The Project Gutenberg EBook of The Iron Pincers, by Eugène Sue
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Iron Pincers
or Mylio and Karvel. A Tale of the Albigensian Crusades
Author: Eugène Sue
Translator: Daniel De Leon
Release Date: July 8, 2010 [EBook #33114]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE IRON PINCERS ***
Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net
THE IRON PINCERS
THE FULL SERIES OF
The Mysteries of the People
:: OR ::
History of a Proletarian Family Across the Ages
By EUGENE SUE
_Consisting of the Following Works:_
THE GOLD SICKLE; or, _Hena the Virgin of the Isle of Sen_.
THE BRASS BELL; or, _The Chariot of Death_.
THE IRON COLLAR; or, _Faustina and Syomara_.
THE SILVER CROSS; or, _The Carpenter of Nazareth_.
THE CASQUE'S LARK; or, _Victoria, the Mother of the Camps_.
THE PONIARD'S HILT; or, _Karadeucq and Ronan_.
THE BRANDING NEEDLE; or, _The Monastery of Charolles_.
THE ABBATIAL CROSIER; or, _Bonaik and Septimine_.
THE CARLOVINGIAN COINS; or, _The Daughters of Charlemagne_.
THE IRON ARROW-HEAD; or, _The Buckler Maiden_.
THE INFANTS SKULL; or, _The End of the World_.
THE PILGRIM'S SHELL; or, _Fergan the Quarryman_.
THE IRON PINCERS; or, _Mylio and Karvel_.
THE IRON TREVET; or, _Jocelyn the Champion_.
THE EXECUTIONER'S KNIFE; or, _Joan of Arc_.
THE POCKET BIBLE; or, _Christian the Printer_.
THE BLACKSMITH'S HAMMER; or, _The Peasant Code_.
THE SWORD OF HONOR; or, _The Foundation of the French Republic_.
THE GALLEY SLAVE'S RING; or, _The Family Lebrenn_.
Published Uniform With This Volume By
THE NEW YORK LABOR NEWS CO.
28 CITY HALL PLACE NEW YORK CITY
THE IRON PINCERS
:: :: OR :: ::
MYLIO AND KARVEL
A Tale of the Albigensian Crusades
By EUGENE SUE
TRANSLATED FROM THE ORIGINAL FRENCH
By DANIEL DE LEON
NEW YORK LABOR NEWS COMPANY. 1909
Copyright, 1909, by the
NEW YORK LABOR NEWS CO.
INDEX
TRANSLATOR'S PREFACE vi
PART I. THE COURT OF LOVE.
INTRODUCTION 1
CHAPTER
I. THE ORCHARD OF MARPHISE 5
II. GOOSE-SKIN THE JUGGLER 20
III. FLORETTE 35
IV. THE GARDEN OF EGLANTINE 45
V. THE CRUSADERS 62
VI. ON TO LANGUEDOC 80
PART II. THE ALBIGENSIAN HERETICS.
I. THE PERFECT'S HOME 87
II. GIRAUDE OF LAVAUR 93
III. THE SHADOW OF WAR 99
IV. ROBIN LOVES ME, ROBIN HAS ME 109
V. SONG ON THE CRUSADE AGAINST THE ALBIGENSIANS 122
VI. SONG ON THE BUTCHERY OF CHASSENEUIL 125
VII. SONG ON THE BUTCHERY OF BEZIERS 128
VIII. SONG ON THE BURNING OF CARCASSONNE 132
IX. THE HERETICS' WAR SONG 141
X. BEFORE THE CASTLE OF LAVAUR 144
XI. MONTFORT AND THE PERFECT 150
XII. GOOSE-SKIN'S CONVERSION 165
XIII. THE ESPLANADE AT LAVAUR 176
EPILOGUE 191
TRANSLATOR'S PREFACE.
A new breath blows through this story, the thirteenth of the Eugene Sue
series, _The Mysteries of the People; or, History of a Proletarian
Family Across the Ages_. The epoch is the Thirteenth Century. The
rudeness and coarseness of the period described in the preceding
story--_The Pilgrim's Shell; or, Fergan the Quarryman_--now lies two
centuries behind. Religious bigotry still reigns supreme, but it now is
no more of the coarse nature typified by a Cuckoo Peter, it now partakes
of the flavor of a Duke of Montfort; amours are no longer of the vulgar
type of a Duke of Aquitaine, they now partake of the mental refinement
of "Courts of Love." Music and poetry chasten the harsh lines of the
Thirteenth Century and the season is prepared for the epoch described in
the following novel--_The Iron Trevet; or, Jocelyn the Champion_--the
age of chivalry. Nevertheless it was at this epoch that the religious
persecutions of the Albigensians happened. The fell fanaticism of
Montfort, the lawlessness of the clergy, and the dissoluteness of the
nobility are woven into a narrative with Mylio the Trouvere and his
brother Karvel, the type of religious purity, as the center figures of a
story that has all the fascination of drama, in which tears and
laughter, freedom and oppression alternate in rapid succession--a true
picture of its times.
DANIEL DE LEON.
Milford, Conn., September, 1909.
INTRODUCTION.
I, Mylio the Trouvere[1]--the great-great-grandson of Colombaik, whose
father, Fergan the Quarryman, was killed on the ramparts of Laon in the
defense of the franchise of the commune--have written this "play," or
narrative in dialogue, as is the vogue in these days.[2] The events
herein narrated transpired in the course of the year 1208, at the period
when the war of King Philip Augustus against King John of England and
against Germany raged at its worst. The description of the "Court of
Love," however much I may tone it down, reflects truthfully the
unbridled license of the morals that are prevalent in these times, and
the description of the persecutions of the Albigensian heretics, however
much I may tone down that, truthfully reflects the ferocity of the
religious bigotry of this self-same epoch. On the one subject and on the
other the facts are revolting. Nevertheless, I am of the opinion that
the morals and principles of the noble dames, the seigneurs and the
clergy should not be concealed from you, children of Joel. Your
knowledge of the facts will strengthen your aversion for these elements
of our oppression.
PART I.
THE COURT OF LOVE
CHAPTER I.
THE ORCHARD OF MARPHISE.
What I here have to narrate occurs towards evening on a beautiful autumn
day, in the orchard of Marphise, the noble Lady of Ariol. The orchard,
which lies in the close vicinity of the ramparts of the city of Blois,
is surrounded by a high wall, crowned by a hedge of yoke-elm. A handsome
summer-pavilion rises in the middle of the garden. The trees are
numerous, and their fruit-laden branches are ingeniously intertwined
with vines that bear clusters of purple grapes. Not far from the
pavilion, a stately pine-tree casts its shadow across a white marble
basin filled with limpid water and encircled by a broad band of lawn, on
which roses, anemones and gladiolas blend their lively colors. A bench
of verdure is contrived around the foot of the gigantic pine, whose
dense foliage allows the setting rays of the sun to penetrate it here
and there, and to empurple the crystal face of the water in the basin.
Twelve women, the eldest of whom, Marphise, the Lady of Ariol, has
hardly reached her thirtieth year, and the youngest, Eglantine,
Viscountess of Seligny, is not yet seventeen;--twelve women, the least
handsome of whom would everywhere, except here, have been considered a
star of beauty;--twelve women are assembled in this orchard. After a
collation in which the wines of Blois, of Saumur and of Beaugency have
moistened the delicate venison pasties, the eels preserved in mustard,
the cold partridges seasoned in verjuice--a dainty repast that is
rounded with toothsome confectionery and sweets, moistened, in their
turn, with no less copious libations of hippocrass or other spiced
wines--the eyes of the noble ladies begin to dance and their cheeks are
inflamed.
Certain of being alone among themselves, and sheltered from indiscreet
looks or inquisitive ears, the merry gossips observe neither in their
words nor in their demeanor the reserve that, perhaps, they might
observe elsewhere. Some, stretched at full length on the sward, turn the
limpid water of the basin into a mirror, contemplate themselves, and
make all manner of winsome grimaces at their own reflections in the
water; others, perched upon a ladder, amuse themselves plucking the
ruddy apples or mellow pears from the trees, and, as the petticoats of
the noble ladies serve for aprons in which to gather their harvest, the
color of their garters is often exposed--a circumstance that in no wise
disturbs our climbers, knowing as they do, that their limbs are well
shaped; others, again, hold themselves by the hands in a circle, and
amidst peals of laughter indulge in a giddy whirl; while still others,
being of a more indolent bent, repose upon the bench of verdure and
lazily enjoy the balmy air of the delightful evening.
These indolent ones should be named. They are: Marphise, the Lady of
Ariol; Eglantine, Viscountess of Seligny; and Deliane, Canoness of the
sacred Chapter of Nivelle. Marphise, tall, dark, with eyebrows boldly
arched and of no less deep a hue than her raven-black hair and large
black eyes, would have resembled the antique Minerva if, like the
goddess, Marphise had worn a brass casque on her head, and if her chest,
massive and white as alabaster, were imprisoned in a cuirass, in short,
if her physiognomy had recalled the austere dignity of the goddess of
wisdom. Fortunately, there is no trace of all that, thanks both to the
playful brilliancy of Marphise's eyes and to her laughing, sensual and
ruddy lips. Her coif of orange color, with its flaps gently turned above
her ears, exposes the strands of her black hair, which are braided with
a thread of pearls. Her elegant figure stands outlined under her robe of
white silk, a rich Lombard fabric relieved with orange-colored designs.
Her sleeves, open and flowing, her upturned collar, her sloping corsage,
leave her beautiful arms bare, and expose her under-waistcoat of
snow-white linen, fluted, and bordered with gold thread over her bosom.
In order to cool her burning cheek, Marphise flutters an ivory-handled
fan of peacock feathers. Indolently stretched upon the bench of verdure,
the nonchalant woman does not notice that a raised fold of her skirt
exposes one of her limbs which tightly fits a stocking of pale green
silk with silver ribs, together with her dainty slipper of Lyons
manufacture, with a red buckle ornamented with rubies.
Marphise turns with a smile towards Eglantine, who, standing behind the
bench of verdure, leans her elbows upon its back. Thus, only the face
and corsage of the charming Viscountess of Seligny are visible. She has
been well named, Eglantine. Never did the flower of the wild-rose,
barely blossomed from the bud, display a more delicate tint, or more
vernal, than the enchanting visage of the dainty blonde with eyes as
blue as the sky of May. All about her is rosy. Rosy are her cheeks, rosy
her lips, roses make up the little chaplet of perfumed flowers which
crowns the hair-net of silver thread through the squares of which her
deep blonde hair peeps out, and finally, rosy is the silk of her gorget,
which, from the waist all the way up to the neck, tightly fastened by a
row of marvelously wrought silver buttons, sets off her delicate
contour.
While Eglantine thus leans upon her elbows on the bench, Deliane, the
Canoness of the Chapter of Nivelle is upon her knees at the opposite
side of the verdure seat. With one of her arms familiarly reclined upon
the white shoulder of Marphise, she listens smiling to the erotic
conversation between Eglantine and the Lady of Ariol. Of the two
prattlers, one is of superb beauty, the other of charming prettiness.
Deliane the canoness, however, is celestial. Dream of a woman of as
divine a beauty as your imagination can conceive; clothe her in a
scarlet robe of delicate material bordered with ermine; add to that a
surplice of the white of the lily like the hood and veil which frame in
the ideal face of the canoness; steep her beautiful hazel eyes in a
languor of saintly love;--do that and you will have the portrait of the
matchless canoness. That being done, gild the group of these three women
with a ray of the setting sun, and you will admit that, at that moment,
the orchard of the Lady of Ariol, filled as it is with delicious fruit,
greatly resembles the terrestrial Paradise;--aye, surpasses it. For one
thing, instead of one solitary Eve, you see here a full dozen--some
blonde, some dark, some auburn; for another thing, that boor of an Adam
is absent, and absent also is the rainbow colored serpent, unless the
villain has hidden himself under some cluster of roses and gladiolas.
You have, so far, admired with your eyes; now listen to their talk,
always facetious and mirthful, at times anacreontic--rakish words
accompanied with immodest postures:
MARPHISE--"I am still laughing, Eglantine, about that pretty story--the
eternal stupidity of husbands."
THE CANONESS--"That simpleton of a husband bringing in a light, and
finding--what? Why his wife holding a calf by the tail!"
EGLANTINE--"And did the monk escape in the darkness?"
MARPHISE--"Oh! These tonsured friends are cunning lovers!"
THE CANONESS--"I don't know about that. They are taken to be more
secretive than the others. It is a mistake!"
EGLANTINE--"And then they ruin you with their solicitations after copes
and alms. There is nothing too brilliant for them. They are always
a-begging on the sly."
MARPHISE--"But the knights are also quite expensive luxuries! If the
clerk loves to strut under silks at the altar, the knight loves to shine
at the tourney, and often have we to pay for his swagger, from his spurs
to his casque, from the bridle of his horse to the horse itself, besides
garnishing his purse with round pieces of silver and gold!"
EGLANTINE--"And then, on some fine day, horse, armor, embroidered
housings--everything lands at the usurer's to fit out some wench, after
which your gallant friend returns to you dressed--only in his glory, and
you are weak enough to equip him anew! Oh! Believe me, dear friends,
they make sorry lovers, these tourney-hunters do! Without mentioning
that these redoubtable warriors are often duller than their mounts--"
THE CANONESS--"A clerk is no less sorry a choice. It must be admitted
that these churchmen have more wit about them than the knights, but just
think of the amusement connected with having to go to church in order to
hear your lover sing mass, or with running across him when he is
escorting a corpse to its last resting place and is mumbling away at his
prayers, in a hurry to return to the house of mourning and have his
share of the feast. I must confess it shocks my delicacy."
EGLANTINE--"And if he makes you a present! Fie! His gifts are
impregnated with a nauseating odor--they smell of dead bodies."
MARPHISE (laughing)--"'And should you die, my beloved, I shall very
piously and particularly recommend your soul to God, and sing a superb
mass with ringing bells.'--"
The three women laugh aloud at Marphise's joke.
THE CANONESS--"And for all that, out of ten women you will not find two
who have not a clerk or a knight for their lover."
MARPHISE--"I believe Deliane is mistaken."
EGLANTINE--"Let's see. We are here twelve in the orchard. We are all
young, as we know; handsome, as we are told. We are no fools, either. We
know how to find amusement while our husbands are away in the Holy
Land."
MARPHISE (laughing)--"Where they expiate their own sins--and ours."
THE CANONESS--"Blessed be Peter the Hermit! With his preaching of the
first Crusade over a hundred years ago, the holy man gave the signal for
the delectation of the women--"
MARPHISE--"That Peter the Hermit must have been bribed by the lovers.
More than one husband who departed for Palestine has repeated, while
scratching his ears: 'I'd like to know what my wife Capeluche is doing
at this hour! By the blood of God, what is my wife doing now?'"
EGLANTINE (impatiently)--"What we do? Indeed! Why, we enrol our husbands
in the large fraternity of St. Arnold. Besides, they are Crusaders.
Their salvation is, accordingly, doubly certain. But, for mercy's sake,
dear friends, let's leave our husbands in Palestine; may they stay there
as long as possible; and let us return to my plan. It is a pleasanter
thing to consider. Deliane claims that out of ten women there are not
two who have not a clerk or a knight for their lover. We are here twelve
of us. Each of us has her tender secret. Where is the woman so small as
to reject a lover when she is herself gentilely and loyally smitten? To
yield is a sweet duty."
THE CANONESS (with languor)--"Thank God, we do not desire our
fellowmen's death. We must yield to those who love us."
MARPHISE (gravely)--"The woman who, being adored with love, would cause
the death of a man by her refusal, must be condemned as a homicide. The
Court of Love has under my presidency, issued that memorable decree at
its last session under the young elm. The said decree was rendered at
the instance of the Conservator of the High Privileges of Love, who made
the application before the Chamber of Sweet Pledges. The applicant, if I
remember rightly, was a lover residing in the purlieus of the
'Delightful Passion,' 'Perseverence Street,' 'Hotel Despair,' where the
unhappy fellow was dying of his flame's inhumanity. Fortunately, when
our Seneschal of Sweet-Marjoram, accompanied by the Bailiff of the Joy
of Joys, notified the tigress of the Court's decree, she recoiled before
the fear of falling into mortal sin by causing the death of her admirer,
and surrendered unconditionally to him."
THE CANONESS (with unction)--"It is so sweet a thing to snatch one of
God's creatures from the clutches of death!"
EGLANTINE--"Mercy, dear friends. Why do you not listen to my plan? All
the twelve of us have some secret love. Let us select one of us for
confessor. We shall each in succession make to her our sweet admission.
The confessor shall announce the result of our confidences. We shall
thus know the number of those who have a spurred or a tonsured lover.
The question will then be settled."
THE CANONESS--"An excellent idea! What say you, Marphise? I give it my
full support."
MARPHISE--"I accept it! And I am certain our other friends will join in.
That will furnish us amusement until night."
Indeed, Eglantine's proposition is gladly accepted by the young women.
They draw together, and by common accord choose Marphise as the Lady
Confessor. Upon her election, Marphise seats herself on the bench of
verdure; her friends step a few paces back and cast mischievous glances
upon the Lady Confessor and upon the one confessing. The first of these
is Eglantine, the pretty Viscountess of Seligny. She is on her knees at
the feet of Marphise, who assuming the manners of a nun, lovingly
presses the two hands of the penitent, and addresses her with a
self-confident air and sanctimonious voice:
MARPHISE--"Come, dear daughter, open to me your heart; conceal nothing;
frankly confess all your sins; say who is your lover."
EGLANTINE (with hands joined and eyes lowered)--"Lady Confessor, he whom
I love is young and handsome. He is brave as a knight; well-spoken as a
clerk; and yet is he neither clerk nor knight. His fame is greater than
that of the most famous counts and dukes; and yet is he neither count
nor duke. (Marphise listens to the confession with redoubled attention.)
Perhaps his birth is obscure, but his glory shines with incomparable
luster."
MARPHISE--"You may well be proud of such a choice. Your lover is a
marvel, a phoenix. What is the name of that admirable lover?"
EGLANTINE--"Lady Confessor, I may boldly name him. His name is Mylio the
Trouvere."
MARPHISE (thrilling and blushing with emotion)--"What! Did you say, dear
daughter, that it is--Mylio the Trouvere?"
EGLANTINE (with downcast eyes)--"Yes, Lady Confessor. That is his name."
MARPHISE (seeking to suppress her surprise and emotion)--"Go, dear
daughter, I pray to God that your lover be faithful to you."
The canoness steps forward in her turn, kneels down, and, slightly
smiling, slightly smites her well-rounded bosom with her white hands.
MARPHISE--"These tokens of sorrow denote some great sin, dear daughter!
Is your choice, perchance, blame-worthy?"
THE CANONESS--"Oh! Not at all! I only fear I am not beautiful enough for
my lover, who is the most accomplished of men: youth, wit, beauty,
courage--he joins them all in his person! What joy there is in his
company!"
MARPHISE--"And the name of that phoenix?"
THE CANONESS (languorously)--"Mylio the Trouvere. That is my friend's
name."
MARPHISE (nettled and even angered)--"He again?"
THE CANONESS--"Do you, perhaps, know my lover?"
MARPHISE (repressing herself)--"Do you tenderly love that lover, so
faithful to you?"
THE CANONESS (with fire)--"Oh! I love him with all the power of my
soul."
MARPHISE--"Go, dear daughter. Let the next one come. (sighs) May God
protect all constant loves."
Ursine, Countess of Mont-Ferrier, approaches on a run and leaping like a
doe in the month of May. You never saw, and never will you see a more
dainty, more saucy, or more savory creature. She was one of the most
giddy-headed climbers among those who gathered fruit. Her chaplet of
gladiolas lies awry over her head, and one of the heavy tresses of her
warm-blonde hair tumbles undone upon her dimpled shoulder that is as
white as it is plump. Her skirt is green of color, and red her
stockings. Her impudent mouth is still purple with the juice of grapes,
no less ripe than her own lips. She gives a last bite with her pearly
teeth to the almost wholly plundered cluster in her hands, and smiling
kneels down at Marphise's feet which she tenderly clasps. Before being
interrogated, she cries with charming volubility:
"Venerated Priestess, my lover is a mere college bachelor, but he is so
perfect, so handsome, so witty! Ah! (she clicks her tongue against the
roof of her mouth) that he would deserve to be a duke, an emperor, or a
Pope! Aye, a Pope! Even better, if better could be possible!"
MARPHISE (a vague apprehension stealing over her)--"And what is the name
of that model of a lover, that marvel of a gallant?"
URSINE--"His name, venerated Priestess? (snatching with her lips another
grape from the cluster). His name? Oh, for his exploits in love, he
should be called 'Valiant!' For his charms: 'Prince Charming!' For his
constancy, 'Constant!' For his love, 'Cupid' with the strength of
Hercules!"
MARPHISE--"You are a happy girl, dear daughter. Constancy is a rare
jewel in these days of fickleness and deceit."
URSINE (with ecstasy)--"If my lover only thought of being unfaithful, by
the stars in heaven, I would scratch out his eyes. Scores of times upon
his divine harp did he sing to me of his fidelity. For you must know, my
lover sings like a swan! (proudly) It is Mylio the Trouvere!"
After her confession, Ursine rises, and bounding again like a doe, runs
to rejoin her friends.
Sighing and silently fretting, Marphise calls and confesses Floril,
Huguette, Dulceline, Stephanette, Alix, Emma, Argentine and Adeline in
rapid succession. But, alas! do you notice the Lady Confessor? Do you
notice her well, and hear her? "And you, dear daughter," she asks, "What
is your lover's name?" "Mylio!" "And you?" "Mylio!" "And you?" "Mylio!"
Mylio, the same name every time! All the eleven have on their lips only
the name of that horrid Mylio. Almost dying with jealousy, the Lady
Confessor winds up with a hearty laugh at the experience, especially
when the brunette Adeline, the last one to confess, says to her: "I have
for lover the most glorious of trouveres, the most valiant, the most
faithful of adorers. To say so is to name to you Mylio, Lady Confessor."
MARPHISE (laughing aloud)--"Oh, poor friends! If that mischievous
juggler Adam the Hunchback, or Audefroid the Bastard, only knew our
secret, he would to-morrow be singing it under all the tents! It would
run from castle to castle, we would become the laughing-stock of the
whole world!"
EGLANTINE--"What do you mean?"
THE CANONESS--"You must now make the announcement, Marphise. How many of
us have a clerk for their lover?"
MARPHISE--"Not one, dear languorous girl!"
EGLANTINE--"And how many are there of us with a knight for lover?"
MARPHISE--"Not one! (The eleven women look at one another in silent
surprise.) Oh, dear friends! We have been shamefully played with. All of
us have the identical lover! Yes, the villain Mylio the Trouvere has
deceived all the twelve of us!"
Marphise's revelation first stupefies, then enrages the fair assembly.
The bevy of pretty women did not have, as Marphise, the advantage of the
necessary leisure secretly to habituate their minds to the thought, and
to philosophise over their discovery. All the eleven mouths call for
vengeance. The canoness invokes the punishment of the saints against the
felony of Mylio; in her despair Eglantine declares that she will turn
Bernardine nun the very next day. Tearing the chaplet of gladiolas from
her hair, Ursine throws it on the ground, tramples upon it, and swears
she will be revenged upon the shameless scamp. They then inquire from
one another by what diabolical sorcery the infamous fellow managed for
so long a time to keep his infidelity a secret. The recollection of his
perjured vows adds new fuel to the rage of the noble dames. The anger of
Marphise, who at first laughed over the adventure, is rekindled. She
cries out:
"Fair friends, our Court of Love will hold its last autumn session
to-morrow. It is a fortunate circumstance. The traitor shall be summoned
to appear before our tribunal, that he may be tried in his own presence,
sentenced and punished according to the enormity of his crimes. The
Court of Love will judge the felon, the infamous criminal who has so
shamefully deceived us."
URSINE (energetically)--"No! No! Let us pass judgment ourselves! The
Court may, due to certain circumstances, display culpable lenity towards
the monster."
SEVERAL VOICES--"Ursine is right! Let us pass judgment ourselves! The
felon should be punished by those whom he sinned against."
THE CANONESS (with unction)--"Dear sisters, why not try persuasion
before rigor? Let me take Mylio far from the corrupt haunts of men, into
some profound solitude, and there, if God should lend me His grace, I
expect to lead the culprit to the repentance of his past sins, and the
practice of exemplary fidelity in the future. We should have mercy for
human frailty."
URSINE--"Aye, dearest, so that he may practice towards you, no doubt,
that exemplary fidelity! Just look at the good soul! No! No! The scamp
has deceived us shamefully. Justice and vengeance! Neither grace nor
pity for such a felony!"
All the voices, the voice of the merciful canoness excepted, demand with
Countess Ursine, "Justice and vengeance!"
MARPHISE--"My friends, we shall be revenged! The fellow gave me a
rendezvous for this very evening at moon-rise. The sun is going down.
Let us all remain here. Mylio will come into the orchard thinking I am
alone. We shall then have him in our power--and shall act!"
Marphise's proposition is accepted unanimously, and amidst
recriminations and imprecations of all sorts, the rage-mad Ursine is
heard to pronounce the names of Fulbert and Abelard, and to mumble the
words: "We must punish him!"
CHAPTER II.
GOOSE-SKIN THE JUGGLER.
Night has come; the stars shine in the sky; only the moon has not yet
risen. In lieu of the laughing orchard of the Marchioness of Ariol, you
now see one of the last straggling houses of a suburb of Blois, and far
away a thick-leaved oak tree, under whose sheltering branches a stout
man lies asleep. He might be taken for Silenus if he were not clad in a
coat of brown cloth stained with grease and wine spots. His coat,
moreover, is as torn as his linsey-woolsey jonquil hose. His shoes are
fastened to his feet with pack-thread. The man's enormous paunch, which
rises and falls to the cadence of sonorous snores, has snapped the horn
buttons off his coat. His pimpled, shapeless, reddish and blotched nose
has, the same as his bald head, taken on the winy hue of the juice of
the vine that the sleeper is in the habit of quaffing in large
potations.
Near him on the sward lies a chaplet of vine-leaves with which he covers
the few grey hairs that are still left to him. Not far from the gay
customer is his "rotte," a resonant hurdy-gurdy from which his nimble
fingers know how to extract music, because Master Goose-Skin, for that
is his name, is a skilful juggler. His Bacchic and licentious songs are
unmatched in their efficacy to throw nuns, vagabonds and wenches into
the best of humor. So profound is Goose-Skin's sleep that he does not
hear the approaching footsteps of a new personage, who has just come out
of one of the last houses of the suburb. The personage is Mylio the
Trouvere.
Mylio is twenty-five years of age. Why speak of his face? His picture,
whether faithfully drawn or not, has been described by Marphise and her
companions. The trouvere's stature is robust and tall. On his black and
wavy hair he carries, half-drawn to one side, a scarlet camail, the
tippet of which falls upon and covers his wide shoulders. His white
tunic of fine woven Frisian cloth, held closed over his chest by a row
of gold buttons, is embroidered at the collar and sleeves with scarlet
silk. Of his double sleeves, the outer ones, slashed and floating, are
open almost up to the shoulders, while the inner ones fit tightly over
his arms and are held at the wrists with gold buttons. From his
embroidered belt hangs, on one side, a short sword, from the other an
almoner. Mylio has recently been on horseback. We notice that, instead
of the shoes with long points tipped upwards in the shape of ram's
horns, as is the fashion of the time, he wears over his hose large boots
of yellow leather embroidered in red and reaching up to his thighs.
While Goose-Skin continues soundly asleep and snoring sonorously, Mylio
stops a few steps away from the old juggler and remarks to himself with
an air of no little concern:
"I have not been able to meet the Lombard merchant at Amboise, from
where I now come; and he is not yet back at his house. The keeper at the
inn where he usually puts up, claims he has gone to Tours to sell some
silk goods. I shall have to wait for his return. Seeing he left
Languedoc about two months ago, he surely brings me a message from my
brother Karvel."
Mylio remains pensive for a moment and proceeds:
"Better than any other, Karvel deserves the name of 'Perfect,' the
designation or title given to their pastors by the Albigensian heretics,
as the Christian priests call this sect. It was no vain pride that led
my brother to accept the title of Perfect. He was led thereto by the
solemn determination to justify it by his life; and that life, lived so
admirably by him, has been seconded by an incomparable wife, the good
and gentle Morise. Never did virtue appear in more enchanting features.
Yes, Morise is perfect as my brother is a Perfect. (Smiling.) And yet
Karvel and myself are of one blood! Well, can I not, after all, say with
the modesty so peculiar to the trouvere, that I am perfect after my own
fashion? Have I not, although desperately in love with Florette,
respected the girl? (A long interval of silence.) Oh! when I compare her
candid love with the brazen love intrigues that have turned modern Gaul
into a lupanar--when I compare with the stoic life of my brother the
life of adventure into which the ardor of youth and the irresistible
taste for enjoyment have cast me for the last five years, when I do
that, then I am almost minded to follow the good inspiration that my
love for Florette has started in my heart. (He reflects.) Certes, in
these days of unbridled corruption, if he only has acquired some little
renown, is gifted with as much audacity as recklessness in morals, and
is a little better shaped than my friend Goose-Skin, who lies there
snoring like a canon at matins, the trouvere who makes the rounds of the
monasteries of nuns or of the castles, whose seigneurs are away on the
Crusade, has but to take his pick. Adventures cluster thick around him.
