In the Garden of the Gods

By William MacLeod Raine

The Project Gutenberg eBook of In the Garden of the Gods, by William
McLeod Raine

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: In the Garden of the Gods

Author: William McLeod Raine

Illustrator: F. DeForrest Schook

Release Date: January 20, 2022 [eBook #67165]

Language: English

Produced by: Roger Frank and Sue Clark

*** START OF THE PROJECT GUTENBERG EBOOK IN THE GARDEN OF THE
GODS ***


                      In the Garden of the Gods

                        By William McLeod Raine


When one is in the Garden of the Gods one should be, I suppose, in
Elysian humor. My mood, to the contrary, for private reasons of my
own, was thunderous. I lay on my elbow among the kinni-kinic where I
had flung myself down in the shade of a silver spruce. But the sun was
higher now, and its rare, untempered beat was on me. Naturally I used
the shifting orb as a text on the futility of life. What was the use
of arranging things comfortably when they always disarranged
themselves as promptly as possible? Now, there was Katherine—

The sound of a revolver cracked into my sombre discontent. Hard on its
echoes came the slap of running feet, and, as I guessed, the swish of
petticoats. A raucous command to stop brought me to my feet instantly.
It also brought the runner to a halt just out of my sight beyond the
shoulder of the hill.

“I dare you to touch me,” panted a high-pitched voice that struck in
me a bell of recognition.

“I’m not going to hurt you,” replied he of the hoarse bellow,
soothingly. “You know that mighty well.”

“If you put a finger on me I’ll cry for help.”

“There wouldn’t anybody hear, Miss,” replied the heavy bass.

“You—you coward!” Her voice was like a whip.

“Oh, you can call me anything you like but you got to go along with
me, Miss,” he said sullenly.

“I’ll not go a step.”

“I reckon you got to go, lady.”

“May I go, too?” My contribution to the conversation came from the
knoll just above them.

[Illustration: “My contribution to the conversation came from just
above them.”]

They whirled as at the press of a button. The man was a huge hulking
fellow in corduroys, but he did not look the villain by a long shot.
Indeed, his guileless face, lit with amazement at my words, begged to
offer a guarantee of honesty. Here certainly was no finished
desperado. The first glimpse of him relieved my mind. We were in no
personal danger at least.

“Who in time are you?” he wanted to know.

“Tavis Q. Damron, at your service. And you—since introductions are
going?”

The young woman—she was a Miss Katherine Gray, stopping at the same
hotel as I at Manitou—promptly took the opportunity to slip behind my
back. For me, I was in a glow of triumph. It had not been twenty-four
hours since Miss Gray had informed me that she meant never to speak
again to me. And already the favoring gods had brought her to me on
the run. In my relation I felt myself a match for a score of lowering
countrymen.

“He shot at me,” she cried over my shoulder.

“It went off accidentally,” protested the man.

“I don’t care. He shot.”

“He’ll not do it again,” I promised, complacently.

My unlucky triumph must have crept into my voice. I felt her appraise
with deliberate eye my sixty-six scant inches. Nothing “hips” me more
than an inference that I am short. To be sure, I am not a giant
physically. Neither was Napoleon.

“I’m sorry not to meet with your approbation,” I said huffily.

“Oh, I did not say that. It would be unjust. You can’t help being
little,” she was pleased to say, and I swear I heard the chuckle in
her voice.

“Any more than you can help being offensive when you are in the
humor.”

“Don’t take it so to heart. You may grow yet. You are very young, you
know.”

“Perhaps I am _de trop_. Very likely you were looking for somebody
else when you came galloping down the hill,” I said sulkily.

“I was looking for a man.” Her casual eye swept the valley. Tavis Q.
Damron really did not appear to be on the map.

“I am certain you will not have to look long,” I assured her with
excessive politeness.

“Thank you.” She glanced scornfully at me. “I suppose you mean that
for a compliment? I think it impertinent, if you want to know.”

It was odd how we had almost forgotten the presence of our friend in
corduroys; yet not so strange either, for he looked the picture of
awkward indecision, much more the detected schoolboy than the “bad
man” bandit. His fat, red hand, wandering restlessly about, included
us in its orbit.

“I say, my man! Put up that gun! You make me nervous,” I barked.

“It might go off again accidentally,” suggested Miss Gray derisively.
“We can’t risk Mr. Damron’s fainting. I suppose you have no
restoratives with you, Mr. Corduroy?”

