The Project Gutenberg EBook of Quotes and Images From The Works of Gilbert Parker, by Gilbert Parker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Quotes and Images From The Works of Gilbert Parker Author: Gilbert Parker Edited and Arranged by David Widger Release Date: August 27, 2004 [EBook #7553] [Last updated on February 19, 2007] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM PARKER *** Produced by David Widger QUOTES AND IMAGES FROM THE WORKS OF GILBERT PARKER THE WORKS OF GILBERT PARKER A human life he held to be a trifle in the big sum of time A heart-break for that kind is their salvation A man may be forgiven for a sin, but the effect remains A look too bright for joy, too intense for despair A sort of chuckle not entirely pleasant A man you could bank on, and draw your interest reg'lar A left-handed boy is all right in the world A cloak of words to cover up the real thought behind Aboriginal in all of us, who must have a sign for an emotion Aboriginal dispersion Adaptability was his greatest weapon in life Advantage to live where nothing was required of her but truth After which comes steady happiness or the devil to pay (wedding) Agony in thinking about the things we're never going to do Ah, let it be soon! Ah, let him die soon! Air of certainty and universal comprehension All humour in him had a strain of the sardonic All genius is at once a blessing or a curse All the world's mad but thee and me All men are worse than most women All is fair where all is foul All he has to do is to be vague, and look prodigious (Scientist) All are hurt some time Always hoping the best from the worst of us Always calling to something, for something outside ourselves An inner sorrow is a consuming fire And even envy praised her Anger was the least injurious of all grounds for separation Answered, with the indifference of despair Antipathy of the lesser to the greater nature Antipathy of the man in the wrong to the man in the right As if our penalties were only paid by ourselves! At first--and at the last--he was kind Ate some coffee-beans and drank some cold water Audience that patronisingly listens outside a room or window Awkward for your friends and gratifying to your enemies Babbling covers a lot of secrets Bad turns good sometimes, when you know the how Begin to see how near good is to evil Beginning of a lifetime of experience, comedy, and tragedy Being tired you can sleep, and in sleep you can forget Being generous with other people's money Being young, she exaggerated the importance of the event Being a man of very few ideas, he cherished those he had Beneath it all there was a little touch of ridicule Boldness without rashness, and hope without vain thinking But I don't think it is worth doing twice But to pay the vulgar penalty of prison--ah! But a wounded spirit who can bear But the years go on, and friends have an end Came of a race who set great store by mothers and grandmothers Carrying with him the warm atmosphere of a good woman's love Cherish any alleviating lie Clever men are trying Cling to beliefs long after conviction has been shattered Confidence in a weak world gets unearned profit often Conquest not important enough to satisfy ambition Counsel of the overwise to go jolting through the soul Courage which awaits the worst the world can do Courage; without which, men are as the standing straw Credulity, easily transmutable into superstition Damnable propinquity Dangerous man, as all enthusiasts are Death is not the worst of evils Death is a magnificent ally; it untangles knots Delicate revenge which hath its hour with every man Did not let him think that she was giving up anything for him Do what you feel you've got to do, and never mind what happens Does any human being know what he can bear of temptation Don't go at a fence till you're sure of your seat Don't be a bigger fool than there's any need to be Don't be too honest Down in her heart, loves to be mastered Duplicity, for which she might never have to ask forgiveness Each of us will prove himself a fool given perfect opportunity Egotism with which all are diseased Egregious egotism of young love there are only two identities Engrossed more, it seemed, in the malady than in the man Enjoy his own generosity Even bad company's better than no company at all Every true woman is a mother, though she have no child Every man should have laws of his own Every shot that kills ricochets Evil is half-accidental, half-natural Face flushed with a sort of pleasurable defiance Fascinating colour which makes evil appear to be good Fear a woman are when she hates, and when she loves Fear of one's own wife is the worst fear in the world Flood came which sweeps away the rust that gathers in the eyes Follow me; if I retreat, kill me; if I fall, avenge me For a man having work to do, woman, lovely woman, is rocks Freedom is the first essential of the artistic mind Frenchman, volatile, moody, chivalrous, unreasonable Frenchman, slave of ideas, the victim of sentiment Friendship means a giving and a getting Futility of goodness, the futility of all Future of those who will not see, because to see is to suffer Good fathers think they have good daughters Good is often an occasion more than a condition Good thing for a man himself to be owed kindness Grove of pines to give a sense of warmth in winter Grow more intense, more convinced, more thorough, as they talk Had