Punch, or the London Charivari, Volume 156, Jan. 8, 1919

By Various

The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 156,
Jan. 8, 1919, by Various, Edited by Owen Seamen


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org





Title: Punch, or the London Charivari, Vol. 156, Jan. 8, 1919

Author: Various

Release Date: February 17, 2004  [eBook #11133]

Language: English


***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI,
VOL. 156, JAN. 8, 1919***


E-text prepared by Malcolm Farmer, William Flis, and the Project Gutenberg
Online Distributed Proofreading Team



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustrations.
      See 11133-h.htm or 11133-h.zip:
      (http://www.ibiblio.org/gutenberg/1/1/1/3/11133/11133-h/11133-h.htm)
      or
      (http://www.ibiblio.org/gutenberg/1/1/1/3/11133/11133-h.zip)





PUNCH, OR THE LONDON CHARIVARI.

VOL. 156.

JANUARY 8, 1919.







CHARIVARIA.

The mystery of the Foreign Office official who has not gone to Paris
for the Peace Conference has been cleared up. He is the caretaker.

       ***

"The King and Queen of Roumania," says a Paris paper, "will embark
after Christmas, orthodox style, for Western Europe." It is easy
enough to start a voyage, orthodox style; the difficulty is at the
other end.

       ***

The supreme command of the German Navy, says a telegram, has been
transferred to Wilhelmshaven. This looks like carelessness on the
part of the watch at Scapa Flow.

       ***

This year's _Who's Who_ has eighty-six more pages than that of last
year. On the other hand, since the Election quite a number of people
are not Who at all.

       ***

"The present rule in _Who's Who_," says _The Evening News_, "is that
the more important a man is the less space he is content to occupy."
As some of the staff of our evening Press do not occupy any space at
all in this excellent publication we leave readers to draw their own
conclusions.

       ***

The _Frankfürter Zeitung_ observes that the ex-Kaiser has grown very
silent and morose. It is supposed that he has something or other on
his mind.

       ***

A Copenhagen message states that the Spartacus people have three
times attempted to murder Count REVENTLOW, who is said to regard
these attempts as being in the worst possible taste.

       ***

Once again the newspapers have been beaten. It appears that Princess
PATRICIA knew of her engagement some time before the Press announced
it to Her Royal Highness.

       ***

"We still believe," says the _Kölnische Zeitung_, "that in thought the
German and the Britisher are racially akin." All the same we should
not encourage the Hun to come over here with the idea of making a
spiritual home among his alleged relatives.

       ***

Charged with drunkenness at the Thames Police Court a man attributed
his condition to the beer habit. It is remarkable how men will cling
to any sort of excuse.

       ***

Woolwich Arsenal, we are informed, is turning out milk-cans. Can
nothing be done, asks a pacifist, to save our children from the
insidious grip of militarism?

       ***

Nottinghamshire War Committee states that rat-catchers are now
demanding four pounds a week. Diplomacy, it appears, is the only
branch of British sport that has succeeded in escaping the taint of
professionalism.

       ***

"Fractious mules," says a correspondent of _The Daily Mail_, "should
not be sent to the country for sale." The playful kind, on the other
hand, that bite and kick from sheer _joie de vivre_, are bound to have
a beneficial effect on the agricultural temperament.

       ***

A Guildford allotment-holder successfully grew new potatoes for
Christmas-day dinner. All were eaten, it appears, except one, which
was kept to show to the Christmas pudding.

       ***

There is no truth in the report that Mr. DANIELS, U.S. Secretary for
the Navy, has received a telegram from Mr. WILLIAM RANDOLPH HEARST,
saying, "You furnish the navy and I'll furnish the war."

       ***

"The Crystal Palace," says. Dean INGE, "is the embodiment of spiritual
emptiness." A determined attempt is to be made to find out what the
Crystal Palace thinks of Dean INGE.

       ***

Stories of an unsuccessful Candidate in the Midlands, who was heard to
admit that the voters probably preferred his opponent's personality,
must be definitely regarded as apocryphal.

       ***

Traditions in Scotland die hard. We gather that it is stili considered
unlucky for a red-headed burglar to cross a Scottish threshold on New
Year's Eve.

       ***

A man at Berne has recently confessed to a murder he committed
twenty-one years ago. This is what comes of memory-training.

       ***

It is reported that TROTSKY has been ordered by his doctor to take
a complete rest. He has therefore decided not to have any more
revolutions for the present. Orders however will be executed in
rotation.

       ***

Credit where credit is due. A woman fined at Wood Green Police Court
said her name was JOLLY and she had been having a "jollification," yet
the magistrate refrained from comment.

       ***

"Where was the Poet Laureate during the visit of President Wilson?"
asks a correspondent in a contemporary. We do not share this
curiosity.

       ***

"Foxes are to be found within an omnibus ride of Charing Cross," says
Mr. RICHARD KEARTON. Young omnibuses with plenty of bone and stamina
are the best for suburban meets.

       ***

Anemones, said a lecturer at the Royal Institution, will live as long
as sixty years in captivity and are very intelligent. Nevertheless we
refuse to swallow the story about their being taught to jump through a
hoop. The man who told it must have been thinking of an Egyptian king
of the same name.

       ***

The LORD-LIEUTENANT, it is stated on good authority, threatens that
if Sinn Fein prisoners destroy any more jails they will be rigorously
released.

       *       *       *       *       *

[Illustration: _The Fare_. "I DEFY YOU!"

_The Driver_. "WHO ARE YOU?"

_The Fare_. "I AM A RETIRED TAXI-DRIVER."]

       *       *       *       *       *

    "Sir Eric Geddes speaks of £50,000,000,000--a sum so vast that it
    could not be paid off in a century of annual payments so small as
    £2,000,000,000 each."--_Yorkshire Paper_.

Our contemporary overestimates the difficulty.

       *       *       *       *       *

THE VERDICT OF DEMOCRACY.

  The nation's memory, then, is not so short;
    It still recalls the fields we lately bled on;
  And when it had to choose the likeliest sort
    For clearing up the mess of Armageddon
      And making all things new,
  It chose the man whose courage saw it through.

  Hun-lovers, pledged to Peace (the German kind),
    And such as sported LENIN'S sanguine token,
  Appealed to Liberty to speak her mind,
    And Liberty has very frankly spoken,
      Strewing around her polls
  The remnants of their ungummed aureoles.

  In Amerongen there is grief to-day;
    I seem to hear the martyr of Potsdam say,
  "Alas for SNOWDEN, gone the downward way,
    And O my poor, my poor beloved RAMSAY;
      I much regret the rout
  That washed this couple absolutely out!"

  Dreadfully, too, the heart of TROTSKY bleeds,
    To match the stain upon his reeking sabre,
  Which is the blood of Russia, when he reads
    How BARNES, the champion knight of loyal Labour,
      Downed in the Lowland lists
  MACLEAN, the Red Hope of the Bolshevists.

  But here is jubilation in the air
    And matter made to build the jocund rhyme on,
  Though in our joyance some may fail to share,
    Like Mr. RUNCIMAN or Major SIMON,
      That hardened warrior, he
  Who won the Military O.B.E.

  Already dawns for us a golden age
    (Lo! with the loud "All Clear!" our pæan mingles),
  An era when the OUTHWAITES cease to rage
    And there is respite from the prancing PRINGLES,
      And absence puts a curb
  On the reluctant lips of SAMUEL (HERB.).

  O.S.

       *       *       *       *       *

HOW TO THROW OFF AN ARTICLE.

"Do you really write?" said Sylvia, gazing at me large-eyed with
wonder. I admitted as much.

"And do they print it just as you write it?"

"Well, their hired grammarians make a few trifling alterations to
justify their existence."

