Immensee

By Theodor Storm

The Project Gutenberg EBook of Immensee, by Theodore W. Storm

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Immensee

Author: Theodore W. Storm

Posting Date: July 28, 2010 [EBook #6650]
Release Date: October, 2004

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK IMMENSEE ***




Produced by Delphine Lettau, Charles Franks, and the Online
Distributed Proofreading Team.









IMMENSEE

BY THEODOR W. STORM

TRANSLATED BY C. W. BELL M. A.




PREFACE



We are at the beginning of a new era which will, it is to be hoped, be
marked by a general _rapprochement_ between the nations. The need to
know and understand one another is being felt more and more. It follows
that the study of foreign languages will assume an ever-increasing
importance; indeed, so far as language, literature, and music are
concerned, one may safely assert that _fas est et ab hoste doceri_.

All those who wish to make acquaintance with the speech of their
neighbours, or who have allowed their former knowledge to grow rusty,
will welcome this edition, which will enable them, independently of
bulky dictionaries, to devote to language study the moments of leisure
which offer themselves in the course of the day.

The texts have been selected from the double point of view of their
literary worth and of the usefulness of their vocabulary; in the
translations, also, the endeavour has been to unite qualities of style
with strict fidelity to the original.




INTRODUCTION



Theodor W. Storm, poet and short-story writer (1817-1888), was born in
Schleswig. He was called to the Bar in his native town, Husum, in
1842, but had his licence to practise cancelled in 1853 for
'Germanophilism,' and had to remove to Germany. It was only in 1864
that he was able to return to Husum, where in 1874 he became a judge
of the Court of Appeals.

As early as 1843 he had made himself known as a lyrical poet of the
Romantic School, but it was as a short-story writer that he first took
a prominent place in literature, making a most happy _début_ with
the story entitled _Immensee_.

There followed a long series of tales, rich in fancy and in humour,
although their inspiration is generally derived from the humble town
and country life which formed his immediate environment; but he wrote
nothing that excels, in depth and tenderness of feeling, the charming
story of _Immensee_; and taking his work all in all, Storm still
ranks to-day as a master of the short story in German literature, rich
though it is in this form of prose-fiction.




IMMENSEE




THE OLD MAN



One afternoon in the late autumn a well-dressed old man was walking
slowly down the street. He appeared to be returning home from a walk,
for his buckle-shoes, which followed a fashion long since out of date,
were covered with dust.

Under his arm he carried a long, gold-headed cane; his dark eyes, in
which the whole of his long-lost youth seemed to have centred, and
which contrasted strangely with his snow-white hair, gazed calmly on
the sights around him or peered into the town below as it lay before
him, bathed in the haze of sunset. He appeared to be almost a
stranger, for of the passers-by only a few greeted him, although many
a one involuntarily was compelled to gaze into those grave eyes.

At last he halted before a high, gabled house, cast one more glance
out toward the town, and then passed into the hall. At the sound of
the door-bell some one in the room within drew aside the green curtain
from a small window that looked out on to the hall, and the face of an
old woman was seen behind it. The man made a sign to her with his
cane.

"No light yet!" he said in a slightly southern accent, and the
housekeeper let the curtain fall again.

The old man now passed through the broad hall, through an inner hall,
wherein against the walls stood huge oaken chests bearing porcelain
vases; then through the door opposite he entered a small lobby, from
which a narrow staircase led to the upper rooms at the back of the
house. He climbed the stairs slowly, unlocked a door at the top, and
landed in a room of medium size.

It was a comfortable, quiet retreat. One of the walls was lined with
cupboards and bookcases; on the other hung pictures of men and places;
on a table with a green cover lay a number of open books, and before
the table stood a massive arm-chair with a red velvet cushion.

After the old man had placed his hat and stick in a corner, he sat down
in the arm-chair and, folding his hands, seemed to be taking his rest
after his walk. While he sat thus, it was growing gradually darker; and
before long a moonbeam came streaming through the window-panes and upon
the pictures on the wall; and as the bright band of light passed slowly
onward the old man followed it involuntarily with his eyes.

Now it reached a little picture in a simple black frame. "Elisabeth!"
said the old man softly; and as he uttered the word, time had changed:
_he was young again_.

       *       *       *       *       *




THE CHILDREN



Before very long the dainty form of a little maiden advanced toward
him. Her name was Elisabeth, and she might have been five years old.
He himself was twice that age. Round her neck she wore a red silk
kerchief which was very becoming to her brown eyes.

"Reinhard!" she cried, "we have a holiday, a holiday! No school the
whole day and none to-morrow either!"

Reinhard was carrying his slate under his arm, but he flung it behind
the front door, and then both the children ran through the house into
the garden and through the garden gate out into the meadow. The
unexpected holiday came to them at a most happily opportune moment.

It was in the meadow that Reinhard, with Elisabeth's help, had built a
house out of sods of grass. They meant to live in it during the summer
evenings; but it still wanted a bench. He set to work at once; nails,
hammer, and the necessary boards were already to hand.

While he was thus engaged, Elisabeth went along the dyke, gathering
the ring-shaped seeds of the wild mallow in her apron, with the object
of making herself chains and necklaces out of them; so that when
Reinhard had at last finished his bench in spite of many a crookedly
hammered nail, and came out into the sunlight again, she was already
wandering far away at the other end of the meadow.

"Elisabeth!" he called, "Elisabeth!" and then she came, her hair
streaming behind her.

"Come here," he said; "our house is finished now. Why, you have got
quite hot! Come in, and let us sit on the new bench. I will tell you a
story."

So they both went in and sat down on the new bench. Elisabeth took the
little seed-rings out of her apron and strung them on long threads.
Reinhard began his tale: "There were once upon a time three
spinning-women..."[1]

[1] The beginning of one of the best known of Grimm's fairy tales.

"Oh!" said Elisabeth, "I know that off by heart; you really must not
always tell me the same story."

Accordingly Reinhard had to give up the story of the three
spinning-women and tell instead the story of the poor man who was cast
into the den of lions.

"It was now night," he said, "black night, you know, and the lions
were asleep. But every now and then they would yawn in their sleep and
shoot out their red tongues. And then the man would shudder and think
it was morning. All at once a bright light fell all about him, and
when he looked up an angel was standing before him. The angel beckoned
to him with his hand and then went straight into the rocks."

Elisabeth had been listening attentively. "An angel?" she said. "Had
he wings then?"

"It is only a story," answered Reinhard; "there are no angels, you
know."

"Oh, fie! Reinhard!" she said, staring him straight in the face.

He looked at her with a frown, and she asked him hesitatingly: "Well,
why do they always say there are? mother, and aunt, and at school as
well?"

"I don't know," he answered.

"But tell me," said Elisabeth, "are there no lions either?"

"Lions? Are there lions? In India, yes. The heathen priests harness
them to their carriages, and drive about the desert with them. When
I'm big, I mean to go out there myself. It is thousands of times more
beautiful in that country than it is here at home; there's no winter
at all there. And you must come with me. Will you?"

