The Project Gutenberg EBook of The Origins of Contemporary France, Complete, by Hippolyte A. Taine This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Origins of Contemporary France, Complete Linked Table of Contents to the Six Volumes Author: Hippolyte A. Taine Annotator: Svend Rom Editor: David Widger Translator: John Durand, 1880 Release Date: June 21, 2008 [EBook #23524] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE *** Produced by David Widger THE ORIGINS OF CONTEMPORARY FRANCE SIX VOLUMES: COMPLETE TABLE OF CONTENTS by Hippolyte A. Taine Volume One: Ancient Regime Volume Two: French Revolution I. Volume Three: French Revolution II. Volume Four: French Revolution III. Volume Five: Napoleon I. Volume Six: Modern Regime THE ANCIENT REGIME INTRODUCTION PREFACE: PREFACE BY THE AUTHOR: ON POLITICAL IGNORANCE AND WISDOM. BOOK FIRST. THE STRUCTURE OF THE ANCIENT SOCIETY. CHAPTER I. THE ORIGIN OF PRIVILEGES. I. Services and Recompenses of the Clergy. II. Services and Recompenses of the Nobles. III. Services and Recompenses of the King. CHAPTER II. THE PRIVILEGED CLASSES. I. Number of the Privileged Classes. II. Their Possessions, Capital, and Revenue. III. Their Immunities. IV. Their Feudal Rights. V. They may be justified by local and general services. CHAPTER III. LOCAL SERVICES DUE BY THE PRIVILEGED CLASSES. I. Examples in Germany and England.—These services are not rendered by II. Resident Seigniors. III. Absentee Seigniors. CHAPTER IV. PUBLIC SERVICES DUE BY THE PRIVILEGED CLASSES. I. England compared to France. II. The Clergy III. Influence of the Nobles.. IV. Isolation of the Chiefs V. The King's Incompetence and Generosity. VI. Latent Disorganization in France. BOOK SECOND. MORALS AND CHARACTERS. CHAPTER I. MORAL PRINCIPLES UNDER THE ANCIENT REGIME. The Court and a life of pomp and parade. I. Versailles. The Physical aspect and the moral character of Versailles. II. The King's Household. III. The King's Associates. IV. Everyday Life In Court. V. Royal Distractions. VI. Upper Class Distractions. VII. Provincial Nobility. CHAPTER II. DRAWING ROOM LIFE. I. Perfect only in France II. Social Life Has Priority. III. Universal Pleasure Seeking. IV. Enjoyment. V. Happiness. VI. Gaiety. VII. Theater, Parade And Extravagance. CHAPTER III. DISADVANTAGES OF THIS DRAWING ROOM LIFE. I. Its Barrenness and Artificiality II. Return To Nature And Sentiment. III. Personality Defects. BOOK THIRD. THE SPIRIT AND THE DOCTRINE. CHAPTER I. SCIENTIFIC ACQUISITION. I. Scientific Progress. II. Science Detached From Theology. III. The Transformation Of History. IV. The New Psychology. V. The Analytical Method. CHAPTER II. THE CLASSIC SPIRIT, THE SECOND ELEMENT. I. Through Colored Glasses. II. Its Original Deficiency. III. The Mathematical Method. CHAPTER III. COMBINATION OF THE TWO ELEMENTS. I. Birth Of A Doctrine, A Revelation. II. Ancestral Tradition And Culture. III. Reason At War With Illusion. IV. Casting Out The Residue Of Truth And Justice. V. The Dream Of A Return To Nature. VI. The Abolition Of Society. Rousseau. VII: The Lost Children. CHAPTER IV. ORGANIZING THE FUTURE SOCIETY. I. Liberty, Equality And Sovereignty Of The People. II. Naive Convictions III. Our True Human Nature. IV. Birth Of Socialist Theory, Its Two Sides. V. Social Contract, Summary. BOOK FOURTH. THE PROPAGATION OF THE DOCTRINE. CHAPTER I.—SUCCESS OF THIS PHILOSOPHY IN FRANCE.