"And do they pay you quite a lot?"

"Sixpence a word."

"Oo! How wonderful!"

"But not for every word," I added hastily, "only the really funny
ones."

"And they send it to you by cheques?"

"Rather. I bought a couple of pairs of socks with the last story;
even then I had something left over."

"And how do you write the stories?"

"Oh, just get an idea and go right ahead."

"How wonderful! Do you just sit down and write it straight off?"

I just--only just--pulled myself up in time as I remembered that
Sylvia was an enthusiast of twelve whose own efforts had already
caused considerable comment in the literary circles described
round the High School. I felt this entitled her to some claim on
my veracity.

"Sylvia," I cried, "I shall have to make a confession. All those
stories you have been good enough to read and occasionally smile over
are the result of a cold-blooded mechanical process--and the help of
a dictionary of synonyms."

"Oo! How wonderful! Do show me how."

"Very well. Since you are going to be a literary giantess it is well
that you should be initiated into the mysteries of producing what I
shall call the illusion of spontaneity. Now take this story here. Here
on this old envelope is THE IDEA."

"Oo! Let me see. I can't read a word."

"Of course you can't; nobody could. Rough copies are divided into
classes as follows:--

"No. 1. Those I can read, but nobody else can.

"No. 2. Those I can't read myself after two days.

"No. 3. Those my typist can read.

"This story is about a certain Brigade Major who is an inveterate
leg-puller. Some Americans are expected to be coming for instruction.
Well, before they arrive the Brigade Major has to go up to the line,
and on his way he meets a man with a very new tin hat who asks him
in a certain nasal accent we have all come to love if he has seen
anything of a party of Americans. Spotting him as a new chum, the
Brigade Major offers to show him round the line, and proceeds to pull
his leg and tells him the most preposterous nonsense. For instance,
on a shot being fired miles away he pretends they are in frightful
danger, and leads him bent double round and round trenches in the
same circle."

"What a shame!"

"Wasn't it? Well, when he gets tired he asks the American if he thinks
he has learnt anything. The American says, 'Gee, I've been out here
two years now, but I guess you've taught me a whole heap I didn't
know. I'm a Canadian tunneller, you know, and I've got to show some
Americans our work, but I guess I've had a most interesting time
with you."

"Ha! ha!"

"Well now, to put the story into its form. Here's Copy No. 1, on
this old envelope. 'Americans coming--Brigade Major sees American
looking for party--pulls his leg--pretends to being in frightful
danger--American is Canadian who has been out two years.' See? Copy
No. 2. Here we begin to till in. Describe Brigade headquarters and
previous leg-pulls of Brigade Major. Make up details of what he tells
the American--'That's a trench. That thing you fell over is a coil
of wire. This is a sunken road--we sunk it, etc., etc.' Copy No.
3, additions and details, little touches of local colour, revision
of choice of words, heart-rending erasions. And here, my child," I
concluded, bringing out the beautiful, clean, smooth typed copy--"here
is the finished work itself, light, pleasant, fluent, humorous and,
most important of all, spontaneous."

"Oo! But how awfully cold-blooded. I thought you smiled to yourself
all the time you wrote it."

"My dear girl, it takes hours. If I smiled continually all that length
of time the top of my head would come off."

"Isn't it wonderful? Fancy building it all up from jottings on an old
envelope! What's that piece of paper you took out of the typed copy?"

"Oh, that's nothing to do with the literary side of it," I said,
crumpling up the little memorandum, which said that the Editor
presented compliments and regretted that he was unable to make
use of the enclosed contribution.

       *       *       *       *       *

    "Mr. Henderson ... was received with a cry of 'He is not on the
    map now.'"--_Times_.

It is supposed that his supporter meant to say "not on the mat"--in
reference to an incident at the close of Mr. HENDERSON'S Ministerial
career. But many a true word is said in the Press by inadvertence.

       *       *       *       *       *

[Illustration: THE WAR AGAINST THE PUBLIC.

PROFITEERING HEN. "NOTHING DOING AT FIVEPENCE. BUT I MIGHT PERHAPS LAY
YOU ONE FOR NINEPENCE. WHAT! YOU THOUGHT THE WAR WAS OVER? NOT _MY_
WAR."]

       *       *       *       *       *

[Illustration: _Dear Old Lady (to returning warrior)_. "WELCOME BACK
TO BLIMEY!"]

       *       *       *       *       *

A DEMOBILISATION DISASTER.

Private Randle Janvers Binderbeck and Private John Hodge (of No. 12
Platoon) both enlisted in 1914. Previously Handle wrote articles,
mostly denunciatory. He denounced the Government of the day, tight
skirts, Christian Science, scorching on scooters, the foreign policy
of Patagonia and many other things. John, on the other hand, had not
an agile brain. He worked on a farm in some incredibly primitive
capacity, and the only thing that he denounced was the quality of
the beer at the "Waggon and Horses." It certainly was bad.

In the Army Randle had no ambition except to get out of it and to
remain a private while in it. His ambition for his civil career was
tremendous. He tried to prod the placid John (his neighbour in their
hut) into an equal ambition.

"My poor Hodge," said Randle to John, "you must cultivate a soul above
manure. Does it satisfy you, as a man made in the image of God, to be
able to distinguish between a mangold and a swede? Think of the glory
of literature, the power of the writer to send forth his burning words
to millions and sway public opinion as the west wind sways the pliant
willow."

"I dunno as I'd prefer that to bird-scaring or suchlike," murmured
John.

Goaded by such beast-like placidity, Randle would forget all restraint
in trying to lash John into a worthy ambition.

It was for talking after "Lights out" that Randle and John were given
a punishment of three days' confinement to barracks. Randle, pouring
out a devastating torrent of words in the manner of a public orator,
bitterly denounced the punishment; John, who had merely snored (the
Captain said it took two to make a conversation), bore it with the
stoicism of ignorance.

Randle used to dream of Peace Day. He heard Sir DOUGLAS HAIG order his
Chief-of-Staff to summon Private Randle Janvers Binderbeck. "Release
him at once," said HAIG, in Randle's dream, "to resume his colossal
mission as leader and director of public opinion."

If John dreamed, it was of messy farmyards and draughty fields; but it
is improbable that he dreamed at all.

They both went to the War and faced the Hun. Randle thought of the
Hun only as a possible wrecker of his career, therefore as a foe of
mankind. John hardly thought of the Hun except in the course of coming
into contact with him, and then he used his bayonet with careless
zeal.

Randle steeled himself against the rough edges of soldiering. He
allowed neither the curses of corporals nor the familiarities of
second-lieutenants to affect his dreams of the future. Always, even
_sotto voce_ in the last five minutes before going over the top, he
kept before John his vision splendid.

It was thoir luck to remain together and unhurt. Then arrived the
great day when the Hun confessed defeat. Randle vainly awaited a sign
from the Commander-in-Chief.

There came, however, a moment when No. 12 Platoon was paraded at the
Company Orderly-room. Particulars were to be taken before filling up
demobilisation forms. Men were to be grouped, on paper, according to
the nation's demand for their return to civil life.

Randle Janvers Binderbeck knew this was _der Tag_. Magnanimously he
overlooked the delay and felt that HAIG might, after all, have an
excuse. John Hodge remained placid. He had long ago classed Randle's
goadings with heavies and machine-guns, as unavoidable incidents of
warfare.

Randle and John were called into the orderly-room together. By an
obvious error John was first summoned to the table.

"Well, Hodge," said the Company Sergeant-Major, "what's your job in
civil life?"

"I dunno as I got any special job," said John. "I just sort o' helped
on the farm."

"You must have a group," said the C.S.M. "What did you mostly do
before the War?"

"S' far as that do go," said John, "I were mostly a bird-scarer."

