The Project Gutenberg EBook of Galactic Ghost, by Walter Kubilius This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Galactic Ghost Author: Walter Kubilius Release Date: May 27, 2020 [EBook #62244] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK GALACTIC GHOST *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net GALACTIC GHOST By WALTER KUBILIUS The Flying Dutchman of space was a harbinger of death. But Willard wasn't superstitions. He had seen the phantom--and lived. [Transcriber's Note: This etext was produced from Planet Stories Winter 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The only friend in space Willard had ever known was dying. Dobbin's lips were parched and his breath came spasmodically. The tips of his fingers that had so many times caressed the control board of the _Mary Lou_ were now black as meteor dust. "We'll never see Earth again," he whispered feebly, plucked weakly at the cover. "Nonsense!" Willard broke in hurriedly, hoping that the dying man would not see through the lie. "We've got the sun's gravity helping us drift back to Earth! We'll be there soon! You'll get well soon and we'll start to work again on a new idea of mine...." His voice trailed helplessly away and the words were lost. It was no use. The sick man did not hear him. Two tears rolled down his cheeks. His face contorted as he tried to withhold a sob. "To see Earth again!" he said weakly. "To walk on solid ground once more!" "Four years!" Willard echoed faintly. He knew how his space mate felt. No man can spend four years away from his home planet, and fail to be anguished. A man could live without friends, without fortune, but no man could live without Earth. He was like Anteus, for only the feel of the solid ground under his feet could give him courage to go among the stars. Willard also knew what he dared not admit to himself. He, too, like Dobbin, would never see Earth again. Perhaps, some thousand years from now, some lonely wanderers would find their battered hulk of a ship in space and bring them home again. Dobbin motioned to him and, in answer to a last request, Willard lifted him so he faced the port window for a final look at the panorama of the stars. Dobbin's eyes, dimming and half closed, took in the vast play of the heavens and in his mind he relived the days when in a frail craft he first crossed interstellar space. But for Earth-loneliness Dobbin would die a happy man, knowing that he had lived as much and as deeply as any man could. Silently the two men watched. Dobbin's eyes opened suddenly and a tremor seized his body. He turned painfully and looked at Willard. "I saw it!" his voice cracked, trembling. "Saw what?" "It's true! It's true! It comes whenever a space man dies! It's there!" "In heaven's name, Dobbin," Willard demanded, "What do you see? What is it?" Dobbin lifted his dark bony arm and pointed out into star-studded space. "The Ghost Ship!" Something clicked in Willard's memory. He had heard it spoken of in whispers by drunken space men and professional tellers of fairy tales. But he had never put any stock in them. In some forgotten corner of Dobbin's mind the legend of the Ghost Ship must have lain, to come up in this time of delirium. "There's nothing there," he said firmly. "It's come--for me!" Dobbin cried. He turned his head slowly toward Willard, tried to say something and then fell back upon the pillow. His mouth was open and his eyes stared unseeing ahead. Dobbin was now one with the vanished pioneers of yesterday. Willard was alone. For two days, reckoned in Earth time, Willard kept vigil over the body of his friend and space mate. When the time was up he did what was necessary and nothing remained of Harry Dobbin, the best friend he had ever had. The atoms of his body were now pure energy stored away in the useless motors of the _Mary Lou_. * * * * * The weeks that followed were like a blur in Willard's mind. Though the ship was utterly incapable of motion, the chance meteor that damaged it had spared the convertors and assimilators. Through constant care and attention the frail balance that meant life or death could be kept. The substance of waste and refuse was torn down and rebuilt as precious food and air. It was even possible to create more than was needed. When this was done, Willard immediately regretted it. For it would be then that the days and the weeks would roll by endlessly. Sometimes he thought he would go mad when, sitting at the useless control board, which was his habit, he would stare for hours and hours in the direction of the Sun where he knew the Earth would be. A great loneliness would then seize upon him and an agony that no man had ever known would tear at his heart. He would then turn away, full of despair and hopeless pain. Two years after Dobbin's death a strange thing happened. Willard was sitting at his accustomed place facing the unmoving vista of the stars. A chance glance at Orion's belt froze him still. A star had flickered! Distinctly, as if a light veil had been placed over it and then lifted, it dimmed and turned bright again. What strange