Am I Still There?

By James R. Hall

The Project Gutenberg EBook of Am I Still There?, by James R. Hall

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Am I Still There?

Author: James R. Hall

Illustrator: Leo Summers

Release Date: December 26, 2009 [EBook #30763]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK AM I STILL THERE? ***




Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net







                         Transcriber's Note:

    This etext was produced from Analog Science Fact & Fiction September
    1963. Extensive research did not uncover any evidence that the U.S.
    copyright on this publication was renewed.



                          AM I STILL THERE?


                  Which must in essence, of course,
                  simply be the question "What do I
                            mean by 'I'?"


                           by JAMES R. HALL


                      ILLUSTRATED BY LEO SUMMERS

                            [Illustration]

       *       *       *       *       *




Lee slid off the examining table and began buttoning his shirt. He had
had a medical examination every six months of his adult life, and it
always seemed strange to him that, despite the banks of machines the
doctor had which could practically map a man from a single cell
outward, each examination always entailed the cold end of a
stethoscope against his chest.

He tucked his shirt into his pants and turned to the examining doctor
who was writing on a chart.

"Well?" Lee asked him.

"Sound as a dollar," replied the doctor. "Of course Dr. Flotman or Dr.
Roberts might turn up something on their electronic monsters, but I
see no reason why we can't go ahead on schedule."

Lee felt relieved. Even while being examined by technicians, M.D.'s
and biologists, he had been conscious of the hundreds of little dull
pains which had nibbled like mice in every corner of his brain.
Sometimes he felt like a piece of his brain was being completely
smothered, a horrible sensation of having a part of his head severed
from him. This would go away, but would appear again in a different
area, usually in about fifteen to thirty minutes. Well, the doctor
said he was fit for surgery. That would end this nagging pain, just as
it always had in the past.

"... If you're ready now." Lee became aware the doctor was speaking to
him.

"Oh," Lee said. He had no idea what the doctor was talking about. "I'm
sorry, I guess I didn't hear what you said--"

The doctor smiled tolerantly. "I said you can see Dr. Letzmiller this
afternoon to get the final O.K."

"Letzmiller? Who's he? I thought you said I was ready to go." Lee knew
he sounded a little petulant, but he was tired from all these
examinations, and besides, his head hurt.

The doctor, Gorss, Lee thought his name was, was rather young but
seemed used to this kind of thing. He turned on his tolerant smile
again. "Dr. Letzmiller is chief of the Familiarization and
Post-Operative Adjustment Section. He can explain himself better when
you see him."

"Is he the last one?" Lee asked. He was already following Dr. Gorss
out the door and down a corridor.

Dr. Gorss stopped before a door marked "Dr. C. L. Letzmiller," and
opened it. "The last one. You take these," he handed Lee a thick
manila folder, "and tell the girl Dr. Gorss sent you for your
interview." He waited until Lee had entered, then closed the door and
left.

       *       *       *       *       *

Evidently Dr. Letzmiller had been expecting him, for very shortly Lee
found himself sitting at the doctor's desk, comfortably seated in a
brown leather armchair. He was facing a rather pudgy man, who was
leafing through the manila folder Lee had given him. Finally Dr.
Letzmiller looked up.

"Well. Well now, Mr. Lee, suppose you first tell me about yourself,
and then I'll tell you about me."

"Tell you about me?" Lee asked.

Dr. Letzmiller smiled. It was another tolerant smile, but it seemed
more sincere than Gorss'. "I suppose the best way would be for me to
review these facts on your medical history. You are Vincent Bonard
Lee?"

"Yes, sir."

"Date of birth?"

"August 11, 1934."

"That would make you four hundred nine years old."

Lee hesitated. He never really thought of his age. It had long ago
ceased to be of any importance to him. Of course he remembered his
birth date. It was one of those facts that always appears on your
records, like your social security number. He did some calculation in
his head, as rapidly as the constantly shifting blank spots in his
thinking would allow him.

"Yes, sir."

