The Project Gutenberg EBook of The Money Box, by W.W. Jacobs
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Money Box
Odd Craft, Part 1.
Author: W.W. Jacobs
Release Date: April 29, 2004 [EBook #12201]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE MONEY BOX ***
Produced by David Widger
ODD CRAFT
BY
W. W. JACOBS
1909
THE MONEY-BOX
Sailormen are not good 'ands at saving money as a rule, said the
night-watchman, as he wistfully toyed with a bad shilling on his
watch-chain, though to 'ear 'em talk of saving when they're at sea
and there isn't a pub within a thousand miles of 'em, you might think
different.
[Illustration: "Sailormen are not good 'ands at saving money as a rule."]
It ain't for the want of trying either with some of 'em, and I've known
men do all sorts o' things as soon as they was paid off, with a view to
saving. I knew one man as used to keep all but a shilling or two in a
belt next to 'is skin so that he couldn't get at it easy, but it was all
no good. He was always running short in the most inconvenient places.
I've seen 'im wriggle for five minutes right off, with a tramcar
conductor standing over 'im and the other people in the tram reading
their papers with one eye and watching him with the other.
Ginger Dick and Peter Russet--two men I've spoke of to you afore--tried
to save their money once. They'd got so sick and tired of spending it
all in p'r'aps a week or ten days arter coming ashore, and 'aving to go
to sea agin sooner than they 'ad intended, that they determined some way
or other to 'ave things different.
They was homeward bound on a steamer from Melbourne when they made their
minds up; and Isaac Lunn, the oldest fireman aboard--a very steady old
teetotaler--gave them a lot of good advice about it. They all wanted to
rejoin the ship when she sailed agin, and 'e offered to take a room
ashore with them and mind their money, giving 'em what 'e called a
moderate amount each day.
They would ha' laughed at any other man, but they knew that old Isaac was
as honest as could be and that their money would be safe with 'im, and at
last, after a lot of palaver, they wrote out a paper saying as they were
willing for 'im to 'ave their money and give it to 'em bit by bit, till
they went to sea agin.
Anybody but Ginger Dick and Peter Russet or a fool would ha' known better
than to do such a thing, but old Isaac 'ad got such a oily tongue and
seemed so fair-minded about wot 'e called moderate drinking that they
never thought wot they was letting themselves in for, and when they took
their pay--close on sixteen pounds each--they put the odd change in their
pockets and 'anded the rest over to him.
The first day they was as pleased as Punch. Old Isaac got a nice,
respectable bedroom for them all, and arter they'd 'ad a few drinks they
humoured 'im by 'aving a nice 'ot cup o' tea, and then goin' off with 'im
to see a magic-lantern performance.
It was called "The Drunkard's Downfall," and it begun with a young man
going into a nice-looking pub and being served by a nice-looking barmaid
with a glass of ale. Then it got on to 'arf pints and pints in the next
picture, and arter Ginger 'ad seen the lost young man put away six pints
in about 'arf a minute, 'e got such a raging thirst on 'im that 'e
couldn't sit still, and 'e whispered to Peter Russet to go out with 'im.
"You'll lose the best of it if you go now," ses old Isaac, in a whisper;
"in the next picture there's little frogs and devils sitting on the edge
of the pot as 'e goes to drink."
"Ginger Dick got up and nodded to Peter."
"Arter that 'e kills 'is mother with a razor," ses old Isaac, pleading
with 'im and 'olding on to 'is coat.
Ginger Dick sat down agin, and when the murder was over 'e said it made
'im feel faint, and 'im and Peter Russet went out for a breath of fresh
air. They 'ad three at the first place, and then they moved on to
another and forgot all about Isaac and the dissolving views until ten
o'clock, when Ginger, who 'ad been very liberal to some friends 'e'd made
in a pub, found 'e'd spent 'is last penny.
"This comes o' listening to a parcel o' teetotalers," 'e ses, very cross,
when 'e found that Peter 'ad spent all 'is money too. "Here we are just
beginning the evening and not a farthing in our pockets."
