The Project Gutenberg eBook of The black ship: with other allegories and parables
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: The black ship: with other allegories and parables
Author: Elizabeth Rundle Charles
Release date: November 10, 2024 [eBook #74714]
Language: English
Original publication: London: J. Nisbet & Co
*** START OF THE PROJECT GUTENBERG EBOOK THE BLACK SHIP: WITH OTHER ALLEGORIES AND PARABLES ***
Transcriber's notes: Unusual and inconsistent spelling is as printed.
New original cover art included with this eBook is granted to the
public domain.
[Illustration]
THE
BLACK SHIP:
WITH
Other Allegories and Parables.
BY THE AUTHOR OF
"TALES AND SKETCHES OF CHRISTIAN LIFE,"
"THE VOICE OF CHRISTIAN LIFE IN SONG,"
ETC. ETC.
[Elizabeth Rundle Charles]
LONDON:
J. NISBET & CO., 21 BERNERS STREET.
1861.
————————————
Printed by Ballantyne & Company, Edinburgh.
CONTENTS.
—————
THE BLACK SHIP
THE RUINED TEMPLE
THE JEWEL OF THE ORDER OF THE KING'S OWN
THE CATHEDRAL CHIMES
WHAT MAKES THINGS MUSICAL?
THE ACORN
PARABLES IN HOUSEHOLD THINGS
PASSAGES FROM THE LIFE OF A FERN
PARABLES—
THE CLOCK-BELL AND THE ALARM-BELL
THORNS AND SPINES
SUNSHINE, DAYLIGHT, AND THE ROCK
WANDERERS AND PILGRIMS
THE ARK AND THE FORTRESS
THE THREE DREAMS
THOU AND I
The Black Ship.
—————
THEY lived at the foot of the Pine Mountains, in the island of the
King's Garden, the mother, with her little son and daughter. The boy's
name was Hope, and the little girl's, May.
The children loved each other dearly, and were never separated. They
never had any quarrels, because Hope was the leader in all their
expeditions and plays; and May firmly believed that everything which
Hope planned and did, was better planned and better done than it would
have been by any one else in the world, by which May meant the island.
Hope, on his side, had always a tender consideration for little May in
his schemes, such as kings should have for their subjects. May would
never have dreamed of originating any scheme herself, or of questioning
any which Hope planned. If you had taken away May from Hope, you would
have taken away his kingdom, his army, his right hand; if you had
taken away Hope from May, you would have robbed her of her leader, her
king, her head, her sun. Bereaved of May, I think Hope would have been
driven from his desolate home into the wide world; bereaved of Hope,
I am sure May would never have left her home, but sat silent there
until she pined away. But together, life was one holiday to them; work
was a keener kind of play, and every day was too narrow for the happy
occupations of which each hour was brimful.
Their cottage was at the foot of the mountains, on the sea-shore.
Indeed, every house and cottage in the island stood on the sea-shore,
because the island was so long and narrow, that, from the top of
the mountain range which divided it, you could see the sea on both
sides. If in any place the coast widened, little creeks ran in among
the hills, and made the sea accessible from all points. The island
consisted entirely of this one mountain range towering to the clouds;
the higher peaks covered with snow, with a strip of coast at their
feet, sometimes narrowing to a little shingly beach, sometimes
expanding to a fertile plain, where beautiful cities with fairy
bell-towers and marble palaces gleamed like ivory carvings amidst the
palms and thick green trees.
But Hope and May knew nothing of the island beyond the little bay they
lived in, and no one they had ever seen or heard of had scaled the
mountain range and looked on the other side; no one, either in the
scattered fishermen's huts around them, or in the white town which
perched like a sea-bird on the crags on the opposite side of the bay.
Indeed, it was only from their mother's words that the children knew
their country was an island; and ever since they had heard this, the
great subject of Hope's dreams, and the great object of his schemes,
had been to scale the mountains and look on the other side. But this
was quite a secret between Hope and May; the happy secret which formed
the endless interest of their long talks and rambles, but which they
could not speak of to their mother, because she was so tenderly timid
about them, and because it was to be the great surprise which one day
was to enchant her, when Hope was a man. He was to scale the mountains,
penetrate to the wondrous land on the other side, and bring thence
untold treasures and tales of marvels to May and his mother.
The children thought Hope would very soon be old enough to go; and they
had a little cave in the rocks close to the sea where they treasured
up dried fruits and bits of iron to make tools of with which to chop
away the tangled branches in the forests, and cut steps in the glaciers
which Hope was to traverse. The lower hills the children knew well; and
the ravine which wound up far among the hills they had nearly fixed on
as the commencement of the journey.
So the days passed on with the children, rich in purposes and bright
with happy work. For they were helpful to their mother. From their
mountain expeditions they brought her firewood, and forest-honey,
and eggs of wild-fowl, and various sweet wild-berries, and wholesome
roots. They always noticed that their mother encouraged these mountain
expeditions, and seemed much happier when they took that direction than
when they kept by the sea.
Once Hope had said to her—
"Mother, how beautiful our country is! And I think it is so happy
always to be in sight of the sea. How dull those lands must be you tell
us of which are so large that many people have to live out of hearing
of the waves! I could not bear to live there; it must seem so narrow
and close to be shut in on the land with nothing beyond. But here we
can never get out of sight of the sea. May and I always find, wherever
we roam among the hills, we never lose the sea. When we wander far
back from the shore, the beautiful blue waters seem to follow us as if
they loved us; and in the inmost recesses of the mountains we always
see beneath us some glimpse of bright water in the creeks, which run
up among the hills, or the rivers which come down to meet them. The
sea seems to love every corner of our country, mother, and penetrate
everywhere."
A cold shudder passed over the mother's frame, and tears gathered in
her eyes.
"The sea is indeed everywhere, my children," she murmured, and then
with a burst of irresistible emotion she clasped them to her heart, and
added bitterly, "Happy the country which that sea cannot approach!"
May and Hope wondered greatly at her words; but there was something
in her manner which awed them into silence. For some time after that,
they often speculated together as to what her words could mean, a vague
terror seemed to murmur in the ripple of the waves. But gradually the
impression wore off in the happy forgetfulness of childhood, and their
old schemes were resumed with the same zest as before.
One evening, however, as they were busied with their treasures in the
cave, the tide surprised them, and when they set out to return home,
they found the rocky point which separated them from their cottage
surrounded with deep water. The sides of the cliff in the little cove
where their cave lay were sheer precipices of smooth rock, too steep to
climb, so that the children had to wait some hours before they could
creep round the point. Eagerly they watched the declining sun and the
retreating tide, and when the waves were only ankle-deep they bounded
through them, and in a few minutes were at the cottage door.
It was not yet dark, and the children were dancing into the cottage
full of spirits at their adventure, when they were startled at the
appearance of their mother. She was leaning, stony and motionless, with
fixed eyes and clasped hands, against the doorpost, and for a moment
the sight of her darlings did not seem to rouse her. Then springing
up with a wild cry, she strained them to her heart, covered them with
kisses, laughed a wild laugh, broken with convulsive sobs, and at last
fell fainting on the floor.
The children knelt beside her, and gradually she revived, and fell into
a sleep. But every now and then she started as if with some terrible
dream, and murmured in her sleep, "The ship—the Black Ship; not now,
not yet; take me, not them; or take us all—take us all!"
The terrified children could not sleep, and all the next day they clung
close to their mother, and scarcely spoke a word. In the evening,
however, she rallied, and tried to speak cheerfully and account for her
alarm.
"You were late, darlings; and I knew you were by the sea—the terrible
sea."
But the children could not be comforted. They felt the weight of some
vague apprehension; they could not be tempted to leave their mother;
they crept noiselessly about, watching her movements. Until at last one
night they whispered together, and resolved to take courage and ask
their mother what made her dread the sea; and then they consulted long
as to the best way of introducing the forbidden subject.
The next evening, as they sat together by the fireside, Hope began, and
forgetting all the speeches they had prepared, fixed his large eyes on
his mother's, and said abruptly, "Mother, what is there terrible in the
sea?"
She paused a moment, her face grew deadly pale, and her lips trembled.
"Children, why should you wish to know? You will learn too soon without
my telling you."
"O mother, tell us," said May. "We can bear anything from you. Do not
let any one else tell us."
A sudden thought seemed to flash across her, and she said, "Children,
you are right."
Then folding one arm around Hope as he stood by her, and taking May on
her knee, she said, "It is not the sea I dread; it is the Black Ship.
That is the terrible secret; and it is, indeed, better you should learn
it from my lips than learn it by losing me, and no one be left to tell
you how.
"My children," she continued, making a great effort to speak calmly,
"this is the one sorrow of our country. From time to time a Black Ship,
without sails or oars, glides silently to our shores, and anchors
there. A dark, veiled Figure lands from it, and seizes any one of our
people whom it chooses, without violence, without a sound, but with
irresistible power, and quietly leads the victim away to the Ship,
which immediately glides away again from our coasts as swiftly and
noiselessly as it came; but no one ever sees those who are thus borne
away any more."
"Whence does the Ship come, mother?" asked Hope, after a long silence.
"And whither does it go?"
"No one knows, my child. That is the terrible thing about it. There is
no sound nor voice. The agonised cries of those who are thus bereaved
avail not to bring one word of reply from those lips, or to raise one
fold of that dark veil. If we only knew, we could bear it."
"Have you ever seen it, mother?" asked Hope, determined bravely to
plunge to the bottom of the terrible mystery, while May could only
cling round her mother's neck and cry.
"I have seen it twice," she replied, speaking low and rapidly. "We
did not always live here. Your father was rich and a man of rank, and
loving us most dearly, he resolved to do all in his power to keep
the terrible Form away. For this end, he built that castle you have
often seen above the white tower. It is far above the sea; the rocks
are perpendicular; it is built of solid stone; the doors were of oak,
studded with iron; the windows barred with iron. No one was ever to be
permitted to cross the moat without being strictly scrutinised. The
gates were always to be closed.
"When it was finished, he made a feast. And after it, when the guests
had left, and every bolt was drawn, we stood at the window of the room
where you slept, and looked down triumphantly on the sea. A little
sister of yours was sleeping in my arms. In the bay at our feet was
moored the Black Ship. Our eyes seemed fascinated to it, and we could
not speak. We saw the Veiled Figure; descend the side, and slowly scale
the precipice beneath us, as if it had been a road made for it to
tread. It walked over the waters of the castle moat, which did not seem
to wet its feet. It stood on the balcony outside our window, and we
could not stir. It passed through the iron bars. It laid its hand on my
sleeping babe.
"Your father's strong arm was around us both, but before we could
utter a cry, the darling had glided like a shadow from our embrace.
The bright face of our baby was hidden from us under the folds of
that impenetrable veil. We watched the terrible Form noiselessly
descend the steep, re-enter the ship, and not until the Black Ship was
already gliding swiftly out of sight could we overcome the terrible
fascination. Then my cries of agony awoke the household, boats were
manned in pursuit, but in vain, in vain—we felt it was in vain. We
never saw the babe again."
She spoke with the languor of a sorrow which had been overwhelmed by
greater sorrows still.
"But our father?" asked Hope.
"He left the castle the next day," she answered; "we never returned
to it. He said the strong walls only mocked our helplessness, and
since then the castle has been empty. Birds build their nests in our
chambers, wild beasts make their lair in our gardens, the iron bars
rust on the open doors; and if the Veiled Figure enters again, it will
find no prey."
"But where did you go?"
"We came here. Your father said he would dare the foe, and, since no
fortification could keep it out, meet it on its own ground. So he built
this cottage close to the sea, and here we have lived ever since. I was
content to remain here, because I thought we might avoid seeing any
one, and keep the terrible secret from you.
"And here," she continued with the calmness of despair, "one morning we
saw the Black Ship moored, and your father went to meet it. I wept and
clung to him to keep him back, but he said, 'It shall speak to me.'
"The Dark Form came up, a black shadow across the sunny beach. Your
father encountered it boldly, and said, 'Where is my child?'
"There was no sound in reply. For a moment there seemed to be a
struggle. I rushed towards them, but the terrible touch was on your
father's hand. There seemed no violence, no chain was on his arm—only
that paralysing touch. He went from me silent and helpless as the babe.
"'Whither, whither?' I cried. 'Only tell me where!'
"He looked back once, but he spoke to me no more. I rushed madly into
the sea, but the ship was gone in a minute, and your voices, your baby
voices, called me back, and I came."
"Is there no help, mother?" said Hope, at last. "Has no one ever tried?
If I were but a man! Oh, surely some help could be found?"
"So thousands have thought, tried, and asked in vain. Fleets have
scoured the seas, but none ever came on the Black Ship's track. Have
you seen that line of surge far out on the sea?"
"The reef, mother? Yes; we have often wondered what it was."
"It is the great sea-wall which our people built ages since. The whole
nation combined once to encircle the island with a gigantic sea-wall
which no ship might pass. On the day of its completion, there was a
great national festival on the sea-shore. But at noon-day, as they
danced and feasted, one who was watching saw a black speck on the
horizon.
"The festivities were suspended, and every one gathered on the beach
to look. It grew larger and darker—it came to the sea-wall—without
a moment's pause it glided through, and the multitude could gaze no
longer. They scattered in all directions to their homes; and before
morning, from hundreds of families, one was gone—princes, nobles,
peasants—one sweeping yet terribly discriminating desolation. But in
the sea-wall not the smallest breach could be found. Since then it has
never been repaired, and the waves have worn it down to a broken reef,
over which our boats pass freely."
Hope was silenced, and the little family sat up together that night.
They did not dare to separate, even to their beds, yet before long, the
children were asleep.
Sleep revived the brother and sister. And by the evening, Hope's ardent
heart had found another point to rest on.
"Mother," he said, "if we could only find out whence the Black Ship
comes, we might be comforted. Perhaps it comes from a happy place. Can
no one even guess?"
"There are some who profess to know something of it," she replied; "but
your father never believed them."
"Who are they?" asked Hope.
"The amulet-makers. There are a band of men in the White Town, and one
of them in many of the villages, who profess to know something of the
country from which the Black Ship comes, and who sends it. But they
talk very mysteriously, in learned words; and I do not understand them.
