Project Gutenberg's Punchinello, Vol. 1, No. 5, April 30, 1870, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Punchinello, Vol. 1, No. 5, April 30, 1870
Author: Various
Release Date: November 8, 2003 [EBook #10018]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 5 ***
Produced by Cornell University, Joshua Hutchinson, Steve Schulze
and the Online Distributed Proofreading Team.
+--------------------------------------------------------------+
| |
| "The Printing House of the United States." |
| |
| GEO. F. NESBITT &CO., |
| |
| General JOB PRINTERS, |
| BLANK BOOK Manufacturers, |
| STATIONERS, Wholesale and Retail, |
| LITHOGRAPHIC Engravers and Printers, |
| COPPER-PLATE Engravers and Printers, |
| CARD Manufacturers, |
| ENVELOPE Manufacturers, |
| FINE CUT and COLOR Printers. |
| |
| 163,165,167, and 169 PEARL ST., |
| |
| 73, 75, 77, and 79 PINE ST., New-York. |
| |
| ADVANTAGES--All on the same premises, and under the |
| immediate supervision of the proprietors. |
| |
+--------------------------------------------------------------+
| |
| TO NEWS-DEALERS. |
| |
| PUNCHINELLO'S MONTHLY. |
| |
| THE FIVE NUMBERS FOR APRIL, |
| |
| Bound in a Handsome Cover, |
| |
| Will be ready May 2d. Price, Fifty Cents. |
| |
| THE TRADE |
| |
| SUPPLIED BY THE |
| |
| AMERICAN NEWS COMPANY, |
| |
| Who are now prepared to receive Orders. |
| |
+--------------------------------------------------------------+
| |
| HARRISON BRADFORD & CO.'S |
| |
| STEEL PENS. |
| |
| These pens are of a finer quality, more durable, and cheaper |
| than any other Pen in the market. Special attention is |
| called to the following grades, as being better suited for |
| business purposes than any Pen manufactured. The |
| |
| "505," "22," and the "Anti-Corrosive," |
| |
| We recommend for bank and office use. |
| |
| D. APPLETON &. CO., |
| |
| _Sole Agents for United States_ |
| |
+--------------------------------------------------------------+
[Illustration: Vol. 1 No. 5]
PUNCHINELLO
SATURDAY, APRIL 30, 1870.
PUBLISHED BY THE
PUNCHINELLO PUBLISHING COMPANY,
83 NASSAU STREET, NEW-YORK.
* * * * *
+--------------------------------------------------------------+
| |
| _CONANT'S PATENT BINDERS for "Punchinello," to preserve the |
| paper for binding, will be sent, post-paid, on receipt of |
| One Dollar, by "Punchinello Publishing Company," 83 Nassau |
| Street, New-York City._ |
| |
+--------------------------------------------------------------+
| |
| PRANG'S CHROMOS are celebrated for their close resemblance |
| to Oil Paintings. Sold in All Stores throughout the World. |
| |
+--------------------------------------------------------------+
| |
| PRANG'S WEEKLY BULLETIN OF CHROMOS.--"Easter Morning" |
| "Family Scene in Pompeii" "Whittier's Birthplace," |
| Illustrated Catalogue sent, on receipt of stamp, by L. PRANG |
| & CO., Boston. |
| |
+--------------------------------------------------------------+
| |
| APPLICATIONS FOR ADVERTISING IN |
| |
| "PUNCHINELLO" |
| |
| SHOULD BE ADDRESSED TO |
| |
| J. NICKINSON, |
| |
| Room No. 4, |
| |
| 83 NASSAU STREET. |
| |
+--------------------------------------------------------------+
| |
| The Greatest Horse Book ever Published. |
| |
| HIRAM WOODRUFF |
| |
| ON THE |
| |
| TROTTING HORSE OF AMERICA! |
| |
| _How to Train, and Drive Him_. |
| |
| With Reminiscences of the Trotting Turf. A handsome 12mo, |
| with a splendid steel-plate portrait of Hiram Woodruff. |
| Price, extra cloth, $2.25. |
| |
| The New-York Tribune says: "_This is a Masterly Treatise by |
| the Master of his Profession_--the ripened product of forty |
| years' experience in Handling, Training, Riding, and Driving |
| the Trotting Horse. There is no book like It in any language |
| on the subject of which it treats." |
| |
| BONNER says in the _Ledger_, "It is a book for which every |
| man who owns a horse ought to subscribe. The information |
| which it contains is worth ten times its cost." For sale by |
| all booksellers, or single copies sent post-paid on receipt |
| of price. |
| |
| Agents wanted. J. B. FORD & CO., |
| |
| Printing-House Square, New-York, |
| |
+--------------------------------------------------------------+
| |
| Thomas J. Rayner & Co;, |
| |
| 29 LIBERTY STREET, |
| |
| New-York, |
| |
| MANUFACTURERS OF THE |
| |
| _Finest Cigars made in the United States_. |
| |
| All sizes and styles. Prices very moderate. Samples sent to |
| any responsible house. Also importers of the |
| |
| _"FUSBOS" BRAND_, |
| |
| Equal in quality to the best of the Havana market, and from |
| ten to twenty per cent cheaper. |
| |
| Restaurant, Bar, Hotel, and Saloon trade will save money by |
| calling at |
| |
| 29 LIBERTY STREET. |
| |
+--------------------------------------------------------------+
| |
| Notice to Ladies. |
| |
| DIBBLEE, |
| |
| Of 854 Broadway, |
| |
| Has just received a large assortment of all the latest |
| styles of |
| |
| Chignons, Chatelaines, etc., |
| |
| FROM PARIS, |
| |
| Comprising the following beautiful varieties: |
| |
| La Coquette, La Plenitude, Le Bouquet, |
| |
| La Sirene, L'Imperatrice, etc., |
| |
| At prices varying from $2 upward. |
| |
+--------------------------------------------------------------+
| |
| WEVILL & HAMMAR, |
| |
| Wood Engravers, |
| |
| No. 208 BROADWAY, |
| |
| NEW-YORK. |
| |
+--------------------------------------------------------------+
| |
| PUNCHINELLO. |
| |
| With a large and varied experience in the management and |
| publication of a paper of the class herewith submitted, and |
| with the still more positive advantage of an Ample Capital |
| to justify the undertaking, the |
| |
| PUNCHINELLO PUBLISHING CO. |
| |
| Presents to the public for approval, the |
| |
| NEW ILLUSTRATED HUMOROUS AND SATIRICAL |
| |
| WEEKLY PAPER, |
| |
| PUNCHINELLO, |
| |
| The first number of which will be Issued under date of April |
| 2, 1870, and thereafter weekly. |
| |
| PUNCHINELLO will be _National_, and not _local_; and will |
| endeavor to become a household word in all parts of the |
| country; and to that end has secured a |
| |
| VALUABLE CORPS OF CONTRIBUTORS |
| |
| in various sections of the Union, while its columns will |
| always be open to appropriate first-class literary and |
| artistic talent. |
| |
| PUNCHINELLO will be entirely original; humorous and witty, |
| without vulgarity, and satirical without malice. It will be |
| printed on a superior tinted paper of sixteen pages, size 13 |
| by 9, and will be for sale by all respectable newsdealers |
| who have the judgment to know a good thing when they see it, |
| or by subscription from this office. |
| |
| The Artistic department will be in charge of Henry L. |
| Stephens, whose celebrated cartoons in VANITY FAIR placed |
| him in the front rank of humorous artists, assisted by |
| leading artists in their respective specialties. |
| |
| The management of the paper will be in the hands of WILLIAM |
| A. STEPHENS, with whom is associated CHARLES DAWSON SHANLY, |
| both of whom were identified with VANITY FAIR. |
| |
| ORIGINAL ARTICLES, |
| |
| Suitable for the paper, and Original Designs, or suggestive |
| ideas sketches for illustrations, upon the topics of the |
| day, are always acceptable, and will be paid for liberally. |
| |
| Rejected communications can not be returned, unless |
| postage-stamps are inclosed. |
| |
| Terms: |
| |
| One copy, per year, in advance $4.00 |
| |
| Single copies, ten cents. |
| |
| A specimen copy will be mailed free upon the receipt of ten |
| cents. |
| |
| One copy, with the Riverside Magazine, or any other magazine |
| or paper, price, $2.50, for 5.50 |
| |
| One copy, with any magazine or paper, price, $4, for 7.00 |
| |
| All communications, remittances, etc., to be addressed to |
| |
| PUNCHINELLO PUBLISHING CO, |
| |
| No. 83 Nassau Street, |
| |
| NEW-YORK. |
| |
| P. O. Box, 2783. |
| |
| _(For terms to Clubs, see 16th page.)_ |
| |
+--------------------------------------------------------------+
| |
| Mercantile Library, |
| |
| Clinton Hall, Astor Place, |
| |
| NEW-YORK. |
| |
| This is now the largest circulating Library In America, the |
| number of volumes on its shelves being 114,000. About 1000 |
| volumes are added each month; and very large purchases are |
| made of all new and popular works. |
| |
| Books are delivered at members' residences for five cents |
| each delivery. |
| |
| TERMS OF MEMBERSHIP: |
| |
| TO CLERKS, |
| |
| $1 Initiation, $3 Annual Dues. |
| |
| TO OTHERS, $5 a year. |
| |
| SUBSCRIPTIONS TAKEN FOR SIX MONTHS. |
| |
| BRANCH OFFICES |
| |
| AT |
| |
| NO. 76 CEDAR STREET, NEW-YORK, |
| |
| AND AT |
| |
| Yonkers, Norwalk, Stamford, and Elizabeth. |
| |
+--------------------------------------------------------------+
| |
| AMERICAN |
| |
| BUTTONHOLE, OVERSEAMING, |
| |
| AND |
| |
| SEWING-MACHINE CO., |
| |
| 572 and 574 Broadway, New-York. |
| |
| This great combination machine is the last and greatest |
| improvement on all former machines, making, in addition to |
| all the work done on best, Lock-Stitch machines, beautiful |
| |
| BUTTON AND EYELET HOLES: |
| |
| in all fabrics. |
| |
| Machine, with finely finished |
| |
| OILED WALNUT TABLE AND COVER |
| |
| complete, $75. Same machine, without the buttonhole parts, |
| $60, This last is beyond all question the simplest, easiest |
| to manage and to keep in order, of any machine in the |
| market. Machines warranted, and full instruction given to |
| purchasers. |
| |
+--------------------------------------------------------------+
| |
| HENRY SPEAR |
| |
| STATIONER, PRINTER, |
| |
| AND |
| |
| BLANK BOOK MANUFACTURER. |
| |
| ACCOUNT BOOKS |
| |
| MADE TO ORDER. |
| |
| PRINTING OF EVERY DESCRIPTION. |
| |
| 82 Wall Street, |
| |
| NEW-YORK. |
| |
+--------------------------------------------------------------+
[Illustration: THE WARNING OF THE BELLE
LOOK OUT FOR THE TRAIN]
* * * * *
PATRIOTIC ADORATION.