"Yes," said Elisabeth; "but mother must come with us, and your mother
as well."

"No," said Reinhard, "they will be too old then, and cannot come with
us."

"But I mayn't go by myself."

"Oh, but you may right enough; you will then really be my wife, and
the others will have no say in the matter."

"But mother will cry!"

"We shall come back again of course," said Reinhard impetuously. "Now
just tell me straight out, will you go with me? If not, I will go all
alone, and then I shall never come back again."

The little girl came very near to crying. "Please don't look so
angry," said she; "I will go to India with you."

Reinhard seized both her hands with frantic glee, and rushed out with
her into the meadow.

"To India, to India!" he sang, and swung her round and round, so that
her little red kerchief was whirled from off her neck. Then he
suddenly let her go and said solemnly:

"Nothing will come of it, I'm sure; you haven't the pluck."

"Elisabeth! Reinhard!" some one was now calling from the garden gate.
"Here we are!" the children answered, and raced home hand in hand.

       *       *       *       *       *




IN THE WOODS



So the children lived together. She was often too quiet for him, and
he was often too head-strong for her, but for all that they stuck to
one another. They spent nearly all their leisure hours together: in
winter in their mothers' tiny rooms, during the summer in wood and
field.

Once when Elisabeth was scolded by the teacher in Reinhard's hearing,
he angrily banged his slate upon the table in order to turn upon
himself the master's wrath. This failed to attract attention.

But Reinhard paid no further attention to the geography lessons, and
instead he composed a long poem, in which he compared himself to a
young eagle, the schoolmaster to a grey crow, and Elisabeth to a white
dove; the eagle vowed vengeance on the grey crow, as soon as his wings
had grown.

Tears stood in the young poet's eyes: he felt very proud of himself.
When he reached home he contrived to get hold of a little
parchment-bound volume with a lot of blank pages in it; and on the first
pages he elaborately wrote out his first poem.

Soon after this he went to another school. Here he made many new
friendships among boys of his own age, but this did not interrupt his
comings and goings with Elisabeth. Of the stories which he had
formerly told her over and over again he now began to write down the
ones which she had liked best, and in doing so the fancy often took
him to weave in something of his own thoughts; yet, for some reason he
could not understand, he could never manage it.

So he wrote them down exactly as he had heard them himself. Then he
handed them over to Elisabeth, who kept them carefully in a drawer of
her writing-desk, and now and again of an evening when he was present
it afforded him agreeable satisfaction to hear her reading aloud to
her mother these little tales out of the notebooks in which he had
written them.

Seven years had gone by. Reinhard was to leave the town in order to
proceed to his higher education. Elisabeth could not bring herself to
think that there would now be a time to be passed entirely without
Reinhard. She was delighted when he told her one day that he would
continue to write out stories for her as before; he would send them to
her in the letters to his mother, and then she would have to write
back to him and tell him how she liked them.

The day of departure was approaching, but ere it came a good deal more
poetry found its way into the parchment-bound volume. This was the one
secret he kept from Elisabeth, although she herself had inspired the
whole book and most of the songs, which gradually had filled up almost
half of the blank pages.

It was the month of June, and Reinhard was to start on the following
day. It was proposed to spend one more festive day together and
therefore a picnic was arranged for a rather large party of friends in
an adjacent forest.

It was an hour's drive along the road to the edge of the wood, and
there the company took down the provision baskets from the carriages
and walked the rest of the way. The road lay first of all through a
pine grove, where it was cool and darksome, and the ground was all
strewed with pine needles.

After half an hour's walk they passed out of the gloom of the pine
trees into a bright fresh beech wood. Here everything was light and
green; every here and there a sunbeam burst through the leafy
branches, and high above their heads a squirrel was leaping from
branch to branch.

The party came to a halt at a certain spot, over which the topmost
branches of ancient beech trees interwove a transparent canopy of
leaves. Elisabeth's mother opened one of the baskets, and an old
gentleman constituted himself quartermaster.

"Round me, all of you young people," he cried, "and attend carefully
to what I have to say to you. For lunch each one of you will now get
two dry rolls; the butter has been left behind at home. The extras
every one must find for himself. There are plenty of strawberries in
the wood--that is, for anyone who knows where to find them. Unless you
are sharp, you'll have to eat dry bread; that's the way of the world
all over. Do you understand what I say?"

"Yes, yes," cried the young folks.

"Yes, but look here," said the old gentleman, "I have not done yet. We
old folks have done enough roaming about in our time, and therefore we
will stay at home now, here, I mean, under these wide-spreading trees,
and we'll peel the potatoes and make a fire and lay the table, and by
twelve o'clock the eggs shall be boiled.

"In return for all this you will be owing us half of your
strawberries, so that we may also be able to serve some dessert. So
off you go now, east and west, and mind be honest."

The young folks cast many a roguish glance at one another.

"Wait," cried the old gentleman once again. "I suppose I need not tell
you this, that whoever finds none need not produce any; but take
particular note of this, that he will get nothing out of us old folks
either. Now you have had enough good advice for to-day; and if you
gather strawberries to match you will get on very well for the present
at any rate."

The young people were of the same opinion, and pairing off in couples
set out on their quest.

"Come along, Elisabeth," said Reinhard, "I know where there is a clump
of strawberry bushes; you shan't eat dry bread."

Elisabeth tied the green ribbons of her straw hat together and hung it
on her arm. "Come on, then," she said, "the basket is ready."

Off into the wood they went, on and on; on through moist shady glens,
where everything was so peaceful, except for the cry of the falcon
flying unseen in the heavens far above their heads; on again through
the thick brushwood, so thick that Reinhard must needs go on ahead to
make a track, here snapping off a branch, there bending aside a
trailing vine. But ere long he heard Elisabeth behind him calling out
his name. He turned round.

"Reinhard!" she called, "do wait for me! Reinhard!"

He could not see her, but at length he caught sight of her some way
off struggling with the undergrowth, her dainty head just peeping out
over the tops of the ferns. So back he went once more and brought her
out from the tangled mass of briar and brake into an open space where
blue butterflies fluttered among the solitary wood blossoms.

Reinhard brushed the damp hair away from her heated face, and would
have tied the straw hat upon her head, but she refused; yet at his
earnest request she consented after all.

"But where are your strawberries?" she asked at length, standing still
and drawing a deep breath.

"They were here," he said, "but the toads have got here before us, or
the martens, or perhaps the fairies."

"Yes," said Elisabeth, "the leaves are still here; but not a word
about fairies in this place. Come along, I'm not a bit tired yet; let
us look farther on."

In front of them ran a little brook, and on the far side the wood
began again. Reinhard raised Elisabeth in his arms and carried her
over. After a while they emerged from the shady foliage and stood in a
wide clearing.

"There must be strawberries here," said the girl, "it all smells so
sweet."

They searched about the sunny spot, but they found none. "No," said
Reinhard, "it is only the smell of the heather."

