The Project Gutenberg eBook of The Poor Man, by Stella Benson
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.
Title: The Poor Man
Author: Stella Benson
Release Date: January 18, 2022 [eBook #67195]
Language: English
Produced by: Carlos Colon, the University of California and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
book was produced from images made available by the
HathiTrust Digital Library.)
*** START OF THE PROJECT GUTENBERG EBOOK THE POOR MAN ***
THE POOR MAN
BY STELLA BENSON
I POSE
TWENTY
LIVING ALONE
THIS IS THE END
THE POOR MAN
BY
STELLA BENSON
New York
THE MACMILLAN COMPANY
1923
_All rights reserved_
COPYRIGHT, 1923,
BY THE MACMILLAN COMPANY.
Set up and electrotyped. Published January, 1923.
Press of
J. J. Little & Ives Company
New York, U. S. A.
THE POOR MAN
KWAN-YIN, GODDESS OF MERCY
TEMPLE OF KWAN-YIN. A wide altar occupies the whole of the back of the
stage; a long fringe of strips of yellow brocade hangs from the ceiling
to within three feet of the floor at either end of the altar. In the
centre of the altar the seated figure of the goddess is vaguely visible
in the dimness; only the face is definitely seen—a golden face; the
expression is passionless and aloof. A long table about 12 inches lower
than the altar stands in front of it, right across the stage. On the
table, before the feet of Kwan-yin, is her carved tablet with her names
in golden characters on a red lacquer ground. In front of the tablet
is a large brass bowl full of joss-sticks, the smoke of which wavers
in the air and occasionally obscures the face of Kwan-yin. There are
several plates of waxen-looking fruit and cakes on the table and two
horn lanterns; these are the only light on the scene. On either side
of Kwan-yin, between the table and the altar, there is a pillar with
a gilded wooden dragon twisted round it, head downward. To the left,
forward, is a large barrel-shaped drum slung on a carved blackwood stand.
Four priests and two acolytes are seen like shadows before this palely
lit background. One acolyte to the right of the table beats a little
hoarse bell. This he does during the course of the whole scene, in the
following rhythm:—7—8—20—7—8—20. He should reach the 105th beat at the
end of the second hymn to Kwan-yin. The other acolyte stands by the drum
and beats it softly at irregular intervals. The acolytes are little boys
in long blue coats. The four priests stand at the table with their faces
toward Kwan-yin; their robes are pale pink silk with a length of deeper
apricot pink draped about the shoulders.
The priests kneel and kow-tow to Kwan-yin. The acolytes sing:
The voice of pain is weak and thin
And yet it never dies.
Kwan-yin—Kwan-yin
Has tears in her eyes.
Be comforted ... be comforted ...
Be comforted, my dear....
Never a heart too dead
For Kwan-yin to hear.
A pony with a ragged skin
Falls beneath a load;
Kwan-yin—Kwan-yin
Runs down the road.
A comforter ... a comforter ...
A comforter shall come....
No pain too mean for her,
No grief too dumb.
Man’s deserts and man’s sin
She shall not discover.
Kwan-yin—Kwan-yin
Is the world’s lover.
Ah, thief of pain ... thou thief of pain ...
Thou thief of pain, come in.
Never a cry in vain,
Kwan-yin—Kwan-yin....
First priest, chants:
Is she then a warrior against sin?
On what field does she plant her banner?
Bears she a sword?
Second and third priests:
The world is very full of battle;
The speared and plumed forests in their ranks besiege the mountains;
The flooded fields like scimitars lie between the breasts of the
mountains;
The mists ride on bugling winds down the mountains;
Shall not Kwan-yin bear a sword?
Fourth priest:
Kwan-yin is no warrior.
Kwan-yin bears no sword.
Even against sin
Kwan-yin has no battle.
This is her banner—a new day, a forgetting hour.
Her hands are empty of weapons and outstretched to the world.
Her feet are set on lotus flowers,
The lotus flowers are set on a pale lake,
And the lake is filled with the tears of the world.
Kwan-yin is still; she is very still; she listens always.
Kwan-yin lives remembering tears.
At this point the smoke of the joss-sticks veils the face of Kwan-yin. A
woman’s voice sings:
Wherefore remember tears?
Shall tears be dried by remembrance?
This voice is apparently not heard by the priests and acolytes.
Second and third priests:
Ah, Kwan-yin, mother of love,
Remember
Those in pain,
Those who are held fast in pain of their own or another’s seeking;
Those for whom the world is too difficult
And too beautiful to bear,
All:
Kwan-yin, remember, remember.
Second and third priests:
Those who are blind, who shall never read the writing upon the fierce
rivers,
Who shall never see the slow flowing of stars from mountain to
mountain;
Those who are deaf, whom music and the fellowship of words have
forsaken.
All:
Kwan-yin, remember, remember.
Second and third priests:
Those whose love is buried and broken;
All those under the sun who lack the thing that they love
And under the moon cry out because of their lack.
All:
Kwan-yin, remember.
First priest:
Oh, thou taker away of pain,
Thou taker away of tears.
The smoke quivers across Kwan-yin’s face again and the same woman’s voice
sings:
Wherefore remember pain?
Is there a road of escape out of the unending wilderness of pain?
Can Kwan-yin find a way where there is no way?
Still the voice is unheard by the worshippers. Fourth priest sings, and
while he sings the acolyte beats the drum softly at quick irregular
intervals:
Kwan-yin shall come, shall come,
Surely she shall come,
To bring content and a new day to the desolate,
To bring the touch of hands and the song of birds
To those who walk terribly alone.
To part the russet earth and the fingers of the leaves in the spring
That they may give up their treasure
To those who faint for lack of such treasure.
To listen to the long complaining of the old and the unwanted.
To bring lover to lover across the world,
Thrusting the stars aside and cleaving the seas and the mountains.
To hold up the high paths beneath the feet of travellers.
To keep the persuading roar of waters from the ears of the
broken-hearted.
To bring a smile to the narrow lips of death,
To make beautiful the eyes of death.
The woman’s voice again sings, unheeded, from behind the veil of smoke:
Wherefore plead with death?
Who shall soften the terrible heart of death?
All, in urgent but slow unison:
Kwan-yin.
Kwan-yin.
Kwan-yin.
Kwan-yin.
The golden face of Kwan-yin above the altar changes suddenly and terribly
and becomes like a mass of fear. The lanterns flare spasmodically. The
voice can now be identified as Kwan-yin’s, but still the priests stand
unhearing with their heads bowed and still the passionless bell rings.
Kwan-yin, in a screaming voice:
Ah, be still, be still....
I am Kwan-yin.
I am Mercy.
Mercy is defeated.
Mercy, who battled not, is defeated.
She is a captive bound to the chariot of pain.
Sorrow has set his foot upon her neck.
Sin has mocked her.
Turn away thine eyes from Mercy,
From poor Mercy.
Woo her no more.
Cry upon her no more.
There is an abrupt moment of silence as the light becomes dim again and
Kwan-yin’s face is frozen into serenity. Then the fourth priest sings:
What then are Mercy’s gifts? The rose-red slopes
Of hills ... the secret twisted hands of trees?
Shall not the moon and the stars redeem lost hopes?
What fairer gifts shall Mercy bring than these?
For, in the end, when our beseeching clamor
Dies with our bells; when fear devours our words;
Lo, she shall come and hold the night with glamor,
Lo, she shall come and sow the dawn with birds.
Ah, thou irrelevant saviour, ah, thou bringer
Of treasure from the empty sky, ah, thou
Who answerest death with song, shall such a singer
Be silent now? Shalt thou be silent now?
The 105th beat of the bell is now reached and there is a pause in the
ringing.
All:
KWAN-YIN.
The bell is rung slowly three times. Then there is absolute silence.
There is now a tenseness in the attitudes of all the worshippers; they
lean forward and look with suspense into Kwan-yin’s quite impassive
golden face.
The lights go out suddenly.
CHAPTER ONE
Edward R. Williams was not listening. He was studying a tailor’s
advertisement in the _Saturday Evening Post_ showing a group of
high-colored, high-bosomed young men discussing a dog whose skin had
obviously been bought from the same tailor as the young men’s clothes.
Edward Williams turned to a story which showed how a good young clerk
served one millionaire by overreaching another and in the end became a
millionaire himself, thus winning the affections of “the Right Girl.”
Edward Williams felt intelligent and contemptuous—a rare feeling for him.
“Makes one thank God one’s English,” he thought and then, because he was
in the habit of refuting morbidly every statement he himself made, he
thought of certain guides to British taste in periodical literature and
his mind fell sheepishly silent. He looked out of the window.
I do not know how many hills lift up the dramatic city of San Francisco
from the level of her sea and her bay. To the precipitous shoulder of one
of these hills clung the house in which Edward sat. It was night-time
and the great California stars hung out of a thick dark sky. Perhaps the
stars gave the waters of the bay and of the Golden Gate their luminous
look, as if there were light set in the floor of the world, a great light
overlaid by fathoms of dark vivid water. Lights were spread like a veil
over the hills on the near side of the bay and, on the far side, the
mountains stood ankle deep in stars.
The music began again in the room. Music to Edward Williams had no
connection with words or rules or understanding. He could not have been
at all musical, for he never thought of saying: “You know Scriabine is
clean, my dear, clean like a scrubbed olive,” or, “It has been wittily
said that Moussorgski is the spiritual son of Ouida and Charlemagne,”
or any of the things sounding rather like that, that we expect to hear
from musical people as the Victrola falls silent. Edward Williams was
a person of no facts at all; probably he was the only person in the
world so afflicted, or at any rate the only man. Music to him was always
anticipation even when it was over. Now, listening, he thought vaguely,
“If the treble echoes the bass the way I hope it will, that will be
too good to bear—indeed it will be as good as I expected, and that, of
course, is impossible....” The treble did that very thing and Edward was
blind with delight for several seconds; he breathed in pleasure; there
was a sense of actual contraction in the roots of his hair.
The music paled like a candle and went out, and Edward said, “What was
that?” for he was anxious to pursue that pursuing theme again across a
world of scant opportunity. He would not have remembered the name even
had he been told it, but at any rate nobody heard him. In America this
often happened to Edward Williams.
A woman’s sharp voice said, “Well say listen, what was that? It was a
dandy piece.” And Edward heard the man with a cocktail shaker between his
knees reply, “That was the song of the twelve eagles after the emeralds
of the South Sea lost their fragrance.” Someone added, “They were crushed
the day the love-tinker died on a hill of violets in Vienna.” Edward
Williams was pleased with this conversation, although, of course, he knew
that it had not taken place. He knew well that he was more than half deaf
and in many moods he welcomed the insight that his infirmity gave him
into matters that did not exist. His two friends had been telling each
other facts that both knew and that Edward did not wish to know. Neither
would, of course, dream of mentioning emeralds or hills of violets except
when it was really necessary and helpful to do so. Edward did not care.
He felt that his mind’s eye had acquired one picture the more without the
trouble of acquiring a fact.
Some music that did not interest Edward began and Edward thought, “I wish
I were really musical, but if I wear this grave half-shut expression
everybody will think I am very musical indeed.” Nobody looked at him, but
he persisted in his selected expression.
Miss Rhoda Romero’s pictures hung all round the room. Of these Edward
thought, “If I am asked I will look at them in silence with a chin-down,
eye-up sort of look, as if the sun were in my eyes and then say ‘A-ha’
once slowly. Then people will think I know how good they are—if they
are good.” But he never had had a chance to do this, because nobody had
ever formally introduced him to the pictures. Rhoda Romero never asked
people what they thought of her pictures. She thought she knew. They
were mostly studies of assorted fruits in magenta and mustard-colour
running violently down steep slopes into the sea. They were all called
still life, curiously enough. Rhoda Romero also, I need hardly say, wrote
poetry. It was, of course, unrhymed and so delicately scanned that often
there was not room in a line for a word unless it were spelt in the
newest American manner; the poems were usually about dirt or disease, and
were believed in Chicago to have an international reputation.
Rhoda Romero herself was insolent, handsome, and contented. Almost the
only thing that she regretted about herself was that she had a great deal
of money. Her grandfather, a Mexican forty-niner, had been so wise as to
buy land all round one of those cities of California whose motto—“Watch
us Grow”—had not been an idle boast. Many of these cities have so far
clamored for an audience under false pretenses, and now try to justify
themselves by hanging signboards—“Drive Slowly, Congested Business
District”—on every gum-tree in the vicinity of the lonely real-estate
office. Rhoda Romero’s city could have paved her studio with gold, and
this, she felt, was a blot upon an artist’s reputation. She thought that
an artist ought to be “Of the People” and, though she had been to a very
ladylike school in Virginia and had later graduated from a still more
ladylike college in Pennsylvania, she used what she called “the speech of
the people” whenever she remembered to do so. For much the same reason
she shared a flat with Mr. Avery Bird, a transformed Russian Jew with
high upward hair. They had once married in a moment of inconsistency but
had since divorced each other in order that they might live together with
a quiet conscience.
Mrs. Melsie Stone Ponting, tired of music, had suddenly started an
argument about Art and Sex. You could tell it was an argument because now
and then a little hole in the close-knit fabric of her voice occurred
which was presumably filled up by some man’s voice. In the United States
you become used to hearing only women. Men speak guiltily in small
suffocated voices. Yet arguments often seem just as spirited as though
the opponent were audible. Before each clause of Mrs. Ponting’s argument
she opened her mouth for several seconds very widely, showing the whole
of her tongue. Sometimes Mr. Avery Bird rudely took advantage of this
necessity to give voice to an epigram of his own which nobody could
follow.
The argument provided cover for Miss Romero to say to her friend, Mr.
Banner Hope, who was trying to make his empty cocktail glass look as
conspicuously wistful as possible:
“Say, listen, Banner, I want to talk to you about You Know Whom. We’ll
mention no names....”
Mr. Hope looked doubtfully at Edward Williams, who was about ten feet
away.
“He’s good and deaf,” said Miss Romero; “he can’t hear.” And indeed,
beyond a preliminary impression that Rhoda had begun a dramatic but
elusive conversation about Steel Men in the Flames, Edward Williams did
not hear. His protesting ears were filled with the voice of Mrs. Ponting.
“Well, say, listen, Banner, have you heard the latest?” continued Miss
Romero.
Mr. Hope would have liked to be known as the wickedest man in San
Francisco. He therefore could not possibly admit in so many words that
he did not know the latest—(the latest sounds too wicked to miss)—so he
moved his head ambiguously with a wise groan.
“Of course, I’d be the last to pick on anyone for being Bolshevik,” said
Miss Romero. “Bolshevism, as I said to the ‘What is Liberty’ Association
only the other day, is the only encouraging sane reaction to a crazy
world. But, you know, Our Friend here can’t approach even Bolshevism
sanely....”
“He drinks,” said Mr. Hope thirstily.
“There was a most discouraging scene in Alcatraz Prison last visitors’
day. He and I went together to try and say a few encouraging words to
Bisley, the C. O. Edward wouldn’t speak to Bisley when he got there—he
said there were too many Christians banked up around him; and surely
there was a considerable crowd of rather discouraging dames telling
Bisley that Christ was coming—he’s a religious objector, classed as
Lunatic, so he has to suffer for his reputation. But I stayed in the
group by way of comic relief, and Edward went glooming and snooping
around. Next I saw of him he was sitting interlocked with Smith, the man
who got twelve years for writing _If Abraham Lincoln Returned_. Poor
Smith had a nerve-storm, you know, after he got beaten up in prison
for the third time; he spends most of his time in solitary now—so
discouraging. Anyway I looked around and saw Smith and Edward fairly
clamped together. I forgot about them for a while until I heard a hell
of an uproar, and I told Bisley, Fur Goodness sake—where’s that darned
Britisher?—my dear, it surely was a presentiment. For there was Edward
crying—believe me, Banner, crying—that kid’s got no more poise than a
snake’s got hips—all het up and trying to pull the hair off the prison
officer in charge of the gate—one of the warders was holding both his
arms.”
“Why, why, why, what d’you know about that. He was stoo-ed, I guess,”
said Mr. Banner Hope, profoundly; but his heart was not in the matter.
He began moving his empty glass about so as to catch the light, hoping,
with this bait, to catch in addition his hostess’s eye.
“Stoo-ed, you said it. He was crazy drunk. My dear, believe me, it took
me down thirty dollars to get them to O.K. that lad’s exit from the
prison. I told them how he was only a Britisher and had gotten himself
shell shocked in the service of the Allies.”
“Did he so?” asked Mr. Hope with a certain sympathy, for, before he
had met Miss Romero, grown a beard, and thrown in his lot with the
‘advance-guard of a freer America,’ he too had risked his life for
his country in the course of a month in a training camp in Texas.
“Shellshock? What d’you know about that?”
“Air-raids, my dear,” said Miss Romero intensely. “Edward R. Williams
survived three air-raids in his home-city—London. I’ll say he’s no
stranger to War....”
Mr. Hope occasionally felt that he could make a more genuinely wicked
impression if he could think of something to say. “What d’you know about
that?” he said, a little doubtfully.
“Well, say, listen, Banner,” continued Miss Romero, becoming now aware of
the empty cocktail glass as her rival for his attention. “Although, of
course, personally I’m just crazy about Edward Williams, what with one
thing and another it looks like it’s up to me to get busy moving him some
place else. I’ll say the Bay Cities’ll get discouraged with him soon.
Avery and me are through with him. I talked to him about him drinking so
much and it seemed he’d gotten around to thinking himself an interesting
rebellious kinda guy, but I’ll say all his stunts look just maudlin to
me; he most always cries, and he always quits before he can put over the
interesting rebellious thing he wants to say. Say listen Banner——”
Mr. Hope started to attention.
“I’m planning to send Edward Williams to China.”
“China.... Why, why, why?...”
“No, but listen, Banner, do you remember Mr. Leung—Leung Tok Ngo—who
was so encouraging about the future of American art in the Orient? He
said the Chinese just didn’t begin to appreciate the occidental artistic
ideals of today; the man in the street in the Orient, he said, would
gape at you if you talked of Cezanne or Pizarro. Of course he took back
Benstead’s Portrait of a Naked Broker to his home in Shanghai; but that’s
only one, my dear, to a population of four hundred million. Now listen,
Banner, I kinda think I’ll make a genuine United States drummer out of
this Britisher ... a drummer of ideals, if you get me. Edward Williams
is so darn glum—he surely must be an idealist. No real artist that I
know has anything on Edward for real bad manners, and bad manners always
gets the dilettante. I’m going to send Edward to China with two or three
dozen of those studies of mine that didn’t sell at the Rebel’s Show.
Leung is in Shanghai and can help him. I tell you I’m through with him.
The Orient’s gotter take its turn at him now. I’ll give him expenses one
way and commission, and then I quit.... Not that, as I say, I’m not just
crazy about Edward Williams personally.”
She was very direct. She left Banner Hope and approached Edward. He sat
slackly on an arm-chair, arms forward, palms up, as though asking for
something.
“Say, listen, Edward, what’s your opinion of my pictures?”
This much too general opening left no room for the convention of
appreciation that the careful Edward had prepared. After some thought he
therefore answered, “I think they’re very nice.”
Miss Romero shrieked, “Very nice! Oh, Edward, you’re so discouragingly
British.” She proceeded to convey to him the politer aspects of his
banishment to China. The illusion of usefulness and a certain silliness
about the plan attracted Edward, who would have refused an offer of solid
travelling employment with a fixed salary. Even before he heard of the
commission he said, “Right you are, Rhoda. There’s nothing in the world
to stop me going whenever you say.”
Emily came in. She had made friends with Avery Bird without introduction
at an Italian eating-house. Mr. Bird’s lively yet—if the truth must be
told—quite innocent friendships with women were part of the game he and
Rhoda were playing. Rhoda offset them by discussing passion with all the
men who came to the studio.
In picking up Emily Mr. Bird felt that he was unusually well justified.
She was, of course, English, but, on the other hand, she was beautiful.
Emily had fierce, almost agonised, eyes under up-slanting brows. She had
brushed her dark hair rather flatly to a smoothly wrought Chinese puzzle
at the back of her head and, in the middle of her brow, her hair grew
down to a little point which was consistent with the fact that every line
in her face was rather keen and curious and very definite.
When Edward Williams saw Emily he thought at once, “What a miracle,” and
as his heart went to his throat the cocktail that he was drinking met it,
so that he choked without reserve or dignity. When he recovered he found
with delight that he could hear every word she said. But after his third
cocktail he could always hear well. He thought, “I wish I had reminded
Rhoda that I wish to be called Reynald in future instead of Edward. Rhoda
always forgets the things I want. That girl would surely look round at me
if she heard somebody call out Reynald.”
One of the guests had already asked Emily for a summary of British
opinion on the subject of British atrocities in Ireland, Egypt and India.
Emily said “You may well ask, you may well ask ...” with great energy.
She was only three days old in Californian ways, but the newcomer in
the Western States becomes at once almost pathetically precocious. Yet
nothing—not even self-restraint—can save him from reproach. Speech may be
only silver in America, but silence is not in currency at all.
“Yes, indeed; yes, indeed....” said Emily, looking round nervously. Her
audience noticed with displeasure that she had not yet said anything
to suggest that she disliked being British. To be satisfied with an
alien status implies—in the United States—criticism of the Constitution
or George Washington or something. The word criticism is of course
synonymous with insult. Aliens have to be very careful.
Everyone looked at Emily and looked forward to telling anecdotes later
about the superciliousness of the British. But after all she had only
just come into the room. Mr. Bird felt that his triumph was going wrong.
“Emily is here as secretary to a very eminent Englishman, travelling
with his wife to study conditions in the United States. You all know the
French philosopher Moriband de Morthomme on the subject of totems and
barbarians, and you’ll agree with me that it applies here.”
That may not have been quite the name he mentioned. It does not matter.
Everyone in the room was accustomed to not knowing what Avery Bird was
talking about.
“I am secretary to a saint,” said Emily. She was rather vehement because
she was afraid.
“Indeed,” said Miss Romero with a characteristic swing of her hair, which
was like a frilled red ballet-skirt round her head. “What an encouraging
job. What kind of saint? There are saints and saints.”
“Yes,” said Emily. “Mine is both.” She added after a pause, “I don’t use
the word in the ordinary sense which would just mean—a man I am in love
with. I mean a real saint who works miracles.”
“Why, how interesting,” said Miss Romero. “Tell me, is he recognised by
the Authorities?”
“I believe they have definitely made his reservation in the flaming
chariot,” said Emily. “And—oh, I do hope his cloak will fall on me.”
“A bit chilly ... flying....” Edward was suddenly understood to murmur
into his cocktail glass.
“Explain yourself, Edward,” said Rhoda Romero maternally.
Edward had just finished his fourth cocktail on an empty stomach.
The blaze of Emily’s eyes seemed like searchlights on his lips. “Ou,
I dunno....” he said, delighted, “I often used to think ... Elijah
must have regretted dropping his coat like that.... Probably quite
inadvertent.... Of course ... central heating in the machine and all
that.... Still....”
“Aeronauts say there’s nothing so warm as leather,” said Mrs. Melsie
Stone Ponting. “An old beau of mine....”
But Emily still looked kindly at Edward. He had rarely been so fortunate.
Everything in the room seemed to him to be brightly outlined and,
though his hearing and his wit seemed to him happily alert, he could not
remember from one moment to another the subject of the remarks he heard.
Mr. Banner Hope was laughing almost continuously. His laughter was like
something running helplessly down a slope, stumbling at every breath.
Emily’s saint was spoken of in the same breath as mushrooms. A miracle
in connection with mushrooms at once seemed to Edward quite inevitable.
Mushrooms were not logical; in fact they were made by fairies. Fairies
were little saints.
“I mayn’t be able to say much,” thought Edward. “But I do have beautiful
thoughts.”
But it appeared that Emily was now talking about ducks. How enchantingly
confusing.
“It was caught in the break of the waves,” said Emily. “We saw it crash
on the sand and struggle. They are, after a storm. So awful to have your
own world turn against you like that. Usen’t you to have nightmares that
your mother had turned into a lion and bit you when you ran to her? I was
far behind, finding out how much alike the edges of all seas are—if you
pat the wet sand with your bare foot at Clacton-on-Sea or at Monte Carlo
or at Bombay, it turns into a sort of trembling junket and here it was
the same in the wake of a Pacific roller. Anyway when I caught up with
Tam he was sitting by a broken duck. He had made it a little pillow of
sand. He was holding its poor throbbing web in his hand. We waited till
it died. You would never have thought a duck’s beak could have assumed an
expression of such utter peace.”
“Say, listen,” said Mrs. Ponting, “are all these tales true?”
“Not particularly,” replied Emily. She added after a moment, “Well, to
change the subject, what do you think of the Haiti question, the negro
question, and the question of the Philippines?” There was no immediate
answer to her question, so she went on rather hastily, “Well, well,
fiction is much more fun than truth, isn’t it? Atrocities are delicious
to make up. And everyone with a great enthusiasm or a grievance lies.
I met a negro called Erle Takka, who said that United States Marines
strip the houses of Haitian widows and orphans and then, while they
starve, stand around and prick them with bayonets to make them dance.
Too frightful, don’t you think, and too interesting, but—at least to a
prosaic European ear—hardly likely. Up to now not a single deputation to
Washington on the subject of Haiti has crossed my lips. Perhaps all this
is rather superfluous....”
“It is rather,” said Rhoda.
“It is very,” said Mrs. Ponting. “I never heard such talk. Haiti
indeed.... Whoever heard of atrocities in Haiti?”
Emily was standing now and, with a feeling of desolation, Edward Williams
watched her putting on a hat rather like Napoleon’s. She was nervously
arranging her clothes. She felt that she had been talking too much. She
had a curious lapse into humility and talked in a little frightened
undertone to herself. “I expect my hair needs tidying awfully ... it’s a
tragedy that all lockets hang face downward ... my bag ... her name is
Esther.”
It had been a silly party. Everybody felt that—even Edward, though the
party had left him a changed man. No room could be anything but dramatic
to him after seven cocktails, but he realised now that the party had been
silly, and that a pillar of thin air against a background of Rhoda’s
pictures was an inadequate substitute for Emily. For Emily was gone.
Edward reminded himself that he could walk perfectly straight if he
concentrated. He reached Rhoda successfully.
“Must home,” he said first by mistake and then concentrated again. “I
must be going home. By the way, I may change my mind about the Orient.
Too far. Too sudden. I’ll think it over.” His own voice sounded to him
very indefinite and he seemed to himself to have been talking for a
long time without getting anything said. “I’ll tell you what,” he added
intensely, “I’ll think it over.”
One of the most fascinating results of seven Gin-Old-Fashioneds is the
disappearance of intervals between events. Before Edward R. Williams had
time to think another thought, there he was looking down a precipice of
street at a deliciously small Emily a hundred feet below. San Francisco
streets often nose-dive like this. The grass grows between their
cobblestones because nobody dares to use them except pulley cars and
persons with very strong ankles. Emily was walking gingerly down. Beside
her, plucking protectively but ineffectually at her sleeve, was Banner
Hope.
Edward followed. If he should let himself run nothing could save him from
falling like a stone into Chinatown and bouncing thence into the bay. He
concentrated sternly on the alpine formation of the sidewalk, and when he
reached Emily she was alone.
“Wez Bope gone?” asked Edward.
“His tram came first,” replied Emily. “I’m waiting for a Ferry tram.”
“Tram,” triumphed Edward, who had been long exiled among mere
street-cars. “That’s the stuff to give ’em.... Tram.... Do ’em good by
Gosh....”
There was no Ferry car in sight.
“Would-nibby fun,” remarked Edward, “if we had supper at Jove Pinelli’s.
Night yet young....”
Emily paused a minute. “Yes, would-nib,” she agreed.
Emily, though born in Kensington, had no ladylike instincts. And of
course her mother had never actually warned her not to go to unrefined
Italian dives late at night with young men fortified by cocktails to the
seventh degree.
When Edward, carefully following Emily, reached a table in Jove Pinelli’s
sanded room he sat down, put his elbows on the table and buried his face
in his hands.
“I’m too tired,” he said, concentrating no longer. “You order supper.” He
was so tired that every channel in his brain felt sore. He thought, “I
am going to die soon. If I were in a book and my present feelings were
described, readers would say, Our Hero is going to die quite soon.... It
would be luck to die in love.” He suffocated with some regret his intense
sympathy for himself. He looked slackly about the room and thought,
“At least it is fun being so wicked. Our Hero drunk and in love on the
Barbary Coast.”
The room was meant for people who felt like this. Most of its occupants
were simple excellent “steady beaux” from respectable homes showing their
girls “Life.” One young man, who no doubt had a good mother in Oakland
and hid no thought from her, was singing to some friends a song which he
and they believed to be very daring. “Picked it up in Paris,” he said,
and so indeed he had—from the Victrola in the Y. M. C. A. there. There
were a few moody artists giving supper to ladies, who, though painted,
looked disappointingly safe. The walls of the room, however, were
decorated with scarlet devils and there were several screened grottos
representing, apparently, private cubicles in Hell.
Presently Edward found that he had roused himself to say, “You know,
Emily, I love you....”
“I know it,” said Emily sadly. “I know it.”
One of them would no doubt have said more, but at that moment a matchbox
hit Emily on the back of her Napoleonic hat.
“Oh, hang it all,” said Emily, putting down her fork and spoon. “Don’t
let’s disappoint anyone. Let’s save the Barbary Coast’s reputation.”
She picked up the matchbox. It was from a hotel and bore the legend—A
Room and a Bath for a Dollar and a Half. “Did you see who threw it?” she
asked.
“The little cad with horn glasses who hasn’t shaved.”
“Shall I show you what one does next?”
Edward grunted. Emily turned and smiled intensely at the thrower of
the matchbox. Edward could not see the smile, but he noticed idly how
prettily her hair gathered itself together for the knot, just above the
nape of her neck. The thrower of the matchbox, who had been sitting with
two women and three bottles, rose and came over to the table of Emily and
Edward. He brought one of the bottles, but neither of the women. He said
to Edward, “Say, mister, may I have the pleasure of speaking to your lady
friend?”
Edward grunted.
“My name is Charlie,” said the visitor, sitting down and hospitably
filling first Emily’s glass and then Edward’s from his bottle. “Are you
located in San Fran? My home-city’s Seattle.”
“Mine is London (Eng.),” replied Emily briskly. “I’m doing a stunt.
Round the World on a Motor Scooter.”
“Gee....” exclaimed Charlie. “An auto-scooter! Mine’s a bum job—selling
Bindloss’s Suspenders. An auto-scooter round the world.... Holy Gee! And
where does your husband climb on?”
Emily interrupted herself. She had already begun to answer the expected
question—And how do you like America?
“Not my husband, my advance agent,” she said. “He doesn’t climb on
anywhere. He runs behind.”
“Gee!” exclaimed Charlie. “Well, say, listen. I belong to the Welcoming
Committee of Seattle. I’ll tell the world it’d be highly appreciated if
you could put Seattle someway on your skedule and say a few words in the
Wesleyan Hall. We don’t get too many auto-scooter experts on this side;
no ma-am, believe me.”
“I’d be delighted,” replied Emily. “I’ll have to go to Seattle to get to
Alaska, won’t I? I did give a lecture once before by mistake. I was going
round the world then on a Caterpillar Tractor—demonstrating it, you know.
I had a mechanic and a friend on board. We passed sounds of shouting in
a saloon in Dryville, Mo. My friend went in to enquire the reason and
he came out presently with the chairman, having by some mistake led him
to understand that we were each prepared to give a short address to the
meeting. I gave rather a clever word picture of Piccadilly (Eng.) during
an air-raid. It was unfortunate that the English accent had never before
been heard in Dryville, Mo., so I believe the meeting took my address for
a farmyard imitation. My friend, a Philadelphian, spoke lucidly on the
Mating of Canaries in Captivity. The mechanic was very shy; when he was
finally pulled from behind the bar and placed on the platform he said
nothing but ‘My God.’ Nobody thought to tell us until we were leaving
that the meeting was really supposed to be about Seventeen Year Locusts.”
“Is that right?” asked Charlie with a confused look on his face. “Say
listen, ma’am. You’re not married?”
“I know it,” said Emily plaintively. “I know it.... My mother often
points that out to me. To my mother I am the prodigal daughter and
the fatted calf is getting absolutely apoplectic waiting for me. But,
personally, I love swine and they love me. Did you ever think of the
Prodigal Son from the swine’s point of view? They missing him so
dreadfully and looking for him everywhere with little whining grunts....
And him gone for ever. No, as you say, I am not married. Engaged two or
three deep, if you like, but not married. Why?”
“Well, say, don’t you want to dance?”
While they danced Edward sat and felt relieved. Always when he was alone
he felt relieved. To have no effort to make was blessed to him. If anyone
were with him he thought constantly, “I am surely doing something
wrong.” His trust in himself was always on the point of collapse. Now he
thought, “For the moment I need do nothing. No one can blame me now for
doing nothing. No one can laugh at me now.”
He was smothering a suspicion that Emily talked too much. Would Jimmy
have said, “Good Lord, the woman’s a bore?” Edward would not listen to
this thought.
Emily came back saying, “Well, so long, Charlie. See you in Seattle.”
“You betcher,” replied Charlie. He kissed her hand and returned to his
naturally irritated ladies.
“Does that surprise you?” asked Emily.
Edward awoke from his moment of blasphemy. “You are so very beautiful. It
did not surprise me that he came.”
“No. But did it surprise you that he went?”
“I suppose he saw how absolutely furious I was getting.”
“No. He danced with me. I dance very badly. I once broke a bone in my
left foot and it doesn’t steer very well. It’s an unromantic disability,
to dance badly....”
“It doesn’t seem so to me.”
Their supper was cold and tasteless now.
“I wish I could tell you how much I love you, Emily.”
“You have, dear,” said Emily kindly. Her fierce wide eyes were fixed upon
him. They were deep set, and Edward looked with a feeling of terrifying
intimacy at the shadows about them and at the diagonal prolonged dimple
that led from the inner corner of her eye to her cheek. He felt he could
see her thinking, “I have been rather brazen and silly tonight. You
mustn’t forgive me, you must love me all the better for it....”
“I haven’t told you. I couldn’t. To say anything that I could say would
just make you think I loved you—just like that—that I was just one of a
lot of lovers....”
“You don’t know me,” said Emily. “You only know what I look like. You
have heard almost nothing but lies from me. I have only room for one true
thing in my life.”
“You must make room for me. When can I see you again?”
“We are going to Yosemite on Thursday. Isn’t it fun? Two Ford-loads of
us. Tam and Lucy and I and Avery and Miss Romero and Mrs. Ponting and
Banner Hope. Now I have to catch the last Ferry.”
Emily was always much affected by the skins and shapes of men and women.
The last hour had been made almost unbearable to her by the fact that
Edward had red spots all over his forehead and chin. I think Edward would
have killed himself had he known this. As a rule he thought of those
spots whenever he found himself being looked at. But tonight he was
tremulously uplifted. He really forgot that Emily could see him; he knew
only that he could see Emily. If he were in a book, he thought, the spots
would not be mentioned. If the book were well written the reader would
now be saying, “Our hero is surely more in love than ever man was before.”
He took her over to Berkeley on the Ferry. They stood on the deck in
the brilliant moonlight as the boat ran out of her little cubicle under
the bright eye of the Ferry Tower. The funnels and masts of other ships
stuck out of similar cubicles all along the edge of the city. The ships
looked like tall coy ladies in inadequate bathing tents. The moonlight
was most fiercely bright. It seemed that the hills, disguised in sunlight
all day, had at last unmasked. A long light cloud followed the summits of
the hills so that the horizon looked like an enormous breaking wave. The
air was full of lights and stars, but the water remained sombre except
for a white strip spun across the bay by the moon. The noise of the water
growling at the bows of the ferry so slightly occupied the silence that
the screams of the trains on the Oakland side were clear to the ear.
Clear to the sight were the trains themselves, little swift snakes of
light pursuing one another about the bay’s edge and out on to the distant
piers.