A TALE OF PHILADELPHIA.
People of the Quaker City,
How the world must stand aghast
At your wondrous veneration
For those relics of the past,
Kept in such precise condition,
Fostered with such tender care--
Don't, oh! don't the Philadelphians
Love old Independence Square?
Splendid are its walks and grass-plots
Where the bootblacks base-ball play,
And its seats resembling toad-stools,
On which loafers lounge all day,
Waiting for their luck, or gazing
At the office of the Mayor--
Don't, oh! don't the Philadelphians
Love old Independence Square?
Then, behold the fine old State-house
Cleanly kept inside and out,
Where the faithful office-holders
Squirt tobacco-juice about:
Placards highly ornamental
Decorate its outward wall--
Don't, oh! don't the Philadelphians
Love old Independence Hall?
O! ye gods and little fishes!
Could bill-sticker be so vile
As to paste up nasty posters
On the sacred classic pile?
Greece and Rome yet have their relics,
But what are they? very small.
Never half so venerated
As old Independence Hall.
* * * * *
PERIODICAL LITERATURE.
PUNCHINELLO has hitherto refrained from criticising the periodicals of
the day, from the mistaken idea that superlative excellence was not
expected in every number of every daily or weekly journal in the land.
He did not know that, if every such journal was not edited so as to suit
the comprehension of all classes of cursory critics, it should be
unqualifiedly condemned. Supposing that a painter should not condemn a
paper for publishing a musical article beyond his comprehension, and
that an architect ought not to get in a rage because he finds in his
favorite journal a paper on beavers which makes him feel insignificant,
PUNCHINELLO has generally looked around upon his fellow-journalists, and
thought them very good fellows, who generally published very good
papers. He did not find superlative excellence in any of their issues,
but then he did not look for it. He might as well pretend to look for
that in the journalists themselves, or in society at large. But he has
lately learned, from the critics of the period, that he ought to look
for it, and that it is the proper thing nowadays to pitch into every
journal which does not, in every part, please every body, whether they
be smart or dull; those quick of appreciation, or those slow gentlemen
who always come in with their congratulations upon the birth of a joke
at the time its funeral is taking place. And so, PUNCHINELLO will do as
others do, and will occasionally view, from the loop-hole in his
curtain, the successes and failures of his neighbors, and will give his
patrons the benefit of his observations.
The first thing he notices to-day is, that the _Evening Snail_ of last
night is not so good as it was a fortnight ago; or, let us think a
bit--it may have been a good number at the beginning of last month that
he was thinking of; at all events, this last issue is inferior. The
matter on the first page is not printed in nearly as good type as the
original periodicals had it, and while the letters in the heading are
quite fair, it is very noticeable that the I's are very defective, and
there is no C in it. The "Gleanings" are excellent, and it would be
advisable to have more of them--if indeed such a thing were possible in
this case. The spider-work inside shows no acquaintance with the
writings of BACH or GLIDDON, and there is nothing about the Spectrum
Analysis in any part of the paper. Besides, the paper is too stiff and
rattles too much, and PUNCHINELLO could never abide the color of the
editor's pantaloons. Why will not people dress and write so that every
body can admire and understand them. Especially in regard to witty
things and breastpins They ought to be loud, overpowering, and so
glaring that people could not help seeing them. And they ought to be a
little cheap, too, or average people won't comprehend them. In both
cases paste (and scissors) pays better than diamonds. The reports of
private parties in the _Snail_ are, however, very good, and if it would
confine its original matter to such subjects, it could not fail to
succeed.
* * * * *
A Query for Physicians.
Are people's tastes apt to become Vichy-ated by the excessive use of
certain mineral waters?
* * * * *
"Behold, how Pleasant a Thing 't is," etc.
Boston has a couple of clergymen who have fallen out upon matters not
precisely theological. In the summer, the Rev. Mr. MURRAY leaves his
sheep, to shoot deer by torchlight in the Adirondacks. This the Rev. Mr.
ALGER, in addressing the Suppression of Cruelty to Animals Society,
denounces as extremely wicked. From all which Mr. PUNCHINELLO, taking up
his discourse, infers,
_First_. That it is a great deal more wicked to shoot deer by torchlight
than by daylight.
_Secondly_. That the Rev. MURRAY and the Rev. ALGER are of different
religious persuasions.
_Thirdly and lastly_. That the Rev. Mr. ALGER doesn't love venison.
P. S. Persons desiring to present Mr. PUNCHINELLO with a fine haunch,
(in the season,) may shoot it by daylight, moonlight, torchlight, or by
a Drummond light, as most convenient.
* * * * *
We are indebted to Mr. SARONY for a number of brilliant photographs of
celebrities of the day. Lovely woman is well represented the batch, with
all the characters of which PUNCHINELLO hopes to present his readers,
from time to time.
* * * * *
Entered, according to Act of Congress, in the year 1870, by the
PUNCHINELLO PUBLISHING COMPANY, in the Clerk's Office of the District
Court of the United States, for the Southern District of New-York.
* * * * *
[Illustration: ALL ABOARD FOR HOLLAND!]
PUNCHINELLO understands that a performance is soon to take place at the
Academy of Music, for the benefit of GEORGE HOLLAND, the well-known and
ever-green "veteran" of "the stage." It pleases PUNCHINELLO to know that
a combination of talent and beauty is to be brought together for so
worthy a purpose. Seventy-four years ago, when GEORGE HOLLAND was a
small child, PUNCHINELLO used to dandle him upon his knee. Hardly four
years have passed since PUNCHINELLO was convulsed by the _Tony Lumpkin_
of HOLLAND. He distinctly remembers, too, administering hot whiskey
punch to little boy HOLLAND with a tea-spoon, which may in some measure
account for the Spirit subsequently infused by the capital comedian into
the numerous bits of character presented by him. Considering these
facts, it is manifestly an incumbent duty on the part of PUNCHINELLO to
request the earnest attention of his readers to the subject of GEORGE
HOLLAND'S benefit, all particulars concerning which will be given due
time through the public press. It used to be said, long ago, that "the
Dutch have taken Holland," Well, let our own modern Knickerbockers
improve upon that notion, by taking HOLLAND'S tickets. Remember how,
in the early settlement of the country, it was Holland that made
New-York, and see that New-York now returns the compliment, and makes
HOLLAND. Convivial songsters frequently remind us that--
--"a Hollander's draught should potent be,
And deep as the rolling Zuyder Zee."
Mind this, all ye Hollanders who would give your support to our HOLLAND.
Let your drafts be potent, your cheeks heavy, your attendance punctual.
Make the affair complete; so that when, here-after, a comparison is
sought for something that has been a sued people will say of it--"As big
as that Bumper of HOLLAND'S."
* * * * *
ASTRONOMICAL CONVERSATIONS.
(BY A FATHER AND DAUGHTER RESIDING ON THE PLANET VENUS.)
No. I.
FATHER (_to_ DAUGHTER, _who is looking through a telescope_.) Yes HELENE,
that is the Planet Tellus, or Earth. The darker streaks are land; the
bright spots, water. We begin with a low power, which shows only the
masses; presently you will have the pleasure of discriminating not only
rivers and chains of mountains, but cities--single houses--even Human
Beings! Yes, you shall this very night read page of PUNCHINELLO, a paper
so bright that every word appears surrounded by a halo!
DAUGHTER. O father! do that _now_. How delightful, to actually read the
works of these singular creature's, and become familiar with their
extraordinary ideas! Were the scintillations you spoke of the other
night, that were seen all over the Western Continent, the result of the
flashing of these radiant pages?
F. Undoubtedly, my child; they began with the first issue of the paper,
and have since regularly increased in brightness, just as It has.
D. It really seems as though Earth would answer for a Moon, by and by, at
this rate!
F. You are quite right, HELENE; it will. Or say, rather, a Sun. For you
will observe that it is a _warm_ light; not cool, as reflected light
always is. It is Original.
D. Well, this shows that PUNCHINELLO must have some Heart, as well as
Head. Come, put on your highest power now, and let us seem to pay good
old Tellus a visit!
[_The indulgent Father complies, and, is at some pains to adjust the
focus_.]
F. Now, dear! take a good look.
D. (_Looking intently_.) Oh! how splendid--how splendid! _Do_ see the
beautiful things in those Shop Windows! It must be the Spring Season
there! _Do_ see those lovely lumps on the backs of those creatures'
heads! What place is it, Father?
F. That? It's New-York; and the street is the famous Broadway.
D. O dear! how I _would_ like to go shopping there, this minute!--for I
see it is afternoon in that quarter. Is there no way of getting
there?(!!!)
F. (_Laughing heartily_.) Well, well, HELENE! That's pretty good, for
the daughter of an astronomer! Do you know that at this precise moment
you are Forty-five Million, Six Hundred and Fifty-four Thousand, Four
Hundred and Ninety-one Miles and a half from those Muslins! I'll tell
you, Sis, what _could_ be done: Drop a line to the Editor of
PUNCHINELLO, and tell him what you want. He'll get it, some way.
D. That I will, instantly! [_Turns to her portfolio, while her father
turns to the telescope_.]
"DEAR MR. EDITOR: Pardon the seeming _boldness_ of a _stranger:_ you are
no _stranger to me!_ Long, _long_ have I deceived that _good man_, my
father, by _pretending_ to know _nothing_ of the Earth, or of his
_instrument!_ Many and _many_ a night, _unknown to him_, have I gone to
the _Telescope_, to satisfy the _restless craving_ I feel to know more
of _your Planet_, and of a _person of your sex_ whom I have _often_
beheld, and watched with _eagerness_ as he came and went. How
_thrilling_ the thought, that he cannot even _know of my existence_, and
that we are _forever separated!_ This, good and _dear_ Editor, is my one
Thought, my one great Agony.
