Verses

By Susan Coolidge

The Project Gutenberg EBook of Verses, by Susan Coolidge

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Verses

Author: Susan Coolidge

Posting Date: August 8, 2009 [EBook #4560]
Release Date: October, 2003
First Posted: February 11, 2002

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK VERSES ***




Produced by Charles Franks and the Online Distributed Proofreading Team.









VERSES.


BY


SUSAN COOLIDGE.




TO J. H.  AND E. W. H.

  Nourished by peaceful suns and gracious dew,
  Your sweet youth budded and your sweet lives grew,
  And all the world seemed rose-beset for you.

  The rose of beauty was your mutual dower,
  The stainless rose of love, an early flower,
  The stately blooms of ease and wealth and power.

  And treading thus on pathways flower-bestrewn,
  It well might be, that, cold and careless grown,
  You both had lived for your own joys alone.

  But, holding all these fair things as in trust.
  Gently you walked, still scattering on the dust
  Of harder roads, which others tread, and must,--

  Your heritage of brightness, not a ray
  Of noontide sought you out, but straight away
  You caught and halved it with some darker day:

  And as the sweet saint's loaves were turned, it is said,
  To roses, so your roses turned to bread,
  That hungering souls and weary might be fed.

  Dear friends, my poor words do but paint you wrong,
  Nor can I utter, in one trivial song,
  The goodness I have honored for so long.

  Only this leaf, a single petal flung,
  One chord from a full harmony unsung,
  May speak the life-long love that lacks a tongue.






CONTENTS.


  To J. H. and E. W. H.
  Prelude
  Commissioned
  The Cradle Tomb in Westminster Abbey
  "Of such as I have"
  A Portrait
  When?
  On the Shore
  Among the Lilies
  November
  Embalmed
  Ginevra Degli Amieri
  Easter Lilies
  Ebb-Tide
  Flood-Tide
  A Year
  Tokens
  Her Going
  A Lonely Moment
  Communion
  A Farewell
  Ebb and Flow
  Angelus
  The Morning Comes Before the Sun
  Laborare est Orare
  Eighteen
  Outward Bound
  From East to West
  Una
  Two Ways to Love
  After-Glow
  Hope and I
  Left Behind
  Savoir c'est Pardonner
  Morning
  A Blind Singer
  Mary
  When Love went
  Overshadowed
  Time to Go
  Gulf-Stream
  My White Chrysanthemum
  Till the Day Dawn
  My Birthday
  By the Cradle
  A Thunder Storm
  Through the Door
  Readjustment
  At the Gate
  A Home
  The Legend of Kintu
  Easter
  Bind-Weed
  April
  May
  Secrets
  How the Leaves Came Down
  Barcaroles
  My Rights
  Solstice
  In the Mist
  Within
  Menace
  "He That Believeth Shall Not Make Haste"
  My Little Ghost
  Christmas
  Benedicam Domino




PRELUDE.

  Poems are heavenly things,
  And only souls with wings
  May reach them where they grow,
  May pluck and bear below,
  Feeding the nations thus
  With food all glorious.

  Verses are not of these;
  They bloom on earthly trees,
  Poised on a low-hung stem,
  And those may gather them
  Who cannot fly to where
  The heavenly gardens are.

  So I by devious ways
  Have pulled some easy sprays
  From the down-dropping bough
  Which all may reach, and now
  I knot them, bud and leaf,
  Into a rhymed sheaf.

  Not mine the pinion strong
  To win the nobler song;
  I only cull and bring
  A hedge-row offering
  Of berry, flower, and brake,
  If haply some may take.






VERSES.






COMMISSIONED.

"Do their errands; enter into the sacrifice with them; be a link
yourself in the divine chain, and feel the joy and life of
it."--ADELINE D. T. WHITNEY


  What can I do for thee, Beloved,
    Whose feet so little while ago
    Trod the same way-side dust with mine,
  And now up paths I do not know
    Speed, without sound or sign?

  What can I do? The perfect life
    All fresh and fair and beautiful
    Has opened its wide arms to thee;
  Thy cup is over-brimmed and full;
    Nothing remains for me.

  I used to do so many things,--
    Love thee and chide thee and caress;
    Brush little straws from off thy way,
  Tempering with my poor tenderness
    The heat of thy short day.

  Not much, but very sweet to give;
    And it is grief of griefs to bear
    That all these ministries are o'er,
  And thou, so happy, Love, elsewhere,
    Never can need me more:--

  And I can do for thee but this
    (Working on blindly, knowing not
    If I may give thee pleasure so):
  Out of my own dull, burdened lot
    I can arise, and go

  To sadder lives and darker homes,
    A messenger, dear heart, from thee
    Who wast on earth a comforter,
  And say to those who welcome me,
    I am sent forth by her.

  Feeling the while how good it is
    To do thy errands thus, and think
    It may be, in the blue, far space,
  Thou watchest from the heaven's brink,--
    A smile upon my face.

  And when the day's work ends with day,
    And star-eyed evening, stealing in,
    Waves a cool hand to flying noon,
  And restless, surging thoughts begin,
    Like sad bells out of tune,

  I'll pray: "Dear Lord, to whose great love
    Nor bound nor limit line is set,
    Give to my darling, I implore,
  Some new sweet joy not tasted yet,
    For I can give no more."

  And with the words my thoughts shall climb
    With following feet the heavenly stair
    Up which thy steps so lately sped,
  And, seeing thee so happy there,
    Come back half comforted.




THE CRADLE TOMB IN WESTMINSTER ABBEY.

  A little, rudely sculptured bed,
    With shadowing folds of marble lace,
  And quilt of marble, primly spread
    And folded round a baby's face.

  Smoothly the mimic coverlet,
    With royal blazonries bedight,
  Hangs, as by tender fingers set
    And straightened for the last good-night.

  And traced upon the pillowing stone
    A dent is seen, as if to bless
  The quiet sleep some grieving one
    Had leaned, and left a soft impress.

  It seems no more than yesterday
    Since the sad mother down the stair
  And down the long aisle stole away,
    And left her darling sleeping there.

  But dust upon the cradle lies,
    And those who prized the baby so,
  And laid her down to rest with sighs,
    Were turned to dust long years ago.

  Above the peaceful pillowed head
    Three centuries brood, and strangers peep
  And wonder at the carven bed,--
    But not unwept the baby's sleep,

  For wistful mother-eyes are blurred
    With sudden mists, as lingerers stay,
  And the old dusts are roused and stirred
    By the warm tear-drops of to-day.

  Soft, furtive hands caress the stone,
    And hearts, o'erleaping place and age,
  Melt into memories, and own
    A thrill of common parentage.

  Men die, but sorrow never dies;
    The crowding years divide in vain,
  And the wide world is knit with ties
    Of common brotherhood in pain;

  Of common share in grief and loss,
    And heritage in the immortal bloom
  Of Love, which, flowering round its cross,
    Made beautiful a baby's tomb.




"OF SUCH AS I HAVE."

  Love me for what I am, Love. Not for sake
  Of some imagined thing which I might be,
  Some brightness or some goodness not in me,
  Born of your hope, as dawn to eyes that wake
  Imagined morns before the morning break.
  If I, to please you (whom I fain would please),
  Reset myself like new key to old tune,
  Chained thought, remodelled action, very soon
  My hand would slip from yours, and by degrees
  The loving, faulty friend, so close to-day,
  Would vanish, and another take her place,--
  A stranger with a stranger's scrutinies,
  A new regard, an unfamiliar face.
  Love me for what I am, then, if you may;
  But, if you cannot,--love me either way.




A  PORTRAIT.

  All sweet and various things do lend themselves
    And blend and intermix in her rare soul,
  As chorded notes, which were untuneful else,
    Clasp each the other in a perfect whole.

  Within her spirit, dawn, all dewy-pearled,
    Seems held and folded in by golden noons,
  While past the sunshine gleams a further world
    Of deep star-spaces and mysterious moons.

  Like widths of blowing ocean wet with spray,
    Like breath of early blooms at morning caught,
  Like cool airs on the cheek of heated day,
    Come the fair emanations of her thought.

  Her movement, like the curving of a vine,
    Seems an unerring accident of grace,
  And like a flower's the subtle change and shine
    And meaning of her brightly tranquil face.

  And like a tree, unconscious of her shade,
    She spreads her helpful branches everywhere
  For wandering bird or bee, nor is afraid
    Too many guests shall crowd to harbor there.

  For she is kinder than all others are,
    And weak things, sad things, gather where she dwells,
  To reach and taste her strength and drink of her,
    As thirsty creatures of clear water-wells.

  Why vex with words where words are poor and vain?
    In one brief sentence lies the riddle's key,
  Which those who love her read and read again,
    Finding each time new meanings: SHE IS SHE!




WHEN?

  If I were told that I must die to-morrow,
             That the next sun
  Which sinks should bear me past all fear and sorrow
             For any one,
  All the fight fought, all the short journey through:
             What should I do?

  I do not think that I should shrink or falter,
             But just go on,
  Doing my work, nor change, nor seek to alter
             Aught that is gone;
  But rise and move and love and smile and pray
             For one more day.

  And, lying down at night for a last sleeping,
             Say in that ear
  Which hearkens ever: "Lord, within Thy keeping
             How should I fear?
  And when to-morrow brings Thee nearer still.
             Do Thou Thy will."

  I might not sleep for awe; but peaceful, tender,
             My soul would lie
  All the night long; and when the morning splendor
             Flashed o'er the sky,
  I think that I could smile--could calmly say,
             "It is His day."

  But, if instead a hand from the blue yonder
             Held out a scroll,
  On which my life was, writ, and I with wonder
             Beheld unroll
  To a long century's end its mystic clew,
             What should I do?

  What COULD I do, O blessed Guide and Master,
             Other than this:
  Still to go on as now, not slower, faster,
             Nor fear to miss
  The road, although so very long it be,
             While led by Thee?

  Step after step, feeling Thee close beside me,
             Although unseen,
  Through thorns, through flowers, whether the tempest hide Thee,
              Or heavens serene,
  Assured Thy faithfulness cannot betray,
             Thy love decay.

  I may not know, my God; no hand revealeth
             Thy counsels wise;
  Along the path a deepening shadow stealeth,
             No voice replies
  To all my questioning thought, the time to tell,
             And it is well.

  Let me keep on, abiding and unfearing
               Thy will always,
  Through a long century's ripening fruition,
               Or a short day's.
  Thou canst not come too soon; and I can wait
             If thou come late.




ON THE SHORE.

    The punctual tide draws up the bay,
    With ripple of wave and hiss of spray,
  And the great red flower of the light-house tower
    Blooms on the headland far away.

    Petal by petal its fiery rose
    Out of the darkness buds and grows;
  A dazzling shape on the dim, far cape,
    A beckoning shape as it comes and goes.

    A moment of bloom, and then it dies
    On the windy cliff 'twixt the sea and skies.
  The fog laughs low to see it go,
    And the white waves watch it with cruel eyes.

    Then suddenly out of the mist-cloud dun,
    As touched and wooed by unseen sun,
  Again into sight bursts the rose of light
    And opens its petals one by one.

    Ah, the storm may be wild and the sea be strong,
    And man is weak and the darkness long,
  But while blossoms the flower on the light-house tower
    There still is place for a smile and a song.




AMONG THE LILIES.

    She stood among the lilies
      In sunset's brightest ray,
    Among the tall June lilies,
      As stately fair as they;
  And I, a boyish lover then,
  Looked once, and, lingering, looked again,
     And life began that day.

    She sat among the lilies,
      My sweet, all lily-pale;
    The summer lilies listened,
      I whispered low my tale.
  O golden anthers, breathing balm,
  O hush of peace, O twilight calm,
      Did you or I prevail?

    She lies among the lily-snows,
      Beneath the wintry sky;
    All round her and about her
      The buried lilies lie.
  They will awake at touch of Spring,
  And she, my fair and flower-like thing,
      In spring-time--by and by.




NOVEMBER.

      Dry leaves upon the wall,
  Which flap like rustling wings and seek escape,
  A single frosted cluster on the grape
      Still hangs--and that is all.

      It hangs forgotten quite,--
  Forgotten in the purple vintage-day,
  Left for the sharp and cruel frosts to slay,
      The daggers of the night.

      It knew the thrill of spring;
  It had its blossom-time, its perfumed noons;
  Its pale-green spheres were rounded to soft runes
      Of summer's whispering.

      Through balmy morns of May;
  Through fragrances of June and bright July,
  And August, hot and still, it hung on high
      And purpled day by day.

      Of fair and mantling shapes,
  No braver, fairer cluster on the tree;
  And what then is this thing has come to thee
      Among the other grapes,

      Thou lonely tenant of the leafless vine,
  Granted the right to grow thy mates beside,
  To ripen thy sweet juices, but denied
      Thy place among the wine?

      Ah! we are dull and blind.
  The riddle is too hard for us to guess
  The why of joy or of unhappiness,
      Chosen or left behind.

      But everywhere a host
  Of lonely lives shall read their type in thine:
  Grapes which may never swell the tale of wine,
      Left out to meet the frost.




EMBALMED.

  This is the street and the dwelling,
    Let me count the houses o'er;
  Yes,--one, two, three from the corner,
    And the house that I love makes four.

