The Project Gutenberg EBook of The Pearl, by Sophie Jewett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pearl Author: Sophie Jewett Release Date: August 18, 2004 [EBook #13211] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE PEARL *** Produced by David Starner, Keith M. Eckrich, and the Project Gutenberg Online Distributed Proofreaders Team THE PEARL A MIDDLE ENGLISH POEM A MODERN VERSION IN THE METRE OF THE ORIGINAL BY SOPHIE JEWETT ASSOCIATE PROFESSOR OF ENGLISH LITERATURE IN WELLESLEY COLLEGE 1908 To KATHARINE LEE BATES THE TRANSLATOR TO THE AUTHOR Poet of beauty, pardon me If touch of mine have tarnishèd Thy Pearl's pure luster, loved by thee; Or dimmed thy vision of the dead Alive in light and gaiety. Thy life is like a shadow fled; Thy place we know not nor degree, The stock that bore thee, school that bred; Yet shall thy fame be sung and said. Poet of wonder, pain, and peace, Hold high thy nameless, laurelled head Where Dante dwells with Beatrice. PREFACE Among the treasures of the British Museum is a manuscript which contains four anonymous poems, apparently of common authorship: "The Pearl," "Cleanness," "Patience," "Sir Gawayne and the Green Knight." From the language of the writer, it seems clear that he was a native of some Northwestern district of England, and that he lived in the second half of the Fourteenth Century. He is quite unknown, save as his work reveals him, a man of aristocratic breeding, of religious and secular education, of a deeply emotional and spiritual nature, gifted with imagination and perception of beauty. He shows a liking for technique that leads him to adopt elaborate devices of rhyme, while retaining the alliteration characteristic of Northern Middle English verse. He wrote as was the fashion of his time, allegory, homily, lament, chivalric romance, but the distinction of his poetry is that of a finely accentuated individuality. The poems called "Cleanness" and "Patience," retell incidents of biblical history for a definitely didactic purpose, but even these are frequently lifted into the region of imaginative literature by the author's power of graphic description. "Sir Gawayne and the Green Knight" is a priceless contribution to Arthurian story. "The Pearl," though it takes the form of symbolic narrative, is essentially lyric and elegiac, the lament, it would seem, of a father for a little, long-lost daughter. The present translation of "The Pearl" was begun with no larger design than that of turning a few passages into modern English, by way of illustrating to a group of students engaged in reading the original, the possibility of preserving intricate stanzaic form, and something of alliteration, without an entire sacrifice of poetic beauty. The experiment was persisted in because its problems are such as baffle and fascinate a translator, and the finished version is offered not merely to students of Middle English but to college classes in the history of English literature, and to non-academic readers. If "The Pearl" presented no greater obstacle to a modern reader than is offered by Chaucer's English, a translation might be a gratuitous task, but the Northwest-Midland dialect of the poem is, in fact, incomparably more difficult than the diction of Chaucer, more difficult even than that of Langland. The meaning of many passages remains obscure, and a translator is often forced to choose what seems the least dubious among doubtful readings. The poem in the original passes frequently from imaginative beauty to conversational commonplace, from deep feeling to didactic aphorism or theological dogma, and it has been my endeavor faithfully to interpret these variations of matter and of style, sometimes substituting modern colloquialisms for such as are obsolete, or in other ways paraphrasing a stubborn passage, but striving never to polish the dullest lines nor to strengthen the weakest. A reader who will observe the difficult rhyming scheme, a scheme that calls for six words of one rhyme and four of another, will understand the presence of forced lines, an intrusion that one must needs suffer in even "The Faerie Queene." These padded lines are a serious blemish to the poem, but the introduction of naïve and familiar expressions is one of its charms, as when the Pearl, protesting like Piccarda in Paradise[1] that among beatified spirits there can be no rivalry, exclaims: "The more the merrier."[2] The translation may, at many points, need apology, but the original needs only explanation. Readers familiar with mediæval poetry expect to encounter moral platitudes and theological subtlety. Dogma takes large and vital place in the sublimest cantos of Dante's "Paradise," and the English poet is consciously following his noblest master when he puts a sermon into the lips of his "little queen." To modern ears such exposition is at harsh discord with the simple human grief and longing of the poet, but to the mediaevalist symbolic theology was a passion. Precisely in the moment when she begins a discourse concerning the doctrine of redemption, Beatrice turns upon Dante "eyes that might make a man happy in the fire," and at its close he looks upon her and beholds her "grow more beautiful."[3] If even Beatrice has been considered mere personification, it is natural that the Pearl should be so regarded, but the plain reader finds in the symbolic maiden of the English poem, as in the transfigured lady of the Italian, some record of a human being whose loss was anguish, and whose presence rapture, to a poet long ago. The lover of things mediæval will find in this little book not only the familiar garden of Guillaume de Lorris, of Boccaccio and of Chaucer, but an unexpected and enchanting vision of great forest and rushing water, of hillside and plain, of crystal cliffs and flame-winged birds; of the Pearl among her white peers; of the Apocalyptic Jerusalem, discovered to the poet, it may be, as a goodly Gothic city, though its walls are built of precious stone, and its towers rise from neither church nor minster. If even a few readers turn from the modern to the original version, the translation will have had fair fortune, for the author of "The Pearl" is, though unknown and unnamed, a poet second only to Chaucer in Chaucer's generation. It is a pleasure to record my many debts of gratitude: to Professor Frank H. Chase of Beloit, Professor John L. Lowes of Swarthmore, and Dr. Charles G. Osgood of