Punch, or the London Charivari, Volume 101, October 17, 1891

By Various

The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 101.
October 17, 1891, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punch, Or The London Charivari, Vol. 101. October 17, 1891

Author: Various

Release Date: November 15, 2004 [EBook #14053]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***




Produced by Malcolm Farmer, William Flis, and the PG Online
Distributed Proofreading Team





PUNCH,

OR THE LONDON CHARIVARI.

VOL. 101.



October 17, 1891.




THE AUTOMATIC PHYSIOGNOMIST.

    SCENE--_The German Exhibition, near an ingenious machine
    constructed to reveal the character and future of a person
    according to the colour of his or her hair, for the small
    consideration of one penny. A party of Pleasure-seekers are
    examining it._

_First Pleasure-seeker_ (_a sprightly young lady of the name of
LOTTIE_). "Put in a penny and get a summary of your character from the
colour of your 'air." I wonder what they'll 'ave _next_!

_Second Pl.-s._ (_her admirer, a porridge-faced young man with pink
eyelids and faming hair, addressed as 'ECTOR by his intimates_). Ah,
it's surprising how far they've got, it reelly is. And beginning with
butter-scotch, too!

_Aunt Maria_. Come on, do--you don't want to waste no more time over
that rubbidge!

_Fourth Pl.-s._ (_a lanky youth, with pale hair and a receding chin,
to his fiancée_). Hadn't we better be making a move if we're going to
'ear the band, CARRIE?

_Carrie_. I shall move on when I _like_, without your leave, FREDDY;
so make no mistake.

_Freddy_. Oh, _I_'m in no 'urry. I only thought your Aunt was
getting--but don't mind me. [CARRIE _does not mind him._

_Dolph_. (_the funny man of the party_). 'Old on a bit! I've got some
coppers. I'm going to sample this concern. I'll put in for all of
you--it's _my_ treat, this is. We'll begin with Aunt MARIA. What
colour do you call _your_ 'air now? I don't see any slot marked
"cawfy-colour."

_Aunt Maria_. Never _you_ mind what colour my 'air is--it's a pity you
can't find a better use for your pennies.

_Dolph_. (_inserting a penny in a slot marked "Light Brown"_). 'Ere
goes, the oracle's working. (_The machine emits a coloured card._)
Listen to what it says about Aunt MARIA. She is--"tender-'arted." Jest
what I've always said of her! "A little 'asty in her temper"--'ullo,
must be a 'itch in the machinery, _there_!--"neither obstinate nor
'aughty"--(_A snort from Aunt MARIA at this_)--"her inclination to
love never unreasonable." 'Ow _like_ her! "Frolicsome, inclined to
flirt and sometimes mischievous." You _giddy_ little thing! Up to
all your little tricks, this machine is! "Fertile in imagination,
domesticated, thoughtful and persevering"--There's Aunt MARIA for yer!

_General Chorus_. Good old Aunt MARIA!

_Dolph_. There's a prophecy on blue paper from _Napoleon's Book of
Fate_, gratis. (_Reads._) "Thy 'oroscope forewarns thee of a loss if
thou lendest thy money." Just when I was going to borrow arf-a-crown
off of her too!

_Aunt Maria_. Ah, I didn't want no machine for _that_. 'Ow you can
patronise such rubbidge, _I_ don't know! Tellin' characters by the
colour of your 'air, indeed--it's told _mine_ all wrong, anyhow!

_Dolph_. Well, you see, your 'air's so natural it would deceive _any_
machine! [_Movement on part of Aunt MARIA._

_Lottie_. Put in for 'ECTOR next, DOLPH, do. I want to hear what it
says about him.

_Dolph_. They don't keep _his_ colour in stock--afraid o' losing their
insurance policy. "Red or orbun's" the nearest they can get to
it. (_He puts in a penny in the "Red" slot._) Here's old 'ECTOR.
(_Reads._) "The Gentleman with long red hair is of a restless
disposition, constantly roving." Keep your eye on him, LOTTIE!
"Impatient and fiery in temper"--_'Old_ 'im, two of yer?--"but for all
that, is kind and loving." You _needn't_ 'old him--it's all right. "He
is passionately fond of the fair sex." What _all_ of 'em, 'ECTOR?
I'm ashamed of yer! "He is inclined to timidity"--Oo'd ha' thought
it?--"but by reflection may correct it and pass for a man of courage."
You start reflecting at _once_, old chap!

_'Ector_ (_ominously, to LOTTIE_). If DOLPH don't mind what he's
about, he'll go too far some day!

    [_He breathes hard, then thinks better of it._

_Dolph_. Now it's CARRIE's turn. "Leave you out?" Couldn't think of
it. Brown 'air, CARRIE's is. (_He puts in a penny._) "A Lady with
'air of a medium brown colour, long and smooth"--_Is_ your 'air long
though, CARRIE?

_Carrie_ (_with pride_). I should hope so--I can set on it.

_Dolph_. That's nothing! So can Aunt MARIA set on _hers_! (_With a
glance at that Lady's very candid "front."_) _Can't_ you, Auntie,
eh? If you make a effort?

_Aunt Maria_ (_with dignity_). I'll thank you to 'ave the goodness
to drop your sauce, Mr. ADOLPHUS GAGGS; it's out of place and not
appreciated, I can assure you! [_She walks away._

_Dolph_. (_surprised_). Why, there's Aunt MARIA got the 'ump--for a
little thing like _that_! Let me finish with CARRIE. (_Reads._) "She
is of an intellectual turn of mind." (_"'Ear, 'ear!" from FREDDY._)
"Very fond of reading." Takes in _Sloper's 'Alf 'Oliday_ regular!
"Steadfast in her engagements." 'Ullo, CARRIE!

_Carrie_ (_firing up_). Well, have you anything to say against that?
You'd better take care, Mr. GAGGS!

_Dolph_. I was only thinking. Sure you haven't been squaring this
machine? Ah, it tells you some 'ome truths here--"Although inquisitive
and fond of prying into the secrets of others--" Now however did it
know _that_?

_Carrie_. It isn't there--you're making it up!

    [_She snatches the card, reads it, and tears it up._

_Dolph_. Temper--temper! Never mind. Now we'll try FREDDY. What's his
shade of 'air? I should say about the colour of spoilt 'ay, if I was
asked.

_Carrie_ (_with temper_). You're _not_ asked, so you needn't give your
opinion!

_Dolph_. Well, keep _your_ 'air on, my dear girl, and we'll call
FREDDY's "Fair." (_Reading card._) "A gentleman with this colour of
hair will be assiduous in his occupation--"

_Carrie_ (_warmly_). What a shame! I'm _sure_ he isn't. _Are_ you,
FREDDY? [_FREDDY smiles vaguely._

_Dolph_. "Not given to rambling,"--Except in his 'ed,--"very moderate
in his amorous wishes, his mind much given to reflection, inclined to
be 'asty-tempered, and, when aroused,"--'Ere, somebody, rouse FREDDY,
quick!--"to use adjectives." Mustn't use 'em _'ere_, FREDDY! "But if
reasonably dealt with, is soon appeased." Pat his 'ed, CARRIE, will
yer? "Has plenty of bantering humour." (_Here FREDDY grins feebly._)
Don't he _look_ it too! "Should study his diet." That means his
grub, and he works 'ard enough at that! "He has a combination of good
commercial talents, which, if directed according to the reflection
of the sentiments, will make him tolerably well off in this world's
goods."