Fondled, caressed, generously paid for his songs in gold and silver
coin, besides the fervid kiss of the ladies of the manors or the
abbesses, a trouvere has nothing for which to envy either the clergymen
or the knights. He can have a dozen mistresses at one time, and feast
upon the most piquant infidelities. Like a merry bird of passage, soon
as his gay song has been heard, he can escape with one flap of his wings
from the white hand that seeks to retain him, and fly elsewhere to sing,
without ever concerning himself about the future, and without regrets on
the past. He has rendered kiss for kiss, he has charmed the ears with
his roundelays and the eyes with his plumage. What more can be wanted
from him? Aye, to-day so runs love in Gaul! Its emblem is no longer the
dove of Cyprus but the lascivious sparrow of Lesbia or the satyr of the
ancient priestess of Bacchus! It is the triumph of the god Cupid and his
dame Venus!
"Oh, how sweet it is to step for a moment out of the giddy bacchanalia,
and refresh one's soul and repose one's heart on the pure pillow of a
chaste love! How ineffable are the charms of the tender respect with
which one delights in surrounding the innocent confidence of a maid of
fifteen! (He again lapses into silence.) Strange! Whenever I think of
Florette my mind turns to my brother and his austere life--his useful
occupation, that puts mine to shame. Well, whatever I may decide, I must
this very evening snatch Florette from the danger that threatens her.
(Distant chimes of bells.) The curfew tolls the knell of day. It is now
nine o'clock. The sweet child does not expect me until moon-rise. The
Marchioness of Ariol and the Countess Ursine will have to dispense this
evening with my visit. Dusk was to have seen me enter the orchard of the
one, and dawn was to have seen me leave the castle of the other.
(Laughs.) This was to be their night. But let me wake up Goose-Skin. I
shall need his assistance. (Calls him.) Helloa, Goose-Skin! How the
fellow snores! He is in the fumes of the wine that he must have drunk on
credit in some tavern. (Stoops and shakes him vigorously.) Will you
never wake up, rogue! Old leather-bottle, swollen with wine!"
Goose-Skin emits a series of muffled grunts, whereupon he blows, snorts,
whimpers, yawns, stretches his limbs and finally sits up, rubbing his
eyes.
MYLIO--"I asked you to wait for me under this tree. You have a very
singular way of keeping watch!"
GOOSE-SKIN (rises in a dudgeon, picks up his chaplet of vine-leaves,
slams it upon his head, puts his hurdy-gurdy under his arm, and angrily
cries at Mylio)--"Ha! Traitor! Double-dyed thief! You robbed me of my
feast!"
MYLIO--"What feast did I rob you of, Sir Paunch? Come, wake up!"
GOOSE-SKIN--"You woke me up at the sweetest moment of my dream! And what
a dream! I was witnessing the combat of Shrove-Tide against
Shrove-Tuesday. Shrove-Tide, armed cap-a-pie, advanced mounted astride
of a salmon. For casque he had on an enormous oyster, for buckler a
cheese, for cuirass a ray, for spurs a round of sea-urchins, and for
sling an eel with an egg between its teeth for a stone!"
MYLIO--"Such is the gluttony of this Sir Paunch that even asleep he
dreams of eatables! Oh, you devil of a gourmand!"
GOOSE-SKIN--"Miscreant! You snatched from my mouth dishes that cost me
nothing, because, if Shrove-Tide was toothsomely armed, Shrove-Tuesday
was no less so. His casque consisted of a veal patty with a roasted
peacock for its top. Shrove-Tuesday, all cased in in hams, was astride
of a roe whose many-branched antlers were loaded with partridges. For
lance he had a long spit, run through a number of roast capons.
(Addressing the trouvere with a redoubled affectation of grotesque
anger) Vagabond! Man without faith or law! You woke me up at the very
moment when, Shrove-Tide succumbing to the blows of Shrove-Tuesday, I
was on the point of eating both the vanquished and the vanquisher! Arms
and armor! Everything! I was on the point of eating everything including
the mounts of the combatants! Oh, in all my life I shall not pardon you
for your villainy."
MYLIO--"Calm down! I shall substitute your dream with the reality. You
shall not want for victuals."
GOOSE-SKIN--"Oxhorns! A wonderful proposition! To eat with eyes open!
What would there be wonderful about that! On the contrary, without you I
was eating asleep! Oh, a plague upon you!"
MYLIO--"But suppose I were to furnish you wherewith to guzzle a whole
day and night, what would you then have to reproach me with? Just
answer, comrade!"
GOOSE-SKIN (gravely)--"You shut my mouth with the promise to fill it
with good wine and plenty!"
MYLIO--"Will you render me a service?"
GOOSE-SKIN--"I'm a glutton, a boozer, a gambler, a libertine, a lover of
wenches, a liar, a roysterer, a braggard, and a poltroon, but--oxhorns!
I am not an ingrate. Never shall I forget that you, Mylio, the
celebrated and brilliant trouvere, whose harp is the delight of the
castles, have more than once shared your purse with old Goose-Skin the
juggler, whose humble hurdy-gurdy cheers only taverns patronized by
vagabonds, serfs and wenches! No! Never shall I forget your generosity,
Mylio; and I swear to you that you always can count upon me--by the
faith of Goose-Skin, which is my war name."
MYLIO--"Are we not fellows in the gay science? Is not your merry
hurdy-gurdy, which rejoices the poor and causes them to forget for a
moment the misery of their lives, worth as much as my harp, which
entertains the lustful or cloyed idleness of the noble dames? Mention
not the services that I have rendered to you, my old friend."
GOOSE-SKIN (interrupting him)--"In helping me you have done more than
your duty. Never; no, never shall I forget it!"
MYLIO--"Very well! But now listen to me--"
GOOSE-SKIN (with solemnity)--"When God created the world he put in it
three kinds of men: the nobles, the priests and the serfs. To the nobles
he gave the land, to the priests the goods of the simpletons, and to the
serfs robust arms to work without let for the benefit of the priests."
MYLIO--"Well said. But now stop your speech-making, and let me inform
you--"
GOOSE-SKIN--"The lots being then distributed by the Almighty, there
remained two other and highly interesting classes to be provided
for--the jugglers and the wenches. The Lord thereupon charged the
priests to nourish the wenches, and he enjoined the seigneurs to keep
the jugglers well fed. So, you see, it was no duty on your part, seeing
that you are not a noble, to share your purse with me. Consequently, you
have done more than your duty. Consequently the ones who fall short of
their divine duty are the degenerate nobles, the curmudgeons, the
misers, the skin-flints, the pedants, the--"
MYLIO--"God's blood! By the horns of St. Joseph! Will you give me a
chance to speak?"
GOOSE-SKIN (in a pitiful and plaintive tone)--"Oh, the good times of the
jugglers are gone! Formerly their purses and their bellies were always
kept full. Alas! Our fathers have eaten the meat, we only have the bone
to gnaw upon. But, now, speak, Mylio! I shall be as silent as my friend
Gueulette, the tavern-keeper's daughter, when I implore her with
love--the cruel, pitiless lass! Speak, my benign companion. I listen."
MYLIO (impatiently)--"Are you really done?"
GOOSE-SKIN--"You will sooner pull out my tongue than make me say another
word, one single word more! My friend Gueulette herself, the roguish
lassy, whose nose is so provoking, and whose corsage is so
attractive--even she with her throat--"
MYLIO (walking away)--"The devil take the babbler!"
Goose-Skin runs after the trouvere, and imitating the gestures of the
deaf-and-dumb, indicates that he pledges himself to silence.
MYLIO (returning)--"I have here in my almoner ten handsome silver
deniers. They will be yours if you serve me well; but every superfluous
word that you utter means one denier less."
Goose-Skin renews his silent pledges, swearing upon his hurdy-gurdy and
his chaplet of vine-leaves that he will be mute as a fish.
MYLIO--"You know Chaillot, the miller of the Abbey of Citeaux?"
Goose-Skin nods affirmatively with his head.
MYLIO (smiling)--"By the Lord, Master Goose-Skin! You are keeping a good
guard on your silver deniers. Well, then, that Chaillot, a confirmed
drunkard, has for wife Chaillotte, an equally confirmed jade. Being of
an accommodating disposition she entertained the monks right royally
whenever they went to drink at her mill, until finally the miller's
house became nothing but a tavern for the monks of the Abbey of Citeaux.
Two weeks ago Abbot Reynier, the superior of Citeaux--"
GOOSE-SKIN--"If I did not fear that it would cost me a silver denier, I
would make free to say that the said Reynier is the most dissolute and
most wicked scamp that the devil ever tonsured! But out of fear of
having to pay for these truths with my good cash, I shall remain mute!"
MYLIO--"In honor to the accuracy of the picture that you have drawn I
shall pardon the interruption. But do not let it happen again! Now,
then, Abbot Reynier said to me two weeks ago: 'Would you like to see a
veritable treasure of rustic beauty? Join us to-morrow at the mill of
the abbey. There is a girl at the place who is barely fifteen years old.
Her aunt, the miller's wife, brought her up away from the public gaze.
The fruit is cherry-ripe. I wish you to give me your opinion of her.' I
accepted the abbot's offer. I love to witness the debaucheries of these
monks whom I hate. They furnish me with good points for my satires.
Well, I accompanied the superior and several of his friends to the mill.
Thanks to the provisions that we brought along from the abbey, the meat
was tender and the wine old. The heads began to swim. The repast being
over, the infamous Chaillotte triumphantly fetches in her niece, a girl
of fifteen, so beautiful--Oh, so beautiful!--a flower of grace and
innocence. At her sight, the frocked debauchers, the tonsured tipplers,
heated with wine, jump up neighing with lustful admiration. Frightened
out of her senses, the poor little girl steps hastily back, forgetting
that behind her is an open window that looks over the water of the
mill--"
GOOSE-SKIN (with a tone of sorrow)--"And the little girl drops into the
water? Poor little one!"
MYLIO--"Yes, but fortunately I stood near and I leaped after her. It was
in time. Drawn by the current, Florette was on the point of being broken
by the wheel of the mill when I pulled her out."
GOOSE-SKIN--"Even if it should cost me all my ten deniers, I shall cry
out aloud that you behaved like a brave fellow!"
MYLIO--"I carried Florette to the river bank. She regained
consciousness. I read in her sweet looks her ingenuous gratitude.
Profiting by the time that it would take the infamous Chaillotte to come
to us, I said to the poor child: 'You are the object of odious projects;
feign sickness as long as you can as the result of your fall; I shall
watch over you.' And noticing that we were in a close surrounded by a
hedge of yoke-elms, I added: 'Day after to-morrow in the evening, when
your aunt will be in bed, come if you can and meet me here; I shall then
let you know more.' Florette promised me all that I wanted. On the
evening agreed upon she was at the appointed place. That is as far as
matters stand."
GOOSE-SKIN--"Ho! Ho! So you snatched from the rogue of an abbot the
dainty that he was reserving for himself? That was a good stroke!"
MYLIO--"No, I have respected the charming child; she seduced me by her
candor. I am in love with, her, desperately in love! I wish to carry her
off this very night. I'll tell you why. I met the abbot yesterday.
'Well,' said I to him, 'what has become of the pretty girl whom you and
your monks scared so badly that she dropped into the water?' 'She has
been ailing as a consequence of her inopportune bath,' the abbot
answered me, 'but her health is restored; before the end of the week,'
he added laughing, 'I shall take another trip to the mill of Chaillotte
and eat a fritter.'"
GOOSE-SKIN--"Oh, wicked monk! It is you who should be frying in
Lucifer's big frying-pan! But if Abbot Reynier said so yesterday,
to-morrow will be Friday, day after to-morrow Saturday. We shall have to
hurry if we expect to save the innocent child from the pursuit of the
ruttish buck."
MYLIO--"At our last interview Florette promised me to be at our
accustomed trysting place to-night at moon-rise."
GOOSE-SKIN--"Will she consent to follow you?"
MYLIO--"I am certain."
GOOSE-SKIN--"Then, what need you of me?"
MYLIO--"It might happen that this time Florette fails to elude the
watchfulness of her aunt, and has not been able to come to our
rendezvous."
GOOSE-SKIN--"That would be uncomfortable, for time presses. Meseems I
hear the scamp of an abbot moving after his fritter--"
MYLIO--"It is absolutely necessary that I see Florette this evening. I
have foreseen the possibility of some obstacle or other. Now, this is
my plan. The miller Chaillot goes to bed drunk every night. If, in some
way hindered, Florette should not be able to leave the house and should
fail at our rendezvous, you are to walk up to the mill and noisily knock
at the door. Chaillot, drunk as a brute, will not quit his bed to open,
and--"
GOOSE-SKIN (scratching his ears)--"Are you quite sure that the said
Chaillot will not get up?"
MYLIO--"Yes; and even if he should get up, there is nothing to fear from
him."
GOOSE-SKIN--"You see, the thing is this: These millers have the habit of
being always accompanied by some big dog--"
MYLIO--"Master Goose-Skin, I already have pardoned you interruptions
enough to almost wipe out your silver deniers. Let me finish. If it
should not be convenient for you to lend me your aid, you are free to
step back after I shall have imparted my project to you. (Goose-Skin
promises to listen.) Well, then, if Florette fails at the rendezvous,
you will knock noisily at the house-door of the mill. One of two things:
Either the miller's wife, aware of the drunken state of her husband,
will herself rise to see who is knocking, or she will send Florette. If
the first happens, the dear child has agreed with me that she will
profit by her aunt's absence and will run out to meet me; if the second
happens, Florette, being thus furnished with a pretext to go out of the
house, will likewise come to meet me instead of ascertaining who is
knocking at the door. Now, let us suppose that by some miracle
Chaillot, not having gone drunk to bed, comes himself to the door.
(Goose-Skin mimics the barking of a dog.) Yes, I understand you, Sir
Poltroon! Chaillot comes with his dog. It is of that dog that you stand
in great fear, not so? (Goose-Skin nods affirmatively, rubbing his
calves.) But do you not know, egregious coward, that out of fear for
thieves, the occupants of isolated houses never open their doors at
night before first calling out and asking who is there? Accordingly, you
will have nothing to fear from that terrible dog. You will calmly answer
Chaillot that you have a message for his wife from one of the monks of
Citeaux and that you must see her immediately. The miller will hasten to
call up his worthy spouse. She will hasten to come to the door. The old
busybody has always some secret matter in hand for the hypocrites of the
abbey. From there on I shall have to rely upon your own wit, Seigneur
Juggler, to give some plausible excuse for your nocturnal call and to
keep Chaillotte as long as possible at the door with the charm of your
conversational powers."
GOOSE-SKIN--"'Venerable matron!' I'll say to the miller's wife, 'I have
knocked at your door in order to offer you my humble services. I can
break eggs by walking over them, empty a barrel by its bung-hole, make a
ball roll and blow out a candle. Do you need any horns for your goats,
or teeth for your dogs? Shoes for your cows? I can fashion all those
valuable articles, and I am the possessor of a thousand other curious
secrets--'"
MYLIO--"I doubt not your eloquence. Keep it for Chaillotte--That is my
project. Will you assist me? If you agree, the ten silver deniers are
yours."
GOOSE-SKIN--"Give--give--dear and kind friend. I shall sing your praises
for your liberality."
MYLIO (putting the money in his hand)--"Here are the ten silver
deniers."
GOOSE-SKIN (jumps, capers, clinks the coin in his hands and says)--"Oh,
blessed silver! Blessed be thou! With thee one buys women's petticoats
and absolutions! Gascon horses and abbeys! Handsome girls and bishops!
Oh, silver! Just show a corner of thy shining countenance, and forthwith
even the lame start to run in pursuit of you--(he sings):
"Robin loves me, Robin has me!
Robin wants me, he shall have me!
Robin bought me a dainty hood.
It is scarlet, jaunty and good.
Robin loves me, Robin has me!"
Singing and jumping, Goose-Skin follows Mylio, who strikes across the
woods a path that leads to the mill of Chaillot.
CHAPTER III.
FLORETTE.
After the sparkling carbuncle, the humble violet, hidden under the
grass. Son of Joel, you have assisted at the libertine and salacious
amusements of the noble ladies assembled in the orchard of the
Marchioness of Ariol. Forget for a moment the rare trees, the carefully
cultivated flowers, the marble basin of that fairies' garden. Turn your
mind from the magnificent displayfulness of that place, and fix it upon
the rustic spectacle now presented to you. The moon has risen and shines
refulgent from the azure of the star-bespangled dome of heaven. With its
mellow rays it lights a leafy willow under which a streamlet, formed by
the overflow of the water that turns the mill of Chaillot, flows
murmuringly by. The murmur of the running streamlet over its pebbly
bottom, from time to time the melodious notes of the nightingale--these
alone constitute the music of this beautiful night that is, moreover,
embalmed by the perfume of the wild thyme, irises and furze. A girl of
fifteen years--Florette--is seated at the edge of the stream on the
fallen trunk of an old tree. A ray of the moon that filters through the
leafy vault above her head, partially illumines the girl's face. Her
long auburn hair parts over her virginal forehead and the two long thick
strands into which it is braided reach almost down to the ground. Her
only clothing is an old skirt of green serge, fastened at her waist over
a shirt of coarse grey material, that is held closed at her bosom with a
copper button. Her handsome arms are bare, as are her feet with which
she listlessly caresses the silvery water of the stream. Tearful and
absorbed in thought, Florette sat down where she was without noticing
that her feet dipped in the water. You have seen, son of Joel, the
handsome or charming faces of the noble friends of the Marchioness of
Ariol. Yet none of those was endowed with the chaste and touching grace
that imparts an inexpressible charm to the ingenuous features of
Florette. Does not the budding flower, half hidden under the dewy leaf,
offer to your eyes in the morning a flitting freshness that the
slightest breath might wilt? Such is Florette the spinner. An
industrious child, from dawn to dusk, often deep into the night, she
spins by the light of her little lamp. She spins, and ever spins, both
flax and hemp. She spins them with her dainty fingers that are no less
nimble than the spindle itself. Always confined to an ill-lighted
chamber, the pure and white skin of the poor serf has not been tanned by
the heat of sun; the hard labors of the field have not deformed her
delicate hands. Florette sits there so completely absorbed in her own
sadness that she does not hear the slight noise that proceeds from the
hedge within which the mill is enclosed. Yes, so sorrowful and
absent-minded does Florette sit by the stream that she does not even
notice Mylio, who, having scaled the hedge, is stepping forward with
caution, looking hither and thither as if expecting to see some one.
Having noticed the young girl, whose back is turned to him from where
she sits, Mylio approaches without being heard by her, and smiling
places his two hands over her eyes; but instantly feeling the tears of
the serf wet his fingers, he leaps over the trunk of the fallen tree,
kneels down before her and says in a voice of tender solicitude:
"You weep, dear beautiful child?"
FLORETTE (drying her tears and smiling)--"You are now here, Mylio; I
shall try to weep no more. The sight of you gives me strength and
courage."
MYLIO--"I feared to miss you at our trysting place. But here I am near
you, and I trust I can assuage your grief. Tell me, dear child, what is
it that makes you weep?"
FLORETTE--"This evening my aunt Chaillotte gave me a new skirt and a
waist of fine fabric, and she brought me a bunch of roses for me to
weave myself a chaplet."
MYLIO--"Why should these means of beautifying yourself cause your tears
to flow?"
FLORETTE--"Alas! My aunt insists on my looking well because she expects
seigneur the abbot at the mill to-morrow--he comes to see me, said she."
MYLIO--"The infamous Chaillotte!"
FLORETTE--"My aunt said to me: 'If seigneur the abbot takes a liking to
you, you must not repel him. A girl should refuse nothing to a priest.'"
MYLIO--"And what did you answer?"
FLORETTE--"That I would obey the holy abbot."
MYLIO--"Would you, indeed!"
FLORETTE--"I did not wish to irritate my aunt this evening. A refusal
might have angered her. She has suspected nothing, and I have been able
to come here."
MYLIO--"But to-morrow, when the abbot will come would you consent--"
FLORETTE--"Mylio, to-morrow you will not be there, as you were a
fortnight ago, to dash to my assistance and prevent me from being broken
in the wheel of the mill--"
MYLIO--"Do you contemplate dying?"
FLORETTE--"A fortnight ago and out of fear at the sight of seigneurs the
monks, I fell into the water without meaning to--to-morrow I shall
voluntarily throw myself into the river. (The young girl wipes her tears
with the back of her hand, and drawing from her bosom a little box-wood
spindle gives it to the trouvere.) A serf and an orphan, I own nothing
in the world but this little spindle. For six years, in order to gain
the bread that my aunt frequently begrudged me, this spindle has whirled
from morning to night between my fingers; but in the last fortnight it
has more than once stood still, every time I interrupted my work to
think of you, Mylio--of you who saved my life. I therefore now ask you
as a favor that you keep the spindle as a souvenir of me, poor wretched
serf!"
MYLIO (with tears in his eyes and pressing the spindle to his
lips)--"Dear little spindle, thou, the companion of the lonely watches
of the little spinner; thou, who earned for her a bitter enough daily
bread; thou, that, lost in revery, she often contemplated hanging from a
single thread; dear little spindle, I shall ever keep thee, thou shalt
be my most precious treasure. (He takes from his fingers several gold
rings ornamented with precious stones and throws them into the stream
that runs at his feet.) To the devil with all these impure souvenirs!"
FLORETTE--"Why do you cast these rings into the water? Why do you throw
them away? Why that imprecation?"
MYLIO--"Go! Go! ye shameful souvenirs of an impure life! Ephemeral
pledges of a love as fickle as the waters that are now carrying you
away! Go! I prefer the spindle of Florette!"
FLORETTE (takes and kisses the trouvere's hands, and murmurs amid
tears)--"Oh, Mylio! I shall die happy!"
MYLIO (closing her in his arms)--"Die! You, die? Sweet, dear child, no!
Oh, no! Will you follow me?"
FLORETTE (sadly)--"You are trifling with me. What an offer do you make
to me!"
MYLIO--"Will you accompany me? I know in Blois a worthy woman, to whose
house I shall take you. You will remain hidden in the house two or three
days. We shall then depart for Languedoc, where I shall meet my brother.
During the journey you shall be my sister; upon our arrival you will
become my wife. My brother will bless our union. Will you entrust
yourself to me? Will you follow me on the spot? Will you come to my
country and live near my brother? All that I am telling you can be
easily done."
FLORETTE (has listened to the trouvere with increasing astonishment, she
passes her two hands over her forehead and says in a tremulous
voice)--"Am I dreaming? Is it yourself who ask me whether I would follow
you? Whether I would consent to be your wife?"
MYLIO (kneels down before the young serf, takes her two hands and
answers passionately)--"Yes, sweet child. It is myself who am saying to
you: 'Come, you shall be my wife! Will you be Mylio's?'"
FLORETTE--"Whether I will? To leave hell for paradise? Yes, I consent to
follow you!"
MYLIO (rises and listens in the direction of the hedge)--"It is the
voice of Goose-Skin! He is calling for help! What can have happened!"
FLORETTE (clasping her hands in despair)--"Oh! I knew it! It was a
dream!"
MYLIO (draws his sword and takes the girl's hand)--"Follow me, dear
child; fear nothing. Mylio will know how to defend you."
The trouvere walks rapidly towards the hedge, holding Florette by the
hand. The cries of Goose-Skin redouble in the measure that Mylio
approaches the hedge that surrounds the garden of the mill, and behind
which he causes Florette to conceal herself with the recommendation that
she remain silent and motionless. He then leaps over the enclosure, and
by the light of the moon he perceives the juggler puffing and blowing
and wrestling with a man whose face is concealed under the hood of his
brown cloak. At the sight of Mylio running to his help, Goose-Skin
redoubles his efforts and succeeds in throwing his adversary down.
Turning thereupon his own enormous weight to account, and thereby easily
keeping the hooded man under him, the juggler, who is now out of breath
with the struggle, lays himself face down, flat upon his adversary, who,
feeling himself crushed under the extraordinary weight, gasps in a rage:
"Wretch--vagabond--to--smother--me!"
GOOSE-SKIN (panting for breath)--"Ouf! After victory how delightful, how
glorious to rest on one's laurels! Victory! Victory, Mylio! The monster
is overcome!"
THE HOODED MAN--"I die--under--this mountain of flesh! Help! Help!--I
die--Help!"
MYLIO--"My old Goose-Skin, I shall never forget the service that you
have rendered me. Do not move. Keep that fellow down! Do not allow him
to rise and flee."
GOOSE-SKIN (stretching himself more and more at his ease over the
prostrate body of his adversary)--"Even if I wanted to rise, I could
not, I am so completely out of breath. Besides, I feel myself quite
comfortable upon the round cushion under me."
THE HOODED MAN--"Help! Murder! This beggar is breaking my ribs--Help!"
MYLIO (quickly stooping down)--"I know this voice! (He removes the hood
that hides the face of the vanquished man) Abbot Reynier! The superior
of the Abbey of Citeaux!"
GOOSE-SKIN (with a rude up-and-down wabble that draws a moan from the
monk)--"An abbot! I have the round body of an abbot for mattress!
Oxhorns! Suppose I take a nap! I would surely dream of pretty nuns and
good fare!"
MYLIO (to the monk)--"Ha! Ha! Sir Ribald! Consumed by your lustful
appetite you could not wait until to-morrow to eat the dainty dish of
fritters that you yesterday spoke about to me. Aye, driven by your
voracious hunger, you meant to introduce yourself this very night into
the house of the infamous Chaillotte, feeling assured that she would be
ready to dance attendance upon you at all hours! Ha! Ha! Sir Priapus!
You are there like a fox caught in a trap!"
GOOSE-SKIN--"I was hidden in the shadow, when I saw this fellow slinking
up to the hedge and making ready to climb it. Like a true Caesar, I fell
upon him when he was out of his balance--and I shall hold him. I am on
top! The enemy is vanquished!"
ABBOT REYNIER--"Oh, you brace of vile jugglers! You will pay dearly for
this outrage!"
MYLIO--"You speak truly, Reynier, abbot superior of the monks of Citeaux
of the Abbey of St. Victor! To-morrow it will be daylight, and that
daylight will expose your shame! You tonsured hypocrites may impose upon
simpletons and fools, but my valiant friend Goose-Skin and myself are
neither simpletons nor poltroons! We also enjoy a certain power! Now,
remember this, Sir Ribald. Should you be foolhardy enough to try to do
us some injury in revenge for this night's affair, we shall put it into
a song--Goose-Skin for the taverns, myself for the castles. By heaven!
From one end of Gaul to the other the lay will be sung of 'Reynier,
Abbot of Citeaux, going at night to snoop fritters at Chaillotte's, the
miller's wife, and getting only blows for his pains.'"
GOOSE-SKIN--"You fat monastic debauchee, trust to me for adding all the
needed zest to the music!"
ABBOT REYNIER (panting for breath)--"You are sacrilegious wretches--I am
here at your mercy--I promise you to keep quiet. But, Mylio, are you
after my life? Order this monstrous varlet of yours to roll off me--I am
suffocating! Mercy!"
MYLIO--"In order to be properly punished for having dreamed of a
paradise of love, you may well tarry a little longer in purgatory, my
chaste monk! You, Goose-Skin, keep him fast until you hear me cry:
'Good-evening, Sir Ribald!' You may then rise, and Seigneur Fox may run
off with his ears hanging, and take shelter in his holy burrow. Here is
my sword, with which you may keep this model of monastic chastity in
check if he should endeavor to rebel against you. To-morrow morning, my
valiant Caesar, I shall inform you of any further projects."
GOOSE-SKIN (takes up the sword, changes his posture in such a way that
he sits squarely upon the monk's stomach, and, pointing the sword at the
face of the prostrate man, says)--"You can go, Mylio; I shall wait for
the signal."
The trouvere re-enters the garden and speedily issues out of it with
Florette, whom he has wrapped in his cloak. He takes her in his arms and
helps her leap over the hedge, and thereupon the two lovers walk rapidly
towards the shaded road on which they presently disappear. At the sight
of the young serf, whom he immediately recognizes, Abbot Reynier emits a
deep sigh of grief and rage, a sigh that is rendered doubly doleful by
the weight of the juggler, who, comfortably seated upon the monk's
stomach, endeavors to while away the time both to himself and his
prisoner by singing the following bucolic:
"Fresh when blooms the violet,
And the rose and gladiol',
When the nightingale's songs roll,
Then I'm lured in love's sweet net,
Sing a song much prettier yet,
For the love of my own pet,
For the love of my Gueulette."
ABBOT REYNIER (in a fainting voice)--"The vagabond--is--flattening out
my intestines--he is pressing the life out of--me--"
MYLIO (from the distance)--"Good-evening, Sir Ribald! I can hear you
from afar!"
GOOSE-SKIN (rises with difficulty by helping himself up with one hand;
with the other he holds the sword pointed at the monk while he thus
walks backward in the direction whence the voice of Mylio
came)--"Good-evening, Sir Ribald! This is the moral of the adventure:
'He who fries the fish, often sees it eaten by another.'"
CHAPTER IV.
THE GARDEN OF EGLANTINE.
