O. Henry Memorial Award prize stories of 1927

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Title: O. Henry Memorial Award prize stories of 1927

Editor: Society of Arts and Sciences

Author of introduction, etc.: Blanche Colton Williams

Release date: September 2, 2025 [eBook #76802]

Language: English

Original publication: Garden City, New York: Doubleday, Doran & Co, 1928

Credits: Terry Jeffress, Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK O. HENRY MEMORIAL AWARD PRIZE STORIES OF 1927 ***

_O. HENRY MEMORIAL
AWARD
PRIZE STORIES
of 1927_

_O. HENRY MEMORIAL AWARD_

PRIZE STORIES
_of_ 1927

CHOSEN BY THE SOCIETY OF
ARTS AND SCIENCES

WITH AN INTRODUCTION BY
BLANCHE COLTON WILLIAMS

_Author of “A Handbook on Story Writing,”
“Our Short Story Writers,” Etc._

_Head, Department of English, Hunter College
of the City of New York_

[Illustration]

GARDEN CITY NEW YORK
DOUBLEDAY, DORAN & COMPANY, INC.
1928

COPYRIGHT, 1928, BY DOUBLEDAY, DORAN & COMPANY, INC. COPYRIGHT, 1926,
BY THE PICTORIAL REVIEW COMPANY. COPYRIGHT, 1926, BY THE AMERICAN
MERCURY, INC. COPYRIGHT, 1926, BY P. F. COLLIER & SON COMPANY.
COPYRIGHT, 1926, BY BILL ADAMS. COPYRIGHT, 1926, BY S. S. MCCLURE
COMPANY. COPYRIGHT, 1926, 1927, BY THE CURTIS PUBLISHING COMPANY.
COPYRIGHT, 1927, BY HARPER & BROTHERS. COPYRIGHT, 1927, BY CHARLES
SCRIBNER’S SONS. COPYRIGHT, 1927, BY THE CENTURY COMPANY. ALL RIGHTS
RESERVED. PRINTED IN THE UNITED STATES AT THE COUNTRY LIFE PRESS,
GARDEN CITY, N. Y.

ACKNOWLEDGMENT

For the Committee the chairman thanks authors, editors, and agents,
with whose friendly coöperation this volume is prepared.

BLANCHE COLTON WILLIAMS.

New York City,
January, 1927.

CONTENTS

PAGE

INTRODUCTION. By Blanche Colton Williams ix

CHILD OF GOD. By Roark Bradford 1

THE KILLERS. By Ernest Hemingway 15

THE SCARLET WOMAN. By Louis Bromfield 25

JUKES. By Bill Adams 34

FEAR. By James Warner Bellah 53

NIGHT CLUB. By Katharine Brush 84

SINGING WOMAN. By Ada Jack Carver 97

WITH GLORY AND HONOUR. By Elisabeth Cobb Chapman 109

BULLDOG. By Roger Daniels 126

HE MAN. By Marjory Stoneman Douglas 149

“DONE GOT OVER.” By Alma and Paul Ellerbe 175

MONKEY MOTIONS. By Eleanor Mercein Kelly 192

FOUR DREAMS OF GRAM PERKINS. By Ruth Sawyer 208

THE LITTLE GIRL FROM TOWN. By Ruth Suckow 220

SHADES OF GEORGE SAND! By Ellen du Pois Taylor 239

INTRODUCTION

THE JUDGES

1. EMMA K. TEMPLE }
2. ISABEL WALKER }
3. HARRY ANABLE KNIFFIN } _First_
4. KATHARINE LACY } _Judges_
{ 5. FRANCES GILCHRIST WOOD }
_Final_ { 6. DOROTHY SCARBOROUGH }
_Judges_ { 7. BLANCHE COLTON WILLIAMS } _Chairman_
{ 8. ROBERT L. RAMSAY
{ 9. MAXIM LIEBER

1, 2, 3, 4, 5, 6, 7 _Readers_, _First Judges_
5, 6, 7, 8, 9 _Final Judges_.

In preparing this the ninth volume of the series, the O. Henry
Memorial Committee selected more than six hundred stories from some
twenty-five hundred published in the year October, 1926, to September,
1927, inclusive. Of these six hundred the best according to the votes
of at least two judges are listed in the following pages. From the
fifty stories ranking highest were chosen, in the usual process of
elimination by five final judges, the fifteen included in this volume.

“Child of God,” by Roark Bradford, received four votes for first place,
and wins by a number of points. To this story, published in _Harper’s
Magazine_, April, 1927, is awarded the first prize of $500.

Four candidates were considered for second place. One judge preferred
“Singing Woman”; another, “Shades of George Sand” (closely followed by
“The Little Girl from Town”); another, “Fear”; two others cast votes
for “The Killers.” To this last named story, which wins by points, is
awarded the second prize of $250. “The Killers,” by Ernest Hemingway,
was published in _Scribner’s Magazine_, March, 1927.

For the special prize awarded the best short short story, the following
were nominated by one or more of the judges: “Another Wife,” by
Sherwood Anderson; “Sandoe’s Pocket,” by Elsie Singmaster; “Tommy
Taylor,” by Zona Gale; “The Scarlet Woman,” by Louis Bromfield. “The
Scarlet Woman” leads and receives therefore the award of $100. The
story was published in _McClure’s_, January, 1927.

* * * * *

Among the fifteen stories ranking highest, four happen to be about the
American Negro. The increasing representation of this race in brief
fiction I observed in my introduction to _O. Henry Memorial Award
Prize Stories_ of 1925. Of that year Du Bose Heyward’s “Crown’s Bess”
and Julia Peterkin’s “Maum Lou” were reprinted; John Matheus’s “Fog,”
Frederick Tisdale’s “The Guitar,” and Elsie Singmaster’s “Elfie”
were mentioned. The volume for 1926 reprinted Arthur Huff Fauset’s
“Symphonesque” and Lyle Saxon’s “Cane River.” The present collection
offers, first, “Child of God.” “Never,” writes Mrs. Wood, “was the
spirit of an age and a people more happily caught than here. The
old-time darky and his tales may have been lost in a modern deluge of
the nigger minstrel type, that ‘extinct species of a race that never
existed’; but he comes back into his own in ‘Child of God’ with his
characteristic ideas of a perfect heaven.” That the idea of heaven
advanced is Willie’s idea appears to have eluded those who raised a
small storm when they read the story in _Harper’s_. The visions Mr.
Bradford spreads upon the page with sympathy and naïve simplicity are,
of course, the visions vouchsafed to Willie in the few seconds after
the trap gave way under his feet and before his body was borne out of
jail; just so Willie would have constructed those visions. Added to
the dream is something else that is greater art. The supernatural,
revealing Willie’s experiences after death, is joined to the human
dream so well as to defy detection. Who knows when life was pronounced
extinct? What part of Willie’s dream belongs to earth and what to the
heaven of his fancy? “There is art, exquisite art, in the joining,” as
O. Henry once wrote of another story, and tenuous though the fabric
may be, the seam is indiscernible. And how completely the delicately
woven stuff covers the hard reality of the green-eyed man’s collapse!
That ugly blue face and frothy saliva potently declare that the hangman
was neatly punished by Willie’s ghost. “Mr. Bradford is of course the
unquestionable find of the year,” writes Mr. Ramsay. “His ‘Child of
God’ would perhaps never have been written if Molnar had not shown us
in _Liliom_ how interesting it may be to see heaven through a glass
very darkly; but it is an amazingly successful transcription into terms
of Negro psychology.” The chairman suggests that it be read side by
side with Ambrose Bierce’s “An Occurrence at Owl Creek Bridge”--a tale
many times reprinted--for testing its indubitable superiority.

“Bulldog,” like the prize winner, makes of an alleged criminal a hero.
The black giant, of square and protruding jaw, square and receding
forehead, was a fighter, one intent upon vengeance, willing to take
punishment. The brute strength that served him falsely in his personal
fracases served him and the judge truly in the fifteen-mile odyssey
to Ossabaw. Mr. Daniels’s use of revealing incident and character
prepares acceptance for Bulldog’s herculean feat, climax to an escape
at once logical and stirring. Call to mind all the thrills you have
enjoyed--say, from the many chases in _Les Misérables_ on--and compare
with them the action from “Stan’s yo’ back!” to the “cry through the
stillness of the night”; you will find that it survives in form, in
style, in substance. With right logic and humorous turn the author
brings Bulldog back to the opening scene and to the sentence of six
months on the farm.

“Done Got Over” dramatizes the struggle between superstition harnessed
with petty vengeance against enlightenment aided by generosity. Whoever
has lived in the cotton belt knows with what excitation of horror, with
what sense of the occult and foreboding of the mysteriously awful the
old-time Negroes await the funeral sermon over the manifest ungodly.
Intimation of a “preaching-to-hell” draws--or not many years ago
drew--an audience keyed to highest expectancy, all sympathy lost in
shuddering anticipation of the sinner’s doom. The idea seldom occurs
that the verdict of the preacher is not irremediable. Perhaps “Done Got
Over” falters at the moment of climax, perhaps one may wish that Miss
Jinny Pickens had spoken. Her simple act, however, was sufficient--one
who knows the Pickenses testifies to this point. The local colour
witnesses the authors’ careful observation; the atmosphere declares
their participation in the drama. They must have seen Draper’s yard of
prince’s feather and dog-fennel; must have smelled the fig leaves in
Miss Jinny’s back yard, the cape jasmines on Tampa’s coffin; surely
they felt the agony of Tampa’s son.

“Monkey Motions,” from a seemingly casual recountal of Sam’l, rises
to the perfect description of his dancing. That climax becomes a
flashlight to illumine the backward way, to outline clearly details
unguessed as salient. Pictures of the dance have always tempted the
pen, not infrequently to failure; this instance is successful. “What
are you weeping about?” asked Tom. If you have followed with the dancer
his exposition of the “origins, methods, and significations” of the
Charleston, if through it you have followed his race’s history, you
may still have no more reason than Aunt Lady, but you will be dropping
a tear with her. And your reason may be that so poignant a summary of
race history in so short space presents the motive.

“The Killers,” second prize winner, one of three photographically
realistic studies here reprinted, has been the most talked about story
of 1927. In its seeming incompleteness is its superb completeness. Max
and Al, the killers, do not get their man this particular evening,
but they will get him; and the doom that Ole Andreson knows to be
upon him when he says, “There isn’t anything I can do about it,” is
more appalling than would be the actual shot from that sawed-off gun.
Unknown horrors are greater than known horrors, a truth of which Mr.
Hemingway has taken advantage in leaving the reader to construct the
climax. If Ole stays in the room, the slayers will find him; if he
goes out, they will find him; in either choice, they will inevitably
shoot him. Can such things be? carries its answer: Such things are.
Without a word of preachment, the story arraigns a world of presumable
law and order. Mr. Hemingway’s dialogue, lacking specious suspense or
excitement, tells the story. Six or seven hundred words in addition
relate the bare action and sketch the setting. In transferring this
narrative to the dramatic form no changes are necessary except the
conversion of non-dialogue into stage directions; the story is
economically perfect. It is not really a story, says Mrs. Wood, “not
to be insulted as half-caste ‘realism’--just a blazing bit of reality
to which you are the unwilling witness. Like the black cook, you ‘don’t
like any of it--don’t like any of it, at all!’ yet you could no more
tear yourself away from that peep-hole in the kitchen than you could
resist the weaving head of a cobra. Of course, it is stale comparison
to liken ‘The Killers’ to Greek tragedy, but since that is our golden
milestone no other comparison serves.”

Of all the stories here reprinted, Maxim Lieber thinks “Night Club”
“by far the best. It is a very swiftly moving, sharply outlined story,
and the author achieves a remarkable effect with the utmost economy
of words.” In “Night Club” Miss Brush purports to retail the drab
evening of Mrs. Brady, maid, and in so doing adds another instance
to examples of old truths: Romance is never at hand, but far away;
the searcher fails to see that what he seeks is near home; life is
stranger than fiction. The parts of the story are greater than its
whole, a six-in-one marvel that tells the stories of (1) a wife who
denies her marriage tie, for reasons implied, (2) of a dope fiend,
(3) of an unfaithful husband, the wife, and the other woman, (4) of a
girl who finds a pair of scissors necessary with her escort, (5) of an
elopement, (6) of a girl who marries wealth to save her sister’s life.
Even summary details convey other stories: “she saw a yellow check with
the ink hardly dry.” Like “The Killers,” this story is of the immediate
present. Nothing in fiction has described night-club life so deftly,
much less described it from the cubbyhole of a maid who saw nothing.

Third of these photographic studies is “The Little Girl from Town,” an
exquisite picture of childhood embroidered in tiny, colourful stitches.
It reminds the chairman of nothing so much as a treasured piece of
tapestry, bought years ago in Bath, in which thousands of stitches
portray a small girl, her dog, her parrot, and her flowers. Patricia’s
beauty and helplessness, set off by the hardier country children’s
assurance, emphasized by her seeming victory, her pitiful failure, in
saving the calf--this slight theme the author has embellished with a
wealth of detail. As in the grimmer realism of “The Killers,” dialogue
does most of the work. The minute accuracy of its transcription reads
like a stenographic report edited by an artist. In this story, “quiet
and penetrating,” to quote Mr. Ramsay, and in “Eminence” (see page
xxii), whose chief character is a relative of Patricia’s, Miss Suckow
has surpassed her former writing. Interesting by way of comparison for
similarity of theme is Nels Anderson’s “Old Whitey” (see page xxxi).

Elisabeth Cobb Chapman’s “With Glory and Honour,” which shares with
“Night Club” the element of setting, uses the setting for a different
purpose. Hal Levering, who has denied his race, learns by a humiliating
lesson what every man of every race must learn, that individual
fulfilment depends upon race, pride in race, acceptance of racial
possibilities. The work of Irvin Cobb’s daughter, “With Glory and
Honour,” itself a happy testimonial to inheritance, reveals individual
power that promises well. In suggestion, choice of detail, and rhythm,
the story might be the accomplishment of a master.

In “He Man,” Marjory Stoneman Douglas not only tells the experiences
of six in a fallen plane ending in the death of all but two, not only
describes a struggle with the sea that lasted two days and nights; she
achieves victory for endurance and fortitude, no less tokens of manhood
than sportsmanship and courage. By vivid pictures, by the wind in the
wires, by the omnipresence of the menacing sea, the author brings near
the plight of those on the craft. Beautiful writing, forceful writing,
carries the story; for example, “Stars were quivering in the enormous
rondure of the sky that overhead took on a strange metallic blue and
cast upon them a faint luminance that was less than light and only a
little less than dark.” Isn’t that worthy to set beside “L’obscure
clarté, qui tombe des etoiles,” and Milton’s light that served to
render darkness visible?

The title “Fear,” the fear of men who fly, declares companionship with
“He Man.” “Fear,” second on Dr. Scarborough’s list, has the distinction
of being the one war story chosen from scores that have done their
bit to memorialize the tenth decade after America’s entry into the
conflict. “Fear” may be, as Mr. Ramsay says, sloppily executed; but, as
he also states, it is intensely realized. Mr. Bellah’s way with planes
is the way of one who has fought in them; his analysis of Paterson’s
fear is the analysis of a warrior who knows the effect of war on men’s
minds. Paterson weakened twice, but he recouped in the climax of his
berserker rage what he had lost through previous faltering. To read
“Fear” is to live again the days of ’17 and ’18. The story establishes
the same point “He Man” establishes: faced by demand for courage, fear
flees.

“Jukes,” the story of a sailor by sailor Bill Adams, is the survival
of many cullings from _Adventure_. No other magazine represented in
this book has shown so remarkable a gain in quality. The chairman, who
read every number, marvelled at its rapid rise and trusts the ascent
is more than temporary. Mr. Ramsay also comments that _Adventure_ has
had an unusually good year. Mr. Adams, who spent eight weeks in writing
“Jukes”, surely had no prime intention of producing an argument for
prohibition; he was concerned to show the weakness of Jukes, that
weakness by which tottered Jukes’s good resolutions, weakness abetted
by crimp and board master. “You an’ me is dogs,” says one of the
sailors; and “Jukes, was you ever beat at anything?” draws no answer.
Jukes knows that he has never been other than beaten; his repeated
impressment will be repeated--until the end. To read “Jukes” is to
taste the ocean’s bitterest salt. Mr. Adams need not tell us that he
has sailed with many a Jukes. “All these nowadays books about the
clipper ships and the beauty of the sea rather weary me at times. The
beauty and the grandeur were there. But what a horror was there too.
Crews carted around like dogs.” Mr. Adams, like Mr. Wetjen, relates
stories of the sea with breadth of knowledge and accuracy of detail
possible only to a seaman.

Of the four remaining stories two are of the folk. Ada Jack Carver’s
“Singing Woman,” second on Mr. Ramsay’s list, celebrates a custom of
the French mulattoes on Isle Brevelle of the Joyous Coast. A gruesome
and pathetic contest this between Henriette and Josephine, their
ninety-nine and ninety-eight funerals proclaiming them last survivors
of wailing women, rivals to the death. By easy management, the author
permits them to emerge with drawn honours in “my friend, you and me ull
quit even”; and, by her usual sympathy in characterizing the lowly,
provokes for the old brown women admiration tempered with pity. A near
relative of these wailing ones is George Allan England’s “Johnny
Moaner” (see page xxiv), whose calling led him to kill that he might be
supplied with a necessary funeral.

In “Four Dreams of Gram Perkins” Ruth Sawyer weaves one of the oddest
yarns ever spun from dream stuff, yet as surely of the Maine folk as
“Singing Woman” is of the Isle Brevelle natives. In their climactic
progress Zeb Perkins’s dreams maintain consistently the ruling passion
of Gram’s life as well as the character of Zeb himself, self-appointed
layer of Gram’s ghost. Sardonic humour saves these dreams from the
horrific as tenderness redeems Ada Jack Carver’s song of death.

“Shades of George Sand!” happens to fall into a category all its
own. Mr. Lieber, placing it second, comments on its air of savoir
faire and mature quality; the chairman appreciates the rebellion of
Mathilde against her environment, her escape into a pseudo-paradise and
consequent descent into limbo. Only the clever girl, apparently doomed
to rusticity, fired by ancestry, and nourished by experiences vicarious
as those which fed Mathilde, can guess with what eagerness Mathilde set
out for Chicago. The meanness of Flora Campbell’s respectable boarding
house and the defection of Mathilde’s hero may have struck down
momentarily the girl’s aspirations; but surely the conference with her
tutelary shade gave Mathilde courage to follow her star; and if she has
not presided over a salon, she has found something better. The mordant,
yeasty humour of this tale should leaven the collection, in general a
serious collection.

“The Scarlet Woman,” in length about that of “The Killers,” required
greater skill in elimination. Whereas “The Killers” belongs to the true
short-story genre in brevity of time, close circumscription of place,
and sharply defined conflict, “The Scarlet Woman” is a novel which,
paradoxically and exceptionally, succeeds as a short short story. In
its 3,000 words, the author, by concentrating the essence of Vergie
Winters’s life, has escaped a mere synopsis. To say it differently, he
has revealed by high lights the passive conflict one woman endured with
the social order, a conflict the motive of which is love. The obstacles
in the way, too great to be surmounted, Mr. Bromfield has disregarded
with a featness that recalls Columbus’s triumph with the egg.

THE LISTS

Before consulting the appended lists, please note the following
abbreviations:

ABBREVIATIONS

_Ad._ _Adventure_
_Am._ _American Magazine_
_Am. Merc._ _American Mercury_
_A. A._ _Argosy Allstory Magazine_
_Arch._ _Archer_
_Atl._ _Atlantic Monthly_
_B. M._ _Black Mask_
_B. B._ _Blue Book Magazine_
_Book._ _Bookman_
_C. W._ _Catholic World_
_C._ _Century Magazine_
_C. T._ _Chicago Tribune_
_Clues_ _Clues Magazine_
_C. H._ _College Humor_
_Col._ _Collier’s Weekly_
_C. G._ _Country Gentleman_
_D._ _Delineator_
_D. S. M._ _Detective Stories Magazine_
_D. S._ _Droll Stories_
_E._ _Echo_
_Elks_ _Elks Magazine_
_Ev._ _Everybody’s Magazine_
_Fl._ _Flynn’s Weekly_
_F._ _Forum_
_G. H._ _Good Housekeeping_
_H. J. Q._ _Haldeman Julius Quarterly_
_H. B._ _Harper’s Bazar_
_H._ _Harper’s Magazine_
_H. I. and C._ _Hearst’s International and Cosmopolitan Magazine_
_L. H. J._ _Ladies’ Home Journal_
_L._ _Liberty_
_McCall._ _McCall’s Magazine_
_McClure._ _McClure’s Magazine_
_Mun._ _Munsey’s Magazine
_Op._ _Opportunity_
_P. R._ _Pictorial Review_
_Pop._ _Popular_
_R. B._ _Red Book Magazine_
_S. E. P._ _Saturday Evening Post_
_Scr._ _Scribner’s Magazine_
_S. S._ _Short Stories_
_S. S. M._ _Special Salesman Magazine_
_Sun._ _Sunset Magazine_
_W. T._ _Weird Tales_
_W. S._ _Western Story_
_W. H. C._ _Woman’s Home Companion_
_Y._ _Young’s Magazine_

LIST I

Stories ranking highest:

Abbot, Keene, Tree of Life (_Atl._, Dec., 1926).

Adams, Bill, Jukes (_Ad._, Nov. 23, 1926).

Alexander, Elizabeth, The Purest Passion (_S. E. P._, Feb. 5).

Alexander, Sandra, Passion (_H._ Apr.).

Aley, Maxwell, Man Child (_G. H._, July).

Anderson, Frederick Irving, Wise Money (_S. E. P._, Aug. 6).

Anthony, Joseph, A Hobo He Would Be (_C._, Oct., 1926).

Bailey, Margaret Emerson, Common Law (_H._, Apr.).

Banning, Margaret Culkin, Heads or Tails (_S. E. P._, May 7); The
Woman Higher Up (_S. E. P._, May 21).

Beer, Thomas, Piepowder Court (_S. E. P._, Oct. 16, 1926); The Public
Life (_S. E. P._, Nov. 20, 1926); Curly-Tailed Wolf (_S. E. P._,
Apr. 16); Cramambuli (_S. E. P._, May 7); Æsthetics (_S. E. P._,
June 11).

Bellah, James Warner, Fear (_S. E. P._, Nov. 6, 1926); Boppo’s
Bicycle (_Col._, Feb. 5); Funny Nose (_S. E. P._, Feb. 5); Old
Slithercheeks Takes a Bath (_Col._, Feb. 26); Blood (_S. E. P._,
Apr. 2); The Great Tradition (_S. E. P._, May 28); A Gentleman of
Blades (_S. E. P._, June 11); M’Givney’s Mustache (_S. E. P._,
Aug. 20).

Blake, Clarice, The Mold (_C._, May).

Bradford, Roark, Child of God (_H._, Apr.).

Brady, Mariel, From Four Till Seven (_G. H._, Nov., 1926); April’s
Fools (_G. H._, Apr.); Snips and Snails (_G. H._, June).

Brecht, Harold W., Vienna Roast (_H._, Nov., 1926).

Broadhurst, George, The Motive (_S. E. P._, July 2).

Bromfield, Louis, “Let’s Go to Hinkey-Dink’s” (_McCall._, Sept.).

Brush, Katharine, The Other Pendleton (_P. R._, Oct., 1926); Night
Club (_H._, Sept.).

Burlingame, Roger, Jacinth (_Scr._, Oct., 1926).

Burt, Katharine Newlin, Jealous Oberon (_C. T._, May 15).

Burt, Struthers, Freedom (_C. T._, Nov. 28, 1926); C’Est La Guerre
(_S. E. P._, Feb. 5); Grandpa (_S. E. P._, Apr. 23); Soda Bicarb
(_S. E. P._, July 2).

Busch, Niven, Jr., The Wife and the Toreador (_Col._, Aug. 6).

Butler, Ellis Parker, Bruce of the Bar-None (_Sun._, May).

Byrne, Donn, Rivers of Damascus (_McCall_, Oct., 1926).

Canfield, Dorothy, Here Was Magic (_W. H. C._, Feb.).

Carver, Ada Jack, The Old One (_H._, Oct., 1926); Singing Woman (_H._,
May).

Chapman, Elisabeth Cobb, With Glory and Honour (_C._, June).

Clark, Valma, Candlelight Inn (_Scr._, Nov., 1926); The Tact of
Monsieur Pithou (_Scr._, May).

Clarke, James Mitchell, Punishment (_Ad._, Apr. 1).

Cobb, Irvin S., The Wooden Decoy (_H. I. and C._, Dec., 1926); This
Man’s World (_H. I. and C._, May); Louder Than Words (_H. I. and
C._, June); As Brands from the Burning (_H. I. and C._, July);
Faith with Works (_H. I. and C._, Aug.).

Cohen, Octavus Roy, Idles of the King (_S. E. P._, Aug. 6); The Porter
Missing Men (_S. E. P._, Aug. 20).

Connell, Richard, The Lady Killer (_S. E. P._, Nov. 27, 1926); In
Society (_S. E. P._, Mch. 5).

Cram, Mildred, From a Château Kitchen (_D._, June).

Crowell, Chester T., The Trick (_S. E. P._, Apr. 2).

Daniels, Roger, Bulldog (_S. E. P._, Nov. 13, 1926).

Davis, Elmer, The Ruinous Woman (_C._, May).

Detzer, Karl W., The Superior Woman (_C._, Jan.).

Dickson, Harris, On the First Sand Bar (_S. E. P._, Jan. 15); The
Sealed Wager (_S. E. P._, May 21); Foresight (_S. E. P._, Aug. 27).

Dobie, Charles Caldwell, Slow Poison (_H._, July).

Douglas, Marjory Stoneman, The Beautiful and Beloved (_S. E. P._,
Apr. 2); The Third Woman (_C. T._, May 29); Stepmother
(_S. E. P._, June 4); He Man (_S. E. P._, July 30).

Dwyer, James Francis, Dreve of Virginia (_R. B._, Oct., 1926).

Edmonds, Walter D., Who Killed Rutherford? (_Scr._, Mch.).

Eliot, Ethel Cook, Heaven Knows (_Arch._, Mch.).

Ellerbe, Alma and Paul, “Done Got Over” (_Col._, Nov. 27, 1926).

Fairbank, Janet, The Thin Red Line (_W. H. C._, Jan.).

Farnham, Walter, David (_Ad._, Nov. 8, 1926).

Ferber, Edna, Blue Blood (_H. I. and C._, Mch.).

Fisher, Rudolph, Blades of Steel (_Atl._, Aug.).

Flynn, T. T., Twenty Fathoms Under (_S. S._, Apr. 25).

Gale, Zona, A Way of Escape (_W. H. C._, Oct., 1926).

Gilkyson, Phoebe, The Portrait (_H._, Jan.).

Gilson, Charles, Three Thieves (_Ad._, Mch. 15).

Gordon, Eugene, Game (_Op._, Sept.).

Hackett, Francis, The Cinder (_C._, Nov., 1926).

Hartman, Lee Foster, The Reek of Limes (_P. R._, Apr.).

Hemingway, Ernest, The Killers (_Scr._, Mch.); Fifty Grand (_Atl._,
July).

Hergesheimer, Joseph, Collector’s Blues (_S. E. P._, Oct. 2, 1926);
Trial by Armes (_Scr._, Mch.); Natchez (_S. E. P._, May 21); New
Orleans (_S. E. P._, July 23).

Hervey, Harry, The Lover of Madame Guillotine (_McClure_, Jan.).

Heyward, Du Bose, The Half Pint Flask (_Book._, May).

Hopper, James, When It Happens (_H._, May).

Hughes, Rupert, They Were Americans Too (_McCall_, Feb.); The River
Pageant (_H. I. and C._, July).

Hume, Cyril, The Count’s China Teeth (_C. H._, Apr. 2).

Jackson, Margaret W., Birds of a Feather (_McCall_, Oct., 1926).

Jaffé, Margaret Davis, Shut In (_C. W._, Oct., 1926).

Jordan, Elizabeth, The Little Red-Haired Girl (_C. T._, Oct. 31, 1926).

Kelly, Eleanor Mercein, Monkey Motions (_P. R._, Oct., 1926); Emiliana
(_S. E. P._, Oct. 2, 1926); Fête-Dieu (_S. E. P._, Dec. 18, 1926);
Charivari (_S. E. P._, Feb. 12); Interlude (_S. E. P._, June 25);
Nostalgia (_S. E. P._, Aug. 13).

Kerr, Sophie, The Bad Little Egg (_L._, Nov. 6, 1926); Mrs. Mather
(_C._, June); Mister Youth (_D._, July).

King, Basil, The Supreme Goal (_McCall_, Apr.).

Kirk, R. G., Transfer (_S. E. P._, Oct. 9, 1926).

Krebs, Roland, The Sport of Kings’ County (_C. H._, June).

Kyne, Peter B., The Devil-Dog’s Pup (_G. H._, Nov., 1926); The Tidy
Toreador (_H. I. and C._, Apr.); Bread upon the Waters (_H. I. and
C._, Aug.).

Lane, Rose Wilder, Yarbwoman (_H._, July).

Logan, James T., Lawrence Avenue (_Op._, Aug.).

MacDougall, Sally, Wild Music (_H._, Sept.).

McFee, William, The Wife of the Dictator (_R. B._, May); The Roving
Heart (_R. B._, July).

MacGrath, Harold, The Fiddle String (_R. B._, Jan.).

McLean, Margharite Fisher, The Lonesome Christmas-Tree (_Scr._, Dec.,
1926).

Marquand, J. P., Lord Chesterfield (_S. E. P._, June 18).

Marquis, Don, When the Turtles Sing (_Scr._, Apr.); A Keeper of
Tradition (_Scr._, Aug.).

Mumford, Ethel Watts, The Ghosts of China Gardens (_P. R._, Nov.,
1926).

O’Reilly, Edward S., In Our Midst (_P. R._, Oct., 1926).

Paul, L., Heat (_Ad._, Mch. 1).

Popowska, Leokadya, The Living Sand (_H._, June).

Rhodes, Eugene Manlove, The Bad Man and the Darling of the Gods (_H.
I. and C._, July).

Roe, Vingie, Doc Virginia (_McCall_, Aug.).

Saunders, Louise, Formula (_H._, Oct., 1926).

Sawyer, Ruth, Four Dreams of Gram Perkins (_Am. Merc._, Oct., 1926).

Scobee, Barry, Monotony (_Ad._, Nov. 8).

Scoggins, C. E., White Fox (_S. E. P._, Sept. 17).

Shay, Frank, Little Dombey (_Scr._, Jan.).

Singmaster, Elsie, The Fiery Cross (_Atl._, Oct., 1926); Pomp an’
Glory (_S. E. P._, Oct. 9, 1926); Aged One Hundred and Twenty
(_S. E. P._, Mch. 12).

Smith, Garret, Sitting Pretty for Life (_L._, Feb. 5).

Spears, Raymond S., On Getting Acquainted (_Ad._, Feb. 15).

Springer, Fleta Campbell, Severson (_H._, June).

Starrett, Vincent, The Incomplete Angler (_S. S._, Aug. 10).

Steele, Wilbur Daniel, Autumn Bloom (_P. R._, Nov., 1926); A Drink
of Water (_H._, Jan.); Sailor! Sailor! (_P. R._, July); New Deal
(_Scr._, Aug); Sooth (_H._, Aug.); Speed (_P. R._, Aug.).

Stone, Elinore Cowan, An Hour Before Dinner (_Col._, Dec. 18, 1926).

Suckow, Ruth, Eminence (_Am. Merc._, Mch.); The Little Girl from Town
(_H._, Aug.).

Synon, Mary, Amy Brooks (_G. H._, Mch.).

Tarkington, Booth, Mr. White (_S. E. P._, Mch. 12); Hell (_S. E. P._,
July 16).

