The analysis of matter

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Title: The homosexual in literature
        a chronological bibliography, circa 700 B.C.-1958

Author: Noel I. Garde


        
Release date: December 11, 2025 [eBook #77441]

Language: English

Original publication: New York: Village Press, 1959

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*** START OF THE PROJECT GUTENBERG EBOOK THE HOMOSEXUAL IN LITERATURE ***




 The Homosexual
 In Literature

 [Illustration]

 A Chronological Bibliography
 Circa 700 B.C.-1958
 By Noel I. Garde




                      THE HOMOSEXUAL IN LITERATURE
                      A Chronological Bibliography
                             c.700 B.C.-1958

 © COPYRIGHT, 1959.
   Village Press              First Edition
   New York 14, NY

This bibliography provides a chronological listing of all known books
in the English language, in the general field of fiction, concerned
with male homosexuality, or having homosexual characters. It includes
novels, short stories, short novels, poems, drama and fictionalized
biography, plus a few other minor categories.

This bibliography does not include works not in the English language.
It does not include works concerned with female homosexuals (except
where incidentally also involved). It does not include medical or
psychiatric works (e.g., Ellis, Kinsey et al.). It does not include
philosophical studies (e.g., Plato’s, Gide’s Corydon et al.). It
does not include magazine stories, unless subsequently published in
“book” form, but the term “book” is taken to include various types of
“paperbacks”. It does not include ordinary (unfictionalized) biography
or autobiography except when in the “primary” category (see below).

This bibliography is divided into two separate, parallel sections:

  _Primary_: Definition: Central character(s) clearly homosexual(s)
                         and/or homosexuality is intrinsic part of
                         central theme or network of plots.

             The order is chronological by years, alphabetical
             by author’s surname within the same year, numbered
             consecutively. Short stories are given separate numbers
             (even if in the same book) but poems only one for the
             whole book. The date is U.S. publication date unless
             the work has not yet been published in the U.S. or has
             been published elsewhere more than 5 years before U.S.
             publication, but in the latter case there is usually
             an additional reference to cover U.S. publication. All
             citations are novels unless otherwise indicated (SS Short
             Stories; P Poetry D Drama; SN Short Novels, etc.)

_Other Than Primary._ (referred to hereafter as OTP)

             Definition: All other works not considered as “Primary”,
                         and differentiated by the following
                         letter-symbols:

                         _a_: substantial, explicit dialogue or
                              exposition involving major homosexual
                              character(s).

                         _b_: substantial dialogue or explicit
                              exposition involving minor homosexual
                              character(s).

                         _c_: latent, veiled, repressed or implied
                              homosexuality of a major character.

                         _d_: brief, superficial references in dialogue
                              or exposition, whether involving major or
                              minor homosexual characters.

                         _e_: third-person references (character not in
                              book); latent, veiled homosexuality of
                              minor character in work of a significant
                              author.

                         _f_: false suspicion or accusation, or
                              self-suspicion.

                         In some cases, where use of one letter alone
                         would give an inadequate impression, several
                         are used in combination, e.g. _c/d_ or
                         _b&c_. All letter symbols are found on the
                         OTP listings to the left of applicable work.
                         The order follows that of the Primary, but
                         without consecutive numbering.

It does not by any means follow that all works which by definition
are “Primary” are necessarily more significant, even with respect to
substantial homosexual content, than all OTP works. To provide some
further guidance, references (to the left) include the follow asterisk
notations, uniform to both Primary and OTP listings:

            ***  Very substantial
             **  Quite substantial, or something of especial interest
              *  Not very substantial
  (no asterisk)  Rather negligible

It must be emphasized that literary merit, or interesting material of
a non-homosexual nature, are _not_ prime considerations in determining
the asterisk rating, which refers only to homosexual content.

Reprints are cited wherever known, especially inexpensive paperbacks.
In this connection, the following abbreviations are used:

 Pb: Paperback of the conventional size (approximately 4.5 × 7").
     Most names are written out (Avon, Signet, Bantam, Popular etc.).
     However, where space is limited: Perm is “Permabook”; PB Pocket
     Book; PL Pocket Library

 Lpb/LPb refers to odd-size cheap paperbacks, popular in the early
     1950s, roughly 5.5 × 7.5", with flexible cover (e.g. Universal,
     Croydon)

 PbO or LPbO indicates work originally published in this format,
     with no prior “regular” edition. This is further indicated by
     publication date following serial number (not usually given for
     paperback reprints).

 AFE/ASE refers to a third type cheap paperback, used by Armed Forces.

 PC (Paper Covers) indicates “quality paperback” or paperback
     original by regular-book publisher in U.S. or Europe. In this
     group, MLP stands for Modern Library Paper.

Where the work has been revised or abridged in paperback reprint,
this is indicated, the word “drastically” referring, when used, to
expurgation or revision of the homosexual content.

This bibliography does not include any unchecked “hearsay” works.
Insofar as it may fall short of completeness (through the end of
1958) it is only by mischance, and it is to be hoped that any works
missed are in the less significant categories. The Second Edition
is tentatively scheduled for March, 1961 and in the meantime, the
publisher will be pleased to receive any suggestions for changes or
additions for the next edition. It will be noted that with respect to
new titles in 1959 and 1960, a half-page remains blank in the Primary
section (at the end) and there is a whole page for 1959 and for 1960
which can be filled in by pencil or pen as new titles come to the
reader’s attention.

While the intention has been to be as objective as possible, there
is inevitably an element of personal opinion, both as regards the
asterisk-rating and the distinction between Primary and OTP. As there
are, frankly, a few dozen works which could be considered as falling
into _either_ the Primary or the OTP section on the basis of the
definition used, these will be found to have at the end of the citation
the notation “OTP-x?” when placed in the Primary section, and the
notation “Primary?” when placed in the OTP section.

The chronological arrangement has been chosen in preference to one
alphabetical for two reasons: 1) To provide a convenient picture of
the increase of the number of works in historical perspective (which
is, after all, a chronological one); 2) To make it simple to keep the
bibliography up to date (an alphabetical listing would require revision
as each new work is published). Readers wishing to find all the works
of a well-known author included herein, will in most cases find the
author listed in the Authors’ Index (p. 32); however, even when an
author’s name is not found in this index, the reader will in most cases
know at least the decade of publication, and from that point it will
only require glancing at the appropriate alphabetical position on a few
successive pages to locate the name and work.

In addition to the Authors’ Index, there are four other indexes at
the end of this bibliography, ranging over national locales, special
locales, professions and special occupations, and special topics, roles
etc. The reader will find these indexes very useful, whatever his
special interests may be. The abbreviations applicable to the Indexes
are explained in a note at the beginning of the index section (p. 29).

The sources for this bibliography are of course many, but
acknowledgments are due especially to the following: To Donald Webster
Cory for his pioneer bibliography in _Homosexual in America_, continued
for several years in his book service; to the Village Theater Center,
which has been especially helpful for contemporary British works; to
the Mattachine Society of New York which, in preparing the Mattachine
bibliography (on a somewhat different basis), has acted as a clearing
house for many contributors, especially P.M.

                                           Noel I. Garde, Editor
                                              February, 1959.




_PRIMARY_


    1. **  “George Gordon, Lord Byron” (George Colman, Jr.?), _Don
           Leon_ (P) in “Don Leon & Don Leon to Annabella”. London,
           1866. Reprint by Fortune Press, London, 1934.

    2. **  Alan Dale (Alfred J. Cohen), _A Marriage Below Zero_.
           NY, Dillingham, 1889. (PC).

    3. *** Camille des Grieux (Oscar Wilde? Lord Alfred
           Douglas?), _Teleny or The Reverse of the Medal; A
           Physiological Romance of Today_. “Cosmopoli” (Paris?),
           1893. Reprint: Paris, Olympia, 1958.

    4. **  Lord Alfred Douglas, _Two Loves_; _Hymn to Physical
           Beauty_; _Prince Charming_; _De Profundis_; _Sicilian
           Love-Song_; _St. Martin’s Summer_; _In Basildon Wood_ (P)
           in “Poems”. Paris, Mercure de France, 1896. Reprinted in
           “Lyrics”. London, Rich and Cowan, 1935. (See OTP).

    5. **  John Francis Bloxham (Lord Alfred Douglas?), _The
           Priest and the Acolyte_. London, Lotus, 1907. (Reprinted
           in Cory, 1953 with attribution to Oscar Wilde).

    6. *   John Moray Stuart-Young, _Osrac, the Self-Sufficient,
           and other Poems_ in “An Urning’s Love; Being A Poetic
           Study of Morbidity”. London, Hermes, c. 1907

    7. *** Xavier Mayne (Edward I. Prime-Stevenson), _Imre; A
           Memorandum_. Naples, English Book-Press, 1908. (PC)

    8. *** Georges Eekhoud, _Escal-Vigor_. Brussels, Gutenberg
           Press, 1909. (PC) Reprinted as _A Strange Love_. NY,
           Panurge, 1930.

    9. *** A. T. Fitzroy, _Despised and Rejected_. London,
           Daniel, c. 1917.

   10. *** Strato, Meleager et al., _Musa Puerilis_ (The Boyish
           Muse--258 ephebophilio poems and epigrams) in Greek
           Anthology v. IV, Loeb Library #85. NY, Putnam’s, 1918,
           1926 & 1939 and Cambridge, Harvard University Press, 1948.

   11. *** Earl Lind/Ralph Werther, _Autobiography of an
           Androgyne_ (autobio). NY, Medico-Legal Journal Press, 1919.

   12. *** Earl Lind/Ralph Werther, _The Female Impersonators_.
           (Autobio). NY, Medico-Legal Journal Press, 1922.

   13. *   Count August von Platen, _Sonnets to Cardenio_; _Sonnets
           to Karl T. German_ in “The Sonnets of ... von Platen”.
           Boston, Badger, 1923.

   14. **  Aelius Lampridius, _Antoninus Elagabalus_ (Bio) in
           “Scriptores Historiae Augustae” v. II, Loeb Library #140.
           NY, Putnam’s, 1924.

   15. **  Thomas Mann, _Death in Venice_ (SN). NY, Knopf, 1925 in
           “Stories of Three Decades”. Many reprints incl. Pocket
           Library #32.

   16. **  André Gide, _The Counterfeiters_. NY, Knopf, 1927 &
           1951. Also in Modern Library (OP) #51. (OTP-a?)

   17. *** Marcel Proust, _Cities of the Plain_. NY, Boni, 1927.
           Various reprints incl. Modern Library #220. (See also OTP
           1932).

   18. **  Robert McAlmon, _Distinguished Air_ (SS) in “Americana
           Esoterica”. NY, Macy-Masius, 1927.

   19. *   Louis Richard Thoma, _Elagabalus_ (D:1 Act) in
           “Americana Esoterica”. NY, Macy-Masius, 1927.

   20. *   Stefan Zweig, _Episode in the Early Life of Privy
           Counsellor D_ (SN) in “Conflicts: Three Tales”. NY,
           Viking, 1927 (See Cory, 1953).

  Stories of Saikaku, Ibara (SS)

   21a     _The Love For His Dead Friend’s Sake._
     b *   _Love Vowed to The Dead._

   22a     _The Final Reward For His Long Cherished Love._
     b *** _At Last Rewarded For His Constancy._

   23a **  _A True Friendship After A Feud._

   24a     _A Buddhist Priest’s Letter To His Friend in Kyoto About
            His Coming Love Affair._

   24b *   _Letter From A Buddhist Priest Telling His Friend That His
           Lover Comes To Him._

   25a **  _All The Friends Died By Hara-kiri._
     b     _All Comrade-Lovers Die By Harakiri._

   26a     _He Followed After His Lover, After He Has Killed Him In
           Tortures._
     b **  _He Followed His Friend Into The Other World, After
           Torturing Him To Death._

   27a     _He Died To Save His Lover._
     b **  _He Died To Save His Lover._

   28a     _A Young Lad’s Soul Follows His Lover In Travel._
     b *** _The Soul Of A Young Man Smitten With Love Follows His Lover
           On A Journey._

   29a     _A Sad Love Affair Between Two Enemies._
     b **  _The Tragic Love Of Two Enemies._

   30b *   _They Loved Each Other Even To Extreme Old Age._

   31b *** _A Samurai Becomes A Beggar Through His Love For A Page._

   32b *   _An Actor Loved His Patron, Even As A Flint Seller._

   33b *** _He Rids Himself Of His Foes With The Help Of His Lover._

   34b **  _Love Long Concealed._ (PC)

           The nine “a” stories as “Quaint Stories of Samurais”
           selected, translated and privately published (500 copies)
           by Ken Sato, Paris, 1928. The thirteen “b” stories
           translated from Sato’s larger French edition into much
           better English as “Comrade Loves of the Samurai” in E.
           Powys Mathers’ anthology “Eastern Love” v. II (3 vol.
           edition) NY, Liveright, 1930 or v. VII (12 vol. edition),
           London, Rodker, 1930. Pb. “Eastern Love”, Crest D199
           contains 26b, 28b & 30b (Condensation)
   35. *   Jacques Leclercq, _The Case of Aristide de Saint-Hemme_
           (SS) in “Show Cases”. NY, Macy-Masius, 1928.

   36. **  Naomi Mitchison, _Take Back Your Bay Wreath_ (SS).

   37. **  Naomi Mitchison, _O Lucky Thessaly_ (SS) in “Black
           Sparta: Greek Stories”. NY, Harcourt Brace, 1928. (TBYBW
           reprinted in Cory, see 1953; see also OTP, 1928).

   38. **  André Birabeau, _Revelation_. NY, Viking, 1930.