  That is the very window
    Where I used to see her head
  Bent over book or needle,
    With ivy garlanded.

  And the very loop of the curtain,
    And the very curve of the vine,
  Were full of the grace and the meaning
    Which was hers by some right divine.

  I began to be glad at the corner,
    And all the way to the door
  My heart outran my footsteps,
    And frolicked and danced before,

  In haste for the words of welcome,
    The voice, the repose and grace,
  And the smile, like a benediction,
    Of that beautiful, vanished face.

  Now I pass the door, and I pause not,
    And I look the other way;
  But ever, a waft of fragrance,
    Too subtle to name or stay,

  Comes the thought of the gracious presence
    Which made that past time sweet,
  And still to those who remember,
    Embalms the house and the street,

  Like the breath from some vase, now empty
    Of a flowery shape unseen,
  Which follows the path of its lover,
    To tell where a rose has been.




GINEVRA DEGLI AMIERI.

A STORY OF OLD FLORENCE.

  So it is come! The doctor's glossy smile
  Deceives me not. I saw him shake his head,
  Whispering, and heard poor Giulia sob without,
  As, slowly creaking, he went down the stair.
  Were they afraid that I should be afraid?
  I, who had died once and been laid in tomb?
  They need not.

                  Little one, look not so pale.
  I am not raving. Ah! you never heard
  The story. Climb up there upon the bed:
  Sit close, and listen. After this one day
  I shall not tell you stories any more.

  How old are you, my rose? What! almost twelve?
  Almost a woman? Scarcely more than that
  Was your fair mother when she bore her bud;
  And scarcely more was I when, long years since,
  I left my father's house, a bride in May.
  You know the house, beside St. Andrea's church,
  Gloomy and rich, which stands, and seems to frown
  On the Mercato, humming at its base;
  And hold on high, out of the common reach,
  The lilies and carved shields above its door;
  And, higher yet, to catch and woo the sun,
  A little loggia set against the sky?
  That was my play-place ever as a child;
  And with me used to play a kinsman's son,
  Antonio Rondinelli. Ah, dear days!
  Two happy things we were, with none to chide
  Or hint that life was anything but play.

  Sudden the play-time ended. All at once
  "You must be wed," they told me. "What is wed?"
  I asked; but with the word I bent my brow,
  Let them put on the garland, smiled to see
  The glancing jewels tied about my neck;
  And so, half-pleased, half-puzzled, was led forth
  By my grave husband, older than my sire.

  O the long years that followed! It would seem
  That the sun never shone in all those years,
  Or only with a sudden, troubled glint
  Flashed on Antonio's curls, as he went by
  Doffing his cap, with eyes of wistful love
  Raised to my face,--my conscious, woful face.
  Were we so much to blame? Our lives had twined
  Together, none forbidding, for so long.
  They let our childish fingers drop the seed,
  Unhindered, which should ripen to tall grain;
  They let the firm, small roots tangle and grow,
  Then rent them, careless that it hurt the plant.
  I loved Antonio, and he loved me.

  Life was all shadow, but it was not sin!
  I loved Antonio, but I kept me pure,
  Not for my husband's sake, but for the sake
  Of him, my first-born child, my little child,
  Mine for a few short weeks, whose touch, whose look
  Thrilled all my soul and thrills it to this day.
  I loved; but, hear me swear, I kept me pure!
  (Remember that, Madonna, when I come
  Before thy throne to-morrow. Be not stern,
  Or gaze upon me with reproachful look,
  Making my little angel hide his face
  And weep, while all the others turn glad eyes
  Rejoicing on their mothers.)

                                 It was hard
  To sit in darkness while the rest had light,
  To move to discords when the rest had song,
  To be so young and never to have lived.
  I bore, as women bear, until one day
  Soul said to flesh, "This I endure no more,"
  And with the word uprose, tore clay apart,
  And what was blank before grew blanker still.

  It was a fever, so the leeches said.
  I had been dead so long, I did not know
  The difference, or heed. Oil on my breast,
  The garments of the grave about me wrapped,
  They bore me forth, and laid me in the tomb.
  The rich and beautiful and dreadful tomb,
  Where all the buried Amteris lie,
  Beneath the Duomo's black and towering shade.

  Open the curtain, child. Yes, it is night.
  It was night then, when I awoke to feel
  That deadly chill, and see by ghostly gleams
  Of moonlight, creeping through the grated door,
  The coffins of my fathers all about.
  Strange, hollow clamors rang and echoed back,
  As, struggling out of mine, I dropped and fell.
  With frantic strength I beat upon the grate.
  It yielded to my touch. Some careless hand
  Had left the bolt half-slipped. My father swore
  Afterward, with a curse, he would make sure
  Next time. NEXT TIME. That hurts me even now!

  Dead or alive I issued, scarce sure which.
  High overhead Giotto's tower soared;
  Behind, the Duomo rose all white and black;
  Then pealed a sudden jargoning of bells,
  And down the darkling street I wildly fled,
  Led by a little, cold, and wandering moon,
  Which seemed as lonely and as lost as I.
  I had no aim, save to reach warmth and light
  And human touch; but still my witless steps
  Led to my husband's door, and there I stopped,
  By instinct, knocked, and called.

                                      A window oped.
  A voice--t'was his--demanded: "Who is there?"
  "Tis I, Ginevra." Then I heard the tone
  Change into horror, and he prayed aloud
  And called upon the saints, the while I urged,
  "O, let me in, Francesco; let me in!
  I am so cold, so frightened, let me in!"
  Then, with a crash, the window was shut fast;
  And, though I cried and beat upon the door
  And wailed aloud, no other answer came.

  Weeping, I turned away, and feebly strove
  Down the hard distance towards my father's house.
  "They will have pity and will let me in,"
  I thought. "They loved me and will let me in."
  Cowards! At the high window overhead
  They stood and trembled, while I plead and prayed:
  "I am your child, Ginevra. Let me in!
  I am not dead. In mercy, let me in!"
  "The holy saints forbid!" declared my sire.
  My mother sobbed and vowed whole pounds of wax
  To St. Eustachio, would he but remove
  This fearful presence from her door. Then sharp
  Came click of lock, and a long tube was thrust
  From out the window, and my brother cried,
  "Spirit or devil, go! or else I fire!"

  Where should I go? Back to the ghastly tomb
  And the cold coffined ones? Up the long street,
  Wringing my hands and sobbing low, I went.
  My feet were bare and bleeding from the stones;
  My hands were bleeding too; my hair hung loose
  Over my shroud. So wild and strange a shape
  Saw never Florence since. The people call
  That street through which I walked and wrung my hands
  "Street of the Dead One," even to this day.
  The sleeping houses stood in midnight black,
  And not a soul was in the streets but I.

  At last I saw a flickering point of light
  High overhead, in a dim window set.
  I had lain down to die; but at the sight
  I rose, crawled on, and with expiring strength
  Knocked, sank again, and knew not even then
  It was Antonio's door by which I lay.

  A window opened, and a voice called out:
  "Qui e?" "I am Ginevra." And I thought,
  "Now he will fall to trembling, like the rest,
  And bid me hence." But, lo! a moment more
  The bolts were drawn, and arms whose very touch
  Was life, lifted and clasped and bore me in.
  "O ghost or angel of my buried love,
  I know not, care not which, be welcome here!
  Welcome, thrice welcome, to this heart of mine!"
  I heard him say, and then I heard no more.

  It was high noontide when I woke again,
  To hear fierce voices wrangling by my bed,--
  My father's and my husband's; for, with dawn,
  Gathering up valor, they had sought the tomb,
  Had found me gone, and tracked my bleeding feet
  Over the pavement to Antonio's door.
  Dead, they cared nothing: living, I was, theirs.
  Hot raged the quarrel; then came Justice in,
  And to the court we swept--I in my shroud--
  To try the cause.

             This was the verdict given:
  "A woman who has been to burial borne,
  Made fast and left and locked in with the dead;
  Who at her husband's door has stood and plead
  For entrance, and has heard her prayer denied;
  Who from her father's house is urged and chased,
  Must be adjudged as dead in law and fact.

  The Court pronounces the defendant--dead!
  She can resume her former ties at will,
  Or may renounce them, if such be her will.
  She is no more a daughter, or a spouse,
  Unless she choose, and is set free to form
  New ties, if so she choose."

                           O, blessed words!
  That very day we knelt before the priest,
  My love and I, were wed, and life began.

  Child of my child, child of Antonio's child,
  Bend down and let me kiss your wondering face.
  'Tis a strange tale to tell a rose like you.
  But time is brief, and, had I told you not,
  Haply the story would have met your ears
  From them, the Amieri, my own blood,
  Now turned to gall, whose foul and bitter lips
  Will wag with lies when once my lips are dumb.
  (Pardon me, Virgin. I was gentle once,
  And thou hast seen my wrongs. Thou wilt forgive.)
  Now go, my dearest. When they wake thee up,
  To tell thee I am dead, be not too sad.
  I, who have died once, do not fear to die.

  Sweet was that waking, sweeter will be this.
  Close to Heaven's gate my own Antonio sits
  Waiting, and, spite of all the Frati say,
  I know I shall not stand long at that gate,
  Or knock and be refused an entrance there,
  For he will start up when lie hears my voice,
  The saints will smile, and he will open quick.
  Only a night to part me from that joy.
  Jesu Maria! let the dawning come.






EASTER LILIES.

  Darlings of June and brides of summer sun,
    Chill pipes the stormy wind, the skies are drear;
  Dull and despoiled the gardens every one:
      What do you here?

  We looked to see your gracious blooms arise
    Mid soft and wooing airs in gardens green,
  Where venturesome brown bees and butterflies
      Should hail you queen.

  Here is no bee nor glancing butterfly;
    They fled on rapid wings before the snow:
  Your sister lilies laid them down to die,
      Long, long ago.

  And here, amid the slowly dropping rain,
    We keep our Easter feast, with hearts whose care
  Mars the high cadence of each lofty strain,
      Each thankful prayer.

  But not a shadow dims your joyance sweet,
    No baffled hope or memory darkly clad;
  You lay your whiteness at the Lord's dear feet,
      And are all glad.

  O coward soul! arouse thee and draw near,
    Led by these fragrant acolytes to-day!
  Let their sweet confidence rebuke thy fear,
      Thy cold delay.

  Come with thy darkness to the healing light,
    Come with thy bitter, which shall be made sweet,
  And lay thy soil beside the lilies white,
      At His dear feet!




EBB-TIDE.

  Long reaches of wet grasses sway
  Where ran the sea but yesterday,
  And white-winged boats at sunset drew
  To anchor in the crimsoning blue.
  The boats lie on the grassy plain,
  Nor tug nor fret at anchor chain;
  Their errand done, their impulse spent,
  Chained by an alien element,
  With sails unset they idly lie,
  Though morning beckons brave and nigh;
  Like wounded birds, their flight denied,
  They lie, and long and wait the tide.

  About their keels, within the net
  Of tough grass fibres green and wet,
  A myriad thirsty creatures, pent
  In sorrowful imprisonment,
  Await the beat, distinct and sweet,
  Of the white waves' returning feet.
  My soul their vigil joins, and shares
  A nobler discontent than theirs;
  Athirst like them, I patiently
  Sit listening beside the sea,
  And still the waters outward glide:
  When is the turning of the tide?

  Come, pulse of God; come, heavenly thrill!
  We wait thy coming,--and we will.
  The world is vast, and very far
  Its utmost verge and boundaries are;
  But thou hast kept thy word to-day
  In India and in dim Cathay,
  And the same mighty care shall reach
  Each humblest rock-pool of this beach.
  The gasping fish, the stranded keel,
  This dull dry soul of mine, shall feel
  Thy freshening touch, and, satisfied,
  Shall drink the fulness of the tide.




FLOOD-TIDE.

  All night the thirsty beach has listening lain,
     With patience dumb,
  Counting the slow, sad moments of her pain;
     Now morn has come,
  And with the morn the punctual tide again.

  I hear the white battalions down the bay
     Charge with a cheer;
  The sun's gold lances prick them on their way,--
     They plunge, they rear,--
  Foam-plumed and snowy-pennoned, they are here!

  The roused shore, her bright hair backward blown,
     Stands on the verge
  And waves a smiling welcome, beckoning on
     The flying surge,
  While round her feet, like doves, the billows crowd and urge.

  Her glad lips quaff the salt, familiar wine;
     Her spent urns fill;
  All hungering creatures know the sound, the sign,--
     Quiver and thrill,
  With glad expectance crowd and banquet at their will.

  I, too, the rapt contentment join and share;
     My tide is full;
  There is new happiness in earth, in air:
     All beautiful
  And fresh the world but now so bare and dull.

  But while we raise the cup of bliss so high,
     Thus satisfied,
  Another shore beneath a sad, far sky
     Waiteth her tide,
  And thirsts with sad complainings still denied.

  On earth's remotest bound she sits and waits
     In doubt and pain;
  Our joy is signal for her sad estates;
     Like dull refrain
  Marring our song, her sighings rise in vain.

  To each his turn--the ebb-tide and the flood,
     The less, the more--
  God metes his portions justly out, I know;
     But still before
  My mind forever floats that pale and grieving shore.




A YEAR.