"It shows here that you first underwent replacive surgery in 1991.
Correct?"

"Yes."

"Remember what it was for?"

"Yes, I had heart trouble. They fixed me up with one of those big jobs
requiring my carrying batteries under my armpit."

"One of those early models. And this shows that at various times since
then you have undergone replacive surgery some eighty-seven times,
including three replacements of a pulmonary nature."

Again Lee hesitated. The number of times he had had a worn organ or
tissue repaired or replaced was more than a little hazy. After the
novelty of the first few times when he found himself with a new
stomach, or liver, or muscle, he had started to take these things as a
matter of course. He gave a little nervous laugh. "If that paper says
so, I suppose so, doctor."

"Yes. Well, everything seems to be functioning properly now, doesn't
it? With the exception of your head, of course."

"Yes, yes I feel fine otherwise." Lee was feeling uncomfortable.
"Doctor, could you tell me what this is all about? I must have
answered these questions half a dozen times before to those other
people."

"In just a moment. First I need to know you a little better. Your
medical history lists your occupation as 'cabinet maker'."

"That's right." Lee was becoming more and more uncomfortable. The
extensive examinations had tired him, and repetition of the answers to
all these questions was making him edgy.

"Doctor, can't you at least tell me what type operation I'm going to
have?"

"What do you think it will be?"

"I don't know. Some sort of repair on my head, I guess."

"Mr. Lee, this isn't going to be a matter of repair. We have found it
necessary to replace the entirety of what could roughly be called
your 'brain', as well as part of the spinal cord."

"My whole brain?" Lee sat, stunned, comprehension slowly filtering
into him. He voiced the only coherent thought which materialized. "Why
that will mean there won't be anything left of me at all."

Dr. Letzmiller regarded him. "What do you mean?"

"Doc, you've got my records there. At one time or another, since they
first put a new heart in me, every single inch of me has been replaced
by an artificial part. I mean all of me. There's not one bit of me,
heart, eyes, toenails, _nothing_, that is _me_. That bothered me quite
a bit when this left eye was put in. I mean I thought, 'Well, this
isn't me. This is my brain walking around in a jumble of artificial
flesh.' I tell you it bothered me. But I went to a doctor, you know, a
psychoanalyst, and he convinced me that as long as I had what he
called a 'sense of identity', that I was me." Lee stopped. How could
he explain it?

But Letzmiller seemed to understand. "And you think that your brain is
all that is left of 'you'?"

"Doc, it's a funny feeling. Like this." Lee raised his hands, brought
them together and touched his fingertips. "See that? I can raise those
hands. I can make them touch each other. I can feel them touching each
other. But it is just not quite right. It's just a little bit off key,
like one trumpet player out of twenty being about one-sixteenth of a
note flat. Know what I mean?"

"I think I do," said Letzmiller, nodding slowly. "Now, just what does
that have to do with your operation?"

"Doctor--" Lee had to stop, for the patchwork quilt of blank spaces
was dancing in his head. The helplessness went away, slowly, like
smoke drifting from a fire. As his mind cleared, he realized that he
didn't know why he was being interviewed by this doctor.

"Anything wrong?" Dr. Letzmiller asked.

Lee knew he wasn't being too coherent, jumping about with the
conversation this way, but he asked the question, anyway. "Doc, why am
I seeing you?"

"You haven't guessed?"

"No."

The doctor paused to light a half-gone cigar. "My job here at Merkins
Replacive is to deal with just such fears as you have expressed. I'm
an M.D. and a psychologist, and"--Letzmiller smiled to himself--"a
kind of historian."

"Historian?"

"Well, you see I was supposed to give you the regular formal lecture
on the history of replacive surgery when you first came in. Like to
hear it?"

Lee nodded, so Letzmiller continued. "Replacive surgery is actually
quite old. Old as medicine itself, I suppose. Very early attempts at
dentures were tried, though with little success. And, of course, peg
legs and hooks for persons who had lost their hands might be called
replacive surgery, though they were very crude. Later on came more
refined dentures, artificial limbs, corrective lenses, skull plates,
hearing aids, plastic or cosmetic surgery, blood transfusions, all
types of skin grafts, et cetera.