There came a shout from the cliff five hundred feet above. A man
standing on the edge was beckoning to us.

“Somebody appears to want us to come and to share his beautiful view,”
I said.

Corduroy’s indecision came to an end. “I guess we better be going
back, Miss.”

“I thought I understood her to say she did not care to go back,” I
said, eyeing him steadily.

Corduroy shifted uneasily. “She hadn’t any call to run away. Her
father’s up there.”

“He’s a prisoner,” explained Miss Gray.

I gasped. “A prisoner?”

“Yes. Mr. Halloway is keeping him on that cliff and won’t let him
leave,” she said, quite calmly.

“Halloway! Bob Halloway?”

She nodded defiantly. “Yes, Bob Halloway.”

“But—why, the thing is impossible.”

“Isn’t it ridiculous?” She gave a sudden charming smile. “I didn’t
know the West was so delightfully primitive.”

“Surely one can’t hold up a copper king in that primeval fashion. It
has to be done on Wall street.” Reflecting on Simon Gray’s probable
reflections, I smiled. Immediately I regretted my indiscretion. The
study of Miss Gray’s moods was a continual education. They were
teaching me just now that she might laugh at that which I might not.

“Isn’t it humorous?” said Miss Gray, a little too sweetly. “Don’t let
me curb your gayety. He’s only my father.”

Instantly I switched the indecorous mirth from my face. “I don’t see
how he dares,” I murmured, to bridge the pause.

“Dares! I thought you knew Bob Halloway better,” she said scornfully.
“He dares anything.”

I did know him better. He would stick at nothing. Whatever else his
smiling insolence covered, it did not hide any lack of courage to back
his recklessness. He was the type of man that women find fascinating,
especially women of the high-spirited, chivalrous order. You know the
sort of scamp I mean—the kind whose dark, unscrupulous eyes and
devil-may-care fearlessness draw the poor moths to the singeing flame.
And though for his unworthiness his father two years before had
shipped him to a ranch in Colorado and cut him adrift, my resurrected
suspicions painted him a rival still to be feared. Katherine had liked
him then; she liked him now. I knew it from the moment when the
picturesque vagabond galloped up to our hotel two days before and
offered her his strong brown hand and candid smile.

I meditated. “Of course it is a holdup of some sort. He isn’t doing it
for fun. What does he want?”

Looking up, I happened to catch Katherine Gray’s eyes. They were
blushing.

“Oh!” I exclaimed understandingly.

“Nothing of the kind! Don’t be silly, Tavis,” she told me sharply.

“Then I’m hanged if I _can_ understand. I seem to be playing blind
euchre with my eyes shut. First one finds Miss Katherine Gray,
daughter and sole heir to Simon Gray, the Copper King, scudding over
the mountains with Mr. Corduroy’s revolver barking at her.”

“I told you it was accidental,” growled the bass voice. “I couldn’t
catch her, so I took out my gun to frighten her into stopping.”

“Then one hears that the Copper King himself is viewing scenery he
does not enjoy, under enforced restraint at the hands of a young man
who used to lead cotillions with his daughter before he fell into evil
ways. You know I told you he was a scamp.”

“Don’t be a parrot, Mr. Damron,” Katherine snapped. “I told _you_
yesterday that I wasn’t interested in your opinion of Mr. Halloway.
You so often forget that you are not my chaperon.”

“Of course I don’t want to rub it in, but if you had listened to——”

“——Grandmother Damron. Well, I didn’t—and I’m not going to.” Miss
Gray’s chin was in the air. She wheeled and began to climb the
hillside.

“Where are you going?” I asked.

She can be very deaf on occasion.

“Oh, up the hill,” she flung over her shoulder in answer to my
question repeated.

“But you said you weren’t going back.”

“Can’t I change my mind, Grandmother?”

“You don’t need to be rude,” I said sulking.

I toiled in her wake, and Corduroy in mine. The pace she set soon had
us puffing. Miss Gray is one of those young women who do outdoor
things better than most men. She never fainted in her life, and nerves
are a fairy tale to her. It always ruffles my temper and my vanity to
do a twosome with her at golf.

“Hello, you people! Just in time for lunch. Glad to see you, Damron,”
sang out Halloway cheerily as we emerged from the aspens into view at
the rear of the cliff.

A most appealing luncheon was set forth on the white table cloth
spread on a camp table among the boulders. Halloway, in his shirt
sleeves, was making coffee, opening cans of deviled ham, unpacking a
box of fried chicken, and otherwise endeavoring to be several places
at once. He fell immediately to issuing orders.