Your father said it was all a deception; because some of them profess
to make amulets or charms which keep the Veiled Form away; and your
little sister had one round her neck when she was taken from us. You
have each one, but I cannot trust it; and I never could find out that
the amulet-makers had anything but guesses as to where the ship came
from; and your father said we could guess as well as they.
"There is one thing," she added, with a faint smile, "which gives me
more comfort than anything they ever said. When our baby was taken
from my arms—when she felt that terrible touch—she did not seem to be
at all afraid. She looked up in my face, and then at the Veiled Form,
and stretched out her baby arms from me to it, and smiled. At first,
I hated to think of that. It seemed as if some cruel charm was on her
to win even her heart from me; but often in the night, in my dreams,
that smile has come back to me, like a promise; and I have awaked,
comforted—I hardly know why."
"Perhaps they are in a happy place, mother," said little May.
And Hope said—"Mother, I am going to question the amulet-makers in the
White Town."
And his mother suffered him to go.
In two days, Hope came back. But his step was spiritless and slow, and
his face very sad.
"Mother," he said, "I think my father was right. I am afraid no one
knows anything about the country from which the Black Ship comes. At
first the amulet-makers promised to tell me a great deal. Some of them
told me they believed it was a great king, an enemy of our race, who
sent the ship; but that if we kept certain rules, and put on a certain
dress they would sell us, or give them certain treasures to throw into
the sea when the Ship appeared, they would watch for us, and make
the powers beyond the sea favourable to us. But when I came to the
question—how they knew this to be true, or if they had ever had any
message from beyond the sea, or seen any one who came thence, they grew
silent, and sometimes angry, and told me I was a presumptuous child.
"There was one old man, however, who was kind to me; and he came and
spoke to me alone, and said, 'My child, be happy to-day—to be good is
to be happy. What is beyond to-day, or beyond the sea, no one knows, or
ever can know. Go back to your mother, and live as before.' So I came,"
concluded Hope. "But it can never, never be with us again as before we
knew."
From that time the boy seemed to cease to be a child, or to take
interest in any childish schemes. He was gentle and tender as his
father could have been to his mother and to May, and seemed to take on
himself to watch over and protect them. He never left them out of sight.
Until, one day, as they came, in their ramble in search of shell-fish,
on their old cave, and looked once more at their little stores, so
joyously hoarded there, May suddenly exclaimed, "What if they should
know on the other side of the mountains!"
The thought flashed on Hope like a breath of new life; and from that
day his old schemes were resumed, but with an intensity and a purpose
which could not be quenched. He would scale the mountains, to see
if any tidings from beyond the sea had reached the land across the
mountains!
His mother's consent was gained; and in a few days, spent in eager
preparations, Hope was to start.
But before those days were ended, one evening, a white-haired old man
knocked at the cottage door. He was nearly exhausted with travel, his
clothes were torn, and his feet bleeding.
They led him to the fire, bathed his feet, and set food before him. But
before he would touch anything, the old man said—
"I have tidings for you—glad tidings."
"Do you come from across the mountains?" exclaimed Hope, starting to
his feet.
The old man bowed in assent.
"I come from across the mountains, and I bring you glad tidings from
beyond the sea."
"Glad tidings!" they all exclaimed.
"Glad tidings, if you will obey them," he replied;—"if not, the saddest
you ever heard. It is not an enemy who sends the Black Ship, but a
friend."
Not a question, scarcely a breath interrupted him; and he continued, in
brief, broken sentences—
"It is our King. Our island belongs to Him. He gave it us. But, long
ago, our people rebelled against Him. They were seduced by a wicked
prince, His deadly enemy, and, alas! ours. They sent the King a
defiance; they defaced His statues, which were a type of all beauty;
they broke His laws, which are the unfolding of all goodness. He sent
ambassadors to reclaim them; He, who could have crushed the revolt,
and destroyed our nation with one of His armies in a day, descended
from His dignity, and stooped to entreat our deluded people to return
to their allegiance. But they treated his condescension as weakness.
They defied His ambassadors, and maltreated them and drove them from
the island. He had warned them against the usurper, and told them the
consequences of revolting; and too surely they have been fulfilled.
"The Black Ship is the punishment inflicted by our offended Monarch;
but those who return to His allegiance need not dread it."
"Some, then, have submitted to the King?" asked Hope.
"Every ambassador He sent has persuaded some to recognise the King."
"Why not all?" asked Hope. "If the King is good and is our King, and
will receive us, why not all return?"
"The usurper seduces them still," replied the old man. "Many hate the
King's good laws; many take pride in what they call their independence;
most will not listen, or will not believe. They mock the King's
messengers, and declare that they are impostors, that their messages
are a delusion, and some even persist in declaring that there is no
King, and no country beyond the sea."
"But the Black Ship is not a delusion!" said Hope. "It must come from
some land. What proof have these ambassadors given? Have they ever been
in the land beyond the sea?"
"They gave many proofs, but I bring you better news than this. A few
years since, the King's Son came Himself. Many of us have seen and
spoken with Him. He stayed many days. He spoke words of such power, and
in tones of such tenderness as none who heard can ever forget. We could
trace in His features the lineaments of the statues we had defaced.
Some of the worst rebels among us were melted to repentance, and fell
at His feet, and besought His pardon. I was one.
"He gave us not only His pardon, but His friendship. But His enemies
prevailed. Especially the amulet-makers organised a conspiracy against
Him; they feared for their trade, and secretly prepared to drive Him
from the island. He had come alone, for He came not to compel but to
win. And He came for another purpose, which, until He was gone, we
could not comprehend. The conspirators triumphed. One day they came in
force and seized Him. Alas, a base panic seized us who loved Him, and
we fled.
"They bound Him with thongs, they treated Him with the most barbarous
cruelty and the basest indignity and drove Him to the sea. We thought a
fleet and an army would have appeared to avenge His insulted majesty,
and proclaim him King with power, or bear Him in pomp away. But to our
surprise and dismay, nothing came for Him but the Black Ship, and the
Dark Form bore Him from us, as if He had been a rebel like one of us.
"He had told us something of the probability of this before it
happened, but we could not comprehend what He meant. Never were days of
such sorrow as those which passed over us after His being taken from
us. His enemies were in full triumph; they mocked our Prince's claims,
they insulted us, they threatened us, but all they could say or do was
nothing in comparison with the anguish in our hearts.
"For what could we think? He we had loved and trusted was gone, borne
off in triumph by the very foe He came to deliver us from. We hid
ourselves in caves and lonely beaches by the sea, and recalled to each
other His precious words, and gazed out over the sea with a vague
yearning, which was scarcely hope, and yet kept us lingering on the
shore.
"On the third morning, in the gray light of early dawn, one of us
saw Him on the shore—one who had owed Him everything, and loved Him
most devotedly. She called us to come. One by one we gathered round
Him. Some of us could scarcely believe our senses for joy. But it was
Himself; the solid certainty of that unutterable joy grew stronger.
And then He told us wonders, how He suffered all this for us—had borne
this indignity and captivity in obedience to His Father's will, to set
us free—had gone in the Black Ship itself to the heart of the enemy's
country, and alone trodden those terrible regions of lawless wickedness
to which he seeks to drag his deluded victims, and alone vanquished him
there.
"He stayed with us some days, and talked with us familiarly, as of
old; but how glorious His commonest words were—how overpowering
His forgiving looks—how inspiring His firm and tender tones, I can
never tell. He could not remain with us then. He said we must be His
messengers, and win back His rebels to allegiance; we must learn to be
brave, to speak and suffer for Him, and to act as men; and He promised
to come again one day with fleets and armies, and all the pomp of His
Father's kingdom.
"But, meantime, He said the Black Ship should never more be a terror to
any of us who loved Him; for He himself would come in it each time. He
would be veiled, so that none could see Him but the one He came for;
but surely as the Black Ship came, instead of the Dark Form, He would
come Himself for every one of us, and bear us home to His Father's
house to abide with Him, and with Him hereafter to return."
There was a breathless silence, broken only by the mother's sobs.
She clasped her hands, and murmured—
"Then it was He—it was surely He himself who came and took my babe. No
wonder my darling smiled, and was willing to go."
The mother and the children that very evening received from the
stranger the medal which was worn by all those who returned to their
allegiance. It was a Black Ship, surrounded with rays of glory, and
behind it the towers of a city.
Never were a happier company than the four who gathered round the
cottage table that evening. They were too happy, and had too much
to ask, to sleep. And far into the night the questions and answers
continued, every reply of the old man's only revealing some fresh
endearing excellence in the King and the King's Son, until they longed
for the Black Ship to come and fetch them home.
"If only," said little May, "it would fetch us all at once!"
"That the King will do when He comes with His armies in the day of His
triumph. Till then, my child, this is the one only sorrow connected
with the Black Ship for those who love the King. We go one by one, and
blessed as it is for the one who goes, it must be sad sometimes for
those who are left."
"Why do not those who go to Him ask Him to come quickly?" asked Hope.
"They do," replied the old man. "'Come quickly' is the entreaty of
all who love Him here and beyond the sea; but His time is best. And,
meantime, have we forgotten the multitudes who are still deceived by
the usurper, to whom the Black Ship is still a horrible end of all
things, and the Veiled Form of the King of Terrors?"
Hope rose and stood before the old man.
"Mother," he said, "it is for this we must live. Think of the desolate
hearts in the homes around us. Think of the thousands who know not our
blessed secret in the White Town."
The old man rose and laid his hand on Hope's head.
"My King!" he said. "When wilt Thou come for me? Is not my work done?
Will not this youthful voice speak for Thee here as my quivering tones
no longer can? Wilt Thou not come? I have many dear ones with Thee; but
when Thou wilt is best."
Then he persuaded them all to lie down to rest, and he himself composed
himself quietly to sleep.
But in the night, a wondrous light filled the room—a wondrous light and
fragrance. The mother woke, and the children, and they saw the old man
standing, gazing towards the door, which was open. There stood a Veiled
Form, dark to the mother's eyes as the dreaded form she knew too well;
yet its presence filled the room with the light as of a rosy dawn, and
the fragrance as of spring flowers. The old man's hair was silvery, and
his form tottering as ever, but in his face there was the beauty of
youth, and in his eyes the rapture of joy.
"Farewell, my friends," he said; "your day of joy will come like this
of mine. Thou art come for me at last—Thou thyself. I see Thy face, I
hear Thy voice; I come—it is Thou."
A hand was laid tenderly on his hand, and they walked away together
into the night.
But as the mother and children looked after him from the door, they saw
the Black Ship, only at its prow was a star. And as it passed away, the
mother, and Hope, and May thought it left a track of light upon the sea.
The three had henceforth enough to live and suffer for. To the lonely
fishermen's huts went May and her mother, into the White Town went
Hope, and everywhere they bore their tidings of joy. They had much
to suffer, and many mocked, and against them also the amulet-makers
combined, and would not listen. But some did listen, and believe, and
love, and to such, as to the mother, and Hope, and May, the Black Ship,
instead of a phantom of terror, became a messenger of surpassing joy.
The Ruined Temple.
—————
THE Temple was in ruins, and the Priestess sat, a captive in chains,
among its broken and scattered fragments.
It had been a temple of the most ancient form, open to the sky,
beautiful beyond any temple upon earth, beautiful and sacred, and some
remnants of its beauty hung about it still—fragments of exquisite
carvings and broken shafts of graceful columns. But everything was
shattered and out of place, the window tracery shivered in a thousand
fragments and strewn on the ground, columns prostrate, sacred vessels
lying rusted among the weeds, the pure spring which had gushed from
beneath the altar choked up and dry, and instruments of sacred music
mute and broken on the ground.
On the walls in some places were the traces of violence, but it was
remarkable that they seemed to have been assaulted only from within.
Indeed, the temple had been a fortress, so impregnably situated and
built, that except from within, not one stone could ever have been
displaced.
This was, in fact, the saddest part of its history. The temple had been
desecrated before it had been ruined, and in its ruin it was a temple
still, but, alas! no longer sacred to Him in whose honour it had been
reared.
Many senseless or loathsome idol-images were carved on the walls,
strangely contrasting, in their shapelessness or deformity, with the
symmetry of every fragment of the original structure. On the broken
altar in the centre stood an image of the Priestess herself. This was
the earliest idol which had entered there, and with the entrance of
this, the ruin had begun. The Enemy who had, with subtle flatteries,
introduced this idol, had ever since had access to the temple, and step
by step the Priestess had sunk beneath his power. He had led her into
wild orgies, in which she herself had defaced the delicate tracery and
torn down the walls; and when she awoke from the frenzy and wept, as
sometimes she would, he silenced her tears with blows or with mocking
threats of the vengeance of Him to whom the temple had been consecrated.
Sometimes, however, she woke to a moment's full consciousness of the
desolation around her, and then she would wail and lament until he
seemed to fear some unseen Friend would hear; and at such seasons he
grew more gentle, and renewed the old persuasions and flatteries by
which he had misled her first. He would even encourage her at times,
when all other methods failed, to try and collect the scattered stones,
and repair the breaches in the shattered walls and re-string the broken
harp, for he knew well her puny efforts must fail, and that no hands
but those of the builder could ever restore the ruin she had wrought.
So, after a few faint endeavours, she, as he expected, would give up
in despair, and sit cowering hopelessly on the ground afraid of him,
afraid of Him whose priestess she was, afraid of her own voice.
In such bitter hours, he would again grow bold, and mock her with
the memory of the past, until the spirit of indignant resistance
seemed roused within her, when, once more softening his tone, he
would point her with flattering words to her own image on the broken
altar. He would shew her the beauty still lingering in its marred and
weather-worn features, and help her to decorate it with gay colours
and tinsel ornaments, placing in her hands the golden censer, with the
sweet incense which had been made in happier days for far other uses;
and she would wave the fragrant compound before the idol image of
herself.
But with the pure spices which made it sweet, the enemy had mixed a
narcotic poison, and as she languidly swung the censer to and fro, her
brain would become intoxicated with the voluptuous sweetness, until,
in a dream of vain delight, she would fall asleep, and forget all her
miseries. And ever, as she slept, he would rivet faster the chain
which, unperceived by her, was being bound around her, every year
making her range of action narrower and her movements less free.
Wild beasts, also, made their lair in the desolate temple-chambers,
prowling in and out where formerly meek and heavenly beings had
ministered, and making the shattered walls echo with their loud howls
and sullen roarings, where once had sounded strains of pure and joyous
music.
