Punch, or the London Charivari, Volume 100, June 6, 1891

By Various

The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 100,
June 6, 1891, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punch, Or The London Charivari, Vol. 100, June 6, 1891

Author: Various

Release Date: September 7, 2004 [EBook #13391]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***




Produced by Malcolm Farmer, William Flis, and the Online Distributed
Proofreading Team.





PUNCH,

OR THE LONDON CHARIVARI.

VOL. 100.



June 6, 1891.




VOCES POPULI.

BRICKS WITHOUT STRAW.

    SCENE--_A Village School-room. A Juvenile Treat is in
    progress, and a Magic Lantern, hired for the occasion, "with
    set of slides complete--to last one hour" is about to be
    exhibited._

[Illustration]

_The Vicar's Daughter_ (_suddenly recognising the New Curate, who is
blinking unsuspectingly in the lantern rays_). Oh, Mr. TOOTLER, you've
just come in time to help us! The man with the lantern says he only
manages the slides, and can't do the talking part. And I've asked
lots of people, and no one will volunteer. _Would_ you mind just
explaining the pictures to the children? It's only a little Nursery
tale--_Valentine and Orson_--I chose that, because it's less
hackneyed, and has such an excellent _moral_, you know. I'm sure
you'll do it so _beautifully_!

_Mr. Tootler_ (_a shy man_). I--I'd do it with pleasure, I'm
sure--only I really don't know anything about _Valentine and Orson_!

_The V's D._ Oh, what _does_ that matter? I can tell you the outline
in two minutes. (_She tells him._) But it's got to last an hour, so
you must spin it out as much as ever you can.

[Illustration: The Young Heckler.]

_Mr. Tootler_ (_to himself_). Ought I to neglect such a golden
opportunity of winning these young hearts? No. (_Aloud._) I
will--er--do my best, and perhaps I had better begin at once, as
they seem to be getting--er--rather unruly at the further end of the
room. (_He clears his throat._) Children, you must be very quiet and
attentive, and then we shall be able, as we purpose this evening, to
show you some scenes illustrative of the--er--beautiful old story
of _Valentine and Orson_, which I doubt not is familiar to you all.
(_Rustic applause, conveyed by stamping and shrill cheers, after
which a picture is thrown on the screen representing a Village
Festival._) Here, children, we have a view of--er--(_with sudden
inspiration_)--Valentine's Native Village. It is--er--his birthday,
and Valentine, being a young man who is universally beloved on account
of his amiability and good conduct--(_To the Vicar's D._ "Is that
correct?" _The V.'s D._ "Quite, _quite_ correct!")--good conduct,
the villagers are celebrating the--er--auspicious event by general
rejoicings. How true it is that if we are only _good_, we may, young
as we are, count upon gaining the affection and esteem of all around
us! (_A Youthful Rustic, with a tendency to heckle._ "Ef 'ee plaze,
Zur, which on 'em be Valentoine?") Valentine, we may be very sure,
would not be absent on such an occasion, although, owing to the
crowd, we cannot distinguish him. But, wherever he is, however he
may be occupied, he little thinks that, before long, he will have
to encounter the terrible Orson, the Wild Man of the Woods! Ah,
dear children, we all have our Wild Man of the Woods to fight. With
_some_ of us it is--(_He improves the occasion._) Our next picture
represents--(_To Assistant._) Sure this comes next? Oh, they're all
numbered, are they? Very well--represents a forest--er--the home of
Orson. If we were permitted to peep behind one of those trunks, we
should doubtless see Orson himself, crouching in readiness to spring
upon the unsuspecting Valentine. So, often when we--&c., &c. The next
scene we shall show you represents the--er--burning of Valentine's
ship. Valentine has gone on a voyage, with the object of--er--finding
Orson. If the boat in the picture was only larger, we could no doubt
identify Valentine, sitting there undismayed, calmly confident that,
notwithstanding this--er--unfortunate interruption, he will be guided,
sooner or later, to his--er--goal. Yes, dear children, if we only have
patience, if we only have faith, &c., &c. Here we see--(_an enormous
Bison is suddenly depicted on the screen_) eh? oh, yes--here we have a
specimen of--er--Orson's _pursuits_. He chases the bison. Some of you
may not know what a bison is. It is a kind of hairy cow, and--(_He
describes the habits of these creatures as fully as he is able._ _The
Youthful Rustic_. "Theer baint nawone a-erntin' of 'un, Zur.") What?
Oh, but there _is_. Orson is pursuing him, only--er--the bison, being
a very fleet animal, has outrun his pursuer for the moment. Sometimes
we flatter ourselves that we have outrun _our_ pursuer--but,
depend upon it, &c., &c. But now let us see what Valentine is
about--(_Discovering, not without surprise, that the next picture is
a Scene in the Arctic Regions._) Well, you see, he has succeeded in
reaching the coast, and here he is--in a sledge drawn by a reindeer,
with nothing to guide him but the Aurora Borealis, hastening towards
the spot where he has been told he will find Orson. He doesn't
despair, doesn't lose heart--he is sure that, if he only keeps on, if
he--er--only continues, only perseveres--(_Aside._ What drivel I _am_
talking! _To Assistant_. I say, are there many _more_ of this sort?
because we don't seem to be getting on!)--Well, now we come to--(_a
Moonlight Scene, with a Cottage in Winter, appears_)--to the--ah--home
of Valentine's _mother_. You will observe a light in the casement. By
that light the good old woman is sitting, longing and praying for the
return of her gallant boy. Ah, dear children, what a thing a good old
mother is! (_To the Vicar's Daughter_. "I really can _not_ keep on
like this much longer. I'm positively certain these slides are out of
order!") _The V.'s D._ "Oh no; I'm sure it's _all_ right. Do _please_
go on. They're _so_ interested!" _The Young Heckler_. "'Ow bout
Valentoine, Zur?--wheer be 'ee?" Ah, where is Valentine, indeed? (_To
Ass._) Next slide--quick! (_Recognises with dismay a View of the Grand
Canal._) No--but, I say--_really_ I _can't_--Here we have Valentine at
Venice. He has reached that beautiful city,--well called the Queen of
the Adriatic,--at last! He contemplates it from his gondola, and yet
he has no heart just now to take in all the beauty of the scene. He
feels that he is still no nearer to finding Orson than before. (_The
Young Heckler_. "Naw moor be we, Zur. We ain't zeed _nayther_ on 'em
zo fur!" _Tumult, and a general demand for the instant production of
Orson or Valentine._) Now, children, children! this is very irregular.
You must allow me to tell this story my own way. You will see them
both in good time, if you only keep still! (_To Ass._) I can't stand
this any more. Valentine and Orson must be underneath the rest. Find
them, and shove them in quick. Never mind the numbering! (_The screen
remains blank while the Assistant fumbles._) Well, have you _got_
them?

_The Assistant_. No, Sir; I'm rather afraid they ain't _here_. Fact
is, they've sent me out with the wrong set o' slides. This ain't
_Valentine and Orson--it's a miscellaneous lot, Sir!_

    [_Collapse of Curate as Scene closes in._

       *       *       *       *       *

THE MIXTURE AS BEFORE.

