The Incredible Aliens

By William Bender

The Project Gutenberg eBook of The Incredible Aliens, by William Bender

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: The Incredible Aliens

Author: William Bender

Release Date: September 25, 2021 [eBook #66380]

Language: English


Produced by: Greg Weeks, Mary Meehan and the Online Distributed
             Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE INCREDIBLE ALIENS ***




               Narant's personal problem seemed of more
            importance than his mission as an interstellar
             investigator. But they combined when he met--

                         The Incredible Aliens

                        By William Bender, Jr.

           [Transcriber's Note: This etext was produced from
              Imagination Stories of Science and Fantasy
                               July 1954
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


It was only a tiny dot on the view screen when the military lookout
on the armed cruiser identified it as an alien spaceship and sounded
the general alert. Technicist Ninth Class Narant, chief psychanalyst
aboard, studied its approach with a rebellious, almost passionate hope
that the impossible was at last going to happen.

Or was it impossible? They were the first men to visit this planetary
system. Why couldn't they expect to encounter a truly superior race for
a change?

Intently, Narant examined the course of the alien craft. Rather
mischievously he hoped the stranger would suddenly adopt evasion
tactics showing it had detected their presence in the black void
between the 6th and 7th planets of the Star Restus. That would
certainly be a sign of superiority! And what a blow to Central
Scientific Headquarters back home. The anti-detection shield was one of
their proudest accomplishments.

And yet, though still wishful, Narant realized deep in his heart that
such hopes were blighted. Illogical and improbable. No people in the
Universe could even compare with them. Explorers and merchants and
military ships and privateers had prowled all the great planetary
systems of the galaxy. They and their technology reigned supreme
everywhere. Indeed, the accumulated evidence of their supremacy even
formed the irrefutable foundation of Central Scientific's dogma on
selective breeding.

"I must ask you to leave the bridge now, doctor." The voice, crisp and
authoritative, crackled over Narant's shoulder.

Commander Karsine had entered the control room during Narant's brief
reverie in front of the viewing screen. An able and successful combat
officer still in his early thirties, Karsine wore the light weight
space armor the regulations prescribed for moments of impending action.
Even if the enemy blasted a hole in the control room itself, that armor
could protect Karsine long enough to save or disintegrate the cruiser,
as the case might be.

"Commander," Narant suddenly blurted. "One request. I should like to
remain this one time and observe your tactics right here."

"Denied." Karsine explained brusquely that only combat personnel were
allowed in the central control room during contact with a strange
vessel. "But," he ended, patronizingly, "you can watch from the
observation room. When we have made the capture, I'll be happy to
review my operations with you."

_When_ we have made the capture. The Commander's abundant self
confidence only served to further depress Narant. Out there in the
void rode a space vessel of an altogether unknown race. And there was
no question in Karsine's mind but that their cruiser would take the
alien. Not "_if_" we make the capture. Simply, "_when_." It was small
solace for Narant to recall that he himself had firmly established
Self Confidence as one of the highest-rated mental traits for military
command. It had been one of his major projects as a Psychanalyst 4th
Class.

       *       *       *       *       *

As he left the bridge, the airlock rumbled shut behind him, sealing
off the control room from the rest of the ship. Narant climbed the
spiral staircase into the observation room. One entire wall was a thick
quartzite pane over-looking the control center. You could see as much
from up here as down below. But somehow it wasn't the same.

Other technicists with non-combatant specialties were already strapped
to seats in the room, prepared to watch the show on which their very
lives might depend. The "VM" lamp winked slowly on and off, its orange
glow warning against "possible violent maneuvers." Narant found a seat
and obediently fastened the safety harness. He studied the view screen
on the bridge below. The alien ship, seemingly unaware of the danger
that now threatened it, still followed its initial course.

Narant tried to concentrate on the scrambling activity in the control
center, but his rebellious mind would have none of it. Unwanted
memories rose up to haunt him. He had been assigned to this trip
mainly to purge those thoughts from his mind with work and action, but
the cure appeared no cure at all.

