Snow-flakes : A chapter from the book of nature

By Israel Perkins Warren

The Project Gutenberg eBook of Snow-flakes
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Snow-flakes
        A chapter from the book of nature

Author: Israel Perkins Warren

Release date: February 15, 2026 [eBook #77946]

Language: English

Original publication: Boston: American Tract Society, 1863

Credits: Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)


*** START OF THE PROJECT GUTENBERG EBOOK SNOW-FLAKES ***




Transcriber’s Notes:

  Underscores “_” before and after a word or phrase indicate _italics_
    in the original text.
  Equal signs “=” before and after a word or phrase indicate =bold=
    in the original text.
  Small capitals have been converted to SOLID capitals.
  Illustrations have been moved so they do not break up paragraphs.
  Deprecated spellings have been preserved.
  Typographical and punctuation errors have been silently corrected.





[Illustration]




                              SNOW-FLAKES:

                           A CHAPTER FROM THE

                            BOOK OF NATURE.

           HAST THOU ENTERED INTO THE TREASURES OF THE SNOW?
                                            JOB xxxviii. 22.

           “Acquaint thyself with God, if thou wouldst taste
            His works. Admitted once to his embrace,
            Thou shalt perceive that thou wast blind before;
            Thine eye shall be instructed; and thine heart,
            Made pure, shall relish with divine delight,
            Till then unfelt, what hands divine have wrought.”
                                                      COWPER.

                            PUBLISHED BY THE
                        AMERICAN TRACT SOCIETY,
                        No. 28 CORNHILL, BOSTON.

                 Entered according to Act of Congress,
                          in the year 1863, by
                      THE AMERICAN TRACT SOCIETY,
              In the Clerk’s Office of the District Court
                   for the District of Massachusetts.

                         GEO. C. RAND & AVERY,
                       STEREOTYPERS AND PRINTERS.




PREFACE


A brief article on Snow-flakes, in one of the periodicals published
by the American Tract Society in the winter of 1862-3, accompanied by
a cut exhibiting some of their forms, elicited from its readers many
expressions of interest, and suggested the preparation of a book on
this curious but generally little-known subject.

The beautiful forms of many of the snow-crystals were observed and
sketched more than a century ago. The _Transactions of the Royal
Society of London_, for 1755, contain representations of ninety-one
varieties, with descriptions by Dr. Nettis. Captain William Scoresby,
the eminent English navigator, has given, in his _Arctic Regions_,
drawings of ninety-six varieties. More recently, numerous specimens,
with accompanying descriptions, have been given to the public by
James Glaisher, Esq., of Lewisham, England. It is from these sources,
chiefly, that the figures here exhibited have been derived.

It has been no part of our design, in this work, to enter into any
scientific statements concerning the snow-flakes, or the laws of their
formation. A brief general description of them is all that has been
attempted. Yet the reader should not, from this, infer that there is
any question respecting the truthfulness of the sketches. The drawings
were originally made with scientific precision, and have been carefully
copied. A few simple figures at the top of page 11 are designed to
show the primary geometrical _forms_ under which the snow-vapor
crystallizes. With that exception, they are all representations of
individual crystals, actually observed and sketched with the aid of the
microscope.

It is proper to add, however, that these representations are highly
magnified, especially those on the last two or three plates. The real
size of the crystals observed by Scoresby varied from one thirty-fifth
to one-third of an inch in diameter. Dr. Nettis remarks: “The natural
size of most of the shining, quadrangular particles, and of the little
stars of snow, as well the simple as the more compound ones, does
not exceed the twentieth part of an inch.” The dimensions as well
as form of the crystals seem to depend upon the amount of vapor in
the atmosphere, the temperature, and other circumstances not easy to
specify.

We may be permitted to express the hope that many of our readers will
examine for themselves these beautiful productions of nature. In our
own climate, the “treasures of the snow” are open to all who choose to
explore them; and there can scarcely be an amusement more entertaining,
and at the same time instructive, than that of observing and sketching
these delicate crystals. No expensive or complicated apparatus is
needed for this purpose. A good microscope is the chief requisite;
besides which, a pair of dividers and a rule will be sufficient. We
subjoin a statement from Mr. Glaisher of his own mode of making his
examinations.

“For the information of those who would carefully observe
snow-crystals, I may remark that my own plan of procedure is to expose
a thick surface of plate-glass on the outer side of the window, resting
on the ledge. Seated within the room, I am enabled, with comparative
comfort, and at my leisure, to make my drawings and record my
observations, the accuracy of which I am able to verify to my
satisfaction, as the crystal received upon the cold surface of the
glass, itself several degrees below freezing, remains a sufficient
length of time for the requirements of the observer. In many cases, it
becomes frozen to the glass, and is thus secured from the influence of
the wind, which not unfrequently snatches away some most intricate form
from the desiring eye of the observer.”

If this work shall be the means of introducing any of our readers to
the knowledge of this interesting department of the Creator’s works,
and eliciting those sentiments of admiration and reverence which his
wonder-working power should inspire in every beholder, it will not have
been issued in vain.

                                                       I. P. W.

BOSTON, 1863.

[Illustration]




[Illustration: CONTENTS]


     1. SNOW STRUCTURE,          13
     2. UNITY IN DIVERSITY,      23
     3. PERFECTION,              31
     4. PURITY,                  41
     5. GRACE,                   51
     6. BEAUTY,                  63
     7. WEAKNESS,                75
     8. POWER,                   89
     9. GLADNESS,               101
    10. GLOOM,                  115
    11. BENEFICENCE,            125
    12. INSTRUCTION,            139

[Illustration]

[Illustration]




Snow Structure


_He saith to the Snow, Be thou on the face of the Earth.—Job 37:6._

When the watery vapors in the atmosphere are in sufficient quantities
to be precipitated to the earth, and at the same time their temperature
is at or below the freezing point, their particles unite, but not as
fluid drops. In approaching each other they arrange themselves in
regular figures, called _crystals_. The various forms of these may
be grouped into three general classes.

1. _Prismatic_, having three or six sides, usually the latter
(page 11, figs. 2, 4). Scoresby compares the finest specimens of these
to “white hairs cut into lengths not exceeding a quarter of an inch.”

2. _Pyramidal_, either triangular or hexagonal (figs. 5, 6). They
are exceedingly small, being only one-thirtieth of an inch in hight.

3. _Lamellar_, consisting of thin and flat plates, some of them
stelliform, having six points radiating from a center (fig. 11), and
some hexagonal (page 21, fig. 1). Both these species are in infinite
abundance, and of all sizes, from the smallest speck to one-third of an
inch in diameter.

These three leading forms are endlessly combined, and give rise to
innumerable varieties, from the simplest to the most complex. Pyramids
are mounted on prisms, at one or both ends (page 11, figs. 7, 8);
prisms are united in one star-like figure, like spokes of a wheel
(fig. 10), and both are joined with plates in all conceivable forms
of beauty and diversity. The specimens shown throughout our series of
engravings illustrate these. The plates themselves are complex, showing
within their outer boundaries white lines, which divide them into
triangles, stars, hexagons, and other regular figures. Some plates are
transparent, others opaque (page 21, fig. 13).

When the prisms are combined with plates, it is generally in the same
plane, but sometimes the former are set perpendicularly to the surfaces
of the latter (page 29, figs. 18, 19, 20, 21). These singular figures
resemble a wheel with its axle. Scoresby says that on one occasion,
snow of this kind fell upon the deck of his ship to the depth of three
or four inches!

In some instances the central plate has little prisms or spines
projecting from it like hairs, on one or both sides, at an angle of
sixty degrees. Sometimes, instead of a plate, the central part is a
little rough mass like a hailstone, bristling with spines, somewhat
resembling a chestnut-bur.

Much attention has been given to the meteorological conditions of the
atmosphere during the fall of snow, to ascertain in what circumstances
the different varieties of crystals are produced. Nothing very
definite, however, is discoverable in this respect. The general facts
are thus summed up by Mr. Scoresby: “When the temperature of the air is
within a degree or two of the freezing point, and much snow falls, it
frequently consists of large, irregular flakes, such as are common in
Britain. Sometimes it exhibits small granular, or large rough, white
concretions; at others it consists of white spiculæ, or flakes composed
of coarse spiculæ, or rude, stellated crystals formed of visible
grains. But in severe frosts, though the sky appears perfectly clear,
lamellar flakes of snow of the most regular and beautiful forms are
always seen floating in the air and sparkling in the sunbeams; and
the snow which falls in general is of the most elegant texture and
appearance.”

Of the hidden causes which originate these beautiful productions,
nothing whatever is known. Some have imagined that they are to be
found in the forms of the primal atoms of water, which are assumed
to be triangles or hexagons, and which, therefore, uniting by their
similar sides or edges, must give rise to crystals of regular forms.
Others find the solution in magnetic or electrical affinities, which
are supposed to require the particles to unite by some law of polar
attraction. But even if these theories were demonstrated, they
would explain nothing. _Why_ the particles must unite in these
particular methods, or what is the nature of attraction itself, no man
knows. It is sufficient to say, with the learned and devout navigator
who has done most to make us acquainted with these beautiful objects,
“Some of the general varieties in the figures of the crystals may be
referred to the temperature of the air; but the particular and endless
modifications of similar classes of crystals can only be referred to
the will and pleasure of the great First Cause, whose works, even the
most minute and evanescent, and in regions the most remote from human
observation, are altogether admirable.”

       *       *       *       *       *

Snow is formed in the higher regions of our atmosphere. It is the
wild, raging water of the ocean, the gentle rill of the mountains,
the beautiful lake, and the vilest pond on earth, all taxed and made
to contribute at the bidding of their Lord to this department of his
treasure-house. They send up their tribute in the finest particles of
moisture; the steady contribution coming up from all parts of the globe
indiscriminately. No matter what king claims the fields and rivers and
mountains to minister to his wants, our God makes them all fill his
treasury. The vapor comes up like gold, in grains and nuggets. It must
be cast into the King’s furnace and formed into his coin, before he can
use it. Now tell me how he makes snow out of vapor. You can answer it
in one sentence,—by diminishing the heat. Easily said; but who can do
it? A profound philosopher, in remarking on the magnificent glacial
phenomenon of January, 1845, when for eight days there was one of the
most wonderful displays of the effects of cold perhaps ever witnessed
in our latitude, when the earth and every twig seemed covered with
diamonds, says of it, “Job speaks of the balancing of the clouds
as among the mysteries of ancient philosophy. But how much nicer
the balancing and counter-balancing of the complicated agencies of
the atmosphere, in order to bring out this glacial miracle in full
perfection! What wisdom and power short of infinite could have brought
it about?” It is equally appropriate to ask, What but infinite power
could produce all the agencies and instruments needed in creating one
flake of snow? The tiny creature says, as you examine it,—

    “The hand that made me is divine!”
                                       Kirk.

[Illustration]


_The First Snow._

        I love to watch the first soft snow,
          As it slowly saileth down,
        Purer and whiter than the pearls
          That grace a monarch’s crown;
        Though winter wears a freezing look
          And many a surly frown.

        It lighteth like the feathery down
          Upon the naked trees,
        And on the pale and withered flowers
          That swing in every breeze;
        And they are clothed in such bright robes
          As summer never sees.

        It bringeth pleasant memories—
          The falling, falling snow—
        Of neighing steeds, and jingling bells,
          In the happy long ago,
        When hopes were bright, and health was good,
          And the spirits were not low.

        And it giveth many promises
          Of quiet joys in store,
        Of bliss around the blazing hearth
          When daylight is no more,—
        Such bliss as nowhere else hath lived
          Since the Eden days were o’er.

        God bless the eye that views, with mine,
          The falling snow to-day;
        May Truth her pure white mission spread
          Before its searching ray,
        And lead, with dazzling garments, toward
          The “strait and narrow way.”

                                  Julia H. Scott.

[Illustration]

Peboan.

        Now, o’er all the dreary North-land,
        Mighty Peboan, the Winter,
        Breathing on the lakes and rivers,
        Into stone had changed their waters;
        From his hair he shook the snow-flakes
        Till the plains were strewn with whiteness,
        One uninterrupted level,
        As if, stooping, the Creator
        With his hand had smoothed them over.

                                         Longfellow.

[Illustration]




Unity in Diversity.


_The Lord hath his way in the whirlwind and in the storm.—Nahum 1:3._

Obedience to law is apparent in all the works of the Creator. However
varied or complicated their structure, however intricate their
motions, however multiform their aspects, there is an all-wise design
pervading them, a clue running through all diversities, and reducing
all to unity and harmony in the grand scheme of the universe. The
Lord hath _his_ way in them all; and that is the single line of
righteousness and beneficence.

