The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 153, Dec. 26, 1917 , by Various, Edited by Owen Seamen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Punch, or the London Charivari, Vol. 153, Dec. 26, 1917 Author: Various Release Date: March 18, 2004 [eBook #11629] Language: English ***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 153, DEC. 26, 1917 *** E-text prepared by Jonathan Ingram, William Flis, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11629-h.htm or 11629-h.zip: (http://www.ibiblio.org/gutenberg/1/1/6/2/11629/11629-h/11629-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/6/2/11629/11629-h.zip) PUNCH, OR THE LONDON CHARIVARI VOL. 153 DECEMBER 26, 1917 CHARIVARIA. Victory is only a question of keeping cool, says VON TIRPITZ. A long-suffering Fatherland anticipates no difficulty whatever in following his advice during the winter. *** A semi-official message from Berlin declares that Jerusalem was evacuated because Germany's friends did not desire to see battles fought over sacred ground. The Sultan of TURKEY is reported to have wired to the KAISER to think of another. *** America is still breaking all records. A native artist has painted a picture which is said to be sixty feet by nineteen, the largest miniature ever painted in America. *** It is rumoured that at a provincial Tribunal the other day an applicant asked for a further six months' exemption as he had a wife and a position in a butter queue to maintain. *** It seems useless to attempt to cope with the multiplicity of events in these days. Cuba has declared war on Austria; the KAISER threatens to make a Christmas peace offer, and Mr. GEORGE BERNARD SHAW has described himself as "a mere individual." And this all in one week. *** According to Dean INGE, Germany is in many ways the best governed country in Europe. She certainly seems to have a better governed clergy than ours. *** Much relief is felt at the announcement that rather than endanger the Allies' "solidarity" Lord LANSDOWNE has promised not to agree with President WILSON again. *** Bloaters have reached the unprecedented price of six-pence each. It was hoped that, at any rate, over the Christmas season they would remain within reach of the upper classes. *** A man has been charged with stealing a railway sandwich at Harwich. It appears that the poor fellow, who was lonely, wanted to take it home as a pet. *** A contemporary has a headline, "Swearing in the New French Cabinet." They are beginning early. *** For adding water to his employer's milk a dairyman's assistant has been sent to prison. Innocent dairymen must of course be protected. *** Smokers complain that they are discovering unfamiliar substances in their tobacco. A sensation has been caused by the expert statement that they are tobacco. *** Orchids were sold for as little as two-pence each at a recent sale, and alarmed growers are clamouring for the immediate appointment of an Orchid Controller. *** An evening paper correspondent has complained that he has searched the shops in vain for a tortoise. So far the various Government Departments have maintained a dignified silence. *** It is all nonsense for a contemporary to say that the blizzard in the North on a recent Saturday did no damage. Several of the football results were delayed. *** While visiting Seaton College, New York, the other day, Mr. ROOSEVELT saluted a statue of ALEXANDER THE GREAT. We have always maintained that there is nothing petty about the EX-PRESIDENT. *** The most striking announcement of the year 1917 comes just when it is almost used up. "There is a steady demand for money," says a Stock Exchange report. *** A mummified duck, estimated to be two thousand years old, has been discovered in a sandstone stratum in Iowa. It is not often that the poulterers of Iowa are caught napping. *** An American policeman is said to have written two successful musical comedies. If we remember rightly it was an English policeman who first composed the Frog's March. *** At a Guildford charity fête the winner of a hurdle race was awarded a new-laid egg. If he succeeds in winning it three years in succession it is to become his own property. *** The L.B. & S.C. Railway desire to state that the train from which the deserter jumped without injuring himself was not really doing its best. *** A burglar was discovered concealed beneath the counter of a Leicester butter-merchant's shop. It is understood that he came early to avoid the rush. * * * * * [Illustration: _Manager_. "WHY DON'T YOU GET IN THE MIDDLE OF THE STAGE?" _Tenor_ (_haughtily_). "I PREFER STAYING WHERE I AM." _Manager_. "ALL RIGHT--ALL RIGHT! I SUPPOSE YOU THINK YOU'LL BE ABLE TO POP DOWN THE EUPHONIUM IF THERE'S AN AIR-RAID."] * * * * * TITLE AND HALF-TITLE PAGES. With a view to economy of paper, the title and half-title pages of the Volume which is completed with the present issue are not being delivered with copies of _Punch_ as usual; they will however be sent free, by post, upon receipt of a request. Those readers who have their Volumes bound at the _Punch_ Office, or by other binders in the official binding-cases, will not need to apply for copies of the title and half-title pages, as these will be bound in by the _Punch_ Office or supplied direct to other binders along with the cases. * * * * * "AFFAIRS IN RUSSIA. [printed upside down: "MILITARY DICTATORSHIP"] "EXPECTED."--_Egyptian Daily Mail_. It looks as if the expectation has been upset. * * * * * "The defendant expressed regret that having misunderstood a newspaper paragraph he charged one penny for a box of 'Pilot matches.' Directly his attention was drawn to the matter he at once charged the correct price, 3s. 4¾d."--_South London Press_. Our journalists should really be more careful not to mislead honest tradesmen. * * * * * WITH THE AUXILIARY PATROL. I do not think there was a single man of the ship's company who bore the loss of poor Mnemosyne dry-eyed. From the lieutenant down to the trimmer we had become sincerely attached to this affectionate little creature, and when unhappily, during the temporary absence of the steward, she ventured to circumvent the rim of an open condensed milk-tin, missed her footing and succumbed to a clammy death, there was not a more unhappy trawler patrolling the North Sea than ours. She was a weevil and I found her in my ship's biscuit. From the first I recognised that she was no ordinary weevil; her stately bearing, the fine upward curl of her moustachios, but, more than anything else, the intelligent, often humorous gleam in her big black eyes elevated her at once above the mass of her compatriots. She took to me wonderfully: I secured her confidence with a piece of boiled cat-fish, and thenceforth we were scarcely ever apart. Not that she resented the advances of the rest of the crew--she was no snob, and would eat from the hand of the trimmer as readily as from my own, and allow anyone to stroke her; but it was I who taught her to sit up and beg, to "die for her country," to droop her antennæ whenever the name of VON TIRPITZ was mentioned, and to wave them for Sir DAVID BEATTY. She would often sit with me in the wireless cabin whilst I was on watch, and never once did she disturb me during the receiving of a message by boisterous or noisy behaviour. We had other weevils at different times, but none so intelligent or so faithful as Mnemosyne. The lieutenant tamed one, and, being a devotee of science and despising the arts, he named him Newton Darwin; but he was a foolish fellow at the best and continually getting into somebody's way. The lieutenant offered to back him against Mnemosyne for a race across the cabin table, and we made a match of it. The betting was three to two in favour of Newton Darwin, because the third hand, who had once been employed in a racing-stable, had been heard to remark that he had very fine quarters. The stakes were half a plug of ship's tobacco. It was a walk-over. On the word "Go" Mnemosyne positively leapt forward, took