Tarleton, Fiswoode, Eloquence (_Ad._, Oct. 8, 1926).

Taylor, Ellen du Pois, Nostalgia (_H._, Feb.); Shades of George Sand!
(_H._, Mch.).

Torrey, Grace B., One Medium-Sized Dog (_W. H. C._, Oct., 1926);
Bartley, B. A. (_S. E. P._, Oct. 30, 1926).

Tupper, Tristram, Three Episodes in the Life of Timothy Osborn
(_S. E. P._, Apr. 9).

Welles, Harriet, The Stranger Woman (_Scr._, Dec., 1926); Her
Highness’ Hat (_W. H. C._, Aug).

Wetjen, Albert Richard, Shingles out of Bandon (_Ad._, Oct. 8, 1926);
The Covenant of the Craddocks (_Ad._, Feb. 1); The Strange
Adventure of Tommy Lawn (_Ad._, Mch. 15).

Wiley, Hugh, The _Patriot_ (_R. B._, June).

Williams, Ben Ames, Coconuts (_S. E. P._, Oct. 9, 1926); Opportunity
(_S. E. P._, Jan. 8); Altitude (_S. E. P._, Jan. 15); A Needful
Fitness (_C. T._, Jan. 23).

Williams, Jesse Lynch, A Man’s Castle (_R. B._, Feb.).

Wister, Owen, The Right Honorable the Strawberries (_H. I. and C._,
Nov., 1926); Lone Fountain (_H. I. and C._, Apr.).

Wylie, Elinor, King’s Pity (_W. H. C._, Sept.).

LIST II

Stories ranking second:

Adams, Frank R., Love’s Pair o’ Dice (_L._, Feb. 26); Oysters in
Season (_L._, Apr. 2).

Addington, Sarah, Mr. Dickens’ Little Boy (_D._, Dec., 1926); Tornado
(_D._, July); Clodhopper (_D._, Sept.).

Aldrich, Bess Streeter, “He Whom a Dream Hath Possest” (_Am._, June).

Aley, Maxwell, Mr. Petty’s Garden (_W. H. C._, Apr.).

Anderson, Frederick Irving, Finger Prints (_S. E. P._, Oct. 23, 1926).

Andrews, G. G., Fire (_C. T._, Mch. 6).

Avery, Stephen Morehouse, Where Angels Fear to Tread (_Col._, Sept.
25, 1926); “Circle Wide, We’ll Meet above the Clouds” (_McCall_,
May).

Bailey, Temple, So This Is Christmas! (_McCall_, Dec., 1926).

Balmer, Edwin, The Round Bullet (_L._, Jan. 29); Double Exposure
(_L._, Sept. 3).

Banning, Margaret Culkin, Amateur (_H._, Dec., 1926); Not in Politics
(_S. E. P._, Dec. 25, 1926); The Favorite Daughter (_Col._, May
28).

Barker, Elsa, The Jade Earring (_R. B._, Nov., 1926).

Bechdolt, Frederick, For the Girl Back Home (_H. I. and C._, May).

Bellah, James Warner, Boppo and the Awful Whiffs (_Col._, Mch. 12);
The Silly Major (_Col._, Apr. 9); The Gods of Yesterday
(_S. E. P._, Apr. 30); Boppo Refuses (_Col._, June 11).

Benét, Stephen Vincent, The Amateur of Crime (_Am._, Apr.).

Blochman, L. G., Ways That Are Dark (_Ev._, Mch.).

Borden, Mary, An Accident on the Quai Voltaire (_F._, Mch.).

Borland, Hal, The Heifers (_Book._, Oct., 1926).

Boyd, Thomas, The Fickle Jade (_C. H._, Dec., 1926); The Fighting
Face (_S. S._, Dec. 25, 1926); Old Timers (_C. G._, Mch.);
Grandfather’s Dog (_Scr._, July).

Brackett, Charles, The Monster’s Child (_S. E. P._, Oct. 23, 1926); As
Suggested (_S. E. P._, Jan. 22).

Brady, Mariel, Georgia Washington (_G. H._, Feb.).

Brown, Bernice, Marie Celeste (_D._, Aug.).

Brown, Royal, The Sixth Hat (_L._, Mch., 19).

Buckley, F. R., Peg Leg Retires (_W. S._, Apr. 2).

Burt, Katharine Newlin, Heartbreak Homestead (_L._, Apr. 23).

Burt, Struthers, Masquerade (_C. T._, Oct. 3, 1926).

Butler, Ellis Parker, I Beg Your Pardon (_W. H. C._, June); Happy
Harry (_Mun._, June); Mad Marix (_Mun._, July).

Canfield, Dorothy, A Basque Windfall (_W. H. C._, Apr.).

Carman, Dorothy Walworth, Every Thursday (_H._, Jan.).

Chamberlain, George Agnew, The Red, Red Tree (_S. E. P._, Nov. 13,
1926).

Child, Maude Parker, Diamonds in the Rough (_S. E. P._, Dec. 4, 1926).

Child, Richard Washburn, When I’m Rich Enough (_Col._, Apr. 2).

Clearing, Robert, Mother Cuts Loose (_W. H. C._, Mch.).

Cockrell, Stephena, Lafayette’s Sheets (_G. H._, Sept.).

Connell, Catharine, Life Isn’t Like That, Father! (_W. H. C._, Aug.).

Connell, Richard, Room at the Top (_Col._, Feb. 19).

Cooper, Mary Lispenard, Moth-Mullein (_H._, Nov., 1926).

Cross, Ruth, Mr. Tightwad Meets His Match (_P. R._, Jan.)

Croy, Homer, Wilkie’s Unforgivable Sin (_P. R._, Apr.).

Davenport, Walter, Dr. Lysander (_Col._, Nov. 6, 1926).

Davis, Aaron, The Armored Heart (_W. H. C._, Sept.).

Davis, Elmer, The $125,000 Marriage License (_McClure_, Nov., 1926).

Davron, Mary Clare, Icebergs (_R. B._, Feb.).

Delano, Edith Barnard, Enough Is Enough (_S. E. P._, July 16).

Delmar, Vina, The Belle of Barnesville (_L._, Aug. 6).

Detzer, Karl, A Call for the Doctor (_S. S._, Sept. 25).

Dickson, Harris, Two of a Trade (_S. E. P._, Nov. 20, 1926).

Douglas, Marjory Stoneman, Guinevere (_S. E. P._, Jan. 1); You Can
Have Three Wishes (_W. H. C._, June).

Edgar, Day, The Last Patrician (_S. E. P._, May 14); Sic Semper
(_S. E. P._, Aug. 13).

Egan, Cyril B., Passion Play (_C. W._, Sept.).

England, George Allan, Johnny Moaner (_Ev._, June).

Erskine, John, Nausicaa Receives (_Col._, July 16).

Evans, Ida M., Mrs. Galahad (_C. T._, Nov. 7, 1926).

Falkner, Leonard, Corpus Delicti (_D. S. M._, Oct. 30, 1926).

Ferber, Edna, Perfectly Independent (_H. I. and C._, Dec., 1926).

Fitzgerald, F. Scott, Jacob’s Ladder (_S. E. P._, Aug. 20).

Flynn, T. T., Mountain Top Mystery (_Clues_, Mch.); Through the Red
Death (_S. S._, July 10); Peg Leg (_C. T._, Aug. 14).

Ford, Sewell, The Woman Who Never Forgot (_H. I. and C._, Dec., 1926).

Fowler, Richard B., Practicality in Practice (_Scr._, Feb.); Elmer’s
Imperfect Day (_W. H. C._, Sept.).

Frost, Meigs, O., They’s Always Thoroughbreds (_Ev._, Jan.).

Gale, Zona, A Winter’s Tale (_H. I. and C._, June).

Gelzer, Jay, Man’s Size (_G. H._, Feb.).

Gilbert, Kenneth, Strength of the Hills (_Sun._, Sept.).

Gould, Bruce, Sky Scrapes (_B. B._, Oct., 1926).

Hallet, Richard Matthews, Theed Harlow’s Cadenza (_S. E. P._, Apr. 2).

Hergesheimer, Joseph, A Further Study of Plants (_S. E. P._, Oct. 16,
1926); Albany (_S. E. P._, May 7); Washington (_S. E. P._,
June 4); Lexington (_S. E. P._, June 18); Charleston (_S. E. P._,
July 9).

Hopper, James, Stilts and a Complex (_R. B._, Nov., 1926); The
Derringer (_L._, May 7).

Hughes, James Perley, The Glass Stalker (_Mun._, May).

Hughes, Rupert, The Big Boob (_L._, May 14).

Humphreys, Ray, In All His Glory (_W. S. M._, Apr. 2).

Huse, Harry G., Red Symbols (_Ad._, June 11).

Huston, McCready, The Lamp (_Scr._, Dec., 1926).

Irwin, Wallace, American Beauty (_S. E. P._, Jan. 8); Thanks for the
Buggy Ride (_S. E. P._, Jan. 15).

Irwin, Will, Through a Loophole in the Law (_L._, Feb. 12).

Jackson, Charles Tenney, Big Timber (_S. S._, Feb. 25); Fingers
(_S. S._, Sept. 25).

James, Will, The Young Cowboy (_Scr._, Jan.).

Jerard, Elise Jean, The Treat (_Col._, May 14).

Johnson, Nunnally, A Portrait of the Writer (_S. E. P._, Oct. 16,
1926).

Johnston, Isabel, The Lavender-Flowered Crime (_McCall_, Oct., 1926).

Jordan, Elizabeth, John Henry’s Inferiority Complex (_C. T._, July 10).

Kahler, Hugh MacNair, The Puppet (_S. E. P._, Oct. 16); Elbowroom
(_S. E. P._, Aug. 20).

Kelly, Eleanor Mercein, Las Señoritas (_S. E. P._, Mch. 26); Sky
Pastures (_S. E. P._, Apr. 23).

Kerr, Sophie, The Sloane Temper (_Am._, Mch.); Hush-Me-Dear (_L._,
Feb. 19); Mimi-Mary (_Col._, Nov. 13, 1926); They Told Her
Everything (_D._, May).

Kilbourne, Fannie, If We Have Each Other (_S. E. P._, Dec. 11, 1926);
Red Hair (_McCall_, Jan.); With a Modern Leading Lady (_S. E. P._,
July 9); A Married Man’s Job (_S. E. P._, Aug. 20).

Lardner, Ring, Fun Cured (_H. I. and C._, Jan.); Hurry-Kane (_H. I.
and C._, May); Then and Now (_H. I. and C._, June); The Spinning
Wheel (_H. I. and C._, July).

Lea, Fannie Heaslip, That’s Life (_G. H._, Feb.); On the Air (_G. H._,
Apr.); Caprice Itself (_McCall_, June).

Leach, Paul R., Miscellany (_L._, Dec., 1926).

Lincoln, Joseph C., An Honest Man’s Business (_S. E. P._, July 23).

Lloyd, Beatrix Demarest, Villa Beata (_S. E. P._, Apr. 30);
Alimentation’s Artful Aid (_S. E. P._, June 11); A Tidiness in the
Affairs of Mr. Tracy (_S. E. P._, Aug. 27).

Looms, George, The Lights of the Harbour (_E._, Aug.).

McBlair, Robert, One Christmas Morning (_Elks_, Dec., 1926); Twisted
Gun Gap (_Elks_, Mch.).

McCarter, Margaret Hill, The Guardian of the Jack Oaks (_McCall_,
Dec., 1926).

McCulloch, F. H., The Code of Boys and Dogs (_McCall_, Nov., 1926).

McKenna, Edward L., Hardware (_Ad._, Apr. 1).

McMorrow, Will, Battle Honors (_Pop._, Feb. 7).

Marmur, Jacland, Copra (_Ad._, Jan. 1).

Marquand, J. P., Good Morning, Major (_S. E. P._, Dec. 11, 1926); The
Cinderella Motif (_S. E. P._, Mch. 5).

Mason, Grace Sartwell, The Way to Heaven (_H._, Dec., 1926).

Means, E. K., A Farewell Tour (_Mun._, Dec., 1926).

Merrill, Kenneth Griggs, The Cross (_Scr._, Dec., 1926).

Merwin, Samuel, The Million-Dollar Buckwheats (_McCall_, Oct., 1926);
The Cat Jumps Quick (_McCall_, July); The Morning Star (_Col._,
Aug. 27).

Mitchell, Ruth Comfort, Of the Fittest (_R. B._, Oct., 1926);
Dangerous but Passable (_W. H. C._, Nov., 1926).

Montague, Margaret Prescott, The Golden Moment (_Atl._, Oct., 1926);
The Last Tenth (_H._, Nov., 1926).

Montross, Lois Seyster, Iron Dogs (_L. H. J._, Nov., 1926).

Montross, Lynn, The Vulgar Boatman (_Col._, Aug. 13).

Morton, Leigh, A Poor Man’s Cottage (_McCall_, May).

Mumford, Ethel Watts, The Scales of Justice (_Mun._, July).

Nason, Leonard H., The General’s Aide (_S. E. P._, Nov. 6, 1926).

Neidig, William J., Rubies of Mogok (_S. E. P._, Oct. 9, 1926); The
Dagga Smokers (_S. E. P._, Dec. 11, 1926).

Norris, Kathleen, The Irish Song Bird (_H. I. and C._, Dec., 1926).

Osborne, William Hamilton, A Rum Proposal (_R. B._, Oct., 1926).

Pangborn, Georgia Wood, The North Wind (_C. T._, Dec. 19, 1926).

Parker, Maude, Raise or Quit (_S. E. P._, Mch. 5); Exploration
(_S. E. P._, June 11).

Patterson, Norma, Ships That Pass (_G. H._, Jan.).

Pattullo, George, Eels (_S. E. P._, Mch. 12).

Pelley, William Dudley, The Prodigal Angel (_L._, June 18).

Perry, Peter, the State’s Witness (_Fl._, Oct. 23, 1926).

Post, Melville Davisson, The Leading Case (_Am._, June).

Pulver, Mary Brecht, They Knew What They Wanted (_S. E. P._, Dec. 4,
1926).

Reese, Lowell Otus, Fool Ridge (_S. E. P._, Nov. 6, 1926).

Ritchie, Robert Welles, Rapahoe Bob (_C. G._, Jan.).

Roche, Arthur Somers, Love Was Different Then (_H. I. and C._, Feb.).

Roe, Vingie E., Smoke in the Gulch (_McCall_, Jan.).

Rose, Will, Splurgin’ (_Scr._, Jan.).

Ross, Mary Lowry, The Real Mrs. Alward (_S. E. P._, Nov. 20, 1926);
Three Husbands in Paris (_S. E. P._, May 21).

Russell, John, The Bright Reversion (_Col._, May 14).

Rutledge, Maryse, Skyscrapers (_S. E. P._, Apr. 16).

Sangster, Margaret E., Mountains (_G. H._, May); Loveliness (_G. H._,
Aug.).

Savell, Morton, The Wings of a Lark (_S. S._, Feb. 25); Bird in Hand
(_C. T._, Sept. 18).

Saxby, Charles, The Little Mercy of Men (_Col._, Feb. 19).

Schisgall, Oscar, Come On, Row! (_D. S. M._, Oct. 30, 1926); In
Kashla’s Garden (_W. T._, May).

Scott, R. T. M., Peter’s Tower (_Am._, Mch.).

Scoville, Samuel Jr., The Mouse and the Lion (_Col._, Oct. 30, 1926).

Seifert, Shirley, Dumb Bunnies (_Col._, Nov. 27, 1926).

Sheehan, Perley Poore, A Feud of the High Sierras (_S. S._, June 25).

Shenton, Edward, All the Boats to Build (_Scr._, Oct., 1926).

Singmaster, Elsie, There Was Joan of Arc (_L. H. J._, Mch.).

Skerry, Frederick, Touched in Passing (_Col._, Feb. 12).

Squier, Emma-Lindsay, The Room of the Golden Lovers (_Col._, Mch. 19);
The Bells of Culiacán (_G. H._, May); The Gipsy Road (_D._, May).

Starrett, Vincent, The Woman in Black (_S. S._, Dec. 10, 1926); The
Murder on the Ace’s Trick (_S. S._, June 10).

Stone, Elinore Cowan, Be My Valentine (_W. H. C._, Feb.).

Storm, Marian, Discovery (_F._, Nov., 1926).

Stribling, T. S., It Don’t Mean Nothin’ to Men (_P. R._, Oct., 1926).

Synon, Mary, You Meet Such Nice People (_G. H._, July).

Tarleton, Fiswoode, Miracles (_Ad._, Mch.).

Terhune, Albert Payson, Early Birds (_Col._, Oct. 16, 1926); The True
Romance (_D._, Nov., 1926); The Battle of the Gods (_Col._, Dec.
4, 1926); Loot (_Col._, Aug. 13); The Short Cutters (_L._, Aug.
27).

Terrill, Lucy Stone, Sidewalks? Yes (_S. E. P._, Oct. 16, 1926).

Thomas, Elizabeth Wilkins, Deer (_W. H. C._, June).

Tisdale, Frederick, Down to Babylon (_P. R._, Dec., 1926).

Train, Arthur, The Viking’s Daughter (_S. E. P._, Feb. 5).

Triem, Paul Ellsworth, Will Morning Never Come? (_D. S. M._, Nov. 13,
1926).

Turnbull, Agnes Sligh, Flood-Gates (_McCall_, Nov., 1926); Holly at
the Door (_McCall_, Dec., 1926).

Valensi, Marion Poschman, The Girl Who Set Out to Marry Money (_Am._,
Nov., 1926); Roseleaves and Moonlight (_McCall_, Mch.).

Van de Water, Virginia Terhune, How It Worked (_Mun._, Dec., 1926).

Waldron, Webb, Jim Comes Home (_W. H. C._, Mch.).

Wallace, S. E., Kenyon Stands by (_S. S. M._, Aug.)

Warren, Lella, The Wrong Twin (_H. I. and C._, July).

Watkins, Maurine, Alimony (_H. I. and C._, July).

Watkins, Richard Howells, The Ace of Aerobats (_Mun._, Sept.); Conover
Crashes in (_S. S._, Sept. 10); Fly-by-Night (_Ad._, Sept. 15).

Weiman, Rita, Dinner Is Served (_R. B._, Dec., 1926); Slow Torture
(_L._, Apr. 16).

Wetjen, Albert Richard, The First Law of Nature (_Col._, June 11); The
Mate Stands by (_Col._, July 23).

White, Stewart Edward, “Free, Wide, and Handsome” (_Am._, May).

Wiley, Hugh, The Power of the Press (_S. E. P._, Oct. 9, 1926).

Williams, Ben Ames, Skins (_S. E. P._, Oct. 23, 1926); Aside after
Lucre (_S. E. P._, Dec. 4, 1926).

Williams, Valentine, The Thumb of Fat’ma (_C. T._, Aug. 7).

Williams, Wythe, En Garde (_S. E. P._, Oct. 30, 1926); Destiny
(_S. E. P._, Nov. 20, 1926).

Wilson, Mary Badger, Dust Behind the Sofa (_S. E. P._, Dec. 4, 1926).

Worts, George F., The Nimble Snail (_Mun._, Oct., 1926).

LIST III

Stories ranking third.

Abbott, Eleanor Hallowell, The Steps That Went up into the Sky
(_G. H._, Nov., 1926); Turkey in the Oven (_W. H. C._, Nov., 1926).

Banning, Margaret Culkin, Rich Man, Poor Man (_S. E. P._, Oct. 9,
1926); Delicatessen Love (_C. T._, Apr. 24).

Bari, Valeska, the Goddess of Liberty (_F._, July).

Barnard, Leslie Gordon, The Guest of Honor (_L. H. J._, July).

Barretto, Larry, The Phantom Major (_Ad._, Nov. 23, 1926).

Bellah, James Warner, Boppo Takes a Bird’s-Eye View (_Col._, May 7);
Old Waffle Ear (_Col._, July 2).

Benét, Stephen Vincent, Miss Willie Lou and the Swan (_C. G._, Nov.,
1926).

Benson, Stuart, Ramadin’s Daughter (_Col._, Oct. 9, 1926).

Boyd, Thomas, Dark in a Shell Hole (_S. S._, Feb. 10); Two Lean and
Hungry Looks (_S. S._, Apr. 10); Shootin’ Keno (_C. G._, June).

Bretherton, Vivien R., Trinket (_McCall_, May).

Caffrey, Andrew A., Aerial Blue (_Ad._, Nov. 23, 1926).

Clausen, Carl, On the Midnight Tide (_B. B._, Nov., 1926); Around the
Horn (_C. T._, June 12); The Shining Door (_R. B._, July); The
Father of His Son (_C. T._, Aug. 21); The Three of Us (_P. R._,
Sept.).

Douglas, Marjory Stoneman, Too Much Class (_S. E. P._, Oct. 9, 1926).

Edward, Cecil A., The Russian (_Atl._, June).

Elliott, Stuart E., Whom the Gods Love (_L. H. J._, June).

Franken, Rose L., The Lady in the Back (_C. T._, July 31).

Gale, Zona, Heart of Youth (_L. H. J._, Oct., 1926).

Goodman, Blanche, Nocturne (_Book._, Feb.).

Hamilton, H. M., Liberty (_A. A._, Oct. 23, 1926).

Jones, Vara Macbeth, Danny Goes Druid (_C. W._, Mch.).

Kroll, Harry Harrison, Good to the Last Drop (_Ev._, Jan.).

Lea, Fannie Heaslip, The Brute (_G. H._, Oct., 1926).

Lovelace, Delos, Toe of the Stocking (_C. G._, Dec., 1926).

McMorrow, Thomas, Hinkle against Fayne (_S. E. P._, Oct. 30, 1926).

Marquis, Don, The High Pitch (_Col._, May 28).

Mason, Grace Sartwell, Sweet Tooth (_W. H. C._, May).

Miller, Helen Topping, A Bird Flies Over (_G. H._, Oct., 1926).

Montague, Margaret Prescott, Hog’s Eye and Human (_F._, Aug.).

Montross, Lois Seyster, The Golden Legend (_L. H. J._, Apr.).

Moravsky, Maria, The Ode to Pegasus (_W. T._, Nov., 1926).

Nebel, Frederick L., Grain to Grain (_B. M._, Nov., 1926).

Parmenter, Christine Whiting, David’s Star of Bethlehem (_Am._, Jan.).

Pelley, William Dudley, Martin’s Tree (_Am._, Apr.).

Perry, Lawrence, Barbed Wire (_Col._, Oct. 16, 1926).

Portor, Laura Spencer, One Night (_W. H. C._, May).

Post, Melville Davisson, The Survivor (_Am._, Oct., 1926).

Pruden, Oliver, Black Salve (_S. S._, July 10).

Ritchie, Robert Welles, You Take ’Em as They Flies (_S. S._, Jan. 25).

Sears, Zelda, Out of the Fourth Dimension (_Mun._, Oct., 1926).

Shore, Viola Brothers, A Handy Manuel (_S. E. P._, Oct. 2, 1926).

Shore, Viola Brothers and Fort, Garrett, The Prince of Headwaiters
(_L._, Apr. 9).

Singer, Mary, Fathers (_G. H._, Aug.).

Singmaster, Elsie, Finis (_Book._, Aug.).

Speare, Dorothy, Sweet but Dumb (_P. R._, Apr.).

Steele, Harwood, An Affair of Courage (_S. S._, Mch., 25).

Synon, Mary, A Girl Called Stella (_P. R._, Nov., 1926).

Taggard, Genevieve, The Shirt (_Book._, Nov., 1926).

Tilden, Freeman, The Two-Browning Man (_L. H. J._, May).

Topham, Thomas, In All His Glory (_D. S. M._, Oct. 16, 1926).

Treleaven, Owen Clarke, Vengeance (_S. S._, May 25).

Van de Water, Frederic F., Angels and Yellowjackets (_L. H. J._, Oct.,
1926); He Sendeth His Rain (_C. G._, Apr.).

Vance, Louis Joseph, Base Metal (_Col._, Oct. 30, 1926).

Ware, Edmund, The Boy and the Wind (_Am._, Aug.); So-Long, Old Timer
(_L. H. J._, Aug.).

Weadock, Louis, Bottles and Stoppers (_Clues_, Nov., 1926).

White, Ared, The Watch on the Rhine (_Ev._, Mch.).

White, Nelia Gardner, “Treasures” (_Am._, Jan.); Helga (_Am._, Aug.).

Whitehead, Henry S., The Left Eye (_W. T._, June).

Wolff, William Almon, A Lady of Leisure (_L._, June 18).

LIST IV

Of short short stories the following rank highest:

Anderson, Nels, Old Whitey (_Am._ Merc., Jan.).

Benson, Stuart, A Soldier (_Col._, July 2).

Bromfield, Louis, The Scarlet Woman (_McClure_, Jan.).

Child, Richard Washburn, The Man at the Bottom (_Col._, Aug. 13).

Cohen, Octavus Roy, Stamped Out (_Col._, Oct. 9, 1926); Sunset
(_Col._, Oct. 23, 1926).

Crawford, Nelson Antrim, Frock Coats (_H. J. Q._, January).

Davenport, Walter, All Aboard (_Col._, Sept. 17).

Davis, Bob, The Hard-Boiled Egg (_Col._, Aug. 6).

Dell, Floyd, The Blanket (_Col._, Oct. 16, 1926).

Doyle, Lynn, Smoke (_Mun._, Dec., 1926).

Edholm, Charlton Lawrence, The Fame of Usskar (_C._, Oct., 1926).

Fagin, N. Bryllion, The Queerness of Kate (_E._, Feb.).

Farrar, John, Primrose Pavilion (_Col._, Jan. 15).

Gale, Zona, Another Lady Bountiful (_H. I. and C._, Feb.); Blue Velvet
(_P. R._, June); Tommy Taylor (_R. B._, June).

Hare, Amory, Three Lumps of Sugar (_H. I. and C._, May).

Hecht, Ben, The Lifer (_R. B._, Feb.); Don Juan’s Rainy Day (_C. H._,
May).

Hoyt, Nancy, Things Like That Happen Only in Dreams (_C. H._, Dec.,
1926).

Kniffin, Harry A., Aftermath (_C. W._, July).

Kyne, Peter B., The Devil Drives (_Col._, Dec. 18, 1926).

Martin, Helen R., The Wooing of Weesie (_L. H. J._, Jan.).

Merwin, Samuel, The Old Blood (_Col._, Jan. 22).

Mish, Charlotte, A Woman Like That (_Y._, Apr.); Pretenders (_Y._,
June); The Moment of Triumph (_D. S._, June).

Nelson, Gaylord, Moonshine (_C._, Oct., 1926).

Norris, Kathleen, The Ring (_H. B._, Oct., 1926).

O’Donnell, Jack, The Killer (_L._, Jan. 1).

Phillips, Michael J., Back to Apple Harbor (_R. B._, Oct., 1926).

Powel, Harford, Jr., The Finest Lie in the World (_Col._, Mch. 19).

Singmaster, Elsie, Sandoe’s Pocket (_W. H. C._, Oct., 1926); Miss
Glynn (_Col._, Oct. 9, 1926); The Christmas Guest (_P. R._, Dec.,
1926); The Legacy (_D._, May).

Toohey, John Peter, The Trouper (_Col._, Apr. 23).

Way, Isabella, Sachet (_E._, July).

Wetjen, Albert Richard, A Loyal Man (_Col._, Jan. 15).

White, Owen P., The Simpleton (_Col._, Nov. 27, 1926).

Williams, Ben Ames, Victory (_Col._, Apr. 30); Red Hair (_Col._, July
2).

Worts, George F., Woman’s Work Is Never Done (_Col._, Mch. 19).

The short story has known better seasons, says a reader who, moved by
indigestion and nausea, forswears the magazine tale of to-day as food
unfit. The trouble with this reader lies partly in his having the world
too much with him, late and soon. He finds no recreation in reading
contemporary fictionists, or fiction about the present of which he
is integrally a part. He believes he laments the Stockton and Bunner
model; rather he laments the day of Stockton and Bunner. This nostalgia
for the dear, dead days that are no more demands a superfiction, a
glorification of the past. The demand is satisfied best by fictive
biography, which has never known a better season. Because the satiated
reader has no desire for short stories, he should condemn them all no
more than one who has eaten too many clams condemns all clams.

Yet too many stories of to-day are like O. Henry’s clam shells “from
which the succulent and vital inhabitants” have forever departed. A
critical reader finds himself saying, “This tale was made on order from
the editor,” or “So-and-so is writing under too great pressure; he is
tired.” A disturbing fact is the absence of humour, for humour is the
unfailing index to superabundance of vitality.

Among hopeful signs may be mentioned, first, a number of new writers
appearing in the better as well as the humbler magazines; several are
represented in this volume. Second, from what has been called the
incoherent left side and the technically correct right side, a new form
may be emerging; I suggest tentatively “The Mold,” by Clarice Blake
(_Century_, May), and “Sooth,” by Wilbur Daniel Steele (_Harper’s_,
August). Third, the war story is slowly developing out of that emotion
remembered in tranquillity which, on occasion, is as necessary to prose
as to poetry. The period of recollection has produced good results,
chiefly in the work of Thomas Beer, Thomas Boyd, Leonard Nason, and
James Warner Bellah. Finally, a number of veterans are creating with
undiminished vigour: Irvin S. Cobb, tales of the Tennessee River;
Harris Dickson, reminiscences of Mississippi River gambling days; Booth
Tarkington, adventures in the supernatural.

In the eight years of _O. Henry Memorial Prize Stories_, no reviewer of
the annual collection--so far as I have discovered--has ever suggested
a better story of a given year than those included between its covers.
The fact is either gratifying or amusing; gratifying if the reviewer
recognizes the selections as one of the best possible in the premises;
amusing if the reviewer damns the whole lot--unless, to be sure, he
damns all stories published in the period.

The Committee know what they demand in a story and read hundreds to
salvage the comparatively few which best meet the demand. The first
desideratum is a narrative constructed about characters in a struggle
or complication having a definite outcome expressed or implied. Every
story in this book satisfies this first test. In “Child of God” the
struggle is Willie’s against the social order; the order crushes him,
but by his death he wins; The Killers are out for their man and, though
they fail this time, ultimately they will not fail; the Scarlet Woman
is at odds with society; Jukes agonizes to escape from the sea--he
never will escape; “Fear” is nothing less at bottom than the conflict
in Paterson’s soul; on the surface it offers a display of spectacular
conflicts between enemy planes; “Night Club” hints at a half-dozen
conflicts (see page 84); “Singing Woman” relates the final stages in
a lifelong rivalry; “He Man” instances a struggle with the sea and
hunger; I have spoken of the struggle in “Done Got Over” as one between
superstition and enlightenment; of that in “Shades of George Sand!” as
one between the individual and environment; “With Glory and Honour”
implies pretty strongly that Hal Levering conquered himself before
he changed his ways; “Monkey Motions” reveals awkwardness and genius
working to final expression; “Four Dreams” relates four vain efforts
of Gram; Bulldog’s fights and his escape lead to his climactic rescue
of the judge; “The Little Girl” symbolizes the helplessness of all
childhood through the concrete instance of Patricia’s failure.

All writers and all critics are agreed upon other well-known
desiderata, which neither the author nor the critic needs consciously
to enumerate. Familiarity with the laws and limitations of the art is
as necessary to judging fiction as insistence upon them is deplorable
if such insistence means undervaluing a narrative that may smash all
laws and succeed, it may so happen, because of the fact. He who follows
an uncharted way may discover, or he may not discover, new lands.

