Four Pigeons

By W. W. Jacobs

The Project Gutenberg EBook of Four Pigeons, by W.W. Jacobs

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Four Pigeons
       Captains All, Book 7.

Author: W.W. Jacobs

Release Date: February 20, 2004 [EBook #11187]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK FOUR PIGEONS ***




Produced by David Widger




CAPTAINS ALL

By W.W. Jacobs



THE FOUR PIGEONS

[Illustration: "The Four Pigeons."]

The old man took up his mug and shifted along the bench until he was in
the shade of the elms that stood before the _Cauliflower_.  The action also
had the advantage of bringing him opposite the two strangers who were
refreshing themselves after the toils of a long walk in the sun.

"My hearing ain't wot it used to be," he said, tremulously.  "When you
asked me to have a mug o' ale I 'ardly heard you; and if you was to ask
me to 'ave another, I mightn't hear you at all."

One of the men nodded.

"Not over there," piped the old man.  "That's why I come over here," he
added, after a pause.  "It 'ud be rude like to take no notice; if you was
to ask me."

He looked round as the landlord approached, and pushed his mug gently in
his direction.  The landlord, obeying a nod from the second stranger,
filled it.

"It puts life into me," said the old man, raising it to his lips and
bowing.  "It makes me talk."

"Time we were moving, Jack," said the first traveller.  The second,
assenting to this as an abstract proposition, expressed, however, a
determination to finish his pipe first.

I heard you saying something about shooting, continued the old man, and
that reminds me of some shooting we 'ad here once in Claybury.  We've
always 'ad a lot o' game in these parts, and if it wasn't for a low,
poaching fellow named Bob Pretty--Claybury's disgrace I call 'im--we'd
'ave a lot more.

It happened in this way.  Squire Rockett was going abroad to foreign
parts for a year, and he let the Hall to a gentleman from London named
Sutton.  A real gentleman 'e was, open-'anded and free, and just about
October he 'ad a lot of 'is friends come down from London to 'elp 'im
kill the pheasants.

The first day they frightened more than they killed, but they enjoyed
theirselves all right until one gentleman, who 'adn't shot a single thing
all day, shot pore Bill Chambers wot was beating with about a dozen more.

Bill got most of it in the shoulder and a little in the cheek, but the
row he see fit to make you'd ha' thought he'd been killed.  He laid on
the ground groaning with 'is eyes shut, and everybody thought 'e was
dying till Henery Walker stooped down and asked 'im whether 'e was hurt.

It took four men to carry Bill 'ome, and he was that particular you
wouldn't believe.  They 'ad to talk in whispers, and when Peter Gubbins
forgot 'imself and began to whistle he asked him where his 'art was.
When they walked fast he said they jolted 'im, and when they walked slow
'e asked 'em whether they'd gone to sleep or wot.

Bill was in bed for nearly a week, but the gentleman was very nice about
it and said that it was his fault.  He was a very pleasant-spoken
gentleman, and, arter sending Dr. Green to him and saying he'd pay the
bill, 'e gave Bill Chambers ten pounds to make up for 'is sufferings.

Bill 'ad intended to lay up for another week, and the doctor, wot 'ad
been calling twice a day, said he wouldn't be responsible for 'is life if
he didn't; but the ten pounds was too much for 'im, and one evening, just
a week arter the accident, he turned up at this _Cauliflower_ public-'ouse
and began to spend 'is money.

His face was bandaged up, and when 'e come in he walked feeble-like and
spoke in a faint sort o' voice.  Smith, the landlord, got 'im a
easy-chair and a couple of pillers out o' the parlour, and Bill sat there
like a king, telling us all his sufferings and wot it felt like to be
shot.

I always have said wot a good thing beer is, and it done Bill more good
than doctor's medicine.  When he came in he could 'ardly crawl, and at
nine o'clock 'e was out of the easy-chair and dancing on the table as
well as possible.  He smashed three mugs and upset about two pints o'
beer, but he just put his 'and in his pocket and paid for 'em without a
word.

"There's plenty more where that came from," he ses, pulling out a handful
o' money.

Peter Gubbins looked at it, 'ardly able to speak.  "It's worth while
being shot to 'ave all that money," he ses, at last.

"Don't you worry yourself, Peter," ses Bob Pretty; "there's plenty more
of you as'll be shot afore them gentlemen at the Hall 'as finished.
Bill's the fust, but 'e won't be the last--not by a long chalk."

