Galactic Ghost

By Walter Kubilius

The Project Gutenberg EBook of Galactic Ghost, by Walter Kubilius

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Galactic Ghost

Author: Walter Kubilius

Release Date: May 27, 2020 [EBook #62244]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK GALACTIC GHOST ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                            GALACTIC GHOST

                          By WALTER KUBILIUS

             The Flying Dutchman of space was a harbinger
              of death. But Willard wasn't superstitions.
                  He had seen the phantom--and lived.

           [Transcriber's Note: This etext was produced from
                      Planet Stories Winter 1942.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


The only friend in space Willard had ever known was dying. Dobbin's
lips were parched and his breath came spasmodically. The tips of his
fingers that had so many times caressed the control board of the _Mary
Lou_ were now black as meteor dust.

"We'll never see Earth again," he whispered feebly, plucked weakly at
the cover.

"Nonsense!" Willard broke in hurriedly, hoping that the dying man
would not see through the lie. "We've got the sun's gravity helping
us drift back to Earth! We'll be there soon! You'll get well soon and
we'll start to work again on a new idea of mine...." His voice trailed
helplessly away and the words were lost. It was no use.

The sick man did not hear him. Two tears rolled down his cheeks. His
face contorted as he tried to withhold a sob.

"To see Earth again!" he said weakly. "To walk on solid ground once
more!"

"Four years!" Willard echoed faintly. He knew how his space mate felt.
No man can spend four years away from his home planet, and fail to be
anguished. A man could live without friends, without fortune, but no
man could live without Earth. He was like Anteus, for only the feel of
the solid ground under his feet could give him courage to go among the
stars.

Willard also knew what he dared not admit to himself. He, too, like
Dobbin, would never see Earth again. Perhaps, some thousand years from
now, some lonely wanderers would find their battered hulk of a ship in
space and bring them home again.

Dobbin motioned to him and, in answer to a last request, Willard lifted
him so he faced the port window for a final look at the panorama of the
stars.

Dobbin's eyes, dimming and half closed, took in the vast play of the
heavens and in his mind he relived the days when in a frail craft he
first crossed interstellar space. But for Earth-loneliness Dobbin would
die a happy man, knowing that he had lived as much and as deeply as any
man could.

Silently the two men watched. Dobbin's eyes opened suddenly and a
tremor seized his body. He turned painfully and looked at Willard.

"I saw it!" his voice cracked, trembling.

"Saw what?"

"It's true! It's true! It comes whenever a space man dies! It's there!"

"In heaven's name, Dobbin," Willard demanded, "What do you see? What is
it?"

Dobbin lifted his dark bony arm and pointed out into star-studded
space.

"The Ghost Ship!"

Something clicked in Willard's memory. He had heard it spoken of in
whispers by drunken space men and professional tellers of fairy tales.
But he had never put any stock in them. In some forgotten corner of
Dobbin's mind the legend of the Ghost Ship must have lain, to come up
in this time of delirium.

"There's nothing there," he said firmly.

"It's come--for me!" Dobbin cried. He turned his head slowly toward
Willard, tried to say something and then fell back upon the pillow. His
mouth was open and his eyes stared unseeing ahead. Dobbin was now one
with the vanished pioneers of yesterday. Willard was alone.

For two days, reckoned in Earth time, Willard kept vigil over the body
of his friend and space mate. When the time was up he did what was
necessary and nothing remained of Harry Dobbin, the best friend he had
ever had. The atoms of his body were now pure energy stored away in the
useless motors of the _Mary Lou_.

       *       *       *       *       *

The weeks that followed were like a blur in Willard's mind. Though the
ship was utterly incapable of motion, the chance meteor that damaged
it had spared the convertors and assimilators. Through constant care
and attention the frail balance that meant life or death could be kept.
The substance of waste and refuse was torn down and rebuilt as precious
food and air. It was even possible to create more than was needed.

When this was done, Willard immediately regretted it. For it would be
then that the days and the weeks would roll by endlessly. Sometimes
he thought he would go mad when, sitting at the useless control
board, which was his habit, he would stare for hours and hours in
the direction of the Sun where he knew the Earth would be. A great
loneliness would then seize upon him and an agony that no man had ever
known would tear at his heart. He would then turn away, full of despair
and hopeless pain.

Two years after Dobbin's death a strange thing happened. Willard was
sitting at his accustomed place facing the unmoving vista of the stars.
A chance glance at Orion's belt froze him still. A star had flickered!
Distinctly, as if a light veil had been placed over it and then lifted,
it dimmed and turned bright again. What strange phenomena was this? He
watched and then another star faded momentarily in the exact fashion.
And then a third! And a fourth! And a fifth!

