Saint Patrick

By Heman White Chaplin

The Project Gutenberg EBook of Saint Patrick, by Heman White Chaplin

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Saint Patrick
       1887

Author: Heman White Chaplin

Release Date: October 12, 2007 [EBook #23002]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK SAINT PATRICK ***




Produced by David Widger





SAINT PATRICK

By Heman White Chaplin

1887




I.

One of the places which they point out on Ship Street is the Italian
fruit-shop on the corner of Perry Court, before the door of which, six
years ago, Guiseppe Cavagnaro, bursting suddenly forth in pursuit of
Martin Lavezzo, stabbed him in the back, upon the sidewalk. "All two"
of them were to blame, so the witnesses said; but Cavagnaro went to
prison for fifteen years. That was the same length of time, as it
happened, that the feud had lasted.

Nearly opposite is Sarah Ward's New Albion dance-hall. It opens directly
from the street There is an orchestra of three pieces, one of which
plays in tune. That calm and collected woman whom you may see rocking in
the window, or sitting behind the bar, sewing or knitting, is not a city
missionary, come to instruct the women about her; it is Sarah Ward,
the proprietress. She knows the Bible from end to end. She was a
Sunday-school teacher once; she had a class of girls; she spoke in
prayer-meetings; she had a framed Scripture motto in her chamber, and
she took the Teachers' Lesson Quarterly; she visited the sick; she
prayed in secret for her scholars' conversion. How she came to change
her views of life nobody knows,--that is to say, not everybody knows.
And still she is honest. It is her pride that sailors are not drugged
and robbed in the New Albion.

A few doors below, and on the same side of the street, is the dance-hall
that was Bose King's-. It is here that pleasure takes on its most sordid
aspect. If you wish to see how low a white woman can fall, how coarse
and offensive a negro man can be, you will come here. There is an
inscription on the bar, in conspicuous letters,--"Welcome Home."

By day it is comparatively still in Ship Street. Women with soulless
faces loll stolidly in the open ground-floor windows. There are few
customers in the bar-rooms; here and there two or three idlers shake for
drinks. Policemen stroll listlessly about, and have little to do. But
at nightfall there is a change; the scrape of fiddles, the stamp of
boot-heels, is heard from the dance-halls. Oaths and boisterous laughter
everywhere strike the ear. Children, half-clad, run loose at eleven
o'clock. Two policemen at a corner interrogate a young man who is hot
and excited and has no hat. He admits that he saw three men run from the
alley-way and saw the sailor come staggering out after them, but he does
not know who the men were. The policemen "take him in," on suspicion.

It is here that the Day-Star Mission has planted itself. Its white flag
floats close by the spot where Martin Lavezzo fell, with the long knife
between his shoulder-blades. Its sign of welcome is in close rivalry
with the harsh strains from Sarah Ward's and the lighted stairway to
Bose King's saloon. It stands here, isolated and strange, an unbidden
guest. It is a protest, a reproof, a challenge, an uplifted finger.

But while, to a casual glance, the Day-Star Mission is all out of place,
it has, nevertheless, its following. On Monday and Thursday afternoons a
troop of black-eyed, jet-haired Portuguese women, half of whom are
named Mary Jesus, flock in to a sewing-school. On Tuesdays and Fridays
American, Scotch, and Irish women, from the tenement-houses of the
quarter, fill the settees, to learn the use of the needle, to enjoy
a little peace, and to hear reading and singing; and occasionally the
general public of the vicinity are invited to an entertainment.

It was a February afternoon; at the Mission building the board were in
monthly session. The meeting had been a spirited one. A proposition
to amend the third line of the fourth by-law, entitled "Decorum in
the Hall," by inserting the word "smoking," had been debated and had
prevailed. A proposition to buy a new mangle for the laundry had been
defeated, it having been humorously suggested that the women could
mangle each other. Other matters of interest had been considered.

Finally, as the hour for adjournment drew near, a proposition was
brought forth, appropriate to the season. Saint Patrick's Day was
approaching. It was to many a day of temptation, particularly in the
evening. Would it not be a good plan to hold out the helping hand,
in the form of a Saint Patrick's Day festival, with an address, for
example, upon Saint Patrick's life, with Irish songs and Irish readings?
Such an entertainment would draw; it would keep a good many people out
of the saloons. Such was the suggestion.

