A Romance of Tompkins Square

By Thomas A. Janvier

Project Gutenberg's A Romance Of Tompkins Square, by Thomas A. Janvier

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: A Romance Of Tompkins Square
       1891

Author: Thomas A. Janvier

Illustrator: W. T. Smedley

Release Date: December 10, 2007 [EBook #23808]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK A ROMANCE OF TOMPKINS SQUARE ***




Produced by David Widger






A ROMANCE OF TOMPKINS SQUARE.

By Thomas A. Janvier

Copyright, 1891, by Harper & Brothers


Whether the honey shall be brought to the boiling-point slowly or
rapidly; whether it shall boil a long time or a short time; when and in
what quantities the flour shall be added; how long the kneading shall
last; in what size of earthen pot the dough shall be stored, and what
manner of cover upon these pots best preserves the dough against the
assaults of damp and mould; whether the pots shall be half-buried in the
cool earth of the cellar or ranged on shelves to be freely exposed
to the cool cellar air--all these several matters are enshrouded in a
mystery that is penetrated only by the elect few of Nürnberg bakers by
whom perfect lebkuchen is made. And the same is true of the Brunswick
bakers, who call this rare compound honigkuchen, and of the makers of
pferfferkuchen, as it is called by the bakers of Saxony.

Nor does the mystery end here. This first stage in the making of
lebkuchen is but means to an end, and for the compassing of that
end--the blending and the baking of the finished and perfect
honey-cake--each master-baker has his own especial recipe, that has come
down to him from some ancestral baker of rare parts, or that by his own
inborn genius has been directly inspired. And so, whether the toothsome
result be Nürnberger lebkuchen, or Brunsscheiger peppernotte, or Basler
leckerly, the making of it is a mystery from first to last.

It was because of this mystery that the life of Gottlieb Brekel had been
imbittered for nearly twenty years--ever since, in fact, his first essay
in the compounding of Nürnberger lebkuchen had been made. He was but a
young baker then: now he was an old one, and notwithstanding the guarded
praise of friends and the partial approval of the public (notably of
that portion of the public under the age of ten years that attended St.
Bridget's Parochial School) he full well knew that his efforts through
all these years to make, in New York, lebkuchen such as he himself had
eaten when he was a boy, at home in Nürnberg, had been neither more nor
less than a long series of failures.

In the hopeful days of his apprenticeship all had seemed so easy before
him. Let him but have a little shop, and then a little capital wherewith
to lay in his supply of honey, and the thing would be done! He had
no recipe, it is true; for he was a baker not by heredity, but by
selection. Yet from a wise old baker he had gleaned the knowledge of
honey-cake making, and he believed strongly that from the pure fount of
his own genius he could draw a formula for the making of lebkuchen
so excellent that compared with it all other lebkuchen would seem
tasteless. But these were the bright dreams of youth, which age had
refused to realize.

In course of time the little shop became an accomplished fact; a very
little shop it was in East Fourth Street. Capital came more slowly, and
three several times, when a sum almost sufficient had been saved, was
it diverted from its destined purpose of buying the honey without which
Gottlieb could not make even a beginning in his triumphal lebkuchen
career.

His first accumulation was swept away through the conquest of Ambition
by Love. In this case Love was personified in one Minna Schaus--who was
not by any means a typical sturdy German lass, with laughing looks and
stalwart ways, but a daintily-finished, golden-haired maiden, with soft
blue eyes full of tenderness, and a gentleness of manner that Gottlieb
thought--and with more reason than lovers sometimes think things of this
sort--was very like the manner of an angel. And for love of her Gottlieb
forgot for a while his high resolves in regard to lebkuchen making;
and on the altar of his affections--in part to pay for his modest
wedding-feast, in part to pay for the modest outfit for their
housekeeping over the bakery--the money laid aside for the filling of
his honey-pots very willingly was offered up.

A second time were his honey-pots sacrificed, that the coming into
the world of the little Minna might be made smooth. This, also, was a
willing sacrifice; though in his heart of hearts Gottlieb felt a twinge
of regret that his first-born was not a son, to whom the fame and
fortune incident to the making of perfect lebkuchen might descend.
But he was a philosopher in his way, and did not suffer himself to be
seriously disconcerted by an accident that by no means was irreparable.
As he smoked his long pipe that night, while the bread was baking,
he said to himself, cheerily: "It is a girl. Yes, that is easy. Girls
sprout everywhere; they are like grass. But a boy, and a boy who is to
grow up into such a baker as my boy will be--ah, that is another matter.
But patience, Gottlieb; all in good time." Then, when his third pipe was
finished--which was his measure of time for the baking--he fetched out
the sweet-smelling hot bread from the oven with his long peel, and set
forth upon his round of delivery. And he whistled a mellow old Nürnberg
air as he pushed his cart through the streets before him that frosty
morning, and in his heart he thanked the good God who had sent him
the blessings of a dear wife and a sweet little daughter and a growing
trade.

And yet once more were his honey-pots sacrificed, and this time the
sacrifice was sad indeed. From the day that the little Minna came into
the world his own Minna, as in a little while was but too plain to
him, began to make ready to leave it. As the weeks went by, the little
strength that at first had come to her was lost again; the faint color
faded from her cheeks, and left them so wan that through the fair skin
the blue veins showed in most delicate tracery; and as her dear eyes
ever grew gentler and more loving, the light slowly went out from them.
So within the year the end came. In that great sorrow Gottlieb forgot
his ambition, and cared not, when the bills were paid, that his
honey-pots still remained unfilled. For the care of his home and of
little Minna his good sister Hedwig came to him. Very drearily, for a
long while, the work of the bakery went on.

But a strong man, stirred by a strong purpose, does not relinquish
that purpose lightly; and the one redeeming feature of the life of many
sorrows which in this world we all are condemned to live is that even
the bitterest sorrow is softened by time. But for this partial relief
our race no doubt would have been extinguished ages ago in a madness
wrought of grief and rage.

Gottlieb's strong purpose was to make the best lebkuchen that baker ever
baked. After a fashion his sorrow healed, as the flesh heals about a
bullet that has gone too deep to be extracted by the surgeon's craft,
and while it was with him always, and not seldom sent through all his
being thrills of pain, he bore it hidden from the world, and went
about his work again. Working comforted him. The baking of bread is an
employment that is at once soothing and sustaining. As a man kneads the
spongy dough he has good exercise and wholesome time for thought.
While the baking goes on he may smoke and meditate. The smell of the
newly-baked bread is a pleasant smell, and brings with it pleasant
thoughts of many people well nourished in the eating of it. Moreover,
there is no time in the whole twenty-four hours when a city is so
innocent, so like the quiet honest country-side, as that time in the
crisp morning when a baker goes his rounds.

As Gottlieb found himself refreshed and strengthened by these manifold
good influences of his gentle trade, his burden of sorrow was softened
to him and made easier to bear. Comforting thoughts of the little
Minna--growing to be a fine little lass now--stole in upon him, and
within him the hope arose that she would grow to be like the dear mother
whom she never had known. So the little fine roots of a new love struck
down into his sad heart; and presently the sweet plant of love began
to grow for him again, casting its delicate tendrils strongly about the
child, who truly was a part of the being about which his earlier and
stronger love had clung. Yet the love that thus was re-established in
Gottlieb's breast was far from filling it, and so for ambition there was
ample room.