They went off 'ome in a very bad temper. Old Isaac was asleep in 'is
bed, and when they woke 'im up and said that they was going to take
charge of their money themselves 'e kept dropping off to sleep agin and
snoring that 'ard they could scarcely hear themselves speak. Then Peter
tipped Ginger a wink and pointed to Isaac's trousers, which were 'anging
over the foot of the bed.
Ginger Dick smiled and took 'em up softly, and Peter Russet smiled too;
but 'e wasn't best pleased to see old Isaac a-smiling in 'is sleep, as
though 'e was 'aving amusing dreams. All Ginger found was a ha'-penny, a
bunch o' keys, and a cough lozenge. In the coat and waistcoat 'e found a
few tracks folded up, a broken pen-knife, a ball of string, and some
other rubbish. Then 'e set down on the foot o' their bed and made eyes
over at Peter.
"Wake 'im up agin," ses Peter, in a temper.
Ginger Dick got up and, leaning over the bed, took old Isaac by the
shoulders and shook 'im as if 'e'd been a bottle o' medicine.
"Time to get up, lads?" ses old Isaac, putting one leg out o' bed.
"No, it ain't," ses Ginger, very rough; "we ain't been to bed yet. We
want our money back."
Isaac drew 'is leg back into bed agin. "Goo' night," he ses, and fell
fast asleep.
"He's shamming, that's wot 'e is," ses Peter Russet. "Let's look for it.
It must be in the room somewhere."
They turned the room upside down pretty near, and then Ginger Dick struck
a match and looked up the chimney, but all 'e found was that it 'adn't
been swept for about twenty years, and wot with temper and soot 'e looked
so frightful that Peter was arf afraid of 'im.
"I've 'ad enough of this," ses Ginger, running up to the bed and 'olding
his sooty fist under old Isaac's nose. "Now, then, where's that money?
If you don't give us our money, our 'ard-earned money, inside o' two
minutes, I'll break every bone in your body."
"This is wot comes o' trying to do you a favour, Ginger," ses the old
man, reproachfully.
"Don't talk to me," ses Ginger, "cos I won't have it. Come on; where is
it?"
Old Isaac looked at 'im, and then he gave a sigh and got up and put on
'is boots and 'is trousers.
"I thought I should 'ave a little trouble with you," he ses, slowly, "but
I was prepared for that."
"You'll 'ave more if you don't hurry up," ses Ginger, glaring at 'im.
"We don't want to 'urt you, Isaac," ses Peter Russet, "we on'y want our
money."
"I know that," ses Isaac; "you keep still, Peter, and see fair-play, and
I'll knock you silly arterwards."
He pushed some o' the things into a corner and then 'e spat on 'is 'ands,
and began to prance up and down, and duck 'is 'ead about and hit the air
in a way that surprised 'em.
"I ain't hit a man for five years," 'e ses, still dancing up and down--
"fighting's sinful except in a good cause--but afore I got a new 'art,
Ginger, I'd lick three men like you afore breakfast, just to git up a
appetite."
[Illustration: "I ain't hit a man for five years," 'e ses, still dancing
up and down."]
"Look, 'ere," ses Ginger; "you're an old man and I don't want to 'urt
you; tell us where our money is, our 'ard-earned money, and I won't lay a
finger on you."
"I'm taking care of it for you," ses the old man.
Ginger Dick gave a howl and rushed at him, and the next moment Isaac's
fist shot out and give 'im a drive that sent 'im spinning across the room
until 'e fell in a heap in the fireplace. It was like a kick from a
'orse, and Peter looked very serious as 'e picked 'im up and dusted 'im
down.
"You should keep your eye on 'is fist," he ses, sharply.
It was a silly thing to say, seeing that that was just wot 'ad 'appened,
and Ginger told 'im wot 'e'd do for 'im when 'e'd finished with Isaac.
He went at the old man agin, but 'e never 'ad a chance, and in about
three minutes 'e was very glad to let Peter 'elp 'im into bed.