"They're more careful now," ses Dicky Weed, the tailor.

"All right; 'ave it your own way," ses Bob, nasty-like.  "I don't know
much about shooting, being on'y a pore labourin' man.  All I know is I
shouldn't like to go beating for them.  I'm too fond o' my wife and
family."

"There won't be no more shot," ses Sam Jones.

"We're too careful," ses Peter Gubbins.

"Bob Pretty don't know everything," ses Dicky Weed.

"I'll bet you what you like there'll be some more of you shot," ses Bob
Pretty, in a temper.  "Now, then."

"'Ow much'll you bet, Bob," ses Sam Jones, with a wink at the others.
"I can see you winking, Sam Jones," ses Bob Pretty, "but I'll do more
than bet.  The last bet I won is still owing to me.  Now, look 'ere; I'll
pay you sixpence a week all the time you're beating if you promise to
give me arf of wot you get if you're shot.  I can't say fairer than
that."

"Will you give me sixpence a week, too?" ses Henery Walker, jumping up.

"I will," ses Bob; "and anybody else that likes.  And wot's more, I'll
pay in advance.  Fust sixpences now."

Claybury men 'ave never been backward when there's been money to be made
easy, and they all wanted to join Bob Pretty's club, as he called it.
But fust of all 'e asked for a pen and ink, and then he got Smith, the
land-lord, being a scholard, to write out a paper for them to sign.
Henery Walker was the fust to write 'is name, and then Sam Jones, Peter
Gubbins, Ralph Thomson, Jem Hall, and Walter Bell wrote theirs.  Bob
stopped 'em then, and said six 'ud be enough to go on with; and then 'e
paid up the sixpences and wished 'em luck.

Wot they liked a'most as well as the sixpences was the idea o' getting
the better o' Bob Pretty.  As I said afore, he was a poacher, and that
artful that up to that time nobody 'ad ever got the better of 'im.

They made so much fun of 'im the next night that Bob turned sulky and
went off 'ome, and for two or three nights he 'ardly showed his face; and
the next shoot they 'ad he went off to Wickham and nobody saw 'im all
day.

That very day Henery Walker was shot.  Several gentlemen fired at a
rabbit that was started, and the next thing they knew Henery Walker was
lying on the ground calling out that 'is leg 'ad been shot off.

He made more fuss than Bill Chambers a'most, 'specially when they dropped
'im off a hurdle carrying him 'ome, and the things he said to Dr. Green
for rubbing his 'ands as he came into the bedroom was disgraceful.

The fust Bob Pretty 'eard of it was up at the _Cauliflower_ at eight
o'clock that evening, and he set down 'is beer and set off to see Henery
as fast as 'is legs could carry 'im.  Henery was asleep when 'e got
there, and, do all he could, Bob Pretty couldn't wake 'im till he sat
down gentle on 'is bad leg.

[Illustration: "The fust Bob Pretty 'eard of it was up at the
_Cauliflower_ at eight o'clock that evening."]

"It's on'y me, old pal," he ses, smiling at 'im as Henery woke up and
shouted at 'im to get up.

Henery Walker was going to say something bad, but 'e thought better of
it, and he lay there arf busting with rage, and watching Bob out of the
corner of one eye.

"I quite forgot you was on my club till Smith reminded me of it," ses
Bob.  "Don't you take a farthing less than ten pounds, Henery."

Henery Walker shut his eyes again.  "I forgot to tell you I made up my
mind this morning not to belong to your club any more, Bob," he ses.

"Why didn't you come and tell me, Henery, instead of leaving it till it
was too late?" ses Bob, shaking his 'ead at 'im.

"I shall want all that money," ses Henery in a weak voice.  "I might 'ave
to have a wooden leg, Bob."

"Don't meet troubles arf way, Henery," ses Bob, in a kind voice.  "I've
no doubt Mr. Sutton'll throw in a wooden leg if you want it, and look
here, if he does, I won't trouble you for my arf of it."

He said good-night to Henery and went off, and when Mrs. Walker went up
to see 'ow Henery was getting on he was carrying on that alarming that
she couldn't do nothing with 'im.

He was laid up for over a week, though it's my opinion he wasn't much
hurt, and the trouble was that nobody knew which gentleman 'ad shot 'im.
Mr. Sutton talked it over with them, and at last, arter a good deal o'
trouble, and Henery pulling up 'is trousers and showing them 'is leg till
they was fair sick of the sight of it, they paid 'im ten pounds, the same
as they 'ad Bill.