Princeton, for their careful reading of the translation in manuscript, with invaluable assistance and suggestion; to Professor Martha Hale Shackford, and Miss Laura A. Hibbard, for constant aid while the work was in making, and, above all, to Professor Katharine Lee Bates for a critical, line by line, comparison of this version with the original. [Footnote 1: Par. III.] [Footnote 2: Pearl, stanza 71.] [Footnote 3: Par. VII, II. 17-18; Par. VIII, I. 15.] S.J. WELLESLEY COLLEGE, June, 1908. EDITIONS: R. Morris, Early English text Sc. 1864; I. Gollancz, London, 1891; C.G. Osgood, Boston, 1906 (with admirable introduction, etc.). TRANSLATIONS: Gollancz (above); S. Weir Mitchell, New York, 1906 (poetic, but incomplete); G.G. Coulton, London, 1906 (metre of the original); C.G. Osgood, Princeton, 1907 (prose). THE PEARL I Pearl that the Prince full well might prize, So surely set in shining gold! No pearl of Orient with her vies; To prove her peerless I make bold: So round, so radiant to mine eyes, smooth she seemed, so small to hold, Among all jewels judges wise Would count her best an hundred fold. Alas! I lost my pearl of old! I pine with heart-pain unforgot; Down through my arbour grass it rolled, My own pearl, precious, without spot. Since in that spot it slipped from me I wait, and wish, and oft complain; Once it would bid my sorrow flee, And my fair fortune turn again; It wounds my heart now ceaselessly, And burns my breast with bitter pain. Yet never so sweet a song may be As, this still hour, steals through my brain, While verity I muse in vain How clay should her bright beauty clot; O Earth! a brave gem thou dost stain, My own pearl, precious, without spot! Needs must that spot with spices spread, Where such wealth falleth to decay; Fair flowers, golden and blue and red, Shine in the sunlight day by day; Nor flower nor fruit have witherèd On turf wherein such treasure lay; The blade grows where the grain lies dead, Else were no ripe wheat stored away; Of good come good things, so we say, Then surely such seed faileth not, But spices spring in sweet array From my pearl, precious, without spot. Once, to that spot of which I rhyme, I entered, in the arbour green, In August, the high summer-time When corn is cut with sickles keen; Upon the mound where my pearl fell, Tall, shadowing herbs grew bright and sheen, Gilliflower, ginger and gromwell, With peonies powdered all between. As it was lovely to be seen, So sweet the fragrance there, I wot, Worthy her dwelling who hath been My own pearl, precious, without spot. Upon that spot my hands I crossed In prayer, for cold at my heart caught, And sudden sorrow surged and tossed, Though reason reconcilement sought. I mourned my pearl, dear beyond cost, And strange fears with my fancy fought; My will in wretchedness was lost, And yet Christ comforted my thought. Such odours to my sense were brought, I fell upon that flowery plot, Sleeping,--a sleep with dreams inwrought Of my pearl, precious, without spot. II From the spot my spirit springs into space, The while my body sleeping lies; My ghost is gone in God's good grace, Adventuring mid mysteries; I know not what might be the place, But I looked where tall cliffs cleave the skies, Toward a forest I turned my face, Where ranks of radiant rocks arise. A man might scarce believe his eyes, Such gleaming glory was from them sent; No woven web may men devise Of half such wondrous beauties blent. In beauty shone each fair hillside With crystal cliffs in shining row, While bright woods everywhere abide, Their boles as blue as indigo; Like silver clear the leaves spread wide, That on each spray thick-quivering grow; If a flash of light across them glide With shimmering sheen they gleam and glow; The gravel on the ground below Seemed precious pearls of Orient; The sunbeams did but darkling show So gloriously those beauties blent. The beauty of the hills so fair Made me forget my sufferings; I breathed fruit fragrance fine and rare, As if I fed on unseen things; Brave birds fly through the woodland there, Of flaming hues, and each one sings; With their mad mirth may not compare Cithern nor gayest citole-strings; For when those bright birds beat their wings, They sing together, all content; Keen joy to any man it brings To hear and see such beauties blent. So beautiful was all the wood Where, guided forth by Chance, I strayed, There is no tongue that fully could Describe it, though all men essayed. Onward I walked in merriest mood Nor any highest hill delayed My feet. Far through the forest stood The plain with fairest trees arrayed, Hedges and slopes and rivers wide, Like gold thread their banks' garnishment; And when I won the waterside, Dear Lord! what wondrous beauties blent! The beauties of that stream were steep, All-radiant banks of beryl bright; Sweet-sighing did the water sweep, With murmuring music running light; Within its bed fair stones lay deep; As if through glass they glowed, as white As streaming stars when tired men sleep Shine in the sky on a winter night. Pure emerald even the pebbles seemed, Sapphire, or other gems that lent Luster, till all the water gleamed With the glory of such beauties blent. III For the beauteousness of downs and dales, Of wood and water and proud plains, My joy springs up and my grief quails, My anguish ends, and all my pains. A swift stream down the valley hales My feet along. Bliss brims my brains; The farther I follow those watery vales, The stronger joy my heart constrains. While Fortune fares as her proud will deigns, Sending solace or sending sore, When a man her fickle favour gains, He looketh to have aye more and more. There was more of marvel and of grace Than I could tell, howe'er I tried; The human heart that could embrace A tenth part were well satisfied; For Paradise, the very place, Must be upon that farther side; The water by a narrow space Pleasance from pleasance did divide. Beyond, on some slope undescried The City stood, I thought, wherefore I strove to cross the river's tide, And ever I longed, yet more and more. More, and still more wistfully, The banks beyond the brook I scanned; If, where I stood, 't was fair to see, Still lovelier lay that farther land. I sought if any ford might be Found, up or down, by rock or sand; But perils plainer appeared to me, The farther I strode along the strand; I thought I ought not thus to stand Timid, with such bright bliss before; Then a new matter came to hand That