A silver pool

By Beulah Field

The Project Gutenberg eBook of A silver pool
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: A silver pool

Author: Beulah Field

Release date: October 20, 2025 [eBook #77093]

Language: English

Original publication: New York: Moffat, Yard and company, 1922

Credits: Aaron Adrignola, Terry Jeffress, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK A SILVER POOL ***

                   This ebook was created in honor of
              Distributed Proofreaders’ 25th Anniversary.




 A SILVER POOL




 A SILVER POOL

 _by_

 _BEULAH FIELD_

 [Illustration: Publisher’s Colophon]

 NEW YORK
 MOFFAT, YARD AND COMPANY
 1922




 COPYRIGHT, 1922, BY
 MOFFAT, YARD AND COMPANY




TABLE OF CONTENTS


                                        PAGE

 INSPIRATION                               9

 “BEGGAR-MAN, THIEF”                      10

 CARNIVAL                                 11

 BRANDED                                  12

 FOR AN ELIZABETHAN GARLAND               13

 WHEN I REMEMBER                          14

 THE WAYFARER                             15

 PIERROT                                  16

 TO LY-Y-HANE                          17-18

 WIND OF THE SEA                          19

 PERHAPS                                  20

 IN THE STREET OF PAINTED FLOWERS      21-22

 MYSTERY                                  23

 WATCH-FIRES                              24

 TOKENS                                   25

 CAMEO                                    26

 BLUE FLAMES AND FLOWERS                  27

 THE LAW                                  28

 MIRACLE                                  29

 VALUES                                   30

 FAME                                     31

 RAINBOW                                  32

 GLASS BEADS                              33

 WILLOWS                                  34

 THE DEAD LOVER                           35

 LITTLE WHITE GATE                        36

 IMMORTAL                                 37

 MY COMMUNION                             38

 STARS                                    39

 DISAPPOINTMENTS                          40

 INTERLUDE                                41

 TO MY FATHER                             42

 CONFESSIONAL                             43

 RECOMPENSE                               44

 MOCKERY                                  45

 REBELLION                                46

 THE MESSENGER                            47

 “NEEDLES AND PINS”                       48

 TO JUNE                                  49

 TO CONGDON                               50




TO CONGDON




INSPIRATION


  I bridled my soul in its temple,
      Waiting a while,
  Till I knew the peace of a tempered touch,
      And changeless smile.

  Then I made my heart a silver pool
      Of melody,
  And stars came down from the sky at night
      And bathed in me.




“BEGGAR-MAN, THIEF”


  A beggar on the edge of town
    Looked up and smiled at me,
  And offered for the coin I held,
    A seedling laurel tree.

  A merchant in the market-place,
    A laughing, lordly knave,
  Filled my hands with tarnished gems,
    And took the coin I gave.

  If I could find that beggar-man,
    I’d give to him my soul,
  If he would share his bread with me,
    And coppers from his bowl.




CARNIVAL


  I gave a rose to a dancing girl,
        She did not know
  It was tribute I paid to a joy,
        Dead long ago.

  I sang my song in the market-place,
        They did not hear
  I was challenging love with a laugh,
        And grief and fear.

  Life danced on my heart with careless feet,
        And never knew
  The beauty it gave in gift to me,
        Was tied with rue.

  I walked the ways of a heedless world,
        And found it mad,
  So, now I drift in the wake of dreams,
        And I am glad.




BRANDED


  I have found me a darkling mistress,
  Who is all my need and desire;
  Her slave in a willing bondage,
  I bathe in her opal fire.
  She has given me gorgeous dawns
  From the rim of her saffron seas;
  There is joy in the burning wind
  That comes from her fronded keys.
  I know the grip of her brilliant days,
  And the scorching spell of her nights,
  When pagan gods seduce me
  With the lure of their heathen rites.
  I know the call of her hard, white roads,
  The choking heat of her rains,
  And I laugh in my soul with God,
  At the lash of her hurricanes.
  I have dipped in her amethyst bowl,
  And painted me splendid dreams,
  But I know the clutch of a dreadful fear,
  When her crawling jungle screams.
  I have felt the kiss of her fever,
  That she hides in her tainted breath,
  And have heard the roll of her drums,
  When they beat their songs of death.
  I have trailed with her treacherous spawn,
  And sinned with her exiled band;
  I am tuned to her siren voice,
  And seared with her vicious brand.
  I know the taste of her poisoned bread,
  I am drunk with her evil wine,
  But I am in thrall to her Cross,
  Since she marked me with its Sign.