phenomena was this? He watched and then another star faded momentarily in the exact fashion. And then a third! And a fourth! And a fifth! Willard's heart gave a leap and the lethargy of two years vanished instantly. Here, at last, was something to do. It might be only a few minutes before he would understand what it was, but those few minutes would help while away the maddening long hours. Perhaps it was a mass of fine meteorites or a pocket of gas that did not disperse, or even a moving warp of space-light. Whatever it was, it was a phenomena worth investigating and Willard seized upon it as a dying man seizes upon the last flashing seconds of life. Willard traced its course by the flickering stars and gradually plotted its semi-circular course. It was not from the solar system but, instead, headed toward it. A rapid check-up on his calculations caused his heart to beat in ever quickening excitement. Whatever it was, it would reach the _Mary Lou_. Again he looked out the port. Unquestionably the faint mass was nearing his ship. It was round in shape and almost invisible. The stars, though dimmed, could still be seen through it. There was something about its form that reminded him of an old-fashioned rocket ship. It resembled one of those that had done pioneer service in the lanes forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of faint ghost-like rocket ships? The thought shot through his mind like a thunder bolt. Ghost Ship! Was this the thing that Dobbin had seen before he died? But that was impossible. Ghost Ships existed nowhere but in legends and tall tales told by men drunk with the liquors of Mars. "There is no ship there. There is no ship there," Willard told himself over and over again as he looked at the vague outline of the ship, now motionless a few hundred miles away. Deep within him a faint voice cried, "_It's come--for me!_" but Willard stilled it. This was no fantasy. There was a scientific reason for it. There must be! Or should there be? Throughout all Earth history there had been Ghost Ships sailing the Seven Seas--ships doomed to roam forever because their crew broke some unbreakable law. If this was true for the ships of the seas, why not for the ships of empty space? He looked again at the strange ship. It was motionless. At least it was not nearing him. Willard could see nothing but its vague outline. A moment later he could discern a faint motion. It was turning! The Ghost Ship was turning back! Unconsciously Willard reached out with his hand as if to hold it back, for when it was gone he would be alone again. But the Ghost Ship went on. Its outline became smaller and smaller, fainter and fainter. Trembling, Willard turned away from the window as he saw the rocket recede and vanish into the emptiness of space. Once more the dreaded loneliness of the stars descended upon him. * * * * * Seven years passed and back on Earth in a small newspaper that Willard would never see there was published a small item: "_Arden, Rocketport_--Thirteen years ago the Space Ship _Mary Lou_ under John Willard and Larry Dobbin left the Rocket Port for the exploration of an alleged planetoid beyond Pluto. The ship has not been seen or heard from since. J. Willard, II, son of the lost explorer, is planning the manufacture of a super-size exploration ship to be called _Mary Lou II_, in memory of his father." Memories die hard. A man who is alone in space with nothing but the cold friendship of star-light looks back upon memories as the only things both dear and precious to him. Willard, master and lone survivor of the _Mary Lou_, knew this well for he had tried to rip the memories of Earth out of his heart to ease the anguish of solitude within him. But it was a thing that could not be done. And so it was that each night--for Willard did not give up the Earth-habit of keeping time--Willard dreamed of the days he had known on Earth. In his mind's eye, he saw himself walking the streets of Arden and feeling the crunch of snow or the soft slap of rainwater under his feet. He heard again, in his mind, the voices of friends he knew. How beautiful and perfect was each voice! How filled with warmth and friendship! There was the voice of his beautiful wife whom he would never see again. There were the gruff and deep voices of his co-workers and scientists. Above all there were the voices of the cities, and the fields and the shops where he had worked. All these had their individual voices. Odd that he had never realized it before, but things become clearer to a man who is alone. Clearer? Perhaps not. Perhaps they become more clouded. How could he, for example, explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, for it is the home of spacemen who can never go home again. When your last measure of fuel is burnt and your ship becomes a lifeless hulk--the Ghost will come--for you! And this is all there was to the legend. Merely a tale of some fairy ship told to amuse and to while away the days of a star-voyage. Bitterly, Willard dismissed it from his mind. Another year of loneliness passed. And still another. Willard lost track