more she is," laughed Samantha, when her good humor was restored.
"She'd like the singin' 'n' dancin' well enough, but 't would be hard
work smoothin' the kink out of her hair 'n' fixin' it under one o' their
white Sunday bunnets. She wouldn't like livin' altogether with the
women-folks, nuther. The only way for Gay 'll be to fetch her right up
with the men-folks, 'n' hev her see they ain't no great things, anyway.
Land sakes! If 't warn't for dogs 'n' dark nights, I shouldn't care if I
never see a man; but Gay has 'em all on her string a'ready, from the boy
that brings the cows home for Jabe to the man that takes the butter to
the city. The tin peddler give her a dipper this mornin', and the
fish-man brought her a live fish in a tin-pail. Well, she makes the
house a great sight brighter to live in, you can't deny that, Vildy."
"I ain't denyin' anything in partic'ler. She makes a good deal of work,
I know that much. And I don't want you to get your heart set on one or
both of 'em, for 't won't be no use. We could make out with one of 'em,
I suppose, if we had to, but two is one too many. They seem to set such
store by one another that 't would be like partin' the Siamese twins;
but there, they'd pine awhile, and then they 'd get over it. Anyhow,
they'll have to try."
"Oh yes; you can git over the small-pox, but you'll carry the scars to
your grave most likely. I think 't would be a sin to part them children.
I wouldn't do it no more 'n I'd tear away that scarlit bean that's
twisted itself round 'n' round that pink hollyhock there. I stuck a
stick in the ground, and carried a string to the winder; but I didn't
git at it soon enough, the bean vine kep' on growin' the other way,
towards the hollyhock. Then the other night I got my mad up, 'n' I jest
oncurled it by main force 'n' wropped it round the string, 'n,' if
you'll believe me, I happened to look at it this mornin,' 'n' there it
't was, as nippant as you please, coiled round the hollyhock agin! Then
says I to myself, 'Samantha Ann Ripley, you've known what 't was to be
everlastin'ly hectored 'n' intefered with all your life, now s'posin'
you let that bean have its hollyhock, if it wants it!'"
Miss Vilda looked at her sharply as she said, "Samantha Ann Ripley, I
believe to my soul you're fussin' 'bout Dave Milliken again!
"Well, I ain't! Every time I talk 'bout hollyhocks and scarlit beans I
ain't meanin' Dave Milliken 'n' me,--not by a long chalk! I was only
givin' you my views 'bout partin' them children, that's all!"
"Well, all I can say is," remarked Miss Vilda obstinately, "that those
that's desirous of takin' in two strange children, and boardin' and
lodgin' 'em till they get able to do it for themselves, and runnin' the
resk of their turnin' out heathens and malefactors like the folks they
came from,--can do it if they want to. If I come to see that the baby is
too young to send away anywheres I may keep her a spell, but the boy has
got to go, and that's the end of it. You've been crowdin' me into a
corner about him for a week, and now I've said my say!"
Alas! that tiny humming-bird's egg was crushed to atoms,--crushed by a
boy's slender hand that had held it so gently for very fear of breaking
it. For poor little Timothy Jessup had heard his fate for the second
time, and knew that he must "move on" again, for there was no room for
him at the White Farm.
SCENE XII.
_The Village._
LYDDY PETTIGROVE'S FUNERAL.
Lyddy Pettigrove was dead. Not one person, but a dozen, had called in at
the White Farm to announce this fact and look curiously at Samantha Ann
Ripley to see how she took the news.
To say the truth, the community did not seem to be overpowered by its
bereavement. There seemed to be a general feeling that Mrs. Pettigrove
had never been wanted in Pleasant River, coupled with a mild surprise
that she should have been wanted anywhere else. Speculation was rife as
to who would keep house for Dave Milliken, and whether Samantha Ann
would bury the Ripley-Milliken battle-axe and go to the funeral, and
whether Mis' Pettigrove had left her property to David, as was right, or
to her husband's sister in New Hampshire, which would be a sin and a
shame; but jest as likely as not, though she was well off and didn't
need it no more 'n a toad would a pocket-book, and couldn't bear the
sight o' Lyddy besides,--and whether Mr. Pettigrove's first wife's
relations would be asked to the funeral, bein' as how they hadn't spoke
for years, 'n' wouldn't set on the same side the meetin'-house, but when
you come to that, if only the folks that was on good terms with Lyddy
Pettigrove was asked to the funeral, there'd be a slim attendance,
and--so on.
Aunt Hitty was the most important person in the village on these
occasions. It was she who assisted in the last solemn preparations and
took the last solemn stitches; and when all was done, and she hung her
little reticule on her arm, and started to walk from the house of
bereavement to her own home (where "Si" was anxiously awaiting his
nightly draught of gossip), no royal herald could have been looked for
with greater interest or greeted with greater cordiality. All the
housewives that lived on the direct road were on their doorsteps, so as
not to lose a moment, and all that lived off the road had seen her from
the upstairs windows, and were at the gate to waylay her as she passed.
At such a moment Aunt Hitty's bosom swelled with honest pride, and she
humbly thanked her Maker that she had been bred to the use of scissors
and needle.
Two days of this intoxicating popularity had just passed; the funeral
was over, and she ran in to the White Farm on her way home, to carry a
message, and to see with her own eyes how Samantha Ann Ripley was
comporting herself.
"You didn't git out to the fun'ral, did ye, Samanthy?" she asked, as she
seated herself cosily by the kitchen window.
"No, I didn't. I never could see the propriety o' goin' to see folks
dead that you never went to see alive."
"How you talk! That's one way o' puttin' it! Well, everybody was lookin'
for you, and you missed a very pleasant fun'ral. David 'n' I arranged
everything as neat as wax, and it all went off like clock-work, if I do
say so as shouldn't. Mis' Pettigrove made a beautiful remains."
"I'm glad to hear it. It's the first beautiful thing she ever did make,
I guess!"
"How you talk! Ain't you a leetle hard on Lyddy, Samanthy? She warn't
sech a bad neighbor, and she couldn't help bein' kind o' sour like. She
was born with her teeth on aidge, to begin with, and then she'd ben
through seas o' trouble with them Pettigroves."
"Like enough; but even if folks has ben through seas o' trouble, they
needn't be everlastin'ly spittin' up salt brine. 'Passin' through the
valley of sorrow they make it full o' fountings;' that's what the Psalms
says 'bout bearin' trouble."
"Lyddy warn't much on fountings," said Aunt Hitty contemplatively; "but,
there, we hadn't ought to speak nothin' but good o' the dead. Land
sakes! You'd oughter heard Elder Weekses remarks; they was splendid. We
ain't hed better remarks to any fun'ral here for years. I shouldn't 'a'
suspicioned he was preachin' 'bout Lyddy, though. Our minister's sick
abed, you know, 'n' warn't able to conduct the ex'cises. Si thinks he
went to bed a-purpose, but I wouldn't hev it repeated; so David got
Elder Weeks from Moderation. He warn't much acquainted with the remains,
but he done all the better for that. He's got a wond'ful faculty for
fun'rals. They say he's sent for for miles around. He'd just come from
a fun'ral nine miles the other side o' Moderation, up on the Blueb'ry
road; so he was a leetle mite late, 'n' David 'n' I was as nervous as
witches, for every room was cram full 'n' the thermometer stood at 87 in
the front entry, 'n' the bearers sot out there by the well-curb, with
the sun beatin' down on 'em, 'n' two of 'em, Squire Hicks 'n' Deacon
Dunn, was fast asleep. Inside, everything was as silent 's the tomb,
'cept the kitchen clock, 'n' that ticked loud enough to wake the dead
most. I thought I should go inter conniptions. I set out to git up 'n'
throw a shawl over it, it ticked so loud. Then, while we was all settin'
there 's solemn 's the last trump, what does old Aunt Beccy Burnham do
but git up from the kitchen corner where she sot, take the corn-broom
from behind the door, and sweep down a cobweb that was lodged up in one
o' the corners over the mantelpiece! We all looked at one 'nother, 'n' I
thought for a second somebody 'd laugh, but nobody dassed, 'n' there
warn't a sound in the room 's Aunt Beccy sot down agin' without movin' a
muscle in her face. Just then the minister drove in the yard with his
horse sweatin' like rain; but behind time as he was, he never slighted
things a mite. His prayer was twenty-three minutes by the clock.