Everywhere was a confusion of raspberry-bushes and holly, and the air
was filled with a strong smell of heather, patches of which alternated
with the short grass over these open spaces.

"How lonely it is here!" said Elisabeth "I wonder where the others
are?"

Reinhard had never thought of getting back.

"Wait a bit," he said, holding his hand aloft; "where is the wind
coming from?" But wind there was none.

"Listen!" said Elisabeth, "I think I heard them talking. Just give a
call in that direction."

Reinhard hollowed his hand and shouted: "Come here!"

"Here!" was echoed back.

"They answered," cried Elisabeth clapping her hands.

"No, that was nothing; it was only the echo."

Elisabeth seized Reinhard's hand. "I'm frightened!" she said.

"Oh! no, you must not be frightened. It is lovely here. Sit down there
in the shade among the long grass. Let us rest awhile: we'll find the
others soon enough."

Elisabeth sat down under the overhanging branch of a beech and
listened intently in every direction. Reinhard sat a few paces off on
a tree stump, and gazed over at her in silence.

The sun was just above their heads, shining with the full glare of
midday heat. Tiny, gold-flecked, steel-blue flies poised in the air
with vibrating wings. Their ears caught a gentle humming and buzzing
all round them, and far away in the wood were heard now and again the
tap-tap of the woodpecker and the screech of other birds.

"Listen," said Elisabeth, "I hear a bell."

"Where?" asked Reinhard.

"Behind us. Do you hear it? It is striking twelve o'clock."

"Then the town lies behind us, and if we go straight through in this
direction we are bound to fall in with the others."

So they started on their homeward way; they had given up looking for
strawberries, for Elisabeth had become tired. And at last there rang
out from among the trees the laughing voices of the picnic party; then
they saw too a white cloth spread gleaming on the ground; it was the
luncheon-table and on it were strawberries enough and to spare.

The old gentleman had a table-napkin tucked in his button-hole and was
continuing his moral sermon to the young folks and vigorously carving
a joint of roast meat.

"Here come the stragglers," cried the young people when they saw
Reinhard and Elisabeth advancing among the trees.

"This way," shouted the old gentleman. "Empty your handkerchiefs,
upside down, with your hats! Now show us what you have found."

"Only hunger and thirst," said Reinhard.

"If that's all," replied the old man, lifting up and showing them the
bowl full of fruit, "you must keep what you've got. You remember the
agreement: nothing here for lazybones to eat."

But in the end he was prevailed on to relent; the banquet proceeded,
and a thrush in a juniper bush provided the music.

So the day passed. But Reinhard had, after all, found something, and
though it was not strawberries yet it was something that had grown in
the wood. When he got home this is what he wrote in his old
parchment-bound volume:

    Out on the hill-side yonder
       The wind to rest is laid;
     Under the drooping branches
       There sits the little maid.

    She sits among the wild thyme,
       She sits in the fragrant air;
    The blue flies hum around her,
       Bright wings flash everywhere.

    And through the silent woodland
       She peers with watchful eyen,
    While on her hazel ringlets
       Sparkles the glad sunshine.

    And far, far off the cuckoo
       Laughs out his song.
    I ween Hers are the bright, the golden
       Eyes of the woodland queen.

So she was not only his little sweetheart, but was also the expression
of all that was lovely and wonderful in his opening life.

       *       *       *       *       *




BY THE ROADSIDE THE CHILD STOOD



The time is Christmas Eve. Before the close of the afternoon Reinhard
and some other students were sitting together at an old oak table in the
Ratskeller.[2]

[2] The basement of the Rathaus or Town Hall. This, in almost every
German town of importance, has become a restaurant and place of
refreshment.

The lamps on the wall were lighted, for down here in the basement it was
already growing dark; but there was only a thin sprinkling of customers
present, and the waiters were leaning idly up against the pillars let
into the walls.

In a corner of the vaulted room sat a fiddler and a fine-featured
gipsy-girl with a zither; their instruments lay in their laps, and
they seemed to be looking about them with an air of indifference.

A champagne cork popped off at the table occupied by the students.
"Drink, my gipsy darling!" cried a young man of aristocratic
appearance, holding out to the girl a glass full of wine.

"I don't care about it," she said, without altering her position.

"Well, then, give us a song," cried the young nobleman, and threw a
silver coin into her lap. The girl slowly ran her fingers through her
black hair while the fiddler whispered in her ear. But she threw back
her head, and rested her chin on her zither.

"For him," she said, "I'm not going to play."

Reinhard leapt up with his glass in his hand and stood in front of
her.

"What do you want?" she asked defiantly.

"To have a look at your eyes."

"What have my eyes to do with you?"

Reinhard's glance flashed down on her. "I _know_ they are false."

She laid her cheek in the palm of her hand and gave him a searching
look. Reinhard raised his glass to his mouth.

"Here's to your beautiful, wicked eyes!" he said, and drank.

She laughed and tossed her head.

"Give it here," she said, and fastening her black eyes on his, she
slowly drank what was left in the glass. Then she struck a chord and
sang in a deep, passionate voice:

    To-day, to-day thou think'st me
       Fairest maid of all;
    To-morrow, ah! then beauty
       Fadeth past recall.
    While the hour remaineth,
       Thou art yet mine own;
    Then when death shall claim me,
       I must die alone.

While the fiddler struck up an allegro finale, a new arrival joined
the group.

"I went to call for you, Reinhard," he said, "You had already gone
out, but Santa Claus had paid you a visit."

"Santa Claus?" said Reinhard. "Santa Claus never comes to me now."

"Oh, yes, he does! The whole of your room smelt of Christmas tree and
ginger cakes."

Reinhard dropped the glass out of his hand and seized his cap.

"Well, what are you going to do now?" asked the girl.

"I'll be back in a minute."

She frowned. "Stay," she said gently, casting an amorous glance at
him.

Reinhard hesitated. "I can't," he said.

She laughingly gave him a tap with the toe of her shoe and said: "Go
away, then, you good-for-nothing; you are one as bad as the other, all
good-for-nothings." And as she turned away from him, Reinhard went
slowly up the steps of the Ratskeller.

Outside in the street deep twilight had set in; he felt the cool
winter air blowing on his heated brow. From some window every here and
there fell the bright gleam of a Christmas tree all lighted up, now
and then was heard from within some room the sound of little pipes and
tin trumpets mingled with the merry din of children's voices.

Crowds of beggar children were going from house to house or climbing
up on to the railings of the front steps, trying to catch a glimpse
through the window of a splendour that was denied to them. Sometimes
too a door would suddenly be flung open, and scolding voices would
drive a whole swarm of these little visitors away out into the dark
street. In the vestibule of yet another house they were singing an old
Christmas carol, and little girls' clear voices were heard among the
rest.

But Reinhard heard not; he passed quickly by them all, out of one
street into another. When he reached his lodging it had grown almost
quite dark; he stumbled up the stairs and so gained his apartment.