Amid the endless varieties of the snow-crystals a singular law of unity
is apparent. It is the _angle of sixty degrees_, or some multiple
of it. This is one-sixth of the complete circle; hence the hexiform or
six-sided configuration of its prisms and plates. It is curious to
glance over the patterns which we exhibit, and trace the operations
of this law. Let the congealing vapor assume what fantastic shapes it
will, let it riot in the profusion of its beautiful efflorations, yet
it can never escape the control of that central attraction which binds
them all in one. Hence their name, _flakes, i. e._, flocks; the
fleecy crystals, though spreading abroad each in its utmost individual
liberty, being still retained within one ownership and belonging to one
fold.

Like this law of unity in nature is God’s great law of love in his
moral realm. It is the principle of order and harmony throughout his
intelligent universe. God’s own nature is love, and it reigns among all
the shining ranks of heaven. And in the numberless worlds which fill
immensity, and through the utmost variety of capacities and grades of
beings, it needs but the fulfillment of this law to secure universal
joy. Love is the one principle which binds all individuals and
provinces of his rational kingdom to each other, and each to his throne.

       *       *       *       *       *

One great law of crystallization controls the whole snow world. Every
flake has a skeleton as distinct as the human skeleton, and yet the
individual flake is as different from its neighbor as man is from his.
The fundamental law of the snow is to crystallize in three, or some
multiple of three. All its angles must be sixty, or one hundred and
twenty. All its prisms and pyramids must be triangular or hexagonal;
whether spicular, or pyramidal, or lamellar, it ever conforms to its
own great law of order, and thus conveys delight to the eye, and most
delight to him who, having pleasure in the works of God, searches them
out.

Some men reproach the Protestant Church for its various sects. But
let such men examine God’s works. Unity in variety is the law of the
snow. There is a Trinity in it. Every snow-flake imitates its Creator
by being three in one. It has a stern basis of fundamental doctrine;
and it would excommunicate any snow-flake that tried to stand on any
other. But around that fundamental unity is the free play of individual
peculiarities. All snow-flakes are alike essentially, while probably no
two are identical in details.

                                                        Kirk.

[Illustration]


The Snow-Shower.

        Still falling, falling, falling fast,
        These messengers have come at last,
        All floating through the chilly air,
        On softest pinions, white and fair,
        Each like a dove with downy breast,
        High fluttering o’er its icy nest.

        So coming, coming, coming still
        From heaven, what daily blessings fill
        Life’s chalice with full many a joy,
        Which Time’s cold hand can not destroy;
        So pure, so holy at their birth,
        They sweetly charm the ills of earth.

        Upon my heart, when lone and still,
        As freely may pure gifts distill,
        Awakening strains of sweetest peace,
        Whose melody shall never cease,
        Till, far beyond the reach of time,
        They swell heaven’s harmony sublime.

                                      Drown.


To a Snow-Flake.

        Thou rain-drop, snow-crystalled, most fragile and fair!
        Borne from the far cloud-land and fashioned in air,

        What measures befit thee? Some song of the spheres
        Should chant out thy praise, with the swift-rolling years.

        Like a gem cast in setting from heaven’s bright floor,
        Thou art pure, and all perfect, like the One we adore.

        Three stars make thy glory,—the mystical sign
        Of the Three named in heaven,—One Spirit Divine!

        I behold thee afar, lest a warm human touch,
        And the breath of my singing, with praise over-much,

        Should make thee to perish, thy grace disappear,
        And thy soft beauty vanish, dissolved in a tear.

        Like thee I have come from a realm far away,
        And like thee I shall live but a brief mortal day.

        Like thee I shall find neither haven nor rest,
        And descend like thee, once, to the Earth’s frozen breast;

        But thou shalt move onward, completing God’s will
        Through the courses of Nature, thy round to fulfill;

        A drop in the river—a flake mid the snows—
        A gleam in the rainbow—the dew on the rose.

        Then go, little snow-flake! I prize thee not less,
        That our paths must divide, and I onward must press;

        For I must mount upward yet higher and higher,
        Nevermore to descend with heart-baffled desire;

        For the light of God’s Being is kindled in mine,
        And my soul in his presence for ever must shine,

        Where the purest snow-crystal looks tarnished and dim,
        By the white jasper walls; where the saints’ choral hymn

        Floats up day and night through the fair golden street,
        God’s praise on their lips, and their crowns at his feet,

        Exchanging Earth’s crosses, the frost and the blight,
        The snows of the valley, and mists of the night,

        The brightest earth-blossoms, all the world can afford,
        For Sharon’s red rose, and the smile of the Lord.

                                                    S. D. C.

[Illustration]

[Illustration]




PERFECTION.


_Praise the Lord, Snow and Vapors, fulfilling his word.—Psalm 148:8._

[Illustration]

A striking characteristic of the snow-crystal is its perfection of
form. Whatever be the type of its structure, that type is completed
with the utmost regularity and nicety. Every angle is of the prescribed
size,—not a degree more or less. The number of parts is uniform. You
will never see a star with five rays, nor seven. With a precision
which art would strive in vain to excel, the pattern is carried out in
detail with the most exact symmetry, and in the most nicely-adjusted
proportions.

It is so in _every_ snow-crystal, unless broken or otherwise
injured. God has no show specimens in his cabinets, elaborately
finished, while the mass of them are left imperfect. There are no
obscure corners, no back apartments, where the half-formed, ill-shapen,
abortive portions of his work are gathered, out of sight. The tiniest
speck that is lost in the countless multitudes that robe the earth is
as perfect as if the skill of the Creator had been expended upon this
alone. The flake that falls in the vast polar solitudes, where no eye
of man will ever see it, or that plunges to instant death in the ocean,
is wrought with as much care and fidelity as if it were to sparkle in a
regal crown.

If there be apparent exceptions to this general statement, they are
only apparent, and even these confirm the fact. In ordinary storms,
large portions of the flakes are broken, sometimes reduced almost to
shapeless dust. Often the flakes, coming in contact with each other,
adhere, and constitute masses which are very irregular. Sometimes,
however, this union gives rise to regular forms, as twelve-pointed
stars, which are believed to be two hexagons, the one of them
overlapping the other. (Page 11, fig. 22, 23.) A few cases have been
observed where a ray or point of a star has become the germinating
center of a twin or parasitic star, forming together a structure
anomalous as a whole, though regular in each of its individual parts.
(Page 99, fig. 2.)

This universal perfection of figure results from the constancy and
uniformity of the laws which govern the process of crystallization.
But it is not too much to go beyond these, and behold a Divine mind
which loves beauty for its own sake, and delights to sow it broadcast
throughout creation. Though there be no human eye to behold and to
admire, they will not therefore be unbeheld. It is not true that

        “Full many a flower is born to blush unseen,
          And _waste_ its sweetness on the desert air.”

The universe is full of conscious intelligence, from him who is the
“Father of lights,” downward through endless ranks of being, and the
hymn of admiring praise perpetually ascends to him for the perfection
and glory of his works.

       *       *       *       *       *

Obey God. His laws to the snow-flake are designed to make it beautiful
and useful. So are his laws to you. He tells the flake to put on
such a form and go to such a place, and it goes without murmuring or
reluctance. Obey God, and you will put on the beauty of holiness and
bless the world.

                                                      Kirk.


_The Snow-Flake._

        “Now, if I fall, will it be my lot
        To be cast in some low and lonely spot,
        To melt, and to sink unseen and forgot?
            And there will my course be ended?”
        ’Twas thus a feathery snow-flake said,
        As down through measureless space it strayed,
        Or as, half by dalliance, half afraid,
            It seemed in mid-air suspended.

        “Oh, no!” said the earth; “thou shalt not lie
        Neglected and lone on my lap to die,
        Thou pure and delicate child of the sky;
            For thou wilt be safe in my keeping.
        But then, I must give thee a lovelier form;—
        Thou wilt not be a part of the wintry storm,
        But revive, when the sunbeams are yellow and warm,
            And the flowers from my bosom are peeping!

        “And then thou shalt have thy choice, to be
        Restored in the lily that decks the lea,
        In the jessamine bloom, the anemone,
            Or aught of thy spotless whiteness;—
        To melt, and be cast, in a glittering bead,
        With the pearls that the night scatters over the mead,
        In the cup where the bee and the fire-fly feed,
            Regaining thy dazzling brightness.

        “I’ll let thee awake from thy transient sleep,
        When Viola’s mild blue eye shall weep,
        In a tremulous tear; or, a diamond, leap
            In a drop from the unlocked fountain;
        Or, leaving the valley, the meadow, and heath,
        The streamlet, the flowers, and all beneath,
        Go up, and be wove in the silvery wreath
            Encircling the brow of the mountain.

        “Or, wouldst thou return to a home in the skies,
        To shine in the Iris, I’ll let thee arise,
        And appear in the many and glorious dyes
            A pencil of sunbeams is blending;
        But true, fair thing, as my name is Earth,
        I’ll give thee a new and a vernal birth,
        When thou shalt recover thy primal worth,
            And never regret descending.”

        “Then I will drop!” said the trusting flake;
        “But bear it in mind that the choice I make,
        Is not in the flowers nor the dew to wake,
            Nor the mist that shall pass with morning;
        For, things of thyself, they will die with thee;
        But those that are lent from on high, like me,
        Must rise,—and will live, from the dust set free,
            To the regions above returning.

        “And, if true to thy word and just thou art,
        Like the spirit that dwells in the holiest heart,
        Unsullied by thee, thou wilt let me depart,
            And return to my native heaven.
        For I would be placed in the beautiful bow,
        From time to time in thy sight to glow,
        So thou mayst remember the Flake of Snow,
            By the promise that God has given!”

                                       H. F. Gould.

[Illustration]

_Mabel’s Wonder._

        “There must be flowers in heaven!”
         Little Mabel wondering cried,
        As she gazed through the frosted window,—
           “Ah yes, ah yes,” I replied.

        “And every single blossom
         Is white as white can be!”
        “Perhaps;”—I carelessly answered,
          “When we get there, we shall see.”

        “And oh, they have so many!
         Why, every tree must be full!”
        “Of course,—Spring lasts for ever
          In heaven,” I said, so dull.

        “Do the angels get tired of flowers?”
          Asked she, with a gentle sigh;
        “For see, oh see, they are throwing
          Whole handfuls down from the sky!”

        I sprang to the frosted window,
          To see what the child could mean:—
        The ground was covered with snow-flakes,
          And the air was full between.

        I kissed my innocent darling,
          And speedily set her right;
        While I prayed that her heart might ever
          Be pure as the snow and as light.

        H. E. B.

[Illustration]


_It Snows!_

        It snows! it snows! from out the sky
        The feathered flakes, how fast they fly!
        Like little birds, that don’t know why,
        They’re on the chase from place to place,
        While neither can another trace.
        It snows! it snows! a merry play
        Is o’er us on this heavy day.

        Like dancers in an airy hall
        That has not room to hold them all,
        While some keep up, and others fall,
        The atoms shift, then thick and swift
        They drive along to form the drift
        That, weaving up, so dazzling white,
        Is like a rising wall of light.

        But now the wind comes whistling loud,
        To snatch and waft it as a cloud,
        Or giant phantom in a shroud.
        It spreads; it curls; it mounts and whirls;
        At length a mighty wing unfurls;
        And then, away! but where, none knows,
        Or ever will. It snows! it snows!

        To-morrow will the storm be done;
        Then out will come the golden sun,
        And we shall see upon the run
        Before his beams, in sparkling streams,
        What now a curtain o’er him seems.
        And thus with life it ever goes—
        ’Tis shade and shine!—It snows! it snows!

                                     H. F. Gould.

[Illustration]

[Illustration]




PURITY


_Her Nazarites were purer than Snow.—Lamentations 4:7._

Purity is one of the most striking characteristics of the new-fallen
snow. “It is,” says Sturm, “a result of the congregated reflections
of light from the innumerable small faces of the crystals. The same
effect is produced when ice is crushed to fragments. It is extremely
light and thin, consequently full of pores, and these contain air; it
is farther composed of parts more or less compact, and such a substance
does not admit the sun’s rays to pass, neither does it absorb them; on
the contrary, it reflects them very powerfully, and this gives it the
dazzling white appearance we see in it.”