The proposition excited no little interest. Ladies who had begun to put
on their wraps sat down again. To one of the board, a clergyman, who had
lately been lecturing on "Popery the People's Peril," the proposition
was startling. It looked toward the breaking down of all barriers; it
gave Romanism an outright recognition. Another member, a produce-man,
understood,--in fact he had read in his denominational weekly,--that
Saint Patrick could be demonstrated to have been a Protestant, and
he suggested that that fact might be "brought out." Others viewed
the matter in that humorous light in which this festival day commonly
strikes the American mind.

The motion prevailed. Even the anti-papistic clergyman was comforted,
apparently, at last, for he was heard to whisper jocosely to his
left-hand neighbor: "Saint Patrick's Day in the Morning!"

A committee, with the produce-man at the head, was appointed to select a
speaker, and to provide music and reading. It was suggested that perhaps
Mr. Wakeby and Mrs. Wilson-Smith would volunteer, if urged,--their
previous charities in this direction had made them famous in the
neighborhood. Mr. Wakeby to read from "Handy Andy;" Mrs. Wilson-Smith to
sing "Kathleen Mavourneen,"--there would not be standing-room!

So finally unanimity prevailed, and with unanimity, enthusiasm.

The committee met, and the details were settled. The chairman quietly
reserved to himself, by implication, the choice of a speaker. He knew
that it would be an audience hard to hold. The occasion demanded a man
of peculiar gifts. Such a man, he said to himself, he knew.




II.

The single meeting-house of L------ stands on the main street, with its
tall spire and its two tiers of gray-blinded windows. Beside it is the
mossy burial-ground, where prim old ladies walk on Sunday afternoons,
with sprigs of sweet-william.

Across the street, and a little way down the road, is the square white
house with a hopper-roof, which an elderly, childless widow, departing
this life some forty years ago, thoughtfully left behind her for a
parsonage. It is a pleasant, home-like house, open to sun and air, and
the pleasantest of all its rooms is the minister's study. It is an upper
front chamber, with windows to the east and the south. There is nothing
in the room of any value; but whether the minister is within, or is
away and is represented only by his palm-leaf dressing-gown, somehow the
spirit of peace seems always to abide there.

There is the ancient desk, which the minister's children, when they
were little, used to call the "omnibus," by reason of a certain vast and
capacious drawer, the resort of all homeless things,--nails, wafers, the
bed-key, curtain-fixtures, carpet-tacks, and dried rhubarb. Perhaps it
was to this drawer that the minister's daughter lately referred,
when she said that the true motto was, "One place for everything, and
everything in that one place."

Over the chimney-piece hangs a great missionary map, showing the
stations of the different societies, with a key at one side. This blue
square in Persia denotes a missionary post of the American Board of
Commissioners; that red cross in India is an outpost of a Presbyterian
missionary society; this green diamond in Arrapatam marks a station of
the Free Church Missionary Union. As one looks the map over, he seems to
behold the whole missionary force at work. He sees, in imagination, Mr.
Elmer Small, from Augusta, Maine, preaching predestination to a
company of Karens, in a house of reeds, and the Rev. Geo. T. Wood, from
Massachusetts, teaching Paley in Roberts College at Constantinople.

Thus the whole Christian world lies open before you.

Pinned up on one of the doors is the Pauline Chart. Have you never seen
the Pauline Chart? It was prepared in colored inks, by Mr. Parker, a
theological student with a turn for penmanship, and lithographed,
and was sold by him to eke out the avails of what are inaptly termed
"supplies." You would find it exceedingly convenient. It shows in a
tabulated form, for ready reference, the incidents of Saint Paul's
career, arranged chronologically. Thus you can find at a glance the
visit to Berea, the stoning at Lystra, or the tumult at Ephesus. Its
usefulness is obvious. Over the desk is a map of the Holy Land, with
mountain elevations.

The walls of the room are for the most part hidden by books. The shelves
are simple affairs of stained maple, covered heavily with successive
coats of varnish, cracked, as is that of the desk, by age and heat. The
contents are varied. Of religious works there are the Septuagint, in two
fat little blue volumes, like Roman candles; Conant's Genesis; Hodge
on Romans; Hackett on Acts, which the minister's small children used
to spell out as "Jacket on Acts;" Knott on the Fallacies of the
Antinomians; A Tour in Syria; Dr. Grant and the Mountain Nestorians, and
six Hebrew Lexicons, singed by fire,--a paternal inheritance.