moved my heart yet more and more. Marvels more and more amaze My mind beyond that water fair: From a cliff of crystal, splendid rays, Reflected, quiver in the air. At the cliff's foot a vision stays My glance, a maiden debonaire, All glimmering white before my gaze; And I know her,--have seen her otherwhere. Like fine gold leaf one cuts with care, Shone the maiden on the farther shore. Long time I looked upon her there, And ever I knew her more and more. As more and more I scanned her face And form, when I had found her so, A glory of gladness filled the place Beyond all it was wont to show. My joy would call her and give chase, But wonder struck my courage low; I saw her in so strange a place, The shock turned my heart dull and slow. But now she lifts that brow aglow, Like ivory smooth, even as of yore, It made my senses straying go, It stung my heart aye more and more. IV More than I liked did my fear rise. Stock still I stood and dared not call; With lips close shut and watchful eyes, I stood as quiet as hawk in hall. I thought her a spirit from the skies; I doubted what thing might befall; If to escape me now she tries, How shall my voice her flight forestall? Then graciously and gay withal, In royal robes, so sweet, so slight, She rose, so modest and so small, That precious one in pearls bedight. Pearl bedight full royally, Adown the bank with merry mien, Came the maiden, fresh as fleur-de-lys. Her surcoat linen must have been Shining in whitest purity, Slashed at the sides and caught between With the fairest pearls, it seemed to me, That ever yet mine eyes had seen; With large folds falling loose, I ween, Arrayed with double pearls, her white Kirtle, of the same linen sheen, With precious pearls all round was dight. A crown with pearls bedight, the girl Was wearing, and no other stone; High pinnacled of clear white pearl, Wrought as if pearls to flowers were grown. No band nor fillet else did furl The long locks all about her thrown. Her air demure as duke or earl, Her hue more white than walrus-bone; Like sheer gold thread the bright hair strown Loose on her shoulders, lying light. Her colour took a deeper tone With bordering pearls so fair bedight. Bedight was every hem, and bound, At wrists, sides, and each aperture, With pearls the whitest ever found,-- White all her brave investiture; But a wondrous pearl, a flawless round, Upon her breast was set full sure; A man's mind it might well astound, And all his wits to madness lure. I thought that no tongue might endure Fully to tell of that sweet sight, So was it perfect, clear and pure, That precious pearl with pearls bedight. Bedight in pearls, lest my joy cease, That lovely one came down the shore; The gladdest man from here to Greece, The eagerest, was I, therefore; She was nearer kin than aunt or niece, And thus my joy was much the more. She spoke to me for my soul's peace, Courtesied with her quaint woman's lore, Caught off the shining crown she wore, And greeted me with glance alight. I blessed my birth; my bliss brimmed o'er To answer her in pearls bedight. V "O Pearl," I said, "in pearls bedight, Art thou my pearl for which I mourn, Lamenting all alone at night? With hidden grief my heart is worn. Since thou through grass didst slip from sight, Pensive and pained, I pass forlorn, And thou livest in a life of light, A world where enters sin nor scorn. What fate has hither my jewel borne, And left me in earth's strife and stir? Oh, sweet, since we in twain were torn, I have been a joyless jeweler." That Jewel then with gems besprent Glanced up at me with eyes of grey, Put on her pearl crown orient, And soberly began to say: "You tell your tale with wrong intent, Thinking your pearl gone quite away. Like a jewel within a coffer pent, In this gracious garden bright and gay, Your pearl may ever dwell at play, Where sin nor mourning come to her; It were a joy to thee alway Wert thou a gentle jeweler. "But, Jeweler, if thou dost lose Thy joy for a gem once dear to thee, Methinks thou dost thy mind abuse, Bewildered by a fantasy; Thou hast lost nothing save a rose That flowered and failed by life's decree: Because the coffer did round it close, A precious pearl it came to be. A thief thou hast dubbed thy destiny That something for nothing gives thee, sir; Thou blamest thy sorrow's remedy, Thou art no grateful jeweler." Like jewels did her story fall, A jewel, every gentle clause; "Truly," I said, "thou best of all! My great distress thy voice withdraws. I thought my pearl lost past recall, My jewel shut within earth's jaws; But now I shall keep festival, And dwell with it in bright wood-shaws; And love my Lord and all His laws, Who hath brought this bliss. Ah! if I were Beyond these waves, I should have cause To be a joyful jeweler." "Jeweler," said that Gem so dear, "Why jest ye men, so mad ye be? Three sayings thou hast spoken clear, And unconsidered were all three; Their meaning thou canst not come near, Thy word before thy thought doth flee. First, thou believest me truly here, Because with eyes thou mayst me see; Second, with me in this country Thou wilt dwell, whatever may deter; Third, that to cross here thou art free: That may no joyful jeweler." VI The jeweler merits little praise, Who loves but what he sees with eye, And it were a discourteous phrase To say our Lord would make a lie, Who surely pledged thy soul to raise, Though fate should cause thy flesh to die. Thou dost twist His words in crooked ways Believing only what is nigh; This is but pride and bigotry, That a good man may ill assume, To hold no matter trustworthy Till like a judge he hear and doom. "Whate'er thy doom, dost thou complain As man should speak to God most high? Thou wouldst gladly dwell in this domain; 'T were best, methinks, for leave to apply. Even so, perchance, thou pleadest in vain. Across this water thou wouldst fly,-- To other end thou must attain. Thy corpse to clay comes verily,-- In Paradise 't was ruined by Our forefather. Now in the womb Of dreary death each man must lie, Ere God on this bank gives his doom." "Doom me not, sweet, to my old fears And pain again wherein I pine. My pearl that, long, long lost, appears, Shall I again forego, in fine? Meet it, and miss it through more years? Thou hast hurt me with that threat of thine. For what serves treasure but for tears, One must so soon his bliss resign? I reck not how my days decline, Though far from earth my soul seek room, Parted from that dear pearl of mine. Save endless dole what is man's doom?" "No doom save pain and soul's distress?" She answered: "Wherefore thinkst thou so? For pain of parting with the less, Man often lets the greater go. 