CHAPTER TWO
I have sent my fires to cleanse
Away men’s dreams, to devour men’s
Poor dreams.
When I saw my fires, my proud
Fires lancing
A low gold cloud
I followed them, dancing.
For there is no threshold now.
No star-withstanding beams
Endure to force my pride to bow—
My pride to bow its head.
With a gold spear
I have pinned
My enemy stark
To the stars and the empty wind.
His light is dark.
His dreams are dead. His dear
And his dreams are dead.
Edward had long arranged to have a party next evening. The preparations
were very laborious and dull, like those for almost all parties given
by shy and homeless young men in conscientious return for accumulated
hospitalities. Everybody in Edward’s circle had been invited such a long
time ago that no excuses had been possible. Had Edward not reminded
his friends constantly of the impending event they would by now have
forgotten all about it.
In the morning at two o’clock Edward woke and realised with a sickening
explosion of the mind that his party was certain to be an absolute and
ridiculous failure. “Me, a host to twenty people? I can’t even take the
responsibility of being a good guest....” He had made a great resolve. “I
will invite Emily.”
He hoped that he would die before the party. As a solver of problems it
is a fact that death has been over-rated. Edward miserably survived. He
had spent three dollars out of his last few score on a room in a hotel
in one of the eastern bay cities. He had missed the last Ferry home the
night before. He took an unreasonably early Ferry back to San Francisco.
California mornings are very happy even if you are not in love. They
fill you with happiness even if you have been drinking too much the
night before. Tamalpais, San Francisco’s mountain, bore the sun full in
her face. Her shoulders were wrapped in a rising cloud, her mantle was
rose-gold and green and, in the folds of her mantle, she boasted a steel
embroidery of redwoods. The mists about the eastern hills were loosed
and were blowing towards the sea. The climbing suburb of Berkeley stood
clear, flushed with gardens. A glaze of golden poppies lay on the slopes
behind Berkeley. The scrub-oaks grew, close as shadows, in the little
canyons. There was the rare gold-green of willows against cloud-colored
masses of eucalyptus.
Californians have brought suburb-making almost to an art. Their cities
and their country-side are equally suburban. No-one has a country
house in California; no-one has a city house. It is good to see trees
always from city windows, but it is not so good always to see houses
from country windows. This, however, for better or worse, seems to be
California’s ideal, and she will not rest till she has finished the task
of turning herself into one long and lovely Lower Tooting.
Edward stepped from the Ferry into the shrill bell-like clamor of
newspaper boys. He was always outrun on arriving in San Francisco by
the hard-shouldered and agile business men who efficiently caught trams
on the instant of disembarking from the Ferry. Edward ran among the
women and the aged and he thought, “Half of me is very nearly happy this
morning. Whatever the party’s like, Emily must be made to come to it. The
half of me that thinks of seeing her is happy. The half that thinks of
her seeing me is miserable. People are probably looking at me and saying,
‘There goes a man in love.’”
All the women’s stores on Geary Street were showing clothes that would
have looked exquisite on Emily.
Edward left the tame urban street-car and mounted one of the wild open
pulley-cars that soar up precipices to the crags where artists and
Italian delicatessen merchants build their nests.
Miss Romero, in a kimono perhaps expressive of her soul, was preparing
breakfast at an electric stove in the studio. Mr. Bird, in another kimono
which showed a battle of sparrows on his spine, was washing last night’s
glasses at the sink. Their cat lay on its side pressing its shoulder
blades against the sleeping Victrola. It was a parasite of a cat; it
prided itself on being a member of an ancient civilisation. It never
moved except to move away. It had never seen a mouse fired in anger.
“I want to ask you three questions, Rhoda,” said Edward, who was not slow
to notice that Miss Romero, after greeting him with automatic cordiality,
managed to suggest irritation by the set of her shoulders as she bent
over four nearly fried eggs.
“Surely, Edward,” agreed Miss Romero. “I’m good and busy, but go right
ahead. Put your questions snappily, though, A, B, and C.”
“A,” said Edward obediently, “I want to come with you to Yosemite. In
fact, Rhoda, please, I must come with you to Yosemite.”
“Dear Edward, why can’t you go when and where you’re wanted? Why do you
have to do things so damned intensely and unlike other folks?”
“I’m never wanted.”
“Shucks.”
“The Britisher,” said Mr. Bird, “always has to try and act unlike other
folks—that’s the only way he can remind us crude Colonials of his
superiority. The Britisher is like a bull moose in carpet slippers
sneezing at a poppy——”
“The American,” said Edward, mildly aroused, “takes a good deal of
trouble to be eccentric too. Look at all these Cults and what not....
As a Britisher I should say that eccentric Britishers are fantastic;
eccentric Americans are grotesque....”
“Well, for goodness’ sake, Edward Williams,” exclaimed Rhoda, “what’s
eating you? You didn’t invent that dope. You stole it some place. Who’s
been injecting aphorisms into you?”
“Emily,” replied Edward honestly. “She said it on the Ferry.”
This suggestion of criticism by two aliens at once caught Mr. Bird’s
attention. “The Britisher,” he said, “is the most complacent creature on
God’s earth——”
“Poor thing,” interrupted Rhoda, who, having been born in the United
States, was not obliged to be so ecstatically American as was Mr. Bird,
who originally came from Odessa. “In the presence of God’s own countrymen
he just has to keep his end up some way. Do you like your fried eggs
straight up or turned, British biped? Well, pass on to B.”
“B,” said Edward. “Will you let me off going to China?”
“But it’s all fixed up,” replied Rhoda. “And Melsie Stone Ponting wants
you to take her kiddie across to his father in Shanghai. The father was
awarded custody in the courts, but somehow she’s never gotten around to
sending the boy. He’s so full of pep she thinks he’ll fall into the ocean
or get knitted up with the engine the first day out.”
“I can’t go,” said Edward. “I’ve got a job.”
“You got a job between twelve and seven A. M.?” exclaimed Rhoda. “Well,
say, listen, aren’t you the bright lad? What captain of industry have you
picked up with in the small hours?”
“He’s picked up with Emily,” said Mr. Bird. Whenever he made a statement
you could see him trying to think of something smart and incomprehensible
to add to it. But this time he was interrupted.
“Now see here, Edward Williams,” said Miss Romero. “You can take it from
me right now that there isn’t a scrap of use in your starting to rush
Emily. Look at Emily.... Look at you.... Aw, shucks, Edward, you surely
are—discouraging.”
“I notice that myself,” admitted Edward, burying his face in his hands.
During the depressed silence that followed, Miss Romero swept on to a
divan some bananas which had been posing as still life on the table and
arranged instead a more formal group of fried eggs and hot biscuits.
They were half-way through breakfast before she said, in the voice of
one starting a new subject, “Well, say, listen, Edward, don’t you want
to come with Avery and Melsie Ponting and Banner Hope and me to Yosemite
tomorrow? I’m just crazy to know what your reaction is to some of our
National Parks.”
“I do want to,” said Edward.
“Melsie Ponting wants to have a talk with you about taking her little boy
to the Orient, so that’ll suit her fine.”
“Emily,” added Avery Bird, “is going with another party to another place.”
Rhoda Romero was a merciful woman and, though Edward’s face was so tragic
as to be ridiculous, she said, “Emily will meet us at Yosemite.”
“You haven’t treated us to C yet,” said Mr. Bird, going towards the
door to show how entirely devoid of interest he expected C to be. Avery
disliked most people, but he detested Edward. The view of Mr. Bird with
which poor Edward was most familiar was that of his back as he sauntered
away into another room. Whenever Edward noticed this he reminded himself
morbidly of his own unpopularity, but apart from this he much preferred
Mr. Bird’s absence to his savage tongue.
“Come out with me, Rhoda,” said Edward, “to one of those little
beaches.... I am so excited ... and unhappy. You are the only person in
the world crazy enough to be good to me.”
The little beaches line the southern shore of the Golden Gate. Great
rocks—dragon’s teeth—are sown in the sand there, and these, turned into
warriors, fight the storms. The sea beats against them and the sound of
it is sometimes like whips and sometimes like guns. Now a rock stood
between Edward and the sea. Each wave as it struck the rock threw up a
fist of spray which opened quietly like a hand in the air.
“This party,” began Edward. “Rhoda, I adore Emily. I want Emily to come
to my party and see me at the top of my hour. And yet how shall I make
it my hour? Rhoda, Rhoda, can’t you save me? What kind of an hour can I
have?”
“Why, Edward,” exclaimed Rhoda. “Believe me, folks are just the simplest
animals in the world. Nobody despises anyone without he despises himself,
and nobody despises a host who pays for good unpretentious eats and
drinks at any amusing dive. Why don’t you think out some cute little
notion to surprise us all. You’ve no idea how easy us folks are to amuse.”
Edward retired into the shadows of his agonised soul. He tried to imagine
himself introducing a cute little notion with a light roguish gesture.
“Now, folks, guess what’s going to happen next....” Could such words be
uttered in Edward’s husky and heavy voice? And then what would happen?
Something would try to happen and fail. Edward turned simultaneously
hot and cold as he imagined the scene. Avery would say something about
British humor. Rhoda would be noisy and helpful. Melsie Ponting would
pretend to faint on the nearest man’s shoulder. And Emily——
“For I must invite Emily,” he said aloud. “I won’t have a party without
Emily. Please, Rhoda, help me in this matter of Emily. Nobody helps me.
You don’t know how terrible it is being me. It seems as if everyone were
against me and as if I mattered to nobody. Yet I matter so dreadfully to
myself. If you could——”
“Aw shucks, Edward,” said Rhoda, not unkindly. “What’s eating you? It
seems like everything’s got to be agony to you. Agony’s your hobby, from
the way you act; and you’re welcome to it, for me. But you don’t stop at
that, you got to tell everybody how it is. Don’t we all feel blue now and
then without having to act a hundred and fifty per cent intense about it?
If you get any kick out of feeling that way about Emily, go ahead, go
right on feeling it. But have a heart and let up on agony for a while.”
“Nobody’s on my side.... Nobody’s on my side....” said Edward, standing
up and clenching his fists in half-conscious imitation of Emily’s
vehement manner. “I’m not pretending, Rhoda; it is that I really do feel
things a hundred and fifty per cent intense. Be gentle with me....”
“Gentle is my middle name,” said Rhoda, and she stood up and pressed
a hand on each of his shoulders. “What do you want me to do, you
pity-beggar?”
“Can’t you see how it is with me?” said Edward. “I’m not stupid. I’m not
even slow, though I’m deaf. If I’m alert and confident I’m not even very
deaf. But God is against me, and you are all against me, and nothing I do
or say can ever be successful because there is nobody on my side to lead
the applause. If I could even once come into a room and have people look
up and say ‘Hurrah, here he is at last ...’ I’d be a different man. I’ve
never heard that. I hardly dare to be alive against so much opposition.
My own voice is terrible to me because there is no-one who wants to hear
it. I am living on a giddy high peak of unhappiness. Once before I have
been a little bit in love. To my first love I never spoke—without being
interrupted by Jimmy saying something far more interesting. Or if I did
speak she never listened. For she was one of Jimmy’s loves—and he had a
dozen others in three years. I should think thirty women cried when he
was killed.... If things didn’t matter to me so—I could have anything in
the world I wanted. Rhoda, if I could be sure of myself for one minute—it
would be worth while to be alive....”
As he said this, Edward saw the inner side of a long cylinder wave as it
broke on a clear stretch of sand. It was the color of bright jade. The
nearest wave was jade-green, and the wave behind it was a dull gold, and
the wave behind that was a thick violet, and behind that ran waves of
endless shades of blue. And behind all the waves stood the rust-red and
amethyst hills.
“Worth while to be alive?” thought Edward. “What am I saying? I who can
see so clearly.... Eyes in the world must always be happy, whatever
hearts may be....”
His mind considered itself for a moment almost complacently. “In a way I
must be rather an interesting feller. Lots of fellers get no kick at all
out of impersonal things like colors and what not. I really get a certain
kick out of being so unhappy. It is like being drunk, it makes one see
more faerily....”
He looked at Rhoda again. She was smoking, leaning against a rock and
drawing with a stick on the sand. Rhoda’s strong short hair never blew
out of order. The tip of her nose was never shiny. Nothing undignified
ever dared to happen to Rhoda.
He donned again his extravagantly appealing look. “Rhoda, if you could
let me have an hour of my own. I have never had an hour of my own. Think
of all the hours you have possessed—and spare me one. Let me take command
to-night, let everybody see me in command ... let Emily see me....”
“Me—me ...” he thought. “What kind of a Me would Emily want to see?...
There isn’t any cute little notion that would delight Emily.... She would
be terribly stabbing and cold to a cute little notion....”
“Yet I will ride that hour,” he told himself in the street-car. “It must
be my hour....”
These were poor Edward’s accomplishments.
He could do two card tricks, but anyone smart could see through them.
He could sing in an unresonant voice a few of the old sea-chanteys with
which Jimmy used to inspire delighted applause.
He could make paper crabs. That was rather a cute notion. But not cute
enough to be the life and soul of a party. The crabs would do as a
side-line. This thought enlivened his wits a little.
He could write poetry. It was unhappy, offended poetry, but not always
very bad. He himself recited it at night to himself and thought it good,
but he was sure that nobody else in the world would understand it.
Edward had no capacity for being comfortable. He lived in a small
room in a cheap hotel in San Francisco, and in that room there was no
trace of Edward except Edward himself. The room was allowed to remain
an undisguised hotel room. A defaced card of advertisements and hotel
regulations was on the door, a green pottery spittoon on the floor,
a gaudy but not clean cotton padded quilt on the bed. Even the dirty
jokes which some predecessor had written on the wall were left, and on
the dressing-table was the Gideon Society’s Bible, the flyleaf of which
gave lists of texts to look up when business was bad or after making a
successful deal.
In this heartless room Edward lived, with a telephone for his only
companion. In this room that day he sat on the small stiff armless
rocking-chair until he had made a resolve and then he spent thirty-five
minutes at the telephone.
Nearly everybody in San Francisco writes poetry. Few San Franciscans
would admit this, but most of them would rather like to have their
productions accidentally discovered.
There was quite a decided rise in the stock of Edward’s party after he
had telephoned his confused instructions to his guests. Edward imagined
all his guests smiling tolerantly at their own folly and his. They
would hunt in the pigeon-holes of their bureaux and bring out secret
typescript. “Such nonsense,” they would say to themselves, reading their
work with avidity and pleasure. Each guest would innocently anticipate in
his heart the awed silence that would fall on the party as the last words
of his poem were read.
Edward thought that he would write a poem for his party that would make
everyone in the room pity him. He would make fun of death. Everyone would
think, “Ah, poor soul, he has so much to bear, he must have infinite
courage.” And they would think, “He has death in his eyes. Perhaps we
have not been fine enough to understand him.” Edward thought that they
would all feel a little inferior because their health was so good. He
would sit beside Emily looking pale and brave. His deafness would give
him an air of mystic withdrawal, not the usual air of stupidity. Nobody
could ever think him stupid again after his poem had been read. It would
be the first hour of his life, the first hour of a new life.
But in the end he could think of no really poignant rhyme to valley, so
he selected an old poem about death which he had written in the Tube in
London.
Most of the guests arrived early with their poems crackling in their
bosoms. Already when Edward reached the rather dirty little French
restaurant between two vacant lots above Chinatown there were two
motor-cars clinging precariously to the steep cobbled street outside.
Melsie Ponting and two friends were shooting craps in the low
mustard-colored basement room. Melsie greeted Edward by throwing her
arms round his instantly wooden form, pinioning him and making him look
ridiculous.
“I brought two boys to your party to jazz it up,” said Melsie. “Lon,
Pike, Edward, meet each other.”
Lon and Pike were already kindly pretending to be drunk in order to
enliven the party. Rhoda Romero was in the room and waved flippantly at
Edward. The person behind her was not Emily, it was only Avery Bird.
“I left a message for Emily. She wasn’t in,” shouted Rhoda. Then Edward
knew that Emily would not come.
All round the table were little paper crabs made by Edward in perspiring
haste that afternoon, inscribed on their backs with the names of the
guests, and brought down in a suitcase an hour before. Nobody noticed
them. Everyone sat down without consulting the crabs. Edward cursed the
crabs because they looked forlornly jocose and were not noticed.
There were several kind persons in the room who began to try and sit
beside Edward when they noticed him making his way to the isolated head
of the table. A thin yellow man with hair cut to resemble a wig began
describing to Edward a new mousetrap now on sale in the Oakland hardware
stores. Edward leaned forward and smiled numbly and thought that perhaps
he was looking like a real host.
Trays full of cocktails came in, borne by eager dirty shirtsleeved
waiters.
Emily came in behind the cocktails.
Edward pretended not to see her for a moment, having a vague idea that
this would make him more valuable to Emily. Emily took off her hat
with boy-like indifference and, before hanging it on a peg, waved it
intimately at Edward.
“Great Scott, look at these too darling crabs. Look, they’re supposed to
show us where to sit. Oh dear, we’ve all sat down wrong. My crab says I’m
supposed to be Mr. Herbert B. Undressed. No, as you were. It’s Herbert B.
Weinhard.”
A guest called Bossy was explaining to Edward across the bosoms of two
intervening ladies his misgivings about the future of the canning trade.
“Never mind,” continued Emily in a voice as clear as a flute. “I’m going
to make my crab look as if it was called Herbert Undressed.”
She was drawing faces on Edward’s crabs. They were no longer Edward’s
crabs. His cute notion was simply being made cuter by Emily.
“Make my crab look like me, Emily.”
“No, do mine first....”
“Make Edward’s look like Edward....”
There was a great deal of giggling. The air round Emily was full of
crumpled crabs. There was one in her hair. Everyone was talking now,
but Edward was still entangled in the future of the canning trade. His
only remark in the next fifteen minutes was, “Well, personally I never
met a canner....” He realised at last that Bossy and he were haunted by
the same fear—the fear of being left out. The canning trade was a bond
between them. “At least we look as if we were talking,” thought Edward.
Bossy was a university instructor with fair childlike hair contradicting
the severity of horn-rimmed spectacles and a little imperial. To share a
danger with him aroused in Edward no enthusiasm.
“My Lord!” he heard Melsie Ponting say. “I’m just sick of sitting next to
Lon. I’ll tell the world he’s no gentleman. He’s just said something that
I couldn’t possibly repeat in mixed company. Would anybody like me to?”
Emily shouted, “All right then, General Post!” Having arrived late she
was sitting between two elderly women.
There was a deafening snarling and roaring of chairs pushed back.
Everyone was changing seats. Edward sat still. It was a test of his hour,
he thought, “If it really is to be my hour Emily will come and sit by
me.” The two women on his left hand fled. Rhoda Romero on his right hand
smiled at him and moved away. Bossy moved up. Edward was suddenly filled
with panic because no-one was coming to sit on his right. Everyone would
laugh at him. No-one was on his side. Edward rapidly reminded himself of
the few persons in his experience who had professed to be fond of him.
Jimmy ... the landlady’s daughter in Putney ... his mother ... young
Henderson at school—but he had a clubfoot ... that amazing hatshop woman
in Regent Street—but Jimmy had taken her over.... Quite a lot of people,
Edward thought, trying to fight against his panic. “It doesn’t much
matter if nobody appreciates me here.”
The room was dusty and hot and there were flies. A most exasperating
fatigued fly could not muster energy to leave the neighborhood of
Edward’s lips. Dismissed, it let itself fall through the air for half an
inch and then settled languidly again on his face.
Mrs. Melsie Ponting ran up the room so that the floor shook. She sat with
a florid gesture in the chair on Edward’s right. She looked at him with
her head on one side, her manicured fingers fussily arranging the beads
on her breast.
“There there,” she said to Edward. “Was it lonesome?” She puckered her
strawberry-colored lips towards him. She dropped first her cigarette case
and then her vanity bag. Edward felt smiling and busy sitting beside
her. He was conscious of gratitude towards her.... The whole room was
splashing with a choppy flood of talk. Edward’s ears hummed; he was
drowning in noise.
“After all, I am host. It was because of me that they all came. It is
only that I haven’t pulled the reins yet.”
“Did you bring a poem for us to hear?” he asked Melsie. “If so, you must
hand it to me folded, so that I shall never know who it’s by.”
“My dear, you’ll kill me laughing.... Me, a highbrow? I’d swim across the
bay sooner. But lots of the folks have brought things to read and they’re
all handing them in to Rhoda Romero. I guess it’s that tin-trumpet voice
of hers that makes them all think she’s such a dandy reader.”
She asked for something. All the time she was asking for something.
She wanted a match. She wanted another plateful of the salad which had
just been taken out of the room. She wanted a big coffee now instead of
a little coffee later. She wanted champagne. She wanted advice about
putting electric light in her garage, about whether she ought to let her
little boy smoke cigars, about whether to send him to his father who had
recently divorced her.
Edward rarely found himself in the gratifying position of adviser. His
pleasure in the novelty, however, was partly the pleasure of revenge.
“When Emily looks up this way she will see me being monopolised by
another woman. Serve her right.” But Emily was perversely absorbed in Mr.
Banner Hope, who was singing in a half-whisper a song which he hoped was
coarse enough to bring him the reputation he desired. The uncertain way
in which he sang it, however, robbed the song of whatever sting it may
originally have possessed. Mr. Hope must often have wished that notoriety
did not need such artificial buttresses. If only some woman would commit
suicide for his sake he would be a made man, but you never can count on
women.
“Nobody asked Hope to sing,” grumbled Edward.
“They’re all treating you real mean, honey,” said Mrs. Ponting. “Anybody
would think it was that Emily’s party.”
“You’re not treating me mean,” said Edward gratefully. “Yet I don’t
know.... Why were you so keen to sit by me?”
“Because I wanted to ask you something,” whispered Mrs. Ponting. “Edward,
dear, I’m just crazy to find someone plumb reliable like you going
out to China who’d take my kiddie out to his dad in the Orient. For
I guess I’ve gotter let him go. Edward, you’d never guess what a big
mother-heart I’ve got back of all my nonsense. My kiddie’s just home to
me—all the home I’ve got, Edward. You’ve never seen him but I’d just love
you and him to get together—he’s just a sunny-haired, blue-eyed, little
honest-to-God American, tall for thirteen years—just as high as my heart,
I often tell him....”
It was impossible for Edward not to be moved by sentiment. He was
entirely uncynical. He was touched by vague reminders of motherhood and
home and chubby baby-fingers and other movie properties. Yet all the time
he knew that the thirteen-year-old sunbeam in question lived at a school
near Sacramento which “made arrangements for board during vacations,” and
that he had hardly ever since he was born had an opportunity to measure
himself against his mother’s heart.
“I know you must be damn fond of him and all that,” mumbled Edward. “It
must be beastly parting with him. But you can easily get Thomas Cook or
the captain of the ship to take charge of him. He’d be as safe as houses.”
“Cook me no Cooks,” said Melsie Ponting archly. “There’s nobody to equal
our Edward, don’t tell me. And Rhoda says you’re going to China anyway.”
“I’m not going to China.”
This announcement seemed to him to be fateful.
“Rhoda!” shouted Melsie in a quarrelsome voice. “You told me Edward was
going to China.”
“So he is,” replied Rhoda with cold determination. She was very tired of
Edward. He was a heavy friend, poor man.
“He says he’s not going now.”
“Aw, shucks.”
“Rhoda, read the poetry now,” called Emily. “I’m longing to hear
everybody admire mine.”
“In the darkness of my room
I sit alone.
I am hungry;
I am thirsty;
I have no fire to warm me.
Let the stars be my meat;
Let the moon be my goblet of wine;
Let the burning dark sky be my fire.”
Rhoda read it as though it were a good poem. She had a golden, careful
voice. When she had finished she said, “I seem to have heard that some
place before.”
Emily added, “I think a person called Smith must have written it.”
Most people were afraid that their immediate neighbors might have written
it. So only one other guest risked a comment, a man with a white excited
face who said, “It has no sense and nothing whatever to commend it. Speed
up.” His face was burning white with impatience; he was a fanatic of
speed. Edward, looking at him, pitied himself because friends were so
hard.
But really Edward was fortunate. About the table there were those whose
presence in the position of friends Edward had not deserved or earned.
No-one could think of San Francisco as it was in Edward’s time without
remembering certain faces.... Those faces were part of the essential
blessing of San Francisco.
The face of an old man in a radiance of long white hair and long white
beard, the face of a connoisseur of gentleness, a face that never smiled
without good cause, but in which no cause was good enough to kindle
irritation.
The square keen face of the only woman in the world who can be witty even
when she cries.
The face of a tyrant of benevolence; the only one of his many gifts that
you must always acknowledge is his mood—if you fail to catch his mood,
you offend—and perish in an avalanche of coals of fire.
Another face, sharp and changing, with the complexion of a child under
careless grey hair. The face of an eager pessimist whose imagination
peopled the worst of worlds with the best of men. He distrusted no man,
only all mankind.
Faces of friends from whom poor Edward was too poor to claim friendship.
Rhoda read in a changed voice, with obvious serene enjoyment:
“Curse the rain.
Oh hell.
Oh hell.
The rain is zippety-zipping against the window.
Blurch—Blurch—the big drops.
Ikkle-ikkle-ikkle the little drops.
Ashes blown out of a hell of water.
Like weasels the lightnings
Wriggle down a flat sky
After the squealing hunted wind
And the snarling thunder.
Blurch zippety ikkle ikkle ikkle.
The rain against the window
Oh hell.
I would rather wear a crown of golden thorns and find a pearl in
every oyster on a golden
Dish
Than
Be a wet rag in a hell of water.”
“That,” said Avery Bird quickly, anxious to make his voice heard in the
first silence, “is as full of meat as a unicorn’s belly in springtime.
That’s real stuff.”
Other people murmured, “Too wet.” “Not sanitary.”
The white-faced apostle shouted, “Oh, get on, get on. The next one can’t
be worse.”
“I can’t seem to get a hold on the rhythm,” said an innocent Canadian
broker. Edward and he had made friends because both were familiar with
the same supper places in the vicinity of Leicester Square. The broker
had brought his wife, a rough-hewn looking lady, whose very hat seemed to
be chipped out of marble and ornamented with a wooden feather.
“It is swollen with rhythm,” shouted Avery Bird. “It isn’t blatant
enough, of course, to allow you to hear it. It is all that rhythm can be
without being metronomic.”
Mr. Bird seemed so certain that nobody liked to contradict him. He leaned
forward tapping the table angrily and glaring first at one fellow-guest
and then at another.
“Speed up. Speed up.”
Rhoda read again:
“In a panic forlorn
I am haunting your corners.
I am dead without mourners,
I am dead yet unborn.
You will come to me later,
You will come very late.
Ah—must I wait,
Must I wait,
You unhurrying satyr?
My sisters shall make
Of their exquisite acres
Carved aisles for the breakers
Of sleep when they wake.
They are strung to an answer,
They are strung to a trance.
Ah, must they dance,
Must they dance,
You importunate dancer?”
“Negligible,” said Mr. Bird who had not yet recovered his temper.
Mr. Banner Hope added, “Woman’s stuff,” to show that he was a man.
Emily looked much disconcerted but she said, “I suppose it is a bit
trivial.”
“And foggy, too,” added an alarming University student. “It has no
message at all.”
“It is not worth writing or reading,” said the white critic in a final
voice.
“It’s a song,” objected Emily. “And songs needn’t be messengers surely.
Songs are for fancy to hear, not for brains to digest. Perhaps songs
shouldn’t try to have any meaning at all. They shouldn’t try really to
have even words. Or perhaps just beautiful words without sequence ...
silver and asphodel and Merrimac and darling and mariposa and meagre and
rusty....”
“Well, this song tries to have a meaning and fails,” said the student. He
was a dark, thick young man, and his complacency, very logically, was not
impaired at all by the poorness of his clothes or complexion. The fact
that his collar was very high and not at all clean seemed typical of him.
Edward’s heart turned cold when he thought of his poem at the mercy of
that young man. He said, “At least that last poem makes a picture behind
my eyes.”
“It doesn’t penetrate behind mine, I’m glad to say,” said Melsie Ponting
tartly, and many people laughed, supposing that she had said something
witty. A smart voice is a great asset.
Rhoda began reading again with an abruptness which left many dazed for a
few seconds.
“Damn it Jarge
You surely do get my billy
I asked for three silk ones
And all I can find in the package is some flannel pajamas and one of
your loveletters
By the way Harass
Has only one R.
Well the Lord goes on loving Barkeley
At least we suppose he does
We have no evidence to the contrary.
I have——”
Edward saw a young woman undergraduate’s pink face shining towards him
like a sun. Her eyes looked as though they were going to fall out. She
was waving to Edward. Edward reflected that there were many things in the
world that he did not understand. Why should a female undergraduate with
whom he was only very slightly acquainted wave and wink so earnestly at
him across a room? Was she feeling ill? Edward blamed himself for not
understanding. “Our hero lives as if in a dream,” he thought. “Probably
other men are quite used to this sort of thing. Perhaps she is making
advances to me in a way entirely recognized in certain circles.” With his
brooding eyes fixed upon the young woman, who was now pencilling a note,
Edward listened to the poem.
“I have had five proposals this semester
One from an assistant instructor.
Have you read Millie’s scream
In the Liberator for March?
Yours body and soul
You’d prefer body to soul I guess
Janks.”
The young woman, Edward noticed, was, by means of signs, causing her
note to be passed to Rhoda. “Notes for Rhoda but winks for me,” thought
Edward, wrestling mildly with the problem.
“That poet has courage,” said the high-collared student. “To dispense
wholly with form....”
“Yes, it needs courage to write that,” said Avery Bird, who was narrowing
his eyes and nodding his head slowly. “It is of course callow, but then
so are the chickens of ostriches. Query, does it dispense with form?
There is a sort of antiphony—pajamas and the Lord—the lovesick instructor
and the scream—like the leeward and windward sides of a wall....”
Rhoda announced, “Some nameless person has just passed me a note
apologising for the last poem. It was a letter really, which he or she
passed me by mistake in place of a poem.”
Rhoda’s voice brushed the incident aside and everyone tried to look
as wise as though nothing had happened. Mr. Bird, only slightly
disconcerted, began to point out to his neighbor how bright was the
promise of poetry in a land where even common correspondence had a rhythm
of its own.
Rhoda read,
Answer to a Friend’s Letter
“For me is such a table set?
Shall such a gate receive me?
For I am scarred and shamed, and yet
Nor scars nor shame can grieve me.
I come from a dear and desert shore
With dancing stars my feet before;
Shall these my friends forget me, or
Shall yours—believe me?
Yet I confess that, at your door,
My stars—did leave me.
Your gates are stark and beautiful
As are the brows of Mary.
Your golden bolt is light to pull
And yet my feet are wary.
Between a sword and another sword
I see the garden of the Lord
And young saints treading in accord
A path that may not vary.
A million saints in a marching horde
But never—a fairy.
There stand the trees defensive. There
Your cautious God encloses
In a siege of lancéd lavender
Dark fortresses of roses.
Your cautious God has paved his gate
With half a score of very strait
Expensive tablets, hewn in hate
And righteousness by Moses.
How decorus, how desolate,
The art—of Moses.”
As Rhoda drew breath for another verse, Edward noticed that his poem was
the next in her sheaf.
And in that second or two of silence there was heard a curious growing
clamor outside. It was like an impossibly metallic contact of wind
against the window. For a minute everyone in the listening room had the
insane feeling of experiencing something inexplicable. Then the leaping
bestial yell of a fire engine approaching explained everything.
Mrs. Melsie Ponting was a smart woman. She was at the door first and,
like drops from a rising mermaid, a trickle of small possessions was
shaken from her as she ran; cigarettes, a lipstick, a matchbox, money,
and the beads from a broken string.
“No hurry, no hurry...” shouted several men in laboriously indifferent
voices, as the scraping chairs with one impulse shot, like splashing
water, back from the central table. One man comforted many hearers by
shouting jocosely, “Aw Gee, have a heart, you’re on my best corn....”
Edward thought he would save Emily. “Our hero’s first thought in danger
was for his beloved....”
Emily was dancing about. “Oo, Edward, what a party!” She was sparkling
with the pride which one feels on finding oneself present at an event.
She was determined to save her hat and threw away blithely several hats
which had alighted upon it.
They all arrived on the street, ashamed to have been so tense in their
efforts to reach it.
The fire was in a house behind the restaurant. The fire engines were on
another street, but a few firemen were keeping a space clear of onlookers
on the vacant lots close by. The burning house had its back to them; it
was looking away from them towards the bay like one in agony turning
away to bite his lips. Like a tongue the smoke hung out of one window and
sparks streamed down the smoke. There was a shaking glow on the other
side of the house which lighted up the low bending sky. An inverted
cone of smoke spun on the roof like a top. Edward felt somehow that the
whole scene was upside down, that the sky was his vantage point, and
the blowing fire like a flower of the sky. The cold and usual lights of
fireless virgin cities round the bay looked incredibly stupid.
He could feel the cold and usual Edward inside him saying, “My party is
spoilt by this damned piece of sensationalism. My luck all over.” But,
“Oo, what a party,” was still in his ears, and his delighted eyes were
full of the fire. He was indifferent to the poems or the twenty-five
dollars owing for the futile supper.
The firemen had fat jaws and looked smugly efficient, but if one half
closed one’s eyes and looked at them one could imagine they looked like
heroes. Pursued by the dull, reluctant snakes of hose they entered the
restaurant in order to turn a fusillade of water upon the enemy from
an unexpected direction. Looking in through the steamy window of the
basement, the delighted guests could see the bright helmets of the heroes
going round the table about which so lately plates of commonplace pork
and beans had circulated.
“My poem will never be read now,” thought Edward. Heroes had devoured
the air in which his poem might have been read.
It was a very vulgar little fire after all. It would only have a line or
two in tomorrow’s _Examiner_. Quite soon it admitted itself beaten, and
the perforated house sat blanketed in smoke, looking very sheepish.
“Why, what d’you know about that,” said Mr. Hope, as the first
fire-engine negligently moved away with a mild howl.
“Well, Edward, it’s your party,” said Rhoda. “What shall we do about it.
I’ll say it’s late and not worth while to settle down again.”
“Don’t let’s read any more poems anyway,” said Edward.
Everyone began to say Good-bye in the street. All the automobiles of the
guests opened their bright eyes like sleepy servants pretending they had
never been asleep. To the loud snores of awaking engines Emily said to
Edward, “I wish the law didn’t hate fire so. It would be fun to have a
garden of fire and plant little seedling fires in the moonlight....”
“I don’t like fire. It makes a fool of one.”
Edward went into the restaurant to pay for the supper. The long hot room
looked tired and almost indecent. The poems were scattered about the
disordered table. A fallen bottle of wine had given up the ghost pillowed
on a sheaf of poems and paper crabs. Edward found his own poem—which had
been the leader of the sheaf—disgraced and brought very low. It was on
the floor, and stamped upon it was the wet imprint of a rubber heel. As
he picked it up he saw that Emily was waiting for him in the doorway. She
came along the room towards him.
“Edward....” she said in an impatient voice, and took his arm and shook
it. He could hardly hear what she said. She looked flushed and excited.
Did she say, “It makes my life so lovely—to be loved?...” Did she say
that?
Edward’s thoughts were in ashes. She was watching him so insolently. He
crumpled the muddy copy of the poem and put it into her hand. He felt
nothing but an angry anxiety that she should love his poem and that she
should see how it had been insulted.
They heard Rhoda’s voice outside, “Emily.... Emily....”
CHAPTER THREE
If you were careless ever; if ever a thing you missed
In the forest—a serpent twist
Of shadow, ensnaring the starlit way of a tree;
If, at your wrist,
The pulse rang never, never, to the slow bells of the sea;
If a star, quick-carven in frost and in amethyst
Shone on the thin, thin finger of dawn, your turning away your face....
You shall be sorry, sorry,
Sorry, for when you die
They shall follow and follow and find you
As you go through the difficult place.
The strong snake shadows shall bind you,
The swords of the stars shall blind you,
And the terrible, terrible bells of the sea shall crash and cry,
The bells of the sea shall ring you out from under the sky
In a lost grave to lie
Under the ashes of space.