_Carrie_ (_puzzled_). What's it torking about _now_?

_Dolph_. Oh, it on'y means he's likely to do well in the cat's-meat
line. Now for your fortune, FREDDY. "It will be through marriage that
your future will be brightened."

_Carrie_ (_pleased_). Lor, FREDDY, think o' that!

_Dolph_. Think _twice_ of it, FREDDY, my boy. Now we'll be off and get
a drink.

_Carrie_. Wait. We haven't got _your_ character yet, Mr. GAGGS!

_Dolph_. Oh, mine--they couldn't give that for a penny. Too good, yer
know!

_Carrie_. If they haven't got it, it's more likely they're afraid it
would break the machine. I'm going to put in for you under "Black."
(_She does._) Here we are. (_Reads._) "The gentleman will be much
given to liquor." Found out first time, you see, Mr. GAGGS!

_Dolph_. (_annoyed_). Come, no personalities now. Drop all that!

_Carrie_. "Somewhat quarrelsome and of an unsettled temper; more
decorous and less attentive in his undertakings, and consequently
meets with many disappointments. Such gentlemen"--now you listen to
this, Mr. GAGGS!--"will now know their weaknesses, which should induce
them to take steps to improve themselves." (_"'Ear, 'ear!" from the
rest of the party._) "Knowledge is power, and enables us to overcome
many obstacles we otherwise should have fallen prey to." This is your
fortune. "Thou art warned to be careful what thou drinkest!" Well,
they do seem to _know_ you, I must say!

_Dolph_. (_in a white rage_). I tell you what it is, Miss CARRIE
BICKERTON, you appear to me to be turning a 'armless joke into a
mejium for making nasty spiteful insinuations, and I, for one, am not
going to put up with it, whatever others may! So, not being partial
to being turned into redicule and made to look a fool in company, I'll
leave you to spend the rest of the evening by yourselves, and wish you
a very good-night!

    [_He turns majestically upon his heel and leaves the party
    stupefied._

_'Ector_. (_with mild regret_). It do seem a pity though, so pleasant
as we were together, till this come up!

_Freddy_. And CARRIE's Aunt MARIA. gone off in a tantrum, too. We
shall have a job to find _'er_ now!

_Lottie and Carrie_. Oh, _do_ hold your tongues, both of you. You and
your automatic machines!

_'Ector and Freddy_. _Our_ automatic machines! Why, we never--

_Lottie and Carrie_. If you say one word more, either of you, we'll
go home! [_FREDDY and 'ECTOR follow them meekly in search of Aunt
MARIA as the Scene closes in._

       *       *       *       *       *

VOICES OF THE NIGHT.

(_IN FLEET STREET._)

  Oh raucous street--"_Echo_," whose vile _vox clamantis_
    Is, like the Salvationist's shout, heard a mile hence,
  I wish, _how_ I wish,--ah! yes, that what we want is!--
    Some Cockney Narcissus could charm you to silence.
  Ah, me! no such luck; in the clear autumn twilight
    Your shriek on my tympanum stridently jars.
  "_Echo_" murders repose, mars the daffodil sky light;
    And if one thing sounds worse 'tis "the Voice of the _Stars_"!

       *       *       *       *       *

[Illustration: JUST CAUGHT THE POST!]

_Sir J-m-s F-rg-ss-n loquitur_:--

  Just in time to catch the Post!
  Pheugh! But the Pats would have "had me on toast"
  (As 'ARRY would say in his odious slang),
    If I had been but a little bit later.
  Out o' breath as it is. Ah, hang
  This hurrying business! My mouth's like a crater,
  Dreadfully dry, and doosedly hot.
  Rather a downer, this is, for SCOTT's lot!
  Feared Mrs. Manchester _might_ just say
  (In the popular patter of my young day)
  "_It is all very well_ (with a wink and a jeer),
  _But you_, Master FERGUSSON, _don't lodge here!_"
      All right now, though! Saved my bacon.
      My defeat might the Cause have shaken.
  Just in time. There! Popped it in!
  Awfully glad it conveys a Win;
  Although One Fifty ain't _much_ to boast,--
  'Twixt you and me and the (General) Post!

       *       *       *       *       *

WILLIAM HENRY SMITH.

BORN, JUNE 24, 1825. DIED, OCTOBER 6, 1891.

  O'er-busy Death, your scythe of late seems reaping
    Swiftly our heads of State;
  The wise who hold our England's weal in keeping,
    The gentle and the great.

  GRANVILLE is gone; and now another Warden
    Falls with the fading leaf,
  Leaving at Hatfield sorrow, and at Hawarden
    Scarcely less earnest grief.

  All mourn the Man whose simple steadfast spirit
    Made hearty friends of all.
  Whilst manhood like to his her sons inherit
    England need fear no fall.

  No high-perched, privileged and proud possessor
    Of lineal vantage he;
  Of perorating witchery no professor,
    Or casuist subtlety.

  A capable, clear-headed, modest toiler,
    Touched with no egoist taint,
  To Duty sworn, the face of the Despoiler
    Made him not fear or faint.

  O'erworn, o'erworked, with smiling face, though weary,
    The tedious task he plied.
  Sagacious, courteous, ever calm and cheery
    Unsoured by spleen or pride.

  As unprovocative as unpretentious,
    Skilful though seeming-slow;
  Unmoved by impulse of conceit contentious
    To risk success for show.

  O rare command of gifts, which, common-branded,
    Are yet so strangely rare!
  Selflessness patient, judgment even-handed
    And spirit calmly fair!

  Lost to his friends their worth may now be measured
    By the strong sense of loss.
  How "OLD MORALITY's" memory will be treasured,
    Midst faction's pitch-and-toss.

  But England which has instincts above Party
    Most mourns the Man, now gone,
  Who gave to Duty an allegiance hearty
    As that of WELLINGTON.

  Sure "the gaunt figure of the old Field-Marshal"[1]
    Would his successor praise;
  As modest, as unselfish, as impartial,
    Though fallen on calmer days.

  No glittering hero, but when England numbers
    Patriots of worth and pith,
  His name shall sound, who after suffering slumbers,
    Plain WILLIAM HENRY SMITH!

[Footnote 1: LONGFELLOW's "_The Warden of the Cinque Ports_."]

       *       *       *       *       *

[Illustration: THE ETERNAL FITNESS OF THINGS.

"I WANT A NICE TIE, FOR A WEDDING. CAN YOU RECOMMEND ME ONE?"

"CERTAINLY, SIR. A--ER--_PRINCIPAL_ GUEST, SIR?"]

       *       *       *       *       *

A ROMANCE IN NUMBERS.

As we announced last week, the _Gentlewoman_ proposes for publication
"the most extraordinary novel of modern times"--a tale which is to be
written chapter by chapter, week after week, by well-known writers of
fiction, without consultation with their collaborateurs. We did the
same thing years ago. However, as the notion is still calculated
to amuse and instruct our readers, we subjoin a short story, which
has been written on the same terms by the entire strength of a
paper--political, sporting, and social. It will be found below.

