Punch, or the London Charivari, Volume 156, March 26, 1919

By Various

The Project Gutenberg EBook of Punch, Volume 156, 26 March 1919, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punch, Volume 156, 26 March 1919

Author: Various

Release Date: February 25, 2004 [EBook #11284]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOLUME 156, 26 MARCH 1919 ***




Produced by Malcolm Farmer, Sandra Brown and the Online Distributed
Proofreading Team.





PUNCH,

OR THE LONDON CHARIVARI.

VOL. 156.



March 26, 1919.




CHARIVARIA.


WILLIAM HOHENZOLLERN is reported to be busy sawing trees. Some declare
that his energy is due to an hallucination that they are German
generals. Others say the whole story is a clumsy attempt to discredit
him with the Labour party.

       ***

Dublin Corporation has decided to increase its revenue by eight
thousand pounds by raising the charge on water. Citizens are urged to
put patriotism before prejudice and give the stuff a trial.

       ***

The inconveniences that attend influenza reached their climax a few
days ago when an occupant of a crowded tube train blew the nose of the
man next to him in mistake for his own.

       ***

The beggar who has been going about telling a pitiful story of being
wounded by a trench-mortar during the Jutland battle is now regarded
by the police as an impostor.

       ***

A defendant in a County Court case at Liverpool last week stated in
his evidence that he had been on the telephone for the last twenty
years. In fairness to the Postal authorities he should have admitted
that it was a trunk call.

       ***

[Illustration: _Foreman (late R.S.M.)._ "'ERE! YOU AIN'T IN THE ARMY
NOW. THERE'S NO CALL FOR _YOU_ TO KEEP A WATCH ON THE RHINE."]

       ***

A lady-correspondent, writing to a daily paper, laments the fact
that the War has changed a great many husbands. Surely the wife who
receives the wrong husband can get some sort of redress from the War
Office.

       ***

All the main-line railways are to be electrified, Sir ERIC GEDDES told
the House of Commons. Meanwhile he has successfully electrified all
the old buffers.

       ***

A number of women are doing good work as mates on Medway sailing
barges. The denial of the report that one of them recently looked at
a Wapping policeman for five minutes on end without once repeating
herself may be ascribed to professional jealousy.

       ***

"The small car," says a trade contemporary, "has come to stop." We can
well believe it. It is an old habit.

       ***

It has been discovered that the new Education Act, which prohibits
boys under twelve being worked for more than two hours on Sunday, may
apply to choir-boys. A Commission, we understand, is to be called upon
to decide finally whether they are really boys or just little demons.

       ***

A man who applied to the Bloomsbury County Court for relief against an
eviction order stated that he could find no other suitable house, as
he had nine children under fourteen years of age. His residential
problem remains unsolved, but we understand, with regard to the other
difficulty, that the Board of Works has offered to sell him a card
index at considerably below cost.

       ***

"Bridegrooms," says a contemporary, "are discovering that weddings
cost more." The growing practice among fathers-in-law of delivering
their daughters "free at rail," instead of, as formerly, "from house
to house," may have something to do with it.

       ***

"Ramsgate," says _The Daily Mail_, "is racing Margate in Thanet's
reconstruction." At present Margate still claims to lead by one
nigger and two winkle-barrows.

       ***

The Colorado Legislature has passed a resolution in favour of Irish
independence. The remark attributed to Mr. A.J. BALFOUR, that he
always thought Colorado was the name of a twopenny cigar, has failed
to make the situation easier.

       ***

"A pupil at a West London 'out-of-work' school," says a news item,
"daily attends his studies in an opera-hat." On being informed of this
fact, Sir THOMAS BEECHAM is reported to have expressed the opinion
that its significance was obvious.

       ***

President WILSON, it is announced, hopes to visit Scotland shortly for
some golf. He believes that some adjustment of the dispute as to the
respective merits of the running-up and pitch-and-stop methods of
approach should be embodied in the Peace terms if international
harmony is to be really secured.

       ***

Primroses and crocuses are blooming in North London. Pending an
official announcement by _The Daily Mail_ people are requested to
accept this as a preliminary Spring.

       ***

Concrete ships, says a Government official, can be made in moulds. But
of course you must not forget to grease the tin.

       ***

A Sinn Feiner, arriving home in Crossgar, Co. Down, last week, had
a very hearty welcome. Thirteen spectators and seven policemen were
injured.

       ***

Many members of the Bar are greatly afraid that some learned judge
will ask, "What is the Jazz-step?" before the question has really been
settled by the dancers themselves.

       ***

The young lady who, on receiving a proposal of marriage over the
telephone last week, replied, "Yes, who's speaking?" turns out to be
an ex-typist recently demobilised from the Air Ministry.

       ***

It is interesting to note that to-day is the anniversary of the day
that was not a Flag-day last year.

       *       *       *       *       *

ANOTHER SEX-PROBLEM.

    "Information Wanted as to the whereabouts of James ---- (née Liza
    ----), ship agent. Last heard of 30 years ago."--_Glasgow Paper_.

       *       *       *       *       *

THE PRELIMINARY DOVE: ITS PROSPECTS.

  Within a little week or two,
    So all our sanguine prints declare,
  The Dove (or Bird of Peace) is due
    To spread its wings and take the air,
      Like Mr. THOMAS when he flew
      Across the firmamental blue
      To join the PREMIER in communion
      Touching the Railway Workers' Union.

  We've waited many a weary week
    With bulging eyes and fevered brow,
  While WILSON pressed upon its beak
    His League-of-Nations' olive bough,
      Wondering what amount of weight
      Its efforts could negotiate,
      How much, in fact, the bird would stand
      Without collapsing on the land.

  And, even though it should contrive
    To keep its pinions on the flap,
  And by a _tour de force_ survive
    This devastating handicap,
      Yet are there perils in the skies
      Whereon we blandly shut our eyes,
      But which are bound to be incurred,
      And, notably, the Bolshy-bird.

  This brand of vulture, most obscene,
    May have designs upon the Dove;
  Its carrion taste was never keen
    On the Millennial reign of Love;
      And I, for one, am stiff with fear
      About our little friend's career,
      Lest that disgusting fowl should maul
      And eat it, olive-branch and all.

  I mention this to mark the quaint
    Notion of "Peace" the public has,
  That wants to smear the Town with paint,
    To whoop and jubilate and jazz;
      And while our flappers beat the floor
      There's Russia soaked in seas of gore,
      And LENIN waxing beastly fat;
      Nobody seems to think of that.

O.S.

       *       *       *       *       *

PERFECTLY UNAUTHENTIC ANECDOTES.

_which may be reproduced (with the permission of Mr. Punch) in any
forthcoming volume of Anybody's Reminiscences_.

"You do things so sketchily and casually," said FRITH to WHISTLER one
day. "Now when I paint a picture I take pains. 'The Derby Day' cost me
weeks and months of sleeplessness. I did nothing else; I gave my whole
mind to it." "Oh," said WHISTLER, "that's where it's gone to, is it?"

       *       *       *       *       *

When Mr. BERNARD SHAW made his tour of the ports in order to
popularise Socialism in the Navy, he was courteously received at
Portsmouth by Sir HEDWORTH MEUX. The talk happened to turn on the
theatre, and the Admiral was candid enough to confess himself somewhat
at sea with regard to the merits of contemporary writers. "Now, Mr.
SHAW," he said in his breezy way, "I wish you would tell me who is the
most eminent of the playwrights of to-day?" "Ay, ay, Sir," said Mr.
SHAW promptly.

       *       *       *       *       *

Dr. Brotherton told me that he was once with MATTHEW ARNOLD in an
election crowd at Oxford, when the Professor of Poetry accidentally
collided with a working-man flown with Radicalism and beer. "Go to
blazes!" said the proletarian. "My friend," replied ARNOLD, "we are
well met. In me you see the official representative of Literature,
whereas you, I perceive, stand for Dogma."

       *       *       *       *       *

Mrs. Brown of Newquay, who claims to be the original _Mrs.
Partington_, told me that SYDNEY SMITH'S last years were overclouded
by his inability to discover the riddle to which the answer is
contained in the words, "The one rode a horse and the other rode a
dendron."

       *       *       *       *       *

Probably few people remember a Nottinghamshire poet of an earlier
day who fulfilled with much conscientiousness the duties of local
laureate. It was the age of Notts's pre-eminence in cricket, and that,
with other reasons, inspired the bard to write some verses which
opened with the line, "Is there a county to compare with Notts?" The
county of Derby was jealous of its neighbour in other things besides
sport, and considered itself to have scored when its own tame minstrel
retorted with a parody ending:--

    "Is there a county to compare with Notts?
                                       Lots!"