Twenty-three minutes is a leetle mite too long this kind o' weather, but
it was an all-embracin' prayer, 'n' no mistake! Si said when he got
through the Lord had his instructions on most any p'int that was likely
to come up durin' the season. When he got through his remarks there
warn't a dry eye in the room. I don't s'pose it made any odds whether he
was preachin' 'bout Mis' Pettigrove or the woman on the Blueb'ry
road,--it was a movin', elevatin' discourse, 'n' that was what we went
there for."
"It wouldn't 'a' ben so elevatin' if he'd told the truth," said
Samantha; "but, there, I ain't goin' to spit no more spite out. Lyddy
Pettigrove's dead, 'n' I hope she's in heaven, and all I can say is,
that she'll be dretful busy up there ondoin' all she done down here. You
say there was a good many out?"
"Yes; we ain't hed so many out for years, so Susanna Rideout says, and
she'd ought to know, for she ain't missed a fun'ral sence she was nine
years old, and she's eighty-one, come Thanksgivin', ef she holds out
that long. She says fun'rals is 'bout the only recreation she has, 'n'
she doos git a heap o' satisfaction out of 'em, 'n' no mistake. She'll
go early, afore any o' the comp'ny assembles. She'll say her clock must
'a' ben fast, 'n' then they'll ask her to set down 'n' make herself to
home. Then she'll choose her seat accordin' to the way the house is
planned. She won't git too fur from the remains, because she'll want to
see how the fam'ly appear when they take their last look, but she'll
want to git opposite a door, where she can look into the other rooms 'n'
see whether they shed any tears when the minister begins his remarks.
She allers takes a little gum camphire in her pocket, so't if anybody
faints away durin' the long prayer, she's right on hand. Bein' near the
door, she can hear all the minister says, 'n' how the order o' the
mourners is called, 'n' ef she ain't too fur from the front winders she
can hev a good view of the bearers and the mourners as they get into the
kerridges. There's a sight in knowin' how to manage at a fun'ral; it
takes faculty, same as anything else."
"How does David bear up?" asked Miss Vilda.
"Oh, he's calm. David was always calm and resigned, you know. He shed
tears durin' the remarks, but I s'pose, mebbe, he was wishin' they was
more appropriate. He's about the forlornest creeter now you ever see' in
your life. There never was any self-assume to David Milliken. I declare
it's enough to make you cry jest to look at him. I cooked up victuals
enough to last him a week, but that ain't no way for men-folks to live.
When he comes in at noon-time he washes up out by the pump, 'n' then he
steps int' the butt'ry 'n' pours some cold tea out the teapot 'n' takes
a drink of it, 'n' then a bite o' cold punkin pie 'n' then more tea, all
the time stan'in' up to the shelf 'stid o' sittin' down like a
Christian, and lookin' out the winder as if his mind was in Hard
Scrabble 'n' his body in Buttertown, 'n' as if he didn't know whether he
was eatin' pie or putty. Land! I can't bear to watch him. I dassay he
misses Lyddy's jawin',--it must seem dretful quiet. I declare it seems
to me that meek, resigned folks, that's too good to squeal out when
they're abused, is allers the ones that gits the hardest knocks; but I
don't doubt but what there's goin' to be an everlastin' evenupness
somewheres."
Samantha got up suddenly and went to the sink window. "It's 'bout time
the men come in for their dinner," she said. But though Jabe was mowing
the millstone hill, and though he wore a red flannel shirt, she could
not see him because of the tears that blinded her eyes.
SCENE XIII.
_The Village._
PLEASANT RIVER IS BAPTIZED WITH THE SPIRIT OF ADOPTION.
"But I didn't come in to talk 'bout the fun'ral," continued Aunt Hitty,
wishing that human flesh were transparent so that she could see through
Samanthy Ann Ripley's back. "I had an errant 'n' oughter ben in afore,
but I've ben so busy these last few days I couldn't find rest for the
sole o' my foot skersely. I've sewed in seven dif'rent houses sence I
was here last, and I've made it my biz'ness to try 'n' stop the gossip
'bout them children 'n' give folks the rights o' the matter, 'n' git 'em
interested to do somethin' for 'em. Now there ain't a livin' soul that
wants the boy, but"--
"Timothy," said Miss Vilda hurriedly, "run and fetch me a passle of
chips, that's a good boy. Land sakes! Aunt Hitty, you needn't tell him
to his face that nobody wants him. He's got feelin's like any other
child."
"He set there so quiet with a book in front of him I clean forgot he was
in the room," said Aunt Hitty apologetically. "Land! I'm so
tender-hearted I can't set my foot on a June bug 'n' 't aint' likely I'd
hurt anybody's feelin's, but as I was sayin' I can't find nobody that
wants the boy, but the Doctor's wife thinks p'raps she'll be willin' to
take the baby 'n' board her for nothing if somebody else 'll pay for her
clothes. At least she'll try her a spell 'n' see how she behaves, 'n'
whether she's good comp'ny for her own little girl that's a reg'lar limb
o' Satan anyway, 'n' consid'able worse sence she's had the scarlit
fever, 'n' deef as a post too, tho' they're blisterin' her, 'n' she may
git over it. I told her I'd bring Gay over to-night as I was comin' by,
bein' as how she was worn out with sickness 'n' house-cleanin' 'n' one
thing 'n' nother, 'n' couldn't come to git her very well herself. I
thought mebbe you'd be willin' to pay for her clothes ruther 'n hev so
much talk 'bout it, tho' I've told everybody that they walked right in
to the front gate, 'n' you 'n' Samanthy never set eyes on 'em before,
'n' didn't know where they come from."
Samantha wiped her eyes surreptitiously with the dishcloth and turned a
scarlet face away from the window. Timothy was getting his "passle o'
chips." Gay had spied him, and toddling over to his side, holding her
dress above the prettiest little pair of feet that ever trod clover, had
sat down on him (a favorite pastime of hers), and after jolting her fat
little person up and down on his patient head, rolled herself over and
gave him a series of bear-hugs. Timothy looked pale and languid,
Samantha thought, and though Gay waited for a frolic with her most
adorable smile, he only lifted her coral necklace to kiss the place
where it hung, and tied on her sun-bonnet soberly. Samantha wished that
Vilda had been looking out of the window. Her own heart didn't need
softening, but somebody else's did, she was afraid.
"I'm much obliged to you for takin' so much interest in the children,"
said Miss Vilda primly, "and partic'lerly for clearin' our characters,
which everybody that lives in this village has to do for each other
'bout once a week, and the rest o' the time they take for spoilin' of
'em. And the Doctor's wife is very kind, but I shouldn't think o'
sendin' the baby away so sudden while the boy is still here. It
wouldn't be no kindness to Mis' Mayo, for she'd have a regular French
and Indian war right on her premises. It was here the children came,
just as you say, and it's our duty to see 'em settled in good homes, but
I shall take a few days more to think 'bout it, and I'll let her know by
Saturday night what we've decided to do.--That's the most meddlesome,
inteferin', gossipin' woman in this county," she added, as Mrs. Silas
Tarbox closed the front gate, "and I wouldn't have her do another day's
work at this house if I didn't have to. But it's worse for them that
don't have her than for them that does.--Now there's the Baptist
minister drivin' up to the barn. What under the canopy does he want?
Tell him Jabe ain't to home, Samanthy. No, you needn't, for he's
hitched, and seems to be comin' to the front door."