a crease in the tablecloth in her stride and completed the course, which measured sixteen inches, in the remarkable time of seven and two-fifths minutes. Newton Darwin was left standing; indeed he never attempted to race, but, after staring about vacantly for some minutes, ambled leisurely off in the opposite direction, where he had seen a breadcrumb. This victory was very popular, and the third hand was roundly abused for suggesting that Mnemosyne had been doped. Even if Newton had got away with the pistol he would never have stood a chance against her. She was the fleetest weevil I ever saw. Another weevil was Bertie, who belonged to the second engineer, but he was caught pilfering the skipper's private supply of fresh butter, which he kept in a jar in his bunk and was very jealous of, so Bertie had to be made away with. He walked the plank at daybreak one grey stormy morning just off the Nethermost Ruff of the Dogger. The second was very upset for a day or two; he said he would have staked anything on Bertie's honesty. We kept Mnemosyne for over two months, and never once did she misconduct herself or behave in an unseamanlike manner. Her one failing, if such it can be called, was a weakness for condensed milk, and this it was that led to her untimely end. We had come to regard her as one of the crew, and had a little lifebelt made for her in case of need. Jones, our signaller, who has poetical moments, was inspired by her to make verse, which began:-- There is something very evil In the war-whoop of a weevil. This was indignantly censored as a libel, but he excused himself on the plea that "evil" was the only possible rhyme to be found for "weevil," and declared that his very last intention had been to be personal or to cast the least reflection on the lovable disposition of Mnemosyne, so we forgave him with a caution. Well, Mnemosyne is gone, and the ship seems a dull place without this exhilarating little pet. Never so long as ship's biscuits continue to buckle the jack-knives of British seafarers will there be another weevil like Mnemosyne. We flew the White Ensign at halfmast from dawn to sundown on the day she died. * * * * * A RASH ACT. Extract from the report of a ladies' Lacrosse Club:-- "The deplorable habit of scratching with no sufficient reason, just before a practice, has mounted almost to a disease." * * * * * "Will any kind gentleman help an Indian with a loan of Rs. 7,000 at 6%? No risk. Gentleman having deep love for mother will understand advertiser's noble cause. No brokers should apply."--_Statesman_ (_Calcutta_). What's the matter with brokers? Aren't they also born of woman? * * * * * LIPS AND THEIR LESSONS. ["General PERSHING has collected round him a staff of thin-lipped determined men."--_The Observer_.] If physiognomists are right, And faces count as half the battle, We clearly ought not to invite Comparison with sheep or cattle, But rather should improve the features That mark us off from humbler creatures. Eyebrows projecting like a bush Are facial assets to be prized, Denoting driving-power and push In men however undersized (Bear's grease or paraffin or both Will largely stimulate their growth). The fish-like and lethargic eye We should endeavour to efface, And foster visual orbs that vie With those of eagles in its place; While belladonna's artful use An extra brilliance may produce. Nor are there wanting ways and means Enabling experts to impose By sundry suitable machines Fine character upon the nose; And nasal dignity, we find, Promptly reacts upon the mind. But those who in this great reform Of face and feature are engrossed Agree that to enforce a norm In labial fabric matters most; The lips that help a race to win Unquestionably must be thin. Therefore with pleasure unalloyed We learn that great Columbia's sons, With PERSHING busily employed In laying plans to down the Huns, According to a trusty pen Are "thin-lipped and determined men." * * * * * On the retirement of certain Tanks from their War Bond duties:-- "They can understand, we hope, how very jolly it has been to have them, and how sorry we are to see them go. We shall probably sing those typical English ballads 'Auld Lang Syne' and 'Will ye no come back again?'"--_Daily Paper_. A Scottish correspondent suggests the addition of a few other "typical English ballads," such as "The Wearing of the Green," "Men of Harlech," "The Star-Spangled Banner" and "The Marseillaise." * * * * * "Applications will be received by Mr. J. Arnold, Chairman of the Bathurst Municipality, for a TOWN CLERK, whose duties will be the following, viz.: Competent Bookkeeper, Sanitary Inspector, Street Inspector, and to supervise labour party on roads, Native Location Inspector, Dog Tax Collector, Ranger, Caretaker of the Municipal Dipping Tank and be able to mix dip. Kafir language essential."--_South African Paper_. And he'll want a lot of it. * * * * * [Illustration: THE WAIT. HIS MASTER'S VOICE. "I'VE NOTHING FOR YOU. GO AWAY!"] * * * * * [Illustration: Mr. Podgers (persuasively hospitable). "NOW COME, GRANDMA, DO ALLOW ME TO GIVE YOU JUST A LITTLE--SAY FIVE SHILLINGSWORTH--MORE TURKEY."] * * * * * SIDNI THE STOREMAN. FRAGMENT OF AN EDDA. At the downcome of darkness Up to the trenches Fared he forth, Sidni the Storeman. On bent back Bore he the Rum Jar, Bringing a boon To the Folk in the Front Line. Scatheful the sky With no stars shining; Monstrous the mud That lay deep on the Duck Boards. A weary while Wandered he on; No wit he wotted Of fate that followed Stalking his steps. So passed he the posts All silent and sunken In mire and murk, Till fearful he felt for The doubtful Duck Boards No longer beneath him. Then spake Sidni, Steward of Stores: "Now know I well I have come to the Country That men name No Man's;" And with woe his heart Waxed heavy within him For horror of Hun Folk Who crawl in the craters. Then there arose Dim in the darkness The face and form Of Heinrik the Hun With hand upheld Bearing a bomb. But fear filled the heart Of Sidni the Storeman, And with force of fear Raising the Rum Jar Drave he adrad At the face of the foeman. Down sank the Slayer Smitten asunder And over his face Unloosed ran the liquor. Then Heinrik the Hun Sang he this Swan Song: "Hero, I hail thee, Godlike who givest Fire and Sweetness Born of a blow. Loki art thou, Or Wotan the one-eyed Coming to call me Away to Walhall. Happy I haste To the Hall of the Heroes; Point thou the Path! I come! I come!" But fast with the force Of the fear that was in him Fled Sidni the Storeman Back to the Britons And came by chance Straightway to his section, Bearing the Rum Jar Now lacking the liquor. Then, puffing with pride And the pace of his running, Told he a tale Of the Slaying of Seven; But little belief In the count of the killing Gat Sid from the section, Wrathy withal At the loss of the liquor. And one thing Erb, Erb that erstwhile Hight his old Pal, Had for an answer: "Bale hast thou brought And rede of bale Have I for thee." Then troth they took And oath swear betwixt them That for four years full Or the War's duration He should draw and drink Sid's ration of Rum. So doom was decreed For the loss of the liquor. But Sidni the Storeman Transferred to the Transport. * * * * * "UNION OF DEMONCRATIC CONTROL." _Leicester Daily Mercury_. Is this a misprint or a criticism? * * * * * THE WATCH DOGS. LXVIII. My Dear Charles,--I don't know that I think so much of these alliances after all, and I'll tell you why. When I first heard that my old friend Italy was in trouble I paraded my officer at once. "Stand to attention, George," I said, "and tell me what we are going to do about it." "Oh, that'll be all right," said he. "I've booked my seat in the train." I think that George, my subordinate, sometimes forgets who I am and what importance attaches to me. I feel that he ought at least to consult me formally before he decides what instructions I am going to issue to him. After all, I am only fifteen years younger than he is. "You will