—FAILURE OF THE SAME I. The Propagating Organ, Eloquence. II. Its Method. III. Its Popularity. IV. The Masters. CHAPTER II. THE FRENCH PUBLIC. I. The Nobility. II. Conditions In France. III. French Indolence. IV. Unbelief. V. Political Opposition. VI. Well-Meaning Government. CHAPTER III. THE MIDDLE CLASS. I. The Past. II. CHANGE IN THE CONDITION OF THE BOURGEOIS. III. Social Promotion. IV. Rousseau's Philosophy Spreads And Takes HOLD. V. Revolutionary Passions. VI. Summary BOOK FIFTH. THE PEOPLE CHAPTER I. HARDSHIPS. I. Privations. II. The Peasants. III. The Countryside. IV. The Peasant Becomes Landowner. CHAPTER II. TAXATION THE PRINCIPAL CAUSE OF MISERY. I. Extortion. II. Local Conditions. III. The Common Laborer. IV. Collections And Seizures.—Observe the system actually at work. It V. Indirect Taxes. VI. Burdens And Exemptions. VII. Municipal Taxation. VIII. Complaints In The Registers. CHAPTER III. INTELLECTUAL STATE OF THE PEOPLE. I. Intellectual incapacity II. Political incapacity III. Destructive impulses IV. Insurrectionary leaders and recruits CHAPTER IV. THE ARMED FORCES. I. Military force declines II. The social organization is dissolved III. Direction of the current CHAPTER V. SUMMARY. I. Suicide of the Ancient Regime. II. Aspirations for the 'Great Revolution.' END OF VOLUME THE FRENCH REVOLUTION, VOLUME 1. PREFACE BOOK FIRST. SPONTANEOUS ANARCHY. CHAPTER I. THE BEGINNINGS OF ANARCHY. I. Dearth the first cause. II. Expectations the second cause III. The provinces during the first six months of 1789 IV. Intervention of ruffians and vagabonds. V. Effect on the Population of the New Ideas. VI. The first jacquerie in Province CHAPTER II. PARIS UP TO THE 14TH OF JULY. I. Mob recruits in the vicinity II. The Press. III. The Réveillon affair. IV. The Palais-Royal. V. Popular mobs become a political force. VI. July 13th and 14th 1789. VII. Murders of Foulon and Berthier. VIII. Paris in the hands of the people. CHAPTER III. I. Anarchy from July 14th to October 6th, 1789 II. The provinces III. Public feeling. Famine IV. Panic. V. Attacks on public individuals and public property. VI. Taxes are no longer paid. VII. Attack upon private individuals and private property. CHAPTER IV. PARIS. I. Paris. II. The distress of the people. III. The new popular leaders. IV. Intervention by the popular leaders with the Government. V. The 5th and 6th of October. VI. The Government and the nation in the hands of the revolutionary party. BOOK SECOND. THE CONSTITUENT ASSEMBLY, AND THE RESULT OF ITS LABORS. CHAPTER I. CONDITIONS REQUIRED FOR THE FRAMING OF GOOD LAWS. I. These conditions absent in the Assembly II. Inadequacy of its information. III. The Power Of Simple, General Ideas. IV. Refusal to supply the ministry CHAPTER II. DESTRUCTION. I. Two principal vices of the ancient régime. II Nature of societies, and the principle of enduring constitutions. III. The estates of a society. IV. Abuse and lukewarmness in 1789 in the ecclesiastical bodies. CHAPTER III. THE CONSTRUCTIONS THE CONSTITUTION OF 1791. I. Powers of the Central Government. II. The Creation Of Popular Democracy. III. Municipal Kingdoms. IV. On Universal Suffrage. V. The Ruling Minority. VI. Summary of the work of the Constituent Assembly. BOOK THIRD. THE APPLICATION OF THE CONSTITUTION. CHAPTER I. I. The Federations. II. Independence of the municipalities. III. Independent Assemblies. CHAPTER II. SOVEREIGNTY OF UNRESTRAINED PASSIONS. I. Old Religious Grudges II. Passion Supreme. III. Egotism of the tax-payer. IV. Cupidity of tenants. CHAPTER III. DEVELOPMENT OF THE RULING PASSION I. Attitude of the nobles. Their moderate resistance. II. Workings of the popular imagination with respect to them. III. Domiciliary visits. IV. The nobles obliged to leave the rural