WHAT? WHO? AND WHICH?

(_A JOINT STOCK MYSTERY._)

_Political Writer commences_.--Yes, EUSTACE entered the House prepared
to vote for the Government. He knew that Lady FLORA had counted upon
his vote in support of her father, the Duke, and the other Members of
the Opposition. But when did love outweigh duty? EUSTACE knew that
the prosperity of the entire country depended upon his views. With
the price of corn falling, with the Russian Bear on the prowl, growing
nearer and nearer to our Afghan frontier, with the unsettled state of
the South American Republics, he knew that only one course was open to
him.

"FLORA, darling," he said to the fair girl, as he paced by her side in
the Lobby, "believe me, I will do anything to help you; but what _can_
I do?"

_Sporting Writer continues_.--"What can you do?" she echoed, with a
hearty laugh, as she struck her riding-habit smartly with her whip;
"why, tell me the horse you fancy for the Cambridgeshire!"

He thought for a moment. He knew the good points of _Bobby_, and was
rather partial to _Rosina_; but nothing wrong with _Snuffbox_, the
stable reports were favourable. Still, you can't always rely upon what
you see, much less what you hear.

"Lady," said he, at length, "if you take my advice, you will back
nothing until they go to the post."

_Continuation by French Correspondent_.--They had no further time for
parley, because the mail train left for Dover within the hour. So they
hurried to Victoria, and in less than eight hours were in the Capital
of the World.

Ah, Paris, beautiful Paris! They enjoyed the balmy air as they drove
through the awaking streets to the Grand Hotel. As they entered the
courtyard they met the President.

"Is it really true that the Germans refuse to take up the Russian
Loan?" asked EUSTACE of the First Frenchman in France.

"I would not say this to anyone but yourself," replied M. CARNOT,
looking round to see that no one was listening; "but those who wait
longest will see best!"

And with his finger to his mouth in token of discretion and silence,
he disappeared. EUSTACE and his fair companion hastened to the
telegraph office.

_Scientific Writer takes it up_.--They were, of course, desirous of
transmitting their important despatch to head-quarters.

"You want to know upon what system the telephone is worked?" queried
the operator, as he prepared a black-board, and took up a piece of
chalk. They bowed acquiescence. "You must know," said he, "that if we
represent the motive-power by _x_, we shall--."

_Lady Correspondent turned on_.--Before he could complete his
sentence, Lady FLORA uttered a cry.

"What a charming gown! Why, it is the prettiest I have seen in my
life!" and she gazed with increasing delight at the lady beneath on
the boulevard. Then she began to explain the costume to her two male
companions. She showed them that an under-skirt of snuff, with a waist
of orange-blue, both made of some soft fluffy material (which can be
obtained, by the way, at Messrs. SOWE AND SOWE), made an admirable
contrast.

_Naval Correspondent puts finishing touch_.--[_Please end up
briskly_.--ED.].--And they left Paris, and embarking on H.M.S.
_Ramrod_, met a gale, and foundered. When they were picked up they
were both dead.--[THE END.]

       *       *       *       *       *

LETTERS TO ABSTRACTIONS.

NO. IV.--TO POMPOSITY.

YOUR EXCELLENCY,

How difficult it is to succeed in giving pleasure. When I addressed
you recently, I honestly intended to gratify you by the adoption of
a tone of easy familiarity. Surely, I thought to myself, I cannot be
wrong if I address my friend POMPOSITY by his name, and speak to him
in a chatty rather than in an inflated style. If I chose the latter,
might he not think that I was poking fun at him by cheap parody,
and manifest his displeasure by bringing a host of BULMERS about my
ears? These considerations prevailed with me, and the result was the
letter you received. But, _O pectora cæca_! I have learnt from an
authoritative source that you are displeased. You resent, it seems,
what you are pleased to term my affectation of intimacy, and you beg
for a style of greater respect in any future communications. So be it.
I have pondered for hours, and have eventually come to the conclusion
that I shall best consult your wishes by addressing you in a manner
suited to diplomatic personages of importance. I have noticed that
in their official intercourse these gentlemen move on stilts of the
most rigid punctilio, and I have often pictured to myself the glow
of genuine pride which must suffuse the soul of an ambassador or a
foreign Minister when, for the first time, he finds himself styled an
Excellency. It may be of course that he knows himself to be anything
rather than excellent, but he will keep that knowledge to himself,
stowed away in some remote corner of his mind, and never on any
account allowed to interfere with his enjoyment of the ignorant and
empty compliments that others pay him.

[Illustration]

I wish to ask you a simple question. Why do you render those who spend
their lives in your service so extremely ridiculous? That may be just
the fashion of your humour; but is it fair to persist as you do? There
is, for instance, my old friend BENJAMIN CHUMP, little BEN CHUMP as
we used to call him in the irreverent days, before his face had turned
purple or his waistcoat had prevented him from catching stray glimpses
of his patent-leathered toes. Little BEN was not made for the country,
that was certain. A life of Clubs and dinner-parties would have suited
him to perfection. In his Club he could always pose before a select
and, it must be added, a dwindling circle as a man of influence.
"There is no Club, however watched and tended, but one dread bore
is there." BEN might have developed into a prime bore, but as he was
plentifully supplied with money and had a good cook and a pleasant
wife, he would always have managed to gather round him plenty of
guests who would have forgiven him his elaborate platitudes, for the
sake of his admirable made-dishes. Suddenly, however, he resolved to
become a country gentleman. As there is no law to prevent a CHUMP
from turning into a squire, BEN had not to wait very long before he
was able to put his fatal resolve into execution. He purchased an
Elizabethan mansion, and descended with all his airs and belongings
upon the unhappy country-side which he had decided to make the scene
of his rural education. Before that I used to see him constantly.
After that I quite lost sight of him. Occasionally I read paragraphs
in weekly papers about immense festivities due to the enterprise of
the CHUMPS, and from time to time I received local papers containing
long accounts of hunt breakfasts, athletic sports, the roasting of
whole oxen, and other such stirring country incidents in which it
appeared that the CHUMPS took a prominent part. I will do BEN the
credit to say that he never omitted to mark with broad red pencil
those parts which referred specially to himself, or reported any
speech he may have happened to make.