           Eekhoud, _A Strange Love_. 1930 (see 1909)

   39. **  André Gide, _The Immoralist_. NY, Knopf, 1930 & 1948.
           Vintage K8.

   40. *   Abel Hermant, _The Last and The First Love_. NY, Macaulay,
           1930.

   41. **  Tiffany Thayer, _Peter Androphilos_ (quasi-SS) in
           “Thirteen Men”. NY, Kendall, 1930. Reprints by Grosset &
           Dunlap, Old Wine et al.

   42. **  Blair Niles, _Strange Brother_. NY, Liveright, 1931;
           Harris, 1949. Pb reprint: Avon #493.

   43. *** André Tellier, _Twilight Men_. NY, Greenberg, 1931 &
           1948. Pb reprints: Lion #24; Pyramid #262.

   44. **  William Carlos Williams, _A Sailor’s Son_ (SS) in “The
           Knife of the Times”. Ithaca, N.Y., Dragon Press, 1932.
           Reprinted in “Make Light Of It”. NY, Random, 1950.

   45. *   Kay Boyle, _Gentlemen I Address You Privately_. NY, Smith
           & Haas, ’33.

   46. *** Richard Meeker, _The Better Angel_. NY, Greenberg, 1933.
           LPb reprint: as “Torment”. Universal #13, c. 195-

   47. *** Robert Scully, _A Scarlet Pansy_. NY, Faro, 1933; Nesor,
           1937. Reprinted (and completely rewritten with improved
           vocabulary and style) by “Royal”, n.p., n.d (Baltimore,
           Ottenheimer), c. 1940s/50s

   48. **  Parker Tyler & Charles Henry Ford, _The Young and Evil_.
           Paris, Obelisk Press, 1933. PC.

   49. *   Rex Stout, _Forest Fire_. NY, Farrar & Rinehart, 1933.
           Reprint by Grosset & Dunlap. (OTP-c?)

   50. *   Kathleen Coyle, _Undue Fulfillment_. NY, Morrow, 1934.

   51. *** James T. Farrell, _Just Boys_ (SS)

   52. *   James T. Farrell, _A Casual Incident_ (SS) in “Calico
           Shoes”, NY, Vanguard, 1934. Reprinted in Farrell Short
           Story Omnibus editions by Sun Dial & by Halcyon. (_A Casual
           Incident_ reprinted in Cory ’53)

   53. *** Lew Levenson, _Butterfly Man_. NY, Macaulay, 1934.

   54. *** Reginald Underwood, _Bachelor’s Hall_. London, Fortune,
           1934 (& 195-?)

   55. *** Jerry Cole, _Secrets of a Society Doctor_. (NY,
           Greenberg, 1935?) LPb reprint Intimate Novels #5, c. 195-.
           (OTP-a?)

           Lord Alfred Douglas, _Lyrics_. 1935. See 1896.

   56. *   André Gide, _If It Die_ (autobio). NY, Random, 1935. MLP
           #34, 1957.

   57. *   Stephen Spender, _The Burning Cactus_ (SS) in “The Burning
           Cactus”. NY, Random, 1936. (Reprint by Cory, 1953). (See
           also OTP, 1936).

   58. *** Reginald Underwood, _Flame of Freedom_. London, Fortune,
           1936 (& ’5-?).

   59. *   Ernest Hemingway, _A Simple Enquiry_ (SS)

   60. *   Ernest Hemingway, _Mother of a Queen_ (SS) in “The Fifth
           Column & the First Forty-Nine Stories”. NY, Scribner’s,
           1938. Reprinted in Modern Library Giant (OP) G59, 1942.

   61. *** James Stern, _Travellers’ Tears_ (SS) in “Something
           Wrong”. London, Secker & Warburg, 1938. Reprinted in “The
           Man Who Was Loved”. NY, Harcourt Brace, 1951.

   62. **  Leslie and Sewell Stokes, _Oscar Wilde_ (D). NY, Random,
           1938.

   63. *   Noël Coward, _Nature Study_ (SS) in “To Step Aside”. NY,
           Doubleday, 1939. Reprint by Sun Dial. Pb reprint: Dell D80.
           (See OTP, 1939)

   64. **  Georges Portal, _The Tunic of Nessus_. Paris, Astra,
           1939. PC.

   65. *   Federico Garcia-Lorca, _Ode to Walt Whitman_ (P) in “The
           Poet in New York”. NY, Norton, 1940. New translation: NY,
           Grove, 1955.

   66. *** Harlan McIntosh, _This Finer Shadow_. NY, Dial, 1941;
           “Lorac” ’40s/50s

   67. **  Charles Jackson, _The Fall of Valor_. NY, Rinehart, 1946.
           Signet #715

   68. *   Janet Schane, _The Dazzling Crystal_. NY, Reynal &
           Hitchcock, 1946.

   69. *** John Horne Burns, _Momma_ (SS) in “The Gallery”. NY,
           Harper, 1947. Pb reprint: Bantam A807. (Reprinted by Cory,
           1953).

   70. **  Stuart Engstrand, _The Sling and the Arrow_. NY, Creative
           Age, 1947. Reprint by Sun Dial. Pb reprint: Signet #786
           (revised & abridged).

   71. **  Henry Thomas Hopkinson, _Mist in the Tagus_. Boston,
           Little, 1947.

   72. **  Mark Schorer, _Long in Populous City Pent_ (SS) in “The
           State of Mind”. Boston, Houghton Mifflin, 1947. (Reprint by
           Cory, 1953)

   73. **  Hubert Creekmore, _The Welcome_. NY,
           Appleton-Century-Crofts, 1948.

   74. *** Gore Vidal, _The City and the Pillar_. NY, Dutton, 1948.
           Reprint by Grosset & Dunlap. Pb: Signet #713 & 1218 (2
           varying revisions).

   75. **  Tennessee Williams, _One Arm_ (SS)

   76. **  Tennessee Williams, _The Angel in the Alcove_ (SS)

   77. **  Tennessee Williams, _The Night of the Iguana_ (SS) in
           “One Arm”. Norfolk, Conn., New Directions, 1948 (1500
           copies) & 1955.

   78. **  Isabel Bolton, _The Christmas Tree_. NY, Scribner’s, 1949.

   79. *** Michael De Forrest, _The Gay Year_. NY, Woodford Press,
           1949.

   80. *** Jean Genet, _Our Lady of the Flowers_. Paris, Morihien,
           1949 and (PC) Olympia, 1955. Bowdlerized reprint as “Gutter
           in the Sky”, Philadelphia, Levy, 1955.

   81. **  Stanley Kauffmann, _Fulvous Yellow_ (SS) in “Story: The
           Fiction of The Forties” ed. by Whit & Hallie Burnett. NY,
           Dutton, 1949. (Reprinted by Cory, 1953.)

   82. *** Nial Kent, _The Divided Path_. NY, Greenberg, 1949.
           Pyramid #AT32. (Revised)

   83. **  Ward Thomas, _Stranger in the Land_. Boston, Houghton
           Mifflin, 1949.

   84. *** James Barr, _Quatrefoil_. NY, Greenberg, 1950. Reprint
           by Vision Press, London, 1953 & 1957.

   85. **  Paul Bowles, _Pages from Cold Point_ (SS) in “The
           Delicate Prey”. NY, Random, 1950. Signet #919 & 1296.
           (Reprint by Cory, 1953). (See also OTP, 1950).

   86. **  Harrison Dowd, _Night Air_. NY, Dial, 1950. Avon AT52.

   87. **  Richard Himmel, _Soul of Passion_. NY, Star #?, 1950
           (LPb). As _Strange Desires_: NY, Croydon #4 (’52) & 22 (’54).

   88. **  Charles Jackson, _Palm Sunday_ (SS) in “The Sunnier
           Side”. NY, Farrar, Straus & Young, 1950. Dell #504. (Reprint
           by Cory, 1953)

   89. *** Roger Peyrefitte, _Special Friendships_. NY, Vanguard,
           1950.

   90. **  Thomas Hal Phillips, _The Bitterweed Path_. NY, Rinehart,
           1950. Pb reprints: Avon T83 & 273. (OTP-c?)

   91. *** Loren Wahl, _The Invisible Glass_. NY, Greenberg, 1950.
           Pb reprints: As “If This Be Sin” Avon #380 (revised &
           abridged); As “Take Me As I Am” Berkley #G57 (very minor
           revisions)

           William Carlos Williams, _A Sailor’s Son_ (SS), 1950. See
           1932.

   92. *** James Barr, _The Bottom of the Cloud_ (SS)

   93. **  James Barr, _The Good Kid_. (SS)

   94. *** James Barr, _First You Take A Live Goat_ (SS)

   95. **  James Barr, _Hanging Fire_ (SS)

   96. **  James Barr, _Success Story_ (SS)

   97. **  James Barr, _Spur Piece_ (SS)

   98. **  James Barr, _Tryout_ (SS) in “Derricks”. NY, Greenberg,
           1951. Reprinted: NY, Pan, 1957.

   99. **  Paul Goodman, _Parents’ Day_. Saugatuck, Conn., 5 x 8
           Press, 1951.

  100. *** Ralph Leveridge, _Walk on the Water_. NY, Farrar Straus,
           1951. Pb reprints: Signet #940. As “The Last Combat,”
           Pyramid #G349.

  101. **  Fritz Peters, _Finistère_. NY, Farrar Straus, 1951.
           Signet #930.

           James Stern, _Travellers’ Tears_ (SS), 1951. See 1938.

  102. **  Grace Z. Stone (Ethel Vance), _The Grotto_. NY, Harper,
           1951.

  103. **  Walter Baxter, _Look Down in Mercy_. NY, Putnam’s, 1952.
           Pb Reprint: Popular G121. (In contrast to “happy” ending
           of American edition, earlier British edition has “tragic”
           ending; Br. Pb Reprint in Viking WS502).

  104. *** Constantine P. Cavafy, _At The Cafe Entrance_;
           _Representation_; _One Night In The Street_; _Grey_; _The
           Tobacco Shop Window_; _To Pleasure_; _The Next Table_;
           _To Remain_; _Their Beginning_; _He Came To Read_;
           _Silversmith_; _In The Dreary Village_; _The 25th Year of
           His Life_ and other Poems in “The Poetry of C. P. Cavafy”.
           NY, Grove, 1952.

  105. *   Robert Liddell, _The Unreal City_. London, Cape, 1952.
           (OTP-a?)

  106. *** Jay Little, _Maybe Tomorrow_. NY, Pageant, 1952.

  107. **  Arch Alfred McKillen, _Foxhole_; _Fragment_; _When He and
           I Met_ and other poems in “Death of the Scharnhorst and
           other poems”. NY, Vantage, 1952.

  108. **  Douglas Sanderson, _Dark Passions Subdue_. NY, Dodd Mead,
           1952. Pb reprint: Avon AT67.

  109. *   Dyson Taylor, _Bitter Love_. NY, Pyramid G60, 1952; G278,
           1957.

  110. *   _Denton Welch Journals_, ed. by Jocelyn Brooke (Autobio).
           London, Hamish Hamilton, 1952.

  111. **  Angus Wilson, _Hemlock and After_. NY, Viking, 1952.
           (OTP-a?) Br. Pb Reprint: Penguin #1086.

  112. *** Donald Webster Cory (ed.), _21 Variations on a Theme_
           including

       *** Wilson Lehr, _No Competition_ (SS). NY, Greenberg, 1953. (The
           other 20 stories cited separately or not relevant).

  113. *** John Cromwell, _A Grain of Sand_. London, Owen, 1953.

  114. *   Mary Heathcott, _Neil’s Girl_ (SS) in “Story No. 4” ed. by
           Whit & Hallie Burnett. NY, Wyn, 1953. (OTP-c/e?)

  115. **  Mary McLaren, _The Twisted Heart_. NY, Exposition Press,
           1953.

  116. **  Wilma M. Prezzi, _Dark Desires_. NY, Padell, 1953.

  117. *** Mary Renault, _The Charioteer_. London, Longmans Green,
           1953.

  118. *   Andrew Rosenthal, _Third Person_ (D) in “Plays of the Year
           v. 7”. London, Elek, 1953. (OTP-a?)

  119. *   Theodore Sturgeon, _World Well Lost_ (SS) in “E Pluribus
           Unicorn”. NY, Abelard-Schumann, 1953. Pb reprint: Ballantine
           #179.

  120. *   Robert Anderson, _Tea and Sympathy_ (D). NY, Random, 1954.
           Pb reprint: Signet #1343. (OTP-c/f?)

  121. **  Edith de Born, _The Imperfect Marriage_. London, Chapman
           & Hall, ’54.

  122. *   Dean Douglas, _Man Divided_. NY, Fawcett Gold Medal #407,
           1954. (? OTP-c/f)

  123. **  Jean Evans, _Martin Beardson_ (quasi-SN) in “Three Men”.
           NY, Knopf, 1954.

  124. *** Rodney Garland (Adam de Hegedus), _The Heart in Exile_.
           NY, Coward-McCann, 1954. Pb reprint: Lion #76.

  125. **  Jean Genet, _Thief’s Journal_. Paris, Olympia, 1954.

  126. **  Ruth and Augustus Goetz, _The Immoralist_ (D). NY,
           Dramatists’ Play Service, 1954. (See also original Gide,
           1930).

  127. *   Harold Levitt, _One Foot To The Sea_ (D). NY, Burdge,
           1954. (OTP-c?)

  128. **  Robert Lowry, _The Victim_ (SS) in “Happy New Year,
           Kamerades”. Garden City, Doubleday, 1954. Pb reprint: As
           “This Is My Night” (book title), Popular #676.

  129. *** Gordon Merrick, _Demon of Noon_. NY, Messner, 1954. Pb
           reprint: As “Lovers in Torment”, Popular #703. (OTP-a?)