The night and two-thirds of the day have passed since the adventures of
the previous evening. You now see, son of Joel, a long avenue of
odoriferous trees that lead to the Court of Love, otherwise known as the
"Session Under the Elm." The session is held in the garden of the castle
of Eglantine, Viscountess of Seligny. On either side of the avenue, the
walled ditches are filled with limpid water, where swans and other
beautiful aquatic birds disport themselves. They swim and frolic in
loving couples, and cut gracefully through the water. The golden fish in
the canals, the twittering birds that flutter overhead from branch to
branch, seem also to go in couples. Only a poor featherless turtle dove,
perched on the top of a dead tree, utters plaintive notes in its lonely
singleness. The long alley which is intersected only by the bridge of
the canal, runs out upon a grass-plot that is studded with a thousand
flowers and in the center of which a magnificent elm raises its majestic
trunk, the thick foliage of whose branches builds a thick dome that is
impenetrable to the rays of the sun. It is under this elm that are held
the sessions of the Court of Love, a licentious tribunal that is also
called the "Chamber of Sweet Vows." The court is presided over by a
"Queen of Beauty," who represents Venus. The queen is Marphise, the
Marchioness of Ariol. The assistant female judges are Deliane, the
Canoness of Nivelle, Eglantine, Viscountess of Seligny, and Huguette of
Montreuel. The male judges at the Court of Love are, first of all, Sir
Hercules, Seigneur of Chinon, a redoubtable knight, blind of one eye and
ugly, but, it is said, much in demand with the ladies. He wears a rich
tunic with flowing sleeves, and on his black and kinky hair a chaplet of
gladiolas bound together with a pink ribbon. Next to him in importance
is Adam the Hunchback of Arras, a trouvere renowned for his licentious
songs; he is short and bears a hump both in front and behind. His eyes
sparkle with mischief; he looks like an old monkey. Next comes Master
Oenobarbus, the theological rhetorician, celebrated for the orthodoxy of
his religious controversies with the University of Paris. The
illustrious disputer is a dry, bilious and bald old man. Nevertheless he
affects the dandy, snaps his eyes, squeezes his mouth into the shape of
a heart and paints his hollow cheeks. He wears a tunic of pale green
silk, and his chaplet of interwoven daisies and violets conceals only
partly his scrawny lemon-colored skull. The last of the masculine judges
is Foulques, Seigneur of Bercy, only recently back from the Holy Land.
His bronzed and scarred visage testifies to his valiant services beyond
the seas. He is young, tall, and despite his somewhat ferocious mien,
has a pleasant face.
Garlands of flowers and streamers of ribbons hanging from gilt pillars
mark the sacred precincts of the tribunal. Farther away stands a
brilliant and choice assembly--noble ladies and knights, abbots and
abbesses from the neighboring monasteries. Mischievous looking pages and
jesting equerries have also put in an appearance at this session of the
Court of Love. Among the vast assemblage are the eleven friends of
Marphise, who the previous afternoon enjoyed the liberality of her
hospitality and joined her in swearing vengeance upon Mylio the
Trouvere, a vengeance, however, that he escaped by failing at the
rendezvous which engaged him to be in Marphise's orchard at night. The
petulant and vindictive little Countess Ursine, the bitterest of all the
twelve enraged beauties, can not keep in one place for a single instant.
She bristles from one lady friend to the other with an air of importance
and anger; whispers in the ear of one; makes a sign to another, and from
time to time exchanges significant looks with Marphise, the President of
the tribunal. Two large posts covered with foliage and flowers and each
surmounted with a silk flag--one bearing the effigy of Venus, the other
that of her son Cupid--mark the entrance to the Court of Love. At the
entrance of the enclosure stands Giraud of Lancon, a noble knight, who
officiates as the porter of the Chamber of Sweet Vows. He allows no lady
pleader to enter without exacting from her the toll of a kiss. Within
the enclosure, and ready for the orders of the tribunal, are William,
Seigneur of Lamotte, whose office is Conservator of the High Privileges
of Love; Lambert, Seigneur of Limoux, who is the Bailiff of the Joy of
Joys; Hugues, Seigneur of Lascy, who is the Seneschal of Sweet-Marjoram,
and, as such, the one upon whom the duty devolves of introducing the
fair pleaders, from whom he also has the right to exact the fee of a
kiss; moreover it is his duty to assist the Bailiff of the Joy of Joys
in chaining with streamers of ribbons and flowers those upon whom the
tribunal pronounces sentence, and to lead them to the Prison of Love--a
somber tunnel of verdure furnished with moss couches, and located at a
secluded spot of the garden.
Such are the morals of these noble women and men; such are the pastimes
and amusements of the nobility of this epoch. Son of Joel, listen and
look; but do not feel surprised if at times your heart should leap with
indignation or sink with disgust.
Presently silence is ordered. Marphise, the President, opens a little
cage with gilt bars that is placed near her. Two white doves fly out,
flutter about for a moment, and then perch themselves on one of the
branches of the elm where they fall to cooing lovingly. The flight of
the doves announces the opening of the session.
MARPHISE (rising)--"Let our Conservator of the High Privileges of Love
call the cases that are to come up to-day before the Chamber of Sweet
Vows."
WILLIAM OF LAMOTTE (reading from a parchment ornamented with blue and
red bows)--"Aigline, high and noble Lady of La Roche-Aubert, Canoness of
Mons-en-Puelle, plaintiff; Sister Agnes, Bernardine nun, known by the
surname of the Plump Beauty, defendant."
The two parties to the suit step out of the crowd and approach the
precincts of the tribunal, led by the Seneschal of Sweet-Marjoram.
Canoness Aigline is handsome and tall, her mien is imperious. She steps
forward, proud and arrogant, dressed in a long scarlet robe embroidered
with ermine. Her deliberate gait, her eyes, dark, brilliant and bold,
her stately beauty, contrast strongly with the humble attitude of her
opponent, Sister Agnes, the Bernardine nun known as the Plump Beauty.
The latter wears an unassuming robe of lustrous and well-fitting grey
drugget, that, however, sets off her ample proportions. A linen veil,
white as snow, frames in her face which shines with freshness and
health. Her plump and rosy cheeks are as downy as a peach. A smile that
is both pious and arch plays around her mouth, which, although rather
large, is appetizingly red and is furnished with two rows of pearly
teeth. Her large blue and amorous eyes are devoutly lowered and impart
to her the appearance of a purring puss. Her gait, in keeping with her
appearance, causes the hem of her dress just to graze the sward,
without, however, throwing the folds of her dress into disorder.
Altogether, Sister Agnes presents the aspect of the most charming woman
who ever emitted a sigh of love from under her monastic veil or in the
oratory of a convent.
At the moment when the stately and haughty canoness, accompanied by the
modest and well-rounded sister in grey, passes before Giraud of Lancon,
a veritable devil in sheepskin with eyes that sparkle with indomitable
fire, posted at the entrance of the sacred precincts of the Court, he
claims from the two litigants the toll that is due him--a kiss from
each. The superb Aigline drops the kiss with the disdainful pride of a
rich woman who gives an alms to a poor waif. Sister Agnes, on the
contrary, acquits herself of her toll duties with such conscientiousness
and suavity that the porter's eyes glisten like two burning coals. The
canoness and the Bernardine nun step into the enclosure reserved for the
litigants. Aigline advances with resolute steps to the foot of the
tribunal, where Marphise sits enthroned in the seat of Venus the Queen
of Love, and after making a slight bow, as if the token of deference
severely tried her pride, addresses the Court in a sonorous voice:
"Gracious Queen, deign to listen to us; receive with kindness the
complaints of your faithful subjects, who, until now jealous for your
cult, promise ever to remain equally devoted. For a long time all that
was noble and gallant deemed it a glory to love us, us the canonesses.
But, lo and behold, the grey Bernardine nuns are now striving to capture
our friends away from us. These interloping nuns are alluring and
complaisant, and they demand neither attention nor patient devotion. And
so it happens that the men are occasionally base enough to prefer these
nuns to us noble ladies. Therefore have we come, gracious Queen, to pray
you that you curb the insolence of the Bernardines, in order that
henceforth they shall not aspire after the noblemen who are made for
us, and for whom we are created."
The Bernardine nun steps forward in her turn, but timid and so modest,
and with her white hands so piously joined over her well-rounded bust
that all hearts are in her favor even before she has spoken. Instead of
only slightly bowing before the tribunal, as her accuser had done, the
little grey sister humbly falls upon her knees, and without even daring
to raise her beautiful blue eyes, addresses Marphise in a sweet voice
that sounds like the rippling of pearls:
"Kind and mighty Queen, to whose service the lives of us poor Bernardine
nuns are pledged, I have heard the accusation of our proud enemies.
What! Has not the Almighty Creator shaped us also for love? Are there
not among us women as beautiful and as attractive as among the superb
canonesses? Ermine and scarlet ornament their gowns, while in the
simplicity of our Order, our gowns have no ornament but that of
neatness. I admit that. But in exchange, we have ways, practices and
observances that, it seems to me, are at least equal to beautiful gowns.
The canonesses claim that we pilfer their friends away from them. No!
No! It is their haughtiness that repels their friends. Clad in our own
angelic sweetness, their friends prefer us to them. To please without
being exacting, to charm without dominating, to tender a love that is
humble yet at once fervent and disinterested--that is all our
'artfulness.' Oh, kind Queen, is it any fault of ours if our
adversaries fail to practice so simple an art--the art of loving?"
AIGLINE THE CANONESS (excitedly)--"What! Are these servants of the poor
to be allowed to add insult to injury? Certes, that man ought to blush
at his taste who should prefer a Bernardine nun to us--a Bernardine nun
with her grey skirt and her convent gossip! What knight would ever think
of them were it not for their impudent and persistent wiles? Brazen
provocations, that is the secret of their power! Seeing that it must be
said, I shall tell you, Oh Queen, to the shame of the Love whose
protecting mother you are, to the shame of the Love that moans at
beholding itself thus dragged into the mire, it is by the baseness of
their attachments that so many noble hearts, who otherwise would belong
to us, are lost. (Imperiously addressing the little sister in grey) Go
to! You have your mendicant monks and your convent brothers. That should
suffice you. Keep them. They would cut but a sorry figure in our
monasteries of Maubeuge, of Mons or of Nivelle--the rendezvous of the
choicest company. But dare not to raise your aspirations to the knights,
to the Princes of the Church, to the nobles, to the canons or to the
abbots. I forbid you!"
THE BERNARDINE NUN (with a bitter-sweet accent)--"You always return to
our grey skirts! Certes, they are not as costly as your scarlet robes.
And therefore it is not on that plane that we draw the comparison
between us. What we hold is that we are at least equal to you in point
of heart, in point of youth and in point of our charms. It is in the
name of these humble qualities, which we believe we possess, and in the
name of the fervor with which, Oh! Queen, we have ever worshiped at your
altars, that we, Bernardine nuns, conjure you to accord to us the
benefit of Love, and we request that you deny the unjust pretensions of
the canonesses, and that, by a decree issued from the Chamber of Sweet
Vows, these insatiable petitioners be and remain forever non-suited."
After pronouncing with energy the last words of her plea, the little
sister in grey modestly bows before the Court. Heated discussions
forthwith break out in the audience. Opinion is divided. Some approve
the haughty demands of the canonesses. Others, on the contrary, maintain
that the Bernardine nuns have the right on their side in refusing to
allow themselves to be dispossessed of the friends whom they have won by
their sweetness and grace. Marphise consults the tribunal, and then
gives judgment amid profound silence, as follows:
"You, canonesses, and you, Bernardine nuns, have come here to demand
judgment in the name of the Goddess of Love, whose unworthy
representative I am. This is the decree that she orders me to pronounce
in her name: It is I, Venus, who cause Love to spring up in the human
bosom. There is no creature in nature whom I do not inspire with certain
desires. Fishes, birds and quadrupeds, all render allegiance to my
empire. Animals, however, only follow their own instincts. Man is the
only being whom God has endowed with the gift of choice. Accordingly,
whatever his choice may be, I approve it, provided only it is guided by
Love. In my eyes, the female serf and the daughter of the monarch are
equal, provided they be young, handsome and loyally and devotedly love.
Canonesses in robes of ermine and purple, I always have esteemed your
services; your rich attire, your loving graces, your cultivated minds,
your ancient nobility will constantly attract friends to you. Keep them,
but do not drive from my amorous Court the poor Bernardine nuns who
serve me in their humble capacity with as much ardor, zeal and
constancy. You excel them by your raiment; milk and rose water impart
attractive whiteness to your skin; the red paint that enlivens your
cheeks adds luster to your sparkling eyes; perfumes of the Orient embalm
your magnificently braided hair; incessantly surrounded by the flower of
knighthood and of the Church, and accustomed to the niceties of language
and to choice expressions of gallantry, your conversation is more
entertaining than that of the poor grey sisters, who only hear the flat
language and coarse raillery of mendicant monks and convent brothers.
You are more dazzling and dashing than the humble Bernardines.
Nevertheless, the gentle and well-fed mule of a curate goes as far as
the curveting palfrey of a knight. The pheasant seduces our eyes with
its golden and azure plumage. Nevertheless, it is the bird's delicate,
white and fat meat that pleases the palate; and the partridge, under its
modest grey feathers, is as toothsome as the brilliant bird of
Phoenicia. I never could order any of the subjects of my empire to
prefer this lady-love to that. I will that their choice be free, varied
and numerous. As to your lovers, noble canonesses, it depends upon you
alone whether you will keep them or not. Be, like the Bernardine nuns,
at once sweet and ardent, obliging and exacting. You will not then ever
have to fear any infidelity."
The decree, worthy of Solomon, is received with general approval.
Nevertheless, yielding to a pardonable sense of fellowship, Deliane the
canoness emerges from her habitual languor, and seems to protest to the
other members of the tribunal against a decree that she regards as
unfavorable to the station of the canonesses. No less angry than
Deliane, forgetful of the religious respect that the decrees of the
sovereign Court are to be surrounded with, at the moment when, led by
the Seneschal of Sweet-Marjoram, Aigline leaves the precinct of the
tribunal the latter pinches the Bernardine nun in the arm and says to
her in a spiteful tone: "Oh, you menial!--you have had me
non-suited--just heavens!--me!--non-suited!" Although smarting both from
the words and the vicious pinch, the little sister in grey contains
herself and casts an angelic look heavenward as if to court the
Almighty's favor with her martyrdom. The slight commotion created by the
vicious prank of the canoness is quickly calmed, and Marphise says:
"The case has been heard and judged. Now our Bailiff of the Joy of Joys
shall submit to us the disputed questions of Love, if there be any, in
order that the Court may pass upon them, and its decisions have the
force of law."
THE BAILIFF OF THE JOY OF JOYS (advances to the foot of the tribunal
carrying in one hand a roll of parchment tied in many-colored ribbons;
he bows to Marphise and says:)--"Illustrious Queen, I have received a
large number of questions touching upon grave, ticklish and delicate
points concerning the orthodoxy of Love. From all the corners of the
empire of Venus, your subjects address themselves to your supreme
infallible Court, and implore the charity of its light. The duchy of
Languors, the marquisate of Desires, the county of Refusal, the barony
of Expectation, together with so many other fiefs of your kingdom, Oh!
gracious Queen, humbly pray the Chamber of Sweet Vows to pass upon the
following questions, to the end that its decree may put an end to the
doubts of the people and determine the doctrine they are to adhere to.
They all stand in as much dread of heresy in matters that concern Love,
as they do in matters that concern the salvation of their souls."
MARPHISE--"Let our Bailiff of the Joy of Joys read the questions that
have been sent to be submitted to the Court. The Court will then go into
deliberative session, unless some urgent case that demands immediate
trial present itself in the meantime."
Saying this Marphise exchanges looks with Countess Ursine, whose
petulant impatience has been steadily on the increase.
THE BAILIFF OF THE JOY OF JOYS--"These are the questions submitted to
the supreme and infallible decision of the Court:
"1--Who should be sadder, he whose lady-love has died, or he whose
lady-love marries?
"2--Who should feel greater affliction, the husband whose wife is
unfaithful, or the lover who is deceived by his lady-love?
"3--Who is more to be blamed, he who boasts of favors that have not been
accorded him, or he who divulges the favors he has received from his
fair lady-love?
"4--You have a rendezvous with a married woman, which should you
prefer--to see the husband leave the house of your lady-love when you
are entering it; or see him enter when you are leaving?
"5--You have a lady-love; a rival takes her from you; which of the two
should feel happier--you who have been the fair one's first love, or
your rival whom she now prefers to you?
"6--A lover is enjoying the favors of his lady-love; a rival is in a
fair way of gaining them; she dies; which of the two should experience
deeper sorrow at the cruel loss?
"7--Your lady-love proposes to you one single day of joy under the
condition that you never after see her again; or she offers to see you
every day without, however, ever granting you any favors--which would
you prefer?"
"Oh, the devil!" cries Foulques of Bercy, one of the judges of the Court
of Love, suddenly interrupting the Bailiff of the Joy of Joys, "the
thing to do is to accept the day that is offered, and to enjoy it all
you can!"
MARPHISE (turning with severity towards the Seigneur of Bercy)--"We wish
to remind our gracious colleague that in a matter of such gravity and
importance the individual opinion of one member of the Court may in no
wise prejudge the merits of the case. (Foulques of Bercy bows
reverently.) Let our bailiff continue to read."
THE BAILIFF OF THE JOY OF JOYS--"8--Who should prize himself happier--an
old woman who has a young man for her lover, or an old man who has a
young girl for his lady-love?
"9--Which is preferable for a lady-love, a married woman or a maid?
"10--What is preferable, an unfaithful but beautiful lady-love, or a
less beautiful but faithful one?
"11--Two women are equal in point of beauty, of youth and of worth; one
has loved before; the other is still a novice; should a lover be more
anxious to please the former than to be beloved by the latter?
"12--A woman has obstinately rejected her lover and thereby caused his
death; should she be considered barbarous and a homicide, responsible
for the death that she caused?
"Such are the grave questions submitted for the decision of the Chamber
of Sweet Vows, and concerning which the inhabitants of the empire of
Cytherea humbly pray the Court to deliberate and pass upon, to the end
that the Court's decisions may be taken for a guide, and the people be
not exposed to fall into detestable and damnable heresies in matters of
Love."
ADAM THE HUNCHBACK OF ARRAS--"As a member of the Court I shall request
our beautiful and gracious President to give me leave to make a remark
upon the last question."
MARPHISE--"Illustrious trouvere, it is always happiness to us to hear
your voice. Impart to us your precious observation."
ADAM THE HUNCHBACK OF ARRAS--"I am of the opinion that the last question
should be excluded. It is no longer a debatable question. It has been
more than once decided in the affirmative--"
MASTER OENOBARBUS THE THEOLOGIAN--"Yes, the question has been disposed
of in the affirmative upon the reasoning presented by me. I beg leave of
the Court to be allowed to refresh its memory upon my reasoning. It was
this:
"'The Court, being consulted upon the question whether a woman, who, by
reason of her austerity, causes the death of a gallant, is a homicide.
Whereas, if Love hates obdurate hearts, God hates them no less; whereas,
God, the same as Love, allows Himself to be disarmed by a tender prayer;
whereas, whatever the manner may be in which a man's death is brought
about, you are guilty of murder from the moment that it appears that the
death resulted from your action; therefore the Court of Sweet Vows
decrees and orders as follows: The woman, who, through the rigor of her
refusal, has caused the death of a gallant, by whom she was loyally
courted, is actually guilty of barbarism and homicide.'
"Such was the decision of the Court. I do not believe the Court is
willing to reconsider its decree."
All the members of the tribunal rise and declare that they adhere to
their former judgment.
ADAM THE HUNCHBACK OF ARRAS--"In order to corroborate our decree and to
render it more popular and easy to be remembered, I propose that it be
formulated in meter, as follows:
"You are pretty, young and tender,
Deigned to others show much good:
Hear my verdict: Nothing e'er would
God above so much displease
As to let a Christian die, whom
You could save with greatest ease."
Both the tribunal and the audience applaud the metrical rendition of the
decree, as proposed by Adam the Hunchback of Arras. The Court proceeds
with the business before it.
MARPHISE--"Our Bailiff of the Joy of Joys shall insert the memorable
decree in the archives of the Court, and order all our trouveres,
minstrels, jugglers and other sinful brothers of the gay science, that
they spread the formula of the sovereign decree with their songs among
the subjects of Cytherea, to the end that none may plead ignorance on
the head of the monstrous heresy--the idea that a woman who causes the
death of her gallant by reason of her refusal is not a homicide."
MASTER OENOBARBUS THE THEOLOGIAN (with fanatical zeal)--"Yes; let the
women know that if other heresies may be expiated on earth in the flames
of the pyre, the vestibule of the eternal fire, let the tigresses know
that before they reach the furnace of Satan they will have to expiate
their impiousness in this world in the furnace of remorse. Night and day
they have before their eyes the specter of the ill-starred gallant,
their victim."
DELIANE THE CANONESS (plaintively languorous)--"Oh, only the pursuit of
their gallants on the other side of the grave will cause these inhuman
women to understand--but, alas! only too late--all the harm they have
done."
MARPHISE (vainly seeking to detect the impatient Countess Ursine in the
audience)--"Well--seeing that there is no other pressing suit before the
Court, the tribunal will now take up the questions that have been
submitted to it, and all of which demand its attention."
CHAPTER V.
THE CRUSADERS!
The Queen of Beauty and President of the Court of Love has barely
pronounced the words that indicate the taking up of the routine work
before her, when the petulant Ursine hurriedly elbows her way through
the crowd and presents herself at the entrance of the sacred precinct.
Giraud, Seigneur of Lancon, demands in his quality of porter the
customary toll due him--a kiss from the fair litigant. Ursine gives him
two on the mouth and walks to the foot of the tribunal crying: "Justice!
Justice!"
MARPHISE (with a sigh of relief and triumph)--"Speak, dear friend.
Justice will be rendered to you, if your right is clear."
COUNTESS URSINE (imperiously)--"Whether my right is clear! Just heavens!
Whether our rights are clear, I should say! I am the representative of
eleven victims, among whom I am the twelfth!"
MARPHISE--"Justice will be done to each and to all. What is your
grievance?"
COUNTESS URSINE--"Each of us, my eleven companions and myself, had a
secret gallant. He was charming, witty, daring, bold. Suddenly we
learned that we all had the identical lover! The traitor was deceiving
all twelve of us at once! Was there ever such audacity?"
ADAM THE HUNCHBACK OF ARRAS (claps his hands and exclaims:)--"What! All
the twelve! Oh, the terrible man! What an ample heart must not his be!"
The unheard-of felony throws the members of the Court into mute stupor,
except Marphise, Deliane, Huguette and Eglantine, who exchange knowing
looks among themselves.
FOULQUES OF BERCY--"I wish to put a question to the plaintiff. Did the
prodigious criminal at the time when his shocking infidelity was
discovered show himself less daring than usual towards the plaintiff and
her companions in misfortune?"
COUNTESS URSINE (with an explosion of violent indignation)--"Never did
the criminal act more charming. And we said so in secret to one another,
unknowing, alas! that we were all the while speaking of the identical
deceiver! We each said to the others: 'I have a magnificent lover, a
matchless gallant! He is always the same'--"
FOULQUES OF BERCY--"And you were all the time being nicely deceived, all
the twelve?"
COUNTESS URSINE (furious)--"Yes! It is that very circumstance that
renders the traitor all the more guilty!"
Foulques of Bercy shrugs his shoulders and does not seem to share the
plaintiff's opinion regarding the aggravation of the offense. Several
members of the Court, Marphise, Deliane, Eglantine and Huguette,
excepted, the majority of the fair ones in the gathering seem, on the
whole, rather to take the view of Foulques of Bercy, and to see an
extenuating circumstance in the very enormity of the misdeed. Marphise
notices with deep concern the propensity to indulgence. She rises
majestically in her seat and says:
"I wish to believe that all the members of the Court join me in feeling
a legitimate indignation at the miscreant, who, trampling under foot all
the divine and human laws of Love, has dared to commit so formidable an
offense against fidelity. If, however, it should happen that I am
mistaken; if there be any member of this tribunal inclined to indulgence
in sight of such an enormity, let him admit it openly, and his name and
his views will be proclaimed throughout the length and breadth of the
empire of Cytherea."
A profound silence ensues among the members of the Court.
MARPHISE (radiant)--"Oh, I felt certain that this august tribunal, which
has been established in order to take, with severe solicitude,
cognizance of the crimes against Love and to check them, aye, even to
punish them, if need be, would show itself worthy of its mission.
(Addresses the countess.) Dear friend, did you summon the criminal to
our bar?"
COUNTESS URSINE--"Yes, I summoned him to appear before the Court of
Sweet Vows; and whether it be audacity on his part or a stricken
conscience, he has obeyed the summons. I demand that it may please the
Court to deliver him to the twelve victims of his felony. They will
wreak signal vengeance upon him. (Impetuously.) We must see to it before
everything else that the monster, the traitor, the felon shall no longer
be able to deceive other women--and that he be punished on the spot--"
MARPHISE (hastening to interrupt the countess)--"Sweet friend, before
inflicting punishment, the Court must hear the accused."
COUNTESS URSINE--"The culprit has obeyed our summons and has come
accompanied by a fat varlet of a man, whom, he says, he may need in his
defense. They are both locked up in the Prison of Love back of the
garden."
MARPHISE--"We order our Seneschal of Sweet-Marjoram and our Bailiff of
the Joy of Joys to bring forth the culprit and to lead him hither in
chains as is the usage, with the customary garlands on his head."
The Seneschal and the Bailiff furnish themselves with two long red and
blue ribbons to which several bouquets of flowers are fastened and
proceed towards the shady tunnel to fetch the prisoner. A great
agitation reigns among the crowd. Opinion is divided on the degree of
the culprit's guilt. Unanimous, however, is the curiosity to see the
lusty champion. Mylio the Trouvere presently appears, led by the
Seneschal of Sweet-Marjoram and the Bailiff of the Joy of Joys.
Goose-Skin modestly remains outside of the enclosure of the Court. The
youth and good looks of the accused, his renown as a poet and singer,
immediately turn the female portion of the assembly in his favor.
MARPHISE (addressing Mylio in an imposing voice)--"You are charged
before the Chamber of Sweet Vows with a crime unheard-of in the annals
of Love. What have you to say in your own defense?"
MYLIO--"What is the crime that I am charged with?"
MARPHISE--"You have deceived twelve women at once. Each of them believed
she alone had you for her gallant. What blacker treason can there be?"
MYLIO--"Who are my accusers? I demand to see them and to be confronted
by them."
COUNTESS URSINE (impetuously)--"I accuse you! I am one of your twelve
victims. Will you dare to deny your crime?"
MYLIO--"My accuser is such a charming lady, that even if I were innocent
I would confess myself guilty. I have come hither to make a solemn
expiation of the past. I could choose no better place, no better time,
and no better audience. Deign to hear me."
MARPHISE--"Your frankness will not extenuate your crimes, albeit that it
does honor to your character. Do I understand you to say that you admit
your felony?"
MYLIO--"Yes; I have made love to noble, beautiful, obliging and easy
ladies who were mad for pleasure, and who were governed by no law other
than their own caprice."
MARPHISE--"Dare you impugn your victims?"
MYLIO--"Far from me be any such thought! Raised in the lap of plenty,
ignorance and idleness, those noble ladies only yielded to corrupting
examples and counsels. Had they been born in obscurity, leading an
honorable existence amidst the occupations and joys of family life,
they would all have been exemplary mothers and wives. But how could
those noble ladies choose but forget virtue, honor and duty in these
shameful days when debauchery has its code and libertinage its decrees,
and where unchastity, sitting in a sovereign Court, regulates vice and
decrees adultery? Such is the mission of the Court of Love."
Indescribable amazement is depicted on the faces of the Court, its
pursuivants and the audience, at the words of Mylio. The members of the
Chamber of Sweet Vows look at one another stupefied by the irreverent
language. Master Oenobarbus, the theological rhetorician, and Adam the
Hunchback of Arras rise to make answer, while the knight Foulques of
Bercy, the Seneschal of Sweet-Marjoram and the Bailiff of the Joy of
Joys, all of whom are experts at their weapons, mechanically put their
hands to their sides in search of their swords. But they all attended
Court unarmed, according to the usage of the institution. Marphise raps
for silence and says to the trouvere:
"Wretch! Dare you insult these august tribunals that are established
throughout Gaul in order to propagate the laws of gallantry!"
"And of unbridled lechery!" cries a little flute-like voice,
interrupting Marphise. The words proceed from Goose-Skin, who, in order
to interject the incongruous words disguised his voice and traitorously
hid himself behind a cluster of foliage against which a young page, who
was placed near the entrance of the Court, leaned with his back not far
from the Seneschal of Sweet-Marjoram. Stung to the quick, the dignitary
turns around and seizes the lad by the collar while Goose-Skin, emerging
from his hiding place cries in a voice that he purposely renders all the
more raucous: "The insolent little joker! From what brothel can he have
come that he uses such foul language towards noble dames? He should be
driven out on the spot, Seigneur Seneschal of Sweet-Marjoram!
Oxhorns--Let us throw him out!"
The poor page looks nonplussed; his face turns red; he is dumbfounded;
he seeks in vain to stammer a few words in his own defense; he is beaten
by the indignant crowd; and finally, in order to escape worse treatment,
flees in the direction of the avenue of trees. After a while the turmoil
created by this incident subsides.
MARPHISE (with dignity)--"I know not what were the infamous words that
the miserable page, who no doubt is intoxicated, hurled at this
tribunal. But the vile words have fallen by virtue of the weight of
their own grossness back into the mire from which they issued, and have
not been able to rise to the pure ether of Love that this Court
inhabits! (A murmur of approbation receives the ethereal response of
Marphise, who thereupon proceeds, addressing Mylio:) What! A hundred
times did you repeat on the harp the decrees of the tribunal of
Cytherea; and now you insult it! Do you forget that only your chants
succeeded in lowering the otherwise insuperable barrier that rose
between yourself and the noble assemblages where you were tolerated
among the knights and the abbots, you, the child of villeins, you, a
vile serf, no doubt! The baseness of the language you have held to-day
reveals but too clearly the ignominy of your origin."