[Illustration: Sat beside the oven smoking his second pipe 204]

Somewhat to his surprise, one night, as he sat beside the oven smoking
his second pipe, he found himself thinking once more about his project
for making such lebkuchen as never yet had been known outside of
Nürnberg--lebkuchen that would make him at once the admiration and
the despair of every German baker in New York. Nor was there, as he
perceived as he turned the matter over in his mind, any reason now why
he should not set about making this project a reality; for he had money
enough, and more than enough, in store to buy the honey that he had so
long desired. His eyes sparkled; he forgot to smoke; and when he turned
again, half unconsciously, to his pipe, it had gone out. This roused
him. The brightness faded from his eyes; he drew a long sigh. Then he
lighted his pipe again, and until the baking was ended his thoughts no
longer were busied with ambitious schemes for the making of lebkuchen,
but went back with a sad tenderness to the happy time that had come so
quickly to so cruel an end.

But the spark was kindled, and presently the fire burned. When he told
the good Hedwig that he had bought the honey at last, that excellent
woman--albeit not much given to display of the tender emotions--shed
tears of joy. She was a sturdy, thick-waisted, stout-ankled person, this
Aunt Hedwig, with a cheery red face, and prodigiously fine white teeth,
and very bright black eyes; and her taste in dress was such that when
of a Sunday she went to the Church of the Redemptorist Fathers, in Third
Street, she was more brilliant than ever King Solomon was in all his
glory, in her startling array of vivid reds and greens and blues. But
beneath her violent exterior of energetic color she had a warm and
faithful heart, as little Minna knew already, and as her brother
Gottlieb had known for many a long good year. Therefore was Gottlieb now
gladdened by her hearty show of sympathy; and he returned with a good
will the sounding smack that she gave him with her red lips, and the
strong hug that she gave him with her stout arms.

It was at sight of this pleasing manifestation of affection that Herr
Sohnstein, the notary--who was present in the little room back of the
shop where it occurred--at once declared that he meant to buy some honey
too. And Aunt Hedwig, smiling so generously as to show every one of her
fine white teeth, promptly told him that he had better be off and buy
it, because perhaps he could buy at the same place some hugs and kisses
too: at which sally and quick repartee they all laughed. Herr Sohnstein
long had been the declared lover of Aunt Hedwig's, and long had been
held at arm's-length (quite literally occasionally) by that vigorous
person; who believed, because of her good heart, that her present duty
was not to consult her own happiness by becoming Frau Sohnstein, but
to remain the Fräulein Brekel, and care for her lonely brother and her
brother's child.

Being thus encouraged, Gottlieb bought the honey forthwith; and with
Aunt Hedwig's zealous assistance set about boiling it and straining it
and kneading it into a sticky dough, all in accordance with the wise old
baker's directions which he so long had treasured in his mind. And when
the dough was packed in earthen pots, over which bladders were tied, all
the pots were set away in the coolest part of the cellar, as far from
the great oven as possible, that the precious honey-cake might undergo
that subtle change which only comes with time.

[Illustration: Pots were set away in the coolest part of the cellar 208]

For at least a year must pass before the honey-cake really can be said
to be good at all; and the longer that it remains in the pots, even
until five-and-twenty years, the better does it become. Therefore it is
that all makers of lebkuchen who aspire to become famous professors of
the craft add each year to their stock of honey-cake, yet draw always
from the oldest pots a time-soaked dough that ever grows more precious
in its sweet excellence of age. Thus large sums--more hundreds of
dollars than a young baker, just starting upon his farinaceous career,
would dare to dream of--may be invested; and the old rich bakers who can
dower their daughters with many honey-pots know that in the matter of
sons-in-law they have but to pick and choose.

It was about Christmas-time--which is the proper time for this
office--that Gottlieb made his first honey-cake; and it was a little
before the Christmas following that his first lebkuchen was baked. For
a whole week before this portentous event occurred he was in a nervous
tremor; by day he scarcely slept; as he sat beside the oven at night his
pipe so frequently went out that twice, having thus lost track of time,
his baking of bread came near to being toast. And when at last the
fateful night arrived that saw his first batch of lebkuchen in the oven,
he actually forgot to smoke at all!

Gottlieb had but a sorry Christmas that year. The best that even
Aunt Hedwig could say of his lebkuchen was that it was not bad. Herr
Sohnstein, to be sure, brazenly declared that it was delicious; but
Gottlieb remembered that Herr Sohnstein, who conducted a flourishing
practice in the criminal courts, was trained in the art of romantic
deviations from the truth whenever it was necessary to put a good face
on a bad cause; and he observed sadly that the notary's teeth were at
variance with his tongue, for the piece of lebkuchen that Herr Sohnstein
ate was infinitessimally small. As for the regular German customers of
the bakery, they simply bit one single bite and then refused to buy.
Indeed, but for the children from St. Bridget's School--who, being
for the most part boys, and Irish boys at that, presumably could eat
anything--it is not impossible that that first baking of lebkuchen
might have remained uneaten even until this present day. And it was
due mainly to the stout stomachs of successive generations of these
enterprising boys that the series of experiments which Gottlieb then
began in the making of lebkuchen was brought, in the course of years,
to something like a satisfactory conclusion. But even at its best, never
was this lebkuchen at all like that of which in his hopeful youth he had
dreamed.

Herr Sohnstein, to be sure, spoke highly of it, and even managed to eat
of it quite considerable quantities. Gottlieb did not imagine that
Herr Sohnstein could have in this matter any ulterior motives; but Aunt
Hedwig much more than half suspected that in order to please her by
pleasing her brother he was making a sacrifice of his stomach to his
heart. If this theory had any foundation in fact, it is certain that
Herr Sohnstein did not appreciably profit by his gallant risk of
indigestion; for while Aunt Hedwig by no means seemed disposed to
shatter all his hopes by a sharp refusal, she gave no indication
whatever of any intention to permit her ripe red lips to utter the
longed-for word of assent. Aunt Hedwig, unquestionably, was needlessly
cruel in her treatment of Herr Sohnstein, and he frequently told her so.
Sometimes he would ask her, with a fine irony, if she meant to keep him
waiting for his answer until her brother had made lebkuchen as good as
the lebkuchen of Nürnberg? To which invariably she would reply that, in
the first place, she did not know of any question that he ever had asked
her that required an answer; and, in the second place, that she did mean
to keep him waiting just precisely that long. And then she would add,
with a delicate drollery that was all her own, that whenever he got
tired of waiting he might hire a whole horse-car all to himself and ride
right away. Ah, this Aunt Hedwig had a funny way with her!

And so the years slipped by; and little Minna, who laughed at the
passing years as merrily as Aunt Hedwig laughed at Herr Sohnstein, grew
up into a blithe, trig, round maiden, and ceased to be little Minna at
all. She was her mother over again, Gottlieb said; but this was not by
any means true. She did have her mother's goodness and sweetness, but
her sturdy body bespoke her father's stronger strain. Aunt Hedwig, of
this same strain, undisguisedly was stocky. Minna was only comfortably
stout, with good broad shoulders, and an honest round waist that anybody
with half an eye for waists could see would be a satisfactory armful.
And she had also Aunt Hedwig's constant cheeriness. All day long her
laugh sounded happily through the house, or her voice went blithely in
happy talk, or, failing anybody to talk to, trilled out some scrap of a
sweet old German song. The two apprentices and the young man who drove
the bread-wagon of course were wildly and desperately in love with
her--a tender passion that they dared not disclose to its object, but
that they frequently and boastingly aired to each other. Naturally these
interchanges of confidence were apt to be somewhat tempestuous. As
the result of one of them, when the elder apprentice had declared that
Minna's beautiful brown hair was finer than any wig in the window of the
hair-dresser on the west side of the square, and that she had given him
a lock of it; and when the young man who drove the bread-wagon (he was
a profane young man) had declared that it was a verdammter sight finer
than any wig, and that she hadn't--the elder apprentice got a dreadful
black eye, and the younger apprentice was almost smothered in the
dough-trough, and the young man who drove the bread-wagon had his head
broken with the peel that was broken over it.