Thus, day by day, the ruin spread, and the desolation and desecration
became more complete.
But it happened one spring, that two little singing-birds came back
from the sunny clime where they had wintered, and began building their
nest above the ancient altar. There was something in the spring-time
which often brought tears to the eyes of the fallen priestess, she
scarcely knew why. The world seemed then like one happy temple full
of thankful songs; and as, day by day, the sun repaired the ruins of
winter, and the choral services of the woods took a fuller tone, on
her heart there fell the mournful sense of the ruins around her, which
no spring-tide could restore. Yet something of a softer feeling, a
melancholy which breathed of hope, stole over her, and she watched
those two happy birds building their nest, and warbling as they worked.
At last, the nest was finished, the happy mother-bird sat on her eggs,
and the pair had much leisure for confidential conversation.
"How desolate this place is," said the mother-bird.
"And it was once so beautiful," replied her mate.
"Why is it not rebuilt?" she asked.
"None can rebuild but the hand that built," was the mysterious reply.
"But would not the architect come if asked? He is so good. Was it not
he who taught us to build our nest; and I am sure nothing can be better
done than that."
"That is the difficulty," was the reply. "The priestess does not know
he is so good, and is afraid to utter his name. If she only called him,
he would come."
"Is he near enough?"
"He is always near."
"Are you sure?" said the mother-bird. "What can we do to help her?"
"I do not know," replied the mate, "except it is to sing his praise.
Perhaps she may listen, and understand one day how good he is."
So all the spring, the little happy creatures chirped and sang, until
the nestlings were fledged, and the whole family flew away.
But their songs had penetrated deep into the priestess' heart. And one
night, when the Enemy was absent, and the wild beasts prowling far
away, she threw herself on the earth before her desecrated altar, and
lamented and wept. But for the first time her lamentations, instead of
solitary, hopeless wailings, echoing back from the ruined walls, became
a broken cry for help.
"Thou, if thou art indeed so good—if thou art indeed near, come and
help me," she sobbed; "repair my ruins, and save me."
And for the first time, as she wept and implored, she felt the weight
of her fetters binding hand and foot, and, clasping her chained hands,
she cried more earnestly, "Come and set me free!"
And before the day dawned, a voice came softly through the silence—
"I will come."
But with the morning light, how bitter was the sight which burst on her
aching eyes! All had been as desolate long before; but she had never
seen it as she saw it now. Noisome beasts, which prowled fearlessly
around her; skulls and ghastly skeletons of their murdered prey strewn
about; on the ground the broken, rusted harp; on her hands the heavy
chain; and, worse than all, the door she had opened to the Enemy ever
open, and inviting his approach.
Too surely he came. He mocked her hope until it appeared baseless as
a dream; and nothing seemed real, but the ruin to which he scornfully
directed her gaze, and the chain which now, for the first time without
concealment, he held up triumphantly, dragging her by it to every
corner of the polluted and ruined temple, to show her how complete and
hopeless the ruin was. Then drawing the links tighter than before, so
that they galled and wounded her wrists, he led her to the image of
herself, which he had adorned, and painted, and so often flattered. He
dragged off the tinsel ornaments, and effaced the delusive colouring,
and left her, at last, face to face with the defaced and broken idol,
saying—
"This is the worship you yourself have chosen. Pursue it still. There
is no other for you."
She could not bear to gaze on it; and as he went, she fell prostrate on
the altar steps, and hid her face on the stones. Yet still, though with
but a feeble hope, she sobbed out—
"If thou art good—if thou canst help me, come,—oh, come, and set me
free!"
Weariness at last brought sleep, and in her dreams she saw a lovely
vision of the temple as it once had been. White columns gleamed, sweet
and solemn music sounded, and she herself ministered in white robes at
the altar, before a Radiant Form, on which she could scarcely for a
moment gaze.
The awaking from this dream to the desolation around her was more
terrible than all she had felt before. It must have bereft her of
reason, but for the echo of three cheering words, which seemed to have
awakened her—
"I will come."
The next day, with the light of that radiant vision on her heart, she
dragged her fettered limbs to the altar, and strove with her feeble and
trembling hands to tear that marred image from the shrine. But in vain.
It was too firmly imbedded there; and she could only turn her face from
it, and weep, and cry for help.
And before the next morning's dawn, help came.
In the night, a heavenly visitant descended; and with human words, in a
language she had not spoken for years, but every word of which melted
her heart like the accents of her mother-tongue, he touched her chains,
and they fell off.
He spoke, and the wild beasts fled, howling; he touched her broken
harp, and it was restrung and tuned; he touched the dry and choked up
channel of the sacred spring, and it welled forth pure and fresh from
beneath the altar; he touched the idol on the shrine, and it fell, and
in its stead shone that wondrous Radiance which she had seen in her
dream. Then he poured on her head the fragrant oil of consecration, and
clothed her in a white vestal priestly garment, and placed the restrung
harp in her hand, and rose again to heaven.
At first her joy knew no measure. She gazed on the sacred shrine, and
in its glory at times she perceived the lineaments of the form of Him
who had done all this for her. She touched her harp, and the sweet
strings responded as if they knew her hand; she sang holy songs in that
old, long-forgotten, yet familiar tongue, so heavenly and happy that
the wild beasts would not venture near, and the morning-birds were
silent to listen. She bathed in the newly-opened fountain and drank of
it, and as she drank, her strength and her youth came back.
For a time her joy was without cloud or measure; but as the daylight
returned, the desolation or the ruined temple struck sadly on her
heart. It was indeed a sacred place once more, and she its consecrated
priestess; but was this ruin never to be repaired?
She began to cleanse the sacred vessels and to sweep the earth of all
the refuse and dry bones which had been gathered there. And then, with
her renewed strength, she set herself to collect the broken fragments
of the columns, and tried to piece together the shattered tracery and
the delicate carvings of flower and foliage. But it was in vain. She
could indeed bring the shattered fragments together and see what they
had been, but she could not join them, or replace one prostrate shaft
or capital.
And as she sat down mournfully before her shrine, tears dimmed her
eyes, so that she could scarcely see the Radiance there, and, falling
on her harp-strings, would have rusted them and marred their sweetness;
whilst in the silence, a voice, too long and bitterly familiar, was
heard at the door. Turning round, she perceived the form of the Enemy
there, whilst behind him glared fierce and hungry eyes, and in her
terror, the harp almost fell from her hands.
But she threw herself on her knees before the altar, pressed the harp
convulsively to her heart, and cried, "Will these ruins never be
repaired, these doors never closed against my enemy and thine?"
The pressure of her trembling fingers drew forth some plaintive
strains, like the wind on Æolian strings; but low and plaintive as they
were, the enemy disappeared, and the wild beasts fled howling from them.
Then she began to perceive the power of her harp, and drew from it a
song of joy and triumph. And as she still gazed on the radiant shrine,
a veil seemed to be withdrawn from it, and she perceived that it was a
window, so that the light streamed through it, not from it.
Wondering, she gazed, until, penetrating further and further through
the light, she saw in the depths of heaven a Temple like her own, only
perfect, glorious beyond comparison, and full;—full of worshippers
robed and singing like herself, and full of that wondrous radiance
which streamed from the heavenly form she had seen.
She laid her harp upon the shrine, and to her surprise the strings
began to quiver of their own accord. An electric current united them
to the harps in the heavenly temple, and they vibrated in exquisite
harmonies the echo of the harmonies above.
And with the heavenly strains, came a voice divine and human, mighty as
the sound of many waters, yet soft and near as a whisper in her ear:
"Here all ruins are repaired, the enemy cannot enter here, but here
thou shalt dwell for ever."
And softly floated down these other words:—
"For we know that if our earthly house of this tabernacle were
dissolved, we have a building of God, an house not made with hands,
eternal in the heavens."
The Jewel of the Order of the King's Own.
—————
ONCE on the sea-shore, in a land a long way off, I met an old man
dressed as a galley-slave, and toiling at convicts' work, with a
heavy chain around one of his arms; but his face and bearing were
stamped with the truest nobility. I felt sure he must be a victim of
some political cabal, and not a criminal, for not a trace of crime
or remorse debased that calm brow and those clear, honest eyes. This
might not have struck me as remarkable, since such unmerited sufferings
were but too common in that country. What arrested my attention was
the expression of unfeigned and lofty joy which irradiated his aged
countenance.
In the interval of noon-day rest allowed him, as well as the other
convicts, I sate down beside him and entered into conversation with
him. I found he was an old soldier. And at length, I was encouraged by
his frankness to inquire the cause of the strange contrast between his
expression and his circumstances.
The veteran lifted his cap, and said mysteriously, "The King shall
enjoy his own again. The spring will come, and with it the violets."
The thought struck me that some harmless and happy insanity had risen,
like a soft mist, to veil from him his miserable lot. And, following
his train of thought, I said, "You wait for a king, and hope cheers
you. Yet you must have waited long; and hope deferred maketh the heart
sick."
"The uncertainty of hope," he replied, "often makes the heart sick with
fear of disappointment, but my hope is sure, and every day of delay
certainly brings me nearer to it. Every night, as I look out from my
convict's cell over the sea, before I lie down to sleep, I think before
to-morrow the white sails of his fleet may stud the blue waters—for
he will not return alone; and when morning dawns gray across the bare
horizon, I am not cast down, because I know the morning we wait for
will surely come at last."
"But," I said, reverently, and half hesitating to disturb his happy
dream, "when that morning dawns will you still be here?"
"Here or there," he answered, solemnly. "Either with the few who look
for him here, or with the countless multitudes who will accompany him
thence."
Knowing how such legends of the return of exiled princes linger in the
hearts of a nation, and wondering whether the old man spoke from the
delusion of his own peculiar madness or of a tradition current among
his people, I said, "Your words are strange to me. Tell me the history."
"After the great battle," the old soldier replied, a smile bright as a
child's, yet tender as tears, lighting up his whole countenance—"after
the last great battle, the King, the true King, our own King, has
never been seen publicly in our country. They wounded him, and left
him for dead on the field—they had wounded his heart to the core.
Traitors were amongst them; it was not only an open enemy that did him
this dishonour. But they were mistaken; he is not dead. We who loved
him know. We bore him secretly from the field. He lingered a few days
amongst us after his wounds had healed, in disguise; but although
his royal state was hidden for a time, we who knew his voice, could
tell him blindfold from a million. And since he left us, his faithful
adherents, who before his departure could be counted by tens, have
increased to thousands."
"An unusual fortune," I remarked, "for a cause whose last effort seems
generally to have been considered a defeat, and whose leader has
apparently abandoned it."
"There are many reasons," said the old man, "why it should be so, and
among the chief of these is this one. When our Prince left us, he gave
to each of his adherents a precious gift as a token of his love, and a
sign by which we may know each other."
As he spoke, he drew aside his poor garment, and on his breast there
sparkled a gem more brilliant than any star or decoration I had ever
seen.
"This is the star of the King's own order," he said.
And as I looked at it, a wonderful transformation seemed to have
taken place in the old man's dress. His poor convict's garb seemed
metamorphosed into the richest robes, such as princes wore in that
southern land, of the costliest materials, and all of a glistening
white, at once royal and bridal, whilst his chain glittered like a
jewelled bracelet.
The veteran smiled at my surprise, and unclasping his jewel, bound it
on his brow. Instantly the same magical change passed over his face.
Noble as it was before, his countenance now shone as if it had been
the face of an angel. Every trace of care or age was effaced, the eyes
shone under the calm, unfurrowed brow with the sparkle of early youth,
and nothing was left to indicate age but a depth in the glance and a
history in the expression, which youth cannot have.
"But," I said, "surely your enemies must seek to rob you of such a
treasure?"
"Try," he replied, "if you can take it from me."
I endeavoured gently to detach the jewel from his brow, but my fingers
had scarcely touched it, when it sprang up like glittering drops from a
fountain, and was gone, yet leaving the glory on the old man's face.
He smiled, and observed quietly, "Our jewel no man taketh from us."
Then, again unclasping the fillet which had bound it round his brow,
the magic gem reappeared in his hand.
It was mid-day, and the usual fare of the convicts was brought to
him—scanty and coarse fare, with bad water. He humbly and thankfully
partook of the poor food, but poured out the contents of the cup on the
ground.
"The water of this land is bad," he said. "The people render it
palatable by mixing it with a fiery stimulant, which, alas! only
increases their thirst, so that they ever thirst again; but we do not
need this."
Then gently laying his finger on the gem, it expanded, like a lily-bell
in the sun, into a crystal vase, and in it bubbled up a miniature
fountain of pure, sparkling water.
"In us a well of water springing up," he murmured, as if to himself, as
he drank and was refreshed. And touching the vase again, it folded up,
like a convolvulus going to sleep when the sun sets.
I wondered he had not had the courtesy to offer me a draught.
He read my thoughts, and said, "This water is untransferable. Each of
us must have his own jewel."
"Then," I replied, "if your Prince left those jewels to you at his
departure, and has not returned since, how can his followers have
increased, if this token is essential to them, and, indeed, as you
intimated, an inducement to many to enlist under his banner?"
"It is free to all, and yet a secret," he replied. "Whenever any one
desires to enlist in our Prince's service, he must repair alone, before
daybreak, to a lonely beach on our shores, and wait there for what
the King will send. There, when the sun rises, not always the first
morning, or the second, or the third, but always at last, his first
rays gleam on a new jewel, exactly like the others, sparkling among the
shells and pebbles. The young soldier takes it up, presses it to his
lips, murmurs the name written on it, binds it on his heart, and it is
his own, and he is the King's for ever. None ever saw it come, though
some fancy they have seen a streak of light on the sea when it first
appears, as of the track of an illumination out on the waters."
"'What name is engraved on it?" I asked.
"The King's name," he replied, bowing his head reverently.
"May I see it," I said.
"You could not," he replied, gravely. "None of us can read that name,
except on our own jewels."
I was silent for a moment.
He continued—
"But I have a greater wonder yet to tell you of our jewel—the greatest
wonder of all; and this you must take at my word. The light and glory
of this gem is entirely reflected from a jewel of the same kind, but
infinitely more glorious, which sparkles on the King's own heart.