(_BY AN IMPATIENT--INFLUENZA--PATIENT._)

  I bust suppose the Doctor dose,
    (I do not bead a pud!)
  What ails be; but that aidlbelt _grows!_
    This Subber brigs _do_ sud.
  Subtibes the east wids blow like bad,
    Subtibes code showers pour,
  But daily cubs that doctor's lad,--
    "The Bixture as Before!"

  The Idfluedza I have got,
    Or I ibadgid so;
  Subtibes I'b cold, subtibes I'b hot,
    I cough, I sdeeze, I blow,
  But GLADSTUD's better, SBITH is well,
    _I_ do _dot_ bend. O lor!--
  There's that codfonded kitchid bell;
    "The Bixture as Before!"

  I've had at least a budth of it,
    Sidtz I was first struck dowd,
  Yet here id slippered feet I sit!
    By daily half-a-crowd--
  For bedsud taxes by poor purse.
    It is ad awfud bore.
  This bedsud bakid be feel worse--
    "The Bixture as Before!"

  I'b odly a poor City clerk.
    Quidide is bodstrous dear;
  By doctor treats it as a lark,
    Ad tries by bide to cheer.
  But if by situashud goes,
    I'b ruid--ad two score!
  What cad avail the Doctor's dose--
    "The Bixture as Before"?

  It bay be Bicrobes, as they say,
    This Idfluedza pest;
  What batters? I bust cough--ad _pay_!
    The Doctor orders "Rest"!
  Bicrobes be blowed, ad Rest go hag!
    I'll stad this thig do bore!
  BARY! was that the door-bell rag?
    --"The Bixture as Before"!

       *       *       *       *       *

THE TRYST.

    "It is stated that the Pungwé route to Mashonaland has been
    again closed by the Portuguese Authorities."--_Reuter, May
    24_.

[Illustration: _Cecil Rhodes_, "YOU CLEAR OUT! SHE'S MY 'MASH!'"]

  Now then, young Obstructive, still playing the sentry,
    Where nobody wants you to watch or mount guard?
  Are _you_ to rule everyone's exit and entry?
    Clear out, my young friend, or with you 'twill go hard.
  Yon Portuguese _Tappertit_, turn it up, _do_!
  D'ye think I'll be stopped by a monkey like you?

  _My_ Mash, that young woman! Will you bar our meeting?
    We're sweethearts. Will you interfere with our tryst?
  You pert whippersnapper, my sable-skinned sweeting
    My masculine wooing's too wise to resist.
  Shall RHODES be cut out by a small Portuguese,
  With a gun and a swagger? Pooh! Fiddle-de-dee!

  We've put up too long with your pranks, my fine fellow,
    Because of your size, upon which you presume.
  Oh, it's no use to twirl your moustache and look yellow!
    Mean having that gal, howsoever you fume.
  You'd better behave yourself, boy, or no doubt
  Before very long we shall clean you right out.

  Look at home, keep your own ways a little bit clearer,
    And don't go a-blocking up other folks' roads.
  Eh? _You_ warn me off her? _I_ mustn't come nearer?
    Ha, ha! My good-nature your impudence goads.
  Clear out, whilst you're safe, you young shrimp! Don't be rash!
  For I shan't let _you_ come between me and my Mash!

       *       *       *       *       *

[Illustration: THE VICTORY ROAD-CAR.

TO PLY TO AND FROM THE NAVAL EXHIBITION.]

       *       *       *       *       *

[Illustration]

A LAST WORD ON THE WHAT-YOU-MAY-CAL-DERON PICTURE.--It isn't often
that one of "the inferior clergy," represented by a Clarke in orders,
is pitted against an "Abbott," as recently happened in the discussion
about Mr. CALDERON's picture of "_St. Elizabeth's Heroic Act of
Renunciation_." In this instance the Clarke got the better of the
Abbott, and the others, including Professor HUXLEY, who is always
ready to rush in and invite somebody to tread on the tail of his coat,
were nowhere. The _Times_ issues its _fiat_, concluding the arguments
on both sides--"The _Times_ has spoken, _causa finita est_"--and the
picture will remain one of the chief attractions in the Royal Academy
Exhibition until such time as it ascends to the undisturbed Oilysium
of The Happily Immortals. In the meantime, being on the line, Mr.
CALDERON will be perfectly satisfied if his picture be generally
recognised as "_St. Elisabeth of Well-Hung-ary_."

       *       *       *       *       *

RECIPE.

(_FOR A SPEECH IN THE HOUSE OF COMMONS ON THE PROPOSED ADJOURNMENT FOR
THE DERBY_.)

  Take a handful of jokelets and beat them up small,
  In sophistical fudge, with no logic at all;
  Then pepper the mixture with snigger and jeer;
  Add insolent "sauce," and a _soupçon_ of sneer;
  Shred stale sentiment fine, just as much as you want,
  And thicken with cynical clap-trap and cant,
  _Plus_ oil--of that species which "smells of the lamp"--
  Then lighten with squibs, which, of course, should be damp;
  Serve up, with the air of a true _Cordon Bleu_,
  And you'll find a few geese to taste _it_ and praise _you_!

       *       *       *       *       *

THE DRAMA THEN AND NOW.

    THEN. SCENE--_Dining-Room in MRS. GRUNDY's House. The
    Misses GRUNDY and their Mother discovered at Luncheon._

_Eldest Miss G._ Oh, Mamma, do take us to see _Formosa_ at Drury Lane!

_Mrs. Grundy_. My dear! Why, it's absolutely shocking! All the papers
are ringing with the impropriety! Couldn't _possibly_ go!

_Second Miss G._ But, Mamma dear, the Boat-Race Scene is _so_
excellent. We might sit at the back of the box, and put our fingers in
our ears when you signalled to us.

_Mrs. Grundy_. Well, as you say, the Boat-Race Scene is excellent, and
as for impropriety, we must ignore it.

    [_Exeunt to get places for Drury Lane._

    NOW. _Scene as before, Time and situation as before, Company
    as before_.

_Eldest Miss G._ Oh, Mother darling, do take us to see _Formosa_ at
Drury Lane!

_Mrs. Grundy_. Certainly. I hear the Boat-Race Scene beats the record.

_Second Miss G._ It is simply magnificent, and the dialogue is so
interesting. Twenty years ago they said it was improper! As IBSEN
would observe, "Only fancy that!"

_Mrs. Grundy_. Did they? Well, as you say, the Boat-Race Scene is
excellent; and as for the impropriety,--in these days of _Ghosts,
Pillars of Society_, and _Dancing Girls_, we haven't time to notice
it!

    [_Exeunt to get places for Drury Lane._

       *       *       *       *       *

LEAVES FROM A CANDIDATE'S DIARY.