[Illustration]

You shall look out upon a gray, frozen earth, and a gray, chilling sky.
The trees stretch forth naked branches imploringly. The air pinches
and pierces you; a homesick desolation clasps around your shivering,
shrinking frame, and then God works a miracle. The windows of heaven
are opened, and there comes forth a blessing. The gray sky unlocks
her treasures, and softness and whiteness and warmth and beauty float
gently down upon the evil and the good. Through all the long night,
while you sleep, the work goes noiselessly on. Earth puts off her
earthliness; and when the morning comes, she stands before you in the
white robes of a saint. The sun hallows her with baptismal touch, and
she is glorified. There is no longer on her pure brow any thing common
or unclean. The Lord God hath wrapped her about with light as with a
garment. His divine charity hath covered the multitude of her sins,
and there is no scar or stain, no “mark of her shame,” or “seal of her
sorrow.” The far-off hills swell their white purity against the pure
blue of the heaven. The sheeted splendor of the fields sparkles back a
thousand suns for one. The trees lose their nakedness and misery and
desolation, and every slenderest twig is clothed upon with glory.

Wheat-fields, corn-fields, and meadow-lands are all alike wrapped by
its dazzling mantle. Here and there some straggling weeds refuse to be
hidden, and stand up in unsightly contrast with the pure white surface
around them. The stone walls, entirely concealed, only look like a low
ridge; but the snow can not contrive to cover up the rail-fences, but
only heap up a bank by their side. The woods, with their bare trunks
and intermingling branches, cast a shadow, notwithstanding the absence
of leaves, and we are glad again to come into the warm sunshine.
Evergreens do not brighten a winter landscape. They seem as if they
were mourning in sympathy with their spoiled brethren of the forest;
and look dusky and almost black, like somber sentinels along the road.
The snow sparkles with its crystals. What purity! “Whiter than snow!”
The longing of the soul for purity, the faith in the cleansing power
that is able thus to purify, are breathed in the prayer, “Wash me, and
I shall be whiter than snow!”

The deep, deep snow offers no temptations to wander in the fields, or
step away from the beaten track. One well-defined road, from which
the driver reluctantly turns aside on meeting another sleigh, has
alone broken the crust on its surface, and determines its depth.
Foot-passengers step out into the deep snow, and wait till the sleigh
passes, but are glad at once to step back again. How well would it
be if Christians thus dreaded to step aside from the narrow way
that leadeth unto life, and were as ready to return to its secure
footing,—the path beaten by blessed foot-prints!

                                               Beecher.

       *       *       *       *       *

What comes from heaven is pure; but the tendency is to soil it, and
that which keeps nearest heaven most escapes the pollution of earth.
At the foot of the Alps you find the roaring, muddy stream, the
clay-stained snow. But on the summit of Mt. Blanc is a pure robe of
celestial white, never stained, only sometimes covered with a roseate
gauze to salute the setting sun.

                                                   Kirk.

       *       *       *       *       *

The snow is very beautiful when it has first fallen. Many of our poets
have had recourse to the snow-flake for some of their finest poetical
images; nor do I know a fitter emblem of innocence and purity than a
falling flake, ere it receives the stain of earth. There are but few
things with which we can compare snow for purity. The Psalmist says,
“He giveth the snow like wool; he scattereth the hoar frost like
ashes.” “Wash me, and I shall be whiter than snow.” Milton has made
beautiful allusion to it in his hymn on the Nativity, where he says,—

              “It was the winter mild,
              While the heaven-born Child
        All meanly wrapped in the rude manger lies;
              Nature in her awe to Him
              Had doffed her gaudy trim,
        With her great Master so to sympathize.
              It was no season then for her
              To wanton with the sun, her lusty paramour.

              “Only with speeches fair
              She woos the gentle air
        To hide her guilty front with innocent snow;
              And on her naked shame,
              Pollute with sinful blame,
        The saintly vail of maiden white to throw,
              Confounded that her Maker’s eyes
              Should look so near upon her foul deformities.”

                                           T. Miller.


_The Snow-Wreath._

        Oh, what is so pure, so soft, or so bright,
          As a wreath of the new-fallen snow!
        It seems as if brushed from the garments of light,
          To fall on us mortals below.

        But here is no home for thee, child of the sky;
          Thy purity here must decay,
        Thy being be transient, thy beauty all die,
          Nor a trace of thy loveliness stay.

        Go, go to the mountain-top,—there make thy nest;
          ’Tis nearer thy own native home;
        And live on its peak like a silvery crest,
          Where nothing to soil thee can come.

        This emblem—how apt of a virtuous mind
          Made pure by the Spirit divine!
        Like a snow-wreath ’tis marred in a world so unkind,
          Fit only in heaven to shine.

                                            J. B. Waterbury.


_The First Snow._

        To-day has been a pleasant day,
            Despite the cold and snow:
        A Sabbath stillness filled the air,
        And pictures slumbered every where,
            Around, above, below.

        We woke at dawn and saw the trees
            Before our windows white;
        Their limbs were clad with snow-like bark,
        Save that the under sides were dark,
            Like bars against the light.

        The fence was white around the house,
            The lamp before the door;
        The porch was glazed with pearlèd sleet,
        Great drifts lay in the silent street,
            The street was seen no more!

        Long trenches had been roughly dug,
            And giant foot-prints made;
        But few were out; the streets were bare;
        I saw but one pale wanderer there,
            And he was like a shade!

        I seemed to walk another world,
            Where all was still and blest;
        The cloudless sky, the stainless snows,—
        It was a vision of repose,
            A dream of heavenly rest,—

        A dream the holy night completes;
            For now the moon hath come,
        I stand in heaven with folded wings,
        A free and happy soul that sings
            When all things else are dumb!

                             Richard Henry Stoddard.

       *       *       *       *       *

        Through the hushed air the whitening shower descends,
        At first thin-wavering, till at last the flakes
        Fall broad and wide and fast, dimming the day
        With a continual flow. The cherished fields
        Put on their winter robe of purest white;
        ’Tis brightness all, save where the new snow melts
        Along the mazy current. Low the woods
        Bow their hoar head; and, ere the languid sun
        Faint from the west emits its evening ray,
        Earth’s universal face, deep-hid and chill,
        Is one wide dazzling waste, that buries wide
        The works of man.

                                                Thomson.

[Illustration]




Grace.


_The Lord giveth Snow like wool.—Psalm 47:18._

[Illustration]

Cold and dreary as winter is, it is not devoid of interest to the man
of taste and Christian sentiment. Look at the delicate snow-flake.
With what grace of motion has God endowed it! How childlike, gently,
peacefully, confidingly the little creature comes down into our
turbulent earth! It is not difficult to conceive that it comes as an
attendant on some angel, whose movements it imitates.

                                                      Kirk.

       *       *       *       *       *

We have sat and watched the fall of snow until our head grew dizzy, for
it is a bewitching sight to persons speculatively inclined. There is an
aimless way of riding down, a simple, careless, thoughtless motion, that
leads you to think that nothing can be more nonchalant than snow. And
then it rests upon a leaf or alights upon the ground, with such a
dainty step, so softly, so quietly, that you almost pity its virgin
helplessness. If you reach out your hand to help it, your very touch
destroys it. It dies in your palm, and departs as a tear.

Nowhere is snow so beautiful as when one sojourns in a good
old-fashioned mansion in the country, bright and warm, full of home
joy and quiet. You look out through large windows and see one of those
flights of snow in a still, calm day, that make the air seem as if it
were full of white millers or butterflies, fluttering down from heaven.
There is something extremely beautiful in the motion of these large
flakes of snow. They do not make haste, nor plump straight down with a
dead fall, like a whistling rain-drop. They seem to be at leisure; and
descend with that quiet, wavering, sideway motion which birds sometimes
use when about to alight. You think you are reading; and so you are,
but it is not in the book that lies open before you. The silent, dreamy
hour passes away, and you have not felt it pass. The trees are dressed
with snow. The long arms of evergreens bend with its weight; the rails
are doubled, and every post wears a starry crown. The well-sweep, the
bucket, the well-curb are fleeced over. And still the silent, quivering
air is full of trooping flakes, thousands following to take the place
of all that fall. The ground is heaped, the paths are gone, the road is
hidden, the fields are leveled, the eaves of buildings jut over, and,
as the day moves on, the fences grow shorter, and gradually sink from
sight. All night the heavens rain crystal flakes. Yet, that roof, on
which the smallest rain pattered audible music, gives no sound. There
is no echo in the stroke of snow, until it waxes to an avalanche and
slips from the mountains. Then it fills the air like thunderbolts.

                                                      Beecher.

       *       *       *       *       *

Falling snow is beautiful in a forest. It comes wavering down among
the trees without a whisper, and takes to the ground without the sound
of a footfall. Evergreen trees grow intense in contrasts of dark-green
ruffled with radiant white. Bush and tree are powdered and banked up.
Not the slightest sound is made in all the work which fills the woods
with winter soil many feet deep. When the morning comes, then comes
the sun also. The storm has gone back to its northern nest to shed its
feathers there. The air is still, cold, bright. But what a glory rests
upon the too brilliant earth! Are these the January leaves?—is this
the winter efflorescence of shrub and tree? You can scarcely look for
the exceeding brightness. Trees stand up against the clear, gray sky,
brown and white in contrast, as if each trunk and bough and branch
and twig had been coated with ermine, or with white moss. There is an
exquisite airiness and lightness in the masses of snow on trees and
fences, when seen just as the storm left them. The wind or sun soon
disenchants the magic scene.

                                                    Ib.

[Illustration]


_The Snow-Storm._

        Announced by all the trumpets of the sky
        Arrives the snow, and, driving o’er the fields,
        Seems no where to alight; the whited air
        Hides hills and woods, the river and the heaven,
        And vails the farm-house at the garden’s end.
        The sled and traveler stopped, the courier’s feet
        Delayed, all friends shut out, the house-mates sit
        Around the radiant fireplace, inclosed
        In a tumultuous privacy of storm.
          Come see the north-wind’s masonry.
        Out of an unseen quarry, evermore
        Furnished with tile, the fierce artificer
        Carves his white bastions, with projected roof
        Round every windward stake, or tree, or door,
        Speeding, the myriad-handed, his wild work
        So fanciful, so savage; naught cares he
        For number or proportion. Mockingly
        On coop or kennel he hangs Parian wreaths;
        A swan-like form invests the hidden thorn;
        Fills up the farmer’s lane from wall to wall,
        Mauger the farmer’s sighs, and at the gate
        A tapering turret overtops the work.
        And when his hours are numbered, and the world
        Is all his own, retiring as he were not,
        Leaves, when the sun appears, astonished Art
        To mimic, in those structures, stone by stone,
        Built in an age, the mad wind’s night-work,
        The frolic architecture of the snow.

                                     R. W. Emerson.


_The Spirit of the Snow._

                The night brings forth the morn;
                Of the cloud is lightning born;
        From out the darkest earth the brightest roses grow;
                Bright sparks from black flints fly;
                And from out a leaden sky
        Comes the silvery-footed Spirit of the Snow.

                The wondering air grows mute,
                As her pearly parachute
        Cometh slowly down from heaven, softly floating to and fro;
                And the earth emits no sound,
                As lightly on the ground
        Leaps the silvery-footed Spirit of the Snow.

                At the contact of her tread,
                The mountain’s festal head
        As with chaplets of white roses seems to glow;

                And its furrowed cheeks grow white,
                With a feeling of delight,
        At the presence of the Spirit of the Snow.

                As she wendeth to the vale,
                The longing fields grow pale,
        The tiny streams that vein them cease to flow;
                And the river stays its tide,
                With wonder and with pride,
        To gaze upon the Spirit of the Snow.

                But little does she deem
                The love of field or stream;
        She is frolicsome and lightsome as the roe;
                She is here and she is there;
                On the earth or in the air,
        Ever-changing, floats the Spirit of the Snow.

                Now, a daring climber, she
                Mounts the tallest forest tree,—
        Out along the dizzy branches doth she go!
                And her tassels, silver-white,
                Down-swinging through the night,
        Mark the pillow of the Spirit of the Snow.

                Now she climbs the mighty mast,
                Where the sailor-boy at last
        Dreams of home, in his hammock down below;
                There she watches in his stead,
                Till the morning light shines red,
        Then evanishes the Spirit of the Snow.

                Or, crowning with white fire
                The minster’s topmost spire
        With a glory such as sainted foreheads show,
                She teaches fanes are given
                Thus to lift the heart to heaven,
        There to melt like the Spirit of the Snow.

                Now above the loaded wain,
                Now beneath the thundering train,
        Doth she hear the sweet bells tinkle and the snorting engine
                      blow;
                Now she flutters on the breeze,
                Till the branches of the trees
        Catch the tossed and tangled tresses of the Spirit of the Snow.

                Now an infant’s balmy breath
                Gives the Spirit seeming death,
       When adown her pallid features fair, Decay’s damp dew-drops flow;
                Now, again her strong assault
                Can make an army halt,
        And trench itself in terror ’gainst the Spirit of the Snow.