A sweet fragrance greeted him; it reminded him of home; it was the
smell of the parlour in his mother's house at Christmas time. With
trembling hand he lit his lamp; and there lay a mighty parcel on the
table. When he opened it, out fell the familiar ginger cakes. On some
of them were the initial letters of his name written in sprinkles of
sugar; no one but Elisabeth could have done that.

Next came to view a little parcel containing neatly embroidered linen,
handkerchiefs and cuffs; and finally letters from his mother and
Elisabeth. Reinhard opened Elisabeth's letter first, and this is what
she wrote:

"The pretty sugared letters will no doubt tell you who helped with the
cakes. The same person also embroidered the cuffs for you. We shall
have a very quiet time at home this Christmas Eve. Mother always puts
her spinning-wheel away in the corner as early as half-past nine. It
is so very lonesome this winter now that you are not here.

"And now, too, the linnet you made me a present of died last Sunday.
It made me cry a good deal, though I am sure I looked after it well.

"It always used to sing of an afternoon when the sun shone on its
cage. You remember how often mother would hang a piece of cloth over
the cage in order to keep it quiet when it sang so lustily.

"Thus our room is now quieter than ever, except that your old friend
Eric now drops in to see us occasionally. You told us once that he was
just like his brown top-coat. I can't help thinking of it every time
he comes in at the door, and it is really too funny; but don't tell
mother, it might easily make her angry.

"Guess what I am giving your mother for a Christmas present! You can't
guess? Well, it is myself! Eric is making a drawing of me in black
chalk; I have had to give him three sittings, each time for a whole
hour.

"I simply loathed the idea of a stranger getting to know my face so
well. Nor did I wish it, but mother pressed me, and said it would very
much please dear Frau Werner.

"But you are not keeping your word, Reinhard. You haven't sent me any
stories. I have often complained to your mother about it, but she
always says you now have more to do than to attend to such childish
things. But I don't believe it; there's something else perhaps."

After this Reinhard read his mother's letter, and when he had read
them both and slowly folded them up again and put them away, he was
overcome with an irresistible feeling of home-sickness. For a long
while he walked up and down his room, talking softly to himself, and
then, under his breath, he murmured:

    I have err'd from the straight path,
      Bewildered I roam;
    By the roadside the child stands
      And beckons me home.

Then he went to his desk, took out some money, and stepped down into
the street again. During all this while it had become quieter out
there; the lights on the Christmas trees had burnt out, the
processions of children had come to an end. The wind was sweeping
through the deserted streets; old and young alike were sitting
together at home in family parties; the second period of Christmas Eve
celebrations had begun.

As Reinhard drew near the Ratskeller he heard from below the scraping
of the fiddle and the singing of the zither girl. The restaurant door
bell tinkled and a dark form staggered up the broad dimly-lighted
stair.

Reinhard drew aside into the shadow of the houses and then passed
swiftly by. After a while he reached the well-lighted shop of a
jeweller, and after buying a little cross studded with red corals, he
returned by the same way he had come.

Not far from his lodgings he caught sight of a little girl, dressed in
miserable rags, standing before a tall door, in a vain attempt to open
it.

"Shall I help you?" he said.

The child gave no answer, but let go the massive door-handle. Reinhard
had soon opened the door.

"No," he said; "they might drive you out again. Come along with me,
and I'll give you some Christmas cake."

He then closed the door again and gave his hand to the little girl,
who walked along with him in silence to his lodgings.

On going out he had left the light burning.

"Here are some cakes for you," he said, pouring half of his whole
stock into her apron, though he gave none that bore the sugar letters.

"Now, off you go home, and give your mother some of them too."

The child cast a shy look up at him; she seemed unaccustomed to such
kindness and unable to say anything in reply. Reinhard opened the
door, and lighted her way, and then the little thing like a bird flew
downstairs with her cakes and out of the house.

Reinhard poked the fire in the stove, set the dusty ink-stand on the
table, and then sat down and wrote and wrote letters the whole night
long to his mother and Elisabeth.

The remainder of the Christmas cakes lay untouched by his side, but he
had buttoned on Elisabeth's cuffs, and odd they looked on his shaggy
coat of undyed wool. And there he was still sitting when the winter
sun cast its light on the frosted window-panes, and showed him a pale,
grave face reflected in the looking-glass.

       *       *       *       *       *




HOME



When the Easter vacation came Reinhard journeyed home. On the morning
after his arrival he went to see Elisabeth.

"How tall you've grown," he said, as the pretty, slender girl advanced
with a smile to meet him. She blushed, but made no reply; he had taken
her hand in his own in greeting, and she tried to draw it gently away.
He looked at her doubtingly, for never had she done that before; but
now it was as if some strange thing was coming between them.

The same feeling remained, too, after he had been at home for some
time and came to see her constantly day after day. When they sat alone
together there ensued pauses in the conversation which distressed him,
and which he anxiously did his best to avoid. In order to have a
definite occupation during the holidays, he began to give Elisabeth
some instruction in botany, in which he himself had been keenly
interested during the early months of his university career.

Elisabeth, who was wont to follow him in all things and was moreover
very quick to learn, willingly entered into the proposal. So now
several times in the week they made excursions into the fields or the
moors, and if by midday they brought home their green field-box full
of plants and flowers, Reinhard would come again later in the day and
share with Elisabeth what they had collected in common.

With this same object in view, he entered the room one afternoon while
Elisabeth was standing by the window and sticking some fresh chick-weed
in a gilded birdcage which he had not seen in the place before. In the
cage was a canary, which was flapping its wings and shrilly chirruping
as it pecked at Elisabeth's fingers. Previously to this Reinhard's bird
had hung in that spot.

"Has my poor linnet changed into a goldfinch after its death?" he
asked jovially.

"Linnets are not accustomed to do any such thing," said Elizabeth's
mother, who sat spinning in her arm-chair. "Your friend Eric sent it
this noon from his estate as a present for Elisabeth."

"What estate?"

"Why, don't you know?"

"Know what?"

"That a month ago Eric took over his father's second estate by the
Immensee."[3]

[3] _i.e._ the 'Lake of the Bees'

"But you have never said a word to me about it."

"Well," said the mother, "you haven't yet made a single word of
inquiry after your friend. He is a very nice, sensible young man."

The mother went out of the room to make the coffee. Elisabeth had her
back turned to Reinhard, and was still busy with the making of her
little chick-weed bower.

"Please, just a little longer," she said, "I'll be done in a minute."

As Reinhard did not answer, contrary to his wont, she turned round and
faced him. In his eyes there was a sudden expression of trouble which
she had never observed before in them.

"What is the matter with you, Reinhard?" she said, drawing nearer to
him.

"With me?" he said, his thoughts far away and his eyes resting
dreamily on hers.

"You look so sad."

"Elisabeth," he said, "I cannot bear that yellow bird."

She looked at him in astonishment, without understanding his meaning.
"You are so strange," she said.

He took both her hands in his, and she let him keep them there. Her
mother came back into the room shortly after; and after they had drunk
their coffee she sat down at her spinning-wheel, while Reinhard and
Elisabeth went off into the next room to arrange their plants.