[Illustration: Almost smothered in the dough-trough 214]

Aunt Hedwig did not need to be told, nor did Minna, the little jade, the
cause of this direful combat; and both of these amiable women thought
Gottlieb very hard-hearted because he charged the broken peel--it was
a new one--and the considerable amount of dough that was wasted by
sticking to the younger apprentice's person, against the wages of the
three combatants.

This reference to the apprentices and to the wagon shows that Gottlieb's
bakery no longer was a small bakery, but a large one. In the making of
lebkuchen, it is true, he had not prospered; but in all other ways he
had prospered amazingly. From Avenue A over to the East River, and from
far below Tompkins Square clear away to the upper regions of Lexington
Avenue, the young man who drove the bread-wagon rattled along every
morning as hard as ever he could go, and he vowed and declared, this
young man did, that nothing but his love for Minna kept him in a place
where all the year round he was compelled in every single day to do the
work of two. Meanwhile the little shop on East Fourth Street had
been abandoned for a bigger shop, and this, in turn, for one still
bigger--quite a palace of a shop, with plate-glass windows--on Avenue B.
It was here, beginning in a modest way with a couple of tables whereat
chance-hungry people might sit while they ate zwieback or a thick slice
of hearty pumpernickel and drank a glass of milk, that a restaurant was
established as a tender to the bakery. It did not set out to be a large
restaurant, and, in fact, never became one. In the back part of the
shop were a dozen tables, covered with oil-cloth and decorated with
red napkins, and at these tables, under the especial direction of Aunt
Hedwig, who was a culinary genius, was served a limited, but from a
German stand-point most toothsome, bill of fare. There was Hasenpfeffer
mit Spätzle, and Sauerbraten mit Kartoffelklösse, and Rindfleisch mit
Meerrettig, and Bratwurst mit Rothkraut; and Aunt Hedwig made delicious
coffee, and the bakery of course provided all manner of sweet cakes. In
the summer-time they did a famous business in ice-cream.

On the plate-glass windows beneath the sweeping curve of white letters
in which the name of the owner of the bakery was set forth was added in
smaller letters the words "Café Nürnberger." Gottlieb and Aunt Hedwig
and the man who made the sign (this last, however, for the venal reason
that more letters would be required) had stood out stoutly for the
honest German "Kaffehaus;" but Minna, whose tastes were refined, had
insisted upon the use of the French word: there was more style about it,
she said. And this was a case in which style was wedded to substantial
excellence. What with the good things which Gottlieb baked and the good
things which Aunt Hedwig cooked, the Café Nürnberger presently
acquired a somewhat enviable reputation. It became even a resort of the
aristocracy, in this case represented by the dwellers in the handsome
houses on the eastern and northern sides of Tompkins Square. Of winter
evenings, when bright gas-light and a big glowing stove made the
restaurant a very cozy place indeed, large parties of these aristocrats
would drop in on their way home from the Thalia Theatre, and would stuff
themselves with Hasenpfeffer and Sauerbraten and Kartoffelklösse, and
would swig Aunt Hedwig's strong coffee (out of cups big enough and thick
enough to have served as shells and been fired from a mortar), until it
would seem as though they must certainly crack their aristocratic skins.

Altogether, Gottlieb was in a flourishing line of business; and but
for the deep sorrow that time never wholly could heal, and but for the
continued failure of his attempts to make a really excellent lebkuchen,
he would have been a very happy man. By this time he had come to be a
baker of ease. The hard part of the work was done by the apprentices,
and the morning delivery of bread was attended to by the young man who
drove the bread-wagon. In the summer-time he would take Minna and
Aunt Hedwig, always accompanied by her faithful Herr Sohnstein, upon
beer-drinking expeditions to Guttenberg and other fashionable suburban
resorts; and through the cozy winter evenings he smoked his long pipe
comfortably in the little room at the back of the shop, where Minna and
Aunt Hedwig sat with him, and where Herr Sohnstein, also smoking a long
pipe, usually sat with him too. Sometimes Minna would sing sweet German
songs to them, accompanying herself very creditably upon a cabinet
organ--for Minna had received not only the substantial education that
enabled her to keep the bakery accounts, but also had been instructed
in the polite accomplishments of music and the dance. In summer, when
expeditions were not on foot, these smoking parties usually were held
upon the roof; where Gottlieb had made a garden and grew roses in pots,
and even had raised some rare and delicious cauliflowers.

It was a pleasant place, that roof, of a warm summer evening, especially
when the rising full-moon sent a shimmering path of glory across the
rippling waters of the East River, and cast over the bad-smelling region
of Hunter's Point a glamour of golden haze that made it seem, oil tanks
and all, a bit of fairy-land. At such times, as they sat among the
rose-bushes and cauliflowers, Herr Sohnstein not infrequently would stop
smoking his long pipe while he slyly squeezed Aunt Hedwig's plump hand.
And Gottlieb also would stop smoking, as his thoughts wandered away
along that glittering path across the waters, and so up to heaven where
his Minna was. And then his thoughts would return to earth, to his
little Minna--for to him she still was but a child--and he would find
his sorrow lessened in thankfulness that, while his greatest treasure
was lost to him, this good daughter and so many other good things still
were his.

But the lebkuchen dream of Gottlieb's youth remained unrealized; still
unattained was the goal that twenty years before had seemed so near.
However, being a stout-hearted baker of the solid Nürnberg strain,
he did not at all surrender hope. Each year he added to his stock of
honey-cake; and he knew that when fortune favored him at last, as he
still believed that fortune would favor him, he would have in store such
honey-cake as would enable him to make lebkuchen fit to be eaten by the
Kaiser himself!

After the affair of the broken peel there was a coolness between
Gottlieb and the elder apprentice, which, increasing, led to a positive
coldness, and then to a separation. And then it was that Fate put a
large spoke in all the wheels which ran in the Café Nürnberg by bringing
into Gottlieb's employment a ruddy young Nürnberger, lately come out of
that ancient city to America, named Hans Kuhn.

It was not chance that led Hans to earn his living in a bakery when he
came to New York. He was a born baker: a baker by choice, by force of
natural genius, by hereditary right. Back in the dusk of the Middle
Ages, as far as ever the traditions of his family and the records of
the Guild of Bakers of Nürnberg ran, all the men of his race had been
bakers, and famous ones at that. A cumulative destiny to bake was upon
him, and he loved baking with all his heart. It was no desire to abandon
his craft that had led him to leave Nürnberg and cross the ocean;
rather was he moved by a noble ambition to build up on a broad and sure
foundation the noble art of baking in the New World. And it had chanced,
moreover, that in the conscription he had drawn an unlucky number.

When this young man entered the Café Nürnberg--being drawn thither by
its display of the name of his own native city--and asked for a job, his
air was so frank, his talk about baking so intelligent, that Gottlieb
took kindly to him at once; and Minna, sitting demurely at her accounts
in the little wire cage over which was a fine tin sign inscribed in
golden letters with the word "Cashier," was mightily well pleased, in a
demure and proper way, at sight of his ruddy cheeks and bushy shock of
light-brown hair and little yellow mustache and honest blue eyes. When
he told, in answer to Gottlieb's questions, that he was the grandson of
the very baker in Nürnberg whose delicious lebkuchen Gottlieb had eaten
when he was a boy, and that a part of his bakerly equipment was the
lebkuchen recipe that had come down in his family from the baker genius,
his remote ancestor, who had invented it--well, when he had told this
much about himself, it is not surprising that Gottlieb fairly jumped for
joy, and engaged him, not as his apprentice, but as his assistant, on
the spot.