It took Bob Pretty two days to get his arf, but he kept very quiet about
it, not wishing to make a fuss in the village for fear Mr. Sutton should
get to hear of the club.  At last he told Henery Walker that 'e was going
to Wickham to see 'is lawyer about it, and arter Smith the landlord 'ad
read the paper to Henery and explained 'ow he'd very likely 'ave to pay
more than the whole ten pounds then, 'e gave Bob his arf and said he
never wanted to see 'im again as long as he lived.

Bob stood treat up at the _Cauliflower_ that night, and said 'ow bad he'd
been treated.  The tears stood in 'is eyes a'most, and at last 'e said
that if 'e thought there was going to be any more fuss of that kind he'd
wind up the club.

"It's the best thing you can do," ses Sam Jones; "I'm not going to belong
to it any longer, so I give you notice.  If so be as I get shot I want
the money for myself."

"Me, too," ses Peter Gubbins; "it 'ud fair break my 'art to give Bob
Pretty five pounds.  I'd sooner give it to my wife."

All the other chaps said the same thing, but Bob pointed out to them that
they 'ad taken their sixpences on'y the night afore, and they must stay
in for the week.  He said that was the law.  Some of 'em talked about
giving 'im 'is sixpences back, but Bob said if they did they must pay up
all the sixpences they had 'ad for three weeks.  The end of it was they
said they'd stay in for that week and not a moment longer.

The next day Sam Jones and Peter Gubbins altered their minds.  Sam found
a couple o' shillings that his wife 'ad hidden in her Sunday bonnet, and
Peter Gubbins opened 'is boy's money-box to see 'ow much there was in it.
They came up to the _Cauliflower_ to pay Bob their eighteen-pences, but he
wasn't there, and when they went to his 'ouse Mrs. Pretty said as 'ow
he'd gone off to Wickham and wouldn't be back till Saturday.  So they 'ad
to spend the money on beer instead.

That was on Tuesday, and things went on all right till Friday, when Mr.
Sutton 'ad another shoot.  The birds was getting scarce and the gentlemen
that anxious to shoot them there was no 'olding them.  Once or twice the
keepers spoke to 'em about carefulness, and said wot large families
they'd got, but it wasn't much good.  They went on blazing away, and just
at the corner of the wood Sam Jones and Peter Gubbins was both hit; Sam
in the leg and Peter in the arm.

The noise that was made was awful--everybody shouting that they 'adn't
done it, and all speaking at once, and Mr. Sutton was dancing about
a'most beside 'imself with rage.  Pore Sam and Peter was 'elped along by
the others; Sam being carried and Peter led, and both of 'em with the
idea of getting all they could out of it, making such 'orrible noises
that Mr. Sutton couldn't hear 'imself calling his friends names.

"There seems to be wounded men calling out all over the place," he ses,
in a temper.

"I think there is another one over there, sir," ses one o' the keepers,
pointing.

Sam Jones and Peter Gubbins both left off to listen, and then they all
heard it distinctly.  A dreadful noise it was, and when Mr. Sutton and
one or two more follered it up they found poor Walter Bell lying on 'is
face in a bramble.

"Wot's the matter?" ses Mr. Sutton, shouting at 'im.

"I've been shot from behind," ses Walter.  "I'd got something in my boot,
and I was just stooping down to fasten it up agin when I got it.

"But there oughtn't to be anybody 'ere," ses Mr. Sutton to one of the
keepers.

"They get all over the place, sir," ses the 'keeper, scratching his 'ead.
"I fancied I 'eard a gun go off here a minute or two arter the others was
shot."

"I believe he's done it 'imself," says Mr. Sutton, stamping his foot.

"I don't see 'ow he could, sir," ses the keeper, touching his cap and
looking at Walter as was still lying with 'is face on 'is arms.

They carried Walter 'ome that way on a hurdle, and Dr. Green spent all
the rest o' that day picking shots out o' them three men and telling 'em
to keep still.  He 'ad to do Sam Jones by candle-light, with Mrs. Jones
'olding the candle with one hand and crying with the other.  Twice the
doctor told her to keep it steady, and poor Sam 'ad only just passed the
remark, "How 'ot it was for October," when they discovered that the bed
was on fire.  The doctor said that Sam was no trouble.  He got off of the
bed by 'imself, and, when it was all over and the fire put out, the
doctor found him sitting on the stairs with the leg of a broken chair in
'is hand calling for 'is wife.