Mr. Banner Hope, although he wanted to be a Blonde Beast, was of the
type that is inevitably made use of. He knew how to drive a Ford car. He
was known to know how. He therefore found it impossible to demur when
Avery Bird asked him kindly next day if he didn’t want to drive. It is,
as everyone knows, impossible to look personally dangerous and daring
when driving a Ford. You have to sit up straight and there is no spare
room for your knees. These things give you a mincing, bourgeois look. The
lady seated beside the driver of a Ford, whoever she may be, cannot help
looking like the driver’s lawful wife, or at worst, his lawful sister.
Conversely, in a racing car with a steering wheel that bends paternally
over the indolently prostrate driver, even an aunt looks painted.
Avery Bird had first asked Edward Williams if he could drive a
Ford. Edward could not even have driven a donkey. He hoped that his
inefficiency was a mark of temperament.
Rhoda Romero sat next to Mr. Hope, telling him of her first love
adventure and criticising his driving in alternate breaths. Mrs. Melsie
Stone Ponting only travelled in automobiles in order to be kissed. As
soon as she was settled in the car between Avery and Edward she began
obviously discussing with herself which man’s arm to wear round her
waist. Edward hardly counted with her as a man, still, he was unattached.
She looked from side to side but there seemed to her to be no answer in
Edward’s eyes. So she leaned against Mr. Bird and said, “Now let’s enjoy
ourselves,” as they started.
The Ford seemed to Edward to be a sun round which the golden planets of
the hills revolved. Except for a lapse into greenness after the rains,
California hills are always golden; sometimes rose-gold, sometimes
lemon-gold. Now the rains were almost forgotten as the travellers drove
inland, but there was a faint dream of green on some of the slopes, a
glaze or transparency of green laid lightly on the glowing golden hills.
And, besides this dream of color, always there is a sort of dream of
air between you and the hills of California, a veil of unreality in the
intervening air. It gives the hills the bloom that peaches have, or
grapes in the dew.
There was no need for Edward to talk or even to don the rigid semi-smile
which he was in the habit of assuming, with some difficulty, when he
realised that he was watched. He could not hear anything except an
occasional scream from Melsie Ponting.
At four, six, half-past six and seven they stopped at saloons. The
suggestion to stop always came from Banner Hope, but it did not benefit
him very much, for Rhoda strictly censored anything that passed his lips.
“It would be so discouraging,” she said, “if our driver fell down on us.”
At about a quarter to seven Mrs. Ponting began to notice Edward. She
looked round from the shelter of Avery’s shoulder as one looks out of a
safe window at a poor man in the cold.
“Edward’s shocked,” she said; and then with a little shriek, “Oh boy,
I’ll trouble you to look at Edward’s face.”
“_Sir_ Walter Raleigh discovering the barbarians of the Noo World,” said
Mr. Bird, pronouncing the ‘Sir’ with the attentive emphasis democratic
America always gives to a title.
Edward had already dissolved the rigid coating of depression from his
soul by means of several gin-and-vermouths. He was therefore lost in the
thought of Emily and of the happier passages of his life—that dinner at
Romano’s when he had made fourth to oblige Jimmy with the Silly Billy
Sisters ... the afternoon on the river at Marlow when they first left
school.... Edward’s happier passages were very rare and easy to remember.
It was only when Melsie’s attack was repeated on a higher key—(“Now
folks, go easy, we have a poyfect gentleman in our midst”)—that he was
aware of her intention.
“People don’t like me,” thought Edward. “They think I feel superior, but
I am not brave enough to feel that. They don’t know how harmless and
afraid I am.”
“They wouldn’t countenance such things in Britain, would they, Edward?”
said Mrs. Ponting. “The Britisher never hugs anyone except himself.”
She shrieked with amusement and shouted against the wind to Rhoda, “Say,
listen, Rhoda, we’re getting good and funny at the back here—barring
Edward, and he’s shocked.”
Rhoda looked round kindly at Edward. “Poor Edward,” she said. “Say,
folks, at the next saloon there’s a dancing floor and an automatic piano.”
In reply to this Banner Hope of course said that his aunt in Fresno
had an automatic piano too. But Edward fortunately thought otherwise.
Edward’s ears thought that Banner Hope said, “He could take her in two
moves.”
The saloon in the next town they reached had been optimistically built in
the belief that the town was destined to be a Center. Perhaps the town
had justified this optimism once. It was one of those towns that homesick
New Englanders built in a far fantastic land of opportunity and broken
hearts. Its houses, separated from prim sidewalks by hedges that were
once prim, were built out of dreams of homes left behind and of domestic
ideals relinquished. For one moment one thought oneself in Massachusetts,
but in the next moment realised that the West had devoured all but a
dream of the dream. The shell of the town was empty, cracked and even
ruined. The fierce extravagance of California roses covered the damage.
Scrub oak, sage brush, chaparral and prickly pear invaded the gardens of
sentimental dead miners. A wild scarlet sunset crushed down all gentle
thoughts of Salem.
There had been flourishing vineyards on the slopes of the low brown
hills, but these were haunted now by the shadow of a date in the coming
summer—the date of Prohibition. Cows were tearing the vines to pieces.
Californians had given up commenting on this common and horrible sight.
There were no new jokes to hide the despair.
In a row on the covered sidewalk of the town were six saloons. The
sidewalks were raised from the street level and roofed against the sun,
the roofs being held up by once white hitching posts. One of the saloons
was open, the others were moribund.
While Banner Hope sought a nickel with which to feed the automatic piano,
the others drank a cocktail each, but Edward drank two. He did not dance.
He was too self-conscious and too torpid to dance.
While the other four danced he sat at a little lame table and felt warmth
and color coming into his mind. The sound of “He could take her in two
moves ...” was still in his ears. His eyes were constructing a wide red
sandstone chessboard. He remembered it. Near it he was born and near it
he had lived during one-third of his life. “They kept me too long in
India,” he thought, interpolating self-pity even with his rapture of
imagination. “It accounts for me.” The great chessboard was on a low
hill, the only hill in a yellow seamed plain that had no limit. About
the hill there was a high red wall; the indentations of the battlements
were Gothic in shape. The buildings about the chessboard were like dark
flowers. He could see confused flat yellow villages outside the wall
from where he stood—a pawn on the great chessboard. Near him jewels
caught the sunlight, and orange and blue arrows of light from the jewels
pierced his sight. The knights on the chessboard wore full skirts like
dancers; they looked away from their objective; when they leaped upon
their crooked course their skirts swung outward and so did their long
hair. The bishops had very thin, twisted faces and a swift, vindictive
tread. The rooks clanked as they trod, and their stiff brocade coats were
quilted. The queen’s dress was generously made and starry, and her head
was outlined against the sunset. She ran like a boy from end to end of
the board; she skipped and jumped as she drove the men she vanquished
from their squares; her laughter was as gay as frost. The men whom she
dismissed knelt and kissed the jewels on her foot before they went. The
upper sky was the color of grapes and near the earth it was the color of
wine. Against that sky the pawn that was Edward was content only to see
the delicate insolent outline of the queen’s form. He could take her in
two moves....
“The superior gentleman,” said Mrs. Melsie Ponting, sitting on his
knee so violently that not only Edward but the whole floor shuddered.
She was becoming every moment more anxious to appear naughty and this
was delighting Banner Hope, who could now feel that he was living a
deliciously wild life without effort. It was no effort to sweep Melsie
from Edward’s knee on to his own. The impulse for this manœuvre was hers.
Rhoda Romero, though averse to the knees of strangers and suffering from
the drawback of an innate dignity, was anxious not to seem behindhand.
She demanded a challenge to “get together” with a couple of cowboys
who had just entered and were shooting craps at the bar. They wore
flaring leather chaps with leather buckles, leather waistcoats over red
shirts, high boots stitched in a floral design and hats of dark beaver,
very broad, very high and pointed. Rhoda approached them with a rather
charming suggestion of swagger and asked them where they got their hats.
One cowboy answered in a low self-conscious voice, and Rhoda returned to
her table with disappointment in her face.
“From a movie company,” she said a little sheepishly.
Mrs. Melsie Ponting shrieked, not with laughter, but with excitement.
She hoped that the cowboys would look at her but they did not. “Such is
life ... such is life ...” bellowed Banner Hope. Avery Bird said, “Let’s
go,” but Edward, as a defensive movement against Melsie, ordered one more
gin-old-fashioned each, including a couple for the cowboys.
“Mr. Williams is wegging ub,” said Melsie Ponting more kindly. It seemed
to them all extraordinary that so bare a room should be so delightfully
full of confusion. Everything seemed hot, and especially hot was the
finger of one of the cowboys tapping Edward’s knee.
“And it’s not the first time either,” the cowboy was saying. “I surely
did draw a bum card when I got my old girl....”
“What got her goat this time?” asked Rhoda.
An anecdote seemed to tangle itself about Edward’s exhausted
understanding: “... a peach of a dame ... foreigner I guess ... gave my
mare the once over.... ‘Sure, sister,’ I said ... there she was careening
down the grade on my mare....”
“Gadarening would be a good word for that,” thought Edward.
“My God, I said, if the mare isn’t acting like she was going to take the
girl home to my old girl ... and sure ’nuff.... This foreign dame I’m
telling you of rides back ... kinda queer her way of talking was....
‘Your wife’s after me and you,’ she says ... and back of her, sure ’nuff,
come the old girl.... She was blue’s a lemon when she got here....” He
broke off. “Well, presence of ladies ...” he added, smiling fatuously.
“Her language ... sour as a lemon she was, yapped like a coyote.... And
the foreign dame laughed ... put her head down and kinda sobbed for
laughing ... _she_ should worry....”
“I believe it was Emily,” said Avery Bird suddenly.
“You betcher it was Emily,” agreed the cowboy, realising that his story
was improved by this fact. “It would be. Emily for mine every day of the
week not forgetting Sundays....”
Edward and the cowboy inadvertently walked out hand in hand. The cowboy
retained Edward’s hand even while he affectionately shook the hand of
every other member of the party. The trees and the houses and the cowboy
suddenly slid away to the re-awakened tune of the Ford’s engine. Only
the stars and the moon accompanied the party.
They drove the car at last through a gate into a broad moonlit hayfield.
It was like a stage set and lighted for a great ballet. There were no
dancers but the moon and the haycocks. All the haycocks bowed before the
moon.
Rhoda and Melsie chose a haycock against which to spread their blankets.
Avery Bird and Banner Hope burrowed into another haycock. Edward, by
himself, chose yet another. He arranged his blankets and then stepped
back with his head on one side like an artist. There never was seen such
an exquisite place to sleep in. In different parts of the field the
others were singing, catching an infection of song one from another.
“Oh dig my grave both wide and deep ...” sang Edward hoarsely.
When he lay down the upright blades of hay moved in the breeze against
the sky. There was one that was like a pen writing upon the sky.
“In an hour and a half I can say, ‘Today I shall see Emily,’” he said.
But in an hour and a half he said nothing. He could hear an owl through
his sleep, but he said nothing.
The line of sunlight, as Edward woke, was climbing down the opposite
hillside as the sun fought its daily preliminary battle with the eastern
mountains. On the near hillside, pine tree after pine tree flamed in the
descending green light. When the woods that bordered the fields achieved
their morning, shafts of gold dust slanted between the trees. There was a
dark brilliant red in the shadows of the woods.
Cinders in hot cakes taste glorious under an early sun. Mrs. Ponting was
sleepy and a little more kind than usual. She sat plaiting her hair and
giving directions to the men while Rhoda efficiently cooked hot cakes.
Edward, who had walked a very long way into the forest in search of wood,
returned with half a dozen twigs and with news of a bear’s track which he
had discovered in a patch of wet sand by a stream—the great print of the
palm and three precise dents for the claws. The fire was so fierce under
the frying pan that his characteristically poor contribution was devoured
in it like a War-savings Stamp in the cost of the Great War. But he
thought, “I can tell Emily I heard the bear crackling in the undergrowth.
I might say I couldn’t swear to it and then it wouldn’t be a lie. Anyway
she is a liar herself. But liars don’t necessarily approve of liars.”
They all sang during half the day. Along the road which followed the pale
green foothills they sang; the squirrels, escaping to the embrace of mean
and ragged foothill pines, clasped their hands upon their breasts in
pious surprise as the loud song passed by to the kettledrum accompaniment
of the Ford. The heads of gophers shot out of their holes and in again,
till the slope bubbled with half-seen creatures in the sun, like boiling
water. A snake oozed like quicksilver across the road.
Higher and higher. The steep slopes were heaped with dogwood and buck-eye
and awakening azaleas. Mariposa lilies stood in the cool shadow. A couple
of deer waded in the lilies. Sometimes a web of cloud-blue lilac was spun
from tree to tree. The dark wine-colored Judas tree was nearly over.
The forest presently closed about the travellers. They were prisoners.
The very passing miles held them closely prisoners. The trees were
wrought steel bars between them and their sunlit and delirious cities.
The noise of the car was beneath the notice of the silence. The silence
of the forest was much louder than their voices or than the stuttering of
hearts and engines.
Their eyes leapt absurdly and inevitably up the shafts of the trees. When
the striped earth sloped the trees sprang at one angle from the slope
like javelins thrown against one enemy, the sun. The sky seemed stabbed
by the javelin trees. The high down-pointing cones were barbs, closely
embedded in sky.
The sunlight stood in fluted slanting columns hardly more ephemeral than
the trees. There was an obsession of trees in Edward’s mind. Out of
the corners of his eyes he could see an unceasing bustle of birds and
squirrels and insects among the trees, like a hinted joke on lips that
were sealed when he looked directly at them. Everything was secret. A
few acres of the forest were secretly and quietly on fire. It was the
spirit of fire with its eyes shut, intensely malevolent. There was but
little flame; a little dagger of flame or two, as though the keeper
of the savage secret could barely refrain from committing himself.
Blue smoke curled from the roots in the ground; thin snakes of smoke
writhed about the innocent strong trunks of the trees. The air was hot
and the hanging pale scarves of lichen waved in the heat. It was an
intense relief to leave the smoke behind and pass through the living,
unthreatened spaces of cool forest again.
There was a pause in the day at the foot of a monstrous horned tree. An
experiment on the part of the Creator but not, Edward thought, a very
successful one. Trees should be young and shining or they should be
immortal and carry their age like a gentle green dream. The greatest
sequoia of all is a horned devil with a senile brow. The weight of his
thousands of years is like a torpid curse upon him. One thinks miserably
of his contemporaries, Moses and the jewelled Pharaohs, and one is glad
that the ancients died decently and thoroughly and are only very sparsely
survived. Some of the trees on the slope—younger by a thousand years or
so—were very much more splendid. The grain of their rough and rusty bark
ran up in slow spirals—for ever, it seemed. No great branches drew the
eye away from its climb upward to the tapering spear of the tree. Only,
far up, near the sun, the little delicate branches and needles sprang
out and shone like the drops of a fountain.
“Why, why, why ...” said Mr. Hope, after reading the notice board at the
foot of the horned tree. He gave the tree a quick congratulatory glance
and said to Edward, “Say listen, you don’t get trees like that where you
come from.”
Edward’s mind ran home. “No,” he agreed vaguely. “Not trees like this. No
notice-boardy trees like this. Primroses, of course, and what not.”
“Your notice boards in Britain,” said Avery Bird, “say ‘Trespassers
will be shot at sight,’ or something very like it. Our notice boards in
California say ‘See here, folks, come and look at this tree,’ or some
such thing.”
“That’s true,” admitted Edward. “Still, it’s more fun to disobey a notice
board warning you off than to obey a notice board calling you on.” I am
not sure that he really said this. If he did I do not think anyone heard
him. After a second or two he realised at any rate that he might have
said it and he thought, “Really, you know, I am quite clever. Only Emily
is never there when I am clever. Nobody is on my side. There is nobody
to think, ‘Well, by Jove, our hero is not so very unworthy of his Emily
after all....’”
The grotesque dance of the Ford car between the quiet trees began again.
Back and forth, back and forth, along the climbing roads it toiled.
Higher and higher. There were patches of old crusted snow beside the
road now. The little meadows among the trees were extravagantly green.
The very shadows were green.
The earth opened before them. There was suddenly nothing at all between
them and another world. The faces of the opposite mountains—El Capitan,
Half Dome—were made gracious with Gothic curves. There were far
mountains—red mountains, patterned with snow—to the east of the Half
Dome. They were like still flames in the low red sunlight. Yosemite
Valley was filling with blue shadow as the sun went down. The line of
shadow climbed up the sheer cliffs like rising water and overflowed the
tall shallow arches of the cliffs.
Edward thought, “I can’t bear to be alone with this. One can’t be
anything but alone in such an indecently enormous world. There is nothing
that will ever come near enough to save me.... Unless Emily would
come....”
Avery Bird said, “The other party ought to be quite a short ways from
here. They’d planned to wait for us before going down into the valley.
Let’s all call Emily, let’s sing Emily all through the woods.”
“Emily ... Emily ... Emily....”
They moved along the shadowy road. The sunlight slipped from the brim of
the lower cliffs across the valley. The brows of the mountains were still
alight.
“Listen,” said Rhoda, and Mr. Hope, listening to excess, stalled the
engine by mistake.
“Hurray.... Hurray....”
It was a very small distant voice. There was a very small distant Emily
framed in tall trees. It seemed to Edward that all the trees they had
seen had been but an avenue leading to Emily. She was waving violently at
them with both arms. She ran towards them.
“A deer came and almost kissed me,” she shouted urgently as she ran. “We
didn’t light the fire till now for fear of frightening it. The darling
thing. We are going to have four fried eggs each. We bought all the eggs
in the last town.”
“I guess you got to admit now that London has nothing on this,” said
Banner Hope.
Leaning over a doubtful camp fire knelt Emily’s employer and his wife.
Emily danced about them without dignity. “Isn’t it fine? Isn’t it fine?
Soon it will be all starry above and we shall be just seeing each other’s
nice faces and eating four fried eggs each.”
“You spoil things by expecting them too much, Emily,” said her employer,
snatching facetiously at her dancing ankle.
Tam McTab, that eminent journalist, had a large dark complacent face.
His eyes, unexpectedly, were very pale grey. They were like lapses into
vagueness in a vivid face. He had straight black hair, the front lock of
which seemed grown at a different angle from the rest and either fell
obliquely across his forehead or was blown upward by the wind. He had
rather a fat, satisfied chin. He stooped, not so much with slackness as
with alertness, as though he were leaning forward to catch the sound of
something passing.
His wife, Lucy, had a round, rather indeterminate face and pale drooping
hair. Her clothes made her look collapsible and boneless. Even her hat
was draped rather than set upon her head. Her lips looked stiff as though
she were biting them constantly.
Edward knelt at her side and looked at the fire rather helplessly. He lit
several matches but they went out without doing any good. Rhoda Romero
took command.
It was dark at last and the stars crept in procession across the space of
sky above them. The fire, a slowly spreading ring of fire rooting itself
among the pine-needles, was between Edward and Emily. Lucy sat beside
Edward.
“Are you fond of reading?” asked Lucy nervously of Edward. She was trying
to make a little safe alcove of conversation in the great silence that
stood about them. She had not intended anyone else to hear her; she was
obviously not really anxious to know whether Edward was fond of reading.
But she was accustomed to rooms and to a polite murmur of talk.
Emily heard her and said gushingly to Tam, “Do you play tennis, or is
blue your favorite color? Lucy has brought the drawing-room even here.
Lucy, won’t you even take off your hat? Is it because of the angels? St.
Paul’s angels aren’t in the forest, surely.”
Edward was hardly ever scornful except of himself. He knew too well the
difficulties and dangers involved in being alive to despise those who
sought for safety in tremulous platitudes.
“I write more than I read,” he admitted in so low a voice that even
the mocking Emily could not catch it. “I don’t write well, but I love
writing.”
“Oh, how clever of you,” said Lucy. “I’d have loved to write but I
never could at all, I’m sure. It’s a gift, isn’t it, really? Tam writes
wonderfully. But then he does everything well. He reads a great deal too.
He often says he doesn’t know where he would be without his books. He
reads wonderfully well aloud. Even here he has brought books. What is the
name of the man who wrote that sad bit of poetry—the ‘Song of the Shirt?’
George Moore. I saw some books of his in Tam’s suitcase. I always tell
him—half in fun, you know—camping isn’t the place for reading. I admire
scenery awfully, don’t you? I am a very observatory person—I often notice
things that Tam missed altogether, and then I tell him and sometimes he
puts it in his books. That is to say, he did once....”
Her uncertainty robbed her manner of the slightest trace of enthusiasm.
She bit her lips and looked at Edward to see if he was listening. She
seemed to be chronically unflattered.
Edward felt ease and complacency covering him as she spoke, just as he
felt the warmth of the fire enveloping his happy body.
“Yes, I love looking at great things,” he said in a proud throaty voice.
“I am myself no reader anywhere, out of doors or indoors.”
Emily was still rudely listening. Nobody else seemed to be talking. Emily
was laughing a little. The low fire made a poppy-yellow light on the
point of her chin, a theatrical light. A duller light was on the soft
silk shirt that followed the gentle lines of her breasts.
“I have got an idea again,” said Emily, thumping the pine needles
excitedly with both her hands. “Oh, now I come to think of it, I can’t
say it so that it sounds a very good idea. It’s about being honest. Did I
talk about it before?”
“Yes,” said Tam, and Emily’s body relaxed with disappointment. Edward
thought that Tam was as hard as concrete and that certainly Emily would
never bear to be laughed at or to be beaten at games. He was quite sure
that she would behave badly at games and contradict the umpire.
“Well then,” said Emily rather lamely, “I’ll talk about it again. Don’t
you think it’s tremendously interesting to make people be honest against
their will? To startle people suddenly into being honest about their
standards—about why they cry and why they laugh and when they lie and
how much they pose? Posing especially. Although everybody poses, only
about ten percent I should think laugh secretly at their own poses.
People’s poses make them slow to admit, for instance, that they laugh
only when there is something a little dirty in the joke, or that they cry
when their conceit is wounded, or that they powder their noses to attract
men and not for the health of their complexions, or that they lie. Let’s
all pose as being absolutely honest. Lucy, quick—how much do you lie?”
Lucy bit her lips. She made a little tower of sticks at the edge of the
fire and tried to convey a little torch of flames to the tower. “Why,
Emily, don’t talk like that. I try not to lie at all, of course.”
“Oh, I try frightfully hard to lie,” said Tam. “I am always deeply
disappointed if I do not succeed in deceiving everyone I know about
what I am and what I have whenever I want to.” He spoke of himself with
great confidence and with an obvious certainty that whatever he chose
to say about himself was interesting. One felt that he would just as
complacently have explained that he always used Vinolia Soap or that he
preferred silk socks to woollen ones.
“Oh, you naughty, naughty man!” said Melsie Ponting. “As for me, I only
lie to make a funny yarn funnier. I never mean to deceive a fly.”
“I lie to save myself from myself,” said Edward. He thought this sounded
modest and tragic.
“I lie when I am angry or when I am frightened,” said Rhoda. “If I were
always calm I should never lie at all, I guess. Except that I never tell
anything that happened to me exactly the way it happened.”
“I have no conscience at all,” Banner Hope said. “I remember when my
Momma used to catch me stealing the candies....”
“Truth,” announced Avery Bird, “is a bastard begotten by a
steam-locomotive and born of the scent of jasmine—if you get me. Truth is
the ghost of a decadent vice, clanking steel chains; Mary Magdalene was
crucified on truth instead of a wooden cross——”
“Oh, for the land’s sake, Avery,” exclaimed Rhoda. “Do you have to act so
damned complex? Nobody gets you, believe me. It’s because he’s a Jew....”
she added apologetically to the others as she took Avery’s hand.
“I think you’re all posing,” said Emily. Her clenched hands became slack,
as though with disappointment. “If I began to say how much I lied I
should pose as a miserable sinner. Yet I do lie, to save myself from the
anger—which I deserve—of other people. And I lie often in order to seem
uniquely honest. Oh, hang it all, there’s no getting away from pose after
all. We’re all posing as liars now because it’s more popular and funny
to be liars——”
“Lucy didn’t,” said Tam, as though Lucy were his property.
Emily interrupted, “It was the talk of reading and writing that reminded
me. While I was lying in the sun before supper I tried to read George
Moore’s Confessions of a Young Man. I thought Tam would presently ask me
what I thought of it and I began trying and trying to think of something
clever I could say—something that would sound so clever that even Tam
wouldn’t dare to strip the skin of cleverness from what I should say and
see how light and womanly was the core of my thinking. And then I thought
it would be fun to say to myself what I really did think, not trying to
show off. So I read the book with one hand and wrote everything that
occurred to me with the other.”
“Well, I suppose we’d better hear what you wrote,” said Tam, knocking out
his pipe in a jovially resigned way.
“Tam, don’t you really want to hear?”
“I see you are determined to let us hear.”
Edward thought, “I certainly have no delusions about her. I can see that
she monopolises talk too much. And she talks entirely about herself.
Having no delusions about her I can see the more clearly how adorable she
is.”
“When I read my notebook now it is like a fog translated into words. Yet
I swear this is all I thought about George Moore, and I am not abnormally
stupid.”
“No indeed,” said Banner Hope helpfully.
“This is what I find in my notebook:
‘Why not die if you are Victorian? _Terrible is the day when each sees
his own soul naked._ But his soul is all dressed up in tight trousers
and what not. And side-whiskers. I wonder if my navy shirt is too tight?
My mind is wandering. I must read this book acutely. _I fain would show
my soul._ Mrs. Felicia Hemans toying with adultery. My first schoolroom
had a green wallpaper. What’s this about Scott. _Too impersonal._ Who
cares for the effect of Scott now? Might as well care for the effect of
Little Arthur’s History. Oh, what roguey rogue he is trying to be. _Of
course I liked the fashionable sunlight in the Park, and to shock my
friends ... I boasted of my dissipations._ Now he boasts of his boasting
and that is just as bad. _A satyr carrying a woman._ How laboriously
luscious. But why not laboriously luscious? He’s got to give his Young
Man something to Confess. But in these days we would laugh at his Young
Man. Because he isn’t young. He’s only pretending to be traditionally
young. _I cannot recall a case of man or woman who ever occupied any
considerable part of my thoughts that did not contribute to my moral
or physical welfare._ He is very proud of that. He thinks that using
people makes him great. Men are vainer than women. Or naïver. Talking
of vanity, I’d like leather buttons on my coat like a man’s. They would
look sort of tawny. _Beginning to regard the delineation of a nymph or
youth bathing as a very narrow channel to carry off the tide of a man’s
thought._ How very good all this is. How honest of him to admit his
impression of Impressionists. The shocker shocked. Hurray. He is not a
spirit shocker but a flesh shocker. It is certainly fair of him to admit
his vulgarity—if only he knew how vulgar it was. I don’t know about all
this. I don’t know Théophile Gautier. I am a fool. I am a woman. Why do
they let women be like me, skipping the strange parts of books? I think
the needles on the pine trees are woven like Japanese matting against
the sky. I am bored. I am bored. Now I am not bored. I am proud of being
not bored; I am proud because the quotations from Gautier please me so.
I am applying it all to myself. Oh, he is laughing at me. Being a woman,
that’s the trouble. _Pity, that most vile of vile virtues, has never been
known to me._ Is it being a woman that prevents me from understanding how
pity can be vile? Women are paid to pretend to understand men’s epigrams.
Epigrams about virtues are easy. Pity isn’t really vile, only there are
three sexes, men, women and people who pity. _It is said that the tiger
will sometimes play with the lamb. Let us play._ He is laughing in a
laboriously aesthetic way. He is pulling the nineteenth century’s leg,
but the twentieth century can pull his. It is all Victorian smart like
a minor novelist’s club. Affectations of an out-of-date “deliciously
naughty fellow.” Written for sheltered women. _The real genius for love
lies not in getting into but getting out of love._ All right. But does
the word love catch every woman’s eye as it catches mine? _Pythons....
Persian cats...._ Are men then really so naïve? No woman would bother to
retail such Garden Suburb vice. Or do I not understand the joke? Yes, I
know he wrote it when he was young. But he re-published it when he was
old. Has he not noticed what has happened to the world since he wrote
it? It is re-published in fun ... as a survival. If I were cleverer I
would have been laughing all along. But it is proud of its Bohemianism.
The game of being a Bohemian can only be played with a smiling
mind. You can’t have a smiling mind among Pythons and Persian cats.
No—_Hypocritical reader, in telling you of my vices I am only telling
you of your own, in showing you my soul I am only showing you your own._
When he talks of readers and souls and vices like that he is using a dead
language. The reader he apostrophizes is dead. He has the sustained smirk
of a John Leech “Toff.” He is an inverted Pollyanna. Now I am in America.
We don’t pretend now. We don’t leer. When we leer we see ourselves in the
glass now.’
Tam McTab said, “By Jove, Emily, you ought to be shot. You are
terrifying. You are too conscious, you frighten one.”
“Tam, do I frighten you? Tam, say quickly, do I frighten you?”
“Not so much as you might,” he said. “Because we are all somehow
metallically unsimple in these days. I am too. We can’t even be naked
without noticing it. We can’t even think without thinking about thinking.
But you are too unsimple to be allowed to live, really. It is simple and
human to pose a bit and not to know you are posing. When you try to know
yourself so well you devastate yourself. You are conspicuously inhuman
even in an inhuman age. You are too hard-hearted to have delusions and
to make mistakes and love yourself peacefully as everyone else does. If
you hit nails on the head you do it savagely, with a purpose, and kill
something with it—as Jael did.”
It was suddenly apparent that Emily was crying, but she made no sound and
said no word. Her eyes looked round and strained and the firelight caught
the tears on her lower lashes.
“Is that a bird calling?” asked Lucy mildly. Lucy’s cindery hand was
nervously poking the fire with a twig.
Information was generally left for Rhoda to give. “It is not a bird. It
is a man whistling.”
The firelight glared suddenly and cast all their shadows outward in a
circle. Their shadows were like the petals of a dark flower with a
flaming centre.
They listened to the sound of approaching steps across the soft pine
needles. Edward listened but he could not hear. A panic seized him
because he could not hear. “Probably the forest is full of great sound.
They talk of birds and whistling. The world can’t be nearly as still as
my world is. My hearing reaches no further than the light of the fire.
I have no impersonal hearing at all. Perhaps they can all hear that
waterfall across the valley and perhaps owls and the tread of deer. I
should be ashamed to tell Emily how little I can hear, although I can
always hear her voice. I am defective. Our hero in a tragic mood of
self-realisation. Our hero indeed! I am not even my own hero.”
He drew back a little from the dancing light of the fire because he
wished to have shadow on his eyes which were filling with tears of
self-contempt and self-pity.
“Real men never cry,” he told himself. “What is the matter with me that
I have never grown up into a man? Here are two men coming out of the
forest. They need a shave. They have big muscles under their skin. Even
when they get drunk they probably never cry and surely they never hate
themselves. I don’t love Emily—as either of those two men could love her.
I love her deafly and drunkenly and neurotically. Is there no happiness
at all for poor things?”
The two unshaven strange men he was looking at stood in the outer radius
of the firelight. It was amazingly unlikely that they should have found
the campers, it seemed. Edward thought that he and Emily and the others
were like bees hidden in their flower of flame and shadow. But now they
were found.
“Any of you folks got a match?” asked one of the strangers. He added
when he had lighted his pipe, “Why, you’re San Francisco folks, aren’t
you? I know because I had the pleasure of listening to you, Miss Romero,
addressing a meeting of the What is Liberty Association last week. Say,
did you know the office of the W. I. L. A. had been raided? Sure it has.
I wouldn’t of known it only that I happened to be right there on the
stairs when the police hit the place. Took my name and address and showed
me the door.”
“Why, what d’you know about that?” murmured Banner Hope. Rhoda looked
rather white.
“Have a drink, strangers?” said Avery Bird.
CHAPTER FOUR
Ah, fortunate,
Ah, fortunate ...
I can defy tomorrow’s law;
Never tomorrow can say to me—
_It passed you by. You did not see._
For I saw....
There was a star fell out of the night,
Fell down that tall blue precipice,
And I had time to lift my sight,
To lift my fortunate sight to this
And say—_I am not too late,_
_I am not too late._
Days and nights went by under the trees. The travellers went down into
the Yosemite Valley itself. At one hour the subtle shape of Half Dome was
suggested through a robe of morning mists, at another it was hewn starkly
out of a hard sky. They confronted the incredible grained and golden face
of El Capitan, that perfect half of an unknown whole, that perpendicular
desert of stone which bares its naked heart to the sun and whose
boundaries march with those of the clouds. There was for days a sound of
falling waters always. Edward did not hear it, but he could see the thin
silken bands of water binding the mountains, and he could lie at the feet
of falls in an explosion of light spray and watch the stars shoot out of
the smooth high brim of the fall three thousand feet above him.
The red pine ground was their bed between the crimson and golden trunks
of trees. There was always light on the river and often, it seemed, a
light within the river, a twisting snake of light.
Yosemite was printed like a dream upon that part of the memory that
registers impossible things....
They were motoring westward again through the gold country—Eldorado. The
two Fords were together now, Tam driving the first. Lucy was in the front
seat beside Tam. Emily and Edward sat in the back.
“I have never really driven a car before this trip,” said Tam as they
started. “In England I am no motorist, though a friend’s Rolls Royce
occasionally wears Lucy and me as buttons. But I am no driver and it
alarms me to have anyone but Lucy in the seat beside me.”
Lucy looked at the country with a patient expression. The angle of
her head followed the line of the hills. The line was like a feverish
temperature chart against the sky and Lucy watched it with uncritical
attention.
Emily put her hand upon Edward’s thin arm. “You know, Edward,” she said,
“you’re a masochist.”
“I suppose I am,” said Edward despondently. “What is it?”
“A person who enjoys hurting himself.”
Edward considered this.
“That’s what makes me want to love you without being loved,” he thought.
“Yes, I want that. I want to be hurt and to make myself sick with pitying
myself. I want to ensure that you shouldn’t love me by telling you the
worst about myself.”
He found it suddenly a real effort to be silent. He wanted to tell her
how unhappy he was; he wanted to try and make her cry for him, or rather
to satisfy himself that she would never cry for him. He wanted to tell
her how often his head hurt and how poorly his ears served him and of
the unbearable thundering and crashing that was always in the foreground
of his hearing. He wanted to tell her how impossible he found it not
to drink too much, how impossible he found it to be like other men. He
wanted her to say, “Poor Edward, poor man...” and stroke his hand.
He said, “Emily, are you really as hardhearted as Tam says?”
They both looked suddenly at Tam. He was telling Lucy in his usual
absolutely confident way of some small experience of his own—an
experience that would not have been worth describing had it not been
for his own intense interest in it. They heard him say, “And the silly
part of it was that if I hadn’t been wearing those old grey flannels the
feller wouldn’t have dared to speak to me like that.”
He had a habit of speaking to Lucy as if she were not his wife but a
friend.
Emily leaned her head suddenly on Edward’s shoulder. “How can you be so
brutal?” she said. “How can you ask me if I am hardhearted when I am in
such pain—and all for love....”
She never could keep her hands still. She threw out her right hand as if
in surrender and hammered the side of the car. Edward could feel that she
was absolutely tense. The muscles of her neck were unyielding.
He thought, “I must be very cautious.” He understood that he was not in
Emily’s world at all. “I must be very cautious even in thinking of her
now....” It was like falling into very cold water and becoming at once
numb. “I mustn’t be feeble in this too. I must be a hero in another
way. If I love her without hope, in the end I must die because the pain
will grow and grow.” He looked forward almost eagerly to atrocious pain
forever. The forever of the morbid introspective is not a real eternity.
I believe he looks forward in the very end of the end to telling God and
being publicly pitied and caressed at last. “Well done, thou good and
faithful servant, thou hast been alone and unfortunate in all things.
Enter thou into the unending pity of thy Lord.”