Unfortunately the thing was catching, and other counties did their
best to follow suit, though with considerable difficulty as to rhymes.
I think it was a singer of Tavistock who won the laurels. After
disposing of an adjacent rival with the contemptuous jingle,
"Dorset--Curse it!" he wound up:--

  "Is there a country to compare with Devon?
                                    Heaven!"

       *       *       *       *       *

Lady Crownderby once told me that she was among the first to see Lord
HOUGHTON on his return from Spain, and she asked him what he thought
of Spanish women in comparison with those of our own country. "My dear
lady," replied HOUGHTON, "I feel like LOT when he escaped from the
Cities of the Plain."

       *       *       *       *       *

At a dinner given in honour of her nephew's appointment to a Rural
Deanery, Mrs. Hinkson-Hanksey told me that she once rallied DISRAELI
on his lack of religious profession, saying how much it compromised
him in the eyes of many of his fellow-countrymen in comparison with
his great rival. "My dear lady," said DISRAELI, "you are aware that
the New Testament divides all men into two categories. Without
specifying the class to which I personally belong, I am quite willing
to admit that Mr. GLADSTONE is a sheep and possesses many of the
characteristics of that admirable animal."

       *       *       *       *       *

When I was at Hawarden in the summer of 1893, little DOROTHY DREW
asked her grandfather for the loan of a book "to press flowers in."
It is a process, as readers may know, not good for the book, and I
thought the illustrious statesman and bibliophile looked a little
embarrassed. But his face cleared in a moment, and he went out of the
room and presently returned with a sufficient volume, in which the
flowers were duly laid, the book being then, with the united efforts
of the company, subjected to the necessary pressure under a heavy
cabinet. Anxious to know which volume of his beloved library Mr.
GLADSTONE had selected for desecration, I took an early opportunity
of furtively examining the title of the tortured tome. It was
_Coningsby_.

       *       *       *       *       *

ANOTHER IMPENDING APOLOGY.

    "Councillor ----'s son will be married to the eldest daughter of
    Councillor ----. The members of the Corporation are invited to the
    suspicious event."--_Local Paper_.

       *       *       *       *       *

[Illustration: THE DISTRACTIONS OF AN INDISPENSABLE.]

       *       *       *       *       *

[Illustration: _Sergeant_. "Now, ME LAD, A SUIT OF MUFTI OR FORTY-FIVE
SHILLINGS?" _Tommy_. "OO, LUMME! I'LL PAY THE FINE."]

       *       *       *       *       *

GALLERY PLAY.


It wasn't till Panmore noticed its absence on his return from France
that I remembered the little oil painting which I had left at the
Ferndale Gallery on sale or return, during the early days of the War,
when my financial outlook was bad.

Panmore said he had always wanted to buy it, but hadn't liked to ask
me if I would part with it. I assured him that excess even of delicacy
was a mistake and that I would try to get the picture back.

So I wrote to the Gallery thus:--

    DEAR SIRS (it seemed absurd to write "Dear Gallery"),--In 1914 or
    1915 I brought you a small oil painting, which you agreed to sell
    or return to me. As I haven't heard from you since, I conclude
    that there has been nothing doing in such pictures and I should
    like to have it back. The picture is quite a small one, about the
    size of an ordinary book, and so far as I recollect it portrays
    a man looking at a horse, to see if its withers stand where they
    did; or perhaps wondering whether he would sell it and buy a
    scooter. As a matter of fact I never took particular notice of the
    picture, not caring for it, but a friend of mine who knows it well
    appears interested in it and wants to buy it. So please let me
    have it back as soon as possible.

    Yours faithfully,

    THEOPHILUS B. PIPER-CARY.

    P.S.--By the way, there's a cow, I remember, in the background; a
    red one. Not a red background; a red cow.

This was the answer I received:--

    DEAR SIR,--In reply to yours of the 13th inst., we remember your
    visit, but cannot trace having such a picture as you describe in
    our possession at present. We believe you dealt with our Mr. James
    Langford, who joined up in May, 1915, and is not yet demobilised.
    He is in Egypt at the moment, we understand, and we are afraid it
    would take some time to get into communication with him.

    We shall be glad if under the circumstances you will allow the
    matter to rest until his return.

    In any case we are afraid we cannot hold ourselves responsible for
    the picture, unless you can produce a receipt from us proving that
    it reached us.

    We are, Yours obediently,

    _pp_. THE FERNDALE GALLERY.

    J.S.

The last paragraph in their letter gave me the impression that they
knew they had the picture but had mislaid it. Meanwhile Panmore seemed
so hot on it and I was so badly hit by the War that I thought I would
have another shot at recovering it. So I addressed the Gallery as
follows:--

    DEAR SIRS,--Thanks for your letter, and in reply I should be
    obliged if you could get another search party out. I have found
    a receipt for the picture, signed with a name that might, if
    straightened out, be James Langford.

    My friend is getting quite excited about it, and he is the sort
    of person one wants to humour. He is a Lieut.-Colonel, an O.B.E.,
    and, what is more important still, one of the feoffees of
    Buckley's Hospital (a fifteenth-century foundation here), and
    whatever a feoffee may be he is not the kind of man to toy with in
    a small town like this.

    I forgot to mention that there is an inn on the left of the
    picture, and a girl coming out of it carrying, perhaps, a
    bran-mash for the horse or some Government dope for the man, and
    there are some hens, all fully regardant and expectant, at her
    feet.

    Hoping to hear in the course of a post or two that you have found
    the painting,

    I am, Yours anxiously,

    THEOPHILUS B. PIPER-CARY.

    P.S.--Don't forget there's a cow in the background; a red cow.

Three days later I received a picture (not mine) from the Gallery with
this letter:--

    DEAR SIR,--After a most exhaustive search we have found and send
    herewith what we believe to be your picture, though it does not
    quite answer to your description. It is, however, the only one of
    which we do not appear to have any record.

    Our Mr. Langford seems likely to be abroad for some months, so
    unless you will accept this picture in settlement of the matter we
    do not see any present way out of the difficulty.

    Confident that, if it is not yours, it is at least just as good,
    we trust that you will agree to cry quits.

    We are, Yours obediently,

    _pp._ THE FERNDALE GALLERY.

    J.S.

Why they should feel sure it was just as good, unless they remembered
my picture, wasn't very clear, but evidently the receipt had put the
wind up them, and I wrote and accepted the substitute at once, because
Panmore liked it better even than the original picture. He said it was
an Alken and gave me far more than I would have thought of asking for
it, or for the original one.

About a week after selling it I received this wire from the Gallery:--

    Please return painting sent in error. Very valuable Alken. Have
    customer.

    FERNDALE.

"Diamond cut diamond," I said to myself. And I replied thus:--

    DEAR SIRS,--I received your wire, but regret that I cannot comply
    with your request. Firstly, because I have already accepted the
    picture which you regarded as mine or its equivalent, in place of
    the one that was mine and is now yours; and, secondly, because my
    friend the feoffee has already bought it, the one that was yours
    and is now mine, or rather his (you know what I mean, don't you?),
    and I haven't the heart to ask him to return it.

    Perhaps yours (the one that is now yours and was mine before),
    being the equivalent of the one that was yours and is now mine (or
    rather the feoffee's), would suit your client. I can only suggest
    your having another look for it; the matter so far as I am
    concerned is at an end. Yours faithfully,

    THEOPHILUS B. PIPER-CARY.

    P.S.--You'll know it when you find it. There's a red cow in the
    background.

       *       *       *       *       *

    "Sentence of Mike Ancon, found guilty of housekeeping, was
    postponed yesterday afternoon."--_Manitoba Free Press._

This species of crime is almost extinct in England.

       *       *       *       *       *

[Illustration: THE "HESITATION" WALTZ.]

       *       *       *       *       *


THE RISING EGG.

Whatever may be the decline in the price of eggs their social
movement is clearly upwards. The following passage from _The Croydon
Advertiser_ gives an admirable life-history of the egg, from shell to
profit-sharing:--

    "Eggs will be dated and graded and sold accordingly, and as soon
    as they have done laying fattened for table purposes, also young
    cockerels. They will be killed and plucked, and the feathers will
    be sorted and sold in the best markets. So you see they will
    receive full market price for their produce; then if they are
    shareholders they will receive a further profit in the difference
    between the cost and the selling, also the very big amounts
    received for the skins and the feathers."

       *       *       *       *       *

[Illustration: HOPE SPRINGS ETERNAL.

_Oldest Inhabitant._ "I NEVER EXPECTED TO LIVE TILL THE END OF THE
WAR, MA'AM; BUT NOW I'M HOPING TO BE SPARED TO SEE THE BEGINNING OF
THE NEXT ONE."]

       *       *       *       *       *

CHOICE BOOKS OF THE WEEK.

THE NEW PARIS SKETCH-BOOK; OR, THE FIRST FIFTY THOUSAND.