of the days. It was difficult to keep time for to what purpose could time be kept. Here in space there was no time, nor was there reason for clocks and records. Days and months and years became meaningless words for things that once may have had meaning. About three years must have passed since his last record in the log book of the _Mary Lou_. At that time, he remembered, he suffered another great disappointment. On the port side there suddenly appeared a full-sized rocket ship. For many minutes Willard was half-mad with joy thinking that a passing ship was ready to rescue him. But the joy was short-lived, for the rocket ship abruptly turned away and slowly disappeared. As Willard watched it go away he saw the light of a distant star _through_ the space ship. A heart-breaking agony fell upon him. It was not a ship from Earth. It was the Ghost Ship, mocking him. Since then Willard did not look out the window of his craft. A vague fear troubled him that perhaps the Ghost Ship might be here, waiting and watching, and that he would go mad if he saw it. How many years passed he could not tell. But this he knew. He was no longer a young man. Perhaps fifteen years has disappeared into nothing. Perhaps twenty. He did not know and he did not care. * * * * * Willard awoke from a deep sleep and prepared his bed. He did it, not because it was necessary, but because it was a habit that had long been ingrained in him through the years. He checked and rechecked every part of the still functioning mechanism of the ship. The radio, even though there was no one to call, was in perfect order. The speed-recording dials, even though there was no speed to record, were in perfect order. And so with every machine. All was in perfect order. Perfect useless order, he thought bitterly, when there was no way whatever to get sufficient power to get back to Earth, long forgotten Earth. He was leaning back in his chair when a vague uneasiness seized him. He arose and slowly walked over to the window, his age already being marked in the ache of his bones. Looking out into the silent theater of the stars, he suddenly froze. There was a ship, coming toward him! For a moment the reason in his mind tottered on a balance. Doubt assailed him. Was this the Ghost Ship come to torment him again? But no phantom this! It was a life and blood rocket ship from Earth! Starlight shone on it and not through it! Its lines, window, vents were all solid and had none of the ghost-like quality he remembered seeing in the Ghost Ship in his youth. For another split second he thought that perhaps he, too, like Dobbin, had gone mad and that the ship would vanish just as it approached him. The tapping of the space-telegrapher reassured him. "CALLING SPACE SHIP MARY LOU," the message rapped out, "CALLING SPACE SHIP MARY LOU." With trembling fingers that he could scarcely control, old Willard sent the answering message. "SPACE SHIP MARY LOU REPLYING. RECEIVED MESSAGE. THANK GOD!" He broke off, unable to continue. His heart was ready to burst within him and the tears of joy were already welling in his eyes. He listened to the happiest message he had ever heard: "NOTICE THAT SPACE SHIP MARY LOU IS DISABLED AND NOT SPACE WORTHY. YOU ARE INVITED TO COME ABOARD. HAVE YOU SPACE SUIT AND--ARE YOU ABLE TO COME?" Willard, already sobbing with joy, could send only two words. "YES! COMING!" The years of waiting were over. At last he was free of the _Mary Lou_. In a dream like trance, he dressed in his space suit, pathetically glad that he had already checked every detail of it a short time ago. He realized suddenly that everything about the _Mary Lou_ was hateful to him. It was here that his best friend died, and it was here that twenty years of his life were wasted completely in solitude and despair. He took one last look and stepped into the air-lock. The Earth-ship, he did not see its name, was only a hundred yards away and a man was already at the air-lock waiting to help him. A rope was tossed to him. He reached for it and made his way to the ship, leaving the _Mary Lou_ behind him forever. Suddenly the world dropped away from him. Willard could neither see nor say anything. His heart was choked with emotion. "It's all right," a kindly voice assured him, "You're safe now." He had the sensation of being carried by several men and then placed in bed. The quiet of deep sleep descended upon him. * * * * * He woke many times in the following days, but the privations of the passing years had drained his strength and his mind, had made him so much of a hermit that the presence of other men frightened him to the point of gibbering insanity. He knew that the food and drink were drugged, for after eating he never remembered seeing the men enter the room to care for him and to remove the dirty dishes. But there was enough sanity in his mind to also realize that, without the gradual reawakening of his senses to the value of human companionship, he might not be able to stand the mental shock of moving about among his people back on Earth. During those passing days, he savored each new impression, comparing