"The 1950s saw the beginning of bone and corneal transplants, use of
plastics in arteries, those huge heart-lung and kidney machines,
implantation of electrodes in the heart to steady its beat--many
things which were mostly emergency or stop-gap measures. All through
the late 1900s refinements continued to be made, but it wasn't until
1988 that the fathers of replacive surgery, Doctors Mills, Levinson
and McCarty made the breakthrough that revolutionized the whole
concept. In very simplified language they unlocked the key to
producing specialized living tissue through a bombardment of an
extremely complex carbon compound with amino acids and electricity,
then making it selective in function by a fantastically intricate
application of radiation.

"That pulmonary replacement you received in 1991 was undoubtedly one
of the first successes. You were quite lucky, you know. Up until 2017,
only about five per cent of their synthesized hearts lasted more than
thirty days. At any rate, the principle was established, and it was
proven that it could work. Most of our work from then till a few years
ago has been in improving and refining the work those three good
doctors did over three hundred years ago."

Letzmiller's cigar had gone out, and he discarded it in favor of a
cigarette. "That would be the end of my history lecture, if it were
not for the nature of your trouble."

Lee looked at him closely. "Why's that?"

"Well, Mr. Lee, the big thing missing in that summation is the
seemingly impossible task of synthesizing nerve tissue, especially
that of the cerebral cortex. It's been approximated, at any rate
closely enough to give us good enough results to allow an artificial
tissue to respond to brain signals about ninety-eight per cent as well
as the original would. But actual duplication? No. At least not until
about three years ago. To tell you the truth, it is barely out of the
experimental stage."

"Experimental!"

       *       *       *       *       *

"Yes, this will be the first complete replacement of a human brain.
Oh, of course it has been done with animals, and it has been
successful with partial replacements on humans. But you will have the
honor of being the first human with a complete substitution."

Lee could not contain himself. "Doc, that's just it! There won't be a
single atom of me except what you fellows have conjured up--"

Letzmiller broke in mildly. "I think 'conjured' is hardly the proper
word, Mr. Lee."

"Well, of course, I didn't mean that. But don't you see what I'm
driving at? You could just as well start from scratch and duplicate me
without bothering about going about it piecemeal. And what does that
make me?"

The doctor had been looking at Lee intently, studying him through this
outburst. "I think I see what you mean. And I can't answer you. The
question you raise may be philosophical, or metaphysical, but it
certainly isn't medical. And from a doctor's point of view complete
substitution is the only course open, risky as it may seem."

Lee mulled this over. Of course he knew surgery was the only solution
to his decaying mentality, actually the only alternative to his
becoming a virtual idiot, and, shortly after that, dead. And he did
not want to die. He had lived a long time, but thanks to the methods
of Letzmiller, Gorss, and all their predecessors, he was as full of
juice as he had been at thirty-five. But the question that kept
plaguing him Letzmiller seemed determined to avoid. He didn't
understand very much about replacive surgery, really didn't care to.
If Letzmiller said it could work, then he wasn't worried about that.
Well, he guessed he really didn't have much choice. With this
realization, he had only one more question for Letzmiller.

"Doc, if I'm not me when this is over, do you think I'll know it?"

Letzmiller looked at Lee's troubled face. "Do you think that you would
want to?"

Lee answered slowly. "No, no I guess not."

Letzmiller rose from his chair. "I'll talk to you again after the
operation. Do you think you're ready to go to your room now?"

Lee nodded and obediently followed the doctor.

       *       *       *       *       *

Lee was asleep when the nurse came, but with the efficiency of all
good nurses since time immemorial, she woke him to give him the
sedative to prepare him for surgery. She chattered brightly as she
prepared the hypodermic.