That standards of reviewers differ may be illustrated by the following
quotations drawn from reviewers of _O. Henry Memorial Prize Stories_,
1926:

“Miss Williams’s introduction | “The introduction is, it
is of great interest, as it | must be said, an unpleasant
takes us behind the scenes | piece of work ... in a style
with the judges ... but still | whose lack of distinction is in
the collection itself remains | marked contrast to the stories
disappointing.”--Hartford | that follow.”--New York
_Courant_, January 23, 1927. | _Sun_, January 18, 1927.
|
“Miss Williams in her introduction | “It is at least refreshing
considers each | after the monotones of praise
story with critical seriousness, | to which introducing editors
and analyzes, and | have almost invariably
praises, and compares, till | treated us; and even though
one can’t help wondering | one may not always agree
what she would say of a | with the specific comment
Chekhov or a Maupassant.”--The | ... that fact need not detract
_Saturday Review of | from one’s approval of this
Literature_, May 28, 1927. | tempered, tentative editorial
| attitude as constituting a
| salutary and genuinely respectable
| criticism.”--New
| York _Herald-Tribune_, January
| 30, 1927.
|
“If Wilbur Daniel Steele | “All competent readers
had never written a better | will agree with the official
story than ‘Bubbles’ he | judges as to the wisdom of
would never have achieved | their first choice. ‘Bubbles’
the fame and popularity | is a profound, subtle, and
which he not unjustly | highly finished piece of
enjoys.”--Richmond (Va.) | work.”--New York _Sun_, January
_News Leader_, January 17, | 18, 1927.
1927. |
|
“To me the story [Bubbles] | “Mr. Steele’s really stupendous
is not convincing enough to | story, ‘Bubbles’--it
be really successful. Despite | is difficult not to overdo
deft craftsmanship the story | superlatives in writing of this
fails to become important, | appalling little masterpiece
and even its pattern is beautiful | ... is one of Mr. Steele’s
artifice rather than art.”--The | supreme achievements.”--Hartford
_Saturday Review of | _Courant_, January
Literature_, May 28, 1927. | 23, 1927.
|
“Sherwood Anderson wins | “Of the stories in this
the second prize with a story | book, that by Sherwood Anderson
called ‘Death in the Woods’ | [Death in the Woods]
in which he is at his | is the most important.”--New
worst.”--Richmond _News | York _World_, January
Leader_, January 17, 1927. | 19, 1927.
|
“‘Death in the Woods’ has | “Mr. Anderson’s story
the curious distinction no | strikes the authentic Anderson
story of Mr. Anderson’s could | note. He has seldom done
lack, but would have hardly | anything more powerful
made him the reputation he | within its limits and never
so magnificently deserves.” | anything more characteristic.”
--New York _Post_, February 5, | --New York _Sun_, January
1927. | 18, 1927.
|
The New York _Times_ reviewer | The order of the stories
(January 23, 1927) remarks, | (see the table of contents for
“The relegation of | the 1926 collection) is, after
Mary Heaton Vorse’s story | the three prize stories,
[The Madelaine] to the back | alphabetical by authors.
of the book makes the reader |
wonder if these authorities |
on the short story ... really |
know a story when they see |
it.” |

CHILD OF GOD

BY ROARK BRADFORD

From _Harper’s_

When Willie told the preacher that morning that “ev’ything is all O.K.,
Revund,” he meant it from the bottom of his heart. The hawking of the
rain crow from the limb of the dead cottonwood, sounded like the song
of a mocking bird. The monotonous patter of rain on the tin roof lulled
him into gentle restfulness. The damp, dirty stench that floated up
from the dark closeness of the cells below him was like a sedative.
Even the lyelike coffee served to remind him that the jailer was his
friend.

“Cap’m Archie tole me I could have ev’ything I wanted fer brekfus,”
he explained as he caught the minister sniffing and eyeing the scant
remains of the meal. “An’ I tole him I b’lieve I’d take some po’k chops
an’ cawfee, ef’n hit wuz all right. An’ hyar it is.”

“You mean dar hit wuz,” admonished the preacher. “Now yo’ flesh is fed,
Willie, whut ’bout yo’ soul?”

Willie beamed a broad, knowing smile. “My soul,” he said tolerantly,
“is all O.K. An’ Revund,” he continued jubilantly, “Cap’m Archie say he
gonter bring me a ten-cent cigar to go walkin’ up de gallows wid in my
mouf.” The minister’s face was a study in expression. “An’ I makes me a
speech up yonder”--jerking his arm toward the gallows high in the roof
of the jail--“an’ den----”

“Den which, son?” Preacher Moore was eager to find a point of contact
at which he could begin his prepared message of consolation.

“I’se Glory bound!” Willie declared with enthusiasm.

* * * * *

While the condemned man talked and the preacher listened, the Great
State of Louisiana prepared to exact its penalty in the form of the
life of Willie Malone because “he did feloniously, wilfully, and of
his deliberately premeditated malice aforethought, make an assault on
one Thurston Gibbs, and a certain gun which then and there was loaded
with gunpowder and buckshot and was by him, the said Willie Malone,
had and held in both hands, he, the said Willie Malone, did then and
there feloniously and of malice aforethought shoot off and discharge
at and upon the said Thurston Gibbs thereby, and by thus striking the
said Thurston Gibbs with the buckshots inflicting on and in the body
one mortal wound of which said mortal wound the said Thurston Gibbs
then and there instantly died. And so the said Willie Malone did in the
manner and form aforesaid, feloniously and of deliberately premeditated
malice aforethought, kill and murder the said Thurston Gibbs in the
Parish of Wilton aforesaid, against the peace and dignity of the Great
State of Louisiana.”

It all came out at the trial. Hogs had been running in Willie’s
cornfield. The hogs belonged to Mr. Gibbs. And when Willie asked him to
keep them home Mr. Gibbs had cursed him. Willie then bought a shotgun
and some buckshot. Everybody agreed upon that much of it. Willie said
he aimed to shoot the hogs and that when he heard something rustling
the long blades he fired, thinking it was a hog. The district attorney
pointed out that it was impossible to get a witness who could say what
was in a man’s mind and, therefore, he’d leave it to the jury as to
whether Willie was hog hunting or man hunting.

The jury was divided upon the point, but all agreed that no nigger had
any right to shoot a white man’s hogs, anyway, much less shoot a white
man. So they found him guilty as charged.

Willie had rather enjoyed his stay in jail. Two or three times his
lawyer came and talked to him in a low voice and had him make his cross
mark on many important-looking pieces of paper. It all gave him a
feeling of importance hitherto not experienced.

He liked “Cap’m Archie,” too--Cap’m Archie was always making jokes, and
didn’t make him do any work around the jail except a little sweeping.
And during the long cool spring evenings, when the stars twinkled in
the sky and the fiddling of the katydids out in the weed patch back
of the jail floated in between the long iron-barred windows, Cap’m
Archie would have one of the short-time prisoners drag his chair back
to Willie’s own private cage and Willie would sing for him.

Willie did like to sing--church songs, mostly. But sometimes when he
felt sad and lonesome he’d sing the one that began:

“Thirty days in jail,
Baby, don’t soun’ so long,
But de las’ frien’ I got in dis worl’,
Done shuck her laig an’ gone.”

There were many verses, and to these Willie had added a hundred others.
He was good at that. When they locked up that Caldonie for cutting her
husband because he stole one of her hens and a chicken brood and gave
it to another woman, Willie celebrated the occasion by adding:

“He might er stole yo’ chickens,
He might er stole yo’ cow,
Hit don’t make no diffunce what he stole,
You’s in de jail-house now.”

Cap’m Archie had laughed at that one and it made Willie happy.

Not long after that Cap’m Archie sent for him to come to the office.
Cap’m Archie looked sad that day, and it made Willie feel sad. So when
Cap’m Archie told him the Supreme Court had turned him down and that he
would have to hang Willie was much relieved.

“Shuh! Cap’m Archie,” Willie consoled, “dat ain’ nothin’ to go worryin’
’bout. I thought hit mought er been somethin’ wrong, de way you had yo’
face strung out. Shuh! Ain’ dat de same as de jedge done tole me?”

That afternoon Reverend Moore, Negro preacher, was ushered into
Willie’s cell, and under his exhortations Willie was converted. He had
been converted annually ever since he could remember but he always had
been too busy to follow it up. This time he had ample leisure in which
to contemplate Christianity and draw mental pictures of it. Willie was
keenly interested.

The preacher had spared no detail his imagination could supply as to
the glories of heaven, and these Willie supplemented with the colourful
pigments of his own imagination. Heaven was a wonderful place. Willie
wanted to go there.

“Hyar dey comes, son,” the preacher said kindly. “Git up off’n yo’
knees.”

Cap’m Archie unlocked the cage door with keys that rattled nervously
in his hand. Behind the jailer were half a dozen others--the doctor,
two brothers of the man he had killed, the editor of the _Wilton Parish
Gazette_, and a short, stubby, mean-looking man that Willie disliked
instinctively. He had never seen him before, and the pale-green, watery
eyes that squinted out at him through shaggy eyelashes made Willie feel
bad. “I loves him too,” Willie insisted under his breath. “Got ter
love him. ‘Makes me love ev’ybody--hit’s good ernuff fer me’”--Willie
recalled the words from the old song. “An’ I guess he is somebody. But
I be dog ef’n he looks like much, Ole Green Eyes.”

“Ready to go, Willie?” It was Cap’m Archie. His voice was kind and
filled with sorrow. Willie hated to see Cap’m Archie like that. But
when the jailer’s teeth clicked together and he said briskly, “Here,
slip your hands into these,” it did not sound so sad, and Willie obeyed
with alacrity.

“I bet you fergits my cigar, Cap’m Archie,” Willie countered as his
arms were being pinioned behind him.

“Cut out that damned foolishness! Come on here, nigger. I ain’t got all
day to fool.” It was the stubby little man who assumed charge.

“Makes me love ev’ybody,” Willie hummed desperately under his breath.
“Hit’s good ernuff for me.”

“Good ernuff fer anybody,” seconded the preacher loudly, happy that he
had found some place to enter into the ceremony with the dignity of his
calling. “Hit’s de ole time religion, and hit’s good ernuff fer me!”

As the party marched up the narrow steps to the gallows, the Negro
prisoners on the lower tier of cells caught up the refrain and the
brick walls of the little jail reverberated with:

“Gimme dat ole time religion,
Gimme dat ole time religion,
Gimme dat ole time religion, Lawd,
Hit’s good ernuff fer me.

“Hit will take you home to Glory,
Hit will take you home to Glory,
Hit will take you home to Glory, Lawd,
Hit’s good ernuff fer me.”

The climb to the gallows took a remarkably short time and Willie
noticed that as soon as they arrived there “Ole Green Eyes” rushed to
the rope that was lying handy and began making a loop in the end of it.

“Makes me love ev’ybody,” Willie insisted.

Everybody seemed nervous. Cap’m Archie couldn’t look at him. The
editor was talking with big words to the elder of the Gibbses and said
something about “dancing on the air.” Willie didn’t understand it but
he knew he wasn’t going to dance on anything. Dancing would send him
straight to hell. He had the preacher’s word for it.

He edged over toward Cap’m Archie.

“When does I make my speech, Cap’m Archie?” he asked.

The jailer did not look up. “In a minute,” he replied. “When you are
ready to--when they stand you over there.” He pointed to the trapdoor
with his foot.

“Come over here, nigger.” It was “Ole Green Eyes” again. Willie stood
on the trapdoor.

“Makes me love ev’ybody,” he kept repeating as the knot was being drawn
close to his ear. “Makes me love ev’ybody.”

When the knot was finished the little stubby man slipped a black hood
over Willie’s head and stepped back. A jaybird on a dead limb of the
cottonwood broke out in a scathing chatter of malediction at the crow.
A dog howled mournfully in the jail yard below. The katydids in the
weed patch opened with a wild symphony of fiddling. “Somethin’ ’bout to
happen,” Willie concluded. “I guess I better make my speech.”

He threw back his shoulders and raised his chin as though about to
address a large congregation.

“Folkses,” he began in a clear, strong voice, “I has a few words I
wants to say to y’all----”

“Too late now, nigger.” It was that stubby little man. And even as the
trap gave way under his feet Willie began:

“Makes me love ev’ybody.”

* * * * *

Willie did not finish that line, however. He was interrupted in the
midst of it by a long blast on a horn. It was a loud, thundering blast
and it startled him. He looked into the direction from which it came
and there, charging down the road, he saw four prancing horses drawing
a snow-white chariot. It was a beautiful sight. He had seen some such
rig the time when he went to the circus at Baton Rouge. But this rig
was even prettier than the circus carriages. Big white plumes bobbed
from the crown-pieces of the bridles, and the horses pranced and danced
along, raising a terrible dust.

“Great day!” he exclaimed. “Class sho’ is comin’ down de road to-day.”

In a minute the carriage was in front of him, and with much suddenness
it came to a halt, the horses falling back on their haunches to check
the momentum.

“Git up hyar, boy, an’ le’s git goin’,” the driver called down. “Us is
late, as it is or--else you is early.”

Willie scrambled to the seat beside the driver. As the horses raced
onward he enjoyed the thrill of the speedy ride, the wind rushing by
his ears, the sparkle of the gold and silver harness, the dexterity
with which the driver held the horses in the road with one hand and
cracked the whip over their heads with the other.

“You drives right well, boy,” he observed. “What’s yo’ name?”

“Jehu,” replied the driver.

“Jehu-which?”

“Jest Jehu,” replied the driver.

“Who dat boy wid de hawn in his han’?”

“Gab’l.”

The monosyllabic replies of his companion irritated Willie. He wanted
conversation and he intended to have it.

“How long you been----” he began, but suddenly Gabriel raised his
trumpet to his lips and blew a deafening blast which almost lifted
Willie from his seat.

“Hol’ tight,” cautioned Jehu, and the chariot stopped suddenly.

Willie saw an old man in a black slouch hat and cutaway coat, walking
very alertly toward the carriage. His face was cleanly shaven except
for a moustache and goatee which gave him a distinguished appearance.
Willie instinctively knew that this quality-gentleman was going to ride
on the plush seats inside, so he leaped down and opened the door of the
carriage. The old man halted a few paces from him and cast a surveying
glance at the horses.

“That checkrein is too tight on that off-lead horse,” he said. “It is
a pity that I have to ’tend to these trifles, but damn it all, I can’t
stand to see fine horseflesh suffer on account of triflin’ niggers.”

Willie quickly ran and lowered the checkrein and climbed back to his
seat.

“You oughter know better’n to check up dat hoss so high,” he admonished
Jehu with a proprietary air. “Us likes our hosses to have a heap er
room.”

Jehu did not reply. He held steadily to the reins, and the carriage
fairly flew through the misty haze. Willie wanted to ask for the reins
himself. He felt he could drive much more to his own satisfaction but,
withal, he admitted, Jehu was doing very well. A minute later, however,
when the lead horse bolted just as they approached a long bridge, and
Jehu prevented a crash by expert manœuvring of the reins, Willie was
glad he was not driving.

“Does dat ev’y time at the bridge,” Jehu volunteered as the team
settled down to a long gallop across the structure. “Lots er times us
misses an’ de folks in de chariot gits drownded tryin’ to cross Jurdan.”

“Dat de Jurdan, huh?” asked Willie. “I be dog,” and he gripped tightly
to the seat.

The chariot rolled off the bridge and up to the front of a white pearly
gate where it stopped. Willie dropped confidently to the ground, opened
the chariot door, and assisted the distinguished old passenger to
alight. St. Peter swung the big gate open.

“Welcome, Colonel,” he said. “It gives me great pleasure to greet you
personally after having known you indirectly for these many years.
She’s waiting for you under the crêpe myrtles. Cherub, escort the
Colonel to Miss Julia.”

Willie thought that was great, and he was thrilled almost to ecstasy
when the old gentleman gave him a curt nod in recognition of his
service.

As soon as the old man had disappeared behind the cherub, St. Peter
dropped his air of formality.

“Well, well,” he said, “if it ain’t that worthless Willie Malone.
Willie, how’d you git here, son?”

That was language Willie could understand and appreciate.

“St. Peter,” he replied, “I jes’ got on de chariot an’ rid up hyar.”

“Well,” said St. Peter, “I guess you better try on a pair of wings,
then. Here, Cherub. Bring out a pair of wings for old Willie Malone.”

St. Peter helped the cherub adjust the wings.

“Now you’re fixed, son,” he announced. “Fly away!”

And Willie flew. He flew among the golden clouds and down long narrow
golden streets. He flew over mansions of gold and sparkling rivers.
High into the air and close to the ground he flew. He tried a few fancy
turns, such as he had seen birds perform among the chinaberry trees. He
dived at the surface of the water and grabbed at the golden fish and
then climbed again by lusty flaps of his wings, as pelicans do. And he
did it perfectly.

“Doggone my hide,” he exclaimed, “dis is somethin’ like!”

After a few hours the novelty began to wear off. He was high in the
air, maybe a mile high, he estimated. So he pointed one wing at an
angle and began gliding down, making a huge spiral as he descended.
Halfway down, he reversed the cant of his wings and came down the rest
of the way, flying backwards.

He landed right in the midst of a group of other angels who were seated
around the Great Throne. Upon the throne sat the Great Lord God. Willie
recognized him instantly because of the distinction with which he sat
upon his throne and by the carefree tilt of his huge, bejewelled crown
almost hiding one eye and by the angle at which the ten-cent cigar
was cocked. Willie was a little frightened, and dazzled by the regal
splendour of it all, but he settled down noiselessly to the ground,
and was made to feel perfectly at home, by the informal greeting he
received.

“I bet you want to hear some music, don’t you, Willie?” asked the Great
Lord God and, without waiting for Willie’s reply, he continued, “Little
David, play on your harp.”

“What shall I play, Great Lord God?” asked Little David.

“Play something calm and low, Little David,” said the Great Lord God.
“Do not alarm my people.”

David struck a chord or two on his harp. It was beautiful. The mellow
music floated straight to Willie’s heart. One or two of the other
angels started humming with the music and, almost unconscious of where
he was, Willie added his low, rich bass to the chorus:

“When dat big _Titanic_ sunk down in de sea,
All de brass bands played ‘Nearer My God to Thee.’
Out on de deep blue ocean de people sleep
In a cold wet cradle, three miles deep.
It’s yo’ las’ trip, _Titanic_.”

After several verses Willie began to feel a personal sorrow for the
passengers of the _Titanic_. The music stopped suddenly, and the Great
Lord God commanded, “Little David, play something quick and lively. Let
the skies rock with mirth. Let the heavens open wide. Let the stars and
the moon shine out. Let my people shout with joy.”

And as soon as the command was issued all the angels began dancing and
singing as Little David played:

“Two little babies a-layin’ in de bed,
One of’m sick an’ de yuther mos’ dead.
Sont fer de doctor an’ de doctor said,
‘Give dem babies some shortnin’ bread.’
So put on de skillet an’ thow way de led,
Cause mammy gonter make a little shortnin’ bread.”

Several more songs followed and finally Willie began to tire of
singing. The party broke up, the angels flying away in groups of twos
and threes. Soon no one was left before the throne except Willie.

Willie felt slightly embarrassed there, with no one around except the
Great Lord God. He figured he might be intruding or something, or that
perhaps he’d better go out and fly some more. But as he was turning
over the idea a tall, kindly looking angel, more strikingly handsome
than any he had ever seen, strolled up and sat down familiarly by
the side of the Great Lord God. At first Willie thought it was Cap’m
Archie. There was kindness and understanding in his face, just like
Cap’m Archie’s face. But it wasn’t Cap’m Archie. Cap’m Archie had no
scars on his hands and feet as had this angel.

As he puzzled over the matter he faintly remembered a story his old
mammy had told him about a man with scars on his hands and feet, and
he recalled the lines of a song that Cap’m Archie used to make him sing:

“They nailed His hands and they rivet His feet,
An’ de hammers wuz heard in Jerusalem street.”

Some way, Willie could not place him. But he felt much more at ease for
his presence.

“What you thinking about, Willie?” the kindly angel asked. “You don’t
seem to be enjoying yourself so much.”

Willie did not know exactly what to reply. He rummaged through his
mind hastily. He had been entirely happy for ever so long, not a thing
had gone wrong. Everybody had been so nice to him. The music had
been beautiful and just the songs he liked to sing. His wings fitted
perfectly and St. Peter had been wonderful. So had Jehu. And Cap’m
Archie--he had given him everything he could think of and a heap he
did not think of. Of course there was the matter of the cigar. He
wanted to go to the gallows with a cigar in his mouth. But that wasn’t
Cap’m Archie’s fault ... and, too, maybe Cap’m Archie had forgotten
the cigar. He had so many things to think about. Willie concluded that
if it were the cigar he would say nothing about it to the kind angel
because he did not want to embarrass Cap’m Archie. He did not really
want to go to the gallows with a cigar, anyway, he decided.

“But I did want ter make dat speech,” he concluded.

“What speech is that?” asked the kindly faced angel.

Willie explained in great detail, and the angel and the Great Lord God
listened intently.

“But hit wa’n’t Cap’m Archie’s fault,” he declared.

“Whose fault was it, then?” demanded the Great Lord God.

“Hit mought er been--onderstan’, I ain’ s’cusin’ nobody,” Willie
faltered, “but hit mought er been Ole Green Eyes. But I loves
ev’ybody--him, too,” he added hastily.

“I know the scoundrel,” declared the Great Lord God. “He’s been
plaguing me for years and years. But this is too much.” The brow of
the Great Lord God clouded in anger and he shouted with a terrible
roar, like seven peals of thunder, “Cherub, bring me a bolt of forked
lightning that I may strike that man from the face of the earth.”

The cherub brought the lightning, and the Great Lord God was about to
hurl it. But the kind angel touched his arm gently.

“I wouldn’t, Father,” said the angel. “He might not have understood
that the speech was to have been the biggest thing in Willie’s life.”

The Great Lord God stayed his hand and turned upon the kind angel. “Of
course he understood. That’s why he didn’t let him make it. He’s just
low-down mean. I’ve put up with enough of it.”

“But,” insisted the kind angel, “it will do no good to strike him down
with lightning. It would frighten many people. And it would start new
arguments over religion and that would lead to controversies and they
would lead to hatreds and hatreds lead to----”

“I’ve heard that speech a million times, Son,” said the Great Lord God,
“and you needn’t go into details. I admit you are right,” and he handed
the lightning bolt back to the cherub. “But,” continued the Great Lord
God, “I will not let this thing pass.” His brow clouded in anger again.
“I am the Great I am,” he roared, “and my commands shall be obeyed.”
The kind angel sat meekly and argued no further.

“Willie Malone,” commanded the Great Lord God in a tone of thunder.

“Yassuh, Great Lord God,” replied Willie, jumping to his feet.

“You go right back down yonder and make that speech. He’s sitting
in the jail office right now with Captain Archie. Now go and do my
commands.”

* * * * *

Willie lost no time in getting to the jail. As he approached, he
noticed a half-dozen Negroes--friends of his--standing in the rain
about the big steel door entry to the lower cells. But he hurried by
them with only a curt “hy-dy, boys.” The fact that they ignored him
stung a little but he had no time to lose. He went straight to the
office entrance.

The green-eyed man was seated at a table fingering five new
ten-dollar bills. The coroner was scratching away with a pen on a big
official-looking document. The editor and the two Gibbses were talking
in low tones. Cap’m Archie was hunched down in his chair at his desk,
looking at the floor. Willie stood a minute respectfully, hoping Cap’m
Archie would notice him and inquire what he wanted.

But Cap’m Archie did not look toward him and Willie tried a scheme that
had worked many times for him.

“Cap’m, suh,” he said, “don’ you want dis ole dirty flo’ swep’ up er
somethin’?”

But Cap’m Archie acted as though he did not hear.

Willie cogitated. Maybe he was worrying about forgetting the cigar.

But as the thought came to Willie Cap’m Archie slowly reached to his
vest pocket and drew out a single long black cigar and studied it
intently.

“You got the mate to that’n, Sheriff?” Ole Green Eyes quit shuffling
the new bills and directed his attention toward the cigar.

“Nope,” replied Cap’m Archie, “I ain’t got the mate to this’n.” And he
tightened his grip on the cigar until he had broken and crushed it.
“And if I did have it,” he added, “I’d damn well keep it.”

“No hard feelings, Sheriff,” offered Green Eyes. “I see you ain’t used
to it. Cheer up. It’s just another nigger less.”

A scraping of feet in the jail hall at the side of the office attracted
the attention of both Cap’m Archie and Green Eyes. Willie followed
their gaze through the barred hall door and saw six Negroes carrying
a long black box toward the big jail door. Behind the box marched
Preacher Moore, directing and exhorting as he went.

“There he goes now--out of yer jail and out of yer life. It’s all over
and yer duty’s done.”

Cap’m Archie squeezed the cigar tightly, crumbling it into tiny bits.

The green-eyed man essayed a cackling laugh. “And so’s mine,” he
continued, picking up the five bills, “so I guess I’ll be going.”

Willie had been standing by in respectful silence since the white folks
had indicated by ignoring him that they were too busy to talk to him.
White people are that way, Willie had learned. Sometimes they will
talk with you and laugh with you. And sometimes when they are busy
they won’t pay any attention to you unless you get in their way or
something. Then they will curse you. Willie knew how to get along with
white folks.

But things were different now. He had business with Mister Green Eyes.

“Wait a minute, Cap’m, suh,” he addressed the green-eyed man.

Green Eyes stiffened, blinked his eyes, passed his hand across his
forehead, and frowned. He stuck the money into his pocket quickly and
grabbed for his hat.

“Wait a minute, Cap’m,” Willie pleaded. “I got ter make my speech.”

The green-eyed man turned pale and shut his eyes tightly, gritting his
teeth and shaking his head as if in an effort to clear his brain.

“Sheriff,” he said with a great struggle for calmness in his voice, “I
need a drink. I--I--I’m sort of nervous, I reckon.”

“There’s the doctor,” Cap’m Archie replied calmly, nodding toward the
coroner.

“But, Cap’m, suh, wait,” interjected Willie, “lemme make my speech----”

The green-eyed man yelled and ran to the doctor.

“Get me a drink, Doctor!” he begged. “A drink! For God’s sake. I’m all
shot to hell, Doctor. Get me a drink, quick.”

“What’s the matter, man?” demanded the doctor. “What is it?”

“That damned nigger, Doctor. I’m seein’ things. So help me. He wants to
make a speech, Doctor----”

“Dat’s all right, Cap’m,” Willie insisted. “Hit ain’t no mean speech.”

“O-ww-w-w--Doctor,” screamed the green-eyed man. “There he is again.”

The coroner and Cap’m Archie caught the hangman and led him to a chair.

“Calm down, man,” said the doctor. “Your nerves are upset.”

“But that nigger, that damned nigger! I see him.”

“Well, he isn’t going to hurt you, man. He’s----”

“Nawsuh, I wa’n’t gonter hurt nobody,” Willie assured him. “I jes’ was
gonter say a few words.”

The man struggled wildly, and it was only with the added strength of
the two Gibbses and the editor that they succeeded in holding him in
his chair. He was alternately crying and cursing, trembling weakly and
fighting wildly.

“That damned nigger! I see him! I see him!” he kept shouting. “He wants
to make a speech!”

“Hold him until I can fix a hypodermic,” ordered the doctor.

“I jes’ gonter make my speech,” Willie pleaded again in an effort to
calm the green-eyed man. “I ain’ gonter do nothin’ but jes’ tawk.”

But instead of being soothed, the man became more violent and but for
the utmost strength of four men, he would have escaped. They held him,
though. Held him in the chair while his eyes glared in wild frenzy, his
huge neck swelled even bigger, his face turned purple, and his breath
came in short rasping gasps. “Git away, damned nigger. I see you.
Ow-ww-ww!”

“I jes’ on’y got a few words I wanner say,” Willie began again. And
after one lunge at the sound of Willie’s voice the man quieted down,
and his eyes stared glassily at nothing, although his neck still
bulged. The colour of his face changed to an ugly blue and his mouth
dropped open and dripped frothy saliva. And while the green-eyed man
sat limp in the chair Willie Malone completed his speech:

“I jes’ wanner say I ain’t got no hard feelin’s agin nobody an’ I don’
want nobody to has no hard feelin’s agin me. An’ I wants to meet you
all in heaven.”

THE KILLERS

BY ERNEST HEMINGWAY

From _Scribner’s_

The door of Henry’s lunch room opened and two men came in. They sat
down at the counter.

“What’s yours?” George asked them.

“I don’t know,” one of the men said. “What do you want to eat, Al?”

“I don’t know,” said Al. “I don’t know what I want to eat.”

Outside it was getting dark. The street-light came on outside the
window. The two men at the counter read the menu. From the other end of
the counter Nick Adams watched them. He had been talking to George when
they came in.

“I’ll have a roast pork tenderloin with apple sauce and mashed potato,”
the first man said.

“It isn’t ready yet.”

“What the hell do you put it on the card for?”

“That’s the dinner,” George explained. “You can get that at six
o’clock.”

George looked at the clock on the wall behind the counter.

“It’s five o’clock.”

“The clock says twenty minutes past five,” the second man said.

“It’s twenty minutes fast.”

“Oh, to hell with the clock,” the first man said. “What have you got to
eat?”

“I can give you any kind of sandwiches,” George said. “You can have ham
and eggs, bacon and eggs, liver and bacon, or a steak.”

“Give me chicken croquettes with green peas and cream sauce and mashed
potatoes.”

“That’s the dinner.”

“Everything we want’s the dinner, eh? That’s the way you work it.”

“I can give you ham and eggs, bacon and eggs, liver---”

“I’ll take ham and eggs,” the man called Al said. He wore a derby hat
and a black overcoat buttoned across the chest. His face was small and
white and he had tight lips. He wore a silk muffler and gloves.

“Give me bacon and eggs,” said the other man. He was about the same
size as Al. Their faces were different, but they were dressed like
twins. Both wore overcoats too tight for them. They sat leaning
forward, their elbows on the counter.

“Got anything to drink?” Al asked.

“Silver beer, bevo, ginger ale,” George said.

“I mean you got anything to drink?”

“Just those I said.”

“This is a hot town,” said the other. “What do they call it?”

“Summit”

“Ever hear of it?” Al asked his friend.

“No,” said the friend.

“What do you do here nights?” Al asked.

“They eat the dinner,” his friend said. “They all come here and eat the
big dinner.”

“That’s right,” George said.

“So you think that’s right?” Al asked George.

“Sure.”

“You’re a pretty bright boy, aren’t you?”

“Sure,” said George.

“Well, you’re not,” said the other little man. “Is he, Al?”

“He’s dumb,” said Al. He turned to Nick. “What’s your name?”

“Adams.”

“Another bright boy,” Al said. “Ain’t he a bright boy, Max?”

“The town’s full of bright boys,” Max said.

George put the two platters, one of ham and eggs, the other of bacon
and eggs, on the counter. He set down two side dishes of fried potatoes
and closed the wicket into the kitchen.

“Which is yours?” he asked Al.

“Don’t you remember?”

“Ham and eggs.”

“Just a bright boy,” Max said. He leaned forward and took the ham and
eggs. Both men ate with their gloves on. George watched them eat.

“What are _you_ looking at?” Max looked at George.

“Nothing.”

“The hell you were. You were looking at me.”

“Maybe the boy meant it for a joke, Max,” Al said.

George laughed.

“_You_ don’t have to laugh,” Max said to him. “_You_ don’t have to
laugh at all, see?”

“All right,” said George.

“So he thinks it’s all right.” Max turned to Al. “He thinks it’s all
right. That’s a good one.”

“Oh, he’s a thinker,” Al said. They went on eating.

“What’s the bright boy’s name down the counter?” Al asked Max.

“Hey, bright boy,” Max said to Nick. “You go around on the other side
of the counter with your boy friend.”

“What’s the idea?” Nick asked.

“There isn’t any idea.”

“You better go around, bright boy,” Al said. Nick went around behind
the counter.

“What’s the idea?” George asked.

“None of your damn business,” Al said. “Who’s out in the kitchen?”

“The nigger.”

“What do you mean the nigger?”