"It has occurred to me that, in this _dreadful_ situation--my Passion
being sufficiently Hopeless, as any one may see--you might at least
afford me some slight _alleviation_, by undertaking to let Him know of
the _interest_ he excites in this far-off star! Let me describe my
charmer, so that you will be able to identify him. He is of fair size,
with a rolling gait and a smiling countenance, has light hair and
complexion, wears often a White Hat, (on the back of his head--where
Thoughtful men always place the hat, I've been told by observers,) and
now and then carelessly leaves one leg of his trowsers at the top of his
boot. I have often seen him, with a bundle of papers in his pocket,
entering a large building with the words "_Tribune_ Office" over the
door--and I _adore_ him! O excellent Editor! tell him this, I _implore_
you! Be kind to your distant and _love-lorn_ friend,
HELENE."
F. What did you say, Helene?
D. I was saying that I wished to look a little longer at the fashions in
Broadway.
F. Well, well--I believe the Fashions are all that these women think of!
There--look away! I presume they have changed considerably since you
looked before! When do you wish to begin your lessons in Astronomy?
D. Next week. Father; let me see: we will say, next week--Thursday.
F. Very well; I shall remind you.
D. (_who is determined to have the last word, any way_.) Very well.
* * * * *
Beach's Soliloquy on entering his Pneumatic Chamber.
"TU-BE or not tu-be."
* * * * *
Reflection by a Tallow-chandler.
Though a man be the Mould of fashion, yet he cannot light himself to bed
by the Dip in his back.
* * * * *
PLAYS AND SHOWS.
[Illustration: 'M']
_MEN AND ACRES,_ the new comedy at WALLACK'S, is one of the best of
TAYLOR'S pieces, and a decided improvement upon the carpenter work of
BOUCICAULT. It has been rechristened by Mr. WALLACK, and its former
name--_Old Men and New Acres, or New Aches and Old Manors,_ or something
else of that sort--has been conveniently shortened. If it does not
convince us that the author has improved since he first began to write
plays, it certainly reminds us that there is such a thing as _Progress_.
In the latter play, Mr. J.W. WALLACK was a civil engineer. In the
present drama, he is an uncivil tradesman. Both appeal to the levelling
tendencies of the age; and in each, the author has done his "level
best"--as Mr. GRANT WHITE would say--to flatter the Family Circle at the
expense of the Boxes.
The cast includes a Vague Baronet and his Managing Wife, their Slangy
Daughter, their Unpleasant Neighbor and his wife and daughter, an
Unintelligible Dutchman, an Innocuous Youth, a Disagreeable Lawyer, and
the Merchant Prince. This is the sort of way in which they conduct
themselves,
_Act_ 1. _Disagreeable Lawyer to Vague Baronet:_ "You are ruined, and
your estate is mortgaged to a Merchant Prince. What do you intend to
do?"
_Vague Baronet._ "I will ask my wife what I think about it."
_Enter Managing Wife._ "Ruined, are we? Allow me to remark,
Fiddlesticks! Get the Merchant to take our third-story hall-bedroom for
a week, and I'll soon clear off the mortgage."
_Enter Slangy Daughter._ "O ma! there was such a precious guy at the
ball last night, and I had no end of a lark with him. Good gracious!
here comes the duffer himself."
_Enter Merchant Prince. (Aside.)_ "So here's the Vague Baronet and his
wife. And there's the slangy girl I fell in love with. Nice lot they
are!" (_To Managing Wife._) "Madam, there is nothing, so grand as the
majesty of trade. Your rank and blood are all gammon. We Merchant
Princes are the only people fit to live. However, I'll condescend to
speak to you."
_Managing Wife. (Aside.)_ "How noble! What a gentlemanly person he
really is!" _(To Merchant Prince.)_ "Sir, I bid you welcome. Here is my
daughter, who was just praising your beauty and accomplishments. I leave
you to entertain her." (_Exeunt Baronet, Wife, and Lawyer_.)
_Merchant Prince (placing his chair next to Slangy Daughter's, and
leaning his elbow on her.)_ "There is nothing like trade. We tradesmen
alone are great. We despise the whole lot of clean and idle aristocrats.
I keep a Gin Palace in Liverpool. Does your bloated aristocracy do half
as much for suffering humanity?"
_Slangy Daughter._ "Speak on, speak ever thus, O Noble Being! It's
awfully jolly!"
_Curtain falls, and Baker wakes up to lead his orchestra through the
mazes of "Shoo Fly."_
_Appreciative Lady._ "Isn't it nice? Miss HENRIQUES'S dress is perfectly
beautiful, and it sounds so cunning to hear her talk slang."
_Second Appreciative Lady._ "How handsome ROCKWELL looks! Just like a
real baronet, my dear!"
_Other Appreciative Ladies._ "The dresses at WALLACK'S are always
perfectly exquisite. I mean to have my next dress made with a green silk
fichu, a moire antique bertha, and little point lace peplums and
gussets, just like Miss MESTAYER'S. Won't it be sweet?"
_All the Counter-Jumpers in the Theatre._ "JIM WALLACK'S the boy! Don't
he talk up to those aristocratic snobs, though?"
_Act 2. Enter Unpleasant Neighbor and Unintelligible German. The former
says,_ "You're sure there's an iron mine on the Baronet's land?"
_Unintelligible German._ "Ya! Das ist um-um-um."
_Enter Merchant Prince and Slangy Daughter. Exeunt the other fellows._
_Merchant Prince._ "There is nothing like the grandeur of trade; and yet
we tradesmen are not proud. See! I offer to marry you."
_Slangy daughter._ "I love you wildly! _(Aside.)_ I do hope he won't
rumple my hair."
_Merchant Prince._ "Come to my arrums! The majesty of trade is so
infinitely above any thing else"--_and so forth._
_Enter Managing Wife._ "Take her, noble Merchant, and be happy
_(Aside.)_ This settles the affair of the mortgage." _(To Daughter)_
"Come, darling, we'll go and tell your father." _(They go.)_
_Enter Unpleasant Neighbor._ "Here's a telegram for you. No bad news, I
hope?"
_Merchant Prince._ "I am ruined unless you lend me £40,000. Do it, and I
will assign to you the mortgage on the baronet's property. The majesty
of trade is something which"--
_Unpleasant Neighbor._ "Here it is." _(Aside.)_ "Now I'll get possession
of the estate and the iron-mine."
_Enter Managing Wife._ "Ruined, are you? Of course you can't have my
daughter now."
_Merchant Prince._ "I resign her. We tradesmen are infinitely greater
than you aristocrats."
_Curtain falls, Baker wakes up. "Shoo Fly" by the Orchestra, and remarks
on dress by the ladies as before. Counter-jumpers go out to drink to the
majesty of trade, having grown perceptibly taller since the play began._
_Act 3. Unprincipled Neighbor to Unintelligible Dutchman._ "Have you got
the analysis of the iron ore?"
_Unintelligible Dutchman._ "Ya! Das its um-um-um."
_Unprincipled Neighbor._ "All right! Now I'll foreclose the mortgage,
and will be richer than ever."
_Enter Vague Baronet, and Wife and Daughter, and Lawyer. To them
collectively remarks the Unprincipled Neighbor,_ "The mortgage is due.
As you can't pay, you've got to move out."
_Disagreeable Lawyer._ "Not much! Here's an analysis of iron ore found
on our land. We raised money on the mine, and are ready to pay off the
mortgage."
_Enter Merchant Prince._ "Here's an analysis of the iron ore. I told
them all about it. We tradesmen are great, but we will sometimes help
even a wretched aristocrat."
_Slangy Daughter._ "Here's an analysis of the iron ore. Now I will marry
my noble Merchant, and make him rich again; for there's dead loads of
iron on the Governor's land, you bet!"
_They all produce analyses of the ore, and the play itself being o'er,
the curtain falls._
_Exasperated critic, who has sent for twelve seats, and has been
politely refused._ "I'd like to abuse it, if there was a chance; but
there isn't. The play is really good, and I can't find much fault with
the acting. However, I'll pitch into STODDARD for swearing, which his
'Unprincipled Neighbor' does to an unnecessary extent, and I'll say that
JIM WALLACK is too old and gouty to play the 'Merchant Prince,' and
doesn't quite forget that he used to play in the Bowery."
_Every body else._ "Did you ever see a play better acted? And did you
ever see actresses better dressed?"
And PUNCHINELLO is constrained to answer the latter question with an
emphatic No! As to the acting, it might be improved were Mr. STODDARD to
play the character for which he is cast, instead of insisting upon
playing nothing but STODDARD. But to all the rest of the actors, not
forgetting Mr. RINGGOLD, who plays the insignificant part of the
"Innocuous Youth," PUNCHINELLO is pleased to accord his gracious
approval.
MATADOR.
* * * * *
A Balmy Idea.
According to Miss ANTHONY, the crying evil with women is that they will
blubber; but it must be remembered that out of this blubber they make
oil to pour into our conjugal wounds.
* * * * *
A Suit for Damages.
Any clothes in a storm.
* * * * *
[Illustration: THE POLITICAL MILL-ENNIUM.]
* * * * *
HINTS UPON HIGH ART.
Observant visitors to the National Academy of Design will allow that a
tendency to greatness is beginning to develop itself in certain
directions among our artists. In landscape some of them are almost
immense. The works of PORPHYRO warm the walls with rays of splendor, or
cool the lampooned sight-line with pearly gradations, as the case may
be. MANDRAKE renders feelingly the summer uplands and groves, and
SILVERBARK the melancholy autumnal woods. BYTHESEA infuses with
sentiment even the blue wreaths of smoke that curl up from the distant
ridge against which loom the concentrated lovers that he selects for his
idyllic romances. Gushingly he does his work, but thoroughly; and there
are other flowers than lackadaisies to be discerned in his herbage.
GUSTIBUS blows gently the foliage aside, and gives us glimpses through
it of rural contentment in connection with a mill, or some other
interesting object beyond. The pencil of SAGEGREEN imbues canvases, both
large and small, with infinite variety and force; and it is to
SKETCHMORE that the great lakes owe their remarkable reputation as
pieces of water with poems growing out of their broad lily-pads. Very
tender are the pastoral banks and brooksides of LEAFHOPPER. ELFINLOCKS
takes up his pencil, and lo! a hazy, mazy, lazy, dreamy vista where it
has touched. But hold! Our critical Incubus has taken the bit between
her teeth, and is beginning to run away with us. Stop that; and let our
readers enumerate the other first American landscape painters for
themselves.
Not so strong are our artists in domestic incidents and compositions of
life and character. We have STUNNINGTON, to be sure, whose traits of
American expression, whether white or colored, are most true to the
life; and there's BARLEYMOW, who will twist you an eclogue from the tail
of his foreground pig. Others there be; but space has its limits, and we
forbear.
As for our portrait limners, their name is Legion, and that
comprehensive name must go for all. Like BENVENUTO CELLINI they shall be
known for their jugs; and their transmission to posterity on the heads
of families is a thing to be reckoned on as sure.