There are a good many works, too, of general literature, but rather
oddly selected, as will happen where one makes up his library chiefly by
writing book-notices: Peter Bayne's Essays; Coleridge; the first
volume of Masson's Life of Milton; Vanity Fair; the Dutch Republic; the
Plurality of Worlds; and Mommsen's Rome. That very attractive book in
red you need not take down; it is only the history of Norwalk, Conn.,
with the residence of J. T. Wales, Esq., for a frontispiece; the cover
is all there is to it. Finally, there are two shelves of Patent Office
Reports, and Perry's Expedition to Japan with a panoramic view of Yeddo.
This shows that the minister has numbered a congressman among his flock.

It is here that Dr. Parsons is diligently engaged, this cold March
afternoon, to the music of his crackling air-tight stove. He is deeply
absorbed in his task, and we may peep in and not disturb him. He has a
large number of books spread out before him; but looking them over, we
miss Lange's Commentaries, Bengel's Gnomon, Cobb on Galatians,--those
safe and sound authorities always provided with the correct view.

The books which lie before the Doctor seem all to, deal with a Romish
Saint, and, of all the saints in the world, Saint Patrick. In full sight
of his own steeple, from which the bell is even now counting out
the sixty-nine years of a good brother just passed away in hope of a
Protestant heaven,--tolling out the years for the village housewives,
who pause and count; under such hallowing influences,--beneath, as it
were, the very shadow of the Missionary Map and the Pauline Chart, and
with a gray Jordan rushing down through a scarlet Palestine directly
before him, suggestive of all good things; with Knott on the Fallacies
at his right hand, and with Dowling on Romanism on his left, the Doctor
is actually absorbed in Papistical literature. Here are the works of Dr.
Lanigan and Father Colgan and Monseigneur Moran. Here is the "Life and
Legends of Saint Patrick," illustrated, with a portrait in gilt of
Brian Boru on the cover. Here are the Tripartite Life, in Latin, and the
saint's Confession, and the Epistle to Co-roticus, the Ossianic Poems,
and Miss Cusack's magnificent quarto, which the Doctor has borrowed from
the friendly priest at the factory village four miles away, who borrowed
it from the library of the Bishop to lend to him.

Perhaps you have never undertaken to prepare a life of Saint Patrick.
If so, you have no idea of the difficulties of the task. In the first
place, you must settle the question whether Saint Patrick ever existed.
And this is a disputed point; for while there are those, like Father
Colgan, whose clear faith accepts Saint Patrick just as he stands in
history and tradition, yet, on the other hand, there are sceptics, like
Ledwick, who contend that the saint is nothing but a prehistoric myth,
floating about in the imagination of the Irish people.

Having settled to your satisfaction that Patrick really lived, you
must next proceed to fix the date of his birth; and here you enter upon
complicated calculations. You will probably decide to settle first, as a
starting-point, the date of the saint's escape from captivity; and to
do this you will have to reconcile the fact that after the captivity he
paid a friendly visit to his kinsman, Saint Martin of Tours, who died in
397, with the fact that he was not captured until 400.

Next you will come to the matter of the saint's birthplace; and this is
a delicate question, for you will have to decide between the claims of
Ireland, of Scotland, and of France; and you will very probably find
yourself finally driven to the conclusion--for the evidence points that
way--that Saint Patrick was a Frenchman.

Next comes the question of the saint's length of days; and if you
attempt to include only the incidents of his life of which there can be
no possible doubt, you will stretch his age on until you will probably
fix it at one hundred and twenty years.

But when you have settled the existence, the date of birth, and the
nationality of Saint Pat-rick, you are still only upon the threshold
of your inquiries; for you next find before you for examination a vast
variety of miracles, accredited to him, which you must examine, weeding
out such as are puerile and are manifestly not well established, and
retaining such as are proved to your satisfaction. You will be struck
at once with the novel and interesting character of some of them. Prince
Caradoc was changed into a wolf. An Irish magician who opposed the saint
was swallowed by the earth as far as his ears, and then, on repentance,
was instantly cast forth and set free. An Irish pagan, dead and long
buried, talked freely with the saint from out his turf-covered grave,
and charitably explained where a certain cross belonged which had been
set by mistake over him. The saint was captured once, and was exchanged
for a kettle, which thenceforth froze water over the fire instead of
boiling it, until the saint was sent back and the kettle returned.
Ruain, son of Cucnamha, Amhalgaidh's charioteer, was blind. He went in
haste to meet Saint Patrick, to be healed. Mignag laughed at him. "My
troth," said Patrick, "it would be fit that you were the blind one." The
blind man was healed and the seeing one was made blind; Roi-Ruain is the
name of the place where this was done. Patrick's charioteer was looking
for his horses in the dark, and could not find them; Patrick lifted up
his hand; his five fingers illuminated the place like five torches, and
the horses were found.