Stamens were counted, leaves and blossoms carefully opened out, and
two specimens of each sort were laid to dry between the pages of a
large folio volume.

All was calm and still this sunny afternoon; the only sounds to be
heard were the hum of the mother's spinning-wheel in the next room,
and now and then the subdued voice of Reinhard, as he named the orders
of the families of the plants, and corrected Elisabeth's awkward
pronunciation of the Latin names.

"I am still short of that lily of the valley which I didn't get last
time," said she, after the whole collection had been classified and
arranged.

Reinhard pulled a little white vellum volume from his pocket. "Here is
a spray of the lily of the valley for you," he said, taking out a
half-pressed bloom.

When Elisabeth saw the pages all covered with writing, she asked:
"Have you been writing stories again?"

"These aren't stories," he answered, handing her the book.

The contents were all poems, and the majority of them at most filled
one page. Elisabeth turned over the leaves one after another; she
appeared to be reading the titles only. "When she was scolded by the
teacher." "When they lost their way in the woods." "An Easter story."
"On her writing to me for the first time." Thus ran most of the
titles.

Reinhard fixed his eyes on her with a searching look, and as she kept
turning over the leaves he saw that a gentle blush arose and gradually
mantled over the whole of her sweet face. He would fain have looked
into her eyes, but Elisabeth did not look up, and finally laid the
book down before him without a word.

"Don't give it back like that," he said.

She took a brown spray out of the tin case. "I will put your favourite
flower inside," she said, giving back the book into his hands.

At length came the last day of the vacation and the morning of his
departure. At her own request Elisabeth received permission from her
mother to accompany her friend to the stage-coach, which had its
station a few streets from their house.

When they passed out of the front door Reinhard gave her his arm, and
thus he walked in silence side by side with the slender maiden. The
nearer they came to their destination the more he felt as if he had
something he must say to her before he bade her a long farewell,
something on which all that was worthy and all that was sweet in his
future life depended, and yet he could not formulate the saving word.
In his anguish, he walked slower and slower.

"You'll be too late," she said; "it has already struck ten by St
Mary's clock."

But he did not quicken his pace for all that. At last he stammered
out:

"Elisabeth, you will not see me again for two whole years. Shall I be
as dear to you as ever when I come back?"

She nodded, and looked affectionately into his face.

"I stood up for you too," she said, after a pause.

"Me? And against whom had you to stand up for me?"

"Against my mother. We were talking about you a long time yesterday
evening after you left. She thought you were not so nice now as you
once were."

Reinhard held his peace for a moment: then he took her hand in his,
and looking gravely into her childish eyes, he said:

"I am still just as nice as I ever was; I would have you firmly
believe that. Do you believe it, Elisabeth?"

"Yes," she said.

He freed her hand and quickly walked with her through the last street.
The nearer he felt the time of parting approach, the happier became
the look on his face; he went almost too quickly for her.

"What is the matter with you, Reinhard?" she asked.

"I have a secret, a beautiful secret," said Reinhard, looking at her
with a light in his eyes. "When I come back again in two years' time,
then you shall know it."

Meanwhile they had reached the stage-coach; they were only just in
time. Once more Reinhard took her hand. "Farewell!" he said,
"farewell, Elisabeth! Do not forget!"

She shook her head. "Farewell," she said. Reinhard climbed up into the
coach and the horses started. As the coach rumbled round the corner of
the street he saw her dear form once more as she slowly wended her way
home.

       *       *       *       *       *




A LETTER



Nearly two years later Reinhard was sitting by lamplight with his
books and papers around him, expecting a friend with whom he used to
study in common. Some one came upstairs. "Come in." It was the
landlady. "A letter for you, Herr Werner," and she went away.

Reinhard had never written to Elisabeth since his visit home, and he
had received no letter from her. Nor was this one from her; it was in
his mother's handwriting.

Reinhard broke the seal and read, and ere long he came to this
paragraph:

"At your time of life, my dear boy, nearly every year still brings its
own peculiar experience; for youth is apt to turn everything to the
best account. At home, too, things have changed very much, and all
this will, I fear, cause you much pain at first, if my understanding
of you is at all correct.

"Yesterday Eric was at last accepted by Elisabeth, after having twice
proposed in vain during the last three months. She had never been able
to make up her mind to it, but now in the end she has done so. To my
mind she is still far too young. The wedding is to take place soon,
and her mother means to go away with them."

       *       *       *       *       *




IMMENSEE



Again years have passed. One warm afternoon in spring a young man,
whose sunburnt face was the picture of health, was walking along a
shady road through the wood leading down to the valley below.

His grave dark eyes looked intently into the distance, as though he
was expecting to find every moment some change in the monotony of the
road, a change however which seemed reluctant to come about. At length
he saw a cart slowly coming up from below.

"Hullo! my friend," shouted the traveller to the farmer, who was
walking by the side of the cart, "is this the right road to Immensee?"

"Yes, straight on," answered the man touching his slouch hat.

"Is it still far off?"

"You are close to the place, sir. In less time than it takes to smoke
half a pipe of tobacco you'll be at the lake side, and the manor is
hard by."

The farmer passed on while the other quickened his pace as he went
along under the trees. After a quarter of an hour's walk the shade to
the left of him suddenly came to an end; the road led along a steep
slope from which the ancient oaks growing below hardly reared their
topmost branches.

Away over their crests opened out a broad, sunny landscape. Far below
lay the peaceful, dark-blue lake, almost entirely surrounded by green
sun-lit woods, save where on one spot they divided and afforded an
extensive view until it closed in the distant blue mountains.

Straight opposite, in the middle of all this forest verdure, there lay
a patch of white, like driven snow. This was an expanse of blossoming
fruit-trees, and out of them, up on the high lake shore, rose the
manor-house, shining white, with tiles of red. A stork flew up from
the chimney, and circled slowly above the waters.

"Immensee!" exclaimed the traveller.

It almost seemed as if he had now reached the end of his journey, for
he stood motionless, looking out over the tops of the trees at his
feet, and gazing at the farther shore, where the reflection of the
manor-house floated, rocking gently, on the bosom of the water. Then
he suddenly started on his way again.

His road now led almost steeply down the mountain-side, so that the
trees that had once stood below him again gave him their shade, but at
the same time cut off from him the view of the lake, which only now
and then peeped out between the gaps in the branches.

Soon the way went gently upwards again, and to left and right the
woods disappeared, yielding place to vine-clad hills stretching along
the pathway; while on either side stood fruit-trees in blossom, filled
with the hum of the bees as they busily pried into the blossoms. A
tall man wearing a brown overcoat advanced to meet the traveller. When
he had almost come up to him, he waved his cap and cried out in a loud
voice:

"Welcome, welcome, brother Reinhard! Welcome to my Immensee estate!"

"God's greeting to you[4], Eric, and thank you for
your welcome," replied the other.

[4] This form of salutation is especially common in the south of
Germany.

By this time they had come up close to one another, and clasped hands.