_Billsbury, Thursday, May 22_.--Came down here yesterday, to stay
for a fortnight on end. Four meetings have been arranged in different
wards, and a good deal of time is to be devoted to canvassing.
Pleasant prospect! Begin to think that, on the whole, it was easier
work to wear an occasional wig in the Law Courts, or to sit in
Chambers, planning imaginary Law-books.

On Tuesday I lunched with the BELLAMYS, to say good-bye. Mrs. BELLAMY
made herself very agreeable. Somebody, so she said, had told her
that my chances at Billsbury were excellent, and she declared she had
always admired young men who devoted themselves with a single-hearted
purpose to the service of their country. So different from the crowd
"Of shallow-pates, who scorn laborious days. And shun the rugged paths
that lead to praise." This is a familiar quotation from the works of
"your grandfather, the poet." Mrs. BELLAMY quotes him on all possible
occasions. A long time ago she gave me a beautifully bound copy of his
book, "_Per Ardua_, by HENRY GATTLETON, M.A." I've got a notion she
has a whole room-full of the unsold copies, somewhere at the top of
the house.

After luncheon had a long talk with MARY, who really looked prettier
than I've ever seen her. She said, "Now that you have got into what
Mamma calls 'the vortex of politics,' I suppose you'll despise all
our simple little amusements, and begin to forget everybody except
the Billsbury voters." I asked her how she could say such a thing,
told her I never could forget the happy hours I'd spent with her at
Exhibitions and dances, and so forth, and assured her I loathed the
Billsbury voters (which, by the way, I really think I do). I was
just beginning to screw myself up to the pitch of asking her _the_
question, in fact, I had taken her hand, and was actually stuttering
out something which made her look down at her feet (she's got the
smallest and prettiest foot I ever saw), when the footman opened the
door and announced POMFRET. Of course POMFRET must have seen something
was up. He's a beast, but not a fool. But he chattered away volubly,
just as if he were the most delightful and welcome person in the
world. I got so angry after ten minutes of it, and my toes and fingers
began to have such an almost irresistible longing to be at him, that
I thought it best to go. But MARY gave me a look as I went away which
simply went right through me, the kindest and most beautiful look any
two eyes ever gave to an unhappy man. I shut my eyes constantly and
bring the whole scene back, and in imagination I throw POMFRET out of
the window, and carry MARY in triumph to the nearest church, while her
mother quotes the late Mr. GATTLETON's poetry over us in blessing. And
then I open them again and find myself in this hole.

Dinner with the CHORKLES on Saturday.

_May 23_.--Started canvassing yesterday and continued to-day under the
charge of Mr. DIKES, one of the Town Councillors. "Old DICKY DIKES,"
the people here always call him. He's supposed to be one of the most
knowing cards in the whole county. A man of about sixty-four, with
light brown hair, rather curly, a wig, say his detractors, but I can't
make my mind up about it yet, as I haven't been able to study him
closely with his hat off. His head is large, face a cross between J.L.
TOOLE's and DIZZY's without the goatee. Always wears a frock-coat of
best broadcloth, and an immense top-hat. Has one curiously protruding
tooth which fascinates me, and makes my attention wander when he's
telling me his anecdotes. I keep wondering how it ever got into that
strange position--a sort of dental rocking-stone, weird, solitary,
inexplicable. Everybody knows him, as he represents the St. Mark's
Ward (which we are canvassing) in the Council. The flourish with which
he always introduces me is wonderful. I might be an Emperor honouring
the place with a visit. But the people take it all as a matter of
course, and seem pleased to see us. They don't care twopence about
real political questions in the back-streets. They mostly say, "My
father was a Blue and his father afore 'im, and I've bin a Blue all my
life, and I ain't a goin' to change my colour now. You're all right,
Sir; you've no call to bother about me. I wish you success." They
don't mind being asked any amount of questions as to where they lived
before, how long they've been in their present houses, and so on. It's
all a kind of entertainment to them. Here and there, of course, you
come on a keen politician, who really understands. I hear CHORKLE's
dinner to-morrow is to be a grand affair.

       *       *       *       *       *

[Illustration: ANCIENT EXAMPLE OF FEMALE MASHER.

A TYRE AND SIDON GIRL.

(_Attire and Side on Girl_.)]

       *       *       *       *       *

ADVANCE, AUSTRALIA!

(_FROM OUR SPECIAL CORRESPONDENT AT THE AGRICULTURAL HALL._)

Need I say that I felt greatly gratified at finding myself attached
to the Victorian Volunteers. I had been present with them in spirit
at the banquets which had greeted their arrival to the Mother Country,
and now I was to have the advantage of actually appearing bodily in
their campaign at Islington. I knew the battle-field well. In years
gone by I had seen many a Balaclava _mêlée_, many a slicing of the
lemon, many a securing of the tent-peg. Nay, further, I had assisted
many a time at "the combined display," when, before a huge audience, a
presentment of war was produced, as unlike the real thing as anything
well could be. But, to return to the Victorians. As they appeared
in their neat uniforms, which included slouch hats, the hearts of a
noble people (represented by occupants of places from ten shillings
downwards) went out to them, and they were greeted with a mighty
shout. The English race recognised the service that was being done.
The Mother thanked her Child. Over the stormy sea had come the
soldiers of the Southern Cross to tell any Britons still remaining in
played-out Europe how war should be waged; how battles should be won.

The numbers of our gallant little body were small; still, we had
enough. Before our appearance "the country" had been arranged. In
the distance, near the southern entrance, were bushes; then, a little
nearer home, a second row; then, nearer still, a canvas erection
representing a fallen tree; then more bushes; and last, the door from
which we had emerged to receive the plaudits of the populace. First,
two of our number (after some slight hesitation) galloped (taking,
without much difficulty, the hedges on their way) towards the south.
They fired. In the meanwhile the rest of our body had dismounted, and
had buckled the forelegs of each horse so that it might not unduly
wander. This clever idea was nearly crowned with success. Then tents
were got out--without any hurry. They were pitched in a leisurely
fashion. Then the fire was lighted, also without flurry. The two
scouts now cantered back knocking over a bush on their way. Shots were
heard in the distance, and our camp was leisurely, very leisurely,
broken up. The tents were, with some difficulty, placed on the backs
of the horses, and most of our troopers mounted without serious
difficulty. One certainly was thrown, and another had to hold firmly
to his horse. Then we advanced. We again dismounted. One of our body,
after some negotiation, collected the reins of our horses. We fired,
and again leisurely mounted. Then our troopers hurried off.

And when the magnificent display was over, I could not help thinking
how good it was of these gallant Colonists to come so far that we
might learn so much. True, we had seen something a little like the
mounted infantry evolutions in the displays of our own light Hussars.
Again, soldiers have been known before this to pitch and strike
a tent. Still, it was deeply gratifying to find history repeating
itself, inasmuch, as in the Victorian evolutions there was no
difficulty in conjuring up the picture with the popular title, "The
Grandson teaching the Grandmother--how to suck eggs!"

       *       *       *       *       *

HOW LONG?

_EXTRACTS FROM A TRAGIC INTERNATIONAL ROMANCE, WRITTEN UP TO DATE._

The Government makes no sign or move, though people who think are
clamouring and asking "How long shall such things be?"

