The Downhill Side of Thirty

By Virgil F. Shockley

Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: The Downhill Side of Thirty

Author: Virgil F. Shockley

Release Date: October 20, 2019 [EBook #60531]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                      THE DOWNHILL SIDE OF THIRTY

                         BY VIRGIL F. SHOCKLEY

                _Health was no longer a problem for the
               aged. All they had to do was ban sex and
                tobacco to those over thirty-five...._

           [Transcriber's Note: This etext was produced from
              Worlds of If Science Fiction, August 1958.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


Chuck Dane patted shaving lotion on his face, enjoying the second of
vicious sting. He closed the medicine cabinet and stood for a minute
examining himself in the fluorescent lighted mirror. He was lean and
hard and, of course, tanned. A few grey hairs flecked the sideburns,
but he didn't think that he looked thirty-five. And, damn it all to
hell! he didn't feel thirty-five!

He opened the bathroom door, and hesitated. He dreaded to walk through
the photoelectric beam and set off that odious disc! Sometimes he got
down on hands and knees and crawled under. But he felt so damn silly!

Well, he couldn't stand there all day. It was Monday and they would
expect him at the office.

He squared his shoulders and walked into the hall.

    "Lung Cancer, Heart Attacks!
    Heart Attacks, Lung Cancer!
    Beware, old man, Be ... ware!"

       *       *       *       *       *

The tinkly message followed him up the hall. "I could jam the damn
thing!" he thought, "but they'd only repair it at daily Gov-Apts
Inspection and report me again!"

He pushed his hands into his pants pockets and walked into the dining
ell. He slouched in his chair, and watched Sally swish back and forth
from the kitchen as she set the table. She was in blue nylon pajamas
and fuzzy blue mules. Her red hair was tied up in a provocative pony
tail.

She felt him watching her, gave him a devilish grin. "Sleep well last
night, dear? In your own little bed?"

"You know damn well I didn't!" God, he wanted a cigarette. After two
years he still wanted one! When would the hunger for them ever stop?

"You knew where I was sleeping. The door was unlocked!"

She came to him, suddenly compassionate, and sat on his lap. She pulled
his head against her. He felt, on his face, the slickness of the nylon,
and underneath her firm body. She whispered, "You know honey, no matter
what the government says, I'm not made for sleeping alone!"

"And I'm thirty-five and not 'spose to!"

"Thirty-five and eighty-nine days! How well I know! The toast!"

She scooted off his lap and ran into the kitchen. How she managed to
burn toast in an electronic toaster beat him. By sending it down twice,
he suspected.

He picked up the paper by his plate and unfolded it. The first page, as
usual, was devoted to the Propagandists. Headlines proclaimed: "375
died this weekend doing _you know what_." The second line asked: "Will
you be next?"

It made a good story because only three hundred deaths had been
predicted. The bottom half of the page was filled with pictures of
the victims and the spouses who "lead them on, knowing at the time
that over forty percent of the heart attacks in men and women over
thirty-five are brought on by sexual relations."

Sally was leaning over him, serving his plate with scrambled eggs and
ham, but he tried to ignore her and turned to the next page. Here was
an editorial by the Department of Health. He scanned it. Same old
thing. Sex to be avoided like poison by all persons, male and female,
over thirty-five years.

Chuck forked a piece of soya bread, and swabbed the last of ham grease
and egg from his plate. He sat drinking his soya hot chocolate, and
wanting a cigarette.

Sally finished eating, stretched, and the nylon threatened to rip. She
went and got his suit coat and hat. At the door he tried to kiss her
goodbye in his best "big brother" manner. But she clinched in close,
and suddenly he didn't feel like a brother.

She whispered in his ear, "Come on back. I'll call and tell them you
caught a virus!"

He almost took off his hat. Then he said, "You know it would show up
in my weekly S-Count!" He shuddered just saying the words. God! how he
hated that! He continued, "And if I slip once or twice on that, you
know what they do."

Feeling sorry for her, he added half-heartedly, "But you're only
thirty. And I wouldn't blame you.... Lot of people do, you know."

She leaned back, still in his arms, and laughed up at him. "No, I'll
wait and break you down!"

"Even knowing what they're likely to do?"

"But surely! Then at least the temptation wouldn't be so handy!"

He walked rapidly toward the office. Other groups walked along talking
and laughing. Here and there someone called to him.

He came to U.S. 75, a deserted graying eight lane strip. As he started
across, a bike came over the rise and he dived into the ditch. But
it was only a Catholic priest pedalling furiously along on a girl's
bicycle. Then there had been another clash! He climbed out of the
ditch, and walked a ways down the highway. There it was. The priest was
just climbing off the bike, and there was a motorcycle cop.

Chuck Dane walked up the highway to the scene and stood watching. The
priest was kneeling, his black bag open, administering last rites to
the two youths.

The cop, fat and redfaced, came over and stood beside Chuck. "Two less
Teenagers!" he grinned.

"Dying, eh?" Chuck asked.

"Dying or dead! These damn kids!" He said it with just a tinge of envy.

The Father snapped his bag shut, and pedalled away. Chuck went over
for a closer look. Both of the kids were on roller skates, the powered
kind. Chuck Dane noted with satisfaction that they were Airex skates.

Both of the kids had on the regular uniform, black leather jackets,
and leather belts eight inches wide. Mounted on the center front of
the belts were the regulation three foot razor sharp spears. Only now
there was not much of the spears to be seen. Because neither kid had
chickened. The shorter boy had caught a spear in the lower chest, and
the taller one caught it in the guts.

Funny, Chuck Dane thought, staring down at them. Even in this cotton
batting, vacuum world of 1990 the Teenagers could find ways to kill
each other off! He envied them their spirit!