MYLIO (with bitterness)--"You speak truly. I am of serf stock. For
centuries your race has enslaved, degraded and crushed down mine. Yes;
while you here brazenly discuss in refined language foolish or obscene
subtleties, millions of poor female serfs are not allowed to enter their
husbands' bed until they have been soiled by the seigneurs in the name
of an infamous law! Oh! What I accuse myself of is having forgotten that
fact even for a moment--aye, I accuse myself triply for having done
that!"
MARPHISE--"The humble admission is but one more proof of the hugeness of
your insolence and of your ingratitude--dozen-fold traitor and felon!"
MYLIO--"You speak truly again! I was cruelly ungrateful towards my
family when, several years back, driven by the ardor of youth I left
Languedoc, the country of freedom, the country of honorable customs--a
happy land that has known how to crop the crests of the seigneurs and to
reconquer both its dignity and independence!"
MASTER OENOBARBUS THE THEOLOGIAN (angrily)--"Dare you glorify Languedoc,
that devilish country, that hot-bed of heresy!"
FOULQUES (excitedly)--"Languedoc, where the execrable communes of the
people still stand unshaken!"
MYLIO (proudly)--"I accuse myself for having left that noble and brave
province, and for coming to these debased regions to charm with
licentious songs the ears of this nobility that is the foe of my race!
That is my real crime."
The proud words of Mylio arouse the indignation of the seigneurs.
Fearing lest, in his capacity of the trouvere's companion, he may also
become the victim of the seigneurs' rage, Goose-Skin profits by the
tumult to slide unperceived towards the tunnel of verdure that serves as
the Prison of Love. The angered voice of the Seigneur of Bercy rises
above the din. Threatening Mylio with his fists, he cries:
"Wretch! To dare insult the knighthood and our holy Church, and that at
this place! I shall order my men to seize you, and they will use their
straps upon your shins! Miserable slave! Abominable scamp!"
MYLIO (calm and dignified)--"Foulques of Bercy, your men are
superfluous. Fetch a sword. Mine lies in the pavilion of verdure. By
God! If you are a man this Court of Love will be transformed into an
enclosed field and these fair ladies into the judges of the combat!"
FOULQUES (furious)--"Vile serf, I shall punish your insolence with my
cane! Down on your knees, villain!"
MYLIO (mockingly)--"By heaven! If your charming wife Emmeline heard you
make such threats she would say to you: 'Dear friend, do not insult in
that manner Mylio--he is a better man than you; he may hurt you!'"
At the cutting repartee, Foulques bounds from his seat. One of the
noblemen in the audience draws his sword, and passing it over to the
Seigneur of Bercy, says: "Avenge the affront, kill the villein as you
would a dog!" Mylio, unarmed, crosses his arms over his breast and
defies his adversary. But Goose-Skin, who, yielding to a first impulse
of poltroonery had fled to the Prison of Love where Mylio's sword lay,
hears the threats of Foulques, and realizing the danger the trouvere
runs, takes the sword, returns in haste, and the very moment when the
Seigneur of Bercy rushes sword in hand upon Mylio, the latter hears
behind him the panting voice of the juggler, saying: "Here is your
sword; defend yourself; defend both of us; if you do not I shall be cut
into shreds by virtue of our friendship. Oxhorns! Why did we run into
this hornets' nest!"
MYLIO (takes his sword and puts himself in a position of
defence)--"Thanks, my old Goose-Skin! I shall work for us both! Just
watch!"
All in a tremble the juggler shelters himself behind Mylio. Foulques of
Bercy, on his part, surprised at seeing the trouvere suddenly armed,
remains for a moment in perplexity. A knight is free to kill a
defenceless villein, but to cross steel with one is to disgrace himself.
MYLIO--"What, Foulques! You are afraid! Your wife's warning has
convinced you! You fear I may hurt you!"
FOULQUES OF BERCY (emitting a cry of rage and furiously attacking the
trouvere)--"You lie in your throat! Dog!"
MYLIO (defending himself and goading Foulques of Bercy with biting
mockery)--"I know Emmeline and I know she knows you. Did she not tell
you more than once not to get heated lest your adversary whip you?"
FOULQUES OF BERCY (fighting with redoubled impetuosity)--"Death and
fury! I must have his life!"
MYLIO (defending himself and still goading the Seigneur of Bercy with
his irritating jests)--"She knows you so well for a coward that she made
me promise her I would not tell on you when you ran away from a fight,
or nicely swallowed an affront."
GOOSE-SKIN (keeping safely entrenched behind the trouvere)--"Oxhorns!
Control your tongue! He will have neither pity nor mercy for us! You are
driving him so mad that he will have us broiled alive."
FOULQUES OF BERCY (fighting with unabated fury and increased rage at
being unable to wound Mylio)--"Blood of Christ! The vile vagabond
manages his sword like a knight!"
The combat continues a while longer, with ferocity on the knight's part
and imperturbable deliberation on the part of the trouvere, in the
center of a circle that consists of the audience and the members of the
Court, without either the trouvere or the knight being wounded. Both are
strong men and dexterous in the use of weapons. The huge body of
Goose-Skin, behind the trouvere, according as the latter's evolutions
compel him to move over the ground, jumps hither and thither, backward
and forward. His enormous paunch wobbles, he puffs for breath; he seems
to be suffocating. Finally, the trouvere ably parries a terrible blow
aimed at him by the seigneur and immediately plunges his sword into the
knight's thigh. The knight roars with rage, staggers and drops backward
upon the blood-stained sward. The witnesses to the combat hurry to
bring aid to the vanquished, and for an instant forget the trouvere.
GOOSE-SKIN (out of breath and still holding himself behind Mylio)--"Ouf!
The big scamp gave us a deal of trouble before we could bring him down.
But now, Mylio, take my advice. Let us profit by the tumult and pull our
legs out of the trap."
Suddenly the loud sound of trumpets is heard at the further end of the
avenue of trees, and almost immediately a large body of knights, armed
cap-a-pie, wearing on their shoulders the cross of the Crusaders and
covered with dust, are seen entering the avenue at a gallop. Among them,
and also on horseback, is Abbot Reynier, the superior of the monks of
Citeaux, clad in his white robe. Equerries follow the train bearing the
banners of their respective seigneurs. Arrived at the bridge that
intersects the broad avenue of trees, the seigneurs alight.
"The Crusaders! They are back from the Holy Land!" is the affrighted cry
that goes up from the gathering of noble ladies and knights congregated
at the Court of Love, and taken by surprise by their homing husbands.
The latter mistake the cry for a welcome, and run across the bridge
shouting joyfully: "Yes, dear wives! We are back from the Holy Land!
Eleven we departed, and eleven we return, thanks to the miraculous
protection of the Lord!"
"And of the good St. Arnold, the patron of deceived husbands!" added
Goose-Skin aside, as he profited by the tumult created by the new
arrivals to slip into the avenue with the trouvere. "What a droll and
lucky accident! It is the return of the eleven husbands of your eleven
sweethearts that saves you from the ire of that crowd! I shall split my
sides with laughter!"
Thanks to the general commotion, the trouvere and the juggler make good
their escape, while the eleven doughty crusading knights gladfully call
their noble wives to them. The Canoness Deliane, being the only
unmarried one of the twelve who met in the orchard of the Lady of Ariol,
remains behind. The eleven wives rush into the arms of the valiant
crusaders, who, blackened as moles and dusty as tramps, rejoice in the
embrace of their faithful spouses.
The first ebullitions of joy having somewhat subsided, Abbot Reynier,
clad in the long white robe of the monks of Citeaux, ascends the throne
that was until recently occupied by Marphise, the Queen of the Court of
Love; commands silence, and, like a new Cuckoo Peter, as Peter the
Hermit was popularly called, prepares to spread a new Crusade--this time
at home. The Crusade that he has in contemplation is not to the Holy
Land. The faith now calls for a raid upon the heretics of the south of
Gaul. Silence reigns, and Abbot Reynier, the sycophantic debauchee, who,
driven by his concupiscence, only the evening before clandestinely crept
into the close of the mill of Chaillotte, addresses the assembly, not in
the savage and fiery language of Peter the Hermit, but in measured
words, cold and trenchant as the iron of an axe:
"I have accompanied hither the seigneurs Crusaders, who, anxious to
meet their chaste wives, hasten to this place where we find the most
illustrious seigneurs of Touraine assembled. Ye noble seigneurs, learned
trouveres and noble ladies who hear me, the time is past for frivolous
games. The enemy is at our gates. The province of Languedoc has become
the hot-bed of an execrable heresy, that is slowly invading the rest of
Gaul, and menaces the three sanctuaries, arch-sanctuaries of the
land--the Church, the Royalty and the Nobility. The wildest of these
heretical miscreants, worse by far than the Saracens themselves, take
their arguments from the primitive Evangelium and deny both the
authority of the Church and the privileges of the seigneurs; they
declare the equality of men; they brand as a theft all wealth in the
hands of those who did not produce it; worst of all they hold that 'the
serf is the equal of the seigneur, and that he who does not work neither
shall he eat'!"
SEVERAL NOBLES' VOICES--"This is infamous! This is insanity! To death
with the miscreants!"
ABBOT REYNIER--"It is insanity, it is infamous; furthermore, it is
dangerous. The sectaries of this heresy gain daily new proselytes. Their
leaders, who are all the more vicious and pernicious seeing they affect
to practice the reforms that they preach, acquire in that way a
detestable influence over the populace. Their pastors, who replace our
own holy Catholic priests, have themselves called 'Perfects.' Finally,
in their infernal criminality, they seek to render their own lives
exemplary! It is high time that they be exterminated!"
SEVERAL NOBLES' VOICES--"The wretches! The hypocrites! To death with the
felons!"
ABBOT REYNIER--"Languedoc, that fertile region that abounds in wealth,
is in a frightful condition. The Catholic clergy are despised; the royal
authority is hardly recognized; the nobility is no less humbled than the
Church herself, and, shocking to say! unheard-of outrage! the nobility
of the region is almost wholly infected by the damnable heresy.
Everywhere replaced by popular magistrates, and stripped of all special
privileges, the seigneurs are confounded among the common people.
Serfdom no longer exists in that country; the nobility works its fields
in common with their tenants. Counts and viscounts are seen there
engaged in commerce like bourgeois, and growing rich by traffic!
Finally, and as if to cap the climax of abomination, the nobility
frequently marries Jewish wives, the daughters of opulent merchants!"
SEVERAL NOBLES' VOICES--"Shame! Abomination of desolation! It will be
the ruin of Christendom! That calls for vengeance! To the sack with
Languedoc! Death to the heretics!"
ABBOT REYNIER--"It is both a shame and a terrible danger, my brothers
and sisters. The heresy is spreading amain. If it triumphs, the Church
is done for, and so are royalty and nobility. The masses lose the sense
of terror for hell that we inculcate. We would then be compelled to
renounce our rights, our land, our property. We would be forced to bid
adieu to the happy and comfortable life that we lead. We would have to
resign ourselves to live by work like the serfs, the rustics and the
bourgeois. We would be condemned to help ourselves with our hands! What
a distressing perspective!"
SEVERAL NOBLES' VOICES--"It is the end of the world! It is chaos! An end
must be put to these heretics! They must be exterminated!"
ABBOT REYNIER--"In order to stamp out this heresy we must make a Crusade
against Languedoc! Such a war would be but play for so many valiant men
who have traveled as far as the Holy Land to fight the Saracens, and it
would be even more meritorious in the eyes of God."
THE ELEVEN CRUSADERS (in chorus)--"Blood of Christ! We have just arrived
from Palestine; if God wills it, we are ready to start to-morrow for
Languedoc!"
THE ELEVEN WIVES (heroically)--"Go, Oh, valiant husbands! We are
resigned to everything that the service of God commands! We are resigned
even to the sacrifice of having you absent! Depart immediately, ye
champions of the Church! May St. Joseph protect us."
ABBOT REYNIER--"I expected no less from the faith of these valorous
knights and from the courage and devotion of their worthy spouses! Oh,
dear brothers! If the Crusade to the Holy Land Paradise wins to us, know
that the Crusade against Languedoc, a deed that is pious and terrestrial
in one, will win for you a double Paradise from God. You will enjoy the
heavenly Paradise after death, and before death you will enjoy the
terrestrial Paradise of the fertile lands that you will conquer and
divide among yourselves! Such is the will of our Holy Father Innocent
III. The holy pontiff has issued to us, his servitor, the order to
preach this holy war of extermination. I shall read to you, my beloved
brothers and sisters, the letter that he has addressed to us on this
occasion:
"INNOCENT III TO HIS DEARLY BELOVED SON REYNIER, ABBOT OF CITEAUX:
"We hereby order you to bring to the knowledge of all princes,
counts and seigneurs of your province that we summon them to assist
you against the heretics of Languedoc; and that, when they shall
have arrived in that country, they banish out of it all those whom
you, my son Reynier, shall excommunicate; confiscate their goods,
and apply towards them the extreme punishment in case they persist
in their heresy. We enjoin all Catholics to arm themselves against
the heretics of Languedoc whenever my son Reynier may call upon
them so to do, and we grant to those who take part in this
expedition for the defence of the faith the property of the
heretics and all and the same indulgences that we accord to those
who depart on the Crusade to Palestine. Up, then, soldiers of
Christ! Up, then militia-men of the holy militia! Exterminate
impiety with all the means that God may reveal unto you. Fight the
heretics with vigorous and merciless hands by waging against them a
harder war than against the Saracens, because they are worse. And
let the orthodox Catholics be established on all the domains that
now belong to the heretics. Amen!"[3]
The last words of the letter of Pope Innocent III add fuel to the
religious enthusiasm of the audience. The noble seigneurs have often
heard about the industriousness of the inhabitants of the south of Gaul.
They have heard how the people of that region have grown wealthy through
a commerce that extends over the Orient and Greece, Italy and Spain;
they have heard the praises sung of the soil of Languedoc, which,
admirably cultivated, overflows with wine, grain and oil, and abounds
in cattle. The conquest of the new and veritable "promised land" is
easy. The journey is only about a hundred leagues' distance. What is
such a little trip to these doughty fighters, many of whom have traveled
as far as Palestine in search of a quarrel? Abbot Reynier's preaching
is, accordingly, crowned with completest success. The wives, delighted
at being rid again of their husbands, and counting upon their share of
the booty of Languedoc, incite the gallant knights to enter again and as
soon as possible upon the road of the Crusader against the heretics.
What can there be clearer than the heresy of Languedoc? Have not the
bedeviled fellows, by abolishing in their south of Gaul the delightful
privileges, thanks to which the noble ladies of the north of Gaul live
in luxury, pleasures, idleness and libertinage without other thought
than to make love, endangered all the delights in the north of Gaul
also? Accordingly, mindful of the possible contagion of such a
pestilence, and shuddering at the bare thought of their, noble dames
that they are, being reduced to live modestly and industriously by their
own labor like the villeins and bourgeois, they cry out louder still
than their husbands: "To arms! Death to the heretics!"
The Chamber of Sweet Vows dissolves amidst wild commotion. The larger
number of the knights, from the Bailiff of the Joy of Joys to the
Seneschal of Sweet-Marjoram, hasten home to prepare for their departure
on the Crusade against Languedoc, where they are to exterminate the
heretics of the south of France.
CHAPTER VI.
ON TO LANGUEDOC!
Happily thrown into the shade by the arrival of the eleven Crusaders
from the Holy Land, Mylio and his companion profit by the address of
Abbot Reynier to reach a stone stair that leads down to one of the
canals, and to conceal themselves under the arch of the bridge. From
their place of concealment the two hear the words of the Abbot of
Citeaux and the acclamations of his audience. As much surprised as
alarmed at the projected war, seeing that his brother Karvel le Brenn is
one of the pastors, or Perfects, of the heretics of Languedoc, the
trouvere hastens to leave the garden without being seen, and skirting
the banks of the canal he finally arrives at a secluded spot near the
ramparts of Blois.
GOOSE-SKIN (who has followed his friend, and who observed profound
silence during his hasty march, finally stops out of breath)--"Because
you have the legs of a stag you feel not the least consideration for an
honest man who is hampered in his walk by a big paunch that heaven has
afflicted him with. Oh! Mylio, what a day this has been! It has made me
boil over with rage! If water were not a sort of mortal poison to me, I
would have rested on the edge of the garden. It is now night. What say
you, shall we drop in at the tavern of my friend Gueulette and gather
our spirits? Hey? Mylio? Do you not hear me? (strikes him on the
shoulder) Helloa, my bold and brave trouvere! Are you dreaming with open
eyes?"
MYLIO (awakes from his revery and reaches out his hand to the
juggler)--"Adieu, I bid you good-bye!"
GOOSE-SKIN--"How! 'Good-bye!' You are going away? You leave a
friend--what ingratitude!"
MYLIO (rummages in his purse)--"I shall share my purse with you. I have
not forgotten the service that you have just rendered me."
GOOSE-SKIN (pockets the money that the trouvere gives him)--"What! And
with that you rid yourself of your old companion? And I promised myself
so much pleasure running the country with you!"
MYLIO--"It is impossible! I shall depart instantly, and take Florette
along on the crupper of my horse."
GOOSE-SKIN--"I never indulged in the barbarity of crushing a horse under
my weight. You have just given me money. I shall purchase an ass, and
shall whip the brute so hard and so incontinently that he will be bound
to follow close upon the heels of your horse."
MYLIO--"You wish to accompany me without first inquiring what my
destination is?"
GOOSE-SKIN--"Oxhorns! Your route will be from castle to castle to charm
the ears and eyes of the beautiful ladies, to live high, to amuse
yourself. Oh, let me follow you--Each to his role--You will enchant the
noble dames, I their servants. Your harp will be for the large hall of
the manor, my hurdy-gurdy for the kitchen. Long live joy, and glory to
St. Joseph!"
MYLIO--"No, no! I renounce this life of license and adventure. I am
going back to my brother in Languedoc. I shall marry Florette, and,
perhaps, hardly shall I be married, when I may have to leave my wife and
go to war!"
GOOSE-SKIN--"To war! Did you say to war?"
MYLIO--"Did you not hear that sycophant of an Abbot Reynier preach the
extermination of the heretics? My brother is one of their leaders, he is
one of the Perfects. I am going to him and shall share the dangers that
he runs. So, then, adieu! The journey that I am about to set out upon is
not one of pleasure."
GOOSE-SKIN (scratching his ear)--"No! The greater the pity--and yet, if
I were sure that I would be no trouble to you on the route, it would
please me greatly to accompany you. How can I help it? Friendship,
custom--I would be greatly grieved to separate from you. It seems to me
that if I leave you I shall for long find the wine bitter and that not a
song could issue out of my throat. I can not live without your company."
MYLIO--"Your attachment touches my heart. But to go to Languedoc is to
plunge into the risks of war."
GOOSE-SKIN--"I shall not deny that I am as timid as a hare, but perhaps
I may acquire a more martial turn if I remain near you. Courage, the
saying goes, is contagious. Moreover, as you saw, at a pinch I can be
good for something. I can render some slight services. I beg you,
Mylio, allow that I follow you. Thanks to this money that you have so
generously given me, I shall buy a mount--Hold! It occurs to me that my
friend Gueulette's father has a mule that he will be glad to sell for
almost nothing. The beast is as stubborn as Gueulette herself; and by
departing with you I shall prove to that tigress that I can make light
of her attractions. That will be my revenge. So, then, I beg of you to
let me accompany you."
MYLIO--"Very well, my old Goose-Skin! Go and purchase your mule. It is
now dark. I shall run for Florette to the house of the worthy woman
where I have concealed her. We must leave Blois at the earliest
possible. Abbot Reynier or the friends of Foulques may give us trouble
if we tarry."
GOOSE-SKIN--"Let them come! Oxhorns! I already feel bold and brave! So
far from fearing danger, I would court it! Yes, I defy ye, giants,
enchanters, and demons--dare to appear before me! Just dare!"
Mylio and Goose-Skin separate, the latter dancing and singing. Their
journey to Languedoc is successfully made.
PART II.
THE ALBIGENSIAN HERETICS.
CHAPTER I.
THE PERFECT'S HOME.
Son of Joel, you have been made acquainted with the morals of the noble
ladies, of the seigneurs and of the abbots of the north of Gaul. To
judge by their ardor in undertaking the Crusade preached by Abbot
Reynier against Languedoc, the country infected by a devilish heresy, as
the monk said, they must be good Catholics. Oh, Fergan, my ancestor! A
century ago, you had occasion to shudder at the sight of the gigantic
butchery committed by the Crusaders in Jerusalem, where seventy thousand
defenceless Saracens were massacred within two days. The monstrosities
of the old Crusaders are now repeated in Gaul herself. A war of
extermination has been declared by the Pope, not now against the
Saracens, but against the sons of our own country. You shall now be
acquainted with the morals of these heretics of Languedoc, these honest
and industrious people upon whose heads all the furies are to be
unchained.
Lavaur, a flourishing city of the country of Albigeois, lies not far
from Albi. Sacrovir le Brenn, the son of Colombaik, and grandson of
Fergan the Quarryman, who was a tanner like his father, amassed a little
property and settled down with his wife and children near Lavaur
towards the year 1060. There he purchased a small tract of land which he
cultivated with the aid of his children. One of these died young; the
other grew to manhood, married and had a son named Conan le Brenn, who
was the father of Karvel the Perfect and Mylio the Trouvere.
The scene is placed in the humble but bright home of Karvel. The house
is situated at the extreme end of one of the suburbs of Lavaur, a
fortified town about seven leagues from Toulouse, the capital of the
marquisate of the same name, whose titulary master now is Raymond VII.
Karvel exercises the profession of physician. He consolidated his
father's heritage with a farmer who, together with his family, occupies
one part of the house, while the other part is reserved to Karvel and
his wife. Karvel is seated in a spacious chamber the narrow windows of
which, made of small glass squares that are held fast in a frame of
lead, open upon a meadow crossed by the river Agout. The Agout flows not
far from the ramparts of Lavaur. A long table, littered with parchments,
stands in the center of the chamber. On little shelves, ranged along the
walls, are vases with leaves or flowers, or filled with bulbs of
medicinal plants. In a corner is a stove over which several copper
vessels, used in the distillation of certain herbs, are held over the
fire by iron tripods. Morise, Karvel's wife, is attending to these,
while Karvel himself, leaning over the table, is poring over some
manuscripts on the art of healing.
Karvel is about thirty-six years of age. His admirable face is rendered
all the more remarkable by the expression of a high degree of
intelligence and of inexhaustible kindness. A long robe of black cloth
opening wide at his neck exposes the folds of his shirt that is fastened
with silver buttons. His wife Morise is thirty. Her blonde hair, braided
in plaits, crowns her lovely face, on which, thanks to a happy mixture,
playfulness is combined with gentleness and firmness.
Morise interrupts her labors, remains thoughtful for a moment and,
contemplating one of the copper vases which is rather more rounded than
the rest, smiles and says to her husband:
"That copper vase reminds me of the capers of poor Mylio, your brother.
He loved to put the basin over his head as a casque to make me laugh."
KARVEL (smiling sadly)--"But you, in turn, used to compel the
giddy-headed boy to taste our bitterest decoctions. Good, dear, Mylio!
If only our friend the Lombard merchant succeeded in meeting him in
Touraine!"
MORISE--"Our friend surely found him easily. All he had to do would be
to inquire after the celebrated Mylio the Trouvere. Your brother's name
is so well known that its fame reached as far as here. Was it not only
day before yesterday that Aimery was reciting to us some of Mylio's
songs translated into the language of this region?"
KARVEL (smiling again)--"Giraude did not altogether share the enthusiasm
of her brother Aimery for those licentious verses, and not that she
affects prudery. I have never seen such lofty virtue joined to so much
intelligence. Never--except--in yourself!"
MORISE--"Fie, flatterer! The idea of comparing me with the Lady of
Lavaur! That charming and virtuous woman, who, left a widow at twenty,
and although as beautiful as day, and Countess of Lavaur besides, and
having only to choose among the wealthiest seigneurs of Languedoc, still
preferred to remain single in order to devote her attention wholly to
the education of her son Aloys!"
KARVEL--"Oh! Say all imaginable good things you please about our friend
Giraude, you will still fall short of the full truth--Noble woman! How
angelic is her heart! How inexhaustible her charity! Oh, the saying does
not lie--'Never does a poor body knock at her door without leaving
happy.'"
MORISE--"It is she herself who supervises the school that she founded
for little children in order to combat the ignorance and misery that
breed all manner of vices. Boys and girls find there an asylum."
KARVEL--"And what a high degree of courage did she not display during
last year's great epidemic when the sick had to be tended! Noble and
saintly woman!"
MORISE--"I do admire the solid education that she gives to her son. I
shall not soon forget the day when Aloys, about to be twelve, was taken
to the City Hall of Lavaur by his mother who said to our consuls: 'My
friends, be the tutors of my son. His father would have brought him up,
as he was himself, in the respect for the communal franchises. The only
privilege that he will some day demand from you, will be to march in
the front ranks in case the city is attacked, or of offering you a
refuge in our castle. But thanks be to God, we shall continue to enjoy
peace; and my son, ever following in the footsteps of his father, will
cultivate his lands in common with our tenants. We shall have a holiday
in Lavaur when Aloys will have cut his first furrow on our fields,
guided by our oldest laborer. Aloys will ever feel proud of handling the
food-yielding plow and of cultivating his fields.'"
KARVEL--"And do you know that there was no abler farmer in all this
region than the old Master of Lavaur? From far and wide they came for
his advice. Oh, what a difference between the seigneurs of the north of
Gaul and those of our happy region! The former think of nothing but to
shine at tourneys and to indulge in a ruinous luxury which they are able
to keep up only by overwhelming their serfs with taxes. Here, on the
contrary, a few fools excepted, the seigneurs, almost all of whom have
risen from the bourgeoisie, cultivate their lands in common friendship
with their tenants, or equip vessels for commerce. And so we see here
universal prosperity and affluence in our smiling country."
MORISE--"Aimery, the brother of the Lady of Lavaur, was telling us only
yesterday: 'Languedoc is the envy of all Gaul.'"
KARVEL--"By the way of Aimery, is there anything more touching than the
unalterable affection that links him to his sister Giraude? When I
behold the two enjoying that delicious sentiment I regret all the more
the absence of our Mylio, our dearly beloved brother."
MORISE--"Patience! Your brother has a good heart. When the first ardor
of youth will have spent itself, he will return to us."
KARVEL--"I never doubted Mylio's heart. He only yielded to the
impetuosity of his age and the vivacity of his nature--to that craving
for adventures that, it would seem, asserts itself from time to time in
us, the sons of Joel."
MORISE--"Yes; in those legends of your family that we have so often read
together we have seen Karadeucq the Bagauder, Ronan the Vagre, Amael,
who was the favorite of Charles Martel, all of them, driven, like your
brother, to adopt a vagabond life in early youth. I feel quite sure that
Mylio will repent his light-headedness, and that we shall see him
again."
KARVEL--"One pleasure only our union has until now been deprived of. We
have no children. I should have liked to see Mylio married. The stock of
Joel might not then run out."
MORISE--"I take charge of his marriage. When your brother comes back to
us, he will be able to have his pick among the handsomest girls of
Lavaur. Some one of them will know how to pin him down here."
The door of the chamber is suddenly thrown open, and Karvel's farmer
neighbor enters precipitately, saying:
"Master Karvel, here are Dame Giraude, her brother and her son! They are
carrying in their arms a young girl in a faint."
CHAPTER II.
GIRAUDE OF LAVAUR.
Just as the Perfect is about to step out of the chamber in which he and
his wife Morise were discussing the prospects of Mylio, and to render
assistance to the guests that were announced, Aimery, his sister Giraude
and her son enter, carrying in Florette in a swoon. The Lady of Lavaur
and her brother hold the young girl in their arms. Aloys, a lad of
fourteen, holds her feet. Florette is gently deposited upon a couch of
woven straw. While Morise runs into another room for a cordial, Karvel
takes the sweet girl's pulse. Her dusty clothes and tattered shoes
reveal that she walked a long distance. Her forehead is bathed in
perspiration. Her face is pale, her respiration troubled.
The Lady of Lavaur, her brother and son group themselves near the couch
and await silent and uneasy the words from the lips of the physician.
Giraude, who is of the same age as Morise and of striking beauty, is
modestly dressed in a robe of green material. An orange-colored coif,
from which hangs a white veil that partially covers her face, exposes
her two heavy tresses of black hair. Her large and gentle blue eyes,
now moistened with a tear, rest upon Florette, whom she contemplates
with tender interest.
Aimery is forty years of age, and is dressed in field laborer's
clothes--a broad-brimmed felt hat, a blouse held around his waist by a
leather belt, a cloth coat and heavy leather boots. His open, comely,
and resolute physiognomy depicts deep concern in the girl's condition.
Aloys, who is as rustically clad as his mother's brother, strikingly
resembles his parent. The only marked difference is that his youthful
face, in contrast to his mother's, is slightly browned by the sun. The
education that his mother gives him is intended to inure the lad to
manly and useful work, and to cultivate in him a taste for the same. The
boy's eyes are filled with tears as he contemplates Florette, into whose
mouth the physician pours a cordial by introducing the head of a little
flask between her lips. The group presents the picture of charming
benevolence.