Eventually that which I dreaded came about. Circumstances made it
impossible for me to refuse an invitation to Carchester Manor, and
on a certain evening in the first week of December I found myself a
guest under the roof of the CHUMPS. The entertainment provided was, I
am bound to say, magnificent. Every want that the most exacting guest
could feel was supplied almost before he had expressed it, and all
that gorgeous rooms, stately retainers and irreproachable cooking
could do to secure our comfort was done at Carchester Manor. But CHUMP
himself was on that first evening the grandest spectacle of all. He
overpowered me. Like some huge Spanish galleon making her way with
bellying sails and majestic progress amidst a fleet of cockle-shells,
so did CHUMP bear himself amidst his party. The neighbouring magnates
came to meet us. Lord and Lady AGINCOURT with their charming daughter
Lady MABEL POICTIERS, Sir GEORGE BUCKWHEAT and his wife, the Reverend
Canon and Mrs. CATSPAW, and a host of others were there to do CHUMP
honour. I thought of POLYCRATES and his ring and of other well-known
examples. Something I knew must happen to disturb this edifice of
pompous grandeur. The something was not long in coming, for just after
CHUMP had expatiated at immense length upon the vintages of France,
after he had offered to stock the failing cellars of Lord AGINCOURT
from his own, after the butler had, with due parade, placed two corks
at his master's side in token of the treat that was to follow, it was
discovered by little BILLY SILTZER, an impudent dog without veneration
or reticence, that _both_ the bottles of _Pontet Canet_ were
disgustingly corked. To my relief, but to CHUMP's discomfiture, BILLY
announced his discovery. "BEN, my boy," he shouted across the table,
"the moths have been at this tap of wine. I'm afraid his Lordship
won't care to take it off your hands." BEN became blue with suppressed
fury. The trembling butler obeyed his angry summons. "Take that stuff
away," said BEN, "and drink it yourself. Bring fresh wine at once."
But, alas, for wasted indignation, no more _Pontet Canet_ was
forthcoming, and we had to satisfy ourselves on a wine whose
inferiority no flourish of trumpets could disguise.

Now there is nothing in the accident of a corked bottle that ought
to crush a man. I have seen a host rise serenely after such an
occurrence, and nobody dreamt of imputing it to him for wickedness.
But the contrast between the magniloquence of poor BEN and the deadly
failure of his wine, was too great. Even Lady MABEL, a kind girl
without affectations, could not forbear a smile when the incident was
narrated to her in the drawing-room, and some of the other guests,
whose names I charitably refrain from mentioning, seemed quite radiant
with pleasure at the misfortune of their host. CHUMP, however, was not
long in recovering, and before many hours had passed, he was assuring
us in the smoking-room, that he proposed to establish sport in his
particular district on a broad and enduring basis. On the following
morning there was a lawn-meet at the Manor, and, as I'm a living
sinner, our wretched host was flung flat on his back before the eyes
of all the neighbouring sportsmen and sportswomen by a fiery chestnut
which he bought for £400 from a well-known dealer. What became of him
during the rest of the day I know not. Indeed I shrink from continuing
the story of his ridiculous humiliations, and I merely desire to
remark that if this be your Excellency's manner of rewarding those
who serve you, I pray that I may be for ever preserved from your
patronage.

So much, then, for BENJAMIN. In spite of everything I have a sort of
sneaking regard for the poor man, especially since I discovered that
he was not a free agent, but was inspired in word and action by your
blatant influence. Were it not that I feared to weary you, I might
proceed at much greater length. I might parade before you regiment
upon regiment of pompous local magnates and political nobodies all
drilled and disciplined by your offensive methods, and all of them
as absurd and preposterous as they can be made. But the spectacle
would only move you to derision. One point, however, I must insist
on. Whatever you do, don't throw JOSHUA POSER across my path again.
I might do him an injury. We were at College together, he being my
senior by a year. Even then he always assumed a condescension towards
me, an air as of one who temporarily stepped down from a pedestal to
mingle with common grovellers. He became a personage in the City,
a Chairman and a Director of Companies, and I lost sight of him.
Yesterday I met him, and he was good enough to address me. "Yes,
yes," he observed, "I remember you well. I have read some of your
contributions to periodical literature, and I can honestly say I
was pleased; yes, I was pleased. Of course the work is unequal,
and I marked one or two passages that might have been omitted with
advantage. For instance, the discussion between the vicar and the
family doctor is not quite in the most refined taste, but there is
distinct promise even in that. By the way, why don't you write in _The
New Congeries_? Your style would suit it. I always take that paper in,
and I find it very much appreciated in the pantry. The butler reads
it, when we have done with it, and passes it on to the footman. It
keeps them out of mischief. Now take my advice, and contribute to
that." I humbly murmured my thanks to this intolerable person, and
left him. As I turned away I half thought I heard the sound of your
Excellency's bellows in the neighbourhood of POSER. Was I wrong?

  I remain (merely in an epistolary sense),
    Your Excellency's humble servant,

DIOGENES ROBINSON.

       *       *       *       *       *

APPROPRIATE TITLE FOR MR. ANDREW LANG.--The Folk-Loreate.

       *       *       *       *       *

"AUDI ALTERAM PARTEM!"

(_A PENDANT TO MR. WILLIAM WATSON'S "THE KEY-BOARD."_)

  Five-and-thirty black slaves,
    Half-a-hundred white.
  All their duty but to make
    Shindy day and night,
  Now with throats of thunder,
    Now with clattering lips,
  While she thumps them cruelly
    With stretched finger-tips.

  When she quits the chamber
    All the slaves are dumb,
  Dumb with rapture, till the Minx
    Back shall come to strum,
  Dumb the throats of thunder,
    Hushed chromatic skips,
  Lacking all the torturing
    Of strained finger-tips.

  Dusky slaves and pallid,
    Ebon slaves and white,
  When Minx mounts her music-stool
    Neighbours fly with fright.
  Ah, the bass's thunder!
    Oh, the treble's trips!
  Eugh, the horrid tyrannies
    Of corned finger-tips!

  Silent, silent, silent,
    All your janglings now;
  Notes false-chorded, slithering slaps,
    Pedal-aided row!
  Where is Minx, we wonder?
    Ah! those scrambling skips!
  Back she's come to torture us
    With her finger-tips!

       *       *       *       *       *

CHARLEMAGNE AND I.

_Aix-la-Chapelle, Monday_.--CHARLEMAGNE was doubtless well advised
in selecting this town for his residence. However that be, it is not
a matter for us to dogmatise about. I have heard a lamented friend,
suddenly and all too soon lost, say there are few things more
regrettable than the tendency of the present age to review the actions
of great men, not lost but gone before, and to pass judgment upon them
without having enjoyed the opportunity of hearing what they might have
to say in justification or palliation of the proceedings challenged.

That is true and tersely put. Still I may observe that if C. lived
at this period and had his choice, say between Aix-la-Chapelle and
Homburg or Aix-les-Bains, it is doubtful whether he would have
built his cathedral here. Unlike the two latter watering-places,
Aix-la-Chapelle has other fish to boil besides the invalids who come
hither attracted by the fame of its hot springs. It is a manufacturing
town, and has all the characteristics of one. At Homburg or
Aix-les-Bains you walk up a street, turn a corner and find yourself
among pine-trees, or in a smiling valley with a blue lake blinking
at the sun. Here the baths are in the centre of the town, and, like
a certain starling, you feel you "can't get out."

But invalids musn't be choosers, and if RUSTEM ROOSE sends you
to Aix-la-Chapelle--he's always sending somebody somewhere--to
la-Chapelle you must carry your Aix, in the hope that you may leave
them there.

"I wonder," said the Member for SARK, who as usual is grumbling round,
"if the local female population was less unlovely in CHARLEMAGNE's
time? Probably, since he married with a frequency not excelled by our
HENRY VIII. But what was HILDEGARDE like--HILDEGARDE, his favourite
spouse? If she in any way resembled the women who throng the streets
of Aix-la-Chapelle to-day, C.'s lot was not a happy one. Never in any
city, in either hemisphere, have I suffered such a nightmare of ugly
ill-dressed women as is here found."