it with what he remembered from that age-long past when he and his friends had walked on Earth's great plains and ridden on the oceans' sleek ships or flown with the wings of birds over the mountain ranges. And each impression was doubly enjoyable, for his memory was hazy and confused. Gradually, though, his mind cleared; he remembered the past, and he no longer was afraid of the men who visited him from time to time. But there was a strangeness about the men that he could not fathom; they refused to talk about anything, any subject, other than the actual running of the great ship. Always, when he asked his eager questions, they mumbled and drifted away. And then in his third week on the rescue ship, he went to sleep one night while peering from the port hole at the blue ball of Earth swimming in the blackness of space. He slept and he dreamed of the years he had spent by himself in the drifting, lifeless hulk of the _Mary Lou_. His dreams were vivid, peopled with men and women he had once known, and were horrible with the fantasies of terror that years of solitary brooding had implanted deep in his mind. * * * * * He awoke with a start and a cry of alarm ran through him as he thought that perhaps he might still be in the _Mary Lou_. The warm, smiling face of a man quickly reassured him. "I'll call the captain," the space man said. "He said to let him know when you came to." Willard could only nod in weak and grateful acceptance. It was true! He pressed his head back against the bed's pillows. How soft! How warm! He yawned and stretched his arms as a thrill of happiness shot through his entire body. He would see Earth again! That single thought ran over and over in his mind without stopping. He would see Earth again! Perhaps not this year and perhaps not the next--for the ship might be on some extra-Plutonian expedition. But even if it would take years before it returned to home base Willard knew that those years would fly quickly if Earth was at the end of the trail. Though he had aged, he still had many years before him. And those years, he vowed, would be spent on Earth and nowhere else. The captain, a pleasant old fellow, came into the room as Willard stood up and tried to walk. The gravity here was a bit different from that of his ship, but he would manage. "How do you feel, Space Man Willard?" "Oh, you know me?" Willard looked at him in surprise, and then smiled, "Of course, you looked through the log book of the _Mary Lou_." The captain nodded and Willard noticed with surprise that he was a very old man. "You don't know how much I suffered there," Willard said slowly, measuring each word. "Years in space--all alone! It's a horrible thing!" "Yes?" the old captain said. "Many times I thought I would go completely mad. It was only the thought and hope that some day, somehow, an Earth-ship would find me and help me get back to Earth. If it was not for that, I would have died. I could think of nothing but of Earth, of blue green water, of vast open spaces and the good brown earth. How beautiful it must be now!" A note of sadness, matched only by that of Willard's, entered the captain's eyes. "I want to walk on Earth just once--then I can die." Willard stopped. A happy dreamy smile touched his lips. "When will we go to Earth?" he asked. The Captain did not answer. Willard waited and a strange memory tugged at him. "You don't know," the Captain said. It was not a question or a statement. The Captain found it hard to say it. His lips moved slowly. Willard stepped back and before the Captain told him, _he knew_. "Matter is relative," he said, "the existent under one condition is non-existent under another. The real here is the non-real there. All things that wander alone in space are gradually drained of their mass and energy until nothing is left but mere shells. That is what happened to the _Mary Lou_. Your ship was real when we passed by twenty years ago. It is now like ours, a vague outline in space. We cannot feel the change ourselves, for change is relative. That is why we became more and more solid to you, as you became more and more faint to any Earth-ship that might have passed. We are real--to ourselves. But to some ship from Earth which has not been in space for more than fifteen years--to that ship, to all intents and purposes, we do not exist. "Then this ship," Willard said, stunned, "you and I and everything on it..." "... are doomed," the Captain said. "We cannot go to Earth for the simple reason that we would go _through_ it!" The vision of Earth and green trees faded. He would never see Earth again. He would never feel the crunch of ground under feet as he walked. Never would listen to the voices of friends and the songs of birds. Never. Never. Never.... "Then this is the Ghost Ship and we are the Ghosts!" "Yes." End of the Project Gutenberg EBook of Galactic Ghost, by Walter Kubilius *** END OF THIS PROJECT GUTENBERG EBOOK GALACTIC GHOST *** ***** This file should be named 62244.txt or 62244.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/2/2/4/62244/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.