  130. **  Vin Packer, _Whisper His Sin_. NY, Fawcett Gold Medal
           #426, 1954.

  131. *** Tennessee Williams, _Two On A Party_ (SS)

  132. **  Tennessee Williams, _Hard Candy_ (SS)

  133. **  Tennessee Williams, _The Mysteries of the Joy Rio_ (SS)
           in “Hard Candy”. Norfolk Conn., New Directions, 1954. (See
           OTP, 1954).

  134. **  Margaret Yourcenar, _Hadrian’s Memoirs_. NY, Farrar
           Straus, 1954. (OTP-a?) Reprint (PC): Anchor #108.

  135. *** James Barr, _Game of Fools_ (D). Los Angeles, One Inc.,
           1955.

  136. *** Lonnie Coleman, _The Theban Warriors_ (SS) in “Ship’s
           Company”. Boston, Little, Brown, 1955. Dell D185.

  137. *   Rupert Croft-Cooke, _The Verdict of You All_ (Autobio).
           London, Secker & Warburg, 1955.

  138. **  John Furnell, _The Stringed Lute, An Evocation in
           Dialogue of Oscar Wilde_ (D), London, Rider, 1955.

  139. *** Audrey Erskine Lindop, _The Outer Ring_. NY,
           Appleton-Century-Crofts, 1955. (Original British title:
           _Details of Jeremy Stretton_.) Pb reprint: As “The
           Tormented”, Popular G160.

  140. *** Peter Wildeblood, _Against the Law_ (Autobio). London,
           Weidenfeld and Nicolson, 1955. Br. Pb Reprint: British
           Penguin #1188.

  141. *** James Baldwin, _Giovanni’s Room_. NY, Dial, 1956. Signet
           #1559.

  142. *   Frank Cauldwell, _The Firewalkers_. London, Murray, 1956.
           (OTP-a?)

  143. *** Israel Gerber, _Man on a Pendulum_ (Autobio). NY,
           American, 1956.

  144. *** Jay Little, _Somewhere Between The Two_. NY, Pageant
           Press, 1956.

  145. *   Joseph de Pelissero, _Road of No Regrets_. NY, Greenwich,
           1956.

  146. **  Mary Renault, _The Last of the Wine_. NY, Pantheon, 1956.
           (OTP-a?)

  147. **  Gerald Tesch, _Never the Same Again_. NY, Putnam’s, 1956.
           Pb reprint: Pyramid G342 (Revised).

  148. *** Gore Vidal, _Three Stratagems_ (SS)

  149. *** Gore Vidal, _The Zenner Trophy_ (SS)

  150. *** Gore Vidal, _Pages from an Abandoned Journal_ (SS) in “A
           Thirsty Evil”. NY, Zero Press, 1956. Pb reprint: Signet
           S1535.

  151. *** Peter Wildeblood, _A Way of Life_ (Autobiography).
           London, Weidenfeld & Nicolson, ’56.

  152. ** Margaret Campbell Barnes, _Isabel the Fair_.
           Philadelphia, Smith, 1957. (OTP-a?)

  153. *** Helen P. Branson, _Gay Bar_ (Memoirs). San Francisco,
           Pan Graphic, 1957.

  154. *** Martyn Goff, _The Plaster Fabric_. London, Putnam’s,
           1957.

  155. *   Julien Green, _The Transgressor_. NY, Pantheon, 1957.

  156. **  Saikaku Ibara, _Gengobei the Mountain of Love_ (SS) in
           “Five Women Who Loved Love”. Tokyo, Tuttle, 1957. (see also
           1928).

  157. **  Sir Compton Mackenzie, _Thin Ice_. NY, Putnam’s, 1957.

  158. *** Milton Rebow, _Oh Dear_. NY, Key, 1957.

  159. *   David Stacton, _Remember Me_. London, Faber & Faber, 1957
           (OTP-c?).

  160. *** Anonymous (=Michael Nelson=), _A Room in Chelsea
           Square_. London, Cape, 1958.

  161. *** Jean Cocteau, _The White Paper_. Paris, Olympia. NY,
           Macaulay, ’58.

  162. **  Lennox Cook, _No Language But A Cry_. London, Hamish
           Hamilton, 1958.

  163. **  Roger Gellert, _Quaint Honor_ (D). London, Secker &
           Warburg, 1958.

  164. **  Eve Linkletter, _The Gay Ones_. PbO: Fresno Calif.,
           Fabian Z124, 1958.

  165. **  Kenneth Martin, _Aubade_. NY, Citadel, 1958.

  166. *** Yukio Mishima, _Confessions of a Mask_. NY, New
           Directions, 1958.

  167. **  Iris Murdoch, _The Bell_. NY, Viking, 1958. (OTP-a?)

  168. *   Dennis Murphy, _The Sergeant_. NY, Viking, 1958. (OTP-c/f?)

  169. **  James Ramsey Ullman, _The Day On Fire_. Cleveland, World,
           1958. (OTP-a?)

           Oscar Wilde?, _Teleny_. 1958. See 1893.




_CLASSICS_ (c. 700 B.C.-1700)


Note: All classics below are listed in their original historical order.

  c  Homer, _The Iliad_. (P). Vs. translations & editions.

  c  Pindar, _Odes_ (esp. _Ode to Theoxenos_). Vs. translations &
     editions.

  c  Theognis, _Elegies to Kurnos_ (P) in “Elegy and Iambus”, Loeb
     Library #258 and other translations/editions.

  b  Aristophanes, _Thesmophoriazusae_ (D)
  *

 d/e Aristophanes, _The Birds_; _The Clouds_; _The Frogs_; _The
     Knights_; _Lysistrata_; _Ecclesiazusae_. (all D). Vs.
     translations & editions including  “Eleven Comedies of
     Aristophanes”, NY, Liveright, 1930 et seq. (Black and Gold
     Library).

  c  Theocritus, _Idylls_ (P) (esp. 5, 7, 12, 13, 23, 29, 30). Loeb
     Lib. #28 et al.

  b) Caius V. Catullus, _Carmina_ (P) (esp. 15, 16, 21, 24, 25, 29, 33,
  c) 48, 56, 57, 80, 81, 99, 100, 106, 112). Vs. translations &
  d) editions with variant degrees of expurgation & bowdlerization.
  e) Translation by Sir Richard Burton & Leonard C. Smithers,
  ** published in several subscribers’editions London and New York,
     offers most complete edition.

  a  Albius Tibullus, _Elegies_ (P) (esp. 4, 8, 9). Loeb Library #6
  *  et al.

  c  Publius Vergil(ius), _Eclogues_ (esp. 2: Corydon). (P). Vs.
     editions.

  a  Caius Petronius, _Satyricon_. Vs. translations, best by Oscar
 *** Wilde or Firebaugh in various editions.

  c  Publius P. Statius, _The Tresses of Flavius Earinus_ in “Silvae”.
     (P) Loeb Library #206, et al.

 a/e Marcus V. Martial(is), _Epigrams_. Various translations &
  ** editions, complete only in Loeb Library #94 & 95 (with Latin &
     Italian fluency or dictionary required for some incompletely
     translated epigrams).

 d/e Lucian, _Dialogues_ (esp. Dialogues of the Gods; Dialogues of the
     Courtesans). Vs. translations and editions.

  d  Lucian, _True History_. (SN). Vs. translations including Loeb
     Library #14.

  d  Lucius Apuleius, _The Golden Ass_. Vs. translations & editions.

  d  _Greek Anthology_ (P). Vs. translations & editions. (see also P,
     1918; the _Musa Puerilis_ does not contain quite all relevant
     verses).

  d  Longus, _Daphnis and Chloe_. (SN). Vs. editions including Anchor
     A21 (PC)

  b  Xenophon of Ephesus, _An Ephesian Tale_. (SN). Anchor A21 (PC)
  ** et al.

  c  Christopher Marlowe, _Edward II_ (D). London, c. 1592.

  d  Christopher Marlowe, _Dido_ (D)

 a/c Richard Barnfield, _The Affectionate Shepherd_ (P). London, 1594.

 a/c Richard Barnfield, _Sonnets_ (esp. 4, 8, 19). London, 1595.
  ** Vs. scarce reprints including Grossart (ed.), London, 1876;
     English Scholar’s Library, London, 1882; Fortune Press, London,
     1936. Also, small portion in _Ioläus_ (see OTP, 1902).

  c  William Shakespeare, _Sonnets_ (esp. 18, 20, 104, 108). London,
  *  1609.
  c  William Shakespeare, _Troilus and Cressida_ (d).

  a  John Wilmot, Earl of Rochester, _Sodom_ (D). “Antwerp”, 1684.
 *** Reprinted in Kryptadia v. IX, Paris, 1905 & Heilbronn, 1912;
     Paris, Olympia, ’57 (PC)

  a  John Wilmot, Earl of Rochester, _Poems on Several Occasions_.
     “Antwerp”, 1684. Reprinted by Princeton University Press,
     Princeton, 1950.

  b  Sir John Vanbrugh, _The Relapse_ (D). London, 1696. Many editions.
  *




_OTP_


_18th/19th Centuries_

  b  Tobias G. Smollett, _The Adventures of Roderick Random_. London,
  *  1748. Vs. reprints including Everyman #790.

  b  John Cleland, _Memoirs of Fanny Hill_. London, 1749. Vs. European
  *  reprints including Paris, Obelisk, 1950 & Olympia, 1955.

  c  Johann C. F. von Schiller, _Don Carlos_ (D). London, 1795. Vs.
     reprints.

  f  Théophile Gautier, _Mlle. de Maupin_. Vs. translations and
     editions. Pb reprint: Pyramid G161.

  c  Alfred Lord Tennyson, _In Memoriam_ (P) (esp. 13, 18, 19, 127,
     128). London, 1850. Many reprints (many incomplete).

  c  Walt. Whitman, _The Leaves of Grass_ (P) (esp. _Calamus_ section).
  *  NY, 1856. Innumerable reprints incl. Pb reprint: Mentor MS117.

  c  Michaelangelo Buonarotti, _Sonnets_. Translated by John Addington
     Symonds. London, 1878. Vs. reprints.

  c  George Taylor (Adolf Hausrath), _Antinous: A Romance of Ancient
     Rome_. NY, Gottsberger, 1882. (Reprinted 1884 under author’s real
     name).

  c  Adolf von Willbrandt, _Fridolin’s Mystical Marriage_. NY,
     Gottsberger, 1884. (Primary?)

  c  Christopher Carr (Arthur C. Benson), _Memoirs of Arthur Hamilton_.
     London, 1886. Subsequently reprinted under author’s real name in
     London and NY, Kennerly, 1907.

  c  Edward Irenaeus Stevenson, _White Cockades_. NY, Scribner’s, 1887.

  c  John Addington Symonds, _The Key of Blue_ (P). London, c.1887.

     Sir Richard Burton, _The Book of the Thousand Nights and a Night_.
     London, 1885-1888, 17 vols. Various reprints. Esp. relevant:
  d   1) Noureddin Ali of Cairo and his son Bedreddin Hassan. I, 195
         (N20/4)
  d   2) Kemerezzeman and Budour. v. III, 300-6 (N216)
  d   3) Ali Shar and Zummurud. IV, 226 (N326)
  b   4) Abu Nowas and the Three Boys. V, 64 (N382). (Reprint Cory,
         1953 P)
  d   5) Man’s Dispute with the Learned Woman. V, 154-6

  c  Hall Caine, _The Deemster_. London, 1888, Many reprints.

  a  Count Donatien A. F. de Sade, _Justine_ (translation of 2-vol,
  ** 1791 edition). Paris, Lisieux, 1889. New edition: Paris, Olympia,
     1954 (PC). Abridged & expurgated edition by Julian Press, Newark,
     1931 (& n.p., c. 1935) with PC reprint c.1955, NY? (labelled
     “Paris, Collection Ballet des Muses”). (The 4-volume 1796 edition
     has apparently never been translated).

  c  Edward Irenaeus Stevenson, _Left To Themselves_. NY, Hunt and
     Eaton; Cincinnatti, Cranston & Stowe, 1891.

  c  Howard O. Sturgis, _Tim_. London & NY, Macmillan, 1891.

  c  Robert S. Hichens, _The Green Carnation_. NY, Kennerly, 1894.
     Reprints by Appleton, NY, 1895 and by Argus, Chicago, 1929.

  c  Lord Alfred Douglas, _When The King Comes He Is Welcome_
     (Poetic D)., in “Poems”. Paris, Mercure de France, 1896. Reprinted
     in “Lyrics”, London, Rich and Cowan, 1935. (See also Primary, 1896)

  c  Henry B. Fuller, _At St. Judas’_ (1-Act Poetic Drama) in “Puppet
  *  Show” NY, Century, 1896.

  c  Ashley W. Clarke, _Jaspar Tristram_. London, Heinemann, 1899.