FOR AN ELIZABETHAN GARLAND


  It is content I give to you,
          And you?
        You give me love.
  But I would have the sweet content,
          And you?
        Would you have love?




WHEN I REMEMBER


  You never come and speak to me when I am glad,
  But only if the flowers in my garden droop with rain,
  And when the sunlight runs away from skies gone mad,
  Then I am hushed, and hear your voice again.
  Although I light my lamp and bar the door,
  I feel your presence crowding, more and more,
  Until I crouch among the shadows on the floor,
  And watch my memories dance their dance of pain.




THE WAYFARER


  Only the wind from the Seven Hills
    Can mate with the heart of me,
  And the mist, adrift on the cliffs at night,
    That blows from the dusky sea.

  Only the song of the flying stars
    Can reach to my muted soul,
  And speed my feet on the wild, free track
    That swings from Pole to Pole.

  I spell my lore from the sand of dreams,
    I sleep by eternal meres,
  My stirrup-cup is the kiss of dawn,
    My hearth is the boundless spheres.




PIERROT


  Pierrot came and watched me
    Sewing on my seam,
  And handed me gay, silken threads,
    Broken from a dream.

  He helped me trim the lantern
    That hangs beside my door,
  And brought me petaled thoughts
    To sprinkle on the floor.

  He picked a rose and left me,
    In the shadowed light,
  But I found the gate ajar,
    Swinging in the night.

  Then I ran and gathered stars,
    From the hollows of the sea,
  And pinned them on my breast--
    Pierrot called to me.




TO LY-Y-HANE

_Chinese Poetess, 12th Century A. D._[1]


  Once I heard a singing wind,
    Across a still lagoon,
  I thought a thousand bells of jade
    Were swinging in the moon.

  And once, I felt soft petals
    Fall from a flowering quince,
  And trembled when I half divined
    Your song, that died long since.

  Above the dread and somber beat
    Of mighty, dragon wings,
  Perhaps my quiet heart will hear
    Your lute of silver strings.

[1]

_LY-Y-HANE_

LY-Y-HANE _lived during the Song Dynasty, in the 12th century of our
era. She is admired, not only as a clever and graceful composer of
verses, but as a superior intellect and a true scholar, accustomed to
all the minutiae and intricacies of the art of poetry._

_The incurable wound of her heart, bleeding in solitude, is practically
the only subject with which she deals._

_As far as can be known, the love that devours this Chinese Sappho is
ignored by him who inspires it._

_One might say she was a flower become enamoured of a bird. The
changing seasons are the only events, the objects that adorn her home
the only evidences of a life consecrated to the expression of a single
sentiment._

_She lived entombed with her suffering, hoping never to be deprived of
it or cured, and she named in advance the volume that posterity would
perhaps collect of all her scattered verses: “The Debris of My Heart.”_

From _The Book of Jade_. (Translated by James Whittall.)




WIND OF THE SEA


  The Wind of the Sea is my turbulent lover,
  When he gathers me close and kisses my face,
  I rise to the zenith, there to discover
  Peace, in surrender to his fierce embrace;
  He holds me and folds me in whirlpools of light,
  Then lulls me to sleep, in his arms, with the night.




PERHAPS


  It must be hard to be the Moon,
    And weary of the sky;
  Although I weary of my path,
    Someday I can die,
  But then perhaps I’ll trail with her,
    And weary of the sky!