That is a most unfair and unjustifiable remark to make. Brimstone
evidently does not agree with SARK who is more disagreeable than ever.
The only thing that has touched his stony nature since he came to Aix
is the unselfish devotion of the local aristocracy to the interests
of the town. Visitors mustering in the Elisengarten for their
morning cups, notice the group of musicians in the orchestra by the
entrance-gate. Every man wears a top-hat, the only head-gear of the
kind seen in Aix. SARK, attracted by this peculiarity, made inquiries,
and learned from an intelligent native that these are nobles in
disguise, who, desirous of contributing to the common weal, turn out
at seven every morning to play the band. They are willing to sink all
social distinctions, save that they _will_ wear the cylindrical hat of
civilisation. Not comfortable, especially in wet weather; but it adds
an air of distinction to the group.

"Very nice of them," SARK grudgingly admits; "but"--he must have
the compensation of a sneer--"imagine our House of Lords forming
themselves into groups to play the band in Palace Yard, with HALSBURY
wielding the mace by way of _bâton_! They'd never do it, TOBY, even in
top-hats. Germany's miles ahead of us in this matter."

Sorry to find Squire of MALWOOD, who spent a morning here on his way
to Wiesbaden, agreeing in SARK's view of the standard of female beauty
at Aix.

"Strange," he mused, "that Nature never makes an ugly flower or tree
or blade of grass; and yet, when it comes to men and women, behold!"
and he swept a massive arm round the blighted scene in the crowded
Kaiserplatz.

A small boy who thought the beneficent stranger in blue serge was
chucking pfennings about the Square, careered wildly round in search
of the treasure. We walked on without undeceiving him. To quote again
from an old friend: "There is nothing more conducive to the production
and maintenance of a healthy mind in a sound body than enterprise and
industry, even when, owing to misapprehension or miscalculation, their
exercise leads to no immediate reward."

It had been quite a surprise one morning to find the SQUIRE striding
into the coffee-room at "Nuellens."

"Thought you were down at Malwood," I said, "looking after your flocks
and herds, your brocoli and your spring onions."

[Illustration:

  Ask why was made the gem so small
    And why so huge the granite?
  Because 'twas meant that men should set
    The larger value on it.
]

"So I had hoped to be," he said, as we strolled up and down under the
trees in the Elisengarten. "But the fact is, TOBY, dear boy, I could
not stand the weather. I am of a sensitive nature, and it cut me to
the heart to see cold winds nipping the fruit and trees, the flood of
rain beating down the corn, the oats, and the mangel-wurzel. People
make a mistake about me. They regard me as an ambitious politician,
caring for nothing but the House of Commons and the world of
politics. At heart I am an agriculturist. Give me three acres and
a cow--anybody's, I don't care--and I will settle down in peace and
quietness, remote from political strife, never turning an ear to
listen to the roll of battle at Westminster. I am often distraught
between the attractions of interludes in the lives of CINCINNATUS
and of WILLIAM OF ORANGE's great Minister. Of the two I think I am
more drawn towards the rose-garden at Sheen than by CINCINNATUS's
unploughed land. Before I die I should like to create a new rose and
call it 'The Grand Old Man.'"

Quite a revelation this of the true inwardness of the SQUIRE. Would
astonish some people in London, I fancy, if ever I were to mention
this conversation. But, to quote once more from a revered authority:
"We all live a dual life, and are not actually that which, upon
cursory regard, the passer-by believes us to be. Every gentleman, in
whatever part of the House he may sit, has a skeleton in the cupboard
of his valet."

The SQUIRE stayed here only a morning, passing on to other scenes.
I watched his departure with mingled feelings; sorrow at losing a
delightful companion, and apprehension of what might happen if he
were to remain here to go through the full cure. The place is, as SARK
says, the most brimstony on the same level. You breathe brimstone,
drink it, bathe in it, and take it in at the pores. At the end
of three weeks or a month you are dangerously saturated with the
chemical. An ordinary lucifer match is nothing to a full-bodied
patient at the end of three weeks treatment at Aix-la-Chapelle. If the
SQUIRE had stayed on, I should never have seen his towering frame pass
underneath a doorway without my heart leaping to my mouth. Some day he
would have accidentally struck his head against the lintel and would
have ignited as sure as a gun.

If CHARLEMAGNE were now alive, I feel certain from what I know of him,
he would have exhausted the resources of civilisation in search of a
preventive of this ever-present and dangerous risk. Under CAROLO MAGNO
the patient might have gone about the streets of Aix-la-Chapelle with
sweet carelessness, knowing that, however much brimstone he carried,
he would strike only on the box.

       *       *       *       *       *

[Illustration: OUR COMPATRIOTS ABROAD.

"AND HOW DID YOU LIKE SWITZERLAND?"

"OH, IMMENSELY! IT WAS OUR FIRST VISIT, YOU KNOW!"

"AND DID YOU GO ON INTO ITALY?"

"WELL, NO. WE FOUND A HOTEL AT LAUSANNE WHERE THERE WAS A FIRST-RATE
TENNIS-LAWN, YOU KNOW--QUITE AS GOOD AS OURS AT HOME. SO WE SPENT THE
WHOLE OF OUR HOLIDAY THERE, AND PLAYED LAWN-TENNIS ALL DAY LONG!"]

       *       *       *       *       *

FAMILY TIES.

    ["The journal (the _Grashdanin_) is of opinion that in making
    common cause with the other European Powers against China,
    Russia would but serve the ends of ... England to the
    prejudice of her own interests, which demand that she
    should not jeopardise the security of her Asiatic shores, or
    contribute to the complete ascendancy of Great Britain in
    the Pacific Ocean, by arousing the antagonism of
    China."--_Times_.]

_Muscovite loquitur_:--

  "Won't you help me bind the Dragon?" says the Briton to the Russ.
  Oho! ingenuous JOHNNY! I'm opposed to needless fuss,
  And have other fish to fry--say near the Oxus! Not a hang
  Do I care for what may happen on the great Yang-tse-Kiang.

  I approve Non-intervention. 'Tis your favourite doctrine, JOHN,
  And you stick to it _so_ closely, and that's just why you get on.
  If you think that Dragon's dangerous--I hold 'tis but his play!--
  There's but one thing you've got to do--clear out of the brute's way.

  I am sure he doesn't want you where you've stayed a deal too long;
  He wishes you would up and go to--well _not_ to Hong-Kong,
  But the natural home of all such "Foreign Devils," in _his_ view.
  Why, he's none too sweet on Me, JOHN; is it likely he'd like _you_?

  _Grattez le Russe--et cetera_. You are mighty fond, J.B.,
  Of quoting that stale epigram. You fancy it riles me.
  Not a bit of it, my Briton; Tartars have a thickish skin,
  And your foe and I are neighbours, nay a distant sort of kin.

  The Mantchus and the Romanoffs are not exactly chums,
  And a Tartar insurrection, when that little trouble comes,
  As it may do if you press too much at Pekin, well, who knows?
  There is always something pleasing in the quarrels of one's foes.

  The Mantchus miss a many of once subject Tartar tribes
  Who have--gravitated Russwards. Little call for blows or bribes
  To make blood-relations mingle. On the Mantchus this may jar,
  But we've not forgotten Kuldja, and we recollect Kashgar.