Of course, there was a terrible to-do about it in Claybury, and up at the
Hall, too.  All of the gentlemen said as 'ow they hadn't done it, and Mr.
Sutton was arf crazy with rage.  He said that they 'ad made 'im the
laughing-stock of the neighbourhood, and that they oughtn't to shoot with
anything but pop-guns.  They got to such high words over it that two of
the gentlemen went off 'ome that very night.

There was a lot of talk up at the _Cauliflower,_ too, and more than one
pointed out 'ow lucky Bob Pretty was in getting four men out of the six
in his club.  As I said afore, Bob was away at the time, but he came back
the next night and we 'ad the biggest row here you could wish for to see.

Henery Walker began it.  "I s'pose you've 'eard the dreadful news, Bob
Pretty?" he ses, looking at 'im.

"I 'ave," ses Bob; "and my 'art bled for 'em.  I told you wot those
gentlemen was like, didn't I?  But none of you would believe me.  Now you
can see as I was right."

"It's very strange," ses Henery Walker, looking round; "it's very strange
that all of us wot's been shot belonged to Bob Pretty's precious club."

"It's my luck, Henery," ses Bob, "always was lucky from a child."

"And I s'pose you think you're going to 'ave arf of the money they get?"
ses Henery Walker.

"Don't talk about money while them pore chaps is suffering," ses Bob.
"I'm surprised at you, Henery."

"You won't 'ave a farthing of it," ses Henery Walker; "and wot's more,
Bob Pretty, I'm going to 'ave my five pounds back."

"Don't you believe it, Henery," ses Bob, smiling at 'im.

"I'm going to 'ave my five pounds back," ses Henery, "and you know why.
I know wot your club was for now, and we was all a pack o' silly fools
not to see it afore."

"Speak for yourself, Henery," ses John Biggs, who thought Henery was
looking at 'im.

"I've been putting two and two together," ses Henery, looking round, "and
it's as plain as the nose on your face.  Bob Pretty hid up in the wood
and shot us all himself!"

For a moment you might 'ave heard a pin drop, and then there was such a
noise nobody could hear theirselves speak.  Everybody was shouting his
'ardest, and the on'y quiet one there was Bob Pretty 'imself.

"Poor Henery; he's gorn mad," he ses, shaking his 'ead.

"You're a murderer," ses Ralph Thomson, shaking 'is fist at him.

"Henery Walker's gorn mad," ses Bob agin.  "Why, I ain't been near the
place.  There's a dozen men'll swear that I was at Wickham each time
these misfortunate accidents 'appened."

"Men like you, they'd swear anything for a pot o' beer," ses Henery.
"But I'm not going to waste time talking to you, Bob Pretty.  I'm going
straight off to tell Mr. Sutton."

"I shouldn't do that if I was you, Henery," ses Bob.

"I dessay," ses Henery Walker; "but then you see I am."

"I thought you'd gorn mad, Henery," ses Bob, taking a drink o' beer that
somebody 'ad left on the table by mistake, "and now I'm sure of it.  Why,
if you tell Mr. Sutton that it wasn't his friends that shot them pore
fellers he won't pay them anything.  'Tain't likely 'e would, is it?"

Henery Walker, wot 'ad been standing up looking fierce at 'im, sat down
agin, struck all of a heap.

"And he might want your ten pounds back, Henery," said Bob in a soft
voice.  "And seeing as 'ow you was kind enough to give five to me, and
spent most of the other, it 'ud come 'ard on you, wouldn't it?  Always
think afore you speak, Henery.  I always do."

Henery Walker got up and tried to speak, but 'e couldn't, and he didn't
get 'is breath back till Bob said it was plain to see that he 'adn't got
a word to say for 'imself.  Then he shook 'is fist at Bob and called 'im
a low, thieving, poaching murderer.

"You're not yourself, Henery," ses Bob.  "When you come round you'll be
sorry for trying to take away the character of a pore labourin' man with
a ailing wife and a large family.  But if you take my advice you won't
say anything more about your wicked ideas; if you do, these pore fellers
won't get a farthing.  And you'd better keep quiet about the club mates
for their sakes.  Other people might get the same crazy ideas in their
silly 'eads as Henery.  Keepers especially."