'T were better thou thy fate shouldst bless, And love thy God, through weal and woe; For anger wins not happiness; Who must, shall bear; bend thy pride low; For though thou mayst dance to and fro, Struggle and shriek, and fret and fume, When thou canst stir not, swift nor slow, At last, thou must endure His doom." "Let God doom as He doth ordain; He will not turn one foot aside; Thy good deeds mount up but in vain, Thou must in sorrow ever bide; Stint of thy strife, cease to complain, Seek His compassion safe and wide, Thy prayer His pity may obtain, Till Mercy all her might have tried. Thy anguish He will heal and hide, And lightly lift away thy gloom; For, be thou sore or satisfied, All is for Him to deal and doom." VII Doom me not, dearest damosel; It is not for wrath nor bitterness, If rash and raving thoughts I tell. For sin my heart seethed in distress, Like bubbling water in a well. I cry God mercy, and confess. Rebuke me not with words so fell; I have lost all that my life did bless; Comfort my sorrow and redress, Piteously thinking upon this: Grief and my soul thou hast made express One music,--thou who wert my bliss. "My bliss and bale, thou hast been both, But joy by great grief was undone; When thou didst vanish, by my troth, I knew not where my Pearl was gone. To lose thee now I were most loth. Dear, when we parted we were one; Now God forbid that we be wroth, We meet beneath the moon or sun So seldom. Gently thy words run, But I am dust, my deeds amiss; The mercy of Christ and Mary and John Is root and ground of all my bliss." "A blissful life I see thee lead, The while that I am sorrow's mate; Haply thou givest little heed What might my burning hurt abate. Since I may in thy presence plead, I do beseech thee thou narrate, Soberly, surely, word and deed, What life is thine, early and late? I am fain of thy most fair estate; The high road of my joy is this, That thou hast happiness so great; It is the ground of all my bliss." She said, "May bliss to thee betide," Her face with beauty beaming clear, "Welcome thou art here to abide, For now thy speech is to me dear. Masterful mood and haughty pride, I warn thee win but hatred here; For my Lord loveth not to chide And meek are all that to Him come near. When in His place thou shalt appear, To kneel devout be not remiss, My Lord the Lamb loveth such cheer, Who is the ground of all my bliss." "Thou sayest a blissful life I know, And thou wouldst learn of its degree. Thou rememberest when thy pearl fell low In earth, I was but young to see; But my Lord the Lamb, as if to show His grace, took me His bride to be, Crowned me a queen in bliss to go Through length of days eternally; And dowered with all His wealth is she Who is His love, and I am His; His worthiness and royalty Are root and ground of all my bliss." VIII "My blissful one, may this be true. Pardon if I speak ill," I prayed: "Art thou the queen o' the heaven's blue, To whom earth's honour shall be paid? We believe in Mary, of grace who grew, A mother, yet a blameless maid; To wear her crown were only due To one who purer worth displayed. For perfectness by none gainsaid, We call her the Phoenix of Araby, That flies in faultless charm arrayed, Like to the Queen of courtesy." "Courteous Queen," that bright one said, And, kneeling, lifted up her face: "Matchless Mother and merriest Maid, Blessèd Beginner of every grace." Then she arose, and softly stayed, And spoke to me across that space: "Sir, many seek gain here, and are paid, But defrauders are none within this place; That Empress may all heaven embrace, And earth and hell in her empery; Her from her heritage none will chase, For she is Queen of courtesy." "The court of the kingdom of God doth thrive Only because of this wondrous thing: Each one who therein may arrive, Of the realm is either queen or king; And no one the other doth deprive, But is fain of his fellow's guerdoning, And would wish each crown might be worth five, If possible were their bettering. But my Lady, from whom our Lord did spring, Rules over all our company, And for that we all rejoice and sing, Since she is Queen of courtesy." "Of courtesy, as says St. Paul, Members of Christ we may be seen. As head and arm and leg, and all, Bound to the body close have been, Each Christian soul himself may call A living limb of his Lord, I ween. And see how neither hate nor gall 'Twixt limb and limb may intervene; The head shows neither spite nor spleen, Though arm and finger jewelled be, So fare we all in love serene, As kings and queens by courtesy." "Courtesy flowers thy folk among, And charity, I well believe. If foolish words flow from my tongue, Let not my speech thy spirit grieve. A queen in heaven while yet so young, Too high thou dost thyself upheave. Then what reward from strife were wrung? What worship more might he achieve Who lived in penance morn and eve, Through bodily pain in bliss to be? Honour more high might he receive, Than be crowned king by courtesy?" IX "That courtesy rewards no deed If all be true that thou dost say; Our life not two years didst thou lead Nor learned to please God, nor to pray, No Paternoster knew nor creed, And made a queen on the first day! I may not think, so God me speed! That God from right would swerve away; As a countess, damsel, by my fay! To live in heaven were a fair boon, Or like a lady of less array, But a queen! Ah, no! it is too soon." "With Him there is no soon nor late," Replied to me that worthy wight; "True always is His high mandate; He doth no evil, day nor night. Hear Matthew in the mass narrate, In the Gospel of the God of might, His parable portrays the state Of the Kingdom of Heaven, clear as light: 'My servants,' saith He, 'I requite As a lord who will his vineyard prune; The season of the year is right, And labourers must be hired soon.'" "Right soon the hirelings all may see How the master with the dawn arose; To hire his labourers forth went he, And workmen stout and strong he chose. For a penny a day they all agree, Even as the master doth propose, They toil and travail lustily, Prune, bind, and with a ditch enclose. Then to the market-place he goes, And finds men idle at high noon: 'How can a man stand here who knows The vineyards should be tilled so soon?'" "'Soon as day dawned we hither won, And no man hath our labour sought; We have been standing since rose the sun And no one bids us to do aught.' 