"I never could abide the looks of him," said Samantha, peering over Miss
Vilda's shoulder. "No man with a light chiny blue eye like that oughter
be allowed to go int' the ministry; for you can't love your brother whom
you hev seen with that kind of an eye, and how are you goin' to love the
Lord whom you hev not seen?"
Mr. Southwick, who was a spare little man in a long linen duster that
looked as if it had not been in the water as often as its wearer, sat
down timidly on the settle and cleared his throat.
"I've come to talk with you on a little matter of business, Miss
Cummins. Brother Slocum has--a--conferred with me on the subject of
a--a--couple of unfortunate children who have--a--strayed, as it were,
under your hospitable roof, and whom--a--you are properly anxious to
place--a--under other rooves, as it were. Now you are aware, perhaps,
that Mrs. Southwick and I have no children living, though we have at
times had our quivers full of them--a--as the Scripture says; but the
Lord gave and the Lord hath taken away. Blessed be the name of the Lord,
however, that is--a--neither here nor there. Brother Slocum has so
interested us that my wife (who is leading the Woman's Auxiliary Praying
Legion this afternoon or she would have come herself) wishes me to say
that she would like to receive one of these--a--little waifs into our
family on probation, as it were, and if satisfactory to both parties, to
bring it up--a--somewhat as our own, in the nurture and admonition of
the Lord."
Samantha waited, in breathless suspense. Miss Vilda never would fling
away an opportunity of putting a nameless, homeless child under the roof
of a minister of the Gospel, even if he was a Baptist, with a chiny blue
eye.
At this exciting juncture there was a clatter of small feet; the door
burst open, and the "unfortunate waifs" under consideration raced across
the floor to the table where Miss Vilda and Samantha were seated. Gay's
sun-bonnet trailed behind her, every hair on her head curled separately,
and she held her rag-doll upside down with entire absence of decorum.
Timothy's paleness, whatever the cause, had disappeared for the moment,
and his eyes shone like stars.
"Oh, Miss Vilda!" he cried breathlessly; "dear Miss Vilda and Samanthy,
the gray hen did want to have chickens, and that is what made her so
cross, and she is setting, and we've found her nest in the alder bushes
by the pond!"
("G'ay hen's net in er buttes by er pond," sung Gay, like a Greek
chorus.)
"And we sat down softly beside the pond, but Gay sat into it."
("Gay sat wite into it, an' dolly dot her dess wet, but Gay nite ittle
dirl; Gay didn't det wet!")
"And by and by the gray hen got off to get a drink of water"--
("To det a dink o' water"--)
"And we counted the eggs, and there were thirteen big ones!"
("Fir-teen drate bid ones!")
"So that the darling thing had to s-w-ell out to cover them up!"
("Darlin' fin ser-welled out an' tuvvered 'em up!") said Gay, going
through the same operation.
"Yes," said Miss Vilda, looking covertly at Mr. Southwick (who had an
eye for beauty, notwithstanding Samantha's strictures), "that's very
nice, but you mustn't stay here now; we are talkin' to the minister. Run
away, both of you, and let the settin' hen alone.--Well, as I was goin'
to say, Mr. Southwick, you're very kind and so 's your wife, and I'm
sure Timothy, that's the boy's name, would be a great help and comfort
to both of you, if you're fond of children, and we should be glad to
have him near by, for we feel kind of responsible for him, though he's
no relation of ours. And we'll think about the matter over night, and
let you know in the morning."
"Yes, exactly, I see, I see; but it was the young child, the--a--female
child, that my wife desired to take into her family. She does not care
for boys, and she is particularly fond of girls, and so am I, very fond
of girls--a--in reason."
Miss Vilda all at once made up her mind on one point, and only wished
that Samantha wouldn't stare at her as if she had never seen her before.
"I'm sorry to disappoint your wife, Mr. Southwick. It seems that Mrs.
Tarbox and Jabez Slocum have been offerin' the child to every family in
the village, and I s'pose bime bye they'll have the politeness to offer
her to me; but, at any rate, whether they do or not, I propose to keep
her myself, and I'd thank you to tell folks so, if they ask you. Mebbe
you'd better give it out from the pulpit, though I can let Mis' Tarbox
know, and that will answer the same purpose. This is the place the baby
was brought, and this is the place she's goin' to stay."
"Vildy, you're a good woman!" cried Samantha, when the door closed on
the Reverend Mr. Southwick. "I'm proud o' you, Vildy, 'n' I take back
all the hard thoughts I've ben hevin' about you lately. The idee o'
that chiny-eyed preacher thinkin' he was goin' to carry that child home
in his buggy with hardly so much as sayin' 'Thank you, marm!' I like his
Baptist imperdence! His wife hed better wash his duster afore she adopts
any children. If they'd carry their theories 'bout immersion 's fur as
their close, 't wouldn't be no harm."
"I don' know as I'd have agreed to keep either of 'em ef the whole
village hadn't intefered and wanted to manage my business for me, and be
so dretful charitable all of a sudden, and dictate to me and try to show
me my duty. I haven't had a minute's peace for more 'n a fortnight, and
now I hope they'll let me alone. I'll take the boy to the city
to-morrow, if I live to see the light, and when I come back I'll tie up
the gate and keep the neighbors out till this nine days' wonder gets
crowded out o' their heads by somethin' new."
"You're goin' to take Timothy to the city, are you?" asked Samantha
sharply.
"That's what I'm goin' to do; and the sooner the better for everybody
concerned. Timothy, shut that door and run out to the barn, and don't
you let me see you again till supper-time; do you hear me?"
"And you're goin' to put him in one o' them Homes?"
"Yes, I am. You see for yourself we can't find any place fer him
hereabouts."
"Well, I've ben waitin' for days to see what you was goin' to do, and
now I'll tell you what I'm goin' to do, if you'd like to know. I'm goin'
to keep Timothy myself; to have and to hold from this time forth and for
evermore, as the Bible says. That's what I'm goin' to do!"
Miss Cummins gasped with astonishment.
"I mean what I say, Vildy. I ain't so well off as some, but I ain't a
pauper, not by no means. I've ben layin' by a little every year for
twenty years, 'n' you know well enough what for; but that's all over for
ever and ever, amen, thanks be! And I ain't got chick nor child, nor
blood relation in the world, and if I choose to take somebody to do for,
why, it's nobody's affairs but my own."
"You can't do it, and you sha'n't do it!" said Miss Vilda excitedly.
"You ain't goin' to make a fool of yourself, if I can help it. We can't
have two children clutterin' up this place and eatin' us out of house
and home, and that's the end of it."
"It ain't the end of it, Vildy Cummins, not by no manner o' means! If we
can't keep both of 'em, do you know what I think 'bout it? I think we'd
ought to give away the one that everybody wants and keep the other that
nobody does want, more fools they! That's religion, accordin' to my way
o' thinkin'. I love the baby, dear knows; but see here. Who planned this
thing all out? Timothy. Who took that baby up in his own arms and
fetched her out o' that den o' thieves? Timothy. Who stood all the resk
of gittin' that innocent lamb out o' that sink of iniquity, and hed wit
enough to bring her to a place where she could grow up respectable?
Timothy. And do you ketch him say in' a word 'bout himself from fust to
last? Not by no manner o' means. That ain't Timothy. And what doos the
lovin' gen'rous, faithful little soul git? He gits his labor for his
pains. He hears folks say right to his face that nobody wants him and
everybody wants Gay. And if he didn't have a disposition like a
cherubim-an-seraphim (and better, too, for they 'continually do cry,'
now I come to think of it), he'd be sour and bitter, 'stid o' bein' good
as an angel in a picture-book from sun-up to sun-down!"
Miss Vilda was crushed by the overpowering weight of this argument, and
did not even try to stem the resistless tide of Samantha's eloquence.