"You know, you have all the nurses speculating, Mr. Lee. I mean we're
wondering just what Dr. Lakin, he's the anesthesiologist, is going to
use for you when you won't have any brain for the anesthesia to work
on." She stopped, the needle poised above Lee's arm, realizing the
inaptness of her remark. "Oh. I shouldn't have said that."

"No, that's all right," said Lee. "I've already reconciled myself to
being the headless horseman for a while." He had, too, although it was
wonderfully strange to think of himself lying on the operating table
with a cavity where he right now thought, felt, knew that he was a
person.

       *       *       *       *       *

Lee didn't actually lie on the table in the literal sense. The table
was inclined to about forty-five degrees, with his head exposed and
supported by a clamp on the cheek and jaw bones. This arrangement was
necessary to allow the waiting machinery access to the area where it
would perform.

Physicians, surgeons, biologists and the like were gathered in the
amphitheater to see a bit of medical history. Actually there wasn't
much to see. A team of technicians, radiologists and surgeons were
working around Lee. Some were attaching electrodes to parts of Lee's
body to maintain the electrical impulses necessary to keep his vital
processes in motion while the main switchboard was out of commission.
Others were sensitizing the exposed brain, from which the skull had
already been removed, to guide the delicate fingers of the huge
automatic Operating, Recording and Calculating Complex through its
precisely programmed steps.

Letzmiller was among those in the amphitheater, as a spectator, drawn
both by professional curiosity and a desire to know the answer to
Lee's question, "Doc, what will there be left of me?" Of course he
couldn't find out even part of the answer for some weeks. Even the ORC
complex, now being fitted to Lee's unconscious brain, adjusted and
activated, would not finish with its job for something like thirty-two
hours.

The synthesizer would reconvert the data, translate it into countless
chemical and electrical formulae, and apply it to the raw material of
carbons, amino acids, proteins, and other components. When the basic
organ had been reconstructed, a process requiring another week and a
half in the synthesizer, it would be grafted back. The nerve lead-ins
would then be reconnected, one by one, spaced at intervals to avoid
shock. Lee would be unconscious the whole time, of course. Or rather
Lee would be unconscious part of the time. Most of the time he
wouldn't have the capacity for either consciousness or the lack of it.

Dr. Letzmiller observed the huge ORC complex for a time, but there
wasn't anything to see. It simply sat over Lee, doing its job.
Unwanted, the thought came to Letzmiller that the machine looked like
a frog with a long worm dangling from its mouth. Lee was the worm.

       *       *       *       *       *

"You can talk to him now, doctor." Oldenreid, Surgeon in Charge,
addressed Letzmiller outside Lee's room where he had just finished his
examination. "Personally, I think things went exactly as they should.
All physical and mental responses check out. I guess here's where I'm
finished and you go to work."

Lee was sitting up in bed as Letzmiller entered. He looked just like
he had in Letzmiller's office before the operation, except for the
small white bandages around his head to protect his healing skull.
"Well," the doctor said, "how do you feel? Your head hurt?"

       *       *       *       *       *

Letzmiller checked at Oldenreid's office, and was admitted to give his
report, as had been planned.

"Well?" asked Oldenreid.

Letzmiller lit the end of his cigar before answering. "I wholly agree
with you. Everything seems to have worked out exactly according to
plan. I found him essentially the same as he appeared to me during his
pre-operative interview. Of course he's a little foggy yet, but I
suppose that's just the post-operative shock."

"Yes, that will clear up in a few days."

"He seems alert, responsive, full memory. I don't think there will be
any difficulty with my part of his post-operative treatment. Except--

"Doctor, have you ever listened to a group of violins and sensed, just
sensed, not actually heard, that one of them seemed about a quarter of
a note flat?"

Oldenreid looked at him strangely as Letzmiller left the office and
closed the door.

       *       *       *       *       *







End of the Project Gutenberg EBook of Am I Still There?, by James R. Hall

*** END OF THIS PROJECT GUTENBERG EBOOK AM I STILL THERE? ***

***** This file should be named 30763.txt or 30763.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/0/7/6/30763/

Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.