                At times, with gentle power,
                In visiting some bower,
        She scarce will hide the holly’s red, the blackness of the sloe;
                But ah! her awful might,
                When down some Alpine hight
        The hapless hamlet sinks before the Spirit of the Snow.

                On a feather she floats down
                The turbid rivers brown,—
        Down to meet the drifting navies of the winter-freighted foe;
                Then swift o’er the azure walls
                Of the awful waterfalls,
        Where Niagara leaps roaring, glides the Spirit of the Snow.

                With her flag of truce unfurled,
                She makes peace o’er all the world,—
        Makes bloody battle cease awhile, and war’s unpitying woe;
                Till its hollow womb within
                The deep-mouthed culverin
        Incloses, like a cradled child, the Spirit of the Snow.

                In her spotless linen hood,
                Like the other sisterhood,
      She braves the open cloister where the psalm sounds sweet and low,
                When some sister’s bier doth pass
                From the minster and the mass,
        Soon to sink into the earth, like the Spirit of the Snow.

                But at times so full of joy,
                She will play with girl and boy,
        Fly from out their tingling fingers, like white fire-balls on
                     the foe;
                She will burst in feathery flakes;
                And the ruin that she makes
        Will but wake the crackling laughter of the Spirit of the Snow.

                Or, in furry mantle dressed,
                She will fondle on her breast
        The embryo buds awaiting the near Spring’s mysterious throe
                So fondly that the first
                Of the blossoms that outburst
        Will be called the beauteous daughter of the Spirit of the Snow.

                Ah! would that we were sure
                Of hearts so warmly pure,
        In all the winter weather that this lesser life must know;
                That when shines the Sun of Love
                From a warmer realm above,
        In its life we may dissolve, like the Spirit of the Snow.

                                      Dublin University Magazine.

[Illustration]

[Illustration]




BEAUTY.


_He hath made every thing beautiful in his time.—Ecclesiastes 3:11._

Snow is the adornment of winter. Its beauty is a compensation for the
loss of the flowers and foliage of the milder seasons. When Nature has
put off her green robes, when the fields have become bare, the streams
and lakes ice-bound, and the hum of the bees and the songs of the birds
are no longer heard, then God opens his treasure-house and brings forth
jewels for the coronation of the year. He throws over the earth a robe
of purest white, he festoons each shrub and tree with diamonds and
pearls, and bids every beholder rejoice in these manifestations of his
skill. For all the beauty of the earth is but the outward expression
of the beauty which dwells eternal in the Divine Mind. Each six-leaved
blossom of winter had its pattern in his thought before it was created;
and all the diversities of its forms show the wealth of his resources
even in the smallest things. So God has not left himself “without
witness” for a single season. Each has its message from heaven,
unfolding his glories, and bidding man behold and adore.

       *       *       *       *       *

All the roofs are blanketed with snow; all the fences are bordered.
Every gate-post is statuesque; every wood-pile is a marble quarry.
Harshest outlines are softened. Instead of angles and ruggedness and
squalor, there are billowy, fleecy undulations. Nothing so rough, so
common, so ugly, but it has been transfigured into newness of life.
Every where the earth has received beauty for ashes, the oil of joy for
mourning, the garment of praise for the spirit of heaviness. Without
sound of hammer or ax, without the grating of saw or the click of
chisel, prose has been sculptured into poetry. The actual has put on
the silver vail of the ideal.

                                                  Gail Hamilton.

It is almost impossible to paint the glory of the northern winter
forests. Every tree, laden with the purest snow, resembled a Gothic
fountain of bronze, covered with frozen spray, through which only
suggestive glimpses of its delicate tracery could be obtained. From
every side we looked over thousands of such mimic fountains, shooting
low or high, from their pavements of ivory and alabaster. It was
an enchanted wilderness,—white, silent, gleaming, and filled with
inexhaustible forms of beauty. To what shall I liken those glimpses
under the boughs, into the depths of the forest, where the snow
destroyed all perspective, and brought the remotest fairy nooks and
coverts, too lovely and fragile to seem cold, into the glittering
foreground? “Wonderful!” “Glorious!” I could only exclaim in breathless
admiration.

                                                 Bayard Taylor.

       *       *       *       *       *

The forests were indescribable in their silence, whiteness, and
wonderful variety of snowy adornment. The weeping birches leaned over
the road and formed white-fringed arches; the firs wore mantles of
ermine, and muffs and tippets of the softest swan’s down. Snow, wind,
and frost had wrought the most marvelous transformations. Here were
kneeling nuns with their arms hanging listlessly by their sides, and
the white cowls falling over their faces. There lay a warrior’s helmet;
lace curtains, torn and ragged, hung from the points of little Gothic
spires. Caverns, lined with sparry incrustations, silver palm-leaves,
doors, loop-holes, arches, and cascades were thrown together in
fantastic confusion, and mingled with the more decided forms of the
larger trees, which were trees but in form, so completely were they
wrapped in their dazzling disguise. It was an enchanted land, where you
scarcely dared breathe, lest a breath might break the spell.

                                                      Ib.

       *       *       *       *       *

The new snow had fallen on the mountains, and the vast basin of the
Monte Rosa chain lay before us, clothed in flowing robes of the most
pure and spotless white; while every little nook and ledge, and
inequality of rock on which the snow could rest, was covered with the
same virgin luster, so that it looked as if the sides of the craggy
mountains were flecked and dashed with spray, and as if myriads of
foaming torrents were coursing down the precipices, streaking their
surface with their white tracks in every direction. After we turned
to the right and began the ascent, the light became stronger, and
the outline sharper, and our view of the vast glacier basin more
uninterrupted and clear. The valley of Macregnaga goes very far into
the heart of the mountain, so that all the snowy part of Monte Rosa
rises in one great mass directly above it. The sun came up, and for
two or three minutes, not more, all the upper part of this vast region
of snow was dyed of the deepest crimson,—not pink, as an evening
view of the Alps often is; then, for much longer, it was of the most
brilliant gold,—just the color of a new sovereign; and then, as the
sun overtopped the lower mountains, and their shadows were no longer
thrown upward, this gorgeous coloring gave place to a dazzling glare.
Miles off, as we were, we could hardly look at the snowy basin without
blinking.

                                                        Wills.

       *       *       *       *       *

There is in us a want of taste to appreciate the exquisite beauty of
the snow-flakes that we tread under foot. There is a narrow selfishness
which does not even inquire what are the moral or æsthetic uses of the
snow; but is contented or sad to see it come upon the earth, according
as it affects our arrangements and wishes. Our education has this
radical defect, that it does not teach us to make the senses the
instruments of our higher faculties; to study nature, to revere every
thing that God makes; that it fails to form us to the highest exercises
of which we are capable, and leaves us ignorant of some of the most
interesting and important objects of knowledge: God,—his word, his
works and ourselves.

    Kirk.


_Beauty._

        There’s beauty all around our paths,
          If but our watchful eyes
        Can trace it, mid familiar things,
          And through their lowly guise.
        We may find it in the winter boughs,
          As they cross the cold blue sky,
        While soft on icy pool and stream
          Their penciled shadows lie;
        When we look upon their tracery,
          By the fairy frost-work bound,
        Whence the flitting red-breast shakes a shower
          Of crystals to the ground.

                                              Hemans.


_The Beautiful Snow._

        Oh the snow! the beautiful snow!
        Filling the sky and the earth below,—
        Over the house-tops, over the street,
        Over the heads of the people you meet.
                  Dancing,
                        Flirting,
                                Skimming along,
        Beautiful snow! it can do nothing wrong;
        Flying to kiss a fair lady’s cheek,
        Clinging to lips in a frolicsome freak;
        Beautiful snow from the heavens above,
        Pure as an angel, and fickle as love!

        Oh the snow! the beautiful snow!
        How the flakes gather and laugh as they go!
        Whirling about in its maddening fun;
        It plays in its glee with every one.
                        Chasing,
                              Laughing,
                                    Hurrying by,
        It lights up the face, and sparkles the eye;
        And even the dogs, with a bark and a bound,
        Snap at the crystals that eddy around:
        The town is alive, and its heart in a glow,
        To welcome the coming of beautiful snow.

        How the wild crowd goes swaying along,
        Hailing each other with humor and song!
        How the gay sledges, like meteors flash by,
        Bright for the moment, then lost to the eye!
                        Ringing,
                              Swinging,
                                    Dashing they go,
        Over the crust of the beautiful snow,—
        Snow so pure when it falls from the sky,
        To be trampled in mud by the crowd rushing by.
        To be trampled and tracked by thousands of feet.
        Till it blends with the filth in the horrible street.

        “Once I was pure as the snow—but I fell;
        Fell like the snow-flake, from heaven—to hell;
        Fell, to be trampled as filth of the street,
        Fell to be scoffed, derided, and beat,
                        Pleading,
                              Cursing,
                                    Dreading to die,
        Selling my soul to whomever would buy;
        Dealing in shame for a morsel of bread,
        Hating the living, and fearing the dead:
        Merciful God! have I fallen so low?
        And yet I was once like this beautiful snow!

        “Once I was fair as this beautiful snow,
        With an eye like its crystals, a heart like its glow;
        Once I was loved for my innocent grace,
        Flattered and sought for the charm of my face.
                        Father,
                              Mother,
                                    Sister, all,
        God and myself I have lost by the fall.
        The veriest wretch that goes shivering by
        Will take a wide sweep lest I venture too nigh;
        For of all that is on or about me, I know,
        There is nothing that’s pure but the beautiful snow.

        “How strange it should be that this beautiful snow
        Should fall on a sinner with no where to go!
        How strange it would be, when the night comes again,
        If the snow and the ice struck my desperate brain!
                        Fainting,
                              Freezing,
                                    Dying alone,
        Too wicked for prayer, too weak for my moan
        To be heard in the crash of the crazy town,
        Gone wild in their joy at the snow’s coming down,
        To lie and to die in my terrible woe,
        With a bed and a shroud in the beautiful snow!”

        Helpless and foul as the trampled snow,
        Sinner, despair not! Christ stoopeth low,
        To rescue the soul that is lost in its sin,
        And raise it to life and enjoyment again.
                        Groaning,
                              Bleeding,
                                    Dying, for thee,
        The Crucified hung on the accursed tree!—
        His accents of mercy fall soft on thine ear.
        “Is there mercy for me? Will he heed my weak prayer?
        O God! in the stream that for sinners did flow,
        Wash me, and I shall be whiter than snow!”

                                                  Selected.

[Illustration]

[Illustration]




Weakness.


_The stream of brooks ... wherein the Snow is hid.—Job 6:15._

Lightness and weakness are symbolized by the snow. You can not draw
near one of these delicate crystals without danger of destroying it.
Your breath will melt it; nay, even the radiation of warmth from your
person will, ere you are aware, crumble down the whole fairy structure
so elaborately wrought. It floats down, the sport of every breath
of air. It can not ruffle the feather of a bird by its falling. It
perishes if the sun looks at it. Yet God takes care of it,—numbers it
among his treasures. It is not overlooked by him amid all its fellows.
When it dies in a tear, God bottles that tear and keeps it still in his
treasure-house. Fear not, ye of little faith; ye are of more value than
mountains of snow-flakes. Does the Almighty create and delight in it,
preserve and guide this little creature, and will he not take care of
you, and delight to make you beautiful in holiness, and serviceable in
his kingdom? Look up when it storms. The sun is on the other side. God
guides the cloud, the wind, the rain, and the snow, and numbers the
hairs of your head.

                                                          Kirk.

       *       *       *       *       *

Do a little good at a time, and all the time. The Himalaya is ordered
to put on a new robe. How is it to be done? Will a mighty vestment drop
from heaven and encircle the mighty ranges of her peaks? No; millions
of little maids of honor will come down, and each one contribute
some little thread to weave the splendid robe. And by every one
doing the little committed to it, the giant mountain stands robed in
its celestial garment. You organize a Sunday school among neglected
children, and go every Sunday, like a little snow-flake, to add present
labor to past. Keep on; that is the way the Himalaya gets its robe.

No good is lost. Stop not to count your converts, to weigh the results
of your labors, but keep on like the gentle snow, flake after flake,
without noise or parade. Parent, teacher, preacher, patriot, work on!

                                                    Ib.

       *       *       *       *       *

We see the instability of snow, and the rapidity with which it
disappears when played upon by the sunbeams, or exposed to the effects
of a humid, mild air, and frequent showers. Frequently the whole aspect
of nature, in a few hours, assumes a new appearance, and scarcely a
trace of snow is left behind. By these sudden changes we may justly
be reminded of the inconstancy and vanity of all human affairs.
Fleeting as the snow beneath the sunbeams are all the enjoyments and
gratifications which do not arise from the influence of religion, the
exercise of the mind, and the feelings of the heart; if we cultivate
these, we shall be enabled to enjoy a portion of that felicity which
endureth for ever,—the sure reward of virtue and a well-spent life.