"And now folks is all of a high to take in the baby for a spell, jest
for a plaything, because her hair curls, 'n' she's handsome, 'n' light
complected, 'n' cunning, 'n' a girl (whatever that amounts to is more 'n
I know!), and that blessed boy is tread under foot as if he warn't no
better 'n an angleworm! And do you mean to tell me you don't see the
Lord's hand in this hull bus'ness, Vildy Cummins? There's other kinds o'
meracles besides buddin' rods 'n' burnin' bushes 'n' loaves 'n' fishes.
What do you s'pose guided that boy to pass all the other houses in this
village 'n' turn in at the White Farm? Don't you s'pose he was led?
Well, I don't need a Bible nor yit a concordance to tell _me_ he was.
_He_ didn't know there was plenty 'n' to spare inside this gate; a
great, empty house 'n' full cellar, 'n' hay 'n' stock in the barn, and
cowpons in the bank, 'n' two lone, mis'able women inside, with nothin'
to do but keep flies out in summer-time, 'n' pile wood on in
winter-time, till they got so withered up 'n' gnarly they warn't hardly
wuth getherin' int' the everlastin' harvest! _He_ didn't know it, I say,
but the Lord did; 'n' the Lord's intention was to give us a chance to
make our callin' 'n' election sure, 'n' we can't do that by turnin' our
backs on His messenger, and puttin' of him ou'doors! The Lord intended
them children should stay together or He wouldn't 'a' started 'em out
that way; now that's as plain as the nose on my face, 'n' that's
consid'able plain as I've ben told afore now, 'n' can see for myself in
the glass without any help from anybody, thanks be!"
"Everybody 'll laugh at us for a couple o' soft-hearted fools," said
Miss Vilda feebly, after a long pause. "We'll be a spectacle for the
whole village."
"What if we be? Let's be a spectacle, then!" said Samantha stoutly.
"We'll be a spectacle for the angels as well as the village, when you
come to that! When they look down 'n' see us gittin' outside this
dooryard 'n' doin' one o' the Lord's chores for the first time in ten or
fifteen years, I guess they'll be consid'able excited! But there's no
use in talkin', I've made up my mind, Vildy. We've lived together for
thirty years 'n' ain't hardly hed an ugly word ('n' dretful dull it hez
ben for both of us!), 'n' I sha'n't live nowheres else without you tell
me to go; but I've got lots o' good work in me yit, 'n' I'm goin' to
take that boy up 'n' give him a chance, 'n' let him stay alongside o'
the thing he loves best in the world. And if there ain't room for all of
us in the fourteen rooms o' this part o' the house, Timothy 'n' I can
live in the L, as you've allers intended I should if I got married. And
I guess this is 'bout as near to gittin' married as either of us ever
'll git now, 'n' consid'able nearer 'n I've expected to git, lately. And
I'll tell Timothy this very night, when he goes to bed, for he's
grievin' himself into a fit o' sickness, as anybody can tell that's got
a glass eye in their heads!"
SCENE XIV.
_A Point of Honor._
TIMOTHY JESSUP RUNS AWAY A SECOND TIME, AND, LIKE OTHER BLESSINGS,
BRIGHTENS AS HE TAKES HIS FLIGHT.
It was almost dusk, and Jabe Slocum was struggling with the nightly
problem of getting the cow from the pasture without any expenditure of
personal effort. Timothy was nowhere to be found, or he would go and be
glad to do the trifling service for his kind friend without other
remuneration than a cordial "Thank you." Failing Timothy there was
always Billy Pennell, who would not go for a "Thank you," being a boy of
a sordid and miserly manner of thought, but who would go for a cent and
chalk the cent up, which made it a more reasonable charge than would
appear to the casual observer. So Jabe lighted his corn-cob pipe, and
extended himself under a willow-tree beside the pond, singing in a
cheerful fashion,--
"'Tremblin' sinner, calm your fears!
Jesus is always ready.
Cease your sin and dry your tears,
Jesus is always ready!'"
"And dretful lucky for you He is!" muttered Samantha, who had come to
look for Timothy. "Jabe! Jabe! Has Timothy gone for the cow?"
"Dunno. Jest what I was goin' to ask you when I got roun' to it."
"Well, how are you goin' to find out?"
"Find out by seein' the cow if he hez gone, an' by not seein' no cow if
he hain't. I'm comf'table either way it turns out. One o' them writin'
fellers that was up here summerin' said, 'They also serve who'd ruther
stan' 'n' wait' 'd be a good motto for me, 'n' he's about right when
I've ben hayin'. Look down there at the shiners, ain't they cool? Gorry!
I wish I was a fish!"
"If you was you wouldn't wear your fins out, that's certain!"
"Come now, Samanthy, don't be hard on a feller after his day's work.
Want me to git up 'n' blow the horn for the boy?"
"No, thank you," answered Samantha cuttingly. "I wouldn't ask you to
spend your precious breath for fear you'd be too lazy to draw it in
agin. When I want to get anything done I can gen'ally spunk up sprawl
enough to do it myself, thanks be!"
"Wall now, Samanthy, you cheat the men-folks out of a heap o' pleasure
bein' so all-fired independent, did ye know it?
"'Tremblin' sinner, calm your fears!
Jesus is always ready.'"
"When 'd you see him last?"
"I hain't seen him sence 'bout noon-time. Warn't he into supper?"
"No. We thought he was off with you. Well, I guess he's gone for the
cow, but I should think he'd be hungry. It's kind o' queer."
Miss Vilda was seated at the open window in the kitchen, and Lady Gay
was enthroned in her lap, sleepy, affectionate, tractable, adorable.
"How would you like to live here at the White Farm, deary?" asked Miss
Vilda.
"O, yet. I yike to live here if Timfy doin' to live here too. I yike oo,
I yike Samfy, I yike Dabe, I yike white tat 'n' white tow 'n' white
bossy 'n' my boofely desses 'n' my boofely dolly 'n' er day hen 'n' I
yikes evelybuddy!"
"But you'd stay here like a nice little girl if Timothy had to go away,
wouldn't you?"
"No, I won't tay like nite ittle dirl if Timfy do 'way. If Timfy do
'way, I do too. I's Timfy's dirl."
"But you're too little to go away with Timothy."
"Ven I ky an keam an kick an hold my bwef--I s'ow you how!"
"No, you needn't show me how," said Vilda hastily. "Who do you love
best, deary, Samanthy or me?"
"I yuv Timfy bet. Lemme twy rit-man-poor-man-bedder-man-fief on your
buckalins, pease."
"Then you'll stay here and be my little girl, will you?"
"Yet, I tay here an' be Timfy's ittle dirl. Now oo p'ay by your own seff
ittle while, Mit Vildy, pease, coz I dot to det down an find Samfy an'
put my dolly to bed coz she's defful seepy."
"It's half past eight," said Samantha coming into the kitchen, "and
Timothy ain't nowheres to be found, and Jabe hain't seen him sence
noon-time."
"You needn't be scared for fear you've lost your bargain," remarked Miss
Vilda sarcastically. "There ain't so many places open to the boy that
he'll turn his back on this one, I guess!"
Yet, though the days of chivalry were over, that was precisely what
Timothy Jessup had done.
Wilkins's Wood was a quiet stretch of timber land that lay along the
banks of Pleasant River; and though the natives (for the most part)
never noticed but that it was paved with asphalt and roofed in with
oilcloth, yet it was, nevertheless, the most tranquil bit of loveliness
in all the country round. For there the river twisted and turned and
sparkled in the sun, and "bent itself in graceful courtesies of
farewell" to the hills it was leaving; and kissed the velvet meadows
that stooped to drink from its brimming cup; and lapped the trees
gently, as they hung over its crystal mirrors the better to see their
own fresh beauty. And here it wound "about and in and out," laughing in
the morning sunlight, to think of the tiny streamlet out of which it
grew; paling and shimmering at evening when it held the stars and
moonbeams in its bosom; and trembling in the night wind to think of the
great unknown sea into whose arms it was hurrying.