“The nigger that cooks.”

“Tell him to come in.”

“What’s the idea?”

“Tell him to come in.”

“Where do you think you are?”

“We know damn well where we are,” the man called Max said. “Do we look
silly?”

“You talk silly,” Al said to him. “What the hell do you argue with this
kid for? Listen,” he said to George, “tell the nigger to come out here.”

“What are you going to do to him?”

“Nothing. Use your head, bright boy. What would we do to a nigger?”

George opened the slit that opened back into the kitchen. “Sam,” he
called. “Come in here a minute.”

The door to the kitchen opened and the nigger came in. “What was it?”
he asked. The two men at the counter took a look at him.

“All right, nigger. You stand right there,” Al said.

Sam, the nigger, standing in his apron, looked at the two men sitting
at the counter. “Yes, sir,” he said. Al got down from his stool.

“I’m going back to the kitchen with the nigger and bright boy,” he
said. “Go on back to the kitchen, nigger. You go with him, bright
boy.” The little man walked after Nick and Sam, the cook, back into
the kitchen. The door shut after them. The man called Max sat at the
counter opposite George. He didn’t look at George but looked in the
mirror that ran along back of the counter. Henry’s had been made over
from a saloon into a lunch-counter.

“Well, bright boy,” Max said, looking into the mirror, “why don’t you
say something?”

“What’s it all about?”

“Hey, Al,” Max called, “bright boy wants to know what it’s all about.”

“Why don’t you tell him?” Al’s voice came from the kitchen.

“What do you think it’s all about?”

“I don’t know.”

“What do you think?”

Max looked into the mirror all the time he was talking.

“I wouldn’t say.”

“Hey, Al, bright boy says he wouldn’t say what he thinks it’s all
about.”

“I can hear you, all right,” Al said from the kitchen. He had propped
open the slit that dishes passed through into the kitchen with a catsup
bottle. “Listen, bright boy,” he said from the kitchen to George.
“Stand a little further along the bar. You move a little to the left,
Max.” He was like a photographer arranging for a group picture.

“Talk to me, bright boy,” Max said. “What do you think’s going to
happen?”

George did not say anything.

“I’ll tell you,” Max said. “We’re going to kill a Swede. Do you know a
big Swede named Ole Andreson?”

“Yes.”

“He comes here to eat every night, don’t he?”

“Sometimes he comes here.”

“He comes here at six o’clock, don’t he?”

“If he comes.”

“We know all that, bright boy,” Max said. “Talk about something else.
Ever go to the movies?”

“Once in a while.”

“You ought to go to the movies more. The movies are fine for a bright
boy like you.”

“What are you going to kill Ole Andreson for? What did he ever do to
you?”

“He never had a chance to do anything to us. He never even seen us.”

“And he’s only going to see us once,” Al said from the kitchen.

“What are you going to kill him for, then?” George asked.

“We’re killing him for a friend. Just to oblige a friend, bright boy.”

“Shut up,” said Al from the kitchen. “You talk too goddam much.”

“Well, I got to keep bright boy amused. Don’t I, bright boy?”

“You talk too damn much,” Al said. “The nigger and my bright boy are
amused by themselves. I got them tied up like a couple of girl friends
in the convent.”

“I suppose you were in a convent.”

“You never know.”

“You were in a kosher convent. That’s where you were.”

George looked up at the clock.

“If anybody comes in you tell them the cook is off, and if they keep
after it, you tell them you’ll go back and cook yourself. Do you get
that, bright boy?”

“All right,” George said. “What you going to do with us afterward?”

“That’ll depend,” Max said. “That’s one of those things you never know
at the time.”

George looked up at the dock. It was a quarter past six. The door from
the street opened. A street-car motorman came in.

“Hello, George,” he said. “Can I get supper?”

“Sam’s gone out,” George said. “He’ll be back in about half an hour.”

“I’d better go up the street,” the motorman said. George looked at the
clock. It was twenty minutes past six.

“That was nice, bright boy,” Max said. “You’re a regular little
gentleman.”

“He knew I’d blow his head off,” Al said from the kitchen.

“No,” said Max. “It ain’t that. Bright boy is nice. He’s a nice boy. I
like him.”

At six-fifty-five George said: “He’s not coming.”

Two other people had been in the lunch room. Once George had gone out
to the kitchen and made a ham-and-egg sandwich “to go” that a man
wanted to take with him. Inside the kitchen he saw Al, his derby hat
tipped back, sitting on a stool beside the wicket with the muzzle of a
sawed-off shotgun resting on the ledge. Nick and the cook were back to
back in the corner, a towel tied in each of their mouths. George had
cooked the sandwich, wrapped it up in oiled paper, put it in a bag,
brought it in, and the man had paid for it and gone out.

“Bright boy can do everything,” Max said. “He can cook and everything.
You’d make some girl a nice wife, bright boy.”

“Yes?” George said. “Your friend, Ole Andreson, isn’t going to come.”

“We’ll give him ten minutes,” Max said.

Max watched the mirror and the clock. The hands of the clock marked
seven o’clock, and then five minutes past seven.

“Come on, Al,” said Max. “We better go. He’s not coming.”

“Better give him five minutes,” Al said from the kitchen.

In the five minutes a man came in, and George explained that the cook
was sick.

“Why the hell don’t you get another cook?” the man asked. “Aren’t you
running a lunch counter?” He went out.

“Come on, Al,” Max said.

“What about the two bright boys and the nigger?”

“They’re all right.”

“You think so?”

“Sure. We’re through with it.”

“I don’t like it,” said Al. “It’s sloppy. You talk too much.”

“Oh, what the hell,” said Max. “We got to keep amused, haven’t we?”

“You talk too much, all the same,” Al said. He came out from the
kitchen. The cut-off barrels of the shotgun made a slight bulge under
the waist of his too tight-fitting overcoat. He straightened his coat
with his gloved hands.

“So long, bright boy,” he said to George. “You got a lot of luck.”

“That’s the truth,” Max said. “You ought to play the races, bright boy.”

The two of them went out the door. George watched them through the
window pass under the arc light and cross the street. In their tight
overcoats and derby hats they looked like a vaudeville team. George
went back through the swinging door into the kitchen and untied Nick
and the cook.

“I don’t want any more of that,” said Sam, the cook. “I don’t want any
more of that.”

Nick stood up. He had never had a towel in his mouth before.

“Say,” he said. “What the hell?” He was trying to swagger it off.

“They were going to kill Ole Andreson,” George said. “They were going
to shoot him when he came in to eat.”

“Ole Andreson?”

“Sure.”

The cook felt the corners of his mouth with his thumbs.

“They all gone?” he asked.

“Yeah,” said George. “They’re gone now.”

“I don’t like it,” said the cook. “I don’t like any of it at all.”

“Listen,” George said to Nick. “You better go see Ole Andreson.”

“All right.”

“You better not have anything to do with it at all,” Sam, the cook,
said. “You better stay way out of it.”

“Don’t go if you don’t want to,” George said.

“Mixing up in this ain’t going to get you anywhere,” the cook said.
“You stay out of it.”

“I’ll go see him,” Nick said to George. “Where does he live?”

The cook turned away.

“Little boys always know what they want to do,” he said.

“He lives up at Hirsch’s rooming house,” George said to Nick.

“I’ll go up there.”

Outside the arc light shone through the bare branches of a tree. Nick
walked up the street beside the car tracks and turned at the next arc
light down a side street. Three houses up the street was Hirsch’s
rooming house. Nick walked up the two steps and pushed the bell. A
woman came to the door.

“Is Ole Andreson here?”

“Do you want to see him?”

“Yes, if he’s in.”

Nick followed the woman up a flight of stairs and back to the end of a
corridor. She knocked on the door.

“Who is it?”

“It’s somebody to see you, Mr. Andreson,” the woman said.

“It’s Nick Adams.”

“Come in.”

Nick opened the door and went into the room. Ole Andreson was lying
on the bed with all his clothes on. He had been a heavy-weight
prizefighter and he was too long for the bed. He lay with his head on
two pillows. He did not look at Nick.

“What was it?” he asked.

“I was up at Henry’s,” Nick said, “and two fellows came in and tied up
me and the cook, and they said they were going to kill you.”

It sounded silly when he said it. Ole Andreson said nothing.

“They put us out in the kitchen,” Nick went on. “They were going to
shoot you when you came in to supper.”

Ole Andreson looked at the wall and did not say anything.

“George thought I better come and tell you about it.”

“There isn’t anything I can do about it,” Ole Andreson said.

“I’ll tell you what they were like.”

“I don’t want to know what they were like,” Old Andreson said. He
looked at the wall. “Thanks for coming to tell me about it.”

“That’s all right.”

Nick looked at the big man lying on the bed.

“Don’t you want me to go and see the police?”

“No,” Ole Andreson said. “That wouldn’t do any good.”

“Isn’t there something I could do?”

“No. There ain’t anything to do.”

“Maybe it was just a bluff.”

“No. It ain’t just a bluff.”

Ole Andreson rolled over toward the wall.

“The only thing is,” he said, talking toward the wall, “I just can’t
make up my mind to go out. I been in here all day.”

“Couldn’t you get out of town?”

“No,” Ole Andreson said. “I’m through with all that running around.”

He looked at the wall.

“There ain’t anything to do now.”

“Couldn’t you fix it up some way?”

“No. I got in wrong.” He talked in the same flat voice. “There ain’t
anything to do. After a while I’ll make up my mind to go out.”

“I better go back and see George,” Nick said.

“So long,” said Ole Andreson. He did not look toward Nick. “Thanks for
coming around.”

Nick went out. As he shut the door he saw Ole Andreson, with all his
clothes on, lying on the bed looking at the wall.

“He’s been in his room all day,” the landlady said downstairs. “I guess
he don’t feel well. I said to him: ‘Mr. Andreson, you ought to go out
and take a walk on a nice fall day like this,’ but he didn’t feel like
it.”

“He doesn’t want to go out.”

“I’m sorry he don’t feel well,” the woman said. “He’s an awfully nice
man. He was in the ring, you know.”

“I know it.”

“You’d never know it except from the way his face is,” the woman said.
They stood talking just inside the street door. “He’s just as gentle.”

“Well, good-night, Mrs. Hirsch,” Nick said.

“I’m not Mrs. Hirsch,” the woman said. “She owns the place. I just look
after it for her. I’m Mrs. Bell.”

“Well, good-night, Mrs. Bell,” Nick said.

“Good-night,” the woman said.

Nick walked up the dark street to the corner under the arc light, and
then along the car tracks to Henry’s eating house. George was inside,
back of the counter.

“Did you see Ole?”

“Yes,” said Nick. “He’s in his room and he won’t go out.”

The cook opened the door from the kitchen when he heard Nick’s voice.

“I don’t even listen to it,” he said, and shut the door.

“Did you tell him about it?” George asked.

“Sure. I told him, but he knows what it’s all about.”

“What’s he going to do?”

“Nothing.”

“They’ll kill him.”

“I guess they will.”

“He must have got mixed up in something in Chicago.”

“I guess so,” said Nick.

“It’s a hell of a thing.”

“It’s an awful thing,” Nick said.

They did not say anything. George reached down for a towel and wiped
the counter.

“I wonder what he did?” Nick said.

“Double-crossed somebody. That’s what they kill them for.”

“I’m going to get out of this town,” Nick said.

“Yes,” said George. “That’s a good thing to do.”

“I can’t stand to think about him waiting in the room and knowing he’s
going to get it. It’s too damned awful.”

“Well,” said George, “you better not think about it.”

THE SCARLET WOMAN

BY LOUIS BROMFIELD

From _McClure’s_

I can see her now as she used to come down the steps of her narrow
house between the printer’s office and the little shop of Rinehart,
the German cobbler--little, rickety steps, never in too good repair,
especially as she grew older and the cost of everything increased
and that mysterious money of hers seemed to go less and less far in
the business of meeting the necessities of life. It was a house but
one room wide, of wood painted a dun colour; the most ordinary and
commonplace of houses which a stranger would not even have noticed--yet
until yesterday, when they pulled it down, a house invested with a
terrific glamour and importance. It was a house of which no one spoke;
a house which the Town, in its passionate desire to forget (which was
really only a hypocrisy), raised into such importance that one thought
of it when one forgot the monuments which had been raised to the
leading citizens of the community: to the bankers, to the merchants,
to the politicians who had made it (as people said with a curious and
non-committal tone which might have meant anything at all) “what it was
to-day.” One remembered it even when one forgot the shaft of granite
raised in the public square to remind the Town that John Shadwell had
been one of its leading citizens.

I can see her now--Vergie Winters--an old woman past eighty, coming
painfully down those rickety steps, surrounded always by that wall of
solitude which appeared to shut out all the world. Old Vergie Winters,
whose dark eyes at eighty carried a look of tranquil, defiant victory.
Vergie Winters, of whose house no one spoke; whose door had been stoned
by boys who knew nothing of her story but sensed dimly that she was
the great pariah of the Town. Old Vergie Winters went on and on, long
after John Shadwell was in his grave, refusing to give way, living
there on the main street of the Town as if she were alone in the vast
solitude of a desert. Sometimes she spoke to Rinehart, the cobbler,
and sometimes to her neighbour on the other side; and of course in the
shops they were forced to sell her things, though in one or two places
they had even turned her away--and she had gone without a word, never
trying to force her way anywhere.

It all began almost a century ago, before the Civil War, when one day
in April Vergie Winters, tall and dark, with great, burning dark eyes
set in a cool, pale face, opened the door of her father’s house to John
Shadwell, tall and handsome and blond, the youngest lawyer in the Town.
It happened so long ago that it seems now to have no more reality than
a legend, especially when one remembers Vergie only as an immensely
old woman coming painfully down her narrow, crooked steps. But it
happened; it must have happened to have made of Vergie Winters so great
a character in all the community. It must have been the rare sort of
love which comes like a stroke of lightning.

He would have married Vergie Winters, they said (the old ones who
remembered the beginnings of Vergie’s story and passed it on to their
children and grandchildren) but there was already a girl to whom John
Shadwell was betrothed, and in the background a powerful father, and
John Shadwell’s career--which Vergie Winters, being only the daughter
of a Swiss immigrant farmer, could do nothing to aid.

Long afterward, the Town said, “Look at her! You can see what a drag
she would have been on him, with her queer, silent ways. A pity, too,
for she was a beautiful girl. A pity she was always bad!”

But they never thought, of course, that if things had been different,
Vergie Winters might not have been queer and silent; and now, looking
back, one can see that they were quite wrong. It was not Vergie Winters
who was a drag on his career. It was the other woman, John Shadwell’s
wife, who turned into a strange, whining, melancholy invalid before
they had been married two years. And what could John Shadwell do?
Desert her? It was not possible. And in the way of such invalids she
lived for more than forty years, forty dreary years, complaining,
hypochondriac, nagging. She outlived even her husband, a great,
vigorous, handsome man, who treated her patiently and with gentlemanly
respect.

“It was a pity about John Shadwell’s wife,” people said. “And she was
such a lady, too.”

And Vergie Winters? She did not break her heart. She did not marry
some stupid lout and give up her life to a dull unhappiness. She did
not wither away into spinsterhood. She loved John Shadwell, who knows
how passionately, how deeply, in the profound depths of that curious,
remote soul of hers? She left her parents (“to set herself up in
dressmaking and millinery,” so she said), and took a narrow wooden
house on Main Street, where she put up a card in the window and sold
hats to the women of the Town. And before two years had passed it was
to this narrow house that John Shadwell came, secretly--it must have
been with an amazing secrecy, for no one even suspected the visits
for more than three years. She made no effort to be more friendly
with people about her than was required by the simple routine of her
trade. She lived placidly, with a strange, rich contentment, inside the
walls of the narrow little house. One met her sometimes, usually after
darkness had fallen, walking with her slow, dignified step along the
streets of the Town. But she was alone ... always alone.

Only once in all those sixty years was she ever known to leave the
house overnight, and that was once, three years after John Shadwell
was married, when she went away for a few months, “to visit her aunt
in Camden.” It was not long after she returned that John Shadwell,
“whose poor wife could never have any children,” adopted a girl baby.
His wife, it was said, made no protest so long as the child had a good
nurse and did not worry her. She was “so miserable, always ailing. She
would give anything in the world for the health some women had.”

“You couldn’t blame her,” said the Town, “for feeling like that. They
say she never has a moment’s good, wholesome sleep.”

John Shadwell went to the Legislature, the youngest man in the state to
hold such an office; and when the time for reelection came the fight
was bitter, and into it some enemy thrust the name of Vergie Winters.
So the story spread, and so the name of Vergie Winters went the way of
most smalltown milliners. Millinery was a “fast” business and Vergie
Winters was a “fast” woman. A committee called upon her and asked her
to leave the Town. And John Shadwell did nothing. If he came to her
defense, he was ruined at the very beginning of that precious career.
So Vergie gave him up, but she did not leave the Town. In the little
parlour with the hats in the window she received the committee, and
in that calm, aloof way she told them that they could not force her
to leave. They could not prove that she had broken any law. She was a
free citizen. She even looked at them out of the depths of those dark,
candid eyes, and lied.

“John Shadwell,” she said, “is nothing to me. If he has come here once
or twice, it is only because he is my lawyer.”

She must protect John Shadwell.

And so she sent them away baffled, even perhaps a little intimidated
... a committee of red-faced, self-righteous townsmen who had known,
some of them at least, far worse women than Vergie Winters.

But her trade dwindled. Women no longer came to her for hats, unless
they were the shady ladies of the streets. And Vergie Winters never
turned them away, perhaps because she needed desperately their trade,
perhaps because it never occurred to her, in that terrible solitude to
which she had dedicated her life, ever to judge them. They came and
sometimes they stayed to talk. A few of them were run out of town, but
new ones always took their places. They always went to Vergie Winters
for their bonnets.

“She is such a lady. She has such a fine air,” they said. And, “It’s so
restful sitting there in her cool parlour.”

But their trade did her no good. “It only goes to show,” said the Town.

It was really the beginning of her colossal solitude. She did not go
away. She did not flee from the threats that sometimes came to her. She
was sure of herself. She would not surrender. And she could wait. She
effaced herself from the life of John Shadwell. And when the Town began
putting two and two together, she was even forced to give up walking
through the twilight in the direction of John Shadwell’s house, where
from the opposite side of the street she could watch with a furtive eye
the little girl who played on the lawn about the iron dogs and deer.
She never went out except to buy the few things she needed to eat, and
for her trade. It was about this time that a shop run by a Presbyterian
elder refused to sell her a spool of thread with which to sew the
bright roses on the hats of the ladies of the streets. She did not make
a scene; she did not even complain. She went quietly from the shop and
never again passed through its doors.

But there were always the gay ladies. They came and went; but there
were always some in the town, so it must have had some need for them.
They could not live without money, yet they always had it, though they
toiled not nor spun, to pay Vergie Winters for their hats. Some died;
one or two were murdered in saloon brawls, but Vergie Winters never
turned them away. They were her only friends. One wonders what secrets,
what confidences they brought to Vergie Winters, sitting there in her
narrow little house. One wonders what a dark history of the Town’s
citizens went into the grave when Vergie Winters was carried down those
narrow, rickety steps for the last time. But she said nothing. She
simply waited.

At last what she hoped--what she must have known--would happen, came to
pass. One cold night while Vergie Winters sat sewing on the gay hats a
key turned in the lock, and John Shadwell came back to her. He came in
the face of scandal, of ruin, because he could not help himself. It had
begun in a flash of lightning when Vergie Winters opened the door of
her father’s house to let him in, and now John Shadwell found that it
went on and on and on.... There was no stifling it.

Who can picture that return? Who can imagine the sudden upleaping in
the calm, withdrawn soul of Vergie Winters--who had such faith in this
love that she sacrificed all her life to it?

And so for years John Shadwell came, on the occasions when he was not
in Washington, to see Vergie Winters in the narrow wooden house. She
kept on with her precarious trade, for she would never while he lived
accept any money from him. Besides, she could not, for his sake, afford
to arouse suspicions. For herself it did not matter; she could not be
worse off.

Thus Vergie Winters and John Shadwell passed into middle age, and there
came a time when he no longer sought election but instead became a
power behind the throne, a man who shaped the careers of other men. He
held power in the palm of his hand and no longer depended on votes. He
grew careless, and one night he was seen by a Negro stable boy turning
his key in the back door of Vergie Winters’s house.

After that there were women who crossed the street in order to avoid
passing the window with the gay bonnets; and children, hearing
their parents whisper as they drove by on a summer evening, came to
understand dimly that some evil monster lay hidden behind the neat
fringed curtains. Once, while John Shadwell was away in Washington,
boys stoned the house and broke all the windows; but Vergie Winters
said nothing. In the morning a Slovak glazier, who was new to the Town
and had never heard of its Scarlet Woman, came and repaired the damage;
and after he had gone she was seen coming down the narrow steps, in
that terrible pool of solitude, as if nothing at all had happened. So
far as any one knew, she never spoke of the affair to John Shadwell.
She wanted to save him, it seemed, even from such petty annoyances.

And then as the years passed she sometimes saw from her window--the
only safe spot from which she might peep--the figure of John Shadwell’s
adopted daughter, grown now into a girl of twenty. A thousand times
she must have watched the girl, always in company with John Shadwell’s
sister, a large, bony spinster, as the pair came out of the shop on
the corner and crossed the street in order that a girl so young and
innocent might not have to pass the house of Vergie Winters.

Thus she sat in the narrow, dun-coloured house, working at the gay
bonnets, on the afternoon that John Shadwell’s adopted daughter was
married to a son of the Presbyterian elder who refused to sell Vergie
Winters a spool of thread. Perhaps on that afternoon she had a visit
from one of the ladies of the street, who sat talking to her (she was
such a lady) while the girl in her bridal dress walked down the aisle
of the brick Presbyterian church--with no mother sitting in the pew on
the right because John Shadwell’s wife had been too much upset by the
preparations for the wedding.

And one is certain that on the same night, when the festivities were
ended, the figure of a middle-aged man followed the shadows of the
alley behind Vergie Winters’s house, and let himself in with a key he
had carried for more than twenty years. And one can hear him telling
Vergie Winters who was at the wedding, and that there never was a
prettier bride, and what music they played, and what there was at the
wedding breakfast; and assuring her, as he touched her hand gently,
that the bit of lace she had given him had been used in the bridal
dress. He had told them he bought it himself.

Then, slowly, the town came to accept the state of affairs as a
permanent scandal. One seldom spoke of it any longer. One simply knew
that Vergie Winters and John Shadwell had been living together for
years. He was rich, he was important, he was a power in politics; and
now that his career no longer mattered, he had grown indifferent and a
little defiant. So far as John Shadwell was concerned, he was a leading
citizen nearly seventy years old, the grandfather of children by his
adopted daughter.

But with Vergie Winters? She still went her solitary way, making her
few bonnets, now a little old-fashioned and _démodé_ for all her
sedulous reading of the fashion papers. (One can see her, slightly
grayed, putting on her spectacles and peering closely at the pages.)
And still, as she sat behind the lace curtains at her window, she
saw the figure of John Shadwell’s daughter, remote and upright and a
little buxom, crossing the street and going down the opposite side;
only instead of being led by John Shadwell’s spinster sister she was
leading her own children now. And night after night the figure of John
Shadwell, no longer an ardent lover but an old man, following the
shadows of the alley (less and less furtively as he grew older) to turn
the worn key in the lock and sit there all through the evening with
Vergie Winters. What did they do? What did they say to each other in
those long winter evenings?

And at last, one night, John Shadwell’s wife, peevish and fretful
in her tight-closed bedroom smelling of medicines, sent for him at
midnight to read to her, only to be told that he had not come in. Again
at two o’clock, and again at three--still he had not come in. Even when
the gray light filtered through the elms on to the iron dogs and deer,
he had not come back. They knew then that he would never return; for
he lay dead in Vergie Winters’s narrow, dun-coloured house, behind
the lace curtains and the gay bonnets. He had belonged to her always,
and in that silent, powerful way of hers she had known it from the
beginning. In the end he came to Vergie Winters to die....

It made great trouble and embarrassment, and they were forced to wait
until midnight of the following day before they were able to take John
Shadwell’s body from the house of Vergie Winters. And when they did
take it, it went out of the same door that had opened so many times at
the touch of the worn key, and along the shadows of the alley through
which he had passed in life so many times. But even then they were not
able to keep the affair a secret. The Town came to know it, and so
shut out the last glimmer of tolerance for Vergie Winters. It was no
longer a half-secret. It was a scandal which cast darkness upon the
name of one of the men who had made the Town (as people said with a
curious and non-committal tone which might have meant anything at all)
“what it was to-day.” The crime was Vergie Winters’s. But she could not
have cared very much.... Vergie Winters, sitting there in her terrible
solitude behind the lace curtains, while the procession passed her
house--first, the band playing “The Dead March from Saul,” and then
the cabs containing John Shadwell’s daughter, her husband, and John
Shadwell’s grandchildren, and then one by one the cabs carrying the
leading citizens.

The next morning she came down the steps as she had always done, in the
same clothes, with the same air of abysmal indifference. She had not
betrayed him during life, and in death she would give no sign; and she
must have known that on that morning every eye she passed was turned
upon her with a piercing gaze, “to see how she took it.”

For twenty years longer, Vergie Winters lived in the narrow wooden
house, growing poorer and poorer with the passing years. She saw the
children of John Shadwell’s adopted daughter grow into men and women
and have children of their own. But the scandal had grown stale now,
though the legend persisted, and only a few must have remembered hazily
that the old woman who sat behind the curtains was a great-grandmother.
Until one morning the howling of the cat roused Rinehart, the German
cobbler, who broke into the house and found Vergie Winters dead. And
when they carried her down the rickety steps on her last journey she
went alone, without a band to play “The Dead March from Saul,” and
without a procession of carriages to follow her into that far corner
of the cemetery (remote from the fine burial ground of the Shadwells)
where they laid her to rest.

* * * * *

Yesterday they pulled down Vergie Winters’s house. There is no monument
to her memory save the tiny stone at the head of her grave, paid for
with the money saved out of what she earned by making bonnets for the
gay ladies of the Town. But Vergie Winters is not dead. When one passes
the gaping hole where the little house once stood, one thinks of Vergie
Winters. When one passes the granite shaft raised to John Shadwell,
one thinks of Vergie Winters. When one sees a Shadwell grandchild or
a Shadwell great-grandchild, one thinks of Vergie Winters. For now
that time has begun a little to soften the Town, the memory of Vergie
Winters has been kept fresh and green with a strange aroma of vague,
indefinable romance. When the names of those who crossed the street to
avoid her narrow house are forgotten, the name of Vergie Winters will
live. Why? Who can say? Was it because the Town never knew a woman
called upon to show a faith so deep, a sacrifice so great, a devotion
so overwhelming?

I can see her still, an old woman of eighty, hobbling painfully down
the rickety steps of her house, with that curious, proud look upon
her worn old face, and in the sharp old eyes another look which said,
“Vergie Winters was right! John Shadwell belonged to her, from the very
beginning!”

JUKES

BY BILL ADAMS

From _Adventure_

A boarding master’s boat was alongside by the fore rigging. The
boarding master and his crimp were bringing off the crew; helping the
drunken sailors over the bulwarks, and shoving or dragging them into
the forecastle.

Alf Jukes came over the bulwarks last. He came without assistance. He
was drunk, as were all his fellows, but his drunkenness took a turn
different from theirs. As he jumped to the deck he saw the ship’s mate
by the mainmast.

His attitude revengeful and defiant, Alf Jukes strode up to the mate.
He stood face to face with him and cursed him.

The mate paid no attention at all to Alf Jukes. He had heard the same
thing, had seen the same thing, too many times from such men as Jukes.
He looked at Jukes as unconcernedly as if he looked at a coil of rope
or a barrel of tallow.

As the mate turned disinterestedly away, Jukes addressed himself to
the ship. Scornfully scanning her from boom to taffrail, from deck to
mastheads, from yardarm to yardarm, he cursed her. As if exasperated by
her silence, as if maddened by her dignity, he raised his voice higher
and higher. Like the mate, the ship paid no heed to him. The wind in
her rigging whispered of clean things.

Alf Jukes lifted his eyes to the serene and cloudless sky. Craning his
neck, seeming to tiptoe a little, hands clenched and arms upraised, he
shouted curses. No answer came from the sky.

Jukes ceased his cursing and walked to the forecastle, in which his
comrades were now gathered. Having put the last senseless seaman
aboard, having collected from the skipper the price prearranged for
them, having pocketed a month’s advance pay for each one of them, the
boarding master with his crimp was already well on the way ashore. The
tug was alongside the ship. The ship’s mate leaned on the bulwark and
talked with the tugboat men.

Presently the skipper appeared and spoke to the mate, who walked
forward and called the sailors from the forecastle.

Alf Jukes came last from the forecastle. Like all his comrades, he
reeked of cheap and abominable liquor, but, unlike them, he walked
erect and steadily, a fierce remonstrance in his step and bearing.
They staggered, cursed, or grumbled listlessly. Some were tall, some
short; some wide, some narrow; some bearded, others not. They were of
many nations. Some wore dungarees, others shoddy cloth; one, a pair of
trousers made of ship’s canvas; his upper body covered by a threadbare
oilskin jacket. Some wore old cloth caps; one, a battered sun-downer;
another a dented derby.

Jukes towered above his comrades. His curly brown head and bony feet
were bare. His worn dungaree shirt was unbuttoned. His neatly patched
dungaree trousers were gathered by a broad brass-buckled belt. His
forearms, hands, and throat were rugged. His breast showed white
through his unbuttoned shirt. It looked cold, like marble.

Alone of all the crew, Jukes did not look besotted. The stamp of
the sea was on him as on them. But the shore had stamped him less.
He scowled toward the shore as he followed his comrades from the
forecastle.

Impelled almost as much by instinct as by the brief command of the
mate, the crew ascended to the forecastle head, took the windlass bars
from their rack and set them in their places. As they leaned their
weight upon them some grunted like pigs. Some laughed stupidly. Jukes
alone was silent.

The ship lifted a little to the tide beneath her. A flag at her peak
fluttered. A wisp of smoke passed over her as the tugboat steamed ahead.

The crew stamped slowly round and round the windlass, heaving the
anchor in. The cable clanked at the hawse pipe. Tide and cable spoke of
clean and windy things.

The reek of liquor grew fainter. The wind came fresher. The mate said--

“Someone sing!”

One of the sailors began to sing a forecastle song, a chantey, a
ballad with a wailing chorus. His voice, at first spiteful, sneering,
and contemptuous, the voices of the others, also at first spiteful,
sneering, and contemptuous, became presently attuned to the sounds of
wind and tide and cable. They no longer cursed, or grunted like pigs.
The stamp of the shore was falling from them.

The ship passed swiftly from the harbour heads. The tugboat let go her
towline. Some of the men went aloft, to loose sail. Talking in low
voices, others waited by sheet and halyard; ready to hoist when the
mate’s order came. Jukes stood apart, detached, solitary, brooding.
He looked like a bear lately released from an unclean cage, and still
uncertain of its freedom.

The mate called--

“Hoist away, main tops’l!”

The men grasped the halyards and lay back, setting their weight upon
them. Straining to raise the heavy sail, they failed. They tried, and
failed again.

“You there! Lend a hand here!” called the mate to Jukes.

The men waited while Jukes slowly approached. As he laid hold on the
rope he seemed to shake himself. He drew a long deep breath. He reached
up, higher and higher. His great chest expanded.

The mate called--

“All together, now!--_Lay back!_”

The tackle rattled noisily through its three-fold blocks. The sail
slid, threshing and filling, to its masthead.

“Bully boy!” said the mate.

A sailor repeated--

“Bully boy!”

Jukes remained silent, sombre, brow-beclouded. While sail on sail was
spread, the crew all hauling to his leadership, he took no notice of
anyone or anything. He paid no heed at all to their admiring comments.