_1901-1924_

  c  Frederick Baron Corvo (Frederick Rolfe), _In His Own Image_. London
     and NY, Lane, 1901. Reprinted London, Lane, 1924; NY, Knopf, 1925.
     NB: Of the 30 Toto stories (SS) herein complete, 7 were previously
     published (1898) by Lane in “Stories Toto Told Me” and 6 in The
     Yellow Book.

  c  Oscar Wilde, _Portrait of Mr. W. H._ (SS). Portland, Maine, Mosher,
  *  1901. Reprinted in several Collected Works editions.

  c  Edward Carpenter, _Towards Democracy_ (P). London, Swan
     Sonnenschein, 1883-1902. Vs. reprints including Kennerly, NY, 1922.
     (“Who Shall Command the Heart” section corresponds to Whitman’s
     “Calamus” part.)

  c  Edward Carpenter, _Ioläus: An Anthology of Friendship_ (P et al.).
  ** London, Allen & Unwin, 1902. Vs. reprints including Boston,
     Goodspeed, 1902 and NY, Boni, 1935.

  c  Frederick Rolfe, _Hadrian VIIth_. London, Chatto & Windus, 1902 &
     1925. NY, Knopf 1928 et seq.

  c  Paul Bourget, _A Love Crime_. NY, Société des Beaux-Arts, 1905.
     Pb Reprint: Ace D16

  c  Frederick Rolfe, _Don Tarquinio_. London, Chatto & Windus, 1905,
     1929 and 1957. NY, Knopf, 1924.

  c  Forrest Reid, _The Garden God_. London, Nutt, 1906.

  c  H. A. Vachell, _The Hill--A Romance of Friendship_. NY, Dodd Mead,
     1906.

  c  Romain Rolland, _Jean-Christophe in Paris_. NY, Holt, 1911. Reprint
     in Modern Library G38. Pb condensation (complete Christophe):
     PB631.

  c  Edward I. Stevenson, _Weed and Flowers_ (SS) and _Aquae Multae Non_
     (SS) in “Her Enemy, Some Friends and Other Personages: Stories and
     Studies Mostly of Human Hearts”. Florence, Obsner, 1913 (Ltd.; 250
     copies).

  c  D. H. Lawrence, _The Rainbow_. NY, Huebsch, 1916. Vs. reprints
     incl. Pb reprints: Avon 1028 & G2028.

  c  D. H. Lawrence, _The Prussian Officer_ (SS). NY, Huebsch, 1917. Vs.
     reprints incl. Cory, P1953.

  f  Sherwood Anderson, _Hands_ (SS) in “Winesburg, Ohio”. NY, Huebsch,
     1919. Reprint by Cory (P, 1953) and Pb: Signet 585 & 1304.

  d  Henry B. Fuller, _Bertram Cope’s Year_. Chicago, Alderbrink, 1919.

  d  Alec Waugh, _The Loom of Youth_. NY, Doran, 1920.
  *

  d  Joris Karl Huysmans, _Against the Grain_. NY, Lieber & Lewis, 1922;
  *  Boni, 1924. Modern Library (OP) #30; MLP #23 (PC).

  c  D. H. Lawrence, _Women in Love_. NY, Seltzer, 1922. Pb: Avon #1021.

  d  D. H. Lawrence, _Aaron’s Rod_. NY, Seltzer, 1922. Pb: Avon #1025.

  f  Sherwood Anderson, _The Man Who Became A Woman_ (SS) in “Horses and
     Men”. NY, Huebsch, 1923. In “Portable Anderson”. NY, Viking, 1949.

  c  Hermann Hesse, _Demian_. NY, Boni & Liveright, 1923. NY, Holt,
     1948.

  d  Arnold Lunn, _Scrap of Paper_ (SS) in “Georgian Stories”, 1922.
  *  NY, Putnam’s, 1923.

  d  Carl van Vechten, _Blind Bow Boy_. NY, Knopf, 1923.

  d  Joris K. Huysmans, _La Bas_. NY, Boni, 1924 and University, 1958.
     Pb reprint: “Paris” (NY?), “Le Ballet des Muses” (PC).


_1925-1931_

  b  Cyril Hume, _Cruel Fellowship_. NY, Doran, 1925.
  *

  d  Panait Istrati, _Kyra Kyralina_. NY, Knopf, 1926.

  b  E. E. Cummings, _Him_ (P). NY, Liveright, 1927.
  *

  d  Charlotte Haldane, _Man’s World_. NY, Doran, 1927.

  c  Rosamund Lehmann, _Dusty Answer_. NY, Holt, 1927; Reynal &
     Hitchcock, n.d.

  a  Compton Mackenzie, _Vestal Fire_. NY, Doran, 1927.
  **

  d  Lord Stites (Donald Fairchild), _Intimate Acrobatics_. NY,
  *  MacBride, ’27.

  e  Glenway Westcott, _The Grandmothers_. NY, Harper’s, 1927. Bantam
     #69.

  a  Mary Butts, _Armed with Madness_. NY, Boni, 1928.
  *

  c  Lester Cohen, _Oscar Wilde_ (D). NY, Boni, 1928.
  *

  d  Compton Mackenzie, _Extraordinary Women_. NY, Macy-Masius, 1928.
  *

 b/c Ernest Milton, _To Kiss the Crocodile_. NY, Harper’s, 1928.
  **

  a  Naomi Mitchison, _Krypteia_ (SS) in “Black Sparta: Greek Stories”.
  *  NY, Harcourt Brace, 1928. (See also Primary, 1928).

  a  Charles Brackett, _American Colony_. NY, Boni & Liveright, 1929.
  *

  d  Hermann Hesse, _Steppenwolf_. NY, Holt, 1929 & 1947. NY, Ungar,
     1957.

  c  Jean Cocteau, _Les Enfantes Terribles_. Tr. by Samuel Putnam, NY,
  *  Brewer & Warren, 1930. New translation by Rosamund Lehmann: NY,
     New Directions, 1957.

  a  James Hanley, _Prisoner Before Death_ (SS). London, privately
  *  printed, ’30.

 c/d Carl Van Vechten, _Parties_. NY, Knopf, 1930.

 c/d Keith Winter, _Other Man’s Saucer_. NY, Doubleday, 1930.

  d  Arnold Zweig, _Claudia_. NY, Viking, 1930.

  c  E. F. Benson, _The Inheritor_. NY, Doubleday, 1931.

  d  Clemence Dane, _Broome Stages_. NY, Doubleday, 1931.
  *

  c  George Davis, _The Opening of a Door_. NY, Harper’s, 1931.
  *

  a  Robert Graves, _And Still It Goes On_ (D) in “And Still It Goes On”
  ** (Miscellany of Graves’ works). NY, Cape and Smith, 1931.

  a  Naomi Mitchison, _The Corn King and the Spring Queen_. NY,
  ** Harcourt Brace, 1931. (London, Cape, 1930s, 1940s, 1950s,
     continuous reprints).

  c  Forrest Reid, _Uncle Stephen_, London, Faber, 1931. Reprinted as
     part of trilogy “Tom Barber” by Pantheon, NY, 1955.

     Count D. A. F. de Sade, _Justine_. 1931. See 1889.


_1932-1936_

  a  Mary Butts, _The Death of Felicity Taverner_. London, Wighart,
  *  1932.

  a  Myron Brinig, _This Man is my Brother_. NY, Farrar & Rinehart,
  *  1932.

  e  Carroll & Garrett Graham, _Kings Back to Back_. NY, Vanguard,
     1932.

  d  James Hanley, _Boy_. NY, Knopf, 1932.

  c  Hermann Hesse, _Death and the Lover_. NY, Dodd, 1932. Reprinted
  *  as “Goldmund” by Owen and by Vision (jointly), London, 1959.

  a  Wyndham Lewis, _The Apes of God_. NY, McBride, 1932. Reprinted in
  *  de luxe, signed, limited (1000 copies) edition by Arco, London,
     1955.

  d  J. B. Priestley, _Dangerous Corner_ (D). NY, French, 1932. Mod.
  *  Lib. G16.

  a  Marcel Proust, _Remembrance of Things Past_. NY, Boni, 1922-32.
  ** Vs. reprints incl. Modern Library. See also Primary, 1927.

  c  Patrick Carleton, _Desirable Young Men_. NY, Dutton, 1933.

  d  William March, _Company K_. NY, Smith & Haas, 1933. Pb reprint:
     Lion #111.

  c  Mordaunt Shairp, _Green Bay Tree_ (D). London, Allen & Unwin,
  *  1933. Reprinted in Modern Library G16.

  b  E. F. Benson, _Raven’s Brood_. NY, Doubleday, 1934.
  *

  a  Edgar Calmer, _Beyond the Street_. NY, Harcourt Brace, 1934.
  **

  d  L. E. Celine, _Journey to the End of Night_. Boston, Little
     Brown, ’34. Pb reprint: Avon G1014.

  b  F. Scott Fitzgerald, _Tender is the Night_. NY, Scribner’s, 1934.
  *  Pb reprint: Bantam A867.

  d  Carroll Graham, _Border Town_. NY, Vanguard, 1934. Pb reprint:
     Dell 625.

  c  Frederick Rolfe Baron Corvo, _The Desire and Pursuit of the
  *  Whole_. London, Cassell, 1934. Reprinted by New Directions, NY,
     1953.

  e  John Peale Bishop, _Act of Darkness_. NY, Scribner’s, 1935.

  b  Robert Briffault, _Europa_. NY, Scribner’s, 1935. Abrgd. Pb: Avon
  *  272. (see 1937OTP for sequel).

     Lord Alfred Douglas, _When the King Comes He Is Welcome_
     (Poetic D) in “Lyrics”. 1935. See OTP 1896.

  d  Frederic Prokosch, _The Asiatics_. NY, Harper, 1935. Pb: ASE 764.

  d  Cyril Connolly, _Rock Pool_. NY, Scribner’s, 1936. Reprint in
  *  “New Directions Classics” by New Directions, NY, 1949.

  c  John Evans, _Shadows Flying_. NY, Knopf, 1936. (Primary?)
  *  Pb reprint as “Love in the Shadows”, Avon T104.

  a  Aldous Huxley, _Eyeless in Gaza_. NY, Harper, 1936. Bantam F1233 &
  *  F1622.

  c  Stephen Spender, _By the Lake_ (SS) in “The Burning Cactus”. NY,
     Random, 1936. See also Primary, 1936.

  d  Olaf Stapledon, _Odd John_. NY, Dutton, 1936. Viking Science
     Fiction Portable, c. 1954.

 c/d Keith Winter, _Impassioned Pygmies_. NY, Doubleday, 1936.
  *


_1937-1941_

  b  Djuna Barnes, _Nightwood_. NY, Harcourt Brace, 1937. Reprinted by
     New Directions in “New Classics” series, NY, c. 1950.

  d  Robert Briffault, _Europa in Limbo_. NY, Scribner’s, 1937. (See
     1935).

 a/f James M. Cain, _Serenade_. NY, Scribner’s, 1937. (Primary?)
  ** Pb reprints: Signet 621; Signet 1153; Penguin 1153.

  a  Noel Langley, _So Unlike the English_. NY, Morrow, 1937.
  ** (Previous, original British title: “There’s a Porpoise Close
     Behind Us”).

  b  Eugene O’Brien, _He Swung and He Missed_. NY, Reynal & Hitchcock,
  ** 1937. Pb reprint: Avon 508.

  d  Frederic Prokosch, _Seven Who Fled_. NY, Harper, 1937.

  d  Esmond Quinterley, _Ismay Somer_. “Paris” (London), Fortune, 1937.
  **

  c  Reginald Underwood, _Hidden Lights_ (Fictionalized Autobio).
     London, Fortune, ’37.

  a  Elliot Paul, _Concert Pitch_. NY, Random, 1938. (Primary?)
  **

  d  Philip Barry, _Here Come the Clowns_ (D). NY, Coward-McCann, 1939.

  d  Raymond Chandler, _The Big Sleep_. NY, Knopf, 1939. Pb: PB 696 &
  *  2696.

  d  Noël Coward, _What Mad Pursuit_ (SS) in “To Step Aside”. NY,
     Doubleday 1939. Reprint by Sun Dial. Pb reprint: Dell D80. (See
     Primary, 1939).

  d  Arthur Koestler, _The Gladiators_. NY, MacMillan, 1939. Pb:
     Graphic G213.

  d  Roger Martin du Gard, _The Thibaults_. NY, Viking, 1939.

  d  Frederic Prokosch, _Night of the Poor_. NY, Harper, 1939.

  c  Mary Renault, _Promise of Love_. NY, Morrow, 1939. Pb: Dell 298.
  *  (original British title: _Purposes of Love_. Br. Pb: Ace H180)

  b  Henry Bellaman, _Kings Row_. NY, Simon & Schuster, 1940. Pb: PB C2.
  *

  d  Robert Henriques, _No Arms No Armour_. NY, Farrar-Rinehart, 1940.

  e  Rayner Heppenstall, _The Blaze of Noon_. Chicago, Alliance, 1940.
     Pb reprint: Berkley G27.

  f  Eugene O’Brien, _One-Way Ticket_. NY, Doubleday, 1940. Pb: Pennant
     P50.

 c&f Benjamin Subercaseaux, _The Salt Sea_ (SS) in “From West to East”.
  *  NY, Putnam’s, 1940. Pb reprint in “Spanish Stories”, Pocket
     Library 40.

 c&d Gerald Brown, _Murder on Beacon Hill_. NY, Phoenix, 1941.

  c  Marcus Goodrich, _Delilah_. NY, Rinehart, 1941. Pb: AFE T3; Bantam
  *  A1088.

  c  Carson McCullers, _Reflections in a Golden Eye_. Boston, Houghton
  *  Mifflin, 1941. Reprinted in McCullers Omnibus “The Ballad of the
     Sad Cafe” by Houghton Mifflin, Boston, 1951.
     Pb reprint: Bantam A1156.

  d  Frederic Prokosch, _The Skies of Europe_. NY, Harper, 1941.