proceed forthwith to Italy," I said, "and will there study the local conditions on the spot. You will then take such action as the occasion seems to you to demand." George was cleaning out his pipe, so for once he didn't interrupt. "You will report progress to me in triplicate." George frowned. Having been the Supreme White Man in some African district for dozens of years before the War, all his hair seems to have got into his eyebrows, and his frown is a terrible thing to see. "At any rate," I said, "you might just drop me a post-card to tell me how you're getting on." George's eyebrows stood at ease and then stood easy. "It's all very well for you," I added. "But what about me, when it comes to totting up your travelling allowances later on?" George has private means, which work out at about one-and-fourpence, less income tax, a day. Consequently he is a little careless about money matters. "Oh, that'll be all right," he said. * * * * * George was away for three weeks. What he did all the time I'm sure I don't know, though I kept on reporting to my superiors that the necessary steps were being taken and the requisite measures were being initiated. When he got back he wanted to start in at once telling me all about it. But I said no, and insisted on getting down to the War. "In making out travelling claims," I said, producing the appropriate Army Form, "care should be taken to comply with the instructions contained in the King's Regulations. We have a quarter of an hour before your breakfast will be ready. Let us deal with our more formidable enemies, the Pay People, first." George is the sort of person who gets you into trouble on the very first line of any Army Form. Asked as to his rank, he told me he was a Second Lieutenant in the Army, temporary Lieutenant, acting Captain. All these ranks get a different rate of allowance. Which of the three was George in fact? "A man of your age ought to know better," I said. We were half-an-hour late for breakfast, and even so George hadn't got to the station of departure, as far as A.F.O. 1771 was concerned. I determined to devote the morning to the matter, clearing the court for the purpose. Our Mr. Booth, however, who is intolerably precise and accurate in these matters, had profited by my absence at breakfast to collect a folio of relevant Orders and Instructions, numbered one to seventy-three consecutively. It all sounds so simple, doesn't it? You get so many francs a day for subsistence, and so many francs a night for accommodation, in France; so many lire a day for subsistence, and so many lire a night for accommodation, in Italy. Ah yes, but you don't know George when he is in action. Not content with travelling in the dark, and so subsisting by night when he ought to be accommodated, and being accommodated by day when he ought to be subsisting, he could never make up his mind to stay in the same country for two days together. As to his constant movements from one country to the other, three times he had supposed he had finished with Italy and was due back in France; each time he had got comfortably across the frontier into France he had been recalled to Italy. Never once had he the sense to cross the frontier on the stroke of midnight, and so make a complete twenty-four hours of it on each side, and all the time the rate of exchange was varying by a fraction. But, as George said, it wasn't himself who was manipulating the rate of exchange as between the two countries, and courtesy to allied nations prevented him from manipulating the trains. It was towards teatime when he satisfied me of his own innocence on these points; but don't run away with the idea that by this time we were well on with the business. We had barely as much as started. How are you to fix the "date of journey" in such a manner as to give the traveller a clear night for accommodation in one country, or a clear day for subsistence in another, when he leaves his home at 5.15 P.M., arrives at the end of the first stage at 6.10 P.M., sleeps in a hotel till 11 P.M., gets in the train at thirty-five minutes past, crosses the frontier at 2 P.M. on the following day, arrives at his Italian destination at 5 A.M. on the morning after that, and then, if you please, goes to bed in another hotel? Old soldier though I am, there didn't seem to me to be a single line in a single column which I could satisfactorily fill in. True, there was the space for "Remarks," but our Mr. Booth was quite sure that my remarks were not what the Pay People called for. By this time I was for giving in, but George was now the persistent one. It was never his pocket he cared for; it was just one of his confounded principles not to be beaten by anything, not even an Army Form. I expressed some surprise that in the course of this tour of duty he had not managed to find his way to America for an hour or two, if only to complicate my business with the dollar question... I read the whole Form again, from start to finish, including the bit about vouchers being required for any unusual expenditure, such as cab-fares of over ten shillings. I then told George to write down on a piece of paper how much money he had when he started on his silly journey, and how much he had in hand when he got back; to deduct the latter from the former and tell me the result; to go away, leave me to wrestle all night with the problem, come back next morning at nine, remain motionless and strictly in one country in the meanwhile, neither accommodated nor subsisting. He gave me the figure, 173 francs, and never mentioned the subject to me again for days owing to the sullen fury he noted in my expression every time he cleared his throat to do so. After ten days I handed George a chit from the Pay People for "one hundred and seventy francs for travelling expenses, 30/10/1917 to 20/11/1917, for tour of duty to Italy." George said I had a dashed fine brain to have worked out the claim; I told him the Pay Man had a dashed kind heart to settle it. I hadn't been able to avoid mentioning Italy; but for the rest the Pay Man simply must have thought that George had driven all the way to the frontier and back in cabs and done precious little duty on the other side of it. Wouldn't you have thought so, Charles, if you had received a claim merely for eighty-five cabs, at two francs a time, and all in France, too? Yours ever, HENRY. * * * * * [Illustration: _Profiteer_. "VELL, 'ERE'TH ANOTHER PENNY FOR LOOKIN' THO MITHERABLE!"] * * * * * From a church notice-board:-- Matins.--Hymn 43: 'Great God, what do I see and hear?' Preacher, Rev. Dr. ----. Hymn 45: 'Hark! an awful voice is sounding.' * * * * * [Illustration: THE DEDUCTIVE MIND. _Permanent Base Man_ (_in charge of incinerator, to Sanitary Inspector_.) "YOU CAN TAKE IT FROM ME, CORPORAL, SOME BLIGHTER'S BEEN PUTTING BOMBS IN THIS INSINUATOR."] * * * * * TRENCH COATS. I went into a shop to buy a trench-coat. The shopman came forward with an air which said quite plainly, "You are a second lieutenant. You have just obtained a commission from the ranks. You think you do not want a complete outfit. It is my business to show you that you are mistaken. You want a complete outfit. Your Sam Browne is second-hand. You picked your boots up from a Salvage Dump. You cap was used once in your bathroom at home as a sponge-bag. Your trench-coat is disgusting. The whole outfit would fail to deceive a man's maiden aunt, so obvious an attempt is it to mislead the unsophisticated into supposing that you have arrived here straight from the trenches. I know better. You have just obtained a commission in the motor-transport section of the Wessex Home Defence Corps. Gentlemen from the trenches always dress as if they'd come straight out of a shop like this ... And we don't take cheques." That was what his manner said. What he actually said was noncommittal. He said, "Yes, Sir?" I took off my trench-coat and let the glory of three whole stars dazzle him. He little knew that one of them was "acting," and his