"'Bird-scarer,'" said the C.S.M. "I know there's a heading for that
somewhere. Agricultural, ain't it? 'Bird-scarer.' Ah, here we are.
'Group 1.' You'll be one of the first for release."

The Company Clerk noted the fact, and the C.S.M. called "Next man."

Randle Janvers Binderbeck stepped forward.

"What's your job, Binderbeck?" said the C.S.M.

(To ask Lord NORTHCLIFFE, "Do you sell newspapers?" To ask BOSWELL,
"Have you heard of a man named JOHNSON?" TO ask HENRY VIII, "Were you
ever married?")

The futility of the question flabbergasted Randle.

"Come on, man," said the C.S.M.

Randle made an effort. "Journalist," he said.

"'Journalist,'" said the C.S.M., "'Journalist.' Yes, I thought so.
'Group 41.' You've got a long way to go, my lad. You'd have done
better if you was a bird-scarer, like Hodge. Them's the boys the
nation wants--Group 1 boys. You sticks in the Army for another six
months' fatigue. Next man."

That was all.

John Hodge is now soberly awaiting demobilisation, and will not have
to wait long.

Randle Janvers Binderbeck is secretly consoling himself by writing the
most denunciatory articles. They will never be published, but they
afford an alternative to cocaine.

He feels that he can never again consent to sway public opinion as the
west wind, etc., in the interests of a nation which rates him forty
groups lower than an animated scarecrow.

It is the nation's own fault, Randle is blameless.

       *       *       *       *       *

A NOISY SALUTE.

From a review of _The Remembered Kiss_, in _The Westminster
Gazette_:--

    "It would be doing Miss Ayres an injustice to suppose that
    there is only one kiss to remember in the whole of her novel,
    but the one which gives its title is bestowed by a young and
    handsome burglar, and received by a girl who mistook the noise
    he was making for a thunders torm."

As TENNYSON says in _The Day-Dream_: "O love, thy kiss would wake the
dead!"

       *       *       *       *       *

[Illustration: _Father (bringing son home from party)_. "WELL, OLD
CHAP, WERE THERE PLENTY OF LITTLE GIRLS FOR YOU TO DANCE WITH?"

_Son (rather proud of himself)_. "OH, THERE WERE SOME KIDS ABOUT, BUT
_I_ DANCED WITH A GIRL OF SIXTEEN--AND, BY JOVE, SHE LOOKED IT."]

       *       *       *       *       *

FREAKS OF FOOD-CONTROL.

  Though Mrs. Midas shows a righteous zeal
  In preaching self-control at every meal,
  She never in her stately home forgets
  To cater freely for her precious pets.

  On cheese and soup she feeds her priceless "Pekie"--
  Stilton and Cheddar, Bortch and Cocky-leekie;
  And Max, her shrill-voiced "Pom," politely begs
  For his diurnal dole of new-laid eggs.

  Semiramis, her noble Persian cat,
  Threatens to grow inelegantly fat
  Upon asparagus and Shaker oats,
  With milk provided by two special goats.

  Meanwhile her governess subsists on greens,
  Canned conger-eel or cod and butter-beans,
  And often in a black ungrateful mood
  Envies the dogs and cat their daintier food.

       *       *       *       *       *

    "On one side was the naval guard of honour--splendid men from
    the ships of the Dover Patrol--and on the other side a military
    guard from the Garrison with the band of the Buffs waiting
    to play President Wilson into England with 'The tar-spangled
    Banner.'"--_Provincial Paper_.

A pretty compliment to the naval escort.

       *       *       *       *       *

THE MUD LARKS.

Our Mr. MacTavish is a man with a past. He is now a cavalry subaltern
and he was once a sailor. As a soldier at sea is never anything but
an object of derision to sailors, correspondingly the mere idea of a
sailor on horseback causes the utmost merriment among soldiers.

"Sailors on horseback!"--the very words bring visions of apoplectic
mariners careering madly across sands, three to a horse, every limb
in convulsion. Why, it's one of the world's stock jokes.

The pathetic part of it is that, obeying the law of opposites, the
saddle has an irresistible and fatal attraction for the poor chaps.
They take to it on every possible and impossible occasion. You can see
them playing alleged polo at Malta, riding each other off at right
angles and employing their sticks as grappling irons. You can see them
over from the Rock whooping after Spanish foxes, bestriding their
steeds anywhere but in the appointed place.

As every proper farmer's boy has long, long thoughts of magic oceans,
spice isles and clipper ships, so I will warrant every normal Naval
officer dreams of a little place in the grass counties, a stableful
of long-tails and immortal runs with the Quorn and Pytchley.

It was thus with our Mr. MacTavish, anyhow. A stern parent and a
strong-armed crammer projected him into the Navy, and in the Navy
he remained for years bucketing about the salt seas in light and
wobbly cruisers, enforcing intricate Bait Laws off Newfoundland in
mid-winter, or playing hide-and-seek with elusive dhows on the Equator
in midsummer, but always with a vision of that little place in his
mind's eye.

His opportunity arrived with the demise of the stern parent and the
acquisition of a comfortable legacy. MacTavish sent in his papers and
stepped ashore for good. He discovered the haven of his heart's desire
in the neighbourhood of Melton, purchased a pig and a cow (which
turned out to be a bullock) to give the little place a homely air,
engaged a terrier for ratting and intercourse, and with the assistance
of some sympathetic dealers was assembling as comprehensive a
collection of curbs, spavins, sprung tendons, pin-toes, herring-guts,
ewe-necks, cow-hocks and capped elbows as could be found between the
Tweed and Tamar, when--Mynheer W. HOHENZOLLERN (as he is to-day) went
and done it.

The evening of August 4th, 1914, discovered MacTavish sitting on the
wall of his pig-sty, his happy hunting prospects shot to smithereens,
arguing the position out with the terrier. He must attend to this
war, that was clear, but need he necessarily go back to the salt sea?
Couldn't he do his bit in some other service? What about the Cavalry?
That would mean galloping about Europe on a jolly old gee, shouting
"Hurrah!" and cutlassing the foot-passengers. A merry life, combining
all the glories of fox-hunting with only twenty-five per cent. of its
safety--according to _Jorrocks_.

What about the Cavalry, then? The terrier semaphored complete
approbation with its tail stump and even the pig made enthusiastic
noises.

A month later MacTavish turned up in a Reserve Regiment of Cavalry at
the Curragh as a "young officer." The Riding-Master treated his case
as no more hopeless than anybody else's and MacTavish was making
average progress until one evening in the anteroom he favoured the
company with a few well-spiced Naval reminiscences.

Next morning the Riding-Master was convulsed with merriment at the
mere sight of him, addressed him variously as Jellicoe, Captain
Kidd and Sinbad, and, after first warning MacTavish not to imagine
he was ashore at Port Said riding the favourite in a donkey Derby,
translated all his instructions into nautical language. For instance:
"Right rein--haul the starboard yoke line; gallop--full steam ahead;
halt--cast anchor; dismount--abandon ship," and so forth, giving his
delicate and fanciful sense of humour full play and evoking roars
of laughter from the whole house. It did not take MacTavish long to
realise that, no matter what he said, he would never again be taken
seriously in that place; he was, in fact, the world's stock joke, a
sailor on horseback (Ha, ha, ha!).

He set his jaw and was determined that he would not be caught tripping
again; there should be no more reminiscences. Once clear of Ireland he
would bury his past.

All this happened years ago.

When I came back from leave the other day I asked for Albert Edward.
"He and MacTavish are up at Corpse H.Q.," said the skipper; "they're
helping the A.P.M. straighten the traffic out. By the way you'd
better trickle up there and relieve them, as they're both going on
leave in a day or so."