The shore line faded astern. The day passed. The sun sank. Night fell.

The sailors sat in the forecastle.

“’Ow long was you ashore?” asked one.

“Three days. How long was you?” came the reply.

“I come in the same day as you, then. I been three days ashore.”

“We was five months at sea,” said the other, “three days in port, an’ I
don’t know nothin’ about ’em.”

The dozen sailors discussed their stays in port. Not one of them had
been ashore over five days. Each had accepted a drink from the boarding
master’s bottle. Between then and now no one of them knew aught of what
had taken place.

“We was two hundred days on the passage out,” said one. “We was posted
missin’. Four days in port, an’ back to sea agin!”

They were from half a dozen different ships.

“How long was you ashore?” asked one, turning to Jukes. Jukes seemed
not to hear him.

“He don’t know,” laughed one.

“We don’t none of us know much, or we’d not be here,” another grumbled.

“After this v’yage I quits the sea,” another asserted.

“Me, too,” another.

“Yuss!--You will!” chuckled a third.

“I’ll do wot I please,” retorted the other.

“Same as you always ’ave! Me, too,” another said. “Haw, haw, haw!”

Turning to Jukes the last speaker asked--

“Wot will you do w’en she gits in, ol’ matey?”

Jukes rose and left the forecastle. For a long time he sat motionless
on the bulwark, his head bowed, his great hands upon his knees, his
figure dim against the starry sky. When eight bells struck and his
comrades started aft to answer to the muster roll he crossed the deck
and reëntered the forecastle. His step seemed to falter as he neared
the dingy lamp. Looking about him to make sure that he was all alone,
he drew from a pocket a small oilskin package; untied and took from it
a faded kerchief--an old bandanna. Loosening the knots, he drew from
its crumpled folds an envelope. The envelope, drab and dirty like the
kerchief that protected it, bore the mark of a distant port, and of a
yet more distant date.

A picture but little larger than a postage stamp fell to the table and
lay face up. The letter, dog-eared and torn from much handling, was
like the picture--commonplace, yet smiling and hopeful. As Jukes looked
hungrily at the picture his face grew haggard. His lips moved as he
read the old letter over.

Startled by a shout from the quarterdeck, Jukes thrust letter and
picture back within the bandanna, folded the oilskin about them, and
hurried out to answer to his name.

* * * * *

A month was gone. Barefooted, bare of arm, Jukes walked from the wheel.
The sunset glowed in his weathered face. The sails above him shone.
Below him shone the sea. He gave the course to the mate and went to
join his fellows on the hatch.

“A fine man that, Mister,” said the skipper to the mate.

“’Ow would you like to ’ave a little place ashore?” asked one sailor of
another on the hatch.

“I ain’t goin’ to sea no more after this passage,” answered the other.

Jukes lighted his pipe and sat among them. The sea was blue-black; the
sky blue-black above. Whispering from horizon to horizon the sea crests
murmured of clean, free, windy things.

“’Ow would you like to ’ave a little place ashore?” asked the last
speaker of Jukes.

Jukes turned and faced the man. His eyes shining and eager, he drew the
oilskin package from his pocket. They gathered round him as he opened
it. They passed the picture from hand to hand.

“I wisht as I was ’im,” muttered one and another.

They looked at him enviously, seated serene and confident among them.

* * * * *

Another month was gone.

A canopy of cloud hung low over the mastheads. It was without break, or
rift, uniform from horizon to horizon. It was of that cold gray that
presages snow. Because it was uniform it seemed to be without motion.
Beneath it the cañon hollows of the sea were black. From horizon to
horizon white sea cataracts roared.

Every two hours a sailor peered from the forecastle. Watching his
opportunity, leaving those behind him to close the door, he sprang to
the deck. Now running a few steps, now desperately clinging to the
wire-tight life line, now leaping high into the rigging to escape the
raging sea, he battled a slow way to the wheel; whence the helmsman
whom he relieved made an equally precarious passage to the forecastle.

It was midday when Alf Jukes opened the forecastle door. Unlike the
others, he did not hesitate, or pause to scrutinize the chances
of the deck. Though in the past two days no man aboard had slept,
there was no sign of weariness about him. As he opened the door he
looked with a casual but comprehensive glance to the gale-whipped and
snow-laden sky. Then, stepping to the waist-deep smother of the forward
deck, he turned and deliberately banged the door behind him. Head
unbowed, gaze straightforward, light hands upon the rigid life line,
he strode surefooted through the tempest’s rage. When an insweeping
sea completely submerged him, the mate, who was watching from by the
helmsman’s side, made for the chart room and bellowed to the skipper.
Jukes’s head and shoulders reappeared as the skipper leaped out to the
poop deck.

The groan of the ship’s hull, the creak and outcry of a hundred
straining blocks, the clack of chains and parrals, were inaudible. Had
the three masts simultaneously splintered and gone over the side, not a
sound would have been heard.

The skipper and mate looked amusedly into each other’s faces. Alf
Jukes’s shoulders, his gripping hands, his arms, the every motion of
his entirely reckless body, appeared as the limbs and motions of a
gambolling schoolboy. By the toss of his chin, by the shake of his
head, by the partings and closings of his stubble-surrounded lips, the
universe might observe that Jukes, on his way to relieve the wheel, was
singing.

Pointing to the helmsman, the skipper yelled an order into the mate’s
ear. The mate nodded. Waylaying the man, the mate dragged him into the
chart room. So ordered by mate and skipper, the exhausted helmsman
sought shelter in the chart house instead of attempting to reach the
forecastle.

When sailors looked from the forecastle door to see what was become of
Jukes, or of the man whom he had gone to relieve, it was to see the
mate gesticulating to them to go back; voicelessly ordering them to
remain where they were.

Afternoon passed, and no man ventured to the wheel’s relief.

Toward dusk the wind fell, its uproar ending abruptly--as if a
multitude of yelling maniacs had leaped from a precipice edge to
instant extinguishment. The crests of the sea died down. The horizons
widened. For a little while gray ocean rolled under gray sky.

Snow fell. The horizons were blotted out.

Skipper and mate descended to the saloon. Jerking the door of the
steward’s pantry open, the skipper shouted for the steward. A trapdoor
in the pantry deck opened slowly, and the steward, who had laid hidden
below, arose. His teeth chattered. For a moment he looked dazedly up
at the skipper; then, realizing that the storm was over, that the ship
still floated, and that it was long since he had served a meal, passed
out to the deck and made haste to the cook’s galley.

“We’ll set sail when the moon rises,” said the skipper to the mate.

Skipper, mate, steward, cook, and sailors buried their noses in
pannikins of steaming coffee. Ravenously devouring hash made of pork
scraps mixed with pulverized sea biscuit, they forgot the fury of the
recent storm, forgot that it was snowing--forgot Alf Jukes.

The ship rolled easily. Blocks whined. Sails flapped. A pleasant odour
of tobacco smoke arose in cabin, galley, and forecastle.

The clouds lifted. The snow ceased. A wan light illumined deck and
rigging.

“Loose them upper tops’ls!” bawled the mate.

Some of the sailors climbed aloft to cast the gaskets off. Others
gathered at the halyards, ready to hoist away. Snow, disturbed by the
feet of the climbers, fell on the heads and shoulders of those below.
Flapping their arms, shaking their fists, the men on deck swore at
the climbers, who, envying them the comparative comfort of the deck,
replied with gibes and curses.

A man aloft called--

“All ready on the main!”

The mate said--

“Hoist away!”

The men lay back, straining on the stiff swollen rope. The sail refused
to move.

“W’ere’s Alf?” asked one of the sailors.

“Jukes!” called the mate, “Jukes!”

They looked aloft, seeking Jukes.

“’Ee ain’t aloft,” said one.

“He’s at the wheel,” said the mate, remembering. “One o’ you men
relieve Jukes.”

“I forgot ’im,” said one.

“Me, too,” another.

Alf Jukes came forward from the wheel. Snow was thick on his
sou’wester, and on his shoulders. Snow was frozen on his sleeves and
oilskin trousers. His hands, his lips, were blue.

“Lend a hand here, Jukes,” said the mate.

Jukes strode to the halyards and reached up. His great chest expanded
as he reached higher and higher.

“All together--_now!_” said the mate.

Jukes laid his weight upon the halyards. The sheaves rattled. The yard
began to rise.

“Bully boy!” said the mate. A sailor grunted, “Bully boy!”

Their feet tramping soundlessly in the deep snow, the men ran the
topsail to its masthead.

“All ready on the fore,” called a man from aloft.

“Go eat,” said the mate to Jukes, his accents crisp and clear in the
stillness.

Preceding the others, Jukes walked to the fore topsail halyards as if
he had not heard.

When sail was set there was neither coffee nor hash left. The cook’s
skilly pots and hash kids were washed, and hung on the taut wire above
his stove. Jukes munched sea biscuit, and took a drink of cold water.

“That fellow Jukes is a good man, Mister,” said the skipper to the mate.

“Jukey ain’t afeard o’ naught,” said a sailor, “I wish as I was ’im.”

Night passed.

* * * * *

A bright sun shone on the ship at anchor. Sails were furled, ropes
coiled. From the fore bulwarks, the sailors watched a boat rowed by two
men approaching.

Jukes sat alone upon the forecastle head. Gazing shoreward, he saw
masts and spars, steeples and roofs. Chimneys smoked. Windows glinted.
Beyond the town he saw low hills, with treetops blowing. His eyes were
hungry.

Noticing the approaching boat, Jukes rose to his feet. His teeth
clenched, a scowl on his face, he paced to and fro. He looked like a
bear come too close to the dwellings of men--suspicious, undetermined,
afraid of the world and of himself.

Hands extended, eyes a-twinkle, faces beaming, a sailor’s boarding
master and his crimp climbed aboard.

“Did ye have a good voyage, boys? W’ere are ye from? You’re come to a
good port this time!”

The boarding master entered the forecastle. Seating himself, looking
amicably up to the expectant and childish faces of the sailors, he drew
a bottle from his pocket.

“The best, boys! I’d never offer ye any but the best.”

One of them grasped the bottle.

“Don’t swaller it all!” cried one of the sailors.

“’Old ’is arm!” another.

“’S’all right, boys. There’s plenty more,” grinned the boarding master.

The crimp came from the boat, bottles in his pockets.

The forecastle reeked of cheap and abominable liquor. Presently one of
the sailors asked--

“W’ere’s Jukey?”

The crimp left the forecastle, to seek the missing man.

“The boys wants you,” said he, discovering Alf Jukes alone upon the
forecastle head. He took a bottle from his pocket and held it out to
Jukes.

Uttering a low coughing grunt, Jukes struck savagely at the crimp. The
bottle fell, and broke upon the deck. Cursing Jukes, the crimp beat a
hasty retreat.

With a half pannikin of unspilled liquor in it, the lower half of the
bottle remained upright against the windlass.

Alf Jukes looked down. Nostrils quivering, fingers twitching, he
uncertainly approached the broken bottle. He stooped, lifted the
bottle, and stretched out a hand; as if to hurl it to the water. He
hesitated; drew in his hand, and sniffed. Another moment and he flung
the emptied fragment over the forecastle rail.

“Hey, Jukey! Come on down, ol’ son!” called one of his comrades,
looking up from the forecastle.

Jukes descended and entered the forecastle. His fellows slapped him on
the back. The boarding master thrust a bottle in his hand. As Jukes
took it, one of his comrades tried to snatch it from him, and a bellow
of laughter rose as the sailor went sprawling on the deck.

The bottles passed around.

“No more ships for me,” said one.

“Nor me, boys,” said another.

Jukes drank silently.

By and by the sailors shouldered their sea bags and followed the
boarding master and his crimp from the forecastle. Jukes towering
heedless among them, they shoved and elbowed one another aside, making
for the boat. Pointing to other ships near by, they cursed them. They
cursed the ship they left. They chattered confidingly to the boarding
master, who promised them one and all an easy job on the land. As Jukes
grasped the stroke oar and set the pace ashore they shouted their
approval.

“Ol’ Jukey!” they cried, and “Good ol’ Jukey!”

They laughed to see the way the boat drove through the water, with
Jukes’s great muscles surging her along. They jumped ashore and turned
their backs forever on the sea. Without a glance behind, they followed
Jukes across the street; Jukes at the boarding master’s heels, the
crimp behind them all.

Hours passed. Besotted sailors lolled on dirty cots about a dirty room.
They quarrelled, forgot their quarrels, and embraced each other. They
smoked, and spat, and sang. The leering crimp came in, and went, and
came, and went again, and called them each by name--quick-fitted names.

“’Ere, old Cork-fender, lap it up now! It’s good for sailor’s gizzards.”

“Gimme yer empty glass ’ere, Queer-fellow!”

“Young Bandy-shanks, you’ve ’ad enough! You’re young.--Another? All
right, then. Wot’d yer mommer say?”

“Aw, haw! haw! haw!”

“Drink hearty, Jimmie Bilge! There’s plenty more.”

Ignoring their quarrels and embraces, taking no part in their noisy
songs, Alf Jukes held out his glass for filling and refilling. The
crimp winked at him deferentially.

Evening came. Save for loud snores, heavy breathing, and now and then
a mumbled, sleepy oath, the room was quiet. Steady-handed still, Jukes
stood erect amidst the wreckage of his fellows and emptied his glass.

In the barroom adjoining, the boarding master reached a black bottle
from beneath the bar. Alf Jukes came from the back room as he replaced
it. Resolve in his face, he stepped toward the street.

Three brimming glasses stood upon the bar. Lifting one to his own lips,
the boarding master pushed another out toward Jukes.

“Here, big boy! Don’t run off so soon!” he quickly called.

Jukes stopped and hesitatingly looked toward the bar. The crimp and
boarding master raised their glasses.

Jukes took the proffered glass, lifted, and drained it in one long
straight swallow; then turned and strode toward the street door again.
Midway, he staggered.

The boarding master and the crimp came from behind the bar. They lifted
Jukes, carried him to the dusky street, and dumped him in their boat.

“That fills _her_ crew,” growled the boarding master with a nod to the
riding light of a ship at anchor close inshore.

* * * * *

Dawn was breaking. Stars were fading. Mastheads of anchored ships
swayed easily against the opening sky. A ship’s mate banged upon the
forecastle door, rousing his crew. A drowsy sailor lurched off to the
galley, fetching the morning coffee.

“How long was you ashore?” asked one sailor of another.

“Wot day is it?” came the reply. The questioner chuckled.

Some surly, some indifferent, they sipped their coffee.

The mate looked in.

“Rouse out here, now! Get up and man that windlass!”

They straggled to the deck. But Jukes lay sleeping still, his face to
the bulkhead. The mate stepped in and shook him. He wakened slowly.

“Tumble out, here, you!”

Jukes climbed from the bunk and looked about him.

“Come on, now! You’re at sea, my man. Get out of here!”

With a long staggering stride, Jukes passed out to the new ship’s deck.
The wind blew in his hair. The tide sang by.

Jukes turned, wild-eyed, and faced the mate. Men on the forecastle head
looked down and laughed to hear him curse. He gazed up at them, vacant
eyed. He looked toward the shore, saw his old ship, and shuddered.

“Come on, my man!” the mate said. “You’re at sea.”

Alf Jukes ascended to the forecastle head.

“Sing, someone!” said the mate, “sing and let’s get her away.”

A sailor leaning on a windlass bar began to sing a forecastle song, a
chantey, a ballad with a wailing chorus. The tugboat’s smoke whirled
by. The chorus rose and fell. The cable clanked.

“W’y don’t ye sing, shipmate?” a sailor asked of Jukes.

Alf Jukes let go his windlass bar. Fists clenched and arms upraised,
his curses ringing loud above his comrades’ song, he looked upon the
shore.

“Come on, my man,” the mate said. “You’re at sea.”

* * * * *

Weeks were gone by. It was black midnight. No star shone. Sails hung
invisible. Long swells rolled sluggishly beneath the keel. The ship’s
bow rose, dipped to deep hollows, and arose again.

Half naked in the hot night, Alf Jukes lay slumbering. The watch below
slept soundly all about him. The watch on deck sat talking on the hatch
without.

Sails flapped to the long roll of the ship. Chains clinked upon the
lower masts. Blocks chattered squeakily. Now and again a heavy rope,
a sheet or lazy tack, thud-thudded against the ship’s side. The wheel
cluck-clucked. The sailors’ voices rose and fell, a mumble from the
hatch.

Poring above a chart, the skipper sat in his chart room. Presently he
rose, looked out to the dark night, listened awhile, and went below.

An hour passed.

High and sudden, the mate’s voice rang above the noises of the night,
and, answering quick commands, gloom-hidden sailors leaped up and
rushed to the braces.

The skipper ran, pajama-clad and shouting, to the deck. The watch on
deck were shouting at the ropes. A deep, long, grumbling roar was all
about--the growl of rollers bursting on a reef.

A sailor yelled at the forecastle door, wakening the sleepers of the
watch below. Blackness was like a wall. The skipper was shouting
orders. The mate was shouting; the grumbling rumble coming closer,
louder.

The ship quivered. A rending sound rose sharp above the roar, died,
and arose again. A topmast splintered and went overboard. Torn canvas
snarled. Blocks skirled. The ship slid on, settling beyond the reef.

Last from his bunk came Jukes. Striking a match, he held it high, and
by its feeble flare saw the crazed struggle of his comrades all yelling
at the door. Fallen men clutched madly at the feet that trampled them.
Water lapped into the forecastle. The match went out. The ship lurched
heavily.

Jukes stepped from the emptied forecastle into water knee deep. As he
slid barefooted to the rigging, the water rose to his waist. He gripped
the shrouds and swung himself aloft. The water followed. He climbed,
cat-nimble. The water followed close. He heard a last useless order
from the skipper. Someone screamed, “The boat!” A shriek ended in a
groan close to him. A hand clutched his bare foot. He bent to grasp the
hand; but it slipped, and he touched only water.

Save for the growl and long wash of the sea there was no sound.

Alf Jukes was swimming.

Dawn came, and, treading water, Jukes gazed round the sea. He struck
out, swam with strong steady strokes, and presently swung himself upon
a piece of drifting wreckage.

The horizon was empty, the sky without a cloud. The sea was flat.

The sun rose. It beat on the bare white skin of Alf Jukes.

Jukes took a little oilskin package from his pocket and wedged it in
the centre of the raft. He slipped off his dungaree trousers and dipped
them in the sea. The dripping dungarees in his hand, he stood stark
naked and once more gazed around. The sea was empty. His head by the
raft’s edge, he lay down and covered himself as well as he could with
the wet dungaree. The sun climbed higher.

Now and again Jukes splashed his great hands in the water, wetting his
head and upper limbs afresh. Except upon the raft there was no motion
anywhere in sky or sea.

By and by Jukes rose. His eyes searched the horizon. It was empty. He
dropped the dungarees and dived deep. He swam down and down, seeking
the cooler depths. He glimmered white, far under the unrippled blue
water. When he rose to the surface again he held to the edge of the
raft. The raft gave no shade. He reached for, and covered his head
with, the dungarees. The sun was overhead when he drew himself up,
and, holding to the edge of the raft, looked all about again.

Suddenly Jukes hurled himself upon the raft. His body, glistening in
the sun, he watched a long green shape dart under him.

For the rest of the day Jukes dipped his dungarees in the sea and
covered himself as best he could. All day a sharp green fin cruised
slowly round. When the sun dipped there were red fiery patches on the
marble-white skin of his back, on his thighs and shoulders.

Stars wakened. Long after day was gone Jukes curled himself in the
middle of the raft and went to sleep. Thirst wakened him. He dipped the
dungarees in the sea and wrapped them round his neck.

Night passed. At dawn the horizon was empty. Fins cruised to and fro on
all sides. Snouts broke the still blue water. The sky was cloudless.

When Jukes dipped his dungarees, jaws snapped on them. He wrenched, and
a leg of the dungarees remained in his hands. He wrapped it about his
neck, and crouched down. The sun climbed higher.

Jukes rocked a little to and fro. Now and again a low coughing grunt
escaped him.

Day passed. Night came, starry and still. Snouts nosed around the
raft’s edge. Fins darted to and fro, rippling the windless water. Jukes
slept fitfully, dreamed, wakened, dozed, and dreamed again. Night
passed.

At dawn Jukes climbed unsteadily to his feet. His lips were black, his
skin scarlet. He moaned. His tongue was swollen.

A quarter of a mile from the raft a dense black cloud was slowly
crossing the equatorial sky. A sheer wall of water fell from the cloud
to the sea. Flying fish leaped at the rain’s foot. White birds preyed
on them from above, silver-bellied fish from below. The snouts were
gone, to join in the preying.

Staring at the rain wall, Jukes listened to the just-audible _s-s-s-s_
of the doldrum squall.

The squall passed by, came within an eighth of a mile of the raft,
dipped under the sea rim, and was gone. The sun rode high in a blue
cloudless sky. The snouts were back. Fins rippled the water all about.
Jukes crouched, with the wet scrap of dungaree about his neck. Day
passed. Night came.

Jukes lay prostrate, face downward. Hours passed. Long after midnight
he lifted his head and tried to climb to his knees. A dim green light
winked on the sea far off. He toppled over and was still. Wind ruffled
his hair and blew cool upon his brow.

Alf Jukes saw houses with smoking chimneys, windows aglint. Saw masts
and spars along a waterfront. Heard singing, far away. A wind blew
through green treetops.

* * * * *

When Jukes came to himself he lay in a lamplit forecastle. From near by
came the voices of sailors. “I seen a boat wi’ two dead men in her one
time. None ever knowed wot ship they was from.”

“If you follers deep water long enough, it’ll git ye.”

“Aye. ’Ow many _old_ sailors ’ave you ever seed?”

Jukes raised his head painfully and listened. From neck to ankles his
body was a fiery blister.

“I been eleven blasted year at sea. I got nuthin’.”

“You never will ’ave.”

“W’oo cares?”

“There don’t no one care. You an’ me is dogs.”

“This here’ll be my last v’yage.”

“Aye.--That’s wot you says.--Wait.”

“Wait yerself. I’m done.”

“Haw, haw, haw!”

“There’s one as had ought to be cured leastways,” and a nod toward the
forecastle.

Jukes climbed from the bunk and tottered out into the starlight.

“’Ow are ye, matey?”

“Bring ’im some water.”

Jukes gulped cold water down.

“’Ere, mate--you ’ad it in yer ’and.”

Jukes took the little oilskin package. They led him back and laid him
in the bunk again. They smeared more grease on his burned limbs. They
gave him more water.

“Look at ’im!--I’m done.”

“Me, too.”

As Jukes with fumbling fingers untied the package, they gathered round.
He nodded his head. His lips moved. A sailor bent above him, listening.

“’E’s done. No more o’ships fer ’im.”

Jukes dozed away. They passed the picture from hand to hand. They read
the dog-eared letter over.

“Look at ’ere,” said one, and pointed to the date.

“Three year ago! ’Ee’s been a long time----”

“Shanghaied, maybe.”

“Them crimps.”

“I’m done.”

“Haw, haw, haw! Maybe!”

* * * * *

It was the dog-watch time. The sun was setting. Warm, pearly little
clouds passed overhead. A low wind murmured.

The sailor on lookout leaned on the forecastle rail, watching his
comrades on the deck below. Skipper and mate looked forward from the
poop. The cook and carpenter lolled in the galley doorway.

A dozen sailors gambolled by the hatch, trying themselves, pitting
their strength and skill against each other’s. Alf Jukes was there,
with head and shoulders higher than the rest.

“Here, Jukes!” called one, a lad with an unshaven downy face. “I’ll
race you to the masthead!--Up and back. A pound of baccy to the winner.
You take the main, and I’ll go up the fore.”

“’Ere, Chips! Come on an’ start ’em,” called an eager sailor; and
Chips, the carpenter, stepped up.

“One--two----”

“I’ll bet a pound o’ baccy on young Limbertoes!”

“Me, too.”

Turning to the mate, the skipper said:

“The young fellow’ll win.”

“Aye,” said the mate, “he’s young. It’s in his favour.”

Jukes at the main, the other at the fore shrouds, stood waiting “three.”

“_Three!_” snapped the carpenter.

“Go!--go!--go!”

“Go, Limbertoes! My baccy’s on you!”

“Go, Jukes!--Go, Jukes!”

“Show ’im a sailor! Show ’im, Limber, now!”

Over the futtock shrouds, together, neck and neck, went Jukes and
Limber.

“Two pound o’ baccy--’oo takes me on?--two pound on Limber!”

“Done--an’ my Sunday whack o’ duff thrown in!”

“Lord!--look at that there Jukes! ’Ee’s like a monkey.”

“Some sailor, that,” the skipper said. “Look at him go!”

“But the young man wins,” the mate replied.

“Bully for Limber!”

The youngster touched a hand upon the fore royal truck a touch ahead of
Jukes upon the main.

“Down!--down!--down!” roared all the sailors.

Alf Jukes came sliding down the main royal stay. Down the fore royal
stay came Limbertoes.

“Come on, Limber!”

“Limber wins!”

“A tie! They’re neck and neck.”

“No.--Limber wins!”

A bellow rose from every sailor. Full forty feet above the deck, Alf
Jukes let go and dropped. Hands up and arms above his head, he fell
straight as a plummet and landed on his feet.

“That fellow’s like a bear,” the skipper said.

“There was a feller on my last ship as’d beat both of ’em,” said a
sailor.

“Oh, aye! There’s always fellers on a man’s last ship,” answered
another.

“To-morrer we’ll be in, an’ you’ll ’ave one more last ship,” another
laughed.

“Jukes, was you ever beat at anything?”

Without an answer Jukes walked slowly off and sat alone upon the
bulwarks. His face was grim.

The bell struck eight. The crew strolled aft to answer to the muster
roll. Last came Jukes. He looked like a bear that, peering from
sheltering wilds, wonders what lies in the valleys beyond its great
freedom.

* * * * *

Sails were furled, ropes coiled; the ship at anchor. A chill wind
thrummed in her rigging. Cold rain beat down.

The sailors sat in the forecastle, amidst them a boarding master. While
they drank from his bottles, Alf Jukes paced up and down the deck
outside, alone. Now and again a sailor looked from the forecastle and
called to him. He paid no heed.

The boarding master’s crimp came out, bottle in hand.

“The boys sent it ye, matey,” said he, and held the bottle temptingly
toward Jukes. Jukes answered with a growl. His great right fist shot
out, and, as the bruised crimp climbed to his feet, the sailors looked,
laughing, from the forecastle ports.

The crimp reëntered the forecastle. The boarding master passed the
bottles round. The sailors cursed the ship, all ships, and damned
the sea. Soon, crowding at his heels, they all swarmed out, and
clambered down into the boat ahead of him. Paying no heed to their loud
farewells, Jukes walked up and down in the wind and the rain. Last,
loitering from the forecastle, came the crimp.

The shouts of the sailors faded away. The ship was silent. The wind and
the rain beat on her.

Jukes entered the deserted forecastle. It was gloomy and chill. Water
dripped from him. He sat down, shivering a little. He drew out his
oilskin package and untied it. Dark fell.

Presently, lighting the lamp, Jukes saw a bottle on the table. He
scowled. He picked it up, and stepped to the door. The wind soughed
drearily. The rain whipped by. He hesitated in the doorway, the bottle
in his outstretched hand.

A boat drew noiselessly alongside the ship. The boarding master and his
crimp climbed back aboard and peered unseen through one of the forward
forecastle ports.

Bottle in hand, Jukes leaned in the doorway and looked out into the
night. To-morrow he would be forever done with the sea.

Shore lights glimmered, winking through the rain. The sound of music
reached him, faint upon the wind. Singing came indistinctly from the
waterfront. It was very solitary, very cold in the forecastle.

Jukes moved closer to the lamp and held the bottle up. The crimp nudged
the boarding master.

Alf Jukes put the bottle to his nose. Something to warm him a little;
then toss it over the side.

Jukes tipped the bottle. His Adam’s apple rose and fell. He took the
bottle from his lips, and listened. He looked about him, making sure
that he was all alone.

Jukes sat down, bottle in hand. Outside the wind wailed drearily. The
cold rain hissed. His Adam’s apple rose and fell again.

The boarding master entered the forecastle, the crimp at his heels.
Jukes turned and leaped to his feet. Lifting the bottle to hurl it, he
swayed uncertainly.

The crimp was laughing.

Jukes clutched at the bulkhead. The lamp was grown suddenly dim. The
boarding master and the crimp had disappeared.

Someone struck Alf Jukes just behind the ear. Someone laughed near by.

Stars whirled in a pitch-black sky. The boarding master knelt over
Jukes.

Everything was dark.

FEAR

BY JAMES WARNER BELLAH

From _Saturday Evening Post_

It was a little spot, that fear, but it had ached in his heart for
months--ever since his first solo flight at Upavon Airdrome. It had
come suddenly one morning like the clean pink hole of a steel-jacketed
bullet--a wound to be ashamed of--a wound to fight against--a wound
that never quite healed. Always it was there to throb and to pinch like
the first faint gnawing of cancer. It came with him to the theatre and
rankled his mind: “Enjoy this--it may be your last play.” It crept into
his throat at meals, sometimes, and took away the poor savour that was
left to the foods of wartime.

The fear of the men who fly. Sometimes he pictured it as an imp--an imp
that sat eternally on his top plane and questioned him on the strength
of rudder wires, pointed to imaginary flaws in struts, suggested that
the petrol was low in the tank, that the engine would die on the next
climbing turn.

It was with him now as the tender that was to take him up to his
squadron jolted and bounced its way across the _pavé_ on the outskirts
of Amiens. The squadron was the last place he had to go to. All the
months that were gone had led up to this. These were the wars at last.
This was the place he would cop it, if he was to cop it at all.

He shrugged. Anyway, he had had his four days in London and his ten
days idling at Pilot’s Pool before the squadron sent for him. He braced
one shoulder against the rattling seat and reached in his tunic pocket
for a cigarette. Mechanically he offered one to the driver. The man
took it with a grubby finger.

“Thankee, sor-r.”

He nodded and lighted both cigarettes with the smudge of his pocket
lighter. Anyway, he was not flying up to 44. That was one flight
saved. Funny, that fear--how it came and went like the throb of a nerve
in an open tooth. Sometimes the spot was large, and filled his whole
being; then again it would shrink to a dull ache, just enough to take
the edge from the beauty of the sunrise and the sparkle from the wine
of the moon.

There had been a time when it had jumped in every fibre of his soul. He
had been a cadet officer then, with only twelve solo hours in the air,
under the old rough-and-tumble system of learning to fly. Spinning at
that time was an unsolved mystery to him, a ghastly mystery that had
meant quick death in a welter of blood, flecked with splinters. Fred
McCloud had gone that way, and Johnny Archamboult. For weeks afterward,
Johnny’s screams had rung in his ears like a stab of pain, until the
mere smell of petrol and fabric dope made the fear crawl into his
throat and strangle him. Somehow he had kept on with the rest, under
the merciless scourge that lashed one on to fly--and the worse fear of
seeing cold scorn in the eyes of the men who taught the lore of thin
cloud miles.

The tender twisted and dodged along the hard mud ribbon that ran like
a badly healed cicatrix across the pock-scarred face of the fields.
Gnarled and bleak, they were fields that had held the weight of
blood-crazed men--still held them in unmarked graves, where they had
fallen the year before under the steel flail. He had heard stories
from his older brother about those fields--the laughing brother who
had gone away one day and returned months later without his laugh,
only to go away again, not to come back. He had seen pictures in the
magazines----But somehow no one had caught their utter bleakness as he
saw it now.

The riven boles of two obscene trees crouched and argued about it on
the lead-gray horizon, tossing their splintered arms and shrieking, he
fancied, like quarrelling old women in the lesser streets of a village.
Close to the roadway, there were a torn shoe and a tin hat flattened
like a crushed derby. Poor relics that even salvage could see no
further use in. Farther off, a splintered caisson pointed three spokes
of a shattered wheel to the sky, like a mutilated hand thrown out in
agony. He was seeing it for himself now.