When I raise this gem to my eyes, and look through it," he added in a
tone which thrilled with the deepest emotion, raising it at the same
time like a telescope to his eyes, "this country vanishes from me
altogether, and I see wonders."
"What do you see?" I asked, half trembling.
"I see the King in his beauty," he replied. "I see the land which
is very far-off. I see a city which has no need of the sun. I see a
palace where his servants serve him. I see a throne which is as jasper,
and, above it, a rainbow like an emerald; and, above all I see, I see
him, with the jewel on his heart; but his jewel is no mere gem, no
reflection—it is a star, it is light itself; and in its richness the
city, the palace, and the throne, and the happy faces of his servants
round him, glow and shine."
And as he spoke, I looked at the old man's jewel, and his countenance
itself grew so glorious, that I could not gaze any longer, but cast
down my dazzled eyes, and was silent. At length, after a pause of
some moments, my eagerness to hear more constrained me to resume the
conversation. And when I looked up, the jewel was again hidden in the
old man's breast, his appearance had taken its soberer beauty, and the
presence of that marvellous treasure was only betrayed by the strange
calm and peace which had first attracted me in the veteran's face.
"But," I asked, "if such a possession indeed is yours, the wonder now
seems to me to be, how the King's enemies can have a follower left.
Have your opponents any similar reward to offer?"
"Similar things," he replied, "they at one time often tried to make,
but the same they could never have; and even to imitate the outside
beauty of it, they found so difficult, that the soberest men of the
party have, for the most part, given it up in despair, and say it is
all a cheat."
"But why, at least, does not each one try for himself," I asked, "and
see if it is true or not?"
"There are many reasons," he replied, sorrowfully, "which keep the
land from returning nationally to its allegiance. The usurper is still
in power, and gives away the offices of state as he pleases; bonds
and imprisonments often await us, as you see is the case with me; and
many prefer the possession of lands and houses, or even less, to the
reversion of a city, and the service of a prince they have never seen."
"I understand," I replied.
"Besides," he added, "there are strict rules binding our order. The
people of the usurper do each what is right in his own eyes; but we
are subject to our Prince's laws, which, though most blessed to those
who keep them, seem to those who are outside, and live lawlessly,
severe and strict. We are subject to our Prince, and to one another for
his sake; and only those who have proved the joy of that subjection
and service know how much happier it is than the tyranny of their
lawlessness and self-will."
"What are those counterfeit jewels you alluded to?" I asked.
"They are of various construction," he replied; "some try to imitate
one quality of our jewel, and some another. Some of the court jewellers
of the usurper make a paste or tinsel jewel, which, when the sun
shines, has a lustre a little like that of ours. The young courtiers
often wear this; but when the sun is clouded or sets, it ceases to
shine, so that even its outward resemblance is very imperfect, and it
does not even pretend to imitate the secret of the fountain or the
magic glass. And, moreover, it can be stolen or broken: often, even in
the courtly revels, it is broken; often it is stolen or dropped, and,
even if it is retained, in a few years the lustre fades away and can
never be restored.
"Then," he continued, "some made a bold effort to imitate our jewel in
its form of the crystal vase, but the crystal itself is dim. And for
the living fountain, they have never been able to substitute anything
but a fiery liquid, needing constantly to be replenished, and, in
reality, only increasing the thirst it professes to still, until it
becomes a burning, consuming inward fever. But as they have never
tasted of our water, the wretched deluded ones persist in saying theirs
is the true."
"And the telescope?" I inquired—"The magic glass?"
"The telescope," he replied, with a smile, which had no mockery, but
much sadness in it—"the magic glass they have never even attempted
to imitate; and, therefore, as none can ever look through it but its
possessor, they say it is a lie and a cheat. And our persisting in
declaring what it really is, is the source of many of our sufferings.
For this, we are thrown into madhouses and prisons, and led to the
scaffold and the stake."
After a brief pause, he resumed—
"The wise men and statesmen of the usurper's party now, however, for
the most part, take an entirely different method. They discourage
all these counterfeits, which they say are paying a most undeserved
compliment to us. They say our jewels are mere sham and tinsel; that
the light they shed exists only in the fancy of the spectators; that
the living water is nothing but a mirage; and that the visions we see
through the telescope are simply a lie. They affect to despise us
too much to punish us; and if they persecute us at all, it is simply
by contemptuously shutting us up in asylums as enthusiasts—harmless,
unless we mislead others.
"It is only a few of the most inveterate, such as myself; who may
succeed in bringing over too many to the side of our King, that they
occasionally make examples of, to sober the rest. But it is all
entirely useless," he added, very joyfully; "the King's followers
increase, his cause is gaining ground, and," he added, with a subdued
voice, "the King himself is coming."
"Is it really true," I asked, after a time, "that nothing, or no man,
can rob you of this treasure?"
"Our treasure no man taketh from us," he replied. "This he gave us,
this he left with us: not as the world giveth, gave he unto us."
"But can nothing you yourselves do, or omit to do, spoil or dim your
jewel?" I resumed.
His brow saddened.
"Alas! There and there only have our enemies any real strength
against us," he replied. "Sorrows only add to its lustre; in the loss
of everything else it only shines the brighter; hunger and thirst
but prove the unfailing nature of the fountain in the crystal vase;
destitution and darkness, dungeons and tortures, only make the bright
visions of our telescope more glorious; but we, we ourselves may indeed
dim its lustre, or, if we will, yield it up altogether."
"All this is natural and comprehensible," I said. "The dungeon must
make the jewel brighter; the drought, the unfailing spring more
precious; the narrowing of all prospects here, enhance the visions of
that magic glass; the cruelties of the usurper, endear the sight of the
Prince you serve."
"This the wisest of our enemies have found out," the old man replied.
"They find that nothing they can do harms us, but only what they can
make us do ourselves; and to this they direct their efforts."
"In what way?" I inquired.
"In many ways," he answered, sadly. "The jewel, which nothing external
can dim, is sensitive to the least change in us. Any infringement
of our King's laws, or, especially, any unfaithfulness to our King,
dims its lustre at once; any drinking of these forbidden cups of
intoxication dries up the crystal fountain; any yielding to the
usurper's service blots out from our magic glass its glorious visions,
and the sight of our King in his beauty."
"Are there any other dangers?" I inquired.
"Countless dangers," he replied. "Especially three devices have been
found too successful against us. Our jewel only keeps bright with use,
and in three ways our enemies endeavour to deter us from using it. The
timid they threaten, and induce to hide it from fear: and the cowardly
concealing of our treasure inflicts on us two evils: it prevents our
winning by it fresh followers to our Prince; and in concealment the
jewel itself invariably grows dim. The young and careless they engage
in the ambitious pursuits or the gay amusements of the court, until
they forget to use the precious gem, and in ceasing to use it, they
necessarily cease to shine with its light, and grow like any of the
usurper's train.
"And again, there are some poor, and distrusting, and fearful ones,
whom our enemies persuade that it is a daring presumption for such as
they to pretend they have had especial communication with the King, and
even at times torment them into thinking the King's own jewel tinsel.
So that, in looking and looking to see if it is a true jewel, they
forget to clasp it on their hearts, or drink the living water, or look
through the magic glass."
"That is a strange delusion," I remarked.
"Yes," he said; "but it is easily cured, if once we can persuade them
to look through the jewel instead of looking at it; for then they see
the King with the jewel on his breast, and the smile in his eyes, and
their doubts melt away in floods of happy tears.
"This I know," he added, "for I was once one of these. I had neglected
to use my jewel; and then an enemy, in the guise of a friend, persuaded
me to question its genuineness; but I ventured to look through it once
again, and since then, I do not look at my jewel, but gaze through it
to the King's heart; and from that day, my jewel has not grown dim."
"But you spoke of some who lost it altogether," I said.
"They are those," he said, solemnly, "who have deliberately yielded it
up to enter the service of the usurper, or those who, in base timidity,
have cast it away in denying our King."
"And for such can it ever be recovered?" I said.
"For one such, as disloyal as any, it was," he answered. "He went out
and wept bitterly; the King forgave him, and in time the treasure was
restored to him, and he became one of our most glorious veterans."
"How is the jewel to be recovered if lost?" I asked.
"By going to the place where first it was found," he replied. "There,
on the lonely beach, before daybreak, it must be sought, morning after
morning, until the sun's first rays reveal it once more glittering
among the shingle as at first. But the waiting is often longer than it
was at first."
"Will you wear your jewel," I asked, "when the King comes, or when you
go to join him beyond the sea?"
"There," he replied, with an expression of rapturous joy, "we shall
see the jewel on the King's heart. There we shall have no need of the
hidden fountain, for the river of living waters flows there, bright as
crystal; and no need of the magic glass, for the King is near; but the
jewel will shine in that happy place on brow and breast for ever and
ever."
And as I left the sea-shore and the old man, these words floated
through my heart, as if they were echoes of his history, or his story
an echo of them:
"'Be not, as the hypocrites, of a sad countenance.'"
"'Peace I leave with you, my peace I give unto you: not as the world
giveth, give I unto you.'"
"'Rejoice in the Lord alway: and again I say, Rejoice.'"
"'Your joy no man taketh from you.'"
The Cathedral Chimes:
A LEGEND.
—————
IN a city whose history dates from the ages of silvery bells and
stately buildings, there stood, and stands now for aught I know, a
cathedral, rich in all the endless fancies of Gothic art. Inside, it
was solemn with shade, and gorgeous with light which came in through
the elaborate tracery of the stained windows, many-coloured, and broken
as the sunbeams through a tropical forest. Outside, fretted pinnacles
and carved bell-towers sprang upward, grand yet fairy-like, as if stone
towers rose as easily and naturally towards heaven as oaks and pines.
But the chief glory of this cathedral was its bells. They were the
pride of the city, and the great attraction to strangers. Their history
formed an important part of the civic chronicles.
A lady of a royal house had given them as a thank offering for her
lord's safe return from the Crusades. All her silver-plate and
ornaments, with spoils of Saracens from the recovered Holy Land, had
been poured into the mould when they were made, so that from their
birth all tender and sacred memories had been fused into their very
essence, and their first tones echoed far-off times and lands.
A bishop who afterwards suffered martyrdom in the hands of African
Moslems had blessed them. Their first peal had sounded in honour of a
great victory. They had summoned the people through ages of conflict to
defend their liberties. They had blended their life with the life of
every home,—in family joys and family sorrows, at wedding, christening,
and funeral. They had made Sundays and holidays glad with their joyous
voices. And last, but not least, by aid of an elaborate mechanism of
hammers, rope, and pulleys, they had for centuries celebrated the
departure of every hour with a chorale, and every half-hour with a
strain like the versicle of a chant, and every quarter of an hour with
a little sprinkle of sweet sound.
Imagine, then, the dismay of the citizens, when, one Monday morning,
eight o'clock came, and no sound issued from the cathedral; half-past
eight, silence; nine, not a note of warning! Their wonder was increased
when the usual peal rung out, clear and full as ever, for the morning
service, and by mid-day the whole city was in a commotion. It was plain
something must be wrong with the machinery of the chimes.
Immediately the most skilful mechanics of the town, clock-makers and
bell-founders, with the men of science, and the whole corporation, in a
state-procession, mounted the clock-tower.
"We will soon set it right," they said to the agitated crowd as they
entered the belfry-door.
The ropes of the machinery were tested,—all were sound; not a
flaw in the hammers; not a clog in the wheels; not a crack in the
silvery metal. Microscopes were employed, conjectures were hazarded,
experiments of all kinds were tried, but not a ray of light was thrown
on the perplexity. The clever hands, and the wise heads, and the will
of the authorities were all baffled; and the procession reappeared to
the assembled multitudes with very crestfallen looks.
That afternoon little work was done in the workshops, few lessons
were learned in the schools, all the routine of household habits was
interrupted. And when it grew dark, the Great Square was filled with
people who were afraid to separate and go to bed without the sanction
of the cathedral chimes. Many foreboded some terrible disaster to the
city, and some thought the end of the world was come.
But when it was dark, a sound very weird and strange, yet with a music
like the old familiar tones, came from the church-tower, as it rose dim
and grand against the starry sky. It was a voice, not human, yet with a
strange likeness to a human voice, silvery as a stream, thrilling as a
battle-trumpet, familiar to each listener as his own, like the blended
voices of a spirit and a bell.
"We have borne it too long," said the bell-voice. "We were set here
on high for other purposes than men have put us to. Is not this a
cathedral, a sanctuary, and a shrine, sacred with the dust of martyrs,
and dedicated to the service of Heaven? Were not we christened like
immortals? Were not we consecrated like priests? The touch of holy
hands is on us, and shall we be debased to secular uses? Set apart like
sacred ministers in a sacred dwelling, shall we be required to mingle
in the common circumstances of your daily life? Raised on high to be
near the heavens we serve, shall our saintly voices serve to tell you
when to eat and sleep?
"We have borne it too long. We will still serve Heaven, and summon you
on Sundays and Holydays. We will call you to the solemn services of
the Church. We will, if necessary, sound a triumphant peal on days of
national thanksgiving, in remembrance of the Victory which first awoke
us into music. We will even condescend to ring at your weddings—because
marriage is a sacrament—and at your baptisms. We will toll solemnly
when your spirits pass from earth, and when your bodies are laid in
the churchyard we have seen slowly raised with the dust of your dying
generations.
"But henceforth expect us not to do work which your commonest
house-clocks can do as well. Let your eight-day clocks—your gilded
time-pieces—call you to work, and eat, and rest. We are sacred
things, set solemnly apart from all secular uses. Our business is
with Eternity, and the Church, and Heaven. Call on us no more to
commune with the things of the world, and earth, and time. We are your
cathedral bells, but we will be your household clock-chimes no longer."
Then the voice died away on the night air. For a few minutes there was
silence, but soon it was broken by sobs and lamentations, and all the
people lifted up their voice as one man, and wept.
The house-father said, "Shall we never more hear your voice calling us
to morning and evening prayer? Whenever you told us it was the hour,
the mother came from her work, and the children from their play, and
together we knelt a united family, and committed each other to God."
And the mother said, "Your voices are blended with every happy
household time. Sweet bells, will you mingle with our family joys no
more? In the morning you wakened us to begin another busy day, and the
sun's beams and your voices came together to call us to serve God in
our lowly calling; and both, we thought, came to us from heaven; and
both, we thought, were meek and lowly, and ready to minister to us in
our daily lives, because both were sent from Him who came among us
once, not to be ministered unto, but to minister; and both, we thought,
had caught something of the light of the eyes which wept at Bethany,
and of the tones of the voice which spoke at Cana and at Nain.