"It's your turn to fight him now, Peter," he ses. "Just move this piller
so as I can see."
"Come on, lad," ses the old man.
Peter shook 'is 'ead. "I have no wish to 'urt you, Isaac," he ses,
kindly; "excitement like fighting is dangerous for an old man. Give us
our money and we'll say no more about it."
"No, my lads," ses Isaac. "I've undertook to take charge o' this money
and I'm going to do it; and I 'ope that when we all sign on aboard the
Planet there'll be a matter o' twelve pounds each left. Now, I don't
want to be 'arsh with you, but I'm going back to bed, and if I 'ave to
get up and dress agin you'll wish yourselves dead."
He went back to bed agin, and Peter, taking no notice of Ginger Dick, who
kept calling 'im a coward, got into bed alongside of Ginger and fell fast
asleep.
They all 'ad breakfast in a coffee-shop next morning, and arter it was
over Ginger, who 'adn't spoke a word till then, said that 'e and Peter
Russet wanted a little money to go on with. He said they preferred to
get their meals alone, as Isaac's face took their appetite away.
"Very good," ses the old man. "I don't want to force my company on
nobody," and after thinking 'ard for a minute or two he put 'is 'and in
'is trouser-pocket and gave them eighteen-pence each.
[Illustration: "'Wot's this for?' ses Ginger."]
"Wot's this for?" ses Ginger, staring at the money. "Matches?"
"That's your day's allowance," ses Isaac, "and it's plenty. There's
ninepence for your dinner, fourpence for your tea, and twopence for a
crust o' bread and cheese for supper. And if you must go and drown
yourselves in beer, that leaves threepence each to go and do it with."
Ginger tried to speak to 'im, but 'is feelings was too much for 'im, and
'e couldn't. Then Peter Russet swallered something 'e was going to say
and asked old Isaac very perlite to make it a quid for 'im because he was
going down to Colchester to see 'is mother, and 'e didn't want to go
empty-'anded.
"You're a good son, Peter," ses old Isaac, "and I wish there was more
like you. I'll come down with you, if you like; I've got nothing to do."
Peter said it was very kind of 'im, but 'e'd sooner go alone, owing to
his mother being very shy afore strangers.
"Well, I'll come down to the station and take a ticket for you," ses
Isaac.
Then Peter lost 'is temper altogether, and banged 'is fist on the table
and smashed 'arf the crockery. He asked Isaac whether 'e thought 'im and
Ginger Dick was a couple o' children, and 'e said if 'e didn't give 'em
all their money right away 'e'd give 'im in charge to the first policeman
they met.
"I'm afraid you didn't intend for to go and see your mother, Peter," ses
the old man.
"Look 'ere," ses Peter, "are you going to give us that money?"
"Not if you went down on your bended knees," ses the old man.
"Very good," says Peter, getting up and walking outside; "then come along
o' me to find a police-man."
"I'm agreeable," ses Isaac, "but I've got the paper you signed."
Peter said 'e didn't care twopence if 'e'd got fifty papers, and they
walked along looking for a police-man, which was a very unusual thing for
them to do.
"I 'ope for your sakes it won't be the same police-man that you and
Ginger Dick set on in Gun Alley the night afore you shipped on the
Planet," ses Isaac, pursing up 'is lips.
"'Tain't likely to be," ses Peter, beginning to wish 'e 'adn't been so
free with 'is tongue.
"Still, if I tell 'im, I dessay he'll soon find 'im," ses Isaac; "there's
one coming along now, Peter; shall I stop 'im?"
Peter Russet looked at 'im and then he looked at Ginger, and they walked
by grinding their teeth. They stuck to Isaac all day, trying to get
their money out of 'im, and the names they called 'im was a surprise even
to themselves. And at night they turned the room topsy-turvy agin
looking for their money and 'ad more unpleasantness when they wanted
Isaac to get up and let 'em search the bed.