Here was a quiet pool where the rushes bent to the breeze and the quail
dipped her wing; and there a winding path where the cattle came down to
the edge, and having looked upon the scene and found it all very good,
dipped their sleek heads to drink and drink and drink of the river's
nectar. Here the first pink mayflowers pushed their sweet heads through
the reluctant earth, and waxen Indian pipes grew in the moist places,
and yellow violets hid themselves beneath their modest leaves.
And here sat Timothy, with all his heart in his eyes, bidding good-by to
all this soft and tender loveliness. And there, by his side, faithful
unto death (but very much in hopes of something better), sat Rags, and
thought it a fine enough prospect, but one that could be beaten at all
points by a bit of shed-view he knew of,--a superincumbent hash-pan, an
empty milk-dish, and an emaciated white cat flying round a corner! The
remembrance of these past joys brought the tears to his eyes, but he
forbore to let them flow lest he should add to the griefs of his little
master, which, for aught he knew, might be as heavy as his own.
Timothy was comporting himself, at this trying crisis, neither as a hero
nor as a martyr. There is no need of exaggerating his virtues. Enough to
say, not that he was a hero, but that he had in him the stuff out of
which heroes are made. Win his heart and fire his imagination, and there
is no splendid deed of which the little hero would not have been
capable. But that he knew precisely what he was leaving behind, or what
he was going forth to meet, would be saying too much. One thing he did
know: that Miss Vilda had said distinctly that two was one too many, and
that he was the objectionable unit referred to. And in addition to this
he had more than once heard that very day that nobody in Pleasant River
wanted him, but that there would be plenty of homes open to Gay if he
were safely out of the way. A little allusion to a Home, which he caught
when he was just bringing in a four-leafed clover to show to Samantha,
completed the stock of ideas from which he reasoned. He was very clear
on one point, and that was that he would never be taken alive and put in
a Home with a capital H. He respected Homes, he approved of them, for
other boys, but personally they were unpleasant to him, and he had no
intention of dwelling in one if he could help it. The situation did not
appear utterly hopeless in his eyes. He had his original dollar and
eighty-five cents in money; Rags and he had supped like kings off wild
blackberries and hard gingerbread; and, more than all, he was young and
mercifully blind to all but the immediate present. Yet even in taking
the most commonplace possible view of his character it would be folly to
affirm that he was anything but unhappy. His soul was not sustained by
the consciousness of having done a self-forgetting and manly act, for he
was not old enough to have such a consciousness, which is something the
good God gives us a little later on, to help us over some of the hard
places.
"Nobody wants me! Nobody wants me!" he sighed, as he lay down under the
trees. "Nobody ever did want me,--I wonder why! And everybody loves my
darling Gay and wants to keep her, and I don't wonder about that. But,
oh, if I only belonged to somebody! (Cuddle up close, little Ragsy;
we've got nobody but just each other, and you can put your head into the
other pocket that hasn't got the gingerbread in it, if you please!) If
I only was like that little butcher's boy that he lets ride on the seat
with him, and hold the reins when he takes meat into the houses,--or if
I only was that freckled-face boy with the straw hat that lives on the
way to the store! His mother keeps coming out to the gate on purpose to
kiss him. Or if I was even Billy Pennell! He's had three mothers and two
fathers in three years, Jabe says. Jabe likes me, I think, but he can't
have me live at his house, because his mother is the kind that needs
plenty of room, he says,--and Samanthy has no house. But I did what I
tried to do. I got away from Minerva Court and found a lovely place for
Gay to live, with two mothers instead of one; and maybe they'll tell her
about me when she grows bigger, and then she'll know I didn't want to
run away from her, but whether they tell her or not, she's only a little
baby, and boys must always take care of girls; that's what my
dream-mother whispers to me in the night,--and that's ... what ... I'm
always ..."
Come! gentle sleep, and take this friendless little knight-errant in thy
kind arms! Bear him across the rainbow bridge, and lull him to rest
with the soft plash of waves and sighing of branches! Cover him with thy
mantle of dreams, sweet goddess, and give him in sleep what he hath
never had in waking!
Meanwhile, a more dramatic scene was being enacted at the White Farm. It
was nine o'clock, and Samantha had gone from pond to garden, shed to
barn, and gate to dairy, a dozen times, but there was no sign of
Timothy. Gay had refused to be undressed till "Timfy" appeared on the
premises, but had fallen asleep in spite of the most valiant resolution,
and was borne upstairs by Samantha, who made her ready for bed without
waking her.
As she picked up the heap of clothes to lay them neatly on a chair, a
bit of folded paper fell from the bosom of the little dress. She glanced
at it, turned it over and over, read it quite through. Then, after
retiring behind her apron a moment, she went swiftly downstairs to the
dining-room where Miss Avilda and Jabe were sitting.
"There!" she exclaimed, with a triumphant sob, as she laid the paper
down in front of the astonished couple. "That's a letter from Timothy.
He's run away, 'n' I don't blame him a mite 'n' I hope folks 'll be
satisfied now they've got red of the blessed angel, 'n' turned him
outdoors without a roof to his head! Read it out, 'n' see what kind of a
boy we've showed the door to!"
Dere Miss vilder and sermanthy. i herd you say i cood not stay here
enny longer and other peeple sed nobuddy wood have me and what you
sed about the home but as i do not like homes i am going to run
away if its all the same to you. Please give Jabe back his birds
egs with my love and i am sorry i broak the humming-bird's one but
it was a naxident. Pleas take good care of gay and i will come back
and get her when I am ritch. I thank you very mutch for such a
happy time and the white farm is the most butifull plase in the
whole whirld. TIM.
p. s. i wood not tell you if i was going to stay but billy penel
thros stones at the white cow witch i fere will get into her milk
so no more from TIM.
i am sorry not to say good by but i am afrade on acount of the home
so i put them here.
[Illustration: Kisses]
The paper fell from Miss Vilda's trembling fingers, and two salt tears
dropped into the kissing places.
"The Lord forgive me!" she said at length (and it was many a year since
any one had seen her so moved). "The Lord forgive me for a hard-hearted
old woman, and give me a chance to make it right. Not one reproachful
word does he say to us about showin' partiality,--not one! And my heart
has kind of yearned over that boy from the first, but just because he
had Marthy's eyes he kept bringin' up the past to me, and I never looked
at him without rememberin' how hard and unforgivin' I'd ben to her, and
thinkin' if I'd petted and humored her a little and made life
pleasanter, perhaps she'd never have gone away. And I've scrimped and
saved and laid up money till it comes hard to pay it out, and when I
thought of bringin' up and schoolin' two children I cal'lated I couldn't
afford it; and yet I've got ten thousand dollars in the bank and the
best farm for miles around. Samanthy, you go fetch my bonnet and
shawl,--Jabe, you go and hitch up Maria, and we'll go after that boy and
fetch him back if he's to be found anywheres above ground! And if we
come across any more o' the same family trampin' around the country,
we'll bring them along home while we're about it, and see if we can't
get some sleep and some comfort out o' life. And the Missionary Society
can look somewheres else for money. There's plenty o' folks that don't
get good works set right down in their front yards for 'em to do. I'll
look out for the individyals for a spell, and let the other folks
support the societies!"
SCENE XV.
_Wilkins's Woods._
LIKE ALL DOGS IN FICTION THE FAITHFUL RAGS GUIDES MISS VILDA TO HIS
LITTLE MASTER.
Samantha ran out to the barn to hold the lantern and see that Jabe
didn't go to sleep while he was harnessing Maria. But he seemed
unusually "spry" for him, although he was conducting himself in a
somewhat strange and unusual manner. His loose figure shook from time to
time, as with severe chills; he seemed too weak to hold up the shafts,
and so he finally dropped them and hung round Maria's neck in a sort of
mild, speechless convulsion.