I trickled up to Corpse and eventually discovered Albert Edward alone,
practising the three-card trick with a view to a career after the War.
"You'll enjoy this Mess," said he, turning up "the Lady" where he
least expected her; "it's made up of Staff eccentrics--Demobilizing,
Delousing, Educational, Laundry and Burial _wallahs_--all sorts, very
interesting; you'll learn how the other half lives and all that. Oh,
that reminds me. You know poor old MacTavish's secret, don't you?"

"Of course," said I; "everybody does. Why?"

Albert Edward grinned. "Because there's another bloke here with a dark
past, only this is t'other way about; he's a bumpkin turned sailor,
Blenkinsop by name, you know, the Shropshire hackney breeders. He's
Naval Division. Ever rub against those merchants?"

I had not.

"Well, I have," Albert Edward went on. "They're wonders; pretend
they're in mid-ocean all the time, stuck in the mud on the Beaucourt
Ridge, gummed in the clay at Souchez--anywhere. They 'come aboard'
a trench and call their records-office--a staid and solid bourgeois
dwelling in Havre--_H.M.S. Victory_. If you were bleeding to death and
asked for the First Aid Post they wouldn't understand you; you've got
to say 'Sick bay' or bleed on. If you want a meal you've got to call
the cook-house 'The galley,' or starve.

"This _matelot_ Blenkinsop has got it very badly. He obtained all his
sea experience at the Crystal Palace and has been mud-pounding up and
down France for three years, and yet here we have him now pretending
there's no such thing as dry land."

"Not an unnatural delusion," I remarked.

"Well," resumed Albert Edward, "across the table from him sits our old
MacTavish, lisping, 'What is the Atlantic? Is it a herb?' I'll bet my
soul they're in their billets at this moment, MacTavish mugging up
some stable-patter out of NAT GOULD, and Blenkinsop imbibing a dose
of ship-chatter from 'BARTIMEUS.' They'll come in for food presently,
MacTavish doing what he imagines to be a 'cavalry-roll,' tally-hoing
at the top of his voice, and Blenkinsop weaving his walk like the
tough old sea-dog he isn't, ship a-hoying and avasting for dear life."

"They're both going on leave with you to-morrow, aren't they?" I
asked.

Albert Edward nodded.

"Then their game is up," said I.

Albert Edward's brow crinkled. "I don't quite get you."

"My dear old fool," said I, "it's blowing great guns now. With the
leave-packet doing the unbusted broncho act for two hours on end it
shouldn't be very difficult to separate the sheep from the goat, the
true-blue sailor from the pea-green lubber, should it? They may be
able to bluff each other, but not the silvery Channel in mid-winter."

Albert Edward slapped his knee and laughed aloud.

       *       *       *       *       *

They all came back from England last night. I lost no time in
cornering Albert Edward.

"Well, everything worked just as I prophesied, didn't it?" said I.
"With the first buck the old boat gave Blenkinsop tottered to the
rail and--"

Albert Edward shook his head.

"No, he didn't. He ate a pound of morphia and lay in the Saloon
throughout sleeping like a little child."

"But MacTavish?" I stammered.

"Oh, MacTavish," said Albert Edward--"MacTavish took an emetic."

PATLANDER.

       *       *       *       *       *

[Illustration: RECONSTRUCTION SHOCKS.

_Pianist (accompanying celebrated prima donna at classical concert
after three years of sing-songs in Army huts)_. "NOW THEN, BOYS! DROWN
HER WELL IN THE CHORUS!"]

       *       *       *       *       *

COMMERCIAL CANDOUR.

    "The post-war ---- will be the one car from which the owner with
    moderate ideas can obtain the minimum amount of genuine pleasure
    and satisfaction."--_Advt. in Trade Paper_.

       *       *       *       *       *

From an account of a film-drama:--

    "Horrified at his pseudanimity she agrees to the
    deception,"--_Provincial Paper_.

It sounds rather pusillonymous.

       *       *       *       *       *

MUSICAL GOSSIP.

We are semi-officially informed on the best authority that the
undermentioned nominations--some of which have already been
accepted--to the thrones and chairs now vacant in various parts of
the world have been made and approved by the Allied Governments.

Foremost among these is the nomination "by acclamation" of RICHARD
STRAUSS as King of the Cannibal Islands. It is understood that the
illustrious composer has already arrived and that a grand congress
of Anthropophagi with suitable festivities is in contemplation.

Two nominations which have been the cause of great satisfaction in
diplomatic circle are those of Mr. MARK HAMBOURG to the Kingdom of
Palestine, and that of M. MOISEIWITCH to the throne of the Solomon
Islands. Jamborees of jubilation are already rife in the latter
locality.

Sir HENRY WOOD has been simultaneously approached from two quarters.
The leading citizens of Sonora have offered him the Presidentship of
that interesting State. At the same time an urgent invitation has been
sent to the eminent conductor offering him the throne of the Empire of
Percussia. Sir HENRY'S decision is awaitod with feverish anxiety.

It is stated by the _Corriere della Sera_ that Madame MELBA,
the Australian nightingale, has been chosen to preside over the
Jug-jugo-Slav Republic, while Madame CLARA BUTT has been unanimously
elected Empress of Patagonia.

Sir THOMAS BEECHAM'S selection from among the candidates for the
throne of New Guinea, is regarded as a foregone conclusion. The famous
violinist, Mr. ALBERT SAMMONS, has so far returned no final answer
to the offer of the Crown of Sordinia, but it is believed that he
cannot long remain mute to the touching appeal of the signatories. A
favourable answer is also expected from Mlle. Jelly Aranyi, who has
been nominated Queen of Guava.

On the other hand Sir EDWARD ELGAR, O.M., has steadfastly declined the
Tsardom of Bulgaria, even though it was proposed to change the name of
the country to Elgaria.

       *       *       *       *       *

[Illustration: _Milliner_. "HOW DOES MODOM LIKE THIS LITTLE BIRD OF
PARADISE MODEL? IT BECOMES MODOM VERY WELL."

_Customer_. "YES, IT _IS_ RATHER NICE, BUT _(remembers her obligations
as a mother)_ HOW MANY COUPONS?"]

       *       *       *       *       *

TO AN EGYPTIAN BOY.

  Child of the gorgeous East, whose ardent suns
    Have kissed thy velvet skin to deeper lustre
      And given thine almond eyes
      A look more calm and wise
    Than any we pale Westerners can muster,
  Alas! my mean intelligence affords
  No clue to grasp the meaning of the words
    Which vehemently from thy larynx leap.
  How is it that the liquid language runs?
    "_Nai_--_soring_--_trîf_--_erwonbi_--_aster_--_ferish_--_îp_."

  E'en so, methinks, did CLEOPATRA WOO
    Her vanquished victor, couched on scented roses,
      And PHARAOH from his throne
      With more imperious tone
    Addressed in some such terms rebellious MOSES;
  And esoteric priests in Theban shrines,
  Their ritual conned from hieroglyphic signs,
    Thus muttered incantations dark and deep
  To Isis and Osiris, Thoth and Shu:
    "_Nai_--_soring_--_trîf_--_erwonbi_--_aster_--_ferish_--_îp_."

  In all my youthful studies why was this
    Left out? What tutor shall I blame my folly on?
      From Sekhet-Hetepu
      Return to mortal view,
    O shade of BRUGSCH or MARIETTE or CHAMPOLLION;
  Expound the message latent in his speech
  Or send a clearer medium, I beseech;
    For lo! I listen till I almost weep
  For anguish at the priceless gems I miss:
    "_Nai_--_soring_--_trîf_--_erwonbi_--_aster_--_ferish_--_îp_."