THE LADY OF LAVAUR (holding up Florette's head, speaks in a low voice to
the Perfect and Aimery:)--"Poor child! She does not yet regain
consciousness! How pale she is! What a sweet and charming face she has!"
AIMERY--"The face of an angel, friend Karvel! What do you think can be
the cause of her swoon? Do you think she is in danger?"
KARVEL--"I see no trace of a fall or of a wound. The poor girl must have
experienced some severe shock, or she may have succumbed to excessive
fatigue. (Turning to his wife) Morise, fetch me some fresh water."
Aloys has frequently been at the Perfect's. He knows his way in the
house. He anticipates Morise, runs to an earthenware vase, dips out some
water into a cup and brings the same to the physician. Touched by the
attention of the boy, Karvel turns to Giraude with a look of
approbation. The mother kisses her son on the forehead.
"In acting so thoughtfully, my friend, Aloys conducts himself obedient
to your instructions. He seeks to be useful to others."
Florette, whose temples the Perfect moistens with the fresh water that
Aloys brought to him and into which he poured a few drops of an elixir,
slowly regains consciousness. Her face gradually regains its color. She
sighs twice. Presently tears gather slowly under her long eyelashes and
she murmurs in a feeble voice:
"Mylio! Mylio! Help! Help!"
KARVEL (amazed)--"What is that she says?"
AIMERY--"She pronounces your brother's name; she calls for help."
Florette raises both her hands to her forehead. A profound silence
reigns in the chamber. She sits up on the couch. Her large eyes wander
timid and surprised hither and thither, all around her. She gathers her
thoughts, and presently, breaking out in tears, she cries in a
heart-rending voice:
"Oh! Have mercy! Save Mylio! Save him!"
KARVEL (alarmed)--"What great danger does my brother run?"
FLORETTE (clasping her hands)--"Are you Karvel the Perfect, Mylio's
brother?"
KARVEL--"Yes; yes. But calm yourself, poor child, and tell me where my
brother is. What danger threatens him? Tell us who you are, and how you
happen to know my brother."
FLORETTE--"I am a poor serf of the country of Touraine. Mylio saved my
life and my honor. He said to me: 'Florette, I am going back to
Languedoc. During our journey you will be my sister; when we arrive at
my brother's house you will be my wife--I wish him to bless our union.'
Mylio kept his promise. We traveled happy at heart. When we were about
five leagues from here--" (sobs smother Florette's voice; she is unable
to utter another word.)
THE LADY OF LAVAUR (in a low voice to the Perfect)--"Oh, Karvel, your
brother's tender love for this poor serf testifies in his favor. His
heart has remained true, despite the slips of his youth. May God be
praised!"
KARVEL (drying his tears)--"We never doubted it. But what has happened
to him? Good God, what are we about to learn!"
AIMERY--"Sister, I shall go out; I may be able to gather some
information."
ALOYS (with alacrity)--"Uncle, I will go with you, if mother allows. I
shall help you in your inquiries!"
KARVEL (to Aimery)--"Wait a minute, my friend! (To Florette who is still
sobbing) Dear child--dear sister--you are now our sister, I beg you,
calm yourself, and tell us what has happened to Mylio, and where we
could find him."
FLORETTE--"He told me that besides his wish of being speedily back to
his brother's house, there was another reason, which he would inform you
of, that induced him to hurry the journey, on account of which we
traveled day and night. I was on the crupper of Mylio's horse; a friend
of his accompanied us on a mule. This morning we halted at a large burg
which is entered through a stone arcade--"
KARVEL--"That is the burg of Montjoire, about four leagues from here."
FLORETTE--"We traveled so fast from the time that we left Touraine that
our horse's shoes wore out, and he lost two before we entered the burg.
Intending to have his mount reshod, Mylio inquired for a blacksmith and
took his friend and myself to an inn where he told us to wait for him.
Mylio's companion is a merry juggler. He fell to playing upon his
hurdy-gurdy and to singing songs against the church and the priests
before the people at the inn. While he was at it, two monks escorted by
several knights came in and ordered him in the name of the Pope to stop.
He answered them with some jests. Thereupon the men of the escort,
together with the monks, rushed at poor old Goose-Skin, that is his
name, and they beat him and called him a heretical dog."
AIMERY--"This looks serious! The monks have never before dared to show
so much audacity. At Montjoire, as in the rest of Albigeois, the priests
of Rome are loved as the pest. But the people in the inn are of this
country. Did they not take the part of your traveling companion?"
FLORETTE--"Yes, sir; they did, and Mylio came in as the scuffle was at
its height. He tried to defend his friend who was being badly treated.
The people of the inn had the worst of the fight and fled, leaving Mylio
and the juggler in the hands of the monks; these said they were going to
lock up the two heretics in the dungeon of the seigneur of the burg."
AIMERY--"Impossible! Raoul of Montjoire execrates the black-frocked
militia as much as I do myself. I can hardly understand the impudence of
those monks. Do they think they are in the north of Gaul? This dirty
work will have to be looked into."
FLORETTE--"Alas! sir, what I am telling you is but too true. When Mylio
saw himself overpowered, he and his companion pinioned and that the two
were being dragged away, he cried out to me: 'Florette, run quick to
Lavaur; inquire your way; when you arrive at the suburb of the town ask
for the house of Karvel the Perfect, and tell my brother I am held here
a prisoner.' Thereupon I ran all the way to this place--"
THE LADY OF LAVAUR--"And your strength gave out, did it not, dear child?
And you dropped down where we found you, about two hundred paces from
here?"
FLORETTE--"Yes, madam. But for mercy's sake! Hasten to the help of
Mylio! The monks may want to kill him. Run to his assistance!"
AIMERY (to Karvel)--"I shall take my sister back to Lavaur. You and I
will then jump upon our horses and ride out to Raoul. I guarantee that
we shall bring Mylio back with us."
CHAPTER III.
THE SHADOW OF WAR.
Aimery's plan is accepted, but its execution is immediately rendered
superfluous. Hurried steps are heard approaching the house. Florette
looks electrified, listens in the direction of the door and cries out:
"It is he! It is Mylio--I recognize his steps--I hear him!"
Almost immediately after Florette's announcement Mylio steps into the
chamber, followed by Goose-Skin. Florette, Karvel and Morise rush to
meet the trouvere. He responds to their embraces with inexpressible
bliss. Aimery, Aloys and his mother contemplate the scene with deep
emotion.
THE LADY OF LAVAUR--"Oh! He who can inspire so much affection must merit
it!"
ALOYS (in a low voice to his mother and pointing at Goose-Skin who
stands aside)--"Mother, look at that poor old man! Nobody speaks to him.
He is entirely forgotten--And he seems to be sad. Shall I go to him and
bid him welcome in this country?"
THE LADY OF LAVAUR--"That is a kindly thought. Do so, my dear child."
While Mylio answers in mute transport the caresses of his dear ones,
Aloys timidly approaches the old juggler. Goose-Skin is not sad, only he
feels greatly embarrassed. In speaking to him of the austere virtues of
Karvel the Perfect and his wife, Mylio above all recommended to the
juggler not to break out into gross and ribald jests, as was his wont.
Accordingly, faithful to the instructions of his friend, Goose-Skin is
holding himself in. The old fellow makes serious efforts to repress his
droll thoughts; he puckers up his lips, strives to look serious and
venerable, but only succeeds in imparting to his otherwise jovial
features the pitiful expression that Aloys mistook for sadness.
ALOYS (with a kindly voice)--"Welcome in our country, good father!"
GOOSE-SKIN (aside to himself)--"This brat is surely a little Perfect
himself. I shall have to keep guard over my tongue. (Aloud to Aloys in a
grave and sententious tone) May God preserve you, my young master, and
always keep you in the path of virtue. Because virtue--affords more true
and merry contentment than the most charming grace--What do I
say!--Virtue is a man's lady-love. Well now, virtue excels love-making."
(Unable to understand the last words of Goose-Skin, Aloys looks upon the
juggler with wondering eyes and returns to his mother, while Goose-Skin
proceeds apart to himself) "I am satisfied with my first trial. I have
given the youngster a high opinion of my wisdom and of my powers of
speech."
KARVEL (leading Mylio to Aimery and his sister)--"Dame Giraude, I
solicit from you for Mylio a little of the good will that you entertain
toward us."
THE LADY OF LAVAUR--"You well know, Karvel, that Aimery and myself have
long shared your tender affection for your brother."
MYLIO (respectfully and sincerely)--"Madam, Karvel has just been telling
me of the debt of gratitude that I owe you. (Pointing to Florette) This
dear child dropped on the road exhausted with fatigue--and you, your
worthy brother and your son brought her help--you carried her to my
brother--"
THE LADY OF LAVAUR (interrupting Mylio)--"If the filling of a duty
deserves reward, we shall find it in the happiness of having been
helpful to this charming girl, who will soon belong to the brother of
one of our best friends."
MYLIO (to Aimery, smiling)--"Will you, at least, sir, allow me to thank
you for your kindness towards me and my traveling companion? Karvel
tells me that you were on the point of taking horse to deliver us from
the clutches of our enemies."
AIMERY--"Very naturally. Raoul of Montjoire is a friend of mine. Like
all of us inhabitants of Languedoc, he has only aversion for the
monastic fraternity. I was sure that he would set you free at my
request, both you and your merry companion, yonder bulky customer, whose
droll songs caused the disturbance."
GOOSE-SKIN (hearing himself referred to as a droll and merry customer,
and considering himself in the midst of people who are all more or less
Perfects, redoubles his efforts to look dignified)--"I request the noble
lady, the noble sir and the other members of this company kindly not to
take me for a droll customer. My song, which provoked the ire of the
tonsured gentry at the inn, was simply a cry of indignation uttered by a
man who might have been virtuous--but who, ripened by experience, knows
that the gown does not make the monk, that the bowl does not make the
wine, that the gorget does not make the throat, that the skirt does not
make the legs--"
Mylio interrupts the flow of Goose-Skin's eloquence with an angry look.
The juggler holds his tongue, steps back penitently, and in order to
keep himself in countenance proceeds to examine the copper vessels that
are placed on the distilling furnace.
MYLIO (turning to Aimery, who, together with Karvel could not suppress a
smile at the words of the juggler)--"Overpowered, disarmed, pinioned by
the men who escorted the two monks, myself and my companion were taken
to Raoul of Montjoire. One of the monks said to him: 'These two heretics
have had the audacity, one of them of singing a song that was insulting
to the priests of the Lord, the other of defending the singer. I call
upon you, in the name of the Church, to punish the two criminals.' 'By
God, monk, I thank you' answered Raoul, 'you could bring no more
acceptable guests to me,' and addressing his men he proceeded: 'Here,
friends! Untie the bonds of these brave contemners of the Church of
Rome, the modern Babylon that is smirched with rapine and blood!'"
AIMERY--"That language is the only one that Raoul could hold!"
MYLIO--"As soon done as said. We were freed from our bonds and the Sire
of Montjoire added, showing the monk the door: 'Get you gone, and quick
as possible, you agent of Rome, vile Romanist, wicked Roman creeper! You
are not here in France where the tonsured lackeys of Rome rule the
roost!' 'Detestable miscreant! Damned heretic!' cried the monk, furious,
and he left the room shaking his fists at Raoul and saying: 'Tremble!
The day of the wrath of heaven is near! You will soon be all crushed in
your nests, vile viperous heretics!'"
THE LADY OF LAVAUR--"The audacity of these monks should arouse our
indignation, were it not that we are aware of the impotence of their
hatred."
MYLIO--"Oh, madam, the day is unhappily at hand when the hatred of the
priests is a thing to be feared. I have hastened hither to let you know
it."
KARVEL--"What do you mean?"
MYLIO--"I have traveled almost day and night to be ahead of tidings that
I can plainly see have not yet reached you, and that explain the
insolence of the monk and the threats that he hurled at Raoul."
AIMERY--"What has happened?"
MYLIO--"Pope Innocent III has issued orders to all the bishops to preach
a Crusade against the heretics of Languedoc."
AIMERY (laughing)--"A Crusade? Do these tonsured folks take our country
for the Holy land? We are not Saracens!"
MYLIO--"At this very hour he is unchaining against your provinces the
same fanatic hatred and savage cupidity that at one time the Papacy
unchained against the Saracens. The Pope has already bestowed your lands
and other property upon the future Crusaders. He has promised them
pardon for all their crimes, the past, the present and the
future--earthly riches, heavenly treasures."
THE LADY OF LAVAUR--"What you tell us, Mylio, seems incredible. Whence
can all that hatred against us 'heretics,' as they call us, proceed?
Does not the Catholic Church preserve in Languedoc its churches, its
domains, its bishoprics, its monks and its priests? Have they ever been
disturbed in the exercise of their cult? Why should they make a Crusade
against us? Simply because we practice the evangelical morality of Jesus
according to our own faith? Simply because our heart and our reason
reject the myth of original sin which smites with its anathema even the
child in its mother's womb? Simply because we smile at the pretension of
the priests to claim to be the infallible representatives of God on
earth, and declare that the newly born child will be damned if it dies
unbaptized? Can they mean to punish us because we prefer our own
Perfects, worthy pastors like you, Karvel, who, industrious and austere,
practice and preach in the midst of the sacred joys of family life the
sublime doctrine of Christ, the friend of the poor and the sorrowing,
the enemy of the hypocrites and of the rich? But, moreover, why resort
to violence? Are the Catholic priests the only repositories of the true
faith? Are they the only inspired ones of God? Let them convert us by
reason, by gentleness, by persuasion. Why appeal to violence--to fire
and sword! No, no! It would be the height of blindness and of human
perversity!"
MYLIO--"The Crusades against the Saracens were preached by the Church,
and the same Church is now stirring up anew the same execrable passions
against the provinces that have withdrawn themselves from the tyranny of
Rome. Great dangers are threatening Languedoc. While passing Cahors I
learned that a man of rare military valor, but fanatical and merciless,
Simon, Count of Montfort-L'Amaury, one of the most famous heroes of the
last Crusade in the Holy Land, was placed in the chief command of the
Catholic army that is about to invade this country."
KARVEL--"Simon of Montfort is well known by us! The choice of such a
chief is, indeed, the signal for a war of extermination, a war without
mercy or pity. Helas! What disasters are in store for us!"
AIMERY--"If the Catholics attack us we shall know how to defend
ourselves. I swear to God, this war will be a terrible one!"
THE LADY OF LAVAUR (anxiously)--"But what harm do we do the Catholics?
Do we force our belief upon them? By what right should they want to
impose theirs upon us with war and violence? In battle the children of
the poor mothers are killed. (Saying this in a trembling voice and her
eyes wet with tears, Giraude presses her son with anxiety and
tenderness to her heart, and takes Aimery's hand.) War is the terror of
mothers, sisters and wives! War is an execrable affair!"
AIMERY--"Sister dear, calm your fears!"
THE LADY OF LAVAUR--"Alas! I am no heroine. I live on my love for my son
and for you, and when I think that you, together with so many friends
dear to my heart, may perish in this terrible war! (Again embraces her
son passionately and murmurs:) Oh! I am afraid! Good God, have mercy
upon us!"
ALOYS--"Good mother, do not fear; we shall defend you."
THE LADY OF LAVAUR--"We shall flee this very evening with my brother. We
shall take ship at Aigues-Mortes--"
AIMERY--"And who will defend the city and the Castle of Lavaur, of which
your son is the seigneur?"
THE LADY OF LAVAUR--"Let the priests seize our castle, our lands and
all, provided only my son and you are left to me!"
AIMERY--"The capture of the city and the castle fatedly draws in its
wake the ruin and death of all the inhabitants and men of the field who
will take refuge in them at the first tidings of the Crusade. Would you
leave them without a guide?"
THE LADY OF LAVAUR--"Pardon me, brother; pardon me, friends. What I said
was cowardly--"
A FARMER (enters)--"Seigneur Aimery, one of your servants has just come
from the castle, where your friends have gone in haste to consider
matters of grave importance with you and with Dame Giraude. Your
presence is requested."
AIMERY--"The tidings brought by Mylio are confirmed!"
KARVEL (to the Lady of Lavaur)--"Courage, Giraude! Friendly hearts and
firm devotion will never be wanting to you."
THE LADY OF LAVAUR (drying her tears)--"Adieu, good Karvel! Pity my
weakness! I am ashamed of it! Pardon a moment of debility!"
KARVEL--"No; you have not been weak. The mother spoke--the sister--the
cry of nature leaped from your soul; I honor you all the more therefore.
I well know that you never fall short of any duty when the moment comes
to fill it."
THE LADY OF LAVAUR--"Alas! I hope so--Oh! What a horrible thing war is!
We were happy! (She contemplates her son, embraces and weeps over him.)
What wrong have we done to those priests? What wrong have we done them,
my poor child!"
AIMERY (to Mylio)--"Your presence in these perilous days is a welcome
assistance. We know you to be a resolute man, Mylio. So long, Karvel. I
shall let you know this evening the result of our conversation with our
friends at the castle, and the decision that we may have adopted."
Before leaving the Perfect's house the Lady of Lavaur approaches
Florette who all this while has been seated near Morise. After keeping
himself aside for a while, Goose-Skin sat down on a bench and is now
sound asleep. He is exhausted with the rough handling that he received
at the inn. The Lady of Lavaur takes Florette's hand and says with a sad
smile on her lips:
"Poor little one, good and devoted as you are, you arrive in our country
at an unhappy season. May we weather the dangers that threaten us
without having to lose any head that is dear to us! Whatever may happen,
count in it on my friendship." Moved into tears, Florette raises to her
lips the hands of the Lady of Lavaur with brimming emotion. After a last
adieu to Morise and the Perfect, the Lady of Lavaur leaves, accompanied
by her son and Aimery.
CHAPTER IV.
ROBIN LOVES ME, ROBIN HAS ME!
Left to themselves the family of the Perfect for a moment contemplate
one another in silent admiration for Giraude.
MYLIO (to Karvel)--"I can not express to you how that woman's charming
kindness touches my heart. Even in the midst of her anxieties for her
son and her brother, she has words of good will for Florette."
KARVEL--"That woman is an angel! (He looks at Mylio in silence for a
moment; his eyes moisten with a tear of tenderness; he opens his arms
and in a voice trembling with love proceeds:) One more embrace--still
another--my dearly beloved brother!"
Mylio and Karvel embrace passionately. Morise and Florette share in
silence the emotions of the two brothers. None seem to hear the snores
of Goose-Skin, whose sleep is ever sounder and grows more noisy.
MORISE (to Mylio)--"So you have come back to us to stay!"
MYLIO--"Oh! dear sister, yes; permanently--not so, Florette?"
FLORETTE--"My wishes will be yours, Mylio; still it is sweet to conform
to them, seeing I am received with so much kindness by your dear
relatives."
MYLIO--"And yet, brother, if you have no objection, I have a project
that will take me away for several days."
MORISE--"What! So soon! Did you hear the wicked boy, Florette? He thinks
of leaving us!"
FLORETTE (smiling)--"Either Mylio will take me along with him, or he
will leave me here with you; whichever way, I shall be satisfied."
KARVEL--"What is your plan, brother?"
MYLIO--"My sincere love for Florette has put an end to the pranks of my
youth. Your own indulgence and Morise's will draw a veil over the past.
Nevertheless I have put to bad use the faculty for poetry that nature
endowed me with. I now desire to turn it to a useful purpose. Brother,
you and I have read in the legends of our family how, at the time of the
invasion of Gaul by the Romans, the Gallic bards fired the courage of
our combatants, and how, still later, after the Roman conquest, the
bards continued to arouse with their patriotic chants the people of Gaul
against the foreign conqueror. The memorable chant of the Chief of the
Hundred Valleys:
'Drop, drop, thou dew of gore!'
armed more than one arm against the Romans."
KARVEL--"I grasp your thought--I approve it, Mylio--Aye, it would be
putting the poetic talent that God gifted you with to a noble use, by
using it to arouse the enthusiasm of our people."
MYLIO--"The Church orders her monks to preach the extermination of our
country. Now, we the trouveres, like the Gallic bards of old, will fire
the people with our songs against the fanatics who threaten our freedom
and our lives!"
MORISE--"The thought is generous and noble. I join my approval to
Karvel's."
MYLIO--"A minute ago the Lady of Lavaur repeated twice a few words that
drew tears from me: 'What wrong have we done to those priests, my poor
child?'"
FLORETTE--"Oh! Mylio, those words made me also weep. They still affect
me!"
MYLIO--"It is because they are true and heart-rending words that escaped
from a maternal heart. What wrong was done to those priests!"
At this moment a snore that sounds like a thunder clap breaks upon the
silence from the corner where Goose-Skin is soundly sleeping. Mylio
turns around, looks at the juggler, and, smiling at the sight, says to
Karvel:
"Brother, I have wholly forgotten to mention my traveling companion to
you."
MORISE--"Despite his serious mien, your brave companion makes me feel
like laughing."
KARVEL--"The poor man perhaps feels sad that a minute ago Mylio stopped
him short at the best turn of his paraphrase concerning the profound
truth that 'the gown does not make the monk.' His discourse was
interrupted."
MYLIO--"My companion is a juggler, which is the same as saying that his
coarse songs, much as they are liked in the taverns, are hardly
calculated for delicate ears. I therefore notified Goose-Skin, that is
the name that he goes by, that he must keep a watch over his words when
near you. Hence his embarrassment, and his obstinate persistence in
assuming a venerable appearance. I must pray your indulgence towards
him. Yours also, Morise. He is entitled to it by reason of his
attachment to me, of which he has given me more than one proof."
KARVEL--"All good hearts deserve indulgence and friendship, brother.
(Smiling) But I am inclined to reproach you for having made of us
scare-crows of virtue and frightening the poor fellow. That is why he is
so embarrassed in his conversation and demeanor."
A second snore so prodigious and so much louder than the first escapes
from Goose-Skin that he is himself awakened with a start. He rubs his
eyes and rolls them around with a scared look; rises abruptly and
re-assuming his air of gravity addresses Morise with great affectation
of politeness:
"May our compassionate hostess bestow upon me the alms of her mercy for
the enormous incongruity of my sleep. But we have been traveling day and
night since we left Blois; hence great is my fatigue. Besides, and
moreover, in that it causes the vile low appetites to slumber, sleep is
of itself a sort of virtue--"
MYLIO (interrupting him)--"Why, sister, this fat man who is here
boasting to you of the virtuous innocence of his sleep, in that it
causes his earthly appetites to slumber--this identical man, who speaks
to you in that guise, came near throttling me one day, simply because I
woke him up in the middle of a savory dream in which, after seeing
Shrove-Tide do battle with Shrove-Tuesday, the one armed with fishes the
other with sausages, he was just about to devour both the vanquished and
the vanquisher, together with their full accoutrements."
GOOSE-SKIN (in a tone of pitiful reproach to his friend, seeing that
Karvel and his wife laugh at Mylio's story)--"Oh, Mylio!"
MYLIO--"Accordingly, you are informed that my friend Goose-Skin, whom I
hereby introduce to you, is a gourmand, likes his cups a little--or,
rather, a good deal--"
GOOSE-SKIN--"I! Just heavens!"
MYLIO--"He is also somewhat of a fibber, a roysterer, not over bold,
considerable of a libertine and a braggart--that is his portrait from
the side of his morals!"
GOOSE-SKIN (with a contrite air)--"Oh! Respectable host and hostess! Do
not believe that wicked jester! All that he has just told you is false!"
MYLIO--"After this confession that modesty alone kept back from my
friend's lips, I shall add: But he has a good heart, he shares his crust
of bread with whomsoever is hungry, and his pot of wine with whomsoever
is thirsty. Finally, he has given me proofs of affection that I shall
not forget in all my life. (Addressing Goose-Skin more particularly)
This being said, my good Goose-Skin, my friends and myself must now
request you not to have the word 'virtue' constantly on your lips, and,
instead of lowering your eyes, of keeping yourself under constraint, of
puckering your lips with an air of piety, allow your broad smile to
spread freely over your wide countenance, and, should it please you,
even to sing, full throated, whatever is your favorite song. Nobody will
be angry about it."
KARVEL (to Goose-Skin, who heaves a sigh of relief, and whose face seems
slowly to dilate)--"My brother has interpreted our thoughts. So, then,
dear guest, no more constraint. Return to your natural good spirits. We
heartily love a hearty laugh. Do you know why? Because a false or wicked
heart never is frankly joyous. Moreover, we believe that much should be
pardoned to those who have remained good; they will become better. You
are of the former, dear guest. We welcome you. We shall love you as you
are, and, jolly friend, love us as we are."
GOOSE-SKIN (wholly himself again)--"Oh! Dame Virtue, I bow to you--"
MYLIO (interrupting him)--"How is that? Still affecting sanctity?"
GOOSE-SKIN--"Oh! Dame Virtue! You muffle yourself up in an unseemly
cloak. With a suspicious eye, foaming mouth and twisted neck you harass
people in the voice of an owl in love, saying: 'This way! Come
immediately this way, you lumbering scamp! You sack of wine! You pig of
gluttony! You brick of lasciviousness! You hare of cowardice! This way!
Be quick about it and adore me, serve me! Woo me! And if you do not, I
shall strangle you, vagabond! Green dog! Red donkey! Triple mule!' And
do you wonder, sweet lady, that people take their paunches between their
hands in order that they may be able to run all the faster, and escape
from your gracious invitation?"
MORISE (to Karvel, smiling)--"He is right!"
GOOSE-SKIN--"Oh sharp-tongued dame! Old scold of a dame! Claw-fingered
dame! Just assume for a moment the mild look, the sweet voice, the good
heart, the gentle language of my amiable hostess, Dame Morise, who
stands here, or of our worthy host Karvel, who stands there, and you
will see, Dame Virtue, whether you will still cause people to run away
from you, and whether people will not, on the contrary, say to you
(addressing Morise:) 'Dame Virtue, poor old Goose-Skin has been pursued
until now by a horrible witch, who, usurping your name, strove by dint
of insult and scratches to force him to court her. Alas! Old Goose-Skin
now finds out too late the trickery of the witch; he is no longer of the
age to court anybody. Therefore, gracious Dame Virtue, pity Goose-Skin.
He only now sees you for the first time in your pure and charming
reality.' But, alas! I am now too old to dare raise my eyes to you!"
MORISE (smiling)--"Let it be so! I shall be Dame Virtue; and in
accepting the name I certainly am not Dame Modesty. But, never mind! I
am Dame Virtue. Now, then, as such, I call upon you earnestly to raise
your eyes up to me. I am neither proud, exacting, jealous nor difficult
to please. Young folks or old, good looking or homely, provided their
actions prove to me that they occasionally remember me, ever find me in
a happy frame of mind and loving. So you see, dear guest, that despite
your age, you still may love Dame Virtue!"
GOOSE-SKIN (scratching his ear)--"Oh, certainly! If all that shall be
required of me will be some slight service, now and then, I certainly
shall enlist myself as your servant, Dame Virtue. But, in all humility,
I know myself."
MYLIO--"Come, now, my good friend! No exaggerated modesty. I shall on
the spot give you an opportunity to prove to my brother and sister that
you are capable of a brave and generous act."
GOOSE-SKIN--"Do not undertake too much--take care! I am not yet very
firmly nailed to virtue."
MYLIO--"A minute ago, while you slept, I informed Karvel, and he
approved it, of a good and useful project that I have in mind. You heard
at Blois the words of Abbot Reynier as clearly as I did. The Church is
about to let loose the dogs of war upon Languedoc. We must now, with our
songs, raise the popular resistance to the pitch of heroism against the
merciless Crusade. Second me in the undertaking. I rely upon you."
GOOSE-SKIN--"Ho! Mylio, my poor hurdy-gurdy will not wait to accompany
my songs. It will break loose all of itself--with laughter if it hears
me strike a heroic note. No, no! For your harp be the laurel of battle,
for my humble hurdy-gurdy a branch of the grape vine or a bouquet of
marjoram."
KARVEL (to Goose-Skin)--"Noble guest, take my brother's word. If he has
charmed with his chants the ears of the rich, you have charmed those of
the poor. You will certainly move their hearts as well if you sing to
them of the frightful ills that our country is threatened with by the
Crusade that is being preached against us."
GOOSE-SKIN--"Worthy host, may I never in my life again touch a tankard
of wine, if I know what to sing upon such a theme."
FLORETTE (timidly)--"Mylio--if I dared--"
MYLIO--"Speak, dear child!"
FLORETTE--"I heard you on the road say that that wicked monk of Citeaux,
Abbot Reynier, from whose clutches I escaped, thanks to you, Mylio, is
one of the chiefs of the Crusade. It seems to me that if Master
Goose-Skin would narrate in a song the story of how that wicked monk,
who is one of the chief agents of this war which they have started in
the name of God, meant to ruin a poor serf girl--"
GOOSE-SKIN (clapping his hands gleefully)--"Florette is right! 'The
Fritter of the Abbot of Citeaux!' That shall be the title of the song.
You remember, Mylio, the words of Sir Ribald when he told you he meant
to make a speedy call at the mill of Chaillotte? Ha! By my hurdy-gurdy!
I shall salt the song. I shall pepper it so generously that even people
with palates no better than a whale's, once they shall have tasted my
song will be seized with a furious appetite to despatch the sycophants!
The hypocrites! Devoured with concupiscence, they now propose to
massacre people in the name of the Savior of the world!"