You see that one has a good deal to go through who undertakes to prepare
a life of Saint Patrick.

But our thoughts have wandered from Dr. Parsons. He has gathered the
books before him with great pains, from public and private libraries,
and he religiously meant to make an exhaustive study of them all; but
sermons and parish calls and funerals, and that little affair of
Mrs. Samuel Nute, have forced him, by a process of which we all know
something, to forego his projected subsoil ploughing and make such hasty
preparation as he can.

He has read the Confession and the Epistle to Coroticus, and he has
glanced over the "Life and Legends," reading in a cursory way of the
leper's miraculous voyage; of the fantastic snow; of the tombstone that
sailed the seas; of the two trout that Patrick left to live forever in a
well,--

     "The two inseparable trout,
     Which would advance against perpetual streams,
     Without obligation, without transgression--
     Angels will be along with them in it."

And being very fond of pure water himself, the Doctor is touched by
Patrick's lament when far away from the well Uaran-gar:--

     "Uaran-gar, Uaran-gar!
     O well, which I have loved, which loved me!
     Alas! my cry, O my dear God,
     That my drink is not from the pure well of Uaran-gar!"

But finally he has settled down, as most casual students will, to the
sincere and charming little sketch by William Bullen Morris,--"Saint
Patrick, the Apostle of Ireland." He is reading it now by the east
window, holding the book at arm's-length, as is his wont.

The theme is new to him. There opens up a fresh and interesting field.
The dedication of the little book strikes his imagination: "To the
Members of the Confraternity of Saint Patrick, established at the London
Oratory, who, with the children of the saint in many lands, are the
enduring witnesses of the faith which seeth Him who is invisible."

He is interested in the motto on the title-page,--"_En un mot, on y voit
beaucoup le caractère de S. Paul_," and in the authorization,--"_Nihil
obstat_. E. S. Keagh, Cong. Orat." "_Imprimatur_, + Henricus Eduardus,
Card."

The Doctor looks through the book in order. First, the introduction; and
here he considers the questions--First, was there in fact such a man
as Saint Patrick? Second, what was his nationality? Third, when was he
born: and, herein, does the date of his escape from captivity conflict
with the date of his visit to his kinsman, Saint Martin of Tours?
Fourth, to what age did he live? Fifth, where and by whom was he
converted? Sixth, are his miracles authentic? and so forth.

After this introductory study the book takes up the saint's life in
connected order. Patrick was the son of a Roman decurio. From his
earliest days wonders attended him. When he was an infant, and was
about to be baptized, it happened that no water was to be had for the
sacrament; whereupon, at the sign of the cross, made by the priest
with the infant's hand upon the earth, a fountain gushed forth from the
ground, and the priest, who was blind, anointing his own eyes with the
water, received his sight.

As Patrick grew older, wonders multiplied. He came as an apostle of the
faith to Strangford Lough. Dichu, the prince of that province, forewarned
by the Druids, raised his sword at Patrick; but instantly his hand was
fixed in the air, as if carved of stone; then light came to Dichu's
soul, and from a foe he became a loving disciple.

Then comes the story of the fast upon the mountain. It was on the height
ever since called Cruachan Patrick, which looks to the north upon
Clew Bay, and to the west on the waters of the Atlantic. It was Shrove
Saturday, a year and a little more from the apostle's first landing
in Ireland. Already he had carried the gospel from the eastern to the
western sea. But his spirit longed for the souls of the whole Irish
nation. Upon the mountain he knelt in prayer, and as he prayed, his
faith and his demands assumed gigantic proportions. An angel came down
and addressed him. God could not grant his requests, the message ran,
they were too great. "Is that his decision?" asked Patrick. "It is,"
said the angel. "It may be his," said Patrick, "it is not mine; for my
decision is not to leave this cruachan until my demands are granted."

The angel departed. For forty days and forty nights Patrick fasted and
prayed amid sore temptations. The blessing must fall upon all his poor
people of Erin. As he prayed, he wept, and his cowl was drenched with
his tears.