  To sundry greenish orbs arranged on trays--
    Unripe, unluscious fruit--he draws attention.
      My mind, till now so dark,
      Receives a sudden spark
    That glows and flames to perfect comprehension;
  And I, whom no Rosetta Stone assists,
  Become the peer of Egyptologists,
    From whom exotic tongues no secrets keep;
  For this is what the alien blighter says:
    "Nice orang'; three for one piastre; very cheap."

       *       *       *       *       *

    "Napoleon was crowned Emperor of the French on December 2nd, 1804,
    and abdicated in 1914. On December 2nd, 1918, the papers announced
    the formal abdication of Wilhelm II. of Germany."--_Kent
    Messenger_.

WILHELM probably wishes that he had chosen the same date for his
abdication as NAPOLEON.

       *       *       *       *       *

  When a dear little lady from Lancashire
  Came to London to act as a bank cashier,
    And asked, "Is it true
    1 + 1 = 2?"
  They thought they'd revert to a man cashier.

       *       *       *       *       *

[Illustration: THE BABES IN THE WOOD.

THE OLD LIBERAL NURSERY (_moribund but sanguine_). "NO MATTER--A
TIME WILL COME!"]

       *       *       *       *       *

PARLIAMENTARY CASUALTIES.

Dear Mr. Punch,--I am told that Mr. ASQUITH considers that this
has been a most unsatisfactory election. So do I. As you know, the
principal function of the House of Commons nowadays is to provide
amusing "copy" for the late editions of the evening papers and to give
the "sketch"-writers a chance of exercising their pretty wits. As Mr.
SPENCER LEIGH HUGHES once remarked in an after-dinner speech to Mr.
BALFOUR, "You, Sir, are our raw material."

Now, what I complain of is that on the present occasion the voters
have entirely disregarded the needs of the journeymen of the Press,
and have ruthlessly deprived them of the greater part of their raw
material. Mr. HUGHES himself, I am glad to see, has been spared, but
he fortunately had not to undergo the hazards of a contest. I tremble
to think what his fate might have been if at the last moment some
stodgy statesman had been nominated to oppose him.

Against humour, conscious or unconscious, the voters seem to have
solidly set their faces. It was bad enough that Mr. JOE KING--who has
probably helped to provide more deserving journalists with a living
than any other legislator who ever lived--should have declined the
contest. Question-time without Mr. KING and his unerring nose for
mare's-nests will be like _Alice_ without _The Mad Hatter_. It was
bad, too, that Sir HEDWORTH MEUX should have decided to interrupt the
flow of that eloquence which we were forbidden to call "breezy," and
that Major "Boadicea" HUNT, Mr. JOHN BURNS, Mr. TIM HEALY, and Mr.
SWIFT MACNEILL should have withdrawn from a scene in which they had
provided so much profitable entertainment for the gods in the Press
Gallery.

These losses made it all the more incumbent upon the electors to see
that the House should retain as much as possible of the remnant of its
comic relief. But what do we find? Why, that practically every one of
the gentlemen who made the journalist's life worth living in the last
Parliament has been cruelly turned down.

For much of this grief the Sinn Feiners are responsible. They
have easily accomplished what a few years ago six stalwart British
constables could scarcely do and have removed the gigantic Mr. FLAVIN
from his emerald bench. With him have gone nearly all his comrades;
and the once-powerful Nationalist party, which for nearly forty years
has been such an unfailing source of sparkling paragraphs, is reduced
to the number immortalised by WORDSWORTH'S little maid.

Almost more distressing than the loss of individuals is the breaking
up of Parliamentary partnerships. What is the use of Mr. HOUSTON being
returned if he has no longer Sir LEO CHIOZZA MONEY to heckle? Captain
PRETYMAN-NEWMAN will doubtless continue to ask questions about the
shocking condition of his native country, but without Mr. REDDY'S
squeaking _obbligato_, "Why isn't the honourable and gallant Member
out at the Front?" they will lose half their savour. He will be as
dull as Io without her gad-fly. Mr. "Boanerges" STANTON is happily
still with us, but with no pacifists to bellow at I fear that his
vocal chords will atrophy.

Then the famous Young Scots Trio, which has given us so many
attractive "turns," has been violently dissolved. Mr. PRINGLE, whose
ample supply of vitriolic invective was always at the service of the
PRIME MINISTER, has been left by an ungrateful constituency at the
bottom of the poll, and Mr. WATT has shared his fate. It is true
that Mr. HOGGE managed to save his bacon, but without the support of
_Harlequin_ and _Pantaloon_ I fear his clowning will fail to draw.

With so many of the old puppets gone I feel very lonely, and can
only try to comfort myself with the hope that the new Parliament may
provide some adequate substitutes. After all, so vast a machine must
contain a few cranks.

Meantime I remain, Sir, with the highest respect,

YOUR PARLIAMENTARY CORRESPONDENT.

       *       *       *       *       *

[Illustration: _Boarder (firmly)_. "YOU MUST ALLOW ME ANOTHER KNOB OF
COAL, MISS SKIMPLE. MY NERVES WILL NO LONGER BEAR THE NOISE OF THESE
SNEEZING CRICKETS."]

       *       *       *       *       *

THE BOOM IN ARCHITECTURE.

Since that far-away period before the War, my architectural nerve
has become sadly debilitated; so when a card (bearing the name of
Carruthers) was brought to me the other morning I felt quite unmanned.

"Some potential client," I observed inwardly, "who has heard of the
removal of the five-hundred pound limit and has bearded me before I
have had time to get the hang of T-square and compasses again."

I liked the appearance of Mr. Carruthers, and his greeting had a
slight ring of flattery in it that was very soothing.

"You are Mr. Bellamy, the architect?" he said.

"I am," I replied; "at least I was before the War."

"And have a large practice?" he resumed.

"I certainly had a large practice formerly," I said. "With my methods
and experience one ought to acquire an extensive _clientele_. I have
been an architect, my dear sir, man and boy for over forty years,
and have always followed the architectural fashions. In the late
seventies, when little columns of Aberdeen granite were the rage--you
know the stuff, tastes like marble and looks like brawn--I went in for
them hot and strong, and every building I touched turned to potted
meat. Then SHAW came along--BERNARD, was it? no, NORMAN--with his red
brick and gables, and I got so keen that I moved to Bedford Park to
catch the full flavour of it.

"Next, the Ingle-nooker's found in me a willing disciple. I designed
rows of houses, all roofs and no chimneys, or all chimneys and no
roofs, it didn't matter which so long as there was an ingle-nook with
a motto over it. Why, after a time I got so expert that I simply
designed an ingle-nook and the rest seemed to grow by itself.

"Just as the War started I had broken out in another place and was
getting into my Italian loggia-pergola-and-sunk-garden stride, and
then came the five-hundred pound limit and busted the whole show. In
fact, when you called I was wondering whether to chuck the business
and go in for writing cinema plays."

"When I want a really fashionable house built for me," said
Carruthers, "I shall certainly come to you."

"Ah," I said, "you have come to see me then on behalf of a friend?"

"On behalf," he said, "of several friends."

My chest swelled visibly. "This man," I said to myself, while reaching
for my Corona Coronas, "is planning a garden city, or at least a group
of houses on the communal plan."

"The fact is," said Carruthers, clearing his throat, "I am a
scout-master, and my troop are collecting wastepaper, and I expect
you have any amount of old plans and things that you--"

I was just in time to save the cigar.

       *       *       *       *       *

[Illustration: "I HEAR YOUR HUSBAND IS HOME FROM FRANCE. IS THE ARMY
GOING TO RELEASE HIM?"

"WELL, 'E'S GOT A FORTNIGHT BEFORE HE GOES BACK, BUT BY THAT TIME 'E
'OPES TO BE DEMORALISED."]