  Wheels within wheels, dear JOHNNY! As to missionaries, well,
  They are troublesome--and useful; but to put things all pell-mell
  On account of priests and parsons, and of quite an alien creed,
  That's scarce "diplomatic," JOHNNY; it is not, dear boy, indeed.

  A new Tamerlane, my JOHNNY, who could stir the Tartar hordes
  To--say "Asiatic Concert,"--well, you know that thought affords
  To your talky "Only General" a quite sensational theme.
  But prophecy's not "business," JOHN, and CÆSAR should not dream.

  Oh! the world is full of Bogies. _I_'m the biggest of them all
  In the minds of many croakers who ne'er saw the Chinese Wall,
  But are frightened at the spreading of my kindred--on the map;
  For I'm semi-Asiatic, and half Tartar, dear old chap.

  Now put this and that together, think of Pamir, Turkestan,
  Of Persia, of the Dardanelles!--I think you'll see, old man,
  That though this ramping Dragon _you_ may wish to tie and tame,
  A Benevolent Neutrality is rather more _my_ game.

       *       *       *       *       *

A PLAYGOER'S "LAST WORD."

(_AN ECHO FROM THE PIT._)

  The Season is--_has_ been for some time--silly,
    And lengthy correspondences are rife.
  We have, alas! to read them willy-nilly;
    They take a deal of pleasure out of life.
  To flee such evils here's an easy way--
    Let morning dailies idly rant or vapour,
  At the Lyceum go and see the play,
    The programme there's the finest DALY paper.[2]

[Footnote 2: A Correspondent, signing himself "A Knight of the Free
Lists," suggests that free admissions to the Lyceum should be known,
during the American Company's season, as "The Best Daly 'Paper.'"]

       *       *       *       *       *

MOTTO FOR A DEPRESSED TEETOTALLER.--"Whine and Water."

       *       *       *       *       *

[Illustration: FAMILY TIES.

JOHN BULL. "AIN'T YOU GOING TO LEND A HAND?"

RUSSIA. "WELL, I DON'T KNOW;--YOU SEE HE'S A SORT OF RELATION OF
MINE!!"]

       *       *       *       *       *

TIPPLING SALLY.

_A SONG OF SORROW ON ZOO SUNDAY._

    [SALLY, the Chimpanzee (late of the Zoo), is stated to have
    "drunk beer daily."]

  Of all the monkeys at the Zoo
    There's none like Tippling SALLY.
  She was the first who quenched her thirst
    Quite al-co-hol-i-cally.
  A draught of beer made her not queer,
    But seemed her strength to rally.
  MORTIMER GRANVILLE well might cheer
    Three cheers for Tippling SALLY.

  Of all the days within the week
    I chiefly favoured one day,
  That was the day when children seek
    The rapture called "Zoo Sunday."
  For then full drest all in my best
    I'd go and visit SALLY,
  And see her soothe her hairy breast
    So al-co-hol-i-cally!

  But now no more poor SALLY's tricks
    With glee fill girl or boy full;
  No mug of beer her soul can cheer,
    Nor glass of O-be-joyful!
  We yet may see some Chimpanzee
    With Drink's temptations dally,
  To WILFRID's woe; but no, ah! no!
    It won't be Tippling SALLY!

       *       *       *       *       *

AN ESSAY IN REVIEWING.

We are obliged to "Beginner" for the proffered contribution to our
collection of Book Reviews. That is, however, a department of the
paper our noble friend the BARON DE BOOK-WORMS reserves for his own
pen. But as _Mr. Punch_ has never been known to discourage beginners,
he finds room here for the interesting contribution, which perhaps
should more appropriately have been addressed to his _confrère_ at the
office of the _Athenæum_:--

[Illustration]

_Don Quixote_. By MIGUEL CERVANTES. We have conscientiously plodded
through this voluminous work, which is certainly not entirely without
merit. It purports to recount the daily doings of a resident in a
village of La Mancha (Spain) who, accompanied by a clownish retainer,
went forth in search of adventures. He was not very happy, his day's
sport being invariably rounded oft by a sound drubbing, received
either by himself, his Squire, or both. We wish Lord MACAULAY had
lived to see the publication of this work, and had with fuller leisure
relieved us of the task of reviewing it. Remembering his method of
procedure as illustrated in his article on Dr. NARE's _Memoirs of Lord
Burleigh_, he would doubtless by careful enumeration have been able to
show that from first to last _Don Quixote_ had more ribs broken than
any man has actually possessed since ADAM was privy to a diminution of
their original number. He seems also to have had a perpetual renewal
of teeth, keeping pace with their frequent removal by brute force. As
for the number of legs and arms he had fractured, MACAULAY's Schoolboy
would have shrunk from the task of computing their aggregate.

These are blemishes upon a work that is, at least, well intentioned,
and which might have been more successful had our author been inclined
to give his hero credit for more acumen. When he represents _Don
Quixote_ as running tilt at windmills under the impression that they
are armed knights, and when he pictures him charging a flock of sheep
in the belief that it is an ordered army, we think he too grossly
trifles with the assumed credulity of his readers. Exaggeration
is, indeed, the bane of a work that, from first page to last, bears
evidence of the drawback of extreme youth on the part of the author.
We have been pleased to notice some indications of humour in the
conversation of _Sancho Panza_. But it is the pennyworth of sack to
an intolerably large quantity of bread. What we have written has been
without desire to discourage Mr. CERVANTES, whom we shall be glad to
meet with again, bringing with him the fruits of unremitted practice
and of maturer views of life.

       *       *       *       *       *

TO ARAMINTA.

(_AFTER HEARING MR. SAMSON'S LECTURE._)

    ["To keep the family true, refined, affectionate, faithful,
    is the woman's task--a task that needs the entire energies and
    life of woman; and to mix up this sacred duty with the grosser
    occupation of politics and trade, is to unfit her for it
    as much as if a priest were to embark in the business of
    money-lender."--FREDERIC HARRISON.]

[Illustration]

  I Prithee, ARAMINTA, hear
    What FREDERIC HARRISON has said:
  Don't read for College honours, dear,
    And put a towel round your head.
  Don't sully what should surely be
    An unstained soul, with tricks of trade;
  Leave stern official work to me,
    While you remain a simple maid.

  Don't prate of woman's function, sweet,
    Your only duty is to charm;
  Leave platform spouting, as is meet,
    To men; it cannot do them harm.
  Your influence comes from gracious ways,
    Your glory in the home doth lie;
  The guardian angel of our days,
    Until you bless us when we die.

  Don't enter on ignoble strife
    With man, 'tis yours to soar above--
  To all the higher things of life,
    Divine compassion, and pure love.
  'Tis yours to stimulate, refine,
    To win men by a kindly heart;
  Not grovel with us where the sign
    Of Mammon hangs above the mart.

  Thine is the task to reign supreme
    Within the sacred sphere of home;
  To make our life one happy dream,
    Thine own as spotless as the foam.
  To trade, to toil, to head the feast,
    To seek the politician's gain,
  Were hateful:--ay, as though the priest
    Took usury, within the fane!

       *       *       *       *       *

OUR BOOKING-OFFICE.