face fell. "I do not at present," said I, "require a knife with indispensable cheese-scoop and marmalade-shredding attachment. My indispensable steel mirror with patent lanyard and powder puff for attachment to service revolver is in perfect working order. I already possess two pairs of marching boots with indispensable trapdoors in each heel containing complete pedicure set and French-Portuguese dictionaries. My indispensable fur waistcoats, Indian clubs, ponchos, collapsible Turkish baths, steel aprons and folding billiard tables have already brought the weight of my kit nearly up to the allotted thirty-five pounds. My indispensable cigar cabinet, camouflaged to look like a water-bottle; my patent and absolutely essential convertible gramophone which can be changed at a moment's notice into a tin hat; my caviare lozenges and shampoo tabloids--I have them all. I want a trench-coat and nothing else." His face had fallen a little as I spoke. But it lit up again with a sort of cunning excitement when I said "trench-coat." I wondered why--then. Now I know. I thought that he was baffled and would say no more, but I had forgotten the developments of trench warfare. "This way, Sir," said the shopman. He led me to a room which combined the architectural style of the Crystal Palace and Waterloo Station with a touch of the dentist's waiting-room. There was a khaki tent in the midst of it, and he led me towards this with the air of a broody hen anticipating the number of her chickens. "The Vadecumomnibus trench-coat," said he. "But it's a tent," I protested. "It has collapsible aluminium centre seam," he retorted rapidly, "which can be used as a tent pole in severe weather. On buttoning the top button this pole telescopes automatically and forms a bullet-proof spine protector. Each sleeve can be unscrewed and used in an emergency as a Lewis gun. This is indispensable--" "Of course," I interrupted. "But I require something quite simple and straightforward. Just a trench-coat, you understand." "We have here," he said immediately, "the Gadget coat. It possesses three hundred button-holes and three hundred buttons. Every single portion of the coat can be buttoned on to every other part at a moment's notice. The pockets are detachable and can be used as coffee cups or finger bowls. The coat itself, when stretched on our patent aluminium framework, makes an admirable hip-bath." I played nervously in my pocket with the pin of a live Mills grenade (overlooked by the A.M.L.O.). "A simple, straightforward trench-coat," I repeated. "This," said the shopman, handing me something very like a slice of plum-pudding--"this is the cross-section of a piece of the cloth out of which our 'Stopablitey' trench-coat is manufactured. It shows the strata of the material, consisting of alternate layers of old motor tyres and reinforced concrete--the whole covered with alligator skin and proofed with our patent indispensable--" It was then that I killed him and buried him under a pyramid of indispensable gadgets. It will be years before they find him. * * * * * [Illustration: _Wife_ (_Time 3.45 A.M._). "WHERE ARE YOU GOING?" _Special Constable_. "AIR-RAID DUTY, DEAR." _Wife_. "WELL, DON'T LET THE CAT OUT."] * * * * * If TROTSKY is the Enver Pasha of Russia, ENVER PASHA may be described as the Turkey Trotzky. * * * * * OUR POPULAR EDUCATORS. A recent article in _The Daily Mail_ began, "Jerusalem, the famous city of the Bible..." There is nothing like taking precautions not to talk over the heads of your readers. We offer a few suggestions on similar lines:-- "Germany, the powerful enemy against whom we are contending in the present War (1914 onwards)..." "SHAKSPEARE, the immortal author of _Hamlet_ (the tragedy)..." "'Blighty', the British soldier's name for England..." "MOSES, the distinguished lawgiver and prophet..." "The GERMAN CROWN PRINCE, eldest son of KAISER WILHELM II..." "EVE, the heroine of the Garden of Eden story..." "Economy, the virtue imposed on us by the present shortage of food..." "_The Daily Mail_, a newspaper..." * * * * * HELLO, GIRLS! "CIVIL SERVICE LADIES FOR LONDON TELEPHONE EXCHANGES, over 1 and under 30 years of age. Minimum height 5ft."--_Evening Paper_. Many ladies of our acquaintance, although just over the minimum age, are not yet quite up to the required height. * * * * * [Illustration: _Lady_ (_displaying costume in which she is to appear as the Queen of Sheba in "Biblical Beauties" tableaux at charity matinée_). "RATHER SWEET, ISN'T IT?" _Friend_. "MY DEAR, ABSOLUTELY TOPPING. IT MAKES ME FEEL I OUGHT TO BE DOING WAR-WORK TOO."] * * * * * TO SANTA CLAUS. Historic Santa! Seasonable Claus! Whose bulging sack is pregnant with delight; Who comest in the middle of the night To stuff distracting playthings in the maws Of stockings never built for infant shins, Suspended from the mantelpiece by pins. Thou who on earth wast named Nicholas-- There be dull clods who doubt thy magic power To tour the sleeping world in half-an-hour, And pop down all the chimneys as you pass With woolly lambs and dolls of frabjous size For grubby hands and wonder-laden eyes. Not so thy singer, who believes in thee Because he has a young and foolish spirit; Because the simple faith that bards inherit Of happiness is still the master key, Opening life's treasure-house to whoso clings To the dim beauty of imagined things. Wherefore, good Kringle, do not pass me by, Who am too old, alas! for trains and blocks, But stuff the Love of Beauty in my socks And Childlike Faith to last me till I die; And there'll be room, I doubt not, in the toes For Magic Cap and Spectacles of Rose. And not a song of beauty, sung of old, Or saga of the dead heroic days, And not a blossom laughing by the ways, Or wind of April blowing on the wold But in my heart shall have the power to stir The shy communion of the worshipper. Hark! On the star-bright highways of the sky Light hoofs beat and the far-off sleigh-bell sounds! Is it old Santa on his gracious rounds Or one dead legend drifting sadly by? Not mine to say. And, though I long to peep, Santa shall always find me fast asleep. ALGOL. * * * * * "A clerk was at London Mansion House yesterday charged with stealing a blouse the property of the governor and directors of the Bank of England. "She said she could not understand what made her take it, and, believing she acted from sudden temptation, the Lord Mayor bound her over."--_Daily Mail_. We do not think the "Old Lady of Threadneedle Street" ought to wear such tempting garments in these times. * * * * * "WITH THE ITALIAN ARMY.--The battle, which continues with unabated fury, is gradually extending along the front from the Brenta to the Piave, a line of over 11 miles, with its wings on the Col della Berretta and Monte Spinoncia, north-east of Grappa. "I learn that for 24 hours the fighting was marked by a determination in counter-attacks which has never yet been exceeded. No fewer than four times Colonel della Berretta changed hands."