"At mid-day you told me it was time to send the dinner to my husband
and my elder sons. At six your voice was welcome to us all, because we
knew the father's step would soon be on the threshold. At eight you
reminded me it was time to lay the little ones to rest, and many a time
have you brought happy and holy thoughts to me in those psalms you
sang to me whilst I hushed my babes to sleep; and all my everyday life
seemed to be more linked with sacred things, to become, as it were,
a part of the service of God, because it moved to the music of your
voices.
"And again at night your tones were welcome, as in the morning, when
they told us the day's work was over, and, wearied, we lay down to
peaceful rest. For through the night we knew your sacred voices would
sound to Heaven above our sleeping city, like the voices of the angels,
who rest not day nor night, saying, Holy, holy, holy. Sweet bells, will
you never chime for us again?"
And the children said, in their clear, sweet, ringing voices, "Dear
chimes, do not cease to play to us. You wake us to the happy day, you
set us free from school, and send us home laughing and dancing for joy;
you call our fathers home to us, at night you sing us to sleep, and
your voices are blended with our mothers' in our happy dreams. Sweet
chimes, you sang so many years to our fathers and mothers; and our
grandfathers remember you when they were little children like us. Dear
chimes, sing to us still."
And from the sick-chamber, which looked into the cathedral square,
where the windows were darkened all day, and sand was strewn before the
door, that the din of the passing wheels might jar less roughly on the
aching head within, came a low and plaintive voice,—"Sweet bells, your
commonest tones are sacred to me. You are my church music, the only
church music I can ever hear. When I hear you chime the hour on Sundays
and on the festivals, I feel myself among the multitude within your
sacred walls, and your voice seems to bear their songs of praise to me,
and I am no more alone, but one of the worshippers.
"But at night it is I prize you most. All through the hours of
darkness, so often sleepless to me, your voice is the voice of a
friend, familiar as my mother's, yet solemn as the chants of the choir.
It helps me to measure off the hours of pain, and say, 'Thank God, an
hour less of night, and an hour nearer morning.' And how often, when my
suffering is great, you have come with the old psalm-tune, and every
tone has brought its word to me, and spoken to me as if direct from
God, and filled my heart with trust and peace! Your least sprinkles of
sweet sound are precious to me. I fancy they are like the waters of
time falling musically from stone to stone on their way to the great
sea. I feel they are as the echoes of the footsteps of Him who is
drawing nearer and nearer to me, and they draw my heart nearer to Him.
"Sweet bells, your commonest tones are sacred, for what is the world
but that which becomes the Church when it learns how God has loved
it, and turns from self to Him? And what is Earth but the floor of
Heaven, which heavenly feet once trod? And what is Time but the little
fragment of Eternity in which we live on earth? Sweet bells, make not
my sleepless nights lonely and silent, but sing to me, sing to us all,
as of old. Make all our life sacred by linking every fragment of our
life to God."
But still no responsive sound came from the cathedral tower, and the
people waited on in the silence and the darkness. At last a young
priest, an Augustinian friar, ventured a bold suggestion:
"Are not the devils proud, and the angels lowly? Did the angel think it
beneath him to say to Elijah, 'Arise, and eat?' Did Gabriel hesitate to
descend from the presence of God to bear to an aged priest the tidings
of the birth of a child? Did that other angel deem it secular to say to
Peter the apostle, 'Gird thyself, and bind on thy sandals, and cast thy
garment about thee,' before he led him over the stony streets through
the cold night air? And should our cathedral bells scorn to bid us
'rise and eat,' or to chime at our births, or to summon us to 'gird and
clothe' ourselves for every day's work? Brethren, proud thoughts, and
scorn of daily service, and voices which call our everyday life common
and unclean, are not from Heaven. The bells are possessed by a proud
and evil spirit. Let us exorcise them."
The suggestion at first startled the people as daring, and irreverent
to the church bells, but in their despair, they at length agreed to try
it. A solemn procession of priests and holy men and women mounted the
cathedral tower, and, in ancient formulas, with prayer and incense, and
the music of holy hymns, they exorcised the fiend.
Then at once a tide of pent-up music flowed from the liberated bells.
They conscientiously rang out all at once every hour and half-hour
they had omitted, and then meekly and steadily resumed their wonted
chimes, and continued them ever afterwards, like voices of happy and
lowly angels calling men to wake and pray, to "rise and eat," to pray
and rest, cheering the workman to his daily labour, and welcoming him
from it, chanting to the mother as she lulled her babe, and in the
sick-chamber soothing the lonely hours with melodious sound, and waking
in the lonely heart sweet echoes of the psalms of praise.
Here the Legend ended. I heard, however, afterwards that the young
priest, the Augustinian friar, lived to spread Glad Tidings through
the city, but that he was at last burned in the cathedral square for
preaching to men what he had said about the church bells. Yet in the
flames, it was said, he looked up to the cathedral tower, and sang the
words of a psalm of praise the old bells were chiming, till his voice
was silenced in death. And ever since, the chimes have taken up his
message, and chant to those who will listen, hour by hour.
"'Whether therefore ye eat, or drink, or whatsoever ye do, do all to
the glory of God.'"
What Makes Things Musical?
—————
WHAT MAKES THINGS MUSICAL?
"THE SUN!" said the Forest. "In the night I am still and voiceless. A
weight of silence lies upon my heart. If you pass through me, the sound
of your own footstep echoes fearfully, like the footfall of a ghost. If
you speak to break the spell, the silence closes in on your words, like
the ocean on a pebble you throw into it. The wind sighs far-off among
the branches, as if he were hushing his breath to listen. If a little
bird chirps uneasily in its nest, it is silenced before you can find
out whence the sound came.
"But the dawn breaks. Before a gray streak can be seen, my trees feel
it, and quiver through every old trunk and tiny twig with joy; my
birds feel it, and stir dreamily in their nests, as if they were just
murmuring to each other, 'How comfortable we are!'
"Then the wind awakes, and tunes my trees for the concert, striking
his hand across one and another, until all their varied harmonies are
astir; the soft, liquid rustlings of my oaks and beeches make the rich
treble to the deep, plaintive tones of my pines. Then my early birds
awake one by one, and answer each other in sweet responses, until the
Sun rises, and the whole joyous chorus bursts into song to the organ
and flute accompaniments of my evergreens and summer leaves. And in
the pauses, countless happy insects chirp, and buzz, and whirl with
contented murmuring among my ferns and flower-bells. The SUN makes me
musical," said the Forest.
WHAT MAKES THINGS MUSICAL?
"STORMS!" said the Sea. "In calm weather I lie still and sleep, or,
now and then, say a few quiet words to the beaches I ripple on, or
the boats which glide through my waters. But in the tempest you learn
what my voice is, when all my slumbering powers awake, and I thunder
through the caverns, and rush with all my battle-music on the rocks,
whilst, between the grand artillery of my breakers, the wind peals its
wild trumpet-peals, and the waters rush back to my breast from the
cliffs they have scaled, in torrents and cascades, like the voices of
a thousand rivers. My music is battle-music. STORMS make me musical,"
said the Sea.
WHAT MAKES THINGS MUSICAL?
"ACTION!" said the Stream. "I lay still in my mountain-cradle for a
long while. It is very silent up there. Occasionally the shadow of an
eagle swept across me with a wild cry; but generally, from morning till
night, I knew no change save the shadows of my rocky cradle, which
went round steadily with the sun, and the shadows of the clouds, which
glided across me, without my ever knowing whence or whither. But the
rocks and clouds are very silent. The singing-birds did not venture so
high; and the insects had nothing to tempt them near me, because no
honied flower-bells bent over me there—nothing but little mosses and
gray lichens, and these, though very lovely, are quiet creatures, and
make no stir.
"I used to find it monotonous sometimes, and longed to have power to
wake the hills; and I should have found it more so, had I not felt I
was growing, and should flow forth to bless the fields by and by. Every
drop that fell into my rocky basin I welcomed. And, at last, the spring
rains came, and all my rocks sent me down little rills on every side,
and the snows melted into my cup; and, at last, I rose beyond the rim
of my dwelling, and was free.
"Then I danced down over the hills, and sang as I went, till all
the lonely places were glad with my voice; and I tinkled over the
stones like bells, and crept among my cresses like fairy flutes, and
dashed over the rocks and plunged into the pools with all my endless
harmonies. ACTION makes me musical," said the Stream.
WHAT MAKES THINGS MUSICAL?
"SUFFERING!" said the Harp-strings. "We were dull lumps of silver and
copper-ore in the mines; and no silence on the living, sunny earth is
like the blank of voiceless ages in those dead and sunless depths. But,
since then, we have passed through many fires. The hidden earth-fires
underneath the mountains first moulded us, millenniums since, to ore;
and then, in these last years, human hands have finished the training
which makes us what we are.
"We have been smelted in furnaces heated seven times, till all our
dross was gone; and then we have been drawn out on the rack, and
hammered and fused, and, at last, stretched on these wooden frames, and
drawn tighter and tighter, until we wonder at ourselves, and at the
gentle hand which strikes such rich and wondrous chords and melodies
from us—from us, who were once silent lumps of ore in the silent mines.
Fires and blows have done it for us. SUFFERING has made us musical,"
said the Harp-strings.
WHAT MAKES THINGS MUSICAL?
"UNION!" said the Rocks. "What could be less musical than we, as we
rose in bare crags from the hill-tops, or lay strewn about in huge
isolated boulders in the valleys? The trees which sprang from our
crevices had each its voice; the forests which clothed our sides had
all these voices blended in richest harmonies when the wind touched
them; the streams which gushed from our stony hearts sang joyous carols
to us all day and all night long; the grasses and wild-flowers which
clasped their tiny fingers round us had each some sweet murmur of
delight as the breezes played with them; but we, who ever thought there
was music in us?
"Yet now a human hand has gathered us from moor and mountain and lonely
fell, and side by side we lie and give out music to the hand that
strikes us. Thus we, who had lain for centuries unconscious that there
was a note of music in our hearts, answer one another in melodious
tones, and combine in rich chords, just because we have been brought
together. UNION makes us musical," said the Rocks.
WHAT MAKES THINGS MUSICAL?
"LIFE!" said the Oak-beam in the good ship. "I know it by its loss.
Once I quivered in the forest at the touch of every breeze. Every
living leaf of mine had melody, and all together made a stream of
many-voiced music; whilst around me were countless living trees like
myself, who woke at every dawn to a chorus in the morning breeze. But
since the axe was laid at our roots, all the music has gone from our
branches. We are useful still, they say, in the gallant ship, and our
country mentions us with honour even in death; but the music has gone
from us with life for ever, and we can only groan and creak in the
storms. LIFE made us musical," said the Oak-beam.
WHAT MAKES CREATURES MUSICAL?
"JOY!" laughed the Children, and their happy laughter pealed through
the sweet fresh air as they bounded over the fields, as if it had
caught the most musical tones of everything musical in nature,—the
ripple of waves, the tinkling of brooks, the morning songs of birds.
"JOY makes creatures musical," said the Children.
WHAT MAKES THINGS MUSICAL?
"LOVE!" said the little Thrush, as he warbled to his mate on the spring
morning, and the Mother, as she sang soft lullabies to her babe. And
all the Creatures said—
"Amen! LOVE makes us musical. In Storms and Sunshine, Suffering and
Joy, Action, Union, Life, LOVE is the music at the heart of all. LOVE
makes us musical," said all the Creatures.
And from the multitude before the throne, who, through fires of
Tribulation and Storms of conflict, had learned the new song, and
from depths of Darkness and the silence of Isolation had been brought
together in the Light of Life to sing it, floated down a soft "Amen,
for GOD is LOVE."
The Acorn.
—————
"WHEN will my training begin?" said the acorn to itself, as it unfolded
its delicately-carved cup and saucer on the branch of an old oak on
the edge of a forest. "I understand I am to be an oak one day, like
my father. All the acorns say that is what we are to be, but there
certainly seems little chance of it at present. I have been sitting
here for no one knows how many days, and I feel no change, except that
I look less pretty than I did when I was young and green, and begin to
feel rather dry, and shrivelled, and old. At this rate, I do not see
much chance of my becoming an oak, or anything else but an old, dry
acorn. When will my training begin?"
As it meditated thus, a strong breeze sighed mournfully through the
autumn woods, and shook down many brown leaves from the old oak, and
with them the acorn.
"This will hinder my progress again," thought the acorn, "for it
is evident such a downfall as this can have nothing to do with my
education. When will my training begin?"
A day or two afterwards, a drove of hogs was turned into the forest,
and they began grunting and grubbing among the dead leaves for acorns.
Many of its brethren did our acorn see ruthlessly hurried into those
voracious snouts. It kept very quiet under the dead leaves to avoid
a similar fate, but it thought—"This is a sad delay. It is too plain
that being trampled on and tossed about in this way can teach no one
anything. When will my training begin?"
Meanwhile, the swine rummaged among the dead leaves, and trod them
under foot, and tossed the decaying mould hither and thither with their
snouts and feet, until one of them by accident rolled our acorn down
a little hill, where it lay buried under some stray leaves many yards
from the edge of the forest, in the outskirts of a park. There it lay
unobserved all the rest of the winter.
Even this was a pleasant change after having been tossed about and
trodden under foot so long, but in its fall its shrivelled brown skin
had cracked, and the acorn thought—"This is a sad disaster. How ever am
I to grow into an oak when I am so crushed and cracked that scarcely
any one would recognise me for an acorn? When will my training begin?"
All the winter the rain pattered on it, and sank it deeper and deeper
under the dead leaves and under the earth-clods, until all its acorn
beauty was marred and crushed out of it, and it fell asleep in the
dark, under the cold, damp earth; and the snows came and folded it in
under their white, eiderdown pillows. At last, the warm touch, that
comes to all sleeping nature in the spring, came softly on it, and it
awoke.
"What a pity," it said, "I should have lost so much time by falling
asleep! I can scarcely make out what I am like, or where I am. What a
sad waste of time! It is clear no one can go on with his education in
sleep. When will my training begin?"
