Mountain killers

By Thomas Barclay Thomson

The Project Gutenberg eBook of Mountain killers
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Mountain killers

Author: Thomas Barclay Thomson

Release date: November 27, 2025 [eBook #77343]

Language: English

Original publication: New York, NY: The Frank A. Munsey Company, 1929

Credits: Roger Frank and Sue Clark


*** START OF THE PROJECT GUTENBERG EBOOK MOUNTAIN KILLERS ***




                            MOUNTAIN KILLERS


        Lying in wait for his brother’s murderer, Olaf Swensen
        planned to execute mountain justice--but fate crouched
        in the background.

                       By Thomas Barclay Thomson


The rifle barrel peered malignantly, implacably, over the edge of
the huge rock. Behind it, his eyes fixed upon the sun-drenched
mountain trail below, lay Olaf Swensen.

A full two hours had passed since Olaf first took up his vigil; yet
no sign of impatience did he show. For six months, now, he had
awaited this chance to kill Sim Satterlee. What did a few minutes,
one way or another, matter to him?

Back of Olaf, above him, in the fork of the giant pine, the thing
crouched, jaws slavering, tail twitching. Hunger urged it to leap,
but man was not to be thus lightly attacked. The cougar, old, slow
on the game trails, had learned the slower speed of man and his puny
strength, but animal instinct demanded caution. This man below was
armed, himself a killer who lay in ambush.

From far down the cañon, came the ring of iron on stone, followed by
heavy oaths, as the driver urged his string of pack-mules up the
steep trail.

Yesterday Sim Satterlee, Shifty Sim, had been tried and acquitted of
the murder of Lars Swensen, Olaf’s brother. Olaf knew that nothing
would prevent Sim’s hurried flight to the sanctity of his mountain
retreat in the fastnesses of Dead Man’s Gulch. So, overlooking the
trail over which Sim must pass on his way to his mountain aerie,
Olaf grimly awaited his coming.

Man and gun were welded in one weapon, grim, purposeful, vengeful.
The lion, too, ceased all motion; the twitching tail was stilled.

With effortless stride, the lanky, black-visaged mountaineer
slouched along below, trailing the plodding, scuffing feet of the
mules. His shifty, darting eyes, afurtive with the uneasiness of
guilt, searched vainly for a possible ambush.

Stoical, diabolically cool, Olaf continued to wait until Sim slunk
along directly beneath him. He had no chance, now, to dodge back to
a sheltering bush, or dart ahead to a friendly turn in the trail.

Shifty Sim’s keen, penetrating eyes located that grim, gaping
gun-barrel at the very moment Olaf halted him. Sim stood in a
tableau not unknown to him; but the roles were reversed, and fear
shook him like a palsy; his vicious black soul turned sick within
him.

No doubts had he of the identity of his Nemesis. Many times, lying
on his prison cot, awaiting trial, he had regretted his failure to
remove Lars Swensen’s brother when opportunity offered. His plea of
self-defense, so carefully planned, could easily have covered the
two cases. The witnesses, in deathly fear of his vengeful methods,
would as readily have sworn to a double lie. But perhaps there was
still a chance.

Slowly Sim’s hand crept toward the bib of his greasy overalls, his
piercing glance seeking the outline of his hidden enemy.

“Yust leave your gun be!” Olaf called. The rifle barrel concentrated
on a point slightly to the left of, and above Sim’s breastbone. Its
unwinking stare caused his flesh to crawl at that spot; his heart
did queer things. His hand dropped limply to his side. Clammy sweat
exuded from every pore of him, but his eyes still searched the
covert above.

“Say your prayers, murderer, for now you die!”

             *       *       *       *       *

There came a long, tense silence. Sim stood without motion,
helpless, doomed. In that moment he distinguished the form of Olaf,
prone upon the rock, behind the unwavering rifle. And, hopelessly,
he cursed an oath-laden prayer, a blasphemous petition for a chance
to die fighting. Once more, his hand crept toward the resting place
of his well-oiled old .45; slowly, so slowly.

Taunts from the hidden Olaf; more taunts. Revenge is admittedly
sweet, and long had Olaf awaited this moment. Again he ordered the
creeping hand down.

Shifty Sim was on the brink of collapse. Like so many of his
kind--those who kill on slight provocation, and with insatiable
bloodthirstiness--he was weak and cowardly at heart.

He sensed a stir overhead; slight, almost imperceptible. The
nervous, twitching tail of the crouching Death in the great pine
caught the fear-glazed eyes of Sim Satterlee. He traced the lion’s
tense outline. Would it leap in time, drop upon the prostrate Olaf,
thereby liberating Sim and sending his enemy to a tragic death? Or
would Olaf, unhindered, press the trigger and snuff out his life?

And then Olaf, the stoical, who thrice had taken upon himself the
execution of his mortal foe, broke under the strain. He sprang to
his feet, arms upraised; fists clenched, eyes gazing skyward. The
loosened rifle clattered unnoticed down the stony slope. Bitterly he
cried out:

“Ay can’t do it! Ay can’t do it! Lars, you hear me? Ay tried, but Ay
can’t!”

Nerves, drawn taut as steel wires, snapped into dynamic action. The
huge cougar, with a snarling cry, catapulted itself straight toward
the spot so lately occupied by the recumbent Olaf, a huge,
rapier-armed paw swishing viciously down in vain effort to crush
him. A frenzied shriek of warning, defiance, and relief came from
Sim, as his hand leaped to his breast and out again, bearing the
death-dealing forty-five. The bullet from its muzzle met the lion in
mid-air.

Olaf reeled away from this unexpected menace. The wounded lion
landed on the edge of the rock directly above Sim Satterlee. His
next leap was instantaneous and purposeful. Again Sim’s gun crashed
its message of death, but in vain. The great cat struck squarely,
and the two killers, man and brute, went down in a sickening
scramble. The beast’s claws raked convulsively and were still. Sim’s
bullets had done their work too late.

Crushed beneath the body of the dying beast lay Shifty Sim, clawed
and mauled almost beyond recognition, his lifeblood spurting from
his mangled body.

Overcome with shock and horror, Olaf, on hands and knees, crawled
down to his stricken foes, idiotically gibbering a mixture of
Swedish and English, attempting to express his gratitude to Sim, his
late enemy.

Sim raised himself on an elbow, made a convulsive attempt to reach
the revolver lying beside him--and sank back, eyes glazing.

“Hell!” he mumbled thickly. “Missed ya with--my--last shot.”

Stark incredulity--then the horror of belief--dawned in the eye of
Swede Olaf, as the import of the words struck home. Shifty Sim saw.
A sardonic, triumphant gleam fitfully lit the hardened countenance,
and as he had lived, so Sim died--unregenerate, spurning all
gratitude, profanely denying that even for one brief moment he had
been a man.


[Transcriber’s note: This story appeared in the March 23, 1929 issue
of _Argosy All Story Weekly_ magazine.]



*** END OF THE PROJECT GUTENBERG EBOOK MOUNTAIN KILLERS ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.