--_Scots Paper_. We hope the gallant officer is none the worse for his game of Hunt-the-Skipper. * * * * * [Illustration: AN INEXPENSIVE LUXURY. FIRST KAISER (WILHELM). "I AM THINKING OF SENDING THIS BIRD OF PEACE FORTH AGAIN. WE CAN AFFORD TO BE MAGNANIMOUS." SECOND KAISER (KARL). "WELL, WE CERTAINLY CAN'T AFFORD ANYTHING ELSE."] * * * * * ESSENCE OF PARLIAMENT. _Monday, December 17th._--On the whole the Lords gave a friendly reception to the Franchise Bill. They have learned a good deal since 1911. Even Lord SALISBURY forebore on this occasion his usual intention to die in the last ditch, and was ready to let the Bill pass, provided that Proportional Representation was included in it. The most vehement criticism came from Lord BRYCE, who viewed with alarm the addition of six million women to the electorate. Women, he declared, neither met nor talked--an assertion which surprised the more married peers. Lord BURNHAM supported "P.R." with the self-sacrificing argument that the Press would become too powerful if minorities had no way of expressing their views except in the newspapers. Perhaps he doesn't want another letter from Lord LANSDOWNE. [Illustration: A QUEUE FOR THE COMMONS.] Mr. HOGGE is usually so assiduous in his attendance that I was surprised at his sudden departure just before Sir C. KINLOCH-COOKE put a question to the FOOD CONTROLLER. But when I found that the question related to "the political as well as the economic effect of the new regulation governing the sale of pigs" I recognised the delicacy of his action in withdrawing. Mr. CLYNES, however, had nothing to say on the political aspect of the question; and shortly afterwards Mr. HOGGE reappeared. The Members whose interrogatory activities it is sought to curb are, for the most part, like the objects in a museum, more curious than exhilarating; but there are some, I am afraid, whose questions are intentionally mischievous, and by their mere appearance on the notice-paper give comfort and even information to our foes. Mr. BONAR LAW'S announcement that the Government would, during the Christmas holidays, consider how to mitigate the nuisance met with noisy objection from Mr. LYNCH, Mr. PRINGLE and other Members. The most original contribution to the discussion came from Mr. HOLT, who innocently inquired whether the Government would mind laying before the House a statement of the harmful questions which had been asked. Possibly he was thinking of the famous edition of MARTIAL in which all epigrams of doubtful propriety were excluded from the main text and collected in the appendix. The SECRETARY for SCOTLAND, speaking at break-neck speed, managed to give the House within the space of ten minutes an outline of the Bill which he hopes will maintain for Scotland her primacy in education. The new MUNRO doctrine did not, however, appeal to everybody, and there were ominous cries of dissent when he announced his intention of disestablishing the School Boards and putting the denominational schools on the rates. Lord RHONDDA listened from the Peers' Gallery to the debate on Food Control, and received a quantity of advice which should help him to mind his p's and q's, particularly the latter. His lieutenant, Mr. CLYNES, improved the reputation that he has already acquired at Question-time, and was able to bring a little personal experience to bear upon the most vexed question of the day. "Members of my own household," he said, "have stood in these queues, and I know something of their hardships." That is why, no doubt, he has urged upon his chief the formation of a Consumers' Council, to aid the Ministry in its deliberations. Mr. TILLETT seized the opportunity to make his maiden speech, and reminded the House that when they talked of queues at home they should not forget those other queues in the trenches. For the sake of the men who had lined up in our defence it was for us to see that their wives and children got their proper supply of food. _Tuesday, December 18th._--It was curious to hear Mr. LEES-SMITH, that stickler for freedom of expression, complaining that a London paper had published an article attacking M. CAILLAUX; and the House was amused by Lord ROBERT CECIL'S suggestion that the hon. Member should furnish him with ideas for the more stringent control of newspapers. Mr. PETO was alarmed by an alleged increase in the export of footwear to Switzerland, and particularly to villages on the German frontier. He yields to none in his desire to give the KAISER the boot, but not in any surreptitious manner. Lord WOLMER comforted him with the statement that the bulk of the exports consisted of women's and children's shoes, quite useless to the Germans until they get down to their 1930 class. The HOME SECRETARY announced an increase in the War-bonus to the police from eight shillings to twelve shillings. With leather at its present price it was good to hear that the Government had been mindful of their extremities. * * * * * [Illustration: _Coastguard_ (_rung up by the Military_). "NOT SO MUCH OF YER 'ACK! ACK! AND YER OLD 'PIP EMMA!' LET'S 'AVE THE BLOOMIN' MESSIGE."] * * * * * THE YOUNGEST GENERATION. "What shall he have that killed the deer?" someone asks somebody else in _As You Like It_. But there is a better question than that, and it is this--"What shall they have that preserve the little dears?" and the answer (if I can do anything to influence it) is--honour and support; for there can be no doubt that in these critical times, when the life of the best and bravest and strongest is so cheap, no duty is more important than the cherishing of infancy. At a _Crêche_ in Notting Hill I watched, the other day, some of this cherishing in progress, and it was a pleasant and stimulating sight. The institution was in existence in a small way before the War, but it has recently been enlarged and made scientific, to meet the greater needs which the War has set up, and it is now able to act as foster mother to seventy mites, from the age of one month to four years, whose real mothers are for the most part engaged in war work. That is a good piece of citizenship, is it not? And to watch it in being is an education in those wonderful things to the eye of man--the solicitude and patience and capability of woman. The noise alone, whether of joy or of transitory grief, would drive most men frantic; but these devoted souls, knowing that it is all part of the game, proceed with an unearthly composure through it all--undressing their charges, dressing them, washing them, feeding them, beguiling them; in a word, tending them, from morning till evening. The children begin to arrive, brought either by their mothers, their "Little Mothers" (I mean sisters) or their brothers, between 8 and 9--some in arms and some in perambulators and some in go-carts; and then they are immediately divested of their home clothes, popped into warm baths three or four at a time, and dressed in the clothes belonging to the _Crêche_. For the rest of the day they wear these clothes and sleep, eat, play and, when it amuses them more to do so, cry, until the time comes to be put back into their own garments and be taken away. By some strange instinct their relations, I am informed, know them again, and very few mistakes occur; and so gradually, in the neighbourhood of seven o'clock, peace descends on this corner of Notting Hill once more. The place is sheer Lilliputia: for everything is on a reduced scale. Scores of little beds round the walls, with little pillows and little coverlets; scores of little chairs; a long table so low that it seems to be the footstool of a giant's wife, with little benches beside it for their little meals. In the centre of the room are two little pounds, with railings so close together as not to be crawled through, where the more adventurous ones can be kept out of mischief in the company of woolly toys; and outside is a loggia place with little cradles for the babies who want more air to sleep in. Such is the Stoneleigh Street Crêche, and in order to realise what admirable and desirable functions it fulfils--principally by voluntary aid, for the capitation fee of half-a-crown a week is, of course, quite insufficient to maintain it--one has only to imagine what the lot of these helpless little creatures would be if they were left in their motherless homes. Not only would they be far less happy but far less healthy; and it is upon healthy babies that England's future must be founded. If any reader of _Punch_, then, should be in doubt as to what to do with a little surplus money, let the little requirements of these little people be remembered. The address to which donations should be sent is: The Secretary, Notting Hill Day Nursery, Stoneleigh Street, Notting Hill, W. * * * * * INTERESTING EXAMPLE OF LONGEVITY? "Richard ----, D.D., a member of the elder branch of the family, was a contemporary and friend of Ben Jonson, and his portrait in oils, by Romney, is now an heirloom."--_Provincial Paper_. * * * * * "The stationmaster was then kidnipped--he is a married man."