       *       *       *       *       *

[Illustration]

They were only a few poor Polish Jews, there might have been a hundred
of them all told, beaten, scourged, driven by a brutal and merciless
Government to "move on," somewhere--anywhere,--it cared not, so long
as they had no abiding home, no hope of peace, of comfort, or of even
the common necessaries of existence, and stricken with despair and
overcome with terror, they meet with their good angel.

       *       *       *       *       *

The Middleman, the blessed agent, to them, of all good, tells them
of the bright free land, where a golden harvest of profit is waiting
them, if they will only realise their "all" and hand it over to him.
With a shout of joy, in grateful pæans they sing the praises of their
preserver,--and realising all their worldly wealth and making it over
to him, they arrive, greedy, hunger-smitten and expectant, one damp
May morning in Whitechapel.

       *       *       *       *       *

They find a native population, struggling in terrible earnest with
want, and taking, through the Sweater who commands the situation,
starvation prices for the making of a coat, for the which, by working
nineteen hours in the day, and reducing life to the slavery of a
living death, they manage to earn two shillings and ninepence!

       *       *       *       *       *

The happy and eager Polish Jews step in, and see their chance.
Eldorado lies before them. They are asked if they will make the coat
for two shillings and sevenpence. The poor starving foreigners eagerly
clutch at any chance. Who can blame _them_? No one. It is a struggle
for life. Fair but false promises have brought them to these shores,
to swell the sum of misery, already, Heaven knows, high enough!
But still they come, keeping up a steady flow of suffering, and the
Government makes no sign or move, though people who think are loudly
clamouring, and asking, "How long shall such things be?"

       *       *       *       *       *

WHAT IT MAY COME TO IN LONDON.

(_AS THE POINT HAS BEEN NEARLY REACHED IN PARIS._)

    SCENE--_A Hall devoted to MR. EDISON's latest inventions. A
    Lecturer acting as Showman to a crowd of possible Customers._

_Lecturer_. And now, Ladies and Gentlemen, I must ask you quickly to
make a selection. We have here wires from all parts of the world--make
your selection. Those who wish to see the kinetograph at work will
please go within. Operas with scenery always on hand. Here we have
only telephones.

_Mild Young Lady_. Oh, if you please, a friend of mine was married
three weeks ago, and she and her husband are staying at the Grand
Hotel, Paris. Might I hear what they are saying. Here's their name.

_Lect._ (_taking card_). Nothing easier. (_Speaking through
telephone._) Put us on to Grand Hotel, Paris, Room 1564. (_To
Customer_.) A shilling please, Madam. Thank you, and here you are.

_Mild Y.L._ (_taking receivers_). Oh, thank you. (_She places them to
her ears and then drops them hurriedly._) Oh dear me! She has kept him
waiting, and he is using _such_ bad language! You ought to have told
me.

_Lect._ We can't guarantee language. Why, would you believe it, Madam,
that sometimes we have complaints of things said in Norway! Pray
Ladies and Gentlemen, make your selection. (_To Intelligent-looking
Stranger._) Can I tempt you. Sir? They are playing a new piece at
Chicago. It is excellent, I am told--a domestic comedy. Next week, if
it's successful, we shall produce it with scenery and effects on the
kinetograph. Try it, Sir?

_Intelligent Stranger_. I don't mind if I do, (_Raising receivers._)
Call this a domestic comedy? Why I can hear firing!

_Lect._ Very strange, Sir. Nothing in the plot to account for it,

_Intell. Stran._ Stay, you say it's in Chicago! I know what the firing
means! They don't like the piece, and they are shooting the Author!

_Lect._ Of course, Sir! (_To Small Boy._) And now my little man, what
do _you_ want?

_Small Boy_. Please, Sir, I have got a shilling to spend in hearing
something from somewhere all the world over.

_Lect._ (_producing programme_). Here is a list of our stations. You
see we have wires laid on to all parts of Europe, Africa, Asia, and
America. Next Tuesday we shall be in communication with Australia. And
now, what will you have?

_Small Boy_. I don't know. Something exciting, please.

_Lect._ Well, you can hear, by taking these, a number of Astronomers
discussing in Committee the transit of Venus. Or, if you listen to
these, you will hear a chat about the floating of the next Russian
loan, held in one of the centres of speculation, to wit, the Bourse at
Vienna. Most interesting, I can assure you. Which will you have?

_Small Boy_. Oh, please, I don't care for astronomy, and am too young
to understand finance.

_Lect._ Now, here's a Bull Fight--you can distinctly hear the
shouts--and here's a Chinese execution.

_Small Boy_. Oh, _that_ will be nice. Which shall I have?

_Lect._ Can't say--you pay your money, and you take your choice! And
now, Ladies and Gentlemen, I am ready for your commands.

    [_Attends to other Customers as the Scene closes in. Curtain._

       *       *       *       *       *

THE VERY WILDEST WEST.

    ["The idea of transporting the Coliseum at Rome to the shores
    of Lake Michigan has been broached in all seriousness.
    The American Syndicate who desire to make the Coliseum an
    attractive feature of the Chicago Exhibition, rely for
    success on the financial necessities of the Italian
    Government."--_Daily Paper_.]

(BY ATLANTIC CABLE.)

[Illustration]

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

A Chicago Syndicate has asked me to mention that they want your
Coliseum. What price do you ask? They would be glad of it for the
World-Fair, which will be about the biggest thing ever seen on this
planet. No trouble to you. _We_ take all risks!

_KING H-MB-RT TO PRESIDENT H-RR-S-N._

Cannot discuss Coliseum subject till you've settled New Orleans
lynching business in conformity with International Law.

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

All right. Thought you'd say that. Chicago Syndicate willing to meet
your views about New Orleans. Do you want leading members of Grand
Jury shipped quietly over to Italy, or what? Syndicate will do
anything to oblige. Says it _must_ have Coliseum, especially by
moonlight. Intends starting realistic scenes with Gladiators, Lions,
and Christian Martyrs.

_KING H-MB-RT TO PRESIDENT H-RR-S-N._

On reflection, afraid people here wouldn't like it. Sorry to have to
decline your offer.

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

_You_ want ready cash. _We_ want Coliseum. Why not strike bargain?
Syndicate offers five million dollars. Useful for your next Budget.
You can remit no end of taxes. People sure to like _that_.

_KING H-MB-RT TO PRESIDENT H-RR-S-N._

Couldn't let it go so cheap. Have you thought of Parthenon? Greek
Government might part with it as a loan, on reasonable terms.

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

Thanks for suggesting Parthenon. Chicago Syndicate thinks it's not
good enough. Couldn't bring in the Lions and Martyrs very well. Also
Parthenon by moonlight not such a safe draw as Coliseum.

_KING H-MB-RT TO PRESIDENT H-RR-S-N._

Might think of it if you increased offer to _ten_ million dollars, and
would promise to return it within two years, in good repair, fair wear
and tear alone excepted.