It was rather dashing to Gottlieb's enthusiasm, however, that his
assistant--thereby manifesting a shrewd worldly wisdom--declined
immediately to impart his secret. He would make all the lebkuchen that
was required, he said, but for the present he need not tell how it was
made--possibly the Herr Brekel might not be satisfied with it, after
all. But the Herr Brekel was satisfied with it, and so was all the
neighborhood when the first batch of lebkuchen was baked and placed on
sale. Indeed, as the fame of this delicious lebkuchen went abroad, the
coming of the new baker was accepted by all Germans with discriminating
palates as one of the most important events that ever had occurred on
the East Side. The work of the young man who drove the bread-wagon was
so greatly increased that he organized a strike, uniting in his own
person the several functions of strikers, walking delegates, district
assembly, and executive committee. And when the strike collapsed--that
is to say, when the young man was discharged summarily--Gottlieb really
did find it necessary to hire two new young men, and to buy an extra
horse and wagon. Morally speaking, therefore (although the original
young man, who remained out of employment for several weeks, and had
a pretty hard time of it, did not think so), the strike was a complete
success.

As a matter of course no well-set-up, right-thinking young fellow of
three-and-twenty could go on baking lebkuchen in the same bakery with
Minna Brekel for any length of time without falling in love with her.
Nor was it reasonable to suppose that even Minna, who had treated casual
apprentices and wagon-driving young men with a seemly scorn, would
continue to sit in the seat of the scornful when siege in form was laid
to her heart by a properly ruddy-cheeked and blue-eyed assistant baker,
whose skill was such that he could make lebkuchen fit to be eaten by the
German portion of the saints in Paradise. At the end of three months
the feelings of these young people towards each other were quite clearly
defined in their own minds; at the end of six months, as they were
sitting together one afternoon in the little back room at a time when
the shop happened to be empty, things came to the pleasing crisis that
they both for a considerable period had foreseen.

But then, unfortunately, came a storm--that neither of them had foreseen
at all--that shook the Café Nürnberg to its very foundations!

Gottlieb was the storm, and he moved over a wide area with great
rapidity and violence. He was central, naturally, over Hans and Minna:
the first of whom, after being denounced with great energy as a viper
who had been warmed to the biting point, was ordered to take himself off
without a single instant's delay, and never to darken the doors of the
Café Nürnberg again; and the second of whom was declared to be a baby
fool, who must be kept locked up in her own third-story back room, and
fed on nothing more appetizing than pumpernickel and water until she
came to her senses. In the outer edges of the storm the apprentices and
the young men who drove the wagons found themselves most hotly involved;
and a very violent gust swept down upon Aunt Hedwig and Herr Sohnstein,
who surely were as innocent in the premises as any two people quite
satisfactorily engaged in earnest but somewhat dilatory love-making of
their own very well could be. Indeed, this storm was an ill wind that
blew a famous blast of luck to Herr Sohnstein: for Aunt Hedwig, being
dreadfully upset by her brother's outbreak, went of her own accord to
Herr Sohnstein for sympathy and consolation--and found both in such
liberal quantities, and with them such tender pleadings to enter a
matrimonial haven where storms should be unknown, that presently,
smiling through her tears, she uttered the words of consent for which
the excellent notary had waited loyally through more than a dozen weary
years. It was Herr Sohn-stein's turn to be upset then. He couldn't
believe, until he had soothed himself with a phenomenal number of pipes,
that happiness so perfect could be real.

Possibly one reason why Gottlieb's storm was so violent was that he
could not give any good reason for it. Hans really was a most estimable
young man; he came of a good family; as a baker he was nothing short of
a genius. All this Gottlieb knew, and all this he frequently had said to
Aunt Hedwig and to Herr Sohnstein, and, worst of all, to Minna. As each
of these persons now pointed out to him, in order to be consistent in
his new position he must eat a great many of his own words; and he would
have essayed this indigestible banquet willingly had he been convinced
that thus he really could have proved that Hans was a viper and all the
other unpleasant things which he had called him in his wrath. In truth,
Gottlieb was, and in the depths of his heart he knew that he was,
neither more nor less than a dog in the manger. His feeling simply was
that Minna was his Minna, and that neither Hans nor anybody else had any
right to her. This was not a position that admitted of logical defence;
but it was one that he could be ugly and stick to: which was precisely
what he did.

Minna did not remain long a prisoner in her own room, feeding upon
pumpernickel and water and bitter thoughts. Aunt Hedwig and Herr
Sohnstein succeeded in putting a stop to that cruelty. And these elderly
lovers, whose fresh love had made them of a sudden as young as Minna
herself, and had filled thera with a warm sympathy for her, laid their
heads together and sought earnestly to circumvent in her interest her
father's stern decree. It was a joy to see this picture, in the little
room back of the shop, of middle-aged love-making; and it was a little
startling to find how the new youth that their love had given them
had filled them with a quite extravagantly youthful recklessness.
Herr Sohnstein, who was well known as a grave, sedate, and unusually
cautious notary, seriously suggested (though he did not explain exactly
how this would do it) that they should make an effort to bring Gottlieb
to terms by burning down the bakery. And Aunt Hedwig, whose prudent
temperament was sufficiently disclosed in the fact that she had
hesitated in the matter of her own love affair for upward of a dozen
years, not less seriously advanced the proposition that they all should
elope from the Café Nürnberg and set up a rival establishment! Herr
Sohnstein did not make any audible comment upon this violent proposal of
Aunt Hedwig's, but it evidently put an idea into his head.

As Gottlieb happened to be walking along the south side of Tompkins
Square, a fortnight or so after the tempest, he found his steps arrested
by a great sign that lay face downward on trestles across the sidewalk,
in readiness for hoisting in place upon the front of a smart new shop.
Inside the shop he saw painters and paper-hangers at work; and on the
large plate-glass window a man was gluing white letters with a dexterous
celerity. The letters already in place read "Nürnberger Lebku--" And as
to this legend he saw "chen" added, he rolled out a stout South German
oath and stamped upon the ground. But far stronger was the oath that he
uttered as the big sign was swung upward, and he read upon it, in golden
German letters:

[Illustration: Bakery Sign 226]

That the Recording Angel blotted out with his tears the fines which
he was compelled on this occasion to record against Gottlieb Brekel in
Heaven's high chancery is highly improbable. In the only known case of
such lachrymic erasure the provocation to profanity was a commendable
moral motive that was eminently unselfish. But when Gottlieb Brekel
swore roundly in his native German all the way from the south-west
corner of Tompkins Square to the corner of Third Street and the Bowery;
and from that point, when he had transacted his business there, all the
way back to the Café Nürnberg in Avenue B, his motives could not in any
wise be regarded as moral, and selfishness lay at their very root.

Gottlieb already found himself involved in serious difficulties with the
many customers who bought his lebkuchen; for with the departure of Hans
he had been compelled to fall back upon his own resources, and with
the most lamentable results. Great quantities of his first baking were
returned to him, with comments in both High German and Low German of
a very uncomplimentary sort. His second baking--saving the relatively
inconsiderable quantities consumed by the omnivorous children of St.
Bridget's School--simply remained upon his hands unsold. And now,
to make his humiliation the more complete, here was his discharged
assistant setting up as his rival; and with every probability that
the attempted rivalry would be crowned with success. Really there was
something, perhaps, to be said in palliation of Gottlieb's profanity
after all.