  She has been just a year in Heaven.
  Unmarked by white moon or gold sun,
  By stroke of clock or clang of bell,
  Or shadow lengthening on the way,
  In the full noon and perfect day,
  In Safety's very citadel,
  The happy hours have sped, have run;
  And, rapt in peace, all pain forgot,
  She whom we love, her white soul shriven,
  Smiles at the thought and wonders not.

  We have been just a year alone,--
  A year whose calendar is sighs,
  And dull, perpetual wishfulness,
  And smiles, each covert for a tear,
  And wandering thoughts, half there, half here,
  And weariful attempts to guess
  The secret of the hiding skies,
  The soft, inexorable blue,
  With gleaming hints of glory sown,
  And Heaven behind, just shining through.

  So sweet, so sad, so swift, so slow,
  So full of eager growth and light,
  So full of pain which blindly grows,
  So full of thoughts which either way
  Have passed and crossed and touched each day,
  To us a thorn, to her a rose;
  The year so black, the year so white,
  Like rivers twain their course have run;
  The earthly stream we trace and know,
  But who shall paint the heavenly one?

  A year! We gather up our powers,
  Our lamps we consecrate and trim;
  Open all windows to the day,
  And welcome every heavenly air.
  We will press forward and will bear,
  Having this word to cheer the way:
  She, storm-tossed once, is safe with Him,
  Healed, comforted, content, forgiven;
  And while we count these heavy hours
  Has been a year,--a year in Heaven.




TOKENS.

  Each day upon the yellow Nile, 'tis said.
  Joseph, the youthful ruler, cast forth wheat,
  That haply, floating to his father's feet,--
  The sad old father, who believed him dead,--
  It might be sign in Egypt there was bread;
  And thus the patriarch, past the desert sands
  And scant oasis fringed with thirsty green,
  Be lured toward the love that yearned unseen.
  So, flung and scattered--ah! by what dear hands?--
  On the swift-rushing and invisible tide,
  Small tokens drift adown from far, fair lands,
  And say to us, who in the desert bide,
  "Are you athirst? Are there no sheaves to bind?
  Beloved, here is fulness; follow on and find."






HER GOING.

SUGGESTED BY A PICTURE.

  She stood in the open door,
    She blessed them faint and low:
    "I must go," she said, "must go
      Away from the light of the sun,
      Away from you, every one;
  Must see your eyes no more,--
    Your eyes, that love me so.

  "I should not shudder thus,
    Nor weep, nor be afraid.
    Nor cling to you so dismayed,
      Could I only pierce with ray eyes
      Where the dark, dark shadow lies;
  Where something hideous
    Is hiding, perhaps," she said.

  Then slowly she went from them,
    Went down the staircase grim,
    With trembling heart and limb;
      Her footfalls echoed
      In the silence vast and dead,
  Like the notes of a requiem,
    Not sung, but uttered.

  For a little way and a black
    She groped as grope the blind,
    Then a sudden radiance shined,
      And a vision her eyelids burned;
      All joyfully she turned,
  For a moment turned she back,
    And smiled at those behind.

  There in the shadows drear
    An angel sat serene,
    Of grave and tender mien,
      With whitest roses crowned;
      A scythe lay on the ground,
  As reaping-time were near,--
    A burnished scythe and a keen.

  She did not start or pale
    As the angel rose and laid
    His hand on hers, nor said
      A word, hut beckoned on;
      For a glorious meaning shone
  On the lips that told no tale,
    And she followed him, unafraid.

  Her friends wept for a space;
    Then one said: "Be content;
    Surely some good is meant
      For her, our Beautiful,--
      Some glorious good and full.
  Did you not see her face,
    Her dear smile, as she went?"




A LONELY MOMENT.

       I sit alone in the gray,
         The snow falls thick and fast,
       And never a sound have I heard all day
         But the wailing of the blast,
  And the hiss and click of the snow, whirling to and fro.

       There seems no living thing
         Left in the world but I;
       My thoughts fly forth on restless wing,
         And drift back wearily,
  Storm-beaten, buffeted, hopeless, and almost dead.

       No one there is to care;
         Not one to even know
       Of the lonely day and the dull despair
         As the hours ebb and flow,
  Slow lingering, as fain to lengthen out my pain.

       And I think of the monks of old,
         Each in his separate cell,
       Hearing no sound, except when tolled
         The stated convent bell.
  How could they live and bear that silence everywhere?

       And I think of tumbling seas,
         'Neath cruel, lonely skies;
       And shipwrecked sailors over these
         Stretching their hungry eyes,--
  Eyes dimmed with wasting tears for weary years on years,--

       Pacing the hopeless sand,
         Wistful and wan and pale,
       Each foam-flash like a beckoning hand,
         Each wave a glancing sail,
  And so for days and days, and still the sail delays.

       I hide my eyes in vain,
         In vain I try to smile;
       That urging vision comes again,
         The sailor on his isle,
  With none to hear his cry, to help him live--or die!

       And with the pang a thought
         Breaks o'er me like the sun,
       Of the great listening Love which caught
         Those accents every one,
  Nor lost one faintest word, but always, always heard.

       The monk his vigil pale
         Could lighten with a smile,
       The sailor's courage need not fail
         Upon his lonely isle;
  For there, as here, by sea or land, the pitying Lord stood
            close at hand.

       O coward heart of mine!
         When storms shall beat again,
       Hold firmly to this thought divine,
         As anchorage in pain:
  That, lonely though thou seemest to be, the Lord is near,
            remembering thee.




COMMUNION.

        What is it to commune?
  It is when soul meets soul, and they embrace
  As souls may, stooping from each separate sphere
        For a brief moment's space.

        What is it to commune?
  It is to lay the veil of custom by,
  To be all unafraid of truth to talk,
        Face to face, eye to eye.

        Not face to face, dear Lord;
  That is the joy of brighter worlds to be;
  And yet, Thy bidden guests about Thy board,
        We do commune with Thee.

        Behind the white-robed priest
  Our eyes, anointed with a sudden grace,
  Dare to conjecture of a mighty guest,
        A dim beloved Face.

        And is it Thou, indeed?
  And dost Thou lay Thy glory all away
  To visit us, and with Thy grace to feed
        Our hungering hearts to-day?

        And can a thing so sweet,
  And can such heavenly condescension be?
  Ah! wherefore tarry thus our lingering feet?
        It can be none but Thee.

        There is the gracious ear
  That never yet was deaf to sinner's call;
  We will not linger, and we dare not fear,
        But kneel,--and tell Thee all.

        We tell Thee of our sin
  Only half loathed, only half wished away,
  And those clear eyes of Love that look within
        Rebuke us, seem to say,--

        "O, bought with my own blood,
  Mine own, for whom my precious life I gave,
  Am I so little prized, remembered, loved,
        By those I died to save?"

        And under that deep gaze
  Sorrow awakes; we kneel with eyelids wet,
  And marvel, as with Peter at the gate,
        That we could so forget,

        We tell Thee of our care,
  Of the sore burden, pressing day by day,
  And in the light and pity of Thy face
        The burden melts away.

        We breathe our secret wish,
  The importunate longing which no man may see;
  We ask it humbly, or, more restful still,
        We leave it all to Thee.

        And last our amulet
  Of precious names we thread, and soft and low
  We crave for each beloved, or near or far,
        A blessing ere we go.

        The thorns are turned to flowers,
  All dark perplexities seem light and fair,
  A mist is lifted from the heavy hours,
        And Thou art everywhere.




A FAREWELL.

        Go, sun, since go you must,
  The dusky evening lowers above our sky,
    Our sky which was so blue and sweetly fair;
  Night is not terrible that we should sigh.
    A little darkness we can surely bear;
  Will there not be more sunshine--by and by?

        Go, rose, since go you must,
  Flowerless and chill the winter draweth nigh;
    Closed are the blithe and fragrant lips which made
  All summer long perpetual melody.
    Cheerless we take our way, but not afraid:
  Will there not be more roses--by and by?

        Go, love, since go you must,
  Out of our pain we bless you as you fly;
    The momentary heaven the rainbow lit
  Was worth whole days of black and stormy sky;
    Shall we not see, as by the waves we sit,
  Your bright sail winging shoreward--by and by?

        Go, life, since go you must,
  Uncertain guest and whimsical ally!
    All questionless you came, unquestioned go;
  What does it mean to live, or what to die?
    Smiling we watch you vanish, for we know
  Somewhere is nobler living--by and by.




EBB AND FLOW.

  How easily He turns the tides!
    Just now the yellow beach was dry,
  Just now the gaunt rocks all were bare,
    The sun beat hot, and thirstily
  Each sea-weed waved its long brown hair,
    And bent and languished as in pain;
  Then, in a flashing moment's space,
    The white foam-feet which spurned the sand
  Paused in their joyous outward race,
    Wheeled, wavered, turned them to the land,
  And, a swift legionary band,
    Poured oil the waiting shores again.

  How easily He turns the tides!
    The fulness of my yesterday
  Has vanished like a rapid dream,
    And pitiless and far away
  The cool, refreshing waters gleam:
    Grim rocks of dread and doubt and pain

  Rear their dark fronts where once was sea;
    But I can smile and wait for Him
  Who turns the tides so easily,
    Fills the spent rock-pool to its brim,
  And up from the horizon dim
    Leads His bright morning waves again.




ANGELUS.

  Softly drops the crimson sun:
    Softly down from overhead,
  Drop the bell-notes, one by one,
    Melting in the melting red;
  Sign to angel bands unsleeping,--
    "Day is done, the dark is dread,
  Take the world in care and keeping.

  "Set the white-robed sentries close,
    Wrap our want and weariness
  In the surety of repose;
    Let the shining presences,
  Bearing fragrance on their wings,
    Stand about our beds to bless,
  Fright away all evil things.

  "Rays of Him whose shadow pours
    Through all lives a brimming glory,
  Float o'er darksome woods and moors,
    Float above the billows hoary;
  Shine, through night and storm and sin,
    Tangled fate and bitter story,
  Guide the lost and wandering in!"

  Now the last red ray is gone;
    Now the twilight shadows hie;
  Still the bell-notes, one by one,
    Send their soft voice to the sky,
  Praying, as with human lip,--
    "Angels, hasten, night is nigh,
  Take us to thy guardianship."




THE MORNING COMES BEFORE THE SUN.

  Slow buds the pink dawn like a rose
    From out night's gray and cloudy sheath;
  Softly and still it grows and grows,
    Petal by petal, leaf by leaf;
  Each sleep-imprisoned creature breaks
    Its dreamy fetters, one by one,
  And love awakes, and labor wakes,--
    The morning comes before the sun.

  What is this message from the light
    So fairer far than light can be?
  Youth stands a-tiptoe, eager, bright,
   In haste the risen sun to see;
  Ah! check thy lunging, restless heart,
   Count the charmed moments as they run,
  It is life's best and fairest part,
   This morning hour before the sun.

  When once thy day shall burst to flower,
    When once the sun shall climb the sky,
  And busy hour by busy hour,
    The urgent noontide draws anigh;
  When the long shadows creep abreast,
    To dim the happy task half done,
  Thou wilt recall this pause of rest,
   This morning hush before the sun.

  To each, one dawning and one dew,
    One fresh young hour is given by fate,
  One rose flush on the early blue.
    Be not impatient then, but wait!
  Clasp the sweet peace on earth and sky,
    By midnight angels woven and spun;
  Better than day its prophecy,--
    The morning comes before the sun.




LABORARE EST ORARE.

"Although St. Franceses was unwearied in her devotions, yet if,
during her prayers, she was called away by her husband or any
domestic duty, she would close the book cheerfully, saying that a
wife and a mother, when called upon, must quit her God at the alter
to find Him in her domestic affairs."--Legends of the Monastic Orders.


  How infinite and sweet, Thou everywhere
    And all abounding Love, Thy service is!
  Thou liest an ocean round my world of care,
  My petty every-day; and fresh and fair,
    Pour Thy strong tides through all my crevices,
  Until the silence ripples into prayer.

  That Thy full glory may abound, increase,
    And so Thy likeness shall be formed in me,
  I pray; the answer is not rest or peace,
  But charges, duties, wants, anxieties,
    Till there seems room for everything but Thee,
  And never time for anything but these.

  And I should fear, but lo! amid the press,
    The whirl and hum and pressure of my day,
  I hear Thy garment's sweep, Thy seamless dress,
  And close beside my work and weariness
    Discern Thy gracious form, not far away,
  But very near, O Lord, to help and bless.

  The busy fingers fly, the eyes may see
    Only the glancing needle which they hold,
  But all my life it, blossoming inwardly,
  And every breath is like a litany,
    While through each labor, like a thread of gold,
  Is woven the sweet consciousness of Thee.




EIGHTEEN.

  Ah! grown a dim and fairy shade,
    Dear child, who, fifteen years ago,
      Out of our arms escaped and fled
  With swift white feet, as if afraid,
    To hide beneath the grass, the snow,
      that sunny little head.

  This is your birthday! Fair, so fair,
    And grown to gracious maiden-height,
      And versed in heavenly lore and ways;
  White-vested as the angels are,
    In very light of very light,
      Somehow, somewhere, you keep the day

  With those new friends, whom "new" we call,
    But who are dearer now than we,
      And better known by fate and name:
  And do they smile and say, "How tall
    The child becomes, how radiant, she
      Who was so little when she came!"