They 'ad breakfast together agin next morning and Ginger tried another
tack. He spoke quite nice to Isaac, and 'ad three large cups o' tea to
show 'im 'ow 'e was beginning to like it, and when the old man gave 'em
their eighteen-pences 'e smiled and said 'e'd like a few shillings extra
that day.
"It'll be all right, Isaac," he ses. "I wouldn't 'ave a drink if you
asked me to. Don't seem to care for it now. I was saying so to you on'y
last night, wasn't I, Peter?"
"You was," ses Peter; "so was I."
"Then I've done you good, Ginger," ses Isaac, clapping 'im on the back.
"You 'ave," ses Ginger, speaking between his teeth, "and I thank you for
it. I don't want drink; but I thought o' going to a music-'all this
evening."
"Going to wot?" ses old Isaac, drawing 'imself up and looking very
shocked.
"A music-'all," ses Ginger, trying to keep 'is temper.
"A music-'all," ses Isaac; "why, it's worse than a pub, Ginger. I should
be a very poor friend o' yours if I let you go there--I couldn't think of
it."
"Wot's it got to do with you, you gray-whiskered serpent?" screams
Ginger, arf mad with rage. "Why don't you leave us alone? Why don't you
mind your own business? It's our money."
Isaac tried to talk to 'im, but 'e wouldn't listen, and he made such a
fuss that at last the coffee-shop keeper told 'im to go outside. Peter
follered 'im out, and being very upset they went and spent their day's
allowance in the first hour, and then they walked about the streets
quarrelling as to the death they'd like old Isaac to 'ave when 'is time
came.
They went back to their lodgings at dinner-time; but there was no sign of
the old man, and, being 'ungry and thirsty, they took all their spare
clothes to a pawnbroker and got enough money to go on with. Just to show
their independence they went to two music-'ails, and with a sort of idea
that they was doing Isaac a bad turn they spent every farthing afore they
got 'ome, and sat up in bed telling 'im about the spree they'd 'ad.
At five o'clock in the morning Peter woke up and saw, to 'is surprise,
that Ginger Dick was dressed and carefully folding up old Isaac's
clothes. At first 'e thought that Ginger 'ad gone mad, taking care of
the old man's things like that, but afore 'e could speak Ginger noticed
that 'e was awake, and stepped over to 'im and whispered to 'im to dress
without making a noise. Peter did as 'e was told, and, more puzzled than
ever, saw Ginger make up all the old man's clothes in a bundle and creep
out of the room on tiptoe.
"Going to 'ide 'is clothes?" 'e ses.
"Yes," ses Ginger, leading the way downstairs; "in a pawnshop. We'll
make the old man pay for to-day's amusements."
Then Peter see the joke and 'e begun to laugh so 'ard that Ginger 'ad to
threaten to knock 'is head off to quiet 'im. Ginger laughed 'imself when
they got outside, and at last, arter walking about till the shops opened,
they got into a pawnbroker's and put old Isaac's clothes up for fifteen
shillings.
[Illustration: "They put old Isaac's clothes up for fifteen shillings."]
First thing they did was to 'ave a good breakfast, and after that they
came out smiling all over and began to spend a 'appy day. Ginger was in
tip-top spirits and so was Peter, and the idea that old Isaac was in bed
while they was drinking 'is clothes pleased them more than anything.
Twice that evening policemen spoke to Ginger for dancing on the pavement,
and by the time the money was spent it took Peter all 'is time to get 'im
'ome.
Old Isaac was in bed when they got there, and the temper 'e was in was
shocking; but Ginger sat on 'is bed and smiled at 'im as if 'e was saying
compliments to 'im.
"Where's my clothes?" ses the old man, shaking 'is fist at the two of
'em.
Ginger smiled at 'im; then 'e shut 'is eyes and dropped off to sleep.
"Where's my clothes?" ses Isaac, turning to Peter. "Closhe?" ses Peter,
staring at 'im.
"Where are they?" ses Isaac.