[Illustration]

BARON DE BOOK-WORMS owns to being easily affected by a pathetic
episode. He well remembers how years ago in the course of a
discussion among literary men about books and their writers, the Baron
acknowledged that in spite of his having been told how the pathos of
DICKENS was all a trick, and how the sentiment of that great novelist
was for the most part false, he still felt a choking sensation in his
throat and a natural inclination to blow his nose strenuously whenever
he re-read the death of _Little Paul_, the death of _Dora_, and some
passages about _Tiny Tim_. There was no dissentient voice as to
the death of _Colonel Newcome_; all admitted the recurrence of that
peculiar choking sensation, read they their THACKERAY never so often.
Now the Baron differs from _Josh Sedley_ in, as he thinks, many
respects, but he is almost as "easily moved to tears" as was that
stout hero. Wherefore this preface? Well, 'tis because the Baron owns
to having "snivelled," if you will, when reading a delightful story,
published by MACMILLAN in one volume ("bless all good stories in _one_
vol., clearly printed!" says the Baron, parenthetically), entitled
simply, _Tim_. No relation to _Tiny Tim_ already mentioned; quite
another child. The Baron strongly recommends _this_ story, and
especially to Etonians past and present, as giving a life-like picture
which the latter will recognise, of the career at that great public
school of a fragile little chap entirely unfitted by nature for the
rough and tumble of such a life. The considerate tutor, too, is no
effort of imagination; he exists; and, perhaps, such an one may have
always existed since the division between Collegers and Oppidans
first began. The Baron in his own time, nigh forty years ago, knew
an exceptional species of this rare genus; but there are plenty of
witnesses to the truth of the Etonian portion of _Tim_. "_Tolle,
lege_!" quoth the Baron, and be not ashamed if in reading the latter
portion of the story you have to search for your pocket-handkerchief,
and, glancing furtively around, murmur to yourself, "But soft! I am
observed!" Then when unobserved, "_wipe_ the other eye!" and thank the
unknown author of _Tim_; at the same time not forgetting your guide,
philosopher, and friend,

THE BARON DE BOOK-WORMS.

       *       *       *       *       *

[Illustration: DESIGN FOR THE POSTER FOR THE NEXT GERMAN EXHIBITION IN
LONDON.]

       *       *       *       *       *

A FALLEN LEADER.

CHARLES STEWART PARNELL.

BORN, JUNE 27TH, 1846. DIED, OCTOBER 6TH, 1891.

    "The falcon-crest and plumage gone,
      Can that be haughty MARMION?"

_Sir Walter Scott_.

  Fallen! And not as leaders love to fall,
  In battle's forefront, loved and mourned by all;
  But fiercely fighting, as for his own hand,
  With the scant remnant of a broken band;
  His chieftainship, well-earned in many a fray,
  Rent from him--by himself!
            None did betray
  This sinister strong fighter to his foes;
  He fell by his own action, as he rose.
  He had fought all--himself he could not fight,
  Nor rise to the clear air of patient right.
  Somewhere his strenuous soul unsoundly rang,
  When closely tested. Let the laurels hang
  About his tomb, for, with whatever fault,
  He led with valour cool a fierce assault
  Upon a frowning fortress, densely manned
  With strong outnumbering enemies. He planned
  Far-seen campaigns apparently forlorn;
  He fronted headlong hate and scourging scorn,
  Impassively persistent. But the task
  Of coldly keeping up the Stoic mask
  O'ertaxed him at the last; it fell, and lo!
  Another face was bared to friend and foe.
  Scarce to his foes will generous judgment lean--
  Foes mean as merciless, and false as mean,
  Their poisoned pens, which even softening Death,
  Which hate should hush and stifle slander's breath,
  May not deprive of venom, prodding still
  The unresponsive corse they helped to kill,
  Is an ignoble sight. Turn, turn away!
  Mean hates pursue the MARMION of our day,
  A nobler foe, like DOUGLAS, well may rue
  His fall, and sigh, "'Tis pity of him, too!"

       *       *       *       *       *

MOTTO FOR THE MOMENT.

(_BY A MILITANT RADICAL CANDIDATE._)

  Ah! I must trounce the Tory foe,
    And love my Toiling neighbour.
  The cry with which to fight I go
    Is "Labour and _Be_labour!"

       *       *       *       *       *

[Illustration: "WHEN A MAN DOES NOT LOOK HIS BEST."--NO. 2.

WHEN THE ROAD-CAR STOPS SUDDENLY JUST AS HE IS CAUTIOUSLY DESCENDING
THE STAIRCASE!]

       *       *       *       *       *

THE G.P. AND THE G.P.O.

(_A DIALOGUE STRICTLY ACCORDING TO PRECEDENT._)

_General Public_. I am sorry to say the condition of the Postal
Service is really extremely defective. The delay in the delivery of
letters is most annoying. Frequently a note which should be received
in the evening is not obtained until the following morning--proof of
this being given by the post-marks.

[Illustration]

_General Post Office_. Your complaint shall receive consideration.

_G.P._ You are most kind. Next, a telegram despatched from one part
of London to another part, sometimes takes eight hours, and the reason
given is that the counter-clerk has a discretionary power to retain
telegrams until he has what he considers a sufficient supply for the
messenger to take out for delivery. This naturally causes much delay
and consequent inconvenience.

_G.P.O._ Your complaint shall receive consideration.

_G.P._ You are too good. Next, the carelessness at Branch Offices
is extremely irritating. For instance, it is often the case that the
words of telegrams have been altered and changed during transmission.
It is unnecessary to point out that such mistakes are liable to create
annoyance, not to say disaster.

_G.P.O._ Your complaint shall receive consideration.

_G.P._ Very many thanks. Then, at offices where females are engaged,
rudeness is very common. Would-be purchasers of postage-stamps are
frequently kept waiting while the clerks chatter to one another about
matters entirely unconnected with the Department. And this habit is
gaining ground in those offices in which male labour is only employed,
especially in the immediate neighbourhood of St. Martin's-le-Grand
itself. It is useless to call attention to this practice, as a simple
denial from an official implicated is accepted by the authorities as
proof (almost) positive of his or her innocence.

_G.P.O._ Your complaint shall receive consideration.

_G.P._ Again, thanks for your courtesy. But about these and many other
grievances, the same stereotyped answer has invariably been received.

_G.P.O._ Your complaint shall receive consideration.

_G.P._ Exactly! That is the very answer. And it is felt that no other
outcome will result from agitation. It seems utterly impossible to
make the officials in charge realise their responsibility to the
taxpayers.

_G.P.O._ Your complaint shall receive consideration.

_G.P._ Of course; the same parrot-cry! And it may be for years, and
it be for ever, before reform is introduced. The probability is, that
the present unsatisfactory condition of affairs may exist at St.
Martin's-le-Grand until the hour of doom.

_G.P.O._ Your complaint shall receive consideration.

       *       *       *       *       *

REFLECTION BY A GENERAL READER.

  I have been reading books wherein 'tis shown
    (In diction autocratic, sour, un-civil),
  That nothing can be absolutely known,
    Save that the Universe is wholly evil!
  And even this poor result is only plain
    To Genius--which, of course, is quite a rarity.
  _I_ should have thought this would have given it pain,
    And moved it to both modesty and charity;
  But what surprises _me_ (--ZOILUS, to mock sure,
    Will whip me with sham-epigrams would-be witty,--)
  Is that Agnostics seem so awfully pure,
    And Pessimists so destitute of pity.