By GLADYS FLAPPERTON, O.B.E., Author of _Peace and Plenty of It._

This charming volume describes in detail the delightful Parisian
holiday which has been provided by the Government under the best
possible conditions for young ladies with (and without) a knowledge of
typewriting.

       *       *       *       *       *

_TIGER LILY,

A POEM IN FOURTEEN SPASMS._

By WOODROW WILSON.

Affectionately dedicated to M. CLEMENCEAU.

       *       *       *       *       *

THE HISTORY OF FREDERICK THE GREAT.

BY HAROLD SMITH, M.P.

("England's Harold.")

With an Introduction by the LORD CHANCELLOR.

       *       *       *       *       *

O SMILLIE, WE HAVE MISSED YOU, AND OTHER LYRICS.

Highly recommended by Messrs. MUDIE and SANKEY (the Author).

Copies of this beautiful work have been accepted by several mining
royalties.

       *       *       *       *       *

THE GEDDES BIOGRAPHICAL DICTIONARY.

Publication of the Second Volume (AUC--ERIC).

It is hoped to complete in twelve handsome volumes this the first
attempt to record and codify the achievements and services of the
GEDDES family in the Great War.

       *       *       *       *       *

WASTEWARD HO!

A ROMANCE OF CIPPENHAM.

With an Introductory Apologia by Mr. WINSTON CHURCHILL.

       *       *       *       *       *

THE NEXT WAR.

    ["As the result of a conference called by the War Office it has
    been decided to wage a war of annihilation against the warble-fly.
    It is hoped that by means of concerted action through the country
    this pestilent insect, so injurious to the hides of horses and
    cattle, may be completely stamped out."    _Daily Paper._]

  The warble-fly, the warble-fly
  Is absolutely doomed to die.
  They've summoned all the General Staff,
  There's going to be a mighty "strafe,"
  And soon the land from shore to shore
  Will echo with the din of war,
  As armèd hosts with martial cries
  Descend upon the warble-flies.

  We've got the shells, we've got the guns
  (The same that overwhelmed the Huns),
  And, what is more, we've got the Man;
  With WINSTON riding in the van
  I do not think there's any doubt
  That we shall put the foe to rout,
  And, scorning peace by compromise,
  Annihilate the warble-flies.

  In tranquil peace the gentle beeves
  Shall chew their cud through summer eves;
  No more shall that alarming warble
  Affright the calm of heifer or bull,
  And send them snorting round the croft
  With eyes of fear and tails aloft.
  Till every warble-fly be floored
  Whitehall will _never_ sheathe the sword.

       *       *       *       *       *

The Growth of Impropriety.

    "Her hair is always exquisitely dressed, and her shoes in perfect
    shape. No more in the way of dress is required of any woman."

    _Daily Mirror._

       *       *       *       *       *

    "PROPOSED IMPROVEMENT OF A DANGEROUS CORONER."

    _Headline in Provincial Paper._

The best plan, possibly, would be to get the jury to sit on him.

       *       *       *       *       *

[Illustration: NEWSPAPER HEADINGS POPULARLY ILLUSTRATED.

"INFLUENZA MICROBE DISCOVERED AT A LONDON HOSPITAL."]

       *       *       *       *       *

MRS. BLOGGINS'S STATEMENT.

It is not too much to say that bed-making circles in Cambridge have
been agitated to their utmost depths by the recent advent of some
hundreds of American youths who have come to pursue certain courses
of study within the University walls. Let us make one thing perfectly
clear. Bed-makers do not object to Americans as Americans, but this
avalanche of Transatlantics arrives on the very eve of the vacation,
just when the bed-makers are packing off the contingent of young Naval
officers who have been making things hum during the past term.

Persuaded that their too-brief holidays will be entirely absorbed in
attending to the Americans, the bed-makers urge with some justice that
they too are entitled to enjoy the beautiful things of this enchanting
world quite as much as miners and railway-men. We understand that
meetings of their Association are being held, and that the University
authorities are faced by a situation which is rapidly passing beyond
their control. Bed-makers are amongst the most loyal members of the
community, but they feel, as a prominent member of the profession
put it, that "the last camel breaks the straw's back," and they are
determined to uphold their immemorial rights.

We have thought it our duty therefore to interview the celebrated Mrs.
Bloggins, the _doyenne_ of the Corps of Bed-makers of Trinity College.
We found the lady in her home in Paradise Walk, where she was engaged
in eating some excellent buttered toast. We lost no time in explaining
the purport of our visit.

"We desire to know, Mrs. Bloggins," we began, "what your feelings are
with regard to the Americans."

"Ah," said Mrs. Bloggins, speaking with deep emotion, "you may well
call 'em Americans, for I've never bin so troubled about anythink
before. Some people seem to git the notion into their 'eads that
bed-makers do no work. Why we're arst to slave from mornin' till
night, and our pay is paltry. Things in Cambridge isn't like what they
was. Time was when our young gentlemen used to 'ave big dinners
in their rooms, and a careful bed-maker could save a bone or two.
Nowadays they,'re only cheese-parers, that's what I call 'em. You
won't believe me, I know, but my mother, who was a bed-maker afore me,
used to 'ave a month at the seaside every year, all paid for out of
money give to 'er by 'er young gentlemen. To be sure there was a
wrangler, or somethink of that kind, who didn't come up to the mark,
so she soon got rid of 'im; 'e used to find 'is butter was took by the
cat, and accidents of that kind.

"Mind yer," she continued, "I ain't got nothink to say against the
Americans. They may be the most liberal-'earted gentlemen in the world
for all I know. But it's the principle of the thing I'm objectin' to.
It's a case of kill me quick or cure me to-morrow, and if President
WILSON was to talk till next week 'e couldn't make it no different.
You can't make a silk sock out of a side of bacon, and that's true
whichever way you look at it."

"But what steps," we urged, "does your Association intend to take,
Mrs. Bloggins, over this matter?"

"I don't know nothink about no 'sociations," said Mrs. Bloggins, "but
I do know that we're all in it, and Mrs. Pledger and Mrs. 'Uggins, and
the rest of 'em, we knows our power and we intends to use it."

"In what way do you mean?" I said.

She looked at me cunningly.

"Now you're spyin'. It's dirty work and I won't 'ave it 'ere. You
might be the Proctor hisself for all I cares--you're not going to
ferret nothink out of me."

Hereupon she rose with great dignity and plainly indicated that the
interview was at an end.

       *       *       *       *       *

    La Haute Cuisine.

    "Cook; French; age 38; wages £25-£30 week."--_Morning Post._

       *       *       *       *       *

TO THE DEATH.

    [According to the papers, two Frenchmen have agreed to fight a
    duel in aeroplanes.]

"Cauliflower!" shrieked Gaspard Volauvent across the little table in
the _estaminet_. His face bristled with rage.

"Serpent!" replied Jacques Rissolo, bristling with equal dexterity.

The two stout little men glared ferociously at each other. Then
Jacques picked up his glass and poured the wine of the country over
his friend's head.

"Drown, serpent!" he said magnificently. He beckoned to the waiter.
"Another bottle," he said. "My friend has drunk all this."

Gaspard removed the wine from his whiskers with the local paper and
leant over the table towards Jacques.

"This must be wiped out in blood," he said slowly. "You understand?"

"Perfectly," replied the other. "The only question is whose."

"Name your weapons," said Gaspard Volauvent grandly.

"Aeroplanes," replied Jacques Rissole after a moment's thought.

"Bah! I cannot fly."

"Then I win," said Jacques simply.

The other looked at him in astonishment.

"What! You fly?"

"No; but I can learn."

"Then I will learn too," said Gaspard with dignity. "We meet--in six
months?"

"Good." Jacques pointed to the ceiling. "Say three thousand feet up."

"Three thousand four hundred," said Gaspard for the sake of
disagreeing.

"After all, that is for our seconds to arrange. My friend Épinard of
the Roullens Aerodrome will act for me. He will also instruct me how
to bring serpents to the ground."

"With the idea of cleansing the sky of cauliflowers," said Gaspard, "I
shall proceed to the flying-ground at Dormancourt; Blanchaille, the
instructor there, will receive your friend."

He bowed and walked out.

Details were soon settled. On a date six months ahead the two
combatants would meet three thousand two hundred feet above the little
town in which they lived, and fight to the death. In the event of both
crashing, the one who crashed last would be deemed the victor. It was
Gaspard's second who insisted on this clause; Gaspard himself felt
that it did not matter.

The first month of instruction went by. At the end of it Jacques
Rissole had only one hope. It was that when he crashed he should crash
on some of Gaspard's family. Gaspard had no hope, but one consolation.
It was that no crash could involve his stomach, which he invariably
left behind him as soon as the aeroplane rose.

At the end of the second month Gaspard wrote to Jacques.

"My friend," he wrote, "the hatred of you which I nurse in my bosom,
and which fills me with the desire to purge you from the sky, is in
danger of being transferred to my instructor. Let us therefore meet
and renew our enmity."