It was a long time afore Peter could understand wot 'e meant, but as soon
as 'e did 'e started to look for 'em. Drink takes people in different
ways, and the way it always took Peter was to make 'im one o' the most
obliging men that ever lived. He spent arf the night crawling about on
all fours looking for the clothes, and four or five times old Isaac woke
up from dreams of earthquakes to find Peter 'ad got jammed under 'is bed,
and was wondering what 'ad 'appened to 'im.
None of 'em was in the best o' tempers when they woke up next morning,
and Ginger 'ad 'ardly got 'is eyes open before Isaac was asking 'im about
'is clothes agin.
"Don't bother me about your clothes," ses Ginger; "talk about something
else for a change."
"Where are they?" ses Isaac, sitting on the edge of 'is bed.
Ginger yawned and felt in 'is waistcoat pocket--for neither of 'em 'ad
undressed--and then 'e took the pawn-ticket out and threw it on the
floor. Isaac picked it up, and then 'e began to dance about the room as
if 'e'd gone mad.
"Do you mean to tell me you've pawned my clothes?" he shouts.
"Me and Peter did," ses Ginger, sitting up in bed and getting ready for a
row.
Isaac dropped on the bed agin all of a 'cap. "And wot am I to do?" he
ses.
"If you be'ave yourself," ses Ginger, "and give us our money, me and
Peter'll go and get 'em out agin. When we've 'ad breakfast, that is.
There's no hurry."
"But I 'aven't got the money," ses Isaac; "it was all sewn up in the
lining of the coat. I've on'y got about five shillings. You've made a
nice mess of it, Ginger, you 'ave."
"You're a silly fool, Ginger, that's wot you are," ses Peter.
"Sewn up in the lining of the coat?" ses Ginger, staring.
"The bank-notes was," ses Isaac, "and three pounds in gold 'idden in the
cap. Did you pawn that too?"
Ginger got up in 'is excitement and walked up and down the room. "We
must go and get 'em out at once," he ses.
"And where's the money to do it with?" ses Peter.
Ginger 'adn't thought of that, and it struck 'im all of a heap. None of
'em seemed to be able to think of a way of getting the other ten
shillings wot was wanted, and Ginger was so upset that 'e took no notice
of the things Peter kept saying to 'im.
"Let's go and ask to see 'em, and say we left a railway-ticket in the
pocket," ses Peter.
Isaac shook 'is 'ead. "There's on'y one way to do it," he ses. "We
shall 'ave to pawn your clothes, Ginger, to get mine out with."
"That's the on'y way, Ginger," ses Peter, brightening up. "Now, wot's
the good o' carrying on like that? It's no worse for you to be without
your clothes for a little while than it was for pore old Isaac."
It took 'em quite arf an hour afore they could get Ginger to see it.
First of all 'e wanted Peter's clothes to be took instead of 'is, and
when Peter pointed out that they was too shabby to fetch ten shillings
'e 'ad a lot o' nasty things to say about wearing such old rags, and at
last, in a terrible temper, 'e took 'is clothes off and pitched 'em in a
'eap on the floor.
"If you ain't back in arf an hour, Peter," 'e ses, scowling at 'im,
"you'll 'ear from me, I can tell you."
"Don't you worry about that," ses Isaac, with a smile. "I'm going to
take 'em."
"You?" ses Ginger; "but you can't. You ain't got no clothes."
"I'm going to wear Peter's," ses Isaac, with a smile.
Peter asked 'im to listen to reason, but it was all no good. He'd got
the pawn-ticket, and at last Peter, forgetting all he'd said to Ginger
Dick about using bad langwidge, took 'is clothes off, one by one, and
dashed 'em on the floor, and told Isaac some of the things 'e thought of
'im.
The old man didn't take any notice of 'im. He dressed 'imself up very
slow and careful in Peter's clothes, and then 'e drove 'em nearly crazy
by wasting time making 'is bed.
"Be as quick as you can, Isaac," ses Ginger, at last; "think of us two
a-sitting 'ere waiting for you."