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

Syndicate says if they have to pay so much for Coliseum, _and_ return
it, they must have remains of Forum thrown in.

_KING H-MB-RT TO PRESIDENT H-RR-S-N._

Don't think we could spare ruins of Forum. Have you thought of
Vatican? We could easily spare _that_. Why not approach the POPE on
the subject?

_PRESIDENT H-RR-S-N TO KING H-MB-RT._

No, thanks! Sorry to have troubled you for nothing, but Syndicate
has now arranged to build a Coliseum of its own, double the size of
yours, and to reproduce Forum, Parthenon, Capitol, Vatican, as well
as Windsor Castle and Westminster Abbey, out of old brown paper,
compressed and hardened by a new process. Ta-ta for present! Hope
you'll get over next Budget all right.

       *       *       *       *       *

[Illustration: THINGS ONE WOULD(N'T) RATHER HAVE LEFT UNSAID.

(_In Mrs. Talbot de Vere Skynflynte's Drawing-Room, after one of her
grand Dinner-Parties where nobody gets enough to eat._)

_General Guzzleton_. "WHAT'S THAT? TEA? NO, THANKS. I NEVER TAKE TEA
UNLESS I'VE DINED!"]

       *       *       *       *       *

ALL ADRIFT; OR, THREE MEN IN A PUNT.

    ["The uncertainty as to the course of business, justifies, to
    a certain extent, the criticisms of Sir WILLIAM HARCOURT and
    Mr. LABOUCHERE, upon the proceedings of the Government."--_The
    Times_.]

_B-lf-r_. Humph! Shifting ground again! I did think we were in for a
quiet swim and good sport.

  "Oh! the jolly angler's life
     Is the beat of any!"

Yes, that's all very fine, IZAAK. But it depends upon your pitch--and
your companions. I say, G-SCH-N, what _are_ you up to? Don't let the
punt swing round like that, man, I was nearly over, and my tackle's
fouled.

_G-sch-n_ (_struggling with pole_). All very well for you to sit
coolly there and criticise me, ARTHUR! _Wh-o-o-of!_ Confound the punt,
it's all over the place, and the stream's like a mill-race.

_B-lf-r_. Well, hold on to the pole, JOKIM, or we shall be all adrift.
We'd better have kept to our first pitch; it _was_ quiet there, and
we hooked one or two sizeable ones. (_Aside._) Fact is, you're such a
fidget, you lose your fish, and then want to change the pitch.

_G-sch-n_ (_aside_). That's right, grumble, grumble! Dawdling duffer,
he sprawls across the well in one of his infernal æsthetic attitudes,
picks the best swim, and girds at us who have to handle the poles.
Wonder SM-TH stands it.

_Sm-th_ (_aside_). Well, it's a good job I'm back in the punt. G-SCH-N
may be all very well at a right-away race in a wager-boat, when the
money's on, and I've seen him do a decent bit of bank-fishing in
a pegged-down match; but he _doesn't_ shine as a punter, though he
fancies himself a second ABEL BEASLEY. (_Aloud._) Hitch on that chain,
JOKIM!

_G-sch-n_ (_blowing_). Hang it, I can't.

    [_Punt oscillates dangerously, nearly tipping over B-LF-R's
    chair, and making his rod wobble._

_B-lf-r_. For Heaven's sake, G-SCH-N, mind what you're up to! My
hook's foul in a snag, and you've nearly snapped my top-joint.

_G-sch-n._ Well, wind up, then!

_B-lf-r_ (_muttering, and wrestling with his rod_). All very well,
man, but I've got to get clear first. Keep her still a minute, do.

    [_G-SCH-N "holds on" till he gets red in the face, whilst
    B-LF-R tugs at his tackle._

_Sm-th_ (_shoving strenuously_). My duty--to my--pals and punt--must
be done--at any cost; but if this is--"the contemplative man's
recreation,"--give me a hammock at Greenlands! (_Puffs and blows.
Aloud._) Are you all right, there, G-SCH-N?

_G-sch-n_ (_petulantly_). All right be blowed! What are _you_ up to?

_Sm-th_ (_mildly_). Trying to keep you straight, of course, my dear
boy?

_G-sch-n_. Oh! I like _that_!

_B-lf-r_ (_working away at his winch_). Humph! We've stirred up a
quiet swim, wasted a lot of ground-bait, lost several fish, and--now
where are we?

_Sm-th_. Look out, G-SCH-N! We shall be foul of that awkward snag if
we're not careful! Let's settle down here.

_G-sch-n_ (_stabbing wildly with his pole_). All very well--but I
can't find bottom that will hold. Shove, SM-TH, and keep your end up!

_Sm-th_. Just what I'm trying to do. [_Pushes gallantly._

_B-lf-r_. Nice chance for hooking 'em after this infernal stir-up!
Take me half an hour to get my tackle out of tangle, and then it'll be
close on to shutting-up time. One big 'un and two or three little ones
not much to return with. Look at those impudent young rascals chyiking
us from the banks! Oh, for heaven's sake, you fellows, get her fixed!

_Sm-th_. Hear the weir roaring, G-SCH-N? We're getting too near
"Danger," dear boy. That's right, you've got ground there. Now, then
hold her up! hold her up!

_G-sch-n_ (_a tip-toe, and at an angle_). Dash it, how she drags!
I was all but over! Come up! There, SM-TH, shove her up sharp, or I
shall be off, or lose the pole!

_Sm-th_ (_shoving his hardest_). All right! Shove it is!! Hold on,
G-SCH-N,--_I'm_ here!!!

_Rude Boys_ (_from the bank_). Yah--Boo! Better git out and walk, and
let _hus_ pole that punt for yer?

       *       *       *       *       *

[Illustration: ALL ADRIFT!

W.H. SMITH. "HOLD ON, GOSCHEN. _I'M_ HERE!!"]

       *       *       *       *       *

CHILD'S CHIT-CHAT.

(_POSSIBLY WRITTEN FOR PROPOSED INSERTION IN CERTAIN OF MR. PUNCH'S
FEMININE CONTEMPORARIES._)

Dearest LENA,--We are now back from Herne Bay, where, staying at Mrs.
----'s[1] Boarding House, we met some of the smartest people. If ever
you visit this delightful watering-place, mind you look Mrs. ---- up.
She is a most charming creature, and the _poulet rôti au sauce pain_
at the _table d'hôte_, is simply charming. Her terms, considering the
company you meet, are very reasonable. Now, I know you want to learn
all about my new gowns. Well, the Pater insisted that I should send
to the ---- Clothing Company, of ----, for patterns. He says (dear
old boy!) that we should "patronise British Industry." I got, amongst
other delightful notions, the cleverest idea possible in stripes, and
intending to be very economical, bought a paper pattern from ---- in
---- Street. Well, I turned out, all by myself, a most stylish frock,
which ISABELLE says suits me to the ground. But the task exhausted
both my intelligence and industry. The rest of the materials I took
to Madame ---- of ---- Street, and she is simply making them lovely!
I think I told you that Madame ---- is supplying most of the dresses
that will be worn at JESSIE JONES' (you know, the daughter of Lady
JONES) wedding. Lady SMITH will look simply superb in rhubarb-tart
satin, and the Countess of COLHOLEBOROUGH has a wonderful gown made of
squash-beetled coloured velvet slashed with green, that is sure to be
the talk of the Row until the end of the Season!