Jacques Rissole wrote back to Gaspard.

"My enemy," he wrote, "there is nobody in the whole of the Roullens
aerodrome whom I do not detest with a detestation beside which my
hatred for you seems as maudlin adoration. This is notwithstanding the
fact that I make the most marvellous progress in the art of flying. It
is merely something in their faces which annoys me. Let me therefore
see yours again, in the hope that it will make me think more kindly of
theirs."

They met, poured wine over each other and parted. After another month
the need of a further stimulant was felt. They met again, and agreed
to insult each other weekly.

On the last day of his training Gaspard spoke seriously to his
instructor.

"You see that I make nothing of it," he said. "My thoughts are ever
with the stomach that I leave behind. Not once have I been in a
position to take control. How then can I fight? My friend, I arrange
it all. You shall take my place."

"Is that quite fair to Rissole?" asked Blanchaille doubtfully.

"Do not think that I want you to hurt him. That is not necessary. He
will hurt himself. Keep out of his way until he has finished with
himself, and then fly back here. It is easy."

It seemed the best way; indeed the only way. Gaspard Volauvent could
never get to the _rendezvous_ alone, and it would be fatal to his
honour if Jacques arrived there and found nobody to meet him.
Reluctantly Blanchaille agreed.

At the appointed hour Gaspard put his head cautiously out of his
bedroom window and gazed up into the heavens. He saw two aeroplanes
straight above him. At the thought that he might have been in one of
them he shuddered violently. Indeed he felt so unwell that the need
for some slight restorative became pressing. He tripped off to the
_estaminet_.

It was empty save for one table. Gaspard walked towards it, hoping
for a little conversation. The occupant lowered the newspaper from in
front of his face and looked up.

It was too much for Gaspard.

"Coward!" he shrieked.

Jacques, who had been just going to say the same thing, hastily
substituted "Serpent!"

"I know you," cried Gaspard. "You send your instructor up in your
place. Poltroon!"

Jacques picked up his glass and poured the wine of the country over
his friend's head.

"Drown, serpent," he said magnificently. He beckoned to the waiter.
"Another bottle," he said. "My friend has drunk all this."

Gaspard removed the wine from his whiskers with Jacques' paper and
leant over him.

"This must be wiped out in blood," he said slowly. "Name your
weapons."

"Submarines," said Jacques after a moment's thought.

A.A.M.

       *       *       *       *       *

THE SWANS OF YPRES.

  Ypres was once a weaving town,
  Where merchants jostled up and down
    And merry shuttles used to ply;
  On the looms the fleeces were
  Brought from the mart at Winchester,
    And silver flax from Burgundy.

  Who is weaving there to-night?
  Only the moon, whose shuttle white
    Makes silver warp on dyke and pond;
  Her hands fling veils of lily-woof
  On riven spire and open roof
    And on the haggard marsh beyond.

  No happy ghosts or fairies haunt
  The ancient city, huddling gaunt,
    Where waggons crawl with anxious wheel
  And o'er the marshland desolate
  Win slowly to the battered gate
    That Flemings call the Gate of Lille.

  Yet by some wonder it befalls
  That, where the lonely outer walls
    Brood in the silent pool below,
  Among the sedges of the moat,
  Like lilies furled, the two swans float;
    "The Swans of Ypres" men call them now.

  They have heard guns and many men
  Come and depart and come again,
    They have seen strange disastrous things,
  When fire and fume rolled o'er their nest;
  But changeless and aloof they rest,
    The Swans of Ypres, with folded wings.

       *       *       *       *       *

    "Will Treasury notes ever be displaced by boxes of chocolates?
    "--_Daily Paper_.

Certainly. Ours often are.

       *       *       *       *       *

From the report of the Committee on the Staffing of Government Offices
we gather that there has been a good deal of overflapping.

       *       *       *       *       *

[Illustration: TRANSPORT FACILITIES.]

       *       *       *       *       *

[Illustration: _Mistress._ "OH, JANE, HOW DID YOU DO THAT?"

_Maid._ "I'M VERY SORRY, MUM; I WAS ACCIDENTALLY DUSTING."]

       *       *       *       *       *

THE SCHLOSS BILLET.

We had not expected much of a billet in a defeated and starving
country; that was probably why everybody was enthusiastic over it--at
first. I, as billeting officer, was especially proud of having
discovered it. The very thing for Brigade Headquarters--secluded,
dignified, commanding and spacious.

A couple of kilos from the gates through the drive brings you to
the Schloss. Entering a hall about the size of a modern theatre you
journey to the ante-room, a vast apartment, which for space compares
favourably with the Coliseum at Rome. A world-exhibition of pictures
and tapestries covers the walls of the Schloss, while an acre or two
of painted ceiling shows the chief events of German history, from the
Creation to the Franco-Prussian War.

In the Dining-room, reached by a progress over carpets and rugs
representative of all the best periods of Oriental art, it would
be fairly easy to stage a review on the table itself; while in the
Music-room a hundred or so lorries could be parked without attracting
observation too glaringly. Should the need arise, the Library could
accommodate a battalion on parade, a rifle range or sufficient
office room for Q branch of a division. A labyrinth of corridors and
servants' bedrooms harbours the rank and file, and it is said that the
number of kitchens, pantries and cellars in the north and east wings
runs into three figures.

The Divisional Commander called it "homely"; the Corps Commander
remarked that its style was "not cramped, anyhow--what?" and the Army
Commander pronounced it very "cosy."

The first two days I did not see my servant at all. On Wednesday he
turned up just before lunch. On Monday and Tuesday, he explained, he
had wandered through corridors and passages trying to find my room,
and, by rising an hour before _reveille_, he thought he would be able
to get from his quarters to mine by about breakfast-time.

We used to adjourn to the billiard-room after dinner, but gave it up
because it was necessary to stop play at half-past ten in order to be
in bed by midnight. Signals is worried because he has not enough line
left to reach Battalions, all available supplies having been used up
in connecting the General's room with various parts of the Schloss.
We are continually late for dinner owing to errors in judging the
distances from one room to another. Our once happy family has
dissolved into silent morose individuals, for we have grown strange
and distant to one another. Liaison between departments has broken
down, and the Staff-Captain whom I saw yesterday in the distance is
suffering from premature decay.

But a solution has been found, for the Engineers are unloading a
couple of Nissen huts to put up in the hall, and we shall soon be a
united family once more.

       *       *       *       *       *

    "The surveyor said that as things were at present he had little
    or no authority over the men who, for the most part, simply
    considered him his equal."--_Trade Paper._

If he doesn't take a stronger line the men will consider him his
inferior.

       *       *       *       *       *

From a short story:--

    "She was a slip of a thing, with the sort of eyes that go well
    with curly long lashes--if they are blue, as hers were."--_Weekly
    Paper._

Our local _coiffeur_ only stocks the old-fashioned peroxide.

       *       *       *       *       *

[Illustration: OVERWEIGHTED.

PRESIDENT WILSON. "HERE'S YOUR OLIVE BRANCH. NOW GET BUSY." DOVE OF
PEACE. "OF COURSE I WANT TO PLEASE EVERYBODY; BUT ISN'T THIS A BIT
THICK?"]

       *       *       *       *       *

[Illustration: THE STRENUOUS LIFE.

BEFORE TAKING OFFICE ALL MEMBERS IN FUTURE WILL HAVE TO PASS A TEST OF
THEIR ABILITY TO SUSTAIN A PROLONGED FLIGHT, FIVE THOUSAND FEET UP, AT
A HUNDRED-AND-SEVENTY MILES AN HOUR.]

_Monday, March 17th_.--Mr. GEORGE TERRELL, always a little inclined to
look upon the black side of things, was apprehensive about the spread
of Bolshevism in this country. Not so Lord HENRY BENTINCK, who
genially exploded with "Is not Bolshevism in this country a pure
bogey?" Not quite that, perhaps; but I gathered that in Mr. BONAR
LAW'S opinion it hasn't a ghost of a chance.

Great cheers from the Wee Frees greeted the advent of Mr. A.E.
NEWBOULD, the victor of West Leyton, whose defeat of the Coalition
candidate has increased the size of their party by something like four
per cent. As the new Member is understood to be connected with the
film business his colleagues are hoping that they will soon have
Ministers on the "movies."

We know on high authority that evil communications corrupt good
manners. Sir ERIC GEDDES goes further and believes that they corrupt
everything. That was the text of his capital speech on the second
reading of the Transportation Bill. Dispensing on this occasion with
his usual typescript, he discoursed at large for an hour and a-half on
the paralytic condition of our railways, roads, canals and docks.