"And is it really you?" said Eric, when he at last got a near sight of
the grave face of his old school-fellow.

"It is I right enough, Eric, and I recognize you too; only you almost
look cheerier than you ever did before."

At these words a glad smile made Eric's plain features all the more
cheerful.

"Yes, brother Reinhard," he said, as he once more held out his hand to
him, "but since those days, you see, I have won the great prize; but
you know that well enough."

Then he rubbed his hands and cried cheerily: "This _will_ be a
surprise! You are the last person she expects to see."

"A surprise?" asked Reinhard. "For whom, pray?"

"Why, for Elisabeth."

"Elisabeth! You haven't told her a word about my visit?"

"Not a word, brother Reinhard; she has no thought of you, nor her
mother either. I invited you entirely on the quiet, in order that the
pleasure might be all the greater. You know I always had little quiet
schemes of my own."

Reinhard turned thoughtful; he seemed to breathe more heavily the
nearer they approached the house.

On the left side of the road the vineyards came to an end, and gave
place to an extensive kitchen-garden, which reached almost as far as
the lake-shore. The stork had meanwhile come to earth and was striding
solemnly between the vegetable beds.

"Hullo!" cried Eric, clapping his hands together, "if that long-legged
Egyptian isn't stealing my short pea-sticks again!"

The bird slowly rose and flew on to the roof of a new building, which
ran along the end of the kitchen-garden, and whose walls were covered
with the branches of the peach and apricot trees that were trained
over them.

"That's the distillery," said Eric. "I built it only two years ago. My
late father had the farm buildings rebuilt; the dwelling-house was
built as far back as my grandfather's time. So we go ever forward a
little bit at a time."

Talking thus they came to a wide, open space, enclosed at the sides by
farm-buildings, and in the rear by the manor-house, the two wings of
which were connected by a high garden wall. Behind this wall ran dark
hedges of yew trees, while here and there syringa trees trailed their
blossoming branches over into the courtyard.

Men with faces scorched by the sun and heated with toil were walking
over the open space and gave a greeting to the two friends, while Eric
called out to one or another of them some order or question about
their day's work.

By this time they had reached the house. They entered a high, cool
vestibule, at the far end of which they turned to the left into a
somewhat darker passage.

Here Eric opened a door and they passed into a spacious room that
opened into a garden. The heavy mass of leafage that covered the
opposite windows filled this room at either end with a green twilight,
while between the windows two lofty wide-open folding-doors let in the
full glow of spring sunshine, and afforded a view into a garden, laid
out with circular flower-beds and steep hedgerows and divided by a
straight, broad path, along which the eye roamed out on to the lake
and away over the woods growing on the opposite shore.

As the two friends entered, a breath of wind bore in upon them a
perfect stream of fragrance.

On a terrace in front of the door leading to the garden sat a girlish
figure dressed in white. She rose and came to meet the two friends as
they entered, but half-way she stood stock-still as if rooted to the
spot and stared at the stranger. With a smile he held out his hand to
her.

"Reinhard!" she cried. "Reinhard! Oh! is it you? It is such a long
time since we have seen each other."

"Yes, a long time," he said, and not a word more could he utter; for
on hearing her voice he felt a keen, physical pain at his heart, and
as he looked up to her, there she stood before him, the same slight,
graceful figure to whom he had said farewell years ago in the town
where he was born.

Eric had stood back by the door, with joy beaming from his eyes.

"Now, then, Elisabeth," he said, "isn't he really the very last person
in the world you would have expected to see?"

Elisabeth looked at him with the eyes of a sister. "You are so kind,
Eric," she said.

He took her slender hand caressingly in his. "And now that we have
him," he said, "we shall not be in a hurry to let him go. He has been
so long away abroad, we will try to make him feel at home again. Just
see how foreign-looking he has become, and what a distinguished
appearance he has!"

Elisabeth shyly scanned Reinhard's face. "The time that we have been
separated is enough to account for that," she said.

At this moment in at the door came her mother, key-basket on arm.

"Herr Werner!" she cried, when she caught sight of Reinhard; "ah! you
are as dearly welcome as you are unexpected."

And so the conversation went smoothly on with questions and answers.
The ladies sat over their work, and while Reinhard enjoyed the
refreshment that had been prepared for him, Eric had lighted his huge
meerschaum pipe and sat smoking and conversing by his side.

Next day Reinhard had to go out with him to see the fields, the
vineyards, the hop-garden, the distillery. It was all well appointed;
the people who were working on the land or at the vats all had a
healthy and contented look.

For dinner the family assembled in the room that opened into the
garden, and the day was spent more or less in company just according
to the leisure of the host and hostess. Only during the hours
preceding the evening meal, as also during the early hours of the
forenoon, did Reinhard stay working in his own room.

For some years past, whenever he could come across them, he had been
collecting the rhymes and songs that form part of the life of the
people, and now set about arranging his treasure, and wherever
possible increasing it by means of fresh records from the immediate
neighbourhood.

Elisabeth was at all times gentle and kind. Eric's constant attentions
she received with an almost humble gratitude, and Reinhard thought at
whiles that the gay, cheerful child of bygone days had given promise
of a somewhat less sedate womanhood.

Ever since the second day of his visit he had been wont of an evening
to take a walk along the shore of the lake. The road led along close
under the garden. At the end of the latter, on a projecting mound,
there was a bench under some tall birch trees. Elisabeth's mother had
christened it the Evening Bench, because the spot faced westward, and
was mostly used at that time of the day in order to enjoy a view of
the sunset.

One evening Reinhard was returning from his walk along this road when
he was overtaken by the rain. He sought shelter under one of the
linden trees that grew by the water-side, but the heavy drops were
soon pelting through the leaves. Wet through as he was he resigned
himself to his fate and slowly continued his homeward way.

It was almost dark; the rain fell faster and faster. As he drew near
to the Evening Bench he fancied he could make out the figure of a
woman dressed in white standing among the gleaming birch tree trunks.
She stood motionless, and, as far as he could make out on approaching
nearer, with her face turned in his direction, as if she was expecting
some one.

He thought it was Elisabeth. But when he quickened his pace in order
that he might catch up to her and then return together with her
through the garden into the house, she turned slowly away and
disappeared among the dark side-paths.

He could not understand it; he was almost angry with Elisabeth, and yet
he doubted whether it had really been she. He was, however, shy of
questioning her about it--nay, he even avoided going into the
garden-room on his return to the house for fear he should happen to see
Elisabeth enter through the garden-door.

       *       *       *       *       *




BY MY MOTHER'S HARD DECREE



Some days later, as evening was already closing in, the family was, as
usual at this time of the day, sitting all together in their
garden-room. The doors stood wide open, and the sun had already sunk
behind the woods on the far side of the lake.

Reinhard was invited to read some folk-songs which had been sent to
him that afternoon by a friend who lived away in the country. He went
up to his room and soon returned with a roll of papers which seemed to
consist of detached neatly written pages.

So they all sat down to the table, Elisabeth beside Reinhard. "We
shall read them at random," said the latter, "I have not yet looked
through them myself."