                                                 Sturm.

       *       *       *       *       *

Soon another silent force will come forth, and a noiseless battle will
ensue, in which this now innumerable army of snow-flakes shall be
itself vanquished. A rain-drop is stronger than a snow-flake. One by
one, the armed drops will dissolve the crystals and let forth the
spirit imprisoned in them. Descending quickly into the earth, the drops
shall search the roots, and give their breasts to myriad mouths. The
bud shall open its eye, the leaf shall lift up its head, the grass
shall wave its spear, and the forests hang out their banners! How
significant is this silent, gradual, but irresistible power of rain
and snow of moral truth in this world! “For, as the rain cometh down,
and the snow from heaven, and returneth not thither, but watereth the
earth, and maketh it bring forth and bud that it may give seed to the
sower and bread to the eater; so shall my word be that goeth forth out
of my mouth; it shall not return unto me void, but it shall accomplish
that which I please, and it shall prosper in the thing whereto I sent
it.”

                                                  Beecher.

[Illustration]


_Nothing Lost._

                Where is the snow?
                ’Tis not long ago
        It covered the earth with a vail of white;
        We heard not its footsteps soft and light,
        Yet there it was in the morning bright;
        Now it hath vanished away from sight.
                Not a trace remains
                In fields or lanes.

                Where is the frost?
                It is gone and lost—
        The forms of beauty last night it made;
        With pictures rare were windows arrayed;
        “Be silent!” it said; the brook obeyed;
        Yet silence and pictures all did fade.
                At the smile of the sun,
                All was undone.

                Where is the rain?
                Pattering it came,
        Dancing along with a merry sound,
        A grassy bed in the fields it found;
        Each drop came on the roof with a bound.
        Where is the rain? It hath left the ground.
                What good hath it done—
                Gone away so soon?

                Ever, ever,
                Our best endeavor
        Seemeth to fall like the melted snow.
        We work out our thoughts wisely and slow;
        The seed we sow, but it will not grow.
        Our hopes, our resolves,—where do they go?
                What doth remain?
                Memory and pain.

                Nothing is lost,—
                No snow nor frost
        That comes to enrich the earth again.
        We thank them when the ripening grain
        Is waving over the hill and plain,
        And the pleasant rain springs from earth again.
                All endeth in good,—
                Water and food.

                Never despair;
                Disappointment bear;
        Though hope seemeth vain, be patient still;
        Thy good intent God doth fulfill;
        Thy hand is weak; his powerful will
        Is finishing thy life-work still.
                The good endeavor
                Is lost—ah! never.

                                           Selected.


_Snow-Flakes._

        See the feathery snow-flakes
          Falling from the sky!
        Myriads; yet so softly,
          There’s no sound or sigh.
        Mother Earth’s brown raiment
          Doffs she for her white;
        For a fairy’s wand, transforming,
          Hides it out of sight.

        Fairy little snow-flakes,
          Dancing as ye fall,
        Resting on the rough old rock
          By the garden wall,
        There’s no spot so dreary,
          Naught so black and cold,
        But your mantle may o’erspread
          With its falling fold.

        Starry little snow-flakes,
          Blossoms of the sky,
        Blooming when earth’s daisies
          Fast asleep all lie,
        Are ye beauty’s raiment,
          On her bridal morn?
        Or the floating garments
          By the frost fays worn?

        Tell me, mystic snow-flakes,
          Is your home so far
        You can hear the singing
          Of the morning star?—
        Hear the grand, sweet chorus,
          As the spheres move on,
        In their slow, majestic march
          Round the great white throne?

        What are ye, fair snow-flakes,
          To the King of kings?
        Unto Him who walketh
          On the wind’s swift wings,
        Maketh clouds his chariot,
          Light no man can see
        Weareth for a garment,—
          Snow-flakes, what are ye?

        Of his spotless purity
          But a shadow dim
        And the silence of our coming
          Speaketh, too, of Him.
        Mortals, stay your tear-drops!
          One day you shall know
        What it is to be, like Him,
          “Whiter than the snow.”

                              H. Maude H.


_The Snow-Shower._

        Stand here by my side, and turn, I pray,
          On the lake below thy gentle eyes;
        The clouds hang over it heavy and gray,
          And dark and silent the water lies;
        And out of that frozen mist the snow
        In wavering flakes begins to flow;
                      Flake after flake,
        They sink in the dark and silent lake.

        See how in a living swarm they come
          From the chambers beyond that misty vail;
        Some hover awhile in the air, and some
          Rush from the sky like summer hail.
        All, dropping swiftly or settling slow,
        Meet and are still in the depth below;
                      Flake after flake,
        Dissolved in the dark and silent lake.

        Here, delicate snow-stars, out of the cloud,
          Come floating downward in airy play,
        Like spangles dropped from the glistening crowd
          That whitens by night the milky way;
        There broader and burlier masses fall:
        The sullen water buries them all,
                      Flake after flake,
        All drowned in the dark and silent lake.

        And some, as on tender wings they glide
          From their chilly birth-cloud dim and gray,
        Are joined in their fall, and, side by side,
          Come clinging along their unsteady way;
        As friend with friend, or husband with wife,
        Makes hand in hand the passage of life:
                      Each mated flake
        Soon sinks in the dark and silent lake.

        Lo! while we are gazing, in swifter haste
          Stream down the snows till the air is white,
        As, myriads by myriads madly chased,
          They fling themselves from their shadowy hight;
        The fair frail creatures of middle sky,
        What speed they make with their grave so nigh;
                      Flake after flake
        To lie in the dark and silent lake!

        I see in thy gentle eyes a tear;
          They turn to me in sorrowful thought;
        Thou thinkest of friends, the good and the dear,
          Who were for a time and now are not;
        Like these fair children of cloud and frost,
        That glisten a moment, and then are lost,
                      Flake after flake,—
        All lost in the deep and silent lake.

        Yet look again, for the clouds divide;
          A gleam of blue on the mountain lies,
        And far away on the mountain-side
          A sunbeam falls from the opening skies;
        But the hurrying host, that flew between
        The cloud and the water, no more is seen;
                      Flake after flake
        At rest in the dark and silent lake.

                          William Cullen Bryant.


_Questions and Answers._

        Pretty little snow-flake,
          Floating softly by,
        Bringest thou a message
          From the fleecy sky?

        Yes, ah, yes, a lesson
          Beautiful as true;
        Silent be, but busy,
          When you’ve work to do.
        Avalanche and snow-drift
          Grow from single flakes;
        Every crystal helping,
          Yet no noise it makes.

        Glittering little snow-flakes,
          White as white can be,
        How can I be spotless,
          Chaste, and pure, like thee?

        All that comes from heaven
          Perfect is, like God;
        But, alas! the sinner
          Earthly ways has trod;
        Yet, to God returning,
          Thence anew to grow,
        Sins, though they be scarlet,
          Shall be white as snow.

        Loving little snow-flake,
          Tender is thy tread,
        Weaving o’er the flowers
          Dainty coverlet.

        Loving work is ever
          Best, when gently done;
        All that’s hard and selfish,
          Rough and cruel, shun.
        Do each little duty
          With a smiling face,
        Gathering all around you
          In love’s warm embrace.

                             H. E. B.

[Illustration]




POWER


_Persecute them with the tempest and make them afraid with storm._

                                                     _Psalm 83:15._

[Illustration]

If any one should ask what is the most harmless and innocent thing on
earth, he might be answered, a snow-flake. And yet, in its own way of
exerting itself, it stands among the foremost powers on earth. When
it fills the air, the sun can not shine, the eye becomes powerless;
neither hunter, nor pilot, guide nor watchman, is any better than a
blind man. The eagle and the mole are on a level of vision. All the
kings of the earth could not send forth an edict to mankind, saying,
“Let labor cease.” But this white-plumed light infantry clears out the
fields, drives men home from the highway, and puts half a continent
under ban. It is a despiser of old landmarks, and very quietly unites
all properties, covering up fences, hiding paths and roads, and doing
in one day a work which the engineers and laborers of the whole earth
could not do in years!

But let the wind arise, and how is this peaceful seeming of snow-flakes
changed! In an instant the air raves. There is fury and spite in the
atmosphere. It pelts you and searches you out in every fold and seam
of your garments. It comes without search-warrant into each crack and
crevice of your house. It pours over the hills, and lurks down in
valleys, or roads, or cuts, until in a night it has entrenched itself
formidably against the most expert human strength; for now, lying in
drifts huge and wide, it bids defiance to engine and engineer. Before
it this wonderful engine is as tame as a wounded bird; all its spirit
is gone. No blow is struck. The snow puts forth no power. It simply
lies still. That is enough. The laboring engine groans and pushes;
backs out and plunges in again; retreats and rushes again. It becomes
entangled. The snow is every where. It is before it and behind it.
It penetrates the whole engine, is sucked up in the draft, whirls in
sheets into the engine-room; torments the cumbered wheels, clogs the
joints, and, packing down under the drivers, it fairly lifts the
ponderous engine from its feet, and strands it across the track! Well
done, snow! That was a notable victory!

                                                Beecher.

       *       *       *       *       *

Look at the gentle flake coming down so silently, and then turn to
contemplate its prodigious effects. Parent of a thousand of the
streams and rivers that water and fertilize our globe, the snow-flake
is equally the parent of the thundering avalanche that at St. Bernard
overwhelms the unhappy traveler before he reaches the hospitable
convent. In the afternoon, you find yourself suddenly caught in a
storm. What is it that eclipses the sun, hours before his setting, that
hides every landmark from the sight of the anxious guide, that turns
day into sudden night? It is the snow-flake; for in the little thing is
the hiding of God’s power.

And is there not wealth as well as power in the enormous quantity
of this one form of treasure lavished on the earth in one year? In
one night you have found the earth covered with a carpet two feet in
thickness. But if it requires millions of flakes for one cubic foot,
what must it require to cover half the breadth of a continent on a
meridian line of one thousand miles? And if that is repeated several
months in each year, the mind staggers in the attempt at computation.
“He giveth his snow like wool!” He scatters his pearls and diamonds by
innumerable millions upon the earth. What prodigality of bounty our
King displays!

The sovereign God gives the snow. It comes when he pleases, and falls
where it pleases him to have it, on your house and your land; and
you have no title that can prevent or bar his right. Napoleon may be
the dread of kings, the mightiest monarch and warrior of the earth.
He may be stronger than Russia, and may penetrate as far as Moscow.
But Jehovah will there put a bridle in his mouth and a hook in his
nostrils, and turn him backward, baffled, broken, disgraced. And
he wanted for an instrument to accomplish his purposes the army of
snow-flakes. He laid the deep covering of snow upon the earth; and the
mighty army found themselves conquered by this little, gentle, silent
instrument of God’s power. God could have sent one warm storm of rain,
and set the French army free. But he did not. He ruleth in the armies
of heaven and doeth his pleasure among the inhabitants of the earth.

                                                          Kirk.


_Scene in a Vermont Winter._

        Tis a fearful night in the winter-time,
            As cold as it ever can be;
        The roar of the blast is heard like the chime
            Of the waves on an angry sea.
        The moon is full; but her silver light
        The storm dashes out with its wings to-night;
        And over the sky from south to north
        Not a star is seen, as the wind comes forth
            In the strength of a mighty glee.

        All day had the snow come down,—all day,—
            As it never came down before;
        And over the hills, at sunset, lay
            Some two or three feet or more;
        The fence was lost, and the wall of stone;
        The windows blocked, and the well-curbs gone;
        The haystack had grown to a mountain lift,
        And the wood-pile looked like a monster drift,
            As it lay by the farmer’s door.

        The night sets in on a world of snow,
            While the air grows sharp and chill,
        And the warning roar of the fearful blow
            Is heard on the distant hill:

        And the Norther, see! on the mountain-peak,
        In his breath how the old trees writhe and shriek!
        He drives from his nostrils the blinding snow;
        He shouts on the plains, Ho-ho! ho-ho!
            And growls with a savage trill.

        Such a night as this to be found abroad,
            In the drifts and the freezing air!
        Sits a shivering dog, in the field, by the road,
            With the snow in his shaggy hair.
        He shuts his eyes to the wind and growls;
        He lifts his head and moans and howls;
        Then crouching low, from the cutting sleet,
        His nose is pressed on his quivering feet,—
            Pray what does the dog do there?

        A farmer came from the village plain,
            But he lost the traveled way;
        And for hours he trod with might and main
            A path for his horse and sleigh,
        But colder still the cold winds blew,
        And deeper still the deep drifts grew,
        And his mare, a beautiful Morgan brown,
        At last in her struggles floundered down,
            Where a log in a hollow lay.