With these thoughts, it stretched out two little green things on each
side of it, which felt like wings; and tried to peep out of its hole.
And, to its delight, it succeeded, and, with a few more efforts, even
contrived to keep its head steadily above ground, and look around it.
"There is my father, the old oak," it said. "He looks quite green
again. But I am a long way off from him, and how very small and close
to the ground! When shall I begin to be like him?"
But meantime it was very happy. It felt so full of life, although so
small; and the sun shone so graciously on it, and all the showers and
dews seemed so full of kindly desires to help and nourish it. And
more and more little green leaves expanded from its sides, and more
and snore little busy roots shot down into the earth, and the leaves
breathed and drank in the sunshine, and the roots were great chemists
and cooks, and concocted a perpetual feast for it out of the earth and
stones.
But it thought sometimes, "This is all exceedingly pleasant, and I am
very happy; but, of course, this is not education; it is only enjoying
myself. When will my training begin?"
The next spring, the early frosts had much more power over it in its
detached, exposed situation than over the saplings in the shelter
of the forest. And it saw the trees in the wood growing green, and
tempting the song-birds beneath their leafy tents, whilst the sap
still flowed feebly upward through its tiny cells, and its twigs and
leaf-buds were still brown and hard.
"This must be a great hindrance to me," it thought—"this, no doubt,
will retard my education considerably. What a pity I stand here so
detached and unprotected! When will my training begin?"
But in the late spring came some days of black east wind and bitter
frost, and it saw the more forward leaves in the wood turn pale and
shrivel before they unfolded, and then fall off; nipped and lifeless,
to join the old dead leaves of the past autumn, whilst its own little
buds lay safe within their hard and glossy casings, protected by one
enemy against a worse. And when the east wind and the black frosts were
gone, the little sapling shot up freely.
In that summer, and the next, and the next, it made great progress. But
in the fourth autumn, a great disappointment awaited it. The owner of
the park in which it grew came by, and stood beside it, and said to his
forester—
"That sapling is worth preserving, it is so vigorous and healthy; and,
standing in this detached position, it will break the line of the wood,
and look well from my house. We will watch it, and set a fence around
it to guard it from the cattle. But it has thrown out a false leader.
Take your knife and cut this straggling shoot away, and next year, I
have no doubt, it will grow well."
Then the forester applied his knife carefully to the false leader, and
cut it off. But the sapling, not having understood the master's words,
nor observed with what care and design the knife was applied, felt
wounded to the core.
"My best and strongest shoot," it sighed to itself. "It was a cruel
cut. It will take me a long time to repair that loss. T am afraid it
has lost me at least a year. When will my training begin?"
But the next year the master's words were fulfilled.
Thus years passed on. And slowly, twig by twig, and shoot by shoot, the
sapling grew. Sunbeams expanded its leaves; rains nourished its roots;
frosts, checking its early buds, hardened its wood; winds swaying it
hither and thither, as if they were determined to level it, only rooted
it more firmly. And year by year the top grew a little higher, and the
wood a little firmer, and the trunk a little thicker, and the roots a
little deeper; but so slowly, that summer by summer it said—
"This is very pleasant; but it is only breathing, and being happy. It
certainly cannot be the discipline which forms the great oaks. When
will my training begin?"
And autumn by autumn, as the sap flowed downward, and the buds ceased
to expand, and the branches grew leafless and dry, it thought—
"This is a sad loss of time. Now I am falling into torpor again, and
shall make not an inch of progress for six long months. When will my
training begin?"
And winter by winter, as the winds bent it to and fro, and made its
branches creak, and threatened its very existence, and the heavy snows
sometimes broke its boughs—
"These are sore trials. I may be thankful if I barely struggle through
them! In days like these existence is an effort, and endurance the
utmost one can attain. When will my training begin?"
And in the spring, when the frosts nipped its finest buds—
"These little nips and checks are very annoying; but one must bear them
patiently. They are certainly hindrances; and it is disheartening, when
one does one's best, to be continually thrown back by these trifling
checks. When will my training begin?"
But, one summer day, a little girl and an old man came and seated
themselves under its shade. By this time it had seen some generations
of men, and had learned something of human language.
The old man said—"I remember, when I was a very little boy, my
grandfather telling me how, when he was young, he had marked this
tree, then a mere sapling, and pruned it of a false shoot, which would
have spoiled its beauty, and had it fenced and preserved. And now my
little grand-daughter and I sit under its shade! The fence has long
since decayed; but it is not needed. The cattle come and lie under its
shadow, as we do. It is a noble oak-tree now, and gives shelter instead
of needing it."
Then the oak rustled above them; and the old man and the child thought
it was a summer breeze stirring the branches. But in reality it was the
oak laughing to itself, as it thought—
"Then I am really a tree! And, whilst I was wondering when my training
would begin, it has been finished, and I am an oak after all!"
Parables in Household Things.
—————
THE sick girl lay in her shaded room, in the street of a great city,
and thought, "If I could only leave this prison of mine, and look at
the beautiful world, I know I should grow happier and holier with every
breath I drew. The thorny bud on the brown branches in spring would
give me promise of resurrection; every butterfly would tell me of
life through death; every flower would lift my heart to Him who cares
for our little pleasures; every bubbling spring would murmur to me of
the living water; every corn-field and garden would repeat the sacred
parables. But here I can see nothing of God's making but the sky, and
that is too high and far. I want some steps to take my feeble thoughts
gently up to heaven. But around me are only manufactured things, which
speak to me only of earth, and time, and man."
She leant back listlessly on her couch. Twilight came over the room,
the glowing coals stirred quietly as they burnt away, and then it
seemed as if an angel's hand touched her ears and opened them, for the
dark and silent room became full of soft and soothing harmonics. All
the mute and inanimate things about her found voices and spoke comfort
to her heart.
Together they said—"It is true we are only manufactured things; but do
not despise us for that! We came originally, as much as you yourself,
or the flowers, and the trees, and the sunbeams, from one Divine Hand.
It is only that we have been trained and moulded by human hands to be
what we are. And just so are you; God creates you, but life moulds
you. Your trial and your training come like ours, mostly through human
hands, although you are destined for higher plans and more blessed
services. Listen to us, for we have messages for you, each one of us."
Then the stones from the wall said—"We come from the mountains far
away, from the sides of the craggy hills. Fire and water worked on
us for ages, but only made us crags. Human hands have made us into a
dwelling where the children of your immortal race are born, and suffer,
and rejoice, and find rest and shelter, and learn the lessons set them
by our Maker and yours. But we have passed through much to fit us for
this. Gunpowder has rent our very heart; pickaxes have cleaved and
broken us, it seemed to us often without design or meaning, as we lay
misshapen stones in the quarry; but gradually we were cut into blocks,
and some of us were chiselled with finer instruments to a sharper edge.
But we are complete now, and are in our places, and are of service.
You are in the quarry still, and not complete, and therefore to you,
as once to us, much is inexplicable. But you are destined for a higher
building, and one day you will be placed in it by hands not human; a
living stone in a heavenly temple."
Then the glass water-beaker said—"I was hard flint and waste sand on
the desolate sea-shore once, but human hands gathered me, and fused me
in furnaces heated seven times, and took me out to let me cool, and
cast me in again, and shaped and cut me till at last I carry your water
from the spring, and am pressed with many a thankful glance to your
parched lips. I am complete. But you, when you have passed through your
fires, will be a vessel of living water in a better hand, and bear many
a draught of refreshment to weary and thirsty hearts."
"I also have been in many furnaces," said the china flower-vase. "The
colours you so often admire in me, have been burnt in slowly, stage
by stage, every fresh colour requiring a fresh fusing in the furnace.
But you, when your trial is over, shall carry flowers of Paradise and
leaves from the tree of life for the healing of the nations."
"And I," said the clock, "am scarcely an individual being. I am a
little world in myself—a wondrous combination of mechanism. Each of my
wheels and springs, with my unwearied pendulum, has its own history of
fires and blows and ruthless instruments. None of us could form the
slightest idea, as we lay dismembered in our various workshops, what
we were designed for. Only in combination with every other part, has
any part of us any meaning. You are not a little world like me, but a
fragment of a great world. When all that belong to you are gathered
together, you will understand it all as we do now. And your voice will
mark with joyous music the flight of blessed ages which only lead to
others more and more blessed throughout eternity."
"And I," said the bronze pastille-burner, "came from ages of darkness
in the depths of the earth. Human hands brought me to the light,
moulded and sculptured me, and set me here to burn sweet perfumes, and
diffuse fragrance around me. But you will be an incense-bearer in a
Temple by and by, and from you shall stream a fragrance of love and
praise acceptable to God."
"The quarries were my birthplace also," said the alabaster night-lamp;
"but you shall be a light-bearer, when your training is complete, of a
light which is life, and which has no need of night, like my dim flame,
to make it visible."
"I," sang the guitar, with the wooden frame and metallic strings, "am
a twofold being. I lived and waved in the forest once; and then the
woodman's axe was laid on me, and I fell,—I fell, and the life departed
from me; and from a living, life-bearing tree, I became mere inanimate
timber. More blows, more tearing with saws, more sharp cutting with
knife and chisel, and I became melodious again, simply from being
united with these metallic strings, which never had life, but lay
silent in mines, till the hand of man woke them into music. And thus
together we respond to your gentle touch, and soothe for you many a
lonely hour. Life from death, music through fires of trial: this is
also your destiny. Hereafter every nerve of your tried and perfected
being shall respond to the slightest touch of the Hand you love,
filling heaven with happy music."
"As for me," said the pages of the hymn-book, "my discipline has,
perhaps, been the severest of all. Once rustling in the flax-field,
rejoicing in the dews and sunshine, I was torn, racked, twisted,
and woven by many iron hands into linen. Then, for a time, treated
carefully, decorated and treasured, and washed and perfumed, I was
afterwards thrown scornfully away. Yet, even in that low estate,
I found comfort. Even as a rag I bound up the wounds of suffering
soldiers in a military hospital. But I was to sink lower yet. I was
thrown into a mill, and pounded, crushed, and torn, till I was a mere
shapeless pulp. Yet from those depths, my true life began. Process
after process succeeded, till here, at last, I am to speak to you
undying words of hope and love. And you also, one day, shall shine
forth a living epistle, proclaiming to angels and men for ever and for
ever such words as speak to you from my pages now!"
The sick girl smiled, and was comforted. "Yet," she said, "the fires
are fierce, the blows are heavy, the trial is long. The end is, indeed,
well worth them all; but sometimes the end seems distant!"
"Yes," responded the hymn-book; "my history resembles yours in one
happy feature more than that of any of us besides. For even in your
days of training you are of service. You may clothe cold limbs, and
bind up many wounds even now, as I did when I was a poor linen-rag.
And, more than that, even now, in your time of trial, the ministries
you are destined for at last may be begun. Even now you may be a living
epistle, a book wherein many may read lessons of hope and patience, and
sing praises, as they look on you, as you do when you look on me."
"Yes," responded the stones; "even now you are a living stone. The
temple you are to form is building even now."
And the pastille-burner:—"Even now your prayers and praises may rise
like sweet incense."
And the water-glass:—"Many a draught of living water may you carry,
even now, in the dry and thirsty land, to hearts that need it."
And the night-lamp:—"Even now in the night, thou, child of the day,
sheddest light around thee—a little light, it may be, in a narrow
circle, yet which, though thou mayest not know it, cheers and guides
not a few, even now."
And the guitar:—"Many a strain of thankful song has come from the
depths of your heart, even now, in these your days of trial, to blend
with my harmonies, and to soar to regions which my poor metallic music
can never reach!"
And all the mute things sang together—"We are complete and rejoice
to serve you, vessels meet for your using. One day you also shall be
perfected, a vessel meet for the Master's use. And then He will take
you into His house, unto the temple which is a home and your home for
ever. Like us, when you are perfected, you shall serve; but, unlike us,
even whilst you are being perfected, you may serve!"
Then the sufferer turned over the leaves of another Book, and saw how
the Master had written His parables, not in streams, and corn-fields,
and birds, and flowers, and fruitful earth, and starry sky alone, but
in common household things, and common human ties. And henceforth, not
nature only, but everyday cares, and duties, and relationships, and all
things around her, became for her illuminated with the lessons of His
love.
Passages from the Life of a Fern.
—————
MY life has been one of such extraordinary vicissitudes as might have
made many almost doubt their own identity. But it is only to-day that
I have learned its real purpose. To-day, for the first time, I am
content. A light has dawned on me which makes all the dark passages
of my former life clear and luminous, and unites the whole into one
harmonious picture. I will narrate a few of my adventures to you while
I am full of this happy discovery.
The first thing I can remember is being in a world overflowing with
life in every form. It was a tropical forest. Gigantic palms rose above
me so high that I could not see their feathery crowns. From one erect
stem to another hung tangled festoons of parasites and climbing plants,
broad, rich, green leaves which fell into stately crowns with their
own weight, enormous gorgeous flowers, delicate wreaths of intertwined
many-coloured blossoms and many-shaped foliage; so that when I looked
up, I could scarcely see one point of the deep blue sky, except when a
strong wind made rifts in my fretted roof. Scarcely one ray of light
fell on me pure, but broken and green and tremulous, softly shaded, or
tinted like a rainbow through the flowers.
The animals which lived in our forest depths I cannot distinctly
recall. I have not seen any like them for so many thousand years. But
all was gigantic, and many would seem misshapen monsters to us now. Yet
then it was quite natural, and an everyday thing, to hear the great
tree-eaters tramping each like an army through the forest shades,
cropping the tops of the highest trees, and devouring branches as our
animals crop the herbage. Trees crackled under them like brambles.
We dreaded much, we smaller creatures, to see these approach, for they
trampled down a generation of us under the tread of their ponderous
feet. There were lizards whose scales glittered like the waves of
the sea in the sunshine, each scale a massive prismatic metallic
plate. And from the lower reaches of the forest, where the hot mist
steamed up from the marshy hollows, monstrous creatures, half-fish,
half-forest-climbers, occasionally strayed among us.
I cannot recall if there was music in the forest; yet I think I hear
across these countless years the dim echoes of strange voices, which
have been silenced for ages on the earth, a confusion of wild calls and
cries in the mornings and evenings, weird bell-notes tolling through
the sultry noon-day silences, and a confused whirr, and buzzing, and
croaking, and whizzing, and rustling of countless smaller animals which
have perished and left no trace of their existence behind.