We all had our pleasant morning dreams, he said, but they usually
disappeared after we had had our cold bath; and the country, which was
no longer rich, but poor, must take its douche. His own dream is of a
beautifully centralised control, directing all our traffic agencies
(save tramways and shipping) into the most convenient channels; and he
won't be happy till he gets it. But judging by some of the speeches
that followed he too may have a frigid disillusionment when the Bill
comes up against the "interests" in Committee. Mr. T.P. O'CONNOR,
on behalf of Liverpool, described it as the product of "an old
bureaucracy and a young Parliamentarian," and Mr. RENWICK declared
that, if it passed, the Manchester Ship Canal would be "between
the devil and the deep sea," surely an uncalled-for attack on
Cottonopolis.

Upon the adjournment, Col. CLAUDE LOWTHER again raised the question of
the payment of German indemnities, and Mr. BONAR LAW again declared
that the policy of the Government was to demand the largest amount
that Germany could pay, but not to demand what we knew she couldn't
pay. It would have saved him a lot of trouble if at the General
Election the Government spokesmen had insisted as much upon the second
half of the policy as they did upon the first.

_Tuesday, March 18th_.--GILBERT'S fanciful description of the "most
susceptible Chancellor" is justified by the way in which the present
occupant of the Woolsack and his predecessors vie with one another in
the endeavour to secure the favour of the fair sex. Today it was
Lord HALDANE'S turn to oblige, and he brought in a Bill to enable
Scotswomen to become Advocates and Law Agents. Lord HALSBURY'S
contribution to the work of feminine emancipation has not yet been
announced. The rumour that a deputation of ladies recently approached
him with a proposal that they should be eligible for judicial
office--"Scarlet and ermine are _so_ becoming"--and that he put them
off with the old joke about there being "enough old women on the Bench
already" is, of course, apocryphal.

Not infrequently in the official reports of the Lords' debates a
speech begins thus: "Lord ---- (_who was indistinctly heard_)." The
Commons' report might well adopt this salutary practice as a warning
to Members who persistently mumble, or who address their remarks to
the body of the House instead of to the SPEAKER. Ministers are the
worst offenders. One of them was asked this afternoon, for example,
whether the Judicial Adviser to the SULTAN had discouraged the use of
the English language in the Egyptian Courts, but all we could hear of
the _sotto voce_ conversation between him and his interrogator was
that "er--er--language--er--had--been--er--er--misunderstood."

Some savages, travellers tell us, are unable to count beyond five.
Some Ministers, on the other hand, show an inability to reckon except
in millions. Mr. CHURCHILL, when asked how many soldiers were not
receiving the recent increase of pay, remarked casually that the
numbers were "not so very great--half-a-million would cover them."
Happily these "sloppy statistics" (to recall a phrase used by Mr.
ASQUITH during the Tariff Reform controversy) do not appeal to the
FOOD-CONTROLLER. He, being invited to say whether the Government had
made "approximately £2,400,000" by the charge on cattle-sales, replied
that the amount was "approximately" £3,449,939; and we felt that he
was cut to the heart at not being able to give the odd shillings and
pence.

The renewed debate on the Transportation Bill revealed a good deal
of opposition. Roadmen thought it an excellent project for railways;
railwayman were all in favour of its being applied to docks; and
dockmen had no objection to its being tried on the roads. But none of
them wanted it for his own particular interest. Sir EDWARD CARSON'S
objections were both particular and general. Belfast would be ruined
if its port were controlled by "a nest of politicians" in Dublin, but
apart from that he doubted whether the promised economies would
be realised in any direction. Ministers were "gluttons for
centralisation," and would, he prophesied, incur the usual fate of
gluttons, acute indigestion.

Mr. BONAR LAW, while admitting that he himself would not have voted
for the Bill five years ago, declared that the War had made it
essential. That seemed to be the general opinion, for the second
reading was agreed to without a division.

_Wednesday, March 19th_.--Lord MALMESBURY, who has lately been the
victim of a burglary, attributed it to housebreakers having been
demobilised before policemen. Whether this was done on the ground that
they conducted "one man businesses," or because someone in Whitehall
assumed that the wielders of the centre-bit must be "pivotal," I do
not know, but an Army Order requiring Commanding Officers to keep
the balance even between criminals and coppers seems to be urgently
needed.

The Bishops were delighted to hear from Lord ERNLE that his department
includes a Hop-Controller, and are going to ask him to turn his
attention to the Jazz.

Museums could not be opened just yet, said Lord STANMORE, because some
eight thousand officials of various departments were at present lodged
in these buildings. To judge by the comments of the public Press,
there are several hundreds more who ought to be kept there.

_Thursday, March 20th_.--Lord WINTERTON wanted to know what the
Government was doing to counteract Mr. BERNARD SHAW'S alleged
anti-British propaganda in the United States. Mr. CECIL HARMSWORTH
thought Professor OMAN'S recent memorandum would prove a sufficient
counterblast. He had, however, no objection to adding Mr. SHAW'S
latest pamphlet to "the large budget of Shavian literature" already at
the Foreign Office, where, it is said, the clerks on night-duty like
to beguile their leisure with light fiction.

Late in the evening Mr. BONAR LAW announced the intentions of the
Government with regard to the coal industry. It would adopt Mr.
Justice SANKEY'S report, giving the men a large portion of their
demands. If the miners still persisted in striking--well, the State
would strike too, with all its might; otherwise there was an end of
government in this country. The cheers which greeted this statement
seriously annoyed Mr. JACK JONES, who sits for Silvertown, and
maintains the explosive reputation of his constituency.

       *       *       *       *       *

[Illustration: THE CROWN OF OLD KING COAL.

TRYING IT ON.]

       *       *       *       *       *

THE CROSSING-SWEEPER.

  Five years ago he swept the snow,
  Or the mud, or the dust or the leaves that blow,
    Or stood at the corner "dossing";
  Picking up rubbish and dangerous rind
  That careless people had left behind,
        He swept the crossing.

  And still he sweeps and clears the way
  In blizzard and mist and soaking spray,
    Out on the Channel tossing;
  Picking up mines of a devilish kind
  That unscrupulous people have left behind,
        He sweeps the crossing.

       *       *       *       *       *

    "COAL STRIKE POPSTONED."

    _Provincial Paper_.

Much the best thing to do with it.

       *       *       *       *       *

DRAMATISTS TO THE RESCUE.

In view of the theory developed by the Ministry of Reconstruction's
Sub-Committee on Organisation and Conditions of Domestic Service,
that "the attitude adopted by the Press and the Stage is usually an
unfortunate one, as servants are frequently represented as comic or
flippant characters, and are held up to ridicule," a meeting of our
leading dramatists was hastily convened last evening by Lady
HEADFORT (who, it will be remembered, is all for calling her maids
"Home-birds") to engage their sympathetic co-operation in aid of
mistresses, housekeepers and employers generally. What the stage
has taken away the stage must give back: that is Lady HEADFORT'S
contention. Not that the domestic problem will even then be settled;
there will probably still be difficulty in persuading W.A.A.C.s and
Land Women and Munitioners who have tasted blood to descend below
stairs again; but perhaps a little help will be forthcoming. Hence
this influential gathering.

Sir SQUIRE BANCROFT, who presided, said that the domestic problem
was one of great seriousness. Personally he rarely descended to the
servants' hall, but he did not pretend to be unaware of the usefulness
of such regions and of our dependence upon them. There must be give
and take. If the stage had been guilty of too much levity in its
portraiture of domestic servants, then, in the interests of all of us,
it must make what our lively neighbours call the _amende honorable_.

Sir JAMES BARRIE said that no one could hold him personally to blame.
His plays had always exhibited domestic servants in a most favourable
light. Not only was a butler the hero of _The Admirable Crichton_, a
maidservant the heroine of _A Kiss for Cinderella_ and a charwoman the
heroine of _The Old Lady Shows Her Medals_, but the actual authorship
of _Peter Pan_ was given to the smallest nursemaid on record.

Mr. SOMERSET MAUGHAM also claimed to be on the side of the home-birds.
Had he not in _Smith_ written a part of strong parlour-maid interest
for Miss MARIE LÖHR?

Mr. G.B. SHAW said that there was no need for the meeting at all,
because he was just putting the finishing touches to a witty drama
which would settle the whole question. In this play, which, he could
tell them on the best authority in the world, his own, was a work of
surpassing genius, the Irish Question, which had baffled statesmen and
philosophers for centuries, is settled once and for all by the wisdom
and presence of mind of a Kerry kitchenmaid.

The Chairman said that perhaps the meeting might as well proceed with
its discussion, since there was always the possibility that the run
of Mr. SHAW'S play might not equal that of his last, which, he
understood, had just been produced in New York and had come off almost
at once.

Mr. HENRY ARTHUR JONES said that if any branch of art could effect
social transformations it was the drama. Personally he looked upon the
stage as only one degree less powerful than the Senate and vastly more
serious than the Church. Its first duty was to instruct, elevate and
reform; to amuse was never its true function. Hence, if the dramatists
of the country cared to take up the task of remedying the servant
shortage, the matter would be quickly settled. But only, added the
speaker with extreme gravity, if the authors of the pernicious rubbish
known as _revue_ were first gagged and bound.