--_Standard_ (_Buenos Aires_). Possibly henpecked as well. * * * * * [Illustration: "A SEASON FOR FRESH AIR AND ROOM TO BREATHE."--_Quotation from one of the above Railway's advertisements_.] * * * * * OUR BOOKING-OFFICE. (_BY MR. PUNCH'S STAFF OF LEARNED CLERKS_.) Those who like to read familiar letters--and I confess it is one of my favourite literary distractions--will find matter very much to their mind in _Some Hawarden Letters_ (NISBET), compiled by L. MARCH-PHILLIPS and BERTRAM CHRISTIAN. It is a collection of letters addressed to Miss MARY GLADSTONE before and after her marriage to Mr. DREW. Sitting at the centre she seems to have held together her circle by golden threads of confidence and intimacy. Here you will learn how RUSKIN was brought to visit Hawarden, and how he entirely altered his views on Mr. GLADSTONE, going so far as to suppress a number of _Fors Clavigera_ in which slighting allusion had been made to him. Here, too, you will find Lord ACTON, who deeply disapproved of Mr. GLADSTONE'S conduct in paying a memorial tribute of respect and eulogy to Lord BEACONSFIELD. ACTON'S list of the hundred best books (or, to be strictly accurate, of ninety-nine of them) is also given. It provides heavy reading for a hundred years at the very least. As a set-off to this ponderosity there are the letters of BURNE-JONES, fresh, amiable and delightful, as also those of Professor JAMES STUART, which are among the best in the collection. Mr. A.J. BALFOUR appears as the owner of four concertinas, on which he was willing "to play with anyone who would accompany him through any of the oratorios of Handel." RUSKIN writes to CARLYLE, addressing him as "Dearest Papa," and signing himself "Ever your faithful and loving son." The letters of GEORGE WYNDHAM are a charming collection, shining with hope and idealism yet never losing their touch of the firm earth. This book was nearly completed by the late Mr. MARCH PHILLIPS, and after his untimely death the task was brought to a conclusion by Mr. CHRISTIAN. On the whole the work has been done with great discretion, but there is a passage relating to GEORGE ELIOT on pp. 193, 194 which ought to have been omitted. * * * * * Miss MILLS YOUNG tells us that _John Musgrave_, the middle-aged hero of _Coelebs_ (LANE), "was not a prig, but he came perilously near to being one at times." Well, if anyone ought to know, it is his creator, so I will accept her word for it, though for myself I should have called him a first-class prig. The little village in which he lived his bachelor existence was invaded by some up-to-date people who took the Hall, and proceeded to liven up things. _Mrs. Chadwick_ freely shocked the poor man; she smoked, was a reckless conversationalist and had modern ideas, all which disturbed the decorous manner of his life. Moreover, she had taken upon herself the heavy task of finding him a wife, and _John's_ phlegmatic heart began to flutter when he saw _Peggy_, her lady-gardener and niece, standing on a ladder, in blue trousers. He was incensed by such apparel, but he was also intrigued. From that moment his number, as they say, was up. Apart from a dog-incident, which is far too prolonged, and some rather cheap sarcasm at the expense of a wretched spinster, this tale of _John's_ conversion from something drier than dust to a human being is neatly told. All the same I prefer Miss YOUNG'S South African stories. * * * * * My conjecture about _The Magic Gate_ (HUTCHINSON) is that its author, MAUD STEPNEY RAWSON, found herself with two stories to choose from, one of the Gate itself, and another of the romance of _Lydia_ and _John Wodrush_. In my opinion she chose the wrong one. The history of the _Wodrush_ elopement, compressed to a couple of pages, seems to me far more original and interesting than the present rather unwieldy tale. _The Magic Gate_ is a war-novel confessed, and I can only fancy that the thronging new sensations of the past three years have proved a little too much for Mrs. RAWSON'S sense of form. She is so anxious that her heroine and her readers shall miss nothing of it all that in the result the plot is lost in a maze of incidents that lead nowhere. The effect produced on a small country society by the early phases of the War is shown deftly enough. But perhaps posterity will find in such a record a more compelling interest than we can to whom it is still so familiar in every unforgettable detail. One other ground of complaint I have against the book is that its most original and attractive character, the American woman to whose generosity _Jennet_ owes her occupancy of Fullbrook Manor, is banished at an early page, and submarined just when I was looking for her reappearance. Hers is yet another story with which Mrs. RAWSON might have entertained me better than by this of _The Magic Gate_, which I found a trifle creaky on its hinges. * * * * * _Senlis_ (COLLINS) is one of the many places that have been systematically destroyed by the Germans. It is difficult for anyone who has not seen the results with his own eyes to realise the business-like thoroughness which the Hun brings to this congenial task. That a part (and the most beautiful) of the town still stands does not imply that he yielded either to slackness or to æsthetic refinement. True that Miss CICELY HAMILTON relates a pleasing story that Senlis was saved from utter destruction by the entreaties of the _curé_, but, all the same, I think the real reason why the Bosch did not complete his work was that he was bundled out bag and baggage before he had time to add the finishing touches. Miss HAMILTON clearly and soberly states the case against him, and makes it all the more damning by her frank recognition that many of the horrors of war, whoever makes it, are inevitable. Her delightful account of Senlis itself, admirably illustrated with photographs, is certain to appeal to all lovers of the charm of old French towns; and the more poignantly when they recall how narrowly the best of its beauty escaped from the hand of the spoiler. * * * * * [Illustration: EPILOGUE] * * * * * MR. PUNCH AS PROPAGANDIST. I don't know what decided him to do it. I think he must have been a little fed up with our silly British way (rather attractive, all the same) of assuming that the whole world is bound to recognise the justice of our point of view without the use of propaganda to stimulate its intelligence. Or else he had read somewhere that the Bolsheviks had been flooding the Hun trenches with Socialist literature and that the German Headquarters Staff had protested against this kind of thing as being contrary to etiquette, and he thought he couldn't go far wrong if he did something that was contrary to Bosch etiquette. Anyhow he started off in his Bouverie biplane to distribute a million or so leaflets of his own composition over the whole expanse of the Fatherland. It has been my privilege to read a sample which he handed to me just before leaving earth. It runs as follows:-- "GERMANS--Your Kaiser has taken good care that his Press should keep you in ignorance of the feelings with which your nation is regarded by the civilized world. I am therefore about to oblige you with a few home-truths. "You have probably heard a rumour that we and our Allies have no quarrel with the German people, but only with its rulers. Don't you believe a word of it. Possibly we still respected you when the War began, for we had not guessed how many of you had been looking forward for years to the coming of 'The Day.' It is what we have found out about you since you started fighting that has made us loathe and despise you. "When, as a nation, you accepted without protest the filthy savagery of your armies in Belgium and other occupied lands; when even your women were vile in their cruelty to the helpless prisoners you had taken; when you rang your church bells and waved flags and took holidays for joy of the murder of innocent women and children, we were not deceived by