But the creatures which impressed the restless character on my being,
which only to-day the sun has smiled away, were some near relations of
my own. For, although I was but a little fern, many of my race were
among the lords of the forest. Their roots spread into magnificent
curved pedestals; their stems rose, decorated, and erect as the palms,
to the height of the tallest trees; and their fronds expanded into
ribbed and fretted roofs, beneath which hundreds like me could find
shade and shelter, yet every frond as delicately fringed and edged as
any of ours.
I thought—"These are my elder sisters. One day I shall grow like them."
Thus my own daily life seemed empty and shadowy to me, because of the
strong yearning that possessed me to be great like them. It did not
make me discontented or desponding, but filled me with a wild and
feverish expectation which made the present appear nothing to me. I
stretched out my little fronds, and caught every sunbeam and rain-drop
I could; and when a shower came, and the life-giving waters circulated
through my veins, I throbbed with vague desire, and thought, "Now I am
to be something."
But with all my efforts, I never could grow to be any thing but a
little fern! So the summer passed, and then I felt myself growing
shrivelled and old. My limbs contracted, my fronds curled up and turned
dry and brown, and in a few weeks I was scarcely visible. But the
spring revived me and my yearnings, and I grew certainly very handsome
and tall for one of my branch of our family; but still only a little
fern!
The forest decayed, I know not how. The marsh extended, and, instead
of the world of varied exuberant life, we lay a long time a mass of
steaming, mouldering decay. And then, through millenniums more, we
stiffened and hardened and grew black and shapeless, and were buried
in the dark, no one can say how long, for to us, throughout those
changeless ages, there were no days and no seasons to measure time.
At last a light came to us, not the sun, but a little trembling light,
in the hands of a living creature, such as we had never seen. I know
now it was a man. Then followed a time of stir and noise and knocking
about, such as I shall never forget. We were hewn with pickaxes, and
tossed into buckets, and, at last, lifted into the real old sunlight we
had not seen for countless ages. The sun was the same as ever, as young
and bright, it seemed, as he had been thousands of years before; but we
did not bask long in his beams.
A period followed of darkness and cold and silence, in which all the
world seemed to have forgotten my existence, although I had been
dragged out of my native bed, and stored in this den with so much
pains. But they remembered us at last.
One evening, after passing through a great deal of commotion, I found
myself in an open place, with many of my brethren. A light like that we
had first seen, after our ages of darkness in the heart of the earth,
was applied to us, and then the strangest transformation passed over me.
Just as the water had streamed through my green veins in the forest
of old, a new element began to course through all my black and stony
heart. That light ran through and through me, until I became, not a
receiver, but actually a giver of light. Instead of my green fronds,
delicate pencils of red and golden flame streamed from me, until I
became one glowing substance; and, in my own light, I actually saw
living faces looking thankfully at me, and human hands stretched out to
feel my warmth, just as of old I had spread my fronds in the rays of
the sun.
But I was too full of my old vague longings to enjoy or observe any of
those things much, for I thought, with glowing confidence, "Now, I am
to be something great at last!"
It was the last glimmer of that vague ambition in me. My light
faded, I grew cold, and, which was worse, I fell to pieces, became
mere dust, and was wafted about by the slightest breath, so that I
had the greatest difficulty in preserving my own identity. I was
even ignominiously swept away by the very hands which had spread
so gratefully in my light only a few hours before, and tossed
contemptuously out into a rubbish heap behind the house.
But there, happily for me, I was once more in the sunshine; and the
sun, and all heavenly creatures, think scorn of no one. They smiled on
me, a poor heap of ashes, as if I had been a tree-fern; and the gentle
dews descended on me, as if had been a flower; and the birds and winds
scattered seeds amongst us, until I began to feel once more something
like the stirrings of life within me. I had blended my being with a
little seed, and in the spring, green tufts of life burst out from my
shrivelled heart. I grew, and spread, and drank in rain and sunshine,
until at length I waved and expanded in the summer breeze—a little fern!
Then a bright, transforming thought flashed through me. In the tropical
forest, in the black coal-beds, on the glowing hearth, I had not been
an imperfect likeness and a vague promise of something else, but
myself, in my little degree, pleasant and serviceable; exactly the
best thing it was possible for me to be, filling up my tiny measure of
service in the world, so that the world would have been the poorer for
that tiny measure of pleasure and good without me. How happy I might
have been always, if I had known this before! How happy I am to know it
now!
I begin life again, but I have learned my lesson. I am something; not
something great, but something I was meant to be—a little green happy
fern. At this moment I tremble with joy in the soft breezes, I thrill
with life, I drink the rain-drops, and the next moment and to-morrow
will bring each its store of work and joy for me, and I shall be the
highest thing I could wish to be, the thing I was made to be. And now
I am here near the tall trees, and among the many-coloured flowers, a
little, happy, lowly fern.
Parables.
The Clock-bell and the Alarm-bell.
—————
"WE have lived a long time here together," said the ponderous
Alarm-bell to the little brisk bell in the clock-tower of the
Orphan-house, "and a useful life yours has been! I have watched
carefully, and never once during these hundred years that we have stood
side by side have you failed to tell the hours and half-hours by day
and night. I have plenty of leisure for thought; but it would be beyond
my powers to calculate how often your voice has been heard in the
service of man.
"I observe, too, how much attention is paid you by all, and with how
much well-deserved respect you are regarded. Nothing is done in house
or field without your sanction. At your early call, this little busy
hive begins to stir in the morning. At your mid-day invitation, the
boys gather from the fields where they have been working; and the girls
from the laundries and workrooms to the noon-day meal. At your evening
summons, the doors are closed at night, and not a sound is heard
afterwards in house or field until your steady voice wakens our little
world again.
"Yours is, indeed, a useful, honoured life; but as for me, who can tell
what I am made for? Since I was placed here first, a hundred years ago,
lifted up with enormous trouble and labour, and safely roofed in my
belfry, not a creature has heard my voice, or been the better for my
existence. I might as well have been lying still a lump of unsmelted
ore in the depths of the mines. I feel so stiff and rusty, that I
sometimes question if they could move me if they tried.
"For you, daily, hourly usefulness! For me, a hundred years of silence!
And who can say how many more? I do not complain; but our destinies are
very different. It must be wonderfully happy to be so useful, and to
be looked on by every one with such attention and regard. Of course,
I could not expect to be as serviceable as you—I, with my cumbrous,
ponderous mass of heavy metal, and you, hung so lightly, so graceful in
your shape, so brisk in all your movements, so cheery and pleasant in
your voice. But I should like to be of some use once in my life, even
if it were only to know for what purpose I was made, and set on high."
"Wait!" said the Clock-bell. "There must be some work for you. It would
have taken a hundred such as I am to make one like you. Think of the
trouble there must have been in getting a mould large enough for you—of
the labour it was to raise you so high. You must be set there for some
end, although we do not yet know what. Wait!" said the Clock-bell,
cheerily, and struck nine.
Then there was a sound from within the house, as of many childish
voices singing an evening hymn. A few minutes after, all was still, and
ten o'clock echoed over the silent fields to the sleeping city near at
hand.
But that night there was an unusual stir in the Orphan-house. Feet were
heard rushing hither and thither; and from every window poured forth
the cry: "Fire! Fire! The Orphan-house is on fire!"
And, through the darkness, lurid smoke began to rise from an outhouse
attached to the main building.
Then came another cry: "The Alarm-bell! Ring the Alarm-bell!"
And feet were heard on the steps of the belfry-tower; and hands began
pulling vigorously at the ropes, and in a moment, for the first time,
the deep tones of the long silent bell pealed heavily on the midnight
air. They awoke the city. In a short time, fire-engines were on the
way. Streams of water played on the flames, and quenched them; and the
children and the Orphan-house were saved.
The next morning all was silent again, as if nothing had happened; the
outhouse lay in ashes, but the Orphan-house was uninjured. At eight
the Clock-bell called the children to their morning prayer; whilst the
Alarm-bell had relapsed into silence, perhaps for another century.
But the Clock-bell said—"You have done in an hour the service of a
century. Had it not been for you, I should never have struck another
hour."
And the grateful children often looked up as they passed beneath,
and said—"Had it not been for our good Alarm-bell, we might all have
perished!"
So the Alarm-bell learned what it was made for; and was content to wait
another hundred years, or more, before its voice was heard again.
Thorns and Spines. *
—————
IN a garden there once grew a beautiful, blossoming thorn. When the
spring came, for a fortnight it was always clothed with a robe of white
blossoms. They seemed at once relics of winter, and promises of summer.
It was as if Winter, in departing from the earth, had left behind a
fragment of his snowy vestments; and Spring, touching them with her
magic wand, had transformed them from snow-wreaths into wreaths of
snowy blossoms. They were beautiful even in fading; and for many days
after the whiteness had gone, they glowed into a delicate pink, and
strewed the earth with silky petals when they fell.
* Thorns are abortive leaf-buds. Spines are the lower leaves of plants
metamorphosed into bristles, to guard the young tree from the attacks
of cattle. This little parable was suggested by a passage in "Modern
Painters."
On this thorn, one spring, a little brown leaf-bud formed, at the foot
of a green twig, the cradle of the green twigs of the next spring. But
it happened that, as this brown leaf-bud watched the beauty of the
flowers, it grew discontented with its destiny:—
"Why am not I a flower-bud?" it murmured, inside its little brown
casing. "That would be worth living for!—To fill the air with delicate
fragrance, to be sung to by the birds, to be gathered by human hands
as a treasure; or even to live unnoticed by any one, but only to be a
flower!—A beautiful, fragrant creature, with a coat of many colours,
and a crown of golden stamens, and with promise in its heart;—that
would be worth living for! But to be a leaf-bud, a brown, dark, hard
leaf-bud!—It would be better to die at once."
And a discontented shiver ran through its veins; and all that summer
it never cared to drink in sun or rain, but sat and shivered, and
shrivelled on its stem, while all around it, meek and happy buds
were growing strong and full of life, nourished by the same rain and
sunshine. And in the spring, when the white shower of snowy flowers
came again on the thorn-tree, and the other leaf-buds had expanded
into green twigs, waving and whispering in the breeze, with each a new
bud at its feet, the envious and discontented bud had shrivelled and
narrowed itself into a thorn, which pierced the hand of the child, as
it reached up to gather the spray of fair white blossom.
* * * *
In a field near this garden, there grew a green shrub, which at the top
expanded into luxuriant branches, giving shade at mid-day to man and
beast. But from the lower branches, instead of broad green leaves, grew
long sharp spines. One summer day, these spines said to each other, in
their short and broken speech, for they could not wave and rustle in
the wind like the leaves:—
"We are not worthy to live on the same tree with the beautiful forest
leaves which wave in the fresh air above us. We can make no refreshing
sound as they do; we give no shade as they do to any creature; and we
only prick any one that tries to touch us. But it is very pleasant to
us to be allowed to grow from the same trunk as they; and it is very
kind of the sweet leaves to sing to us as if we belonged to them, and
not to be ashamed of us. We are certainly most happily situated; so far
beyond what we have any right to expect!"
But all the leaves rustled in a joyous chorus, and said:—"You are our
elder sisters, meek and useful spines! If it had not been for you, we
should never have come into life at all, and man and beast would have
had no shade from us. The hungry cattle would have eaten us before we
unfolded, and our parent-tree would never have grown to what it is, had
it not been for you, our faithful and patient guardians. If you had
rebelled against the gracious hand that moulds us all, and prevented
our expanding into leaves, we should all have perished together long
ago. We owe our life to you!" murmured the leaves.
And the rough spines quivered through all their faithful hearts at the
words of the leaves.
Then the master passed by, and he said:—"Well done, my faithful spines!
You have done your work, and guarded my treasures well. But for you, my
trees would have had no leaves, and my fields no shade."
And the spines wondered, and rejoiced greatly; for they had never
thought that, in meekly and contentedly bearing their rough lot, and
being what they were meant to be, they were serving the master, and
doing such good work for others.
Sunshine, Daylight, and the Rock. *
—————
SUNSHINE and Daylight had one day a serious difference of opinion about
a rocky waste, over which their course led them.
* Reprinted from "Excelsior."
"I am not severe," said Daylight, fixing her clear, generalising
gray eyes on the Rock. "If I cannot, like some people, see nothing
but what I wish to see, no one ever accused me of blackening any
one's character. I have known that old rock more years than I care to
mention; not a jagged edge, nor a whimsical cranny, but I am intimately
acquainted with, and I do not hesitate to say, that a more barren,
unmitigated rock I seldom meet with. I do not slander it. I only say,
it is nothing more or less than a rock."
Sunshine said nothing, but peeped round the shoulder of her cousin's
gray cloak, until the smile of her soft eye met the eye of a little
blue violet, which, by dint of hard living, had contrived to obtain
a secure footing in a crevice of the old rock; and a flutter of joy
passed through the blossoms and leaves of the violet, and communicated
itself to a tuft of dry short grass, which had ensconced itself behind.
The red and gray cups of some tiny moss and lichens, which had crept
into corners here and there, next drank in her kind glances, and
fancied themselves wine-cups at a feast. Here and there specks of
colour and points of life revealed themselves, and, as they looked,
expanded.
By this time, Sunshine had folded Daylight to sleep on her warm breast.
Many weeks had passed, when, one quiet afternoon, Daylight again came
that way, and glancing critically around, she murmured to Sunshine,
"Where is the old gray rock you were so sanguine about?"
Sunshine was silent: her motto being, "Not 'in word, neither in tongue;
but in deed and in truth.'"
And at length, Daylight's quiet eyes awoke to the fact, that the grassy
knoll where flowers—tiny rock-plants indeed, but still flowers—and
mosses lay dozing unawakened by her sober tread, was none other than
the rock she had known of old. And she said, meekly, "Truly I find that
one way to create beauty is to perceive it."
Then an angel, who was hovering near, on his way back from some message
of mercy (for the angels never linger till their messages are given),
sang softly, "Love veileth a multitude of sins."
And the old Rock answered in a chorus, through its moss-threads, and
lichen-cups, and leaves, and blossoms, "And under the warm veil spring
a multitude of flowers."
Wanderers and Pilgrims.