The wind blew back to them something that Lucy was saying. “Well, it’s
just as I always told you, Tam. You never know what you can do till you
try.” They were being briskly polite to each other. They were what is
called in sprightly domestic literature, “Good Comrades.”
“When you asked me if I were hardhearted, Edward,” said Emily, “I suppose
you were going to tell me something about yourself.”
“I was,” replied Edward. “But I won’t now. Anything I could say to
you now would seem too big to me and too little to you. My love, for
instance. And the fact that I must miss everything in the world....”
“Your deafness....” said Emily. “I gathered you were a bit deaf even
before Melsie Ponting told me you were as deaf as a post. Tam said—‘Yes,
and as slow as a Sunday post’—but I told him to shut up. It must be
beastly being deaf because I suppose you feel that you seem stupid and
that people get tired of talking to you. Why don’t you go to a doctor and
all that? I always go to doctors the very minute I have a symptom—doctors
are so awfully interested and lean forward when I talk about myself,
which of course nobody else will ever do. Other people tiresomely begin
talking about themselves as soon as I get going, but luckily doctors
never do that. Tam is the only person I know who can talk successfully
about himself, but then he is always perfectly happy about himself and
talks of what happened when a vital button came off at his wedding, or
how pleased somebody was to see him when he called, or why an Armenian
mistook him for a Turk. And everybody listens with a poised smile on
their lips, and when he has finished there is always a loud noise of
success. Sure and happy people never fall flat. Edward, if you weren’t so
sad-hearted, people would love you much more.”
“That’s what happy-hearted people always say,” said Edward. “Happiness
and sadness are not attributes and not moods. They are the foundations on
which people are built. You can’t change your foundations.”
“Well, if you are sad, your castle is built on sand. It is so safe to
be well and truly laid on a happy and a rocky heart. Then even pain is
nothing more than storms beating on the rock. When the storm goes down
you are wet and perhaps a shade chipped but still safe.”
“I am never safe,” said Edward. “Never safe for a second.”
“Oh, I am so tired of talking about you and me, Edward dear,” said Emily
sitting up.
They were silent and Edward felt as if he were learning Emily’s face
by heart and as if it were a lesson knowledge of which would be most
urgently required of him some day. Her upper lip was thinner than the
lower and, though the upper lip did not protrude beyond the lower at all,
the effect of a little uptilted pout was produced by the line below her
mouth which receded very definitely before jutting out to form a rather
large round chin. Her nose was strong and rather broad, absolutely
straight in profile and a little tilted. Tilted lines were necessary in
her face to support her slanting thick black brows and the upward angle
of her dark hair. She was smaller than most people and looked as if she
were accustomed to putting her shoulders back and looking half defiantly
up into the eyes of large, strong, delighted men.
There were no level places in the land they were passing through and
no color except a hot brown. The air shook in the heat; the summits
of the brown dead hills seemed to be seen through shaken water. There
were scars in the hills made by old gold-seekers here and there, and
surviving one-man mines stabbed the slopes. Small villages of bleak grey
shacks clung to the road. The sunset turned the brown to red; the air
in the shadow of the hills was russet red. It was time to find a camp
site. Whenever they turned a corner and looked down, as it seemed, upon
a perfect site, some little town had chosen that site too. There was no
remoteness in that strange broad land.
“This damned country has broken out into a rash of towns,” complained Tam.
One of the intrusive little towns seemed to attract the sunset. Its
windows flamed in orange; its roofs smouldered in dull crimson.
“It’s like as if it was on fire,” said Lucy. “Stop, Tam, and let me
look.” Lucy always had to look where the others only glanced.
“Lot’s wife,” said Tam.
“One thing, by the way, that we know because the Bible tells us so,” said
Emily, “is that Lot didn’t care a damn for his wife. If he had cared he
would at least have looked round at her predicament; probably he would
have tried to help her or melt her or something. We should have known
if he had because he would have been preserved forever as a pillar, a
monument to conjugal gentlemanliness. The cad.”
“We ought to get under cover. It’s going to rain; the cows are lying
down,” said Lucy restlessly.
“Oh well, even a cow is human and may err,” said Emily.
But the stars became gradually absorbed in darkness.
As the final darkness fell they came to a deserted village consisting
of a roadhouse, a shack or two and a barn, all empty. The travellers
had with them dill pickles, a cucumber, canned tomatoes, raw eggs, raw
potatoes and soda-crackers. They had also accumulated various bottles,
one of very fulsome country-saloon port wine, two of gin, one of vermouth
and two of whiskey.
The meal, eaten seated on the bare floor of the old roadhouse, seemed
blessed. There was so much to drink. They all felt as if they had left
themselves gloriously behind. There was no hint of life in the village
except—far off—the asthmatic and difficult cry of a donkey. And a dog
strayed in and joined the travellers. It did not seem to mind the fact
that they all tried to be funny at its expense. Tam pulled its tail,
lifted it up by its tail.
“The way to flatter a dog,” said Emily, “is to say, ‘What a nice new tail
you are wearing today, darling.’ Dogs are frightfully sensitive about
criticism of their tails. Of course most dogs have only one tail which
they wear weekdays and Sundays, but they would never admit that. They
only think to themselves, ‘How lucky I chose this one—I hesitated between
the one with the black pin-spot and the plain white one—and how lucky it
still looks new.”
“That reminds me of my new puce stockings,” said Melsie Ponting. “Do you
know that no less than three gentlemen acquaintances—old beaux of mine,
you know—stopped me on Geary to say how cute they looked. Don’t you want
to say something about my puce stockings, Banner?”
Emily whispered incautiously to Edward, “I think she even sleeps with
mistletoe over her bed.”
Edward was strongly stroking the dog’s head. “The point of a dog,” he
said, “is that you can always pretend to yourself that the dog is saying
to itself, ‘Well say, this is a feller worth knowing.’ They always look
like that. No dog ever will show that he despises you.”
“Edward,” said Emily, “are your spirits always at half mast?”
Edward had an acute pain in his head, under his eyebrow. But his mind
seemed to him detached from the pain and extraordinarily facile. He
could hear well, he felt, but this was because Banner Hope was singing in
such a sharp voice. Edward said, “It is more dramatic to be sad than to
be happy, anyway, Emily. Everything that is meant to be dramatic is sad.
The song that Hope is singing is—like all jazz songs—about being far away
from where you want to be.”
“Sadness is too easy,” said Emily. “It is like mother-love and the
weakness of little children and the old home and the maiden’s prayer—a
too easy short cut to drama. All my life I have been dramatic but I have
never arrived at drama by sadness.”
There seemed to be things rolling about under Edward’s forehead. He
thought they were loaded dice; they did not feel like balls, they hurt
too much and had too many corners. He was almost pleased when he tried to
stand and found himself too giddy.
Edward realised for the first time that it was raining outside. There
were miles of air full of rain, like steel bars between him and safe
towns and a warm bed.
“Gee!” exclaimed Melsie, unremittingly facetious. “Edward’s British
standards have fallen down on him. One twist too many in the lemon peel,
Mr. Williams.”
But Rhoda saw his eyes and rose with that tolerant yet exasperated look
to which Edward was accustomed when he needed sympathy. There was wild
agony in his forehead. He fell down. He rolled upon one side and then
on the other. For a second he saw Emily looking detached, looking at
him with an expression of excited contempt. Was she saying, “Oh, what a
party!” to herself? Rhoda pressed her hands firmly over his eyes, her
cold hands moved firmly about his forehead....
Edward was not good at bearing pain although he was fairly well
accustomed to the exercise. It was only after disgracing himself in his
own eyes and in Emily’s several times by crying in the car that he found
himself in a ward in a San Francisco hospital.
It was immediately apparent that he could not escape an operation. The
surgeon tapped his forehead impressively and his gold teeth gleamed
briskly down upon the horizontal Edward.
“I wouldn’t carry those sinuses about with me, my friend, not in that
condition, not for half of John D. Rockefeller’s pile.”
Edward would not have minded continuing to carry his sinuses about
exactly as they were. He vaguely treasured his afflictions. Without them
he would not have felt interesting. Once, when a palmist told him that
the latter part of his life would be spent in perfect health, Edward was
definitely disappointed. However, an operation had its dramatic side, at
least in anticipation and in retrospect. At the time it was a humiliation
and a terror.
“General anæsthetic absolutely unnecessary,” the gold-mouthed surgeon
had said. “It’s as simple as letting off a gun. I’ll take out your
tonsils at the same time. You won’t know a thing about it. You’ll be out
batting with your friends in three days.”
Early one morning a man in white helped the pale Edward on to a
white-sheeted vehicle which ran quickly on white and furtive castors.
There was no pillow on the vehicle, and Edward, perfectly horizontal,
darting head first along strange smelling corridors, felt like a torpedo
whizzing towards destruction. “As simple as letting off a gun.”
The surgeon, waiting in a sort of loose-box furnished in white, was
dressed in white. His manner had lost the affability which had hitherto
characterised it. Even his gold teeth were hidden by a white mask which,
like the mask of a Turkish woman, hid the lower part of his face. He
further obscured his face by covering one eye with a saucer made of
mirror. The pupil of his eye could be seen through a hole in the middle
of the saucer, restless and malevolent like a spider in its web. Edward
was draped in gauze by a nurse. The smell of drugs and disinfectants was
so strong that it seemed as if the walls must burst.
There was now no escaping from what the surgeon was going to do. The only
thing one could do was to hinder him in his work.
“Keep still, keep still ...” said the surgeon in a harsh voice. “Stop
that noise, you fool.”
Edward was afraid and he intended to stop the noise but he heard his own
voice still bursting from his lungs. “Ah-ow ... ah-ow....”
He wished to implore the surgeon to stop and let him rest from pain and
the feeling of ubiquitous blood, but the cocaine in his throat prevented
him from articulating. Every time the surgeon struck his terrible little
chisel, Edward winced violently. He was very anxious that the surgeon
should realise how unusually sensitive he was. He wanted the surgeon to
be sorry for him. But the surgeon was angry. He tapped Edward’s forehead
with barely suppressed anger. “I’m within a third of an inch of your
brain here,” he said. “It’s up to you whether I can put this bit of work
through or not.”
Edward writhed. The nurse took his hand. “She’s sorry,” thought Edward.
There was blood everywhere. Some blood on the white apron that was
stretched across the surgeon’s stomach. Sweat was falling from the
surgeon’s chin.
“Take him away,” said the surgeon suddenly and loudly. It was over.
Full of shame because of his forlorn and hideous condition, Edward was
wheeled quickly along the corridors. A man on crutches in a check woollen
dressing-gown stared at his outraged and disordered face. Edward made
feeble movements with his hands and the nurse covered his face with part
of the sheet. “Now people will think I am dead. They will get quite a
thrill,” thought Edward and lay very still. When they took the sheet
away he was beside his bed in the long bleak ward. All the other patients
were looking greedily at him. Edward wanted to tell the nurse of his
horror and discomfort but the cocaine still blocked his utterance. He
could not mould his voice into syllables.
He hoped intensely that Emily would not come to see him while he was
padded with bloodstained cotton-wool. He made up little tests to find
out whether she would come. “If the sunlight reaches the chin of the man
opposite before a tram goes by outside I shall know that she will not
come until I am really fit to let her see me.”
In answer to a croak from the man opposite, the nurse came and pulled
the blind down with a peevish flounce. Most of the nurses in that
ward visited on everyone who made a request the irritation they had
accumulated by reason of scores of other requests. If Edward asked for
anything he was made to feel as if he had asked for the same thing an
unreasonable number of times. Only when the doctors were there the nurses
spoke in soft optimistic voices and patted the patients’ shoulders
genially and called them “This poor boy....”
Edward’s test was spoilt by the pulling down of the blind. He betted with
himself on whether the facetious man with bristly hair would ring the
bell for the nurse before the blind man next to him did so. The facetious
man called the nurses, “Say, Saddie,” and asked them about their
beaux. No nurse was ever irritable with him. Sometimes he rang the bell
specially to tell the nurse that he was so hollow he could put himself
outside a whole steer, and the nurses, though they gave him nothing,
never seemed to be annoyed by his cheerful importunity.
Edward thought that no-one in the world cared that he was ill. He did not
want Emily to come and see him in his undignified condition. But he would
have liked her to come to the door of the ward with a great splendid
tangle of salmon-colored roses and be stopped there by a grave sweetfaced
nurse, who would tell her that Mr. Williams was too seriously ill to see
anyone. Then Emily would ask, “Is there any danger?” in an anxious voice
that he had never heard, and the nurse would shake her grave sweet head
and say, “One never knows. He is suffering terribly. The surgeon had to
operate within a third of an inch of his brain.” Edward fell into a half
sleep imagining the roses that Emily would bring and lay against his lips.
When he awoke he saw Banner Hope walking away from him towards the door
of the ward.
“Hey!” said Edward in a thick desperate voice. A week before he would
have refused to believe that the sight of Banner Hope could ever give him
pleasure.
“Why, why, why....” said Mr. Hope, turning round guiltily. Edward saw at
once that the visitor had been glad to find the patient asleep. It had
been to Mr. Hope an opportunity to acquire merit as a benevolent friend
without the effort of expressing benevolence. “Why, why, why ... isn’t
this just too bad?...”
He looked inquisitively at Edward’s miserable face.
“Now, don’t you say a thing, Edward. The nurse has told me how it is. You
gotter lie low and say nothing and I’ll give you noos of all the folks.
All your friends surely are peeved with these old sawbones for carving
you about this way. I should say so. Yes, indeed.”
This unprecedented burst of sympathy at once restored to Edward a pale
gleam of the melancholy heroic light in which it was his constant effort
to see himself. Still the name of Emily had not yet been mentioned and he
tried to point this out. But his throat still played him false.
“Eb-gy....”
“That’s all right. That’s all right. I get you perfectly. You gotter let
uncle do all the tongue work. Let me see now.... Well, there’s Melsie
Stone Ponting. She’s a sport now.... What d’you guess she said when she
knew you were sick? Why, she said—well, mebbe I’d better not tell you
after all.... Anyway it was very smart and showed how crazy she was about
you. Avery Bird I haven’t seen recently, he naturally can’t think of
a thing except Rhoda’s indictment. I guess you’ve heard how Rhoda was
arrested the day we all got home from Yosemite. Indicted for what they
call Criminal Syndicalism. Some of the dope she put across at the W. I.
L. A. kinda got somebody’s goat. You know, when we’d left you at the
hospital some of us went round for a drink at Rhoda’s studio. There’s
a kind of an old she-janitor, you know, located in the basement, and
she met us and said how the cops had been and opened Rhoda’s bureau and
gotten a wad of papers out of it. Rhoda surely was mad, and Avery—who
almost never lets up on his detached pose or says anything except
epigrams—I’ll say he blasphemed quite a bit. And right there in the
middle of that little tableau two plain-clothes cops walked in. The door
was still open and they walked in and there was Rhoda up to her elbows in
her bureau, trying to find out which papers they’d gotten hold of. Well,
it was a fair cinch. There was no getting around it. One of the cops read
the warrant; it was all about sabbotidge and advocating unlawful methods
of effecting political changes. They seemed to know a whole heap about
sister Rhoda. She didn’t answer back any. She smiled and looked white.
Avery said a hell of a lot, but they didn’t take much account of him.
They took all our names and addresses. Of course, it’s a long ways from
indictment to conviction. Avery says he’s not taking much on her chances,
she’s got in good and deep. The ‘What Is Liberty’ offered to put up her
bail money—but Rhoda’s got plenty of dough herself. For some reason she
isn’t accepting bail. It seems like if she’s got to be arrested she
wants to have it done thorough. She’s always been crazy about prisoners
and jails....”
“Ebb-ly ...” hiccoughed Edward.
The nurse was beckoning to Banner. The sedate wives and mothers of other
patients followed by their scrubbed and creaking children were willingly
submitting to authority and leaving the ward.
“Say, I must be moving along,” said Banner Hope with alacrity. “What’s
that you say? Emily? Oh, Emily’s gone to China. Take care of yourself,
Edward, some of your friends’ll be around again some time soon....”
Edward was left in such an unrelieved condition of depression that he
was on the verge of peace. “Gone to China.... Gone to China.... Gone to
China....” his mind chanted to itself to the rhythm of the pulse drumming
in his ears. He reminded himself without ceasing that Emily had gone to
China. To do so put the finishing touch to his orgy of despair. But all
the time he felt certain that his ears had really played him false. All
the time a little secret unadmitted factory in his mind was circulating
hope by making phrases with similar vowel sounds. “He must have said,
‘Emily’s doing fine,’ or he must have said, ‘Emily’s reading Heine,’
or he must have said, ‘Emily—how do _I_ know?’” The rhymes became less
and less probable as Edward approached sleep. “Penny-a-liner.... Asia
Minor.... Clementina.... Norah Criner....” But gone to China seemed the
most absurd of all.
Edward was long enough in this hospital to fit a kind of bare innocent
interlude into his experience. No other visitor came to see him during
the three weeks of his illness, and he had leisure to build upon the dark
and sordid foundation of his life a sort of airy trivial superstructure
of interests. He watched the manners of the nurses. He became interested
in human temperatures, weights, symptoms and facetious gossip connected
with physical details. The watch under his pillow became his most
intimate friend and guide. Waking up at six o’clock, bathing, and
bed-making were an intolerable nuisance, but he was much concerned if
the nurses were a moment late. The whole day was enlivened by the jokes
or scoldings of the nurses. A new joke was hardly ever made in the
ward, but the old ones were always successful. All the men laughed at
them because they were glad that the temper of the nurses made joking
possible. Sometimes the doctors were late and, though no-one loved the
doctors, everyone was exasperated with them for being late. Sometimes the
doctors were so late that the breakfasts became tired of waiting, and
then all the patients ate their breakfasts with a sense of incompleteness
and danger. Meals were very important. Sometimes there were little red
jellies at the midday meal, and when the cheerful glitter of these
jellies blossomed on all the approaching trays Edward was full of an
almost gay anticipation. There were no books to read, only magazines.
To the nurses a magazine was a book. Any magazine would do. One did not
mention the titles of books or magazines in the ward; one asked for “a
book to read” as one would ask for a glass of milk. Edward was called
by doctors and nurses “a great student” because he was always reading a
magazine. He was not critical enough to refuse to read the bad literature
that was placed before him. Sometimes he quite enjoyed the sentimental
love stories. He read the comic pages with a somber interest. And he
often made little tunes in his head to fit the poems, most of which
seemed to have been written in imitation of each other. Some of the poems
were patriotic and these annoyed Edward; it seemed so silly that anyone
should love any country but England to the point of writing bad rhymes in
its honor. Edward’s mind was tired, too tired to feel very acutely the
need of better fare. Others in the ward were more conscious than he. The
man next to Edward liked the works of Gene Stratton Porter; he thought
the tales of this writer very moral and very deep. He often told their
plots in great detail to Edward, announcing himself as “considerable
of a student like yourself.” This man, who had a thin voice all on one
note, was fond of talking to his neighbors at night. He would say, “Hope
I’m not disturbing you folks,” and nobody dared to say, “You are.” They
were all rather gentlemanly and talked a good deal about Americanism and
the advantages of American education. In health they frequented movies
rather than saloons. They all had wives or very respectable sweethearts
who came conscientiously to sit with them during visiting hours. You
could distinguish the sweethearts from the wives by their habit of
bringing tight bundles of flowers and flinging them down ungraciously on
the stomachs of the afflicted. Wives never did this. The wives brought
snorting and bubbling babies instead of flowers. Neither wives nor
sweethearts had anything much to say. They all looked as if they took for
granted that the invalids were going to die. Visiting the sick seemed to
embarrass them hopelessly.
Visiting hours were always exciting to Edward because Emily might come.
He still boasted to himself that she had gone to China and that he was
sunk in despair, but actually he felt convinced that he had mistaken
Banner Hope’s meaning. When he should next see her he would tell her of
his mistake as a sort of heroically tragic joke. She would come any day
now and sit beside his bed and tears would come into his eyes and his
thin hand would grope for hers and for a moment they would both be unable
to speak. Then he would say simply, “They told me you had gone.” And she
would think, “Could I ever find a more faithful lover than this?” and she
would touch his hot thin cheek with her cold fingers.
He hated the nights. Either he would stay awake and watch the dim sickly
light upon the ceiling and think of his dreary yet too expensive room
at the hotel absorbing money all this time, and think of the senseless
and exasperating death of Jimmy at Loos, and think of money again and of
the fact that he could not get his complexion clear—directly one set of
spots healed another began. Or else he would sleep and dream cruelly and
grotesquely of endless, arid journeys and of beautiful anticipations that
withered away and of missing trains—never of Emily.
In the daytime he would forget the hateful night. All day till about six,
when the night clamored to be remembered, he was almost contented.
CHAPTER FIVE
Close akin my warriors are;
From the humming bird that swings
All a-quiver, like a star
In a radiance of quick wings—
—To the tiger mountains, stricken
Into stillness by a breaking
Curse. Behold, they stir and quicken,
Gods shall tremble at their waking....
Lo, my warriors, close akin,
An impregnable alliance.
_Drop thy sword and thy defiance,_
_Bow thy head and let them in._
To emerge from this mild life was like falling into the sea from a safe
deck. Edward found himself suddenly in his dark viewless room at the
hotel. He could not find anyone who could tell him where Emily was. He
could hardly walk. The ground seemed strangely near when he walked. He
managed to go to Rhoda’s studio. It was empty. The janitor could only say
with some pride, “Mrs. Bird has gotten herself jailed....”
Nothing seemed left to Edward but San Francisco itself. Nothing was
left that he could grasp; his personal hold on the happy city had
disappeared. He felt as if he held a cold hard diamond in his hand. A
diamond on the palm of the hand has no value, no value until another hand
touches it or eyes desire it, or until it is set in a crown.
All his days Edward sat alone with an aching head either in his room
or in the lobby of the hotel. In the lobby he sat in the midst of
overdressed painted women waiting for their beaux. They were all hostile
to him and to one another. In revenge he dwelt on the fact that their
hair, waved and padded under light nets, looked like wigs and that,
though they looked angrily at one another, they all tried to look
alike. Sometimes one of them would have an “adventure”; a strange stray
beau would find a pretext to get into conversation and they would talk
impertinently and with heavy facetiousness for a time.
Edward sat morbidly rejoicing that he was as much different from them as
it was possible to be. He even valued the pain in his head because it set
him apart from them.
One day a familiar face among the waiting women occurred like one of
the dreams that he could not believe in. It was Mrs. Melsie Ponting
but Edward ran to her like a lover. She quite obviously regretted his
appearance; obviously she did not wish him to know whom she intended to
meet there. She enjoyed the excitement of concealing something. She had a
rendezvous with the medical student, Pike, whose face Edward had neither
liked nor committed to memory. The danger of discovery by Edward,
therefore, was very slight, but Mrs. Ponting fortunately did not know
this. She loved petty danger connected with petty love. The excitement
made her eyes look almost as large as they were painted.
Edward leaned towards her eagerly and asked her for news of all his
friends except Emily.
“My dear, isn’t it exciting about Rhoda!” chattered Melsie. “I’m
perfectly sure she’ll get the maximum sentence. She’s so high and mighty
she doesn’t have any of the artifices that you and me would probably
get away with. She won’t even come out of jail on bail. Avery Bird is
mad. Everybody wants to find Avery to ask him for news, but he’s like a
spook—you never find him unless you’re not looking for him, and then you
see him speeding in a taxi down Van Ness towards the Hall of Justice. My
dear, I must tell you a joke on Banner Hope—you know he is located in
Oakland, but he doesn’t like to have us know it—who would? Banner vamped
a flapper at Jove Pinelli’s and took her—where d’you think?—to Rhoda’s
empty studio. This is how he squared the janitor——”
“Melsie, tell me, where is Emily?”
Melsie was affronted. She was glad that she had something to say that
would hurt Edward.
“Emily? Oh, Emily’s gone to China.”
Edward was at once very angry. He was so angry that there was a swollen
feeling below his ears. It was outrageous that mention of the innocent
and lovely name of Emily should produce nothing but this shocking parrot
cry—“Emily? Oh, Emily’s gone to China....” Why was this conspiracy
directed against him? Emily would not wish it. Emily would wish gentle
and exciting things to be said of her.... “Emily is here—on her way to
see you....” “Emily is gathering poppies for you in the fields behind
Alameda....” “Emily would never go far from you, Edward....”
“No, she is shameless. That is the message she meant to leave for me.
‘Emily? Oh, Emily’s gone to China.’”
“Yes, sirree—bob, she’s gone to China,” repeated Melsie. “Furthermore,
Edward, she’s taken my kiddie with her. It was a bully chance for me,
since you were such a piker. They’re all touring the Orient together—she
and my honey and Mr. and Mrs. McTab.”
Mrs. Ponting lived entirely from her own point of view. This was her
life, to charm those whom she needed, to wound those who rebuffed her,
to ignore those with whom she was not acquainted. Her imagination was
completely blind and deaf; wounds or joys outside of herself were
inconceivable to her. She was glad of her present advantage over Edward,
the advantage of the wounder over the wounded. There was nothing
deliberate in her gladness; simply she did not know pain unless she felt
it.
Edward had very little money. His operation and the hospital had absorbed
almost all that he had. He owed the rest—and more—to his hotel. He had no
shame about accepting money. He lacked manly pride. If Melsie Ponting had
offered him money he would have taken it gladly. He would have pretended
to himself that it was a great struggle and a great humiliation to accept
money but really he would have been delighted. He had never had any
understanding of money, no apprehension of poverty, no skill in keeping
money, no anticipation of increasing it. The etiquette and decencies of
money made no appeal to him. It is hardly necessary to add that Mrs.
Ponting did not offer him money, even when she had asked him, “Well,
for goodness’ sake, Edward, why don’t you go to the Orient too as you
planned?” and Edward had replied, “I haven’t any money.”
One thing Edward was not too proud but too shy to do. He could not
actually ask for money. San Francisco is full of generous people; almost
any of the guests at his party would have helped him. But he did not know
how he would introduce the subject. There was no equality of friendship
where Edward was concerned.
Rhoda Romero had offered to pay him to go to China. “Did she know Emily
was going? No, she wanted to get rid of me. I am a weariness to Rhoda.
She was trying to mislay me kindly. And now I have mislaid Emily.”
Every day for a week after that Edward walked about on Van Ness Avenue in
the hope of seeing Avery Bird speeding past in a taxi. Edward thought he
would throw himself in front of the taxi. For the first time Avery Bird,
now in trouble himself, would look gently on Edward. Van Ness Avenue is
the Bond Street of motor cars. I have no doubt that little homely Fords,
bragging in the public garages at night, talk about the latest fashions
in windshields on Van Ness. Van Ness also leads to the Hall of Justice.
Edward moved from window to window examining the shining new automobiles
and constantly turning sharply, expecting to see Rhoda, restored to
freedom, coming to meet him.
Once he went to the Hall of Justice to ask if he might speak to Rhoda.
His appearance seemed to irritate the public servants whom he addressed.
They offered him no assistance. He wrote a long and introspective letter
to Rhoda, care of the City Jail, but he received no answer.
He was a little stronger in health and felt capable of filling almost
any position except those which were advertised in the papers. Finally
he was obliged to apply for a job as salesman for a patent egg-beater.
But he was told that he lacked punch. He became desperate and attempted
to become a grocer’s assistant in a poor part of the city. The boss, a
bustling Greek, said he didn’t want no white-collar guys. Then Edward
called at the office of a company that seemed inexplicably anxious that
young America should become acquainted with the works of Milton. To this
end they had printed a _Milton for Our Boys_. It was not, of course, “in
poetry.” Poetry is unhealthy for children, unmanly for Our Boys. On the
contrary, this was Milton’s genius made clear for immature minds, as
the Jewish, violet-powdered young lady in the office cleverly recited
by heart to Edward. The advertisement had demanded the services of
highminded young men and women of college education interested in public
service, so Edward rightly felt that his tendency to white-collarism
would be no disadvantage here. A college education, it appeared, was, in
most cases, necessary to enable the public-spirited young men and women
to persuade the hardfisted mothers of Our Boys not only to pay one dollar
down and procure a five dollar _Paradise Lost_ in their homes, but in
addition, to sign a form ordering four more works of Milton—_Paradise
Regained for Our Boys_, _Collected Works of Milton for Our Boys One_,
_Collected Works of Milton for Our Boys Two_ and _Milton and America_ by
Spilwell G. Mundt. Any enlightened mother who should commit herself to
the purchase of the whole series would be presented, absolutely free,
with a beautiful picture of George Washington standing under the Stars
and Stripes looking flushed and repressed as though he were suffering
from indigestion. It was probably felt by the firm that this gift would
gloss over the fact that, unfortunately, the immortal writer to be
introduced to Our Boys was not, strictly speaking, a hundred per cent
American.
The fact that Edward was English appealed to the Jewish young lady in
charge as rather piquant. It seemed to her that his speech—though, of
course, ridiculously foreign—was somehow “cultured.” She therefore
waived the fact that he could not claim a college education. She gave
him a little pamphlet showing him what to say to the mothers of North
Berkeley. The pamphlet opened with advice about persistence—never get
discouraged—go right on ringing till somebody comes—if possible step
inside the door as soon as it is opened—be cheery and sympathetic—never
take the first No for an answer, nor the second either; many firstrate
deals have been put through after two or three refusals—remember it’s
mother’s job to grip the pocketbook tight, but—well, she’s only a woman
after all, and doesn’t she want to see that little scamp of hers grow up
into a big, wise, cultured woman? The opening sentence of the attack was,
“Say, Mother, what are you doing for your boy?” But a few comments on the
weather or the view—any cheery topic that presented itself—to be inserted
before that opening sentence, were in order. Edward would receive ten
per cent commission—fifty cents for each work of Milton sold. “Some of
our men make five to seven dollars a day,” said the young lady in an
inspiring voice. “And North Berkeley’s a clean field....”
On asking what a clean field meant, Edward was told that—so far as the
Company knew—no other highminded young men or women had tried to induce
the mothers of North Berkeley to buy Milton. Edward was glad of this. He
could imagine that a busy mother called repeatedly to the door to show
reason why she should not buy Milton for her boy would in time become
difficult to deal with.
Five dollars a day was thirty dollars a week. He could live on two
dollars a day and save half his earnings. On a hundred and fifty dollars
he thought he could get to China. He could save a hundred and fifty
dollars in ten weeks.
He was not often so full of hope.
First he went out with another public-spirited young man by whose skill
he was supposed to learn and benefit. This young man had facetious and
astonished eyes, a fat, ingrowing nose, and tight high-waisted clothes
which proved him to have had the Western equivalent of a college
education.
Edward was much impressed by his methods. The first house they invaded
was a lonely eccentric house crouching behind a thin mask of young
eucalyptus trees. In the garden a Japanese was working, and from him
Edward’s instructor ascertained that the mistress of the house was not
at home and that even if she had been at home she would have been found
to be childless. Undaunted by this, the instructor, followed by the
surprised Edward, ran towards the house holding out eager hands towards
a female “help” who was shaking a mat out of the garden door.
“Has she gone? Have I missed her?” wailed the instructor in a poignant
voice.
“Do you mean Mrs. Watson?” asked the credulous help sympathetically.
“Yes.... Why, isn’t that just too bad! She went out on a errand. She’ll
be right back, I guess. Don’t you want to come in and wait?”
“I’ll say I do,” said the instructor, rubbing his hands together and
hissing inwards through his teeth in the manner of a real family friend.
He went into the living room. “Gee, it’s good to be here again.”
The reply of the admiring help was an offer of drinks for him and Edward.
With a glass of light beer in his hand the instructor walked about
looking at the books on the shelves. “Kipling ... Lawrence ...
Hergesheimer ... Hardy ... aw shucks! Say, ma’am, you interested in
classical litera_ture_?”
Edward, who hated beer, was not happy. The situation seemed to him only
evanescently comfortable. Besides, the opening—Say mother, what are you
doing for your boy?—was plainly ruled out here.
“I’ll say I am,” replied the help. “That is to say—I’m not one of these
highbrows, but I get a lot of kick out of a good tale.”
“You’ve read all the British classics of course,” continued the
instructor. “Say listen, you know it’s a fact that although these
Britishers neglect their teeth and don’t know the first thing about
sanitation or democracy, their classic authors do surely deliver the
goods. Some guys is so darn narrowminded they could pretty near meet
their ears at the back of their heads, but I say hand over credit where
credit is due. You know any of the dope by this guy they call John
Milton?”
“Does he write for the movies?”
“May have done, for all me,” replied the instructor cautiously. “Anyway,
he’s dead now. But his tales certainly are red-meat tales. I’ll ask
you to give these books the once over—John Milton put into good peppy
American prose and il_lust_rated by one of the swellest artists in Kansas
city.”
The help at last became suspicious. “What you carrying those books around
for?” she asked. “You one of these fresh agent nuts? I thought you said
you was a friend of Mrs. Watson.”
“I’m a friend of everyone that’s got a taste for classical litera_ture_,”
replied the instructor courageously. “I’m a public benefactor. I tell you
I’m ready to put into your hands this minute this illustrated Milton Dee
Lux for one dollar down. It’s a unique opportunity——”
“Now you can just quit right away,” shouted the help, snatching up her
O-Cedar mop with a threatening gesture. “You got no business to of came.
Ef Mrs. Winton S. Watson was to come into this room and find a coupla
two-cent drummers drinking her beer—well, good-night. No, I won’t hear
another word, you can just get busy moving, the quicker the better.”
Edward led the retreat. The instructor made a heroic stand and Edward,
trembling in the garden, heard a sort of duet proceeding from the living
room for a few seconds. Then the instructor, humming brazenly, joined him.
“That dame certainly was a goatgetter,” he admitted. “These folks is
fifty fifty. Sometimes they fall for dope like that most before you begin
putting it over. Sometimes they don’t, that’s all there is to it. It’s
fifty fifty.”
Mathematically speaking he was wrong. The percentage of weak housewives
willing to invest money in the Classics was nothing like fifty per cent.
Yet the general result of the day was not discouraging to Edward. He
looked back with a certain excitement to a day spent climbing up steep
geranium-bordered steps to inexplicably friendly interviews. He looked
forward still to making five dollars a day and refused to analyse, even
to himself, the differences of manner between himself and his instructor.
Next day he was allowed to go by himself.
He studied North Berkeley on the map like a lover studying the portrait
of his mistress. He decided to begin work at a street the name of which
reminded him, without reason, of Emily. He made the stopping of the
street-car a secret test of the coming day’s chance of success. If it
should stop at his corner for passengers other than himself it would mean
success—five dollars—perhaps a record—ten dollars.... A group of women
stopped the car at his corner and he was very glad until, on calling at
the first two houses, he found that the group had consisted of potential
clients of Milton, departing for their marketing. At the third house the
housewife was in. Edward did not begin with, “Say, mother, what are you
doing for your boy?” He lost his head.
He began lamentably, “I say, I’ve got a book here to sell.”
The mistress of the house shook her head sadly at him. “I dare say you
have, but I haven’t the money to spend.”
“Oh, sorry ...” said Edward and turned towards the street again.
“Wait a moment. I believe you’re English. I am English too—a remittance
woman. How rash of you to take up salesman’s work in a country of
salesmen. Would you like to come in?”
“I have my methods and the instructor had his,” thought Edward
complacently as he followed her in. “The results seem to be the same.”
He looked with cool hope at the “remittance woman.” She had rather a flat
crumpled face and very soft looking matt skin. Her pince-nez were the
only firm thing in her face; they obviously pinched very strongly.
“I must introduce you to my only friend,” she said waving her hands
towards an apparently empty corner of the living-room. Then Edward saw
that a canary was suspiciously eyeing him from the dresser.
Edward chuckled doubtfully. “Have you really no other friends?” he said,
telling himself that the woman was rather morbid.
“None,” replied the Englishwoman placidly. “The people I know in England
pay me to make my home on another continent. I am unfortunate in being
hateful to everyone I meet.”
“Haven’t you any relations?” asked Edward lamely.
“I am not married and my sisters in England hate me. I once was
determined to get married and even got so far as to wait in a white dress
at a church in North London. But the man changed his mind and never came.