For the higher flights of art the American painter is by no manner of
means endowed with the wings of his native eagle--wings that agitate the
cerulean vault, spattering it with splashes of creamy cloud-spray, and
churning into butter the stretches of the Milky Way. History has indeed
been illustrated by American art, but has it been enriched? The
WASHINGTONS and the WEBSTERS, the CLAYS and the LINCOLNS, have had their
memories dreadfully lampooned on canvas. Allegory does not inspire the
great American pencil. Tall art there is, and enough of it "at that;"
but of high art we have none to speak of, except the canvases that are
placed over doorways in the galleries of the Academy, and, in the sense
of elevation, may consequently be spoken of as high. All this is wrong.
Alas! that we should write it. Would that we could right it! And to
think of the musty subjects that our historical and allegorical men
select. Ho! young men--away with your CHRISTOPHER COLUMBUS; relegate
your METAMORA to his proper limbo; let WASHINGTON alone; and LINCOLN;
and OSCEOLA the Savage; and POCAHONTAS, and all the rest. Leave them
alone; and, taking fresh subjects, dip your brushes in brains, as old
OPIE or somebody else said, and go to work with a will. No fresh
subjects to be had, you say? Bosh! absurd interlocutor that you are.
Here's a bundle of 'em ready cut to hand. We charge you no money for
them, and you may take your choice.
SUBJECTS FOR WORKS OF HIGH ART.
PROVIDENCE tempering the wind to the shorn lamb.
ABSENCE OF MIND marking a box of paper shirt-collars with indelible ink.
MILTON "going it blind."
The late Mr. WILLIAM COBBETT teaching his sons to shave with cold water.
ST. PATRICK emptying the snakes out of his boots.
TRUE LOVE never running smooth.
NO MAN acting _Hero_ to his _valet de chambre_.
ROBERT BONNER taking DEXTER by the forelock with one hand, and TIME with
the other.
Subjects like these might be worked out to advantage. The field in which
they are to be found is almost unlimited; and they possess abundantly
the two grand essentials to success in art at the present time, as well
as in literature--novelty and sensation.
* * * * *
H.G. and Terpsichore.
AMONG the strange revelations about _Tribune_ people elicited during the
MCFARLAND trial, was the bit of gossip about Mr. GREELEY going to
Saratoga to "trip the light fantastic toe." That Mr. GREELEY'S toe is
"fantastic," every body who has ever inspected his "Congress gaiters"
must know, but as to its lightness we have our doubts. "What I know
about dancing" would be a capital subject for H.G. to handle, and we
hope that he will take Steps for doing it.
* * * * *
Sweeny's New Charter.
How doth the busy Peter B.,
Improve each shining hour!
From nettled young Democracy,
He plucks the safety-flower.
* * * * *
From Rome.
The POPE is said to be "out of Spirits." Why doesn't he come to
New-York, where he can get plenty of the article, either in the sense of
the Tap or in that of the Rap?
* * * * *
"He who was Born to be Hanged," etc.
On one of the mornings of the MCFARLAND trial, a very importunate person
attempted to force his way into the court-room, which, as he was told,
was already crowded "to suffocation." To this he retorted that he
"wasn't born to be suffocated." That's in substance what the late JACK
REYNOLDS said, and _he_ was mistaken.
* * * * *
The Difference.
Rice riots are reported as raging in all the ports of Japan. Rye was the
principal mover in the famous conscription riots of New-York.
* * * * *
A Celestial Idea.
No wonder the Chinese theatre in San Francisco is a success, considering
how skilful the actors must be in catching the Cue.
* * * * *
JUMBLES.
Did you ever hear of my friend BOOTSBY? "No." That's rather queer. I
see--you've been out of town. BOOTSBY is a man of standing--of decided
standing, I may say. He stands, in fact, a great deal. The heavy
standing round he does is enormous when the limited capacity of a single
mortal is taken in view. BOOTSBY stands round among every class of
people, and especially of politicians and potationers. He stands round
to talk, to hear, and especially to drink. The power of the man in this
last matter is wonderful, and the puzzle is, that his standing (and
perpendicularity) is not perceptibly affected. Of course there are times
when BOOTSBY'S standing is not so good. In so slippery a place as Wall
Street, it is found to be less certain; while in a crowd on Broadway,
waiting for a bus, it cannot be said to maintain a very remarkable
firmness. But as a whole, and as the world goes, BOOTSBY is a man of
standing. In the altitude of six feet ten, he may be called a man of
high standing. He feels proud of the fact. "Is it not better to be a
mountain than a mole?" he often asks in a proudly sneering manner of his
neighbor PUGGS, who is about as far up in the world as the top of a
yard-stick. It is very true that size is not quality, and a seven-footer
may be no better than a three-footer; but it is observed that a Short
Man is rarely any thing else. His stature is his measure throughout. My
own impression of myself is, that I don't care to be short; but if the
alternative were forced upon me, I should choose that of person rather
than of purse. BOOTSBY does not care much about money, and he carries
very little. Some people are like BOOTSBY, but most people are not. The
ladies, it is true, never, or rarely, want money. Like newspapers and
club-houses, they are self-supporting. In fact they surround themselves
with supporters which stay tightly. Mrs. TODD is peculiar in her wants
pecuniary. She, good soul, never wants (or keeps) money long, but she
doesn't want it _little_. She prefers it like onions, in a large bunch,
and strong. The reason why most women do not want money is because they
have no use for it. They never dress; they never wear jewelry; silks and
satins have no charms in their eyes; laces, ribbons, shawls never tempt.
To exist and walk upright in simpleness and quiet is the sum of their
desires. Dear creatures! how is it that they never want?
My neighbor, Mr. DROWSE, desires to know where you get all your funny
things for PUNCHINELLO? He knows they are there, does Mr. DROWSE; for he
gets my copy of the penny postman, and he keeps it, too. It is the only
good taste my neighbor has displayed of late years. I tell Mr. DROWSE
that you make your fun. He further asks, Where? I tell him in the
attic--up there where they keep the salt. He desires to know the size of
attic. Of course he has never seen your noble, capacious, alabaster
forehead, else he would perceive the source of those scintillations of
light and warmth which radiate throughout the universe every Saturday
for only ten cents. He is curious also to know about the salt, and
doesn't comprehend how or where you use it. He used to use it when a boy
in catching birds by putting the briny compound on the tails of the
same, and _that_ he used to call "fun alive;" but he don't see it--the
salt--about PUNCHINELLO. I suspect Mr. DROWSE doesn't see the sellers,
(certainly he avoids them when PUNCHINELLO is offered, much to my
mortification, and one dime to my cost,) and so is not likely to discern
the source of the fun. I merely informed Mr. DROWSE that the editor was
very tall, very handsome, with very black skin and rosy hair, (at which
he opened his eyes with astonishment, and asked if I meant so; at which
I said, "Yes, I guess so,") and that he laughed out of his nose, eyes,
head, and hands, as well as his mouth. DROWSE wants to see the editor
very much. He has seen men with black skins and hearts, (for he used to
know lots of politicians;) but wants to put his vision on some "rosy
hair"--and when he does, no doubt his gaze will be fixed. It is healthy
sometimes to have the gaze fixed; and often, like sauce-pans and
sermons, it has to be fixed. When Mr. DROWSE calls at 83, please show
him in Parlor 6 with the Brussels, fresco-work, and lace curtains.
April is a model month. So serene, steady, clear, and balmy. Nothing
but blue sky, gentle zephyrs, kissing breezes, genial suns by day and
sparkling stars by night. PUNCHINELLO no doubt likes sparkling
stars--stars of magnitude--stars that show what they are. PUNCHINELLO
perhaps goes to NIBLO'S, and not only sees plenty stars, but plenty of
them. But of April. It is called "fickle;" but that's a slander. "Every
thing by turns and nothing long"--that is a libel on which a suit could
be hung. The same vile falsehood is cruelly uttered of some women, when
every body knows, or should know, that these same women are nothing of
the sort. Who ever knew a fickle woman?
Where in history is there record of such an Impossibility? Fickle--that
implies a change of mind. What woman ever changed her mind any more than
her hands? Nonsense, avaunt!--banished be slander! April is _not_
fickle--woman is _not_ fickle. As one is evenly beautiful, divinely
serene, bewitchingly winning, so is the other sunny, cerulean, balmy,
paradisiacal. April for ever--after that the rest of the calendar.
Does PUNCHINELLO believe in the Woman Movement? TODD does. He believes
woman should move as much as man; and he regards her movement in such
numbers to the great West as full of hope (and husbands) for the sex.
Mrs. TODD has not as yet been irresistibly seized by the movement; but
if TIMOTHY knows himself, he longs for the day when the seizer may come.
Although TODD--who is the writer of this epistle--says it, who perhaps
shouldn't, lest the shaft of egotism be hurled mercilessly at him, he
does unhesitatingly say that to aid this movement he would make the
greatest of sacrifices. He is willing to sacrifice his wife and other
female relations upon the sacred altar of the movement, and contribute
liberally to the expense thereof. He is quite willing they should
vote--early and often, if need be; but he wishes to see the movement go
westward like the Star of Empire--westward _viâ_ cheerful Chicago. TODD
trusts PUNCHINELLO will espouse this movement; for if it does, it--the
movement, no less than PUNCHINELLO--will go straight onward and upward;
but not by the route known as the Spout.
Mucilage is a good thing. It is now extensively used in Church, State,
and Society. We use it largely at the Veneerfront Avenue Church, of
which Rev. Dr. ALEXANDER PLASTERWELL is pastor. Of course, Mr.
PUNCHINELLO, you know that distinguished church, and have no doubt often
listened to the distinguished Dr. PLASTERWELL. He is a kind man, has a
high forehead, a Roman (Burgundy) nose, and a sweet, soft head--I should
say heart. He has--great and good man--the largest faith in mucilage. He
often makes it a text, and he sticks to it, he does--does Dr.
PLASTERWELL. Nothing like mucilage, PUNCHINELLO. It is the hope of the
human race, and the salvation of woman. It is the Philosopher's Stone in
solution; the essence and link which connects and cements all that is
great, good, and lovely, in the past, present, and future. At least,
such is the humble opinion of
TIMOTHY TODD.
* * * * *
HINTS TO CAR CONDUCTORS.
When standing in Printing House Square, your destination being Grand
Street Perry or Bleecker Street, if a stranger asks whether you are
going to Harlem, nod, as it is considered improper to answer in the
negative. If he finds out the mistake, you can plead deafness.