IN THE STREET OF PAINTED FLOWERS


  When will the whirl of this wheel be done?
  Does the Spinner dream, and my shroud unspun?
  I am spent with the lust of greedy nights,
  The fitful flame, and greying lights
  Masking joy, in this devil’s dance,
  That has tripped my feet on the road of Chance.
  My song is hushed, and once it sped,
  As water ripples the river’s bed,
  Through laughing days in the gay bazars,
  And freed my soul beneath the stars.
  Now I am bought, as then I was sold,
  But Allah witness, this is not gold,
  But tinsel coin, that eats my heart,
  And sets me aside, a thing apart.
  Does Heaven sleep, that it lets me be,
  And blinds my eyes, that I may not see
  The sun, that came to kiss my cheek
  When I stepped from my tent to the waiting Sheik?
  I am sick for the sound of camels’ feet
  Padding their way through the languid heat,
  The scent of cool on the evening air,
  And the grip of the muezzin’s call to prayer.
  In those desert nights, where the shadows clung
  To the blowing sand, that swirled and stung,
  When my lord bent down and I knew his lips,
  I was fulfilled to my finger tips.
  Then, I was slave to a king, at least,
  Now, I am slave to a furtive beast.
  Did Allah mock, when he stilled my breath,
  Then called me back from the paths of death,
  To dance to the tune of reeling spheres,
  With only a dream to bridge the years?
  Ash is the flame of my painted shell,
  I have no heart save the desert’s spell,
  Mine is the fugitive soul of a slave,
  And I would go back to my sand-swept grave.




MYSTERY


  I bear on my breast the touch and sign
    Of God and His oriflamme,
  But only the somber eyes of Death
    Can tell me who I am.




WATCH-FIRES


  I care not if the touch of Time
  Destroys the outer garment of my heart,
  For deep within, steadfast, a living fire,
  Love burns, and guards your shrine apart.

  I care not if Death’s borders hold
  A splendid peace, deep as an unshoaled sea,
  I count peace only in the quiet joy
  That comes, when you are glad with me.

  I care not if the ruthless years
  Shadow my soul, in passing on their flight,
  If, through the devastating dark, I know
  Your love, a tidal-wave of light.




TOKENS


  I built a little fire yesterday at dusk,
  To burn the gifts of all my broken years,
  And at the last I tossed upon the flames,
  The crystalled drops, that once were falling tears.

  When morning came, I gathered all the ashes up,
  Then swept my hearth, to make it clean again,
  And found, within a crevice of the stones,
  A jewel, that I knew had once been pain.




CAMEO


  A little room, a dream-lit hearth,
    Rosemary in a bowl of jade;
  Budding orchard, thrush’s song,
    A golden morning, dappled shade.

  A steel-blue sea, the wind’s high will,
    A red sun dropping down the sky,
  Purple shadows on the dunes,
    Upon the road, just you and I.




BLUE FLAMES AND FLOWERS


  Blue flames, shining in my heart--
    Twice lovely stars,
  Dear lips, folded close with mine,
    Sweet as scented jars,

  If a myriad scarlet flowers,
    In a jasper bowl,
  Distilled to leaping fires,
    Could weld us soul to soul,

  I would go across the heavens,
    After night had gone,
  And gather for you dreams,
    In the gardens of the dawn.




THE LAW


  Out of the dark of a night of rain,
  Day has flowered to light again;
  And from the silence the ages long,
  Has come the joy of a wood-bird’s song.

  Broken souls in a barren vale,
  Created the need for a Holy Grail;
  And blasphemous sin painted for me,
  The pale, red bloom of the Judas tree.

  The costly price of hallowed tears
  Has sown the wastes through countless years;
  And over a crimson, riven sod
  Lies a clear, white road that leads to God.




MIRACLE


  It is so long ago I lived,
  Holding back the hours
  That sped through days of golden light,
  And brought me laughing showers.
  It is so long ago I died
  To shut my heart from pain,
  And yet, you reach your hands to me,
  And bid me love again.




VALUES


  I hear you crying for the Moon,
    When she drifts proudly by,
  And see you reaching for the wealth,
    She scatters in the sky.

  While I crave only strands of gold
    That fringe your melody,
  And moon-flowers growing in my heart,
    When you are kind to me.




FAME


  I lay on the edge of desert sands,
        And watched It dance;
  Mirage was painted before my eyes,
        With brush of chance.