_1942-1946_

  a  Fitzroy Davis, _Quicksilver_. NY, Harcourt Brace, 1942.
 ***

  d  Paul Goodman, _The Grand Piano_. San Francisco, Colt, 1942.

  a  Evelyn Waugh, _Put Out More Flags_. Boston, Little Brown, 1942.
  ** British Pb reprint: Br. Penguin 423.

  d  Matthew Head (John E. Canaday), _The Smell of Money_. NY, Simon &
     Schuster, 1943. Pb reprint: Dell 219.

  e  Frederic Prokosch, _The Conspirators_. NY, Harper, 1943.

  d  Carlton Brown, _Brainstorm_. NY, Farrar & Rinehart, 1944.

  a  Rose Franken, _Outrageous Fortune_ (D). NY, French, 1944.
  *

  c  Charles Jackson, _The Lost Weekend_. NY, Farrar & Rinehart, 1944.
  ** Pb reprint: Signet 683; Berkley G1.

  a  Kenneth Millar, _The Dark Tunnel_. NY, Dodd Mead, 1944. Pb: Lion
  ** 48. Pb reprint as “I Die Slowly”, Lion LL52.

  b  Richard Brooks, _The Brick Foxhole_. NY, Harper, 1945. Reprint by
  *  Sun Dial.

  c  Christopher Isherwood, _Prater Violet_. NY, Random, 1945. MLP19
     (PC).

  c  William Maxwell, _The Folded Leaf_. NY, Harper, 1945. (Primary?)
  ** Reprints: Cleveland, World Forum books; NY, Book-Find Club together
     with “The Dark Legend” by Dr. Frederick Wertham; Vintage R78 (PC).

  b  Frederic Prokosch, _Age of Thunder_. NY, Harper, 1945.

  a  Evelyn Waugh, _Brideshead Revisited_. Boston, Little Brown, 1945.
  ** Pb reprints: Dell D151; Dell 163.

 c&d Helen Eustis, _The Horizontal Man_. NY, Harper, 1946. Pb: PB 557.

  e  Paul Goodman, _The State of Nature_. NY, Vanguard, 1946.

  a  Alfred Hayes, _All Thy Conquests_. NY, Crown, 1946; Howell Soskin
  * ’46. Pb reprints: Lion 40; Lion LL68; Pyramid G365.

  a  Adam de Hegedus (later “Rodney Garland”), _Rehearsal under the
  ** Moon_. London, Nicolson and Watson, 1946.

 c&d Christopher Isherwood, _The Memorial_. NY, New Directions, 1946.

  a  Christopher Isherwood, _The Berlin Stories_. NY, New Directions,
  ** 1946. Pb reprints: “Goodbye to Berlin” portion in Signet 937 &
     Signet S1252; “The Last of Mr. Norris” portion: Avon 448; Berkley
     G153. See Cory (Primary, 1953) for “On Ruegen Island” (chapter as
     SS).

  d  Hansford Martin, _Send Them Summer_. NY, Harcourt Brace, 1946. Pb:
     Avon 88. AT

  e  Carson McCullers, _The Member of the Wedding_. Boston, Houghton
     Mifflin, 1946. Reprinted in “Ballad of the Sade Cafe” Omnibus,
     1951.

  b  Frederic Prokosch, _The Idols of the Cave_. NY, Doubleday, 1946.
  **

  c  Gladys Schmitt, _David the King_. NY, Dial, 1946.
  **

  c  Denton Welch, _In Youth is Pleasure_. NY, Fischer, 1946.

  c  Denton Welch, _When I was Thirteen_ (SS) in “Horizon Stories” ed.
  *  by Cyril Connolly. NY, Vanguard, 1946. Reprinted by Cory (Primary,
    ’53).


_1947-1948_

  d   Vance Bourjaily, _The End of my Life_. NY, Scribner’s, 1947.
  *   Pb reprint: Bantam 1047.

  a   Richard Erickson, _Confessional_ (SS) in “Cross-Section 1947”. NY,
  **  Simon and Schuster, 1947. (Primary?)

  a   William Douglas _Now Barrabas_ (D). London, Longmans Green, 1947.
  *

 c&d  John Kelly, _All Souls’ Night_. NY, Harcourt Brace, 1947.

  d   Willard Motley, _Knock on Any Door_. NY, Appleton-Century, 1947.
  *   Pb reprints: Signet D802; Signet S1576.

  a   Jean-Paul Sartre, _The Age of Reason_. NY, Knopf, 1947.
  *
  a   Jean-Paul Sartre, _The Reprieve_. NY, Knopf, 1947.
  *   (See OTP, 1951 for third of this trilogy).

  b   Gore Vidal, _In A Yellow Wood_. NY, Dutton, 1947.
  *

  e   Tennessee Williams, _A Streetcar Named Desire_ (D). NY, New
  *   Directions 1947. Pb reprint: Signet: 917.

  a   Calder Willingham, _End as a Man_. NY, Vanguard, 1947.
  **  Pb reprints: Avon AT445 and Signet D1386. Abridged in Avon 240.

 c&d  Truman Capote, _Other Voices, Other Rooms_. NY, Random, 1948.
  *   (Primary?) Pb reprint: Signet 700. PC reprint: MLP14.

  a   Charles Gorham, _The Future Mr. Dolan_. NY, Dial, 1948.
  **  Pb reprints: Signet 752 (abridged); Pyramid G197 (abridged)

  a   Charles Gorham, _The Gilded Hearse_. NY, Creative Age, 1948.
  *   Pb reprints: Signet 714; as “Make Me an Offer”, Berkley G199.

  c   Norman Mailer, _The Naked and the Dead_. NY, Rinehart, 1948.
      Pb reprints: Signet D837; Signet T1549.

  d   Frederic Prokosch, _Storm and Echo_. NY, Doubleday, 1948.

  a   Jean-Paul Sartre, _The Childhood of a Leader_ (SS) in “The Wall”.
  **  NY, New Directions, 1948 (Limited Edition) and reprinted by New
      Directions as “Intimacy” c. 1955.
      Pb reprints (as “Intimacy”): Avon AT69; Berkley G30; Berkley G105.

 c&d  Betty Smith, _Tomorrow Will Be Better_. NY, Rinehart, 1948.
  *   Pb reprint: Dell D104.

 ac&d A. M. P. Stratton, _Lord Love Us_. NY, Scribner’s, 1948.
  *

  d   Jon Edgar Webb, _Four Steps to the Wall_. NY, Dial, 1948.
  *   Pb reprint: Bantam 1179.

  c   Denton Welch, _The Barn_ (SS) in “Brave and Cruel”. London, Hamish
  *   Hamilton, 1948.


_1949-1950_

  f  Marie Baumer, _The Seeker and the Sought_. NY, Scribner’s, 1949.

  a  Stuart Benton (George Sylvester Viereck), _All Things Human_. NY,
  ** Sheridan, 1949. Reprinted by Sheridan under Viereck’s own name ’55.

  a  Marc Brandel, _The Barriers Between_. NY, Dial, 1949.
  **

  b  John Horne Burns, _Lucifer with a Book_. NY, Harper, 1949.
  **

  e  André Gide, _Theseus_. NY, New Directions, 1949 (Limited Edition).
     Reprinted in “Two Legends”, NY, Knopf, 1955.

  c  John Kelly, _Alexander’s Feast_. NY, Harcourt Brace, 1949.

 c/d Robin Maugham, _Line on Ginger_. NY, Harcourt Brace, 1949. Pb:
  *  Avon 333.

  a  Nancy Mitford, _Love in a Cold Climate_. NY, Random, 1949.
  ** Br. Pb. reprint: Br. Penguin 984.

  a  Fritz Peters, _The World Next Door_. NY, Farrar, Straus, 1949.
 *** (Primary?) Pb reprint: Signet 813 (drastically revised and
     abridged).

  d  Gore Vidal, _The Season of Comfort_. NY, Dutton, 1949.
  *

  e  John F. Bardin, _The Burning Glass_. NY, Dutton, 1950.

  d  Paul Bowles, _The Delicate Prey_ (SS) in “The Delicate Prey”. NY,
  *  Random, 1950. Pb: Signet 919 & 1296. See also Primary, 1950.

 c&f Frederick Buechner, _A Long Day’s Dying_. NY, Knopf, 1950.

 c&f A. J. Cronin, _The Spanish Gardener_. Boston, Little Brown, 1950.
  *  Pb reprint: Bantam A1719.

  d  Diana Gaines, _Tasker Martin_. NY, Random, 1950. Pb: Bantam 880.

  b  Paul Goodman, _The Dead of Spring_. Glen Gardner, NJ, Libertarian,
  *  ’50.

  b  William Goyen, _The House of Breath_. NY, Random House, 1950.
  **

  d  Theodora Keogh, _The Double Door_. NY, Creative Age, 1950.
  *  Pb reprint: Signet 958.

  b  Speed Lamkin, _Tiger in the Garden_. Boston, Houghton Mifflin,
  ** 1950. Pb reprint: Signet 845.

  a  Eugene McCown, _The Siege of Innocence_. NY, Doubleday, 1950.
 *** (Primary?)

 b&f Alberto Moravia, _Agostino_ (SN) in “Two Adolescents”. NY, Farrar
  *  Straus, 1950. Pb reprint: Signet 960; Signet 1372.

  a  Edward Ronns, _The State Department Murders_. PbO: Fawcett Gold
  ** Medal #?, 1950; reprinted 1957 as #634.

  a  Angus Wilson, _Et Dona Ferentes_ (SS) in “The Wrong Set”. NY,
  *  Morrow, 1950.


_1951_

  c  Chandler Brossard, _Who Walk in Darkness_. NY, New Directions,
     1951. Pb reprint: Signet 974.

  b  John Cornish, _The Provincials_. NY, Sloane, 1951.
  **

  b  Julien Green, _Moira_. NY, MacMillan, 1951.
  *  Pb reprint: Signet 998.

  b  James Jones, _From Here to Eternity_. NY, Scribner’s, 1951.
  *  Pb reprint: Signet T1075.

  a  Norah Lofts, _The Lute Player_. NY, Doubleday, 1951. (Primary?)
 *** Pb reprint: Bantam A1137.

  b  J. D. Salinger, _The Catcher in the Rye_. Boston, Little, Brown,
  *  1951. Pb reprint: Signet 1001.

  a  Jean-Paul Sartre, _The Troubled Sleep_. NY, Knopf, 1951.
  ** (see OTP, 1947 for previous two works of this trilogy).

  d  Thurston Scott, _Cure It With Honey_. NY, Harper, 1951.
     Pb reprint: as “I’ll Get Mine”, Popular 452 and Popular G287.

  b  John Sherwood, _Mr. Blessington’s Imperialist Plot_. NY,
     Doubleday, ’51.

  a  George Sklar, _Promising Young Men_. NY, Crown, 1951.
  **  Pb reprint: Signet 924.

  a  Russell Thacher, _The Captain_. NY, MacMillan, 1951.
  ** Pb reprint: Pocket Book 883.

  c  Denton Welch, _A Fragment of a Life Story_ (SS)

  c  Denton Welch, _A Party_ (SS)

  c  Denton Welch, _A Picture in the Snow_ (SS)

  c  Denton Welch, _A Novel Fragment_ (SS)

     (all) in “A Last Sheaf”. London, Lehmann, 1951.

  a  Calder Willingham, _Reach to the Stars_. NY, Vanguard, 1951.
  *  Pb reprint: Signet 987 (abridged).

  d  Angus Wilson, _Such Darling Dodos_ (SS) in “Such Darling Dodos”.
     NY, Morrow, 1951.


_1952_

  d  Paul Bowles, _Let It Come Down_. NY, Random, 1952.
     Pb reprint: Signet 1002.

  a  John Horne Burns, _A Cry of Children_. NY, Harper, 1952.
  ** Pb reprints: Bantam 1147; Popular G194.

  b  Albert Cossery, _The Lazy Ones_. NY, New Directions, 1952.
  *

  a  Lester Dent, _Cry at Dusk_. PbO: Fawcett Gold Medal #247, 1952.
  **

  c  Jack Dunphy, _Friends and Vague Lovers_. NY, Farrar Straus, 1952.

 c&d Ernest Frost, _The Lighted Cities_. NY, Harcourt Brace, 1952.

  c  André Gide, _Saul_ (D) in “My Theater”. NY, Knopf, 1952.
  *

  b  Harry Grey, _The Hoods_. NY, Crown, 1952. Pb: Signet 999; Signet
  *  D1575.

  c  James N. Hall, _The Forgotten One_ (SS) in “The Forgotten One and
  *  other stories”, Boston, Little, Brown, 1952.

  e  Hermann Hesse, _Magister Ludi_. NY, Holt, 1952.

  a  Chester Himes, _Cast the First Stone_. NY, Coward-McCann, 1952.
 ***

 bdf David Karp, _The Brotherhood of Velvet_. PbO: Lion 105, 1952.
  **

  a  Helen A. Mahler, _Empress of Byzantium_. NY, Coward-McCann, 1952.
  ** Pb reprint: Bantam 1157.

  b  Curzio Malaparte, _The Skin_. Boston, Houghton Mifflin, 1952.
  ** Pb reprint: Signet 1098.

  b  Alberto Moravia, _The Conformist_. NY, Farrar, Straus, 1952.
  *  Pb reprint: Signet 1071.

  d  Vasco Pratolini, _The Naked Streets_. NY, Wyn, 1952.
  *  Pb reprint: Signet 1061.

  d  Gladys Schmitt, _Confessors of the Name_. NY, Dial, 1952.
     Pb reprint: Signet D1068.

  b  John Sherwood, _Ambush for Anatol_. NY, Doubleday, 1952.

  a  Desmond Stewart, _Leopard in the Grass_. NY, Farrar Straus, 1952.
  ** Pb reprint: Signet 997.

  a  Gore Vidal (as “Edgar Box”), _Death in the Fifth Position_. NY,
 *** Dutton, 1952.
     Pb reprints: Signet 1036; Signet 1475.

  a  George Sylvester Viereck, _Men into Beasts_. PbO: Fawcett Gold
 *** Medal #260, 1952. Reprint as #552, 1956.