At last the angel returned and proposed a compromise. The vast Atlantic
lay before them. Patrick might have as many souls as would cover its
expanse as far as his eyes could reach. But he was not satisfied with
that; his eyes, he said, could not reach very far over those heaving
waters; he must have, in addition, a multitude vast enough to cover the
land that lay between him and the sea. The angel yielded, and now bade
him leave the mountain. But Patrick would not. "I have been tormented,"
he said, "and I must be gratified; and unless my prayers are granted
I will not leave this cruachan while I live; and after my death there
shall be here a care-taker for me."

The angel departed. Patrick went to his offering.

At evening the angel returned. "How am I answered?" asked Patrick.
"Thus," said the angel: "all creatures, visible and invisible, including
the Twelve Apostles, have entreated for thee,--and they have obtained.
Strike thy bell and fall upon thy knees: for the blessing shall be on
all Erin, both living and dead." "A blessing on the bountiful King that
hath given," said Patrick; "now will I leave the cruachan."

It was on Holy Thursday that he came down from the mountain and returned
to his people.




III.

One afternoon at about this time you might have seen Mr. Cole,
the missionary of the Day-Star,--a small, lithe man, with a red
beard,--making his way up town. He walked rapidly, as he always did, for
he was a busy man.

He was an exceedingly busy man. During the past year, as was shown by
his printed report, he had made 2,014 calls, or five and one-half
calls a day; he had read the Scriptures in families 792 times; he had
distributed 931,456 pages of religious literature; he had conversed on
religious topics with 3,918 persons, or ten and seven-tenths persons per
day, Sabbaths included. It was perhaps because he was so busy that there
was complaint sometimes that he mixed matters and took things upon his
shoulders which belonged to others.

Mr. Cole's rapid pace soon brought him to a broad and pleasant
cross-street; he went up the high steps of one of the houses, rang the
bell, and was admitted.

Rev. Mr. Martin was in his study, and the missionary was shown up.
Precisely what the conversation was has not been reported; but certain
it is that the next day after Mr. Cole's call, Mr. Martin began to
prepare himself for an address upon the life of Saint Patrick. It was an
entirely new topic to him; but he soon found himself in the full current
of the stream, considering--First, did such a man really exist, or is
Saint Patrick a mere myth, floating in the imagination of the Irish
people? Second, what was his nationality? Third, where was he born, and,
herein, how are we to reconcile his escape from captivity in 493, with
his visit to his kinsman, Saint Martin of Tours, after his escape from
captivity, in 490? Fourth, to what age did he live? Fifth,--and so
forth.

Mr. Martin had begun his labors by taking down his encyclopaedia and
such books of reference as he had thought could help him, and had
succeeded so far as to get an outline of the saint's life, and to
find mention of several works which treated of this topic. There were
Montalembert's "Monks of the West," and Dr. O'Donovan's "Annals of the
Four Masters," the works of Monseigneur Moran and Father Colgan, the
Tripartite Life, and a certain "magnificent quarto" by Miss Cusack. All
these and many more he had hoped to find in the different libraries of
the city. But great had been his surprise, on visiting the libraries,
to find that the books he wanted were invariably out. It was a little
startling, at first, to come upon this footprint in the sand; but a
little reflection set the feeling at rest. The subject was an odd one
to him, to be sure, but there were thousands of people in the city who
might very naturally be concerned in it, particularly at this time, when
Saint Patrick's Day was approaching. None the less the fact remained
that the books he wanted--scattered through two or three libraries--were
always out.

As he stepped out from the Free Library into the street, it occurred
to him to go to a Catholic bookstore near at hand to look for what he
wanted.

It was a large, showy shop, with Virgins and crucifixes and altar
candelabra's in the windows, and pictures of bleeding hearts. He went in
and stood at the counter. A rosy-faced servant-girl, with a shy, pleased
expression, was making choice of a rosary. A young priest, a few steps
away, was looking at an image of Saint Joseph.

The salesman left the servant-girl to her hesitating choice, and turned
to Mr. Martin.

"What have you," asked Mr. Martin, with a slightly conscious tone, "upon
the life of Saint Patrick?"

The priest turned and looked; but the salesman, with an unmoved
countenance, went to the shelves and selected two volumes and laid
them in silence on the counter. One was the "Life and Legends of Saint
Patrick" with a picture in gilt of Brian Boru on the cover. The other
was "Saint Patrick, the Apostle of Ireland," by William Bullen Morris,
Priest of the Oratory. They were both green-covered.