Mr. MAX PEMBERTON said that, although he had given up _revue_ writing
in favour of transforming farcical plays, he felt that he might make
an appeal to the authors of _revue_ (who often exceeded the audience
in number) to join in this very laudable campaign. Speaking as one of
the two-and-twenty Hippodromios, although no longer in that capacity,
he would appeal to his successors to paint life below stairs in such
resplendent hues that the desire instantly to take service would be
implanted in every female bosom.

Mr. ALFRED SUTRO, speaking at the moment not so much as a dramatist as
a man without a cook, said that he agreed heartily with the sentiments
of the gentleman who had just sat down.

Sir ARTHUR WING PINERO said that he was always willing to help worthy
causes and was as ready to write a play for the object in view as, not
long since, he had been to write one to encourage economy. But it was
useless unless the company chosen would co-operate. The dramatist did
not stand alone. So long as the ordinary stage idea of a parlourmaid
was a saucy nymph with a feather brush and very short skirts, so long
would dramatists strive in vain to exalt her calling. He was prepared
to do his best, but feared that the actors' traditions would prove too
strong.

Mr. WALTER MELVILLE said that he hoped nothing would be done to tamper
with such traditions as Sir ARTHUR complained of. It was the duty of a
stage servant to begin plays and to be funny. The curtain of a farce
should rise on a butler and a parlourmaid remarking on the fact that
master was suspiciously late last night; and the butler should be
amorous, bibulous and peculative, and the parlourmaid coy and trim.
Similarly, footmen should be haughty and drop their aitches, cooks
short-tempered, red and fat, and office-boys knowing and cheeky. The
public expected it, and the public ought to have it because the public
paid.

There being no further remarks, the meeting dispersed, the various
speakers returning sadly home to perform the household duties.

       *       *       *       *       *

    "EX-KAISER TO PAP THE PENALTY."

    _Sunday Paper_.

We always feared he would get off with a soft punishment.

       *       *       *       *       *

[Illustration:_Docker_ (_by way of concluding a heated argument with
Scotsman_). "WELL, GO UP THERE, THEN, AN' TALK TO YOUR BLINKIN'
SCOTCH PALS."]

       *       *       *       *       *

OUR POPULAR GUIDES.

    "HOW INFLUENZA MAY BE SPREAD."

    _Headline in a Daily Paper_.

       *       *       *       *       *

A correspondent writes: "It may interest you to know that I recently
received the following statement from a provincial branch of a
floor-cloth company:--

    'Owing to some of the principal ingredients used in the
    manufacture of floor coverings having been taken over by the
    Ministry of Food, the price of the material is again advanced.'

Have you noticed it at all in your soup?"

       *       *       *       *       *

THE HOUSE-HUNTER

Unless something is done for Higgins without delay the nation must
prepare to face a tremendous rise in the rate of mortality among
house-agents.

Soon after he came back from the War he began to adopt a threatening
attitude (as the police-court witnesses say) towards these gentlemen.
Recently he has gone beyond the threatening stage. If rumour can be
trusted, he has thrown at least six of them through their office
windows. He has taken a dislike to the whole tribe. They are, in his
opinion, a gang of criminals for whom no punishment could be too
severe, because they impose upon the public in general and Higgins in
particular, by continuing in business as if they were in a position to
let houses when, as a matter of fact, there are no houses for them to
let.

Higgins wants a house. Yes, incredible though it may sound, this man,
who for years has been content to dwell in a dug-out or consort with
creeping things in the confines of a canvas tent, and even on occasion
make his bed beneath the starry dome of heaven, with nothing in
between, has now developed a craving for a residence built of bricks
and mortar.

What is more, he expects the house-agents to find it for him, and,
since he considers the whole thing from the purely personal point of
view, their excuses for failing to do so are of no avail. The fact
that half a million other people want houses is nothing to him. He
ignores it. He believes that the house-agentry of the country has
hatched a gigantic conspiracy to keep him, Higgins, out of a home.

I have done _my_ best to put him out of his misery. After seeing the
poor wretch wear himself (and his boots) out in useless journeying to
and from the places where house-agents pretend to work I thought of a
scheme--not strictly original--for obtaining a house and presented it
to him without hope of reward.

"You are committing and error," I said.

"I shall commit a murder in a minute," he growled but, knowing what he
had suffered, I took no notice of the threat.

"Listen," I said; "all the habitable houses in England are occupied
and it will be years before the new ones are built. The painting of
"TO LET" boards has become a lost art. You are wasting your time in
looking for an _empty_ dwelling. Take my advice. Choose one that is
occupied, any one you fancy, and empty it."

At this point he interpolated an offensive expression with which I was
not familiar before I joined the army, but I overlooked that also.

"You think it is impossible, but you are wrong," I told him. "This
scheme is bound to succeed. All you have to do is to haunt the house.
You do not eject the tenant yourself. You conjure up a ghost to do it
for you."

"The devil!"

"No--not necessarily. An ordinary ghost will do."

"But, my dear good fool, how in Hades or out of it can I produce a
ghost?"

"Easily. By _suggestion_. That is the secret. This is an age of
suggestion. Doctors are curing patients by suggestion. Politicians
hypnotise the public by suggestion. And you can frighten the present
occupants out of your chosen home by suggestion. No real ghost
is required. Having selected the house you pay a call and lay
ground-bait, so to speak. You tell the tenant you are interested in
the place because you happen to know that at one time it was haunted.
You relate a gruesome tale of some mysterious tragedy that you say has
occurred there, and generally make your victim's flesh creep.

"He or she, a woman for choice, will probably laugh at first. Never
mind. Allow a few days for the idea to sink in, and then call again.
It is a hundred to one that you will hear that strange manifestations
have been observed. After that it will be plain sailing. You will
continue to call, always supplying fresh suggestion, until at last,
thoroughly unnerved, the tenant will bolt, probably taking refuge in
a hotel. That will be your chance. Snatch the place up at once, and
there you are."

For the first time since he was demobilised, Higgins smiled.

"By Heavens!" he said, "I'll try it. There's a little place at Croydon
which would be a perfect billet. I will pay my first visit at once."

He sauntered away, proclaiming in song the satisfactory condition of
rose-culture in Picardy.

Yesterday he came back.

His face was grim. There was a light in his eye which I did not like.
He made no mention of roses blooming in Picardy or anywhere else.

"How is the scheme working?" I asked. "Have you called on the Croydon
gentleman?"

"I have," he answered; "and when I had laid the blessed ground-bait,
as you call it, he told me he always did think there was a ghost about
the place, and he was delighted to have his theory confirmed. He wants
more details now. He invites me to furnish evidence. What for, you
ask? Well, you see, he happens to be an active member of the Society
for Psychical Research."

       *       *       *       *       *

[Illustration: _Polite Stranger (during the busy hour on the
Underground_). "WON'T YOU SHARE MY HANDLE, MADAM?"]

       *       *       *       *       *

SILLY SEASONING.

The strange case of the halibut and the cormorant, recently reported
in the daily Press, has brought us a budget of interesting letters,
from which we select the following as agreeable evidence of the return
of normal conditions in the fish-story-telling industry:--

_Gullane, N.B._

    Dear Sir,--One of the most striking results of the War has been
    its effect on the mentality of birds and animals and even fishes.
    The papers have lately contained accounts of a halibut which
    swallowed a cormorant and survived the exploit only to fall a
    victim to the wiles of a North Sea fisherman. As the cormorant
    is generally regarded to be the _dernier cri_ in voracity, the
    incident illustrates the old saying of the biter bit. As a rule
    birds of prey have the upper hand in their contests with the
    finny denizens of the deep. But the triumph of the halibut is not
    altogether unprecedented. I remember, when I was cruising in the
    China Seas in the year 1854, witnessing a combat between a dolphin
    and a Bombay duck, in which the latter came off second-best. And
    some thirty years later, during a yachting excursion off the
    Scilly Isles, I saw an even more remarkable duel between a
    porbeagle--as the Cornish people call the mackerel-shark--and a
    pipit, in which, strange to relate, the bird came off victorious.

    Believe me to be, Sir,

    Yours truthfully,

    CONSTANTINE PHIBSON.


    _Tara, Diddlebury_.

    DEAR SIR,--When I was an undergraduate at Cambridge in the
    'sixties a "Limerick" was current which began as follows:--

      "There was an adventurous sole
      Which swallowed an albatross whole."

    Unfortunately I cannot remember the conclusion of the stanza, nor
    am I able to state whether it was founded on fact or was merely an
    ebullition of lyrical fancy. In the latter case the lines are
    a striking instance of the prophetic power of minstrelsy, and
    justify the use of the word "_vates_," or seer, as applied to
    poets by the ancient Romans.