  Darling, we count your eighteen years,--
    Fifteen in Heaven, on earth but three,--
      And try to frame you grown and wise:
  But all in vain; there still appears
    Only the child you used to be,
      Our baby with the violet eyes.




OUTWARD BOUND,

  A grievous day of wrathful winds,
    Of low-hung clouds, which scud and fly,
  And drop cold rains, then lift and show
    A sullen realm of upper sky.

  The sea is black as night; it roars
    From lips afoam with cruel spray,
  Like some fierce, many-throated pack
    Of wolves, which scents and chases prey.

  Crouched in my little wind-swept nook,
    I hear the menacing voices call,
  And shudder, as above the deck
    Topples and swings the weltering wall.

  It seems a vast and restless grave,
    Insatiate, hungry, beckoning
  With dreadful gesture of command
    To every free and living thing.

  "O Lord," I cry, "Thou makest life
    And hope and all sweet things to be;
  Rebuke this hovering, following Death,--
    This horror never born of Thee."

  A sudden gleam, the waves light up
    With radiant momentary hues,--
  Amber and shadowy pearl and gold,
    Opal and green and unknown blues,--

  And, rising on the tossing walls,
    Within the foaming valleys swung,
  Soft shapes of sea-birds, dimly seen,
    Flutter and float and call their young,

  A moment; then the lowering clouds
    Settle anew above the main,
  The colors die, the waves rise higher,
    And night and terror rule again.

  No more I see the small, dim shapes,
    So unafraid of wind and wave,
  Nestling beneath the tempest's roar,
    Cradled in what I deemed a grave.

  But all night long I lay and smiled
    At thought of those soft folded wings,
  And trusting, with the trustful birds,
    In Him who cares for smallest things.




FROM EAST TO WEST.

  The boat cast loose her moorings;
    "Good-by" was all we said.
  "Good-by, Old World," we said with a smile,
    And never looked back as we sped,
  A shining wake of foam behind,
    To the heart of the sunset red.

  Heavily drove our plunging keel
    The warring waves between;
  Heavily strove we night and day,
    Against the west-wind keen,
  Bent, like a foe, to bar our path,--
    A foe with an awful mien.

  Never a token met our eyes
    From the dear land far away;
  No storm-swept bird, no drifting branch,
    To tell us where it lay.
  Wearily searched we, hour by hour,
    Through the mist and the driving spray,

  Till, all in a flashing moment,
    The fog-veils rent and flew,
  And a blithesome south-wind caught the sails
    And whistled the cordage through,
  And the stars swung low their silver lamps
    In a dome of airy blue,

  And, breathed from unseen distances,
    A new and joyous air
  Caressed our senses suddenly
    With a rapture fresh and rare.
  "It is the breath of home!" we cried;
    "We feel that we are there."

  O Land whose tent-roof is the dome
    Of Heaven's, purest sky,
  Whose mighty heart inspires the wind
    Of glad, strong liberty,
  Standing upon thy sunset shore,
    Beside the waters high,

  Long may thy rosy smile be bright;
    Above the ocean din
  Thy young, undaunted voice be heard,
    Calling the whole world kin;
  And ever be thy arms held out
    To take the storm-tossed in!




UNA.

  My darling once lived by my side,
    She scarcely ever went away;
    We shared our studies and our play,
  Nor did she care to walk or ride
    Unless I did the same that day.

  Now she is gone to some far place;
    I never see her any more,
    The pleasant play-times all are o'er;
  I come from school, there is no face
    To greet me at the open door.

  At first I cried all day, all night;
    I could not bear to eat or smile,
    I missed her, missed her, all the while
  The brightest day did not look bright,
    The shortest walk was like a mile.

  Then some one came and told me this:
    "Your playmate is but gone from view,
    Close by your side she stands, and you
  Can almost hear her breathe, and kiss
    Her soft cheek as you used to do.

  "Only a little veil between,--
    A slight, thin veil; if you could see
    Past its gray folds, there she would be,
  Smiling and sweet, and she would lean
    And stretch her hands out joyfully.

  "All the day long, and year by year,
    She will go forward as you go;
    As you grow older, she will grow;
  As you grow good, she with her clear
    And angel eyes, will mark and know.

  "Think, when you wake up every day,
    That she is standing by your bed,
    Close to the pillow where her head,
  Her little curly head, once lay,
    With a 'Good-morning' smiled, not said.

  "Think, when the hooks seem dull and tame,
    The sports no longer what they were,
    That there she sits, a shape of air,
  And turns the leaf or joins the game
    With the same smile she used to wear.

  "So, moving on still, hand in hand,
    One of these days your eyes will clear,
    The hiding veil will disappear,
  And you will know and understand
    Just why your playmate left you here."

  This made me happier, and I try
    To think each day that it may be.
    Sometimes I do so easily;
  But then again I have to cry,
    Because I want so much to SEE!




TWO WAYS TO LOVE.

"Entre deux amants il y a toujours l'an qui baise et l'autre qui
tend la joue."


  I says he loves me well, and I
    Believe it; in my hands, to make
  Or mar, his life lies utterly,
  Nor can I the strong plea deny.
    Which claims my love for his love's sake.

  He says there is no face so fair
    As mine; when I draw near, his eyes
  Light up; each ripple of my hair
  He loves; the very clunk I wear
    He touches fondly where it lies.

  And roses, roses all the way,
    Upon my path fall, strewed by him;
  His tenderness by night, by day,
  Keeps faithful watch to heap alway
    My cup of pleasure to the brim.

  The other women, full of spite,
    Count me the happiest woman born
  To be so worshipped; I delight
  To flaunt his homage in their sight,--
    For me the rose, for them its thorn.

  I love him--or I think I do;
    Sure one MUST love what is so sweet.
  He is all tender and all true,
  All eloquent to plead and sue,
    All strength--though kneeling at my feet.

  Yet I had visions once of yore,
    Girlish imaginings of a zest,
  A possible thrill,--but why run o'er
  These fancies?--idle dreams, no more;
    I will forget them, this is best.

  So let him take,--the past is past;
    The future, with its golden key,
  Into his outstretched hands I cast.
  I shall love him--perhaps--at last,
    As now I love his love for me.




II.

  Nor as all other women may,
    Love I my Love; he is so great,
  So beautiful, I dare essay
  No nearness but in silence lay
    My heart upon his path,--and wait.

  Poor heart! its healings are so low
    He does not heed them passing by,
  Save as one heeds, where violets grow,
  A fragrance, caring not to know
    Where the veiled purple buds may lie.

  I sometimes think that it is dead,
    It lies so still. I bend and lean,
  Like mother over cradle-head,
  Wondering if still faint breaths are shed
    Like sighs the parted lips between.

  And then, with vivid pulse and thrill,
    It quickens into sudden bliss
  At sound of step or voice, nor will
  Be hushed, although, regardless still,
    He knows not, cares not, it is his.

  I would not lift it if I could;
    The little flame, though faint and dim
  As glow-worm spark in lonely wood,
  Shining where no man calls it good,
    May one day light the path for him,--

  May guide his way, or soon or late,
    Through blinding mist or wintry rain;
  And, so content, I watch and wait.
  Let others share his happier fate,
    I only ask to share his pain!

  And if some day, when passing by,
    My dear Love should his steps arrest,
  Should mark the poor heart waiting nigh,
  Should know it his, should lift it,--why,
    Patience is good, but joy is best!




AFTER-GLOW.

  My morn was all dewy rose and pearl,
    Peace brimmed the skies, a cool and fragrant air
    Caressed my going forth, and everywhere
  The radiant webs, by hope and fancy spun,
        Stretched shining in the sun.

  Then came a noon, hot, breathless, still,--
    No wind to visit the dew-thirsty flowers,
    Only the dust, the road, the urging hours;
  And, pressing on, I never guessed or knew
        That day was half-way through.

  And when the pomp of purple lit the sky,
    And sheaves of golden lances tipped with red
    Danced in the west, wondering I gazed, and said,
  "Lo, a new morning comes, my hopes to crown!"
        Sudden the sun dropped down

  Like a great golden ball into the sea,
    Which made room, laughing, and the serried rank
    Of yellow lances flashed, and, turning, sank
  After their chieftain, as he led the way,
        And all the heaven was gray.

  Startled and pale, I stood to see them go;
    Then a long, stealing shadow to me crept,
    And laid his cold hand on me, and I wept
  And hid my eyes, and shivered with affright
        At thought of coming night.

  But as I wept and shuddered, a warm thrill
    Smote on my sense. I raised my eyes, and lo!
    The skies, so dim but now, were all aglow
  With a new flush of tender rose and gold,
        Opening fold on fold.

  Higher and higher soared the gracious beam,
    Deeper and deeper glowed the heavenly hues,
    Nor any cowering shadow could refuse
  The beautiful embrace which clasped and kissed
        Its dun to amethyst.

  A little longer, and the lovely light,
    Draining the last drops from its wondrous urn,
    Departed, and the swart shades in their turn,
  Impatient of the momentary mirth,
        Crowded to seize the earth.

  No longer do I shudder. With calm eye
    I front the night, nor wish its hours away;
    For in that message from my banished day
  I read his pledge of dawn, and soon or late
        I can endure to wait.




HOPE AND I.

  Hope stood one morning by the way,
      And stretched her fair right hand to me,
    And softly whispered, "For this day
  I'll company with thee."

  "Ah, no, dear Hope," I sighing said;
    "Oft have you joined me in the morn,
  But when the evening came, you fled
    And left me all forlorn.

  "'Tis better I should walk alone
    Than have your company awhile,
  And then to lose it, and go on
    For weary mile on mile,"

  She turned, rebuked. I went my way,
    But sad the sunshine seemed, and chill;
  I missed her, missed her all the day,
    And O, I miss her still.




LEFT BEHIND.

  We started in the morning, a morning full of glee,
    All in the early morning, a goodly company;
  And some were full of merriment, and all were kind and dear:
    But the others have pursued their way, and left me sitting here.

  My feet were not so fleet as theirs, my courage soon was gone,
    And so I lagged and fell behind, although they cried "Come on!"
  They cheered me and they pitied me, but one by one went by,
    For the stronger must outstrip the weak; there is no remedy.

  Some never looked behind, but smiled, and swiftly, hand in hand,
    Departed with, a strange sweet joy I could not understand;
  I know not by what silver streams their roses bud and blow,
    Rut I am glad--O very glad--they should be happy so.

  And some they went companionless, yet not alone, it seemed;
    For there were sounds of rustling wings, and songs,--or else we
    dreamed;
  And a glow from lights invisible to us lit up the place,
    And tinged, as if with glory, each dear and parting face.

  So happy, happy did they look, as one by one they went,
    That we, who missed them sorely, were fain to be content;
  And I, who sit the last of all, left far behind, alone,
    Cannot be sorry for their sakes, but only for my own.

  My eyes seek out the different paths by which they went away,
    And oft I wish to follow, but oftener wish to stay;
  For fair as may the new things be, the farther things they know,
    This is a pleasant resting-place, a pleasant place also.

  There are flowers for the gathering, which grow my path anear,
    The skies are fair, and everywhere the sun is warm and clear:
  I may have missed the wine of life, the strong wine and the new,
    But I have my wells of water, my sips of honey-dew.

  So when I turn my thoughts from those who shared my dawn of day,
    My fresh and joyous morning prune, and now are passed away,
  I can see just how sweet all is, how good, and be resigned
    To sit thus in the afternoon, alone and left behind.




SAVOIR C'EST PARDONNER.

  Myriad rivers seek the sea,
    The sea rejects not any one;
  A myriad rays of light may be
    Clasped in the compass of one sun;
  And myriad grasses, wild and free,
    Drink of the dew which faileth none.

  A myriad worlds encompass ours;
    A myriad souls our souls enclose;
  And each, its sins and woes and powers,
    The Lord He sees, the Lord He knows,
  And from the Infinite Knowledge flowers
    The Infinite Pity's fadeless rose.

  Lighten our darkness, Lord, most wise;
    All-seeing One, give us to see;
  Our judgments are profanities,
    Our ignorance is cruelty,
  While Thou, knowing all, dost not despise
    To pardon even such things as we.




MORNING.

  O word and thing most beautiful!
  Our yesterday was cold and dull,
    Gray mists obscured the setting sun,
  Its evening wept with sobbing rain;
  But to and fro, mid shrouding night,
    Some healing angel swift has run,
  And all is fresh and fair again.

  O, word and thing most beautiful!
  The hearts, which were of cares so full,
    The tired hands, the tired feet,
  So glad of night, are glad of morn,--
  Where are the clouds of yesterday?
    The world is good, the world is sweet,
  And life is new and hope re-born.

  O, word and thing most beautiful!
  O coward soul and sorrowful,
    Which sighs to note the ebbing light
  Give place to evening's shadowy gray!
    What are these things but parables,--
  That darkness heals the wrongs of day,
    And dawning clears all mists of night.

  O, word and thing most beautiful!
  The little sleep our cares to lull,
    The long, soft dusk and then sunrise,
  To waken fresh and angel fair,
    Lite all renewed and cares forgot,
    Ready for Heaven's glad surprise.
  So Christ, who is our Light, be there.




A BLIND SINGER.

  In covert of a leafy porch,
      Where woodbine clings,
  And roses drop their crimson leaves,
      He sits and sings;
  With soft brown crest erect to hear,
      And drooping wings.