       *       *       *       *       *

FRUITS OF VICTORY.

    ["Unlimited lard may now be purchased without coupon."--_Daily
    Paper_.]

  Swiftly the shadow of William the Hun
  Fades from the fields that our valour has won;
  Totter the thrones of our many Controllers,
  Freedom is coming to man and his molars:
  Doomed is the coupon and doomed is the card,
  With all the embargos that hit us so hard;
  Now we may purchase unlimited lard.

  Soon will the mud-spattered soldier be free;
  Soon will the sailor be home from the sea:
  Victory beams on the banners of Right,
  This is the time to be merry and bright;
  Stilled is the riot of shot and of shard
  And (what a boon to the heart of the bard!)
  Now we may purchase unlimited lard.

  Shout for the joy of it, waving your hats;
  Where there are puttees will shortly be spats;
  Never again will we form on the right,
  Squad or platoon, for a sergeant's delight;
  So let our faces, by discipline marred,
  Shine with an unction that savours of nard,
  Now we may purchase unlimited lard.

       *       *       *       *       *

BIG BERTHA OUTRANGED.

    "Two Russian battleships and some cruisers set out from Cronstadt
    to meet the British warships in the Baltic, and were fired on from
    the Flemish coast."--_Yorkshire Paper_.

       *       *       *       *       *

    "After four incessant years across Dora's knee the peace New
    Year ought surely to hold something good in its kindly lap for
    well-strafed automobilists."--_Sketch_.

But after four years across Dora's knee the New Year is probably not
thinking about its lap, but quite the reverse.

       *       *       *       *       *

    "The announcement of a ball in Brussels gave plenty of scope for
    imaginative scribes to quote, in some cases almost correctly,
    the lines about 'there was a scene of revelry by night.'"--"_Mr.
    Gossip_" in "_The Daily Sketch_."

"MR. GOSSIP," too, quotes "almost correctly."

       *       *       *       *       *

It is hoped that if M. PADEREWSKI becomes President of the new Polish
Republic he will experience the truth of the old proverb, _Chi va
piano va sano._

       *       *       *       *       *

[Illustration: _British Officer (Army of occupation)_. "LOOK OUT, OLD
BEAN! WE'RE GETTING THE GLAD EYE."]

       *       *       *       *       *

THE ARMY OF ENTERTAINMENT, LTD.

As a mere soldier threatened with unemployment owing to the sudden
outbreak of peace, I offer to any enterprising company-promoter an
idea which should provide him with an immense fortune and myself with
a congenial means of livelihood.

My suggestion is that, with the consent of Lord NORTHCLIFFE and the
Allies, a slice of the old Front should be kept up _in statu quo_, and
a representative assortment of troops retained to hold it on what was
our side, and to carry on the War as it was in the good old days of
'15, when we thought our life's work was bespoken and soldiers with
boy babies raised the question of making acting rank hereditary. No
enemy would be employed, experiment having proved that the existence
of an enemy detracts from the enjoyment of modern war.

The little army, commanded by a General, himself an employé of
the Army of Entertainment Co., Ltd., would conduct operations for
demonstration purposes. Visitors would be charged admission to the
Company's zone, and pay extra for any particular stunt show arranged
for their benefit.

It would be necessary to acquire a strip of country running right back
to the coast, if realism should be the aim of the directors, otherwise
it would be impossible, to show an A.M.L.O. in action, or some
interesting types of Headquarters, or laundry Colonels winning the
D.S.O.

I have in mind a highly entertaining General who might be willing to
accept the position of G.O.C. for the Company--one of those desperate
old gentlemen whose joy was to stalk about busy areas and strafe the
domestic and sanitary arrangements of batteries and battalions. He
is of picturesque appearance and would afford the best comic relief.
This General would be attended by the usual assistants, traditionally
housed, clothed and fed, but, the division being run as a commercial
venture, it would be a matter for consideration by the directors
whether these young gentlemen should receive a salary or pay a fee.

Some visitors might well be so delighted with soldiering, free from
the annoyance of enemy action, that they would wish to make a long
stay and experience all its variations, beginning perhaps with the
P.B.I, (or Pretty Busy Infantry) in a mud-hole in the front line, and
passing through all the stages of the normal military career till they
arrived at the Divisional Chateau. Should anyone desire to survey
life from the altitude of an R.T.O. (Railway Transport, not Really
Tantalising Officer, as supposed by some) it might be arranged for
him, in the interests of realism, to improvise information as to
trains for the benefit of other visitors.

Appropriate rations would be included, in the entrance money, while
there might be canteens for the sale of such extras as bootlaces and
penholders. Visitors would not be allowed to bring money into the
area, but would be given the usual books of cash withdrawal forms,
entitling them to obtain small sums from the field cashier--if they
could find him. As a field cashier of experience would be employed and
possibly act in collusion with the R.T.O., these sums of money might
be regarded as prizes, and would create a pleasant excitement without
amounting to any great expense for the Company.

Those willing to pay high prices would have arranged for them such
displays as "normal artillery activity," pukka strafes, S.O.S.
bombardments or barrages chaperoning infantry advances, while balloons
might be set on fire, dumps blown up, or leave cancelled at special
rates. There might also be an assortment of inexpensive and amusing
side-shows, such as a Second-in-command trying to check a monthly
return of dripping, or a conscientious gunner calculating the correct
corrector corrections.

Should an application be received from any person anxious to
experience war from the "Receipts" end he would be granted free entry
to the area on the far side of the line, protected grand-stands being
erected, from which, on suitable payment, spectators could study his
deportment. A short stay in the "enemy's area" during a strafe might
be recommended for politicians and arranged by their constituents.

Space forbids further detail. It remains only for a Company to be
formed--affiliated perhaps to the Bureau of Information--a detailed
prospectus issued and applications invited for posts under the Army
of Entertainment, Ltd.

I shall myself be willing to serve the Company in the capacity of a
Town Major on condition that a suitable town is provided.

       *       *       *       *       *

[Illustration: FOREWARNED.

_Poor Old Woman (to youth, who has given her a gratuity and relieved
her of her load of wood)_. "I PRESUME, MY KIND YOUNG FRIEND, THAT YOU
ARE THE YOUNGEST OF THE THREE BROTHERS WHO ARE GOING OUT TO SEEK THEIR
FORTUNES?"

_Clever Youth_. "NO, I'M THE ELDEST. BUT I'VE BEEN READING THE
STORIES."]

       *       *       *       *       *

WISE WORDS FOR BIRDS.

Dear Mr. Punch,--While lately turning over some old family papers I
came across a number of maxims in rhyme which seem to me to be worthy
of publication at a time devoted to good cheer. The form appears to be
the same as that expressed in the familiar couplets on the woodcock
and the partridge; but these variations on an old theme have at least
the merit of freshness and originality.

I begin in order of magnitude with the ostrich:--

  "If an ostrich had but a woodcock's thigh
  It would only be some three feet high.
  If a woodcock had but an ostrich's jaw
  It would have to be carved with a circular saw."

The foregoing lines clearly enforce the important lesson of
contentment with the existing order. This moral is perhaps less
implicit in the lines on the peacock:--

  "If a peacock had but the nightingale's trill
  It would make all prima donnas feel ill.
  If the nightingale had but the peacock's tail
  It would merit a headline in the _Mail_."

Contentment again is the keynote of the couplets on the owl:--

  "If an owl would enter the nuthatch's nest
  Its figure would have to be much compressed.
  If the nuthatch had but the face of an owl
  It would be a most unpopular fowl."

A slightly different formula is to be noted in the lines on the snipe,
but the spirit is substantially the same:--

  "If a snipe were the size of a threepenny bit
  It would be a great deal harder to hit.
  But if it grew to the size of an emu
  It wouldn't be better to eat than seamew."