“Bring that box of ice with the bottles in it from the wagon, John. I
say, Damron, do you know how to broil bacon? Well, you’ll never learn
younger. Shake those coals down and set to work, my son. And don’t let
the coffee boil over.” His enthusiasm was contagious. I found myself
obeying him mechanically. “You might unpack the sandwiches, Kate.
We’re going to have the jolliest little lunch you ever saw. I suspect
you are hungry. Scudding over these hills is great for the appetite.
By the way, you made a fine run of it.” He was so genial and friendly
to her that one could hardly believe he knew that his confederate had
just brought her back under the menace of his revolver.

Miss Gray probably thought his assurance was akin to cheek. At any
rate she gave him the full benefit of her un-willowy five foot seven.
He met with smiling admiration her level indignant eyes; and indeed
the girl’s long curves, her frank good looks, her flashing sunburnt
beauty, had led captive many a man’s fancy. Turning on her heel, she
joined her father. Simon Gray, multimillionaire, was seated morosely
on a rock, frowning down into the Garden of the Gods with blazing
eyes. Far below a dozen dwarfed carriages might be seen wheeling along
the red ribbon of road, and many burros with tourists on their backs
crawled like ants among the rocks, but for all practical purposes the
grim-eyed captain of industry was as much a prisoner as if the gates
of a jail had closed on him.

His dignity was too precious to be risked in a futile attempt to
escape from the long-legged powerful young athlete. Possibly it was
because I was so interested in the situation that I burnt the bacon to
a crisp. Miss Grey, with one of her sudden changes of humor, drove me
from the fire and broiled the bacon herself. The truth is that despite
her frowns the girl was enjoying herself hugely. The excitement of a
new experience filliped through her blood.

I joined Mr. Gray and we conversed in whispers. He explained to me the
absolute necessity of his being in Denver that afternoon to attend an
important meeting of the Copper Consolidated Corporation. It was the
day of the biennial election of officers. He had bought Consolidated
stock sufficient to win the control from the present management, but
without his presence or his proxies the old management would still be
able to carry the election and reinstate itself. James Halloway was
president of the Consolidated, and the two men had been fighting for
control more years than one.

“Last call for dinner in the dining car,” sang out Halloway, and
notwithstanding our lack of harmony the sharp air of the Rockies had
made us hungry enough to sink, for the moment, at least, all
differences. Halloway, easy, alert, and masterful, dispensed
refreshments with debonair hospitality to his unwilling guests.

“Finest bacon I ever ate. It would be a pleasure to have you for a
housekeeper, Miss Gray,” our host tossed out audaciously.

“You are such a good provider, Mr. Halloway, that I am sure it would
be a pleasure to be your housekeeper,” returned Miss Gray demurely.

“And if I neglected my duties you could always send your man out to
shoot at me.”

[Illustration: “And if I neglected my duties you could always send a
man out to shoot me.”]

“Ah! That only shows my solicitude to detain you. One couldn’t bear
the idea of having you leave our party, and yet one couldn’t in common
politeness desert Mr. Gray to follow you. It remained only to send a
message via John requesting you to return.”

“Well, he delivered it,” the girl said, dimpling reminiscently.

Halloway smiled. “I’m afraid John is a little abrupt sometimes.”

Her eyes mocked him boldly. “In your profession of highwayman,
abruptness, one would think, might sometimes be essential.”

“It was cruel of you to desert us without warning,” he said, ignoring
her irony.

“I went to get help.”

“That was good of you, but we did not really need it,” he returned,
misunderstanding her promptly. “Though of course we are very glad to
have Damron with us.”

“I suppose you know that it will be a criminal offense to keep Mr.
Gray here till night as you threaten. You invited him here to a
picnic. You have no right to detain him a moment longer than he
desires. Your outrageous course is very much against the law, Mr.
Halloway,” I said stiffly.

He looked politely interested. “Is it? No, I didn’t know just how
illegal it was. Of course I guessed I was skating on thin ice, but the
truth is that I didn’t get legal advice. That shows the advantage of
having a lawyer along when one goes buccaneering. How much could they
give me, Damron?”

“You’ll not think it so much of a joke when you are behind the bars.”