Of course, we have been to all the Private Views. We miss the
Grosvenor very much, for the New is scarcely a substitute. However, I
saw several smart people at the latter place--some of them ladies of
title, my dear. At the door I found standing one of ----'s, of ----
Street, victorias. They are very nice, and, as they can be bought on
the three years' hire system, most convenient. The pictures at the
Academy struck me as rather dull this year. Of course, everybody
is much struck with Mr. FILDES' "_Doctor_." By the way, if the poor
little patient is suffering from influenza (as I fancy he is), he
would have obtained immediate relief by taking ----'s ----. But
leaving medical subjects out of the question, there are other gloomy
pictures--besides patients, heaps of prisoners, and lots of paupers.
Fortunately, most of these last are "skied," which is a blessing! I
hear that the Academicians have bought Mr. CALDERON's picture out of
the Chantrey Bequest. So selfish to deprive the public of the chance!
However, as the subject is a little _risqué_, perhaps it is just as
well that it _should_ be buried in the Diploma Gallery.

The usual gaiety last week. Mrs. PARAGRAPH PRESSCUTTERBY gave a
magnificent Ball at ---- Square. The whole of the garden was covered
in by Messrs. ----, of ---- Street, and the massed Bands of the
Cavalry Brigade at ---- supplied the Music. The supper (furnished by
Messrs. ----, of ---- Street), was served in the Lawn Cricket Saloon,
and the gigantic apartment was crammed the whole evening. I know you
like recipes. I extract the following from ----'s _Guide to Grub_, a
capital _brochure_ published at a shilling.

    "Pick, wash (in plenty of water), and drain 2 lbs. of
    crab-shells without bruising them. Pare and core some well
    shaped apples. When these are well heated, add the spinach.
    Cut into neat slices a dish of lamb's fry, and fry it a nice
    brown in the bacon liquor. Boil all together till the syrup is
    reduced to half the quantity, then lay the lemon peel on the
    apples, and pour the syrup over them."

It is a Russian dish, and is called Böösh. You must tell me what you
think of it. Ever your most loving friend, SYLLIE.

[Footnote 1: Names and addresses of tradespeople, &c., editorially
suppressed until arrangements have been completed in the Advertisement
Department.]

       *       *       *       *       *

[Illustration: "PEACE."

STATUE OF THE RIGHT HON. ARTHUR GOLFOUR.

(_Out of the Academy._)]

       *       *       *       *       *

ROBERT AT THE DARBY.

By sum strange cohincidence as I ain't the least abel to account for,
the annual buthday of my much better half fell this year on the grate
Darby Day! and so we both agreed as weed have one more jolly happy day
together, ewen if so be as we never had another. So off I sets, and
I takes two box seats houtside a homnibus and four spanking Bays, I
think they calls 'em, coz they was such a butiful dark brown colour,
and for which I paid no less than 12s. 6d. a peace, and with our
pockets pretty well stuffed full of sanwiches, and jest a nice little
flarsk of summut nice, never mind what, off we sets for the City at
nine a clock, hay hem, and at nine forty by the church clock off
we starts on our perrylus journey, reddy, as the Poet says, to dash
through thick and thin.

As it appened it was fortunet as we was so prepared, for, strange
to say, we hadn't got so werry far from Lundon Bridge, when, by sum
mistake of the Clark of the whether, as our jolly Coachman told us,
it began for to rain, but he said as how as he knowd as much about the
Darby wether as most men, as he'd driven there about twenty times in
the larst duzzen years, and what we was a having was ony a parsing
shower. How it was I coudnt quite undustand, for whether we druv
fast or whether we druv slow, doose a bit coud we get away from that
parsing shower. However, tho' we did both get jolly wet, we had sum
capital fun, for we seed no less than too coaches and four upset in
the road, and to see the poor passengers all a standing in the mud,
which it was about amost up to their nees, and a wundering what time
they shood get to the Darby, was more than enuff to console us, and we
all larfed artily and left 'em. Such is human Natur!

Before we both got quite wet through, I got my best beloved a seat
inside, and, strange to say, although she was werry much scrowged, she
axshally prefurrd it to setting out in the rain along of me. It may
have bin thorts of her new Bonnet. Such agane is human Natur! Luckily,
jest after she left me, one of our wheels sunk down in a werry deep
ole, and all on us on my side had to get down into the fearful mud,
and wait till our gallant steeds pulled it out again, and, unluckily,
the one as pulled hardest, let his foot slip, and sent a reglar shower
of whity-brown mud all over me from top to toe, or rayther, from At
to Boots, and I was in that orful state that all our set, Coachman
and all, acshally roared with larfter. Such again, I fears, is human
Nature!

When we got to the Darby, in course our fust thort was lunch, but
afore I coud get beyond laying the cloth, there came such a reglar
buster of an ail storm that we was all drove hunder the homnibus for
shelter, and when it leaved off, and I went on the roof, the table
cloth was about three inches thick with round ale stones! Ah, that was
a difficult lunch that was, and beat all my xperience in that line.

I didn't see much of the race, I didn't, for as it pored in torrents
all the time, I had to seek for a shelter, and under a omnibus is not
a werry favrabel place to get a good view of a horse-race, but ewery
body seemed to speak of it as a werry common one, whatever that may
mean. However we was hamply reckompensed by the most wunderful site as
praps was hever seen in the shape of humberellers. Heverybody had one,
and heverybody put it hup, so, as my better harf poetically expressed
it, it was xacly like a most butiful field of henormous mushrooms a
hopening out theirselves to the morning hair!

We was remarkably fortnate in cumming back, as it didn't rain near so
much as it did in the morning, and quite left off jest as we got home.
My sweet darling didn't grumbel a bit at me for giving her such a
reglar damper for her birthday, but the werry larst thing as she did
say that night was, "Thank you, ROBERT dear, for your little holliday,
but I think that we won't spend my next buthday at the Darby!"

ROBERT.

       *       *       *       *       *

[Illustration: THE SERGEANT-AT-ARMS' DREAM OF THE BAR OF THE HOUSE OF
COMMONS.

(_If Delegates from everywhere are allowed to appear there, and air
their grievances._)]

       *       *       *       *       *

THE COLISEUM--AT CHICAGO!

(_IMITATED--AT A RESPECTFUL DISTANCE--FROM_ E.A. POE.)

    ["It is stated that a Syndicate of American Capitalists has
    been formed with the object of purchasing the remains of the
    Coliseum at Rome, and transporting them to Chicago."]

"_BARTERED_ TO MAKE A _YANKEE_ HOLIDAY."

  I.

