The proof

By W. C. Tuttle

The Project Gutenberg eBook of The proof
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The proof

Author: W. C. Tuttle


        
Release date: July 27, 2026 [eBook #79194]

Language: English

Original publication: New York, NY: The Butterick Publishing Company, 1929

Other information and formats: www.gutenberg.org/ebooks/79194

Credits: Prepared by volunteers at BookCove (bookcove.net)


*** START OF THE PROJECT GUTENBERG EBOOK THE PROOF ***


                               THE PROOF

                              W. C. Tuttle
        tells a moving little story of a wanderer who came home


At first glance you would have said the man was sixty. A closer
inspection, and you would have said seventy, perhaps. As a matter of
fact, he was forty. Tall, lean jawed, with a deeply lined face, hair as
gray as a December rabbit, a decided sag to his lean shoulders.

He wore a faded old mackinaw coat over a faded shirt, Oregon pants, old
sheepskin chaps, worn high heel boots, and atop his gray head was a
floppy old Stetson, smoke and weather stained to a greenish hue.

A tough-looking customer was Wanderin’ Jones, known up and down the
cattle country as a salty old sinner who never smiled. Wanderin’ never
stayed long in one place. He was a good cow hand, honest as the
proverbial dollar, silent as a clam. The bunkhouse and camp-fire had
never heard his story, because he never told it.

Just now he was sitting in a saloon, humped near the stove. There were
only two other men in the place; the bartender and a young cowboy,
flushed of face, drinking raw liquor, talking excitedly, vehemently.
Wanderin’ could not hear what was said, but he knew the cowboy was
working up a rage against somebody. He had seen the same thing done
plenty of times. Sometimes it had meant a killing.

The young cowboy went out on unsteady legs; the bartender smiled grimly
after him as he polished up the bar. From far away came the soft notes
of a church bell. Wanderin’ lifted his head, listening intently. Even
through the closed door came the musical _clang-clang—clang-clang_ of
the bell.

The bartender came over and stoked the stove, but Wanderin’ did not look
at him.

“Christmas Eve,” muttered the bartender. “Ought to be some of the boys
driftin’ in pretty soon. Must be zero outside.”

Wanderin’ lifted his eyes and looked at the bartender.

“Christmas Eve?” he muttered. “That’s right.”

His lips compressed tightly for a moment, and the hinges of his lean
jaws bulged, as he nodded thoughtfully.

“Christmas Eve.”

“Shore is,” said the bartender. “Didja ever believe in Santa Claus?”

“I guess not.”

The bartender shrugged his shoulders, turning his back to the stove.

“Peace on earth, good will to men,” he said slowly.

“Somethin’ like that,” said Wanderin’ softly.

“That’s what they say it means, but it don’t always work out that way.
You noticed that kid in here a while ago? Name’s Archie Bell. There’s
two brothers, Archie and Buck. Work for different outfits, good pals. I
mean they was, until a girl came to this town a month or so ago.”

Wanderin’ blinked quickly and his eyes narrowed, as he looked at the
back of the bartender.

“Both want the same girl?” His voice was a little husky.

“That’s the idea,” laughed the bartender. “Archie thought he had her,
but he’s scared Buck has cut him out. Dance tonight, you know. Archie
says she ain’t goin’ with him—refused his bid, you see. Well—” shrugging
his shoulders—“Archie’s drunk, and his trigger finger itches.”

The bartender laughed shortly and turned to look at Wanderin’.

“What’s the matter?” he asked quickly. “Sick?”

“I’m all right,” breathed Wanderin’, but his face was ashen.

“Better take a shot of likker, pardner.”

“I never drink on Christmas Eve,” he said huskily.

Wanderin’ got slowly to his feet and began buttoning up his mackinaw. It
had only one button, but he fumbled at the buttonholes, as he walked out
of the warm saloon. The little Northwest town lay under a twelve-inch
blanket of snow, and the stars seemed fairly to crackle overhead.
Several more saloon windows shed their yellow light on the snow-piled
street. Sleigh bells jingled somewhere. Smoky lantern over a livery
stable door, the creak of wagon wheels on the dry snow.

Wanderin’ crossed the street in front of a store, where the light barely
filtered through the frosted windows. He was a stranger here. His horse
was in the livery stable. A boy came from the store, carrying a bundle,
and Wanderin’ accosted him.

“Pardner, I’m a stranger here,” he said, “and I’m lookin’ for a family
that jist moved here a month or so ago. I reckon there’s a girl
about—mebbe eighteen—in the family, and I—”

“Guess I know who you mean,” said the boy. “They’re the only ones that
came here lately. I’m goin’ past their place.”

They went down the street together, turned at the corner and went out
across the snow for nearly a quarter of a mile, where the lights of a
home shone dimly.

“That’s their place,” said the boy.

“Thank you, pardner.”