  b Hugh Wheeler, _The Crippled Muse_. NY, Rinehart, 1952.
  *


_1953_

  c  Louis Auchincloss, _Gemlike Flame_ (SS) in PbO: Mentor New World
     Writing No, 3, MS85, 1953. Reprinted in “The Romantic Egoists”
     by Houghton Mifflin, Boston, 1954.

  a  Vicki Baum, _The Mustard Seed_. NY, Dial, 1953.
  ** Pb reprint: Pyramid  G328 (drastically abridged).

  d  Saul Bellow, _The Adventures of Augie March_. NY, Viking, 1953.
     Pb reprint: Popular SP2.

  b  Robert O. Bowen, _Bamboo_. NY, Knopf, 1953.
  ** Pb reprint: Signet 1201.

  b  Chandler Brossard, _The Bold Saboteurs_. NY, Farrar, Straus, 1953.
  *  Pb reprint: Dell D137.

  c  Bryher, _The Players’ Boy_. NY, Pantheon, 1953.

  d  José Suarez Carreno, _The Final Hours_. NY, Knopf, 1953.
     Pb reprint: Signet 1191.

  b  Camilo José Cela, _The Hive_. NY, Farrar Straus, 1953.
  *  Pb reprint: Signet 1157.

  a  Martin Dibner, _The Deep Six_. NY, Doubleday, 1953.
  *  Pb reprint: Permabook M4028.

  a  Oakley M. Hall, _Corpus of Joe Bailey_. NY, Viking, 1953.
  ** Pb reprint: Permabook M4006.

  d  Maude Hutchins, _My Hero_. NY, New Directions, 1953.
  *

  a  Marcel Jouhandeau, _Marcel and Elise_. NY, Pantheon, 1953.
  *

  a  Raffaele La Capria, _A Day of Impatience_. NY, Farrar, Straus,
  *  1953. Pb reprint: as “First Affair”, Signet 1223.

  b  Noel Langley, _The Rift in the Lute_. NY, Coward-McCann, 1953.
  *  Pb reprint: as “Innocent at Large”, Popular 565.

  b  Richard McKaye, _Portrait of the Damned_. NY, Twayne, 1953.
  *  Pb reprint: Signet 1110.

  d  Ugo Moretti, _Rogue Wind_. NY, Prentice-Hall, 1953. Pb: Popular
     585.

  d  Roger Nimier, _The Blue Hussar_. NY, Messner, 1953. Pb: Signet
     1273.

  a  Goffredo Parise, _The Dead Boy and the Comets_. NY, Farrar,
  *  Straus, ’53.

 b&c Jordan Park, _Half_. PbO: NY, Lion 135, 1953.

  b  Frederic Prokosch, _Nine Days to Mukalla_. NY, Viking, 1953.
  *  Pb reprint: Avon T90.

     Frederick Rolfe, _The Desire and Pursuit of the Whole_. 1953.
     (See 1934).

 b&f Gerald Sykes, _The Children of Light_. NY, Farrar, Straus, 1953.
  **

  b  Gore Vidal, _The Judgement of Paris_. NY, Dutton, 1953.
 ***

  a  Paul Warren, _Next Time Is For Life_. PbO; NY, Dell FE6, 1953.
  **

  b  John Lee Weldon, _The Naked Heart_. NY, Farrar, Straus, ’53. Pb:
  *  Signet 1126.

  d  Tennessee Williams, _Camino Real_ (D). NY, New Directions, 1953.


_1954_

  b  Walter Baxter, _The Image and the Search_. NY, Putnam’s, 1954.
  *

  b  Leonard Bishop, _Creep into thy Narrow Bed_. NY, Dial, 1954.
  *  Pb reprint: Pyramid G206 (abridged)

  b  Taylor Caldwell, _Never Victorious Never Defeated_. NY, McGraw-Hill
     ’54. Pb reprint: Cardinal C202 (drastically abridged).

  a  John Flagg, _Dear, Deadly Beloved_. PbO: NY, Fawcett Gold Medal
  *  #391, 1954.

  c  Jean Genet, _Deathwatch_ (D) in “The Maids and Deathwatch”, NY,
     Grove, 1954. Vs. Grove reprints including 1958(PC): Grove E44.

  b  Christopher Isherwood, _The World in the Evening_. NY, Random,
  ** 1954. Pb reprint: Popular 710.

  d  Nikos Kazantzakis, _The Greek Passion_. NY, Simon & Schuster, 1954.
  *

  d  Speed Lamkin, _The Easter Egg Hunt_. Boston, Houghton Mifflin,
     1954. Pb reprint: as “Fast and Loose”, Popular 663.

  d  Ross MacRoss, _The Beautiful and Dead_. PbO: NY, Fawcett
     Gold Medal 386, 1954.

 b&c Roger Peyrefitte, _Diplomatic Diversions_. NY, Vanguard, 1954.
 ***

  c  Alexander Randolph, _The Mail Boat_. NY, Holt, 1954. (Primary?)
  **

  a  Mordecai Richler, _The Acrobats_. NY, Putnam’s, 1954.
  ** Pb reprint: as “Wicked We Love”, Popular 677.

  c  Anya Seton, _Katherine_. Boston, Houghton Mifflin, 1954.
  *  Pb reprint: Cardinal GC752.

  e  John Steinbeck, _Sweet Thursday_. NY, Viking, 1954.
     Pb reprint: Bantam A1412.

 c&d Desmond Stewart, _The Unsuitable Englishman_. NY, Farrar Straus,
  *  ’54. Pb reprint: as “A Stranger in Eden”, Signet 1357.

  b  Benjamin Subercaseaux, _Jemmy Button_. NY, MacMillan, 1954.
  *

  d  Eugene Walter, _The Untidy Pilgrim_. Philadelphia, Lippincott,
  *  1954.

  c  Tennessee Williams, _Three Players of a Summer Game_ (SS) and _The
     Resemblance between a Violin Case and a Coffin_ (SS) in “Hard Candy”.
     NY, New Directions, 1954. (See also Primary, 1954).


_1955_

  c  Steve Allen, _Houston Incident_ (SS) in “Fourteen for Tonight”. NY,
  *  Holt, 1955. Pb reprint: Dell D172.

  d  Alfred Bester, _Who He?_ NY, Doubleday, 1955.
  *  Pb reprint: as “The Rat Race”, Berkley G19.

  d  Vance Bourjaily, _The Hound of Earth_. NY, Scribner’s, 1955. Perm
     4052.

 c&d John Breon, _The Sorrows of Travel_. NY, Putnam’s, 1955.
  *

  d  Clemence Dane, _The Flower Girls_. NY, Norton, 1955.

  b  Angna Enters, _Among the Daughters_. NY, Coward-McCann, 1955.
  *

  b  John Foster, _Dark Heritage_. PbO: Fawcett Gold Medal 486, 1955.
  *

 d&f William Gaddis, _The Recognitions_. NY, Harcourt Brace, 1955.
  *

  a  Rodney Garland (Adam de Hegedus), _The Troubled Midnight_. NY,
  *  Coward-McCann, 1955. Pb reprint: Lion 128.

  d  Julien Green, _South_ (D) in “Plays of the Year v.12”. London,
  *  Elek, ’55.

  a  Mel Heimer, _The Girl in Murder Flat_. PbO: NY, Fawcett GM458,
  *  1955.

  c  Patricia Highsmith, _The Talented Mr. Ripley_. NY, Coward-McCann,
  *  1955.

  a  Margaret Mackay, _Four Fates_. NY, Day, 1955.
  *

  a  Norman Mailer, _The Deer Park_. NY, Putnam’s, 1955. Pb: Signet
  ** D1375.

  a  Robin Maugham, _Behind the Mirror_. NY, Harcourt Brace, 1955.
  ** Pb reprint: as “The Jungle of Love”, Avon 695.

  a  Margaret Millar, _The Beast in View_. NY, Random, 1955. Pb: Bantam
  ** 1542.

  f  Arthur Miller, _A View from the Bridge_ (D). NY, Viking, 1955.

  d  Robert Musil, _The Confusions of Young Törless_. NY, Pantheon,
  *  1995. (PC) Noonday, 1958.

  a  Malcolm Nesbit, _Chariot of Flesh_. Paris, Olympia, 1955.
 ***

  c  Robert Payne, _The Roaring Boys_. NY, Doubleday, 1955.

 d&f Roger Peyrefitte, _Diplomatic Conclusions_. NY, Vanguard, 1955.

  d  Frederic Prokosch, _A Tale for Midnight_. Boston, Little Brown,
  *  1955. Pb reprint: Popular G171.

     Forrest Reid, _Uncle Stephen_. 1955. See OTP, 1931.

  d  Robert Ruark, _Something of Value_. NY, Doubleday, 1955. Pb:
     Cardinal 753.

  a  Count D. A. F. de Sade,  _120 Days of Sodom_. Paris, Olympia, 1955.
 ***

  a  Michael Scarrott, _Ambassador of Loss_. London, Fortune, 1955.
  **

  e  Anthony West, _Heritage_. NY, Random, 1955. Pb reprint: PB C235.

 e&f Tennessee Williams, _Cat on a Hot Tin Roof_ (D). NY, New
     Directions, ’55. Pb reprint: Signet S1590.


_1956_

  c  Thomas Anderson, _Your Own Beloved Sons_. NY, Random, 1956. Pb:
     Bantam 1570.

  d  Nigel Balchin, _The Fall of the Sparrow_. NY, Rinehart, 1956.

  d  Heinrich Böll, _The Train Was on Time_. NY, Criterion, 1956.

  a  Harriet Daimler & Henry Crannach, _The Pleasure Thieves_. Paris,
 *** Olympia, 1956. (PC)

  a  Maurice Druon, _The Iron King_. NY, Scribner’s, 1956.
     Pb reprint: Ace D302.

  d  Constantine FitzGibbon, _The Fair Game_. NY, Norton, 1956.
     (Also PC).

  d  Allen Ginsberg, _Howl_ (P) in “Howl and Other Poems”. San
  *  Francisco, The City Lights Pocket Bookshop, Pocket Poet Series
     No. 4, 1956 (PC).

  d  Caroline Gordon, _The Malefactors_. NY, Harcourt Brace, 1956.

  b  Willi Heinrich, _The Cross of Iron_. Indianapolis, Bobbs-Merrill,
  *  ’56. Pb reprint: Bantam 1599.

  c  Lance Horner, _The Street of the Sun_. NY, Abelard, 1956.

  c  Francis King, _The Dark Glasses_. NY, Pantheon, 1956.

  d  Wolfgang Koeppen, _Death in Rome_. London, Weidenfeld & Nicolson,
  *  1956.

  d  N. Martin Kramer, _The Hearth and the Strangeness_. NY, MacMillan,
     1956. Pb reprint: Pyramid R236.

 c/d Meyer Levin, _Compulsion_. NY, Simon and Schuster, 1956.
  *  Pb reprint: Cardinal GC756.

  d  Richard Llewellyn, _Mr. Hamish Gleave_. NY, Doubleday, 1956.
  *

  b  Pamela Moore, _Chocolates for Breakfast_. NY, Rinehart, 1956.
  *  Pb reprint: Bantam A1630.

 b&c Kyle Onstott, _Mandingo_. Richmond, Denlinger’s, 1956. Pb: Crest
  ** T202.

  b  Mary Orr, _Diamond in the Sky_. NY, Crown, 1956.
  ** Pb reprint: Permabook M4086.

  d  Kenneth Roberts, _Boon Island_. NY, Doubleday, 1956.

  d  William Rohde, _Give Me a Little Something_. PbO: Pyramid G226,
  *  1956.

  b  Virginia Rowans (Patrick Dennis), _The Loving Couple_. NY,
  *  Crowell, 1956. Pb reprint: Permabook M4077.

  d  Carlo Scarfoglio, _The True Cross_. NY, Pantheon, 1956.

  d  Maarten Schiemer, _The Cry of the Kite_. Indianapolis,
     Bobbs-Merrill, ’56.

  a  John Taylor, _Shadows of Shame_. PbO: NY, Pyramid G189, 1956.
  **

 c&d Frederic Wakeman, _De Luxe Tour_. NY, Rinehart, 1956.
  *  Pb reprint: Cardinal C254.

  a Angus Wilson, _Anglo-Saxon Attitudes_. NY, Viking, 1956.
  **

  a  Maritta Wolff, _The Big Nickelodeon_. NY, Random, 1956.
 *** Pb reprint: Bantam AT721.


_1957_

  a  Jim Barbee, _Young John_. NY, Pan, 1957.
  **

 b&c Brigid Brophy, _The King of a Rainy Country_. NY, Knopf (PC), 1957.
  *

  d  Hallie Burnett, _The Brain Pickers_. NY, Messner, 1957. Pb: Dell
     D237.