districts. V. Persecutions in private life. VI. Conduct of officers. VI. Conduct of the officers. VII. Emigration and its causes. VIII. Attitude of the non-juring priests. IX. General state of opinion. THE FRENCH REVOLUTION, VOLUME 2. PREFACE: BOOK FIRST. THE JACOBINS. CHAPTER I. THE ESTABLISHMENT OF THE NEW POLITICAL ORGAN. I. Principle of the revolutionary party. II. The Jacobins. III. Psychology of the Jacobin. IV. What the theory promises. CHAPTER II. THE JACOBINS I. Formation of the party. II. Spontaneous associations after July 14, 1789. III. How they view the liberty of the press. IV. Their rallying-points. V. Small number of Jacobins. BOOK SECOND. THE FIRST STAGE OF THE CONQUEST. CHAPTER I. THE JACOBINS COME INTO IN POWER. I. Their siege operations. II. Annoyances and dangers of public elections. III. The friends of order deprived of the right of free assemblage. V. Intimidation and withdrawal of the Conservatives. CHAPTER II. THE LEGISLATIVE ASSEMBLY I. Composition of the Legislative Assembly. II. Degree and quality of their intelligence and Culture. III. Aspects of their sessions. IV. The Parties. V. Their means of action. VI. Parliamentary maneuvers. CHAPTER III. POLICY OF THE ASSEMBLY I. Policy of the Assembly. State of France at the end of 1791. II. The Assembly hostile to the oppressed and favoring oppressors. III. War. IV. Secret motives of the leaders. V. Effects of the war on the common people. CHAPTER IV. THE DEPARTMENTS. I. Provence in 1792. Early supremacy of the Jacobins in Marseilles. II. The expedition to Aix. III. The Constitutionalists of Arles. IV. The Jacobins of Avignon. V. The other departments. CHAPTER V. PARIS. I. Pressure of the Assembly on the King. II. The floating and poor population of Paris. III. Its leaders. Their committee. Methods for arousing the crowd. IV. The 20th of June. CHAPTER VI. THE BIRTH OF THE TERRIBLE PARIS COMMUNE. I. Indignation of the Constitutionalists. II. Pressure on the King. III. The Girondins have worked for the benefit of the Jacobins. IV. Vain attempts of the Girondins to put it down. V. Evening of August 8. VI. Nights of August 9 and 10. VII. August 10. VIII. State of Paris in the Interregnum. BOOK THIRD. THE SECOND STAGE OF THE CONQUEST. CHAPTER I. TERROR I. Government by gangs in times of anarchy. II. The development of the ideas of killings in the mass of the party. III. Terror is their Salvation. IV. Date of the determination of this. The actors and their parts. V. Abasement and Stupor. VI. Jacobin Massacre. CHAPTER II. THE DEPARTMENTS. I. The Sovereignty of the People. II. In several departments it establishes itself in advance. III. Each Jacobin band a dictator in its own neighborhood. IV. Ordinary practices of the Jacobin dictatorship. V. The companies of traveling volunteers. VI. A tour of France in the cabinet of the Minister of the Interior. CHAPTER III. SECOND STAGE OF THE JACOBIN CONQUEST I. The second stage of the Jacobin conquest. II. The elections. III. Composition and tone of the secondary assemblies. IV. Composition of the National Convention. V. The Jacobins forming alone the Sovereign People. VI. Composition of the party. VII. The Jacobin Chieftains. CHAPTER IV. PRECARIOUS SITUATION OF THE CENTRAL GOVERNMENT. I. Jacobin advantages. II. Its parliamentary recruits. III. Physical fear and moral cowardice. IV. Jacobin victory over Girondin majority. V. Jacobin violence against the people. VI. Jacobin tactics. VII. The central Jacobin committee in power. VIII. Right or Wrong, my Country. THE FRENCH REVOLUTION, VOLUME 3. PREFACE. BOOK FIRST. THE ESTABLISHMENT OF