Indeed he did not change his mind, he hated me all along. Everybody does.”
Edward was overwhelmed. The woman seemed to him offensive. Did she
suppose she was the only person in the world who had Known Grief?
However, he felt a little proud because she was telling him these things.
He thought he must have a sympathetic face—“the face of one who had been
down into the depths.” He drew the corners of his mouth down to make his
face more sympathetic.
“When I say everybody,” added the woman, “of course I am excepting
Edward.”
Edward dropped his sympathetic expression just as it was properly
adjusted. “Excepting who?”
She waved her hand again towards the canary, which flew across on to her
shoulder. “Edward,” she explained. “He loves me. He loves my hair and
my lips. He pecks and pulls at my hair in the mornings when I let him
out of his cage. I lie in bed late—I have nothing to get up for— And
Edward holds my chin between his nervous little claws and pushes his beak
between my lips....”
Edward Williams looked with dislike at her hair and her lips. Her hair
was grey and had a middle-aged, tangled curl in it. Her lips were dry and
rather grey too.
“My name is Edward too,” he said.
“Well,” said the remittance woman, pleased. “Isn’t that a nice stroke of
chance? Tell me about yourself. Why are you attempting an unlikely job
like this?”
Edward at once felt pity in the air. He groped for pity instinctively. He
told her in a plaintive voice about his loneliness, the fact that he had
no mother and that Jimmy was killed at Loos, he told her of his efforts
to support himself, of his love for Emily....
When he had finished he felt only slightly guilty and looked down at
the book he wished her to buy. She did not want it but surely she could
afford to buy something she did not want from a kindred soul. He would
refuse at first her offer to buy his book, he thought.
“We are rather alike,” she said. “We neither of us get on with the world.”
Her voice was almost jealous. She so rarely met competition in her line.
“Yes,” said Edward. “But you are more fortunate than I, if you are hated.
I am ignored, which is much worse.”
She assented doubtfully. “Certainly everybody hates me,” she insisted. It
was her one vanity and her support.
There was a pause and they looked at each other with dislike.
“I don’t need your book,” she said. “But I have five dollars to spare. I
suppose you are insulted now. You can put the five dollars in your pocket
and spare me the trouble of breaking the back of my bookshelf with such a
straw as _Milton for Boys_. Take it and hate me for it if you like. I am
used to that.”
Edward held the flaccid money in his hand. He thought, “It pays to be
pathetic.” He despised himself at the same time and thought, “Even Banner
Hope would be shocked at this. Why haven’t I automatically evolved a
proud personality like everyone else?”
She opened the door by way of dismissing him. “You will curse me whenever
you think of this,” she said. “It will be a satisfaction to you. People
always curse those who pity them.”
“I shan’t,” said Edward, putting the five dollar bill in his pocket. “I
don’t believe anyone hates you or curses you. You deceive yourself.”
When he looked back from the street her affronted face was still turned
towards him. With relief and irritation he decided never to think of her
again.
He sold no books either that day or the next. He did not dare to use the
provided formula—Say mother—. He had nothing definite to use instead. To
one or two mothers who were too courteous to slam the door he murmured
broken suggestions about the superiority of Milton to the movies. It was
a false step. The movies, to the American middle class, are a substitute
for religion. For uplift the home depends on the movies. Edward found
himself guilty of blasphemy. Milton appeared in the light of a criminal
heresy.
After two days Edward went, like Noah’s homing dove, to the office,
Milton still in his beak.
“There’s something wrong with the district,” he complained to the young
lady there. “The word book seems to mean nothing to them. All the
artistic words have changed their meaning in California. _Book_ means
magazine, _Music_ means jazz, _Act_ means behaving, _Picture_ means a
snapshot. They haven’t even a place to keep books. They have nothing but
old _Ladies’ Home Journals_ on their dressers.”
Edward thought of _Milton for Our Boys_ now as a valuable but wronged
book.
The young woman naturally did not pay much attention to what he was
saying. But she came from Calistoga and was excited to meet so rare a
specimen as an educated foreigner. She was, in mind, face and fashion, a
typical young woman of the Wild West. She had no interest or recreation
whatever, apart from flirtation. Englishmen were all nearly lords in her
democratic imagination. They were therefore laughable but worth charming.
She had just mislaid her last steady beau so she was at the moment a
little susceptible. She had, temporarily, no special man in mind when
powdering her nose to an amethyst color or corrugating her dark, dull,
padded hair.
“Why, isn’t that just too bad?” she said arching her false looking
eyebrows caressingly at Edward. “Well, say, listen, don’t you want to
try out Napa County and Sonoma County? One of our men is crazy to have
us send someone there; he says there’s a lot doing out that ways. My own
home-city, Calistoga, is some cultured burg, let me tell you. My brother
made fifteen dollars once in his vacation, boosting the _Saturday Evening
Post_. Say, I go home sometimes over the week end. If you fix up to work
that locality, don’t you want to call in at our place? I’d love to have
you meet my Mom.”
She was planning to say to her Mom, “Say Mom, I’ve got a new steady, an
English lord.”
“Are there azaleas in those parts? And does the company pay one’s fare?”
asked Edward.
The young lady looked uncomfortable and paused. “Say Steve, I guess I
would better put you wise on something. This firm doesn’t do much of the
faith, hope and charity turn to folks in their country lines. They only
come across with your trolley fare on commission—same as in Berkeley. No
sales—no cash. I don’t say I get much kick out of the way they act, but
there they are. But see here, my Pop’s coming down to Berkeley to gimme a
ride home next Saturday in our old Dodge. Don’t you want to come along?
And when we get to our place, brother’ll loan you his wheel, seeing
you’re a friend of mine. I’ve got a hunch, Steve, that you’re not one
of these way-up born-to-the-manner drummers. Don’t you find it hard to
impress strangers? I thought so. Us up-and-coming Californians, you know,
you can’t get in with us without you’ve got a lot of punch. Europeans
don’t have any punch, the way I figure it. Well, we can’t all be born
where we want, can we?”
Edward was pleased to have excited sympathy in one more breast. “Our hero
has that indefinable _something_ that only women’s subtler sensibilities
can appreciate....”
He persisted in his fruitless missionary efforts among the mothers of
North Berkeley until the following Saturday. At a given time he proceeded
to a given rendezvous in Oakland to meet his patroness—whose name was
Mame Weber—and her Pop and her brother Cliff.
Cheek by jowl with Miss Weber he bounced upon the back seat of Pop’s
Dodge car. “Better if you’d put your arm where it oughter be,” advised
Miss Weber, indicating her own ribs. “Only mind and don’t get fresh.
Pop’s awful strict. Say, got any candies?”
Edward looked at her blankly.
“Not even a sticka gum? Why, I’ll say you’re a nice beau. I’d a feller
name of Al who couldn’t never hardly hug me right away—his pockets was so
fulla candies. Say, Ed, you got a lot to learn.”
Edward accepted his rôle with surprise and pleasure. Miss Weber was of
the shrinking and protective type when motoring and, whenever the car,
driven by rash brother Cliff, seemed unlikely to avoid disaster, Edward
enjoyed feeling against his arm the stiffening and trembling of her
thinly clothed body.
“Emily doesn’t know me yet,” he thought. “She has never let me show her
my fine or strong side.” Miss Weber took an insignificant but pleasing
part in the ranks of his sensations.
Napa Valley, like an inverted rainbow, lay before him. The strange,
creased, silken bodies of the hills lay behind the glassy white veil of
the air. The shadows striped and varied them, and the night-green patches
of oaks, beaten almost as flat as the shadows, were crammed into the
canyons. On every side, at a lower and more human level, a conventional
pattern of vineyards and steepled masses of bleak eucalyptus trees was
printed on the valley. The orchards were alight with the bright golden
green that follows the blossom season and in their shade the grass was
passionately green.
The sweet skeletons
Of orchards fire delight.
They fire into my sight
Quick rays of green and bronze.
I am pierced—I cannot bear
Their wounding—I surrender...
The almond blossom’s tender
Pale smoke is on the air....
As the car passed quickly the ends of the aisles between the rows of
delicate and jointed fruit-trees, successive rays of violent green
flashed along the perspectives into Edward’s eyes. Blinking at this, he
hardly knew when first the mountain, Saint Helena, parted the little near
hills and inserted between them its thickly blue peak.
“Hands praying ... or steeples ... or the peaks of mountains,” thought
Edward. “They are all praising God always, whether there is a God or not.”
The father of Miss Weber was a retail merchant in Calistoga. He called
his house not a house but a “home.” “My Pop has one elegant home right in
the classy part of the city of Calistoga,” said Miss Weber.
The American of the Weber type chooses many of his words for their
potential catch in the throat, as it were. _Motherhood_, _manhood_,
_lovelight_, _grip-o’-the-hand_, the movies have made words of this
kind music in the American ear. But words with home in them are the
most popular—_homestead_, _homeland_, _home-site_, _home-town_,
_home-builder_.... We who can live in houses and can see the word Mother
in print with dry eyes or hear the glugging of someone else’s baby over
its food in a cafeteria without vicarious domestic ecstasy, must seem
very coarse to Americans. However, the missionary movies are with us now.
We shall all no doubt eventually suffer a change of heart.
The Weber Home was made of wood, painted mustard yellow picked out in sky
blue. It had a fancy roof and a jocose little castellated turret over one
window, like a drunkard’s hat on one side.
Mrs. Weber was not so classy as her son, her daughter and her Home. She
spent much of her time in the kitchen and was at first realised by Edward
only as a shrill voice calling, “Walk right in, Son, make yessell at
home,” in reply to her daughter’s announcement, “Oh, mom, meet my new
beau, Ed Williams.”
Mrs. Weber, when seen as well as heard, proved to be extremely fat,
though sprightly. She was powdered just as lavishly as was her daughter,
but in a softer shade of mauve. She had fine dark myopic eyes; her thick
black brows met and dipped under the bridge of her pince-nez. Her bosom
was too enormous to seem even motherly. She had a screaming laugh which
was probably one of the charms that had won her Mr. Weber and an elegant
home, for she laughed most assiduously during and between jokes.
“Cheery ole dame is Mom, isn’t that right, Ed?” said Miss Weber, throwing
one of her pretty arms half way round the vast shoulders of her Mom.
It was a simple home. Pop might well be proud of it. He shewed, however,
no signs of pride—no signs, in fact, of anything. He did not speak
more than once or twice a day. Even at meals he sat half turned from
the table with musing eyes fixed on one square of the carpet. He had a
wrinkled thin neck like a tortoise’s. His face was wrinkled and full of
grievances. He explored the inside of his cheeks almost constantly with
his tongue and sometimes with his finger. Often he assisted his tongue
and finger by picking his teeth with any implement that came handy. His
one conversation with Edward ran thus:
“Well, young feller, how much better d’you like this country than yer
own?”
“No better,” replied Edward nervously. He hastened to add apologetically,
“You see, I have an affection for England because it’s my home—I mean my
homeland, as it were. Just the same as you’d like America best even if
you came to England——”
Mr. Weber laughed and set his toothpick to work on rather an
inaccessible tooth. “Reckon I shouldn’t think anything of England,” he
said in a final voice.
“Well, that’s what I mean,” said Edward, growing rather red. “That’s
rather what I feel about America, when you compare it with England.”
Pop leaned forward and leveled his toothpick at Edward’s face. “Now, see
here, son,” he said, showing only two of his left hand teeth.
Miss Weber shrieked, “Aw cut it out, Pop, and you forget it too, Ed.
Pop’s a reg’lar whizz at politics.”
Young brother Cliff was a child of nature, a child, as it were, of urban
nature. He had no reticences, it seemed to Edward, who was much afraid
of him. There was no telling what young brother Cliff would say next.
“’S’matter with Ed’s chin—’s’all pimples?” he would say after a long rude
silence. Or, “Say Mom, Ed sweats at night same as Will useter.” Edward
slept in Cliff’s room during the two nights of his visit. Young Cliff
wore “Jazz clothes”; they were very tight under the arms. It seemed as
if his clothes were made to be worn with the elbows always up, on a desk
or on a lunch counter. They were very urban clothes. But Cliff was much
pleased with them. He had no country clothes or country pursuits. He was
frankly amused at Edward’s English clothes. “Ed’s clothes fit him like
the shell of a peanut.” Cliff’s one Calistoga amusement was to stand in
front of the drug-store while the Calistoga young women turned this way
and that as they preened themselves on the sidewalk before him.
On Sunday morning Edward accompanied Cliff on this exercise. After
looking with rude intensity at the figures and legs of all the young
women in sight, Cliff selected two—the two with the barest necks and
the largest imitation pearls—and offered to buy them sodas. Edward and
Cliff and the two young women sat in a row on tall hinged stools at the
drug-store counter. Cliff hardly spoke one word to the girls, though
several times he jovially kicked the shin of the nearest. Apart from
this he exchanged apparently amusing but incomprehensible badinage with
the soda-mixer behind the counter. The girls powdered their noses and
talked in indifferent low voices to each other. They did not seem to mind
being excluded from manly conversation. But twice Cliff turned to them
and said—of the ice cream soda—“Slips down easy, don’t it, kid?” and
then Edward was shocked at the instant change of their expression to an
obsequiously bright admiring look.
“I thought there were more men than women in California,” said Edward
afterwards. “Why do these girls cringe so, anyway before they’re married?”
Cliff did not give Edward much attention. “Never too many beaux for these
skirts,” he said. “Say, Edward, did you see the way they was tickled to
death by your British pants?”
Miss Weber was naturally more attentive to Edward than were the others,
but she was disappointed in him. For three hours on a perfect Sunday
afternoon she sat on the couch close to Edward in the stuffy living room,
but Edward did not seem to know what was expected of him. When Miss Weber
said, “Say, listen, Ed, tell me about the way English girls act with
their beaux.” Edward actually began to do so. Usually so sensitive about
the impression he was making, he was quite complacent now.
“This girl is really pathetically taken with me,” he thought. He laid
before her a description of a day in Epping Forest, he produced an
excerpt from his childhood, he told her of a tree with enlarged and
tangled roots in which his lead soldiers used to climb. Also he mentioned
a young bat which he and Jimmy had found. They made a hole for it in the
tree. It stayed two days.
“Jimmy was killed at Loos,” he said.
“Well, isn’t that too bad....” said Miss Weber. She paused for a decent
moment before saying, “You’re a nice beau, aren’t you?”
“I don’t suppose you really think so,” said Edward, smiling placidly.
“You must have had many more amusing beaux than me.”
“Oh, my no,” replied Miss Weber acidly. She threw her head back on the
cushions so that her round neck and line figure were seen to advantage.
Edward redeemed himself a little by taking her hand and feeling upward
along her arm as if in curiosity.
“Rather a shame,” thought Edward happily, “to raise her hopes like this.”
“You know, I have a true love already,” he said aloud.
“I’ll tell the world you have,” replied Miss Weber. “Haf-a-dozen, more
like. In England I guess.”
“In China.”
“Is that right? Well, China’s a long ways off,” she said and placed her
head a little doubtfully on his shoulder.
“That’s nice,” said Edward, trying secretly to pretend that the head was
Emily’s. It was blasphemy, for Miss Weber’s crimped hair looked sticky
under its dusty net. “Poor soul, poor defenceless little woman....” he
thought a little wearily. He had never before had such advances from
a virtuous young woman, but he was already thinking of himself as a
heartbreaker. He was proud but he ached for Emily.
“One’s life with such people is hideous,” he thought suddenly. “People
like me have to pretend all the time with them. Pretend to be amused ...
to be grateful ... to be sprightly ... to be in love. If one stopped
pretending one would shout, ‘Oh, how hideous my life is when I am with
you.’ Emily is easy.”
“I guess you haven’t gotten on to my first name,” murmured Miss Weber.
“Yes I have. It’s Mame,” he replied with distaste.
Only once during his visit was Edward’s dramatic sense aroused, and that
was when he seemed to hear Mom say to a silent and ghostlike neighbor who
had dropped in, “Merry, merry, merry were they, and danced with their
hair in a tremble.” After studying the picture thus presented to his
mental retina, Edward realised that part of what she had really said was,
“It’s worry, worry, worry all day about dancing ...”
That evening, when the energies of a cheap Victrola had been directed
to the delivery of a song which one could tell was a comic song about
Prohibition because it was sung out of tune and with a great deal of
hiccoughing, Miss Weber asked her brother for the loan of his bicycle.
“What’d I loan Ed my wheel for?” asked the frank youth. “He’s not _my_
beau, is he?”
“Why, Cliff, you know you haven’t used it yourself in months. You’re not
going to act mean, are you?”
The discussion lasted for about seventy minutes. It ended thus: “Why,
what’d I wanter loan Ed my wheel for? He’s not _my_ beau. Mom, here’s
Sis’ beau after my wheel. He’d skip with it, as likely as not. It’s my
wheel anyway.”
“Well, then, you won’t get any more music off my Victrola. I’ll lock it
up, you mean thing. Mom, isn’t brother the mean thing?”
“Lock it up all you want. I can live without music, I guess. I’m not one
of your British highbrow lords.”
Unperturbed, Mom read _Mother’s Magazine_, her square florid face resting
on its many chins like a shut door at the top of steps. Mr. Weber picked
his teeth with clicking noises and looked at the floor as though he could
see through it.
When Edward awoke on Monday morning, Cliff was gone. Miss Weber was
knocking on the door. “Brother says you can have his wheel,” she said
through the door. “I gotter catch my train in a minute. Come down till I
show you where the wheel is.”
Edward felt for a moment sorry that his eyes looked so ugly immediately
after he awoke. “It’ll disillusion her, poor soul,” he thought, putting
on his overcoat. “Perhaps it’s as well....”
“I’d better not borrow your brother’s bike, thanks awfully. He didn’t
seem really keen for me to have it.”
“Shucks,” said Miss Weber guiltily. “He’s crazy for you to have it.
Nothing’ll happen. You can’t eat it, can you? Come ahead.”
The last words he ever heard from Miss Weber were spoken in the garage.
“My, look at your legs! Do all Britishers wear jazz suits in bed? I’ll
say old Cliff got a good laugh over that suit. My, a quarter of seven
... I must hustle. By-bye, Ed, gimme a hug. Call in at the office any
time.”
When Edward said good-bye to his host and hostess, Mr. Weber spat in
a pointed and rude way on to a spot near Edward’s left foot. It hurt
Edward’s feelings rather.
“Somehow I don’t get on with coarse people, especially in America. Few
people appreciated a man of our Hero’s exquisite fibre,” he thought,
without much conviction.
Edward had two dollars and fifty cents. He was not a very good manager
but he lived on that money for three days. He did not sell a single book.
“If I were the hero of a book,” he thought once, “nobody would ever
believe that I had made so complete a failure of such a simple job. Never
one sale. Other people in books have ups and downs in their businesses,
but I have only downs—and such deep downs. I can’t think what is the
matter with me. It is really that Emily is a part of me that hasn’t
fitted on yet—the successful and splendid part. Emily and I could be a
man and a woman. Without her I am not even a man.”
“Never mind. I have only to wait. People never go on in such an agony of
wanting without at last getting what they want.”
The further away Emily went the more did Edward forget the hopelessness
of his suit. He only remembered the softer aspects of Emily’s face.
The roads he chose during those three days lay often through forests. He
avoided the open, wide, concrete roads. “If I can get in with the little
ranches, that’ll be a cleaner field. Ranch people have boys, I suppose.”
The boys did not seem to want culture in the little ranches. Some of the
women could hardly speak English. Their replies were given in an accent
so exotic that the sense did not penetrate to Edward’s faulty hearing.
When he looked at their faces, however, he was generally glad he could
not understand. He was not wise in his choice of “clean fields.”
Bungalows infest the slopes of the Russian River, yet almost every
bungalow at which Edward knocked was apparently uninhabited, except at
week-ends. There was no business there—still, there was the Russian
River. A rigorous red road sawed up the dark high mountains on the south
bank of the river. There were trees everywhere. Young redwoods against
the sky were strangely bare and lancelike. The sun made nothing of the
inconsiderable branches of the trees—it made clear only their proud
back-bones. There were madrones. One would expect to bend a madrone like
rubber; its stem has the apparent texture of red rubber. And bent it
is, but only by great winds. Its stem and branches are red and rose-red
or gold and green-gold; it glows like a pillar of jewels and precious
metals. Once a year madrone opens hundreds of little windows in its
scarlet and crimson tower, little green square windows are cut in the
bark, through which joy in the heart of the madrone looks out at spring.
At those times it is as if there was, pouring from the innumerable
windows, a most gay green and gold light into the forest—light where
sunlight cannot enter—a low, gay light in the forest shadows. But now
madrone’s windows were closed, madrone was sealed up in its smooth
shadeless red towers. The glazed grape-colored stems of manzanita haunted
the shadows below the madrones. There were columbines with their flowers
strangely balanced in the air like stage fairies. And most of the world
in sight was pricked by pines and firs in all shades of green, ranging
from a hot, live green to a green that had almost the sheen of a Blue
Persian cat.
The Russian River, far down, ran among mauvish tapering islands of sand.
It crouched low down beneath the feet of the hills and the trees. The
sun-dazzle upon the river dodged behind the shoulders of the hills.
Edward tried to “work” the self-conscious summer villages and the
concealed and suspicious mountain hamlets. _Milton for Our Boys_ seemed
to be a drug in the forest market. Talk of uplift withered in the smell
of the sea that came up the Russian River.
Edward slept one night simply and uncomfortably beside the prostrate
bicycle under a twisted madrone tree, on soil thick with intimate small
weeds—soil that for the first two hours was soft and seemed a vantage
point from which to sing to the stars, but for the rest of the night was
hard and infested with ants. Stars are stark comfort at three in the
morning.
All next day he was in sunlight on the naked low hills that follow the
line of the sea. The hills were burnt; it seemed that they had even
caught something of the colour of flame. They were burnt tawny gold and
crimson. These were the naked hills; they were done with the draperies of
spring.
Edward bicycled briskly. He felt rather ashamed of having to move
his feet in such a brisk prancing way; he thought that he shewed the
ridiculous jauntiness of a toy dog.
He was approaching _The World’s Egg Center_. The hills broke out into an
eruption of white hens. Edward thought that, just as every provincial
mother looks to London, so it must be every hen’s ambition to have an egg
making its début at the _World’s Egg Center_. Twelve miles out of the egg
metropolis suburbs of hens were already thick on the ground.
Apart from hens, the only flowers of that bare country seemed to be
boulders, great proud purple boulders rooted in their own clear shadows.
Sometimes little wind-bent trees, like jockeys, rode the boulders.
Edward called upon many chicken ranchers in the hope of introducing
Milton to their boys. He was becoming desperate. He had thirty-five
cents left in the world. Chickens must be an absorbing pursuit; no
rancher had any time or attention for Milton.
Edward spent twenty-five cents on a very bad meal.
After sunset he crouched under a leaning rock on the slope of a hill. He
slept well and in the morning found his waking eyes on fire in the glare
of a solitary gold poppy, gloriously open within three inches of his
face. The poppy was thickly and incredibly golden; its petals had a sheen
like a little wind on sunny water and, deep within its cup, dusted with
gold, was its treasure, a tiny unkempt chrysanthemum of gold with a crisp
core of black.
At the next ranch visited by Edward the disorder of his clothes, after
two nights under the dishevelling stars, had its effect. A man in blue
jeans, carrying a bucket of grain, met Edward at the gate and said, “We
found and lifted the latch of the polar star.”
Edward was no fool. After a second’s surprise he realised that his ears
were betraying him again.
“Sorry,” he said. “I didn’t quite catch what you said.”
“What’s that?”
“I didn’t hear what you said.”
“You don’t need to hear anything except Keep Out,” said the man waving at
a terse sign rooted in a whirlpool of chickens: KEEP OUT THIS MEANS YOU.
“We don’t want no hoboes here.”
“My name is Edward Williams,” said Edward urgently. “I want you to look
at——”
“If you said you was William Randolph Hearst I wouldn’t give a whoop. No,
sir-ree, not in them togs. ’S’plain enough, ain’t it?”
Edward bicycled briskly away. He looked himself over when he was out
of sight of the ranch. His clothes were creased like the cheek of a
nonagenarian. _Milton for Our Boys_ was an anomaly as a bait at the end
of that crumpled sleeve. He would try no more. “Our Hero was never one to
fly in the face of fate.” He bicycled into the Chicken-City and he was so
much irritated by hunger that he hoped he would run over someone and die
in the attempt. All the faces on the sidewalks made him uncontrollably
angry. He went into a saloon and ordered a brandy. He was so angry that
his voice trembled. He would never see Emily again. He would die in the
suburbs of a chicken center. He would find another gold poppy and it
would pour gold into his eyes until his eyes closed. Poppies are better
than pennies on dead eyes.
“Only a matter of a few days more,” said the saloon keeper in a friendly
voice.
“Being deaf is as bad as being haunted,” thought Edward, wondering what
the man had really said. “A matter of one day more,” he grunted.
“No, _sir_. June thirtieth’s the last day and you don’t wanta forget
it. I’ll say the boys’ll be around that night. What gets me’s how the
government put it over, but—well, I should worry I guess.”
“He’s talking of Prohibition,” Edward realised. “Well, by the end of this
week I shall be prohibited anyway.”
Just as the saloon keeper began another remark, Edward turned his back
irritably and sat down at a table. The brandy combined rather badly with
his hunger.
There was a newspaper on the table. Rhoda Romero’s name was on it in tall
headlines.
Acquitted.
There was a snapshot of Rhoda, with a defensive hand to her chin, walking
with one foot up. “.... Collapsed on hearing verdict.... Miss Romero, who
is in private life Mrs. Avery Bird ... yesterday, facing a possibility of
a fourteen years’ sentence, not a muscle of her face (of a Grecian type)
twitches ... today, declared free ... attack of hysterics in court ...
hides her face among hubby’s vest buttons ... refuses to disclose her
plans ... will perhaps visit relatives in the East ... complete nervous
collapse....”
Edward felt absolutely no joy on Rhoda’s account. “It’s no use
pretending,” he thought. “There’s no room in me now for anything but me
and Emily.”
He was very much excited. He read the account three or four times. He
recognised the dress that Rhoda was wearing in the snapshot. He spoke to
the saloon keeper again.
“This is my greatest friend in California,” he said in a trembling voice,
hoping that the saloon keeper would be very much interested.
“Well, what do you know about that?” said the host, taking the paper
patiently. “She’s a looker too, I’ll say. Well, it’s good hearing for you
that she ain’t ona these Reds. We had a Red once blaaing around in this
city—wanted a hired man’s strike....”
“Yes, isn’t it funny, I even know that dress. Those little buttons are
green.” Edward was quite unlike himself. He was so hungry.
“Is that right? You bin going with her, I guess,” said the saloon keeper,
looking at him sharply. “Well, who’s to blame you, she surely looks a
classy dame.”
“I want to go back to see her,” said Edward. “I didn’t think I should
ever see her again. Now she’s free and anyone can see her.”
He was much pleased that his host thought he was in love with Rhoda. He
felt that the thing gave him a halo of interest and pathos. He thought
that the saloon keeper would describe the incident to other customers
later in the day. “Had a guy in here ... picks up the _Examiner_ ...
intellectual looking guy too....”
“I want to go back to her,” said Edward, “but I haven’t a cent. That is
to say, of course, I have ten—enough, I hope, to pay for the brandy.”
“The brandy’s two bits,” amended his host doubtfully. “That’s too bad.
How come?”
“I bicycled here.”
There was a considerable pause.
“You don’t want to buy a book called _Milton for Boys_? I’m a salesman.
I’ve struck hard times.”
“Why, no,” said the saloon keeper, whose manner was now rather colder.
“We don’t have no use for books, not in my lina business.”
Edward clung to the counter. He would never leave it without money, he
thought hysterically. The saloon keeper went and served another customer,
whistling doubtfully as he did so. Then he produced an account book and
began writing down figures. Edward held the counter tightly. He began to
feel faint with hunger and excitement. A noise like mowing machines on
summer lawns at home was in his ears. The saloon keeper finally looked at
him.
“Want something to eat, brother?” he asked. “I’d be willing.”
“No,” said Edward. He felt vaguely that to accept food would lessen the
force of his appeal. There was a hopeless silence again. Edward’s head
drooped over the counter. He seemed to be looking closely at the grain of
the wood.
“The man must be touched by this,” he thought dimly. “I must look
awfully white by now.” There was a freezing feeling on the skin of his
face.
“Now, see here, young feller,” said the saloon keeper. “I hate to see you
in bad. I’ve got a soft heart, so the boys tell me. I’d kinda hate to
have a foreigner quit this city feeling mean like you feel right now. I
kin size up a man that’s on the level as well as anyone. Now this is what
I’ll do. You let me see this wheel of yours and I don’t say but what I
kin loan you a few bucks on it.”
Edward leaned on the counter for a minute more. “I might be able to
redeem it,” he thought. “Anyway Cliff said I’d probably skip with it, so
he won’t be surprised. It’s a little thing to do—for Emily.”
He wheeled the bicycle into the bar.
“Gee, she’s had some knocks,” said the saloon keeper. He came round the
counter and rang the bell of the bicycle. “Next time you come around this
ways, mebbe ... well, brother, I’ll trust you. You kin have a hot dog on
me and a cup-a coffee. I’ll loan you a coupla bucks on it. That’ll take
you as far as Frisco.”
“Obstacles are nothing to Our Hero,” thought Edward and then, “Cliff
won’t be surprised. Nor will Pop. Pop will say that’s what comes of
picking up with a Britisher.’ He’ll spit and pretend he’s spitting on
England.”
San Francisco seemed to Edward to be set in pearls. Pearl clouds bowled
about the hills; the bay and the Golden Gate had the opaque glow of
pearls.
The little tram lifted him up the steep streets towards Rhoda—no, towards
Emily. From the top of the straight hill he saw the city lying in curious
leaning perspectives. Houses on other hills seemed built upon each other
like the stones of great pyramids. The air was full of white sun and all
the shadows were trim.
Misgivings met him halfway up the wooden outside stairway that led to
Rhoda’s door.
No-one answered the bell. He could not believe the silence. He rang again
and again. No-one answered.
He stood on the stairs with an empty mind. Then he began to remember
running down those stairs, pursuing Emily after his first meeting with
her. It seemed to him now that he had not loved her at all while she had
been here, within reach. He could not remember his past feelings. He
could remember nothing but looking at her. The Edward of those days was a
blank to him now. He had lived then outside himself, living austerely on
the intermittent sight of her. Now he could not even remember what it was
that he had seen in her face, he could not remember what it was that gave
her eyes that starred look. Was it because they were set so deep under
her strong black brows?
The janitress stood at the foot of the stairs. “Mrs. Bird ain’t to home.
Gawn south somewheres in Louisiana. Didn’t you-all see it in the paper?
She done had a collapse.”
Edward did not answer. He looked down at the janitress. He could not see
her feet; he was so steeply above her. He could see, however, that some
of her hair was false and did not match the rest. After a minute she was
gone.
Avery Bird had come half-way up the wooden stairs before Edward really
believed that he was there.
They looked at each other in unfriendly silence.
Avery looked frantic; his face was a yellowish white; his thick lips were
fixed in a straight line; his cheeks were as hollow as though he were
sucking them in. Even his curly black hair looked crushed.
After he had looked at Edward for a minute he pushed by him and unlocked
the door.
“Can’t you leave us alone?” he said.
Edward seemed to himself to dwindle. He could hardly believe that anyone
had spoken so. “Our Hero—what? Are heroes so addressed? _Can’t you leave
us alone?_ It is intolerable. I am an absolute and appalling failure.”
With a limp hand he reached for the door as Avery shut it against him.
He touched the door in a yielding way as a cat would touch it. The touch
was like magic. Avery opened the door again. “Come in, come in. Oh, come
in, come in,” he said furiously. As he preceded Edward into the studio
he went on saying, “Come in, come in, oh come in....” Poor Edward was
coming in as quickly as he could. Dirty cups and plates were all over
the studio. The shades were down over all the windows but one.
“I detest the sight of you,” said Avery. “You are like a beastly disease
in my house. You worried Rhoda till she cried at night. Now she is gone,
to cry in another bed.”
“I don’t know what you mean.”
Avery did not know altogether what he meant. There was to him something
hideous and detestable about Edward. Edward had been too much in his
sight. Avery was full of Jewish vigour himself; the poorness and the
pimples, the thinness and the hesitancy of Edward were revolting to him.
“You don’t know what I mean? Didn’t you know that Rhoda would have _paid_
to get you out of this country, out of her sight, out of the sight of all
decent people.”
Edward did not speak of the suggested commission to take Rhoda’s pictures
to China. He knew very well that Avery was right. Rhoda would have paid
to get him out of her sight. That was all she had meant. Her pictures,
bad, mad, careful pictures, were still on the wall.
“Now she has gone,” said Avery. “She has forgotten me—she has worse than
forgotten you.”
“Gone ... forgotten?” Edward thought. He could not connect violent words
with the serene and reasonable Rhoda. He could not imagine her sturdy
neat face distorted by fury or hysteria.
Avery said, “What do you want? Are you begging for her money again?”
“Yes,” said Edward. He sank down into a mire of disgust. He was feeling
sick.
Avery snatched at a wallet on the table. He threw all the papers from it
to the floor and there was a roll of money clinging to the brim of the
wallet. “Take it, take it, take it, take it!” he shouted, slamming down
one fifty dollar bill after another among the reeling cups on the table.
“Oh, take it, take it, take it!...”
Edward was taking it as quickly as he could.
“And for Christ’s sake get off this side of the world,” added Avery. “You
... gopher.”
Edward backed a few paces towards the door. Avery laughed. His face was
twitching; his eyes were burning red. He looked very ugly and almost
childish and Edward, as he realised this, felt braver. He stood with his
back to the door. He knew very well that when he had disappeared, Avery
would put his head down among the unwashed cups. Why, the man was already
crying.
“You have been exceedingly rude to me,” said Edward. He thought, “Our
Hero threw one contemptuous glance back into the room as he left.”
Edward went out. As he closed the door he could hear the cups clash.
CHAPTER SIX
If love be a flower,
Pluck not that flower,
Though flowers be cool
And dear to thy brow.
Thou happy fool,
Thou shalt travel not far,
Thou shalt lie down with this
Cold flower for thy lover.
He shall blind, he shall star
Thine eyes. His cold kiss
Thy mouth shall cover.
If love be music,
Hear not that music,
Sing not that song,
Though songs be few.
Oh, very strong,
Very close is the weaving
Of notes among notes.
Thou art bound and entangled.
Sing, then, unbelieving,
And sing till thy throat’s
Soft song is strangled.
If love be a lion,
Flee not that lion,
Let thy triumphing bones
On the desert lie.
On a desert of stones
Thy bones shall smile,
Comforted only
By stark silence.
Silence and dew
Be thy crown, for thou
Wert blind to a flower
And deaf to music.
Edward could hardly believe in his own existence when he found himself
approaching China.
Japan had been nothing. A country packed with color and little hills
but empty of importance, being empty of Emily. All in vain the veil of
Fujiyama floated over Yokohama; all in vain little pearl-like clouds were
strung round the shoulders of Fujiyama in the indefinite sun. Edward only
thought it was very like its pictures.
When he rode in a little light ricksha through the centreless streets
of Yokohama, he thought, “This is Edward Williams doing the things that
Sunday school children at home see on lantern slides. But Our Hero
remains detached, as in a dream.” He was glad to feel detached, to feel
that, unlike the other passengers on the ship, he was not “doing the
Orient.” He was looking for Emily.
Afterwards he remembered more of Japan than he had realised at the
time. He had been inconsistent enough to imitate the majority of the
passengers and go by train to Kobe. He had even been chosen as escort
by a stout, lonely lady passenger. “Women were more and more interested
in Our Hero as he grew older and sadder. Women adore an atmosphere of
tragedy.” It was true that Edward had scarcely been able to hear anything
that the lonely lady said. It must therefore have been his “mystic air
of remoteness” that had interested her. Or perhaps it was just that he
was a man. Together they had spoiled for themselves the enchantment
of the Kamikura Buddha by climbing coarsely up the steps inside him.