"What under the canopy ails you, Jabe Slocum?" asked Samantha. "I s'pose
it's one o' them everlastin' old addled jokes o' yourn you're tryin' to
hatch out, but it's a poor time to be jokin' now. What's the matter with
you?"
"'Ask me no questions 'n' I'll tell you no lies,' is an awful good
motto," chuckled Jabe, with a new explosion of mirth that stretched his
mouth to an alarming extent. "Oh, there, I can't hold in 'nother minute.
I shall bust if I don' tell somebody! Set down on that nail kag,
Samanthy, 'n' I'll let you hev a leetle slice o' this joke--if you'll
keep it to yourself. You see I know--'bout--whar--to look--for this
here--runaway!"
"You hev n't got him stowed away anywheres, hev you? If you hev, it'll
be the last joke you'll play on Vildy Cummins, I can tell you that much,
Jabe Slocum."
"No, I hain't stowed him away, but I can tell putty nigh whar he's
stowed hisself away, and I'm ready to die a-laffin' to see how it's all
turned out jest as I suspicioned 't would. You see, Samanthy Ann, I
thought 'bout a week ago 't would be well enough to kind o' create a
demand for the young ones so 't they'd hev some kind of a market value,
and so I got Elder Southwick 'n' Aunt Hitty kind o' started on that
tack, 'n' it worked out slick as a whistle, tho' they didn't know I was
usin' of 'em as innercent instruments, and Aunt Hitty don't need much
encouragement to talk; it's a heap easier for her to drizzle 'n it is to
hold up! Well, I've ben surmisin' for a week that the boy meant to run
away, and to-day I was dead sure of it; for he come to me this
afternoon, when I was restin' a spell on account o' the hot sun, and he
was awful low-sperrited, 'n' he asked me every namable kind of a
question you ever hearn tell of, and all so simple-minded that I jest
turned him inside out 'thout his knowin' what I was doin'. Well, when I
found out what he was up to I could 'a' stopped him then 'n' there, tho'
I don' know 's I would anyhow, for I shouldn't like livin' in a 'sylum
any better 'n he doos; but thinks I to myself, thinks I, I'd better let
him run away, jest as he's a plannin',--and why? Cause it'll show what
kind o' stuff he's made of, and that he ain't no beggar layin' roun'
whar he ain't wanted, but a self-respectin' boy that's wuth lookin'
after. And thinks I, Samanthy, 'n' I know the wuth of him a'ready, but
there's them that hain't waked up to it yit, namely, Miss Vildy Trypheny
Cummins; and as Miss Vildy Trypheny Cummins is that kind o' cattle that
can't be drove, but hez to be kind o' coaxed along, mebbe this
runnin'-away bizness 'll be the thing that'll fetch her roun' to our way
o' thinkin'. Now I wouldn't deceive nobody for a farm down East with a
pig on it, but thinks I, there ain't no deceivin' 'bout this. He don'
know I know he's goin' to run away, so he's all square; and he never
told me nothin' 'bout his plans, so I'm all square; and Miss Vildy's
good as eighteen-karat gold when she gets roun' to it, so she'll be all
square; and Samanthy's got her blinders on 'n' don't see nothin' to the
right nor to the left, so she's all square. And I ain't inteferin' with
nobody. I'm jest lettin' things go the way they've started, 'n' stan'in'
to one side to see whar they'll fetch up, kind o' like Providence. I'm
leavin' Miss Vildy a free agent, but I'm shapin' circumstances so 's to
give her a chance. But, land! if I'd fixed up the thing to suit myself I
couldn't 'a' managed it as Timothy hez, 'thout knowin' that he was
managin' anything. Look at that letter bizness now! I couldn't 'a' writ
that letter better myself! And the sperrit o' the little feller, jest
takin' his dorg 'n' lightin' out with nothin' but a perlite good-bye!
Well I can't stop to talk no more 'bout it now, or we won't ketch him,
but we'll jest try Wilkins's Woods, Maria, 'n' see how that goes. The
river road leads to Edgewood 'n' Hillside, whar there's consid'able
hayin' bein' done, as I happened to mention to Timothy this afternoon;
and plenty o' blackberries 'side the road, 'specially after you pass the
wood-pile on the left-hand side, whar there's a reg'lar garding of 'em
right 'side of an old hoss-blanket that's layin' there; one that I
happened to leave there one time when I was sleepin' ou'doors for my
health, and that was this afternoon 'bout five o'clock, so I guess it
hain't changed its location sence."
Jabe and Miss Vilda drove in silence along the river road that skirted
Wilkins's Woods, a place where Jabe had taken Timothy more than once, so
he informed Miss Vilda, and a likely road for him to travel if he were
on his way to some of the near villages.
Poor Miss Vilda! Fifty years old, and in twenty summers and winters
scarcely one lovely thought had blossomed into lovelier deed and shed
its sweetness over her arid and colorless life. And now, under the magic
spell of tender little hands and innocent lips, of luminous eyes that
looked wistfully into hers for a welcome, and the touch of a groping
helplessness that fastened upon her strength, the woman in her woke into
life, and the beauty and fragrance of long-ago summers came back again
as in a dream.
After having driven three or four miles, they heard a melancholy sound
in the distance; and as they approached a huge wood-pile on the left
side of the road, they saw a small woolly form perched on a little rise
of ground, howling most melodiously at the August moon, that hung like a
ball of red fire in the cloudless sky.
"That's a sign of death in the family, ain't it, Jabe?" whispered Miss
Vilda faintly.
"So they say," he answered cheerfully; "but if 't is, I can 'count for
it, bein' as how I fertilized the pond lilies with a mess o' four white
kittens this afternoon; and as Rags was with me when I done it, he may
know what he's bayin' 'bout,--if 't is Rags, 'n' it looks enough like
him to be him,--'n' it is him, by Jiminy, 'n' Timothy's sure to be
somewheres near. I'll get out 'n' look roun' a little."
"You set right still, Jabe, I'll get out myself, for if I find that boy
I've got something to say to him that nobody can say for me."
As Jabe drew the wagon up beside the fence, Rags bounded out to meet
them. He knew Maria, bless your soul, the minute he clapped his eyes on
her, and as he approached Miss Vilda's congress boot his quivering
whiskers seemed to say, "Now, where have I smelled that boot before? If
I mistake not, it has been applied to me more than once. Ha! I have it!
Miss Vilda Cummins of the White Farm, owner of the white cat and
hash-pan, and companion of the lady with the firm hand, who wields the
broom!" whereupon he leaped up on Miss Cummins's black alpaca skirts,
and made for her flannel garters in a way that she particularly
disliked.
"Now," said she, "if he's anything like the dogs you hear tell of, he'll
take us right to Timothy."
"Wall, I don' know," said Jabe cautiously; "there's so many kinds o'
dorg in him you can't hardly tell what he will do. When dorgs is mixed
beyond a certain p'int it kind o' muddles up their instincks, 'n' you
can't rely on 'em. Still you might try him. Hold still, 'n' see what
he'll do."
Miss Vilda "held still," and Rags jumped on her skirts.
"Now, set down, 'n' see whar he'll go."
Miss Vilda sat down, and Rags went into her lap.
"Now, make believe start somewheres, 'n' mebbe he'll get ahead 'n' put
you on the right track."
Miss Vilda did as she was told, and Rags followed close at her heels.
"Gorry! I never see sech a fool!--or wait,--I'll tell you what's the
matter with him. Mebbe he ain't sech a fool as he looks. You see, he
knows Timothy wants to run away and don't want to be found 'n' clapped
into a 'sylum, 'n' nuther does he. And not bein' sure o' your
intentions, he ain't a-goin' to give hisself away; that's the way I size
Mr. Rags up!"