THE REVOLUTIONARY GOVERNMENT. CHAPTER I. JACOBIN GOVERNMENT I. The despotic creed and instincts of the Jacobin. II. Jacobin Dissimulation. III. Primary Assemblies IV. The Delegates reach Paris V. Fête of August 10th VI. The Mountain. VII. Extent and Manifesto of the departmental insurrection VIII. The Reasons for the Terror. IX. Destruction of Rebel Cities X. Destruction of the Girondin party XI. Institutions of the Revolutionary Government BOOK SECOND. THE JACOBIN PROGRAM. CHAPTER I. THE JACOBIN PARTY I. The Doctrine. II. A Communist State. III. The object of the State is the regeneration of man. IV. Two distortions of the natural man. V. Equality and Inequality. VI. Conditions requisite for making a citizen. VII. Socialist projects. VIII. Indoctrination of mind and intellect. CHAPTER II. REACTIONARY CONCEPT OF THE STATE. I. Reactionary concept of the State. II. Changed minds. III. Origin and nature of the modern State. IV. The state is tempted to encroach. V. Direct common interest. VI. Indirect common interest. VII. Fabrication of social instruments. VIII. Comparison between despotisms. BOOK THIRD. THE MEN IN POWER. CHAPTER I. PSYCHOLOGY OF THE JACOBIN LEADERS. I. Marat. II. Danton. III. Robespierre. CHAPTER II. THE RULERS OF THE COUNTRY. I. The Convention. II. Its participation in crime. III. The Committee of Public Safety. IV. The Statesmen. V. Official Jacobin organs. VI. Commissars of the Revolution. VII. Brutal Instincts. IX. Vice. CHAPTER III. THE RULERS. (continued). I. The Central Government Administration. II. Subaltern Jacobins. III. A Revolutionary Committee. IV. Provincial Administration. V. Jacobins sent to the Provinces. VI. Quality of staff thus formed. VII. The Armed Forces. BOOK FOURTH. THE GOVERNED. CHAPTER I. THE OPPRESSED. I. Revolutionary Destruction. II. The Value of Notables in Society. III. The three classes of Notables. IV. The Clergy. V. The Bourgeoisie. VI. The Demi-notables. VII. Principle of socialist Equality. VIII. Rigor against the Upper Classes. IX. The Jacobin Citizen Robot. X. The Governors and the Governed. CHAPTER II. FOOD AND PROVISIONS. I. Economical Complexity of Food Chain. II. Conditions in 1793. A Lesson in Market Economics. III. Privation. IV. Hunger. V. Revolutionary Remedies. VI. Relaxation. VII. Misery at Paris. BOOK FIFTH. THE END OF THE REVOLUTIONARY GOVERNMENT. CHAPTER I. THE CONVENTION. I. The Convention. II. Re-election of the Two-thirds. III. A Directory of Regicides. IV. Public Opinon. VI. The Directory. VII. Enforcement of Pure Jacobinism. VIII. Propaganda and Foreign Conquests. IX. National Disgust. X. Contrast between Civil and Military France. THE MODERN REGIME, VOLUME 1 [NAPOLEON] PREFACE BOOK FIRST. NAPOLEON BONAPARTE. CHAPTER I. HISTORICAL IMPORTANCE OF HIS CHARACTER AND GENIUS. I. Napoleon's Past and Personality. II. The Leader and Statesman III. His acute Understanding of Others. IV. His Wonderful Memory. V. His Imagination and its Excesses. CHAPTER II. HIS IDEAS, PASSIONS AND INTELLIGENCE. I. Intense Passions. II. Will and Egoism. III. Napoleon's Dominant Passion: Power. IV. His Bad Manners. V. His Policy. VI. Fundamental Defaults of his System. BOOK SECOND. FORMATION AND CHARACTER OF THE NEW STATE. CHAPTER I. THE INSTITUTION OF GOVERNMENT I. The Institution of Government. II. Default of previous government. III. In 1799, the undertaking more difficult and the materials worse. IV. Motives for suppressing the election of local powers. V. Reasons for centralization. VI. Irreconcilable divisions. VII. Establishment of a new Dictatorship. CHAPTER II. PUBLIC POWER