the luck together, all kinds and all weathers Had the slight flavour of the superior and the paternal Had got unreasonably old Have not we all something to hide--with or without shame? Have you ever felt the hand of your own child in yours He had neither self-consciousness nor fear He admired, yet he wished to be admired He hated irony in anyone else He was not always sorry when his teasing hurt He felt things, he did not study them He was in fact not a philosopher, but a sentimentalist He had only made of his wife an incident in his life He didn't always side with the majority He does not love Pierre; but he does not pretend to love him He was strong enough to admit ignorance He has wheeled his nuptial bed into the street He had had acquaintances, but never friendships, and never loves He had no instinct for vice in the name of amusement He left his fellow-citizens very much alone He never saw an insult unless he intended to avenge it He had tasted freedom; he was near to license He borrowed no trouble He wishes to be rude to some one, and is disappointed He's a barber-shop philosopher Heaven where wives without number awaited him Her sight was bounded by the little field where she strayed Her voice had the steadiness of despair Her stronger soul ruled him without his knowledge Her own suffering always set her laughing at herself Highsterics, they call it His courtesy was not on the same expansive level as his vanity His duties were many, or he made them so His gift for lying was inexpressible Honesty was a thing he greatly desired--in others How little we can know to-day what we shall feel tomorrow How can one force one's heart? No, no! One has to wait How many sons have ever added to their father's fame? How many conquests have been made in the name of God How can you judge the facts if you don't know the feeling? Hugging the chain of denial to his bosom Hunger for happiness is robbery I love that love in which I married him I was never good at catechism I said I was not falling in love--I am in love I am only myself when I am drunk I have a good memory for forgetting I don't wish to fit in; things must fit me I like when I like, and I like a lot when I like I always did what was wrong, and liked it--nearly always I should remember to forget it I don't believe in walking just for the sake of walking I don't think. I'm old enough to know I can't pay you for your kindness to me, and I don't want to I had to listen to him, and he had to pay me for listening I was born insolent I--couldn't help it If you have a good thought, act on it If one remembers, why should the other forget If women hadn't memory, she answered, they wouldn't have much If fumbling human fingers do not meddle with it Illusive hopes and irresponsible deceptions Imagination is at the root of much that passes for love Importunity with discretion was his motto In all secrets there is a kind of guilt In her heart she never can defy the world as does a man Inclined to resent his own insignificance Instinct for detecting veracity, having practised on both sides Interfere with people who had a trade and didn't understand it Irishmen have gifts for only two things--words and women Is the habit of good living mere habit and mere acting It is hard to be polite to cowards It is not Justice that fills the gaols, but Law It is not the broken heart that kills, but broken pride It is good to live, isn't it? It is difficult to be idle--and important too It is not much to kill or to die--that is in the game It isn't what they do, it's what they don't do It ain't for us to say what we're goin' to be, not always It is easy to repent when our pleasures have palled It's the people who try to be clever who never are It's no good simply going--you've got to go somewhere Jews everywhere treated worse than the Chinaman Joy of a confessional which relieves the sick heart Kissed her twice on the cheek--the first time in fifteen years Knew the lie of silence to be as evil as the lie of speech Knew when to shut his eyes, and when to keep them open Know how bad are you, and doesn't mind Knowing that his face would never be turned from me Lacks a balance-wheel. He has brains, but not enough Law. It is expensive whether you win or lose Learned what fools we mortals be Learned, as we all must learn, that we live our dark hour alone Let others ride to glory, I'll shoe their horses for the gallop Liars all men may be, but that's wid wimmin or landlords Life is only futile to the futile Lighted candles in hollowed pumpkins Likenesses between the perfectly human and the perfectly animal Lilt of existence lulling to sleep wisdom and tried experience Liquor makes me human Live and let live is doing good Lonely we come into the world, and lonely we go out of it Longed to touch, oftener than they did, the hands of children Lose their heads, and be so absurdly earnest Love can outlive slander Love, too, is a game, and needs playing Love knows not distance; it hath no continent Love has nothing to do with ugliness or beauty, or fortune Lyrical in his enthusiasms Man who tells the story in a new way, that is genius Man grows old only by what he suffers, and what he forgives Man or woman must not expect too much out of life May be more beautiful in uncertain England than anywhere else Meditation is the enemy of action Memory is man's greatest friend and worst enemy Men and women are unwittingly their