—————
A LARGE tract of country lay spread before me; upland and lowland, hill
and plain. The whole land seemed stirring with perpetual movement, all
in one direction;—from the bright hills at its commencement, to the
dark mountains at the end. Earth and sky seemed moving, as when an
enormous flight of migratory birds is passing by, but earth and sky
were really stationary. This movement was one constant tide of human
life, ceaselessly streaming across the land.
It began on a range of wooded hills, with their sunny southern slopes,
forests and flowery banks, and grassy and golden fields. Down these
slopes, joyous bands ran fast. As I looked closer, I saw the movement
was not incessant in the case of each individual; only the ceaseless
passing of the great tide of life made it seem so. Merry groups paused
on the hill-sides, and made fairy gardens, and twined leafy tents where
they would sit a little while and sing and dance. But only a little
while! No hand seemed driving them on; it appeared only an inward
irresistible instinct. Yet soon the bright groups were scattered, and
moved down again over the hills, often never joining more.
"Why do you hasten away from these sunny slopes?" I said. "There seems
nothing so pleasant in all the land besides."
"Perhaps not," the travellers replied, with a slight sigh; but it ended
in a snatch of song as they danced gaily on. "Perhaps not, but we are a
race of Wanderers! We cannot stay; and perhaps better things await us
in the plain."
"Whither are you going?" I asked.
"We know not," was the answer; "only onward, onward!"
In the plain were buildings of more solid construction, houses and
cities. And here I observed many of the travellers would have gladly
lingered, but it could not be. Homesteads, and corn-fields, and
vineyards, all had to be left; and still the tide of life streamed on
and on.
"Why?" I asked.
"It is the doom of our race," they said, sorrowfully; "we are a people
of Wanderers."
"Whither?" I inquired.
"We do not know," was the reply; "only onwards and onwards to the dark
mountains!"
Slower and slower grew the footsteps of the Wanderers, more and more
regretful the glances they cast behind. Slower, yet with fewer pauses.
The strange restless impulse drove them steadily on, until, wearied and
tottering, they began the ascent of the dark mountains.
"What is on the other side?" I asked.
"The sea," they said, "the Great Sea."
"How will you cross it, and what is beyond?"
"We know not," they said, with bitter tears. "But we are a doomed race
of Wanderers—onwards, onwards; we may not stay!"
Then first I perceived that, among these multitudes of aimless
Wanderers, there was one band who kept close together, and moved with
a freedom and a purpose, as if they journeyed on not from a blind,
irresistible impulse, but from choice. Their looks were seldom turned
regretfully behind them, or only on the dark mountains. They looked to
something higher.
I asked them—"Why are you thus hasting on?"
"We are Pilgrims," they replied; "we would not linger here."
"Whither are you going?" I inquired.
"Home!" they answered, joyfully. "To a Holy City which is our Home."
"But how do you know the way?" I asked, for no barriers seemed to limit
their path, so that any of the Wanderers might join it at any point.
"We know it by two marks," they answered—"by the footsteps of One who
trod it once, and left indelible footprints wherever He stepped. And we
know it also by the goal to which it tends!"
Then looking up, I saw resting on the mountains where this path ended,
a bridge like a rainbow, and beyond it, in the sky, a range of towers
and walls, pearl and opal, ruby and golden, such as in a summer evening
is sometimes faintly pictured on the clouds, when the setting sun
shines through them.
And the little band chanted as they went, "The doom of our race is
reversed for us. We are not Wanderers; we are Pilgrims. We would not
linger here; this is not our rest. Onwards, upwards, to the City!—To
the Home!"
The Ark and the Fortress.
—————
ONE day, I had been thinking about the terrors of the Great Flood, when
it seemed to me that I saw back through the long ages to that distant
day, as you look with a night-glass through the night to an illuminated
planet.
I saw an old man, venerable with the centuries by which we count the
lives of nations, not of men, yet vigorous with the vitality of one who
had still centuries to live. He stood on an inland plain, far from any
sea; yet above him rose the sides of a large ship. It had been finished
that day.
Once more the old man warned the laughing crowds around of the waters
which would surely come and float the vessel high above the submerged
world. He had told them the same truth for a hundred and twenty years.
There had been no indefiniteness about his prophecy. As, since then,
men have been warned by the uncertainty of a doom which may come at any
moment; then, they were warned by the certainty of a period definitely
fixed. Every fall of the leaf had brought it precisely a year nearer.
And now the last evening of the last year had come, and once more the
patient preacher of righteousness stood and warned them to forsake the
sin which must bring the doom.
But in vain. There was no persecution; perhaps some mockery, as they
pointed to the cloudless sky, and the fields and forests growing daily
greener in the spring-tide sunshine; but for the most part simply
unbelief and indifference. "They ate, they drank, they married, they
were given in marriage." And so the last warning was finished, and the
last evening closed.
But one little group seemed to me to detach itself from the rest with a
bolder confidence. They pointed to a fortress on the highest summit of
the mountain range above them, and said:—
"If what you say is true, surely we shall be safer there than in a
floating ark like yours. In the rushing of the great water-floods you
speak of, and the beating of the storms, our mountain fortress will
serve us better, at least, than your wooden walls. We shall look down
from our height on your waters, and, perchance, see the wreck of your
vessel drifted to our feet!"
The patriarch and his family were shut in the ark. Before the next
morning, the day of doom had set in. Not a break in the pitiless roof
of clouds. Steadily the torrents poured from the opened flood-gates of
heaven, whilst the waters from beneath broke their barriers, and the
reservoirs under the hills burst forth in sudden rivers.
The flood had begun. The valleys became lakes, the plains seas; but
the builders of the mountain fortress had fled to it, and looked
triumphantly down on the waves.
Higher and higher they rose. The lower hills were covered. The mountain
range was isolated. But the dwellers in the fortress thought, "We are
well provisioned. This cannot last for ever!"
The waters rose. Peak after peak became an island. And at last, the
highest peak, on which the fortress stood, looked out alone upon the
waste of waters, and the floating ark buoyed up securely on them.
They looked still down on the waters, but with trembling hearts. The
wild waves dashed furiously against this one remaining obstacle. The
firmest human masonry cannot stand like the everlasting rocks. The
strong foundations gave way, and with a crash, and a wail of anguish,
the fortress fell, and nothing rose above the waters but the floating
ark. For nothing that is founded on earth can escape the doom of earth.
But—
"Planted Paradise was not so firm
As was, and is, Thy floating ark."
The Three Dreams.
—————
I HAD once three dreams in close succession, which I will relate to you.
In the first, I saw a magnificent palace, a little world of gardens
and buildings, a city in itself. All was enclosed within a high wall,
so that from outside you could see nothing of it except the fairy
white minarets, pencilled delicately against the blue sky, some lofty
battlemented watch-towers, and several graceful campaniles, with the
tops of a few of the highest trees. But a delicious blending of the
fragrance of a thousand flowers came thence in summer evenings; and
every night, bell-tower, watch-tower, spire, and dome, and minaret were
illuminated with innumerable starry lamps, as if every day within the
palace were a festival.
Around the palace were the lanes and alleys of the city—scenes of
poverty and squalor—which contrasted strangely with it; and wretched,
half-starved-looking creatures, with tattered garments and faces worn
with deep marks of want and woe, lingered round the gates. Outside the
gates!—and this was one strange incongruity of my dream, for on the
gates were emblazoned in golden letters, which were illuminated into
transparencies at night, the words—
"KNOCK, AND IT SHALL BE OPENED UNTO YOU."
The gates were solid, and enormously massive, like blocks of black
marble. No violence could have forced them. There was no crevice at
which any one could get a glimpse of what was within. But the golden
knocker, underneath those golden words, was so low as to be within
reach of the youngest children. Indeed, I noticed that none tried it so
often as little children; and whenever any one knocked with the very
feeblest sound, in time, and often immediately, the stately portals
opened from within, turning on their massive hinges with a sound like
the music of many choirs, and the applicant was quietly drawn inside.
Then I saw that the inside of the gates was of translucent pearl. A
stream of light and fragrance for a moment came through, and induced
others afterwards to knock. But immediately the gates were closed, and
stood a wall of impenetrable marble as before.
I awoke, and whilst meditating on my dream fell asleep again.
In my second dream, I saw the same palace as in my first, but the
massive doors were gone, and in their place stood the form of One whom,
although I had never seen Him, I had heard so often described, and so
faithfully, by those who had seen Him, that I knew Him at once. The
same wretched beings were cowering round; but the massive barriers were
gone, and in their place He stood, and said, in tones that every one
could hear—
"'I am the Door: by me if any man enter in, he shall be saved.'"
One wretched and woe-worn woman gave a trembling glance at His face,
and then listening again to those tones, not welcoming merely, but
pleading and persuasively tender, she ventured close to Him, and fell
on her knees to kiss the hem of His garment.
But He stooped, and stretched out His hand, and took her hand, and led
her in.
Then I understood what His words had meant;—that by saying, "I am the
door," He must have meant that there was no barrier, no impenetrable
gate, but that in the doorway, where the door had been, He stood, and,
instead of the lifeless knocker, stretched out His living hands to aid
and welcome all who came.
And I awoke from my second dream.
* * * *
Before long I fell asleep again, and then again I saw the same palace,
with the massive portals flung open wide, but that gracious princely
form stood in them no more. Among the most wretched of that crowd He
went—among the maimed, the halt, and the blind.
They thronged around Him, yet many of them scarcely seemed to heed,
they were so intent on their own sordid pursuits. Some were crowding
with sharp, eager faces round a rag merchant, bargaining with the
most absorbing passion for his wretched wares, and then separating to
quarrel and fight over their purchases, or bartering their rags again
as eagerly for a draught of the intoxicating drinks which had made so
many of them the lost creatures they were. Not a rag or a burning drop
was to be had except for money, and often for a price which to them was
life itself.
And He came to them from the palace, and offered them the palace
freely, yet few listened. But with that strange absence of the sense of
incongruity and the emotion of surprise characteristic of dreams, I did
not wonder! Patiently He went in and out among them, pleading with one
and another, often encountering rough words and blows; yet still His
words were—
"I come to seek and to save that which was lost."
And some even of the most wretched listened, and returned with Him, and
were welcomed inside.
As if "Knock, and it shall be opened!" were not free enough, the gates
were thrown open wide, and He stood there, the outstretched hand,
instead of the door, the living friend, instead of the written words of
welcome.
And as if that were not enough, instead of saying, "Come to me!" He
came Himself—He "came to seek and to save that which was lost."
Thou and I. *
—————
IN a room in a stately mansion, a little babe lay in its mother's arms.
All kinds of beautiful things were around, and many people passed in
and out. Pictures by the first Masters were on the walls; the rarest
exotics filled the air with choice perfumes. The chair in which the
mother sat was gilded and tapestried; the carpet her feet rested on was
soft as mossy turf, and delicate as embroidery. Jewels sparkled on her
dress.
* Suggested by a passage in Sartorius' "Lehre von der heiligen Liebe,"
contrasting the world of a cold philosophy, "Ich and Nicht Ich," with
the Christian's world, "Ich und Du."
The windows opened on a magnificent landscape, of park and lake,
woodland and distant hills. But the little babe saw nothing but its
mother's smile—understood nothing, but that it was on its mother's
knee. Its only consciousness was "Thou and I!" and love.
* * * *
The railway train was entering a long tunnel. The babe was still on
its mother's knee. The darkness grew deeper. The heavy train thundered
through the hollow earth. Another met it, and rushed past with a
deafening din. An older child in the carriage screamed with terror.
Many of the passengers felt uneasy, and were impatient to see the light
again. But the baby cared nothing for the noise or the darkness. It
looked in the dim lamp-light into its mother's face, and saw her smile,
and smiled again. It knew nothing of the world but "Thou and I!" and
love.
* * * *
The ship was tossing fearfully on the stormy sea. Every timber
strained, every wave seemed as if it must engulph the vessel. The weak
and timid cried out in an agony of fear. The brave and loving moved
about with white, compressed lips, and contracted brows, striving now
and then to say some brief reassuring words to those for whose safety
they feared. But the babe lay tranquil and happy in its mother's arms.
Her breast was to it a shelter against the world. It knew nothing of
danger or fear. Its world was "Thou and I!" and love.
* * * *
Years passed away, and the baby grew into a child, and the child into
a man. His life was one of many vicissitudes, of passionate hopes, and
bitter sorrows, and wild ambition. He worshipped the world in many
forms, and wandered farther and farther from the Father's house, until
the world which first had beguiled him with its choicest things, came
to feed him on its husks.
And a long way off, he thought of the Father and the home, and rose
to return. His steps were doubtful and slow, but the heart which met
him had no hesitation and no upbraidings. Then the wanderer understood
the love with which he had been watched and pitied all those desolate
years, the love with which he was welcomed now.
The earth, and sky, and human life grew sacred and beautiful to him
as they had never been, because through them all, a living Presence
was around him, a living heart met him; and, as of old on the mother's
knee, once more, as he looked up to God his Father, his world became
only "Thou and I!" and love.
His life moved rapidly on to its dark goal. He had to leave the
sunshine of earth, its pleasant fields, and cherished homes, and all
familiar things, for ever. The light grew dimmer, and the darkness
deepened. But he had no fear.
In the darkness, and the bewildering rush of new experience, he was
again as the babe on the mother's knee. To him there was no darkness,
no confusion. He looked into his Father's face, and smiled. Life and
death and earth, all he left, and all he went to, were as nothing to
him then. He had nothing but that one living, loving Presence, but it
was enough.
Again it was "Thou and I!" and love.
And death found that childlike and angelic smile upon his lips, and
left it there.
* * * *
A day will come of storm, and fire, and tempest, and convulsion, when
earth and heaven shall mingle and be rolled up as a scroll and pass
away. But in that day, what will such have to fear? Amidst all the
convulsed worlds, the redeemed will rest tranquil as the infant in the
storm on its mother's breast. For amidst it all, their eyes will rest
on the Face which was bowed in death to save them, and will know no
fear. It will be, "Thou and I, and Thou art love!" for ever.
THE END.
————————————————————————————————
Ballantyne & Company, Printers, Edinburgh.
*** END OF THE PROJECT GUTENBERG EBOOK THE BLACK SHIP: WITH OTHER ALLEGORIES AND PARABLES ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