Willard's heart gave a leap and the lethargy of two years vanished
instantly. Here, at last, was something to do. It might be only a few
minutes before he would understand what it was, but those few minutes
would help while away the maddening long hours. Perhaps it was a mass
of fine meteorites or a pocket of gas that did not disperse, or even a
moving warp of space-light. Whatever it was, it was a phenomena worth
investigating and Willard seized upon it as a dying man seizes upon the
last flashing seconds of life.

Willard traced its course by the flickering stars and gradually plotted
its semi-circular course. It was not from the solar system but,
instead, headed toward it. A rapid check-up on his calculations caused
his heart to beat in ever quickening excitement. Whatever it was, it
would reach the _Mary Lou_.

Again he looked out the port. Unquestionably the faint mass was nearing
his ship. It was round in shape and almost invisible. The stars,
though dimmed, could still be seen through it. There was something
about its form that reminded him of an old-fashioned rocket ship. It
resembled one of those that had done pioneer service in the lanes forty
years ago or more. Resembled one? It was one! Unquestionably, though
half-invisible and like a piece of glass immersed in water, it was a
rocket ship.

But the instruments on the control board could not lie. The presence of
any material body within a hundred thousand miles would be revealed.
But the needle on the gauge did not quiver. Nothing indicated the
presence of a ship. But the evidence of his eyes was incontestable.

Or was it? Doubt gripped him. Did the loneliness of all these years
in space twist his mind till he was imagining the appearance of faint
ghost-like rocket ships?

The thought shot through his mind like a thunder bolt. Ghost Ship!
Was this the thing that Dobbin had seen before he died? But that was
impossible. Ghost Ships existed nowhere but in legends and tall tales
told by men drunk with the liquors of Mars.

"There is no ship there. There is no ship there," Willard told himself
over and over again as he looked at the vague outline of the ship, now
motionless a few hundred miles away.

Deep within him a faint voice cried, "_It's come--for me!_" but Willard
stilled it. This was no fantasy. There was a scientific reason for it.
There must be! Or should there be? Throughout all Earth history there
had been Ghost Ships sailing the Seven Seas--ships doomed to roam
forever because their crew broke some unbreakable law. If this was true
for the ships of the seas, why not for the ships of empty space?

He looked again at the strange ship. It was motionless. At least it was
not nearing him. Willard could see nothing but its vague outline. A
moment later he could discern a faint motion. It was turning! The Ghost
Ship was turning back! Unconsciously Willard reached out with his hand
as if to hold it back, for when it was gone he would be alone again.

But the Ghost Ship went on. Its outline became smaller and smaller,
fainter and fainter.

Trembling, Willard turned away from the window as he saw the rocket
recede and vanish into the emptiness of space. Once more the dreaded
loneliness of the stars descended upon him.

       *       *       *       *       *

Seven years passed and back on Earth in a small newspaper that Willard
would never see there was published a small item:

"_Arden, Rocketport_--Thirteen years ago the Space Ship _Mary Lou_
under John Willard and Larry Dobbin left the Rocket Port for the
exploration of an alleged planetoid beyond Pluto. The ship has not been
seen or heard from since. J. Willard, II, son of the lost explorer, is
planning the manufacture of a super-size exploration ship to be called
_Mary Lou II_, in memory of his father."

Memories die hard. A man who is alone in space with nothing but the
cold friendship of star-light looks back upon memories as the only
things both dear and precious to him.

Willard, master and lone survivor of the _Mary Lou_, knew this well for
he had tried to rip the memories of Earth out of his heart to ease the
anguish of solitude within him. But it was a thing that could not be
done.

And so it was that each night--for Willard did not give up the
Earth-habit of keeping time--Willard dreamed of the days he had known
on Earth.

In his mind's eye, he saw himself walking the streets of Arden and
feeling the crunch of snow or the soft slap of rainwater under his
feet. He heard again, in his mind, the voices of friends he knew.
How beautiful and perfect was each voice! How filled with warmth and
friendship! There was the voice of his beautiful wife whom he would
never see again. There were the gruff and deep voices of his co-workers
and scientists.

Above all there were the voices of the cities, and the fields and the
shops where he had worked. All these had their individual voices. Odd
that he had never realized it before, but things become clearer to a
man who is alone.

Clearer? Perhaps not. Perhaps they become more clouded. How could he,
for example, explain the phenomena of the Ghost Ship? Was it really
only a product of his imagination? What of all the others who had
seen it? Was it possible for many different men under many different
situations to have the same exact illusion? Reason denied that. But
perhaps space itself denies reason.