When he told at home that evening of Hans Kuhn's upstart pretensions,
his statements were received with an ominous silence. Aunt Hedwig
only coughed slightly, and continued her knitting with more than usual
energy. Herr Sohnstein only moved a little in his chair and puffed a
little harder than usual at his pipe. Minna, who was in her wire cage in
the shop settling her cash, only bent more intently over her books. But
when Gottlieb went a step further and said, looking very keenly at Herr
Sohnstein as he said it, that some great rascal must have lent Hans the
money to make his fine start, Aunt Hedwig at once bristled up and said
with emphasis that rascals, neither great nor small, were in the habit
of lending their money to deserving young men; and Herr Sohnstein, a
little sheepishly perhaps, and mumbling a little in his gray mustache,
ventured the statement that this was a free country already, and people
living in it were at liberty to lend their money to whom they pleased;
and Minna, looking up from her books--Gottlieb's back was turned towards
her--blew a most unfilial kiss from the tips of her chubby fingers to
Herr Sohnstein right over her father's shoulder. All of which goes
to show that something very like open war had broken out in the Café
Nürnberg, and that the once united family dwelling therein was fairly
divided into rival camps.

Gottlieb's dreary case was made a little less dreary when he found that
the lebkuchen which Hans produced in his fine new bakery was distinctly
an inferior article; not much better, in fact, than Gottlieb's own. To
any intelligent baker the reason for this was obvious: Hans was making
his lebkuchen with new honey-cake. Thus made, even by the best of
recipes, it could not be anything but a failure. Gottlieb gave a long
sigh of relief as he realized this comforting fact, and at the same time
thought of his own great store of honey-pots--there were hundreds
of them now--all ready and waiting to his hand. But his feeling of
satisfaction passed quickly to one of impotent rage as he recognized his
own powerlessness, for all his wealth of honey-pots, to make lebkuchen
which would be eaten by anybody but the tough-palated children from St.
Bridget's School. He was alone, smoking, in the little room back of the
shop as this bitter thought came to him; in his rage he struck the table
beside him a blow so sounding that the family cat, peacefully slumbering
behind the stove, sprang up with a yell of terror and made but two jumps
to the open door. Coming on top of all his other trials--the revolt of
his own little Minna, the defection of Aunt Hedwig, and the almost open
enmity of Herr Sohnstein--this compulsory surrender of all his hope of
honest fame was indeed a deadly blow.

Gottlieb smoked on in sullen anger; his heart torn and tortured, and his
mind filled with a confusion of bitter evil thoughts. And presently--for
the devil is at every man's elbow, ready to take advantage of any sudden
weakness, or turn to his own purposes any too great strength--these
thoughts grew more evil and more clear: until they fairly resolved
themselves into the determination to steal from Hans the recipe for
making lebkuchen, and so to crush completely his rival and at the same
time to make certain his own fortune and fame.

Of course the devil did not plant the notion of theft in Gottlieb's mind
in this bald fashion; for the devil is a most considerate person, and
ever shows a courteous disposition to spare the feelings of those whom
he would lead into sin. No: the temptation that he suggested was the
subtle and ingenious one that Gottlieb should proceed to recover his
own stolen property! His logic was admirable: Hans had been Gottlieb's
assistant; and as such Gottlieb had owned him and his recipe as well.
When Hans went away and took the recipe with him, he took that which
still belonged to his master. Therefore, triumphantly argued the devil,
Gottlieb had a perfect right to regain the recipe either by fair means
or by foul. And finally, as a bit of supplementary devil-logic, the
thought was suggested that inasmuch as Hans certainly must know the
recipe by heart, the mere loss of the paper on which it was written
would not be any real loss to him at all! It is only fair to Gottlieb's
good angel to state that during this able presentment of the wrong
side of the case he did venture to hint once or twice--in the feeble,
perfunctory sort of way that unfortunately seems to be characteristic of
good angels when their services really are most urgently required--that
the whole matter might be compromised satisfactorily to all the parties
in interest by permitting Hans to marry Minna, and by then taking him
into partnership in the bakery. And it is only just to Gottlieb to state
that to these fainthearted suggestions of his good angel he did not give
one moment's heed.

Now the devil is a thorough-going sort of a person, and having planted
the evil wish in Gottlieb's soul he lost no time in opening to him an
evil way to its accomplishment. When Hans, a stranger in New York, had
come to work at the Cafe Nürnberg, Gottlieb had commended him to
the good graces of a friend of his, a highly respectable little round
Brunswicker widow who let lodgings, and in the comfortable quarters thus
provided for him Hans ever since had remained. In this same house lodged
also one of Gottlieb's apprentices--a loose young fellow, for whose
proper regulation the widow more than once had been compelled to seek
his master's counsel and aid. In this combination of circumstances,
to which the devil now directed his attention, Gottlieb saw his
opportunity. It was easy to make the widow believe that the loose young
apprentice had taken the short step from looseness to crime, and that
a suspicion of theft rested upon him so heavily as to justify the
searching of his room; it was easy to make the widow keep guard below
while Gottlieb searched; and it was very easy then to search, not for
imaginary stolen goods in the chest of the apprentice, but for that
which he himself wanted to steal from the chest of Hans Kuhn. As to
opening the chest there was no difficulty at all. Gottlieb had half
a dozen Nürnberg locks in his house, and he had counted, as the event
proved correctly, upon making the key of one of these locks serve his
turn. And in the chest, without any trouble at all, he found a leather
wallet, and in the wallet the precious recipe--written on parchment
in old High German that he found very difficult to read, and dated
in Nürnberg in the year 1603. Gottlieb was pale as death as he went
down-stairs to the widow; and his teeth fairly chattered as he told her
that he had made a mistake. He tried to say that the apprentice was not
a thief--but the word _dieb_ somehow stuck in his throat. Keen chills
penetrated him as he almost ran through the streets to his home. For the
devil, who heretofore had been in front of him and had only beckoned,
now was behind him and was driving him with a right goodwill.

When he entered the room at the back of the shop, where Minna was
sewing, and where Herr Sohnstein, with his arm comfortably around Aunt
Hedwig's waist, was smoking his long pipe, he created a stir of genuine
alarm. As Aunt Hedwig very truly said, he looked as though he had seen
a ghost. Herr Sohnstein, of a more practical turn of mind, asked him if
he had been knocked down and robbed; and the word _beraubt_ grated most
harshly upon Gottlieb's ears. But what cut him most of all was the way
in which Minna--forgetting all his late unkind-ness at sight of his
pale, frightened face--sprang to him with open arms, and with all the
old love in her voice asked him to tell her what had gone wrong. Under
these favoring conditions, Gottlieb's good angel bestirred himself
somewhat more vigorously, and for a moment it seemed not impossible that
right might triumph over wrong. But the devil bustled promptly upon the
scene, and of course had things all his own way again in a moment. It
certainly is most unfortunate that good angels, as a rule, are so weak
in their angelic knees!

Gottlieb pushed Minna away from him roughly; addressed to Aunt Hedwig
the impolite remark that ghosts only were seen by women and fools; in a
surly tone informed Herr Sohnstein that policemen still were plentiful
in the vicinity of Tompkins Square; and then, having planted these
barbed arrows in the breasts of his daughter, his sister, and his
friend, sought the retirement of his own upper room. As he left them,
Minna buried her face in Aunt Hedwig's capacious bosom and cried
bitterly, and Aunt Hedwig also cried; and Herr Sohnstein, laying aside
for the moment his pipe, put his arms protectingly around them both.
They all were very miserable.