Together, in a hired Ford car, they roared through the faery streets of
Kyoto in broad daylight without pausing to hear the clicking pattens in
the crowded quiet streets. They did not wait to see the crouching lion
outlines of the temples against the multiplying stars of an evening sky.
All the flowers of Japan passed Edward by. “I am no botanist,” he said
proudly.
Japan haunted him afterwards like a ghost. Afterwards he knew that he
had shut his eyes. Afterwards he knew that he had nothing to remember,
nothing but little sharp negligible details that had pricked his idle
mind—the white crests printed on the backs of the blue-clad coolies—the
paint on the women’s faces—the way the women’s toes turned in—the
greasiness of the women’s hair—the deformed look of the women’s backs in
the evening when they put on outer kimonos over their broad thick obi
sashes—the angry officious voices of the policemen—the similarity of the
Tokyo railway to the London Underground....
After rejoining the ship at Kobe he had defiantly read cheap books
all through the Inland Sea. At Nagasaki he did not land. “I’m not a
tourist—I’m here on business,” he told a little fat bald American
business man, who had not asked him whether he were a tourist or not.
Manila Edward ignored. He only saw one thing belonging to Manila, a small
Filipino woman with gauze sleeves and ruffles starched as though she
were an Elizabethan, who came on board with her husband, a little man,
the upper part of whose body was sensibly clothed in a garment of such
transparency that no single crease or roll of brown fat over his ribs and
stomach was hidden.
And here was Hongkong.
Edward woke up. He was alive to the bland blue outlines of the Peak
against the sky. Every scarlet and gold flutter of the paper prayers on
the importunate sampans that raced for the liner was a message from Emily
to Edward.
People talked with English voices in Hongkong. Edward could hardly hear
what the women said. England at last! He followed a couple of pink,
small-headed subalterns to the hotel. He heard one say, “By Jove,” in
a throaty English voice. Edward felt no longer despised and exotic. He
saw that everyone in the hotel lobby looked cooler than himself. But the
faces were English and not complacent. Or even if they were a little
complacent—why not?—they were English. He ordered a cocktail.
“After that I will look in the register,” he thought. “Perhaps Emily’s
name will lie like a strip of light on the first page I look at.”
He did not know Emily’s last name.
He could hardly believe for a moment that he did not know her name. The
cocktail was so good that while he was drinking it he thought, “I shall
think of her name in a minute.” But nobody had ever told him her name.
“I know Tam’s name at least.”
It was a pseudonym.
He deliberately interposed a blankness between his brain and this
disaster of a China rendered empty of Emily. China to him meant Emily
now. The divorce of the two words—China—Emily—was inconceivable.
He studied the register. “If I see her writing I shall recognise
it—though I have never seen it.”
A long untidy addition sum of names lay before him on the page. The
result of the sum was—nothing. He turned to another fruitless page.
Another. “Miss E. L. Spring, Walthamstow.... Mr. Irwin Scales, Binset,
Somerset ... Mrs. Irwin Scales....” The date of those was about right. E.
L. Spring? It was a blasphemy. Walthamstow?...
But the date was all right.
E. L. Spring was the only woman with the initial E. There were dark
horses all over the page, fiendishly concealing the most important part
of their names... Miss Framlingham, Delhi, India ... Miss Wherry, London
... Miss Burnett, Canterbury ... Miss Something Illegible, San Francisco,
Calif.... They all sounded like thin women with withered necks and little
green veils hanging from the backs of their hats, not like Emily.
He returned to the chair beside his empty cocktail glass. His eyes had
tears in them so he pretended there was a fly in one of them. His throat
was compressed by distress. He could not have spoken aloud. “I thought
I left myself behind,” he thought. “But I am still Edward Williams in
China. Myself has caught me up. Look at me, crying now in a hot chair
in Hongkong, I who used to cry in the cold draught that ran through my
dreadful room in San Francisco.”
The heat was like stagnant steam. He felt sick and very deaf. The only
sounds he could hear through the exasperating roaring of his ears were
the sharp cries of the chair-bearers outside the open window, trying to
attract patronage. The cool vacant faces of English women moved up and
down in the shadow of the arcades outside. Edward could not hear the
clicking of their high heels, they seemed to him to move subtly like
ghosts.
It was terribly hot.
“I shall cry frankly unless I move about.” He hung his self-conscious
head as he left the hotel. He tried to interest himself in the Chinese
names above the shops. No—not China now; China was a horrible half-name
now. The Peak leaned like a cloud over the houses. He could see a little
train sliding up the mountain, like a fish which some giant fisherman was
drawing up from the sea. He found the station. The train was full, but,
as Edward approached it, an official, seeing him, turned out a Chinese
clerk in order that Edward might find a place. Edward looked angrily at
the patient alert face of the ousted Chinese on the platform. “I don’t
care if his business is urgent,” thought Edward. “I hope his wife is
dying. It isn’t fair that only I should be hurt.”
“Oh, my dear ...” screamed the hot English girl in front of Edward to her
hot friend. All the women in the car were fanning themselves and talking
in a frenzy of foolish energy about men.
The car lifted them all up the hill. Dense dull shrubs bordered the
steep track. The houses seemed to lean against the hill. The harbour was
unrolled at the foot of the mountain. A fringe of ships, like tentacles
round a jellyfish, radiated from the shore. Kowloon, backed by crumpled
hills, stretched out a corresponding fringe towards Hongkong. Edward’s
ears cracked and clicked, affected by the change of level.
He walked on the neat paths of the Peak. The Peak seemed as hot as the
seashore. “Must be nearer the sun,” thought Edward confusedly. But no,
it seemed that he was above the sun; he had left the sun behind floating
on a thin delicate sea. It was sinking in the sea. All the islands were
blue imitative suns, sinking in the sea. The whole sky was the colour of
fire. Edward could almost hear the roaring of the fire in the sky. The
sea was suddenly sheathed in shadow; mists like snakes writhed between
the islands. The islands were no longer sinking in the sea; they were
buoyed up by encircling mists. Why was it still so hot? The sea closed
and flowed over the sun. The fire in the sky burned no more.
Edward thought, “She must have gone to Peking.” At once it was cooler.
“I will go to Peking tomorrow.” At once he began to enjoy the thought of
China. A Chinese woman with a small gaunt face in a bright blue tunic
and trousers neatly pressed, her sleek black hair in a spangled net, a
neat white flower in her hair, tottered by on small compressed feet. He
thought “Emily would have wanted to kiss that darling woman. Perhaps
she would have kissed her. No, she would have stood and looked back at
her, she would have jumped a little and all her body would have been
electrified with pleasure. ‘Oh, look ... oh, look ... oh, look....’ The
woman would have turned and laughed in delight.”
He could not believe it when next day a schoolboy English clerk behind a
counter told him the price of a journey to Peking.
“Say it again, please,” said Edward.
The boy said it again without referring to any book. He seemed to know
the dreadful words by heart, just as a torturer knows by heart the levers
that will hurt most.
“That’s seventy dollars more than I have,” said Edward.
“Hard luck,” said the boy, looking at him curiously. It seemed odd to him
to admit such a thing. “You can go by boat to Tientsin. That would save
you a few dollars.”
“It wouldn’t save enough dollars for me,” said Edward. He stood on the
doorstep of the office. “Well, I can’t stop here all day,” he thought.
Several times he told himself briskly, “Well, well, well, I can’t stop
here all day....”
He comforted himself presently by thinking, “I must have tremendous
courage to have got so far. Many people wouldn’t have got out of that
naked little room in San Francisco.” He drew a little courage from the
illusion of his own courage. Presently he realised that the world did not
end on the doorstep of a tourist agency. He found several possible jobs
in the newspaper. “English jobs sound somehow less fierce than American
jobs,” he thought and, buoyed up by a desperate hope, he called on the
headmaster of an English school for Chinese.
“I’m afraid you haven’t had much experience of teaching,” said the
headmaster, a gentle, uncertain young man, looking at Edward unhappily.
“It is I who am afraid,” replied Edward courteously.
The school was in great need of teachers. The headmaster did not seem to
mind whether the teachers could teach—if only a specious appearance of
teaching was sustained in his dozen classrooms. Edward was engaged at a
small salary to live in the school and teach a class of fifty boys in
“all ordinary English subjects.” There was one professional teacher in
the school—a woman. The other teachers’ desks were occupied by one or
two unemployed merchant seamen, some bright young women stenographers,
a stray woman journalist teaching “as a stunt,” and two or three sullen
Chinese whose classes were always in an uproar.
Edward nearly fainted as the headmaster took him into the classroom on
the first day and introduced him to the boys. “I am sure you will do your
best ... Mr. Williams who lives in England and has spent much time in
America ... giving his time to help Class C in their study of English....
Now, boys, we must all do our best ... make Mr. Williams welcome....”
While the headmaster’s shy voice wavered on, Edward studied the faces
in front of him. Half the class was Eurasian; the other half Chinese.
There were one or two thin, glowing Indian faces among the broad Chinese
masks. Three Portuguese-Chinese boys in staring striped suits with small
waists sat in the front row, trying successfully to frighten Edward
by means of an exaggerated look of awe. With these exceptions the two
front rows were occupied by little boys who were physically too weak to
challenge the determination of the big boys to sit behind unseen. Edward
looked hopefully at two little boys in the front row trying to look
superlatively good. Their lips were moving; they were making a show of
repeating the headmaster’s words to themselves in order to make a good
impression. Over their heads Edward could see a dazzle of insolent faces,
laughing at him and at the futile gentle enthusiasm of the headmaster.
The big boys were quite frankly talking. Sometimes even Edward could hear
their twanging voices. The headmaster looked wistfully down the room at
the disturbers but made no comment. Edward felt his face fixed in an
expression that a martyr might wear. His face was frozen. He could not
change his expression. He looked in sickly appeal at the headmaster, who
was now leaving the room. He looked in sickly appeal at the boys.
There was a fearful silence, broken by one of the big Eurasians at the
back suddenly breaking into song.
“Eh—tya—tya....”
“Now you must be quiet, please,” said Edward huskily.
“Shall not I sing?” enquired the musician. “Am not I having sing lesson
every evening when school finish?”
Edward ignored him. “I see by the timetable that we should begin with a
Scripture lesson——”
“Oh, no sah—nevah Scriptchah. Monday mornings we was having hygiene—no,
we was having dictations—nevah Scriptchah.”
The concerted noise of contradiction became louder and louder. Edward
felt as if he were caught in a great roaring machine that he could not
stop. “Oh, silence ... oh, silence ...” he cried, tapping the desk feebly
with his pencil. He could not stop the noise. He rose and flung his arms
out. “Oh, silence—I can’t stand this.”
The hysterical gesture produced a startling silence. Then some of the big
boys laughed.
“The timetable says Scripture and I say Scripture,” said Edward
furiously. “No-one else’s opinion is needed. Now I want one of you big
boys—I don’t know your names yet—that one with a pale blue coat on—to
come and tell me how far you got in the Bible ...”
“Please sah, you say no other man opinion was needed.”
“Shut up, curse you.”
“Eh—tya—tya....”
“He sing a song for welcoming you, sah.”
The boy in a long pale blue coat stood in front of Edward, unexpectedly
abashed. His small eyes seemed deliberately veiled with dulness.
“What is your name?” asked Edward.
“I new scholar.”
“You have a name, though,” insisted Edward.
“Oh, no, sah,” shouted another boy from the back of the room. “He was
having no name. He was married man....”
“His name was Ng Sik Wong,” said one of the laboriously good little boys.
“_What_ is his first name?”
“Ng,” buzzed the whole class.
“I can’t believe it.” Feeling a little braver Edward wrote down, “? Sick
Wong—Scar on nose—pale blue—halfwitted,” in his notebook. “Now, ... ahem,
Sick Wong, you’re one of the biggest boys in the class, aren’t you?”
“I new scholar.”
“Almost big enough to be a master, eh?”
“Eh—tya—tya.... Hey, Ng Sik Wong—you be master—number one class
master—married man....”
Edward pressed on. “So I’m sure I can depend on you to try and help me.”
“I new scholar.”
“Go back to your seat.”
“Please, sah,” cooed a good little boy. “I shall help you. I shall
tell you where was we reading holy book. Last Monday we have finish
Matthew-holy-gospel-according-to twenty four chapter. I tell you my name,
sah. I Rupert Frazer, sah.”
“Open your Bibles at the twenty fifth chapter of Saint Matthew.”
Bibles flew about in the air. There was a riotous noise of opening books
and a few whines, “Please sah, he steal my book ... please sah, Pong
Poon Chong pinch me.... Sah, I have lose my Bible since a long time....”
The tallest of the smart Portuguese boys in the front row rose.
“Excuse me, sah, what does it mean, Virgin?”
Edward’s skull was sweating. “A virgin—” he began.
“Eh—tya—tya....”
“Surely the whole class has sense enough not to ask silly questions.”
“Please, sah, you shall tell him ask Ng Sik Wong. He married man.”
“Please, sah, tell him ask Ng Sik Wong wife—she shall know what is
virgin—I wonder....”
“A virgin is a young unmarried woman,” said Edward, petulantly damning
all virgins.
“But, sah——”
“In this case that definition is enough.”
“But, please, sah——”
“Begin to read, Rupert Frazer.”
In a high staccato voice which ignored punctuation and sense, Rupert
Frazer began to read.
“Please, sah,” said the tallest of the three Portuguese. “Please excuse
us leave the room, sah.” All three rose as if worked by one lever.
“What for?” asked Edward.
“Eh—tya—tya....”
The three Portuguese stared at Edward in exaggerated reproach and
bashfulness.
(“And att midnight there wass a cry made be-hold de brid-a-groom cometh
go yee—”)
“Very well. Come straight back,” said Edward.
(“Less thah bee no eno for uss and—”)
“Oh, stop, Frazer,” implored Edward. “Next boy, read.”
The boys on Frazer’s right and left began reading in concert with furious
glances at each other.
“Not both; the Indian boy.”
“I am Parsee,” said the boy, a small nervous looking child. “My name iss
Bannerjee.”
“Please excuse us leave the room, sah,” said the first of a line of big
boys filing past Edward’s desk towards the door.
“Stop,” shouted Edward unsteadily. His head was rocking with the heat and
consciousness of failure. “Go back to your seats.”
“Oh, sah, other teachah Mistah Ramsee he nevah stop us.”
“Go on reading, Bannerjee,” said Edward. He pretended not to see the
last of the line disappearing through the door. The departure of the
disturbing element gave rise to peace in the class.
“Watch therefore,” read a boy with a Chinese face and a German accent.
“For ye know neither the day nor the hour wherein the Son of Man cometh.
Please, sah, is not it true dat nuns haf Our Lord als Bridegroom?”
“Nuns iss virgins,” said one of the Parsees in a shocked voice.
“Please, sah,” continued the German. “Iss it not Mystic Union between
Our Lord and nuns? If we not believing in Mystic Union between Holy Lord
and mankind iss it not true we shall be perishing in outer darkness and
there shall be whipping and gnashing off teeth?”
“Everyone is free to have his own opinion about these things,” said
Edward, doubtfully. “Outer darkness is only a parable in itself——”
“But the Bible say——”
“There are a great many interpretations of the Bible’s words,” snapped
Edward, feeling unhappy and strangely alone among the quiet familiar
words in front of him. “Perhaps we should all be more likely to agree on
the general sense of this parable. What do you think Jesus meant us to
understand by this story——”
“Not story, sah, it was holy parable.”
“Well, what can we learn from this parable?”
“We shall not know, sah. You telling us, after—we shall be knowing.”
“Use your minds. What lesson do you find in the parable?”
“We not virgins, sah.”
“Mistah Ramsee he nevah ask the thing he have not teach.”
“This is Mr. Williams, not Mr. Ramsay,” said Edward, whose confidence
was increasing with the increasing tranquillity of the class. “I will
give you three minutes in which to glance over the parable again before
answering——”
“It mean—the wicked people shall perishing in efferlasting fires,”
declaimed the German.
“Silence for three minutes.”
There was an uneasy silence broken suddenly by the opening of a side
door. The woman teacher in the next classroom stood in the doorway and
spoke in a contemptuous voice to Edward. “Will you please restrain your
boys from shooting their pea-shooters at this door? The noise in the next
room is most disturbing.”
“Sorry,” said Edward, feeling lost again. “I’m rather deaf. I didn’t
know....”
“And you might like to know,” continued the visitor, “that eleven boys
from this class are playing ball in the playground. I don’t know, of
course, if they have your permission....”
“Oh, well ...” said Edward. “My God, it’s terribly hot, isn’t it?...”
The woman-teacher shut the door sharply.
Edward felt as if he were outside himself, as if he could see himself
leaning limply over his desk, his damp mud-colored hair drooping
forward—its parting lost—his thin face shining with sweat and almost
certainly rather dirty, the red spots growing redder upon his chin and
forehead, his lower jaw trembling although he was trying, by hard biting,
to hold it steady. “Even if I found Emily,” he thought, “she would hate
me now.” He could never be cool or lovable in these thick weary English
clothes. Then he thought with sudden pleasure that he would buy a new
suit, a cool pale suit in which to meet Emily. He imagined himself,
looking delicate and tired and cool in a delicately pale suit, walking
triumphantly towards Emily along a Chinese street between booths full of
lilies. “Oh, look ... oh, look ...” Emily would cry, throwing her arms
up in her exquisitely exaggerated way. “Oh, look ... here’s that darling
Edward ... looking like a damned old primrose ...”
“Shall I went to tell Ma Lo Yung and other boys come in to lesson?”
suggested the saintly Rupert Frazer.
“Yes, run along for Heaven’s sake,” said Edward, trembling with various
emotions.
The day was at last over. It seemed like two days to Edward because it
was cut in half by an hour for luncheon. During this hour he could be
sullen and quiet; the half dozen other men teachers took little notice
of him. The women teachers could be heard screaming in secluded mirth in
another room.
The week was at last over. Edward had half Saturday and all Sunday to
himself. Not quite to himself, for on Sunday he had to be “on duty” for
half the day. He sat in the window of his room in the shade of the big
palm-tree outside. Heat hummed through the garden, through the open doors
and along the dingy passages of the school. Edward did not mind what the
boys were doing—whatever it was, they were doing it fairly quietly.
Occasionally a tearing yell of laughter or a whine or a shrill protest in
Chinese was mixed with the hum of heat and insects.
Edward was comforted by comforting spirits, the contents of two bottles
which were his only contribution to the furniture of his room. These
represented the only money he had spent that week. The new suit was still
a dream. He taught in his shirt-sleeves.
He had nothing to do on Sundays. Yet he tried to regulate his drinking.
He made appointments with himself. “At half past three I will have
another....” But sometimes he forgot and had another too early. “It keeps
off the mosquitoes,” he thought.
One of the big Portuguese boys from his class was standing in the
doorway. “Please, Mistah Weelims....”
“Have a drink,” said Edward. He thought the boy looked rather beautiful;
his black hair was so thick and shining; it was brushed like a smooth
breaking wave.
Before suppertime there were six boys in Edward’s room. “If you fellers
would only behave decently in class,” said Edward, feeling like a man
of the world surrounded by his friends, “we’d have s’more parties like
this....”
Edward stayed at the school for a month. The boys were almost fatherly to
him. Edward ceased to assert authority. His system was based entirely
on bribes. The system seemed to answer. Only once during the month the
headmaster sent a note to ask that less noise be made in Class C. That
was when a boy hid behind the blackboard and over-turned it upon Edward.
This amused even the good boys.
“A joke’s a joke,” said Edward with tears in his eyes. The blackboard had
shaken tears into his eyes. Two of the big boys had their arms around
his neck, were roaring yells of laughter into his ear. “This joke’s
certainly on me. Oh, come now, go easy.” He was straining after laughter.
He thought, “That’s the way to take boys, no frills, no airs....” He
thought he was fond of the boys. He knew they were not fond of him. He
was terribly afraid of them. The note from the headmaster was handed to
him.
“A letter from Daisy ... he says we’re making too much noise, fellers.”
He did not drink much in the day-time. Whisky in such hot weather made
him tremble, made him unable to bear the noise and difficulty of the
class room. But after dinner, when at least it was dark and one could
pretend that the heat was lifted, he drank a good deal and was comforted.
But he saved a great deal of his salary. He thought he would look for
an opportunity to leave. He would be ill; it was quite easy for him to
seem ill. He would be obliged to go and see a great American doctor in
Peking about his hearing. He had been engaged for three months, in the
absence on sick leave of one of the regular teachers, but he had no
sense of responsibility to the school. His brain was full of prospective
interviews with the headmaster. “I suffer terribly with my ears and my
sinuses. I have just had a most dangerous operation. I need hardly say
it will be a matter of real regret to me to leave the dear boys....” The
headmaster would say, “Of course, of course, I quite understand.” Edward
had not only no objection to telling lies, he even failed as a rule to
notice how broadly he lied.
He did not have a chance to excite the sympathy of the headmaster. He was
turned out of the school one Sunday.
Sunday was his day without fear, and when he was on duty on Sunday
afternoons, he drank a great deal. His last Sunday passed like a dream;
he had no fear except the fear of the week to come. He was aware that he
was to preside at the supper of the boarders. The half-dozen big boys who
had been “sharing the party” thought he had forgotten. Edward laughed at
this idea. The big boys shepherded him downstairs to the dining room;
they linked their arms with his in facetious tenderness. It was absurd,
Edward thought. His mind was quite clear and serene. He knew that he
would have to say grace. The boys’ food was very bad—the boys told him
so. How absurd to say grace over a bad meal. Indeed it was blasphemy. He
would be honest. He would be witty. What a curious perspective of white
faces along the tables. The boys spoiled the austerity of the perspective
by wearing different-colored clothes.
“Let us pray that dinner today will be better than it was yesterday.”
(God does not mind a man being witty at His expense.) “O God, who daily
turnest our bread into a stone——”
Well, even if the Matron was looking at him, she could appreciate wit,
couldn’t she? He laughed a little to give her a lead. Her hard white
collar and cap seemed to heave like the ruff and crest of an affronted
bird. Women had no sense of humor. And anyway it was _he_, not _she_,
who was on duty. He could say what grace he liked. The matron was gone
now. She had realised that she had no business there. The boys were all
laughing. They were a broad-minded crew, these boys.
Someone took him quite rudely by the arm. It was the headmaster. He
looked drunk, Edward thought. So that was how the headmaster spent Sunday
afternoons—and he a parson. He pulled Edward out of the room. It was
outrageous that the headmaster should so interrupt Edward’s duties.
After a short talk, during which the headmaster gave voice to some
most insolent personalities, Edward realised quite suddenly that he
himself was drunk. He wanted immediately to go away from the people who
had noticed this humiliating fact. He wanted new faces around him,
unreproachful faces.
“I’m going,” said Edward; the chair span away from him unkindly as he
rose. “After the way I’ve been treated——”
“Please go tonight,” said the headmaster.
Everything was going well. Soon he would be away from these people who
only witnessed his moments of indignity. The boys would never triumph
over him again now. He would be alone, travelling in search of Emily.
People who did not know him would think, “Who is that thin eager young
man with the far-off look in his eyes?”
The Matron packed his clothes for him. She did not speak. She touched
his possessions as though they were dirty. The headmaster called a
ricksha for him and, without speaking, put Edward’s suitcase into it.
Nobody said good-bye. The stars were like dew on Edward’s eyes. Inside
his head pulsed the impact of the ricksha coolie’s feet on the ground.
The street was narrow and crowded and quiet, at least there were only
voices in it. Across the lighted booths and under the hanging bannered
shop signs hurried the coolies at a half trot on their bare feet. Their
burdens swung at either end of long poles; they had slung the great
absurd shields which were their hats on their backs, the heat of the day
being over. “Hai-ya ho, hoi-ya hai-ya, hai-ya ho, hoi-ya hai-ya....” Two
withered women, with thin bare legs under their turned-up trousers, were
beating a child’s garment with poles. Fierce treatment for so small a
thing. But the devil of sickness was in the garment; it required fierce
treatment. The lights glared on the scarlet and gold banners and on the
gilt filigree woodwork that framed the doors of the shops. It seemed
as if one heard noise more with one’s eyes than with one’s ears. The
glare seemed to drown the voices and the barefoot tread of the crowds.
Wherever one street crossed another, however, there was a great clamoring
of coolies forging their own right of way through the tangle. Edward’s
ricksha coolie said “Hao hao” when anyone crossed his path; the “hao”
was always in time with the thumping of his running feet, as if jerked
from his throat. Tall Sikh policemen pushed coolies roughly about. In the
sight of the policemen the little crowd of almost naked beggar children
running after Edward momentarily evaporated.
Edward could now pay for his passage to Tientsin by sea and for a ticket
from Tientsin to Peking. He could not pay for the new cool suit of
clothes. Emily must take him as he was—hot or cold.
He was the only passenger in the ship to Tientsin. It was carrying simply
a great deal of indigo—and Edward. It was intent upon this duty and
stopped at only one port.
A gentle and pleasant measure of eternity passed over Edward. He lay on
a chair alone upon the deck, flattened between the soft sea and sky.
Flying fish rained upwards out of the sea. The flying fish made little
scratches on the smooth sea. One evening the ship passed the mouth of
the Yangtze River at sunset. An enormous plume of crimson cloud leaned
away from the sea up the river. Thick polished plates of gold and crimson
seemed laid upon the smooth waves of the sea to the west. The low hills
at the mouth of the river were luminously purple....
For many days the ship followed the coast, followed it far off, like the
timid disciple. There were high unreasonable islands, suddenly before the
unsuspecting ship. The islands sustained an illusion of life on their
shores; they sent their hopes out into the sea in little fishing boats.
Once there was a boat quite near. In it one man smoothed his long unbound
hair into a queue; another played on a stringed instrument and whined a
song; another indolently directed the boat towards the bristling stockade
of floating poles that marked their net. But it must all have been faery.
No community could really live such a secret life, a life so full of
things that would never be known.
One day passengers came on board in mid-sea, a great crowd of birds,
land-birds who knew nothing of the dangerous skies over the sea. Hawks
and woodpeckers, sparrows and doves and little tits and finches stood
about the rigging pretending not to see one another. The seagulls laughed
at them. The land-birds felt uneasy standing in these strange, black,
even trees, they were too much puzzled to be very much afraid of men.
A red and green bird walked about near Edward, hoping that it would
find a worm somewhere. Whenever Edward spoke to it, it pulled itself
self-consciously together but did not fly away. A Chinese sailor caught a
sparrowhawk and tied it to the capstan by the leg. Wei-hai-wei seemed to
be the arranged destination of these passengers. Like a Cook’s Conducted
Tour they all disembarked together in the most businesslike way. Only the
hawk, tied by the leg to the capstan, was left behind looking sullenly
across at the sullen dark battleships that peered out of the harbour.
The three officers of the ship left Edward a great deal alone. The
captain was an Irishman, a fat, fair man with great, serene, grey eyes.
He had once been, he told Edward pointedly, a slave to drink; he had an
idea that Edward was similarly bound. He thought he could haul Edward’s
soul to safety on a thin string of sentimental reminders ... “mother,
waiting at home ... grey hairs in sorrow to the grave ... England needs
strong sane men now ... devil’s brew ... I know, me lad, I’ve been
through hell on account of it....”
“Hell’s the word,” said Edward placidly, basking in the light of the
captain’s earnest missionary interest.
The captain would not allow Edward to drink, either in the ship or
at Chefoo—their only port of call. “You don’t know China,” said the
captain. “You youngsters simply don’t know how to behave in China.
In London now, two or three whiskies and sodas ... no harm at all.
But in China—I tell you I’ve seen men arrive in Shanghai with babies’
complexions ... and five years after ... yellow as a daffodil, bent,
malarial, only fit for nursing homes.”
Edward hoped that he would look only fit for a nursing home when he met
Emily. Then she would think, “How he has suffered. How I have made him
suffer.”
Much of the indigo disembarked at Chefoo. The ship seemed to have run
aground on a brown island of barges. This island was peopled by brown
coolies with vacant faces; their heads were half shaven and half covered
with hair like cotton waste; sometimes they had bound their hair into
chignons. Under their unresting but unhurrying hands, their island
of barges became mountainous with sacks of indigo. Many of the sacks
burst; indigo oozed down the slopes of the mountains; the coolies became
bluer and bluer; there was indigo in their hair and indigo round their
shoulders like shawls.
Edward and the captain walked austerely and thirstily about Chefoo. The
Chinese of Chefoo seemed to be of a rougher race than those of Hongkong.
They even grated on the eye, Edward thought. They were taller and
hairier; their clothes were neither neat nor complete. Their houses were
ragged and indecent. The houses of the missionaries looked to Edward even
more impossible than those of the Chinese. Outside one of the mission
gates a thin boy, quite naked, tortured a yellow lizard. There were
yellow, scarred hills round the harbour. They trailed a silken hem of
white sand into the sea and, behind the town, a green scarf of orchard
land was thrown upon the shoulder of a low hill.
Between golden castled hills the ship left the harbour in the evening.
The Yellow Sea was really yellow. It was thickly yellow and reflected no
light. It was more like a desert than a sea. The eye would have found a
string of camels crossing the sea no anomaly.
The Pei-ho River was yellow too. The ship entered the river between
low mud forts. Salt was stacked on a broad streaky plain to the north.
Primitive windmills, like merry-go-rounds at English fairs, whirled
among the stacks of salt. The earth was yellow, the water was yellow,
the long slanted wave that ran after the ship was yellow and, breaking
over the squeaking yellow babies on the shore, left them a little
yellower. The villages were of yellow mud; the blind mud houses had no
angles; they were like beehives. There was a ragged yellow camel kneeling
self-consciously in a street; he kneeled as though his hind legs were
broken. A little girl in dark strawberry red—an exquisite color for a
dweller in golden mud—watched the camel from a dark doorway. The boats
in the river had nets stretched between bending slim poles hinged to
their masts. When, worked by primitive levers, these nets were bowed to
the water and rose spangled and silvered, the boats were like dragonflies
resting delicately on the water.
Tientsin ... a few dusty hours in a train ... Peking. The train seemed
to collide with Peking. The high city wall approached the railroad at a
steep angle. The train seemed to glance from the wall without impact.
Edward found himself outside the Water Gate, at the inner wall of Peking.
He became a ghost in a soundless ricksha. Lights pricked his eyes. There
was nothing in this Peking but houses transplanted from European suburbs.
There was an English bank, there were English business men, English
soldiers, French soldiers, small serene policemen in commonplace khaki
uniform, several Chevrolet cars ... finally an immense hotel, the road
to which was lined by rickshas at rest with sweating coolies sitting on
their shafts.
“Emily can’t be here. This is not Peking. Peking has been stolen away.
Emily has been stolen away.”
Edward took a room in the hotel. He did not know how he would pay for it.
He thought he would be here forever; he hoped that he would soon die;
perhaps, through dimming eyes, he would see at last the real Peking and
Emily running urgently towards him. “Too late, Emily ... too late....”
The great lobby of the hotel was like purgatory. Surely it would have
held all the saints and sinners of the world. The saints and sinners
sat in large absorbing chairs and at little tables, waiting till the
time came when they might do something else. There was dance music in
the distance, a beat like a hammer behind one’s head. The beat fought
with the beat of Edward’s heart; it was intolerable. He could hear
and feel the beat of his heart louder and louder as he drank cocktail
after cocktail. Cocktails here at any rate were better than they would
have been had he found the real Peking. A broad serene face crowning
a high-necked robe of green gold filled Edward’s imagination when he
thought of Peking. Over that face a banner waved, and as it waved the
wild gold dragon on the banner whipped his length about but could not
escape. Even the man who brought another cocktail had something to say
about this dragon, Edward thought. “The moon is his saddle ...” the
cocktail man seemed to say. It was true; the dragon was saddled by the
curve of the satiny moon. Edward had seen the moon from the other side of
the Water Gate, when the real Peking had still seemed to be in front of
him. Perhaps he could find Peking after all, in the light of the young
moon. It was very late. There was hardly time to go to bed, not time, in
his present mood, to take off one damp, snarling garment after another,
to wash his hot and tired body, to find his way uncertainly into an
unknown bed. It would be morning in a breath.
He went out. He walked east. The air was cool and the sharp brittle
rays of the stars made him feel as though he were on the verge of being
more widely awake than ever man was before. Here were trees and a very
broad moonlit street. Here, suddenly, was Peking. A great gate cast its
mountainous tented shadow to his feet. The curves of the roofs above
the gate were high and ample and optimistic. The moon shone through the
deserted windows of the high guard-house. There were soldiers at the gate
so Edward went no nearer to its arch. But he waded in its clean shadow
upon the uneven dust of the street. He walked still east, along very
narrow streets. There were no straight roofs at all; all the eaves turned
up as if the roofs were of drooping dark silk with their hems slung to
the stars, or as if the houses were dancing and swinging gay skirts.
There was an open space; low trees splashed shadows on white dust and
wet grass. Peking was not so tightly packed within its walls but that a
wide space might be left in the angle of one corner of the walls, a space
where goats and donkeys had their lodging. Beggars slept here too, but
Edward’s tread on the dust did not wake them.
The walls barred his way. They were new-looking walls, he thought, almost
silver in the moonlight, the design of castellation fencing the outer
rim was unbroken. But the guard-house on the corner of the wall looked
forgotten and old. There was a brick slope which climbed to the top of
the wall. Iron gates barred both the foot and the head of the slope, but
the gates were easily climbed.
Edward was on the broad weedy path that ran on the top of the wall. The
seeds of flowers and tall grasses had accepted the wall as part of the
soil of China. Edward went into the high beamed hall of the guard-house.
The moonlight made strange and glorious broad spaces of its dusty floor;
its dazzled windows looked out on naked moonlight. It was so full of
silence that its old walls cracked.
That corner of Peking was a watching corner. A little further on the
dragons of the Observatory watched the stars. Great wild bucking dragons
bore on their backs or between their claws huge secret instruments which,
in the belief of men and dragons, prepare the way of the Lord and make
his paths straight. The bronze dragons of the Peking Observatory are only
a little junior to history, but Edward did not know that. He tried feebly
to open the locked gate and then forgot and left the dragons, the spying
and puritan dragons, holding their check on the wild and dancing stars.
To the west Peking was like an enchanted forest in the milky half light.
No house declared itself among the trees except the great insolent hotel
which raised itself like a banner of unworthy victory over the quiet
city. Beyond Peking, far away, were the Western Hills, their outline
a wild tossing together of angles, their chequered surface broken by
strange folds and scars.
There was a light other than the moon. It was not a sudden light but
Edward realised it suddenly. The dawn was creeping up behind him to
devour him unawares. The centre of the universe had shifted. The dawn was
a subtler miracle than was the moon; the dawn succeeded to the empire of
the moon.
Light ran like a snake along the tops of the Western Hills. There was a
spear of flame along the eastern horizon. Little escaping clouds caught
fire; there was an ominous look of molten gold where the east made ready
the first step of the stair for the sun’s ascent. The sun pointed its
sword abruptly at Peking. The golden roofs of the Imperial City most
gloriously received the challenge. The city threw away its cloak of
mystery and the birds sang. A blue cart, its long peak stretching forward
as far as the ears of the mule that drew it, its little fretted windows
set into the blue tunnel that covered it, heaved slowly along a red track
from the east into the sunstricken city.
The dam of day had burst.
Edward thought, “Emily is somewhere, drowning, asleep in that lake of
sunlight. I can find her now. I have begun finding instead of losing
now....”
Where does hope set its roots? Out of what blessed and silly seed does
hope rise like a flower, fed by nothing more reasonable than a piercing
of sunlight through air full of birds’ songs? It is curious how joyfully
we pluck and wear at our hearts that fatal hope that has sprung from the
seed of a dream or of the little wind that passes across the morning.
“Hope is a true thing,” thought Edward when he looked, later in the
morning, at the hotel register. There were the names.
“Mr. and Mrs. Tam McTab—not so well but unfortunately more
correctly known as
Mr. and Mrs. Leslie Watson—” (Tam had written facetiously).