'Enter my vineyard every one,' The master answered quick as thought: 'The work that each by night has done I will truly pay, withholding naught.' Among the vines they went and wrought, While morning, noon and afternoon, More labourers the master brought, Until the night must gather soon." "Soon fell the time of evensong. An hour before the sun was set, He saw more idlers, young and strong; His voice was sober with regret: 'Why stand ye idle all day long?' 'No man,' they said, 'hath hired us yet.' 'Go to my vineyard, fear no wrong; Each man an honest wage shall get.' The day grew dark and darker yet, "Before the rising of the moon; The master who would pay his debt, Bade summon all the hirelings soon." X "The lord soon called his steward: 'Go Bring in the men quick as ye may; Give them the wages that I owe, And, lest they aught against me say, Range them along here in a row, To each alike his penny pay; Start with the last who standeth low, And to the first proceed straightway,' And then the first began to pray, Complaining they had travailed sore: 'These wrought but one hour of the day, We think we should receive the more.'" "'More have we served,' they muttered low, 'Who have endured the long day's heat, Than these who not two hours toiled so; Why should their claim with ours compete?' Said the master: 'I pay all I owe; Friend, no injustice shalt thou meet; Take that which is thine own and go. For a penny we settled in the street; Why dost thou now for more entreat? Thou wast well satisfied before. Once made, a bargain is complete; Why shouldst thou, threatening, ask for more?" "'What can be more within my gift Than what I will with mine to do? Let not thine eyes to evil shift, Because I trusty am, and true.' 'Thus I,' said Christ, 'all men shall sift. The last shall be the first of you; And the first last, however swift, For many are called, but chosen, few.' And thus poor men may have their due, That late and little burden bore; Their work may vanish like the dew, The mercy of God is much the more." "More gladness have I, herewithin, Of flower of life, and noble name, Than all men in the world might win, Who thought their righteous deeds to name. Nathless even now did I begin; To the vineyard as night fell I came, But my Lord would not account it sin; He paid my wages without blame. Yet others did not fare the same, Who toiled and travailed there before, And of their hire might nothing claim, Perchance shall not for a year more." Then more, and openly, I spake: "From thy tale no reason can I wring; God's righteousness doth ever wake, Else Holy Writ is a fabled thing. From the Psalter one verse let us take, That may to a point this teaching bring: 'Thou requitest each for his deed's sake, Thou high and all-foreknowing King.' If one man to his work did cling All day, and thou wert paid before, Most wage falls to least labouring, And ever the less receives the more." XI "Of more or less where God doth reign, There is no chance," she gently said, "For, whether large or small his gain, Here every man alike is paid. No niggard churl our High Chieftain, But lavishly His gifts are made, Like streams from a moat that flow amain, Or rushing waves that rise unstayed. Free were his pardon whoever prayed Him who to save man's soul did vow, Unstinted his bliss, and undelayed, For the grace of God is great enow." "But now thou wouldst my wit checkmate, Making my wage as wrong appear; Thou say'st that I am come too late, Of so large hire to be worthy here; Yet sawest thou ever small or great, Living in prayer and holy fear, Who did not forfeit at some date The meed of heaven to merit clear? Nay much the rather, year by year, All bend from right and to evil bow; Mercy and grace their way must steer, For the grace of God is great enow." "But enow of grace have the innocent New-born, before the sacred shrine, They are sealed with water in sacrament, And thus are brought into the vine. Anon the day with darkness blent, Death by its might makes to decline; Who wrought no wrong ere hence they went, The gentle Lord receives, in fine; They obeyed His will, they bore His sign, Why should He not their claim allow? Yea, and reward them, I opine, For the grace of God is great enow." "'T is known enow that all mankind At first were formed for perfect bliss; Our forefather that boon resigned, All for an apple's sake, I wis; We fell condemned, for folly blind, To suffer sore in hell's abyss; But One a remedy did find Lest we our hope of heaven should miss. He suffered on the cross for this, Red blood ran from His crownèd brow; He saved us by that pain of His, For the grace of God is great enow." "Enow there flowed from out that well, Blood and water from His broad wound: The blood bought us from bale of hell, And from second death deliverance found. The water is baptism, truth to tell, That followed-the spear so sharply ground, And washes away the guilt most fell Of those that Adam in death had drowned. Now is there nothing in earth's great round, To bar from the bliss wherewith God did endow Mankind,--restored to us safe and sound, For the grace of God is great enow." XII "Grace enow a man may get By penitence, though he sin again; But with long sorrow and regret, He must bear punishment and pain; But righteous reason will not let The innocent be hurt in vain; God never gave His judgment yet, That they should suffer who show no stain. The sinful soul of mercy fain Finds pardon if he will repent, But he who sinless doth remain Is surely saved, being innocent." "Two men are saved of God's good grace, Who severally have done His will: The righteous man shall see His face, The innocent dwells with Him still. In the Psalter thou may'st find a case: 'Lord, who shall climb to Thy high hill, Or rest within Thy Holy Place?' The psalmist doth the sense fulfill: 'Who with his hands did never ill, His heart to evil never lent, There to ascend he shall have skill;' So surely saved is the innocent." "That the righteous is saved I hold certain; Before God's palace he shall stand Who never took man's life in vain, Who never to flatter his fellow planned. Of the righteous, the Wise Man writeth plain How kindly our King doth him command; In ways full strait he doth restrain, Yet shows him the kingdom great and grand, As