  Shut in a narrow cage, which bars
      His eager flight,
  Shut in the darker prison-house
      Of blinded sight,
  Alike to him are sun and stars,
      The day, the night.

  But all the fervor of high noon,
      Hushed, fragrant, strong,
  And all the peace of moonlit nights
    When nights are long,
  And all the bliss of summer eves,
    Breathe in his song.

  The rustle of the fresh green woods,
    The hum of bee,
  The joy of flight, the perfumed waft
    Of blossoming tree,
  The half-forgotten, rapturous thrill
   Of liberty,--

  All blend and mix, while evermore,
    Now and again,
  A plaintive, puzzled cadence comes,
    A low refrain,
  Caught from some shadowy memory
    Of patient pain.

  In midnight black, when all men sleep,
    My singer wakes,
  And pipes his lovely melodies,
    And trills and shakes.
  The dark sky bends to listen, but
    No answer makes.

  O, what is joy? In vain we grasp
    Her purple wings;
  Unwon, unwooed, she flits to dwell
    With humble things;
  She shares my sightless singer's cage,
    And so--he sings.




MARY.

  The drowsy summer in the flowering limes
     Had laid her down at ease,
  Lulled by soft, sportive winds, whose tinkling chimes
     Summoned the wandering bees
  To feast, and dance, and hold high carnival
  Within that vast and fragrant banquet-hall.

  She stood, my Mary, on the wall below,
     Poised on light, arching feet,
  And drew the long, green branches down to show
     Where hung, mid odors sweet,--
  A tiny miracle to touch and view,--
  The humming-bird's, small nest and pearls of blue.

  Fair as the summer's self she stood, and smiled,
     With eyes like summer sky,
  Wistful and glad, half-matron and half-child,
     Gentle and proud and shy;
  Her sweet head framed against the blossoming bough,
  She stood a moment,--and she stands there now!

  'Tis sixteen years since, trustful, unafraid,
     In her full noon of light,
  She passed beneath the grass's curtaining shade,
     Out of our mortal sight;
  And springs and summers, bearing gifts to men,
  And long, long winters have gone by since then.

  And each some little gift has brought to dress
     That unforgotten bed,--
  Violet, anemone, or lady's-tress,
     Or spray of berries red,
  Or purpling leaf, or mantle, pure and cold,
  Of winnowed snow, wrapped round it, fold on fold.

  Yet still she stands, a glad and radiant shape,
     Set in the morning fair,--
  That vanished morn which had such swift escape.
     I turn and see her there,--
  The arch, sweet smile, the bending, graceful head;
  And, seeing thus, why do I call her dead?




WHEN LOVE WENT.

  What whispered Love the day he fled?
  Ah! this was what Love whispered;
  "You sought to hold me with a chain;
  I fly to prove such holding vain.

  "You bound me burdens, and I bore
  The burdens hard, the burdens sore;
  I bore them all unmurmuring,
  For Love can bear a harder thing.

  "You taxed me often, teased me, wept;
  I only smiled, and still I kept
  Through storm and sun and night and day,
  My joyous, viewless, faithful way.

  "But, dear, once dearest, you and I
  This day have parted company.
  Love must be free to give, defer,
  Himself alone his almoner.

  "As free I freely poured my all,
  Enslaved I spurn, renounce my thrall,
  Its wages and its bitter bread."
  Thus whispered Love the day he fled!




OVERSHADOWED.

"Insomuch that they brought forth the sick into the streets, and
laid them on beds and couches, that at the least the shadow of
Peter, passing by, might overshadow some of them."


  Mid the thronged bustle of the city street,
    In the hot hush of noon,
  I wait, with folded hands and nerveless feet.
    Surely He will come soon.
  Surely the Healer will not pass me by,
  But listen to my cry.

  Long are the hours in which I lie and wait,
    Heavy the load I bear;
  But He will come ere evening. Soon or late
    I shall behold Him there;
  Shall hear His dear voice, all the clangor through;
  "What wilt thou that I do?"

  "If Thou but wilt, Lord, Thou canst make me clean."
    Thus shall I answer swift.
  And He will touch me, as He walks serene;
    And I shall rise and lift
  This couch, so long my prison-house of pain,
  And be made whole again.

  He lingers yet. But lo! a hush, a hum.
    The multitudes press on
  After some leader. Surely He is come!
    He nears me; He is gone!
  Only His shadow reached me, as He went;
  Yet here I rest content.

  In that dear shadow, like some healing spell,
    A heavenly patience lay;
  Its balm of peace enwrapped me as it fell;
    My pains all fled away,--
  The weariness, the deep unrest of soul;
  I am indeed "made whole."

  It is enough, Lord, though Thy face divine
    Was turned to other men.
  Although no touch, no questioning voice was mine,
    Thou wilt come once again;
  And, if Thy shadow brings such bliss to me,
  What must Thy presence be?




TIME TO GO.

      They know the time to go!
  The fairy clocks strike their inaudible hour
  In field and woodland, and each punctual flower
  Bows at the signal an obedient head
      And hastes to bed.

      The pale Anemone
  Glides on her way with scarcely a good-night;
  The Violets tie their purple nightcaps tight;
  Hand clasped in hand, the dancing Columbines,
      In blithesome lines,

      Drop their last courtesies,
  Flit from the scene, and couch them for their rest;
  The Meadow Lily folds her scarlet vest
  And hides it 'neath the Grasses' lengthening green;
      Fair and serene,

      Her sister Lily floats
  On the blue pond, and raises golden eyes
  To court the golden splendor of the skies,--
  The sudden signal comes, and down she goes
      To find repose,

      In the cool depths below,
  A little later, and the Asters blue
  Depart in crowds, a brave and cheery crew;
  While Golden-rod, still wide awake and gay,
      Turns him away,

      Furls his bright parasol,
  And, like a little hero, meets his fate.
  The Gentians, very proud to sit up late,
  Next follow. Every Fern is tucked and set
      'Neath coverlet,

      Downy and soft and warm.
  No little seedling voice is heard to grieve
  Or make complaints the folding woods beneath;
  No lingerer dares to stay, for well they know
      The time to go.

      Teach us your patience, brave,
  Dear flowers, till we shall dare to part like you,
  Willing God's will, sure that his clock strikes true,
  That his sweet day augurs a sweeter morrow,
      With smiles, not sorrow.




GULF-STREAM.

  Lonely and cold and fierce I keep my way,
    Scourge of the lands, companioned by the storm,
  Tossing to heaven my frontlet, wild and gray,
    Mateless, yet conscious ever of a warm
  And brooding presence close to mine all day.

  What is this alien thing, so near, so far,
    Close to my life always, but blending never?
  Hemmed in by walls whose crystal gates unbar
    Not at the instance of my strong endeavor
  To pierce the stronghold where their secrets are?

  Buoyant, impalpable, relentless, thin,
    Rise the clear, mocking walls. I strive in vain
  To reach the pulsing heart that beats within,
    Or with persistence of a cold disdain,
  To quell the gladness which I may not win.

  Forever sundered and forever one,
    Linked by a bond whose spell I may not guess,
  Our hostile, yet embracing currents run;
    Such wedlock lonelier is than loneliness.
  Baffled, withheld, I clasp the bride I shun.

  Yet even in my wrath a wild regret
    Mingles; a bitterness of jealous strife
  Tinges my fury as I foam and fret
    Against the borders of that calmer life,
  Beside whose course my wrathful course is set.

  But all my anger, all my pain and woe,
    Are vain to daunt her gladness; all the while
  She goes rejoicing, and I do not know,
    Catching the soft irradiance of her smile,
  If I am most her lover or her foe.




MY WHITE CHRYSANTHEMUM.

  As purely white as is the drifted snow,
     More dazzling fair than summer roses are,
     Petalled with rays like a clear rounded star,
  When winds pipe chilly, and red sunsets glow,
       Your blossoms blow.

  Sweet with a freshening fragrance, all their own,
     In which a faint, dim breath of bitter lies,
     Like wholesome breath mid honeyed flatteries;
  When other blooms are dead, and birds have flown,
        You stand alone.

  Fronting the winter with a fearless grace,
     Flavoring the odorless gray autumn chill,
     Nipped by the furtive frosts, but cheery still,
  Lifting to heaven from the bare garden place
        A smiling face.

  Roses are fair, but frail, and soon grow faint,
     Nor can endure a hardness; violets blue,
     Short-lived and sweet, live but a day or two;
  The nun-like lily bows without complaint,
        And dies a saint.

  Each following each they hasten them away,
     And leave us to our winter and our rue,
     Sad and uncomforted; you, only you,
  Dear, hardy lover, keep your faith and stay
        Long as you may.

  And so we choose you out from all the rest,
     For that most noble word of "Loyalty,"
     Which blazoned on your petals seems to be;
  Winter is near,--stay with us; be our guest,
        The last and best.




TILL THE DAY DAWN.

  Why should I weary you, dear heart, with words,
     Words all discordant with a foolish pain?
  Thoughts cannot interrupt or prayers do wrong,
     And soft and silent as the summer rain
  Mine fall upon your pathway all day long.

  Giving as God gives, counting not the cost
     Of broken box or spilled and fragrant oil,
  I know that, spite of your strong carelessness,
     Rest must be sweeter, worthier must be toil,
  Touched with such mute, invisible caress.

  One of these days, our weary ways quite trod,
     Made free at last and unafraid of men,
  I shall draw near and reach to you my hand.
     And you? Ah! well, we shall be spirits then,
  I think you will be glad and understand.




MY BIRTHDAY.

  Who is this who gently slips
     Through my door, and stands and sighs,
  Hovering in a soft eclipse,
  With a finger on her lips
    And a meaning in her eyes?

  Once she came to visit me
     In white robes with festal airs,
  Glad surprises, songs of glee;
  Now in silence cometh she,
     And a sombre garb she wears.

  Once I waited and was tired,
     Chid her visits as too few;
  Crownless now and undesired,
  She to seek me is inspired
     Oftener than she used to do.

  Grave her coming is and still,
     Sober her appealing mien,
  Tender thoughts her glances fill;
  But I shudder, as one will
     When an open grave is seen.

  Wherefore, friend,--for friend thou art,--
     Should I wrong thee thus and grieve?
  Wherefore push thee from my heart?
  Of my morning thou wert part;
     Be a part too of my eve.

  See, I hold my hand to meet
     That cool, shadowy hand of thine;
  Hold it firmly, it is sweet
  Thus to clasp and thus to greet,
     Though no more in full sunshine.

  Come and freely seek my door,
     I will open willingly;
  I will chide the past no more,
  Looking to the things before,
     Led by pathways known to thee.




BY THE CRADLE.

  The baby Summer lies asleep and dreaming--
     Dreaming and blooming like a guarded rose;
  And March, a kindly nurse, though rude of seeming,
  Is watching by the cradle hung with snows.

  Her blowing winds but keep the rockers swinging,
     And deepen slumber in the shut blue eyes,
  And the shrill cadences of her high singing
     Are to the babe but wonted lullabies.

  She draws the coverlet white and tucks it trimly,
     She folds the little sleeper safe from harm;
  Or bends to lift the veil, and, peering inly,
     Makes sure it lies all undisturbed and warm.

  And so she sits, till in the still, gray dawning
     Two fairer nurses come, her place to take,
  And smiling, beaming, with no word of warning,
     Draw off the quilt, and kiss the babe awake.




A THUNDER STORM.

  The day was hot and the day was dumb,
  Save for cricket's chirr or the bee's low hum,
     Not a bird was seen or a butterfly,
  And ever till noon was over, the sun
     Glared down with a yellow and terrible eye;

  Glared down in the woods, where the breathless boughs
  Hung heavy and faint in a languid drowse,
     And the ferns were curling with thirst and heat;
  Glared down on the fields where the sleepy cows
     Stood munching the grasses, dry and sweet.

  Then a single cloud rose up in the west,
  With a base of gray and a white, white crest;
     It rose and it spread a mighty wing.
  And swooped at the sun, though he did his best
     And struggled and fought like a wounded thing.

  And the woods awoke, and the sleepers heard,
  Each heavily hanging leaflet stirred
     With a little expectant quiver and thrill,
  As the cloud bent over and uttered a word,--
     One volleying, rolling syllable.

  And once and again came the deep, low tone
  Which only to thunder's lips is known,
     And the earth held up her fearless face
  And listened as if to a signal blown,--
     A signal-trump in some heavenly place.

  The trumpet of God, obeyed on high,
  His signal to open the granary
     And send forth his heavily loaded wains
  Rambling and roaring down the sky
     And scattering the blessed, long-harvested rains.





THROUGH THE DOOR.

  The angel opened the door
     A little way,
  And she vanished, as melts a star,
     Into the day,
  And, for just a second's space,
     Ere the bar he drew,
  The pitying angel paused,
     And we looked through.

  What did we see within?
     Ah! who can tell?
  What glory and glow of light
     Ineffable;
  What peace in the very air,
     What hush and calm,
  Soothing each tired soul
     Like healing balm!

  Was it a dream we dreamed,
     Or did we hear
  The harping of silver harps,
     Divinely clear?
  A murmur of that "new song,"
     Which, soft and low,
  The happy angels sing,--
     Sing as they go?