  I followed the track of the Phantom
        Down to the sea,
  And found that only a chill, spent wind
        Had called to me.




RAINBOW


  There was a house of many rooms,
    Windows and walls and doors,
  Where shadows etched the ceilings,
    And crept across the floors.

  There sunlight only flickered,
    And seemed a wanton ghost
  Lavishing an empty feast,
    Upon a motley host.

  When I left that changeling home,
    I hid my ragged scars,
  Then bound my heart with singing days,
    And night-time climbed the stars.




GLASS BEADS


  I was a mendicant, begging my bread
    From pilgrims shouting the dawn,
  And they gave me thorns that tore my robe,
    And took my prayers in pawn.

  But now, outside the Temple door,
    I stand and let them pass;
  While I watch for the sun on the Eastern hills,
    They fumble beads of glass.




WILLOWS


  When I loitered on the paths
    Of gay and vivid hours,
  My songs all ran away and hid,
    And seemed afraid of flowers.

  But in among the shadows,
    Beneath the willow tree,
  All my little unsung songs
    Come singing back to me.




THE DEAD LOVER


  You say I am dead, that my being
  Has passed with intangible dreams;
  You hold me a shadow of shadows,
  One moat in myriad beams.

  But I am the yield of the harvest,
  Astir in the ripening corn;
  My voice is the wind of the forest,
  I breathe and impregnate the dawn.

  I spring from the womb of the ocean,
  And rise in its flying foam,
  Till I merge with the quickening rain
  That falls on the fertile loam.

  Dear of my heart, when the moonlight
  Comes dusting the shimmering grass,
  You may lie unveiled in your bridal,
  My lips are on yours as I pass.

  You say I am dead, that communion
  Has spilled from our sacrament bowl,
  Nay, Love, I am seed of Creation,
  Immutable flame with the Whole.




LITTLE WHITE GATE


  Little painted, wooden gate,
    Swinging in and out,
  Crickets chirping in the grass,
    Honey-bees about;

  Hollyhocks and marigolds
    Laughing in the sun,
  Where quiet pools of shadows
    Ripple, one by one;

  Friendly glow of lamplight
    Across the window sill.
  From the dark a plaintive voice
    Calling “Whippoor-will.”

  Moonlight trailing up the path
    Draperies of foam,
  Spell for me contentment,
    And the peace of home.




IMMORTAL


  Was he king or a bonded slave?
    The beauty he sang still sings,
  Vibrant as falling stars
    In the path of radiant wings.

  Does he sleep where the laurel grows?
    Did he beg his cup and his bread?
  He left the sign of his joy,
    And he lives with the mighty dead.

  Marked by the print of his feet,
    The dust of this ancient floor
  Glows, spun-flame in the dark,
    What matters the name that he bore!




MY COMMUNION


  Cupped in the hollow of your hands,
  You hold my hidden fears,
  My faith, the songs within my joy,
        And all my tears.

  Within the chalice of your heart,
  There brims compassion’s mead,
  Bounty of foaming drink for me
        To quench my need.

  I grave the pattern of my love
  Upon your spirit’s bowl,
  And in the splendour of your wine,
        I steep my soul.




STARS


  When I watch a pale, green sky,
    At night, upon the hills,
  I wonder if my garden bears
    Such blowing daffodils;
  And if the lustre of my dreams
    Comes from those amber rills.




DISAPPOINTMENTS


  In the Valley of Nadir lies a deep, black pool,
  And it mirrors only rainy harvest moons;
  In the fringes of its grasses are little bleached, white bones,
  And broken, faded ribbons, from gaudy, pricked balloons.
  Restless shadows stumble ’round it, through the hot nights and the cool,
  And their crippled feet are weighted down with stones;
  Sometimes an echo whispers of golden, summer noons,
  But you only hear the wind there, when it moans.




INTERLUDE


  When Night-time stoops to lay her hands
    Upon my tired eyes,
  And strings her silver lanterns
    Across the curtained skies,

  Reflected in the mirror,
    She holds above my sleep--
  I see a golden lotus,
    She bids me pick and keep.