Elisabeth unrolled the manuscript. "Here's some music," she said, "you
must sing it, Reinhard."

To begin with he read some Tyrolese ditties[5] and as he read on he
would now and then hum one or other of the lively melodies. A general
feeling of cheeriness pervaded the little party.

[5] Dialectal for _Schnitterhüpfen_, _i.e._ 'reapers' dances,' sung
especially in the Tyrol and in Bavaria.

"And who, pray, made all these pretty songs?" asked Elisabeth.

"Oh," said Eric, "you can tell that by listening to the rubbishy
things--tailors' apprentices and barbers and such-like merry folk."

Reinhard said: "They are not made; they grow, they drop from the clouds,
they float over the land like gossamer, hither and thither, and are sung
in a thousand places at the same time.[6] We discover in these songs our
very inmost activities and sufferings: it is as if we all had helped to
write them."

[6] These fine cobwebs, produced by field-spiders, have always in the
popular mind been connected with the gods. After the advent of
Christianity they were connected with the Virgin Mary. The shroud in
which she was wrapped after her death was believed to have been woven of
the very finest thread, which during her ascent to Heaven frayed away
from her body.

He took up another sheet: "I stood on the mountain height..."[7]

[7] An ancient folk-song which treats of a beautiful but poor maiden,
who, being unable to marry 'the young count,' retired to a convent.

"I know that one," cried Elisabeth; "begin it, do, Reinhard, and I
will help you out."

So they sang that famous melody, which is so mysterious that one can
hardly believe that it was ever conceived by the heart of man,
Elisabeth with her slightly clouded contralta taking the second part
to the young man's tenor.

The mother meanwhile sat busy with her needlework, while Eric listened
attentively, with one hand clasped in the other. The song finished,
Reinhard laid the sheet on one side in silence. Up from the lake-shore
came through the evening calm the tinkle of the cattle bells; they
were all listening without knowing why, and presently they heard a
boy's clear voice singing:

    I stood on the mountain height
    And viewed the deep valley beneath....

Reinhard smiled. "Do you hear that now? So it passes from mouth to
mouth."

"It is often sung in these parts," said Elisabeth.

"Yes," said Eric, "it is Casper the herdsman; he is driving the heifers
home."[8]

[8] _Starke_ is the southern dialect word for _Färse_, 'young cow,'
'heifer.'

They listened a while longer until the tinkle of the bells died away
behind the farm buildings. "These melodies are as old as the world,"
said Reinhard; "they slumber in the depths of the forest; God knows
who discovered them."

He drew forth a fresh sheet.

It had now grown darker; a crimson evening glow lay like foam over the
woods in the farther side of the lake. Reinhard unrolled the sheet,
Elisabeth caught one side of it in her hand, and they both examined it
together. Then Reinhard read:

    By my mother's hard decree
    Another's wife I needs must be;
    Him on whom my heart was set,
    Him, alas! I must forget;
    My heart protesting, but not free.

    Bitterly did I complain
    That my mother brought me pain.
    What mine honour might have been,
    That is turned to deadly sin.
    Can I ever hope again?

    For my pride what can I show,
    And my joy, save grief and woe?
    Oh! could I undo what's done,
    O'er the moor scorched by the sun
    Beggarwise I'd gladly go.

During the reading of this Reinhard had felt an imperceptible
quivering of the paper; and when he came to an end Elisabeth gently
pushed her chair back and passed silently out into the garden. Her
mother followed her with a look. Eric made as if to go after, but the
mother said:

"Elisabeth has one or two little things to do outside," so he remained
where he was.

But out of doors the evening brooded darker and darker over garden and
lake. Moths whirred past the open doors through which the fragrance of
flower and bush floated in increasingly; up from the water came the
croak of the frogs, under the windows a nightingale commenced his song
answered by another from within the depths of the garden; the moon
appeared over the tree-tops.

Reinhard looked for a little while longer at the spot where
Elisabeth's sweet form had been lost to sight in the thick-foliaged
garden paths, and then he rolled up his manuscript, bade his friends
good-night and passed through the house down to the water.

The woods stood silent and cast their dark shadow far out over the
lake, while the centre was bathed in the haze of a pale moonlight. Now
and then a gentle rustle trembled through the trees, though wind there
was none; it was but the breath of summer night.

Reinhard continued along the shore. A stone's throw from the land he
perceived a white water-lily. All at once he was seized with the
desire to see it quite close, so he threw off his clothes and entered
the water. It was quite shallow; sharp stones and water plants cut his
feet, and yet he could not reach water deep enough for him to swim in.

Then suddenly he stepped out of his depth: the waters swirled above
him; and it was some time before he rose to the surface again. He
struck out with hands and feet and swam about in a circle until he had
made quite sure from what point he had entered the water. And soon too
he saw the lily again floating lonely among the large, gleaming
leaves.

He swam slowly out, lifting every now and then his arms out of the
water so that the drops trickled down and sparkled in the moonlight.
Yet the distance between him and the flower showed no signs of
diminishing, while the shore, as he glanced back at it, showed behind
him in a hazy mist that ever deepened. But he refused to give up the
venture and vigorously continued swimming in the same direction.

At length he had come so near the flower that he was able clearly to
distinguish the silvery leaves in the moonlight; but at the same time
he felt himself entangled in a net formed by the smooth stems of the
water plants which swayed up from the bottom and wound themselves
round his naked limbs.

The unfamiliar water was black all round about him, and behind him he
heard the sound of a fish leaping. Suddenly such an uncanny feeling
overpowered him in the midst of this strange element that with might
and main he tore asunder the network of plants and swam back to land
in breathless haste. And when from the shore he looked back upon the
lake, there floated the lily on the bosom of the darkling water as far
away and as lonely as before.

He dressed and slowly wended his way home. As he passed out of the
garden into the room he discovered Eric and the mother busied with
preparations for a short journey which had to be undertaken for
business purposes on the morrow.

"Where ever have you been so late in the dark?" the mother called out
to him.

"I?" he answered, "oh, I wanted to pay a call on the water-lily, but I
failed."

"That's beyond the comprehension of any man," said Eric. "What on
earth had you to do with the water-lily?"

"Oh, I used to be friends with the lily once," said Reinhard; "but
that was long ago."

       *       *       *       *       *




ELISABETH



The following afternoon Reinhard and Elisabeth went for a walk on the
farther side of the lake, strolling at times through the woodland, at
other times along the shore where it jutted out into the water.
Elisabeth had received injunctions from Eric, during the absence of
himself and her mother to show Reinhard the prettiest views in the
immediate neighbourhood, particularly the view toward the farm itself
from the other side of the lake. So now they proceeded from one point
to another.

At last Elisabeth got tired and sat down in the shade of some
overhanging branches. Reinhard stood opposite to her, leaning against
a tree trunk; and as he heard the cuckoo calling farther back in the
woods, it suddenly struck him that all this had happened once before.
He looked at her and with an odd smile asked:

"Shall we look for strawberries?"