  And, as in the legend old,
     The good monk heard,
  As he paced his cloister dim,
     A heavenly bird,
  And, rapt and lost in the joy
     Of the wondrous song,
  Listened a hundred years,
     Nor deemed them long,

  So chained in sense and limb,
     All blind with sun,
  We stood and tasted the joy
     Of our vanished one;
  And we took no note of time,
     Till soon or late
  The gentle angel sighed,
     And shut the gate.

  The vision is closed and sealed.
     We are come back
  To the old, accustomed earth,
     The well-worn track,--
  Back to the daily toil,
     The daily pain,--
  But we never can be the same,
     Never again.

  We who have bathed in noon,
     All radiant white,
  Shall we come back content
     To sit in night?
  Content with self and sin,
     The stain, the blot?
  To have stood so near the gate
     And enter not?

  O glimpse so swift, so sweet,
     So soon withdrawn!
  Stay with us; light our dusks
     Till day shall dawn;
  Until the shadows flee,
     And to our view
  Again the gate unbars,
     And we pass through.




READJUSTMENT.

  After the earthquake shock or lightning dart
  Comes a recoil of silence o'er the lands,
  And then, with pulses hot and quivering hands,
  Earth calls up courage to her mighty heart,
  Plies every tender, compensating art,
  Draws her green, flowery veil above the scar,
  Fills the shrunk hollow, smooths the riven plain,
  And with a century's tendance heals again
  The seams and gashes which her fairness mar.
  So we, when sudden woe like lightning sped,
  Finds us and smites us in our guarded place,
  After one brief, bewildered moment's space,
  By the same heavenly instinct taught and led,
  Adjust our lives to loss, make friends with pain,
  Bind all our shattered hopes and bid them bloom again.




AT THE GATE

"For behold, the kingdom of God is within you."


      Thy kingdom here?
      Lord, can it be?
  Searching and seeking everywhere
      For many a year,
  "Thy kingdom come" has been my prayer.
  Was that dear kingdom all the while so near?

      Blinded and dull
      With selfish sin,
  Have I been sitting at the gates
      Called Beautiful,
  Where Thy fair angel stands and waits,
  With hand upon the lock to let me in?

      Was I the wall
      Which barred the way,
  Darkening the glory of Thy grace,
      Hiding the ray
  Which, shining out as from Thy very face,
  Had shown to other men the perfect day?

      Was I the bar
      Which shut me out
  From the full joyance which they taste
      Whose spirits are
  Within Thy Paradise embraced,--
  Thy blessed Paradise, which seemed so far?

      The vision swells:
      I seem to catch
  Celestial breezes, rustling low,
      The asphodels,
  Where, singing softly ever to and fro,
  Moves each fair saint who in Thy presence dwells.

      Let me not sit
      Another hour,
  Idly awaiting what is mine to win,
      Blinded in wit,
  Lord Jesus, rend these walls of self and sin;
  Beat down the gate, that I may enter it.




A HOME.

  What is a home? A guarded space,
    Wherein a few, unfairly blest,
  Shall sit together, face to face,
    And bask and purr and be at rest?

  Where cushioned walls rise up between
    Its inmates and the common air,
  The common pain, and pad and screen
    From blows of fate or winds of care?

  Where Art may blossom strong and free,
    And Pleasure furl her silken wing,
  And every laden moment be
    A precious and peculiar thing?

  And Past and Future, softly veiled
    In hiding mists, shall float and lie
  Forgotten half, and unassailed
    By either hope or memory,

  While the luxurious Present weaves
    Her perfumed spells untried, untrue,
  Broiders her garments, heaps her sheaves,
    All for the pleasure of a few?

  Can it be this, the longed-for thing
    Which wanderers on the restless foam,
  Unsheltered beggars, birds on wing,
    Aspire to, dream of, christen "Home"?

  No. Art may bloom, and peace and bliss;
    Grief may refrain and Death forget;
  But if there be no more than this,
    The soul of home is wanting yet.

  Dim image from far glory caught,
    Fair type of fairer things to be,
  The true home rises in our thought,
    A beacon set for men to see.

  Its lamps burn freely in the night,
    Its fire-glows unchidden shed
  Their cheering and abounding light
    On homeless folk uncomforted.

  Each sweet and secret thing within
    Gives out a fragrance on the air,--
  A thankful breath, sent forth to win
    A little smile from others' care.

  The few, they bask in closer heat;
    The many catch the farther ray.
  Life higher seems, the world more sweet,
    And hope and Heaven less far away.

  So the old miracle anew
    Is wrought on earth and proved good,
  And crumbs apportioned for a few,
    God-blessed, suffice a multitude.




THE LEGEND OF KINTU.

  When earth was young and men were few,
  And all things freshly born and new
  Seemed made for blessing, not for ban,
  Kintu, the god, appeared as man.
  Clad in the plain white priestly dress,
  He journeyed through the wilderness,
  His wife beside. A mild-faced cow
  They drove, and one low-bleating lamb;
  He bore a ripe banana-bough,
  And she a root of fruitful yam:
  This was their worldly worth and store,
  But God can make the little more.
  The glad earth knew his feet; her mould
  Trembled with quickening thrills, and stirred.
  Miraculous harvests spread and rolled,
  The orchards shone with ruddy gold;
  The flocks increased, increased the herd,
  And a great nation spread and grew
  From the swift lineage of the two,
  Peopling the solitary place;
  A fair and strong and fruitful race,
  Who knew not pain nor want nor grief,
  And Kintu reigned their lord and chief.

  So sped three centuries along,
  Till Kintu's sons waxed fierce and strong;
  They learned to war, they loved to slay;
  Cruel and dark grew all their faces;
  Discordant death-cries scared the day,
  Blood stained the green and holy places;
  And drunk with lust, with anger hot,
  His sons mild Kintu heeded not.
  At last the god arose in wrath,
  His sandals tied, and down the path,
  His wife beside him, as of yore,
  He went. A cow, a single lamb
  They took; one tuber of the yam;
  One yellow-podded branch they bore
  Of ripe banana,--these, no more,
  Of all the heaped-up harvest store.
  They left the huts, they left the tent,
  Nor turned, nor cast a backward look:
  Behind, the thick boughs met and shook.
  They vanished. Long with wild lament
  Mourned all the tribe, in vain, in vain;
  The gift once given was given no more,
  The grieved god came not again.

  To what far paradise they fared,
  That heavenly pair, what wilderness
  Their gentle rule next owned and shared,
  Knoweth no man,--no man can guess.
  On secret roads, by pathways blind,
  The gods go forth, and none may find;
  But sad the world where God is not!
  By man was Kintu soon forgot,
  Or named and held as legend dim,
  But the wronged earth, remembering him,
  By scanty fruit and tardy grain
  And silent song revealed her pain.
  So centuries came, and centuries went,
  And heaped the graves and filled the tent.
  Kings rose, and fought their royal way
  To conquest over heaps of slain,
  And reigned a little. Then, one day,
  They vanished into dust again.
  And other kings usurped their place,
  Who called themselves of Kintu's race,
  And worshipped Kintu; not as he,
  The mild, benignant deity,
  Who held all life a holy thing,
  Be it of insect or of king,
  Would have ordained, but with wild rite,
  With altars heaped, and dolorous cries,
  And savage dance, and bale-fires light,
  An unaccepted sacrifice.
  At last, when thousand years were flown,
  The great Ma-anda filled the throne:
  A prince of generous heart and high,
  Impetuous, noble, fierce, and true;
  His wrath like lightning hurtling by,
  His pardon like the healing dew.
  And chiefs and sages swore each one
  He was great Kintu's worthiest son.

  One night, in forests still and deep,
  A shepherd sat to watch his sheep,
  And started, as through darkness dim
  A strange voice rang and calmed to him:
  "Wake! there are wonders waiting thee!
  Go where the thick mimosas be,
  Fringing a little open plain,
  Honor and power wouldest thou gain?
  Go, foolish man, to fortune blind;
  Follow the stream, and thou shall find."
  Three several nights the voice was heard,
  Louder and more emphatic grown.
  Then, at the thrice-repeated word,
  The shepherd rose and went alone,
  Threading the mazes of the stream
  Like one who wanders in a dream.
  Long miles he ran, the stream beside,
  Which this way, that way, turned and sped,
  And called and sang, a noisy guide.
  At last its vagrant dances led
  To where the thick mimosas' shade
  Circled and fringed an open glade;
  There the wild streamlet danced away,
  The moon was shining strangely white,
  And by its fitful, gleaming ray
  The shepherd saw a wondrous sight;
  In the glade's midst, each on his mat,
  A group of armed warriors sat,
  White-robed, majestic, with deep eyes
  Fixed on him with a stern surprise;
  And in their midst an aged chief
  Enthroned sat, whose beard, like foam,
  Caressed his mighty knees. As leaf
  Shakes in the wind the shepherd shook,
  And veiled his eyes before that look,
  And prayed, and thought upon his home,
  Nor spoke, nor moved, till the old man,
  In voice like waterfall, began:
  "Shepherd, how names himself thy king?"
  "Ma-anda," answered, shuddering,
  The shepherd. "Good, thou speakest well.
  And now, my son, I bid thee tell
  Thy first king's name." "It was Kintu."
  "'Tis rightly said, thou answerest true.
  Hark! To Ma-anda, Kintu's son,
  Hasten, and bid him, fearing naught,
  Come hither, taking thee for guide;
  Thou and he, not another one,
  Not even a dog may run beside!
  Long has Ma-anda Kintu sought
  With spell and conjuration dim,
  Now Kintu has a word for him.
  Go, do thy errand, haste thee hence,
  Kintu insures thy recompense."
  All night the shepherd ran, star-led,
  All the hot day he hastened straight,
  Nor stopped for sleep, nor stopped for bread,
  Until he reached the city gate,
  And saw red rays of evening fall
  On the leaf-hutted capital.
  He sought the king, his tale he told.
  Ma-anda faltered not, nor stayed.
  He seized his spear, he left the tent:
  Shook off the brown arms of his queens,
  Who clasped his knees with wailing screams;
  On pain of instant death forbade
  That man should spy or follow him;
  And down the pathway, arching dim,
  Fearless and light of heart and bold
  Followed the shepherd where he went.

  But one there was who loved his king
  Too well to suffer such strange thing,--
  The chieftain of the host was he,
  Next to the monarch in degree;
  And, fearing wile or stratagem
  Menaced the king, he followed them
  With noiseless tread and out of sight.
  So on they fared the forest through,
  From evening shades to dawning light,
  From damning to the dusk and dew,--
  The unseen follower and the two.
  Ofttimes the king turned back to scan
  The path, but never saw he man.
  At last the forest-guarded space
  They reached, where, ranged in order, sat,
  Each couched upon his braided mat,
  The white-robed warriors, face to face
  With their majestic chief. The king,
  Albeit unused to fear or awe,
  Bowed down in homage, wondering,
  And bent his eyes, as fearing to be
  Blinded by rays of deity.
  Then asked the mighty voice and calm,
  "Art thou Ma-anda called?" "I am."
  "And art thou king?" "The king am I,"
  The bold Ma-anda made reply.
  "Tis rightly spoken; but, my son,
  Why hast thou my command forgot,
  That no man with thee to this spot
  Should come, except thy guide alone?"
  "No man has come," Ma-anda said.

  "Alone we journeyed, he and I;
  And often have I turned my head,
  And never living thing could spy.
  None is there, on my faith as king."
  "A king's word is a weighty thing,"
  The old man answered. "Let it be,--
  But still a man HAS followed thee!
  Now answer, Ma-anda, one more thing:
  Who, first of all thy line, was king?"
  "Kintu the god." "'Tis well, my son,
  All creatures Kintu loved,--not one
  Too pitiful or weak or small;
  He knew them and he loved them all;
  And never did a living thing,
  Or bird in air or fish in lake,
  Endure a pang for Kintu's sake.
  Then rose his sons, of differing mind,
  Who gorged on cruel feasts each day,
  And bathed in blood, and joyed to slay,
  And laughed at pain and suffering.
  Then Kintu sadly went his way.
  The gods long-suffering are and kind,
  Often they pardon, long they wait;
  But men are evil, men are blind.
  After much tarriance, much debate,
  The good gods leave them to their fate;
  So Kintu went where none may find.

  Each king in turn has sought since then,
  From Chora down, the first in line,
  To win lost Kintu back to men.
  Vain was his search, and vain were thine,
  Save that the gods have special grace
  To thee, Ma-anda. Face to face
  With Kintu thou shall stand, and he
  Shall speak the word of power to thee;
  Clasped to his bosom, thou shall share
  His knowledge of the earth, the air,
  And deep things, secret things, shall learn.
  But stay,"--the old man's voice grew stern,--
  "Before I further speak, declare
  Who is that man in ambush there!"
  "There is no man,--no man I see."
  "Deny no longer, it is vain.
  Within the shadow of the tree
  He lurketh; lo, behold him plain!"
  And the king saw;--for at the word
  From covert stole the hidden spy,
  And sought his monarch's side. One cry,
  A lion's roar, Ma-anda gave,
  Then seized his spear, and poised and drave.
  Like lightning bolt it hissed and whirred,
  A flash across the midnight blue.
  A single groan, a jet of red,
  And, pierced and stricken through and through,
  Upon the ground the chief fell dead;
  But still with love no death could chase,
  His eyes sought out his master's face.