     Jean Cocteau, _The Holy Terrors_. 1957 (Lehmann translation).
     See 1930.

  c  Lettice Cooper, _Three Lives_. London, Gollancz, 1957.

  b  Henry Crannach, _Flesh and Bone_. Paris, Olympia, 1957. (PC)
  **

  a  Harriet Daimler, _Innocence_. Paris, Olympia, 1957. (PC)
  *

  a  Patrick Dennis & Dorothy Erskine, _The Pink Hotel_. NY, Putnam’s,
  *  1957. Pb reprint: Crest S227.

  d  Lawrence Durrell, _Justine_. NY, Dutton, 1957.

  b  Gabriel Fielding, _In the Time of Greenbloom_. NY, Morrow, 1957.
  *

  d  Arthur Foff, _North of Market_. NY, Harcourt Brace, 1957.

  a  Anne Hocking, _The Simple Way of Poison_. NY, Washburn, 1957.
  **

  f  Storm Jameson, _A Cup of Tea for Mr. Thorgill_. NY, Harper, 1957.

  a  Pamela Hansford Johnson, _The Sea and the Wedding_. NY, Harcourt
  *  Brace, 1957. (Original British title: _The Last Resort_.)

  c  Francis King, _The Man on the Rock_. NY, Pantheon, 1957.
  **

  c  C. H. B. Kitchin, _Ten Pollitt Place_. London, Secker & Warburg,
  *  1957.

  c  David Stuart Leslie, _The Man on the Beach_. London, Hutchinson,
  *  1957.

 acf James Mitchell, _Here’s a Villain_. London, Davies, 1957.
  **

  d  Alexandra Orme, _Natalie_. NY, Simon & Schuster, 1957.

  c  Bettina Postani, _Before the Cock Crows_. Boston, Little Brown,
     1957.

  a  James Purdy, _63: Dream Palace_. (SN)
  **
  c  James Purdy, _Man and Wife_. (SS)
  *
     in “Color of Darkness”. NY, New Directions, 1957.

  a  Count D. A. F. de Sade, _The Bedroom Philosophers_. Paris, Olympia,
 *** 1957. (PC)

 b&f Gladys Schmitt, _A Small Fire_. NY, Dial, 1957.

  a  Jill Stern, _Not in our Stars_. NY, McKay, 1957.
  ** Pb reprint: as “Nine Miles to Reno”, Signet S1570.

  a  Christopher Teale, _Behind These Walls_. NY, Fell, 1957.
 ***

  d  Frank Tuohy, _The Animal Game_. NY, Scribner’s, 1957.

  f  Evelyn Waugh, _The Ordeal of Gilbert Pinfold_. Boston, Little
     Brown, ’57.

 d&f Angus Wilson, _A Bit Off the Map_ (SS) in “A Bit off the Map”. NY,
     Viking, 1957.

 c/d Marguerite Yourcenar, _Coup de Grace_. NY, Farrar Straus, 1957.
  *


_1958_

  d  Vance Bourjaily, _The Violated_. NY, Dial, 1958.
  *

  b  Tom Chetwynd, _Rushing Nowhere_. London, Blond, 1958.
  *

  a  Jean-Paul Clebert, _The Blockhouse_. NY, Coward-McCann, 1958.
  **

  d  Bud Clifton, _Muscle Boy_. PbO: NY, Ace D330, 1958.

  d  Carlo Coccioli, _Manuel the Mexican_. NY, Simon and Schuster, 1958.
  *

  c  Charles Criswell, _Marty_ (SS) in “Nobody Knows What the Stork Will
  *  Bring”. NY, McDowell, 1958.

  d  Lawrence Durrell, _Balthazar_. NY, Dutton, 1958.

 d&f Pamela Frankau, _Ask Me No More_. NY, Harper, 1958.
  *

  d  Robert Gutwillig, _After Long Silence_. Boston, Little Brown, 1958.
  *

  d  Hans Habe, _The Devil’s Agent_. NY, Fell, 1958.
  *

  d  Thomas Hinde, _Happy as Larry_. NY, Criterion, 1958.
  *

  a  Herbert D. Kastle, _Koptic Court_. NY, Simon and Schuster, 1958.
  **

  d  Jack Kerouac, _The Subterraneans_. NY, Grove, 1958 (also PC).
  *  Pb reprint: Avon T302.

  d  Robert Kyle, _Blackmail Inc._ PbO: NY, Dell A155, 1958.
  *

  d  Richard Llewellyn, _Chez Pavan_. NY, Doubleday, 1958.
  *

  a  Howard Manisch, _By Their Fruits_. NY, Crown, 1958.
  *

  a  John O’Hara, _From the Terrace_. NY, Random, 1958.
  *

 d&f Vin Packer, _5:45 to Suburbia_. PbO: Fawcett Gold Medal 371, NY,
  *  1958.

  b  Jerry Pezzella, _Gateway to Tomorrow_. NY, Vantage, 1958.
  **

  d  Bentz Plagemann, _The Steel Cocoon_. NY, Viking, 1958.
  *

  d  John Rechy, _Mardi Gras_ (SS) in PbO “Evergreen Review No. 5”, NY,
  *  1958.

  d  Mary Renault, _The King Must Die_. NY, Pantheon, 1958.
  *

  c  Fr. Rolfe, _Nicholas Crabbe or The One and the Many_. NY, New
  *  Directions, 1958.

  d  Irwin Rose, _Serpent in the Sky_. Westport, Associated Booksellers,
  *  1958.

  a  Walter Ross, _The Immortal_. NY, Simon and Schuster, 1958.
 ***

  b  Count D. A. F. de Sade, _Juliette_ vol. I. Paris, Olympia, 1958.
  *

  d  Mario Soldati, _The Confession_. NY, Knopf, 1958.
  *

  d  Terry Southern, _Flash and Filigree_. NY, Putnam’s, 1958.
  *

  c  Bianca Van Orden, _Water Music_. NY, Harcourt Brace, 1958.

  a  R. H. Ward, _The Wilderness_. London, Cassell, 1958.
  **

  d  John Wiles, _The Asphalt Playground_. London, Gollancz, 1958.
  **

  e  Tennessee Williams, _Suddenly Last Summer_ (D). NY, New Directions,
     ’58.

  b  Herman Wouk, _Nature’s Way_ (D). NY, Doubleday, 1958.
  *


_1959_


_1960_




SPECIAL INDEXES


 Note: Unless preceded by P, all references are OTP--20th Century years
       except _CL_ (to 1700) and _18/19_ (18th/19th Centuries). Where
       such a reference would point to any of several works, as with
       short stories, the work intended is denoted by a further number:

       Example: Barr P51-2 would indicate the second. “Derricks” SS.

       The word “homosexuality” or “homosexual” is implicit in each
       heading.


I. _By National Locale (other than contemporary U.S. and Britain)._

  Greece & environs
    Mycenæan:
      Homer, CL;
      Shakespeare, CL;
      Renault, 58.
    Classic:
      Aristophanes, CL (all);
      Apuleius, CL;
      Longus, CL;
      Lucian, CL;
      Mitchison, P28, 28, 31;
      Renault, P56;
      Strato, P18;
      Xenophon of Ephesus, CL.
    Byzantine:
      Mahler, 52.
    Turkish:
      Kazantzakis, 54.
    Modern:
      Cauldwell, P56;
      Cromwell, P53;
      King, 57;
      Peyrefitte, 54;
      Thayer, P30.

  Italy
    Classical:
      Catullus, CL;
      Cummings, 27;
      Martial, CL;
      Petronius, CL;
      Thoma, P27;
      Yourcenar, P54.
    Renaissance:
      Prokosch 55;
      Symonds (Michaelangelo), 18/19.
    Modern:
      Hayes, 46;
      Hemingway, P38-1;
      La Capria, 53;
      Malaparte, 52;
      Moravia, 50, 52;
      Moretti, 53;
      Parise, 53;
      Pratolini, 52.
    Capri:
      Flagg, 54;
      Mackenzie, 27, 28;
      Randolph, 54;
      Wheeler, 52.

  Moslem World
    Mediaeval:
      Burton, 18/19.
    Ottoman Turkish:
      Istrati, 26;
      Kazantzakis, 54.
    French-African:
      Bowles, 50, 52;
      Gide, P30, P35;
      Mackenzie, P57.
    Arabia:
      Prokosch, 53.
    Central Asia:
      Prokosch, 35.
    Iraq:
      Stewart, 52, 54.
    Egypt:
      Cossery, 52;
      Durrell, 57, 58;
      Schiemer, 56;
      Cavafy, P52.
    Lebanon:
      Liddell, P52.

  African Negros
    Ruark, 55;
    Prokosch, 48;
    Taylor, 56.

  Haiti Negros
    Goodwin, P53.

  Orient
    China:
      Langley, 53.
    Japan:
      Ibara, P28, P57;
      Mishima, P58.
    Siam:
      Cook, P58.
    Philippines:
      Bowen, 53.

  Europe
    Spain:
      Baxter, 54;
      Carreno, 53;
      Cela, 53;
      Richler, 54.
    Russia & Russians abroad:
      Briffault, 35, 37.
    Hungary & Hungarians abroad:
      Mayne, P08;
      Prezzi, P53.
    Germany & Austria:
      Isherwood, 46;
      McAlmon, P27;
      A Zweig, 30;
      S Zweig, P27.
    Germans abroad:
      Böll, 56;
      Coccioli, 58;
      Heinrich, 56;
      Hopkinson, P47;
      Koeppen, 56;
      Merrick, P54;
      Schiemer, 56;
      Richler, 54;
      Spender, P36.
    Belgium:
      Eekhoud, P09.
    France:
      18th Cent.:
        Sade, 18/19, 55, 57, 58.
      19th & Early 20th:
        Huysmans, 22, 24;
        Martin du Gard, 39;
        Proust, P27, 32;
        Ullman, P58.
      Modern (native):
        Birabeau, P30;
        Cocteau, P58;
        Genet, P49, P54;
        Gide, P27;
        Jouhandeau, 53;
        Leclercq, P28;
        Llewellyn, 58;
        McCown, 50;
        Nesbit, 55;
        Peters, P51;
        Portal, P39;
        Prokosch, 45;
        Sartre, 47, 48, 51.
      Modern (Anglo-Americans & other foreigners):
        Baldwin, P56;
        Boyle, P33;
        Brackett, 29;
        Connolly, 36;
        Garland, 55;
        McCown, 50;
        Merrick, P54;
        Stites, 27;
        Vidal, 53;
        Wakeman, 56.

    Britain (sp.)
      Mdvl:
        Barnes, P57;
        Druon, 56;
        Seton, 54.
      Elizabethan:
        Barnfield, CL;
        Shakespeare, CL.
      Restoration:
        Rochester, CL-1, 2;
        Vanbrugh, CL.
      18th Century:
        Cleland, 18/19;
        Smollett, 18/19.
      19th & early 20th C:
        Dale, P89;
        Fitzroy, P17;
        Furnell, P55;
        Hichens, 18/19;
        Stokes, P38;
        Subercaseaux, 54.
      Britons abroad:
        Durrell, 57, 58;
        Goff, P57;
        Mackenzie, P57;
        Maugham, 55;
        Lawrence, 22.

  America
    Brazil:
      Tuohy, 57.
    Mexico:
      Hemingway, P38-2;
      Coccioli, 58.
    Canada:
      Cornish, 51;
      Sanderson, P52.
    19th & early 20th C. US:
      Green, 55;
      Lind, P19, P22;
      Scully, P33.


II. _Special Locales_

  Bars & Restaurants
    U.S.:
      Baum, 53;
      Branson, P57;
      Brossard, 53;
      Burns, 52;
      Gorham, 48-1;
      Little, P52, P56;
      Vidal, P48, 47, 52.
    British:
      Garland, P54;
      Lindop, P55;
      Underwood, P36;
      Goff, P57.
    Occupied Italy:
      Burns, P47;
      Wahl, P50.
    Paris:
      Baldwin, P56;
      Stites, 27.

  “Drags” & Parties
    U.S.:
      Hume, 25;
      Levenson, P34;
      Little, P52, P56;
      McIntosh, P41;
      Scully, P33;
      Tellier, P31;
      Tyler & Ford, P33;
      Vidal, P48;
      Kent, P49.
    Britain:
      Lindop, P55;
      Milton, 28;
      Renault, P53.
    France:
      Vidal, 53.
    (19th C.:
      Wilde?, P93/P58.)

  Theaters
    Rose, 58;
    Williams, P54-2, 3.

  Baths (Ancient & Modern)
    Martial, CL;
    Petronius, CL;
    Dennis, 56;
    Gorham, 48-1;
    Grey, 52;
    Vidal, 52.

  Prisons
    U.S.:
      Barr, P55;
      Daimler & Crannach, 56;
      Himes, 52;
      Linkletter, P58;
      Scott, 51;
      Teale, 57;
      Webb, 48;
      Viereck, 49, 52.
    Britain:
      Croft-Cooke, P55;
      Hanley, 30;
      Home, 47;
      Wildeblood, P55.
    France:
      Genet, P49.

  Hospitals & Asylums
    Bishop, 54;
    Brown, 44;
    Peters, 49.

  Schools--Secondary
    U.S.:
      Burns, 49;
      Calmer, 34;
      Goodman, P51;
      Little, P52;
      Vidal, P56-2.
    British:
      Dane, 31;
      Fielding, 57;
      Gellert, P58;
      Lunn, 22;
      Mitchell, 57;
      Murdoch, P58;
      Scarrott, 55;
      Stewart, 52;
      Waugh, 20;
      Wiles, 58.
    French:
      Bourget, 05;
      Martin du Gard, 39;
      Peters, P51;
      Peyrefitte, P50.
    Austrian:
      Musil, 55.
    Collegiate U.S.:
      Fuller, 19;
      Gerber, P56;
      Green, 51;
      Gutwillig, 58;
      Packer, P54;
      Willingham, 47.
    British:
      Waugh, 45;
      Winter, 36.


III. _Professions & Special Occupations_

  Kings & Emperors
    Barnes, P57;
    Druon, 56;
    Eekhoud, P09;
    Gide, 52;
    Lofts, 51;
    Mahler, 52;
    Mitchison, 31;
    Renault, 58;
    Schmitt, 46;
    Seton, 54;
    Stacton, P57;
    Thoma, P27;
    Yourcenar, P54;
    Lampridius, P24.