       *       *       *       *       *

ANNALS OF A WATERING-PLACE

THAT HAS "SEEN ITS DAY."

[Illustration]

The weather which, in Mr. DUNSTABLE's varied experience of
five-and-twenty years, he assures me, has never been so bad,
having at length afforded some indications of "breaking" I make
the acquaintance, through Mrs. COBBLER, of Mr. WISTERWHISTLE, the
Proprietor of the one Bath-chair available for the invalid of
Torsington-on-Sea, who, like myself, stands in need of the salubrious
air of that health-giving resort, but who is ordered by his medical
adviser to secure it with the least possible expenditure of physical
strength.

[Illustration: A Mess Dinner.]

Both Mr. WISTERWHISTLE and his chair are peculiar in their respective
ways, and each has a decided history. Mr. WISTERWHISTLE, growing
confidential over his antecedents, says, "You see, Sir, I wasn't
brought up to the Bath-chair business, so to speak, for I began in the
Royal Navy, under His Majesty King WILLIAM THE FOURTH. Then I took to
the Coast-Guard business, and having put by a matter of thirty pound
odd, and hearing 'she' was in the market,"--Mr. WISTERWHISTLE always
referred to his Bath-chair as "she," evidently regarding it from the
nautical stand-point as of the feminine gender,--"and knowing, saving
your presence, Sir, that old BLOXER, of whom I bought her, had such
a good crop of cripples the last season or two, that he often touched
two-and-forty shillings a-week with 'em, I dropped Her Majesty's
Service, and took to this 'ere. But, Lor, Sir, the business ain't wot
it wos. Things is changed woeful at Torsington since I took her up.
Then from 9 o'clock, as you might say, to 6 P.M., every hour was
took up; and, mind you, by real downright 'aristocracy,'--real live
noble-men, with gout on 'em, as thought nothink of a two hours'
stretch, and didn't 'aggle, savin' your presence, over a extra
sixpence for the job either way. But, bless you, wot's it come to now?
Why, she might as well lay up in a dry dock arf the week, for wot's
come of the downright genuine invalid, savin' your presence, blow'd
if I knows. One can see, of course, Sir, in arf a jiffy, as you
is touched in the legs with the rheumatics, or summat like it; but
besides you and a old gent on crutches from Portland Buildings, there
ain't no real invalid public 'ere at all, and one can't expect to
make a livin' out of you two; for if you mean to do the thing ever
so 'ansome, it ain't reasonable to expect you and the old gent I was
a referring to, to stand seven hours a day goin' up and down the
Esplanade between you, and you see even that at a bob an hour ain't
no great shakes when you come to pay for 'ousing her and keepin' her
lookin' spic and span, with all her brass knobs a shining and her
leather apron fresh polished with patent carriage blackin': and Lor,
Sir, you'd not b'lieve me if I was to tell you what a deal of show
some parties expects for their one bob an hour. Why, it was only the
other day that Lady GLUMPLEY (a old party with a front of black curls
and yaller bows in her bonnet, as I dare say you've noticed me a
haulin' up and down the Parade when the band's a playin'), says to
me, says she, 'It ain't so much the easy goin' of your chair, Mr.
WISTERWHISTLE, as makes me patronise it, as its general genteel
appearance. For there's many a chair at Brighton that can't hold a
candle to it!'" But at this point he was interrupted by the appearance
of a dense crowd that half filled the street, and drew up in silent
expectation opposite my front door. Dear me, I had quite forgotten
I had sent for him. But the boy who cleans the boots and knives has
returned, and brought with him _the One Policeman_!

       *       *       *       *       *

THE BOY THE FATHER OF THE MAN.

(_A CHAPTER FROM A SEA STORY OF THE FUTURE._)

"Lash the lubber to the top-gallant yard and give him five hundred
with the cat o' ninetails!" shouted the pirate Captain, blue with
passion.

There was a murmur amongst his crew. Because their messmate had
forgotten to touch his cap, it seemed hard to their poor untutored
minds he should receive so heavy a punishment.

"What, mutiny!" cried the ruffian skipper, "here take this and this
and this!" and he distributed the contents of his revolver amongst the
sailors aft.

In the meanwhile, the poor wretch was hanging to the topgallant yard,
expecting every moment to be his last.

"A sail, Sir," said the boatswain, saluting, as he mounted to the
quarter-deck.

"Get ready the torpedoes, and serve out per man a hundredweight of
smokeless powder cartridges. We shall have rough work." Then he added,
"By the way, what is the time?"

"About half-past two, Sir," returned the other, and then, as his
Captain made an unsuccessful grab, he muttered, "No you don't!"

The ship in pursuit came on apace, and soon the two vessels were
yard-arm to yard-arm engaged in mortal combat. For a while the
confusion was so great that it was impossible to say what would be the
upshot. But a fortunate torpedo sent the pirate craft to the bottom,
and of all her crew, only the skipper survived. He was brought (loaded
with chains) before his conqueror.

"Well, you scoundrel," said the British Captain, "have you anything to
urge in your defence before we prepare you for your execution?"

"What would be the good?" was the sulky reply. "I know my fate."

"That voice, those husky tones," exclaimed the epauletted
representative of the English Admiralty; "surely I know them. They
bring back painful recollections. Show your face, Sirrah!"

"Why should I?" queried the conquered Chief. "It won't do me any
good!"

But at a gesture of the British Captain, his prisoner was seized, and
his face forcibly washed.

"What, BILLY TOMPKINS!" murmured the Briton, "and we meet again like
this!"

"Yes," answered the other, "and it can't be helped. You have your duty
to perform, and so have I. Do your worst!"

"But, BILLY, you were not always like this!"

"No, JACK, I was not. Once I used to prattle at my mother's knee. I
was beloved by my brothers and sisters, and I was the pride of the
nursery!"

And then the strong man broke down, and wept bitterly.

"But have you not fallen very low?" asked the British Captain, gently.

"Indeed I have! I am a thief, a liar, a scoundrel--and, in fact, a
blackguard!"

"With such surroundings," returned the Officer R.N., pointing to
the _debris_ of the pirate craft, "it is difficult to dispute your
contention. Indeed, you are a blackguard! But to what cause do you
owe your fall?"

"To my early training."

"I do not comprehend you. Your early training! Where were you
trained?"

"In the _Britannia_!"

And then the British Captain completely understood the situation.

       *       *       *       *       *

[Illustration: A SOLILOQUY.

(_At the close of the German Exhibition._)

_West Kensington Cuirassier_. "NOW OI WONDER WHAT KOIND OF AN 'ERO
OI'LL 'AVE TO BE NEXT YEAR?"]

       *       *       *       *       *

NOTICE.--Rejected Communications or Contributions, whether MS.,
Printed Matter, Drawings, or Pictures of any description, will in no
case be returned, not even when accompanied by a Stamped and Addressed
Envelope, Cover, or Wrapper. To this rule there will be no exception.









End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
101. October 17, 1891, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***

***** This file should be named 14053-8.txt or 14053-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/4/0/5/14053/

Produced by Malcolm Farmer, William Flis, and the PG Online
Distributed Proofreading Team


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.