The boy went on, whistling. Wanderin’ stopped at the sagging gate.
Inside the house some one was playing an organ. Wanderin’ listened, his
hands tucked inside his mackinaw. Finally he went in close to the front
porch. It was warmer in there against the house. A girl was singing now,
and Wanderin’s body tensed, his hands clenching tightly.

                   *       *       *       *       *

Singing “Forgetting.” He almost cried out. It flung him back twenty
years; wiped out twenty years of a wandering hell, and brought him back
to the beginning again. There were two voices now—two women’s voices.
Wanderin’s hand went to his mouth, as though to stifle a cry. The church
bell was ringing again.

A horse and rider were coming across the snow, a moving blot against the
white snow. They reached the gate, and the man dismounted. Now he was
coming toward the door, reeling a little. There was a male voice in the
song now. A sudden laugh, the music stopped.

“I can’t carry a tune,” laughed the male voice. “Archie’s the singer in
our family.”

The man had reached the porch. He didn’t see Wanderin’ until the tall
man was into him, fairly swinging him off his feet. A flash of light on
a far-flung six-shooter, a sudden heave, and Archie Bell went off the
porch, falling headlong into the snow.

The clatter of their feet on the swept porch, a heave, perhaps a grunt,
and Wanderin’ Jones was standing alone at the door, panting a little, as
the door opened. A tall, sweet-faced girl was staring at him, while
behind her stood a blond-headed young man. No one spoke for a few
moments. Then:

“Mebbe I got the wrong house,” said Wanderin’ slowly. “You see, I’m a
stranger, and—”

“Well, come in and get warm,” invited the girl. “It’s awful cold out
there.”

Wanderin’ removed his battered sombrero and came slowly in. There was a
Christmas tree, all glittering with ornaments and candles, a crackling
fireplace. He came farther in, and the girl closed the door.

“May I take your hat?” she asked.

But Wanderin’ was staring at a woman who was framed in a doorway. Her
hair was touched with gray, but she was still beautiful. Wanderin’s eyes
were wide with something akin to fright.

“Who was it, Emma?” asked a voice behind her, and a man came in,
carrying an armful of wood.

She moved aside and he stopped in the doorway. He limped a little. Now
he stopped and stared at Wanderin’, his jaw sagging a little, and he
swayed one shoulder against the side of the doorway. Twice his lips
framed a name, before he spoke.

“Jim!”

Wanderin’ Jones swayed, and the back of his right hand went to his thin
lips, as he whispered—

“Harry!”

The man stooped over and placed the wood on the carpet. His face was
working strangely, as if he wanted to cry.

“My God!” whispered Wanderin’. “That ain’t you, Harry! You’re...”

“Jim—really?” whispered the woman.

Wanderin’ shook his head dumbly.

“Dreamin’,” he said huskily. “It’s Christmas Eve, and I’m dreamin’
again.”

“But you are not dreaming, Jim,” insisted the woman. “How in the world
did you ever come here?”

Wanderin’ went slowly across the room. He seemed afraid to touch the
other man. His face was twitching, his body hunched forward.

“It’s me, Jimmy,” said the man, choking a little. “We never knew where
you went. We looked for you—oh, it wasn’t because of the law. You was
hot-blooded. I didn’t blame you, Jimmy. I—I reckon I’d have killed
you—even if you was my brother—if you tried to take her away from me. I
took her away from you, but it was because we loved each other.”

“I thought I killed you, Harry.”

“Close to it, Jimmy; got my hip. But that’s forgotten. Laura—” he turned
to the wondering girl—“this is your Uncle Jimmy. Jimmy, meet Buck Bell.”

They shook hands gravely.

“I met your brother, Buck,” said Wanderin’.

“Archie? Great kid. I didn’t know he was comin’ to town. I’ll have to
see him. Funny he didn’t come down here, Laura. Mebbe he got sore
because you wouldn’t go to the dance with him. You see—” he turned to
Wanderin’—“Archie is—well, he spends quite a lot of time down here.
Laura thought it wouldn’t be right to leave her folks and go to a dance
tonight.”

“You—you wasn’t goin’ to take her?” faltered Wanderin’.

Buck laughed softly.

“I never danced in my life; and I’ve got a girl down the valley. You
see, I came here early this evenin’, ’cause I was sure Archie would
come, but I reckon he won’t be here. I’ve got a new six-shooter to give
him for a Christmas present.”

“I—I reckon he needs a new one,” said Wanderin’ softly, and turned to
look at the woman he had loved, and at the man, who was his brother.

“Uncle Jimmy, did you ever believe in Santy Claus?” asked Laura.

“I do,” replied Wanderin’ slowly, “and peace on earth.... Now, you folks
excuse me for a minute while I ask a young frien’ of mine in, what’s
waitin’ out here in the snow.”


[Transcriber’s Note: This story appeared in Adventure Magazine,
July 1, 1929. It is believed to be in the public domain in the
United States; copyright status may differ in other countries.]



*** END OF THE PROJECT GUTENBERG EBOOK THE PROOF ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg™ License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.