Grimly he retraced the legend of the Ghost Ship. A chance phrase here
and a story there put together all that he knew:

Doomed for all eternity to wander in the empty star-lanes, the Ghost
Ship haunts the Solar System that gave it birth. And this is its
tragedy, for it is the home of spacemen who can never go home again.
When your last measure of fuel is burnt and your ship becomes a
lifeless hulk--the Ghost will come--for you!

And this is all there was to the legend. Merely a tale of some fairy
ship told to amuse and to while away the days of a star-voyage.
Bitterly, Willard dismissed it from his mind.

Another year of loneliness passed. And still another. Willard lost
track of the days. It was difficult to keep time for to what purpose
could time be kept. Here in space there was no time, nor was there
reason for clocks and records. Days and months and years became
meaningless words for things that once may have had meaning. About
three years must have passed since his last record in the log book
of the _Mary Lou_. At that time, he remembered, he suffered another
great disappointment. On the port side there suddenly appeared a
full-sized rocket ship. For many minutes Willard was half-mad with
joy thinking that a passing ship was ready to rescue him. But the joy
was short-lived, for the rocket ship abruptly turned away and slowly
disappeared. As Willard watched it go away he saw the light of a
distant star _through_ the space ship. A heart-breaking agony fell upon
him. It was not a ship from Earth. It was the Ghost Ship, mocking him.

Since then Willard did not look out the window of his craft. A vague
fear troubled him that perhaps the Ghost Ship might be here, waiting
and watching, and that he would go mad if he saw it.

How many years passed he could not tell. But this he knew. He was no
longer a young man. Perhaps fifteen years has disappeared into nothing.
Perhaps twenty. He did not know and he did not care.

       *       *       *       *       *

Willard awoke from a deep sleep and prepared his bed. He did it, not
because it was necessary, but because it was a habit that had long been
ingrained in him through the years.

He checked and rechecked every part of the still functioning mechanism
of the ship. The radio, even though there was no one to call, was in
perfect order. The speed-recording dials, even though there was no
speed to record, were in perfect order. And so with every machine. All
was in perfect order. Perfect useless order, he thought bitterly, when
there was no way whatever to get sufficient power to get back to Earth,
long forgotten Earth.

He was leaning back in his chair when a vague uneasiness seized him.
He arose and slowly walked over to the window, his age already being
marked in the ache of his bones. Looking out into the silent theater of
the stars, he suddenly froze.

There was a ship, coming toward him!

For a moment the reason in his mind tottered on a balance. Doubt
assailed him. Was this the Ghost Ship come to torment him again? But no
phantom this! It was a life and blood rocket ship from Earth! Starlight
shone on it and not through it! Its lines, window, vents were all solid
and had none of the ghost-like quality he remembered seeing in the
Ghost Ship in his youth.

For another split second he thought that perhaps he, too, like Dobbin,
had gone mad and that the ship would vanish just as it approached him.

The tapping of the space-telegrapher reassured him.

"CALLING SPACE SHIP MARY LOU," the message rapped out, "CALLING SPACE
SHIP MARY LOU."

With trembling fingers that he could scarcely control, old Willard sent
the answering message.

"SPACE SHIP MARY LOU REPLYING. RECEIVED MESSAGE. THANK GOD!"

He broke off, unable to continue. His heart was ready to burst within
him and the tears of joy were already welling in his eyes. He listened
to the happiest message he had ever heard:

"NOTICE THAT SPACE SHIP MARY LOU IS DISABLED AND NOT SPACE WORTHY. YOU
ARE INVITED TO COME ABOARD. HAVE YOU SPACE SUIT AND--ARE YOU ABLE TO
COME?"

Willard, already sobbing with joy, could send only two words.

"YES! COMING!"

The years of waiting were over. At last he was free of the _Mary Lou_.
In a dream like trance, he dressed in his space suit, pathetically
glad that he had already checked every detail of it a short time ago.
He realized suddenly that everything about the _Mary Lou_ was hateful to
him. It was here that his best friend died, and it was here that twenty
years of his life were wasted completely in solitude and despair.

He took one last look and stepped into the air-lock.

The Earth-ship, he did not see its name, was only a hundred yards away
and a man was already at the air-lock waiting to help him. A rope was
tossed to him. He reached for it and made his way to the ship, leaving
the _Mary Lou_ behind him forever.

Suddenly the world dropped away from him. Willard could neither see nor
say anything. His heart was choked with emotion.

"It's all right," a kindly voice assured him, "You're safe now."

He had the sensation of being carried by several men and then placed in
bed. The quiet of deep sleep descended upon him.

       *       *       *       *       *

He woke many times in the following days, but the privations of the
passing years had drained his strength and his mind, had made him so
much of a hermit that the presence of other men frightened him to the
point of gibbering insanity.