MYLIO--"Excellent! Excellent, my old Goose-Skin! Instil in your verses
the indignation of your soul, and your song will be good for ten
thousand soldiers in the defense of Languedoc. (To Florette) Your
excellent judgment has served you well, dear girl. Your straightforward
and childlike heart is justly in revolt at the horrible spectacle of the
hypocrisy of these proud, greedy and debauched priests, who now threaten
to exterminate the people of this country while they invoke the name of
Jesus, the God of love and forgiveness. (To Morise and Karvel) I shall
be back on the day of danger. If my love for Florette has inspired me
with disgust for my barren and dissolute life, the remembrance of both
you, Morise, and you Karvel, has brought me back here. I wish that my
marriage with her who is to be the companion of my life be consecrated
by your and your wife's presence. To marry under your auspices, is not
that to pledge myself to take you for my model?"
KARVEL (profoundly moved, takes the hands of Florette and Mylio, joins
them in his own, and says in a tremulous voice)--"Your marriage will be
inscribed to-morrow in the register of our city magistrates. Mylio, my
brother, Florette, my sister, you whom the mysterious bonds of the heart
already unite, I take to witness the thoughts of your souls and the
words of your lips, be ye forevermore one! Henceforth rejoice at the
same joys, suffer the same pains, console each other in the same hopes,
share with each other the daily toils that will worthily provide you
with your daily bread. If, happier than Morise and myself, you should
live again in your children, strive by precept and by example to develop
in them their original goodness. Bring them up in the love of work, of
justice and of right, to the end that, faithful to the morals of Christ,
one of the wisest men that humanity has produced, they be indulgent
towards those whom ignorance, neglect or misery have led astray. For all
such let them have a ready pardon, instruction, love and charity.
"But also habituate their young souls to be awake to and to entertain a
horror for oppression and iniquity. Habituate your children to the
thought that some day they may have to suffer, to struggle and perhaps
to die in the defense of their rights. Teach them that, if clemency
towards the weak and the suffering is a virtue, resignation to the
violent acts of an oppressor is an act of cowardice, is a crime!
Saturate their souls in the hatred for injustice; then, on the day of
trial, your children will be found ready and resolute. Let them repose
unshakable faith in the future, in the enfranchisement of Gaul, our
motherland.
"Finally, impart to your children this virile druid conviction--'Man,
immortal and infinite like God, proceeds from one world to another,
eternally reviving body and soul in those innumerable stars that shine
in the firmament.' Impart to them this sturdy belief, and they will be,
as our fathers were during the heroic epoch of our history, healed of
the disease of death.
"And now, Mylio, my brother, and Florette, my sister, may your union be
what the ardent wishes of my heart desire for it! May the ills that
threaten this country leave you unscathed! Oh, believe us, Florette, you
will be doubly cherished by us, because, thanks to you, our brother has
come back to us, and my wife and myself have gained a sister in you."
At the end of these words, Karvel the Perfect presses Florette and Mylio
to his heart and holds them long in his embrace. With her forehead
leaning on the shoulder of her husband, Morise partakes of the deep
emotion that thrills him and the bridal couple. Goose-Skin himself can
not hold back a tear which he wipes away with the point of his thumb.
But speedily recovering his habitual good spirits, the old juggler cries
out:
"Oxhorns! Master Karvel, excuse the sincerity of old Goose-Skin, but he
is of the impression that in the south, as well as the north of Gaul,
there is no wedding without a repast. I therefore demand for this
evening the wedding feast; to-morrow the marriage will be entered in the
city's register; and day after to-morrow Mylio and I will depart to
preach the anti-Crusade in our fashion. (Addressing Morise) Oh! Dame
Virtue, see how you have mastered me! Ordinarily I am as craven as a
hare, and yet, to please you, I shall take the road and preach war with
my music-box. But, God wills it. I feel so furiously inclined to sing my
war song, that my throat is dry in advance. It will have to be very
thoroughly moistened."
KARVEL (smiling)--"It fortunately happens, merry guest, that we have in
the house a cask of Montpelier wine. We shall forthwith broach it."
MORISE (to Goose-Skin)--"And I have in yonder cupboard a ham of Aragon
that is worthy of serving as a mace to the famous knight Shrove-Tuesday,
whose defeat you dreamed!"
GOOSE-SKIN--"Oh! Dear Dame Virtue, you will think you are dreaming,
yourself, when you see me play my jaws and swallow your victuals."
KARVEL--"You may exercise your jaws also upon a brace of superb capons
that our farmer brought us yesterday. And we also have a trout, quite
worthy of serving knight Shrove-Tide for mount."
GOOSE-SKIN--"That is a feast worthy of a chapter of canonesses!"
KARVEL (to Goose-Skin, and pointing to Mylio, who is speaking to
Florette in a low voice)--"The prodigal son has returned, must we not
kill the fatted calf?"
MYLIO (to Florette in a low and fervid tone)--"And now, at last, my
sweet friend, my charming Florette, you are really my wife!"
FLORETTE (contemplating her husband with tender love and tears in her
eyes)--"Mylio, all I have in my heart, my love, my life I give you. It
is little--in exchange for the happiness that I owe you!"
GOOSE-SKIN (interrupting the lovers)--"What is that you are prattling
about in that languorous voice? Rather sing my song, little Florette,
sing it in a joyous voice:
"Robin loves me, Robin has me!
Robin wished me--he shall have me!"
CHAPTER V.
SONG ON THE CRUSADE AGAINST THE ALBIGENSIANS.
Behold them, the priests at their head,
Behold them, the Cath'lic Crusaders!
The red cross on their breasts,
And the Christ on their lips,
The fagot in one hand,
The sword in the other!
Behold them in our dear land of Languedoc!
Behold them, the Cath'lic Crusaders,
Behold them, the priests at their head!
What wrong have we done to these priests?
Oh, what wrong have we done unto them!
From all the quarters of old Gaul,
They rush into Albigeois, the Cath'lic Crusaders.
At their head march the legate of the Pope, and Reynier,
the Abbot of Citeaux,
And with them many a bishop and many an archbishop:
The Archbishop of Sens, and he of Rheims,
The Bishop of Cahors, and he of Limoges;
The Bishop of Nevers, and he of Clermont;
The Bishop of Agde, and he of Autun.
What wrong have we done to these priests?
Oh, what wrong have we done unto them!
The Knighthood is numerous also:
Simon, bloodthirsty Count of Montfort, their commander.
Him follow the Count of Narbonne and the Count of St. Paul,
The Viscount of Turenne and Adhemar of Poitiers,
Bertrand of Cardaillac and Bertrand of Gordon,
The Count of Le Forez and he of Auxerre,
Peter of Courtenay and Foulques of Bercy,
Hugues of Lascy and Lambert of Limoux,
Neroweg of the Templars' Order,
Also knight Gerard of Lancon,
And many more! So many more!
What an army! What an army!
Twenty-thousand knights, all cased in iron.
Two hundred thousand footmen, strollers, serfs and vagabonds.
From near and far, all, to the call of the priests,
They have come to deluge in blood our Languedoc.
They have come from Auvergne and from Burgundy,
From Rouergue and from Poitou,
From Normandy and from Saintogne,
From Lorraine and from Brittany.
Over hills and over valleys, by the land and by the water
They have come, and still they come.
They all approach with the cry:
"To the heretics, death!"
Behold them, the priests at their head,
Behold them, the Cath'lic Crusaders!
The red cross on their breasts,
The Christ on their lips,
The fagot in one hand,
The sword in the other!
Behold them in our dear land of Languedoc!
Behold them, the Cath'lic Crusaders,
Behold them, the priests at their head!
What wrong have we done to these priests?
Oh, what wrong have we done unto them!
CHAPTER VI.
SONG ON THE BUTCHERY OF CHASSENEUIL.
Here they are, before Chasseneuil, the Catholic Crusaders,
Before Chasseneuil, the fortified town!
Behind their high walls' shelter, men, women and children
Have sought refuge from burgs and from hamlets.
The men in arms are on the ramparts;
Women and children weep in the houses.
The women and children weep in the houses,
The Crusaders have sighted the town.
Behold Abbot Reynier of Citeaux.
He steps forth; he speaks. He says:
"Heretics of Chasseneuil, choose--
The Catholic faith or death!"
The answer comes:
"Monk, be gone!
Romanist, avaunt!
We prefer death to the Church of Rome!
The devil take the Pope!
Monk be gone!
We prefer death to the Church of Rome!"
Abbot Reynier, in a passion,
Back to the Crusaders he rides, and he cries:
"Kill, burn, pillage, ravage!
That not one of the Chasseneuil heretics
Escape the sword or the flames!
Their goods now belong to the Catholics!
Kill, burn, pillage, ravage!"
The assailants are wild, no less so th' assailed.
How the blood flows! Oh! How it flows!
The besiegers are in numbers, uncountable:
The besieged are but few.
Woe to the vanquished!
The ramparts being scaled
The priests pour in, cross in hand:
"Kill--kill the Chasseneuil heretics!
Kill--kill the Chasseneuil heretics!"
The Crusaders have massacred, slaughtered and killed
Old men and young,
Aged grand-mothers, youthful grand-daughters,
Virgins and infants!
The blood runs in streams through the streets of Chasseneuil!
The blood runs red and steaming,
As waves in the butcher's place of slaughter!
They have massacred at Chasseneuil
Full seven thousand of our people,
The Catholic Crusaders!
They have slaughtered seven thousand at Chasseneuil!
At last, tired of carnage and outraging women,
They pillage and pillage again!
In pillaging houses they meet women and old men,
Children and many of the wounded,
Who sought refuge in places concealed.
The gibbets are raised!
The pyres are lighted!
The rope and the flames end the work
Which the sword set on foot.
Torture and slaughter!
The rope and the flames end the work
Which the sword set on foot!
Ravaged from one end to the other,
The city contains but corpses in heaps!
"To Beziers!"
Now cries the papal legate.
"Fall to, Montfort, up and to work!
His Holiness has issued the order!
Kill, pillage, burn all heretics,
As was done at Chasseneuil!"
"To Beziers!" echoes back the Count of Montfort.
And, behold, they march to Beziers,
The Catholic Crusaders,
The red cross on their breasts,
The name of Jesus on their lips,
The sword in one hand,
The fagot in the other,
To torture and to slaughter!
What wrong have we done to these priests?
What wrong have we done unto them!
CHAPTER VII.
SONG ON THE BUTCHERY OF BEZIERS.
Behold, them, the Cath'lic Crusaders,
Arrived before fortified Beziers!
They are gorged with pillage and blood,
The priests ever leading the way!
At the side of Montfort are the Archbishops of Sens and Bordeaux,
The Bishops of Puy, Autun, Limoges, Bazas and Agde,
Besides from Clermont, Cahors and Nevers.
The Army of the Faith encircles the town.
Reginald of Montpayroux, the Bishop of Beziers,
Whom, together with all of his priests, the people
Had left unincommoded in his episcopal palace,
Reginald of Montpayroux, then addresses the town:
"Renounce your heresy,
Submit to the Catholic Church;
If not, by the Catholic Church I swear to you,
Not one house I'll leave standing in your town of Beziers!
Not one living being shall be left with his life!"
"Be gone, bishop!" he's answered aloud,
"Be gone, Romanist! Sooner we'll kill ourselves,
Ourselves, our wives and our children than submit to your Church!"
"Be gone, bishop! Sooner we'll kill ourselves,
Ourselves, our wives and our children than submit to your Church!"
Thus did the people make answer. To Montfort
The bishop reports, and he adds: "Fall to, Montfort!
His Holiness has issued the order
To arms!
Kill, burn, pillage and ravage!
Let not a single heretic escape death!
Their goods are now ours!"
"Yes!" cries the Abbot of Citeaux. "Not even if
Twenty thousand, a hundred thousand they be,
Not one of them, no, not a single one shall escape
The rope, or the sword, or the flames!
Torture and slaughter!"
No! Not a single creature escapes
The rope, or the sword, or the flames!
"But," answers Montfort,
"There are Catholics at Beziers;
How are we, in the midst of the carnage
To distinguish the faithful?"
The papal legate cries in answer:
"Kill away!
Kill them all!
_The Lord will distinguish His own!_"
"Kill them all!" cries the papal legate,
"The Lord will distinguish His own!"
Beziers is taken by assault;
They kill all the living, as they did at Chasseneuil,
The Cath'lic Crusaders!
First, seven thousand children, sheltered in St. Madeleine's Church,
Are put to the sword
And the carnage continues two consecutive days.
Aye, two consecutive days, from sun-rise to sun-rise.
And the time is all needed, those two days and nights,
To slaughter sixty-three thousand creatures of God;
Aye, sixty-three thousand,
Catholics and heretics killed at Beziers!
Sixty-three thousand.
That is the number of Beziers' victims.
After the raping of women and slaughter, the pillage;
After the pillage, the torch of th' incendiary.
The booty is placed upon wagons outside the town
And then--"Burn up Beziers! Burn up the heretic hot-bed!"
And all is burned down--all--
Artisans' houses and houses of bourgeois;
The communal City Hall, and the viscount's palace;
The hospital of the poor, and the great cathedral built by Gervais.
Everything burned, aye everything.
And when all is burnt down, and the wagons of booty heaped high,
And the vine-stocks pulled up by the roots,
And the olive trees cut down in the orchard,
And the crops consumed by the flames in the garrets,
"To Carcassonne!"
Cries the papal legate.
"Fall to, Montfort! On the march!
His Holiness has issued the order.
To Carcassonne!
Kill, pillage, burn the heretics, as we have done
At Chasseneuil and Beziers!
To Carcassonne!"
"On to Carcassonne!
Kill, pillage, burn the heretics as we have done
At Chasseneuil and Beziers!
On to Carcassonne," echoes Montfort.
And behold them, they march on Carcassonne,
The Cath'lic Crusaders, the priests in the lead!
The red cross on their breasts,
The name of Jesus on their lips,
The sword in one hand,
The fagot in the other!
To the rape, to tortures and slaughter!
What wrong have we done to these priests?
Oh, what wrong have we done unto them!
CHAPTER VIII.
SONG ON THE BURNING OF CARCASSONNE.
They march upon Carcassonne,
The Cath'lic Crusaders! Ill fortified is the town,
Into the town, Roger, the young Viscount of Beziers,
Too late back from Aragon to defend the capital of his domain,
Has thrown himself.
The young man is bold and generous, beloved by all.
A heretic, like most the seigneurs of Languedoc,
This land of freedom.
The young viscount bows before the popular magistrates,
And to the city's franchise.
The viscount and councilmen re-kindle the town's folks' enthusiasm,
Chilled for a moment by the massacres of Chasseneuil and Beziers.
Deep ditches are dug, high palisades raised
To strengthen the ramparts of Carcassonne.
The old and the young, the rich and the poor, men, women and children--
All labor with zeal for the defense of the city, and they say:
"No! We shall not let ourselves be slaughtered as
The people of Chasseneuil and Beziers--
No!"
"No! We shall not let ourselves be slaughtered as
The people of Chasseneuil and Beziers--No!"
But the line of the horizon is soon darkened by dust,
From afar the earth trembles
Under the tread of steeds caparisoned in iron,
And mounted by warriors cased in iron themselves.
The iron points of a forest of lances glisten,
They glisten like the armors
In the rays of the rising sun.
The hill, the valley and the plain
Soon are covered with cohorts innumerable.
The multitude in arms has steadily, steadily swollen.
It reaches from East to West, it overlaps the horizon.
It approaches from the North and the South,
And Carcassonne is from all sides surrounded.
The wagons and baggage follow the trains,
And behind them larger and still larger crowds.
Early in the morning th' invader descends the distant hills.
The Cath'lic Crusaders encamp towards evening.
Early in the morning th' invader descends the distant hills.
The Cath'lic Crusaders arrive and encamp towards evening.
Montfort, the prelates and knights raise their tents;
The multitude sleeps on the ground under the vault of the heavens.
They are so delightful; oh! so delightful, the nights of Languedoc!
Other Crusaders invade and they pillage the suburbs,
Whose inhabitants fled within Carcassonne.
At dawn the next morning, the trumpets sound in the Crusaders' camp;
"To the assault! Death to the heretics of Carcassonne!
Kill--kill as you did at Chasseneuil and Beziers!
To the assault!"
The men of Carcassonne are on the ramparts.
The struggle begins; it is bloody, it is furious.
The young viscount and consuls by example and courage redouble
The strength of the besieged.
Women and children fetch stones for the engines of war;
The ditches are heaped full with corpses.
"Victory for the heretics! This time they triumph!"
The assailants are all driven back.
But dearly they paid for this vict'ry, the heretics!
Helas! They paid for it dearly,
The heretics of Carcassonne.
Of their men there are killed, or are wounded
Full twelve thousand heroes, the flow'r of the brave.
Still greater is the loss of the Crusaders.
But still their forces number near two hundred thousand.
A messenger from Montfort arrives in Carcassonne, and he says:
"Sir viscount, Sirs consuls! The Pope's blessed legate and also
Seigneur Montfort the count offer a truce unto you,
And they swear on their faith of Cath'lic priests and of knights
That if you, viscount and consuls, will come to the camp of
the crusaders
You shall all be respected, and allowed to return to your city
Should you decline to accept the terms that the legate and
count will propose."
Reposing their faith in the oaths of the priest and the knight,
"Let's to the camp!" say the consuls in the hope their city to save.
And they appear in the tent of Montfort.
They appear in the tent of Montfort.
The viscount says to the count: "Spare the unhappy town,
Mention the ransom; it shall be paid unto you.
If you refuse, to Carcassonne we shall ride back
And bury ourselves under its ruins!"
"Brave Sire!" answers Montfort,
"The whole of your domain now belongs unto me:
The Holy Father to the soldiers of Christ has given the goods
of the heretics.
Write on the spot to your townsmen to renounce
Their damnable heresy, else we'll assault them again on the morrow.
By the God who died and again resurrected, I swear,
Unless they renounce, your townsmen will be put to the sword,
As we did with those of Chasseneuil and Beziers."
The viscount makes answer: "Montfort, adieu!
We've a horror for the Church of the Pope; we reject your proposal;
We shall know how to die!"
And Montfort replies: "No 'adieus' here will pass, Sir Viscount
of Beziers!
Yourself and your councilmen now are my prisoners,
The prisoners of me, Montfort, the chief of this holy Crusade."
"Your prisoners we? We, whom a truce now protects?
We, who are here relying on the word of a priest, of the papal legate?
We, who are here under your pledge as a knight?
No, not we; we're no pris'ners of thine."
Abbot Reynier of Citeaux then replies: "These are the Pope's own words:
'None is bound to keep his pledge to him who keeps not his
pledge to God.'
"You shall remain our prisoners, Viscount of Beziers!
To-morrow, to the assault!
Fall to, Montfort!
The Holy Father has ordered:
'Kill, burn, pillage! Let not a heretic of Carcassonne
Escape the sword, the rope, or the flames!'"
"Let not a heretic of Carcassonne
Escape the sword, the rope, or the flames!"
The young viscount and consuls are pinioned--
The viscount soon dies by poison, the consuls on the gibbet.
At dawn th' assault is sounded;
The Crusaders march against the walls;
The walls, they are unguarded, they are not now defended.
The Crusaders knock down the palisades,
Fill up the ditches, beat in the gates.
None guard the city; none defend it.
Without striking a blow the Crusaders rush into the streets,
They rush into the houses.
Not a soul is seen on the street, not a soul is found in the houses.
The silence of the tomb reigns in Carcassonne,
What has become of its people?
The silence of the tomb reigns in Carcassonne,
What has become of its people?
The Crusaders invade every nook, every corner.
They find, at last, in hidden corners
Some people gravely wounded, some ill and some old,
Or some women lying-in.
The Crusaders thus find some wives, some daughters or mothers
Who refused to abandon some husband, some father, some son,
Too seriously wounded or old to take flight,
To take flight through the woods and the mountains,
And there to keep in concealment
For days, for months, perhaps.
They fled! Did all the inhabitants of Carcassonne flee?
They fled! Did all the inhabitants of Carcassonne flee?
Yes, notified during the night of the fate of their viscount
and consuls,
Afraid of the extermination threatened to their town,
All fled, the wounded dragging behind,
The mothers carrying their children on backs and on arms,
The men taking charge of the provisions.
Aye, leaving behind their hearths and their goods,
All have fled by a secret subterranean passage--
They fled, the people of Carcassonne fled.
They fled, the people of Carcassonne fled,
The thickets of the forests,
The caverns of the mountains will be their place of refuge,
For days to come and months.
If ever they see their town again,
How many will return from the woods, the caverns and the rocks?
How many will have survived exhaustion?
They left, twenty thousand and more;
A few thousand, perhaps, may return.
"Oh! the heretics of Carcassonne have slipped through our fingers!"
Thus cries the papal legate:
"Those who were unable to follow them shall bear the punishment for all.
Pillage the town, and after the pillage the pyre, the gibbet
For the miscreants who fell into our hands!"
Carcassonne is ravaged from cellar to garret.
After the pillage the gibbets are raised,
And the wood is piled for the pyres.
Death! Torture! Rape! Slaughter!
Carcassonne is ravaged from cellar to garret.
After the pillage the gibbets are raised,
And the wood is piled for the pyres.
The Crusaders carry the wounded,
Mutilated some of these are, others expiring;
The weak, the old, the lying-in women,
The daughters, the wives and the mothers of those who were
unable to flee--
All are hanged, quartered, or burned.
Flare up, ye flames of the pyres!
Ye ropes of the gibbets, straighten yourselves
Under the weight of your loads!
All are hanged, quartered or burned--
All the Carcassonne heretics left in the town;
All are hanged, quartered or burned,
And then the wagons are filled with the booty.
"To Lavaur!" now cries the papal legate.
"Fall to, Montfort! On the march!
Kill, pillage, burn the heretics!
Our Holy Father thus has issued the order!"
"To Lavaur! To Lavaur!" Montfort makes answer.
And behold, the Cath'lic Crusaders now march upon Lavaur.
Priests lead the way,
The red cross on their breasts,
The name of Jesus on their lips,
The sword in one hand,
The torch in the other!
What wrong have we done to these priests?
Oh, what wrong have we done unto them!
CHAPTER IX.
THE HERETICS' WAR SONG.
Aye, behold them on the march to Lavaur,
The fagot in one hand,
The sword in the other,
The Catholic Crusaders!
Aye, behold what they've done until now.
Oh, valiant sons of Languedoc!
Oh, ye sons of ancient Gaul,
Who, like our fathers, have known how to re-conquer freedom,
Read on the flag of the Catholic Crusaders,
Read--read these lines traced in blood and in fire:
"Chasseneuil,"
"Beziers,"
"Carcassonne."
Tell me! Will "Lavaur" also soon be read on its folds?
And "Albi"?
"Toulouse"?
"Arles"?
"Narbonne"?
"Avignon"?
"Orange"?
"Beaucaire"?
Tell me, has there been enough rapine and rape,
Carnage and arson?
Tell me, is't enough?
Are Chasseneuil, Beziers, Carcassonne enough?
Tell me, Chasseneuil, Beziers, Carcassonne--
Is't enough?
Tell me, are all our cities to be turned into heaps of ashes?
Our fields into deserts, whitened with human bones?
Our woods into forests of gibbets?
Our rivers into torrents of blood?
Our skies into ruddy reflections of conflagrations and pyres?
Tell me, will you submit,
Ye brave men who emancipated yourselves from the yoke of Rome?
Will you relapse, you, your wives, your children,
Under the execrable power of the priests,
Whose soldiers rape, slay and burn women and children?
Are you ready for that?
No! You are not! No!
Your hearts beat high, your blood boils and you declare:
Chasseneuil, Beziers, Carcassonne--that's enough! Too much!
Aye, aye, Chasseneuil, Beziers, Carcassonne--that's enough!
Despite their valor, our brothers have perished.
Let us redouble our valor,
Let us crush our enemy.
No truce nor mercy for him.
Over mountains and valleys--
Let's pursue him! Harrass him! Cut him to pieces!
Let us rise as one man, sons of Languedoc,
All!
Implacable war!
War to the death to the Cath'lic Crusader!
Right is with us;
All is justified against them--
The fork and the scythe,
The club and the stone,
The hands and the teeth!
To arms, ye heretics of Languedoc!
To arms!
Also we cry:
"On to Lavaur!"
And may Lavaur be the grave of the Cath'lic Crusaders!
Vengeance! Death to the invader!
Mylio the Trouvere composed this song, and throughout the country sang
it from place to place while the army of the Crusaders marched upon the
city and Castle of Lavaur.[4]
CHAPTER X.
BEFORE THE CASTLE OF LAVAUR.
Son of Joel, the following scenes take place in a beautiful villa that
has been abandoned by its heretic owners, lies at only a short distance
from the castle of Giraude, the Lady of Lavaur, and is now besieged by
the Crusaders. The retreat is occupied by the general of the Army of the
Faith, Simon, Count of Montfort. He is accompanied by his wife Alyx of
Montmorency, who only recently joined her husband in Languedoc. The
tents of the seigneurs lie scattered around the house occupied by their
chief. The camp itself, formed of huts of earth or of tree branches in
which the soldiers are bivouacked, lies at a distance. The mass of
serfs, who availed themselves of the opportunity to leave their masters'
fields under the pretext of joining the hunt of heretics, but who were
attracted mainly by the prospect of pillage, lie on the bare ground and
shelterless.
It is night. A wax candle sheds a dim light in one of the lower
apartments of the villa. A large fire burns in the hearth, the evening
being cool. Two knights are engaged in conversation near the fire. One
is Lambert, Seigneur of Limoux, who, at the Blois Court of Love, filled
the functions of Conservator of the High Privileges of Love. The other
is Hugues, Seigneur of Lascy, ex-Seneschal of Sweet-Marjoram in the
same Court. Although now in full armor, the fur cap that he wears
exposes a bandage around his head. The knight was wounded at the siege
of Lavaur.
HUGUES OF LASCY (addressing his companion who has just entered the
room)--"Montfort now rests somewhat more easily. One of his equerries,
who just left the patient's room, told me that the count was sleeping
and that his fever seems to have gone down."
LAMBERT OF LIMOUX--"So much the better, because I have just notified
Alyx of Montmorency that she should no longer count upon the physician
whom she expected from Lavaur."
HUGUES OF LASCY--"Who is he?"
LAMBERT OF LIMOUX--"Seeing this morning that Montfort was a prey to a
high fever and to a painful oppression of the chest that her own surgeon
equerry was unable to relieve, the countess remembered having heard one
of our prisoners say that the most famous physician of this country, a
fanatical heretic, was at the Castle of Lavaur. The countess ordered the
prisoner to be brought to her, and offered to set him free upon
condition that he would convey to the physician a letter in which a safe
conduct was promised him if he consented to come and attend to Montfort,
after which the celebrated Esculapius was to be free to return to the
beleaguered city."
HUGUES OF LASCY--"What an imprudence! How can the countess entrust so
precious a life to the care of a heretic?"
LAMBERT OF LIMOUX--"Dismiss your fears. The scamp immediately left on
his errand, and at the solicitation of the countess I waited for the
physician at our advanced posts. I waited until now to bring him here.
But night set in; he has not appeared; we need no longer expect him.
Nevertheless, I left orders for him to be brought hither in case that he
should still present himself at the camp, which is highly improbable."
HUGUES OF LASCY--"The countess has lost her wits. How could she think of
entrusting Montfort's life to an enemy!"
LAMBERT OF LIMOUX--"I raised the objection to Alyx of Montmorency. Her
answer was that seeing the physician in question is one of those whom
these damned heretics call 'Perfects', the man would certainly carry his
hypocrisy to the point of not betraying the trust reposed in him. She
thinks so because the affectation of honesty on the part of these
wretches goes beyond all bounds. It is the sublimity of knavery."
HUGUES OF LASCY--"No doubt these fanatics are capable of the most wicked
affectation, in order to give themselves the semblance of virtue."
LAMBERT OF LIMOUX--"There is one thing, however, that is no false
semblance, and that is the inveterate resistance offered by these people
of Lavaur. Do you know that they defend themselves like lions? Blood of
Christ, it looks like a dream! The siege of this accursed town, that has
already cost us many captains and soldiers, has now lasted nearly a
month, while Chasseneuil, Beziers and Carcassonne were taken almost
without striking a blow. These fellows of Lavaur are rude customers!"
HUGUES OF LASCY--"Their determined and also unexpected resistance, not
hitherto encountered by us since our invasion of Albigeois, is
attributed to the enthusiasm that certain furiously savage poems are
said to have kindled among the people, and which are being sung from
place to place by Mylio the Trouvere, the same whom we knew in northern
Gaul."
LAMBERT OF LIMOUX--"That Mylio must be among the besieged. No doubt it
is he who is pricking the Lady of Lavaur, one of the most embittered
heretics of the country, to offer the desperate resistance that we
meet."
HUGUES OF LASCY (with a cruel smile)--"Patience! Patience! This is not a
Court of Love where warriors bow down before the authority of women.
Blood of Christ! When we shall have seized this infernal castle, a
terrible court of justice will be held within its walls, and the Lady of
Lavaur will be proclaimed Queen of the Pyre."
LAMBERT OF LIMOUX--"And after the execution of the she-cat we shall
salute you 'Seigneur of Lavaur;' happy Lascy! Montfort has promised the
seigniory to you; it is one of the most valuable of Albigeois; and he
never fails in his word toward the faithful."
HUGUES OF LASCY--"Will you envy me the gift? Has not Montfort, who is
now the master and conqueror of the region, bestowed several of the
seigniories upon chiefs of our Crusade? He may bestow one upon you
also!"