    I have the honour to be, Sir,

    Yours faithfully,

    SEPTIMUS BOWLONG.


    _Rougemont Villa, Crookhaven._

    DEAR SIR,--The halibut-cormorant episode has attracted undue
    attention, since many similar but far more extraordinary incidents
    have occurred during the War, but have passed unrecorded owing
    to the claims of Bellona. I will confine myself to one which was
    witnessed by my daughter Anna in course of bathing at Sheringham
    in August, 1917. While swimming underwater she collided with a
    middle-sized sea-serpent, which was evidently in difficulties and
    made its way to the beach, where it expired. The post-mortem,
    which was conducted by Professor Darcy Johnson, F.R.S., revealed
    that the serpent had been choked by a gigantic gooseberry, which
    had formed part of the cargo of a Greenland tramp torpedoed by an
    enemy submarine. The serpent was actually being stuffed when a
    bomb dropped by a Zeppelin blew it into infinitesimal smithereens,
    to the profound disappointment of the Professor and my daughter
    Anna, who has never been quite the same woman since. Permit me to
    subscribe myself

    Yours faithfully,

    ALEXANDER NIAS.


    _Steep Hill, Cramlington._

    DEAR SIR,--There is nothing surprising in the story of a halibut
    devouring a cormorant. As you will see from consulting _Murray_,
    halibut means "holy-butt" (or flat-fish), and holy fishes are
    possessed of magical powers. When I lived on the coast of Florida
    I had a tame tarpon, which could swallow anything--croquet balls,
    door scrapers--and once ate an entire cottage pianoforte in
    half-an-hour. Here I may add that in my travels in Turkestan I was
    attacked by a boa-constrictor, and, though I escaped with my life,
    it proceeded to swallow the Bactrian camel on which I was riding.
    On the following day, however, when the boa was still in a
    comatose condition, I killed it with a boomerang, rescued the
    camel and continued my journey without further mishap.

    I am, Sir, Yours veraciously,

    ANDREW MERRIMAN.

       *       *       *       *       *

[Illustration: _Lady Driver (just joined)_. "OH, SERGEANT, I HOPE I
SHAN'T UPSET MY FIRST PASSENGER!"

_Sergeant (A.S.C., M.T.)._ "PASSENGER, MISS! DON'T LET THAT WORRY YOU.
PLENTY MORE PASSENGERS!"]

       *       *       *       *       *

THE SIX-HOUR DAY.

AN ANTICIPATION.

    ["If the husband's hours are reduced to six that gives the wife a
    chance. The home and the children are as much his as hers. With
    his enlarged leisure he will now be able to take a fair share in
    home duties."

    _Mrs. WILL CROOKS_.]

  Jock Mackay was a lusty soul;
  He earned his livelihood winning coal;
  Black with grime, all huddled and bent,
  A third of his life in the pit he spent;
  A third he slept and a third he slacked
  Training the whippet his fancy backed,
  Or talking strikes with a fervent zest
  In the bar of the neighbouring "Miners' Rest."

  Jean Mackay was his wife; her day
  Started or ever the dawn was grey;
  She lit the fire, she shook the mats,
  She frizzled the bacon and dressed the brats,
  She darned and mended, she made the beds,
  She combed the tugs in the tousled heads,
  She knitted the socks, she washed and baked
  Till every bone in her body ached;
  She toiled and moiled in a non-stop fight
  From six in the morning till ten at night.

  But there dawned a day when Jock Mackay
  Came home from the mine with a dancing eye
  And a laugh in his heart, and he cried out, "Jean,
  'Tis the grandest day that the warl' has seen!
  The lads are a' cheerin' and rinnin' fey,
  For the Government's gien us the sax-hour day."

  Jean stopped scrubbing. "Is't true?" said she;
  "I wish ye luck. But bide a wee.
  Noo that the battle is owre an' done,
  What will ye dae wi' the hours ye've won?"

  "What will I dae wi' them? What I like.
  I'll tak' a bit turn wi' my wee bit tyke,
  Or call for a crack wi' the lads at the "Rest,"
  And mebbe I micht tak' a drap, if pressed."

  "That's a' vera weel, but bide a bit.
  Ye work sax hours a day in your pit,
  But I'd hae ye to bear in mind," said Jean,
  "While ye work sax I work saxteen."

  Jock scratched his head. "Ay, lass, that's sae.
  Aweel, an' what would ye hae me dae?"

  "Fair does," she answered; "it's only fair
  That ye should be takin' your ain just share,
  An' help me in keepin' the hame for a spell
  In the extry hours that ye've got to yoursel',
  Sae, while I'm scrubbin' the floor," she said,
  "Ye micht be pittin' the bairns tae bed."
  Jock laughed. "I doot there's somethin' in it;
  I'll stairt on my duties this verra minute."

  A week went by: Jock learnt to scrub,
  He gave the bairns their Saturday tub,
  He made the beds, he blacked the grates,
  He washed up saucers and cups and plates,
  He cleaned and polished, he boiled and baked
  Till every bone in his body ached.

  Around the neighbourhood rumour flew;
  Soon every wife in the village knew
  That Jock, when his spell in the pit was done,
  Was cook, nurse, parlourmaid rolled into one;
  And every wife she vowed that her man
  Should be trained on the same super-excellent plan.
         *       *       *       *       *
  Behold these lusty miners all
  Fettered fast in domestic thrall,
  Scrubbing, rubbing, baking bread,
  Busy with scissors and needle and thread,
  Spreading the brats their bread and jam,
  Trundling them out in the morning pram,
  Washing their pinafores clean and white
  And tucking them up in their cots at night.
         *       *       *       *       *
  Ask me not--for I cannot tell,
  I can only guess--how the end befell:
  A wifely word, an angry scowl,
  A bit of a grumble, a bit of a growl,
  A scolding here, a squabbling there,
  And here the sound of an ugly swear,
  A cry of despair from the sore opprest,
  A secret call to the "Miners' Rest,"
  A sudden revolt from the brooms and mats,
  And a roar from a thousand throats--"Down brats!"
         *       *       *       *       *
  "What--striking again?" you cry, aghast.
  Nay, friend, cheer up, for the worst is past;
  A glint of blue may be seen through the grey--
  _They are asking again for an eight-hour day_.

       *       *       *       *       *

THE DISCIPLINARIAN.

Saluting is rapidly becoming a thing of the past, even among
British-born soldiers. Dating from the Armistice, it has lapsed more
and more, until now it is practically extinct.

Now I regard this as serious. I have ever been a stickler for
discipline, and consequently I dislike it when men pass by--not, like
the Levite, on the other side--but close to me without so much as a
click of the eyeballs.

So I decided that I as a disciplinarian would make a stand against it;
I would keep my eyes open for any particularly flagrant case. When I
found it I intended to let myself go. I promised myself an agreeable
ten minutes--or longer, if I got properly worked up.

My chance came the other day. I was strolling down Regent Street when
three N.C.O.'s, including a sergeant, passed me. They did not salute.
I might have been a civilian for all the notice they took of me. Ha!
my hour had come.

Turning, I hastened after them.

"Sergeant, a word."

They stopped and the Sergeant asked if I was speaking to him.

"Have you ever heard of the little word 'Sir,' Sergeant?" I asked
severely. "Evidently not. However I pass over that. But a moment ago
you went by me without saluting. Deliberately--inexcusably. I was as
close to you as I am now."

"But how--" began the Sergeant.

"Not a word," I cut him short. "Not a word. You know perfectly well
that you have neglected your duty grossly. Now tell me. Is it your own
idea to drop saluting, or has Mr. CHURCHILL had a word in your ear?"
(Sarcasm is my strong point.)

"But look here--" said the Sergeant, rather red in the face.

"Do not interrupt," I thundered, warming to my work. "How, I ask,
do you expect the ordinary soldier to salute when _you_ slink past
officers--you, who ought to be a shining example? Now I am going to
report--"

Something in the Sergeant's eye, which seemed to be travelling over my
person generally, made me suddenly glance down at myself, and it was
then that, horror-struck, I realised that I was wearing for the first
time my new ten-guinea suit.

As I faded away the Sergeant clicked his heels and saluted smartly.

       *       *       *       *       *

THE STRUGGLE FOR LIFE.

    "Lady will exchange clothing, self, little girl, for farm butter,
    eggs, jam."--_The Lady_.

       *       *       *       *       *

[Illustration: _Infuriated Italian (who has recently purchased a
British Army horse)._ "FAIR WORDS DID I SPEAK HIM, SAYING, 'PEDRO,
AVANTI PIANISSIMO,' AND--BEHOLD!"]

       *       *       *       *       *

OUR BOOKING-OFFICE.