“No, I daresay not. I expect I would better enjoy it while I have the
opportunity. Try one of these peaches, Miss Gray.” He leaned against a
rock and smoked the placid post-prandial cigar of him whose soul is at
peace. I, too, had lit up, but my mind was far from equable. I was
possessed by the vision of a headlong generous girl under the
fascination of this charming young vagabond. Yet I confess that for
myself I admired as much as I disliked his dare-devil indifference to
consequences, though for the life of me I could not guess what his
game was or how it could advantage him to detain the Copper King on
this mountain top against his will.

He expounded his easy philosophy with airy candor. “After all, laws
are made for man, not man for the laws. Mr. Gray is a capitalist, and
he can tell you that laws are to be obeyed with discretion. There
would not be any use in having them if somebody did not break them
occasionally. Well, this is my day off. I’m playing ping-pong with the
statutes of Colorado”

“But why?” I demanded. “What good does it do you?”

“Oh come, Damron! Mayn’t I have a secret or two of my own? I don’t
suppose you ever explained publicly just why you happen to be spending
your vacation in Colorado instead of Timbuctoo.”

I fear I blushed. Glancing covertly at my reason, I found it the
fairest under the sun, but too present to admit of discussion.

Suddenly Simon Gray cut crisply into the talk for the first time.

“Of course I understand why you are holding me here, Halloway. You are
working under instructions from your father to keep me until after the
election this afternoon. But the thing is too barefaced. It won’t hold
in law. It’s a conspiracy.”

Halloway’s masterful eves looked straight at him.

“I have not seen or heard from my father in two years, Mr. Gray. He
does not have anything to do with his scalawag son. You do not need to
look beyond me to place the responsibility for this. But you’re right
in one thing. I intend that you shall not reach Denver in time for the
Copper Consolidated meeting.”

They were both dominant men, and their eyes met like the flash of
steel.

“No? Why not?” asked Gray quietly, his lids narrowing to long watchful
slits.

“Because you are going there to take what doesn’t belong to you—to
vote away from my father and his associates the control of a business
which they have given twenty years of their lives to build. Theirs is
a legitimate business enterprise. They developed and extended it
gradually. It grew to be a big thing. Then you took a fancy for
copper. You——”

“You don’t know what you are talking about young man. I am going there
to take what the law allows me—what I have bought and paid for in the
open market,” broke in Gray harshly.

“Yes, the law allows it to you, and it doesn’t allow me to interfere.
That is where the law is defective. It is true, too, that you have
manipulated the market in such a way as to get temporary control of a
majority of the stock. But that does not affect the fact that my
father and his friends have the moral right to direct the affairs of
the Consolidated. Their whole life is bound up in it. You are
interested simply for speculative purposes. They have earned the right
to direct its affairs. You haven’t.”

“Such talk is sheer folly. You do not understand finance, sir. You
have been living outside of the currents of business. The matter is a
plain business one, not an ethical or sentimental affair at all.”

Halloway’s daring eyes swept whimsically across the table and rested
momentarily on Katherine. “I am trying to keep it on a business basis
so that sentiment may not interfere, sir.”

Then Katherine spoke with silken cruelty. “You have a very flattering
opinion of my father, Mr. Halloway. It makes his daughter proud to
know that one of such notable achievement thinks so highly of him.”

Halloway bowed, a sardonic smile on his good-looking face. “I can
hardly expect my course to commend itself to Miss Gray,” he said
simply.

Miss Katherine’s dark flashing eyes showed their anger at the
presumption of this lawless, high-handed youth. She had, in company
with many charming women, a capacity for injustice, but she had, too,
a quick instinctive appreciation for fine points of character. Her
feelings were outraged that this young man, who had once wanted to
marry her and who still held much fascination for her, had taken
advantage of his position as host to overreach her father. But she was
very much a creature of moods, and I knew her well enough to fear the
revulsion which would follow when she began to take into account his
motive—loyalty to a father who had disowned him. And I was certain
that even now there was running through her rage an admiration of his
audacity that would remain when the anger had evaporated.

Just now, however, she treated his remarks in very cavalier fashion.
The burden of such conversation as there was rested on Halloway. It
consisted for the most part in genially ironical remarks on the charms
of an outdoor life. Katherine was aloofly viewing the scenery with
occasional side-shot glances at the offending youth; I watched events
in a moody silence, and Corduroy still discussed his dinner some fifty
yards from us. As for Simon Gray, he sat in a brown study, his eyes
fixed intently on a syphon he did not see. I wondered what plan was
filtering into that alert, fertile brain of his.