Early in the evening Mr. Martin settled down by his study fire to his
new purchases. First he took up the "Life and Legends." He read the
saint's own Confession, and the Letter to Co-roticus, and looked through
the translation of the Tripartite Life, with its queer mixture of Latin
and English: "Prima feria venit Patricius ad Talleriam, where the regal
assembly was, to Cairpre, the son of Niall." "Interrogat autem Patricius
qua causa venit Conall, and Conall related the reason to Patrick."

He glanced over the miracles and wonders of which this book was full.
But before very long he laid it aside and took up the Life by William
Bullen Morris, Priest of the Oratory, and decided that he must depend
upon that for his preparation.

It was late at night. It was full time to stop reading; but it laid
strong hold of his imagination,--this strange, intense, and humorous
figure, looming up all new to him from the mists of the past. He read
the book to the end; he read how the good Saint Bridget foretold the
apostle's death; how two provinces contended for his remains, and how a
light shone over his burial-place after he was laid to rest.

It was very late when Mr. Martin finished the book and laid it down.

Thus it happens that the Rev. Dr. Parsons and the Rev. Mr. Martin are
both preparing themselves at the same time on the life of Saint Patrick,
from this one brief book by William Bullen Morris, Priest of the
Oratory.




IV.

Saint Patrick's Day has come and is now fast waning. The sun has sunk
behind the chimney-stack of the New Albion dance-hall; the street lamps
are lighted and are faintly contending against the dull glow of the late
afternoon.

There is a lull between day and evening. All day there has been a stir
in the city. There has been a procession in green sashes, with harps on
the banners,--a long procession, in barouches, on horseback, and afoot.
There have been impassioned addresses before the Hibernian Society and
the Saint Peter's Young Men's Irish Catholic Benevolent Association.
There has been more or less celebration in Ship Street.

The evening advances. It is seven o'clock. Strains of invitation issue
from all the dance-halls. Already the people have begun to file in to
the Day-Star Mission. The audience-room is on the street floor. The
missionary stands at the open door, with anxious smiles, urging decorum.
A knot of idlers on each side of the doorway, on the sidewalk, comment
freely on him and on those who enter. Every moment or two a policeman
forces them back.

At a quarter of seven a preliminary praise-meeting begins. Singing from
within jars against the fiddling from over the way. You hear at once
"Come to Jesus just now!" and "Old Dan Tucker."

Already the seats are filled,--eight in a settee; those who come
now will have to stand. Still, people continue to file in: laborers,
Portuguese sewing-women, two or three firemen in long-tailed coats
and silver buttons, from Hook and Ladder Six, in the next block;
gross-looking women, _habitués_ of the Mission, with children; women
who are _habitués_ of no mission; prosperous saloon-keepers; one of the
councilmen of the ward,--he is a saloon-keeper too.

Dr. Parsons's train brought him to town in good season. He passed in
with other invited guests at the private door, and he has been upon the
platform for ten minutes. His daughter is beside him; ten or a dozen of
his parishioners, who have come too, occupy seats directly in front.

The platform seats are nearly all taken; it is time to begin. The
street-door opens and a passage is made for a new-comer. It is Mr.
Martin. A contingent from his church come with him and fill the few
chairs that are still reserved about the desk.

Now all would appear to be ready; but there is still a few moments'
pause. The missionary is probably completing some preliminary
arrangements. The audience sit in stolid expectation.

Dr. Parsons, from beneath his eyebrows, is studying the faces before
him. In this short time his address has entirely changed form in his
mind. It was simple as he had planned it; it must be simpler yet But he
has felt the pulse of the people before him. He feels that he can hold
them, that he can stir them.

Meanwhile a whispered colloquy is going on, at the rear of the platform,
between the missionary and the chairman of the committee for the
evening. The missionary appears to be explanatory and apologetic,
the chairman flushed. In a moment a hand is placed on Dr. Parsons's
shoulder. He starts, half rises, and turns abruptly.

There has been, it seems, an unfortunate misunderstanding. Through some
mistake Mr. Martin has been asked to make the address upon the life
of Saint Patrick, and has prepared himself with care. He is one of
the Mission's most influential friends; his church is among its chief
benefactors. It is an exceedingly painful affair; but will Dr. Parsons
give way to Mr. Martin?