  Blent with Ma-anda's a wild cry
  Of many voices rose on high,
  A shriek of anguish and despair.
  Which shook and filled the startled air;
  And when the king, his wrath still hot,
  Turned him, the little grassy plain
  All lonely in the moonlight lay:
  The chiefs had vanished all away
  As melted into thin, blue wind;
  Gone was the old man. Stunned and blind,
  For a long moment stood the king;
  He tried to wake; he rubbed his eyes,
  As though some fearful dream to end.
  It was no dream, this fearful thing:
  There was the forest, there the skies,
  The shepherd--and his murdered friend.
  With feverish haste, bewildered, mazed,
  This way and that he vainly sped,
  Beating the air like one half crazed;
  With prayers and cries unnumbered,
  Searching, imploring,--vain, all vain.
  Only the echoing woods replied,
  With mocking booms their long aisles through,
  "Come back, Kintu, Kintu, Kintu!"
  And pitiless to all his pain
  The unanswering gods his suit denied.
  At last, as dawning slowly crept
  To day, the king sank down and wept
  A space; then, lifting as they could
  The lifeless burden, once a man,
  He and the shepherd-guide began
  Their grievous journey through the wood,
  The long and hard and dreary way,
  Trodden so lightly yesterday;
  And the third day, at evening's fall,
  Gained the leaf-hutted capital.
  There burial rites were duly paid:

  Like bridegroom decked for banqueting,
  The chief adorned his funeral-pyre;
  Rare gums and spices fed the fire,
  Perfumes and every precious thing;
  And songs were sung, and prayers were prayed,
  And priests danced jubilant all day.
  But prone the king Ma-anda lay,
  With ashes on his royal crest,
  And groaned, and beat upon his breast,
  And called on Kintu loud and wild:
  "Father, come back, forgive thy child!"
  Bitter the cry, but vain, all vain;
  The grieved god came not again.




EASTER.

  When dawns on earth the Easter sun
    The dear saints feel an answering thrill.
    With whitest flowers their hands they fill;
  And, singing all in unison,

  Unto the battlements they press--
    The very marge of heaven--how near!
    And bend, and look upon us here
  With eyes that rain down tenderness.

  Their roses, brimmed with fragrant dew,
    Their lilies fair they raise on high;
    "Rejoice! The Lord is risen!" they cry;
  "Christ is arisen; we prove it true!

  "Rejoice, and dry those faithless tears
    With which your Easter flowers are stained;
    Share in our bliss, who have attained
  The rapture of the eternal years;

  "Have proved the promise which endures,
    The Love that deigned, the Love that died;
    Have reached our haven by His side--
  Are Christ's, but none the less are yours;

  "Yours with a nearness never known
    While parted by the veils of sense;
    Infinite knowledge, joy intense,
  A love which is not love alone,

  "But faith perfected, vision free,
    And patience limitless and wise--
    Beloved, the Lord is risen, arise!
  And dare to be as glad as we!"

  We do rejoice, we do give thanks,
    O blessed ones, for all your gain,
    As dimly through these mists of pain
  We catch the gleaming of your ranks.

  We will arise, with zeal increased,
    Blending, the while we strive and grope,
    Our paler festival of Hope
  With your Fruition's perfect feast.

  Bend low beloved, against the blue;
    Lift higher still the lilies fair,
    Till, following where our treasures are,
  We come to join the feast with you.




BIND-WEED.

  In the deep shadow of the porch
    A slender bind-weed springs,
  And climbs, like airy acrobat,
    The trellises, and swings
  And dances in the golden sun
    In fairy loops and rings.

  Its cup-shaped blossoms, brimmed with dew,
    Like pearly chalices,
  Hold cooling fountains, to refresh
    The butterflies and bees;
  And humming-birds on vibrant wings
    Hover, to drink at ease.

  And up and down the garden-bed,
    Mid box and thyme and yew,
  And spikes of purple lavender,
    And spikes of larkspur blue,
  The bind-weed tendrils win their way,
    And find a passage through.

  With touches coaxing, delicate,
    And arts that never tire,
  They tie the rose-trees each to each,
    The lilac to the brier,
  Making for graceless things a grace,
    With steady, sweet desire.

  Till near and far the garden growths.
    The sweet, the frail, the rude,
  Draw close, as if with one consent,
    And find each other good,
  Held by the bind-weed's pliant loops,
    In a dear brotherhood.

  Like one fair sister, slender, arch,
    A flower in bloom and poise,
  Gentle and merry and beloved,
    Making no stir or noise,
  But swaying, linking, blessing all
    A family of boys.




APRIL.

  Hark! upon the east-wind, piping, creeping,
    Comes a voice all clamorous with despair;
  It is April, crying sore and weeping,
    O'er the chilly earth, so brown and bare.

  "When I went away," she murmurs, sobbing,
    "All my violet-banks were starred with blue;
  Who, O, who has been here, basely robbing
    Bloom and odor from the fragrant crew?

  "Who has reft the robin's hidden treasure,--
    All the speckled spheres he loved so well?
  And the buds which danced in merry measure
    To the chiming of the hyacinth's bell?

  "Where are all my hedge-rows, flushed with Maying?
    And the leafy rain, that tossed so fair,
  Like the spray from silver fountains playing,
    Where the elm-tree's column rose in air?

  "All are vanished, and my heart is breaking;
    And my tears they slowly drip and fall;
  Only death could listen without waking
    To the grief and passion of my call!"

  Thus she plaineth. Then ten million voices.
    Tiny, murmurous, like drops of rain,
  Raised in song as when the wind rejoices,
    Ring the answer, "We are here again.

  "We were hiding, April. Did you miss us?
    None of us were really gone away;
  Stoop thy pretty head and gently kiss us
    Once before we all come out to play.

  "Here are all the clustering burls of roses,
    And the dandelion's mimic sun;
  Of thy much-beloved and vanished posies
    None are missing, not a single one!"

  Little points of green push out to greet her,
    Little creepers grasp her garment's hem,
  Hidden sweetnesses grow ever sweeter
    As she bends and brightly smiles at them.

  Every tear is answered by a blossom,
    Every high with songs and laughter blent,
  Apple-blooms upon the breezes toss them.
    April knows her own, and is content.




MAY.

  New flowery scents strewed everywhere,
  New sunshine poured in largesse fair,
    "We shall be happy now," we say.
  A voice just trembles through the air,
        And whispers, "May."

  Nay, but we MUST! No tiny bud
  But thrills with rapture at the flood
    Of fresh young life which stirs to-day.
  The same wild thrill irradiates our blood;
        Why hint of "May"?

  For us are coming fast and soon
  The delicate witcheries of June;
    July, with ankles deep in hay;
  The bounteous Autumn. Like a mocking tune
        Again sounds, "May."

  Spring's last-born darling, clear-eyed, sweet,
  Pauses a moment, with white twinkling feet,
    And golden locks in breezy play,
  Half teasing and half tender, to repeat
        Her song of "May."

  Ah, month of hope! all promised glee,
  All merry meanings, lie in thee;
    Surely no cloud can daunt thy day.
  The ripe lips part in smiling mockery,
        And murmur, "May."

  Still from the smile a comfort may we glean;
  Although our "must-be's," "shall-be's," idle seem,
    Close to our hearts one little word we lay:
  We may not be as happy as we dream,
        But then we--may.




SECRETS.

  In the long, bright summer, dear to bird and bee,
    When the woods are standing in liveries green and gay,
  Merry little voices sound from every tree,
    And they whisper secrets all the day.

  If we knew the language, we should hear strange things;
    Mrs. Chirry, Mrs. Flurry, deep in private chat.
  "How are all your nestlings, dear? Do they use their wings?
    What was that sad tale about a cat?"

  "Where is your new cottage?" "Hush! I pray you, hush".
    Please speak very softly, dear, and make no noise.
  It is on the lowest bough of the lilac bush.
    And I am so dreadfully afraid of boys.

  "Mr. Chirry chose the spot, without consulting me;
    Such a very public place, and insecure for it,
  I can scarcely sleep at night for nervousness; but he
    Says I am a silly thing and doesn't mind a bit."

  "So the Bluebirds have contracted, have they, for a house?
    And a nest is under way for little Mr. Wren?
  Hush, dear, hush! Be quiet, dear; quiet as a mouse.
    These are weighty secrets, and we must whisper them."

  Close the downy dowagers nestle on the bough
    While the timorous voices soften low with dread,
  And we, walking underneath, little reckon their
    Mysteries are couching in the tree-tops overhead.

  Ah, the pretty whisperers! It was very well
    When the leaves were thick and green, awhile ago--
  Leaves are secret-keepers; but since the last leaf fell
    There is nothing hidden from the eyes below.

  Bared are the brown tenements, and all the world may see
    What Mrs. Chirry, Mrs. Flurry, hid so close that day.
  In the place of rustling wings, cold winds rustling be,
    And thickly lie the icicles where once the warm brood lay.

  Shall we tease the birdies, when they come back in spring,--
    Tease and tell them we have fathomed all their secrets small,
  Every secret hiding-place and dear and precious, thing,
    Which they left behind the leaves, the red leaves, in the fall?

  They would only laugh at us and wink their saucy eyes,
    And answer, "Last year's secrets are all past and told.
  New years bring new happenings and fresh mysteries,
    You are very welcome to the stale ones of the old!"




HOW THE LEAVES CAME DOWN.

  I'll tell you how the leaves came down.
    The great Tree to his children said,
  "You're getting sleepy, Yellow and Brown,
    Yes, very sleepy, little Red;
    It is quite time you went to bed."

  "Ah!" begged each silly, pouting leaf,
    "Let us a little longer May;
  Dear Father Tree, behold our grief,
    'Tis such a very pleasant day
  We do not want to go away."

  So, just for one more merry day
    To the great Tree the leaflets clung,
  Frolicked and danced and had their way,
    Upon the autumn breezes swung,
    Whispering all their sports among,

  "Perhaps the great Tree will forget
    And let us stay until the spring
  If we all beg and coax and fret."
    But the great Tree did no such thing;
    He smiled to hear their whispering.

  "Come, children all, to bed," he cried;
    And ere the leaves could urge their prayer
  He shook his head, and far and wide,
    Fluttering and rustling everywhere,
    Down sped the leaflets through the air.

  I saw them; on the ground they lay,
    Golden and red, a huddled swarm,
  Waiting till one from far away,
    White bed-clothes heaped upon her arm,
    Should come to wrap them safe and warm.

  The great bare Tree looked down and smiled.
    "Good-night, dear little leaves" he said;
  And from below each sleepy child
    Replied "Good-night," and murmured,
    "It is so nice to go to bed."




BARCAROLES.

I.

  Over the lapsing lagune all the day
    Urging my gondola with oar-strokes light,
  Always beside one shadowy waterway
    I pause and peer, with eager, jealous sight,
  Toward the Piazza where Pepita stands,
    Wooing the hungry pigeons from their flight.

  Dark the canal; but she shines like the sun,
    With yellow hair and dreaming, wine-brown eyes.
  Thick crowd the doves for food. She gives ME none.
    She sees and will not see. Vain are my sighs.
  One slow, reluctant stroke. Aha! she turns,
    Gestures and smiles, with coy and feigned surprise.

  Shifting and baffling is our Lido track,
    Blind and bewildering all the currents flow.
  Me they perplex not. In the midnight black
    I hold my way secure and fearless row,
  But ah! what chart have I to her, my Sea,
    Whose fair, mysterious depths I long to know?

  Subtle as sad mirage; true and untrue
    She seems, and, pressing ever on in vain,
  I yearn across the mocking, tempting blue.
    Never she draws more near, never I gain
  A furlong's space toward where she sits and a miles;
    Smiles and cares nothing for my love and pain.

  How shall I win her? What may strong arm do
    Against such gentle distance? I can say
  No more than this, that when she stands to woo
    The doves beside the shadowy waterway,
  And when I look and long, sometimes--she smiles
    Perhaps she will do more than smile one day!




II.

  Light and darkness, brown and fair,
    Ha! they think I do not see,--
  I behind them, swiftly rowing.
    Rowing? Yes, but eyes are free,
        Eyes and fancies:--

  Now what fire in looks and glances!
    Now the dark head bends, grown bolder.
  Ringlets mingle--silence--broken
    (All unconscious of beholder)
        By a kiss!

  What could lovers ask or miss
    In such moonlight, such June weather,
  But a boat like this, (me rowing!)
    And forever and together
        To be floating?

  Ah! if she and I such boating
    Might but share one day, some fellow
  With strong arms behind, Pasquale,
    Or Luigi, with gay awning,
        (She likes yellow!)

  She--I mean Pepita--mellow
    Moonlight on the waves, no other
  To break silence or catch whispers,
    All the love which now I smother
        Told and spoken,--

  Listened to, a kiss for token:
    How, my Signor? What! so soon
  Homeward bound? We, born of Venice,
    Live by night and nap by noon.
        If 'twere me, now,

  With my brown-eyed girl, this prow
    Would not turn for hours still;
  But the Signor bids, commands,
    I am here to do his will,
        He is master.

  Glide we on; so, faster, faster.
    Now the two are safely landed.
  Buono mano, grazie, Signor,
    They who love are open-handed.
        Now, Pepita!




III.