I. Principal service rendered by the public power. II. Abusive Government Intervention. III. The State attacks persons and property. IV. Abuse of State powers. V. Final Results of Abusive Government Intervention CHAPTER III. THE NEW GOVERNMENT ORGANIZATION. I. Precedents of the new organization. II. Doctrines of Government. III. Brilliant Statesman and Administrator. IV. Napoleon's barracks. V. Modeled after Rome. BOOK THIRD. OBJECT AND MERITS OF THE SYSTEM. CHAPTER I. RECOVERY OF SOCIAL ORDER. I. Rule as the mass want to be ruled. II. The Revolution Ends. III. Return of the Emigrés. IV. Education and Medical Care. V. Old and New. VI. Religion VII. The Confiscated Property. VIII. Public Education. CHAPTER II. TAXATION AND CONSCRIPTION. I. Distributive Justice in Allotment of Burdens and Benefits. II. Equitable Taxation. III. Formation of Honest, Efficient Tax Collectors IV. Various Taxes. V. Conscription or Professional soldiers. CHAPTER III. AMBITION AND SELF-ESTEEM. I. Rights and benefits. II. Ambitions during the Ancient Regime. III. Ambition and Selection. IV. Napoleon, Judge-Arbitrator-Ruler. IV. The Struggle for Office and Title. V. Self-esteem and a good Reputation. BOOK FOURTH. DEFECT AND EFFECTS OF THE SYSTEM. CHAPTER I. LOCAL SOCIETY. I. Human Incentives. II. Local Community. III. Essential Public Local Works. IV. Local associations. V. Local versus State authority. VI. Local Elections under the First Consul. VII. Municipal and general councillors under the Empire. VIII. Excellence of Local Government after Napoleon. CHAPTER II. LOCAL SOCIETY SINCE 1830. I. Introduction of Universal suffrage. II. Universal suffrage. III. Equity in taxation. IV. On unlimited universal suffrage. V. Rural or urban communes. VI. The larger Communes. VII. Local society in 1880. VIII. Final result in a tendency to bankruptcy. THE MODERN REGIME, VOLUME 2 PREFACE By André Chevrillon. BOOK FIFTH. THE CHURCH. CHAPTER I. MORAL INSTITUTIONS I. Napoleon's Objectives. II. Napoleon's opinions and methods. III. Dealing with the Pope. IV. The Pope, Napoleon's employee. V. State domination of all religion. VI. Napoleon Executes the Concordat. VII. System to which the regular clergy is subject. VIII. Administrative Control. IX. The Imperial Catechism X. The Council of 1811.—The Concordat of 1813. CHAPTER II. THE CATHOLIC CHURCH. I. The Catholic System. II. The Bishops and their new Situation. III. The new Bishop. IV. The subordinate clergy. CHAPTER III THE CLERGY I. The regular clergy. II. Evolution of the Catholic Church. III. The Church today. IV. Contrasting Vistas. BOOK SIXTH. PUBLIC INSTRUCTION. CHAPTER I. PUBLIC INSTRUCTION I. Public instruction and its three effects. II. Napoleon's Educational Instruments. III. Napoleon's machinery. VI. Objects and sentiments. V. Military preparation and the cult of the Emperor. CHAPTER II. I. Primary Instruction. II. Higher Education. III. On Science, Reason and Truth. IV. Napoleon's stranglehold on science. V. On Censorship under Napoleon. CHAPTER III. EVOLUTION BETWEEN 1814 AND 1890. I. Evolution of the Napoleonic machine. II. Educational monopoly of Church and State. III. Internal Vices IV. Cramming and Exams Compared to Apprenticeship V. Public instruction in 1890. VI. Summary. End of the Project Gutenberg EBook of The Origins of Contemporary France, Complete, by Hippolyte A. Taine *** END OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE *** ***** This file should be named 23524-8.txt or 23524-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/5/2/23524/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.