“Miss Emily Frere”—(in a small impudent writing).
“Master Stone W. Ponting.”
The clerk said that they had left some weeks ago—here was the date—all
except the young gentleman, Master Ponting, he was over there—the one
drinking a lemon squash.
Stone W. Ponting was about thirteen years old; his thick, upstanding hair
seemed gray with dust; dirt and freckles obscured his complexion; his
hands were dark with dirt.
“You’re Stone Ponting, aren’t you?” said Edward nervously. “Mrs. Melsie
Ponting’s boy?”
“Yump,” said Stone, speaking into a glass of lemon squash.
Edward was afraid of him. He never really believed that boys of thirteen
had no longer the power to twist his arms.
“Have you heard your mother speak of me—Edward R. Williams?”
But Stone, who had an abnormally long tongue, was using it to explore
the outside of his lower cheek, in the hope of prolonging by a second or
two the taste of lemon squash. Apparently failing in this he peeled the
paper from a strip of chewing gum and inserted the contents. He did not
answer Edward but, on the other hand, did not destroy hope of an answer
by shutting his mouth. The chewing gum, though active, remained in the
public gaze.
Edward felt helpless but, in such a cause, dared not cease his efforts.
“What’s happened to Emily and her friends?” he asked. “Didn’t you come
here with them?”
“Yump,” said Stone. “Hey, boy, gimme my check. I must hustle. Going out
horseback riding with the Doc.”
A shower of money fell from his pockets as he rose and the re-assembling
of this gave Edward an opportunity to speak again.
“No, but truly, I want awfully to know about Emily and the others. I say,
if you’ll stay and give the Doc a miss for today, we’ll go somewhere and
find a real American soda fountain.”
He thought Stone might strike him. Or perhaps Stone would simply walk
away, dwindle through the door and be lost in the sunlight forever.
“Sure I’ll stop,” said Stone W. Ponting, putting out his tongue
meditatively and sitting down again. “We kin get a dandy nut sundae right
here. Nut sundae’s mine.”
“Why Emerly’s went up the Yangtze Ki-yang,” he told Edward in reply to
three or four more questions. “So’s Tam and Lucy. Peking fer mine, I
said, when they wanted to have me go withum. My dad’s sent me plenty
of dough, so I should worry. My dad’ll be tickled to death to have me
withum. He and Mom bin fighting for the custody of me. Dad won. But he
had to go to _Japan_ or some place on business. He’s a finan_cier_.”
Edward was neither acute enough nor sufficiently interested to notice the
sad bleak defences the child had put up for himself against a hard world.
Edward thought, “A detestable child. He has too little imagination and
too much horse-sense to help me.”
“Wasn’t Emily supposed to be looking after you?”
Stone gave a sharp cracked laugh. “I guess Mom thought so. Mom’s kinda
soft. Emerly knows I’m a feller kin look out for himself. Dad wouldn’t
give a whoop. He don’t know yet, but he should worry. He’s a financier.
He sent me a thousand bucks to blow—till he could come back from Japan.
I got the letter, that is to say, it was addressed to Emerly. There was
a thousand bucks for her to blow on me insidum. Emerly’s a sport, I’ll
say. She acted like she was leaving me in charge of a dame here—so’s Mom
wouldn’t get mad at her for piking. But there was nothing to that. The
other dame don’t worry me any.”
“She is shameless,” thought Edward. “Loving Emily is like loving a
tigress.” He felt a better man because he loved the shameless Emily. It
was like a romance among supermen, he thought.
“Your mother asked _me_ once to take care of you and bring you to your
father. I had business at the time that prevented me. But she was very
anxious that I should. Perhaps she told you——”
“Mebbe,” said Stone indifferently. The nut sundae nearly oozed out of his
mouth, but was checked by sleight of suction. “She’s kinda soft, is Mom.”
“You oughtn’t to be here by yourself.”
“I’m sicka being handed around,” said Stone. “Hey, boy, another nut
sundae. And then some. I’m a shark for nut sundaes.”
“Well, we can be friends anyway,” said Edward shyly. “A man can be
friends with another man.”
Stone took no notice of this. He lifted up the corner of his jacket and
licked from it a lump of nut sundae which had accidentally fallen there.
Then he walked away, whining a little song.
Edward had not slept at all. The hope he had nursed a few hours earlier
seemed divorced from reality. He remembered suddenly something that his
mental cowardice had swept from his mind. “Emily loves Tam,” he thought,
trying to hurt himself as much as possible. “Emily has never thought
of me again. She loves Tam. She wants to steal Tam from Lucy. She is
shameless. She is full of fury because she has not got Tam. I am to her
the least of the people she met over there somewhere in America, while
she was engaged in pursuing Tam.” He was determined to throw himself into
an agony, he was revelling in fatigue and despair. He imagined his next
meeting with Emily. Her fierce eyes would detach themselves reluctantly
from Tam’s face. They would turn cold as they rested on Edward’s own
face. Edward’s face would look dull and pale; he felt very conscious of
the lifelessness of his face. He saw himself so grey as to be almost
invisible. Near him now there was an arrangement of mirrors that showed
him his own rarely seen profile. It was detestable that life— even the
mean allowance of life that was his—should be given to so poor a body.
His upper lip was too long, it sloped forward without the curve that
enlivens most human lips; his chin was thin and fleshless as though made
of paper. His face seemed to him hardly a human face. His shoulders
were very round. Out of the corner of his eye he watched his reflection
in profile present a cocktail glass to that slack sad mouth. Cocktails
at least were left to him. Everything that requires only weakness was
left to him. “If all this were not so, this is what I would do.” The
intensity of his despair was, with the help of the cocktail, defeating
its own ends ... “if love perhaps gave me life ... if I were as shameless
as she is ... and if shamelessness could give me a little of the
splendour that it has given her, this is what I would do ... I would get
control of that thousand dollars ... I would travel night and day, in
fury and certainty ... I would find her on the banks of the river, the
high reeds as high as her head ... I would walk to her with a new tread,
a heavy, sure, new tread, and when she looked she might love me or hate
me ... but she would remember me then.” And now, though he tried again
superficially to revive his luxury of despair, he could not really think
himself despicable. His coward mind leapt at the accuser from behind, and
in the dark and the dust the accuser was strangled. Edward smiled at the
boy who brought him a fresh cocktail. When he smiled he saw now that his
upper lip curved after all.
CHAPTER SEVEN
When your songs for me shall be songs that are finished,
When voices shall have left me beyond my retrieving,
When the key shall be turned and my broad world diminished,
A dream of the cricket’s song shall save me from grieving.
The long locks of the willow-tree are sloped at one angle,
Are swung to one wind, and that wind can awaken
The crickets to their chanting and the fireflies to spangle
The long locks of the willow-trees, shimmering and shaken.
There are dragons in the sky, and the horned moon is a rider,
The horned moon goes riding through gates that break asunder.
Stand wide, O ye gates, for the challenger, stand wider,
He goes challenging the dragons, the dragons and the thunder.
I am holding, I am hoarding these songs by the million,
For singers grow very wise but hearers grow wiser,
And a thin flute in the dimness of a dragon-decked pavilion
Plays only for my treasuring, for the treasuring of a miser.
When the key shall have turned on me, the silence disarmed me,
And gates at my challenging swing no more asunder,
Not mortally—not mortally my enemy shall have harmed me,
For I have heard the crickets’ songs and the thin flutes and the
thunder.
In the evening Edward met Stone Ponting in the corridor. The boy looked
pale and hysterical.
“I bin out with Doc. He’s bin setting me up cocktails. Some drink I’ll
say. I’ve had cocktails before, though—a boy and me knoo a man in
Sacramento ... the other feller had a Buick.... I ain’t no sneezing
innocent, believe me....”
Edward followed him into his room.
“I’ll say I’d be kinda lonesome here, without Doc—him and me’s buddies.
Emerly was a sport, I’ll tell the world. Her and me raised hell in this
one-horse city. My, we made ona these Chink traffic cops mad one day,
having ricksha races.... Doc’s a piker. I didn’t feel but a little
queer after that cocktail and now he says he’ll never buy me another. I
tell you I ain’t no snivelling kid—he’s a piker—I feel queer now and no
mistake.”
He was very sick. Then he began to cry. Edward sat on the edge of the
bed and patted the prostrate boy’s knee awkwardly. All the time Edward
was thinking, “This boy’s going to depend on me absolutely within a few
hours. A thousand dollars.... Besides, it’s my duty to look after him.
Melsie’s a friend of mine....”
“There must have been poison in that hooch,” sobbed Stone. “Mebbe Doc’s a
thug, after my thousand bucks.... ’Sociating with foreigners has ruined
him. Emerly was a sport though she was a foreigner.... My, I’m lonesome
without Emerly, I don’t mind telling you. Emerly and me was affinities,
like Mom and Lon Merriman. But she quit. Doc says women are all that
way.” He cried again hideously. “She useter kid me along. She useter make
up tales about the stunts Tam could put over. She said he was a saint
like in the Bible. Her and me was sharks for the polo-game. We useter
went and look at the polo-game and she useter kid me along about the
things Tam done when he went to the polo-game. It was like the tales in
the kid’s supplement of the Sunday papers. Once she said he waved his
stick and there was eight balls on the field so’s all the guys went off
quite happy with a ball and they all shot a goal, and often, she said,
he’d stick the ball on to the ground by magic and the fellers’d whack at
it and whack at it and ride over it and curse at each other for missing
it ... just kid’s tales, but the way she telledum just tickled me to
death someway. Gee, makes me laugh right now.... I don’t mind telling
you, this is a bum city without Emerly.”
He was still crying a little but the effect of the cocktails was wearing
off and soon he would hide himself again behind his rude walls.
“Emerly and me was going to take a look-see at the Big Wall. I dunno why
she quit. I can go by myself, I guess. I got a thousand bucks. Still,
Emerly’s a piker.”
“You and I’ll go and see the Big Wall,” said Edward. “You and I’ll be
buddies now. We’ll go tomorrow.”
They went to see the Great Wall. Stone Ponting found great pleasure in
taking the tickets. Doc came with them, a stout, red, young man with a
fixed smile, which only faded during his frequent and earnest seizures of
laughter.
They went up to the pass on a pig train from Nankow; they sat on the
running board of the train and their sight was haunted by walls creeping
furtively round the mountains and by dead walled towns.
The Great Wall, however, was not furtive. It gloried in its fight with
the mountains. It condescended to conquer only the fiercest slopes.
It pursued splendidly terrible edges. Edward, looking down from the
broad road on the wall at the pale bleak valleys towards Manchuria,
was oppressed by a sense of tottering and fearful height. But when he
leaned over the battlements and looked down expecting to see straight
into dark, dragon-haunted abysses, there was the grass like an assurance
of safety a few feet below him, and there were the little intimate blue
and yellow flowers in the grass, holding out hands to break the fall of
courage. All the way down the steep mountains there were flowers among
the rocks. The rocks might have been the graves of enemies of China who
had failed and fallen on the green grass, failed and fallen and never
set foot on the land within the wall. The wall itself was low; it lay
flat like a snake in the sun; it was more sinuous than anything built of
brick had any right to be. When it linked crag with crag it was so steep
that, to follow it, travellers must sometimes crawl on hands and knees
up very steep steps, clinging to the rank weeds and grasses that grew
between steep stones. Astride of the wall, at regular intervals, were
the watch-towers, entered by arched doorways. The wall looped its length
sometimes; there were wanderings of walls within the wall. Wherever one
looked the mountains were crowned and mocked by the wall.
Doc hardly had time to look at the wall, he was so busy photographing it.
Stone was frankly bored.
“Can’t be but a dozen feet high,” he complained. “They ought to see the
Capitol at Sacramento or some of the buildings on Montgomery Street in
Frisco.”
They walked down to the train along the paved camel road that for two
thousand years has carried travellers from Manchuria to Peking. It is a
dead road now. Occasionally a string of camels or donkeys threads its way
through the crowds of travelling ghosts, but a Ford car would disdain the
road now, so it is dead.
Doc’s Chinese boy, an efficient, cheerful old man who never apparently
opened his eyes, was waiting for the three travellers at Nankow with a
string of donkeys. Stone proudly produced money whenever it was needed,
and Edward had nothing to do except humour Doc’s passion for photography.
Edward was certain, even while posing with a self-conscious smile
between two donkeys, that, by the time the films were developed, Doc
would have forgotten the very name of Edward R. Williams. The snapshot,
stuck in an album, would be introduced to friends as “Yes, that’s a
feller—I forgot his name—anyway we were starting off on donkeys—I forget
where to....” The snapshottist is the most catholic of all artists.
They rode first through Kao-liang and then through orchards to the
Ming tombs. Each rider rode in a little dream of donkey bells and of
affectionate conversation between the donkeys and the running drivers.
The drivers said “Trrk trrk” and “K’erh-to” and “Tsou-pa” and “Yueh,” and
the donkeys danced along, crossing their delicate little hoofs as if on a
tight rope, and signalling with their soft dusty ears.
Very close to a road of rust,
Very close to the red ground,
Till he dies he dwells
In the dust
Of his donkey’s feet, in the sound
Of his donkey’s bells....
The travellers reached the Ming tombs at Sunset. The precarious last
light of the sun was spilled over the shining golden roofs. There was a
master tomb crouching among its many courtyards, and the disciple tombs
on the wooded slopes imitated it respectfully. The marble steps and the
carved and knotted marble balustrades seemed to hold light. In the
main hall of the main tomb great plain trunks of trees were the pillars
bridging the dusky air between the candle-lit pavement and the ceiling. A
little marble empty coffin in the innermost place was the only reminder
of the fact that the brittle and ridiculous bones of a dead man were the
treasure in this sombre splendid casket. This was man’s defence against
his smallness. “Never dust to dust now,” said the dust of the dead
Emperor. But his defence was crumbling. The marble and gold pavilion and
the years were playing him false.
Edward could not sleep on his camp bed between the great pillars of the
entrance. He leaned his chin upon the marble balustrade and watched the
darkness. The writhing outlines of cedars and pavilions in the starlight
were gold no more. The dragons and the branches of the cedars wrestled
together in the dark and were entangled.
Edward was desperately patient with Stone Ponting. He was comforted in
this period of doubt by the constant mention of Emily, but he knew Stone
well enough now never to suggest that they should go together in search
of her. It was impossible for Edward to be charming and Stone did not
care for him at all. But they both tried to disguise foolishly delighted
smiles when Emily’s name was mentioned, and both were conscious of the
impossibility of boring each other on a topic which both took pains to
introduce.
They rode together in Peking. Edward was a bad horseman but he always
felt rather heroic on a horse. They rode outside the walls of the
Forbidden City.
“I’d like to see a eunuch,” said Stone. “Doc’s bin talking no end about
eunuchs. Say, listen, did you know they can whatch women in their tubs
’n’ everything and nobody give a whoop? When I was a kid I useter think
eunuchs was a Turkish tribe. These Orientals is all queer. Say listen,
Edward, d’you reckon we could tell a eunuch if we seedum?”
“I guess so,” said Edward. “Let’s keep our eyes open.”
The Imperial City has rose-red walls and the guard-houses on the walls
have golden roofs. The guard-houses are like jewels having many facets.
The elaborate horizon of the roofs is like a thread on which are strung
fantastic jewels—red and gold and green and turquoise blue. Dragons and
strange fishes and curling waves and plumes are strung upon the fringe of
the pale sky. The central gate is the great pendant on the breast of the
sky; the dark door of the city is set in a square mass of red plastered
wall and over the archway the lines of the gold tiles are dramatically
sober. The moat at the feet of the red wall holds a clear strange dream
of all these things, reflections caught in a mesh of floating lotos
leaves. Above the city fly the pigeons. The owners of the pigeons
apparently fit their birds with little Æolian harps. A whispered wailing
of flocks of pigeons falls constantly like an intangible tuneful rain
upon Peking.
“From Coal Hill you kin see right inside the city,” said Stone. “Doc says
the eunuchs live under the blue roof and the big bugs under the yaller
roofs.... Emerly and me and Doc had a picnic on Coal Hill. Emerly fed
Cigarettes to the Chink soldiers—they was tickled to death—and she told
us a crazy tale about a toob of Colgate’s shaving soap that one of these
Chink empress dames figured was a love dope. Say, listen, I guess Emerly
ain’t more’n ten years older’n me. Lots of men gets married to dames ten
years older’n them. A feller at school called Jenkinson got married when
he was eighteen. I guess I gotta have a speel with Dad and, if he raises
hell about me being too young, I kin hand out all kinds of dope like
that.”
“You’d better make sure of Emily first,” said Edward.
“Whaddyer mean—make sure of Emerly?” asked Stone, who was in a brave rude
mood. “Emerly’s crazy about me, I tell yer. She certainly was peeved when
her boss moved her out of Peking.”
“Crazy about you!” said Edward, who felt glad that nobody else could hear
him thus debating grotesquely with a shadow. “Might as well say she’s
crazy about me. Don’t you know who she’s crazy about?”
“Aw, cut it out,” said Stone uneasily.
“Didn’t you see her look at Tam?”
“Fergit it. Tam’s married. Emerly’s straight, I tell yer. Emerly’s not
like my Mom. Any guy that says Emerly’s crooked’s going to hear from
me....”
He spat angrily but neatly into the moat. Not many boys so young as he
acquire so much proficiency in the characteristic arts of their native
land.
Edward watched him and was afraid of him. Edward himself as a child never
spat and never played roughly with the feelings of men and women. He had
never dared, yet his had been a safer world.
“Emily is shameless, I tell you, Stone....”
* * * * *
At Hankow Edward and Stone found that they had almost too much money.
In order to go to Chungking—one of the few cities in the world without
a Thomas Cook—they had to change their eight hundred American dollars
into a much larger number of Mexican silver dollars. Their suitcases were
rooted to the ground by the weight of their silver.
“Let me borrow some from you,” suggested Edward, turning scarlet in a
way that proved his honesty to himself. “It’ll be a purely business
transaction. I’ll pay you two per cent per month. I want a thin suit of
clothes.”
“Sure, go ahead,” said Stone.
Edward bought a cream-colored ready-made suit and saw in the mirror that
he looked like an unsuccessful dentist. He walked hurriedly out of the
store to escape this dreadful ghost.
“You look like thirty cents,” said Stone, who seemed to have inherited
his mother’s frank callousness.
They embarked on a wide sunny little steamer for Ichang. Edward sat on
the deck day after day and saw failure gathering like a cloud about his
hope of Emily. He reminded himself industriously of his hopelessness and
of the fact that he looked like thirty cents. Edward never, in the whole
course of his life, forgot any derogatory personal remark made about
himself in his hearing. He luxuriated too much in the criticism of others
to forget it.
Edward noticed the bald leathery water buffaloes at work in the flat
fields; he only noticed them because he thought their faces were like
his, like his own face reduced—or magnified—to the absurd. This idea
made him watch for the closer buffaloes with a morbid eagerness. On the
tilted swaying back of one near the tail sat a little boy in a broad
hat, playing the flute and drumming his heels. The buffalo went dismally
past its fellows who were lying dismally in the mud; it had not enough
strength of mind to defy the little boy and give itself up to its one
dismal pleasure. Black trails worn by the tears of years streaked the
buffalo’s face; its horns drooped awry.
The river ran so smoothly that it was like a broad road of polished
golden glass. It seemed that the eyes were deceived—nothing so unruffled
could pass so swiftly. It seemed to Edward that he was flashing above
its still surface, the cords of the western sun had snared him and
were snatching him from himself. Beneath him time and youth and the
river—flowered and golden—stood still and were left behind.
A dull but hot sun laid shadeless light on the exact pyramid hills that
stand about Ichang and the mouth of the Yangtze Gorges.
Edward and Stone carried their silver and Stone’s ukelele and golf-clubs
on to a new boat. The new boat, battling against the terrible protest
of the river, thrust herself into the yellow shadows of the mountains.
One could feel the muscles of the strong ship wrestling with the river.
The ship swung; it advanced, it bowed sideways, it reared, it faced the
fearful cliffs, it seemed to save itself narrowly from disaster every
minute. The river screamed about the ship. The hot sunlight was wild
with noise; the shadow of the cliffs was impregnated with terrible deep
echoing. The river was a maniac prisoner between the tense leaning golden
cliffs.
Curious turbulent dreams haunted the water. The surface was flowered
and starred with strange boiling shapes; ominous shadows—like hands and
serpents and gaping faces—were half seen beneath it; scars of foam were
scored across it. The water was too wild to conform to natural laws or to
find its own level. There were fifty different levels between cliff and
cliff. There were table-lands and canyons in the water, and glaciers of
water tilted over hidden rocks. The whirlpools were like sunken golden
glass bowls in the water. Or they were like great birds’ nests, great
faery rocs’ nests with eggs of cream-gold foam spinning deep down in the
nests.
Close to the cliffs, the water, in a frenzy of contradiction, flowed
the wrong way. Junks could sometimes move upstream without difficulty
there. All the upstream junks clung timorously to the red cliffs; they
were towed by scores of coolies. Strings of coolies, like beads, tawny
or blue, were looped along the bright cliffs. The ropes were tied to the
masts of the junks. Women crouched under the hooped, humped matting that
covered the junks. A down-stream junk span down the centre of the river.
A dozen oarsmen stood on the lower deck and on the poop stood their
leader beating time frantically like the leader of an orchestra. The
chantey of the oarsmen was as thin as a hair of sound in the voluminous
voice of the river. The oarsmen swung and dipped and bowed and fell back
in time to the frenzied baton of their leader. The junk looked dark and
nervous, dipping like a dark whale. Again it darted heavily like a bee at
the whirlpools in the water; it made clumsy feints towards the shining
sharp rocks and the cliffs; it twisted, plunged, heeled half over,
shuddered, span round and round. Yellow waves washed the knees of the
oarsmen but still they sang.
Sometimes there were loopholes in the prison of tumultuous noise
and shadow. Sometimes the cliffs were cloven and a tranquil and
compressed perspective of sun on apparently heathery moorland and
serene red-flowering cotton trees, peered down the cleft. Sometimes the
mountains fell back as though exhausted by their fighting and between
broad open shores the river ran more patiently. Then there were towns and
temples on the slopes. Shih-Pao-Chai, a square tower of rock, challenged
the ship at a wide bend in the river. Like the shadow of the rock, like
its soul or its guardian angel, a tall pagoda was built against it,
with nine roofs one above the other. The nine gracious roofs were like
nine branches springing from the living rock. Once there was a town in
a gorge built on two shelves of a sheer ochre cliff; ladders led from
one shelf to the other. Sometimes there were greater towns, their lower
streets standing precariously on stilts in the river. Sometimes there
were temples with curled green or yellow roofs and painted walls, looking
down worn steps at the river. Once the ship tied up at sunset opposite
the single line of a black slope against a fading green sky. The line
blossomed into the outlines of temple roofs, bending, bristling roofs
under great tiers of trees and the silhouette of a defiant griffin with
plumed wings and tail.
One day the spell was broken. There were grey soldiers on the bank. There
were junks full of soldiers moored to the bank. Three soldiers stood on
the lowest step of a temple with their rifles aimed at Edward’s eye—as
it seemed. The moment seemed to call for an act of heroism. “Our hero’s
first thought was for the women and children,” thought Edward, calling
Stone huskily as he ran behind a door.
“Crack—crack ... crack.” One report was long after the others. “A Chinese
Edward R. Williams,” thought Edward. When he came out of cover the
brigands had not moved from their stone step. Their rifles still looked
into Edward’s eye across fifty yards of shimmering air. Something ought
to be done about it.
“Crack—crack ... crack.” It was like a word in a nonsense language, a
made-up word that did not convey any meaning. A secret and negligible
sound.
“Crack—crack....” The Chinese Edward Williams failed altogether this
time. Probably he had forgotten to load the thing. It would be just like
him. The whine of a bullet was heard so quickly that nothing was realised
except an after-taste of sound. A fountain leaped in the water.
“Now watch,” said one of the ship’s officers. The ship’s syren cut off
the end of his utterance. The syren’s sound was like a warlock springing
up with both bony hands straight over her head. Springing and sinking ...
springing and sinking ... to frighten children.
Terror and astonishment wiped one of the brigands from the temple step
into the river. He flashed into oblivion; his desperate hand made a
little passing splash in the river. All the men on deck laughed. “That
was the Edward who fell in,” thought Edward, laughing a little too.
“Just like him.” The other two brigands ran away. The syren was such an
unexpected retort. There was no declaration in the voice of the syren.
Doubt made them run away.
“Gee, look at the corpses....” said Stone. One dead man pursued another
furiously down the river. They floated on their faces, legs and arms
wide-thrown. They looked like dead spiders.
“They’re always fighting about one thing or another up in Szechuan,” said
the ship’s officer in an irritated voice.
Edward thought of Emily’s voice, “Oh, what a party....”
“She will enjoy dead men,” he thought.
But there was, it seemed, peace in Chungking, at least for a few hours
after the ship arrived. The junkmen were taking advantage of the peace;
they were leaning out of their junks armed with poles and arresting the
procession of the dead in order to take the coats and sandals that were
no longer needed. The retreat of the dead was easy now and, though they
had a long journey before them, they needed no supplies. The cold could
not reach them now, their pitiful feet might be bare. The dead soldiers,
released, fled away eagerly and joined the long humble file of their
fellows.
Chungking stood in the hush that comes when one’s friends have forsaken
one and one’s enemies have not yet come. Like panels the tall, thin,
wooden houses lined the steep banks of the river. Strings of yellow
fish and dried vegetables and blue garments hung across the faces of
the houses. The wall framed the strangely perpendicular city. The steep
steps—Chungking’s only streets—were like grey gashes or scars down the
town. Outside the wall stood the outcast houses on unsafe trestles; the
feet of the trestles were in the water; the cleanly dressed outcast women
watched the vanquished soldiers leave the city and waited for the victors
to come in.
The ship was moored opposite Chungking. The town on this side was diluted
with grass and trees. Green hills, grey hills, blue hills lay behind it.
Groves of sharp thin trees—the cypresses that are supposed to denote the
graves of poets—fitted like plumed caps upon the lower hills.
Retreating soldiers were climbing the steps on their thin active ponies.
Soldiers were carrying a few of the wounded along a climbing path. The
wounded were bound to poles.
“Gee, Emily’ll be tickled to death,” said Stone. “To see us, I mean.”
On shore they asked the only white man they could see, “Do you know Emily
Frere?”
“I ought to,” replied the stranger. “There’s only about a dozen white
women up here. But I never heard of her. Sure you don’t mean Miss Erica
Blainey?”
Edward covered up in his mind the fact that in a community of a dozen
women Emily’s name should be unknown to any sane man. He covered this
fact up as he would have covered up the information that she wore a
wig, had anyone volunteered it, or that she never took a bath. These
were blasphemies. Erica Blainey flickered through his mind as an
anti-Emily—thin with a pointed quivering nose and pale lips and very fair
corrugated hair.
“Do you know Tam and Lucy McTab?” asked Stone.
“Now you’re talking,” said the Englishman. “He’s a celebrity, isn’t he?
An author or what not? He’s borrowed the Worsley bungalow up in the
hills. Want to go? I’ll talk to your chairmen for you.”
Four men carried each chair. They wore straw hats like the roofs of round
pavilions and blue shirts and cotton short trousers rolled high above
their knees.
The chairmen chanted intermittently as they walked; they kept time by
means of a sort of retorting chant, each man speaking rhythmically in
turn. When they wanted to change shoulders they uttered a series of small
screams or jodels. As they bent their heads under the carrying poles
during the change of shoulders, the chair dipped and canted alarmingly to
one side. Edward each time made the change as difficult as he could for
them. He shifted his weight; the chair leaned over; there was a little
squall of startled chatter from the balancing chairmen. Edward resented
the discomfort of the chair and, since it was bad, determined to make
it worse. He tortured himself by craning out over the steep edges and
watching the shining narrow rice-fields piercing the feet of the hills.
The rice-fields were banked up below him ingeniously in a stairway of
crescent-shaped dams.
Soldiers were everywhere. In long files they threaded the narrow mud
dikes between the rice-fields. The steps on the mountain slopes, the
tilted shady villages and the temples were crowded with them. They wore
shabby uniforms of greenish-grey, red cap-bands, grey frayed puttees
apparently wound about the fleshless bone, and bare angular ankles
showing between the puttees and the straw sandals. The cobbled climbing
street of one village was covered with a flat roof; every house lacked
the wall on the street side; every house was like a little stage, a stage
set with frightened silent groups watching the loitering and thronging
soldiers. Some shopmen, with strings of perforated copper money like
ornaments across their shoulders, were trying to conciliate the soldiers
by selling them food. Flour sausages, coarse biscuits, dumplings, a few
“Shao-ping,” sold at a loss, perhaps meant a daughter saved. The soldiers
were small exhausted men; their jaws hung with fatigue; their panting
mouths looked square; their knees knocked together. Two of them had
strength enough to beat a country boy with his own carrying-pole.
Beside the road, head downward on a flowery slope, lay a dead man. The
splayed yellow soles of his feet seemed to stare at passers on the road.
Here were woods in rain, pines with soft tufted grey needles ... here was
a great view of the winding Yangtze between the wet trunks of trees. Here
were safe and peaceful foreign houses.
And Lucy McTab, stiff and untidy, at the top of a steep flight of steps.
“Oh, I thought you were Tam coming. How do you do, Mr. Williams? How do
you do, Stone?”
No sound of Emily running along the verandah to cry,
“Edward—Edward—E-yee—E-yee—” That was her joyful noise. But there was no
sound of it now. Lucy’s voice without that accompaniment seemed quite
meaningless to Edward.
Lucy stood awkwardly patting her hair. She was not pleased to see Edward
and Stone. No plain statement could have made this more transparently
clear than did her glazed politeness. Edward was seized with a panic
of dumbness; he could not utter the name of Emily in this nervous,
constricted atmosphere.
“Well, so you’ve found your way here,” said Lucy. “It’s a long way.”
“Yes.”
“I thought your father expected you to wait for him in Peking, Stone.”
“Yump. I guess he did.”
“This is a dreadful house to receive visitors in. Look at the furniture.
Tam says it was probably all bought at the ten cent store. Still, there
are advantages in living here. We can have dogs here for the first time
for years. I do adore dogs. I feel ... perfect, somehow, if there is a
dog in the room. Sometimes I’m shocked to think how long I spend looking
at the way a dog’s hair grows on his face ... or looking at him crossing
his paws in that patient way. I just look and look.”
There was a dog on the hearth, a handsome Eurasian dog. Edward crossed
the room and looked blankly down on its golden forehead. One was glad
when one could like anything that Lucy liked, or in any way flatter her.
He noticed that she shrank as he came near her as though she thought he
might kiss her or insult her.
“These Chinese,” went on Lucy, “are such a weird unreasonable race. I
suppose one will get used to their funny ways in time. But this fighting
is dreadful.”
“Yes.”
“However, Tam is getting a lot of work done. He is writing a book about
little wars.” Her voice changed as she spoke of Tam. “It is really a
treat listening to him. I often think what a pity it is that every
word he says just casually to me can’t be preserved. All about war and
politics and ... psychoanalysis and so on.... He just sits and smokes—he
is an inveterinary smoker—and all these brilliant opinions pour out.
People would pay to hear them, I’m sure. Perhaps I am no judge, but I
really do think his book, when it is finished, will be acknowledged to be
one of the most meretricious books of the century ... you have no idea——”
She checked herself. She had forgotten to be shy and ladylike, she
corrected this oversight.
“Where’s Tam?” asked Stone, whose feelings seemed to be a reproduction in
miniature of Edward’s.
“He’s gone for a walk. He adores rain.”
“Where’s Emerly?” asked Stone.
Lucy was silent for a moment. There was a sort of clatter in Edward’s
mind during her silence. “Where’s—Emily—where’s—Emily-where’s Emily,”
with the hurried insistence of a telegraphic tapper. In a second it would
be silenced by some tremendous fact about Emily.
“Emily’s gone.”
Yes, there was silence now in Edward’s mind.
“Whaddyer mean—gone?” asked Stone, ceasing for a few seconds to chew his
gum.
“She left—I think for Shanghai. She didn’t like it much here. The climate
... the fighting....”
“Did you drive her away?” asked Edward.
Lucy would not answer this. She would not say anything sincere or even
hear anything sincere. She was afraid of nakedness.
“We were sorry to lose her ... in a way,” she said, fixing alarmed eyes
on Edward. “But her health became so bad we could not press her to stay
with us.”
“Did you drive her away?”
There was a bridge of hate between her eyes and Edward’s.
“Tam valued her services as secretary so much. He says he can hardly get
on without her.”
She would not say anything real. She was like a martyr, steeped in an
ecstasy of pretence, refusing to recant.
“Well, isn’t this astonishing,” said the exaggerated voice of Tam.
“Wonder upon wonder. First a mouse eats a hole in my bedroom slippers
and then we are invaded by Californians. All in one day. I forget your
name—” (this to Edward) “—but I know I love you, as it were. As for you,
Stone—ever find those rainbow pants?”
This was evidently a joke, but Stone did not laugh.
Edward was surprised that he remembered Tam so well. “I must have thought
a great deal about him without knowing it.” Tam looked excited and
unkempt. He had begun to grow a beard. The falling lock of hair across
his low, nervously wrinkled forehead gave him a primitive and rather
barbarous look.
“Oh, I know ... I’m always ten minutes late in an emergency, but I know
now. You’re Edward, the man that Emily talked about.”
“What did she say?” asked Edward huskily.
“She said you were in love with her and wished there were more like you.
Are you in love with her?”
His frankness was an affectation as was Lucy’s restraint. He had a
wide-mouthed, insolent way of saying these things.
“Where is she now?” asked Edward.
“Oh, I see.” Tam’s voice was deliberately childlike and naïve. “You’re
one of these people who think it’s immodest to mention love. Well, well,
Stone and I discuss everything we think of, from God to indigestion,
don’t we, old man?” He threw his arm round the impassive Stone’s neck.
“Emily’s in Shanghai, we believe. Lucy sacked her because Emily declared
her love for me.”
Lucy went quickly out of the room, letting no-one see her face.
How shocking. How shocking. Emily’s light defences of brave, witty
dignity were torn down so easily. Emily was humiliated in the sight of
the humiliated Edward.
“Well, well, there’s no accounting for tastes. There’s no good in
refusing to admit these things. Emily’s a fine, unique creature—too
furiously alive for her own peace of mind. I suppose you don’t want to
stay here now, eh?”
“No.”
“Nothing to stay for? You for Shanghai, what? Well, well, if I didn’t
happen to be in love with Lucy, I’d come too.”
In love with Lucy when Emily loved him? “It is because he is a cad,”
thought Edward. “Lucy’s thin love is the kind of love a cad values. Vain
men only live by the love of second-rate women. Emily’s love doesn’t
flatter Tam enough. Her love is too insolent. She couldn’t cringe. It
takes an inglorious man like me to appreciate glory. It is because I am
so wholly in the dark that I can see the light of Emily.” Edward tried
to imagine Emily’s eager face, should her love and eagerness be refused.
He thought of her eyes pierced with pain, her brows drawn together, her
cheeks white, the generous expression of her mouth frozen on pale lips.
“I’ll walk down to the river again with you, if you like. I want to see
some fighting. They say the Szechaanese may march in at any minute.”
“Say, what did Emerly say about me?” asked Stone in a muffled voice. This
seemed to Edward an altogether trivial interruption.
“Said you were a bully kid, of course,” said Tam. He hugged Stone’s
shoulders, shook the boy backwards and forwards and made him look
ridiculous.
“That is the manner of real men with school-boys,” thought Edward. “If I
had adopted that manner Stone would have loved me.”
“D’you know what happened to me this morning?” Tam began. “Stone, listen,
you’ll roar over this yarn. When I got out of my bath, I couldn’t find
one of my bedroom slippers. You know the coldness of the floors of
Chinese bathrooms. My little toe is still suffering from infantile
paralysis——”
“We must go,” said Edward. “Stone, come.”