In the upper room, where the air seemed so stifling that he had to open
the window wide in order to breathe, Gottlieb was very miserable too.
He was fleeing into Tarshish, this temporarily wicked baker; and just as
fell out in the case of that other one who fled to Tarshish, his flight
was a failure: for this little world of ours is far too small to give
any one a chance to run away from committed sin.

Gottlieb tried to divert his thoughts from his crime, and at the same
time tried to reap its reward by studying the stolen recipe; but his
attempt was not successful. The cramped letters, brown with age, on the
brown parchment, danced before his eyes; and the quaint, intricate High
German phraseology became more and more involved. He could make nothing
of it at all. And the thought occurred to him that perhaps he never
would be able to make anything of it--that, without losing any part
of the penalty justly attendant upon his crime, the crime itself
might prove to be, so far as the practical benefit that he sought was
concerned, absolutely futile. As this dreadful possibility arose before
his mind a faintness and giddiness came over him. The room seemed to be
whirling around him; life seemed to be slipping away from him; there
was a strange, horrible ringing in his ears. He leaned forward over the
table at which he was sitting and buried his face in his hands.

Then, possibly, Gottlieb fell asleep, though of this he never felt
really sure. What is quite certain is that he saw, as clearly as he
ever saw her in life, his dear dead Minna; but with a face so sad, so
reproachful, so full of piteous entreaty, that his blood seemed to stand
still, while a consuming coldness settled upon his heart. He struggled
to speak with her, to assure her that he would repair the evil that he
had done, to plead for forgiveness; but, for all his striving, no other
words would come to his lips save those which a little while before
he had spoken so roughly to poor Aunt Hedwig: "The only people who see
ghosts are women and fools!"

And then, of a sudden, he found himself still seated at the table, the
brown parchment still spread out before him, and the faint light of
early morning breaking into the room. The window was wide open, as he
had left it, and he was chilled to the marrow; he had a shocking cold
in the head; there were rheumatic twinges in all his joints as he arose.
What with the physical misery arising from these causes, and the moral
misery arising from his sense of committed sin, he was in about as
desperately bad a humor with himself as a man could be. He was in no
mood to make another effort to read the difficult German of the recipe,
the cause of all his troubles. The sight of it pained him, and he thrust
it hurriedly into an old desk in which were stored (and these also
were a source of pain to him) several generations of uncollected
bills--practical proofs that the adage in regard to the impossibility of
simultaneously possessing cakes and pennies does not always hold good.

He locked the desk and put the key in his pocket; and then returned the
key to the lock and left it there, as the thought occurred to him that
the locking of this desk, that never in all the years that he had
owned it had been locked before, might arouse suspicion. It seemed most
natural to Gottlieb that his actions should be regarded with suspicion;
he had a feeling that already his crime must be known to half the world.

And before night it certainly is true that the one person most deeply
interested in the discovery and punishment of Gottlieb's crime--that
is to say, Hans Kuhn--did know all about it; which fact would seem
surprising, considering how skilfully Gottlieb had gone about his work,
were it not remembered that his unwitting accessory had been the
little round Brunswicker widow, and were it not known that little round
widows--Brunswick born or born elsewhere--as a class are incapable of
keeping a secret.

This excellent woman, to do her justice, had followed Gottlieb's orders
to the letter. He had warned her not to tell the loose apprentice
that his chest had been searched; and, so far as that apprentice was
concerned, wild horses might have been employed to drag that little
round widow to pieces--at least she might have permitted the wild horses
to be hitched up to her--before ever an indiscreet word would have
passed her lips. But when Hans Kuhn, for whom she entertained a high
respect, and for whom she had also that warmly friendly feeling which
trig middle-aged widows not seldom manifest towards good-looking young
men, came to her in a fine state of wrath, and told her that his chest
had been ransacked (he did not tell her of his loss, for he had not
himself observed it), she did not consider that she violated any
confidence in telling him everything that had occurred. It was all a
mistake, she said; the Herr Brekel had gone into the wrong room; she
must set the matter right at once; that bad young man might be a thief,
after all. Hans felt a cold thrill run through him at the widow's words.
But he controlled himself so well that she did not suspect his inward
perturbation; and she accepted in as good faith his offer to inform the
Herr Brekel of his error as she did, a day later, his assurance that the
matter had been satisfactorily adjusted, and that the innocence of the
apprentice had been proved.

And then Hans returned to his violated chest, and found that the dread
which had assailed his soul was founded in substantial truth--the recipe
was gone! In itself the loss of the recipe was no very great matter, for
he knew it by heart; but that Gottlieb--who had also a cellar full of
rich old honey-cake--should have gained possession of it was a desperate
matter indeed. Here instantly was an end to the hope of successful
rivalry that Hans had cherished; and with the wreck of his luck in
trade, as it seemed to him in the first shock of his misfortune, away
in fragments to the four winds of heaven was scattered every vestige
of probability that he would have luck in love. Being so suddenly
confronted with a compound catastrophe so overwhelming, even a bolder
baker than Hans Kuhn very well might have been for a time aghast.

But as his wits slowly came together again Hans perceived that the game
was not by any means lost, after all; on the contrary, it looked very
much as though he had it pretty well in his own hands. Gottlieb was a
thief, and all that was needed to complete the chain of evidence against
him was his first baking of lebkuchen; for that as clearly would prove
him to be in possession of the stolen recipe as what the widow could
tell would prove that he had created for himself an opportunity to steal
it. The most agreeable way of winning a father-in-law is not by force of
threatening to hale him to a police court, but it is better to win him
that way than not to win him at all, Hans thought; and he thought also
that this was one of the occasions when it was quite justifiable to
fight the devil with fire. So his spirits rose, and now he longed for,
as eagerly as in the first moments of his loss he had dreaded, the
production of such lebkuchen at the Café Nürnberg as would prove the
proprietor of that highly respectable establishment to be neither more
nor less than a robber.

Hans was both annoyed and surprised as time passed on and the "cakes
succulent but damnatory" were not forthcoming from Gottlieb's oven. He
himself went on making unsatisfactory lebkuchen of bad materials by a
good formula, and Gottlieb continued to make unsatisfactory lebkuchen
by a bad formula of the best materials. Orthodox German palates found
nothing to commend and much to reprobate in both results. This was the
situation for several weeks. Hans could not understand it at all. The
subject was a delicate one to broach to Minna during their short but
blissful interviews about dusk in the central fastnesses of Tompkins
Square, at which interviews Aunt Hedwig winked and Herr Sohnstein
openly connived by keeping watch for them against Gottlieb's possible
appearance; for Hans had determined that until he had positive proof to
go upon he would keep secret, and most of all from Minna, the dreadful
fact of her father's crime. Therefore did he remain in a state of very
harrowing uncertainty, with his plan of campaign completely brought to a
stand.