Three months ago his final request for the marriage permit had returned
disapproved. The accompanying explanation had been a masterpiece
of scientific doggerel. It analyzed the genetic composition of
Narant and Technicist 3rd Class Melda. It presented carefully
worked-out Tables of Probability regarding the nature and potential
achievement of the offspring of such a union. It called attention
to the low probability rate of Melda and Narant begetting a genius.
"Therefore," it had concluded, "it is not in the best interests of the
intended participants, nor will it serve to build the race, if the
aforementioned are joined in matrimony."

There followed a rare bit of sterilized philosophy: "It is to be hoped
that each party mentioned in the above will readily find another
individual in whom to repose his and her natural emotional interest."
Narant felt, with a startling sense of the primeval, that if he should
find the person who phrased that report he would delightfully club him
to death.

But of course emotionalism was absurd. The whole thing had been
handled dispassionately. Certain basic factors had been fed into banks
of electronic calculators and, a few micro-seconds later, the resultant
statistical data came out. It simply failed to measure up. There was
no arguing or quibbling about the results for the calculators were
mechanically infallible.

However, Narant had taken one more step: an application for "random
mating." But the retention drums of the master calculators had
accumulated a far too overwhelming amount of information about the
advantages of scientific breeding. So that application, too, had been
refused.

And shortly after, Narant found himself assigned to this cruiser bound
for Restus. A report that the inhabitants had begun space flight. A
distant, but conceivable threat to the security of the home planet. He
knew the assignment resulted from some scientific effort to mollify his
disappointment. So he left home. But he took with him the forlorn hope
that on this voyage, or the next, or the one after that, he would find
somewhere in the vast reaches of space an advanced people who still
practiced random mating; that he might find them, analyze them and feed
that information back to the master calculators. For only by placing
hard new facts into the "brain" could there be any chance of changing
the decision.

       *       *       *       *       *

In the sealed combat control center, Commander Karsine finished
strapping himself into the anthropometric chair in front of the view
screen. A subordinate lowered the master control panel into position.
Narant perked up with new interest. A specialist of Karsine's class, he
realized, could manipulate that control panel with the consummate skill
of a master musician at a great organ. The battery of keys, buttons and
switches built into the panel gave Karsine complete domination over the
thousands of small engines and servo-mechanisms, tens-of-thousands of
electric tubes, and the millions of electrical synapses that comprised
the fighting apparatus of the space cruiser.

Abruptly the "VM" sign began flashing more rapidly, its color changing
from orange to red. A siren whooped throughout the ship. Karsine's
voice, somewhat metallic over the speakers, gave the "Imminent Combat"
alert. The ship was going into action.

Narant felt the seat straps pull at his chest. In the view screen
below, the alien vessel began to swell rapidly. A low hum permeated
the observation room. Narant glanced out the nearest port. Glistening
metallic spines were expanding outward from the body of the cruiser.
At the tip of each bulged the glowing cone of the force and detection
heads, the cruiser's most potent tools of attack and defense.

"Engine room!" Karsine's peremptory voice snapped through the speakers.

"Engine room standing by."

"For ten seconds only, do not ... repeat, do _not_ act on manual signal
control. This is a test only. Read them off."

"Yes, sir. Reading test signals: Fire eight ... fire six ... fire
nine ... fire one ... fire main." The voice paused. "Is that all, sir?"

"The ten seconds are up," reproached Karsine. Henceforth, his every
command would have to be acted upon instantly. "Divert seventy per cent
of main power supply into armament system."

"Yes, sir."

"Check spinal extension."

"Extended and locked. All force heads burning, Commander." Another
voice had answered this time.

"Good." Karsine's brief acknowledgment for an efficient crew. "Activate
the combat calculator."

"In action, sir."

There, Narant realized, was another de-humanizing achievement of
Central Scientific. Years ago in the war with the repulsive exoskeletal
inhabitants of Sirius 13, earth's military commanders had gone into
battle with terrible ardor. To destroy the Sirians they had taken
frequent, unnecessary risks, and in so doing had sacrificed dozens
of brand new combat ships. So a special calculator had been designed
for all craft except humble merchantmen. It kept a running check on
the enemy's tactics, his power output, his course, speed and relative
aggressiveness; it measured the power consumption of its own ship
in counteracting enemy weapons, and a score of other factors. Once
activated, the "brain" computed the mathematical probabilities of
ultimate success at each instant of the battle. If the scale ever
tipped in favor of the enemy craft, the calculator instantly selected
the best evasion course, fired auxiliary rockets and broke off the
engagement.