"It isn't strawberry time," she said.

"No, but it will soon be here."

Elisabeth shook her head in silence; then she rose and the two
strolled on together. And as they wandered side by side, his eyes ever
and again were bent toward her; for she walked gracefully and her step
was light. He often unconsciously fell back a pace in order that he
might feast his eyes on a full view of her.

So they came to an open space overgrown with heather where the view
extended far over the country-side. Reinhard bent down and plucked a
bloom from one of the little plants that grew at his feet. When he
looked up again there was an expression of deep pain on his face.

"Do you know this flower?" he asked.

She gave him a questioning look. "It is an erica. I have often
gathered them in the woods."

"I have an old book at home," he said; "I once used to write in it all
sorts of songs and rhymes, but that is all over and done with long
since. Between its leaves also there is an erica, but it is only a
faded one. Do you know who gave it me?"

She nodded without saying a word; but she cast down her eyes and fixed
them on the bloom which he held in his hand. For a long time they
stood thus. When she raised her eyes on him again he saw that they
were brimming over with tears.

"Elisabeth," he said, "behind yonder blue hills lies our youth. What
has become of it?"

Nothing more was spoken. They walked dumbly by each other's side down
to the lake. The air was sultry; to westward dark clouds were rising.
"There's going to be a storm," said Elisabeth, hastening her steps.
Reinhard nodded in silence, and together they rapidly sped along the
shore till they reached their boat.

On the way across Elisabeth rested her hand on the gunwale of the
boat. As he rowed Reinhard glanced along at her, but she gazed past
him into the distance. And so his glance fell downward and rested on
her hand, and the white hand betrayed to him what her lips had failed
to reveal.

It revealed those fine traces of secret pain that so readily mark a
woman's fair hands, when they lie at nights folded across an aching
heart. And as Elisabeth felt his glance resting on her hand she let it
slip gently over the gunwale into the water.

On arriving at the farm they fell in with a scissors grinder's cart
standing in front of the manor-house. A man with black, loosely-flowing
hair was busily plying his wheel and humming a gipsy melody between his
teeth, while a dog that was harnessed to the cart lay panting hard by.
On the threshold stood a girl dressed in rags, with features of faded
beauty, and with outstretched hand she asked alms of Elisabeth.

Reinhard thrust his hand into his pocket, but Elisabeth was before
him, and hastily emptied the entire contents of her purse into the
beggar's open palm. Then she turned quickly away, and Reinhard heard
her go sobbing up the stairs.

He would fain have detained her, but he changed his mind and remained
at the foot of the stairs. The beggar girl was still standing at the
doorway, motionless, and holding in her hand the money she had
received.

"What more do you want?" asked Reinhard.

She gave a sudden start: "I want nothing more," she said; then,
turning her head toward him and staring at him with wild eyes, she
passed slowly out of the door. He uttered a name, but she heard him
not; with drooping head, with arms folded over her breast, she walked
down across the farmyard:

    Then when death shall claim me,
       I must die alone.

An old song surged in Reinhard's ears, he gasped for breath; a little
while only, and then he turned away and went up to his chamber.

He sat down to work, but his thoughts were far afield. After an hour's
vain attempt he descended to the parlour. Nobody was in it, only cool,
green twilight; on Elisabeth's work-table lay a red ribbon which she
had worn round her neck during the afternoon. He took it up in his
hand, but it hurt him, and he laid it down again.

He could find no rest. He walked down to the lake and untied the boat.
He rowed over the water and trod once again all the paths which he and
Elisabeth had paced together but a short hour ago. When he got back
home it was dark. At the farm he met the coachman, who was about to
turn the carriage horses out into the pasture; the travellers had just
returned.

As he came into the entrance hall he heard Eric pacing up and down the
garden-room. He did not go in to him; he stood still for a moment, and
then softly climbed the stairs and so to his own room. Here he sat in
the arm-chair by the window. He made himself believe that he was
listening to the nightingale's throbbing music in the garden hedges
below, but what he heard was the throbbing of his own heart.
Downstairs in the house every one went to bed, the night-hours passed,
but he paid no heed.

For hours he sat thus, till at last he rose and leaned out of the open
window. The dew was dripping among the leaves, the nightingale had
ceased to trill. By degrees the deep blue of the darksome sky was
chased away by a faint yellow gleam that came from the east; a fresh
wind rose and brushed Reinhard's heated brow; the early lark soared
triumphant up into the sky.

Reinhard suddenly turned and stepped up to the table. He groped about
for a pencil and when he had found one he sat down and wrote a few
lines on a sheet of white paper. Having finished his writing he took
up hat and stick, and leaving the paper behind him, carefully opened
the door and descended to the vestibule.

The morning twilight yet brooded in every corner; the big house-cat
stretched its limbs on the straw mat and arched its back against
Reinhard's hand, which he unthinkingly held out to it. Outside in the
garden the sparrows were already chirping their patter from among the
branches, and giving notice to all that the night was now past.[9]

[9] Literally, "sang out pompously, like priests." The word seems to
have been coined by the author. The English 'patter' is derived from
_Pater noster_, and seems an appropriate translation.

Then within the house he heard a door open on the upper floor; some
one came downstairs, and on looking up he saw Elisabeth standing
before him. She laid her hand upon his arm, her lips moved, but not a
word did he hear.

Presently she said: "You will never come back. I know it; do not deny
it; you will never come back."

"No, never," he said.

She let her hand fall from his arm and said no more. He crossed the
hall to the door, then turned once more. She was standing motionless
on the same spot and looking at him with lifeless eyes. He advanced
one step and opened his arms toward her; then, with a violent effort,
he turned away and so passed out of the door.

Outside the world lay bathed in morning light, the drops of pearly dew
caught on the spiders' webs glistened in the first rays of the rising
sun. He never looked back; he walked rapidly onward; behind him the
peaceful farmstead gradually disappeared from view as out in front of
him rose the great wide world.

       *       *       *       *       *




THE OLD MAN



The moon had ceased to shine in through the window-panes, and it had
grown quite dark; but the old man still sat in his arm-chair with
folded hands and gazed before him into the emptiness of the room.

Gradually, the murky darkness around him dissolved away before his
eyes and changed into a broad dark lake; one black wave after another
went rolling on farther and farther, and on the last one, so far away
as to be almost beyond the reach of the old man's vision, floated
lonely among its broad leaves a white water-lily.

The door opened, and a bright glare of light filled the room.

"I am glad that you have come, Bridget," said the old man. "Set the
lamp upon the table."

Then he drew his chair up to the table, took one of the open books and
buried himself in studies to which he had once applied all the
strength of his youth.







End of the Project Gutenberg EBook of Immensee, by Theodore W. Storm

*** END OF THIS PROJECT GUTENBERG EBOOK IMMENSEE ***

***** This file should be named 6650-8.txt or 6650-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/6/5/6650/

Produced by Delphine Lettau, Charles Franks, and the Online
Distributed Proofreading Team.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.