  Type of wolf-nurtured Rome! Rich reliquary
  Of splendour (and of slaughter) left to Time,
  By centuries of ante-Yankee pomp!
  At length--at length--after so many days,
  Of ruined majesty, and rotting pride
  (Pride which Chicago will transmute to dollars),
  There is a chance for you, a right smart chance,
  Of turning to some profitable end
  Thy size, thine age, thy grandeur, gloom, and glory!

  II.

  Vastness! and Age! and Memories of Eld!
  Silence! and Desolation! and dim Night!
  Where are ye now? POE said _he_ felt your strength,
  But POE was but a poet. Better far
  Be turned to "bizness" in a dime Museum,
  Or trotted out, for cents, at the World's Fair
  Than rot away beneath Rome's ruddy stars!

  III.

  Here a smart Syndicate shall set you up,
  Here, where we slaughter swine as Rome did slaves,
  (A sanguine carnival of sausage-meat),
  Here, where Chicago belles their braided hair
  Pile in Greek knots,--to gaze on brawn and gristle!
  Here, where in gilded cars the pork-kings loll,
  Driven Mammon-like unto their marble homes,
  Lit by the wan light of the electric arc,
  Swift-wheeled and silent-tyred o'er wood or stone.

  IV.

  You'll _pay_! These walls--these ivy-clad arcades--
  These mouldering plinths--these sad and blackened shafts--
  These vague entablatures--this wreck--this ruin--
  Are worth the carriage o'er the Atlantic foam,
  And the tall price that Italy will ask,--
  _If_ she should cell you to Porkopolis!

  V.

  "No fear!"--Bourse Echoes answer me--"_no_ fear!"
  Italy is hard up, her bare Exchequer
  Forebodes financial ruin to her realm.
  We many-dollared Syndicates rule all.
  We rule the hearts of Ministers--we rule
  With a despotic sway ambitious minds;
  We are omnipotent. Shall pallid stones
  Contend for power with us?--shall antique fame,
  Or mere word-wizardry of old renown,
  Match the gold-magic that encircles _us_,
  "Rings," "Corners," "Syndicates"? Ridiculous!
  Not all the mysteries that hang upon
  Old Edax Rerum like a wizard's garment,
  May match that Master-Mage--the Almighty Dollar!!

       *       *       *       *       *

OUR PARTICULAR TIP COMES OFF RIGHT!

You may remember that last week, just before the Derby, I furnished
you with a prophecy. So that there might be no doubt about it, I named
the absolute First, Second, and Third. Said I (page 255), "We may
take it that the winner will be found out of the _Common_." But
this was not enough. That all should secure One, Two, and Three, I
wrote, "Well might FRANÇOIS PREMIER have observed (as I do), 'Bravo,
_Gouverneur_!'" implying that the French horse was certain of a place.
But I went further still; I gave the Third. I carefully introduced
in my short article the name of every probable starter, save
_Martenhurst_, who consequently became "the Field." And what did I say
of the Field? Why, "This year's Derby will be won by one of two. It
will either fall to the Favourite or the Field." Surely this was good
enough to point out No. 3? Cheques from grateful backers may be sent
to 85, Fleet Street, addressed to THE ODD MAN OUT.

       *       *       *       *       *

SAM WELLER ON "THE MELINITE DISCLOSURES."--"This here's the bold
Tur_pin_."

       *       *       *       *       *

[Illustration: UNCONSCIOUS CONFESSION.

_Old Bachelor_ (_who caters for himself_). "MRS. SMITH, I DIDN'T CARE
FOR THAT LEG OF MUTTON I BOUGHT YESTERDAY. IT HAD A QUEER FLAVOUR!"

_Landlady_. "OH, SIR, IT WAS A BEAUTY! AND SO _DELICIOUSLY TENDER_!"]

       *       *       *       *       *

ESSENCE OF PARLIAMENT.

EXTRACTED FROM THE DIARY OF TOBY, M.P.

_House of Commons, Monday Night, May 25_.--Members coming back in
slightly increased numbers. HARCOURT returned from his wandering to
and fro. AKERS-DOUGLAS back after his influenza experience; presently
coming up to "tell" in a division, is welcomed by a cheer that rises
as heartily from Opposition Benches as from Ministerial ranks. JACKSON
also back out of the Shadowed Valley; GORST, in his place again,
sprinkles fine pinches of sublimated cayenne pepper upon CRAWFORD and
others who want to know about Manipur.

[Illustration: Back View of a Ruthless Tyrant.]

But though various benches filled up with familiar figures, Members
look round in vain for one; finding it not, will not be comforted.
Where is OLD MORALITY? Last time he was seen was on the Thursday
preceding the holidays. He had come back newly elected for the Strand;
took part in business of sitting; just before dinner Members had
watched his lithe figure disappearing towards the doorway, and he had
been seen no more. House had met again on the following night; had
adjourned for the truncated holiday; had met again; and still OLD
MORALITY's seat was vacant, and there dwelt in the fond memory only
that parting back view.

JOKIM occupying, but not filling, OLD MORALITY's seat, wanted to talk
about various things; but ever the conversation came back to the theme
that filled all thoughts. HARCOURT wanted to know about fixing the day
for debate on Manipur; HENRY FOWLER hankered after an understanding
about the Factory and Workshops Bill. Everybody but JEMMY LOWTHER
wanted to know about the Education Bill; TIM HEALY was curious to
learn what course would be taken with respect to DE COBAIN. The answer
was ever the same. "The House," said JOKIM, nervously rubbing his
hands, "must await the return of my Right Hon. friend, which we expect
will be celebrated on Wednesday."

"Well," said HARCOURT, in one of his stage asides, "this is a
revelation indeed. Always thought OLD MORALITY was an easy-going
gentleman, deferential in manner, unassertive in action. It seems he's
a regular tyrant, a sort of unapproachable Padishah. In his bosom are
looked all the secrets of State, all the purposes of the Ministry. He
takes no one into his confidence, but broods over the destinies of the
Empire in the haughty solitude of the watch-tower at Walmer. When he
goes away for short holiday, public business entirely dislocated. No
one can say or do anything except hoarsely whisper his name. JOKIM
lives in a state of terror, and even the martial spirit of GEORGE
HAMILTON cowers in recollecting his presence. Only shows how prone
humanity is to error. We and the Public generally have created for
ourselves an OLD MORALITY, a genial, beaming, modest, unobtrusive
personality, always ready to oblige, desirous of meeting the views
of Members in all parts of the House, anxious only to do his duty to
his QUEEN and Country. Whereas it is clear he is a martinet of the
severest type, a ruthless tyrant, a man who rules with a rod of iron,
and keeps his followers in a condition of abject personal terror."

_Business done._--Vote on Account taken. Incidentally, OLD MORALITY's
character brought out in its true light.