       *       *       *       *       *

Narant unconsciously shook his head in disapproval. He wondered if he
was getting old? Such efficiency disturbed him more than he cared to
admit. Only in the histories, it seemed, could you find those thrilling
battles where human ingenuity played the decisive role. Where a handful
of courageous men could face outrageous odds and win through to victory
by wit and resourcefulness. Yes, only in the histories.

Nowadays warfare, like love, revolved about mathematics and probability
curves and trillions of electrons chasing themselves through a maze of
wires and throwing switches and making decisions that once had been the
prerogative of man alone.

Narant yearned for man's lost freedom to make an honest error.

Suddenly Karsine's harsh voice came blasting over the loudspeaker.
"Prepare to grapple!"

Narant glanced quickly out through the port into the black sky. The
alien ship, its bright metal reflecting the light of the distant sun,
floated a mile away. Motionless. Or so it seemed against the unchanging
stellar background.

It possessed hard sleek lines, pointed nose, flaring tail vanes. Its
designers, he guessed, must still be thinking in terms of atmospheric
flight. It hardly seemed the type of craft that could cross the broad
interstellar reaches; probably had been built simply to plod about its
neighboring planets. It must be an early development, for spaceships
had never before been detected in the Restus system. More than likely
the ship had not even become aware of their presence. Small wonder
Karsine had decided to grapple.

The force heads on Narant's side of the cruiser began to shimmer under
the surge of power being fed to them. They grew red hot, almost
translucent. They would hold fire until the beam became powerful enough
to withstand tremendous forces. Sometimes in grappling, an enemy craft
had been known to discharge its main rocket batteries in an effort to
wrench loose. But any second now....

"Execute grapple!" Karsine ordered.

The cruiser shuddered. Lights dimmed as the force heads sucked at every
available bit of power. With a blinding flash, a blue-white ribbon of
energy streaked across the mile-wide void to the alien ship. It flicked
the nose of the Restus craft, gripped, and swept over the entire hull
like a glittering cocoon.

"Tension indicator: Nine-eight-point-eight," reported a too-casual
voice over the speaker. "Enemy ship secured."

"Opposing force?"

"Negative."

Karsine cautiously studied his dials, alert for the first sign of
a counter-blow. Nothing happened. A minute dragged by. The tension
indicators remained constant; detection heads, zero. And then: "Bring
it alongside."

The grappling beam slowly began to contract, bringing the alien ship
closer. As it passed through the invisibility screen, multi-colored
de-action rays focussed upon it, nullifying virtually every weapon
known to man.

Narant's hopes dissolved. The emptiness left only an aching futility.
As usual, the capture had been simple ... and complete.

"Advance parties prepare to go aboard," commanded the loudspeaker.

A man behind Narant unbuckled his straps, got up and stretched. "Here
we go again," he said. And then, to nobody in particular: "I used to
get a kick out of investigating strange creatures. Now it's work. Just
work."

Narant looked over his shoulder at the cruiser's anthropometrist. He
would have to board the ship right behind the combat team, analyze
the tools, controls, living conditions of the crew. Perhaps he, too,
experienced this ennui of persistent success?

       *       *       *       *       *

Narant had ended his preparations in the psych-examination chamber by
the time they brought the first of the alien people to him. Narant
stared in sudden amazement. The creature was humanoid. It had a
well-formed head with a squat, shrunken nose and steep brows; there
were prehensile arms, and hands with five fingers. But the man was
hairy and, Narant winced, immodestly naked.

The humanoid was still in the grip of the paralytic when they took him
into the examination chamber and strapped him to the table. Narant
judged the alien a little taller, give or take a few inches, than a
normal human being. His interest began to perk up. It always did when
he could study another creature that had learned to conquer space.
For perhaps the first time in three months, thoughts of Melda were
over-shadowed by the immediate prospect of exploring the mysteries of
an alien mind.