Tam’s eyes wore almost the same alarmed expression that Lucy’s had worn.
That expression apparently meant that Edward was not doing what was
expected of him. He ought to have been looking eagerly at Tam, waiting
with a suspended laugh on a caught breath for the climax of the story.
“Listen to the yarn,” said Tam with a touch of asperity. “I hadn’t worn
the slippers since my bath the morning before. I knew I’d left them both
by the bath tub. Their names are Abelard and Heloïse. Abelard was there,
ready for duty, but Heloïse——”
“We must go.”
“Well, I found her at last. If you’ll believe me, she was looking into a
mouse hole with her tip bitten off—rape of the Sabines, what? Of course
she’s disfigured for life; my big toe is frankly naked now when I wear
Heloïse, but Abelard still loves her. You’d expect him to philander now
with one of Lucy’s pumps, but——”
“Come—Stone.”
“I am forced to the conclusion that Edward doesn’t love me. Most people
do, really they do, Edward. Please enroll yourself with the majority.” He
came over and took both Edward’s reluctant hands in his. His voice became
richer. “Old man, old man, I know you’re going through hell. Don’t think
I’m unsympathetic and flippant. Listen. I want to have a long talk with
you. I can tell you a lot of things about Emily that will interest you.
We’ll go down to Chungking together. Nobody can go on long refusing to be
friends with me, can they, Stone, old man?” He released Edward and hugged
Stone again.
“Aw, let’s go,” said Stone.
As they filed along the verandah a dreadful picture of the visit came
into Edward’s mind. A picture of two despicable creatures, a dirty
gum-chewing schoolboy and a spotty-faced dentist’s assistant arriving on
a futile and ridiculous errand and being met and easily dismissed by a
competent man of the world in grey flannel trousers and a tweed coat—so
competent that he was not embarrassed by a five days’ growth of beard.
Edward wanted to hear the “things about Emily.” But he wanted still more
to hurt and irritate Tam. So he would not walk down to the river. He sat
sullenly in his chair. The chair-bearers ran down miles of steep steps
with loud triumphant cries. The chair tilted so acutely forward that
Edward had to cling to its arms. He stared down on to a strange chart of
towns and river. Now and then the chairmen would put the chair down and
wait for Tam and Stone who were walking. Then, in the distance, Tam’s
voice could be heard coming nearer, saying something like, “Well, I used
to smoke Lucky Strike in California, but only as a substitute. I have a
very sensitive palate ...” or, “My finger nails grow so fast in this damp
climate. I have to get Lucy to cut them. Do you know, Stone, I’d rather
run a mile than cut the nails of my right hand....”
There was no sound from Stone. Sometimes Tam laughed very loudly—stood in
the path and rocked with laughter—but the joke was apparently not Stone’s.
“But this is not the way to the ship?” said Edward to the chairmen as
they set him down on the edge of the river half a mile below the ship.
The four men, not understanding, laughed happily.
Tam and Stone arrived. “I asked. The ship doesn’t leave till tomorrow
morning. You must come and seek adventures with me in Chungking. If
we’re killed, the English and American governments will have a glorious
time registering protests. Funny, they don’t seem to care a damn for us
until we die. I loathe diplomats, don’t you? They’re always too clean for
words; they wash eighteen times a day behind their ears, I believe.”
CHAPTER EIGHT
I cannot bear this hour—I cannot bear it—
I cannot watch its slow and tremulous dying.
Shall I deny it—mocking my denying—?
Or shall I weave a veil of words and wear it?
Yet, having woven it, shall I not tear it
With tears? I heard a messenger come crying—
_Lo, here is thy lost joy_.... But he was lying.
The thief who stole my joy would never share it.
Then cried the messenger—_Come, cease thy grieving,_
_Thy joy was terrible and exquisite,_
_Yet here are other joys, for God is kind_....
But I will pay no heed, for I am weaving
A veil of words ... a veil of words ... that it
May fall about my heart and make it blind.
They were in a sampan crossing obliquely towards Chungking.
“S’posing we collide with a corpse ...” said Stone.
“You adorable kid,” said Tam, and the sampan rocked as he leaned over to
pull the boy’s hair.
They collided with no corpses, nor with any of the sampans, loaded with
retreating soldiers, coming from Chungking. The steps at the foot of
which the sampan landed were moving with soldiers. A few earthenware
jars stood on the lowest step, abandoned by their owners. On the beach,
below the steps, a herd of beggars were raking with their fingers
in a wilderness of refuse. One boy, who had committed some breach of
muck-raking etiquette, was being held down by two women; his legs were
being stretched by another boy and the taut muscles pounded by yet
another avenger. His screams followed the travellers as they climbed the
steps. There was a half open arched gate through the city wall at the top
of the steps. The town within the wall was so silent that, for a long
time, they could hear the screams of the beggar boy on the mud shore.
Many of the booths and the shops were shut. Shopmen with black caps and
long gowns stood expectantly outside their barred doors. Tense faces
looked from the leaning upper windows into the abyss of the narrow
street. A closely curtained light chair was carried swiftly by, and a
young Chinese woman with a frightened face pushed aside the curtains
and looked out when she heard the booted tread of the three foreigners.
Perhaps she hoped they were wild wicked soldiers and would see her. The
houses leaned together, propped up by their own crooked shadows; a fringe
of gilded shop signs swayed so low that the occasional cavalrymen had to
dismount and lead their horses. Soldiers passed, all facing towards the
river gate. The soldiers swaggered by the dubious, watching citizens.
The soldiers looked afraid, but their mouths opened to shout confident
things.
“Buy nice ivory?” said one of the shopkeepers to Tam in a soft voice.
The shopkeeper clasped his hands and bowed himself slightly towards Tam.
Stone was sitting on the rough counter of a deserted booth watching the
soldiers. Tam and Edward left him in the street and entered the shop when
the shopman had taken down one shutter.
“This feller knows me,” said Tam. “It was here I finally found the
cigarette-holder that Emily wanted.”
The shopman brought down various and unlikely things for their
inspection, an opium pipe, a large porcelain figure, a curly animal made
of dull jade the color of a shallow sea, a polished screen of blackwood.
Tam fingered the porcelain figure as he talked.
“I promised you I’d tell you various things about Emily. I met her first
about three years ago, soon after I had married Lucy. She and I met Emily
at a theatre party.... I am a wholehearted man and an obstinate man; at
the play I was irritated because Emily seemed so conscious of her own
cleverness. I didn’t want to be forced to be conscious of her. I find
Lucy adorable because I am never conscious of her—she is like air to me.
I am clever myself and I refuse to be distracted. Emily has once or twice
very nearly succeeded in distracting me—against my will. I have been
hardened against her, simply because she tried so hard. I like awfully
being with her. With her I can be much wittier than without her. With
her nothing ever falls flat. And Lucy was fond of her too; Lucy insisted
on my bringing Emily round the world as my secretary. When that was
arranged, Emily said to Lucy, ‘How d’you know I won’t steal Tam? What
would you call that, Lucy—committing astigamy?’ It shocked Lucy. Lucy’s
mind wears tight stays, you know. That fact makes things easier for me.
She never disconcerts me. On the other hand she is often disconcerted by
me. Emily never is. To me, after that sally, Emily said—‘How d’you know
I don’t love you? What would you call that?’ Somehow Emily ... never
paid back the loan of life. Emily never let me forget her. She could
not believe that I could continue not to love her. If she had not been
so clever I might have loved her. She put her wits between herself and
me—a shining armor. She did most fatally watch me, and if there was an
increased softness or success between us at any time—her eyes seemed to
seize that moment and devour it, so that the moment, for me, was gone.
She knows herself and everything that is happening to her too well.”
His fingers seemed trying to knead the china figure in front of him. The
shopman’s assistant had placed two bowls of tea before them.
Something had been heard outside. Edward had not heard it. Everyone was
moving. The assistant ran two stout horizontal bars across the shutters.
He had not time to put up the missing shutter. He was driven indoors by
the sound of running feet down the street. Even Edward could hear that
sound. A strange voiceless whispering of many bare feet. Men and children
ran by, all in one crowd, arms bent, mouths open, distorted, breathless
faces. They made no sound except with their running whispering feet. The
assistant lifted the porcelain figure as one lifts a baby and crouched
behind the counter with it. The shopman stood with his eye to a crack in
the shutter. Edward and Tam sat on two blackwood stools at the foot, as
it were, of a ghost, a blue and green and gold mandarin coat crucified on
a screen.
There was no sound anywhere.
Then there was a faint shuffling. Two soldiers came uncertainly down
the street. Their uniform was new to Edward, a mustard-yellow one. They
carried their rifles alertly, pointing forward. They walked with a
crouching gait. Their faces looked dark and drunken.
There was another silence. Then a hum of muttering voices rose from
behind closed shutters.
“Well, well, better go while the going’s good,” said Tam in a prosaic
voice. “Where’s Stone, I wonder?”
The shopman made pacifying gestures and tapped his ear. There was a very
distant sound of rifle fire.
Edward and Tam leaned back against the broad coat. “Better wait here a
bit. D’you want me to go on about Emily?”
“Yes.”
“I don’t know whether you’d want me to tell you that I have been Emily’s
lover. Once. Champagne makes her blessedly silly and uncaring ... she
sits smiling like a baby then ... she is serene at last. I adore people
who are tranquil, who don’t compete ... Emily, gentle, is absolutely
perfect. Lucy is always gentle but she is not perfect. She is not—Emily.
Well, I suppose I ought to say Emily—plus champagne. You see I tell
you this to show that I am not trying to make the best of myself. It
became, I suppose, harder for Emily after that. She was bad-tempered
often, dull often, after that. Once she cried in public and she talked
sometimes pathetically about herself to me—a thing I can’t stand. I am
not interested in pathos. I am not interested, I may say, in people from
their own point of view, especially women. I don’t see pathos in myself,
why should pathos be expected to appeal to me?”
“We ought to go,” said Edward. He had seen a picture of Emily crying,
Emily with red staring eyes full of tears, crying, behind a wet
handkerchief, to find words that might effectively array her grief before
a man who was “not interested in pathos.”
“Let’s go,” said Tam. “I wonder where Stone is. Excellent person, Stone,
what? Always falls on his feet.”
They walked down the deserted street. The city gate to which they first
came was shut and within its arch on the inner side was a group of
soldiers of the retreating army. Stone Ponting was leaning against the
shoulder of one of the more passive soldiers, watching the others. Stone
was spitting, preparatory to inserting a new piece of gum. The soldiers
seemed too busy arguing to resent Stone’s close inspection.
“Bum soldiers, I’ll say,” said Stone when he saw Tam. “I’d like to see
our doughboys act this way. Say listen, I saw a guy chasing off with a
sack of silver and—by golly—it split. Gee, there was iron men all over
the sidewalk and he didn’t stop to pick many ofum up. The soldiers did
that forum. They should worry. What gets me’s that I came up too late.”
The argument among the soldiers ceased suddenly as the gate was half
opened. They filed through one by one. “Look as much like Chinese
infantry as you can and we’ll go with ’em,” whispered Tam. They all three
passed out among the soldiers and the man in charge of the gate did not
challenge them.
The mud beach between the city wall and the river was crowded with
soldiers; by sheer force of numbers they were shouldering the beggars and
the outcast women out of their heritage. They had one common desire—to
get away. Every boat that could be commandeered was over-filled with
soldiers the moment it could be brought to the beach. Each boat pushed
away bristling like a porcupine with upright figures and with bayonets.
As the current caught the boats and swung them down the river, desultory
shouts came from a distant bank upstream.
“Well, well,” said Tam. “It looks as if we shall have to wait till the
end of the war to get across the river. I wish I could talk Chinese and
then I would ask one of these soldiers what it feels like to be so much
afraid. Do you know, it may sound vain, but I don’t know what fear is.
I’ll tell you a yarn——”
“We can get on board that boat,” said Edward.
Some unexplained argument among the thronging soldiers was keeping half
empty a boat which had just been brought to shore. Tam, with his arrogant
Englishman’s manner, pushed the soldiers apart and led his companions
into the boat.
“Sailee acrossee, what?” he said in a bright charming voice to the
nearest oarsman. Whenever Tam used that voice he obviously expected every
face to light up with tolerance and smiles. He was accustomed to this
result. His charm failed to work now. For the Chinese, boat space meant
life and the lack of it death. A loud noise of protest arose from all the
soldiers within earshot. Angry hands sawed the air in the direction of
the three intruders. Hands pushed their shoulders. No-one was smiling.
Edward jumped quickly ashore again. He had an exaggerated terror of
finding himself unwelcome.
“Hey, hey....” shouted Tam, for once losing his confidence. “Come back,
Edward. This is an outrage. You blithering fools. Have got muchee money,
what? Two piecee dollar per headee ... three dollar ... four dollar ...
what you likee, blast your eyes....”
He and Stone were pushed on shore again. They were ankle-deep in soft
mud. The boat filled with soldiers and was pushed off. Tam was furious.
He had been made ridiculous. They sat in a sombre row on the steps.
There was a long silence. They watched the boat that had refused them
make its difficult way across the river. They were all half conscious of
the hope that it might be hit by a stray bullet or two, that they might
be avenged. But all the shots went wide. White upright needles of water
showed where the shots fell, far short of the path of the crossing boats.
“Emily did come here, though, didn’t she?” said Edward in a strained
voice.
Tam’s face brightened. This story ministered to his vanity. He was
enjoying the telling of it.
“Why, of course she did. She was a wonderful secretary. If she’d wanted
to go, I wouldn’t have allowed it. She didn’t want to. All the way up
the river she kept up these curious fantastic moods. She would say the
most extravagantly affectionate and admiring things about Lucy. She
talked—curiously enough—a great deal about you, Edward. You don’t mind
my saying that she laughed at you a lot. When Emily is malicious she is
very amusing. That side of her cleverness doesn’t annoy me; that form
of her humor is a sort of complement to my humor—which is essentially
unmalicious. I love everyone. I really do. I love loving—so I love. So
she and I don’t collide there, as it were. However, it evidently relieved
and pleased her to think and talk a good deal of you. She had a devil’s
manner to me; it was hardly bearable sometimes. She never missed an
opportunity of slighting me. She put on a sort of disguise of sneering
humility. She would offer to go away if she were sitting with Lucy and I
came up.”
Poor Emily. Edward knew so terribly well these heartbreaking defiances of
the mind. She had sneered at him—Edward. Perhaps it had really relieved
her to hide herself in sneers. Self-torturer though he was, he could not
conceive that she would really sneer at him with her heart. He thought he
could face this possibility but actually he vaguely imagined witty and
gratifying criticism of his modesty and his intensity. He only imagined
mockery from her that he could have borne to hear. He thought, “Our
selfless hero is willing to be sacrificed on the altar of her pain.”
Tam was saying, “Yes, of course she came here. She was here for three
days.”
There was another uproar among the soldiers on the beach.
“Gee, there’s some white men in trouble,” said Stone. He jumped to his
feet and hurried towards the scene of the trouble. Two Englishmen in a
motor-boat were holding themselves several yards from the shore. Their
intention was to pick up a third Englishman who was waiting on the
beach. But the intention of about fifty Chinese soldiers evidently was
to board the boat as soon as it touched the shore. Everyone was angry.
Tam and Edward and Stone joined the marooned Englishman on land. This
re-inforcement rather disconcerted the soldiers. The motor boat drew in.
Tam, Edward, Stone and the stranger flew into the air at the same second.
There they were, safe in the boat. Edward had slightly sprained his
ankle. A Chinese soldier was unfortunately found to be safe in the boat
too.
“Push him over,” said the steersman in a savage voice.
“Oh, let him stay,” said Tam, laying his hand on the nervous soldier’s
knee. “He’s equalled my long-jump record. He deserves to be preserved.”
Everyone except Edward smiled and felt kindly towards Tam and the
intrusive soldier. The boat made a noise like a mammoth typewriter and
faced upstream.
Their laborious and slanting course brought them finally to the opposite
bank near to the point at which the Ichang steamer was moored.
“I’ll come on board and have a drink with you,” said Tam. “No need for us
to part until we must.”
Whiskies and sodas stood like a bond between them. Stone wished he could
really enjoy the taste of whisky. He hummed a little as though he were
enjoying it, but he took his glass forward to empty it secretly into the
Yangtze.
Tam and Edward stood against the railing of the steamer and watched the
escaping soldiers land. The soldiers on this side seemed not very much
disturbed by the fact that the advancing army was now in the city of
Chungking and was firing from the walls upon the river. The fugitives
on this side could not have been disturbed any more by anything. They
were exhausted; they crept up the slopes limply, trailing their rifles
in the mud; their mouths were open, their sunken eyes apparently shut;
they made little whining sounds. Some of them lay resting, as flaccid as
dead worms. A few had energy enough to impress the citizens of the town
into their service. The sight of arms seemed to enchant the civilians.
A long line of coolies, collected by soldiers, stood roped together
in a slanting row up the steps, like cattle. Upon their sullen yet
unprotesting shoulders would be placed the burdens which the soldiers
themselves were too weak to carry.
Edward watched one soldier blindly seeking a human animal on which to
place his pack. A child could have knocked that soldier down. He was
thin and immature; he could pretend to be a man no longer; his shoulders
drooped forward, his hanging head swayed between them; his eyes seemed
shut; he dragged his rifle in the mud; he walked awry like a drunken
man. Six big boatmen saw him coming towards them. He followed them as
a senseless ghost or curse might follow, slowly and sightlessly. He
followed them on to a moored junk and from that on to another. On the
last junk in the line he came up to them. They would not fight; they
could retreat no further. Still without seeming to see them he selected
one. That one did not protest; he was driven away to be roped to the end
of the growing line of cattle-prisoners on the steps.
“They’ll never come back, those men,” said Tam. “The soldiers shoot ’em
when they’re through with ’em. Poor devils.”
He said “poor devils” in an intense tremulous voice, as though he were
really sorry for the afflicted townsmen. Edward imagined him saying to
himself, “I’m a tender-hearted chap, a man of wide sympathies. I must
make that quite clear.”
“People never undeceive self-deceivers,” thought Edward. “We all conspire
to pretend we are deceived.”
Tam took Edward’s arm with a roughly loving flourish and said in a brisk
voice, as though brushing from his mind’s eye an unmanly tear—which he
was nevertheless proud of—“A heart-breaking sight, old man, let’s sit on
the other side of the deck.”
They did so. The sharp needles that denoted rifle fire from the other
side were being injected into the shining body of the river. But though
even Edward could sometimes hear the mewing twang of shots in the air, it
was obvious that the marksmen were giving the foreign ship a fairly wide
berth.
“I’ll go on about Emily,” said Tam in a rather luxurious voice. “It’s
an unhappy yarn for me to tell, of course, but you have a right to hear
it. Lucy turned her out of our house. We had been here three days. Lucy
is ... rather dumb in this story, if you know what I mean. Lucy has
always escaped storms. She thinks emotions are indecent—any kind, I
mean, and any degree. But especially misery or ecstasy. If you said to
Lucy, ‘I believe in God,’ outside of a church, she would think you were
irreverent. If you said, ‘I love you better than my life,’ outside of a
decorous marriage or recognised flirtation, she would think you improper.
All along you could see that she was hiding the situation from herself.
But, I suppose unconsciously, she developed a habit of being obviously
proud of me in Emily’s presence. She had a way of looking round when I
said anything clever, as if saying, ‘Look what he can do—and he’s mine.’
Several times Emily, who never hides anything from anyone, least of all
herself, commented with a sort of swagger on this trick of Lucy’s. Once
she said, ‘Lucy, you look as if you’d helped the Lord to create him.’
‘Mother Lucy’s chicken,’ she called me once or twice. But one night at
that bungalow it was fearfully hot——”
At that bungalow! Emily’s sure clear presence had really parted the
pine-shadowed air of that garden. The sound of Emily’s steps clicking up
those steps had really travelled on this warm damp wind to an unquickened
hearing.
“Lucy put her hand on my arm and said in her tolerant and reproachful
way, ‘My darling’—like that, ‘My darling’—as a check to some flippant
profanity I had just indulged in. And Emily stood up and—you know her
way, even in small things—jumped with her heels on the floor. She
clutched her clenched hands to her breasts and drew the corners of her
mouth down and shouted, ‘Not your darling—not your darling—not your
darling—’ many times. It seemed as if she would never stop. My God, we
were all perspiring—we were so sick with heat and with disgust, somehow,
even I, who am not afraid of emotions. Emily came and beat with her hands
upon my chest. ‘Oh, Tam’—she cried, ‘Oh, Tam—save me....’ Then you could
see that Lucy had been expecting something of the sort all along—she
was so quick. Lucy had her. Lucy had her fast by the shoulders. Lucy
pushed her in a sort of fussy, curious, shocked way out of the room. Lucy
was dark red and she was making a sort of stammering blubbering little
voiceless sound between her lips like someone shooing away a hen. ‘Now
you can go right away at once....’ I could hear Lucy saying in a loud
trembling voice in the next room. I could hear the shuffle of Emily’s
things being thrown into the suitcase.”
Emily’s things! There was something unbearably poignant to Edward in
that. That delicate fawn-colored silk dress that had held her body, the
beads from her neck, the shoes from her dancing feet ... all Emily’s
things outraged, not wanted, the things she had chosen to be part of her
presence—despised.
“Lucy worked absurdly hard. She insisted on carrying the suitcases out on
to the verandah; she made her insistence somehow insulting. She pulled
Emily’s arm as they went to the verandah, as though to make it clear that
this was a forcible ejection. Well, there was nothing for it. I fetched
the chair-coolies. There was nothing to be done. Emily seemed to be
beyond help—she was beyond her own control; she was crying so violently,
crying with a sort of grin, a downward grin, in the violent way a child
cries....”
And now Edward was crying. He had his head upon his arms on the railing.
He was crying without pretence. There was a whirlpool of helpless fury in
his heart. To cry was all that he could do—because Emily had been made to
cry so terribly.
“Well, well, it’s a hysterical yarn altogether,” said Tam. He laid
his hand on the back of Edward’s neck. The touch was meant to be
sympathetically manly, but his fingers seemed to pinch Edward’s neck
almost spitefully.
“You poor thing ... Edward ... You’re a poor thing. You poor things can
never be happy. Sorrow gravitates to people like you. You—poor—thing....”
CHAPTER NINE
Now I have nothing. Even the joy of loss—
Even the dreams I had I now am losing.
Only this thing I know; that you are using
My heart as a stone to bear your foot across....
I am glad—I am glad—the stone is of your choosing....
Edward thought of Emily waiting for him at Shanghai. He had her address
from Tam. He had telegraphed to her. But surely she would know, even
without telegrams, that he was coming now.
It was a dingy hotel in Shanghai. It had brown pillars painted to
resemble marble. The resemblance was as faint as was that of the paper
objects on the mantelpiece to flowers.
Edward waited and waited. He had not told Stone where he was going. Stone
had gone to a movie. Edward hoped that he would never see him again.
Edward still had most of Stone’s remaining money in his suitcase. Somehow
if he never saw Stone again Edward felt that the money would not matter.
If one were never reminded one need not remember. A crime of which one
was never accused was no crime. Edward had no self-accuser on the subject
of money. There were limits to his humility and to his humiliation.
Edward waited and waited.
Even when Emily came he found himself still waiting. For she came with a
group of people.
Edward felt sick. His lips and his hands trembled. Emily did not look
so incredible as he had expected. She looked quite human. He thought it
was amazing that he should recognise her. How did he know she really was
Emily? She was hidden in a crowd of foolish people. She was disguised by
a calm rather stiff smile and faint blue shadows under her still eyes.
Her body, usually nervous with life and mockery, moved staidly.
“Well, Edward ... I got your wire. I have been dreadfully excited since
I got it. You darling, funny old Edward.... Now you must know all these
nice people ... Mrs. Thompson, Mrs. Hoskins, Mr. Thompson, Captain Ross
... this is Edward Williams.”
How little her voice was. She had probably worn it away by crying.
“Isn’t it funny—I knew Mrs. Thompson when I first came out in India
and she and I have been spinning round and round the world ever since
without colliding—till now. They are all on their way back to India from
here—much too soon for me....”
That accounted for them. They lived in India. They were all accustomed to
supporting British prestige.
Mrs. Thompson and Mrs. Hoskins looked bright for a moment, noticing that
Edward was a man. Their faces fell when they saw what a poor man he
was, but they did not become spiteful as they would have, had he been a
woman. Mrs. Thompson cringed intensely as she shook Edward’s hand; she
peered with rigid sweetness into his eyes. The manner was automatic with
her when a man was introduced. The hair of Mrs. Hoskins was brightly
dyed and she had apparently been crushing cinders upon her eyelashes. So
she did not trouble to don a laborious charm of manner; she relied upon
her outside enchantments. Mr. Thompson was faded and supercilious; his
withered tired face was set at an angle that directed his eyes far above
anyone’s head. Captain Ross’ collar seemed too tight for him and his tiny
moustache quivered as if he were not quite sure whether people really
appreciated his importance.
Edward had been brought up as a child in India. All his mother’s friends
had been of this type—at least the husbands had been his mother’s
friends, the wives her enemies, this division being the basis of society
in India.
A terrible thing was happening. Everyone was going away except Mrs.
Thompson.
“Back soon, Edward,” said Emily. “I must take Toby Ross to the map and
make him admit that New York is further west than Valparaiso.”
Two by two they went into another room, Emily and Captain Ross, Mrs.
Hoskins and Mr. Thompson. Mrs. Thompson was unable to move since she
could not, of course, cross the room unescorted by a man. She sat down
tenderly beside Edward.
“It is _so_ hot ...” she leaned forward with her face near his. The heat,
he gathered, was a secret between him and her. “It is _so_ hard on me to
come into this heat. I suffer _so_ from heat.”
“Emily looks thinner too,” said Edward. He felt ashamed because a face
that was not Emily’s was so close to his.
Mrs. Thompson looked aggrieved. “No, but it is _particularly_ difficult
for me. People don’t seem to understand how acutely I suffer in this damp
heat. I have had bronchitis _twice_ in the last year. My husband is in
_despair_.”
“She expects me to love her the more for her bronchitis,” thought Edward.
He sat and perspired. “Why live in India, then?” it occurred to him
presently to say fretfully. “Why live at all?” he might have said.
“My _whole life_ is bound up in India. My _dearest_ friends—you don’t
happen to know J. L. Wilkinson of the Tea Commission, do you? Funny, I
get on _so_ much better with men than with women.... In India we know how
to live and enjoy life.... One’s servants _adore_ one—look how difficult
the labor problem is in England—We had a house in St. Leonards when we
were on leave.... I had to open the front door myself. I often thought
how _horrified_ my friends in India would have been ... a fragile person
like me....”
Here was Emily coming, leading the procession. “I was right. Toby was
wrong.”
Captain Ross raised one eyebrow. The skin of his face looked so tight
that one wondered how his eyebrow found leeway. Certainly he could not
have moved both at once.
“Most ex-straw-dinary thing,” he said in a suffocated voice.
“Sure you won’t come to the Merriment for dinner, Emily?” asked Mr.
Thompson. The faces of Mrs. Hoskins and Mrs. Thompson showed this plainly
to be a man-like idiocy. It would have been impossible for either of them
to tolerate a party at which there should be one woman too many.
“I’m dining with Edward tonight,” said Emily. “Another time, please, I’d
love to.”
They were gone.
“Come up to my room,” said Emily.
Directly the door of her room was shut behind them, Emily’s face began to
twitch. Her eyes looked twice as large as they had been; it was because
they were full of tears.
“Oh, Edward,” she cried, running to him, “you have heard. You have heard.
Isn’t this a terrible thing? Everything has been terrible that has
happened to me. Edward ... I can’t ever stop crying. My eyes are tired of
holding tears in....”
Edward had her at last in his arms. He sat on her bed and held her on his
knee. She was rigid. She would not be comfortable. She pressed her face
into his shoulder but her body was stiff and uncomforted. She cried,
“Edward ... Edward ... Edward ... such a terrible thing....” Her crying
sounded fantastically like laughter. She cried in a little weak downward
scale, a little A-ha-ha-ha-ha ... and Oh Edward—with each upward breath.
Edward was trembling violently. He was racked with disgust because of his
own dumbness. He stroked her hair with his shaking hand. He stroked the
back of her neck, her twitching shoulder. He put his lips to her hair.
She was murmuring something, but her mouth was against his shoulder. What
was she saying? He was cursed. His ears shut from him small epoch-making
sounds.
“Emily, what are you saying? Lift up your head.... I can’t hear.”
“Oh, you can’t hear, you can’t hear. Nobody can save me.”
She slipped her shoulder from under his hand. She stood up. “There is no
comfort anywhere for me,” she said. She looked out of the window. She was
more quiet but often her long upward breaths were sobs. “Go away, Edward.
I can’t dine anywhere with you. With people looking on. I can’t stop
crying any more.”
The time for touching her was perhaps over, but he stood beside her at
the window and took her indifferent hand. “I can’t go away. I can’t leave
you alone.”
“I can never be alone. That’s the dreadful part. I can’t get away from
myself. I am horrible to myself.”
“You are perfect to me.”
Her hand in his trembled a little. What did she say? She spoke in such a
shaking small voice.
“Yes ... after all my lovely life ... I am loved by you.”
Could she have said that?
There was a long silence but they were standing hand in hand all the time.
“I will order dinner to be sent up here,” said Edward.
“The waiter would see me crying. People would talk if I dined with a man
in my bedroom.”
“Listen, Emily, lie down. I will go out and buy ... strawberries and
cream ... and asparagus ... and cheese straws ... and champagne ... the
most perfect things to eat and drink in the world. Couldn’t you laugh
again, sitting picnicking cross-legged on the floor ... as we sat in the
California forests?”
She gave a loud broken cry and threw up her hands.
“Oh, Tam ... Tam ... Tam ...”
“Lie down, Emily.”
“Tam ... Tam ... Tam ...”
“Lie down, Emily.”
She lay face downwards on her bed. He noticed that her face fitted into
a depression in the pillow that was already there. So she had already
spent hours in that attitude.
She was still in that attitude when he came in—laden. A laden Chinese
from the shop was behind him outside the door. Edward had bought
thin Chinese plates patterned with green dragons; he had bought two
gold-colored Venetian glasses for the champagne. He had not even
forgotten a corkscrew. He spread supper on a fine Swatow table-cloth on
the floor. Emily took no notice. Edward thought, “Is this silly or is it
just right—to have supper on the floor? Would another man have done it
differently—bought a table or something?”
He touched Emily’s hair.
“Look ... darling little Emily.”
She was not crying when she lifted her face. She got up and put her arms
round his neck. “Charming Edward, gentle, comforting, funny, Edward.”
His name sounded exquisite like that.
When she had drunk a glass of champagne her eyes were quite dry. Neither
she nor Edward spoke for a long time. Emily ate a little of everything
that he had bought. But she would not keep pace with him in drinking
champagne. Now he was sure he would hear everything she said; she might
say some tiny perfect thing that would otherwise have escaped him. But
all she said was, “Toby Ross wants me to marry him.”
“Sensible feller,” said Edward. He was careful to be very calm, but
secretly he was rigid with anger against Ross. Edward hoped that Ross
was capable of feeling the pain that he deserved.
“I suppose that would seem to you the last degradation. To become a
memsahib. To paint one’s face and talk malevolently about ‘people not
quite of our class.’ To play bridge very well and have ‘absolutely _no_
time to read, my dear.’ To spend all one’s energies on scoring off other
women. It would certainly be a ... flat end to all high adventurousness.
I met Toby in India—it seems a hundred years ago, really six years ago.
(Was I alive six years ago? I wonder how I used my thoughts up—six years
ago.) What do you think of Toby, Edward? Somehow I can’t compare him
with other people. He hates highbrows. He is even a little ashamed of
reading Charles Lever. When he says something that is not so stupid, I
think proudly ‘that’s darn good for Toby.’... I don’t know why I feel
like that. About nine out of ten things he says prove that he has missed
the whole point; the tenth thing, well, perhaps I put the cleverness into
it myself ... kind of defensively ... anyway I pretend to myself that it
is a tiny bit clever. I have been so much ... afraid of Tam all these
three years that I thought a great deal about Toby ... and about you,
Edward, lately. A sort of safety. I thought, ‘Well, even if he despises
me, Toby and Edward don’t ... and sometimes they are perhaps a little
bit wonderful too.’ I often think of something you said about Elijah’s
cloak dropped by mistake from the flaming aeroplane and then I think,
‘Why ... why, Tam, there’s a waiting list of clever men for me.’ If you
are despised you build walls round the last little stronghold of your
vanity. Mine were weak walls. They fell down altogether at Chungking.
I don’t know why things have happened to me this way. I’m the sort of
person, Edward, who is always said to be charming—by people who don’t
love me. Elderly men and kind women seem to think I’m everywhere beloved.
Perhaps I swagger a bit ... not in so many words, of course. One thing I
can never swagger about, the only perfect thing in my life ... that the
most darling and wonderful man in the world ... loved me for an hour or
two....”
After a pause she said, “I suppose Tam is right. I am too conscious, too
watchful of what is happening to me.”
And then presently, “But you do love me—Edward, say quickly—you do love
me, don’t you?”
“I’m a very dumb person,” said Edward. “It is great pain to me to be so
... shut away from the hope of really telling you how much I love you.
Emily, would you—but, please, you must—you must marry me tomorrow?”
What was she saying? Her head was on his shoulder. She spoke softly but
now he could hear. He was listening and planning just as though he were a
real man—not Edward. Adequate at last.
“If you leave me alone,” she said, “I shall never stop crying. Can’t we
go to some happier place? This minute? Edward, don’t leave me alone for a
minute here.”
He would never leave her alone again. Everything was perfectly easy
at last. He had money. Stone’s money. Nothing could be more easy or
fortunate.
“_But she is pretending I am Tam._ Never mind, I can pretend too. I have
always been good at pretending. I can pretend that she wants me at last.”
From minute to minute he could pretend. Not for longer. It was very
dangerous. He would not face the coming minute. He could not hold the
frenzied minutes. They were mad. They were frantic, thundering towards
the fearful edge of the world.
Was this the happier place she had spoken of? It was the “best suite” in
the happier hotel. There were Emily’s two suitcases on the floor. One was
leaning against Edward’s suitcase. The room was panelled in pale blue.
This was only the sitting-room. The bedroom opened from it.
Time was doing its best. One minute gave him Emily’s—“Oh, Edward, darling
... isn’t it all lovely....” Another—“Let me look at you, Edward, at
least you have nice heavy eyes. What would happen if you opened your eyes
wide?”
Then she pushed him angrily. She put her two thin, cruel hands upon his
chest. She was crying again. “Go away ... go away. You are nothing....
Oh, Tam ... Tam....”
She had gone into the inner room and locked the door.
He was nothing. She was right. He could see himself now, sagging,
disordered, his forehead against her locked door. She was speaking. What
was she saying? Was she saying, “Wait, Edward, wait only a little minute
... darling Edward, I love you ... at last.”
No, he could not hear what she was saying. He was on his knees to her
locked door. “Emily ... Emily....”
She would not answer.
Yes, she answered. She opened the door. She ran past him into the middle
of the outer room. She turned and faced him.... Her cheeks were very red
and her eyes excited.
“Leave me alone,” she shouted harshly and hideously. “Can’t you leave me
alone? I can’t bear you. I couldn’t bear to touch you—you poor sickly
thing....”
That was nothing. What she had said was nothing. Silence had covered it
up now. If he could put his arms about her again....
She hit him on the face. She hit him again and again.
She was crying again. She would not let him reach a rock of silence in
this wild sea in which he was drowning. She was crying loudly. And whose
voice was that, beseeching against her crying? “Emily ... Emily ...
Emily....” Was it his own voice?
“You must believe it now,” she sobbed. “You—poor—thing....”
She was gone. The seas were still. A desert ... a continent of silence....
*** END OF THE PROJECT GUTENBERG EBOOK THE POOR MAN ***
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you will have to check the laws of the country where
you are located before using this eBook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that:
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg-tm trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary
Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org
This website includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