I was soon to learn. Halloway carried over to Corduroy a bottle of
ale, and in his absence the Copper King found chance to enlist his
daughter in the scheme. Presently Miss Katherine strolled leisurely
toward the cluster of great brown rocks which cropped out near the
edge of the bluff. She carried a magazine with her.

“You’re not going to run away again, Kate,” Halloway called after her.

She shook her head.

“Word of honor?”

“Word of honor,” she called gaily back to him. “But if you doubt——”

[Illustration: “Word of honor,” she called gaily back to him.]

Her smile was an invitation. Halloway did not accept it at once, but,
plainly eager to be off, stuck to the magnate for a long ten minutes.
Then, “Hang duty!” he said, and with a word of caution to his
accomplice, he disappeared after her behind the rocks. His long shadow
had scarcely trailed out of view before old Gray and a flask of old
Scotch were laying siege to Corduroy. The task of sapping his loyalty
was no easy one. It took thirty minutes of argument—of threats,
cajolery, promises, interspersed with frequent internal applications
of the contents of the flask—to win him over. There were times when I
despaired of hooking our shy fish, and even after he had swallowed the
bait he fought against being landed. Every moment I expected to see
Halloway’s impudent curly head rising over the brow of the hill. I was
as nervous as a youngster awaiting a caning, but they don’t make them
more cool and game than old Gray was. Our joint pocket books happened
to carry five hundred twenty-five dollars, and it took all we had
except some silver change to buy a release. But in the end I had the
satisfaction of seeing the rotund millionaire and Corduroy legging it
down the hill toward Manitou. I am not going to pretend that I have
often spent as bad a quarter of an hour as the one which followed,
during which I saw their figures lessen in the distance. It was not
until they had reached the red thread of the valley road that I
breathed freely. I was ready now for the villain to reenter, and, as
if pat to his cue, the alluring vagabond I had cast for the part
sauntered into view. He was very much engrossed with his companion,
and—I noticed it with a pang of envy—she with him. Both of them seemed
always to radiate health and vitality, but my jaundiced eyes found
about them now a scarce decently subdued sparkle of exhilaration. They
were in a world primeval and everybody else forgotten. There have been
times when I have trod air and breathed champagne myself, but that did
not make me any less sulky now. I resented to the bottom of my soul
their Eden from which I was excluded.

[Illustration: “In a world primeval.”]

They were almost on me before they wakened to things mundane.

“Hello, Damron!” Halloway looked over the plateau and brought his eyes
back to me. “Where’s Mr. Gray?” Katherine started and looked guilty. I
verily believe that till this moment the minx had forgotten she was in
a conspiracy to worst him.

I pointed to the disappearing specks. “On his way to a telegraph
office. He is going to have the Consolidated election postponed till
to-morrow,” I said with malicious triumph.

“What did you do with John?”

“Bought him. You should have stayed here. If you want a thing well
done, you know!”

“Oh! You seem to have been quite active.” He looked long at the
figures through a pair of field glasses. “Why didn’t you go along?” he
asked presently.

“I thought I would stay and break the news of our little surprise to
you,” I said tartly.

He turned his genial, impudent smile on me. “That was good of you,
Damron. You deserve something for that.” His eyes met Katherine’s for
an instant. She nodded, blushing. He tucked her arm under his, and
they beamed down on me. “We have a little surprise, too. Miss Gray and
I are engaged to be married. We arranged it while you were buying my
partner in crime.”

I offered my congratulations with a wooden face.

Katherine has always been able to twist her father round that supple
little finger of hers. It did not surprise me at all to read in the
papers two days later that an adjustment of the affairs of the C. C.
C. had been made satisfactory to the warring factions and that by this
arrangement President Halloway was allowed to retain his position and
continue his policy. The breach between Bob Halloway and his father
was immediately healed. Friends industriously circulated the
information that the difference had been due merely to the clashing of
two proud natures which did not understand each other. They point to
the fact that since his marriage Bob has been in every way equal to
the business responsibilities of his important position in the
Consolidated. One understands that he has now entirely sown his wild
oats. He reaps golden opinions everywhere.

I don’t join in the general chorus much myself—but I’m hanged if I can
hate him as much as I would like.


[Transcriber’s Note: This story appeared in the September 1905 issue of
The Red Book Magazine.]

*** END OF THE PROJECT GUTENBERG EBOOK IN THE GARDEN OF THE GODS ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that:

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg-tm trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.