apologists who explained that your only defect was that you were the slaves of a brutal militarism (though you were that, all right). We knew that you must have something of the beast in your hearts. How it got there was another matter; we only knew that it was there and that while it remained you were not fit for intercourse with decent men. "Another thing that you may have heard (for even some of our own statesmen, reputed intelligent, have said it, and it has no doubt been eagerly seized upon by the officials who control your Press), is that your form of Government, the particular pattern of tyranny under which you elect to grovel, is no concern of ours. Well, don't you believe that either. This is no question of private taste, like the cut of your shoulder-pads or the shape of your women's waists, which are matters of purely local interest. Your type of Government is as much our concern; as the quality of your poison-gas or the composition of the bombs that you drop on our babies. [Illustration:] "I am reminded of the nonsense that used to be talked by responsible statesmen at the time when you were feverishly building a fleet to dispute our right to ensure the freedom of the seas. We were told that you were at perfect liberty to do so if you chose, and that it was not for us to interfere with your arrangements. Yet everybody knew all the time that there was nothing in the world that concerned us so closely. If France had been massing troops on your frontier you would at once have asked her to state her intentions, or even possibly have taken action without asking her. Well, the sea is our frontier. "You are to understand, then (whatever anybody may say), that everything done in Germany that bears immediately upon our relations with your State is of prime concern to us. Our desire for peace is as strong as your need of it; but we cannot afford to make terms with a Government whose word, as we have proved, is not worth the paper they write it on--who would treat any peace as a mere armistice to give them breathing-space for preparing a fresh war. No, if you want peace you will have to displace your present rulers. You are so good at 'substitutes' that you ought to have no difficulty about that. "And the sooner the better for you. For as this War drags on we are not getting to love you more. Even now it will take you at least a generation to purge your offence and get back into the community of civilized nations. But there is another thought that is more likely to affect your thick commercial hides, and it is this. Unless you take steps, and pretty soon, to put yourselves in a position in which we can treat with you, you will be boycotted in the markets of the world, and you will go bankrupt. It is for you, the German people, to decide whether you choose this fate. Meanwhile Time presses and the sands run low." Such was the matter of the leaflet that Mr. Punch rained down from his Bouverie biplane (fortunately invulnerable) upon the cities of the Fatherland. Till now the German people, fed on windy tales of triumph in place of solid food, had borne their sufferings patiently as trials incident to all wars even when you are told that you are winning them. This was the first intimation they had received of the facts. For the first time they had a chance of seeing themselves as others saw them. He carried no bombs, but as he flew over Potsdam he could not refrain from letting fall, by way of reprisal, a weighty souvenir upon the purlieus of the Imperial Palace. Dropped at a venture, there is reason to believe that it fell within measurable distance of the head-piece of the All-Highest. It was Mr. Punch's [Illustration: "One Hundred and Fifty-Third Volume."] * * * * * [Illustration: INDEX] * * * * * CARTOONS. PARTRIDGE, BERNARD. At Bay, 319 Belgian Menace (The), 239 Betrayed, 399 Birthday Greeting for Hindenburg (A), 255 Breaking it up, 157 Brusiloff Hug (The), 25 Business of the Moment (The), 41 Dance of Death (The), 271 Freedom Renews Her Vow, 97 Here To-day and Gone To-morrow, 287 How it Strikes a Soldier, 351 How to Lose the War at Home, 303 If Everybody Helped, 383 Inexpensive Luxury (An), 431 "Knightly Manner" (The), 137 Last Crusade (The), 415 Long Live the House of Windsor!, 57 Privileged Disloyalty, 335 Real Voice of Labour (The), 117 Russia's Dark Hour, 77 St. George Out-Dragons the Dragon, 367 Saving of the Race (The), 9 RAVEN-HILL, L. Avanti, Savoia!, 191 Birds of Ill Omen, 361 Burglar Bill, 281 Cornered, 149 David in Rhonddaland, 377 Democratic Turn (The), 35 East Africa, 393 Enigma, 265 Fateful Session (A), 69 Great Incentive (A), 329 Great Uncontrolled (The), 345 Inseparable (The), 223 Interlude, 313 Intruders (The), 129 Liberators, 175 Nation Demands (The), 3 Need of Men (The), 409 New Loaf (The), 109 Place in the Moon (A), 233 Russia First, 207 Scrapper Scrapped (The), 51 Tuber's Repartee (The), 19 Vive la Chasse!, 297 Wait (The), 425 TOWNSEND, F.H. Counterblast (The), 89 "Keep the Home Fires Burning", 169 Letter and the Spirit (The), 249 Our Unemployed, 217 Perfect Innocence, 201 Reverse of the Medal (The), 185 ARTICLES. ARGYLL-SAXBY, C.F. "Skilly", 121 BEECROFT, A.E. Matilda, 141 BIRD, Capt. A.W. Head Case (A), 148 How to Cure the Bosch, 50 Stocking of Private Parks (The), 128 Tract for Grousers (A), 113 BLAIKLEY, Miss E.L. Gems from the Juniors, 28 BOWER, W.G. NOTT P.P.D. (The), 237 BRETHERTON, CYRIL Charivaria, weekly Preserving their Prospects, 179 To an Infant Gnu, 258 To my Butcher, 382 To Santa Claus, 430 BRIGHTWELL, L.R. Deal with China (A), 315 Dustbin, 68 Two Dumb Warriors. I. Hyldebrand, 108 War Dog (The), 228 BROWN, C.L.M. With the Auxiliary Patrol, 424 BROWN, Miss F.L.R. Our Souvenir Unit, 212 Tower that passed in the Night, 93 BROWN, HILTON Hymn for High Places, 133 BROWN, Miss L.R. Le Poilu de Carcassonne, 339 Le Sénégalais, 2 BROWNLEE, L.D. Pars with a Punch, 362 CHALMERS, P.R. Crossbills (The), 206 Signs of Inns, 241 CHANDLER, Miss B.W. A Surprise Party, 63 CHAYTOR, Rev. H.J. V.A.D., 125 COLLINS, G. Lovely Woman, 154 COLEMAN, H.O. Our Popular Educators, 429 CRESWELL, H.B. My Pyjamas, 340 DARLINGTON, W.A. Bucephalus and the Road Hogs, 196 Fire-Drill (The), 332 Involuntary Raid (An), 236 Philip, 36 Play's the Thing (The), 396 DAVEY, H.N. By the Canal in Flanders, 180 Our Innocent Subalterns, 299 Resolution (A), 11 DRENNAN, MAX Meditations of Marcus O'Reilly, 402 ECKERSLEY, ARTHUR End of an Episode, 183 If the Paper Shortage increases, 408 Theatrical Correspondence, 380 ELLIS, D.C. Tap-room (The), 60 FEELY, J.D. Noms de Guerre, 66 FISH, W.W. BLAIR. Absentee (The), 4 "He-who-must-be-Obeyed", 318 Herbs of Grace, 308, 324, 417 L'Agent Provocateur, 259 Literal Epoch (A), 74 New Golf (The), 134 "Ships that Pass in the Night", 40 Sugar Control, 218 FOX-SMITH, MISS C. Bullington, 83 Clyde-built Clipper (The), 414 Declaration of War (A), 274 Derelict, 356 Gipsy Soldier (The), 24 Little Things (The), 56 North Atlantic Trade (The), 142 Small Craft, 212 FRITH, E.A. Twelfth (The)--New Style, 104 FYLEMAN, MISS ROSE Fountain (The), 168 Have You Watched the Fairies?, 34 I Stood Against the Window, 23 There Used to be, 14 Visitors, 280 White Magic, 380 Yesterday in Oxford Street, 244 GARSTIN, CROSBIE. Chemin des Dames, 148 Mudlarks (The), 20, 71, 91, 132, 170, 225, 266, 282, 306, 330 Oswald and Co., 256 GARVEY, MISS INA. Thrills from the Termini, 108 GIBSON, Capt. H.N. Ideal Medical Board (An), 159 GIELGUD, L.E. H.Q. Touch (The), 238 GLASGOW, MRS. ROBERTSON. Missing, 276 GORE, Capt. J. Carp at Miramel (The), 264 GRAVES, C.L. Ballad of Eels (A), 164 Books and Books, 403 Change Cure (The), 84 Constable Jinks, 188 Cuss-Control, 254 Game of His Life (The), 124 In Wild Wales, 228 "Jong," 204 Lips and their Lessons, 424 Lines on Re-reading "Bleak House," 176 Margarine, 387 New Mrs. Markham (The), 272, 285, 308, 317, 348 Old Song Re-sung (An), 93 Our Mighty Penmen, 54 Pure English, 243 Rhymes for the Times, 275, 307 Sirens and Their Successors, 43 Spoil-Sport (The), 134 Stanzas