        In vain, with a neigh and a frenzied snort,
            She plunged in the drifting snow,
        While her master urged, till his breath grew short,
            With a word and a gentle blow.
        But the snow was deep and the tugs were tight;
        His hands were numb and had lost their might;
        So he wallowed back to his half-filled sleigh,
        And strove to shelter himself till day,
            With his coat and the buffalo.

        He has given the last faint jerk of the rein,
            To rouse up his dying steed;
        And the poor dog howls to the blast in vain
            For help in his master’s need.
        For a while he strives, with a wistful cry,
        To catch a glance from his drowsy eye,
        And wags his tail if the rude winds flap
        The skirt of the buffalo over his lap,
            And whines when he takes no heed.

        The wind goes down and the storm is o’er—
            ’Tis the hour of midnight, past,
        The old trees writhe and bend no more
            In the whirl of the rushing blast.
        The silent moon, with her peaceful light,
        Looks down on the hills with snow all white,
        And the giant shadow of Camel’s Hump,
        The blasted pine and the ghostly stump,
            Afar on the plain are cast.

        But cold and dead, by the hidden log,
            Are they who came from the town,—
        The man in his sleigh and his faithful dog
            And his beautiful Morgan brown
        In the white snow desert, far and grand,
        With his cap on his head and the reins in his hand—
        The dog with his nose on his master’s feet,
        And the mare half seen through the crusted sleet
            Where she lay when she floundered down.

                                 Charles Gamage Eastman.

[Illustration]


_The Pass of the Sierra._

        All night above their rocky bed
          They saw the stars march slow;
        The wild Sierra overhead,
          The desert’s death below.

        The Indian from his lodge of bark,
          The gray bear from his den,
        Beyond their camp-fire’s wall of dark,
          Glared on the mountain men.

        Still upward turned, with anxious strain,
          Their leader’s sleepless eye,
        Where splinters of the mountain-chain
          Stood black against the sky.

        The night waned slow; at last, a glow,
          A gleam of sudden fire,
        Shot up behind the walls of snow,
          And tipped each icy spire.

        “Up, men!” he cried. “Yon rocky cone,
          To-day, please God, we’ll pass,
        And look from Winter’s frozen throne
          On Summer’s flowers and grass!”

        They set their faces to the blast,
          They trod the eternal snow,
        And, faint, worn, bleeding, hailed at last
          The promised land below.

        Behind, they saw the snow-cloud tossed
          By many an icy horn;
        Before, warm valleys, wood-embossed,
          And green with vines and corn.

        They left the Winter at their backs,
          To flap his baffled wing,
        And downward, with the cataracts,
          Leaped to the lap of Spring.

        Strong leader of that mountain band!
          Another task remains:
        To break from Slavery’s desert land
          A path to Freedom’s plains!

        The winds are wild, the way is drear,
          Yet, flashing through the night,
        Lo! icy ridge and rocky spear
          Blaze out in morning light!

        Rise up, Frément! and go before;
          The hour must have its man;
        Put on the hunting-shirt once more,
          And lead in Freedom’s van!

        Whittier.

[Illustration]




Gladness.


_Thou hast made Summer and Winter.—Psalm 74:17._

How delightful is the face of nature when the morning light first dawns
upon a country embosomed in snow! The thick mist which obscured the
earth and concealed every object from our view at once vanishes. How
beautiful are the tops of the trees, hoary with frost! The hills and
valleys, reflecting the sunbeams, assume various tints; all nature
is animated by the genial influence of the brightness, and, robed in
white, delights the traveler with her novel and delicate appearance.
How beautiful to see the white hills, the forests, and the groves all
sparkling! What a delightful combination these objects present! Observe
the brilliancy of the hedges! See the lofty trees bending beneath
their dazzling burden! The surface of the earth appears one vast plain
mantled in white and splendid array.

                                                      Sturm.

       *       *       *       *       *

Already snow-birds are fluttering for a foothold, and showering down
the frosty dust from the twigs. The hens and their uplifted lords are
beginning to wade with dainty steps through the chilly wool. Boys are
aglee with sleds; men are out with shovels, and dames with brooms.
Bells begin to ring along the highway, and heavy oxen with craunching
sleds are wending toward the woods for the winter’s supply of fuel.
The school-house is open, and a roasting fire rages in the box-stove.
Little boys are crying with chilblains, and little girls are comforting
them with the assurance that it will “stop aching pretty soon,” and the
boys seem unwilling to stop crying until then. Big boys are shaking
their coats, and stamping off the snow, which peels easily from sleek,
black-balled boots, or shoes burnished with tallow. Out of doors, the
snowballs are flying, and every body laughs but the one that’s hit.
Down go the wrestlers. The big ones “rub” the little ones; the little
ones in turn “rub” the smaller ones. The passers-by are pelted; and
many a lazy horse has motives of speed applied to his lank sides. Even
the schoolmaster is but mortal, and must take his lot; for many an
“accidental” snowball plumps into his breast and upon his back before
the rogues will believe that it _is_ the schoolmaster.

But days go by. The snow drifts,—fences are banked up ten feet high.
Hills are broken into a “coast” for boys’ sleds. They slide and pull
up again, and toil on in their slippery pleasure. They tumble over and
turn over; they break down, or smash up; they run into each other, or
run races, in all the moods and experiences of rugged frolic. Then
comes the digging of chambers in the deep drifts, room upon room, the
water dashed on overnight freezing the snow-walls into solid ice. Forts
are also built, and huge balls of snow rolled up, till the little hands
can roll the mass no longer.

                                                        Beecher.

       *       *       *       *       *

For two days it had been storming. The air was murky and cross. The
snow was descending, not peacefully and dreamily, but whirled and made
wild by fierce winds. The forests were laden with snow, and their
interior looked murky and dreadful as a witch’s den. Through such
scenes I began my ride upon the plow-shoving engine. The engineers
and firemen were coated with snow from head to foot, and looked like
millers who had not brushed their coats for ten years. The floor on
which we stood was ice and snow half melted. The wood was coated
with snow. The locomotive was frosted all over with snow,—wheels,
connecting-rods, axles, and every thing but the boiler and smoke-stack.
The side and front windows were glazed with crusts of ice, and only
through one little spot in the window over the boiler could I peer out
to get a sight of the plow. The track was indistinguishable. There was
nothing to the eye to guide the engine in one way more than another. It
seemed as if we were going across fields and plunging through forests
at random. And this gave no mean excitement to the scene, when two
ponderous engines were apparently driving us in such an outlandish
excursion. But their feet were sure, and unerringly felt their way
along the iron road, so that we were held in our courses.

Nothing can exceed the beauty of snow in its own organization, in the
gracefulness with which it falls, in the molding of its drift-lines,
and in the curves which it makes when streaming off on either side
from the plow. It was never long the same. If the snow was thin and
light, the plow seemed to play tenderly with it, like an artist doing
curious things for sport, throwing it in exquisite curves that rose
and fell, quivered and trembled as they ran. Then suddenly striking
a rift that had piled across the track, the snow sprang out, as if
driven by an explosion, twenty and thirty feet, in jets and bolts; or
like long-stemmed sheaves of snow,—outspread, fan-like. Instantly,
when the drift was passed, the snow seemed by an instinct of its own
to retract, and played again in exquisite curves, that rose and fell
about our prow. “Now you’ll get it,” says the engineer, “in that deep
cut.” We only saw the first dash, as if the plow had struck the banks
of snow before it could put on its graces, and shot it distracted and
headlong up and down on either side, like spray or flying ashes. It was
but a second. For the fine snow rose up around the engine, and covered
it in like a mist, and, sucking round, poured in upon us in sheets and
clouds, mingled with the vapor of steam, and the smoke which, from
impeded draft, poured out, filled the engine-room and darkened it so
that we could not see each other a foot distant, except as very filmy
specters glowering at each other. Our engineers had on buffalo coats
whose natural hirsuteness was made more shaggy by tags of snow melted
into icicles. To see such substantial forms changing back and forth
into a spectral lightness, as if they went back and forth between body
and spirit, was not a little exciting to the imagination.

When we struck deep bodies of snow, the engine plowed through them
laboriously, quivering and groaning with the load, but shot forth
again, nimble as a bird, the moment the snow grew light and thin.

Nothing seemed wilder than to be in one of these whirling storms of
smoke, vapor, and snow, you on one ponderous monster, and another
roaring close behind, both engines like fiery dragons harnessed and
fastened together, and looming up when the snow and mists opened a
little, black and terrible. It seemed as if you were in a battle. There
was such energetic action, such irresistible power, such darkness and
light alternating, and such fitful half-lights, which are more exciting
to the imagination than light or darkness. Thus, whirled on in the
bosom of a storm, you sped across the open fields, full of wild-driving
snow; you ran up to the opening of the black pine and hemlock woods,
and plunged into their somber mouth as if into a cave of darkness, and
wrestled your way along through their dreary recesses, emerging to the
cleared field again, with whistles screaming and answering each other
back and forth from engine to engine.

                                                      Ib.

       *       *       *       *       *

It is not only that the snow makes fair what was good before, but it
is a messenger of love from heaven, bearing glad tidings of great joy.
Hope for the future comes down to the earth in every tiny snow-flake.
Underneath, as they span the hillside, and lie lightly piled in the
valleys, the earth-spirits and fairies are ceaselessly working out
their multifold plans. The grasses hold high carnival safe under their
crystal roof. The roses and lilies keep holiday. The snow-drops and
hyacinths, and the pink-lipped May-flower, wait as they that watch for
the morning. The life that stirs beneath thrills to the life that stirs
above. The spring sun will mount higher and higher in the heavens; the
sweet snow will sink down into the arms of the violets, and, at the
word of the Lord, the Earth shall come up once more as a bride adorned
for her husband.

                                             Gail Hamilton.


_The Time of Snow._

        Brave Winter and I shall ever agree,
        Though a stern and frowning gaffer is he.
        I like to hear him, with hail and rain,
        Come tapping against the window-pane;
        I like to see him come marching forth,
        Begirt with the icicle-gems of the north;
        But I like him best, when he comes bedight
        In his velvet robes of stainless white.

        A cheer for the snow,—the drifting snow,
        Smoother and purer than Beauty’s brow!
        The creature of thought scarce likes to tread
        On the delicate carpet daintily spread.
        With feathery wreaths the forest is bound,
        And the hills are with glittering diamonds crowned.
        ’Tis the fairest scene we can have below,
        Sing a welcome, then, to the drifting snow.

        The urchins gaze with eloquent eye,
        To see the flakes go dancing by.
        In the blinding storm how happy are they,
        To welcome, the first deep, snowy day!
        Shouting and pelting, what bliss to fall,
        Half-smothered, beneath the well-aimed ball!

        Men of fourscore, did ye ever know
        Such sport as ye had in the drifting snow?
        Ye rejoice in it still, and love to see
        The ermine mantle on tower and tree.
        ’Tis the fairest scene we can have below,
        Hurrah! then hurrah! for the drifting snow!

                                      Eliza Cook.


_A Winter Sketch._

        ’Tis winter, yet there is no sound
          Along the air,
        Of winds upon their battle-ground;
          But gently there
        The snow is falling,—all around,
          How fair,—how fair!

        The jocund fields would masquerade;
          Fantastic scene!
        Tree, shrub and lawn and lonely glade
          Have cast their green,
        And joined the revel, all arrayed
          So white and clean.

        E’en the old posts, that hold the bars,
          And the old gate,
        Forgetful of their wintry wars
          And age sedate,
        High-capped and plumed, like white hussars,
          Stand there in state.

        The drifts are hanging by the sill,
          The eaves, the door;
        The haystack has become a hill;
          All covered o’er
        The wagon loaded for the mill
          The eve before.

        Maria brings the water-pail,
          But where’s the well?
        Like magic of a fairy tale,
          Most strange to tell,
        All vanished, curb and crank and rail!
          How deep it fell!

        The wood-pile, too, is playing hide;
          The axe, the log,
        The kennel of that friend so tried,—
          Theold watch-dog,—
        The grindstone standing by its side,
          All now _incog_.

        The bustling cock looks out aghast
          From his high shed;
        No spot to scratch him a repast;—
          Up curves his head,
        Starts the dull hamlet with a blast,
          And back to bed.

        Old drowsy dobbin, at the call,
          Amazed, awakes;
        Out from the window of his stall
          A view he takes;
        While thick and faster seem to fall
          The silent flakes.

        The barn-yard gentry, musing, chime
          Their morning moan;
        Like Memnon’s music of old time,—
          That voice of stone!
        So warbled they, and so sublime
          Their solemn tone.