He waved at the cop, who was calling in a report, and walked back up
the highway. When he got to his usual place, he started to cross.

"Olá!"

In that frantic second, he saw only the black leather jacket bearing
down upon him. And the bike with the spear mounted on the handlebars,
the tip sparkling like a diamond in the sun. It swerved, and came
straight for him. Chuck dived into the ditch, even as he felt it prick
his coat.

The kid yelled, "Cock-a-doodle-do!" and pedalled on.

Chuck climbed up out of the ditch and ran across the highway. Then
he straightened his clothing, dusted himself off. This was damn
undignified! He hated the kid, wanted to kill him with his bare hands.

He walked along, thinking how it had all come about. First it had been
the highway death toll. When it had reached over two thousand on week
days, and ten thousand on weekends, the government had stepped in.
Their solution had been simple and foolproof. They simply taxed gas out
of sight. Now the oil companies exported their total output, and were
making more money than ever.

Then some fool in the A.M.A. had pointed out that almost as many people
were dying of lung cancer as had previously fallen on the ribbons of
death.

At first Congress had passed a bill to ban the manufacture of all
cigarettes. But the black market flourished and the psychiatrists
yelped. They yelped that the approach to the problem was all wrong,
due to the fact that they hadn't been consulted. This was warping
personalities and making martyrs out of cigarette users. The way to do
it, they said, was to have tobacco products available, but to shame
people into giving them up of their own free wills.

They theorized that a cigarette smoker is really a frustrated person
unable to cope with the adult world. When he puts a cig between his
lips he is really searching for his mother's nipple. Therefore, the
thing to do is to force him to out-grow this, rather than take it
forcibly away from him. Same way with a cigar smoker or pipe smoker.

The psychiatric lobby prevailed and the government repealed the
tobacco bill. And replaced it with another. Now it was the law for all
cigarettes, cigars and pipe tobacco to have an hallucination inducing
drug, Xlene 91, in them. Also, as was compulsory, all cigars, pipes and
cigarettes sported rubber filters shaped like nipples.

Then, Chuck Dane reminisced, with lung cancer dropping off steadily,
they had started in to curb heart attacks. And taken away the only
pleasure a guy had left!

He was in sight of his place of work now. A huge half-circle of
plexiglass that was Airex Roller Skating Factory. Chuck thought as he
entered the building, that four hours was a hell of a long working day,
especially doing material control posting all that time. He hoped the
bill to change working hours to three hours would pass soon....

       *       *       *       *       *

At two o'clock in the afternoon, Chuck lined up with the rest of the
office force to walk single file past the hidden electronic camera. Out
of habit, he held his right hand in salute position, palm toward the
camera. These deals had been interesting when they first replaced the
old style time clocks, now they were routine.

As the queue neared the door where the company's three psychiatrists
stood, Chuck got more and more nervous. Suppose they could read his
mind, or something!

Sure enough, Doctor Benton wiggled a finger for him to step out of
line. He took him to one side, and peered into his face. Chuck tried to
look into the green eyes, so calm and assured, but he had to look away.

"You okay, Dane?"

"Sure! Tired, that's all. Helluva long day!"

"Yes. Well, you come in and see me tomorrow. We'll have us a little
talk."

Rapidly, Chuck left the building. He muttered, "Like hell we will,
Headshrinker!"

Furtively, he left the usual road home, and walked into a corner
drugstore. He stood around with his hands in his pockets, until all the
other customers cleared out.

"Puffies," he said.

The big man behind the counter tried to hitch his belt over his paunch.
"Sure you know what you're doin', Bud? Have to take your number you
know."

Chuck didn't answer. He pulled his right hand out of his pocket and
laid it palm up on the glass counter top. The man wrote down the id
number and handed over the cigarettes.

Chuck walked on home, with the Puffies a guilty lump in his jacket
pocket. He felt sure everybody he met knew what he was up to.

At home, Chuck stuck his head in the kitchen and said "Hi" to Sally.
He resisted patting her. He went to the den and locked the door with
trembling fingers, then sat at the desk and took out his knife. He cut
off the realistic red nipples from all twenty cigarettes, and made a
pyre of them in the middle of the glass top. Then he set fire to them,
not minding the acrid smoke.

He put a cigarette to his lips. Still he hesitated, fearing the
hallucinations, about which he had heard but never experienced.

Suddenly he grinned and leaned back, lit up and closed his eyes. The
parade of pictures began in front of his eyeballs. First a picture of
human lungs, and slowly the cancer virus invades them and eats them
away. Then the parade of men and women clutching their chests, writhing
in death throes. Chuck Dane smiled, enjoying each hallucination.
Pretending that the unlucky victims were the Propagandists.

He lit another cigarette from the butt of the first one, and leaned
back, feeling his lungs pleasantly saturated with smoke.

When ten cigarettes were snubbed in a row on the glass top of the desk,
he stopped and mused. Now, he guessed he would die of cancer for sure.
He wondered how long....

Then another thought hit him. With two temptations, he wondered why he
had given in to the cigarette first.

He lit another Puffie and leaned back in the chair and closed his eyes.
A perfect technicolor picture of Sally crossed his mind, swishing the
pony tail provocatively. He got up. Left the den. Went to the kitchen
and leaned in the door watching her.

Tomorrow was Tuesday. His day for S-Count. But he wouldn't submit to
that again. Or have that little talk with Doctor Benton. Tomorrow,
going to work, when he crossed U.S. 75 he would give some Teenager a
hell of a thrill! But tonight ... tonight....

"Come here, baby!" he whispered harshly.





End of Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley

*** END OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***

***** This file should be named 60531-8.txt or 60531-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/0/5/3/60531/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.