"Nice doggy, nice doggy!" shuddered Miss Vilda, as Rags precipitated
himself upon her again. "Show me where Timothy is, and then we'll go
back home and have some nice bones. Run and find your little master,
that's a good doggy!"
It would be a clever philosopher who could divine Rags's special method
of logic, or who could write him down either as fool or sage. Suffice it
to say that, at this moment (having run in all other possible
directions, and wishing, doubtless, to keep on moving), he ran round the
wood-pile; and Miss Vilda, following close behind, came upon a little
figure stretched on a bit of gray blanket. The pale face shone paler in
the moonlight; there were traces of tears on the cheeks; but there was a
heavenly smile on his parted lips, as if his dream-mother had rocked him
to sleep in her arms. Rags stole away to Jabe (for even mixed dogs have
some delicacy), and Miss Vilda went down on her knees beside the
sleeping boy.
"Timothy, Timothy, wake up!"
No answer.
"Timothy, wake up! I've come to take you home!"
Timothy woke with a sob and a start at that hated word, and seeing Miss
Vilda at once jumped to conclusions.
"Please, please, dear Miss Vildy, don't take me to the Home, but find me
some other place, and I'll never, never run away from it!"
"My blessed little boy, I've come to take you back to your own home at
the White Farm."
It was too good to believe all at once. "Nobody wants me there," he said
hesitatingly.
"Everybody wants you there," replied Miss Vilda, with a softer note in
her voice than anybody had ever heard there before. "Samantha wants
you, Gay wants you, and Jabe is waiting out here with Maria, for he
wants you."
"But do you want me?" faltered the boy.
"I want you more than all of 'em put together, Timothy; I want you, and
I need you most of all," cried Miss Vilda, with the tears coursing down
her withered cheeks; "and if you'll only forgive me for hurtin' your
feelin's and makin' you run away, you shall come to the White Farm and
be my own boy as long as you live."
"Oh, Miss Vildy, darling Miss Vildy! are we both of us adopted, and are
we truly going to live with you all the time and never have to go to the
Home?" Whereupon, the boy flung his loving arms round Miss Vilda's neck
in an ecstasy of gratitude; and in that sweet embrace of trust and
confidence and joy, the stone was rolled away, once and forever, from
the sepulchre of Miss Vilda's heart, and Easter morning broke there.
SCENE XVI.
_The New Homestead._
TIMOTHY'S QUEST IS ENDED, AND SAMANTHA SAYS "COME ALONG, DAVE!"
"Jabe Slocum! Do you know it's goin' on seven o'clock 'n' not a single
chore done?"
Jabe yawned, turned over, and listened to Samantha's unwelcome voice,
which (considerably louder than the voice of conscience) came from the
outside world to disturb his delicious morning slumbers.
"Jabe Slocum! Do you hear me?"
"Hear you? Gorry! you'd wake the seven sleepers if they was any whar
within ear-shot!"
"Well, will you git up?"
"Yes, I'll git up if you're goin' to hev a brash 'bout it, but I wish
you hedn't waked me so awful suddent. 'Don't ontwist the mornin' glory'
's my motto. Wait a spell 'n' the sun 'll do it, 'n' save a heap o' wear
'n' tear besides. Go 'long! I'll git up."
"I've heerd that story afore, 'n' I won't go 'long tell I hear you step
foot on the floor."
"Scoot! I tell yer I'll be out in a jiffy."
"Yes, I think I see yer. Your jiffies are consid'able like golden
opportunities, there ain't more 'n one of 'em in a lifetime!" and having
shot this Parthian arrow Samantha departed, as one having done her duty
in that humble sphere of action to which it had pleased Providence to
call her.
These were beautiful autumn days at the White Farm. The orchards were
gleaming, the grapes hung purple on the vines, and the odor of ripening
fruit was in the hazy air. The pink spirea had cast its feathery petals
by the gray stone walls, but the welcome golden-rod bloomed in royal
profusion along the brown waysides, and a crimson leaf hung here and
there in the treetops, just to give a hint of the fall styles in color.
Heaps of yellow pumpkins and squashes lay in the corners of the fields;
cornstalks bowed their heads beneath the weight of ripened ears; beans
threatened to burst through their yellow pods; the sound of the
threshing machine was heard in the land; and the "hull univarse wanted
to be waited on to once," according to Jabe Slocum; for, as he
affirmed, "Yer couldn't ketch up with your work nohow, for if yer set up
nights 'n' worked Sundays, the craps 'd ripen 'n' go to seed on yer
'fore yer could git 'em harvested!"
And if there was peace and plenty without there was quite as much within
doors.
"I can't hardly tell what's the matter with me these days," said
Samantha Ann to Miss Vilda, as they sat peeling and slicing apples for
drying. "My heart has felt like a stun these last years, and now all to
once it's so soft I'm ashamed of it. Seems to me there never was such a
summer! The hay never smelt so sweet, the birds never sang so well, the
currants never jelled so hard! Why I can't kick the cat, though she's
more everlastin'ly under foot 'n ever, 'n' pretty soon I sha'n't even
have sprawl enough to jaw Jabe Slocum. I b'lieve it's nothin' in the
world but them children! They keep a runnin' after me, 'n' it's dear
Samanthy here, 'n' dear Samanthy there, jest as if I warn't a hombly old
maid; 'n' they take holt o' my hands on both sides o' me, 'n' won't stir
a step tell I go to see the chickens with 'em, 'n' the pig, 'n' one
thing 'n' 'nother, 'n' clappin' their hands when I make 'em gingerbread
men! And that reminds me, I see the school-teacher goin' down along this
mornin', 'n' I run out to see how Timothy was gittin' along in his
studies. She says he's the most ex-tra-ordi-nary scholar in this
deestrick. She says he takes holt of every book she gives him jest as if
't was reviewin' 'stid o' the first time over. She says when he speaks
pieces, Friday afternoons, all the rest o' the young ones set there with
their jaws hanging 'n' some of 'em laughin' 'n' cryin' 't the same time.
She says we'd oughter see some of his comp'sitions, 'n' she'll show us
some as soon as she gits 'em back from her beau that works at the
Waterbury Watch Factory, and they're goin' to be married 's quick as she
gits money enough saved up to buy her weddin' close; 'n' I told her not
to put it off too long or she'd hev her close on her hands, 'stid of her
back. She says Timothy's at the head of the hull class, but, land! there
ain't a boy in it that knows enough to git his close on right sid' out.
She's a splendid teacher, Miss Boothby is! She tells me the seeleck men
hev raised her pay to four dollars a week 'n' she to board herself, 'n'
she's wuth every cent of it. I like to see folks well paid that's got
the patience to set in doors 'n' cram information inter young ones that
don't care no more 'bout learn in' 'n' a skunk-blackbird. She give me
Timothy's writin' book, for you to see what he writ in it yesterday, 'n'
she hed to keep him in 't recess 'cause he didn't copy 'Go to the ant
thou sluggard and be wise,' as he'd oughter. Now let's see what 't is.
My grief! it's poetry sure 's you're born. I can tell it in a minute
'cause it don't come out to the aidge o' the book one side or the other.
Read it out loud, Vildy."
"'Oh! the White Farm and the White Farm!
I love it with all my heart;
And I'm to live at the White Farm,
Till death it do us part.'"
Miss Vilda lifted her head, intoxicated with the melody she had evoked.
"Did you ever hear anything like that," she exclaimed proudly.
"'Oh! the White Farm and the White Farm!
I love it with all my heart;
And I'm to live at the White Farm,
Till death it do us part.'"
"Just hear the sent'ment of it, and the way it sings along like a tune.
I'm goin' to show that to the minister this very night, and that boy's
got to have the best education there is to be had if we have to
mortgage the farm."
Samantha Ann was right. The old homestead wore a new aspect these days,
and a love of all things seemed to have crept into the hearts of its
inmates, as if some beneficent fairy of a spider were spinning a web of
tenderness all about the house, or as if a soft light had dawned in the
midst of great darkness and was gradually brightening into the perfect
day.