who saith: 'Behold! yon lovely land! Thou may'st win it, if so thy will be bent.' But with never peril on either hand, Surely saved is the innocent." "Of the righteous saved, hear one man say-- David, who in the Psalter cried: 'O Lord, call never Thy servant to pay, For no man living is justified.' So thou, if thou shalt come one day To the court that each cause must decide, For mercy with justice thou may'st pray Through this same text that I espied. But may He on the bloody cross that died, His holy hands with hard nails rent, Give thee to pass when thou art tried, Saved, not as righteous, but innocent." "Of the sinless saved the tale is told,-- Read in the Book where it is said: When Jesus walked, among men of old, The people a passage to Him made; Bringing their bairns for Him to hold, For the blessing of His hand they prayed. The twelve reproved them: 'Overbold To seek the Master;' and sternly stayed. But Jesus said: 'Be ye not afraid; Suffer the children, nor prevent; God's kingdom is for such arrayed.' Surely saved are the innocent." XIII "Christ called to Him the innocents mild, And said His kingdom no man might win, Unless he came thither as a child,--Not otherwise might he enter in, Harmless, faithful, undefiled, With never a spot of soiling sin,--For these whom the world has not beguiled Gladly shall one the gate unpin. There shall that endless bliss begin, The merchant sought, and straight was led To barter all stuffs men weave and spin, To buy him a pearl unblemished." "'This pearl unblemished, bought so dear, For which the merchant his riches gave, Is like the kingdom of heaven clear;' So said the Father of world and wave. It is a flawless, perfect sphere, Polished and pure, and bright and brave; As on my heart it doth appear, It is common to all who to virtue clave. My Lord, the Lamb Who died to save, Here set it in token of His blood shed For peace. Then let the wild world rave, But buy thee this pearl unblemishèd." "O Pearl unblemished, in pure pearls dressed, That beareth," said I, "the pearl of price, Who formed thy figure-and thy vest? Truly he wrought with cunning nice; For thy beauty, above nature's best, Passeth Pygmalion's artifice; Nor Aristotle the lore possessed To depict in words so fair device. Than fleur-de-lys thou art fairer thrice, Angel-mannered and courtly bred,-- Tell to me truly: in Paradise What meaneth the pearl unblemished?" "My spotless Lamb, who all doth heal," She answered, "my dear Destiny, Chose me in marriage bond to seal; Unfit, He graced me regally, From your world's woe come into weal. He called me of His courtesy: 'Come hither to me, my lover leal, For mote nor spot is none in thee.' He gave me my might and great beauty; He washed my weeds in His blood so red, And crowned me, forever clean to be, And clothed me in pearls unblemishèd." "Unblemished bride, bright to behold, That royalty hath so rich and rare, What is this Lamb, that thou hast told How for wedded wife He called thee there? Above all others dost thou make bold, As His chosen lady His life to share? So many, comely in combs of gold, For Christ have lived in strife and care, Must these to a lower place repair, That never any with Him may wed, Save only thyself, so proud and fair, Peerless Queen, and unblemished?" XIV "Unblemished," answered she again, "Without a spot of black or gray, With honour may I this maintain; But 'peerless Queen' I did not say. Brides of the Lamb in bliss we reign, An hundred and forty thousand gay, As in the Apocalypse is made plain, Saint John beheld them on a day; On the hill of Zion he saw them stay, In vision his spirit looked on them, For the wedding clad in bright-array, At the city of New Jerusalem." "Of Jerusalem in speech I tell; And what He is if thou wouldst see-- My Lamb, my Lord, my dear Jewel, My Joy, my Love, my Bliss so free,-- The prophet Isaiah writeth well Of His most mild humility: 'Guiltless, when men upon Him fell For never a fault nor felony, As a sheep to the slaughter led was He; Quiet, the while the crowd contemn, As a lamb in the shearer's hands might be, He was judged by Jews in Jerusalem.'" "In Jerusalem was my Lover slain, Rent on the rood by ruffians bold; To bear our ills He was full fain, To suffer our sorrows manifold; Buffeted until blood did stain That face so lovely to behold; He took upon Him all sin and pain, Even He of Whom not one sin is told; On the rude cross stretched faint and cold, He let men deride him and condemn; Meek as a lamb, betrayed and sold, He died for us in Jerusalem." "At Jerusalem, Jordan and Galilee, Wherever Saint John came to baptize, His words with Isaiah's words agree. On Jesus he lifted up his eyes, Speaking of Him this prophecy: 'Behold the Lamb of God!' he cries: 'Who bears the world's sins, this is He! The guilt of all upon Him lies, Though He wrought evil in no wise. The branches springing from that stem Who can recount? 'T is He who dies For our sake in Jerusalem.'" "In Jerusalem my Lover sweet Twice as a lamb did thus appear, Even as the prophets both repeat, So meek the mien that He did wear; The third time also, as is meet, In the Revelation is written clear. Reading a book on His high seat Midmost the throne that saints ensphere, The Apostle John beheld Him near; That book seven sacred seals begem; And at that sight all folk felt fear In hell, in earth and Jerusalem." XV This Jerusalem Lamb had never stain Of other hue than perfect white, That showeth neither streak nor strain Of soil, but is like wool to sight; And souls that free of sin remain The Lamb receiveth with delight; And, though each day a group we gain, There comes no strife for room nor right, Nor rivalry our bliss to blight. The more the merrier, I profess. In company our love grows bright, In honour more and never less. "Lessening of bliss no comer brings To us who bear this pearl at breast; Nor show they flaws nor tarnishings Who wear such pure pearls like a crest. Though round our corpses the clay clings, And though ye mourn us without rest, Knowledge have we of goodly things. Through the first death our hope we test; Grief goes; at each mass we are blest By the Lamb Who gives us happiness; The bliss of each is bright and best, And no one's honour is the less." "That thou my tale the less may doubt, In the Revelation 'tis told, and more: 'I saw,' says John, 'a goodly rout The hill of Zion covering o'er, The Lamb, with maidens round about, An hundred thousand and