During this period a heavy cloud hung over the Café Nürnberg. Gottlieb
came fitfully to his meals; and when he did come, he ate almost nothing.
Each day he grew more and more morose; each night, when poor Aunt Hedwig
was not kept awake by her own sorrowful thoughts, her slumbers were,
broken by hearing her brother pacing heavily the floor of the adjoining
room. In some sort he made up for his loss of sleep at night by sleeping
of an evening in the little room back of the shop, falling into restless
naps (when he should have been restfully smoking his long pipe), from
which he would wake with a start and sometimes with a cry of alarm, and
would dart furtive horrified glances at Aunt Hedwig and Herr Sohnstein:
who were doing nothing of a horrifying nature, only sitting cozily close
together, more or less enfolded in each other's arms. It was a little
inconsiderate on the part of the lovers, and very-hard on Minna, this
extremely open love-making; for Minna's love-making necessarily was
by fitful snatches amid the bleak desolations of Tompkins Square. They
would try to comfort each other, she and Hans, as they stood cheerlessly
under the chill lee of the music stand; but their outlook was a dreary
one, and their efforts in this direction were not crowned with any great
success. Sometimes as Minna came home again along the west side of the
square, and saw in Spengler's window the wreaths of highly-artificial
immortelles with the word "Ruhe" upon them in vivid purple letters,
she fairly would fall to crying over the thought that until she should
become a fit subject for such a wreath there was small chance that any
real rest would be hers.

However, all this is aside from Gottlieb's horrified looks as he waked
from his troubled slumbers--looks which would disappear as he became
thoroughly aroused, but only to return again after his next uneasy nap.
One day he startled Aunt Hedwig by asking her if she believed in ghosts.
Remembering his severe words in condemnation of her casual reference to
these supernatural beings, it was with some hesitation that she replied
that she did. Still more to her surprise, Gottlieb turned away from her
hurriedly, yet not so hurriedly but that she saw a strange, scared look
upon his face, and in a low and trembling voice replied: "And so do I!"

And now the fact may as well be admitted frankly that a ghost was the
disturbing element that was making Gottlieb's life go wrong; that, as
there seemed to be every reason to believe, was hurrying him towards the
grave: for a middle-aged German who refuses to eat, whose regular sleep
forsakes him, and who actually gives up smoking, naturally cannot be
expected to remain long in this world.

It was the ghost of his dead wife. At first she appeared to him only in
his dreams, standing beside the desk in which he had placed the stolen
recipe for making lebkuchen, and holding down the lid of that desk with
a firm but diaphanous white hand. Presently she appeared to him quite as
clearly in his waking hours. Her face still wore an expression at once
tender and reproachful; but every day the look of tenderness diminished,
while the look of reproach grew stronger and more stern. Each time that
he sought to open the desk that he might take thence the recipe and make
his crime a practical business success, the figure assumed an air
so terribly menacing that his heart failed him, and he gave over the
attempt.

This, then, was the all-sufficient reason why the good lebkuchen
that would have proved Gottlieb a thief was not for sale at the Café
Nürenburg; and this was the reason why Gottlieb himself, broken down
by loss of food and sleep and by the nervous wear and tear incident to
forced companionship with an angry ghost, was drawing each day nearer
and nearer to that dark portal through which bakers and all other people
pass hence into the shadowy region whence there is no return.

Gottlieb Brekel never had been an especially pious man. As became a
reputable German citizen, he had paid regularly the rent of a pew in the
Church of the Redemptorist Fathers in Third Street; but, excepting on
such high feasts as Christmas and Easter, he usually had been content
to occupy it and to discharge his religious duties at large vicariously.
Aunt Hed-wig's bonnet invariably was the most brilliantly conspicuous
feature of the entire congregation, just as the prettiest face in the
entire congregation invariably was Minna's. But now that Gottlieb was
confronted with a spiritual difficulty, it occurred to him that he might
advantageously resort in his extremity to spiritual aid. He had no very
clear notion how the aid would be given; he was not even clear as to
how he ought to set about asking for it; and he was troubled by the
conviction that in order to obtain it he must not only repent of his
sin, but must make atonement by restitution--a possibility (for the
devil still had a good grip upon him) that made him hesitate a long
while before he set about purchasing ease for his conscience at so heavy
a material cost. However, his good angel at last managed to pluck up
some courage--it was high time--and, strengthened by this tardily given
assistance, he betook himself in search of consolation within church
walls.

The Church of the Redemptorist Fathers is a very beautiful church, and
at all times--save through the watches of the night and through one
mid-day hour--its doors stand hospitably open, silently inviting poor
sinners, weary and heavy laden with their sins, to enter into the calm
of its quiet holiness and there find rest. Tall, slender pillars uphold
its vaulted roof, in the groinings of which lurk mysterious shadows.
Below, a warm, rich light comes through the stained-glass windows:
whereon are pictured the blessed St. Alphonsus Maria de Liguori, founder
of the Redemptorist Congregation, blessedly instructing the chubby-faced
choristers; and the Venerable Clement Hofbauer, "primus in Germania" of
the Redemptorists, all in his black gown, kneeling, praying no doubt for
the outcast German souls for the saving of which he worked so hard and
so well; and (a picture that Minna dearly loved) St. Joseph and the
sweet Virgin and the little Christ-child fleeing together through the
desert from the wrath of the Judean king. And ranged around the walls on
perches high aloft are statues of various minor saints and of the Twelve
Apostles; of which Minna's favorite was the Apostle Matthias, because
this saint, with his high forehead tending towards baldness, and his
long gray beard and gray hair, and his kindly face, and even the axe in
his hand (that was not unlike a baker's peel), made her think always
of her dear father. The pew that Gottlieb paid for so regularly, and so
irregularly occupied, was just beneath the statue of this saint; which,
however, gave Minna less pleasure than would have been hers had not the
next saint in the row been the Apostle Simon with his dreadful saw. It
must have hurt so horribly to be sawed in two, she thought. In the dusky
depths of the great chancel gleamed the white marble of the beautiful
altar, guarded by St. Peter with his keys and St. Paul with his naked
two-edged sword; and above the altar was the dead Christ on Calvary,
with His desolate mother and the despairing Magdalene and St. John the
divine.

Into this beautiful church it was that Gottlieb, led thither by his
good angel, entered; and the devil--raging in the terrible but impotent
fashion that is habitual with devils when they see slipping away from
their snares the souls which they thought to win to wickedness--of
course was forced to remain outside. But what feelings of keen
repentance filled this poor sinning baker's heart within that holy
place, what good resolves came to him, what light and refreshment
irradiated and cheered his darkened, harried soul--all these are things
which better may be suggested here than written out in full. For these
things are so real, so sacred, and so beautiful with a heavenly beauty,
that they may not lightly be used for decorative purposes in mere
romance.

Let it suffice, then, to tell--for so is our poor human stuff put
together that trivial commonplace facts often exhibit most searchingly
the changes for good or for evil which have come to pass in our
inmost souls--that Gottlieb, on returning to the Café Nürnberg, ate
a prodigious dinner; and after his dinner, for the first time in a
fortnight, smoked a thoroughly refreshing pipe.

Over his dinner and his pipe he was silent, manifesting, however, a sort
of sheepishness and constraint that were not less strange in the eyes
of Aunt Hedwig and Minna than was the sudden revival of his interest in
tobacco and food. As he smoked, a pleasant thought came to him. When he
had knocked the ashes from his pipe he ordered Minna, surlily, to bring
him his hat and coat; he must pay a visit to that rascal Sohnstein, he
said; and so went out. He left the two women lost in wonder; and Aunt
Hed-wig, because of his characterization of her dear Sohnstein as a
rascal, disposed to weep. And yet, somehow, they both felt that the
storm was breaking, and that clear weather was at hand. There was nobody
in the shop just then; and the two, standing behind the rampart of
freshly-baked cakes that was high heaped up upon the counter, embraced
each other and mingled tears, which they knew--by reason of the womanly
instinct that was in them--were tears of joy.

And that very evening the prophecy of happiness that was in their joyful
sorrow was happily fulfilled.