        Good Ruth has called the younker-folk
          To dress below;
        Full welcome was the word she spoke;
          Down, down they go,
        The cottage quietude is broke,—
          The snow!—the snow!

        Now rises from around the fire
          A pleasant strain;
        Ye giddy sons of mirth, retire!
          And ye profane!
        A hymn to the Eternal Sire
          Goes up again.

        The patriarchal Book divine,
          Upon the knee,
        Opes where the gems of Judah shine,
          (Sweet minstrelsy!)
        How soars each heart with each fair line,
          O God, to Thee!

        Around the altar low they bend,
          Devout in prayer;
        As snows upon the roof descend,
          So angels there
        Come down that household to defend
          With gentle care.

        While mounts the eddying smoke amain
          From many a hearth,
        And all the landscape rings again
          With rustic mirth,
        So gladsome seems to every swain
          The snowy earth.

                                 Hoyt.

[Illustration]




Gloom.


_Hast thou seen the treasures of the hail, which I have reserved against
the time of trouble?—Job 38:22._

Not in his splendors, only, nor his beneficence, does God manifest
himself to men. “The Lord Most High is _terrible_.” His holiness
is for ever arrayed in frowns and rebuke against wrong. It is pleasant
to dwell on his love, to speak of him as the Father of all his
creatures, full of pity and condescension for the most erring. The
heart that responds to his with reciprocal affection, penitent for
sins committed, trustful in his promises of pardon through a Redeemer,
and constrained by filial devotion to grateful service and worship,
may rest in the sweet contemplation of his goodness. But let it not be
forgotten at the same time that he is holy as well as good, “merciful
and gracious, long-suffering, and abundant in goodness and truth,
forgiving iniquity and transgression and sin, and that he will by no
means clear the guilty.”

It is fitting that this part, also, of the Divine character should be
illustrated in his works. Therefore, he hath appointed the earthquake,
the lightning, and the tempest, to be, with the sunshine and the
gentle breezes, representatives of himself. Even the snow, so soft
and beautiful, he makes a messenger of gloom. The dark, fierce winter
storm sweeps over the earth as the very spirit of desolation. The
tiny flakes, charged with the mission which he gives them, fly forth
in numbers infinite to buffet, to bewilder, to overwhelm whatever is
exposed to them. Who can resist these “treasures” of the storm when let
loose in their strength? “Who can stand before his cold?”

        As thus the snows arise, and foul and fierce
        All Winter drives along the darkened air,
        In his own loose, revolving fields the swain
        Disastered stands;——and wanders on
        From hill to dale, still more and more astray,
        Impatient, flouncing through the drifted heaps,
        Stung with the thoughts of home,—the thoughts of home
        Rush on his nerves, and call their vigor forth
        In many a vain attempt.
                                How sinks his soul!
        What black despair, what horror, fills his mind!
        When for the dusky spot which fancy feigned
        His tufted cottage rising through the snow,
        He meets the roughness of the middle waste,
        Far from the track and blest abode of man!
        While round him Night resistless closes fast,
        And every tempest, howling o’er his head,
        Renders the savage wilderness more wild.
        Nor wife nor children more shall he behold,
        Nor friends nor sacred home. On every nerve
        The deadly Winter seizes; shuts up sense;
        And o’er his inmost vitals creeping cold,
        Lays him along the snows a stiffened corse,
        Stretched out, and bleaching in the northern blast.

                                            Thomson.

Winter is a fitting image of decay and death; and the cold, white,
winding-sheet that shrouds the blighted flowers, of the robe that is
spread over the still form of our heart’s crushed and faded blossoms.
True, the flowers shall spring again, and our treasures will be
restored to us in the land of eternal summer. Nevertheless, the dreary
hour of separation is not joyous, but grievous. Our hopes are withered,
our hearts are chilled; disappointment, absence, present loss, distress
and torture us. All is gloom, desolation, and anguish. The sun may
shine, but his beams are cold and glassy. No pleasures spring about
our path. Our life is buried with our darlings in the icy bosom of
nature. O Winter, bleak, dismal, wasting, inexorable Winter! Hasten thy
footsteps, and bring us to the bright expectant Spring!


_Winter._

        Oh the long and dreary Winter!
        Oh the cold and cruel Winter!
        Ever thicker, thicker, thicker
        Froze the ice on lake and river;
        Ever deeper, deeper, deeper
        Fell the snow o’er all the landscape,—
        Fell the covering snow, and drifted
        Through the forest, round the village.
          Hardly from his buried wigwam
        Could the hunter force a passage;
        With his mittens and his snow-shoes
        Vainly walked he through the forest,
        Sought for bird or beast and found none,—
        Saw no track of deer or rabbit;
        In the snow beheld no foot-prints;
        In the ghastly gleaming forest
        Fell, and could not rise from weakness,
        Perished there from cold and hunger.
          Oh the famine and the fever!
        Oh the wasting of the famine!
        Oh the blasting of the fever!
        Oh the wailing of the children!
        Oh the anguish of the women!
          All the earth was sick and famished;
        Hungry was the air around them,
        Hungry was the sky above them,
        And the hungry stars in heaven,
        Like the eyes of wolves glared at them!
          Then they buried Minnehaha;
        In the snow a grave they made her,
        In the forest deep and darksome,
        Underneath the moaning hemlocks;
        Clothed her in her richest garments,—
        Wrapped her in her robes of ermine,
        Covered her with snow, like ermine;
        Thus they buried Minnehaha.

                                Longfellow.


_The Path through the Snow._

        Bare and sunshiny, bright and bleak,
        Rounded cold as a dead maid’s cheek,
        Folded white as a sinner’s shroud,
        Or wandering angel’s robes of cloud,—
            Well I know, well I know,
        Over the fields the path through the snow.

        Narrow and rough it lies between
        Wastes where the wind sweeps, biting keen;
        Every step of the slippery road
        Tracks where some weary foot has trod;
            Who will go, who will go,
        After the rest, on the path through the snow?

        They who would tread it must walk alone,
        Silent and steadfast, one by one;
        Dearest to dearest can only say,
        “My heart! I’ll follow thee all the way,
            As we go, as we go,
        Each after each on this path through the snow.”

        It may be under that western haze
        Lurks the omen of brighter days;
        That each sentinel tree is quivering
        Deep at its core with the sap of spring;
            And while we go, while we go,
        Green grass-blades pierce through the glittering snow.

        It may be the unknown path will tend
        Never to any earthly end,—
        Die with the dying day obscure,
        And never lead to a human door;
            That none may know who did go
        Patiently once on this path through the snow.

        No matter, no matter! the path shines plain;
        These pure snow-crystals will deaden pain;
        Above, like stars in the deep blue dark,
        Eyes that love us look down and mark.
            Let us go, let us go,
        Whither Heaven leads in the path through the snow!

                                          Miss Muloch.


_December Snow._

        Fall thickly on the rose-bush,
          O faintly falling snow!
        For she is gone who trained its branch,
          And wooed its bud to blow.

        Cover the well-known pathway,
          O damp December snow!
        Her step no longer lingers there,
          When stars begin to glow.

        Melt in the rapid river,
          O cold and cheerless snow!
        She sees no more its sudden wave,
          Nor hears its foaming flow.

        Chill every song-bird’s music,
          O silent, sullen snow!
        I can not hear her loving voice,
          That lulled me long ago.

        Sleep on the earth’s broad bosom,
          O weary winter snow!
        Its fragrant flowers and blithesome birds
          Should with its loved one go.

        W. B. Glazier.

[Illustration]

[Illustration]




Beneficence

   _The Rain cometh down and the Snow from heaven, and
        watereth the earth, and maketh it bring forth and bud,
        that it may give seed to the sower and bread to the
        eater.—Isaiah 55:10._


The great design of the snow is benevolent. It is appointed to water
the earth, but not like the rain. That comes down and produces its
effects and passes away, and is absent just when the heat is at its
hight, and evaporation most rapid. But the snow comes down in the
winter, and lies upon the high mountain ranges all through the hottest
weather, gradually supplying the streams and rivers on which human life
depends. The great Father of Waters, our grand Mississippi, is a child
of the snow; and often his waters swell when other streams are drying
up. The very heat which is drinking up their waters is melting the
snows on the Rocky Mountains, and replenishing his wasted bulk. The
Nile is the child of snow; and its annual rise, on which the life of
Egypt depends, is occasioned by its melting. The sun, approaching the
summer solstice, finds the snows of the winter all treasured up for his
magic touch to transform to water.

The snow tempers the heat of the atmosphere. And in this it has
two opposite powers and offices. It heats and it cools. By being a
non-conductor of heat, and at the same time translucent, it enables the
Esquimaux to build his winter house entirely of its solid blocks; being
the warmest substance for this purpose, in nature, so far as waste of
heat is concerned, and at the same time serving the purpose of windows
by transmitting the light in a broad mass into his humble dwelling.
Animals live under its shelter in the severest cold. And the very earth
is protected by it. Tender roots lie sheltered from the frosts by its
thick covering. The winds that visit the south of India, our latitude,
and Southern Europe, in summer, come across over the great snow tracts
of the Himalaya, or the Alps, or the Rocky Mountains, charged with
refreshing coolness.

And while its pure whiteness makes an agreeable change from the verdure
of summer, it is admirably adapted to the various latitudes of the
earth in modifying the light. The farther the sun withdraws from
any part of the earth, the less light he emits there. And the snow
follows him at respectful distance, increasing its bounty, as his rays
diminish. The consequence is, our long winter nights are cheered by
this brilliant covering that gathers and reflects all the scattered
beams the sun has left. The long polar nights are not only illuminated,
but also beautified by its wonderful phenomena.

Snow furnishes the most splendid material for road making. To it we owe
the cheerful movement of the sleigh; and the lumbermen of our forests
can do nothing until it has come to enable them to bring their timber
to the streams.

                                                       Kirk.

       *       *       *       *       *

But few of us at home can realize the protecting power of this warm
coverlet of snow. No eider-down in the cradle of an infant is tucked
in more kindly than the sleeping dress of Winter about this feeble
flower-life. The first warm snows, falling on a thickly-pleached carpet
of grasses, heaths, and willows, enshrine the flowery growths which
nestle round them in a non-conducting air-chamber; and, as each
successive snow increases the thickness of the cover, we have, before
the intense cold of winter sets in, a light, cellular bed covered by
drift, six, eight or ten feet deep, in which the plants retain their
vitality.

The early spring and late fall and summer snows are more cellular
and less condensed than the nearly impalpable powder of winter. The
drifts, therefore, that accumulate during nine months of the year,
are dispersed in well-defined layers of different density. We have
first the warm cellular snows which surround the plant; next, the
fine, impacted snow-dust of winter; and above these, the later, humid
deposits of the spring.

It is interesting to observe the effects of this disposition of layers
upon the safety of the vegetable growths below them. These, at least
in the earliest summer, occupy the inclined slopes that face the sun,
and the several strata of snow take, of course, the same inclination.
The consequence is, that as the upper snow is dissipated by the early
thawings, and sinks upon the more compact layer below, it is, to a
great extent, arrested, and runs off like rain from a slope of clay.
The plant reposes thus in its cellular bed, guarded from the rush of
waters, and protected too from the nightly frosts by the icy roof above
it.

                                                       Dr. Kane.

       *       *       *       *       *

There is a pretty, curious old town in Germany. The streets are narrow
and the houses very quaint, with their pointed, gable-ends toward the
street. One house stands somewhat isolated from the rest. It is at an
angle where two streets meet, and is built with so many projections and
jutting windows and carved friezes that it is quite a study.

One cold, cold afternoon in midwinter, when the silent frost was
penetrating every where, and men moved quickly, muffled up in
furs,—a time for people to close their doors, and gather round their
firesides,—all the quiet inhabitants were astir. There was a bustle of
preparation in parlor and kitchen; and young and old, wrapping their
garments about them, were ready to go out in the cold. There were
dismay and confusion in all the streets. Why?

They had heard that the French regiment, called the Pitiless, on its
retreat from Moscow, was only three leagues off, and was to quarter in
their village that night. There was every thing to fear from the revelry
and excesses of soldiers, who acknowledged no right but that of the
strongest.

In the queer old house of which we have spoken, there was no bustle
of preparation. By the fire, in a large old room, sat an aged woman
and her two grandchildren. Unable from her lameness to leave home, her
grandchildren would not forsake her. Her faith in God enabled her to
feel that they might be safer there than when fleeing from danger.

        “O God! till darkness goeth hence,
         Be thou our stay and our defense;
         A wall, when foes oppress us sore,
         To save and guard us evermore!”

These, the last notes of their evening hymn, died away amid the rafters
of the shadowy room.