When called upon to stop, never attempt to comply. There are several
reasons why you should not. In the first place, if you did stop, it
would show that you have no will of your own, and since the passage of
the Fifteenth Amendment, _all_ men are equal in this country.
You may stop about two blocks from the place named, just to please
yourself and prove your independence; but take particular care to start
the car when the passenger is half off the steps. If there is a young
surgeon in the neighborhood, you can enter into an arrangement to break
arms and legs in this way with impunity, have the maimed "carried into
the surgery," and share the fees with the operator. Occasional cases of
manslaughter may take place; but don't mind that, as coroners' juries in
New-York will return verdicts of "death from natural causes." Besides
this, remember that you have a vote, and that both coroners and judges
are dependent upon the people. When a lame old gentleman hails you,
beckon him furiously to come on, but be sure, at the same time, to urge
the driver to greater speed.
It is no part of your business to have change, so never give any, but
drive on: people should provide for and look after their own business
and that is none of yours.
Always drive through the centre of a target company or funeral
procession, never minding whether you kill one or more, and then abuse
the captain or the undertaker for his stupidity.
By the adoption of these essential rules, and by adding a good deal of
incivility, you will soon reach the top of the wheel of your profession
and in due time have a testimonial presented to you by an admiring and
grateful public.
* * * * *
Out in the Cold.
Commissioner Tweed proposes a new outside Bureau of the Department of
Public Works, for late-Commissioner MCLEAN. He is to be Superintendent
of Refrigerators.
* * * * *
[Illustration: THE LANDING OF THE PILGRIMS.
ENGRAVED BY SPECIAL PERMISSION FOR PUNCHINELLO, FROM THE ORIGINAL
PAINTING, BY MILES STANDISH, IN THE COLLECTION OF METHUSELAH PILGRIM,
ESQ., OF PILGRIMSVILLE, MASS.]
* * * * *
TO CAPTAIN HALL.
(IN ANTICIPATION OF HIS TRIP TO THE POLE.)
HALL! HALL!
D'ye hear our call?
Or, do you fancy it to be
A weather sign--merely the pre-
Monition of a squall
At sea!
HALL!
You pay no heed at all.
Nevertheless, O hardy mariner!
(A Snow-Bird brings this with our kindest love,)
We're sorry you prefer
Those frigid walks (ever so far above
The 80th parallel, we guess!)
To stocks, and tariffs, and domestic bliss;
Yes, yes,
Captain, we're sorry it has come to this!
Why do you madly thirst
For grog that's chopped up with a hatchet? say!
And tell us of the first
Strange thought which spurred you to go up that way!
Was it the hope that on some icy coast
(Frozen, yourself, almost!)
You'd have the luck to meet poor FRANKLIN'S ghost?
And has it seemed, sometimes,
That drowning might be pleasanter up there
Among the icebergs, native to those climes,
Than where
The surf breaks gently on some coral-reef,
And sirens sweetly soothe one's slow despair?
Say, was that your belief?
And who is BENT?[*]
Why was _he_ sent,
With his Warm Currents wheeling round the Pole?
A long, long race must his disciples run:
No sun,
No fun,
No chance to toss a word to any one;
And what a goal?
As hopefully you munch
The flinty biscuit, watching whale or seal,
Or listening, undaunted, to the crunch
Of ice-floes at the keel,
Say, Sir Intrepid! shall you really think
You pioneer the navies of the world?
Not while the chink
Of well-housed dollars sounds so pleasantly,
And safer tracks map out the treacherous sea!
If that's your dream, oh! let your sails be furled.
But, no!
It is not this! Your spirit, high and bold,
Scorning all tamer joys, will have it so!
No cold
Can chill its ardor! Such a soul would sate
Its deathless craving in some lofty flight,
Some deed sublime, and read its shining fate
By the Aurora's light!
For fruitful fellowship, it seeks the wild,
The frozen waste,
Where the world's venturous heroes--reconciled
To sunless, shuddering gloom--
To joyless solitude--with ardor taste
Their dread delights! and so at last find room,
'Mid nodding icebergs, for their watery tomb!
For this, we spare you,
O dauntless HALL! Once having breathed that air
So pure, so fresh, so rare!
And caught the wildness of the Esquimaux,
We declare you
Unfit to live where beans and lettuce grow!
Leave delving to the little pitiful mole,
Great soul!
And now, then, for the Pole!
[Footnote *: Captain BENT, of Cincinnati, originator of the new theory
of Polar Currents.]
* * * * *
[Illustration: FINANCIAL RELIEF
MR. BUMBLE BOUTWELL TO MRS. CORNEY FISH. _(See Oliver Twist.)_ "THE GREAT
PRINCIPLE OF FINANCIAL RELIEF IS TO GIVE THE BUSINESS MEN EXACTLY WHAT
THEY DON'T WANT: THEN THEY GET TIRED OF COMING."]
* * * * *
CONDENSED CONGRESS.
SENATE.
MR. SUMNER said he was the friend of the oppressed. That, as was well
known, was his regular business. Unfortunately, the Fifteenth Amendment
had rendered the colored man incapable of being hereafter regarded as an
oppressed creature. He was sorry, but it could not be helped. He was
therefore forced to go down the chromatic scale of creation and find
another class of clients. He found them in cattle. HOMER had sung about
the ox-eyed Juno, and WALTER WHITMAN about bob veal. COWPER had remarked
that he would not number in his list of friends the man who needlessly
set foot upon a cow. He mentioned these things merely to show that
railway companies had no right to starve cattle. He proposed an
amendment to the Constitution, to provide that a dinner of at least
three courses should be given to cows daily. Mr. DRAKE was heartily in
favor of the proposition. He had got his feet in a web, so to speak, by
paddling in the political waters of Missouri, and some people had gone
so far as to call him "quack." He demanded redress.
Mr. WILSON didn't see the use of all this legislation to protect
animals. Animals had no votes, although he admitted a partial exception,
in that every bull, it had its ballot. But he had something practical.
Here was a jolly job, the Pacific Railway grant. There was a good deal
more in it than they had made out of any other GRANT. Mr. THURMAN'S
suggestion, that this land ought to be occupied by actual settlers, he
scorned. "Actual settlers" were of a great deal more use to him in
Massachusetts, where they could vote for him, than in the territories,
where that boon would not be extended to them. It was much better that
they should be occupied by imaginary settlers, who could pay and not
vote. Actual "settlings" were the dregs of humanity.
The Georgia bill came up, as it does every day with much more regularity
than luncheon. The Senate has succeeded in muddling it to that degree of
unintelligibility that nobody has the slightest notion what it provides.
It is, therefore, in a condition to give rise to infinite debate. After
several senators had said enough for a foundation for thirty columns
each in the _Globe,_ they let it go for the present. The present was the
one promised by Senator WILSON in return for the Pacific Railway grab
grant.
HOUSE.
The House is given over to the tariff. A very indelicate discussion has
been had upon corsets. Mr. BROOKS was of opinion that the corset would
tariff it were subjected to any more strain in the way of duties. Mr.
MARSHALL remarked that the corset avoided a great deal of Waist. It was
whalebone of his bone, or something of that sort. It was one of the main
Stays of our social system.
Mr. SCHENCK made another speech. He ripped up the foreign corset in a
truculent manner. He said that American corsets were far superior, only
American women had not the sense to see it. The effect of taking off the
duty on corsets would be to take off the corsets.
Mr. BROOKS called the hooks and ayes on the corsets. Mr. SCHENCK opposed
the call. He had found a simple tape much preferable. He wished a
coffer-dam might be put upon the roaring BROOKS.
Somebody at this point brought up a contested election case; but Mr.
LOGAN objected to its being considered. What, he asked, was the use of
wasting time? There was money in the tariff. There was no money at all
in voting a Democrat out, and a Republican in. They could do that any
day in five minutes. His friend Mr. BUTLER had recently remarked, one
Democrat more or less made no difference. But Mr. BUTLER forgot that the
larger the majority, the larger the divisor for spoils, and therefore
the smaller the quotient and the "dividend." He did not know much about
arithmetic. He had never been at West Point; but he believed that a
million dollars, for instance, would go further and fare worse among two
hundred men than among three. If the House were not careful, there would
be a glut of Republicans in it, and the shares would be pitifully
meagre. As for him, he had a great mind, (derisive cheers)--he repeated,
that he had a great mind to vote for a Democrat next time.
In spite of Mr. LOGAN'S warning, the House voted in a couple or so of
Republicans, and then resumed the duty on wool.
Mr. Cox thought this wool had been pulled over the eyes of the house
often enough. It reminded him of an expedition, of which Mr. LOGAN had
never heard, in search of a "Golden Fleece."
Mr. JENCKES, and Mr. SCHENCK, and Mr. KELLEY called him to order in
behalf of their constituents, who were in the wool business, and said
that "wool" in one form or another had always been the staple of their
political career.
Mr. BUTLER said he had a little game worth two of that. He wanted to buy
San Domingo. In this there were plenty of commissions, and hundreds of
thousands of colored votes.
* * * * *
FIFTEENTH AMENDMENT.
ALDERMANIC RECEPTION UP-TOWN.
CAESAR, walk in! Ah POMPEY! how d'e do?
This way, CLEM! Gentlemen, please walk right through!
GEORGE, how's your mother? Fine day, PETE--fine day!
Well, how are things down there at Oyster Bay?
Ah AUNTIE! how's your rheumatiz, this spring?
Well, Mr. JOHNSON, did you try that sling?
Why, this is Uncle STEVE! How-do-you-do.
Uncle? Sit down. What can I do for you?
Well, Mr. PRINCE! You must be busy, now.
Whitewashing is the best thing done, I vow!
Why, hel-lo! REGIS! From the Cape so soon?
When do you open, this year--first of June?
Come, gentlemen--some wine? Now, don't refuse!
What! temperate? teetotal? Well, that's news!
And good news, too! Well, coffee, then. You see,
My friends, the _sentiment's_ the thing with me.
The real Mocha, AUNTIE! Simon pure!
Raised by free Arabs. For I can't endure
A single thing that's flavored with a Wrong!
Yes, AUNTIE, you are right, I've "come out strong!"
So have the Colored People, I may say!
(One fact explains the other, up this way!)
They've proved their strength! It's settled, sure as a gun,
That every Colored Voter now counts One!
Now, gentlemen, you'll be surprised to find
So many people with your turn of mind!
But, sure as tricks! remember what I say--
You'll learn some things before Election Day!
POMPEY--'twon't take much time, (and you can spare it!)
Try this old fiddle, picked up in the garret!