on Tea Shortage, 291 Sugar, 372 Test of Type (The), 196 To "Martin Ross", 412 Tropical Tragedy (A), 260 Weary Watcher (The), 27 Woman as Usual, 5 HEILGERS, MISS LOUISE. Further Reminiscences, 38 HELME, MISS E.E. Gentlest Art (The), 92 Mentioned in Despatches, 1 Perfect Customer (The), 412 Second Childhood, 268 HERBERT, A.P. At the Dump, 340 Bomber Gipsy (The), 136 Hay Fever, 8 Humiliation of the Palfrey (The), 114 Incorrigibles (The), 76 Investiture (The), 96 Lost Leader (A), 38 Passing of the Cod's Head (The), 174 Patrols, 222 Rest-Rumour (The), 62 To the Regiment, 419 Trench Code (The), 190 Vengeance (The), 388 HERBERT, S.C. Lines to a Hun Airman, 172 HEYWOOD, M.A. Sugar Cards and Wills, 392 HODGKINSON, T. Ruined Rapture, 6 ARTICLES--CONTINUED. HOLMES, Capt.W. KERSLEY. Hut (The), 386 Jimmy--Killed in Action, 74 Long-faced Chums (The), 192 Semper eadem, 153 Ultimate Outrage (The), 302 V.C. (The), 418 HOPKINS, E.T. To a Dachshund, 376 HOPPER, C.W. Cave Dwellers (The), 252 Only Other Topic (The), 194 Superior Sex (The), 411 INCE, R.B. Little Match-Girl (The), 173 JAY, THOMAS Charivaria, weekly Poet (The), 324 KNOX, Miss KATHLEEN Lost Land (A), 187 LAFONE, H.C. An Order of the Day, 392 LANGLEY, CAPT. F.O. Letter from the Front (A), 154 Watch-Dogs (The), 52, 112, 202, 250, 394, 427 LASKER, R.S. Straight Talk with L.G. (A), 193 LEHMANN, R.C. Bank's Mistake (The), 420 Complete Plasher (The), 356 "Gog", 227 Going Back, 244 Heart-to-Heart Talks, 30, 62, 114, 172, 290 John Leech. I. To Our Greatest Contributor, 161 Last Match (The), 363 Lost Leader (The), 401 My Aunt Matilda, 388 Remembrance, 84 Self-Denial, 142 Six-and-a-penny-halfpenny, 324 Sugar, 276 Sunflower (The), 188 To Lord Rhondda, 13 Vote (The), 46 LETTS, Miss W.M. Airman (The), 165 LIPSCOMB, W.P. Camouflage Conversation, 300 "Chockchaw", 410 Codes, 234 Force of Habit, 248 Great Man (The), 312 Lessons of the War, 34 Letters of a General to his Son, 240 Literary Adviser (The), 360 Pratt's Tours of the Front, 280 LOCKER, W.A. At the Play, 115 Essence of Parliament, weekly during Session LUCAS, E.V. Allirap Asras, 273 Art to the Rescue, 404 As (The), 22 Believe Me or Believe Me Not, 385 Boat (The), 44 Convert (The), 180 Door (The), 253 Dr. Sullivan, 61 Heroes, 371 How to Brighten up the Theatre, 322 John Leech. II. Historian and Prophet, 161 Letter from New York (A), 131 London Mystery Solved (A), 224 Once upon a Time, 354 Peter, the Tempter, 338 Picture Postcards (The), 100 Presence of Mind, 284 Raid Jottings, 240 Reviews for--(The), 122 Stronger than Herself, 298 Study in Symmetry (A), 186 Triumphal Progress (The), 204 Two Missing Numbers (The), 12 Youngest Generation (The), 433 LYON, Miss L.B. Goin' Back, 56 Lavender, 398 LYON, P.H.B. Gilbert, 337 MACLEOD, L.R. Charivaria, weekly MILNE, A.A. One Star, 168 Way Down (The), 364 MILNE, K.J. Sugar Fiend (The), 328 OGILVIE, W.H. Pretending, 366 OYLER, Miss MADELINE What the Kingfisher Knew, 44 PLATT, F.W. "A merry Heart goes all the Day", 121 PLUMBE, C. CONWAY Shakspeare and the War, 197 PRESTON-TEWART, A. Counter Tactics, 365 Military Aides, 80 My Cuthbert, 29 Playing the Game, 178 Transgressor (The), 348 PUCKRIDGE, W.H. To the Men who have died for England, 30 PULLING, Miss J.K. Daughter of the Back Steppes (A), 192 REYNOLDS, MRS. Great Offence (The), 209 Old Formula (The), 301 Very Glad Eye (The), 354 RIGBY, REGINALD Choice (The), 120 Cross-Talk with Petherton, 269 Petherton and the Rag Auction, 220 Petherton's Pedigree, 54 Whisper and I shall Hear, 144 ROBERTS, E.L. Sauce for the Goose, 95 Whole Hog (The), 183 ROBINSON, Miss ESTHER Mistaken Charity, 216 ROQUETTE, D.G. Three Daughters of France, 101 Washout, 200 SAMPSON, R.H. Two Dumb Warriors. II. Ermyntrude, 111 SCOTT, J.C. Scotland for Ever, 59 SEAMAN, OWEN At the Play, 292 Idylls of the King of Prussia, 128 Innocents Abroad (The), 264 Kaiser's Oriental Studies (The), 88 Leaves from a London Notebook, 376 Melting-Pot (The), 2 Model Dialogues for Air Raids, 248 More Sorrows of the Sultan, 328 More Talk with German Peacemongers, 312 Mr. Punch as Propagandist, 435 Official Rectitude, 200 On Vimy Ridge, 50 Our Pacifists, 408 Society Notes, 232 Tino in Exile, 18 To Attila's Understudy, 344 To the German People, 392 To the Potsdam Pacifist, 216 To William at the Back of the Galician Front, 68 Victory (The), 360 Zepp-Flighting in the Hautes Alpes, 296 SHAKESPEARE, CAPT. W.J. Monsieur Joseph, 18 SHARPLEY, Miss STELLA Mariana in Wartime, 286 SKEVINGTON, MAJOR S.B. Cadet's Friend (The), 408 STEIN, MAJOR E. DE Fragment of a Tragedy, 94 Sidni the Storeman, 426 Stew (The), 316 STUART, Miss D.M. Beasts Royal, 221, 236, 252, 268, 284,300 London Pride, 122 "SYNTON, EDWARD" Duelling Extraordinary, 124 TARGETT, A.B. For Services Rendered, 242 TATHAM, M. Recorder (The), 314 Tube Hotels, Ltd. (The), 232 THOMAS, F.S. Nightmares, 334, 344 THOMAS, R.W. Suaviter in modo, 152 THORP, JOSEPH At the Play, 14, 28, 164, 177, 195, 211, 275, 370 TREMAYNE, SYDNEY Millie and the "Kayser", 378 "TRUSCOTT, PARRY" 'Taters, 372 UPCOTT, Miss Brown Cart-Horse (The), 151 WILSON, CAPT. T.P.C. David, 94 "Divisional Signs", 82 How to Become a Town-Major, 346 Signal Section (The), 64 Super-Pipe (The), 184 Trench Coats, 428 PICTURES AND SKETCHES. ARMOUR, MAJOR G.D., 15, 30, 63, 197, 211, 229, 323, 350, 371 BATEMAN, H.M., 7, 39, 102, 103, 189, 338, 381 BAUMER, LEWIS, 31, 40, 56, 75, 105, 121, 143, 156, 181, 206, 221, 254, 269, 302, 321, 349, 366, 385, 398, 430 BELCHER, GEORGE, 37, 59, 101, 160, 177, 195, 225, 257, 285, 301, 339, 365, 411 BEUTTLER, E.G.O., 202 BIRD, W., 20, 44, 127, 153, 194, 215, 258, 262, 278, 294, 311, 354, 423 BRIGHTWELL, L.R. 120, 428 BROCK, H.M. 8, 36, 72, 159, 243, 251, 275, 331, 346 BROOK, RICARDO, 33, 60, 92, 126, 146, 178, 186, 226, 234, 310, 326, 330, 391 COLLER, H., 293 COLLER, H. & R.W.H., 241 DOWD, J.H., 123, 273, 322 EVANS, TREYER, 93 "FOUGASSE", 49, 80, 144, 231, 263, 314, 343, 375, 407 FRASER, P., 86, 100, 240 GHILCHIK, D.L., 17, 67, 199, 218, 394 GRAVE, CHARLES, 112, 141, 152, 307 HARRISON, CHARLES, 283, 378, 410 HART, FRANK, 23, 73 HASELDEN, W.K., 14, 28, 164, 292, 370 HENRY, THOMAS, 64, 242 JENNIS, G., 5, 55, 219, 355 LEECH, JOHN, 162, 163 LEWIN, F.G., 167, 210, 282 LONGMIRE, R.O., 274, 359 MILLS, A. WALLIS, 61, 76, 145, 213, 227, 259, 272, 290, 306, 325, 353, 373, 382, 402 MORELAND, ARTHUR, 386, 426 MORROW, EDWIN, 12 MORROW, GEORGE, 16, 32, 48, 66, 106, 125, 132, 147, 182, 198, 214, 230, 246, 247, 267, 279, 295, 342, 358, 374, 390, 406, 422, 434 NORRIS, ARTHUR, 170 PARTRIDGE, BERNARD, 1 PEGRAM, FRED, 135, 179, 187, 362, 417 PRANCE, BERTRAM, 161 RAVEN-HILL, L., 96, 250, 320, 334, 421, 427, 436 REYNOLDS, FRANK, 13, 24, 45, 116, 401, 414, 433 ROGERS, W.J., 87 ROSS, T., 82 SHEPHEARD, G.E., 107 SHEPPERSON, C.A., 43, 83, 95, 111, 136, 173, 190, 209, 224, 238, 256, 270, 286, 318, 341, 357, 387, 405, 418 STAMPA, G.L., 4, 29, 53, 81, 91, 113, 165, 183, 208, 245, 261, 266, 299, 333, 363, 395, 419 THOMAS, BERT, 21, 52, 71, 133, 155, 171, 203, 235, 289, 309, 315, 337, 379, 403 THORP, J.H., 298 TOWNSEND, F.H., 10, 11, 26, 27, 42, 47, 58, 65, 79, 85, 99, 115, 119, 131, 139, 140, 151, 166, 174, 193, 205, 222, 237, 253, 277, 288, 291, 304, 305, 317, 327, 336, 347, 352, 368, 369, 384, 389, 397, 400, 413, 416, 429, 432 WHITAKER, W.G., 46 * * * * * [Illustration: FINIS] ***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 153, DEC. 26, 1917 *** ******* This file should be named 11629-8.txt or 11629-8.zip ******* This and all associated files of various formats will be found in: https://www.gutenberg.org/1/1/6/2/11629 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others. Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year. http://www.ibiblio.org/gutenberg/etext06 (Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at: https://www.gutenberg.org/1/0/2/3/10234 or filename 24689 would be found at: https://www.gutenberg.org/2/4/6/8/24689 An alternative method of locating eBooks: https://www.gutenberg.org/GUTINDEX.ALL *** END: FULL LICENSE ***