No one could smile at the cleanness of his uniform again and say,
“Wait till you get out. When I was in France----” He was out himself
now. In a day or so he would go over the line with loaded guns. His
instructors at the training ’drome--thin-jawed men with soiled ribbons
under their wings--had done no more, and some of them had done less.
The thought braced him somewhat. They had seemed so different--so
impossible to imitate--those men. Their war had always been a
different one from his; a war peopled with vague, fearless men like
Rhodes-Moorehouse and Albert Ball and Bishop, the Canadian; men who
flew without a thought for themselves.

It occurred to him with a start that theirs was the same war as his
now. Twenty-five miles ahead of him, buried somewhere in rat runs,
between Bapaume and Cambrai, it went on and on, waiting for him to
come--waiting to claw and maim and snuff him out when he did come.
It had seemed so far away from him in England. When he was at ground
school he had seen it as a place where one did glorious things--he was
young, pitifully young--a place that one came back from with ribbons
under one’s wings, with nice clean scratches decently bandaged. And he
had been slightly offended at his brother’s attitude--at the things his
brother had said of the staff. Then he had gone to Upavon to learn to
fly. He had soloed for the first time, and the spot of fear had crawled
into his own heart.

They were rattling into the broken streets of a tottering town; a town
that leered at them and grimaced through blackened gaps in its once
white walls. There was a patched-up _estaminet_ with a tattered yellow
awning that tried bravely to smile.

“Albert,” said the driver.

The new pilot nodded. Some sapper officers were loitering in the
doorways of the café. Their uniforms were faded to a rusty brown and
reënforced with leather at the cuffs and elbows. Their buttons were
leather, too, to save polishing, and their badges were a dull bronze.
He looked down at his white Bedford-cord breeches and the spotless
skirts of his fur-collared British warm--privileges of the flying corps
that men envied. Baths, clean clothing, and better food. The P. B.
I.’s idea of heaven. They called flyers lucky for their privileges and
cursed them a little bit for their dry beds and the wines they had in
their messes, miles behind the line.

The new pilot wondered if they knew what it meant to be alone in
the stabbing cold with no one to talk to, no one to help you,
nothing between you and the ground save a thin, trembling fabric of
cloth and wire and twenty thousand feet of emptiness. That was his
fear--emptiness--nothingness--solitude. Those men under the awning
could die in company. Not so himself--alone, screaming into the cloud
voids, with no one to hear, no one to help, staring with glazed eyes
and foam-flecked lips at the emptiness into which one hurtled to death
miles below. The price one paid for a bath! He remembered seeing
Grahame-White fly at Southport before the war. People had called him an
intrepid aviator. The new pilot laughed harshly inside his throat and
stared out across the bare fields.

The car topped a slight rise and turned sharply to the left. The driver
pointed his grubby finger. “They be comin’ in from affernoon patrol,”
he said. “Yonder is airdrome.”

There were three flat canvas hangars painted a dull brown, and a
straggling line of rusty tin huts facing them from across the narrow
landing space--like a deserted mining village, shabby and unkempt. As
he watched, he saw the last machine of the afternoon patrol bank at a
hundred and fifty feet and side-slip down for its landing. In his heart
he could hear the metal scream of wind in the flying wires. A puff of
black smoke squirted out in a torn stream as the pilot blipped on his
engine for one more second before he came into the wind and landed.
By the time the tender rolled up to the dilapidated squadron office,
the machine had taxied into the row of hangars and the pilot was out,
fumbling for a cigarette with his ungloved hands. A thin acrid smell of
petrol and carbonized castor oil still hung in the quiet air between
the shabby huts. Snow in large wet flakes commenced to fall slowly,
steadily.

The new pilot climbed down from the tender, tossed his shoulder
haversack beside his kit bag, and pushed open the door of the squadron
office. The adjutant was sitting on his desk top, smoking and talking
to someone in a black leather flying coat and helmet--someone with an
oil-streaked face and fingers still blue and clumsy from the cold.

“Paterson, sir, G. K., second lieutenant, reporting in from Pilot’s
Pool for duty with the 44th.”

The adjutant raised a careless finger in acknowledgment. “Oh, yes. How
do? Bring your log books?”

“Yes, sir.”

“Chuck ’em down. D’ye mind?”

Paterson laid them upon the desk top, still standing to attention. The
adjutant smiled. “Break off,” he said. “We’re careless here. This isn’t
cadet school.”

The new pilot smiled and relaxed. “Very good, sir.”

“That’s better,” said the adjutant; “makes me feel more comfortable.
Just give me a note of yourself now.” He reached for a slip of paper.
“G. K. Paterson, Two Lt. Next of kin?” Paterson gave his father’s name.
“Age?”

“Eighteen and four twelfths.”

“Good!” said the adjutant. “You’ll find an empty cubicle in B
Block--that’s the middle line of huts. You’re lucky. Roof only leaks in
three places. I’ll have your duffel trekked over shortly.”

The man in the flying coat blew upon his numbed fingers and smiled.
“I’m Hoyt,” he said. “Skipper of C Flight. I’m going to take you now,
before A gets after you.” He turned to the adjutant. “That’s all right,
isn’t it, Charlie? Tell ’em I intimidated you.” He grinned.

The adjutant shrugged. “Righto!”

“Come on,” said Hoyt. “I’m in your hut block. I’ll show you your hole.”

They went out into the snow flurry. Mechanics were fussing in little
knots around the five tiny machines that had just landed, lining them
up, refilling them, and trundling them into the brown musty hangars.

“Le Rhône Camels,” said Hoyt. “We’ve just been over around Cambrai
taking a look-see.”

Inside one of the hangars, as they passed, Paterson saw something that
drew a thin, wet gauze across his eyeballs. On a rough bench just
beside the open flap sat a man with his eyes closed and his lips drawn
tightly into a straight bluish line. His flying coat was rolled up
behind his head for a pillow, and his tunic had been unbuttoned and
cut away from his left shoulder. The white of his flesh showed weirdly
in the gloom, like the belly of a dead fish. Just below the shoulder,
the white was crumpled and reddened as if a clawed paw had been drawn
across it. One man was holding his other hand, while another probed
and cleaned and dabbed with little puffs of snowy cotton that turned
quickly to pink and then to a deep brown.

Hoyt shrugged. “Lucky man. That’s Mallory. He was Number Four this
afternoon. We never saw a thing. Just happened. Funny.” And he smiled.
“That’s why I was so keen to get you. Can’t tell how long it will be
before Mallory gets around again, and I’ve got one vacancy in the
flight already.” He shrugged. “You’ll see a lot of that here--get used
to it. It doesn’t mean a thing as long as you get back alive.”

Paterson looked at him sharply. He wanted to ask him how many didn’t
get back alive. He wanted to know what had caused the other vacancy in
the flight. But people didn’t ask those things. People merely nodded
casually and went on.

“I suppose not,” he said. They tramped on across the airdrome.

“Here we are,” said Hoyt. He kicked open the hut door and groped down
the dark passageway, with Paterson after him. Presently he pushed back
another door and yanked at a tattered window curtain.

The new pilot saw a tiny room, with two washstands, a cot, a
folding chair, and a cracked mirror. In a corner were his kit bag
and haversack. He pulled out his own cot and chair and set them
up; meanwhile Hoyt threw himself down on the other cot and let
his cigarette smoke dribble straight upward into the gloom of the
pine-raftered roof. Presently he spoke.

“This is a queer war,” he said; “full of queer things, and the queerest
of these is charity.” He laughed in the darkness, and the tip of his
cigarette became suddenly pink as he drew the smoke into his lungs.
“What was your school?”

“Winchester,” said Paterson.

“Right,” said Hoyt. “Remember your first day? This is it over again.
They’ve fed you up on poobah at your training ’drome and down at the
Pool. They always do. It’s part of the system. Just take it for what it
is worth and forget the rest. If you want to know anything, come to me
and I’ll tell you as well as I can. I’ve been here three months. When
I came, I came just as you did to-day, pucka green and afraid to the
marrow--afraid of uncertainty. You get over that shortly.

“Our job is a funny one, and we’re not here for ourselves, and we’re
not here to be heroes or to get in the newspapers. The V. C.’s are few
and far between.” He raised himself upon his elbow. “I’m not preaching
self-abasement and a greater loyalty to a cause that is right, mind
you. I don’t know anything about causes or who started the war or why,
and I don’t care. I’m preaching C Flight and the lives of five men.

“You saw Mallory over at the hangar. It was teamwork that put him
there in his own M. O.’s hands. Not much, perhaps”--the cigarette
described a quick arc in the darkness--“just a slight closing in of
the formation--a wave of somebody’s hand--somebody else dropping back
and climbing above him to protect his tail from any stray Huns that
might’ve waylaid him on the way home. That’s what I mean. ‘Esprit de
corps’ is a cold, hard phrase. Call it what you like. It’s the greatest
lesson you learn. Never give up a man.” Hoyt laughed. “They call me an
old woman. Perhaps I am. Take it or leave it.

“Slick up a bit and come into my hutch while I scrape off the outer
layer of silt. Dinner in half a tick and I’m as filthy as a pig.” He
vaulted up from the cot and punched his cigarette out against the sole
of his boot. At the door he paused for a moment.

“Ever have wind up?” he asked casually.

Paterson stiffened against the question and the small spot of fear
danced within him. “No,” he said firmly. Hoyt shrugged. “Lucky man.”
And he went out into the passageway.

At dinner he met the rest of the squadron and the other men in C
Flight. Mallory, very pale, with his arm slung in a soft pad of
bandages, sat beside him. They were coming for him later to take him
down to the base hospital. Phelps-Barrington sat on the other side of
Mallory, mourning the fact that the wound was not his, that he might
get the inevitable leave to follow. Phelps-Barrington took Paterson’s
hand with a shrug and asked how Marguerite was in Amiens. “What? You
didn’t meet Marguerite on your way through? ’Struth!” MacClintock
sat across the table beside Hoyt--MacClintock, too young to grow a
moustache, but with a deep burr that smelled of the heather in the
Highlands and huge pink knees under his Seaforth kilts, muscles like
the corded roots of an oak. The other man in the flight, Trent, was
down with mild flu. He was due back in a week or so from hospital.

There was a wild argument on about the dawn patrol the next morning.
Paterson listened to the fragments of talk that flew like sabre cuts
across the glasses:

“He’s in a red tripe. I don’t give a damn for Intelligence. Saw him
this morning myself. Same machine Mac and I had that brush with down at
Péronne.”

“The next time they’ll get an idea for us to strafe a road clear to
Cologne for them. What are we--street cleaners?”

“So I let go a covey of Coopers and turned for home. They had it
spotted for a battery over at 119 Squadron. I saw the pictures. Right
pictures, but wrong map squares as usual. That crowd can’t tell a
battery from a Chinese labour-corps inclosure. I’d rather be a staff
officer than a two-seater pilot.”

“Steward, a whisky-soda for Mr. MacClintock and myself. Have one, Hoyt?
You, Paterson?”

Cruel, thin, casual talk clicking against the teeth in nervous haste;
the commercial talk of men bartering their lives against each tick
of the clock; men caught like rats in a trap, with no escape but
death or a lucky chance like Mallory’s. Caught and yet denying the
trap--laughing at it until the low roof of the mess shack rumbled with
the echo; drowning it in a whisky for the night.

Afterward, Hoyt came down the passage with him to his room--Hoyt, with
his face cleaned of the afternoon’s oil and his eyes slightly bright
with the wine he had taken.

“We’re relieved to-morrow on account of casualties,” he said. “I’ll
tick you out early and we’ll go joy riding--see what we can teach each
other.” He smiled. “’Night.”

Paterson undressed slowly and threw back the flap of his sleeping
bag. He ran his fingers softly down the muscles of his left arm.
Automatically they stopped at the spot Mallory had been hit. He
stretched his thumb from the arm to his heart--seven inches. He
shrugged. Nice to go that way. Clean and quick. He sat upon the edge
of his cot and pulled on his pajama trousers. Oh, well, this was the
place--the last place he had to go to. This was the cot he would sleep
his last sleep in. If it weren’t a lonely job! That chap in the mess
who wouldn’t be a two-seater pilot for anything. If he could only
feel like that. If he could only feel Hoyt’s complacency. Hoyt, with
his calm smile and the two little ribbons under his wings. Military
Cross and the Legion of Honour, and three months before he had been
green--pucka green!

Paterson blew out the light and turned in. Hoyt was a good
fellow--damned decent. Outside he could hear Phelps-Barrington’s voice
muffled by the snow: “Come on, snap into it! Tender for Amiens! Who’s
coming?” The yell died in the roar from the car’s engine.

Paterson lay for a moment thinking; then suddenly he reached for his
pocket flash, snapped it, and stared nervously at the empty cot across
the room. There was no bedding on it, nor any kit tucked under it; only
the chair beside it, and the cracked mirror.

He got up and padded over in his bare feet. Stencilled on one corner of
the canvas there was a name--J. G. H. Lyons. There had been no Lyons
introduced to him in the mess. Perhaps he was on leave. Perhaps he had
flu with Trent and was down at the base. The spot of fear in his heart
trembled slightly and he knew suddenly where J. G. H. Lyons was. He was
dead! Somewhere out in the snow, miles across the line, J. G. H. Lyons
slept in a shattered cockpit.

The door behind him opened softly. It was Hoyt, in pajamas. “Got a
cigarette?” he asked casually.

Paterson turned sharply and grinned. “Righto,” he said. “There on the
table.”

Hoyt took one and lighted it. “Can’t sleep,” he said. “Come in and take
Mallory’s cot if you want to. I’ve some new magazines and I can tell
you something about our work here until we feel sleepy.”

Hoyt was a good fellow--damned decent.

* * * * *

The cold wet mist lay upon the fields like a soft veil drawn across the
face of an old woman who had died in the night. Mechanics, with their
balaklavas pulled down across their ears, were running about briskly to
keep warm--kicking chocks in front of under-carriage wheels, snapping
propellers down with mighty leaps and sweeps until the cold engines
barked into life and settled to deep concert roaring. Dust and pebbles,
scattered by the backwash, swept into the billowing hangars in a thin
choking cloud that pattered against the canvas walls. Hoyt’s machine
trembled and crept out of the line, with Phelps-Barrington after it.
Trent, who had come back from the base the day before, taxied out next.

Paterson waved to the mechanics to pull out his own chocks. They yanked
mightily on the ropes, and he blipped his motor with his thumb. Behind
him and to the left came Yardley, the new man who had come up from Pool
to fill Mallory’s place. Then MacClintock, sitting high in his cockpit,
rushed out with a roar and a swish of gravel. MacClintock was deputy
leader.

Hoyt waved his hand in a quick nervous sweep, and the flight started.
Through the mist they roared with their engines howling into sharp
echo against the hut walls. A moment later tails whipped up and wheels
bounced lightly upon the uneven ground. Then Hoyt’s nose rose sharply
and he zoomed into the air in a broad climbing turn, with the five
others after him in tight formation.

Paterson glanced at his altimeter--five hundred feet. He looked ahead
and to the left. There was Bapaume in its raggedness, half drowned in
the mist. Suddenly Phelps-Barrington’s machine burst into rose flame
and every strut and wire trembled like molten silver--the sun. He could
see the red rim just peeping up ahead of him and he was warmer for the
sight of it. Below, under the rim of his cockpit, the ground was still
wrapped in its gray shroud.

They were climbing up in close formation. The altimeter gave them four
thousand feet now. He glanced to the left. Yardley waved. Yardley was
going through the agony of his first patrol over the line--the same
agony he had gone through himself the week before. Only Yardley seemed
different, somehow--surer of himself--less imaginative. He was older,
too. Behind them, MacClintock, the watchdog, was closing in on their
tails and climbing above them to be ready to help if the Hun swooped
from behind unexpectedly.

There were clouds above--gray blanket clouds that came together in a
solid roof, with only a torn hole here and there to show the blue.
Bad clouds to be under. Hoyt knew it and kept on climbing. Almost ten
thousand feet now. The ground below had cleared slowly and thrown off
most of its sullen shroud. Here and there, in depressions, the mist
still hung in arabesque ruffles like icing in a confectioner’s window
or the white smoke of a railway engine.

The line was under them now, running south and east like a jagged
dagger cut, in and out, in and out across the land, not stopping for
towns, but cleaving straight through their gray smudgy ruins with a
cold disregard and a ruthless purpose. The first day he had seen it,
it had seemed a dam to him; a breakwater built there to hold something
that must not flow past it; a tourniquet of barbed wire twisted and
held by half the world that the blood of the other half might not flow.
Some day something would break and the whole thing would give way for
good or evil. Curiously, now, like Hoyt, he didn’t care which. And
suddenly he knew how his older brother had felt, on that last leave,
and he had called him unsporting in the pride of his youthful heart!

Hoyt was still climbing. Thin wraiths of cloud vapour groped awkwardly
for the six tiny Camels, like ghost fingers, trying desperately to stop
them and hold them from their work. Paterson glanced again at Yardley.
He had been glad when Yardley came. He was still green himself, but
Yardley was greener. It helped buck him up to think about it.

The line was behind them now. Hoyt turned south to pass below the
anti-aircraft batteries of Cambrai, and presently they crossed the
tarnished silver ribbon of the Somme-Scheldt Canal. Mechanically,
Paterson reached for his Bowden trigger and pressed it for a burst of
ten shots to warm the oil in his Vickers gun against the bite of the
cold air. Then he clamped the joy stick between his knees and reached
up for the Lewis gun on his top plane.

His throat closed abruptly, with a ghastly dryness, and his knees
melted beneath him. The wing fabric beside his gun was ruffling into
torn lace and he could see the wood of the camber ribs splintering as
he watched! For a moment he was paralyzed, then frantically he whipped
around in his seat and swept the air above him. Nothing. There was the
torn fabric and the staring rib and nothing else. MacClintock was gone.
Yardley was still there, lagging, with the smoke coming in puffs and
streaks from his engine. Then Hoyt turned in a wild climb to the left.
Phelps-Barrington dipped his nose suddenly and dived with his engine
full on, and at once, where there had been only six Camels, the sky
was full of gray machines with blunt noses and black crosses.

Blindly he pressed his Bowden trigger and fired into the empty air,
blindly he dived after Phelps-Barrington. Somewhere to the left he saw
a plume of black smoke with something yellow twisting in the sunlight
on its lower end. A blunt nose crossed his propeller--into his stream
of bullets. He screamed and banked wildly, still firing. He saw Hoyt
above him. He forgot the machine in front and reached for his Lewis to
help Hoyt. He tried to wait--something about the outer ring of the rear
sight--but his fingers got the better of him and he fired point-blank.

As quickly as it had begun it ended. There was Hoyt circling back,
and two other Camels to the left and below him--four of them. They
closed in on Hoyt and he wondered where the two others were. He
looked for them--probably chasing after the Huns. He could see dots
to the southward--too far away to make out the markings. Hoyt had
signalled the washout and they were headed back across the line. Funny
those two others didn’t come. He wondered who they were. Probably
Phelps-Barrington and MacClintock, hanging on to the fight until the
last. They worked together that way. He had heard them talk in the mess
about it. They’d be at it again to-night, and to-night he could join
them for the first time. He’d been in a dog fight! Shot and been shot
at! The spot of fear shrank to a pin point.

The brown smudge of the airdrome slid over the horizon. He blipped
his motor and glided in carefully. No use straining that top wing--no
telling what other parts had been hit. No use taking chances.

Hoyt was standing beside his machine with his glove off, staring at
his finger nails. Phelps-Barrington was climbing out. Paterson taxied
in between them. The man in the fourth machine just sat and stared
over the rim of his cockpit. Phelps-Barrington walked slowly across to
Hoyt and laid a hand on his shoulder. Hoyt shrugged and stuffed his
bare hand into his coat pocket. Paterson sat with his goggles still on
and his throat quite dry. The man in the fourth machine vaulted out
suddenly, ripped off his helmet and goggles and hurled them to the
ground. It was Trent.

He climbed out of his own machine and walked over toward
Hoyt. Phelps-Barrington, who had a wild word for all
occasions--Phelps-Barrington, who led the night trips to Amiens--was
silent. When Paterson came up he shrugged and scowled ferociously.

“Is it you, Pat?” said Hoyt. “Thought it was Yardley.”

“’Struth!” said Phelps-Barrington. “Let’s go and have a drink.”

Paterson thrilled as the man slipped an arm through his. For one awful
moment he had thought----

“Well,” Hoyt said, “those things will happen.” And he shrugged again.

“I saw dots to the southward,” said Paterson. “Maybe they’ll be in
later.”

“No, little Rollo,” said Phelps-Barrington. “They won’t be in later or
ever. I saw it with my own eyes--both in flames. I thought it was you,
and until Trent landed, I thought he might be Mac. But I was wrong.
Let’s shut up and have a drink!”

Then suddenly he knew, and his mind froze with the ghastliness of
the thought. If he’d been quicker--if he’d turned and climbed above
Yardley when he saw him lagging, with the smoke squirting from his hit
motor--he could have saved him. If he had kept his eyes open behind,
instead of dreaming, he might have saved MacClintock, too. In a daze,
he stumbled after Phelps-Barrington. That’s why Trent had hurled his
helmet to the ground and walked off. That’s why Hoyt had shrugged and
said, “Those things will happen.” It was his fault--his--Paterson’s.
He’d bolted and lost his head and fired blindly into the empty air.
He hadn’t stuck to his man. He had let Yardley drop back alone to be
murdered.

“Look here, P-B,” he muttered, “I’m not drinking.” He wanted to be
alone--to think. So quick it had all been.

Phelps-Barrington grabbed his arm and pushed him stumbling into the
mess shack. Trent was slumped down at the table with his glass before
him, thumbing over a newspaper. He raised his head as they came in.
“Two more of the same, steward--double.”

They sat down beside him and Phelps-Barrington reached for a section of
the paper.

“It says here,” said Trent, “that Eva Fay didn’t commit suicide. Died
of an overdose of hashish she took at a party in Maida Vale the night
before.”

The steward brought the glasses. Trent raised his and looked at
Paterson. “Good work, son.”

Paterson stared at him in amazement. Trent sipped his whisky and went
on reading as if he had never stopped. Some time later, Paterson left
them and went down to the flight office to find Hoyt. The thought of
the morning still bothered him, in spite of Trent’s words, and he
wanted to clear it up. Hoyt smiled as he came in. “Washed the taste out
in Falernian?” he asked.

“Some. Look here, skipper--this morning--what about it?”

“What about it?”

“My part--I was fast asleep. I saw Yardley lagging, and I had a moment
to cross above him, but I lost my head, I’m afraid, and went wild.”

The smile faded and Hoyt laid down his pencil. “Do you really think you
could have saved him?”

“He was behind me already when I saw him lagging, just as you climbed
and P-B dived.”

“Then you couldn’t have helped him, because Mac was done for when I saw
him and climbed, and half a tick after I climbed, P-B saw Yardley burst
into flames. There you are.”

“But if I’d kept my eyes back, instead of trusting to Mac?”

“Look here,” said Hoyt, “no man can keep his eyes on everything.
Something always happens in the place he isn’t looking. Bear that in
mind and forget this morning. You’ve seen a dog fight from the inside
and lived. Take it easy. You’re not here to do everything. You’re here
to stick to us. You might have run away. Remember that and be afraid
of it. Remember if you get away by leaving a pal--he may live to come
back. Then you’ll have to face him, and engine trouble is a poor excuse.

“Trouble with you youngsters is that you’ve been fed up on poobah. And
the myth of the fearless air fighter. Put it out of your mind. There’s
no such thing. Some are less afraid than others. Some are drunker--take
your choice. Class dismissed.” Hoyt grinned. “Go get cleaned up. We’ll
jog into Amiens for tiffin. Tender in half an hour. Tell Trent and P-B.”

They spent most of the afternoon at Charlie’s Bar with some of the men
from the artillery observation squadron. For dinner they went to the
Du Rhin and the glasses flowed red. Afterward, in another place, there
was a fight, as usual, and chairs crashed like match sticks, until
whistles sounded outside and the A. P. M.’s car, siren screaming, raced
up the street. They poured out into the alleyway and ran, leaving the
waiter praying in high, shrieking French.

Trent had a bottle with him. They rode all the way home singing and
shouting to high heaven, forgetting that there were two empty chairs in
the mess and that there might be more to-morrow.

“Take the cylinders out of my kidneys,
Take the scutcheon pins out of my brain,
Take the cam box from under my backbone
And assemble the engine again!”

They were good fellows--Billy Hoyt, P-B, Pat, and Ray Trent. Have
’nother li’l’ drink.

They roared along like a Juggernaut, with the exhaust splitting the
night air. Sometimes they were on the road and sometimes they were off.
No one cared so long as they kept hurtling into the darkness.

Phelps-Barrington was fast asleep. Pat woke him up at the airdrome and
tumbled him into the hut.

They stumbled over a kit bag in the doorway. P-B straightened up
suddenly. “Good-bye, Mac, old lad, sleep tight.”

Trent kicked the bag out of the way. “Damned adjutant! Take P-B in with
you, Pat. I’m bunking with the skipper. Might have the decency to take
Mac’s kit over to squadron office and not leave it lying around the
passage. ’Night.”

Paterson was quite sober. He tumbled P-B into bed and stood for a
moment at the open window, staring out across the ground mist that
billowed knee high in the faint night breeze. He rested his elbows on
the sill and hid his face in his trembling hands. If he could only be
like the others--casual--calloused. If he had less imagination--more
sand--stamina--something. MacClintock had planned this night himself,
at breakfast. Yardley had left a letter addressed and stamped on his
window sill.

Paterson’s mind jumped miles to the eastward. He saw the two blackened
engines lying somewhere in the bleak fields beyond, ploughed into
the ground, with their mats of twisted wires coiled around them in a
hideous trap.

Their families would get word to-morrow. “Missing,” it would read.
And then later: “Previously reported missing, now reported killed in
action.” And to-morrow--perhaps his own family. Why can’t it be quick?

There was a noise behind him. Someone fumbling at the door latch--Hoyt.
“Had this bit left. Bottoms up! Quick!” He took the glass and drained
it. The liquor bit into his veins and burned him. Hoyt set his own
glass down on the washstand with a sharp click. “Get into bed now, you
idiot. Good-night.”

Spiked drink. Hoyt was a good fellow--damned decent. Do anything for
Hoyt. Never let Hoyt go. Like my brother--before the war. Good old
Hoyt. And he sank suddenly into a dreamless fuddle of sleep.

* * * * *

The weeks crawled on slowly. Paterson felt like a man climbing a
steep ladder. Each day was a rung behind him. Each new rung showed an
infinite number still ahead, waiting for him to go on, luring him with
their apparent safety, waiting for him to reach the one rotten rung
that would do him in. Some day he would reach it, and it would crack
under him, or his fingers would slip and hurtle him into the abyss
under his charred engine.

Offensive patrols and escort for the artillery observation squadron
filled their time, with sometimes a road strafe to vary the monotony.
These he liked best, for some quaint reason--perhaps because there was
less space to fall through. Sometimes there would be a battalion on
those roads--a battalion to scatter and knock down like tin soldiers
on a nursery floor. Quite impersonal. They were never men to Paterson.
Like dolls they ran and like dolls they sprawled awkwardly where they
fell.

P-B and Trent and Hoyt carried him through somehow. Mallory was back
again, but Mallory never counted much with him. P-B and Trent and Hoyt
were a bulwark. They meant safety. It was good to wake up at night and
hear P-B snoring on the other cot, to know that Hoyt and Trent were
asleep in the next cubicle. It was good to see them stamping to keep
warm before the patrol took off in the half light of early morning.
So different from one another and yet so alike underneath. Hoyt was
nearer his kind than the two others. Tall and spindly like his brother,
with a straight, thin nose that quivered slightly at the nostril when
he was annoyed. Hoyt, who smiled and sanctioned the childish depravity
of little P-B, but never quite met it with his own, although always
seeming to, on the night trips to Amiens. Trent, glowering and quiet,
with a keen hatred for everything political that he learned in the
offices of the London and South Western before the war, when the army
to him had meant young wastrels swanking the Guards’ livery in the
boxes of theatres--wastrels who had died on the Charleroi Road three
years before.

Suddenly, from one of his mother’s letters, he found that he had been
in France almost three months. He stiffened with the thought and
remembered what Hoyt had told him that day he had come: “I’ve been here
three months. When I came, I came just as you did to-day--pucka green.”
He knew then that all his hopes were false. He was the same to-day as
he had been that first day. He would always be the same. The spot of
fear would always be with him. Some day it would swell and choke him
and his hands would function without his frozen brain. He should never
have tried to fly. He should have gone into the infantry as his brother
had. Too much imagination--too little something. In three months he had
learned the ropes, that was all; how to fire and when to fire, where
the Archie batteries were near Cambrai, how to ride a cloud and crawl
into it--nothing more.

The weeks went on, creeping closer and closer to the twenty-first of
March--the twenty-first of March--and with them the feeling crept
into Paterson’s heart--a feeling that something frightful was to
happen. Things had been quiet so long and casualties had been few. C
Flight hadn’t been touched in weeks. He brooded over the thought and
slept badly. He went to Amiens with P-B more frequently. If it was
to be any of the three, he knew he wouldn’t be able to stand it. His
bulwark would crumble and break and he would break with it. On the dawn
patrols, those few minutes before they climbed into the cockpits and
took off were agony: “This will be the day. It must be to-day. We can’t
go on this way. Our luck will break.”

One day when they were escorting 119, four dots dived on them from
behind and he knew suddenly what he would do. Stark, logically, the
thing stood before him and beckoned through the wires of his centre
section. If a shot hit his plane, he would go down. They were far over
the lines, taking 110 on a bombing show. He would wabble down slowly,
pushing his joy stick from side to side in a slow ellipse as if he were
out of control. Then he would land and run his nose into the ground
and be taken prisoner. The others would see him and swear that he’d
been hit--and he wouldn’t do it until his machine had been hit. That
for his own conscience’s sake and for the years he would have to live
afterwards.

But A Flight, behind and far above, saw the dots and scattered them,
and the chance was gone.

Then day by day he waited for another. He knew now that he would do it
at the first opportunity. He slept better with the thought, and the
minutes seemed shorter now while he waited at dawn for his bus to be
run out. All the details were worked out in his mind. If any one of
the three were close to him, he’d throw up his hands wildly before he
started down. They’d see that and report it. Then when he landed he’d
pull out the flare quick and burn his machine so that they would think
he had crashed and caught fire. It was so easy!

He spent less time with P-B now. Somehow the old freedom was gone.
Somehow Hoyt wasn’t the same to him either. He was working with three
strangers he had never really known--three casual strangers he would
leave shortly and never see again.

On the morning of the fourteenth of March the caller turned C Flight
out suddenly, without warning, about an hour after P-B and Trent
had returned from Amiens. A special signal had come in from wing
headquarters. B Flight had the regular morning patrol, but there was to
be an additional offensive patrol besides. A Flight had morning escort
and the dusk patrol. That meant C for the special. Paterson could hear
Hoyt swearing about it next door. P-B, across the room, uttered a
mighty curse and rolled over. Paterson got him a bucket of cold water
and doused his feverish head in it. Trent and Hoyt were still cursing
pettishly in the next cubicle.

Sleep-stupid, the four of them stumbled into the mess for hard-boiled
eggs and coffee. Mallory and the new man, Crowe, were already eating,
white-faced and unshaven. They slumped down beside them in silence.

In silence, they trooped across the dark airdrome, buttoning their
coats and fastening helmet straps against the cold wretchedness of the
March wind. The machines were waiting for them in a ghostly line like
staring wasps that had eaten the food of the gods and grown to gigantic
size.