LAMBERT OF LIMOUX--"May heaven keep me from entertaining any jealousy
towards you! As to me, my part is done. And to speak truly, the good
bags of gold and the fine silver vessel that I captured at the sack of
Beziers, and which are safely kept in my baggage, are, to my mind,
preferable to all the domains of Albigeois. One can not carry home with
him either lands or castles, and the chances of war are risky. But I
hope that I shall have nothing more to fear from that quarter after the
10th of this month."
HUGUES OF LASCY--"What does that date signify?"
LAMBERT OF LIMOUX--"The day after that date the forty days will have
expired that are all a Crusader owes to a holy war. The forty days begin
from the moment he sets foot upon the heretical land. After that he can
ride with his men back to his own manor. And that is what I purpose to
do--"
The confidential unbosoming on the part of the ex-Conservator of the
High Privileges of Love is at this point interrupted by one of the
equerries of the Count of Montfort, who comes running out of the
neighboring chamber.
HUGUES OF LASCY--"Where are you running to in that way? What pressing
business have you in hand?"
EQUERRY--"Oh, sire, the count is in great danger. He lies in the agony
of death!"
HUGUES OF LASCY--"But only a short while ago he was resting calmly, and
the fever had abated? What change has come over him?"
EQUERRY--"The count just woke up and is almost suffocated. I am running
after Abbot Reynier by order of the countess. She wishes him to
administer the extreme unction to the seigneur, and open for him the
gates of paradise."
The equerry runs off on his errand, and is barely away when a soldier
enters and says to Lambert of Limoux:
"Seigneur, I have brought to you the heretic of Lavaur, whom I was
ordered to wait for at our advanced posts. He asks to be allowed to
enter."
LAMBERT OF LIMOUX--"Let him in!--Let him in--He could arrive at no more
opportune moment."
HUGUES OF LASCY--"Do you insist on trusting Montfort's life to that
damned heretic? You are assuming a grave responsibility."
LAMBERT OF LIMOUX--"I shall take him to Alyx of Montmorency.--It will be
for her to decide in this grave emergency."
The soldier enters with Karvel the Perfect. The latter's physiognomy is
stamped with his habitual serenity. He holds a little casket in one hand
and salutes the knights in the chamber.
LAMBERT OF LIMOUX (to Karvel)--"Follow me. I shall take you to Alyx of
Montmorency, the worthy spouse of the Count of Montfort."
CHAPTER XI.
MONTFORT AND THE PERFECT.
Simon, Count of Leicester and of Montfort-L'Amaury lies on a bed in
great agony. Alyx of Montmorency, a woman barely thirty years old, is on
her knees near her husband's couch.
Lambert of Limoux introduces Karvel the Perfect to Alyx and withdraws,
leaving him in the chamber.
ALYX OF MONTMORENCY (crossing herself, addresses the physician in a
feeble voice)--"You have been long in coming. It may now be too late!"
KARVEL--"We have many wounded in Lavaur. My first assistance was due to
them. You have summoned me in the name of humanity. I have come, madam,
to fill a sacred duty."
ALYX OF MONTMORENCY--"At times it pleases the Lord to avail Himself of
the most perverse instruments in behalf of His elect!"
KARVEL (smiles at the singular reception and approaches the couch of
Simon whose haggard face and fixed eyes seem to give no sign of
intelligence. After a long and attentive examination of the patient,
after placing his hand on the count's forehead, slightly touching his
parched lips with his fingers and consulting his pulse, addresses the
countess)--"Your husband must be quickly bled, madam. (Saying this he
draws from his pocket a reticule that contains a red cloth band and
lancets; he picks out one of these and adds) Kindly draw this table and
candle nearer, madam; I shall then want your assistance to support your
husband's arm. The silver basin that I see on yonder shelf will serve to
receive the blood in. I recommend to you, madam, not to allow the count
to bend his arm when I prick it. There is an artery that my lancet might
cut, if the arm is not held steady--and that would prove mortal."
ALYX OF MONTMORENCY (impassible)--"My husband can die. He is in the
state of grace."
For an instant stupefied by such frigid insensibility, Karvel stays his
hand, but his professional instinct resumes the ascendency, and he
boldly and dexterously lances the vein, from which a jet of thick black
blood immediately issues and falls steaming into the silver basin.
KARVEL--"What black blood! The bleeding will, I hope, save your husband,
madam!"
ALYX OF MONTMORENCY--"The will of God be done! May His name be
glorified."
The patient's blood continues to flow into the silver vessel. Only the
muffled and continued sound of the trickling blood interrupts the
otherwise profound silence of the chamber. The Perfect attentively
watches the count's face and notices the gradual manifestations of the
beneficent effect produced by the blood letting. The patient's skin,
until then parched and burning, is gradually suffused with a copious
perspiration. His chest is relieved. His fixed eyes are soon covered by
their lids. Karvel again consults the count's pulse, and cries
delighted: "He is saved!"
ALYX OF MONTMORENCY (raising her eyes to the ceiling)--"Lord, since it
pleases You to leave my husband in this valley of tears and misery--may
Your will be done! May Your holy name be glorified!"
Karvel stops the flow of the blood with the red bandage, which he rolls
around the count's arm. He then steps to the casket that he brought with
him and which he placed upon a table, takes from it several vials and
prepares a potion. Montfort's condition improves as if by enchantment.
He gradually recovers from his lethargy, and heaves a sigh of profound
relief. The Perfect finishes the preparation of the potion, steps back
to the couch and says to the countess:
"Please raise your husband's head, madam, and help me to make him drink
this potion that will restore his strength. All danger of death is now
removed."
Alyx of Montmorency follows Karvel's instructions. The effect of the
potion is not long in manifesting itself. Montfort's gaze, that until
then seemed vague and wandering, falls upon the physician. He
contemplates Karvel in silence for a moment, and turning his head toward
the countess while he painfully raises his arm to point at the Perfect,
he asks in a feeble and hollow voice: "Who is that man?"
ALYX OF MONTMORENCY--"It is the heretic Lavaur physician whom we sent
for."
At these words Simon shudders with surprise and horror. He closes his
eyes and seems to be steeped in thought. After depositing a little flask
on the table, Karvel closes his casket, takes it in his hands and says
to the countess:
"Madam, you will give your husband a mouthful of the potion in this
flask every hour during the night. I think that will suffice to restore
the count to health. He shall have to keep his bed two or three days.
And now, adieu; the wounded of Lavaur are waiting for me."
MONTFORT (seeing his savior moving towards the door, rises on his elbow
and says to Karvel in an imperative tone)--"Stop! (The Perfect hesitates
to obey the count; the latter rings a bell that lies near him and says
to one of the equerries who answer the call). That physician shall not
leave the place without my orders."
The equerry bows and leaves the chamber.
MONTFORT--"Listen, physician, I am expert on courage. You have given a
proof of courage in coming hither--alone--in the lion's den--"
KARVEL--"Your wife summoned me to your camp in the name of humanity. You
are a human being--you suffered--I hastened to you. Moreover, I thought
it well to prove once more how these 'heretics,' these 'monsters'--against
whom so many horrors have been unchained--practice the evangelical
morality of Jesus. You are our implacable enemy, Montfort, and yet I am
glad to have saved your life."
MONTFORT--"Blaspheme not! You have only been the vile instrument of the
will of God, Who has willed to spare my life, the life of His unworthy
servant, the life of the humble sword of His triumphant Church.--But I
repeat it. You are a brave fellow. As such you interest me. I would like
to save your soul."
KARVEL--"Do not trouble yourself about that. Only let me return without
delay to Lavaur, where our wounded await my services."
MONTFORT--"No! You shall not depart so soon!"
KARVEL--"You have the power. I submit (After a moment's reflection)
Seeing that you oppose my departure, seeing that you believe you owe me
some gratitude, pay the debt by sincerely answering me a few questions."
MONTFORT--"I allow you to speak."
KARVEL--"Your valor is well known.--Your morals are austere.--You are
humane towards your soldiers. At the crossing of the Durance you were
seen to throw yourself into the water to save a foot-soldier who was
being carried off by the current."
MONTFORT (brusquely)--"Enough! Enough! You shall not awaken in my soul
the demon of pride! I am only an earthly worm!"
KARVEL--"I am not flattering you.--You are accessible to humane
promptings. Now, then, tell me, did you not moan at the fate of the
sixty thousand creatures of God--men, women and children--who were
massacred in Beziers by orders issued by yourself and the papal
legate?"
MONTFORT--"Never did I feel greater exaltation. To obey the Pope is to
obey God!"
KARVEL (struck by the sincerity of Montfort's tone, remains pensive for
a moment)--"The delirium of war is blind, I know. But after the battle
is over, after the sanguinary fever is cooled down, still to order in
cold blood the massacre of thousands of unarmed and inoffensive beings,
women and children--it is shocking! Think of it, Montfort, to order the
massacre of children!"
MONTFORT (afflicted)--"Oh! How does the sacrilegious astonishment of the
miscreant prove the depth of his heresy! He does not know that children
die in a state of grace!"
KARVEL--"Explain yourself more clearly. Be indulgent with my ignorance.
Let us be definite. In a city that is taken by storm, a mother flees
with her child. You slay the mother. Is that a worthy act before God?"
MONTFORT--"The viper that is crushed, breeds no more little ones. The
supply of the miscreants is thus reduced."
KARVEL--"That is logical. But why slay the child? That is an abominable
act?"
MONTFORT--"Of what age are you supposing the child to be?"
KARVEL--"I suppose it to be at its mother's breast."
MONTFORT--"Has it been baptized by a Catholic priest?"
KARVEL--"That child at its mother's breast whom you slay--has been
baptized."
MONTFORT--"Then it is in a state of grace and ascends straight into
Paradise. As to children who are older than seven years, they go to
purgatory there to await their admission in the blessed resting place.
But if they have not been baptized--then the case is grave--"
KARVEL--"What happens to those children?"
MONTFORT--"The poor little creatures, still dripping with the soilure of
original sin, go straight to hell where they are forever deprived of the
countenance of God. Nevertheless, in consideration of their tender
years, the hope is left to them of being exempted from the everlasting
flames by the prayers of the faithful--a grace that never would have
fallen to their share had they been allowed to remain wallowing in the
pestilence of heresy! Their death will have resulted in a mitigation of
their punishment."
KARVEL--"Accordingly, in these days of a 'holy war', the accidental
killing of a Catholic child sends him straight to Paradise, and the
slaying of a heretic child affords it a good opportunity to escape the
everlasting flames, but does not snatch it out of hell!"
MONTFORT--"You have put it correctly. The child that is not baptized can
never emerge out of hell."
KARVEL--"I am now clear upon the fate of children. Let us now take up
the case of women--"
MONTFORT--"I am anxious to save your soul. Perchance this conversation
will open your eyes to the light."
KARVEL--"In the Castle of Lavaur that you are now besieging there is a
woman--an angel of goodness and virtue. Her name is Giraude. (The count
seems to be seized with fury at the mentioning of the name and tosses on
his couch). Let me finish what I have to say. Be not impatient;
besides, a fit of anger might prove fatal to you in your present
condition. Take a few drops of this potion. I see that your wife,
piously absorbed in her orisons, forgets the creature for the Creator."
MONTFORT (after taking a few draughts of the potion and again heaving a
sigh of relief)--"The Lord has had pity upon me, miserable sinner that I
am! I feel my strength returning. May the Lord be praised! Let the
heretics tremble in their burrows!"
KARVEL--"The Lady of Lavaur is locked up with her son and brother in the
Castle of Lavaur which you are now besieging. Giraude is an angel of
virtue and goodness. Suppose that to-morrow, more successful than in
your previous attacks upon the castle, you carry it by assault, and
Giraude together with her son, a lad of fourteen, having escaped the
general massacre, fall into your hands. What will you do with that woman
and her son? Answer me, noble Count of Montfort!"
MONTFORT--"The papal legate will say to the heretic woman: 'Will you,
yes or no, renounce Satan and re-enter into the bosom of the Roman
Catholic and Apostolic Church? Will you, yes or no, renounce all your
earthly goods and lock yourself up for the rest of your days in a
cloister, there to expiate your past heretical life?'"
KARVEL--"Giraude will answer the Pope's legate: 'I have my faith, you
have yours. I wish to remain true to my religion.'"
MONTFORT (enraged)--"There is but one faith in the world, the Catholic
faith! All who refuse to enter the pale of the Church deserve death. If
the Lady of Lavaur should persist in her detestable creed, she will
perish in the flames of the pyre!"
KARVEL--"I know not whether you have any children. But you have a wife.
Your mother still lives or has died. Think of her, you pious servant of
the Church! Montfort, unconquerable warrior, you certainly loved your
mother?"
MONTFORT (with emotion)--"Oh, yes--I loved her dearly!"
KARVEL--"And yet you would mercilessly order a woman to be burned who
was a model of a wife, and is a model of a mother?"
MONTFORT (with a sinister smile)--"And that surprises you? You take me
for a ferocious man? Oh, my God! how can you do otherwise, seeing that
you have no faith. If you had you would understand that, on the
contrary, I act with humanity by bringing the sword and the fagot into
your country."
KARVEL--"Humanity in burning and massacring the heretics, and in
authorizing rape and butchery?"
MONTFORT--"Listen, and now it will be my turn to say: Answer with
sincerity. You have a wife, a mother, children, friends. You love them
dearly. In your country there is a province that is a permanent hot-bed
of a contagion that threatens to invade the neighboring districts, to
attack your own family, your friends and the whole population. Will you,
under such circumstances hesitate one instant to purify that corner of
your country, even if you have to do it with fire and sword? In the very
name of that humanity that you speak about, will you hesitate to
sacrifice a thousand, twenty thousand infected beings in order to save
millions of other human beings from the incurable pestilence? No! no!
You will strike, and strike hard, and strike again. Your arm would never
rest until the last one of the execrable and infected beings is dead,
and has carried the last germ of the frightful disease into his tomb.
And you will have performed an act of humanity."
KARVEL (listens to Montfort's words with increasing emotion and
intensity. For a moment he stands petrified by the sincere savagery of
the chief of the Crusade. The Perfect then cries out with painful
indignation)--"Oh, Catholic priests! Your infernal astuteness is such
that, in order to insure the triumph of your unbridled ambition, you
know how to exploit even the generous promptings of a man's heart and
turn them to your own purpose!"
MONTFORT--"What is that you say! Impious blasphemer! Retract those
infamous words!"
KARVEL--"It is not you, blind and convinced fanatic, that I accuse. You
said so, and you expressed your convictions. Yes, you consider yourself
humane. Yes, if you slay children, it is in order to despatch them to
Paradise! If you exterminate us mercilessly, it is because according to
your convictions our belief damns the souls of men forever! But, good
God, what a religion is that! It is a monstrous, a frightful prodigy! It
so wholly dethrones man's reason and upsets his sense of right and wrong
that you and your accomplices verily believe you are doing an act of
piety when you carry ferocity beyond even the bounds of possibility!"
Having finished her orisons, Alyx of Montmorency rises. She overhears
Karvel's last words, approaches the count and says to him in a tone of
mingled terror and pain while pointing her trembling finger at the
Perfect "Oh! How many souls may not that hardened sinner forever lead
astray! Let him die!"
MONTFORT (meditatively)--"I was thinking of that--there is nothing to
expect from him. (Deliberately to Karvel) Do you persist in your
heresy?"
KARVEL--"Hear, Montfort: at Chasseneuil, at Beziers, at Carcassonne, at
Termes, at Minerve, in all the places whither the Army of the Faith
carried ravage and murder, women, maids and children who escaped the
massacre and were by you condemned to the pyre, threw themselves
heroically into the flames rather than, even with their lips, accept
that Roman Church, whose base name causes us disgust and horror. The
'heresy' has passed into our blood; our children have taken it in with
their mothers' milk. Not unless you exterminate them all will you have
exterminated 'heresy' from this region. The more men, women and children
you slay, the vaster the regions of our country that you depopulate and
turn into deserts, all the more imperishable will be the monuments
raised by yourself and that will teach the next generations to execrate
your Church. The air that is breathed in this region has for centuries
been so impregnated by the breath of freedom, that breath is so pure and
penetrating, that neither the steam from the torrents of blood that you
have shed, nor yet the smoke that has gone up from the pyres that you
have lighted have been able to contaminate it. Here our ancestors have
lived in freedom; here we shall know how to live in freedom or to die;
and here our children will emulate us and remain, like ourselves,
unshackled by the Church of Rome."
While the Perfect speaks these words Montfort and his wife exchange
glances alternately expressive of indignation, horror and amazement. The
wan eyes of Alyx of Montmorency fill with tears. She clasps her hands
and addresses the count:
"Oh! My heart bleeds like the heart of the Holy Virgin! I take You for
witness, Lord God, my divine master! Strengthened by faith against the
trials that it has pleased You to afflict me with for my salvation, it
is long since I have wept. No; I have seen my father die and my second
son; I looked upon their corpses with a tranquil eye, seeing that it was
You, Oh my God, who called them unto You. To-day, however, my tears flow
when I think of the thousands of poor souls whom the abominable
preachings of this monster of perdition may cause to burn everlastingly
in hell!"
MONTFORT (weeping like the countess, whom he closes in his
arms)--"Console yourself, dear and saintly wife! Console yourself! We
shall pray for the souls that this miscreant has damned. It has pleased
the Lord to recall me to life this day. I shall prove my devout
recognition by dedicating to pious works a part of the booty that we
shall take at Lavaur. I shall establish masses for the repose of the
souls of the heretics of this city whom I shall exterminate."
The ingenious idea of masses, especially consecrated to the repose of
the souls of the heretics whom Montfort promises himself soon to put to
the sword or to consign to the flames, seems to assuage the countess's
grief. Suddenly the din of a distant tumult breaks in upon the silence
of Montfort's sick chamber. Trumpets are heard sounding from the
direction of the camp. Montfort starts, half rises on his couch, listens
and cries: "Alyx, it is the call to arms! The besieged must have made a
sally! This way, my equerries!--My armor!--Let my horse be saddled."
Thus speaking, the count rises half naked on the couch, but enfeebled by
the fever and the blood-letting, he is seized with a vertigo, his limbs
tremble under him and he drops down on the bed. In dropping, the bandage
of the arm unfastens, the recently lanced vein re-opens, and the blood
streams out anew. Karvel hastens to the side of Montfort, who lies
unconscious on the couch, and seeks to stop the flow of blood while one
of the equerries breaks precipitately into the room crying:
"Seigneur!--Seigneur!--To arms!--The camp is broken into!"
ALYX OF MONTMORENCY--"What is the meaning of these trumpet blasts? Is
there an engagement on?"
THE EQUERRY--"The Seigneurs of Lascy and Limoux were in the neighboring
room awaiting the orders of seigneur the count, when a knight rode in in
haste to notify them that a large heretic force was seeking to enter
the Castle of Lavaur under the cover of night, in order to reinforce the
garrison. Hugues of Lascy and Lambert of Limoux immediately rode off
with the knight and ordered a call to arms."
KARVEL (attending to Montfort)--"Oh! Mylio's songs have not been vain.
They have redoubled the courage of the inhabitants of Languedoc!"
A SECOND EQUERRY (enters and says to the countess)--"A messenger has
just arrived. He brings information that the heretics are fighting with
desperate courage. Abbot Reynier requests monseigneur to mount his horse
and ride forth. It will steel the courage of our troops."
ALYX OF MONTMORENCY (pointing to the count who still lies unconscious
and is being attended to by the Perfect)--"Tell the messenger of our
venerable Father, Abbot Reynier, that monseigneur lies unconscious on
his couch, and is unable to take horse--Go! (The equerry hastens out.
Alyx raises her eyes heavenward and joins her hands.) May the Almighty
watch over His elect!"
KARVEL (sadly)--"Oh! How many of our brothers will not lose their lives
in the attack!"
THE SECOND EQUERRY (re-entering)--"A soldier has just alighted from his
horse. He rode ahead of Abbot Reynier. It is said that, thanks to an
intrepid sally of the besieged who came out to the help of the forces
that sought to enter the castle, the pagans succeeded in making good
their entry into Lavaur. Many of them, however, have been killed,
wounded or taken prisoner. Lambert of Limoux and Hugues of Lascy are
bringing the prisoners to camp. Abbot Reynier is with them."
KARVEL (with great anxiety)--"Good God! If Mylio and his friend the
juggler should happen to be among the prisoners, it will be their
sentence of death."
CHAPTER XII.
GOOSE-SKIN'S CONVERSION.
The fears of Karvel the Perfect are verified. Mylio is a prisoner of the
Crusaders. He was captured at the moment when, leading a body of men
from the fields, he attempted to force an entry into Lavaur in order to
reinforce the garrison. Goose-Skin also is among the prisoners. Together
with the trouvere, the juggler is taken into the large hall of the villa
by Lambert of Limoux and Hugues of Lascy. Karvel has remained near
Montfort. Mylio is wounded. A blood-stained handkerchief bandages his
arm. Although unscathed, the juggler seems to be a prey to great
apprehension. Informed upon the dangerous condition of the count, Abbot
Reynier proceeds to the patient's chamber, while Hugues of Lascy and
Lambert of Limoux, their visors down, converse in a low voice a few
paces away from the trouvere and the juggler.
MYLIO (to his companion in a tone of sorrow)--"My poor Goose-Skin, you
are now a prisoner--it is all my fault."
GOOSE-SKIN (peevishly)--"Yes; it is your fault. I was dead; quite dead;
could you not leave my ashes in peace?"
MYLIO--"Just as, thanks to the sally of the brave men of Lavaur under
Aimery, I was about to enter the town, I noticed that you were not near.
I felt uneasy about you. I stopped. By the light of the moon I saw you
twenty paces behind lying on your face--"
GOOSE-SKIN--"Oxhorns! Had I lain down on my back I would have had my
paunch trampled out of shape under the feet of the combatants."
MYLIO--"I ran back to you thinking you were wounded. Our companions
entered the town in the interval, the gate closed behind them, and--here
we are, prisoners."
GOOSE-SKIN--"What I blame you for is for having drawn upon me--good and
peaceful corpse that I was--the attention of these scampish Crusaders. I
heard one of them cry out: 'That mountain of meat is so enormous that I
wager my pike could not transfix it. Just watch, my companions.'--"
MYLIO--"And no sooner had you heard the words than you turned so
prodigious a somersault that I was as happy at your resurrection as
amazed at your agility. It was a wonderful jump."
GOOSE-SKIN--"Oxhorns! A good deal less than was at stake would make one
nimble. Did I not have my paunch to save?"
MYLIO--"And was it for that that you prudently simulated death during
the attack?"
GOOSE-SKIN--"By the heavens! The moment that I heard those brutes of
Crusaders cry: 'To arms!' I threw myself down flat, face down on the
ground. And this is the way heroism is recompensed! I calculated that
by bravely throwing myself as an unsurmountable obstacle between our
companions and the enemy, I would cover their rear, and they would be
able to enter the town in safety before the Crusaders had time to climb
over my body."
MYLIO--"Your good spirits have come back. So much the better."
GOOSE-SKIN (nodding his head towards the two seigneurs, who now draw
near after having raised their visors)--"Mylio, it seems to me we know
these two men. May the devil take them to hell!"
MYLIO (looking back)--"Hugues of Lascy? Lambert of Limoux? (addressing
them in an ironical voice) All hail to the Bailiff of the Joy of Joys!
By the heavens! Here we have a bit of infamous hypocrisy! Is it you,
holy men, who have come to extirpate heresy in Albigeois? (Turning to
Goose-Skin) Do you remember that last pleading before the Court of
Love?"
GOOSE-SKIN--"The court of ribaldry, of which these two bearers of the
cross were worthy officers?"
HUGUES OF LASCY (to Lambert)--"Do you hear the vipers' language? Our
capture is good. Since these two jugglers started over the country, the
dogs of heretics have shown their teeth with greater madness! We shall
know how to cure them of their madness!"
GOOSE-SKIN (plaintively)--"Poor folks! To have become so mad! Some monk
must have bitten them, not true, Seigneur Bailiff of the Joy of Joys?"
At this moment Simon of Montfort enters clad in a long brown robe that
resembles a monk's frock. On one side he leans upon the arm of his wife
Alyx of Montmorency, on the other upon the arm of Abbot Reynier. One of
the count's equerries hastens to bring a chair for his master, the other
mounts guard at the door of the contiguous apartment where Karvel the
Perfect is kept a prisoner. Montfort is silent. Abbot Reynier casts upon
Mylio and Goose-Skin a look of triumph and inveterate hatred. The monk
has not yet forgotten the night when the trouvere and the juggler
carried away Florette from the mill of Chaillotte, and left him lying
bruised and disappointed on the ground.
MONTFORT (addressing Mylio in a hollow voice)--"Were you among the
heretics of whom a large number succeeded in forcing an entry into
Lavaur?"
MYLIO--"Yes, Seigneur Count, I was among the combatants and fought my
best."
MONTFORT--"Your name is Mylio the Trouvere. You plied at Blois your
unworthy trade of perdition. You poured out the venom of your calumnies
against the priests of the Church, the most sacred personages. I am
thoroughly informed concerning you--"
MYLIO (interrupting the count and addressing the abbot)--"Oh, sycophant!
So you have taken early precautions to head off the narrative of your
nocturnal adventure at the mill of Chaillotte!"
Alyx of Montmorency raises her hands and turns her eyes heavenward as if
to take the heavens to witness. The count darts a furious look at Mylio.
GOOSE-SKIN (in a low voice to the trouvere)--"The looks of that specter
chill me to the marrow of my bones. We are lost!"
MONTFORT (to Mylio, angrily)--"Hold your tongue, blasphemer! Heretic
dog! If you do not, I shall have your tongue torn out!"
ABBOT REYNIER (to Montfort with unction)--"My dear brother, we should
have contempt only for such insults. The wretch is possessed. Helas! He
no longer belongs to himself. It is the demon that speaks through his
mouth."
MYLIO (impetuously to the abbot)--"Will you dare deny that you crept one
night into the close of the mill of Chaillotte, the despicable coupler
in your service, with evil designs on Florette, and that, but for
Goose-Skin, who is here a witness, and myself, you would have succeeded
in your satanic purpose and blighted the poor child?"
GOOSE-SKIN (breaks in upon Mylio trembling at every limb, throws himself
at Montfort's feet and clasping his hands cries)--"Illustrious and
benevolent seigneur, I remember nothing--I am wholly upset, fascinated,
dazed. All that I remember is that I was a pig, an unclean animal.
Alack! It was no fault of mine, because, Oh! redoubtable prop of the
Church, I have not yet received baptism. Alack! Not yet. But a second
ago, the instant I beheld your august face, it seemed to me that I saw a
light like a halo shining around your holy person. One of those divine
rays penetrated my body and it has suddenly given me an inextinguishable
thirst for celestial knowledge; it has caused me to pant after the
baptismal waters that will purify me of my abominable sins. Oh, pious
seigneur! May you and your saintly spouse deign to officiate as my
god-father and god-mother; consent, I pray you, to hold me over the
baptismal font--I shall be a model of fidelity. My body shall be
harnessed in beads and scapularies!"
MONTFORT (aside to Abbot Reynier)--"Hem! Meseems this fat miscreant has
been illumined rather too suddenly by the light of heaven--and yet he
might be sincere!"
ALYX OF MONTMORENCY--"It often pleases the Lord to accelerate the
effects of His grace in order to render them more striking."
ABBOT REYNIER (aside to the count and his wife)--"It also might be that
the fear of death and not faith has brought about the conversion of this
sinner."
MONTFORT--"What is there to be done, reverend Father? How shall we
interpret his conduct?"
ABBOT REYNIER (aside to the count)--"He should be sent to the pyre along
with the rest."
ALYX OF MONTMORENCY--"But, Father, if he is sincere, if the man has
really been touched by divine grace?"
ABBOT REYNIER (aside to Alyx and her husband)--"A reason the more. If he
is sincere, the flames of the pyre will, in the eyes of the Lord, be an
acceptable expiation of the new convert's abominable past life. If he
deceives us, the pyre will be the just punishment for his sacrilegious
falsehood. In either case, the pyre is meet for the miscreant. The
matter is settled."
Montfort and his wife are struck by the double advantage of the monk's
proposition and exchange looks of approval.
MONTFORT--"Rise, man! God will know whether your conversion is sincere."
GOOSE-SKIN (aside to himself)--"Good! Good! It is now merely an affair
between God and myself. We shall arrange matters comfortably between us
two."
MONTFORT (to Mylio)--"You have a brother who is a pastor of these
devil-possessed heretics. Does he not enjoy a great influence in the
town?"
MYLIO (proudly)--"All the inhabitants would give their lives to save his
own. My brother is their idol."
MONTFORT--"I shall allow you to return to Lavaur. You shall tell the
inhabitants in my name: 'Abjure your heresy; re-enter the pale of the
holy Catholic Church; deliver the Lady of Lavaur unconditionally to
Montfort, and also her son, the consuls of the town and a hundred of the
most notable citizens; relinquish your property to the soldiers of
Christ; if you do your lives will be saved; if you do not, at day-break
to-morrow the flames of Karvel's pyre will give to the Crusaders the
signal for the assault!' That is the mission that I confer upon you."
MYLIO (stupefied)--"My brother! You speak of burning my brother alive!
Oh, horrible alternative!"
MONTFORT--"He is a prisoner in my camp."
MYLIO (in consternation)--"My brother! A prisoner!"