forty and four, And each brow, fairly written out, The Lamb's name and His Father's bore. Then a sound from heaven I heard outpour, As streams, full laden, foam and press, Or as thunders among dark crags roar, The tumult was, and nothing less." "'Nathless, though high that shout might ring, And loud the voices sounding near, A strain full new I heard them sing, And sweet and strange it was to hear. Like harper's hands upon the string Was that new song they sang so clear; The noble notes went vibrating, And gentle words came to my ear. Close by God's throne, without one fear, Where the four beasts His power confess, And the elders stand so grave of cheer, They sang their new song, none the less." "'Nathless is none with skill so fine, For all the crafts that ever he knew, That of that song might sing a line; Save these that hold the Lamb in view; From earth brought to that land divine, As first fruits that to God are due, They serve the Lamb and bear His sign, As like Himself in face and hue; For never lying nor tale untrue Defiled their lips in life's distress;' Whatever might move them, they but drew Nearer the Master, none the less." "Nevertheless, speak out I must, My Pearl, though queries rude I pose. To try thy fair wit were unjust Whom Christ to His own chamber chose. Behold, I am but dung and dust, And thou a rare and radiant rose, Abiding here in life, and lust Of loveliness that ever grows. A hind that no least cunning knows, I needs must my one doubt express; Though boisterous as the wind that blows, Let my prayer move thee none the less." XVI Yet, none the less, on thee I call, If thou wilt listen verily, As thou art glorious over all, Hearken the while I question thee. Within some splendid castle wall, Have ye not dwellings fair to see? Of David's city, rich, royal, Jerusalem, thou tellest me. In Palestine its place must be; In wildwood such none ever saw. Since spotless is your purity, Your dwellings should be free from flaw. "Now this most fair and flawless rout, Thronging thousands, as thou dost tell, They must possess, beyond a doubt, A sightly city wherein to dwell. 'T were strange that they should live without; For so bright a band it were not well; Yet I see no building hereabout. Dost thou linger as in a woodland cell, Alone and hidden, for the spell Of rushing stream and shining shaw? If thou hast a dwelling beyond this dell, Now show me that city free from flaw." "Not flawless the city in Juda's land," That gentle one gently to me spake, "But the Lamb did bless it when He planned To suffer there sorely for man's sake. That is the old city we understand, And there the bonds of old guilt did break; But the new, alighted from God's hand, The Apostle John for his theme did take. The Lamb Who is white with never a flake Of black, did thither His fair folk draw; For His flock no fenced fold need He make, Nor moat for His city free from flaw." "To figure flawlessly what may mean Jerusalems twain: the first of those Was 'the Sight of Peace' as it is seen In the word of God, for the gospel shows How there our peace made sure hath been, Since to suffer therein the Saviour chose; In the other is always peace to glean, Peace that never an ending knows. To that city bright the spirit goes When the flesh hath fallen beneath death's law; There glorious gladness forever grows For His fair folk that are free from flaw." "Flawless maid so mild and meek," Then said I to that lovely flower: "Let me that stately city seek, And let me see thy blissful bower." That bright one said, "Thou art too weak, Thou may'st not enter to its tower; Yet of the Lamb I did bespeak This goodly gift, that He would dower Thine eyes with the sight for one short hour,-- From without,--within none ever saw; To step in that street thou hast no power, Unless thy soul were free from flaw." XVII "This flawless sight I will not hide; Up toward the brook's head thou must go, While I will follow on this side, Till yonder hill the city show." And then I would no longer bide, But stole through branches, bending low, Till from the summit I espied, Through green boughs swaying to and fro, Afar, the city, all aglow, That brighter than bright sunbeams shone. In writing it is pictured so, In the Revelation of St. John. As John the Apostle saw the sight, I saw that city, standing near Jerusalem, so royal dight, As if from Heaven alighted here. The city all of gold burned bright, Like gleaming glass that glistens clear. With precious stones beneath set right: Foundations twelve of gems most dear, Wrought wondrous richly, tier on tier. Each base was of a separate stone As, perfectly, it doth appear In the Revelation of St. John. John named the stones that he had seen, I knew the order that he made; The first a jasper must have been, That on the lowest base was laid, Beneath the rest it glinted green; A sapphire in the second grade; Chalcedony, from blemish clean, In the third course was fair arrayed; Fourth, emerald, of greenest shade, Fifth, sardonyx, was raised thereon; The sixth a ruby, as is said In the Revelation of St. John. John joined to these the chrysolite, The seventh gem in that basement; The eighth, a beryl, clear and white; The topaz, ninth, its luster lent; Tenth, chrysophrase, both soft and bright; Eleventh, the jacinth, translucent; And twelfth, and noblest to recite, Amethyst, blue with purple blent. The wall above those basements went Jasper, like glass that glistening shone; I saw, as the story doth present,-- The Revelation of St. John. I saw, as John doth clear devise: The great stones rose like a broad stair; Above, the city, to my eyes, In height, length, breadth appeared four-square; The jasper wall shone amber-wise, The golden streets as glass gleamed fair; The dwellings glowed in glorious guise With every stone most rich and rare. Each length of bright wall builded there For full twelve furlongs' space stretched on, And height, length, breadth all equal were: "I saw one mete it," writeth John. XVIII As John doth write more met mine eye: Within each wall were set three gates; Twelve in succession I could spy, Portals adorned with bright gold plates; Each gate a single pearl saw I, A perfect pearl, as John relates. On each a name was written high Of Israel's sons after their dates, The oldest first, as the story states. Within those streets by night or noon, Light beams that not one hour abates; They needed neither sun nor moon. Of sun or moon they had