As the attendant came back out of the chamber, Narant secured the door.
"How many of them?" he asked.

The attendant shook his head in evident amazement. "Four. I don't know
how they do it, but that ship had only a four man crew."

"Impossible," Narant exclaimed.

"That's all there are," the man insisted. "We've covered the whole
ship."

"But how could they...?"

"The engineers are working on that now. I heard one of them remark
about the great number of automatic controls, but even so ... isn't
that one for the book?"

That, Narant agreed, was one for the book. Four men. The space vessels
he knew usually held scores of crewmen and specialists to handle the
manifold emergencies that arose in flight. His imagination soaring,
Narant turned rapidly to begin his experiments.

He started the automatic recorder that would code his findings on
a thin strip of tape and then, more excited than usual, began the
examination. Inside the chamber, a giant multi-faceted crystal began to
rotate slowly in the gimbals which held it suspended from the ceiling.
Sharp individual beams of light swept over the face of the alien being
on the table. One by one, the lights flickered over him and passed on,
each one probing, measuring, comparing with universal norms, and then
recording its findings on both dial and tape.

Long before the five-hour examination was over, the hopes of
Technicist 9th Class Narant far transcended any he had experienced in
the past three months. The aliens had almost human potential. They
were fun-loving, kindly, clannish. Their resourcefulness _and their
ingenuity_ were literally unsurpassed.

But then the most amazing fact of all revealed itself: The time-lapse
since this race had been entirely primitive was fantastically short.
In one brief--almost abrupt--transition, they had gone from jungle to
the conquest of space. The mind, the racial background and the obvious
achievements of these creatures presented such a picture of rapid
advancement as to stagger the imagination.

Once he had transmitted the coded tapes to Central Scientific, Narant
sought out the anthropometrist. His lingering doubts vanished when
the two compared findings. Everything inside the spaceship had been
designed expressly for these strange creatures with the five fingers
and the prehensile hands and arms.

As the cruiser finally pointed toward home, Narant was a new man. Of
course their information would set the scientific world spinning on
its collective ear. But more important, it would have vast personal
significance. According to the crystal, the mating pattern of these
surprisingly progressive beings was entirely one of random selection!

Already that data would be digesting inside the master calculators.
The knowledge would become a part of all future decisions. Probability
rates would change strikingly ... especially those that governed the
issuance of "random-mating" licenses. For Narant, the voyage had been a
tremendous success.

       *       *       *       *       *

However, in the space experimental laboratories near the Nevada desert
on the third planet of the sun Restus, no such optimism existed.

Twenty-four hours had passed since the S-X-2 had vanished. They had
had a precise fix on it as it blistered through the void on an elliptic
course that would return it automatically to Earth. Everything had
seemed to be going perfectly. All the bugs of the first Spacerocket
Experimental had evidentally been straightened out in making the "2".
And then, some 250-thousand miles beyond Saturn, it had disappeared.
Just like that.

Dr. Gordon Basset glanced distastefully at the telephone on his desk.
Then he began thumbing through the metropolitan directory for a number.
The hands that held the directory were strong, supple. They would have
been a revelation to Technicist Ninth Class Narant, if he had seen them.

But then Technicist Ninth Class Narant himself would have been
something of a revelation to Dr. Gordon Basset, what with his twenty
claw-like extensors.

Basset found the number, dialed, and waited for the connection.

"Hello, Dr. Farrell? Basset here. I've got bad news on the S-X-2.... No
details yet, but the ship has broken contact.... Yes, I must presume
it's lost.... I'll file a complete report as soon as possible....
What's that?... I suppose you're right--we'll have the S.P.C.A. on our
necks for sacrificing four more test animals. What the hell, they
can't expect us to send men on these experimental flights!"

Basset talked for a moment longer and then replaced the phone. He
sighed. Another report. Another failure. Another requiem to be written
for a lost ship--and four chimpanzees.

*** END OF THE PROJECT GUTENBERG EBOOK THE INCREDIBLE ALIENS ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that:

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg-tm trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.