Gottlieb did not return to the Café Nürnberg until after nine o'clock.
With him came Herr Sohnstein. They both were very grave and silent, yet
both exhibited a most curious twinklesomeness in their eyes. Neither
Aunt Hedwig nor Minna could make anything of their strange mood; and
Aunt Hedwig was put to her trumps completely when she was sure that
she saw her brother--who was whispering to Herr Sohnstein behind the
pie-counter--poke the notary in the ribs. As to the joint chuckle at
that moment of those two mysterious men there could be no doubt; she
heard it distinctly! 14

Still further to Aunt Hedwig's surprise, for the Café Nürnberg never
was closed before ten o'clock, and usually remained open much later,
Gottlieb himself began to put up the shutters; and when this work was
finished he came back into the shop and locked behind him the double
front door. Almost as he turned the key there was a knock outside, as
though somebody actually had been waiting in the street for the signal
that the closing of the shutters gave.

"Another rascal would come in already, Sohn-stein," said Gottlieb,
gruffly. "Open for him, but lock the door again. I must go up-stairs."

Gottlieb, with a queer smile upon his face, left the little back room;
and a moment later Minna uttered a cry of surprise, as Herr Sohnstein
unlocked the door and her own Hans entered the shop. What, she thought,
could all these wonders mean? As for Aunt Hedwig, she had sunk down into
her big armchair and her bright black eyes seemed to be fairly starting
from her head.

Herr Sohnstein locked the door again, as he had been ordered to do, and
then brought Hans through the shop and into the little back room. Hans
evidently was not a party to the mystery, whatever the mystery might
be. He looked at Minna as wonderingly as she looked at him, and he was
distressingly ill at ease. But there was no time for either of them
to ask questions, for as Hans entered the room from the shop, Gottlieb
returned to it. In his hand Gottlieb held the brown old parchment on
which the lebkuchen recipe was written; the smile had left his face; he
was very pale. For a moment there was an awkward pause. Then Gottlieb,
trembling a little as he walked, crossed the room to where Hans stood
and placed the parchment in his hands. And it was in a trembling, broken
voice that Gottlieb said:

"Hans, a most wicked man have I been. But my dead Minna has helped me,
and here I give again to thee what I stole from thy chest--I who was a
robber." Then Gottlieb covered his face with his hands, and presently
each of his bony knuckles sparkled with a pendant tear.

"My own dear father!" said Minna; and her arms were around him, and her
head was pressed close upon his breast.

"My own good brother, thou couldst not be a thief!" said Aunt Hedwig;
and, so saying, clasped her stout arms around them both.

"My good old friend! all now is right again," said Herr Sohnstein; who
then affected to put his arms around the three, but really embraced only
Aunt Hedwig. However, there was quite enough of Aunt Hedwig to fill even
Herr Sohnstein's long arms; and he made the average of his one-third of
an embrace all right by bestowing it with a threefold energy.

The position of Hans as he regarded this affectionately writhing group
(that was not unsuggestive of the Laöcoon: with a new motive, a fourth
figure, a commendable addition of draperies, and a conspicuous lack of
serpents) would have been awkward under any circumstances; and as the
circumstances were sufficiently awkward to begin with, he was very much
embarrassed indeed. To Aunt Hed-wig's credit be it said that she was the
first (after Minna, of course; and Minna could not properly act in the
premises) to perceive his forsaken condition.

"Come, Hans," said the good Hedwig, her voice shaken by emotion and the
tightness of Herr Sohn-stein's grip about her waist.

"Thou hadst better come, Hans," added Herr Sohnstein, jollily.

"_Wilt_ thou come, Hans--and forgive me?" Gottlieb asked.

But it was not until Minna said, very faintly, yet with a heavenly
sweetness in her voice: "Thou _mayst_ come, Hans!" that Hans actually
came.

[Illustration: Thou mayst come, Hans 248]

And then for a while there was such hearty embracing of as much of
the other four as each of them could grasp that the like of it all for
good-will and lovingness never had been seen in a bakery before. And
Gottlieb's good angel exulted greatly; and the devil, who had lingered
about the premises in the hope that even at the eleventh hour the powers
of evil might get the better of the powers of good, acknowledged his
defeat with a howl of baffled rage: and then fled away in a blue flame
and a flash of lightning that made the waters of the East River (which
stream he was compelled to wade, thanks to General Newton, who took away
his stepping-stones) fairly hiss and bubble. And never did he dare to
show so much as the end of his wicked nose in the Café Nürnberg again!

"But thou wilt not take from me this little one, my daughter, Hans?"
Gottlieb asked, when they had somewhat disentangled themselves. "Thou
wilt come and live with us, and be my partner, and together we will make
the good lebkuchen once more. Is it not so?"

Hans found this a trying question. He looked at Herr Sohnstein,
doubtfully. "Ah," said Herr Sohnstein, "thou meanest that a very
hard-hearted, money-lending man has hired a shop for thee and has made
it the most splendid bakery and the finest restaurant on all the East
Side, eh? And thou art afraid that this man, this old miser man, will
keep thee to thy bargainings, already?"

Hans gave a deprecating nod of assent.

"Well, my boy Hans," Herr Sohnstein continued, with great good-humor,
and sliding his arm well around Aunt Hedwig's generous waist again as he
spoke--"well, my boy Hans, let me tell thee that that bad old miser man
is not one-half so bad as thou wouldst think. Dost thou remember that
when he had a garden made upon the roof of that fine bakery, and thou
toldst to him that to make a garden there was to waste his money, what
he said? Did he not say that if he made the garden God would send the
flowers? And when that fine sign was made with 'Nürnberger Bäkerei' upon
it, and thou toldst to him that to take that name of Nürnberg was not
fair to his old friend, did he not tell thee that with his old friend
he would settle that matter so that there should be no broken bones? For
did he not know already that for these five years past it has been the
wish of Gottlieb's heart to leave this old bakery--where his lease ends
this very coming May--and to have just such a new fine bakery upon the
Square as now you two together will have? Ah, this bad old miser man is
not afraid but that his miser money will come back to him again; and he
is not such a fool but that he had faith in his good friend Gottlieb,
and knew that all would end well. And now, truly, all will be happiness:
for Gottlieb, who has gained a good son, can spare to me this dear
Hed-wig, his sister, and he will come to church with us and see us all
married in one bright day."

Aunt Hedwig looked up into Herr Sohnstein's face as he ended this long
speech--not so fine, perhaps, as some of the speeches which he had
delivered in the criminal courts, but much more moving and a great deal
more genuine than the very best of them--and, with her eyes filling
with happy tears, said to him: "And it is to thee that we owe it, this
happiness!"

But Herr Sohnstein's face grew grave and his voice grew reverent as he
answered: "It is not so, my Hedwig. We owe our happiness to the good God
who has taken away the evil that was in our dear Gottlieb's heart." They
all were very quiet for a little space, and upon the silence broke the
sweet sound of the clock bell in the near-by church-tower.

When the last stroke had sounded Herr Sohnstein spoke again, and in his
customary jolly tone: "As for these young ones here, we will unlock the
door and let them walk out and look for a little at the music-stand that
they love so well in the Square. And Hedwig shall sit beside me while
we smoke our pipes, Gottlieb, eh? It is a long time already, old friend,
since thou and I have sat together and smoked our pipes."






End of Project Gutenberg's A Romance Of Tompkins Square, by Thomas A. Janvier

*** END OF THIS PROJECT GUTENBERG EBOOK A ROMANCE OF TOMPKINS SQUARE ***

***** This file should be named 23808-8.txt or 23808-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/3/8/0/23808/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.