So it is all over. The Doctor takes his seat and looks out again upon
those hard, dreary faces,--his no longer. He has not realized until
now how he has been looking forward to this evening. But the vision has
fled. No ripples of uncouth laughter, no ready tears. No reaching these
dull, violated hearts through the Saint whom they adore: that privilege
is another's.

But the chairman again draws near. Will Dr. Parsons make the opening
prayer?

The Doctor bows assent. He folds his arms and closes his eyes. You can
see that he is trying to concentrate his thoughts in preparation for
prayer. It is doubtless hard to divert them from the swift channel in
which they have been bounding along.

Now all is ready. The missionary touches a bell, the signal for silence.

The Doctor rises. For a moment he stands looking over the rows on rows
of hardened faces,--looking on those whom he has so longed to reach. He
raises his hand; there is a dead silence, and he begins.

It was inevitable, at the outset, that he should refer to the occasion
which had brought us together. It was natural to recall that we were
come to celebrate the birth of an uncommon man. It was natural to
suggest that he was no creature of story or ancient legend, floating
about in the imagination of an ignorant people, but a real man like
us, of flesh and blood. It was natural to add that he was a man born
centuries ago; that the scene of his labors was the green island across
the sea, where many of us now present had first seen the light. It was
natural to give thanks for that godly life which had led three nations
to claim the good man's birthplace. It was natural to suggest that
if about the sweet memories of this man's life fancy had fondly woven
countless legends, we might, with a discerning eye, read in them all
the saintly power of the man of God. What though his infant hand may
not have caused earthly waters to gush from the ground and heal the
blindness of the ministering priest, nevertheless doth childhood ever
call forth a well-spring of life, giving fresh sight to the blind,--to
teacher and taught.

But why go on? Who has not heard, again and again, the old-fashioned
prayer wherein all is laid forth, in outline, but with distinctness! We
give thanks for this. May this be impressed upon our hearts. May this
lead us solemnly to reflect.

The heart that is full must overflow,--if not in one way, then in
another.

Mr. Martin has not been told about Dr. Parsons. He sits and listens as
the Doctor goes on in the innocence of his heart, pouring forth with
warmth and fervor the life of the saint according to William Bullen
Morris, Priest of the Oratory,--pouring forth in unmistakable detail Mr.
Martin's projected discourse.

The prayer is ended; a hymn is sung, and then the missionary presents
to the audience the Rev. Mr. Martin, whom they are always delighted to
hear; he will now address them upon the life of Saint Patrick.

Mr. Martin rises. He takes a sip of water. He coughs slightly. He passes
his handkerchief across his lips. So far all is well. But the prayer is
in his mind. Moreover, he unfortunately catches his wife's eye, with a
suggestion of suppressed merriment in it.

What does he say? What can he say? There are certain vague lessons from
the saint's virtues; some applications of what the Doctor has set forth;
that is all. Saint Patrick was sober; we should be sober. Saint Patrick
was kind; we should be kind.

Even his own parishioners admitted that he had not been "happy" on this
particular occasion.

But at the close of the meeting Dr. Parsons received a compliment. As
he descended from the platform, Mr. John Keenan, who kept the
best-appointed bar-room on the street, advanced to meet him. Mr. Keenan
was in an exceedingly happy frame of mind. He grasped the Doctor's hand.
"I wish, sir," he said, with a fine brogue, "to congratulate you upon
your very eloquent prayer. It remind me, sir,--and I take pleasure to
say it,--it remind me, sir, of the Honorable John Kelly's noble oration
on Daniel O'Connell."

Late that evening the Doctor stood at his study-window, looking out for
a moment before retiring to rest. There was no light in the room, and
the maps and the charts and the tall book-shelves were only outlines.
There was a glimmer from a farm-house two miles away, where they were
watching with the dead.

The Doctor's daughter came in with a light in her hand to bid her father
good-night.

"What did you think, Pauline," he said to her, "of Mr. Martin's talk?"
It had not been mentioned till now.

Pauline hardly knew what to think. She knew that it was not what the
Rev. Dr. Parsons would have given them! But, honestly, what did her
father think of it?

The Doctor mused for a moment; then he gave his judgment. "I think," he
said, "that it showed a certain lack of preparation."





End of the Project Gutenberg EBook of Saint Patrick, by Heman White Chaplin

*** END OF THIS PROJECT GUTENBERG EBOOK SAINT PATRICK ***

***** This file should be named 23002-8.txt or 23002-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/3/0/0/23002/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.