He knew that the food and drink were drugged, for after eating he
never remembered seeing the men enter the room to care for him and to
remove the dirty dishes. But there was enough sanity in his mind to
also realize that, without the gradual reawakening of his senses to the
value of human companionship, he might not be able to stand the mental
shock of moving about among his people back on Earth.

During those passing days, he savored each new impression, comparing
it with what he remembered from that age-long past when he and his
friends had walked on Earth's great plains and ridden on the oceans'
sleek ships or flown with the wings of birds over the mountain ranges.
And each impression was doubly enjoyable, for his memory was hazy and
confused.

Gradually, though, his mind cleared; he remembered the past, and he no
longer was afraid of the men who visited him from time to time. But
there was a strangeness about the men that he could not fathom; they
refused to talk about anything, any subject, other than the actual
running of the great ship. Always, when he asked his eager questions,
they mumbled and drifted away.

And then in his third week on the rescue ship, he went to sleep one
night while peering from the port hole at the blue ball of Earth
swimming in the blackness of space. He slept and he dreamed of the
years he had spent by himself in the drifting, lifeless hulk of the
_Mary Lou_. His dreams were vivid, peopled with men and women he had
once known, and were horrible with the fantasies of terror that years
of solitary brooding had implanted deep in his mind.

       *       *       *       *       *

He awoke with a start and a cry of alarm ran through him as he thought
that perhaps he might still be in the _Mary Lou_. The warm, smiling face
of a man quickly reassured him.

"I'll call the captain," the space man said. "He said to let him know
when you came to."

Willard could only nod in weak and grateful acceptance. It was true! He
pressed his head back against the bed's pillows. How soft! How warm! He
yawned and stretched his arms as a thrill of happiness shot through his
entire body.

He would see Earth again! That single thought ran over and over in his
mind without stopping. He would see Earth again! Perhaps not this year
and perhaps not the next--for the ship might be on some extra-Plutonian
expedition. But even if it would take years before it returned to home
base Willard knew that those years would fly quickly if Earth was at
the end of the trail.

Though he had aged, he still had many years before him. And those
years, he vowed, would be spent on Earth and nowhere else.

The captain, a pleasant old fellow, came into the room as Willard stood
up and tried to walk. The gravity here was a bit different from that of
his ship, but he would manage.

"How do you feel, Space Man Willard?"

"Oh, you know me?" Willard looked at him in surprise, and then smiled,
"Of course, you looked through the log book of the _Mary Lou_."

The captain nodded and Willard noticed with surprise that he was a very
old man.

"You don't know how much I suffered there," Willard said slowly,
measuring each word. "Years in space--all alone! It's a horrible thing!"

"Yes?" the old captain said.

"Many times I thought I would go completely mad. It was only the
thought and hope that some day, somehow, an Earth-ship would find me
and help me get back to Earth. If it was not for that, I would have
died. I could think of nothing but of Earth, of blue green water, of
vast open spaces and the good brown earth. How beautiful it must be
now!"

A note of sadness, matched only by that of Willard's, entered the
captain's eyes.

"I want to walk on Earth just once--then I can die."

Willard stopped. A happy dreamy smile touched his lips.

"When will we go to Earth?" he asked.

The Captain did not answer. Willard waited and a strange memory tugged
at him.

"You don't know," the Captain said. It was not a question or a
statement. The Captain found it hard to say it. His lips moved slowly.

Willard stepped back and before the Captain told him, _he knew_.

"Matter is relative," he said, "the existent under one condition is
non-existent under another. The real here is the non-real there. All
things that wander alone in space are gradually drained of their mass
and energy until nothing is left but mere shells. That is what happened
to the _Mary Lou_. Your ship was real when we passed by twenty years
ago. It is now like ours, a vague outline in space. We cannot feel
the change ourselves, for change is relative. That is why we became
more and more solid to you, as you became more and more faint to any
Earth-ship that might have passed. We are real--to ourselves. But to
some ship from Earth which has not been in space for more than fifteen
years--to that ship, to all intents and purposes, we do not exist.

"Then this ship," Willard said, stunned, "you and I and everything on
it..."

"... are doomed," the Captain said. "We cannot go to Earth for the
simple reason that we would go _through_ it!"

The vision of Earth and green trees faded. He would never see Earth
again. He would never feel the crunch of ground under feet as he
walked. Never would listen to the voices of friends and the songs of
birds. Never. Never. Never....

"Then this is the Ghost Ship and we are the Ghosts!"

"Yes."





End of the Project Gutenberg EBook of Galactic Ghost, by Walter Kubilius

*** END OF THIS PROJECT GUTENBERG EBOOK GALACTIC GHOST ***

***** This file should be named 62244.txt or 62244.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/2/2/4/62244/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.