Lastly I may quote the only couplet in which beasts as well as birds
are subjected to this searching analysis. I think you will admit that
it is the most sagacious and impressive of them all:--

  "If a pig had wings and the legs of a stork
  It would damage the quality of its pork,"

Thine, MCDOUGALL POTT.

_Poets' Corner House, Dottyville._

       *       *       *       *       *

    "As a result of trying to find an escape of gas with a light, a
    flat in Westminster was seriously damaged."--_Provincial Paper_.

Serve him right.

       *       *       *       *       *

REPORTS.

The other day I was looking through some school reports. Holidays
always bring them forth. You know the kind of thing: History--Is most
diligent but needs concentration; Music--Lacks purposefulness, does
not practise sufficiently; Mathematics--Weak; General Conduct--Might
be better; Conversational French--_Sera plus facile avec plus de
confiance_; Theology--A sad falling off; and so on; and it occurred to
me that it might not be a bad thing if the report system, instead of
stopping with our school-days, pursued us through life. The periodical
perusal of a report, drawn up with as much authority as a scholastic
staff possesses, might have very beneficial results.

My own early ones no longer exist; but it would be a very searching
test of our educational system to study these reports thirty-five
years after and subject them to an honest commentary. How little that
one learned then has persisted, has survived the probation of time and
necessity. At the age of fifteen I knew the principal rivers of South
America ("Geography--Has made great progress"); to-day at fifty I have
no recollection of any, nor any desire to have it. Instead I can order
dinner. Gastronomy for geography; new lamps for old! In any report
drawn up now there would be a totally different series of subjects.
Thus:--

  Business Method . . .  Might be better.
  Punctuality . . . . .  Tries his best.
  Patriotism  . . . . .  Good.
  Veracity  . . . . . .  Moderate.
  Financial Soundness .  Very variable.

As a means of constructive criticism the report system might be useful
in Parliament. The Speaker, as headmaster, should be entrusted with
the task of preparing the documents. I can see some such results as
the following:--

  THE PRIME MINISTER.

  Logic . . . . . . . .  Weak.
  Opportunism . . . . .  Strong.
  Golf  . . . . . . . .  Shows little improvement.
  Belligerence  . . . .  Very good.
  Tonsorial Artistry  .  Far from satisfactory. Should give it
                         more attention.
  Oratory . . . . . . .  Fluent and powerful, but must guard
                         against impulse. Too fond in perorations
                         of drawing metaphors from Welsh
                         physical geography.

  MR. BONAR LAW.

  Mediation . . . . . .  Admirable, but must not be overworked.
  Oratory . . . . . . .  Fair. Has tendency to unnecessary candour.
                         Does not sufficiently employ periphrasis.
  Fidelity  . . . . . .  Beyond praise.

  MR. WINSTON CHURCHILL.

  Oratory . . . . . . .  Effective, if given enough time to prepare.
  Modesty . . . . . . .  Room for improvement.
  Polarity  . . . . . .  Weak.
  Ambition  . . . . . .  An honest worker.

Lastly, let us take the report sheet of one not wholly absent from
the public eye, whom I will designate merely by the initials W.W.

  Pride . . . . . . . .  Far less than he had two or three years ago.
  Facial beauty . . . .  More than adequate.
  Subrisivity . . . . .  Phenomenal.
  Oratory . . . . . . .  Admirable, but too fond of telling the
                         same story.
  Popularity  . . . . .  Could not be greater.

       *       *       *       *       *

HAIR-CUTTING AND DENTISTRY.

I am going to get my hair cut. But I must first mention the matter to
my wife.

Why do I do this? It is not because I am a coward, for there are few
men who are in reality braver than I am. I carried my firstborn in my
arms round the drawing-room when she was a week old, and I have done
other things equally brave, the enumeration of which I spare you.
But I could no more think of getting my hair cut without previously
informing my wife than I could think of wearing a top hat in the
Strand.

I know what will happen when I have told my wife. She will look up and
say, "That's right; you always do it."

And I shall say, "What do I always do?"

And she will answer, "You always get yourself cropped like a convict
just when your hair was beginning to look nice."

And I shall say, "I can't help that; it's got to be done." And then I
shall go and get it done.

But I wonder if my wife is right after all. There used to be a nice
wave in my front hair, a wave into which you could lay two fingers. Is
that there still? No, it's gone. In fact there is not sufficient front
hair to make a wave with. It's odd how gradually these things happen.
I could have sworn that I had that wave, and there is a photograph
of me in the drawing-room with a fully-developed tidal bore; and I
went on brushing my front hair and combing it and thinking of it all
the time as constituting a wave, and lo it had vanished, leaving me
under the impression that it was still there and accountable for the
pleasing effect I produced in general society.

But if it wasn't the wave that produced this effect, what could it
have been? My voice? Perhaps. My moustache? I doubt it. My teeth?
Possibly. See advertisements of tooth powders _passim_. You know how
it's done, in the before and after style. Before you use Dentoline you
apparently do not possess so much as a front tooth. After you have
used it once you are in possession of thirty-two regular and brilliant
white teeth, and it seems plain that no dentist will ever make his
fortune out of your mouth. All this, however, has nothing to do with
getting my hair cut. But it brings me to an analogous consideration.
When I tell my wife I am going to get my teeth attended to, does she
try to restrain me from the fatal deed? Not she. She urges me to it,
and leaves me no loophole for escape. She indulges in reminiscences
of herself and the children defying pain in the dentist's chair, and
heartens me with the statement that the instrument she likes best is
the one that goes _berr-r-r-r_ and makes you jump.

Let me now resume my commentary on hair-cutting. I wonder if I am
sufficiently chatty with my hair-cutter. Most men talk to their
hair-cutter all the time. They discuss politics and revolutions and
Britain's unconquerable might, while I, having made a blundering start
with the weather, am brought up with a round turn on the Bolsheviks
and President WILSON'S manner of dealing with the situation. I cannot
lay bare my inmost thoughts about the League of Nations while someone
is running a miniature mowing-machine along the back of my neck ...

At this moment my wife entered the room.

"My dear," I said, "I am going to get my hair cut."

She gave me one mind-piercing look and said, "It's time you did. I've
been noticing it for the last day or two."

Nothing, you see, about convicts. Isn't that like a woman, never to
say the thing you expect her to say? It's taken all the pleasure out
of my visit to the barber. In fact I don't think I shall go at all.

       *       *       *       *       *

[Illustration: THE ENFRANCHISEMENT OF WOMAN.

_First Voter_. "SO MR. JONES HAS BEEN ELECTED. YOU VOTED FOR HIM, OF
COURSE?"

_Second Voter_. "NO, I VOTED FOR THE OTHER MAN. YOU SEE, MR. JONES
SUPPORTED WOMAN'S SUFFRAGE, WHICH I ABHOR."]

       *       *       *       *       *

OUR BOOKING-OFFICE.

_(BY MR. PUNCH'S STAFF OF LEARNED CLERICS.)_

_Secrets of the Bosphorus_ (HUTCHINSON) is one of the happily large
number of books to which time and tardy-footed justice have now added
an unwritten chapter that makes amends for all. But for the glories
of the last few months I think I could hardly have borne to read many
of these "revelations" of Mr. HENRY MORGENTHAU, sometime American
Ambassador to Turkey. They make strange and often tragic reading. One
of them is already famous: the disclosure of the narrow margin by
which the attack of the Allied fleets upon the Dardanelles came short
of victory. For that, with all its ghastly sequence of misadventure,
no happy end can quite compensate. But one may read more pleasantly
now of the Prussian Baron WANGENHEIM, sitting the day long on a bench
before his official residence to exult publicly in what looked like
the triumphal march to Paris. Mr. MORGENTHAU has many other matters
of interest in his note-book, a large part of which is occupied by the
story, almost incredible even in an age of horrors, of the planned
slaughter by the Turkish rulers, with Germany as accessory before and
after the act, of "at least 600,000 and perhaps as many as 1,000,000"
Armenians. He rightly calls this murder of a nation probably the
blackest deed in all the foul record of the war, in which (at the
precise moment of its execution) the same people who now protest
against the severity of our terms were taking a horrible and ruthless
joy. The reminder is apt.