They climbed in and taxied out mechanically. B Flight had already left
on the regular dawn patrol. They blipped their motors and roared away,
leaving their echo and the sharp smell of castor oil behind on the
empty ’drome.

Hoyt led them south to the crumpled ruins of Péronne and out to the
line, climbing high to get the warmth of the sunlight that began to
tint the clouds above them. They were going over to Le Cateau and
beyond. Intelligence wanted pictures to confirm certain reports of new
Hun shell dumps and battery concentration. The photographic planes were
to go out and get them under escort as soon as there was enough light.
As additional precaution, offensive patrols were to be kept up far over
the enemy’s lines to insure the success of the pictures. They passed
the sullen black stain that was Le Câtelet and turned to the eastward.
The ground was already light and the camera busses would be starting.

Hoyt took the roof at eighteen thousand feet and skirted the cloud
wisps, watching below for customers. Paterson watched P-B anxiously.
He had been roaring drunk an hour before. Groggy and drunk still,
probably. He closed in a trifle and climbed above him, but P-B waved
him down and wiggled his fingers from the end of his nose.

He looked ahead and down at Trent. Trent had been drunk, too, but he
was steady now, sawing wood above and slightly behind Hoyt.

Then, suddenly, beyond Trent and far below, he saw a Hun two-seater
alone. The old stunt. Hoyt shifted and pulled up his nose to climb
above it and wait. Trent followed him up. Somewhere above that
two-seater, and a half mile behind, there would be a flight of Hun
scouts skulking under the clouds, waiting to pounce on whoever dived
for the two-seater. Hoyt knew it for a decoy. Paterson knew it. They
would climb above the cloud edge, circle back, and catch the Hun scouts
as they passed underneath.

Paterson trembled slightly. This was his chance at last. There’d be a
long dive and a sure fight from behind, and in the mix-up he’d wabble
down and out of the war via Lazaret VI in Cologne. He glanced around
to see if Mallory was above him, and suddenly, out of the corner of
his eye, he saw P-B shove his nose full down and throw himself into a
straight dive for the decoy bus.

He gazed and shouted “No!” into the roar of his engine. P-B, in a nasty
temper and half fuddled, didn’t smell the trick. There was one awful
second, while Crowe closed up into P-B’s place and Hoyt banked to wait
above, for the Hun scouts to pounce down on the Camel.

P-B fired, pulled up and dived again, far below them. The Hun
two-seater banked sharply and came up and over in an Immelmann turn
to get away. P-B caught it halfway over and a trickle of smoke swept
out from its engine. Then in an instant Hoyt dived, with the rest of C
Flight after him.

The next thing Paterson knew there were two Huns on his tail and a
stream of tracer bullets pecking at his left wing. He pulled back on
his stick and zoomed headlong up under Mallory. So close he was for
a second that he could see the wheels turning slowly on Mallory’s
undercarriage and almost count the spokes glinting in the sunlight
where the inside canvas sheathing had been taken off.

Mallory pulled away from him in a quick climbing turn and the Huns
passed underneath, banking right and left. Paterson picked the
left-hand one, thundered down on him in a short dive, and let go a
burst of ten shots into the pilot’s back. He saw the pilot’s head snap
sideways and his gloved hands fly up from the controls. Then Mallory
dived over him after the other one. He turned in a wild split-air and
followed Mallory.

There were more Huns below him and to the left, with two of the C
Flight Camels diving and bucking between them. He raced furiously
into a long dive, picked the nearest, and opened fire again in short,
hammering bursts. His Hun wabbled and started down awkwardly in long
sweeps. He picked another, still farther below, and pushed his stick
forward until the rush of air gagged him. Wildly he fired as he
ploughed down on it, and the chatter of his guns stabbed through the
roar of his engine. He yelled like a madman, shot under the Hun, pulled
up sharply, and fired into its gray mud-streaked belly. There was a fan
of scarlet flame and a shock that tossed him to one side. He stalled
and whipped out into a spin. Far below him he could see the decoy
two-seater trailing a long plume of reddish smoke and flopping, wings
over, toward the floor.

Then, suddenly, he saw his chance to wabble down and get away. He
ruddered out of the spin and ran his stick once through the slow
ellipse he had planned. But somehow he had to force himself to do it.
There wasn’t the relief he had expected. He looked back. Three C-Flight
machines were still above him, fighting madly--P-B, Trent, and Hoyt.
No--not this time. He pulled his stick back and climbed up. There were
five Huns circling the Camels. It was a long shot, but he fired at the
nearest and came up under the tail just as one of the Camels hurtled
into a nose dive, twisted over, and snapped off both wings. He saw the
pilot’s arms raised wildly in the cockpit and no more.

Blood streamed into his mouth. He had torn his lips with his teeth in
the excitement. The warm salty tang mounted to his brain. His goggles
were sweat-fogged. His fingers ached with their pressure on the joy
stick, and his arm was numb to the elbow. In a spasm of blind hatred,
he fired. Tracers raced across his top plane and struck with little
smoke puffs that ripped the fabric into ribbons. His own bullets clawed
at the Hun above him and fanged home.

He threw himself up and over in an Immelmann turn and came under the
next, still firing. He let go his stick and jerked his Lewis gun down
its sliding mount on his top plane. It fired twice and jammed. He
yanked madly at the cocking lug, but it stuck halfway. He hurtled down
again in another spin. The ground swept around in a quick arc that
ended in clouds and more Hun busses. He caught at his thrashing joy
stick. Again the ground flashed through his centre section struts in a
brown smudge, with the blaze of the sun hanging to one end of it. Then
there was a Camel above him and a Camel below him. He closed in on the
one below and squinted at the markings. Hoyt. He looked up at the other
Camel, but the numerals on the side of its fuselage were hidden with a
torn flap of fabric. Together, the three turned westward and started
back.

Presently, near the line, the bus above him wabbled and dipped its
nose. He stared at it. It went into a long, even glide that grew slowly
steeper as he watched. He looked down for Huns. There were none. The
glide became a dive, the dive twisted into an aimless spin, like the
flopping of a lazy swimmer turning over in shallow water. The spin
flattened and the Camel whipped out upside down, stalled, snapped out
again, and again spun downward in that ghastly slow way. Over and over,
only to whip out, stall and spin again. It was miles below him now.
Nothing to do. Fascinated, he watched it as he followed Hoyt’s tail.
It was a mere dot now, flashing once or twice in the sun as it flopped
over and over. Close to the ground now--closer. Then, suddenly, a tiny
sheet of pink flame leaped up like the flash of a far beacon. That was
all.

Hoyt was side-slipping below him, and he saw his own airdrome under the
leading edge of his bottom wing. He followed Hoyt down. They landed
together and taxied slowly in toward the hangars. They stopped side by
side and climbed out stiff-legged. Paterson looked down and saw that
his right flying boot was torn and flayed into shreds across the outer
side. There was a jagged fringe on the skirt of his coat where the
leather had been ripped into ruffles. Dumbly, he looked back into his
cockpit. The floor boards were splintered and the wicker arm of his
seat was eaten away. He shrugged and walked over toward Hoyt. There was
blood on the rabbit fur of Hoyt’s goggles, blood that oozed slowly down
and dripped from his chin piece in bright drops.

“Cigarette?”

Paterson gave him one. They walked into the flight office and slumped
into chairs. Hoyt ripped off his helmet and dabbed at the scratch on
his cheek. “I’m glad you got out, Pat,” he said absently.

Then the fear spot broke and spattered into the four corners of
Paterson’s soul. He sprang up trembling, with his fists beating the air.

“The dirty lice!” he screamed. “They’ve killed P-B! They’ve killed
Trent! D’y’ hear me, Hoyt?--they’ve killed ’em! They’re gone! They’ll
never come back! They’ve----”

Hoyt’s voice came evenly, calmly, through his screaming. “Steady, boy!
Steady! You can’t help it. No one can. Steady, now!”

A mat of white oil-splotched faces stared at them from the open
doorway that led into the hangar. The boy turned wildly. “Clear out!”
he shrieked. They vanished, open-mouthed. Hoyt drew him down into a
chair. “No, Hoyt, no! Can’t you see? P-B and you and Trent have meant
everything to me. I can’t go on. I’ve fought this thing till I’m
crazy.” Hoyt reached quickly and slammed the door. “I’ve fought it
night and day!” He threw up his arms hopelessly and covered his face
with his shaking hands.

Hoyt put his hand on his trembling shoulders and patted them. “Steady,
now! Steady! None of that!” he said awkwardly.

Paterson’s head whipped down across his sprawled arms on the desk top
and the sobs tore at his throat in great gusts that choked him. “Oh,
God!” he sobbed. “What’s it all about, Hoyt? What’s the use of it?”

“Steady, son! I don’t know. Nobody knows. It just happened, as
everything happens. It’s much too late to talk causes. We’re here and
we know what we have to do. That’s enough for us. It’s all we have
anyway, so it must be enough.” He took his blood-soaked cigarette from
his mouth and hurled it into a corner. It landed with a soft spat.

Someone knocked at the door. “Come in.” It was the runner from squadron
office. He saluted. “Yes?” said Hoyt.

The man glanced at Paterson’s face and snapped his eyes quickly back to
the captain’s.

“Beg pardon, sir,” he said. “Squadron’s just been signalled through
wing. One of the C Flight machines came down near B Battery, the 212th.”

“Who was it?” asked Hoyt.

“Lieutenant Mallard, they reported it, sir. That’ll be Lieutenant
Mallory, sir, won’t it?”

“Yes.” Hoyt’s voice was quite flat. “Thank you.”

The man saluted again and shut the door. Hoyt dabbed at his cheek and
reached into his desk drawer for another cigarette. Paterson stood up
suddenly and grabbed his arm. “Listen, skipper!” Hoyt’s eyes met his
calmly. “I’m going to tell you something. I’ll feel better if I do.
I’ve been a weak sister in this flight. I’ve planned for days to go
down and let myself be taken prisoner--to get out of it all. I’ve been
sick of it--sick of it, d’y’ hear, until I couldn’t think straight. I
wanted to get out alive. I wanted to get away in any way I could. This
morning I broke. I let go and started down----”

Hoyt smiled. “Your trouble, Pat, is that you think you’re the only
person in this jolly old war.”

Paterson stared at him. “But I did! I started down, out of it, this
morning!”

“How’d you get here?” asked Hoyt.

“But if I hadn’t broken for that moment this morning----”

“That’s a lie!” snapped Hoyt. “You’re talking poobah! I know how those
things happen. If P-B hadn’t gone down after the two-seater they’d
all be here now; and by the same reasoning, if my aunt wore trousers
she’d be my uncle. The important thing is that it’s you and me now and
nothing else matters. We’ll have four brand-new men to whip into shape
to-morrow, and whatever you think of yourself, you’ve got to do it. I
can’t do much, for I’ll be ahead, leading. You’ll be behind them and
you’ll have to do it all. They’ll be frightened and nervous and green,
but the job’s to be done. Understand? You’ve got to goad them on and
get them out of trouble and watch them every minute, so that in time
they’ll be as good as P-B and Trent--so that when their turn comes they
can do for other green men what P-B and Trent did for you. Do you see
now what this morning has done for you?” He paused for a moment, and
then, in a lower tone--“Afraid? Who isn’t afraid? But it doesn’t do any
good to brood over it.”

C Flight did no duty the next day, nor the day following. Hoyt went up
to the 212th and identified Mallory for burial, while Paterson flew
back to the Pool for the replacement pilots and a new Camel for Hoyt.

In Amiens he heard the first whispered rumours of what was going to
happen. Intelligence was ranting for information. Everybody had the
story and nobody was right. The hospitals were evacuating as fast as
possible. Fresh battalions were being hustled up. It wasn’t a push.
Anyone could tell that with half an eye. Something the Hun was doing.
The spring offensive a month earlier this year. G. H. Q. was plugging
the gaps frantically, replacing and reinforcing and wondering where the
hammer would fall and what it would carry with it. Hence the pictures
that had cost the lives of P-B and Trent. The air itself trembled with
uncertainty, and rumours flew fast and thick.

Paterson flew back with the four new pilots and brought the rumours
with him. Hoyt had more to barter in exchange. The talk ran riot at
dinner.

“It’s a Hun push, all right, but where, nobody knows. We’ll have word
in a day or so, but it’ll be wrong whatever it is, mark what I say!”

And then on the evening of the twentieth things started. A signal came
for the major just as they sat down to mess. He went out and presently
called out the three flight commanders. When they came back, they took
their places thoughtfully. Silence trembled in the room like the hush
that precedes the first blasting stroke of a great bell in a cathedral
tower. The major swept his eyes down the board.

“You will remain at the airdrome to-night, gentlemen, and remain sober.
Officers’ luggage is to be packed and placed on lorries which Mr.
Harbord is providing for that purpose.” He paused for a moment. “This
is a precautionary move, gentlemen. We are to be ready to retire at
a moment’s notice. Flight commanders have the map squares of the new
airdrome. You can take that up later among yourselves.” He leaned back
in his chair and beckoned to the mess sergeant. “Take every officer’s
order, sergeant, and bring me the chit.”

The talk broke in a wild flood that roared and crackled down the length
of the table. The tin walls trembled with the surge of it and the
echoes broke in hot discord among the rough pine rafters. Offensive
patrols for all three flights, to start at five minutes to four A.
M. Air domination must be maintained. Wing’s instructions were to
stop everything at all costs. Go out and fight and shut up. Somebody
presented the adjutant with the sugar bowl and asked him if he had
his umbrella for the trip back. The adjutant had spent eighteen days
without soles to his boots in 1914. He and the medical officer stood
drinks for the squadron.

About ten o’clock, Hoyt called the five men of C Flight into his hut.
“To-morrow, something is going to happen, I’m afraid, and you’ve got
to meet it without much experience. What I want you to understand is
simply this: You’ve got Pat and you’ve got me. Follow us and do what
we do. We won’t let you down so far as it is humanly possible. If the
flight gets split up in a dog fight, then fight your way out two and
two--and go back to the new ’drome two and two. Don’t go separately.
Further”--he paused--“if anything happens to me”--Paterson looked up
at him quickly and something tugged sharply at his heart; Hoyt went
on quietly--“take your lead from Mr. Paterson. You’ll be Number 5,
Darlington. You’ll climb up as deputy leader. And if anything happens
to Pat, then it’s up to you to bring the rest home.” He smiled. “There
is a bottle of Dewar’s in this drawer. Take a snifter now, if you
want it, and one in the morning. It’s for C Flight only. Oh, yes, one
more thing: The fact that we’re moving back to a new airdrome seems
to indicate that staff thinks nothing can stop the Hun from breaking
through. The fact that nothing can stop the Hun seems to indicate that,
for the nonce, we are losing our part of the war. If the thought will
help you--it’s yours without cost.”

* * * * *

The caller rapped sharply and threw back the door. Paterson leaped to
his feet half asleep and pushed back the window curtains. The clouds
were down to about four hundred feet, lowering in a gray mass over the
mist on the airdrome. He went into the next cubicle and turned Hoyt
out. Hoyt sat up on the cot edge and ran his hand across his forehead.

“Stop the caller,” he said. “Let’s see what’s what before we turn
everybody out.” They shrugged into their flying coats and groped down
the passage to the major’s cubicle in the next hut block.

“Let ’em sleep,” said the major. “Can’t do anything in this muck. Turn
out one officer in each flight to watch for the break and to warn the
rest. Send Harbord to me if you see him wandering about.”

They woke up the skippers of A and B Flights and told them the news.
Paterson took the watch for C. He turned up his coat collar and went
out. It was cold and miserable in the open, and the chill crept into
his bones. The smoke from his cigarette hung low about him in the still
air.

Presently to the eastward there came a low roar. He looked at his wrist
watch. The hands pointed to six minutes before four o’clock. The ground
trembled slightly to the sound of the distant guns and the air stirred
in faint gusts that pulled at blue wraiths of his cigarette smoke. The
push had started. His muscles stiffened at the knees as he listened.
The first shock of the guns was raw and sharp in the quiet air; then
it settled into a lower, full-throated rumble like the heavy notes of
an organ growling in an underground basilica. Now it rose again in its
greater volume--rose steadily, slowly, as if it were a colossal express
train hammering down the switch points at unthinkable speed. Presently
it soared to its highest pitch and held the blasting monotony of its
tone. The minutes ticked off, but the guns never faltered in their
symphony of blood. At 4:35 one pipe of the organ to the southeastward
cut out suddenly and almost immediately began again, closer than
before. Again it broke, as he listened, and crept nearer still.

He walked down the line of huts, thrashing his arms and blowing on his
cold hands. An impersonal thing to him, yet he shivered slightly and
stared upward at the low clouds. Men out there to the eastward were
in it. The suspense was over for them. And suddenly he found himself
annoyed at the delay, annoyed at the fog and clouds above, that kept
him on the ground. He wanted to see what was going on--to know. He
turned impatiently and went into the mess. The sergeant brought him
coffee, and presently Muirhead of A Flight came in with Church of B.

“It’s on,” Church said absently. “I suppose this fog means hell up the
line.”

They drank their coffee and smoked in silence. The sound of the guns
crept nearer and nearer, and one by one the rest of the squadron
drifted in for breakfast.

Hoyt sat down next to Paterson. “I don’t like it,” he said. “Something
is giving way up there.” He went to the window and looked out. “Clouds
are higher,” he said, “and the fog’s lifted a bit. What do you think,
major?”

They crowded out of the mess doorway and stood in an anxious knot,
staring upward. It was well after six o’clock.

“All right”--the major turned around--“get ready to stand by.”

C Flight collected in a little knot in front of Hoyt’s Camel, smoking
and talking nervously. Paterson kept his eyes on Hoyt and stamped his
feet to get the circulation up. A strange elation crept into his veins
and warmed him. In a moment now--in a moment. Awkward waiting here.
Awkward standing around listening to Darlington curse softly and pound
his hands together.

Somewhere behind him on the road, a motor bike roared through the mist,
and then to the southward a shell crashed not a thousand yards from the
’drome, and the echo of it thumped off across the fields. Darlington
jumped and stared at the mushroom of greasy black smoke. A moment
more--a moment now. Paterson reached over and tapped Darlington’s
sleeve. “Keep your guns warm, old boy.” Darlington nodded fiercely.

The major climbed into his cockpit and a mechanic leaped to the
propeller. The engine coughed once and the propeller snapped back. The
mechanic leaped at it again. It spun down and melted into a circle of
pale light. Everyone was climbing in. Hoyt flicked his cigarette away
sharply and put a leg up into his stirrup.

They were taxi-ing out into the open ground, with the mechanics running
after them. Presently they could see the road. Paterson stared at it in
amazement. It was brown and crawling with lorries and troops. Something
had happened! A Flight, with the major, sang off across the ground
and took the air together in a climbing turn. B Flight waited a brief
second and followed. Out of the corner of his eye, Paterson could see
the mess sergeant climbing up on the lorry seat beside Harbord, the
equipment officer. Then Hoyt waved his hand. Mechanics yanked at the
chock ropes and waved them off. They blipped their motors and raced out
after Hoyt.

At five hundred feet they took the roof in the lacy fringe of the
low clouds. Bad, very bad, Paterson thought. He ran his thumb across
the glass face of his altimeter and his globe became wet with the
beaded moisture. He could hardly see Darlington’s tail. Ahead of
them the clouds were a trifle higher. Hoyt led them up and turned
northward. Murder to cross the line at that height, with the barrage
on. Darlington was lagging a bit. Afraid of the clouds. He dived on
Darlington’s tail and closed him up on Number 3. Darlington glanced
back at him and ducked his head.

Hoyt was circling back now in a broad sweep. Over there somewhere was
Cambrai. He looked up for an instant just in time to see the underside
of a huge plane sweep over him. He ducked at the sight of the black
crosses, but the plane was gone before he could whip his Lewis gun
into action. Almost immediately one corner of his windshield ripped
away and the triplex glass blurred with a quick frosting of a thousand
cracks. He cursed into the roar of his motor and kept on.

They were higher now, but the visibility was frightful--like flying
in a glass ball that had been streaked with thick dripping soapsuds.
Here a glimpse and a rift that closed up as soon as you looked; there
a blank wall, tapering into tantalizing shreds that you couldn’t quite
see beyond. He fidgeted in his cockpit and turned his head from Hoyt,
below him, to the gray emptiness behind. Nothing.

Presently Hoyt banked around, and following him, the compass needle on
Paterson’s instrument board turned through a half circle. They were
going back toward the south again and climbing still higher. An even
thousand feet now--just under the rising, ragged clouds. He felt a drop
of rain strike his cheek where his chin piece ended. It bit his skin
like a thorn and stung for seconds afterward. His goggles were fogging.
He ran a finger up under them and swept the lenses.

Then, in a breath, it happened. A gray flash swept down out of the
clouds in front of the formation. Hoyt zoomed to avoid it. The Hun
zoomed and they came together and melted into each other in a welter of
torn, rumpled wings and flying splinters. Something black and kicking
rose out and disappeared. The cords stood out in Paterson’s neck and
his throat closed. Somewhere his stomach leaped and kicked inside of
him, trying to get out, and he saw coffee dripping from the dials of
his instruments.

In a second he had thrown his stick forward and gone down into Hoyt’s
place. He didn’t dare look--he couldn’t look. He was screaming curses
at the top of his voice and the screams caught in his throat in great
sobs. His goggles were hopelessly fogged. He ripped them off. Behind
him the four new men closed in tightly, with Darlington above them as
deputy leader.

There was blood again on his lips. He pulled back his stick and
climbed. There, somewhere in the clouds, were the men who had done it!
All right! All right! His eyes stung and wept with the force of the
wind, and his cheeks quivered under the lash of the raindrops. With his
free hand, fist clenched, he pounded his knee in stunned anguish until
his muscles ached. Hoyt! Hoyt! Then he saw what he wanted and dived
down furiously at the shape in the mist. Bullets tore at his top plane
and raked across the cowling behind him. He closed on the Hun and sent
it spinning. There was another--three--five--nothing but Huns. He dived
in between them. Fine! He was screaming again, and firing. He forgot he
was flying. The joy stick thrashed crazily between his knees and the
ground and the clouds were a muddy gray scarf that swept from side to
side across his eyes. Guns were the thing. Once, in a quick flash, he
saw tiny men running upside down through the ring sight of his Lewis
gun--the gun on his top plane--funny.

His wrists ached and his fingers were quite dead against the Bowden
trigger. No, not that; that’s a Camel--Darlington. He grabbed at his
joy stick and pulled it back. Funny how hard it was to pull it. Another
Camel swept in beside him, and another, with startling suddenness. It
had been a long time now--a long time. Somebody had been afraid once
and there had been a man named Hoyt. No, Hoyt was dead. Hoyt had been
killed days before. Must have been P-B. P-B was probably in Amiens
by now. He’d left in the tender at six o’clock. And always his guns
chattered above the roar of his engine.

Abruptly, the cross wires of his centre section raced up to him from
a great distance and stopped just before his eyes. He wondered where
they had been all this time. He stared past them into the light disk
of his propeller, and again the rain lashed into his face and stung
him. He caught at the kicking joy stick and held on to it with both
hands--but one hand fell away from it and wouldn’t come back. With an
effort, he pulled back his stick to climb up under the clouds again.
Must be up under the clouds. Must wait and get more Huns. Funny things,
Huns. Clumsy, stupid gray things you shot at and sent down. Go home
soon, rest a bit and get some more. He laughed softly to himself. Joke.
Funniest thing in the world.

The centre section wires clouded up before his eyes and started to
race away from him. Here! That’s bad! Can’t fly without centre section
wires. He chuckled a bit over that. Absurd to think of flying without
centre section wires! Come back here! You come back!

Just as his eyes closed, he saw a streak of roadway flicker through the
struts of his left wing. There were faces on it quite close to him;
faces that were white and staring; faces with arms raised above them.
Funny. He whipped back his joy stick with a convulsive jerk, and then
his head crashed forward and he threw up his arm to keep his teeth from
being bashed out against the compass.

* * * * *

It was very dark--dark except for a dancing blue light far away. He
moved slightly. Something cool touched his forehead.

“All right,” he muttered; “that’s all right now. You just follow me.”
Someone whispered. He opened his eyes and stared into the darkness.
“No,” he said quite plainly. “I mean it! Hoyt’s dead. I saw him go
down.”

He felt something sharp prick his arm. “You’ve got the new airdrome
pinpointed, haven’t you?” he asked.

A soft voice said, “Yes. Sh-h-h!”

“No,” he said, “I can’t. Darlington’s alone now, and I’ve got to go
back. They’re green, but they’re good boys.” He moved his legs to get
up. “There’s a bottle of Dewar’s----”

“No,” said the voice beside him.

“Oh, yes,” he said quietly. “Really, this is imperative. I know I
crashed.”

A stealthy languor crept across his chest and flowed down toward his
legs. He thought about it for a moment. “I ought to go,” he said
pettishly. “But I’m so tired.”

“Yes,” said the voice. “Go to sleep now.”

“Right-o,” he said. “You call a tender and wake--me--half--an--hour.”
He was quiet for a moment more and then he chuckled softly. “Tell ’em
it’s poobah,” he said sharply.

“All right,” said the voice. “It’s poobah.”

His breathing became quiet and regular and footsteps tiptoed softly
down the ward away from his bed.

NIGHT CLUB

BY KATHARINE BRUSH

From _Harper’s_

Promptly at quarter of ten P. M. Mrs. Brady descended the steps of the
Elevated. She purchased from the newsdealer in the cubbyhole beneath
them a next month’s magazine and a to-morrow morning’s paper and, with
these tucked under one plump arm, she walked. She walked two blocks
north on Sixth Avenue; turned and went west. But not far west. Westward
half a block only, to the place where the gay green awning marked Club
Français paints a stripe of shade across the glimmering sidewalk.
Under this awning Mrs. Brady halted briefly, to remark to the six-foot
doorman that it looked like rain and to await his performance of his
professional duty. When the small green door yawned open, she sighed
deeply and plodded in.

The foyer was a blackness, an airless velvet blackness like the inside
of a jeweller’s box. Four drum-shaped lamps of golden silk suspended
from the ceiling gave it light (a very little) and formed the jewels:
gold signets, those, or cuff-links for a giant. At the far end of the
foyer there were black stairs, faintly dusty, rippling upward toward
an amber radiance. Mrs. Brady approached and ponderously mounted the
stairs, clinging with one fist to the mangy velvet rope that railed
their edge.

From the top, Miss Lena Levin observed the ascent. Miss Levin was the
checkroom girl. She had dark-at-the-roots blonde hair and slender hips
upon which, in moments of leisure, she wore her hands, like buckles of
ivory loosely attached. This was a moment of leisure. Miss Levin waited
behind her counter. Row upon row of hooks, empty as yet, and seeming to
beckon--wee curved fingers of iron--waited behind her.

“Late,” said Miss Levin, “again.”

“Go wan!” said Mrs. Brady. “It’s only ten to ten. _Whew!_ Them
_stairs_!”

She leaned heavily, sideways, against Miss Levin’s counter, and,
applying one palm to the region of her heart, appeared at once to
listen and to count. “Feel!” she cried then in a pleased voice.

Miss Levin obediently felt.

“Them stairs,” continued Mrs. Brady darkly, “with my bad heart, will be
the death of me. Whew! Well, dearie? What’s the news?”

“You got a paper,” Miss Levin languidly reminded her.

“Yeah!” agreed Mrs. Brady with sudden vehemence. “I got a paper!” She
slapped it upon the counter. “An’ a lot of time I’ll get to _read_ my
paper, won’t I now? On a Saturday night!” She moaned. “Other nights is
bad enough, dear knows--but _Saturday_ nights! How I dread ’em! Every
Saturday night I say to my daughter, I say, ‘Geraldine, I can’t,’ I
say, ‘I can’t go through it again, an’ that’s all there is to it,’ I
say. ‘I’ll _quit_!’ I say. An’ I _will_, too!” added Mrs. Brady firmly,
if indefinitely.

Miss Levin, in defense of Saturday nights, mumbled some vague something
about tips.

“Tips!” Mrs. Brady hissed it. She almost spat it. Plainly money was
nothing, nothing at all, to this lady. “I just wish,” said Mrs. Brady,
and glared at Miss Levin, “I just wish _you_ had to spend one Saturday
night, just one, in that dressing room! Bein’ pushed an’ stepped on
and near knocked down by that gang of hussies, an’ them orderin’ an’
bossin’ you ’round like you was _black_, an’ usin’ your things an’ then
sayin’ they’re sorry, they got no change, they’ll be back. Yah! They
_never_ come back!”

“There’s Mr. Costello,” whispered Miss Levin through lips that, like a
ventriloquist’s, scarcely stirred.

“An’ as I was sayin’,” Mrs. Brady said at once brightly, “I got to
leave you. Ten to ten, time I was on the job.”

She smirked at Miss Levin, nodded, and right-about-faced. There,
indeed, Mr. Costello was. Mr. Billy Costello, manager, proprietor,
monarch of all he surveyed. From the doorway of the big room, where the
little tables herded in a ring around the waxen floor, he surveyed Mrs.
Brady, and in such a way that Mrs. Brady, momentarily forgetting her
bad heart, walked fast, scurried faster, almost ran.

The door of her domain was set politely in an alcove, beyond silken
curtains looped up at the sides. Mrs. Brady reached it breathless,
shouldered it open, and groped for the electric switch. Lights sprang
up, a bright white blaze, intolerable for an instant to the eyes, like
sun on snow. Blinking, Mrs. Brady shut the door.

The room was a spotless, white-tiled place, half beauty shop, half
dressing room. Along one wall stood washstands, sturdy triplets in a
row, with pale-green liquid soap in glass balloons afloat above them.
Against the opposite wall there was a couch. A third wall backed an
elongated glass-topped dressing table; and over the dressing table and
over the washstands long rectangular sheets of mirror reflected lights,
doors, glossy tiles, lights multiplied....

Mrs. Brady moved across this glitter like a thick dark cloud in a
hurry. At the dressing table she came to a halt, and upon it she laid
her newspaper, her magazine, and her purse--a black purse worn gray
with much clutching. She divested herself of a rusty black coat and a
hat of the mushroom persuasion, and hung both up in a corner cupboard
which she opened by means of one of a quite preposterous bunch of keys.
From a nook in the cupboard she took down a lace-edged handkerchief
with long streamers. She untied the streamers and tied them again
around her chunky black alpaca waist. The handkerchief became an
apron’s baby cousin.

Mrs. Brady relocked the cupboard door, fumbled her keyring over, and
unlocked a capacious drawer of the dressing table. She spread a fresh
towel on the plate-glass top, in the geometrical centre, and upon the
towel she arranged with care a procession of things fished from the
drawer. Things for the hair. Things for the complexion. Things for the
eyes, the lashes, the brows, the lips, and the finger nails. Things in
boxes and things in jars and things in tubes and tins. Also, an ash
tray, matches, pins, a tiny sewing kit, a pair of scissors. Last of
all, a hand-printed sign, a nudging sort of sign:

NOTICE!

These articles, placed here for your convenience, are the property of
the _maid_.

And directly beneath the sign, propping it up against the
looking-glass, a china saucer, in which Mrs. Brady now slyly laid decoy
money: two quarters and two dimes, in four-leaf-clover formation.

Another drawer of the dressing table yielded a bottle of bromo seltzer,
a bottle of aromatic spirits of ammonia, a tin of sodium bicarbonate,
and a teaspoon. These were lined up on a shelf above the couch.

Mrs. Brady was now ready for anything. And (from the grim, thin pucker
of her mouth) expecting it.

Music came to her ears. Rather, the beat of music, muffled, rhythmic,
remote. _Umpa-um, umpa-um, umpa-um-umm_--Mr. “Fiddle” Baer and his
band, hard at work on the first foxtrot of the night. It was teasing,
foot-tapping music; but the large solemn feet of Mrs. Brady were still.
She sat on the couch and opened her newspaper; and for some moments
she read uninterruptedly, with special attention to the murders, the
divorces, the breaches of promise, the funnies.