no need; For God Himself was their lamp light, The Lamb their lantern was indeed; From Him the city shone all bright. Through wall and dwelling my looks might speed, Such clearness could not hinder sight. Of the high throne ye might take heed, With draperies of radiant white, As John the Apostle doth endite; High God Himself did sit thereon. From the throne a river welled outright Was brighter than both sun and moon. Sun nor moon shone never so sweet As the full flood of that bright stream; Swiftly it swept through every street, Untainted did the water gleam. Chapel nor church mine eyes did meet; Therein is no temple as I deem; The Almighty is their minster meet, The Lamb their sacrifice supreme. The gates with neither bolt nor beam, Wide open stand at night and noon; To enter there let no man dream Whom sin hath stained beneath the moon. The moon may there win no least might, She is too spotty, grey and grim; Therein, moreover, is never night, Why should the moon fill full her rim To rival the all-glorious light That beams upon the river's brim? The planets are in poorest plight; The sun itself is far too dim. Beside the stream trees tall and trim Bear living fruits that none doth prune; Twelve times a year bends low each limb, Renewed with fruitage every moon. Beneath the moon full well might fail The heart of mortal to endure The marvel that did mine eyes assail, Fashioned the fancy to allure. I stood as still as a startled quail, For wonder of its fair figure, I felt no rest and no travail, Ravished before such radiance pure. I say, and with conviction sure, Had the eyes of man received that boon, Though wisest clerks sought for his cure, His life were lost beneath the moon. XIX Now, even as the full moon might rise Ere daylight doth to darkness fall, Sudden I saw with still surprise Within that shining city-wall, The streets full-thronged in wondrous wise, Silent, with never a herald's call, With virgins in the selfsame guise As my beloved, sweet and small. Each head was crowned with coronal, Pearl-wrought, and every robe was white; On each breast bound, imperial, The Pearl of Price with great delight. With great delight together going On glassy golden streets they tread; To a hundred thousand swiftly growing, And all alike were they garmented: The gladdest face who could be knowing? The Lamb did proudly pass ahead, His seven horns of clear red gold glowing, His robes like pearls high valuèd. On toward the throne their way they thread, None crowded in that band so bright, But mild as maidens when mass is said, So fared they forth with great delight. The great delight His coming gave, It were too much for me to tell. When He approached the Elders grave, Prone there before His feet they fell; Legions of summoned angels brave Swayed censers of the sweetest smell; With music like a mighty wave, All sang in praise of that gay Jewel. The hymn might strike through earth to hell That with joy those hosts of heaven recite; To praise the Lamb I liked full well, Amid the group in great delight. Delighted, I would fain devise His loveliness, with mind intent: First was He, blithest, best to prize, Of all on whom man's speech is spent; So nobly white His draperies, Such grace His simple glances lent; But a wide, wet wound my gaze descries Beneath His heart, through His skin rent; Down His white side the blood was sent. Alas! I thought, what scorn or spite Could any human heart have bent In such a deed to take delight? The Lamb's delight might no man doubt, Though that wide wound His hurt displayed, From His fair face looked lovely out Glad glances, glorious, unafraid, I looked upon His shining rout, With fullest life so bright arrayed, My little queen there moved about, I had thought beside me in the glade. Ah Lord! how much of mirth she made! Among her peers she was so white! The stream I surely needs must wade, For longing love, in great delight. XX Delight that flooded eye and ear My mortal mind beatified; When I saw her, I must reach my dear, Though she beyond the brook abide. Nothing, I thought, could keep me here, No crippling blow hold my strength tied; I would plunge, whatever interfere, And swim the stream, though there I died. But ere the water I had tried, Even as I would my vow fulfill, From my purpose I was turned aside; It was not to my Prince's will. My wilful purpose pleased not Him, That I with headlong zeal essayed; Though I was rash of thought and limb, Yet suddenly my deed was stayed. As I sprang forward to the brim, The action in my dreaming made Me waken in my arbour trim. My head upon the mound was laid Where my pearl to the grass once strayed. I stretched my body, frightened, chill, And, sighing, to myself I said: "Now all be to the Prince's will." Against my will was I exiled From that bright region, fair and fain, From that life, glad and undefiled, And longing dulled my sense again; I swooned in sorrow for the child, Needs must my heart cry and complain: "O Pearl, dear was thy counsel mild, In this true vision of my brain! If very truth divide us twain; If thou goest crowned, secure from ill, Well for me in my prison-pain That thou art to the Prince's will." To the Prince's will had my heart bent, And sought but what to me was given, Held fast to that, with true intent, As my Pearl prayed me out of heaven; Did I to God my thoughts present, More in His mysteries had I thriven. But a man will seek more than is sent, Till from his hand his hope be riven. Thus from my joy was I forth driven, From the life upon that holy hill. Oh, fools, that with the Lord have striven, Or proffered gifts against his will! The Prince's will to serve aright The Christian may full well divine; For I have found Him, day and night, A God, a Lord, a Friend in fine. Upon this mound my soul hath sight, Where I for piteous sorrow pine; My Pearl to God I pledge and plight, With Christ's dear blessing and with mine,-- His, who, in form of bread and wine, The priest doth daily show us still. His servants may we be, or shine, Pure pearls, according to his will. End of the Project Gutenberg EBook of The Pearl, by Sophie Jewett *** END OF THIS PROJECT GUTENBERG EBOOK THE PEARL *** ***** This file should be named 13211-8.txt or 13211-8.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/1/3/2/1/13211/ Produced by David Starner, Keith M. Eckrich, and the Project Gutenberg Online Distributed Proofreaders Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.