_Tuesday._--AMURATH to AMURATH succeeds. We had a Lord ELCHO, and,
thank Heaven! we have one still--not exactly the same, but curiously
reminiscent in voice and gesture. This succession of son to sire is
one of the happiest arrangements of the British Constitution, one most
promising for its maintenance and prosperity. If the House of Lords,
peremptorily and selfishly, appropriated our ELCHOS and our GATHORNE
HARDYS, turning them into Earl of WEMYSS, and Viscount CRANBROOK,
leaving us no substitute or compensation, that long-threatened
institution would be finally doomed. But, by beneficent arrangement,
when ELCHO and GATHORNE HARDY fared forth, the one to become Earl of
WEMYSS, and the other Lord CRANBROOK, behold! there step into their
places other, and younger men, bearing the old name.

[Illustration: After the Adjournment.]

Thus is the wind tempered to the shorn lamb. The system works
beneficently in two ways. Like the quality of mercy, it is not
strained. It blesseth him that gives, and him that takes. The House of
Lords is strengthened by the new recruits, and we still have our ELCHO
to make jokes, and our HARDY to preach sermons.

Listening to ELCHO, jauntily moving adjournment over Derby Day, I
say all this to the SAGE of QUEEN ANNE'S GATE, who shortly replies,
"Fudge!" Remark does not seem consequential; not at all sure that it
is Parliamentary.

Long debate on Budget Bill; HARCOURT discourses at large on JOKIM's
finance. JOKIM sits listening with amused air. Life is on the whole to
him a serious thing. But there is one episode that suffuses it with a
gleam of humour; that is to hear HARCOURT talking Finance. "One of the
very few things," JOKIM says, "of which he knows absolutely nothing."
Now J.A. PICTON, on the contrary, thinks a good deal of HARCOURT's
aptitude for finance, and when JOKIM had girded at him for the space
of half an hour, the SQUIRE OF MILWOOD had the satisfaction of hearing
JULIUS 'ANNIBAL PICTON publicly describe his criticism as "a most
formidable attack on the financial scheme of the Chancellor of the
Exchequer."

_Business done._--House agrees to make holiday on the Derby Day.

_Thursday._--OLD MORALITY back to-night; everyone glad to see him;
with trumpets also and shawms would we have greeted him, but SPEAKER
ruled proposed demonstration out of order; so only cheered. With
exception of slight Italian accent (particularly noticeable in his
pronunciation of the word "Newfoundland") he's just the same. Before
sitting far advanced, wished he had lingered for another twenty-four
hours on the waters of the tideless sea.

Newfoundland Fishery Question on; the delegates to be heard at Bar.
Members, eager as school-boys for new sensation, crowded the Benches,
in expectation of half an hour's amusement. OLD MORALITY, fresh from
Cabinet Council, knew that hope would be disappointed. Government had
decided to accept compromise proffered by Newfoundland Legislature;
consequently Sir WILLIAM VALLANCE WHITEWAY, K.C.M.G., would not appear
at the Bar.

It is Old MORALITY's little way to put on appearance, in whatever
startling development of affairs, as if what was happening was exactly
what had been expected. To-night, at end of questions, he quite
casually mentions settlement arrived at, and proposes that without
debate Second Reading of Newfoundland Fisheries Bill shall be taken.
"A mere form, you know," he said, nodding in friendly fashion across
the table at HARCOURT. "Everything is amicably settled; we certainly
won't mention Bill again for three weeks, and then only to withdraw
it. Let us read it now a second time just for the fun of the thing."

[Illustration: Gone Over to the Majority.]

Crowded House sat for a moment in gloomy disappointment, irresponsive
to the cheerful presence of Old MORALITY, who succeeded in looking as
if he had said something which, though of no serious importance, was
calculated to be generally acceptable. Actual position was something
akin to what used to happen in St. James's Hall when Manager came
forward to announce that, owing to sudden cold, Mr. SIMS REEVES would
not be able to sing. Members glared round as if they were going to ask
for their money back; increasingly aggravating to have OLD MORALITY
still nodding and smiling on Treasury Bench. If he thought they were
going to be put off in that way, should learn he was mistaken; so
Debate raged over three hours, at end of which, OLD MORALITY, swearing
he would ne'er consent to adjournment of Debate, consented.

Just now, AKERS-DOUGLAS moved Writ for New Election in the City, and
for the moment Members turned from Newfoundland to think kindly of
genial, hearty, honest "YAH! YAH!" gone over to the majority.

_Business done._--Newfoundland Fisheries Bill shelved.

_Friday._--JOKIM had another tumble. Came down with light heart at
Morning Sitting, proposing to run Budget Bill through Committee.
HENRY FOWLER, certainly not an obstructive party, objected, on
constitutional ground, that CHANCELLOR OF EXCHEQUER was asking House
to propose taxation for purposes not yet defined, "Give us your
Education Bill first," said FOWLER, "and then we'll vote the Budget
that provides ways and means. No Education Bill, no Budget."

Argument irresistible. JOKIM meekly withdrew, and House took up other
business.

This continuous blundering not cheerful for Ministers; wonderful how
AKERS-DOUGLAS bears up; more than usually beaming to-night. Don't
understand till _Gazette_ comes out, when, looking down Birthday List,
find they've made him a Privy Councillor.

"My Right Hon. friend, if I may call him so," says the MEMBER for
SARK, "richly deserves the honour. I've known a good many Whips in my
time, but I never came across one who did equally effective work with
less friction, than does the Right Hon. ARETAS AKERS-DOUGLAS."

A.A. DOUGLAS is of course a mistake; his real initials are A1 DOUGLAS.

_Business done._--In Committee of Supply.

       *       *       *       *       *

OUR BOOKING-OFFICE.

MY DEAR BARON,--Let me recommend to your favourable notice, and to
that of your readers, "_Stories told at Twilight_," by Mrs. CHANDLER
MOULTON, the American poetess, who has demonstrated how deftly she can
touch the lyre, and shows what a clever storyteller she can be. These
are not ghost-stories as one might imagine, but tales for children,
told with so much grace and feeling that they will also secure a large
audience among children of a larger growth.

Also look at _Old Time Punishments_, by Mr. WILLIAM ANDREWS, who gives
an exhaustive account of ancient punishments, copiously illustrated,
and so graphically described, that he makes us congratulate ourselves
in not having flourished in the olden times, or we might have become
practical illustrations of the discipline of our forefathers. How are
you getting along with GEORGE MEREDITH's _One of Our Conquerors_?

Yours,

HEAD CLERK IN THE BOOKING-OFFICE.

_Reply from Baron de B.-W._--Mislaid "The GEO. M.'s" first volume of
_One of Our Conquerors_ just when I had reached the middle of it, and
the story was beginning. Most unfortunate. Must advertise for it.

BARON DE BOOK-WORMS.

       *       *       *       *       *

NOTICE.--Rejected Communications or Contributions, whether MS.,
Printed Matter, Drawings, or Pictures of any description, will in no
case be returned, not even when accompanied by a Stamped and Addressed
Envelope, Cover, or Wrapper. To this rule there will be no exception.






End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
100, June 6, 1891, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***

***** This file should be named 13391-8.txt or 13391-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/3/3/9/13391/

Produced by Malcolm Farmer, William Flis, and the Online Distributed
Proofreading Team.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.