“Alas!” said the boy, mournfully, “we have no wall about us to-night to
protect us from enemies.”

“He will be our Wall himself,” said the aged woman, reverently. “Think
you his arm is shortened?”

“No, grandmother; but the thing is impossible without a miracle.”

“Take care, my boy; nothing is impossible with God. Hath he not said he
will be a wall of fire unto his people? We must trust him and he will
be our wall of defense.”

They sat quietly by the fireside. The wind moaned down the large open
chimney, and the snow fell softly against the window-pane. Steadily it
fell all night, and the wind drifted it in high banks, covering the
shed, streets, walls, and paths of the silent and deserted town. And
yet there was peace by that quiet fireside, the peace that can only be
felt by the mind that is stayed on God. Few words were spoken. They
held one another’s hands, and looked into the fire, and listened, in
the pauses of the storm, to catch the blast of the French trumpets. At
nine o’clock the sound was faintly borne to them on the breeze; a few
hurried blasts swept past them, intermingled with sounds of trampling
feet and loud voices, and all was still.

Their hearts beat almost audibly; and they drew closer together, as
they felt that they were now in the midst of their enemies. Helpless
age and defenseless youth! What armor had they wherein to trust? The
shield of faith! and safely they rested beneath its shadow!

Every house was a scene of revelry. Great fires were kindled. Altars
were ransacked. The soldiers, with their songs and wine-cups, their
oaths and blasphemy, made the streets ring, striving to drown the
remembrance of intense cold and terrible privation in those hours of
drunken merriment.

Still the little group in the quaint old house sat peacefully through
the long, long hours of the night, till morning dawned and showed them
the wall of defense which God had built round about them. Exposed as
was their house, from its position, to the eddies and currents of the
wind, the snow had so drifted about them that the doors and windows
were completely blocked up; and the French soldiers had not found it.
With the daylight they had left the town.

Wind and storm had fulfilled God’s word, and encircled those who
put their trust in him with a wall that protected them from their
enemies,—a wall, not of fire, but of snow.


_Under the Snow._

        Fall in your gleaming folds of white,
          And robe the mountain-crest with snow;
        Make each dark vale and hillside bright,
          Till all the earth is fair below!

        Let all the forest oaks be clad,—
          The birch, and shivering aspen-tree,
        Nor fail to shroud the tender buds
          And roots of frail anemone!

        Then fold them close and shield them well
          To guard against the winter’s cold;
        While fast yon snowy flakes descend
          And penetrate the frozen mold.

        And we will sing, though wild the storm,—
          Sing in December as in May,
        Fill pledges from the icy brook,
          And all the year be glad and gay.

        For when the winter solstice brings
          The Earth resplendent, like a bride,
        She, with her snowy coronal,
          Fulfills her promise, glorified!

        Fulfills her promise, when the days
          And months have brought the circling year,
        When vernal woods and bursting buds
          And blue-eyed violets appear.

        Faint type of what our hearts foretell,
          Of something glorious yet to be;
        The life for which our spirits thirst,—
          And hid from all eternity!

        And most for thee, high Hope, and Faith,
          I languish. Oh, return to me!
        Come, fold me in thy heavenly robes,
          And mantle of sweet Charity.

        And hide me from the outer world,
          And quicken to my inward sense
        The earnest of those heavenly joys,
          Till I, departing, shall go hence.

        And through those clouded days and brief,
          To yonder heaven I lift my eyes;
        While, through life’s frost and over-growth,
          The violet of my heart shall rise,

        Up to that flaming Soul of Love,
          Who makes with joy my soul to sing;
        And folds beneath the wintry snow
          The buds and garniture of spring.

                                      S. D. C.


_Wild-Flowers._

        We swept away the old sear leaves
          From off the wintry ground,
        And underneath the frozen snow
          The tiny buds we found,
        Just waiting for the beckoning nod
          Of sun and mellow air,
        To spring in beauty from the sod,
          And shed their fragrance there.

        So under many a frozen heart,
          Where Hope lies chilled and dead,
        Beneath the tempest cares of life,
          Love’s precious buds lie hid;
        The smile of tender sympathy,
          The word of kindly cheer,
        Like the warm, sunny air of spring,
          Will make the flowers appear.

                                  H. E. B.


_The Alpine Violet._

        Mid Alpine wilds and thick-descending snows,
          Where massive hights uplift their towering crest,
        Adown whose rugged sides no verdure glows,
          And e’en a feathery flake could scarcely rest;
        Fearless alike of winter’s rudest shock,
          Impending glaciers, or the tempest wild,
        On the stern side of that cloud-piercing rock,
          A single violet looked up and smiled.
        Some might have said, ’twas “born to blush unseen,
          And waste its sweetness on the desert air;”
        But no! Heaven’s light shone in its humble mien,
          And He was pleased who placed the floweret there.

        So I, a human flower, am bid to grow,
          Mayhap, in life’s most wild, sequestered spot,
        Where Sorrow’s rudest tempests fiercely blow,
          And woes accumulate o’ershade my lot.
        Yet even here, alone and sadly chilled,
          Nor known, nor noticed by the passing gaze,
        Like that lone violet, I too may yield
          To Heaven a silent offering of praise.
        Earth may not know that I have ever been;
          Yet pleasure to the eye of Heaven to give,
        And thence, one sweet, approving smile to win,
          Is, sure, no worthless mission to achieve.

                                                  Ib.

[Illustration]

[Illustration]




Instruction.


    _Whoso is wise and will observe these things, even they
         shall understand the loving-kindness of the Lord.
                                           —Psalm 107: 43._

January! Darkness and light reign alike. Snow is on the frozen ground.
Cold is in the air. The winter is blossoming in frost-flowers. Why is
the ground hidden? Why is the earth white? So hath God wiped out the
past: so hath he spread the earth, like an unwritten page, for a new
year! Old sounds are silent in the forest and in the air. Insects are
dead, birds are gone, leaves have perished, and all the foundations of
soil remain. Upon this lies, white and tranquil, the emblem of newness
and purity, the virgin robes of the yet unstained year!

April! The singing month. Many voices of many birds call for
resurrection over the graves of flowers, and they come forth. Go, see
what they have lost. What have ice and snow and storm done unto them?
How did they fall into the earth stripped and bare? How do they come
forth opening and glorified? Is it then so fearful a thing to lie in
the grave?

In its wild career, shaking and scourged of storms through its orbit,
the earth has scattered away no treasures. The hand that governs in
April governed in January. You have not lost what God has only hidden.
You lose nothing in struggle, in trial, in bitter distress. If called
to shed thy joys as trees shed their leaves; if the affections be
driven back into the heart, as the life of flowers to their roots, yet
be patient. Thou shalt lift up thy leaf-covered boughs again. Thou
shalt shoot forth from thy roots new flowers. Be patient! Wait!

                                                        Beecher.

       *       *       *       *       *

The sun had gone down before we entered the valley of Chamouni; the sky
behind the mountain was clear, and it seemed for a few moments as if
darkness was rapidly coming on. On our right hand were black, jagged,
furrowed walls of mountain, and on our left Mont Blanc, with his
fields of glaciers and worlds of snow; they seemed to hem us in and
almost press us down. But in a few moments commenced a scene of
transfiguration, more glorious than any thing I had witnessed yet. The
cold, white, dismal fields gradually changed into hues of the most
beautiful rose-color. A bank of white clouds, which rested above the
mountains, kindled and glowed, as if some spirit of light had entered
into them. You did not lose your idea of the dazzling, spiritual
whiteness of the snow, yet you seemed to see it through a rosy vail.
The sharp edges of the glaciers and the hollows between the peaks
reflected wavering tints of lilac and purple. The effect was solemn
and spiritual beyond any thing I had ever seen. These words, which had
often been in my mind during the day, and which occurred to me more
often than any others while I was traveling through the Alps, came into
my mind with a pomp and magnificence of meaning unknown before:—“For
by Him were all things created that are in heaven and that are in
earth, visible and invisible, whether they be thrones, or dominions, or
principalities, or powers; all things were created by him and for him;
and he is before all things, and by him all things consist.”

In this dazzling revelation I saw not that cold, distant, unfeeling
fate, or that crushing regularity of wisdom and power, which was all
the ancient Greek or modern deist can behold in God; but I beheld,
as it were, crowned and glorified, one who had loved with our loves,
and suffered with our sufferings. Those shining snows were as his
garments on the Mount of Transfiguration, and that serene and ineffable
atmosphere of tenderness and beauty, which seemed to change these
dreary deserts into worlds of heavenly light, was to me an image of the
light shed by his eternal love on the sins and sorrows of time, and the
dread abyss of eternity.

                                                      Sunny Memories.

       *       *       *       *       *

It is painful to think how our youth are coming to maturity without
looking into these Treasure Houses of the King. The Bible and nature
are mutually illustrative. And he has not a full Christian nature, who
can not profoundly read and intensely enjoy both. As one has said of
the book of nature,—and it might equally have been said of the Book of
grace;—“The casual and general observer of nature soon ceases to be
interested, because he looks only at the surface, and soon exhausts all
the novelties. He merely stands on the outside of the temple, and,
after gazing for a time at its noble proportions and splendid columns,
his interest subsides. But he who really studies the works of God
because he loves them is admitted into the penetralia, and there ten
thousand new objects reward his search, opening continually before him,
until he reaches the very Holy of Holies, and becomes a consecrated
Priest.” Education, then, consists in forming rather than in informing.
Its two chief instruments are, not the wisdom of men, nor classical
literature, but God’s works and God’s Book. Science without Revelation
is of doubtful value. Revelation without Science is not seen in its
fullness.

Let the snow-flake preach Sinai and Calvary, Eden and Gethsemane, the
first and the second Adam. In its purity and beauty, its freshness
and its bounty, it shows what a world this was when God made it. But
when we see it rushing in the turbid stream, rolling in the dreadful
avalanche, to bury the homes and possessions of men with their
owners,—when we see it sullied and stained,—let us learn that man is
fallen, that a curse is upon the earth and its lord, that “the whole
creation groaneth and travaileth in pain together.”

                                                          Kirk.


_God in Nature._

          What prodigies can Power divine perform
        More grand than it produces year by year,
        And all in sight of inattentive man!
        Familiar with the effect, we slight the cause,
        And in the constancy of Nature’s course,
        And regular return of genial months,
        And renovation of a faded world,
        See naught to wonder at. Should God again,
        As once in Gibeon, interrupt the race
        Of the undeviating and punctual sun,
        How would the world admire! But speaks it less
        An agency divine to make him know
        His moment when to sink and when to rise,
        Age after age, than to arrest his course?
        All we behold is miracle; but seen
        So duly, all is miracle in vain.

          All this uniform uncolored scene
        Shall be dismantled of its fleecy load
        And flush into variety again.
        From dearth to plenty, and from death to life,
        Is Nature’s progress when she lectures man
        In heavenly truth; evincing, as she makes
        The grand transition, that there lives and works
        A soul in all things, and that soul is God.
        The beauties of the wilderness are his,
        That make so gay the solitary place
        Where no eye sees them; and the fairer forms
        That cultivation glories in are his.
        He sets the bright procession on its way,
        And marshals all the order of the year:
        He marks the bounds which Winter may not pass
        And blunts its pointed fury; in its case,
        Russet and rude, folds up the tender germ,
        Uninjured, with inimitable art;
        And, ere one flowering season fades and dies,
        Designs the blooming wonder of the next.

                                               Cowper.


_Teachings of Nature._

        Look on this beautiful World and read the truth
          In her fair page; see, every season brings
        New change to her of everlasting youth;
          Still the green soil with joyous living things
          Swarms; the wide air is full of joyous wings;

        And myriads still are happy in the sleep
          Of Ocean’s azure gulfs, and where he flings
        The restless surge. Eternal love doth keep,
        In his complacent arms, the earth, the air, the deep.

        Will, then, the Merciful One, who stamped our race
          With his own image, and who gave them sway
        O’er earth, and the glad dwellers on her face,
          Now that our swarming nations far away
          Are spread, where’er the moist earth drinks the day,
        Forget the ancient care that taught and nursed
          His latest offspring? Will he quench the ray,
        Infused by his own forming smile at first,
        And leave a work so fair all blighted and accursed?

        Oh, no! a thousand cheerful omens give
          Hope of yet happier days, whose dawn is nigh.
        He who has tamed the elements shall not live
          The slave of his own passions; he whose eye
          Unwinds the eternal dances of the sky,
        And in the abyss of brightness dares to span
          The sun’s broad circle, rising yet more high,—
        In God’s magnificent works his will shall scan,
        And love and peace shall make their paradise with man.

                                              W. C. Bryant.



*** END OF THE PROJECT GUTENBERG EBOOK SNOW-FLAKES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.