  Soldiers
    Crusaders:
      Lofts, 51;
      Scarfoglio, 56.
    British Army:
      Baxter, P52;
      Burns, P47;
      Henriques, 40
    U.S. Army:
      Bourjaily, 47, 58;
      Burns, P47;
      Gerber, P56;
      March, 33
      Malaparte, 52;
      McKillen, P52;
      Murphy, P58;
      Peters, 49;
      Rosenthal, P53;
      Wahl, P50;
      Leveridge, P51.
    French Army:
      Nimier, 53.
    German Army:
      Böll, 56;
      Clebert, 58;
      Heinrich, 56;
      Merrick, P54.
    Hungarian Army:
      Mayne, P08.
    Spanish Loyalist Army:
      Prokosch, 41.
    Italian Army:
      Hemingway, P38-1.


  Sailors incl. officers
    Barbee, 57;
    Bowen, 53;
    Coleman, P55;
    Dibner, 53;
    Cromwell, P53;
    Levitt, P54;
    Stern, P38.

  Spies/Secret Agents
    Habe, 58 (U.S.);
    Millar, 47 (German).

  Gangsters
    Barr, P50-2;
    Grey, 52;
    Himes, 52;
    Levenson, P34;
    McCown, 50;
    Teale, 57;
    Warren, 53.

  Doctors/Psychiatrists
    Barnes, 37;
    Garland, P54;
    Isherwood, 54;
    O’Hara, 58.

  Teachers
    Calmer, 34;
    Eustis, 46;
    Fielding, 57;
    Goodman, P51;
    Jackson, P46;
    Lindop, P55;
    Mitchell, 57;
    Murdoch, P58;
    Salinger, 51;
    Thomas, P49;
    Wiles, 58;
    Zweig, P27.

  Clergymen & Monks
    Crannach, 57;
    Douglas?, P07;
    Ibara, P28-4;
    McCown, 50;
    Peyrefitte, P50, 54.

  Diplomats
    Garland, 55;
    Llewellyn, 56;
    Mackenzie, P57;
    Peyrefitte, 54;
    Ronns, 50.

  Industrialists
    Levenson, P34;
    de Born, P54.


IV. _Special Roles, Types, Situations and Relationships of Interest_

  As Husband or Lover (of woman) (includes bisexual, confused etc.)
    After problems, presumed success:
      Anderson, P54;
      Cain, 37;
      De Forrest, P49;
      Douglas, P54;
      Himmel, P50;
      Hutchins, 53;
      Linkletter, P58;
      Moore, 56;
      Murphy, P58;
      Pelissero, P56;
      Phillips, P50;
      Prezzi, P53;
      Renault, P56, 39;
      Schane, P46;
      Taylor, P52;
      Williams, 55.
    After some success, failure:
      Anderson, P54;
      Baldwin, P56;
      de Born, P54;
      Dowd, P50;
      Engstrand, P47;
      Gide, P30;
      Goetz, P54;
      Hopkinson, P47;
      Jackson, P46;
      McLaren, P53;
      Priestley, 32;
      Randolph, 54;
      Smith, 48.
    Restive & bisexually active:
      Barnes, P57;
      Baxter, P52;
      Hayes, 46;
      Jouhandeau, 53;
      Lindop, P55;
      Rosenthal, P53;
      Ross, 58;
      Wilson, P52.
    Presumed failure from start:
      Briffault, 35, 37;
      Coward, P39;
      Dale, P89;
      Hall, 53;
      Head, 43;
      Murphy, P58;
      Mackay, 55;
      Millar, 55;
      Stern, 57;
      Wakeman, 56;
      Williams, 47.
    For convenience with Lesbian:
      Graves, 31;
      Heppenstall, 40;
      Scully, P33;
      Vidal, P48.
    For convenience with understanding woman:
      Bourjaily, 58;
      Creekmore, P48;
      Johnson, 57;
      Seton, 54

  Happy “marriages” (all-male)
    Barr, P51-1;
    Cornish, 51;
    Gaddis, 55;
    Ibara, P28-10;
    Isherwood, 54;
    Kent, P49;
    McCown, 50.

  As friend of boyhood pal who’s hetero
    Creekmore, P48;
    Vidal, P48;
    Hall, 53;
    Mahler, 52

  As friend of young manhood pal who’s hetero
    Bester, 55;
    Burns, 52;
    Cole, P35;
    Sklar, 51;
    Underwood, P36;
    Mayne, P08.

  As pal of nymphomaniac
    McCown, 50;
    Williams, P54-2

  As seen by troubled mother
    Birabeau, P30;
    Bolton, P49;
    Coyle, P34;
    Dane, 31;
    Cook, P58;
    Dunphy, 52;
    Goodman, P51;
    Miller, 55;
    Peters, P51;
    Vance, P51.

  As seen by troubled father
    Bowles, P50;
    Caldwell, 54;
    Merrick, P54;
    Tellier, P31

  As seen by troubled daughter
    Keogh, 50

  Kept young men
    Chandler, 39;
    Dennis, 56;
    Enters, 55;
    Genet, P49;
    Kazantzakis, 54;
    Kent, P49;
    King, 57;
    Johnson, 57:
    Prezzi, P53;
    Shairp, 33;
    Wolff, 56.

  Male prostitutes
    Aristophanes, CL-4;
    Carreno, 53;
    Cela, 53;
    Cocteau, P58;
    Bowen, 53;
    Garland, 55;
    Genet, P49;
    Goff, P57;
    Goodman, 50;
    Goodwin, P53;
    Gorham, 48-1;
    Green, P57;
    Isherwood, 46-2;
    Keogh, 50;
    Lewis, 32;
    Mackenzie, P57;
    McCown, 50;
    Parise, 53;
    Pratolini, 52;
    Prokosch, 39;
    Portal, P39;
    Renault, P56;
    Rohde, 56;
    Wilson, P52, 50, 56;
    Gerber, P56;
    Vidal, P56-1;
    Kent, P49.

  With transvestite inclinations
    Barnes, 37;
    Engstrand, P47;
    Eustis, 46;
    Hume, 25;
    Ibara, P28-12;
    Kent, P49;
    Linkletter, P58;
    Langley, 53;
    Levenson, P34;
    Lind, P19, P22;
    Little, P52, P56;
    McCown, 50;
    Millar, 44;
    McIntosh, P41;
    Parise, 53;
    Scully, P33;
    Southern, 58;
    Stites, 27;
    Underwood, 37.

  With “miscegenatory” (with negros) inclinations
    Bowles, P50;
    Gerber, P56;
    Goodwin, P53;
    Taylor, 56;
    Onstott, 56.

  As Victim
    Of murder:
      Brooks, 45;
      Cain, 37;
      Chandler, 39;
      Farrell, P34-1;
      McIntosh, P41;
      Roberts, 56;
      Lind, P19, P22.
    Of lynching:
      Eekhoud, P09;
      Williams, 58.
    Of suicide:
      Barr, P51-4;
      Baxter, P52-Br.;
      Brinig, 32;
      Ibara, P28-5, 6, 7, 9;
      Levenson, P34;
      Mitchell, 57;
      Niles, P31;
      Peters, P51;
      Peyrefitte, P50;
      Tellier, P31;
      Underwood, P34;
      Vidal, P48.
    Of self-sacrifice to save lover:
      Scully, P33.
    Of rape or attempted rape:
      Barr, P51-1;
      Leveridge, P51;
      Lind, P19, P22;
      Little, P52;
      Musil, 55;
      Peters, 49;
      Subercaseaux, 40.


V. _Index of Well-known or otherwise Noteworthy Authors_

  Allen, Steve: 55

  Anderson, Sherwood: 19, 23

  Aristophanes: CL


  Barnfield, Richard: CL

  Barr, James: P50, P51, P55

  Barry, Philip: 39

  Baum, Vicki: 53

  Benson, A. C. (“Carr”): 18/19

  Benson, E. F.: 31, 34

  Bolton, Isabel: P49

  Bourjaily, Vance: 47, 55, 58

  Bowles, Paul: P50, 50, 52

  Boyle, Kay: P33

  Briffault, Robert: 35, 37

  Brinig, Myron: 32

  Brooks, Richard: 45

  Burns, John Horne: P47, 49, 52

  Burton, Sir Richard (tr.): 18/19
    (see also Catullus: CL)


  Cain, James M.: 37

  Caldwell, Taylor: 54

  Capote, Truman: 48

  Carpenter, Edward: 02

  Catullus, Caius V.: CL

  Chandler, Raymond: 39

  Cocteau, Jean: P58, 30/57

  Connolly, Cyril: 36

  Corvo, Baron: See Rolfe

  Cory, Donald Webster: P53

  Coward, Noël: P39, 39

  Coyle, Kathleen: P34

  Cummings, E. E.: 27


  Dane, Clemence; 31, 55

  De Born, Edith: P54

  Dennis, Patrick: 56, 57

  Douglas, Lord Alfred: P96, P35, 18/19, 35

  Durrell, Lawrence: 57, 58


  Eekhoud, Georges: P09


  Farrell, James: P34

  Fitzgerald, F. Scott: 34

  Franken, Rose: 34


  Garcia-Lorca, Federico: P40/P55

  Garland, Rodney: P54, 46, 55

  Genet, Jean: P49, P54, 54

  Gide, André: P27, P30, P35, 49, 52

  Goodman, Paul: P51, 42, 46, 50

  Graves, Robert: 31

  Green, Julien: P57, 51, 55


  Hall, James Norman: 52

  Hanley, James: 30, 32

  Hemingway, Ernest: P38

  Hesse, Hermann: 23, 29, 32, 52

  Hichens, Robert S.: 18/19

  Homer: CL

  Huxley, Aldous: 36

  Huysmans, Joris K.: 22, 24


  Ibara, Saikaku: P28, P57

  Isherwood, Christopher: 45, 46, 54


  Jackson, Charles: P46, P50, 44

  Johnson, Pamela Hansford: 57


  Karp, David: 52

  Kerouac, Jack: 58

  King, Francis: 56, 57

  Koestler, Arthur: 39


  Langley, Noel: 37, 53

  Lawrence, D. H.: 16, 17, 22

  Lewis, Wyndham: 32

  Lindop, Audrey Erskine: P55

  Little, Jay: P52, P56

  Llewellyn, Richard: 56, 58


  McCullers, Carson: 41, 46

  Mackenzie, Compton: P57, 27, 28

  Mailer, Norman; 48, 55

  Mann, Thomas: P25

  Marlowe, Christopher: CL

  Martial, Marcus: CL

  Maugham, Robin: 49, 55

  Mayne, Xavier: See Stevenson

  Michaelangelo: 18/19 (see Symonds)

  Mishima, Yukio: P58

  Mitchison, Naomi: P28, 28, 31

  Moravia, Albert: 50, 52

  Murdoch, Iris: P58


  O’Hara, John: 58


  Paul, Elliot: 38

  Peters, Fritz: P51, 49

  Petronius, Caius: CL

  Peyrefitte, Roger: P50, 54, 55

  Platen, Count August von: P23

  Priestley, J. B.: 32

  Prokosch, Frederic: 35, 37, 39, 41, 43, 45, 46, 48, 53, 55

  Proust, Marcel: P27, 32


  Renault, Mary: P53, P56, 39, 58

  Roberts, Kenneth: 56

  Rochester, Earl of: CL

  Rolfe, Frederick: 01, 02, 05, 34, 53, 58

  Ruark, Robert: 55


  Sade, Count D. A. F. de: 89, 55, 57, 58

  Sartre, Jean-Paul: 47, 48, 51

  Schiller, Friedrich von: 18/19

  Schmitt, Gladys: 46, 52, 57

  Shakespeare, William: CL

  Smollett, Tobias G.: 18/19

  Smith, Betty: 48

  Spender, Stephen: P36, 36

  Stern, James: P38/51

  Stevenson, Edward I. P.: P08, 18/19, 13

  Stout, Rex: P33

  Symonds, John Addington: 18/19;
    (as translator): 18/19


  Thayer, Tiffany: P30

  Theocritus: CL


  Ullman, James Ramsay: P58


  Vanbrugh, Sir John: CL

  Van Vechten, Carl: 23, 30

  Vance, Ethel: P51

  Vergil(ius), Publius: CL

  Vidal, Gore: P48, P56, 47, 49, 52, 53

  Viereck, George Sylvester: 49, 52


  Waugh, Alec: 20

  Waugh, Evelyn: 42, 45, 57

  Welch, Denton: P52, 46, 48, 51

  Whitman, Walt: 18/19

  Wilde, Oscar: P93?/P58?, P07?, 01
    (as translator): See Petronius CL

  Wildeblood, Peter: P55, P56

  Williams, Tennessee: P48, P54, 47, 53, 54, 55, 58

  Williams, William Carlos: P32

  Willingham, Calder: 47, 51

  Wilson, Angus: P52, 50, 51, 56, 57


  Zweig, Stefan: P27.




A bibliographical listing of over 600 novels, poems, short stories,
plays and biographies in the English language. Full publishing
information is given on all titles, including reprints and paperbacks.


  VILLAGE PRESS
  116 Christopher Street
  New York 14, N. Y.




Transcriber’s Notes


 ‣ Underscored text surrounded by _underscores_ in text. Converted to
   italics in HTML and eBook versions.

 ‣ Struck through text marked with surrounding =equal signs=.

 ‣ Obvious typographic errors silently corrected. Terminal punctuation
   standardized with a period.

 ‣ Index punctuation standardized to a consistent style. Obvious typos
   in the cross references silently corrected.

 ‣ To avoid any ambiguity, repeated authors and ditto marks in the index
   replaced with the full text of what’s being repeated.

 ‣ Standardized the punctuation and indentation in the Index for
   uniformity.

 ‣ The index entries for "Goodwin, P53" don't correspond to an existing
   entry in the Primary bibliography but likely refer to John Goodwin,
   _The Idols and the Prey_, New York: Harper & Brothers, 1953.

 ‣ The index entry for "Home, 47" does not correspond to any listing
   in the OTP bibliography.


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