own executioners Men feel surer of women than women feel of men Men do not steal up here: that is the unpardonable crime Men must have their bad hours alone Men are like dogs--they worship him who beats them Men are shy with each other where their emotions are in play Miseries of this world are caused by forcing issues Missed being a genius by an inch Monotonously intelligent More idle than wicked Most honest thing I ever heard, but it's not the most truthful Most important lessons of life--never to quarrel with a woman Mothers always forgive My excuses were making bad infernally worse Mystery is dear to a woman's heart Nature twists in back, or anywhere, gets a twist in's brain too Nervous legs at a gallop Never believed that when man or woman said no that no was meant Never looked to get an immense amount of happiness out of life Never to be content with superficial reasons and the obvious Never give up your soul to things only, keep it for people No note of praise could be pitched too high for Elizabeth No, I'm not good--I'm only beautiful No news--no trouble No virtue in not falling, when you're not tempted No past that is hidden has ever been a happy past No man so simply sincere, or so extraordinarily prejudiced Noise is not battle Not good to have one thing in the head all the time Not content to do even the smallest thing ill Not to show surprise at anything Nothing so good as courage, nothing so base as the shifting eye Nothing is futile that is right Nothing so popular for the moment as the fall of a favourite Of those who hypnotize themselves, who glow with self-creation Of course I've hated, or I wouldn't be worth a button Often called an invention of the devil (Violin) Often, we would rather be hurt than hurt One does the work and another gets paid One always buys back the past at a tremendous price One doesn't choose to worry One favour is always the promise of another Only the supremely wise or the deeply ignorant who never alter Oriental would think not less of him for dissimulation Paradoxes which make for laughter--and for tears Passion to forget themselves Pathetically in earnest People who are clever never think of trying to be Philosophers are often stupid in human affairs Philosophy which could separate the petty from the prodigious Political virtue goes unrewarded Prepared for a kiss this hour and a reproach the next Preserved a marked unconsciousness Protest that it is right when it knows that it is wrong Put the matter on your own hearthstone Queer that things which hurt most can't be punished by law Rack of secrecy, the cruelest inquisition of life Reading a lot and forgetting everything Reconciling the preacher and the sinner, as many another has Religion to him was a dull recreation invented chiefly for women Remember the sorrow of thine own wife Remember your own sins before you charge others Rewarded for its mistakes Romance is an incident to a man Sacrifice to the god of the pin-hole Sardonic pleasure in the miseries of the world Saw how futile was much competition Saying uncomfortable things in a deferential way Scoundrel, too weak to face the consequences of his sin Secret of life: to keep your own commandments Self-will, self-pride, and self-righteousness were big in him She lacked sense a little and sensitiveness much She was not to be forced to answer his arguments directly She knew what to say and what to leave unsaid She was beginning to understand that evil is not absolute She valued what others found useless She wasn't young, but she seemed so She had not suffered that sickness, social artifice She had provoked love, but had never given it She had never stooped to conquer Should not make our own personal experience a law unto the world Shure, if we could always be 'about the same,' we'd do Simply to have death renewed every morning Slander ever scorches where it touches Slow-footed hours wandered by, leaving apathy in their train Smiling was part of his equipment So say your prayers, believe all you can, don't ask questions Solitude fixes our hearts immovably on things Some people are rough with the poor--and proud Some wise men are fools, one way or another Some are hurt in one way and some in another Sometimes the longest way round is the shortest way home Soul tortured through different degrees of misunderstanding Spurting out little geysers of other people's cheap wisdom Still the end of your existence, I rejoined--to be amused? Strike first and heal after--"a kick and a lick" Struggle of conscience and expediency Surely she might weep a little for herself Suspicion, the bane of sick old age Sympathy, with curiousness in their eyes and as much inhumanity Sympathy and consolation might be much misplaced Thanked him in her heart for the things he had left unsaid That anxious civility which beauty can inspire That iceberg which most mourners carry in their breasts That he will find the room empty where I am not The Government cherish the Injin much in these days The Injin speaks the truth, perhaps--eye of red man multiplies The blind tyranny of the just The soul of goodness in things evil The higher we go the faster we live The gods made last to humble the pride of men--there was rum The world never welcomes its deserters The furious music of death and war was over The tender care of a woman--than many pharmacopoeias The beginning of the end of things was come for him The ravings of a