GOOSE-SKIN (aside to Mylio)--"Follow my example--abjure--demand
baptism!"
MYLIO (to Montfort in a trembling voice)--"My brother is a prisoner, say
you? You are surely spreading a snare for me. But even if he stood there
before me, loaded with chains, Karvel would curse me if I were to
accept your offer, and could be infamous enough to promise you to exhort
the inhabitants of Lavaur in his name to submit to the Church of Rome!"
Suddenly the sonorous and gentle voice of the physician is heard. Kept a
prisoner in the adjoining room, the words of Mylio have reached him.
"Brother," he cries, "falter not before the foe."
MYLIO (electrified)--"Karvel's voice!"
The trouvere rushes in the direction from which the voice proceeded, but
Lambert of Limoux and Hugues of Lascy throw themselves in Mylio's way
and hold him back. Montfort turns to one of his equerries and says: "Let
the other heretic in."
Immediately Karvel the Perfect steps in, he advances towards his brother
with a smile of ineffable tenderness, and pointing with his finger at
the knights who are holding Mylio addresses Montfort: "What! Violence
against an unarmed enemy?"
At a sign from the count the seigneurs leave Mylio free, and the two
brothers rush into each other's arms. They converse apart for a moment
during which Karvel informs his brother of the circumstances that
brought him into the Crusaders' camp.
HUGHES OF LASCY (stepping towards Montfort)--"Seigneur, day is dawning.
Everything is in readiness for the assault of Lavaur. The army only
awaits the signal. What are your orders?"
MONTFORT--"Let the signal for the assault be given at sunrise. Yet too
feeble to mount my horse, I shall have myself carried in a litter. As to
these three heretics, their execution shall be the signal for the
attack."
GOOSE-SKIN (stupefied)--"One moment! What the devil! I have abjured; I
did! I am a good Catholic!"
KARVEL (to Montfort)--"So, then, count, we are to die? I thank you for
this death!"
MYLIO (to Montfort)--"I also thank you for this death, coward! Felon!
Knight without word and without faith! Miserable fanatic!"
The count drops his head at the reproach. His soldier's heart is touched
to the quick by the just charge of felony.
ABBOT REYNIER--"These wretches dare to mention the word 'faith'! And
will you, Montfort, be affected by reproaches that issue from such
mouths? Have you forgotten that our Holy Father, Innocent III, said:
'_None need to keep faith with those who fail in their faith to God_'?
Would you protect the lives of these maddened heretics and thus enable
them to lure thousands of unhappy beings into their detestable heresy?"
MONTFORT (affrighted)--"Oh! No, Father! A thousand times, no!"
ABBOT REYNIER--"Come, then! Hold high your head, intrepid soldier of our
Church! The Lord will cause Lavaur to fall into your hands!"
MONTFORT (with fanatic exaltation)--"To arms, knights! To the assault!
God is with us! No mercy when we take Lavaur! Kill, slay women,
children, old men and young! Kill them all! As at Beziers, _the Lord
will distinguish His own_. (Pointing to the three prisoners) Let these
three men be pinioned! Let them be kept in a safe place until the moment
of their execution!"
GOOSE-SKIN (distracted with terror, throwing himself at Montfort's feet
and seizing his robe)--"Gracious god-father! You promised me that you
would hold me over the baptismal font. I wish to live henceforth a good
Catholic. I believe in the Church, I believe in all her past, present
and future saints. I believe the most incredible miracles. I shall
believe anything that you want."
MONTFORT (to Abbot Reynier)--"You were right. This wretch yields to fear
and not to the faith. He is a miscreant."
ABBOT REYNIER (to Goose-Skin)--"If your faith is sincere, the pyre will
purify you of your past sins. But if you are merely feigning a
sacrilegious conversion, the eternal flames will be your just
punishment. You shall be burned alive like the others."
GOOSE-SKIN (rises furious)--"Oh, you lascivious buck! Oh, you lewd pig
and tiger of cruelty! You are trying to take revenge for the night when
I threw you down, and kept you there and prevented you from blasting a
pure and poor girl! Hypocrite and criminal!"
The count's equerries fall upon Goose-Skin and pinion him despite his
violent resistance. They also pinion Mylio and Karvel who quietly allow
themselves to be bound. The trumpets sound. Hugues of Lascy enters and
announces that all is ready for the assault and that a litter awaits
the count.
ALYX OF MONTMORENCY (falls on her knees)--"Go, my noble husband. I shall
remain here on my knees until the battle is ended, and shall pray for
the triumph of your arms, and the extermination of the enemy, and for
the salvation of the poor heretical souls of Lavaur."
ABBOT REYNIER (to Montfort)--"Come, brave soldier of Christ! Come and
receive from my hands the bread of the angels, the holy communion!"
Montfort leaves the room reclining upon the monk's arm and followed by
his equerries, while Alyx of Montmorency remains on her knees in fervent
prayer.
MYLIO (looking sadly at Goose-Skin)--"Alas! It was his friendship for me
that brought him to this country!"
KARVEL (pensively contemplating Alyx of Montmorency who is murmuring her
orisons)--"Poor creature! Her heart has remained good. She is imploring
the mercy of heaven for the victims!"
CHAPTER XIII.
THE ESPLANADE AT LAVAUR.
After a heroic defense the city and Castle of Lavaur surrender to the
Crusaders. The consuls have stipulated for the safety of the
inhabitants. But obedient to the dictum of Pope Innocent III--"None need
to keep faith with those who have failed in their faith to God"--despite
the terms of the capitulation, almost all the prisoners are massacred,
the rest are reserved for separate execution.
One night has passed since the surrender of Lavaur.
Suddenly the chimes of a neighboring church ring the passing-bell. Soon
thereupon a little door that connects with a stone balcony, upon which
rows of seats are arranged, is thrown open. The Archbishops of Lyons and
of Rennes, the Bishops of Poitiers, of Bourges, of Nantes and other
prelates, all dressed in their sacerdotal robes, issue through the
little door in solemn procession and take their seats. Montfort and Alyx
of Montmorency follow, accompanied by the papal legate and Abbot
Reynier. The quartet seat themselves in the front row of the balcony.
Below the balcony and in plain view of the audience is a stone
esplanade. Soldiers are ranked at the foot of the walls; they are
followed by priests and monks of several orders carrying aloft silver
crucifixes and black banners, and singing funeral canticles at the top
of their voices.
THE EXECUTIONER (on his knees before a little furnace, to a
sergeant-at-arms)--"My irons are ready. Bring forward the sons of
Satan."
The sergeant goes to the door of the vault and knocks. The door opens
and twenty-eight men and fifteen women step out. They are of all ages
and all conditions. The prisoners move slowly; they cannot take long
steps; their feet are chained. Their arms are pinioned behind their
backs. They step upon the stone esplanade.
ABBOT REYNIER (in a menacing voice)--"Heretics of Lavaur! Will you
abjure? Will you acknowledge the infallible authority of the Roman
Catholic and Apostolic Church?"
AN OLD MAN (to Abbot Reynier)--"My son died defending the town. The
ruins of my house that was burned down after the pillage are still
smoldering. I am near my grave. I now own nothing. But even if I had as
many days before as I have behind me, even if I still had more wealth
than I ever had, even if there still stood by my side the cherished
child of my old age--even then, both he and I would answer you: 'Death,
a thousand times death, rather than embrace your infamous religion.'"
THE PRISONERS (among whom is Florette, fall on their knees and
cry)--"Mercy for our Lady of Lavaur and her son!"
Only Florette remains standing. Mylio's young wife is pale, livid; she
sees nothing of all that is happening around her. Her thoughts are with
her husband, whom she believes killed long before. Noticing that the
dear child does not kneel with the rest, Abbot Reynier's attention is
attracted towards her. He recognizes her, his eyes bulge and he says to
himself: "Ha! I shall now be doubly revenged upon that vagabond Mylio!"
THE OLD MAN (to Alyx of Montmorency, who, herself pale and with eyes
cast down, is devoutly counting her beads)--"Madam, in the name of your
mother, mercy for our Lady of Lavaur!"
ALYX OF MONTMORENCY (unmoved)--"If she does not abjure her heresy, she
must perish!"
ABBOT REYNIER (in a thundering voice)--"Hardened heretics, the Church
now delivers you to the secular arm! Enemies of God, may your death
strike a salutary terror among your fellows!"
THE PROVOST OF THE ARMY (to the executioner)--"Take your hot irons.--But
leave one of his eyes to the old man who has just spoken. With it he
shall guide the rest."
The executioner and his assistants seize at haphazard one of the
prisoners. He is a young man. They bind him down upon a seat on the
scaffold, while the executioner himself walks over to his furnace.
THE HERETIC (to the executioner's assistants)--"What are you going to
do? Have mercy upon me!"
ONE OF THE ASSISTANTS--"We are going to put out both your eyes, heretic
dog! Pagan!"
THE HERETIC (terrified)--"Oh, death rather--rather death than such a
torture--mercy! (He vainly tries to snap his bonds and writhes
convulsively, crying) Brothers! Help! They are going to put out our
eyes. Oh, Lord, have mercy upon us!"
THE PRISONERS (to Montfort)--"Such a punishment is frightful. Have us
rather burned--strangled! Mercy!"
MONTFORT (with a hollow voice)--"No mercy! Your blind souls are closed
to the divine light. So shall your bodily eyes be forever closed to the
light of day!"
A HERETIC (whose teeth are chattering with terror)--"Seigneur, myself
and several of our companions abjure. Mercy! Mercy!"
ABBOT REYNIER--"Too late! Too late!"
The young heretic, who is firmly tied to the seat on the scaffold, is
furthermore held down by the assistants of the executioner. The latter
approaches the victim, who emits heart-rending shrieks and mechanically
closes his eyes. With two thrusts of his sharp and incandescent iron the
executioner pierces both the eyelids and the globes of the two eyes. The
blood and smoke ooze out of the now hollow orbits. The shrieks of the
victim are fearful, but they are speedily drowned by the choir of the
monks and priests who chant their litanies aloud.
The same punishment, inflicted upon the rest of the prisoners in
succession, is accompanied throughout by the funeral psalmody. Florette
is the last victim, reserved to close the ghastly performance. At the
sight of the horrors thus enacted in her presence, the poor girl almost
loses her reason. She imagines herself oppressed by a nightmare.
Sustained by the executioner's assistants she marches mechanically to
the seat on the scaffold. These hardened men themselves feel moved to
pity. After she is fastened down to the seat and before proceeding with
the operation, the executioner whispers to her; "Take my advice, little
one, open your eyes--you will suffer less. If the eyelids are shut the
pain is double, because the hot iron must pierce them before it reaches
the eye-ball. Do you understand me? Come, little one, do as I tell you;
are you ready?"
FLORETTE (in a low voice to herself and only semi-conscious)--"Meseems I
have been told to open my eyes in order that I may suffer less. Oh, no!
I shall shut my eyes in order to suffer all the more, and die speedily,
and rejoin Mylio. (Her haggard eyes wander; they alight upon Abbot
Reynier; the girl shudders.) Oh, monk of Citeaux! Oh, infamous monk!
There he stands, hovering before me in his white robe like a specter
announcing death!"
THE EXECUTIONER (holding in his hand the iron, the sharp point of which
is at white heat)--"Quick now, my pretty girl! Open your eyes wide!"
Florette on the contrary closes her eyes firmly; her face becomes
cadaverous; her bluish lips are convulsively pressed; she awaits death.
THE EXECUTIONER (stamping on the ground)--"Open your eyes quickly--my
iron is cooling. (The young woman does not obey) The devil take you!
Fool! (The executioner darts his burning iron into the victim's right
eye) The devil take the heretic's obstinacy! The right eye is now out!"
FLORETTE (emits a piercing cry, and swoons murmuring)--"Mylio--help!"
The poor child swoons away so completely that she utters but a feeble
moan at the burning out of her left eye.
ABBOT REYNIER (aside)--"What a pity! Such beautiful eyes! Why did the
hussy prefer that miserable Mylio to me!"
MONTFORT (addressing the old man, only one of whose eyes was put
out)--"You may now serve as the guide for these sinners. They may now be
unpinioned. Let them consecrate the rest of their lives to repentance!"
ALYX OF MONTMORENCY (sadly to her husband)--"Alas! The punishments that
the stiff-neckedness of these wretches compels us to inflict upon them
are horrible--but the Church so orders it."
THE PROVOST (stepping to the foot of the balcony and addressing
Montfort)--"Seigneur, shall the pyre be lighted?"
MONTFORT--"Be quick about it! Let the pyre be lighted immediately to
burn the other heretics alive."
ABBOT REYNIER (in a resonant voice)--"Bring the other heretics forth!
The terrestrial hell shall be to them the vestibule of the eternal
hell."
Again the gate that communicates with the esplanade is thrown open.
Pricked in the back by the lances of the soldiers behind them, a crowd
of men, women and children of all ages issues from the dungeon with
pinioned hands. The soldiers rank themselves in a cordon along the edge
of the esplanade, and with the points of their lowered lances drive the
human mass of prisoners into a burning fosse.
Among the last victims to issue from the dungeon are Karvel the Perfect,
his wife Morise, the Lady of Lavaur and her son. Accident threw the four
together at this supreme moment. Giraude is clad in black, her arms are
pinioned at her back; so are Aloys's, who has received a severe wound on
his left shoulder, seeing that, despite his tender years, he insisted
upon fighting at his uncle's side during the siege. Giraude does not
take her eyes from her son. The distracted mother's angelic features
betray the horror which, little recking her own fate, she feels at the
atrocious death that awaits her son. The latter guesses his mother's
preoccupation, and endeavors to calm her with a smile. Karvel and his
wife march with a firm step and serene front. Nevertheless, at the sight
of the shocking spectacle that presents itself to him the instant he
steps upon the esplanade, the Perfect stops short and shudders with
horror. On the left are twenty-four gibbets awaiting their victims with
arms outstretched; on the right, the prostrate bodies of those, who, too
weak to withstand the torture of "blinding," are now dead or dying: they
lie strewn around the foot of the scaffold; finally, a little further
away from the gibbets and corpses, lambent flames rise from the pit, a
vast brazier whose fires are kept alive with the fuel furnished by the
flesh, the bones and the entrails of the heretics. From the midst of
that burning heap of human remains some tokens of life are still
visible. Arms, limbs and chests quiver and writhe convulsively; here and
there a head is seen with hair aflame and features singed. Oh! son of
Joel, no human pen could depict to you the aspect of these beings in the
throes of such a death.
Such is the spectacle that presents itself to Karvel and his wife. The
Perfect stops, and turns to the balcony where Montfort, his wife, the
mitred abbots, the noble dukes, counts and knights are ranked in state.
He contemplates the assemblage for an instant, and, a prophetic
inspiration lighting his face, cries out aloud:
"Oh, ye priests of Rome! Verily, verily I say unto you the evangelical
faith has departed from your midst; to-day it dwells among those whom
you style heretics, and there it will dwell imperishable as truth! You
have the might--the might--ephemeral as that pyre that, this very
evening, will be but a heap of ashes!"
ABBOT REYNIER (jumps up furious)--"Tear out that heretic's tongue!"
The executioner and his assistants seize Karvel. While the latter hold
the Perfect the former quickly takes out of his bag a pair of small iron
pincers with wooden handles; he heats the iron in the furnace; and armed
with the incandescent instrument of torture, beats in the Perfect's
teeth, and tears out his tongue together with shreds of his lips. Morise
closes her eyes and plunges into the burning furnace, whither her
husband is thrown immediately after her.
The only heretics now left of those that were condemned to the pyre are
the Lady of Lavaur and her son. At the moment when the executioners
drag them towards the fosse, Giraude throws herself upon her knees under
the balcony where she just perceived Alyx of Montmorency. With convulsed
hands and a voice that palpitates with horror the distracted mother
cries:
"Madam! I do not ask you for my life. But I shudder for my son at the
thought of the pyre. Oh! madam, for mercy's sake, obtain from your
husband the commutation of our punishment. Let us be slain with the
sword!"
ALYX OF MONTMORENCY (lowers her eyes and clasps her beads)--"It may not
be!"
THE LADY OF LAVAUR (with a heart-rending voice)--"I implore you! Listen
to a last prayer! Order them to burn me, but let them kill my son with
the sword. You are silent? Oh, God! Have you no children, yourself, that
you can be so merciless?"
Aloys kneels down beside his mother. His hands being tied behind his
back the boy's movements are constrained. He breaks into tears and
approaches his face to the lips of his mother, who covers it with kisses
and wets it with her tears. Alyx of Montmorency, whose eyes seem to
moisten, timidly looks at Montfort and says to him in a low voice:
"Monseigneur, I pity this heretic woman, could not her request be
granted?"
ABBOT REYNIER (precipitately)--"Madam, in her quality of Mistress of
Lavaur, this woman is guiltier than any other. She and her son must be
burned alive!"
MONTFORT (impatiently)--"Oh! my reverend Father. Provided this heretic
woman die, what does it matter whether it be by the rope, the sword or
by fire? She will have been made an example of. After all, the Lady of
Lavaur is of noble race; some concession must be made to the nobility.
(The count casts his hollow eyes around him and proceeds with an
expression of lassitude and disgust) And even that--to have the woman
and her child slain there--before my very eyes. May the Lord pardon me a
sinful weakness--my heart fails me! (He notices a cistern, and beckons
to the provost) Come, be quick about it. Throw the woman and her son
into that well and cover it up with large stones."
THE LADY OF LAVAUR (with a look of gratitude)--"Oh, thanks! Thanks! (To
her son) Come, my child, we shall be drowned together."
While Giraude and Aloys descend the stone steps within the well in which
their lives are to be extinguished, the former turns to the executioner
who accompanies them and is to thrust them into the water. "We are about
to die," she says, "neither my son nor I can offer any resistance. For
mercy's sake, free us from our bonds. My son and I could at least give
each other a last embrace and die in each other's arms!"
The Lady of Lavaur and her son are untied, and while the two hold each
other in a close embrace and exchange their last adieus amidst sobs, the
executioner makes a sign to his assistants, who forthwith push mother
and son down into the well. The sound is heard of the two bodies
striking the water, the water closes over them, they rise again to the
surface, their agonizing cries rise from the depth of the well;
presently silence reigns within.
Perceiving that the sun is on the decline, also, perhaps, exhausted by
the sight of the wholesale butcheries and wishing to hasten their end,
Montfort orders the provost of the army to bring on the esplanade the
heretics that are condemned to be hanged. They are brought out. At their
head and hardly able to walk, seeing that he received many wounds during
the siege, marches Aimery, the brother of the Lady of Lavaur. Close
behind him come Mylio the Trouvere and Goose-Skin the juggler. They are
followed by the consuls and other notabilities of the town. Soldiers
with drawn swords lead the prisoners to the foot of the gibbets.
ABBOT REYNIER (rising)--"People of Lavaur, will you abjure your heresy?"
AIMERY--"Between your Church and the gibbet, we choose the gibbet."
ABBOT REYNIER (in a thundering voice)--"Death to the heretics. Hang them
all!"
MYLIO (looking distractedly around him)--"Poor Florette! She must have
perished. My last thought shall be for my brother and for you, sweet
child! I have hung on my neck the little spindle that you gave me. It
lies on my heart. We shall soon meet again in the new world, where a new
life awaits us. (To Goose-Skin, who seems steeped in thought) Old
friend, pardon me your death. It is your devotion to me that has led you
to this pass."
GOOSE-SKIN--"I was just asking myself whether there are hams and good
wives in those starry worlds that your brother spoke to us about, where,
according to him, we are to be born again in the flesh and the spirit.
Oxhorns! If I am born again with my paunch, why, its weight and bulk
will greatly incommode me in the ascent towards the empyrean!"
With the aid of a ladder the executioners have raised Aimery up to the
noose that dangles from the first gibbet. The ladder is quickly removed
and the victim remains hanging by the neck. For a few instants his limbs
twitch convulsively, but they soon relax and remain motionless.
THE EXECUTIONER (approaching Goose-Skin)--"Your turn now, my fat
customer! Come, no grimaces! Take your place quickly!"
GOOSE-SKIN (scratching his ear)--"Hem! Hem! The rope of your gibbet
seems too thin for me, and your ladder too frail. I am very heavy, I
fear that my weight may demolish your machine. You had better put off my
hanging."
THE EXECUTIONER--"You need not feel uneasy about that. I shall hang you
high and short. Hurry up. Night is upon us!"
GOOSE-SKIN (dragged to the gibbet)--"Adieu, Mylio! I have drunk my last
bumper of wine here below. We shall clink glasses again in the stars.
(Turning to the balcony where Abbot Reynier is seated). As to you, the
devil is waiting for you with his big frying-pan in his hand!"
Mounted up to the middle of the ladder which leans against the gibbet,
the executioner gives Goose-Skin a violent jerk by the collar in order
to compel him to step up. The juggler is not to be hurried, and putting
his inert weight to use, remains immovable. The executioner's assistants
then push him up and putting their shoulders under him succeed in
raising his bulky body to the middle of the ladder. What, however, with
the juggler's enormous weight and the heavy shaking of the gibbet caused
by his resistance, the instrument of death, which has been hastily
raised and is but weakly planted in the ground, now sways and breaks
down. It falling, together with the ladder, Goose-Skin and the
executioner, all in a heap upon the third gibbet, the latter yields to
the shock, tumbles and falls over upon the fourth, which, likewise
breaking down, carries the next one to the ground. But poorly fixed over
night in the earth, most of the gibbets are torn down through the
initial momentum imparted by the fall of the one that was intended to
end Goose-Skin's life.
MONTFORT (impatiently)--"Seeing that the gibbets leave us in the lurch,
exterminate the heretics with the sword!"
Soon after, the count leaves the balcony, taking Alyx of Montmorency
with him. The lady is hardly able to stand. The soldiers who brought out
the twenty-four heretics to be hanged fall upon them with their lances
and swords. When the soldiers finally report their work done, Abbot
Reynier withdraws with the rest of the clergy from the balcony.
* * * * *
The moon, shining radiantly from the starry vault of heaven, inundates
with its mellow light the esplanade of the Castle of Lavaur. Round about
lie the bodies of the ill-starred beings who succumbed to the torture of
blinding. Among these bodies is Florette. The young woman has not
recovered from her swoon; her chest heaves painfully; her head rests
upon a stone; the moonlight falls upon it. Not far from her lie the
corpses of those who escaped the rope only to fall under the sword of
the Soldiers of the Faith. Not a sound disturbs the silence of the
night. One of the bodies that lies on the ground raises itself slowly.
It is Mylio the Trouvere.
MYLIO (listens, looks about with caution, and calls in a low
voice)--"Goose-Skin, all the soldiers are gone--we have nothing more to
fear--the danger is over. Goose-Skin!--Oh! poor fellow, he probably has
died, smothered under the weight of the other corpses! Oh! I can never
forget that the fellow's devotion to me was the cause of his
death!--There he lies face down and half covered by two other corpses."
(Mylio stoops in order to clasp one of the juggler's hands.)
GOOSE-SKIN (raising his head)--"Oxhorns! Am I really alive? I thought I
heard my funeral prayers!"
MYLIO--"Oh, joy! You are not dead? You heard me, and yet you kept
silent?"
GOOSE-SKIN--"At first, out of prudence, and then out of curiosity to
know what you would say of old Goose-Skin. I was happy to learn that you
still love me. But, now, tell me, have you any plan?"
MYLIO--"I shall leave Lavaur this very night after I have taken a
casket of some value to me which my poor brother Karvel entrusted to a
friend of his, Julien the Bookseller. As to you, my brave
companion--(Mylio stops; his foot has struck the iron pincers that
served to martyrize Karvel the Perfect). What is this? An instrument of
torture left behind by the executioner? (Picks up the pincers and
contemplates them in silence.) Oh, son of Joel! I shall pay my tribute
to the legends and relics of our family." (Puts the pincers in his
belt.)
The trouvere and the juggler are lying not far from the wall of the
cistern, where one of the executioner's assistants, taking pity on the
inert body of Florette, who was still evidently alive, had laid the
young woman. The moon sheds its light full upon the spot. Suddenly Mylio
is startled by the sight that he sees. He utters a cry of mingled joy
and grief, and rushes to Florette, whose face, despite its mutilation,
he immediately recognizes. He takes one of Florette's hands; it is wan.
He feels her heart; it beats. The trouvere raises and carries the
precious burden to the exit of the esplanade, and in a voice broken with
sobs cries out to the juggler: "She is alive!"
GOOSE-SKIN (rejoiced)--"She lives! Oh, oxhorns! If we succeed in
escaping from the clutches of the Crusaders, it shall be my business to
cheer the sweet child with my favorite song: 'Robin loves me--'"
Mylio stops at the door of the esplanade to wait for Goose-Skin, who
comes up to him panting for breath at the moment when, regaining
consciousness, Florette feels herself in a man's arms and murmurs
feebly:
"Mylio--Mylio--my dearly beloved Mylio!"
EPILOGUE.
About three years after the massacre of Lavaur, my great-grandfather
Mylio, the Trouvere, wrote the preceding "play" at Paris, where he
succeeded in arriving with his wife, my great-grandmother Florette, and
Goose-Skin.
After he left the esplanade, carrying his blind and unconscious wife in
his arms, he hid her in the ruins of a nearby house that was set on fire
the day before by the Army of the Faith. Thanks to Mylio's care, his
wife regained consciousness, but alas! was never more to see the light
of day. When Florette sufficiently recovered, Mylio left her in the care
of Goose-Skin and started to the city in search of a friend of his
brother Karvel. The friend's name was Julien, the Bookseller. Karvel had
entrusted him with the casket that contained the family relics. Julien
having miraculously escaped the massacre of Lavaur, afforded Mylio,
Florette and Goose-Skin a safe refuge in his house. Under that
hospitable roof, the three quietly awaited the departure of the army of
Montfort. His wife's condition determined Mylio to renounce the war and
consecrate his life to her. Languedoc was soon entirely under the iron
rule of Montfort and Mylio decided to leave the country.
Julien the Bookseller was in frequent commercial correspondence with one
of the most celebrated members of his profession in Paris named John
Belot. Knowing the excellence of Mylio's handwriting, Julien proposed to
him to take employment at John Belot's as a copyist of ancient and
modern books. Mylio accepted the offer and was furnished by Julien with
a letter to the Parisian bookseller.
The journey to Paris was undertaken as soon as Florette was in condition
to sustain its fatigue. It was accomplished in safety. Nine months after
their arrival, my grandfather, whom Mylio named Karvelaik, in honor of
his own brother Karvel the Perfect, was born. With the birth of
Karvelaik, the old juggler remained a fixture in the house, insisting
upon rocking my grandfather's cradle and singing him songs. Happy as
Florette was with her child, she did not long survive. She waned
steadily, and two years and a half after her arrival passed away in the
embrace of her husband and her son. The disconsolate trouvere sought
surcease of sorrow in the playfulness of his little son and the
imperturbable good nature of Goose-Skin. It was in the effort to relieve
his mind of the recollection of the great sorrow that fell upon him that
he soon after wrote the preceding play, which he added to our family
legends, and to which he joined the iron pincers that he took from the
esplanade of the Castle of Lavaur and that were used in the martyrdom
inflicted upon his brother Karvel. Goose-Skin died twelve years later.
His last words were his favorite song:
"Robin loves me, Robin wants me."
Mylio lived to verify the truth of the prophetic words of our ancestor
Fergan the Quarryman:--"Let us never weaken, let us never lose hope!
The future belongs to freedom!" Eight years after the devastating flood
of the Crusaders swept over Languedoc the people that were left in
Agenois, Querci and Rouergue rose again. The signal for the uprising was
the death of the Count of Montfort, who was killed before Toulouse. The
revolt rapidly gained strength. The Crusaders were driven from the
south; the old heresy raised its head anew and triumphed everywhere in
Languedoc. The chains of Rome were once more sundered. But they were
forged again, and again fastened on Languedoc by the Inquisition of
1229. To-day Languedoc remains fettered.
My grandfather Karvelaik handed down at his death the family relics to
my father Julyan, and he handed them down to me, his son Mazurec le
Brenn, who follow the booksellers' trade here in Paris. Heavy clouds are
again gathering over the head of our unhappy country. May my son Jocelyn
be spared!
THE END.
FOOTNOTES:
[1] Trouvere was the name given to certain "improvisers," or poets, of
northern France. In the south of France the counterpart of the Trouvere
was called "troubadour."
[2] This form of writing was used by the trouveres of the XIII century,
and were called "Jeux," that is, plays, as _The Play of the Shepherd and
the Shepherdess_, by Adam le Hale (Ancient Fables, vol. II, p. 193, Le
Grand d'Aussy). In these "plays," which were dialogues, like the modern
drama, and which were recited by the strolling trouvere, the dialogue
was made to supply the place of descriptions of scenes, etc.
[3] The authentic letter of Pope Innocent III; _L. N._, March, 10, 1208,
p. 317, X.
[4] This song was composed by Mylio during the invasion of Languedoc by
the Catholic Crusaders. Leaving his wife Florette in the care of Karvel
and Morise, he went singing the poem from city to city, while
Goose-Skin, accompanying the trouvere, sang his own composition, the
refrain of which ran:
"Pouah! Pouah! These monks!
They are rank of the mire, of lechery and blood!"
End of the Project Gutenberg EBook of The Iron Pincers, by Eugène Sue
*** END OF THIS PROJECT GUTENBERG EBOOK THE IRON PINCERS ***
***** This file should be named 33114.txt or 33114.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/3/1/1/33114/
Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