Good? It's your fiddle! AUNTIE, here's a pound
Of that same genuine Mocha, ready ground!
Say, Uncle STEVE, I've got a fish for you,
Down at the market. Call again, PETE; do!
I'll have a job for you and CAESAR soon:
It's only waiting for a change of moon.
CLEM, how'd you like a chance to wait on table?
Or, would you rather drive, and run my stable?
GEORGE, in the kitchen there's a pan of souse!
Going? All gone? Now, BRIDGET, air the house!
* * * * *
Historic Parallel.
THE JACK CADE movement came near destroying London. The Ar-Cade movement
threatens to destroy Broadway.
* * * * *
[Illustration: A CHEAP LUXURY.
SNIFFLES LOVES THE SMELL OF ROASTED CHESTNUTS, AND ENJOYS IT FOR HOURS
EVERY DAY; BUT HE NEVER EATS ANY--WHICH ACCOUNTS FOR THE JOYOUS EXPRESSION
ON THE FACE OF THE VENDER.]
* * * * *
BUSINESS.
A CHICAGO LAY.
I saw her sweet lip quiver,
As he started for the store.
Because he hadn't kissed her
"Several" times or more.
She cried "This horrid business!"
And then flew to her glass;
"Oh! why his cold remissness?
Have I grown plain, alas?"
But no, that truthful article
Revealed her charms intact,
She hadn't lost one particle,
But had improved, in fact.
At nine the case was opened,
At ten the case was o'er;
The jury brought their virdict--
She was his wife no more.
That night the husband started,
And--"_you_ bet"--he swore,
To find his wife departed,
And "_To Let_" on the door.
Next day he moved and married.
And, that his bride might stay,
He kissed her every morning
Before he went away.
* * * * *
Pot-umania.
A correspondent writes that a new mania has sprung up among the ladies
of Edinburgh--a fancy for learning to cook. There is a much older mania
in some parts of that country--a fancy for something to cook.
* * * * *
About a Foot.
A BOOT when it's on.
* * * * *
IMPORTANT TO PUBLISHERS.
One of our corps of Philosophers (a trifle visionary, perhaps) has been
speculating as to certain possible (or, perhaps, impossible) results
flowing from the practice among publishers of ante-dating their monthly
issues. Thus, supposing that the world should be destroyed by fire (and
why not? it is bad enough) on the 15th of May, 1870, and a cover of,
say, _Putnam's_ for June, carried up by an air-current, should, after
floating about ever so long in space, finally descend on some friendly
planet--we will say, Venus. Here it would naturally get picked up by an
archaeologist, (who would be on the spot looking out for it,) and the
interesting relic would be promptly and reverently deposited among the
other Vestiges of Creation, in the Royal Cabinet. In the course of
years, some historian would probably have occasion to turn over these
curiosities, and would presently light on the scorched but still legible
waif. "Why," says he, in astonishment, "I thought the earth was burnt on
the 15th of May! To be sure, it was _in the night_, and nobody saw it
go, [think of that, conceited Worldling!] but it was missed by somebody
the day after. But here we have a document from the late unfortunate
planet dated the first of June!"
Of course, upon this the History of the Universe would have to be
rewritten, or that odd fortnight would play the mischief somewhere!
* * * * *
A Boston Boy.
HUB-BUB.
* * * * *
"Curses Come Home to Roost."
They are putting the Fifth Avenue pavement in front of the City Hall.
* * * * *
To Politicians.
Will the working of the Fifteenth Amendment oblige a candidate to show
his Color before election?
* * * * *
So We Go!
We notice, with much agitation and a reasonable amount of grief, that
somebody in Philadelphia (possibly Miss ANNA DICKINSON) has invented a
machine for the laundry called The King Washer! A few years ago it would
have been The Queen Washer; but in these days the name seems to indicate
that to Man, unhappy Man, will speedily be committed the destinies of
the weekly washing. Oh! the rubbing, the rinsing, the wringing. But Mr.
PUNCHINELLO has already communicated to Mrs. PUNCHINELLO his sentiments
upon this subject. Under no circumstances will he get at the family
linen. He must make a stand somewhere, and he makes it here.
* * * * *
Let them Bark.
Miss BARKALOW has been admitted to practice at the bar in St. Louis. We
have frequently before seen young ladies at a bar, where others
practiced more than they did; but we do not see why, if Miss BARKALOW
wishes to bark aloud, she should not be allowed to bark, aloud or
otherwise. Barking may be particularly good in a cross-examination; but
we presume that a lady attorney's bark will be always worse than her
bite.
* * * * *
"She Stoops to Conquer."
The girl with the Grecian Bend.
* * * * *
Query.
Is it allowable for a Temperance man to be Cordial to his friends?
* * * * *
Weak as Water.
Our cynical friend A. QUARIUS writes us from Philadelphia, that
considering the manner in which the Sunday liquor law is enforced in
that city, he thinks his native place is still entitled--perhaps more
than ever entitled to be called the city of Rye-tangles. This is
ungrateful.
* * * * *
SPIRITUAL SUSCEPTIBILITY OF CATS.
DEAR PUNCHINELLO: Our Society has been very learnedly debating as to
whether Cats are susceptible of spiritual impressions; and, although the
burden of opinion inclines to the negative of the question, I am firmly
persuaded there is much to justify a contrary judgment.
As I slept the other night, neither dreaming nor holding psychological
intercourse of any description with outsiders, I was awakened suddenly
about the first hour of the morning by a noise. I am quite certain it
was a noise, and have therefore no hesitation in so recording it. The
new moon hung athwart the western sky, and a few fleecy clouds were
chasing each other like snow-drifts across the blue vault of the night.
I may likewise note the fact that the stars were doing what they usually
do, notwithstanding the difference of opinion that sometimes exists as
to what that is. It was the evening after "wash-day," and family linen,
in graceful curves and undulating outlines, everywhere met the eye as it
turned from contemplating the stars to contemplating the clothes-lines
in the gardens. But I wander. The noise? Ah! yes. Well, it was not like
the collision of two hard substances, but rather of the heavy "thud"
order of sound, like the descent of a solid into a soft substance; say,
for instance, of a flat-iron into a jar of unrisen buck-wheat batter. I
glanced along the ghostly battalions of family linen; along the fences
traversed by feline sentries; along the latticed arbors; but nothing to
indicate the origin of the alarm could be discovered, and as at that
moment a breeze stirred in the apartment, producing a chilling
sensation, I thought it prudent to jump back into bed.
Next morning, upon making my usual visit to note the progress of the
early bulbs in the flower-beds, I encountered at the further end of the
garden the remains of a cat--a portly and ancient grimalkin of the
sterner sex. Close at hand was a bottle lying face downward, and corked.
I raised it--first in my hands, and then to my lips. The cork fell out,
accidentally as it were, and, as a consequence, death. "Poor thing!" I
murmured; "poor--" and a portion of the contents glided carelessly down
my throat. I perceived that the liquid was "Old Rye." As I stooped down,
tears would have come to my eyes; but it was useless, seeing that the
breath had left the unfortunate's body. Nevertheless, I rested my hand a
moment upon his head, and then glided it in a semi-professional manner
along the line of dorsal elevation, until I came to a deep depression in
his backbone, which corresponded exactly with the convexity of the
bottle. Then I saw at once how it was; this missile, (in the heat of
passion, being mistaken for an empty one, probably,) had been hurled by
some treacherous hand upon the unsuspecting Tom, striking him midway
between the root of the tail and the base of the brain, causing instant
suspension of his vertebral communications, "Poor thing! You were the
victim of a Catastrophe. You were also the victim of the bottle. The
'Rye' was too heavy for you, and should have been drawn milder." This
said, I turned sadly away to find a burial spade, and it then occurred
to me that this little incident was kindly meant to confirm my view that
cats are susceptible, even to a fatal extent, of spiritual
impressions--especially when conveyed by spirits of "Old Rye."
GOBBO.
* * * * *
From the Tombs.
When a drunken man has been locked up for beating his wife, it is
reasonable to suppose that he must feel rather the worse for lick her.
* * * * *
[Illustration: PERSONAL GOSSIP.
(From the Daily Press.)
"A SON OF ONE OF OUR WEALTHIEST RESIDENTS DISPLAYS GREAT TALENTS AS A
SCULPTOR. HE IS BUT NINE YEARS OLD."]
* * * * *
A BIT OF NATURAL HISTORY.
Naturalists tell us that the _Aye-aye_ is a small animal of Madagascar,
with sharp teeth, long claws, and a tail; which eats whatever it can
grab, and says nothing day or night but _aye-aye_. Now, we find that,
AGASSIZ to the contrary notwithstanding, this strange and not very
useful animal is indigenous to the State of Pennsylvania. It especially
frequents Harrisburg; and may be seen and heard any day there, in the
Senate or House. Being an active member of that House, your
correspondent has been present during the passage of three hundred bills
within a week or two, in about one hundred and ten of which he had some
personal interest.
Lifting his eyes one day from his newspaper, when the Speaker took the
vote on an "Act to amend the Incorporation of the City of Philadelphia,"
which your correspondent happened to know included the presentation of a
three-story brownstone front to each of a committee of six members of
the House, he found there was not one member in his seat; but, in the
place of a few, there was a company of these remarkable _Aye-ayes_,
responding duly to the call for a vote; but never a _no_ among them. No,
no!
Now, your correspondent holds the deliberate opinion that, in several
respects, these aforesaid small animals of Madagascar might be an
improvement upon the average Pennsylvania legislators. And, if your
correspondent had to do with getting up the other one hundred and ninety
bills, as he did the one hundred and ten, all right: Otherwise, _not_.
How does PUNCHINELLO regard it?
Yours, LEGISLATOR.
* * * * *
An Augean Job.
PUNCHINELLO has telegraphed to Governor GEARY his approval of the
"Sewage Utilization" bill at Harrisburg, on one condition: that the
first piece of work be finished up by the members of the Pennsylvania
Legislature with their own hands; that work to be, to make up into
_decent_ manure, _deodorized_ and _disinfected_, all bills passed at the
late session of their House and Senate. Since, however, complete
deodorization is probably _impossible_, PUNCHINELLO advises also that
the said members be required to cart all their stuff out to the Bad
Lands of Nebraska, and remain there to make the best use of it; or else
make a contract with Captain HALL to ship it and them to the Arctic
regions at once.
* * * * *
On the Finances.
Says Crispin, "Did not somebody say it was BOUTWELL in the Treasury now?
A great mistake. About well, to be sure! When the newspaper men have
111-1/2 of gold, and I haven't a round dollar! Where did they get it?