sick man are not always counted ravings The friendship of man is like the shade of the acacia The sea is a great breeder of friendship The vague pain of suffered indifference The soul is a great traveller The happy scene of the play before the villain comes in The threshold of an acknowledged love The Barracks of the Free The real business of life is trying to understand each other The world is not so bad as is claimed for it The temerity and nonchalance of despair There is nothing so tragic as the formal There are things we repent of which cannot be repaired There is something humiliating in even an undeserved injury There should be written the one word, "Wait" There is no refuge from memory and remorse in this world There was never a grey wind but there's a greyer There is no influence like the influence of habit There is no habit so powerful as the habit of care of others There's no credit in not doing what you don't want to do These little pieces of art make life possible They think that if a vote's worth having it's worth paying for They whose tragedy lies in the capacity to suffer greatly Things in life git stronger than we are Things that once charmed charm less Think with the minds of twelve men, and the heart of one woman Think that a woman gives the heart for pleasant weather only? Think of our position Thou wouldst not think how ill all's here about my heart Time when she should and when she should not be wooed Time is the test, and Time will have its way with me Time a woman most yearns for a man is when she has refused him To die without whining To be popular is not necessarily to be contemptible To sorrow may their humour be a foil To-morrow is no man's gift Touch of the fantastic, of the barbaric, in all genius Training in the charms of superficiality Tricks played by Fact to discredit the imagination Triumph of Oriental duplicity over Western civilisation Truth waits long, but whips hard Tyranny of the little man, given a power Undisciplined generosity Untamed by the normal restraints of a happy married life Uses up your misery and makes you tired (Work) Vanity is the bane of mankind Vanity of successful labour Vanity; and from this much feminine hatred springs Very severe on those who do not pretend to be good Visions of the artistic temperament--delight and curse War is cruelty, and none can make it gentle Was not civilisation a mistake We don't live in months and years, but just in minutes We want to get more out of life than there really is in it We want every land to do as we do; and we want to make 'em do it We grow away from people against our will We are only children till we begin to make our dreams our life We care so little for real justice We do what we forbid ourselves to do We suffer the shames we damn in others We must live our dark hours alone We speak with the straight tongue; it is cowards who lie We'll lave the past behind us What fools there are in the world What is gone is gone. Graves are idolatry What is crime in one country, is virtue in another What a nice mob you press fellows are--wholesale scavengers What'll be the differ a hundred years from now Whatever has been was a dream; whatever is now is real When a child is born the mother also is born again When you strike your camp, put out the fires When God permits, shall man despair? When a man laugh in the sun and think nothing of evil Where the light is darkness Where I should never hear the voice of the social Thou must Who knows! Who can understand a woman? Who get a morbid enjoyment out of misery Who say 'God bless you' in New York! They say 'Damn you!' Who never knew self-consciousness Wit is always at the elbow of want Without the money brains seldom win alone Woman's deepest right and joy and pain in one--to comfort Women only admitted to Heaven by the intercession of husbands Women are half saints, half fools Women may leave you in the bright days Women don't go by evidence, but by their feelings World was only the size of four walls to a sick person Worth while to have lived so long and to have seen so much Would look back and not remember that she had a childhood You went north towards heaven and south towards hell You have lost your illusions You never can really overtake a newspaper lie You can't take time as the measure of life You cannot live long enough to atone for that impertinence You do not shout dinner till you have your knife in the loaf You never can make a scandal less by trying to hide it You've got blind rashness, and so you think you're bold You've got to be ready, that's all You--you all were so ready to suspect Youth hungers for the vanities Youth is the only comrade for youth Youth's a dream, middle age a delusion, old age a mistake If you wish to read the entire context of any of these quotations, select a short segment and copy it into your clipboard memory--then open the following eBook and paste the phrase into your computer's find or search operation. The Complete Project Gutenberg Works of Gilbert Parker https://www.gutenberg.org/dirs/etext04/gp12710.txt End of the Project Gutenberg EBook of Quotes and Images From The Works of Gilbert Parker, by Gilbert Parker *** END OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM PARKER *** ***** This file should be named 7553.txt or 7553.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/7/5/5/7553/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.