"I sha'n't forget it," ses Isaac, and 'e came back to the door after 'e'd
gone arf-way down the stairs to ask 'em not to go out on the drink while
'e was away.
It was nine o'clock when he went, and at ha'-past nine Ginger began to
get impatient and wondered wot 'ad 'appened to 'im, and when ten o'clock
came and no Isaac they was both leaning out of the winder with blankets
over their shoulders looking up the road. By eleven o'clock Peter was in
very low spirits and Ginger was so mad 'e was afraid to speak to 'im.
They spent the rest o' that day 'anging out of the winder, but it was not
till ha'-past four in the after-noon that Isaac, still wearing Peter's
clothes and carrying a couple of large green plants under 'is arm, turned
into the road, and from the way 'e was smiling they thought it must be
all right.
"Wot 'ave you been such a long time for?" ses Ginger, in a low, fierce
voice, as Isaac stopped underneath the winder and nodded up to 'em.
"I met a old friend," ses Isaac.
"Met a old friend?" ses Ginger, in a passion. "Wot d'ye mean, wasting
time like that while we was sitting up 'ere waiting and starving?"
"I 'adn't seen 'im for years," ses Isaac, "and time slipped away afore I
noticed it."
"I dessay," ses Ginger, in a bitter voice. "Well, is the money all
right?"
"I don't know," ses Isaac; "I ain't got the clothes."
"Wot?" ses Ginger, nearly falling out of the winder. "Well, wot 'ave
you done with mine, then? Where are they? Come upstairs."
"I won't come upstairs, Ginger," ses Isaac, "because I'm not quite sure
whether I've done right. But I'm not used to going into pawnshops, and I
walked about trying to make up my mind to go in and couldn't."
"Well, wot did you do then?" ses Ginger, 'ardly able to contain hisself.
"While I was trying to make up my mind," ses old Isaac, "I see a man with
a barrer of lovely plants. 'E wasn't asking money for 'em, only old
clothes."
"Old clothes?" ses Ginger, in a voice as if 'e was being suffocated.
"I thought they'd be a bit o' green for you to look at," ses the old man,
'olding the plants up; "there's no knowing 'ow long you'll be up there.
The big one is yours, Ginger, and the other is for Peter."
"'Ave you gone mad, Isaac?" ses Peter, in a trembling voice, arter
Ginger 'ad tried to speak and couldn't.
Isaac shook 'is 'ead and smiled up at 'em, and then, arter telling Peter
to put Ginger's blanket a little more round 'is shoulders, for fear 'e
should catch cold, 'e said 'e'd ask the landlady to send 'em up some
bread and butter and a cup o' tea.
They 'eard 'im talking to the landlady at the door, and then 'e went off
in a hurry without looking behind 'im, and the landlady walked up and
down on the other side of the road with 'er apron stuffed in 'er mouth,
pretending to be looking at 'er chimney-pots.
Isaac didn't turn up at all that night, and by next morning those two
unfortunate men see 'ow they'd been done. It was quite plain to them
that Isaac 'ad been deceiving them, and Peter was pretty certain that 'e
took the money out of the bed while 'e was fussing about making it. Old
Isaac kept 'em there for three days, sending 'em in their clothes bit by
bit and two shillings a day to live on; but they didn't set eyes on 'im
agin until they all signed on aboard the Planet, and they didn't set eyes
on their money until they was two miles below Gravesend.
[Illustration: "Old Isaac kept 'em there for three days."]
End of the Project Gutenberg EBook of The Money Box, by W.W. Jacobs
*** END OF THIS PROJECT GUTENBERG EBOOK THE MONEY BOX ***
***** This file should be named 12201.txt or 12201.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/2/2/0/12201/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
https://www.gutenberg.org/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
https://www.gutenberg.org/1/0/2/3/10234
or filename 24689 would be found at:
https://www.gutenberg.org/2/4/6/8/24689
An alternative method of locating eBooks:
https://www.gutenberg.org/GUTINDEX.ALL