       *       *       *       *       *

Much of the pleasure that I have just enjoyed over Mr. ARTHUR SYMONS'
essays of travel in _Cities and Sea Coasts and Islands_ (COLLINS)
belongs to the wistful joy of recollection: remembered loveliness in
the beautiful places of which he writes so vividly, remembered peace
of the quiet unpreoccupied days in which they were written. The
book is made up of three groups, studies of Spain, of London and of
certain coasts, chiefly Cornish. For several reasons I found the last
interested me most. There is entertainment in watching Mr. SYMONS,
so essentially a dweller in cities, discovering the open air like
an explorer. You know already his mastery of delicate and sensitive
words; many of these pages catch with exquisite skill the subtle charm
of the country between land and wave, as it would present itself to a
receptive summer visitor rather than the returned native. Mr. SYMONS'
similes are essentially urban; the sea (to take an example at random)
has for him "something of the colour of absinthe." In fine, though he
can and does get into his pages much of the exhilaration of a tramp
over heathery cliffs "smelling of honey and sea wind," one retains
throughout a not unpleasing consciousness of Paddington. I have left
myself too little space to deal adequately with other papers, among
which I was delighted to find again that called "Dieppe 1895," long
remembered from _The Savoy_ (though here, of course, lacking the
interpretation of the BEARDSLEY drawings). Certainly a book to read
at leisure and to keep "for further reference," perhaps in a future
when travel studies may again become of more than merely sentimental
interest.

       *       *       *       *       *

Sir ARTHUR CONAN DOYLE, on the strength of _Danger! and Other Stories_
(MURRAY), may claim a place among the prophets who were not accepted
by their own country. "Danger!"--written some eighteen months before
the outbreak of war--foretells the horrors of the unrestricted use of
the submarine. In those days Sir ARTHUR could get no one to listen to
him, because "in some unfortunate way subjects of national welfare are
in this country continually subordinated to party politics." Possibly
now that we have been taught by painful experience all we want to know
about U-boat warfare, excitement in this tale is rather to seek, but
it remains a most successful prophecy. In the last story of the book
we have the author in his very worst form. "Three of Them" is a study
of children, and the only excuse I can find for it is that it must
be intended as a sop to the sentimentalists. Of the others my first
vote goes to "The Surgeon of Gaster Fell," and my second to "The
Prisoner's' Defence;" but if you are susceptible to Sir ARTHUR'S
sense of fun I can also recommend "The Fall of Lord Barrymore" and
"One Crowded Hour." Not a great collection, but just good enough.

       *       *       *       *       *

Mr. ROMER WILSON has devoted the nearly three hundred pages of his
_Martin Schuler_ (METHUEN) to describing what it feels like to be a
genius, and, speaking from a very limited knowledge of this class, I
should say that he had mapped the mind of a genius of a certain sort
very well. His estimate of the creative artist's anguish of emptiness
rings true, and will, perhaps surprise the people who think that his
lot, like a policeman's, is a very happy one. His _Martin_, who struck
me as a very unpleasant young man, was a composer who meant to achieve
immortality, but turned down the broad way of musical comedy and
acquired money instead. Just in time he repented and wrote a grand
opera, and then Mr. WILSON cut short his career in a fashion that
seemed to me regrettably hackneyed, which was the only reason why I
shared the other characters' sorrow. Why so many people, all rather
nasty people too, came to devote themselves to _Martin_ I could not
discover, although I had the publisher's word for it that he was
"attractive"; but perhaps his genius accounted for it. Probably it
is my duty to declare here that _Martin_ and his friends were almost
all made in Germany before the War, but as they are exceptionally
disagreeable and quite unlikely to inspire anyone with an unjust
tenderness for their nation I have no hesitation in recommending the
book as a clever study of temperament and a just picture of a part
of the German musical world as it was when one last knew anything
about it.

       *       *       *       *       *

It is all a matter of taste, of course, but personally I don't
envy Mr. J.G. LEGGE his self-imposed task of convicting the Hun out
of his own mouth of--well, of being a Hun. Germans they were and
Germans they remain, and the author goes to great lengths, even to
the length of 572 pages, to show that their peculiar qualities date
back at least as far as 1813. His _Rhyme and Revolution in Germany_
(CONSTABLE) is not so much a history of the scrambling undignified
revolutionary movements culminating in the year 1848, as a collection
of contemporary comment thereon, in prose and verse. The prose is
generally bad; the verse is generally very bad; and one turns with
relief to the author's connecting links, wishing only at times that
he would not worry about proving his point quite so thoroughly. The
bombast and the bullying, the self-pity and the cruelty, and, most of
all, the instinctive claim, typical of Germany to-day, to prescribe
one law for themselves but something quite different for the rest
of the world, run through all these quotations, even the earliest.
But the particular value of this book at the moment is its reminder
that twice already has the House of Hohenzollern humbly pledged its
All-Highest word to give constitutional government, only to resume
"divine right" at the earliest convenient moment. Ruling Germany, and
as much else as possible, with a view to the glorification of one's
personal family and one's personal God, must be an exhausting labour,
and once again the head of the dynasty is afforded an opportunity
for a respite. It is a temptation which one feels sure he will find
himself strong enough to resist if occasion serves. History and Mr.
LEGGE suggest that he will be willing--even enthusiastic--to grovel
in the dust to assist that occasion.

       *       *       *       *       *

Mr. SPENCER LEIGH HUGHES is a brilliant and distinguished member of
the great brotherhood of the Press; he is also a Member of Parliament
and has devoted himself heart and soul to the propagation of his
principles on the platform. He has therefore, save in respect of great
age (he is barely sixty), every right to compile and publish a book
with the title, _Press, Platform and Parliament_ (NISBET). It is one
of the most genuinely good-tempered books I have ever read; but that
was to be expected from the author of the column signed "_Sub Rosa_,"
who had in this course of desultory writing made innumerable friends
and never lost one; and, more pleasing sport than that, had brought
two people together through a matrimonial agency conducted by W.T.
STEAD, and had met the pair many years after, to find that they were
perfectly and unexpectedly happy.

       *       *       *       *       *

[Illustration: _Dealer (trying to sell horse to Government Buyer)_.
"THAT 'ORSE, SIR, 'AS GONE A MILE IN A GOOD DEAL LESS THAN THREE
MINUTES."

_Government Buyer_. "ON WHAT RAILWAY?"]

       *       *       *       *       *

    "ALL BOOKS

    "noticed in the Editorial pages of '----&----' (see Book Reviews),
    or listed in its advertising columns, may be obtained post free
    from the offices, at the marked prices, plus postage."--_Trade
    Paper_.

We felt sure there was a catch somewhere.



***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL.
156, JAN. 8, 1919***


******* This file should be named 11133-8.txt or 11133-8.zip *******


This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/1/1/3/11133


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

http://www.ibiblio.org/gutenberg/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

https://www.gutenberg.org/1/0/2/3/10234

or filename 24689 would be found at:
https://www.gutenberg.org/2/4/6/8/24689

An alternative method of locating eBooks:
https://www.gutenberg.org/GUTINDEX.ALL

*** END: FULL LICENSE ***