TORCELLO.

  She has said "yes," and the world is a-smite.
    There she sits as she sat in my dream;
    There she sits, and the blue waves gleam,
  And the current bears us along the while
  For happy mile after happy mile,
    A fairy boat on a fairy stream.

  The Angelus bells siring to and fro,
    And the sunset lingers to hear their swell,
    For the sunset loves such music well.
  A big, bright moon is hovering low,
  Where the edge of the sky is all aglow,
    Like the middle heart of a red, red shell.

  The Lido floats like a purple flower;
    Orange and rose are the sails at sea;
    Silk and pink the surf-line free
  Tumbles and chimes, and the perfect hour
  Clasps us and folds us in its power,
    Folds us and holds us, my love and me.

  Can there be sadness anywhere
    In the world to-night? Or tears or sighs
    Beneath such festal moon and skies?
  Can there be memory or despair?
  What is it, beloved? Why point you there,
    With sudden dew in those dearest eyes?

  Yes! one sad thing on the happy earth!
    Like a mourner's veil in the bridal array,
    Or a sorrowful sigh in the music gay,
  A shade on the sun, in the feast a dearth,
    Drawn like a ghost across our way,
  Torcello sits and rebukes our mirth.

  She sits a widow who sat as queen,
    Ashes on brows once crowned and bright;
    Woe in the eyes once full of light;
  Her sad, fair roses and manifold green,
    All bitter and pallid and heavy with night,
  Are full of the shadows of woes unseen.

  Let us hurry away from her face unblest,
    Row us away, for the song is done,
    The Angelus bells cease, one by one,
  Pepita's head lies on my breast;
  But, trembling and full of a vague unrest,
    I long for the morrow and for the sun.




MY RIGHTS.

      Yes, God has made me a woman,
        And I am content to be
      Just what He meant, not reaching out
        For other things, since He
  Who knows me best and loves me most has ordered this for me.

      A woman, to live my life out
        In quiet womanly ways,
      Hearing the far-off battle,
        Seeing as through a haze
  The crowding, struggling world of men fight through their busy
  days.

      I am not strong or valiant,
        I would not join the fight
      Or jostle with crowds in the highways
        To sully my garments white;
  But I have rights as a woman, and here I claim my right.

      The right of a rose to bloom
        In its own sweet, separate way,
      With none to question the perfumed pink
        And none to utter a nay
  If it reaches a root or points, a thorn, as even a rose-tree may.

      The right of the lady-birch to grow,
        To grow as the Lord shall please,
      By never a sturdy oak rebuked,
        Denied nor sun nor breeze,
  For all its pliant slenderness, kin to the stronger trees.

      The right to a life of my own,--
        Not merely a casual bit
      Of somebody else's life, flung out
        That, taking hold of it,
  I may stand as a cipher does after a numeral writ.

      The right to gather and glean
        What food I need and can
      From the garnered store of knowledge
        Which man has heaped for man,
  Taking with free hands freely and after an ordered plan.

      The right--ah, best and sweetest!--
        To stand all undismayed
      Whenever sorrow or want or sin
        Call for a woman's aid,
  With none to call or question, by never a look gainsaid.

      I do not ask for a ballot;
        Though very life were at stake,
      I would beg for the nobler justice
        That men for manhood's sake
  Should give ungrudgingly, nor withhold till I must fight and take.

      The fleet foot and the feeble foot
        Both seek the self-same goal,
      The weakest soldier's name is writ
        On the great army-roll,
  And God, who made man's body strong, made too the woman's soul




SOLSTICE.

I.

  I sit at evening's scented close,
    In fulness of the summer-tide;
  All dewy fair the lily glows,
  No single petal of the row;
    Has fallen to dim the rose's pride.

  Sweet airs, sweet harmonies of hue,
    Surround, caress me everywhere;
  The spells of dusk, the spells of dew,
  My senses steal, my reason woo,
    And sing a lullaby to tare,

  But vainly do the warm airs sing,
    All vain the roses' rapturous breath;
  A chill blast, as from wintry wing,
  Smites on my heart, and, shuddering,
    I see the beauty changed to death.

  Afar I see it loom and rise,
    That pitiless and icy shape.
  It blots the blue, it dims the skies;
  Amid the summer land it cries,
    "I come, and there is no escape!"

  O, bitter drop in bloom and sweet!
    O, canker on the smiling day!
  Have we but climbed the hill to meet
  Thy fronting fare, thy eyes of sleet?
    To hate, yet dare not turn away?




II.

  I sit beneath a leaden sky,
    Amid the piled and drifted snow;
  My feet are on the graves where lie
  The roses which made haste to die
    So long, so very long ago.

  The sobbing wind is fierce and strong,
    Its cry is like a human wail,
  But in my heart it sings this song:
  "Not long, O Lord! O Lord, not long!
    Surely thy spring-time shall prevail."

  Out of the darkness and the cold,
    Out of the wintry depths I lean,
  And lovingly I clasp and hold
  The promises, and see unrolled
    A vision of the summer green.

  O, life in death, sweet plucked from pain!
    O, distant vision fair to see!
  Up the long hill we press and strain;
  We can bear all things and attain,
    If once our faces turn to Thee!




IN THE MIST.

  Sitting all day in a silver mist,
    In silver silence all the day,
  Save for the low, soft kiss of spray,
  And the lisp of sands by waters kissed,
    As the tide draws up the bay.

  Little I hear and nothing I see,
    Wrapped in that veil by fairies spun;
  The solid earth is vanished for me,
  And the shining hours speed noiselessly,
    A web of shadow and sun.

  Suddenly out of the shifting veil
    A magical bark, by the sunbeams lit,
  Flits like a dream,--or seems to flit,--
  With a golden prow and a gossamer sail,
    And the waves make room for it.

  A fair, swift bark from some radiant realm,
    Its diamond cordage cuts the sky
    In glittering lines; all silently
  A seeming spirit holds the helm
    And steers: will he pass me by?

  Ah, not for me is the vessel here!
    Noiseless and fast as a sea-bird's, flight,
    She swerves and vanishes from my sight;
  No flap of sail, no parting cheer,--
    She has passed into the light.

  Sitting some day in a deeper mist,
    Silent, alone, some other day,
    An unknown bark from an unknown bay,
  By unknown waters lapped and kissed,
    Shall near me through the spray.

  No flap of sail, no scraping of keel:
    Shadow, dim, with a banner dark,
    It will hover, will pause, and I shall feel
  A hand which beckons, and, shivering, steal
    To the cold strand and embark.

  Embark for that far mysterious realm,
    Whence the fathomless, trackless waters flow.
    Shall I see a Presence dim, and know
  A Gracious Hand upon the helm,
    Nor be afraid to go?

  And through black wave and stormy blast,
    And out of the fog-wreath dense and dun,
    Guided and held, shall the vessel run,
  Gain the fair haven, night being past,
    And anchor in the sun?




WITHIN.

  Could my heart hold another one?
      I cannot tell.
  Sometimes it seems an ample dome,
      Sometimes a cell,

  Sometimes a temple filled with saints,
      Serene and fair,
  Whose eyes are pure from mortal taints
      All lilies are.

  Sometimes a narrow shrine, in which
      One precious fare
  Smiles ever from its guarded niche,
      With deathless grace.

  Sometimes a nest, where weary things,
      And weal; and shy,
  Are brooded under mother wings
      Till they can fly.

  And then a palace, with wide rooms
      Adorned and dressed,
  Where eager slaves pour sweet perfumes
      For each new guest.

  Whiche'er it be, I know always
      Within that door--
  Whose latch it is not mine to raise--
      Blows evermore,

  With breath of balm upon its wing,
      A soft, still air,
  Which makes each closely folded thing
      Look always fair.

  My darlings, do you feel me near,
      As every day
  Into this hidden place and dear
      I take my way?

  Always you stand in radiant guise,
      Always I see
  A noiseless welcome in the eyes
      You turn on me.

  And, whether I come soon or late,
      Whate'er befall,
  Always within the guarded gate
      I find you all.




MENACE.

  All green and fair the Summer lies,
    Just budded from the bud of Spring,
  With tender blue of wistful skies,
    And winds which softly sing.

  Her clock has struck its morning hours;
    Noon nears--the flowery dial is true;
  But still the hot sun veils its powers,
    In deference to the dew.

  Yet there amid the fresh new green,
    Amid the young broods overhead,
  A single scarlet branch is seen,
    Swung like a banner red;

  Tinged with the fatal hectic flush
    Which, when October frost is in the near,
  Flames on each dying tree and bush,
    To deck the dying year.

  And now the sky seems not so blue,
    The yellow sunshine pales its ray,
  A sorrowful, prophetic hue
    Lies on the radiant day,

  As mid the bloom and tenderness
    I catch that scarlet menace there,
  Like a gray sudden wintry tress
    Set in a child's bright hair.

  The birds sing on, the roses blow,
    But like a discord heard but now,
  A stain upon the petal's snow
    Is that one sad, red bough.




"HE THAT BELIEVETH SHALL NOT MAKE HASTE."

  The aloes grow upon the sand,
    The aloes thirst with parching heat;
  Year after year they waiting stand,
    Lonely and calm, and front the beat
    Of desert winds; and still a sweet
  And subtle voice thrills all their veins:
  "Great patience wins; it still remains,
  After a century of pains,
    To you to bloom and be complete."

  I grow upon a thorny waste;
    Hot noontide lies on all the way,
  And with its scorching breath makes haste
    Each freshening dawn to burn and slay,
    Yet patiently I bide and stay:
  Knowing the secret of my fate,
  The hour of bloom, dear Lord, I wait,
  Come when it will, or soon or late,
    A hundred years are but a day.




MY LITTLE GHOST.

  I know where it lurks and hides,
    In the midst of the busy house,
    In the midst of the children's glee,
  All clay its shadow bides:
    Nobody knows but me.

  On a closet-shelf it dwells,
    In the darkest corner of all,
    Mid rolls of woollen and fur,
  And faint, forgotten smells
    Of last year's lavender.

  That a ghost has its dwelling there
    Nobody else would guess,--
    "Only a baby's shoe,
  A curl of golden hair,"
    You would say, "a toy or two,--

  "A broken doll, whose lips
    And cheeks of waxen bloom
    Show dents of fingers small,--
  Little, fair finger-tips,--
    A worn sash,--that is all."

  Little to see or to guess;
    But whenever I open the door,
    There, faithful to its post,
  With its eyes' sad tenderness,
    I see my little ghost.

  And I hasten to shut the door,
    I shut it tight and fast,
    Lest the sweet, sad thing get free,
  Lest it flit beside on the floor,
    And sadden the day for me,

  Lest between me and the sun,
    And between me and the heavens,
    And the laugh in the children's eyes,
  The shadowy feet should run,
    The faint gold curls arise

  Like a gleam of moonlight pale,
    And all the warmth and the light
    Should die from the summer day,
  And the laughter turn to wail,
    And I should forget to pray.

  So I keep the door shut fast,
    And my little ghost shut in,
    And whenever I cross the hall
  I shiver and hurry past;
    But I love it best of all.




CHRISTMAS.

  How did they keep his birthday then,
    The little fair Christ, so long ago?
  O, many there were to be housed and fed,
  And there was no place in the inn, they said,
    So into the manger the Christ must go,
  To lodge with the cattle and not with men.

  The ox and the ass they munched their hay
    They munched and they slumbered, wondering not,
  And out in the midnight cold and blue
  The shepherds slept, and the sheep slept too,
    Till the angels' song and the bright star ray
  Guided the wise men to the spot.

  But only the wise men knelt and praised,
    And only the shepherds came to see,
  And the rest of the world cared not at all
  For the little Christ in the oxen's stall;
    And we are angry and amazed
  That such a dull, hard thing should be!

  How do we keep his birthday now?
    We ring the bells and we raise the strain,
  We hang up garland, everywhere
  And bid the tapers, twinkle fair,
    And feast and frolic--and then we go
  Back to the Mine old lives again.

  Are we so better, then, than they
    Who failed the new-born Christ to see?
  To them a helpless babe,--to us
  He shines a Saviour glorious,
    Our Lord, our Friend, our All--yet we
  Are half asleep this Christmas day.




BENEDICAM DOMINO.

  Thank God for life: life is not sweet always.
  Hands may he heavy-laden, hearts care full,
  Unwelcome nights follow unwelcome days,
  And dreams divine end in awakenings dull.
  Still it is life, anil life is cause for praise.
  This ache, this restlessness, this quickening sting,
  Prove me no torpid and inanimate thing,
  Prove me of Him who is of life the Spring.
  I am alive!--and that is beautiful.

  Thank God for Love: though Love may hurt and wound
  Though set with sharpest thorns its rose may be,
  Roses are not of winter, all attuned
  Must be the earth, full of soft stir, and free
  And warm ere dawns the rose upon its tree.
  Fresh currents through my frozen pulses run;
  My heart has tasted summer, tasted sun,
  And I can thank Thee, Lord, although not one
  Of all the many roses blooms for me.










End of the Project Gutenberg EBook of Verses, by Susan Coolidge

*** END OF THIS PROJECT GUTENBERG EBOOK VERSES ***

***** This file should be named 4560.txt or 4560.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/4/5/6/4560/

Produced by Charles Franks and the Online Distributed Proofreading Team.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.