And then the legal tender question. I never asked but _one_ tender
question in all my life, and that was to SUSAN and she said, Yes. And
then we were legally married. Nobody ought to ask such questions _out
loud_; it's not _decent_. And _fine answering_ an't much better.
Financiering, is it? Ah! well. _Specious assumption_, too; but that
requires brass, and I want _gold_. Meantime, who's got a twenty-five
cent note?"
* * * * *
Massachusetts Flats.
Massachusetts must abound in Flats. Its Legislature is annually agitated
from the sands of Cape Cod to the hills of Berkshire over the question.
It is said to be wisdom to set a rogue to catch a rogue. Is it equally
so to set a flat to catch one?
* * * * *
NATIONAL TAXIDERMY.
[Illustration 'P']
PUNCHINELLO has for some time past carefully considered the subject of
our national tariff of imposts, (_that is to say, he happened to see, in
a Tribune, the other day, that lucifer matches were now to be stamped
separately, and not by the box, as heretofore_) and he has come to the
conclusion, after duly weighing in his mind all the arguments for and
against the present system of taxation, (_that is to say, he made up his
mind the minute he read the article_,) that what the present tariff
needs, is a more thorough application and a better classification; or,
what the technologists call Taxonomy, which term is suggested to him by
a work on the subject which he has been recently studying. (_That is to
say, he looked in the dictionary to find out what Taxidermy meant, and
seeing Taxonomy there, snapped it up for a sort of collateral pun_.) As
an illustration of what our impost legislators (or imposters) ought to
be, let us take the Taxidermist. He is one who takes from an animal
every thing but his skin and bones, and stuffs him up afterward with all
sorts of nonsense. Now, our National Taxidermists ought to take a lesson
from their original. Many of the good people of the United States have
much more left them than their skin and bones. Why is not all that
taken? The condition of the ordinary stuffed animal of the shops is
strikingly significant of what should be expected of loyal communities.
(_That is to say, communities which vote a certain ticket which need not
be named here_.) It is often said that there are things which flesh and
blood will not bear. Now, a thorough system of Taxidermy remedies all
this. A stuffed 'possum, for instance, having no flesh or blood, will
bear any thing. When the people of this country are thoroughly cleaned
out, they will be just as docile. Among the things which PUNCHINELLO
would recommend as fit subjects of taxation, is a man's expenses. They
have not been taxed yet. If he pays for his income, why not for his
outgoes? The immense sums that are annually expended in this country for
this, that, and the other thing ought certainly to yield a revenue to
the government. (_That is to say, there ought to be a new army of
collectors and assessors appointed. P. knows lots of good men out of
office_.) And then there's a man's time. Why not tax that? Nearly every
man spends a lot of time, and he ought to pay for it. As it would be our
tax, it could not be a very minute tax, although it is only the second
tax which we have suggested. (_That is to say--- something pun-ny_.) And
besides these things, there's energy. We often hear of a man's energies
being taxed; but, so far as the matter is apparent to the naked eye, it
is difficult to see whose energies are taxed for the good of the
government at the present day. This subject should certainly be
investigated. (_That is to say, a committee of Congressmen should be
appointed, with power to send for persons, papers, and extra
compensation_.) Politics, too. Every man has his politics, (_that is to
say, every man except Bennett_,) and they ought to be taxed, if for no
other reason than the great impetus the measure would give to the
erection of fences throughout the land. And letters, too. If every one
sent by the mail should yield one cent to the Treasury, how the currency
would be inflated in that locality! (_That is to say, in the locality to
which the collectors would abscond_.) But it is impossible, with the
limited time at his disposal, for PUNCHINELLO to enter into a full
examination and elucidation of this subject. (_That is to say, he can't
think of any more illustrations just now, and the printer wouldn't stand
any more, if he could_.) But it must be admitted that the great task of
opening up the country, of which we hear so much, will never be complete
until the Washington skinners and stuffers get us all into the prepared
specimen condition. (_That is to say, when the people are all willing
to_ "_dry up_.")
* * * * *
JOHN CHINAMAN'S BILLING AND COOING.--Pigeon English.
* * * * *
CABLE NEWS.
(EXCLUSIVELY FOR PUNCHINELLO.)
QUEEN ISABELLA has sent her compliments to Señor CASTELAR, as well as to
General PRIM, informing them that, on the whole, she thinks she will
_not_ return to the throne of Spain. It does not agree with her quiet
and refined tastes and habits to live so much in public. All she wants
now is a little _château en Espagne_. She proposes to send her son,
Prince of ASTURIAS, to Professor CASTELAR, to study modern history. Is
it not odd, by the way, that a country so long _Mad-rid-den_ as Spain,
should have now a governor with such a name as PRIM? But, what's in a
name? BOURBON, by any other name, would smell as sweet. Some, however,
prefer Old Rye. I prefer _water_ to both; _especially_ to BOURBON.
It's an old story that _two positives make a negative_. Paris news tells
us that a late will case has exemplified this. COMTE, you know, was a
_positive_ philosopher. He had a positive wife. She had a will of her
own. He wrote a will of his own. Consequently, it got into court. Mme.
COMTE it seems, who did not agree with the philosophy while the
philosopher lived, wanted his MSS. after his death. Positively, the
court did not see it in that light; and so the negative came out. It was
a case of no go, or _non-ego_, as HEGEL might have called it. Did you
ever read HEGEL? I didn't; and I advise you not to begin. It won't pay.
I am told that he divided all things into Egos, She goes, and Non-egos,
or No-goes. The latter particularly; So do I.
But to return to Spain; or rather to Paris. Don FRANÇOIS D'ASSISSI has,
it appears, suddenly discovered that his wife is not Queen of Spain so
much as she was. Much less so. So, he has found her company rather
expensive than agreeable; and proposes to abdicate it. Not so _very_
much of an ass, is he? Bravo for Don FRANÇOIS!
In London, _to-morrow_ will be made famous in literature by _the_ great
dinner in honor of the advent of PUNCHINELLO. Mr. PUNCH is talked of to
preside. An unprecedented rush for tickets has begun. More about it in
my next.
PRIME.
* * * * *
Cutting.
We see extensively advertised the "Saxon Razor;" but have not yet
summoned up sufficient courage to try this article, which "no
gentleman's dressing-case should be without." We cannot dispossess our
minds of the apprehension of cutting ourselves, remembering that line
descriptive of the combat between FITZ-JAMES and RODERICK DHU, in which
it is said, that,
"----thrice the Saxon blade drank blood."
* * * * *
Musical.
The vocal abilities of hens are admitted; but they rarely attempt the
Chro-matic scale.
* * * * *
De Jure.
No man can now be a juror who knows any thing about the case which he is
to try. Thus a juryman was challenged in the MCFARLAND case merely
because he belonged to Dr. BELLOWS's church. It was held that he might
possibly have got Wind of the matter while listening to the Doctor's
discourse.
* * * * *
BOOK NOTICES.
AN OLD-FASHIONED GIRL. By LOUISA M. ALCOTT. Boston: ROBERTS BROTHERS.
New-York: D. APPLETON & Co.
The author of "Little Women" seeks, and not without success, to draw
from her "Old-Fashioned Girl" a contrast and a moral. She presents to
our view two young ladies of opposite "styles." One is fresh and rural:
the other isn't. The difference between country and city bringing-up is
the point aimed at; and the difference is about as great as that between
the warbling of woodside birds and the jingle of one of OFFENBACH'S
tunes on a corner barrel-organ. The book is neatly set forth, with
illustrations by Messrs. ROBERTS, BROTHERS, of Boston.
RED AS A ROSE IS SHE. By the author of "Cometh up as a Flower," etc.
New-York: D. APPLETON & Co.
A readable book, notwithstanding that there are several naughty
characters in it, or perhaps _because_ there are. Probably it depicts
with truth the kind of society presented. If so, all the worse for
society. Shall we never again have healthful, virtuous novels of the old
school, such as "Tom Jones?" The book is published in tasteful form by
Messrs. D. APPLETON & Co.