  Then, drugged, my soul goes speeding
    Across a dream-swept plain,
  Until I stumble back at dawn,
    To break my heart again.




TO MY FATHER


  Although you touched my life so brief a time,
  Because of you, I tread the stressful years
  With courage, patterned from your quiet strength,
  And laughter tempering my meed of tears.

  Because of you, I hold and reverence books,
  High in my heart, as is my creed of song,
  And to the imprint of your kindliness,
  The measure of my love and faith belong.

  Because you held my hand that little while,
  I know a joy in all green, growing things,
  And rapture, when strong music breaks, and soars
  A veil of flame on iridescent wings.

  Your love has framed the window of my life,
  And as I watch the twilight creeping through,
  I know whatever sacraments I share
  With peace and beauty, are because of you.




CONFESSIONAL


  Red fire of dawn burning in the sky,
  Leaping from the purple embers of the night,
  A sovereign glory in a sapphire cup,
        This is my altar light.

  Rising from an early-kindled hearth,
  A pungent veil of smoke spirals in the air,
  And seems the incense drifting on my heart,
        That sanctifies my prayer.

  From beyond uncharted seas the wind,
  Like pilgrim priest, comes to bless the waking sod,
  And shrives me in my penitence, then bears
        My sorrow up to God.




RECOMPENSE


  Though Hunger shuffles up the path,
    And leaves his pack of scars,
  When songs sweep through my heart--
    Bright sails on golden spars,
  I breathe the dust of lilies,
    Asleep among the stars.




MOCKERY


  I dreamed Love came with golden thong,
    And bound me to his wrist,
  Then swept me out on winds of flame,
    Through space the sun had kissed.

  Instead, Love came in jester’s garb,
    Flaunting his cap and bells,
  And led me to a far, strange tent,
    Beside dead, desert wells.




REBELLION


  If Death should scatter poppy-dust
    Across my path tonight,
  Then wrap me in his cold, dark cloak,
    And shut me from the light.

  If he should point a strange, still way,
    How could I bear to go,
  And never feel again the sun,
    Nor watch a primrose grow?




THE MESSENGER


  When you walk a lonely road,
    Hand in hand with pain,
  Do you see the broken leaves,
    Trodden by the rain?

  My heart was like a folded leaf,
    On an April tree;
  Listen to the rain at night,
    And know your hurt to me.




“NEEDLES AND PINS”


  Goblins came and took me
        Long ago,
  Tossed me up and down the years,
        To and fro.

  Drove me to surrender
        All my faith,
  And chuckled when they bound me
        To a wraith.

  But came a time the goblins
        Lost their zest
  For planting stones within my heart,
        As a jest.

  They left me in the garden
        With the weeds,
  And there I found my faith again,
        Sowing seeds.




TO JUNE


  June dreams.
  The twilight world’s a-hush,
  The meadows flame with colors from a master’s brush,
  And in my garden roses droop and blush;
  June sleeps and dreams.

  The singing wind blows gently through her sleep,
  While friendly, fragrant shadows keep
  Their vigils, beautiful and deep,
  With June, who dreams.

  Communion with my watching heart I hold,
  Until the day comes to unfold
  Her laughing hours, steeped in gold,
  For June, who dreams.




TO CONGDON


  When I look among the shadows in my soul,
  I am glad for every scar and sin;
  (Oh, little child, upon the threshold of my heart, Stay within!)

  I will mould to golden-tinted globes of pearl,
  My rebellion, with each bruising shame,
  And kindled from my dark, their light will keep your dreams
  Star-frost and flame.

  Then I will mend all broken songs of mine,
  To thread them on a many-colored string,
  That you may count them, as you lean against my heart,
  And learn to sing.




Transcriber’s Notes

 • Italics represented with surrounding _underscores_.

 • Small caps converted to ALL CAPS.

 • Obvious typographic errors silently corrected.

 • Footnote numbered and consolidated to the end of the relevant poem.




*** END OF THE PROJECT GUTENBERG EBOOK A SILVER POOL ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.