That was on'y common sense; but, as John Biggs said, it did seem 'ard to
think as 'ow Bob Pretty should be allowed to get off scot-free, and with
Henery Walker's five pounds too.  "There's one thing," he ses to Bob;
"you won't 'ave any of these other pore chaps money; and, if they're men,
they ought to make it up to Henery Walker for the money he 'as saved 'em
by finding you out."

"They've got to pay me fust," ses Bob.  "I'm a pore man, but I'll stick
up for my rights.  As for me shooting 'em, they'd ha' been 'urt a good
deal more if I'd done it--especially Mr. Henery Walker.  Why, they're
hardly 'urt at all."

"Don't answer 'im, Henery," ses John Biggs.  "You save your breath to go
and tell Sam Jones and the others about it.  It'll cheer 'em up."

"And tell 'em about my arf, in case they get too cheerful and go
overdoing it," ses Bob Pretty, stopping at the door.  "Good-night all."

Nobody answered 'im; and arter waiting a little bit Henery Walker set off
to see Sam Jones and the others.  John Biggs was quite right about its
making 'em cheerful, but they see as plain as Bob 'imself that it 'ad got
to be kept quiet.  "Till we've spent the money, at any rate," ses Walter
Bell; "then p'r'aps Mr. Sutton might get Bob locked up for it."

Mr. Sutton went down to see 'em all a day or two afterwards.  The
shooting-party was broken up and gone 'ome, but they left some money
behind 'em.  Ten pounds each they was to 'ave, same as the others, but
Mr. Sutton said that he 'ad heard 'ow the other money was wasted at the
_Cauliflower,_ and 'e was going to give it out to 'em ten shillings a
week until the money was gorn.  He 'ad to say it over and over agin afore
they understood 'im, and Walter Bell 'ad to stuff the bedclo'es in 'is
mouth to keep civil.

Peter Gubbins, with 'is arm tied up in a sling, was the fust one to turn
up at the _Cauliflower,_ and he was that down-'arted about it we couldn't
do nothing with 'im.  He 'ad expected to be able to pull out ten golden
sovereigns, and the disapp'intment was too much for 'im.

"I wonder 'ow they heard about it," ses Dicky Weed.

"I can tell you," ses Bob Pretty, wot 'ad been sitting up in a corner by
himself, nodding and smiling at Peter, wot wouldn't look at 'im.  "A
friend o' mine at Wickham wrote to him about it.  He was so disgusted at
the way Bill Chambers and Henery Walker come up 'ere wasting their
'ard-earned money, that he sent 'im a letter, signed 'A Friend of the
Working Man,' telling 'im about it and advising 'im what to do."

"A friend o' yours?" ses John Biggs, staring at 'im.  "What for?"

"I don't know," ses Bob; "he's a wunnerful good scholard, and he likes
writin' letters.  He's going to write another to-morrer, unless I go over
and stop 'im."

"Another?" ses Peter, who 'ad been tellin' everybody that 'e wouldn't
speak to 'im agin as long as he lived.  "Wot about?"

"About the idea that I shot you all," ses Bob.  "I want my character
cleared.  O' course, they can't prove anything against me--I've got my
witnesses.  But, taking one thing with another, I see now that it does
look suspicious, and I don't suppose any of you'll get any more of your
money.  Mr. Sutton is so sick o' being laughed at, he'll jump at
anything."

"You dursn't do it, Bob," ses Peter, all of a tremble.

"It ain't me, Peter, old pal," ses Bob, "it's my friend.  But I don't
mind stopping 'im for the sake of old times if I get my arf.  He'd listen
to me, I feel sure."

At fust Peter said he wouldn't get a farthing out of 'im if his friend
wrote letters till Dooms-day; but by-and-by he thought better of it, and
asked Bob to stay there while he went down to see Sam and Walter about
it.  When 'e came back he'd got the fust week's money for Bob Pretty; but
he said he left Walter Bell carrying on like a madman, and, as for Sam
Jones, he was that upset 'e didn't believe he'd last out the night.





End of the Project Gutenberg EBook of Four Pigeons, by W.W. Jacobs

*** END OF THIS PROJECT GUTENBERG EBOOK FOUR PIGEONS ***

***** This file should be named 11187.txt or 11187.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/1/1/8/11187/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

     https://www.gutenberg.org/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

     https://www.gutenberg.org/1/0/2/3/10234

or filename 24689 would be found at:
     https://www.gutenberg.org/2/4/6/8/24689

An alternative method of locating eBooks:
     https://www.gutenberg.org/GUTINDEX.ALL