+--------------------------------------------------------------+
| |
| A. T. STEWART & CO. |
| |
| ARE OFFERING |
| |
| Extraordinary Inducements, |
| |
| IN PRICE, STYLE, AND QUALITY, |
| |
| TO HOUSEKEEPERS |
| |
| IN |
| |
| Linens, Sheetings, |
| |
| DAMASKS, NAPKINS, TOWELLINGS, |
| |
| DRESS LINENS, PRINTED LINENS, |
| |
| FLANNELS, BLANKETS, QUILTS, |
| |
| COUNTERPANES, SHEETINGS, |
| |
| Bleached and Brown Cottons, |
| |
| Standard American Prints, etc., etc. |
| |
| BROADWAY, |
| |
| 4th Ave., 9th and 10th Sts. |
| |
+--------------------------------------------------------------+
| |
| A. T. Stewart & Co. |
| |
| HAVE OPENED A LARGE ASSORTMENT OF |
| |
| LADIES' PARIS MADE DRESSES |
| |
| AND |
| |
| WALKING SUITS, |
| |
| In Silk, Poplin, and Linen, |
| |
| ENTIRE NEW DESIGNS. |
| |
| FRENCH SILK CLOAKS, |
| |
| AND |
| |
| SHORT STREET SACQUES. |
| |
| Children's Cloaks, Ladies' Breakfast Jackets, |
| |
| Ladies' Pique, Swiss, and Cambric |
| |
| Morning Robes and Walking Suits, |
| |
| LADIES' UNDERGARMENTS |
| |
| Of every description. |
| |
| French, German, and Domestic Corsets, |
| |
| Woven and hand-made. |
| |
| JUST RECEIVED. |
| |
| AT EXTREMELY ATTRACTIVE PRICES, |
| |
| BROADWAY, |
| |
| Fourth Ave., Ninth and Tenth Sts. |
| |
+--------------------------------------------------------------+
| |
| _The two great objects of a learner's ambition ought to be |
| to speak a foreign language idiomatically, and to pronounce |
| it correctly; and these are the objects which are most |
| carefully provided for in the_ MASTERY SYSTEM. |
| |
| The Mastery of Languages; |
| |
| OR, |
| |
| THE ART OF SPEAKING LANGUAGES IDIOMATICALLY. |
| |
| BY THOMAS PRENDERGAST. |
| |
| _I. Hand-Book of the Mastery Series. |
| II. The Mastery Series. French. |
| III. The Mastery Series. German. |
| IV. The Mastery Series. Spanish._ |
| |
| PRICE 50 CENTS EACH. |
| |
| _From Professor E. M. Gallaudet, of the National Deaf Mute |
| College._ |
| |
| "The results which crowned the labor of the first week were |
| so astonishing that he fears to detail them fully, lest |
| doubts should be raised as to his credibility. But this much |
| he does not hesitate to claim, that, after a study of less |
| than two weeks, he was able to sustain conversation in the |
| newly-acquired language on a great variety of subjects." |
| |
| FROM THE ENGLISH PRESS. |
| |
| "The principle may be explained in a line--it is first |
| learning the language, and then studying the grammar, and |
| then learning (or trying to learn) the language."--_Morning |
| Star_. |
| |
| "We know that there are some who have given Mr. |
| Prendergast's plan a trial, and discovered that in a few |
| weeks its results had surpassed all their |
| expectations."--_Record_. |
| |
| "A week's patient trial of the French Manual has convinced |
| me that the method is sound."--_Papers for the |
| Schoolmaster_. |
| |
| "The simplicity and naturalness of the system are |
| obvious."--_Herald_ (Birmingham.) |
| |
| "We know of no other plan which will infallibly lead to the |
| result in a reasonable time."--_Norfolk News_. |
| |
| FROM THE AMERICAN PRESS. |
| |
| "The system is as near as can be to the one in which a child |
| to talk."--_Troy Whig_. |
| |
| "We would advise all who are about to begin the study of |
| languages to give it a trial."--_Rochester Democrat_. |
| |
| "For European travellers this volume is |
| invaluable."--_Worcester Spy_. |
| |
| Either of the above volumes sent by mail free to any part of |
| the United States on receipt of price. |
| |
| D. APPLETON & CO., Publishers, |
| |
| 90, 92, and 94 Grand Street, New York. |
| |
+--------------------------------------------------------------+
| |
| RED AS A ROSE IS SHE. |
| |
| _Third Edition._ |
| |
| D. APPLETON & CO., |
| |
| 90, 92, and 94 Grand Street, |
| |
| Have now ready the Third Edition of |
| |
| RED AS A ROSE IS SHE. |
| |
| By the Author of "Cometh up as a Flower." |
| |
| 1 vol. 8vo. Paper Covers, 60 cents. |
| |
| From the New York _Evening Express_. |
| |
| "This is truly a charming novel; for half its contents |
| breathe the very odor of the flower it takes as its title." |
| |
| From the Philadelphia _Inquirer_. |
| |
| "The author can and does write well; the descriptions of |
| scenery are particularly effective, always graphic, and |
| never overstrained." |
| |
| D. A. & Co. have just published: |
| |
| A SEARCH FOR WINTER SUNBEAMS IN THE RIVIERA, CORSICA, |
| ALGIERS, AND SPAIN. |
| By Hon. S. S. Cox. Illustrated. Price, $3. |
| |
| REPTILES AND BIRDS: A POPULAR ACCOUNT OF THE VARIOUS ORDERS, |
| WITH A DESCRIPTION OF THE HABITS AND ECONOMY OF THE MOST |
| INTERESTING. |
| By Louis Figuler. Illustrated with 307 wood-cuts. 8vo, $6. |
| |
| HEREDITARY GENIUS: AN INQUIRY INTO ITS LAWS AND |
| CONSEQUENCES. |
| By Francis Galton. 1 vol. 8vo. $3.50. |
| |
| HAND-BOOK OF THE MASTERY SERIES OF LEARNING LANGUAGES. |
| I. THE HAND-ROOK OF THE MASTERY SERIES. |
| II. THE MASTERY SERIES, FRENCH. |
| III. THE MASTERY SERIES, GERMAN. |
| IV. THE MASTERY SERIES, SPANISH. |
| Price, 50 cents each. |
| |
| Either of the above sent free by mail to any address on |
| receipt of the price. |
| |
+--------------------------------------------------------------+
| |
| BURCH'S |
| |
| Merchant's Restaurant |
| |
| AND |
| |
| DINING-ROOM, |
| |
| 310 BROADWAY, |
| |
| BETWEEN PEARL AND DUANE STREETS. |
| |
| _Breakfast from 7 to 10 A.M. |
| Lunch and Dinner from 12 to 3 P.M. |
| Supper from 4 to 7 P.M._ |
| |
| M. C. BURCH, of New-York. |
| A. STOW, of Alabama. |
| H. A. CARTER, of Massachusetts. |
| |
+--------------------------------------------------------------+
| |
| HENRY L. STEPHENS |
| |
| ARTIST, |
| |
| No. 160 Fulton Street, |
| |
| NEW YORK. |
| |
+--------------------------------------------------------------+
| |
| Important to Newsdealers! |
| |
| ALL ORDERS FOR |
| |
| PUNCHINELLO |
| |
| Will be supplied by |
| |
| OUR SOLE AND EXCLUSIVE AGENTS, |
| |
| American News Co. |
| |
| NEW YORK. |
| |
+--------------------------------------------------------------+
| |
| J. NICKINSON |
| |
| BEGS TO ANNOUNCE TO THE FRIENDS OF |
| |
| "PUNCHINELLO" |
| |
| RESIDING IN THE COUNTRY, THAT, |
| |
| FOR THEIR CONVENIENCE |
| |
| HE HAS MADE ARRANGEMENTS BY WHICH, ON RECEIPT OF THE PRICE |
| OF |
| |
| ANY STANDARD BOOK PUBLISHED, |
| |
| THE SAME WILL BE FORWARDED, POSTAGE PAID. |
| |
| Parties desiring Catalogues of any of our Publishing Houses, |
| can have the same forwarded by inclosing two stamps. |
| |
| OFFICE OF PUNCHINELLO PUBLISHING CO., 83 Nassau Street. |
| |
| [P. O. Box 2783.] |
| |
+--------------------------------------------------------------+
[Illustration: A SUCCESSFUL CATCH.
_John Bull._ "WELL, GENERAL, HOW DID YOU CATCH YOUR FISH?"
_General Prim._ "WITH A SPANISH FLY."]
+--------------------------------------------------------------+
| |
| WALTHAM WATCHES. 3-4 PLATE. _16 and 20 Sizes._ |
| |
| To the manufacture of these fine Watches the Company have |
| devoted all the science and skill in the art at their |
| command, and confidently claim that, for fineness and |
| beauty, no less than for the greater excellence of |
| mechanical and scientific correctness of design and |
| execution, these watches are unsurpassed anywhere. |
| |
| In this country the manufacture of this fine grade of |
| Watches is not even attempted except at Waltham. |
| |
| FOR SALE BY ALL LEADING JEWELLERS. |
| |
+--------------------------------------------------------------+
| |
| Bowling Green Savings-Bank, |
| |
| 33 BROADWAY, NEW-YORK. |
| |
| _Open Every Day from 10 A.M. to 3 P.M_. |
| |
| Deposits of any sum, from Ten Cents |
| to Ten Thousand Dollars, will be received. |
| |
| Six Per Cent Interest, Free of Government Tax. |
| |
| INTEREST ON NEW DEPOSITS |
| |
| Commences on the first of every month. |
| |
| HENRY SMITH, _President._ |
| |
| REEVES E. SELMES, _Secretary._ |
| |
| WALTER ROCHE, EDWARD HOGAN, _Vice-Presidents._ |
| |
+--------------------------------------------------------------+
PUNCHINELLO:
TERMS TO CLUBS.
WE OFFER AS PREMIUMS FOR CLUBS
FIRST:
DANA BICKFORD'S PATENT FAMILY SPINNER,
The most complete and desirable machine ever yet introduced for spinning
purposes.
SECOND:
BICKFORD'S CROCHET AND FANCY WORK MACHINES.
These beautiful little machines are very fascinating, as well as useful;
and every lady should have one, as they can make every conceivable kind
of crochet or fancy work upon them.
THIRD:
BICKFORD'S AUTOMATIC FAMILY KNITTER.
This is the most perfect and complete machine in the world. It knits
every thing.
FOURTH:
AMERICAN BUTTONHOLE, OVERSEAMING, AND SEWING-MACHINE.
This great combination machine is the last and greatest improvement on
all former machines. No. 1, with finely finished Oiled Walnut Table and
Cover, complete, price, $75. No. 2, same machine without the buttonhole
parts, etc., price, $60.
WE WILL SEND THE
Family Spinner, price, $8, for 4 subscribers and $16.
No.1 Crochet, " 8, " 4 " " 16.
" 2 " " 15, " 6 " " 24.
" 1 Automatic Knitter, 72 needles, 30, " 12 " " 48.
" 2 " " 84 needles, 33, " 13 " " 52.
No.3 Automatic Knitter, 100 needles, 37, for 15 subscribers and $60.
" 4 " " 2 cylinders, 33, " 13 " " 52.
1 72 needles 40. " 16 " " 64.
1 100 needles
No. 1 American Buttonhole and Overseaming Machine,
price, $75, for 30 subscribers and $120.
No. 2 American Buttonhole and Overseaming Machine,
without buttonhole parts, etc., price, $60, for 25 subscribers and $100.
Descriptive Circulars
Of all these machines will be sent upon application to this office, and
full instructions for working them will be sent to purchasers.
Parties getting up Clubs preferring cash to premiums, may deduct
seventy-five cents upon each full subscription sent for four subscribers
and upward, and after the first remittance for four subscribers may send
single names as they obtain them, deducting the commission.
Remittances should be made in Post-Office Orders, Bank Checks, or Drafts
on New-York City; or if these can not be obtained, then by Registered
Letters, which any post-master will furnish.
Charges on money sent by express must be prepaid, or the net amount only
will be credited.
Directions for shipping machines must be full and explicit, to prevent
error. In sending subscriptions give address, with Town, County, and
State.
The postage on this paper will be twenty cents per year, payable
quarterly in advance, at the place where it is received. Subscribers in
the British Provinces will remit twenty cants in addition to
subscription.
All communications, remittances, etc., to be addressed to
P.O. Box 2783.
PUNCHINELLO PUBLISHING COMPANY
No. 83 Nassau Street,
NEW-YORK
* * * * *
S.W. GREEN, PRINTER, CORNER JACOB AND FRANKFORT STREETS.
End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 5, April 30,
1870, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 5 ***
***** This file should be named 10018-8.txt or 10018-8.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/0/0/1/10018/
Produced by Cornell University, Joshua Hutchinson, Steve Schulze
and the Online Distributed Proofreading Team.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
http://www.ibiblio.org/gutenberg/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
https://www.gutenberg.org/1/0/2/3/10234
or filename 24689 would be found at:
https://www.gutenberg.org/2/4/6/8/24689
An alternative method of locating eBooks:
https://www.gutenberg.org/GUTINDEX.ALL