In the midst of this new-found gladness and the sweet cares that grew
and multiplied as the busy days went on, Samantha's appetite for
happiness grew by what it fed upon, so that before long she was a little
unhappy that other people (some more than others) were not as happy as
she; and Aunt Hitty was heard to say at the sewing-circle (which had
facilities for gathering and disseminating news infinitely superior to
those of the Associated Press), that Samantha Ann Ripley looked so peart
and young this summer, Dave Milliken had better spunk up and try again.
But, alas! the younger and fresher and happier Samantha looked, the
older and sadder and meeker David appeared, till all hopes of his
"spunking up" died out of the village heart; and, it might as well be
stated, out of Samantha's also. She always thought about it at sun-down,
for it was at sun-down that all their quarrels and reconciliations had
taken place, inasmuch as it was the only leisure time for week-day
courting at Pleasant River.
It was sun-down now; Miss Vilda and Jabez Slocum had gone to Wednesday
evening prayer-meeting, and Samantha was looking for Timothy to go to
the store with her on some household errands. She had seen the children
go into the garden a half hour before, Timothy walking gravely, with his
book before him, Gay blowing over the grass like a feather, and so she
walked towards the summer-house.
Timothy was not there, but little Lady Gay was having a party all to
herself, and the scene was such a pretty one that Samantha stooped
behind the lattice and listened.
There was a table spread for four, with bits of broken china and shells
for dishes, and pieces of apple and gingerbread for the feast. There
were several dolls present (notably one without any head, who was not
likely to shine at a dinner party), but Gay's first-born sat in her lap;
and only a mother could have gazed upon such a battered thing and loved
it. For Gay took her pleasures madly, and this faithful creature had
shared them all; but not having inherited her mother's somewhat rare
recuperative powers, she was now fit only for a free bed in a
hospital,--a state of mind and body which she did not in the least
endeavor to conceal. One of her shoe-button eyes dangled by a linen
thread in a blood-curdling sort of way; her nose, which had been a pink
glass bead, was now a mere spot, ambiguously located. Her red worsted
lips were sadly raveled, but that she did not regret, "for it was
kissin' as done it." Her yarn hair was attached to her head with
safety-pins, and her internal organs intruded themselves on the public
through a gaping wound in the side. Never mind! if you have any
curiosity to measure the strength of the ideal, watch a child with her
oldest doll. Rags sat at the head of the dinner-table, and had taken the
precaution to get the headless doll on his right, with a view to eating
her gingerbread as well as his own,--doing no violence to the
proprieties in this way, but rather concealing her defects from a
carping public.
"I tell you sompfin' ittle Mit Vildy Tummins," Gay was saying to her
battered offspring. "You 's doin' to have a new ittle sit-ter
to-mowowday, if you 's a dood ittle dirl an does to seep nite an kick,
you _ser-weet_ ittle Vildy Tummins!" (All this punctuated with ardent
squeezes fraught with delicious agony to one who had a wound in her
side!) "Vay fink you 's worn out, 'weety, but we know you isn't, don'
we, 'weety? An I'll tell you nite ittle tory to-night, tause you isn't
seepy. Wunt there was a ittle day hen 'at tole a net an' laid fir-teen
waw edds in it, an bime bye erleven or seventeen ittle chits f'ew out of
'em, an Mit Vildy 'dopted 'em all! In 't that a nite tory, you
_ser-weet_ ittle Mit Vildy Tummins?"
Samantha hardly knew why the tears should spring to her eyes as she
watched the dinner party,--unless it was because we can scarcely look at
little children in their unconscious play without a sort of sadness,
partly of pity and partly of envy, and of longing too, as for something
lost and gone. And Samantha could look back to the time when she had sat
at little tables set with bits of broken china, yes, in this very
summer-house, and little Martha was always so gay, and David used to
laugh so! "But there was no use in tryin' to make folks any dif'rent,
'specially if they was such nat'ral born fools they couldn't see a hole
in a grindstun 'thout hevin' it hung on their noses!" and with these
large and charitable views of human nature, Samantha walked back to the
gate, and met Timothy as he came out of the orchard. She knew then what
he had been doing. The boy had certain quaint thoughts and ways that
were at once a revelation and an inspiration to these two plain women,
and one of them was this. To step softly into the side orchard on
pleasant evenings, and without a word, before or afterwards, to lay a
nosegay on Martha's little white doorplate. And if Miss Vilda chanced to
be at the window he would give her a quiet little smile, as much as to
say, "We have no need of words, we two!" And Vilda, like one of old, hid
all these doings in her heart of hearts, and loved the boy with a love
passing knowledge.
Samantha and Timothy walked down the hill to the store. Yes, David
Milliken was sitting all alone on the loafer's bench at the door, and
why wasn't he at prayer-meetin' where he ought to be? She was glad she
chanced to have on her clean purple calico, and that Timothy had
insisted on putting a pink Ma'thy Washington geranium in her collar, for
it was just as well to make folks' mouth water whether they had sense
enough to eat or not.
"Who is that sorry-looking man that always sits on the bench at the
store, Samanthy?"
"That's David Milliken."
"Why does he look so sorry, Samanthy?"
"Oh, he's all right. He likes it fust-rate, wearin' out that hard bench
settin' on it night in 'n' night out, like a bump on a log! But, there,
Timothy, I've gone 'n' forgot the whole pepper, 'n' we're goin' to
pickle seed cowcumbers to-morrer. You take the lard home 'n' put it in
the cold room, 'n' ondress Gay 'n' git her to bed, for I've got to call
int' Mis' Mayhew's goin' along back."
It was very vexatious to be obliged to pass David Milliken a second
time; "though there warn't no sign that he cared anything about it one
way or 'nother, bein' blind as a bat, 'n' deef as an adder, 'n' dumb as
a fish, 'n' settin' stockstill there with no coat on, 'n' the wind
blowin' up for rain, 'n' four o' the Millikens layin' in the churchyard
with gallopin' consumption." It was in this frame of mind that she
purchased the whole pepper, which she could have eaten at that moment as
calmly as if it had been marrow-fat peas; and in this frame of mind she
might have continued to the end of time had it not been for one of those
unconsidered trifles that move the world when the great forces have
given up trying. As she came out of the store and passed David, her eye
fell on a patch in the flannel shirt that covered his bent shoulders.
The shirt was gray and (oh, the pity of it!) the patch was red; and it
was laid forlornly on outside, and held by straggling stitches of carpet
thread put on by patient, clumsy fingers. That patch had an irresistible
pathos for a woman!
Samantha Ann Ripley never exactly knew what happened. Even the wisest of
down-East virgins has emotional lapses once in a while, and she
confessed afterwards that her heart riz right up inside of her like a
yeast cake. Mr. Berry, the postmaster, was in the back of the store
reading postal cards. Not a soul was in sight. She managed to get down
over the steps, though something with the strength of tarred ship-ropes
was drawing her back; and then, looking over her shoulder with her whole
brave, womanly heart in her swimming eyes, she put out her hand and
said, "Come along, Dave!"
And David straightway gat him up from the loafer's bench and went unto
Samantha gladly.
And they remembered not past unhappiness because of present joy; nor
that the chill of coming winter was in the air, because it was summer in
their hearts: and this is the eternal magic of love.
End of the Project Gutenberg EBook of Timothy's Quest, by Kate Douglas Wiggin
*** END OF THIS PROJECT GUTENBERG EBOOK TIMOTHY'S QUEST ***
***** This file should be named 18531-8.txt or 18531-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/8/5/3/18531/
Produced by Bruce Albrecht, Janet Blenkinship and the
Online Distributed Proofreading Team at http://www.pgdp.net
(This book was produced from scanned images of public
domain material from the Google Print project)
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
*** END: FULL LICENSE ***