_(By Mr. Punch's Staff of Learned Clerks.)_

_Within The Rim_ (COLLINS) is, I suppose, the last of the posthumous
volumes of Mr. HENRY JAMES. It is a short book, produced with the
beauty that I have already grown to associate with the imprint of its
publishers, and containing five occasional pieces. Of these the first,
which gives its title to the whole, is the most considerable: an essay
of very moving poignancy, telling the emotion of the writer during
the earliest months of the War, in "the most beautiful English summer
conceivable," months that he "was to spend so much of in looking over
from the old rampart of a little high-perched Sussex town at the
bright blue streak of the Channel ... and staring at the bright mystery
beyond the rim of the farthest opaline reach." In the thoughts to
which HENRY JAMES here gives expression one may find much of the love
and sympathy for this country that subsequently led to that assumption
of British citizenship which he intended as their demonstration to the
world. Of interest also in this same paper is the revelation of a mind
that knew already by a personal experience (of the American Civil War)
"what immensities our affair would carry in its bosom--a knowledge
that flattered me by its hint of immunity from illusion." I would not
be understood that this is a volume for the casual reader, or even for
one desirous of making a first acquaintance with the Master, since
much of it exemplifies not only the beauty but the perplexities of
his later style; but it is certainly one which his disciples will not
willingly be without.

       *       *       *       *       *

_Notebooks of a Spinster Lady_ (CASSELL) is smallish talk about
biggish wigs of the Victorian era, but not on that sole account to be
condemned. Perhaps rather wholesome as showing how little distant we
are from an age of government of the people by superior people for
superior people. The notebooks cover the years 1878-1903, but the
anecdotes have a much wider range, are often indeed of a venerable
antiquity. The lady of the notebooks was not, I fancy, of a critical
temper, and versions not too credible of well-known _contes_ figure in
her quiet kindly pages. There are moreover stories which I should not
hesitate to describe as of an appalling banality if they were not
concerned with such very nice people. On the whole I don't think it
quite fair to the spinster lady to have published her notes. They may
well have been painstaking jottings to provide material for polite
conversation and have sounded much better than they read in cold
print. For myself the real heroine of the book is _Maria_, the poet's
wife, who, on being waked and adjured by her spouse to get up and
strike a light for that he had just thought of a good word, replied
in un-Victorian mood, "Get up yourself! I have just thought of a bad
one."

       *       *       *       *       *

_Love--on Leave_ (PEARSON) is the sufficiently expressive title that
Miss JESSIE POPE has chosen for a small book of little courtship
tales. You never saw a volume of its size, more packed with love,
which is shown leaping walls, laughing at locksmiths and generally
making the world go round in its proverbial fashion. The pace of the
revolutions may be found a little disconcerting. You will perhaps be
inclined to amend the title and call the collection "Love on _Short_
Leave," to mark the regularity with which the respective heroes and
heroines fall into each others' arms at the end of every dozen pages
or so. As a matter of fact, the incident that is to my mind the best
of the bunch is an exception to this rule of osculation--a happily
imagined little comedy of a young wife who thought to avoid the visit
of a tiresome sister-in-law by betaking herself for the night to
the branches of a spreading beech. Whether in actual life this is a
probable course of conduct need not exercise your mind; at least not
enough to prevent your enjoyment of her arboreal adventure, which
comes, as I say, with the more freshness as a break in what might else
be a surfeit of proposals. In effect, a gallant little florin's
worth of _fiançailles_; though, if you wish to avoid feeling like a
matrimonial agency, you will be well-advised to take it by instalments
rather than in bulk.

       *       *       *       *       *

Among the pacific warriors in the great 1914-18 struggle there is
probably none who did better work, often under conditions of the
gravest peril, than Mr. G.M. TREVELYAN for the Red Cross in Italy.
Disqualified both by age and health from joining the army of attack,
he threw himself into the task--a labour of love--of tending the
sick and wounded of that country which he knows so well and of whose
greatest modern hero he is the classic biographer. That the eulogist
of GARIBALDI should hasten to the succour of Italian soldiers was
fitting, and how well he performed the task the records of the Villa
Trenta Hospital, near Udine, and of the ambulance drivers under his
command, abundantly tell. The story of this beneficent campaign and of
much besides is told with too much modesty by Mr. TREVELYAN himself,
in a book entitled _Scenes from Italy's War_ (JACK), which gives a
series of the vividest impressions of the Italian effort, and is
remarkable for the best analysis that I have yet seen of the causes
that led to the disaster of Caporetto. The pages in which Mr.
TREVELYAN paints the portrait of a typical Italian soldier, home sick
and perplexed, are likely to be borrowed by many more pretentious
historians of the War for years to come.

       *       *       *       *       *

Mr. JOHN HARGRAVE, the author and illustrator of _The Great War Brings
It Home_ (CONSTABLE) has already a wide reputation in the world
of Scouts, gained not only by his enthusiasm but by his profound
knowledge of scout-craft. Here he tells us very plainly that the War
has brought home to us the fact that, if we are to make good our
losses in the ranks of the young and the fit, we have got to give our
children a better chance of living healthy, wholesome lives. He urges
the need of more outdoor education and as many open-air camps as
possible, and shows that, if we are to carry out such a scheme as he
lays in detail before us, scoutmasters and still more scoutmasters are
wanted. With reason he complains that none of these good fellows is
paid one halfpenny, and that nearly all of them are young men who have
to get a living. "Offer them," he says, "a living wage and how gladly
would they become national scoutmasters in charge of national camps."
You may, if you are on the look-out for it, find much that will seem
fantastic in Mr. HARGRAVE'S ideas; his appeal, however, is not to
those of us who, even in a case of great national urgency, cannot get
away from the tyranny of convention. Intrinsically his idea is sound,
and I plead with all my heart for a fair consideration of his schemes
and for help in their development.

       *       *       *       *       *

Mr. REX BEACH is one of the few prolific writers whose stories
increase in power as they increase in number, and this though they are
essentially novels of action rather than novels of thought. Of his
latest effort, _The Winds of Chance_ (HODDER AND STOUGHTON), one may
say that there is not a tedious page in it. The scene is laid in
Yukon, a very vortex of life and colour and excitement in fiction,
whatever it may seem to the actual inhabitants. The true hero of the
story, _Napoleon Doret_, the French voyageur, wins his heart's desire
in the end and we breathe a sigh of relief. The other hero is left
the accepted swain of the daughter of the Colonel of the North-West
Mounted Police at Dawson, and this we find a little hard to swallow,
seeing what shady, not to say immoral, company, male and female, he
had just been basking in. He is a weak creature and certainly should
have married the _Countess Courteau_, an Amazonian lady, who would
have kept him in order. But that is to be fastidious. The story is
crisp and vivid, and, anyway, those ancient prospectors, _Tom Linton_
and _Jerry McQuirk_, are worth twice the money.

       *       *       *       *       *

Mr. Punch has great pleasure in commending to his readers two volumes
of verse--_Rhymes of the Red Ensign_ (HODDER AND STOUGHTON), by Miss
C. FOX SMITH, and _The Poets in Picardy_ (MURRAY), by Major E. DE
STEIN--in which they will recognise many poems that have appeared in
his pages.

       *       *       *       *       *

[Illustration: _Master_. "BUT, JENKINS, THE NAME OF THE COMPLAINT IS
NOT PEWMONIA. SURELY YOU'VE HEARD ME AGAIN AND AGAIN SAY 'PNEUMONIA'?"

_Man_. "WELL, SIR, I 'AVE; BUT I DIDN'T LIKE TO CORRECT YOU."]

       *       *       *       *       *

HOW TO SOLVE THE FOOD PROBLEM.

    "Superior Working Housekeeper and young Maid for Ladies' College.
    No cooking; students sleep only."--_Church Times_.

       *       *       *       *       *

COMMERCIAL CANDOUR.

    "The interesting announcement is made that a regular air service
    for perishable goods and passengers is to be established at
    Edinburgh."--_Scotsman_.

       *       *       *       *       *

    "The London season has begun with its usual extensive programme of
    religious services in various London churches."--_Scots Paper_.

The best comment that we have yet seen on this statement occurs in the
following (also from a Scots paper):--

    "The Commander-in-Chief has borne testimony on behalf of the Grand
    Fleet to the work that the Scittish Bishops have done for the Navy
    during the War."


END.





End of Project Gutenberg's Punch, Volume 156, 26 March 1919, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOLUME 156, 26 MARCH 1919 ***

***** This file should be named 11284-8.txt or 11284-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/1/2/8/11284/

Produced by Malcolm Farmer, Sandra Brown and the Online Distributed
Proofreading Team.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

     https://www.gutenberg.org/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

     https://www.gutenberg.org/1/0/2/3/10234

or filename 24689 would be found at:
     https://www.gutenberg.org/2/4/6/8/24689

An alternative method of locating eBooks:
     https://www.gutenberg.org/GUTINDEX.ALL