Then the door swung inward, admitting a blast of Mr. “Fiddle” Baer’s
best, a whiff of perfume, and a girl.

Mrs. Brady put her paper away.

The girl was _petite_ and darkly beautiful; wrapped in fur and mounted
on tall jewelled heels. She entered humming the ragtime song the
orchestra was playing, and while she stood near the dressing table,
stripping off her gloves, she continued to hum it softly to herself:

“Oh, I know my baby loves me,
I can tell my baby loves me.”

Here the dark little girl got the left glove off, and Mrs. Brady
glimpsed a platinum wedding ring.

“’Cause there ain’t no maybe
In my baby’s
Eyes.”

The right glove came off. The dark little girl sat down in one of the
chairs that faced the dressing table. She doffed her wrap, casting it
carelessly over the chair back. It had a cloth-of-gold lining, and
“Paris” was embroidered in curlicues on the label. Mrs. Brady hovered
solicitously near.

The dark little girl, still humming, looked over the articles “placed
here for your convenience,” and picked up the scissors. Having cut off
a very small hangnail with the air of one performing a perilous major
operation, she seized and used the manicure buffer, and after that
the eyebrow pencil. Mrs. Brady’s mind, hopefully calculating the tip,
jumped and jumped again like a taximeter.

“Oh, I know my baby loves me----”

The dark little girl applied powder and lipstick belonging to herself.
She examined the result searchingly in the mirror and sat back,
satisfied. She cast some silver _Klink! Klink!_ into Mrs. Brady’s
saucer, and half rose. Then, remembering something, she settled down
again.

The ensuing thirty seconds were spent by her in pulling off her
platinum wedding ring, tying it in a corner of a lace handkerchief, and
tucking the handkerchief down the bodice of her tight white velvet gown.

“There!” she said.

She swooped up her wrap and trotted toward the door, jewelled heels
merrily twinkling.

“’Cause there ain’t no maybe----”

The door fell shut.

Almost instantly it opened again, and another girl came in. A blonde,
this. She was pretty in a round-eyed, babyish way; but Mrs. Brady,
regarding her, mentally grabbed the spirits of ammonia bottle. For she
looked terribly ill. The round eyes were dull, the pretty, silly little
face was drawn. The thin hands, picking at the fastenings of a specious
beaded bag, trembled and twitched.

Mrs. Brady cleared her throat. “Can I do something for you, miss?”

Evidently the blonde girl had believed herself alone in the dressing
room. She started violently and glanced up, panic in her eyes. Panic,
and something else. Something very like murderous hate--but for an
instant only, so that Mrs. Brady, whose perceptions were never quick,
missed it altogether.

“A glass of water?” suggested Mrs. Brady.

“No,” said the girl, “no.” She had one hand in the beaded bag now.
Mrs. Brady could see it moving, causing the bag to squirm like a live
thing, and the fringe to shiver. “Yes!” she cried abruptly. “A glass of
water--please--you get it for me.”

She dropped on to the couch. Mrs. Brady scurried to the water cooler in
the corner, pressed the spigot with a determined thumb. Water trickled
out thinly. Mrs. Brady pressed harder, and scowled, and thought,
“Something’s wrong with this thing. I mustn’t forget, next time I see
Mr. Costello----”

When again she faced her patient, the patient was sitting erect. She
was thrusting her clenched hand back into the beaded bag again.

She took only a sip of the water, but it seemed to help her quite
miraculously. Almost at once colour came to her cheeks, life to her
eyes. She grew young again--as young as she was. She smiled up at Mrs.
Brady.

“Well!” she exclaimed. “What do you know about that!” She shook her
honey-coloured head. “I can’t imagine what came over me.”

“Are you better now?” inquired Mrs. Brady.

“Yes. Oh, yes. I’m better now. You see,” said the blonde girl
confidentially, “we were at the theatre, my boy friend and I, and it
was hot and stuffy--I guess that must have been the trouble.” She
paused, and the ghost of her recent distress crossed her face. “God! I
thought that last act _never_ would end!” she said.

While she attended to her hair and complexion, she chattered gaily to
Mrs. Brady, chattered on with scarcely a stop for breath, and laughed
much. She said, among other things, that she and her “boy friend” had
not known one another very long, but that she was “ga-ga” about him.
“He is about me, too,” she confessed. “He thinks I’m grand.”

She fell silent then, and in the looking-glass her eyes were shadowed,
haunted. But Mrs. Brady, from where she stood, could not see the
looking-glass; and half a minute later the blonde girl laughed and
began again. When she went out she seemed to dance out on little winged
feet; and Mrs. Brady, sighing, thought it must be nice to be young ...
and happy like that.

The next arrivals were two. A tall, extremely smart young woman in
black chiffon entered first, and held the door open for her companion;
and the instant the door was shut, she said, as though it had been on
the tip of her tongue for hours, “Amy, what under the sun _happened_?”

Amy, who was brown-eyed, brown-bobbed-haired, and patently annoyed
about something, crossed to the dressing table and flopped into a chair
before she made reply.

“Nothing,” she said wearily then.

“That’s nonsense!” snorted the other. “Tell me. Was it something she
said? She’s a tactless ass, of course. Always was.”

“No, not anything she said. It was----” Amy bit her lip. “All right!
I’ll tell you. Before we left your apartment I just happened to notice
that Tom had disappeared. So I went to look for him--I wanted to ask
him if he’d remembered to tell the maid where we were going--Skippy’s
subject to croup, you know, and we always leave word. Well, so I went
into the kitchen, thinking Tom might be there mixing cocktails--and
there he was--and there _she_ was!”

The full red mouth of the other young woman pursed itself slightly. Her
arched brows lifted. “Well?”

Her matter-of-factness appeared to infuriate Amy. “He was _kissing_
her!” she flung out.

“Well?” said the other again. She chuckled softly and patted Amy’s
shoulder, as if it were the shoulder of a child. “You’re surely not
going to let _that_ spoil your whole evening? Amy _dear_! Kissing
may once have been serious and significant--but it isn’t nowadays.
Nowadays, it’s like shaking hands. It means nothing.”

But Amy was not consoled. “I hate her!” she cried desperately.
“Red-headed _thing_! Calling me ‘darling’ and ‘honey,’ and s-sending
me handkerchiefs for C-Christmas--and then sneaking off behind closed
doors and k-kissing my h-h-husband....”

At this point Amy quite broke down, but she recovered herself
sufficiently to add with venom, “I’d like to slap her!”

“Oh, oh, oh,” smiled the tall young woman, “I wouldn’t do that!”

Amy wiped her eyes with what might well have been one of the Christmas
handkerchiefs, and confronted her friend. “Well, what _would_ you do,
Claire? If you were I?”

“I’d forget it,” said Claire, “and have a good time. I’d kiss somebody
myself. You’ve no idea how much better you’d feel!”

“I don’t do----” Amy began indignantly; but as the door behind
her opened and a third young woman--red-headed, earringed,
exquisite--lilted in, she changed her tone. “Oh, hello!” she called
sweetly, beaming at the newcomer via the mirror. “We were wondering
what had become of you!”

The red-headed girl, smiling easily back, dropped her cigarette on
the floor and crushed it out with a silver-shod toe. “Tom and I were
talking to ‘Fiddle’ Baer,” she explained. “He’s going to play ‘Clap
Yo’ Hands’ next, because it’s my favourite. Lend me a comb, will you,
somebody?”

“There’s a comb there,” said Claire, indicating Mrs. Brady’s business
comb.

“But imagine using it!” murmured the red-headed girl. “Amy, darling,
haven’t you one?”

Amy produced a tiny comb from her rhinestone purse. “Don’t forget to
bring it when you come,” she said, and stood up. “I’m going on out, I
want to tell Tom something.”

She went.

The red-headed young woman and the tall black-chiffon one were alone,
except for Mrs. Brady. The red-headed one beaded her incredible lashes.
The tall one, the one called Claire, sat watching her. Presently she
said, “Sylvia, look here.” And Sylvia looked. Anybody, addressed in
that tone, would have.

“There is one thing,” Claire went on quietly, holding the other’s eyes,
“that I want understood. And that is, ‘_Hands off!_’ Do you hear me?”

“I don’t know what you mean.”

“You do know what I mean!”

The red-headed girl shrugged her shoulders. “Amy told you she saw us, I
suppose.”

“Precisely. And,” went on Claire, gathering up her possessions and
rising, “as I said before, you’re to keep away.” Her eyes blazed sudden
white-hot rage. “Because, as you very well know, he belongs to _me_,”
she said, and departed, slamming the door.

* * * * *

Between eleven o’clock and one Mrs. Brady was very busy indeed. Never
for more than a moment during those two hours was the dressing room
empty. Often it was jammed, full to overflowing with curled cropped
heads, with ivory arms and shoulders, with silk and lace and chiffon,
with legs. The door flapped in and back, in and back. The mirrors
caught and held--and lost--a hundred different faces. Powder veiled
the dressing table with a thin white dust; cigarette stubs, scarlet at
the tips, choked the ash-receiver. Dimes and quarters clattered into
Mrs. Brady’s saucer--and were transferred to Mrs. Brady’s purse. The
original seventy cents remained. That much, and no more, would Mrs.
Brady gamble on the integrity of womankind.

She earned her money. She threaded needles and took stitches. She
powdered the backs of necks. She supplied towels for soapy, dripping
hands. She removed a speck from a teary blue eye and pounded the heel
on a slipper. She curled the straggling ends of a black bob and a
gray bob, pinned a velvet flower on a lithe round waist, mixed three
doses of bicarbonate of soda, took charge of a shed pink-satin girdle,
collected, on hands and knees, several dozen fake pearls that had wept
from a broken string.

She served chorus girls and schoolgirls, gay young matrons and gayer
young mistresses, a lady who had divorced four husbands, and a lady
who had poisoned one, the secret (more or less) sweetheart of a Most
Distinguished Name, and the Brains of a bootleg gang.... She saw
things. She saw a yellow check, with the ink hardly dry. She saw four
tiny bruises, such as fingers might make, on an arm. She saw a girl
strike another girl, not playfully. She saw a bundle of letters some
man wished he had not written, safe and deep in a brocaded handbag.

* * * * *

About midnight the door flew open and at once was pushed shut, and a
gray-eyed, lovely child stood backed against it, her palms flattened
on the panels at her sides, the draperies of her white chiffon gown
settling lightly to rest around her.

There were already five damsels of varying ages in the dressing room.
The latest arrival marked their presence with a flick of her eyes and,
standing just where she was, she called peremptorily, “Maid!”

Mrs. Brady, standing just where _she_ was, said, “Yes, miss?”

“Please come here,” said the girl.

Mrs. Brady, as slowly as she dared, did so.

The girl lowered her voice to a tense half-whisper. “Listen! Is there
any way I can get out of here except through this door I came in?”

Mrs. Brady stared at her stupidly.

“Any window?” persisted the girl. “Or anything?”

Here they were interrupted by the exodus of two of the
damsels-of-varying ages. Mrs. Brady opened the door for them--and in
so doing caught a glimpse of a man who waited in the hall outside, a
debonair, old-young man with a girl’s furry wrap hung over his arm, and
his hat in his hand.

The door clicked. The gray-eyed girl moved out from the wall, against
which she had flattened herself--for all the world like one eluding
pursuit in a cinema.

“What about that window?” she demanded, pointing.

“That’s all the farther it opens,” said Mrs. Brady.

“Oh! And it’s the only one--isn’t it?”

“It is.”

“Damn,” said the girl. “Then there’s _no_ way out?”

“No way but the door,” said Mrs. Brady testily.

The girl looked at the door. She seemed to look _through_ the door, and
to despise and to fear what she saw. Then she looked at Mrs. Brady.
“Well,” she said, “then I s’pose the only thing to do is to stay in
here.”

She stayed. Minutes ticked by. Jazz crooned distantly, stopped, struck
up again. Other girls came and went. Still the gray-eyed girl sat on
the couch, with her back to the wall and her shapely legs crossed,
smoking cigarettes, one from the stub of another.

After a long while she said, “Maid!”

“Yes, miss?”

“Peek out that door, will you, and see if there’s anyone standing
there.”

Mrs. Brady peeked, and reported that there was. There was a gentleman
with a little bit of a black moustache standing there. The same
gentleman, in fact, who was standing there “just after you come in.”

“Oh, Lord,” sighed the gray-eyed girl. “Well ... I can’t stay here all
_night_, that’s one sure thing.”

She slid off the couch, and went listlessly to the dressing table.
There she occupied herself for a minute or two. Suddenly, without a
word, she darted out.

Thirty seconds later Mrs. Brady was elated to find two crumpled
one-dollar bills lying in her saucer. Her joy, however, died a
premature death. For she made an almost simultaneous second discovery.
A saddening one. Above all, a puzzling one.

“Now what for,” marvelled Mrs. Brady, “did she want to walk off with
them _scissors_?”

This at twelve-twenty-five.

At twelve-thirty a quartette of excited young things burst in, babbling
madly. All of them had their evening wraps with them; all talked at
once. One of them, a Dresden china girl with a heart-shaped face, was
the centre of attention. Around her the rest fluttered like monstrous
butterflies; to her they addressed their shrill exclamatory cries.
“Babe,” they called her.

Mrs. Brady heard snatches: “Not in this state unless....” “Well, you
can in Maryland, Jimmy says.” “Oh, there must be some place nearer
than....” “Isn’t this _marvellous_?” “When did it happen, Babe? When
did you decide?”

“Just now,” the girl with the heart-shaped face sang softly, “when we
were dancing.”

The babble resumed, “But listen, Babe, what’ll your mother and
father...?” “Oh, never mind, let’s hurry.” “Shall we be warm enough
with just these thin wraps, do you think? Babe, will you be warm
enough? Sure?”

Powder flew and little pocket combs marched through bright marcels.
Flushed cheeks were painted pinker still.

“My pearls,” said Babe, “are _old_. And my dress and my slippers are
_new_. Now, let’s see--what can I _borrow_?”

A lace handkerchief, a diamond bar pin, a pair of earrings were
proffered. She chose the bar pin, and its owner unpinned it proudly,
gladly.

“I’ve got blue garters!” exclaimed another girl.

“Give me one, then,” directed Babe. “I’ll trade with you.... There!
That fixes that.”

More babbling, “Hurry! Hurry up!” ... “Listen, are you _sure_ we’ll be
warm enough? Because we can stop at my house, there’s nobody home.”
“Give me that puff, Babe, I’ll powder your back.” “And just to think a
week ago you’d never even met each other!” “Oh, hurry _up_, let’s get
_started_!” “I’m ready.” “So’m I.” “Ready, Babe? You look adorable.”
“Come on, everybody.”

They were gone again, and the dressing room seemed twice as still and
vacant as before.

A minute of grace, during which Mrs. Brady wiped the spilled powder
away with a damp gray rag. Then the door jumped open again. Two
evening gowns appeared and made for the dressing table in a bee line.
Slim tubular gowns they were, one silver, one palest yellow. Yellow
hair went with the silver gown, brown hair with the yellow. The
silver-gowned, yellow-haired girl wore orchids on her shoulder, three
of them, and a flashing bracelet on each fragile wrist. The other girl
looked less prosperous; still, you would rather have looked at her.

Both ignored Mrs. Brady’s cosmetic display as utterly as they ignored
Mrs. Brady, producing full field equipment of their own.

“Well,” said the girl with the orchids, rouging energetically, “how do
you like him?”

“Oh-h--all right.”

“Meaning, ‘Not any,’ hmm? I suspected as much!” The girl with the
orchids turned in her chair and scanned her companion’s profile with
disapproval. “See here, Marilee,” she drawled, “are you going to be a
damn fool _all_ your life?”

“He’s fat,” said Marilee dreamily. “Fat, and--greasy, sort of. I mean,
greasy in his mind. Don’t you know what I mean?”

“I know _one_ thing,” declared the girl with orchids. “I know Who
He Is! And if I were you, that’s all I’d need to know. _Under the
circumstances._”

The last three words, stressed meaningly, affected the girl called
Marilee curiously. She grew grave. Her lips and lashes drooped. For
some seconds she sat frowning a little, breaking a black-sheathed
lipstick in two and fitting it together again.

“She’s worse,” she said finally, low.

“Worse?”

Marilee nodded.

“Well,” said the girl with orchids, “there you are. It’s the climate.
She’ll never be anything _but_ worse, if she doesn’t get away. Out
West, or somewhere.”

“I know,” murmured Marilee.

The other girl opened a tin of eye shadow. “Of course,” she said drily,
“suit yourself. She’s not _my_ sister.”

Marilee said nothing. Quiet she sat, breaking the lipstick, mending it,
breaking it.

“Oh, well,” she breathed finally, wearily, and straightened up. She
propped her elbows on the plate-glass dressing-table top and leaned
toward the mirror, and with the lipstick she began to make her
coral-pink mouth very red and gay and reckless and alluring.

* * * * *

Nightly at one o’clock Vane and Moreno dance for the Club Français.
They dance a tango, they dance a waltz; then, by way of encore, they do
a Black Bottom, and a trick of their own called the Wheel. They dance
for twenty, thirty minutes. And while they dance you do not leave your
table--for this is what you came to see. Vane and Moreno. The New York
thrill. The sole justification for the five-dollar couvert extorted by
Billy Costello.

From one until half-past, then, was Mrs. Brady’s recess. She had been
looking forward to it all the evening long. When it began--when the
opening chords of the tango music sounded stirringly from the room
outside--Mrs. Brady brightened. With a right good will she sped the
parting guests.

Alone, she unlocked her cupboard and took out her magazine--the
magazine she had bought three hours before. Heaving a great breath of
relief and satisfaction, she plumped herself on the couch and fingered
the pages. Immediately she was absorbed, her eyes drinking up printed
lines, her lips moving soundlessly.

The magazine was Mrs. Brady’s favourite. Its stories were true stories,
taken from life (so the editor said); and to Mrs. Brady they were live,
vivid threads in the dull, drab pattern of her night.

SINGING WOMAN

BY ADA JACK CARVER

From _Harper’s_

Little by little the Joyous Coast was changing.

The old rutted dirt road that fringed the Cane had been abandoned.
The highways cut through the swamps and marshy lands and fields full
of corn and refused to follow the whim of the river. It seemed to old
Henriette relentless and terrible. It even ploughed its way through
people’s dooryards, rooting up ancient landmarks: oaks and chinas
and gnarled crêpe myrtles, their branches bowed to the earth with
bloom--trees under which Henriette in her day had been courted and won.

Isle Brevelle, where the French mulattoes live, is not lonely and
strange as is an island lost in the sea. With the river curving about
it, it is like a maid in the arms of a lover who woos her forever:
“_Lie still, Adored One. Are my arms not around you? Do you not feel
the beat of my heart? Behold the gifts I have brought, the fruit and
the flowers I lay at your feet. You are round and shining like the sun,
more beautiful than the day_----”

The young people on Isle Brevelle liked the changing order, the feeling
of unrest and impatience. Now, in the long summer evenings they could
get in cars and go to town, to see the sights; or take in the coloured
picture show up on the hill. “_Mais non_, we don’t speak to them
niggers,” they assured old Henriette. “We don’t have nothing to do with
them black folks.”

But all this saddened Henriette. For generations now her people had
guarded the blood in their veins. Ignored by the whites, ignoring
and scorning the blacks, they had kept themselves to themselves. But
now there was change all about them. Something was in the air.... In
her black spreading skirts, with her black kerchief about her head,
Henriette sat on the gallery and watched the gravelled road that was
straight and white and went on and on, taking the young folks with
it.... People didn’t die, either, like they used to do, properly in
their beds, with time to receive the sacrament and be shrived for their
sins. They died just any and everywhere, bumped off by trains or the
automobiles that ploughed by on the highway. No wonder the buryings
were often hurried, unworthy affairs, without bell or book; to say
nothing of singing woman!

Henriette and her crony, fat old Josephine Remon, were the only singing
women left on Isle Brevelle. Time was when a singing woman was as
necessary as a priest, when no one who was anything could be buried
without a professional mourner. In those days Henriette and Josephine
were looked up to and respected: the place of honour at table, the best
seat by the fireside, the most desirable pew in the church. Finally,
instead of being sought after, a wailing woman had to offer her
services. Nowadays people seemed to have lost the fear, the dignity of
death.

It was the same way with midwifery. Young women nowadays engaged
trained nurses, or went to town to the hospitals to have their babies.
Nowadays people didn’t care _how_ they died or were born. They just
came in and went out of the world, any old way.... All this troubled
Henriette, and she sat in her corner and mumbled and grumbled to God
about it, “Look like nothing ain’t right, not what it used to be....”

It had been nearly ten years now since Henriette had wailed for a
funeral. Josephine had had the last one, when old Madame Rivet died,
six years ago. That made ninety-eight for Josephine and ninety-nine for
herself. She was one funeral ahead. How proud she was of her record!
She, Henriette, had sung for more buryings than any singing woman in
the parish. Of course, old Josephine ran her a mighty close second.
Henriette kept an account of her own and Josephine’s funerals, in a
little black memorandum book locked up in her armoire. On one page was
her own name, Henriette; and underneath it ninety-nine crosses in neat
little rows of five. On the opposite page was Josephine’s name, and
beneath it ninety-eight crosses, in neat little rows of five. Well,
they had served Death long and faithfully, she and Josephine; where
Death had gone they had followed.... Time was, when, as a special
treat, Henriette would take out her funeral book and name the crosses:
“This one was Marie Lombard, and this one Celeste, her daughter. Here
was Henri, what died the time the cholera come, in 1860.”

Now no one ever thought of Henriette’s funeral book. Six years, since
Madame Rivet died, it had lain in her armoire. Sometimes she wondered
sadly if she would ever wail again. For on Isle Brevelle there was
but one person left who, when he died, would want a wailing woman.
This person was Toni Philbert, the only soul on Isle Brevelle older
than Henriette. Toni and Henriette and Josephine had been young folks
together. Now it had got to be a sort of game between the two women as
to who would get Toni when Toni died. “If I get Toni,” Henriette would
say, “me, I’ll have two more crosses than you. I’ll have a hundred.”
And Josephine, sitting fat in her chair, would chuckle, “_Mais non_,
and if I get him, we’ll be even, Etta, my friend.”

Toni himself, an old, old man, sans teeth, sans everything, was pleased
with the fuss they made over him. Sometimes he would joke with them
when he met them at church. “Well, well, old uns. I’m here yet. Hee!
Hee! I’ll outlive both you girls. Just wait--me, I show you!”

* * * * *

The days on Isle Brevelle were long and filled with the drowsy chatter
of ducks and fat red hens. Henriette’s prayers for those in purgatory
took up part of the time. But a person can’t pray forever! Nothing to
do but sit and think of the past, and of death and dying. Henriette
had always, even when a child, known something lovely and secret about
death. What it was she could not have told; but her knowledge made
her a good wailing woman. She minded the time, long ago, when the
husband of Rose, Toni’s daughter, died and left Rose a widow. Such a
pretty slip of a thing and so white in her sorrow! Henriette had, of
course, done her duty to the dead; she had wailed and sung and beat
the earth: “_Under a tree by the river I saw them digging a young
grave. Stricken one, desired of Heaven, your eyes that will not look
at me--what do they see? How long before I can go to you, as I used to
go?... down by the water where the reeds are singing...._” But after
the funeral (Mother forgive her!), she had gone back to comfort Rose,
and unsay all she had said. “Look, Rose, honey, don’t take on so.
A girl as fresh and sweet as you! Look, he is happy. And the world
is full of lovers....” At Rose’s door grew the lily called “widow’s
tear”--“widow’s tear” because the drop of dew in its heart dries so
quickly when the broad, warm sun comes out....

Well, who should know more about death than she, Henriette ... she who
had buried three husbands?

Sometimes when the weather was fine, and the sun not too hot or too
bright, old Henriette would put on a clean “josie,” and take her
stick and hobble down to Josephine’s house to sit and talk of old
times. She would get one of her grandchildren to help her down in the
ditch, beside the highroad, where she insisted on walking to avoid the
automobiles. When there had been rain Henriette got her feet all wet
and muddy, down in the ditch that way. When the weather was dry the
automobiles, shrieking by, sprayed her from head to foot with a fine
white dust. Sometimes she got into nettles, or cockleburs or ants. And
once a rattlesnake had glided across her path. Her grandchildren, who
loved her, were dismayed and indignant. “Ain’t you ’shame, Gran’mamma,
walking down in the ditch! How come you don’t let us take you to
Josephine’s in the car?” But Henriette was afraid of cars. “It ain’t
far. I ruther walk.”

Josephine was always glad to see her. She would grunt and grumble and
fetch out another shuck-bottomed chair. Then Josephine would make
coffee. Josephine was rich. She owned her house and a little store
that her son-in-law managed; and her married children lived with her,
not she with them. She was very, very fat, what with easy living. How
the two old women would gossip, the pleasant air stirred with their
palmetto fans. Now in “American,” now in French; talk, talk, talk,
talk. “Ain’t your tongues ever run down?” Josephine’s daughters-in-law
would ask, laughing but respectful.

What grand living and dying there used to be, back in steamboat days!
It was like recalling a wedding festival or a Mardi Gras to look back
to the yellow-fever scare of 1890. A funeral every day, and sometimes
two. She and Josephine had had their hands full.... Shucks! the land
was too healthy now, what with draining the swamps and such. The people
were getting too uppity, outwitting death like that. Good thing after
all that the automobiles bumped some of them off, else they never
would quit the earth. What if some day folks should rise up and simply
refuse to die! Well, what would God the Father have to say about that?

Sometimes Henriette and Josephine would crack mild little jokes,
slapping at the flies with their untiring fans. “I seen Toni last week,
at the church. He’s looking feeble.” “_Mais non!_” (A cackle.) “He
ain’t here for long.” Sometimes a shrill and sudden chorus of locusts
swelled out of Josephine’s trees, and was gone. A sure sign of death.
And the two old women would cross themselves. “I wonder who it is
_this_ time!”

But after all, what did it matter? Some young fool or other run down by
an automobile. Some boy shot at the dance hall, over some girl. Whoever
it was wouldn’t want _them_. The only person on Isle Brevelle who would
want a singing woman was Toni, old Toni Philbert, who for nearly twenty
years, had had one foot in the grave. Looked like he meant to hang on
to the earth forever and ever, amen. He had always been like that, a
lover of life and living. Heylaw! What a lad old Toni used to be!...
What a way with the girls!

* * * * *

It was on a sultry August day that Toni Philbert had a stroke.
Henriette’s grandson came in and told her about it. “I hear tell down
at the store that Toni is mighty low. He can’t last very long, they
tell me.”

Henriette was excited. So Toni was sick, very low! She gulped down some
coffee and got her stick, and set out for Josephine’s house, walking
down in the ditch. She was so heavy with news she could scarcely
breathe. So Toni was on his deathbed.... Thoughts of Toni came to
her from the long-ago years.... The August sun was veiled in a mist
from the river. Already the cottonwoods were changing colour, and the
goldenrod was in bloom. Henriette crowded close into the dusty bushes
as an automobile flashed past above her on the highroad. So Toni was
dying! Well, sometimes she might forget how many grandchildren she
had; sometimes she forgot her age, or what year it was, this and that.
But she would never forget the time that Toni had kissed her, nor the
dress she had worn when he did it, long, long ago. Little enough she
had thought of death or singing for death in those days, sitting under
the trees by the river in a pink-sprigged challis. What a gallant,
insolent lad he had been, old Toni! Of course, he had kissed every
girl on the island. But hers was a sort of a special kiss, she had
always felt. She was a slim, pretty, green-eyed thing, just turned
seventeen.... Old Henriette groped along, catching against the bushes
and the tumbleweeds at her feet. That was in 1852, long ’fore the
war.... Old Henriette had warts on her cheeks. “Frogs put ’em there,”
she sometimes croaked to curious children. “Toadfrogs, out in the
swamp.” But in those days, when Toni had kissed her, her cheeks were
yellow and smooth. Toni had led her down to the river to look at
herself. “A minute ago, Henriette, your face was a yellow lily. And
now--look!--it’s a rose!”

Ah, well, poor Toni was dying! Which one would he want to sing for him,
herself or old Josephine? Henriette wondered if Josephine had had any
“news.” ... She stopped, heavy with fear. Suppose Josephine had been
“asked?” She began to hurry a little.... Heylaw! Who was that a-coming,
a-coming through the weeds? She screwed up her eyes and peered. It was
Josephine, hobbling along down in the ditch, so fat she could scarcely
wobble.

The two old women began screeching at each other when they were yet a
great way off, and waving their palmetto fans. “Toni, he’s very sick!
They say that this is the end!” They found a nice spot by the roadside,
among the weeds and overgrown summer flowers. It took them a minute or
two to get settled. How Josephine grunted and took on, trying to sit!
How her hips spread all over the place! Well, Henriette was glad she
was thin and could get about some.... Butter-and-eggs and Jimson weed
grew all around them, giving off rank summer odours. A giant cottonwood
reached its arms between them and the sun.... “Is you heard from Toni
yet?” Henriette asked, all a-tremble. And Josephine said, “No. Is you?”

Just so, when they were young, they had sat and talked of Toni. “Is
you heard from Toni yet?” What a boy he had been for love!... Love?
Death, the enchantress, was after him now. “If _I_ get him,” Henriette
cackled, “I’ll have two more than you.” And Josephine laughed, sitting
fat in the weeds till their purple juice squashed on her clothes.
“_Mais non!_ And if _I_ get him, we’ll be even, Etta, my friend.”

A week went by, and another; and it began to look as if old Toni didn’t
mean to die after all. It was just like Toni to keep death waiting, to
flirt with death like that. He always was a tease: “_Well, my beauty,
my proud one--all in good time. Don’t chafe and paw at the bit...._”
And not a word had Toni said about getting a wailing woman! That was
just like Toni, too, keeping everyone guessing up to the last.

Every night now Henriette got out her funeral book: ninety-nine crosses
for herself. A record any singing woman might be proud of! If only she
could get one more, to round out her final five! If only she could get
Toni. How she would crow over Josephine then: “Me, I got one hundred
crosses. One hundred funerals I’ve sung for....”

One night in early September Henriette, sleepless, lay in her bed.
Against her window the trees, uneasy with autumn, pushed and drew away,
sighing a little. The moon was up, looking drunken and sodden. It was
very warm--good funeral weather, Henriette thought; a fine night for
death, with cape jessamine still in bloom and baby owls in the trees.
Henriette loved hoot owls. She felt they were kin to her, sisters
under the skin. They plied the same trade, she and they. She loved
owls and bats and all webfooted creatures, things that live in a green
underworld. There were sounds on the highway, the chugging of cars; and
into her window flashed the light from an automobile; it sought out the
Virgin Mary, wheeled through the room, and was gone. Up and down the
roads they went, the automobiles full of young folks--clatter-chug,
clatter-chug!--past the unnoticed glory of river and moon and swamp.
How little they considered death, the boys and girls on the highway!

The sickly moon went out; and there was lightning in the south. That
meant the rain was ’way off, hiding in week after next.... Henriette
arose very stealthily and crept outdoors to sit on the gallery, where
it was cooler. Maybe right now old Toni was dying.... Once while she
was sitting there her grandson came and poked his head out the door.
“You better come to bed, gran’mammy. You’ll catch cold out there in
your nightclothes.” But she shook her head and mumbled, “Let me be.”
She began to sing, very low, “_He will die, my beloved, my friend, when
the good round fruit is ripe; when the time of courting is at an end;
when the fields are bare, and the sky is black with the low, long cry
of the heron...._”

* * * * *

Two weeks later old Toni passed away. And Toni’s son came to bid
Henriette to the funeral: “Papa, he told us to get you. The funeral’s
to-morrow at ten.”

Henriette, who had moped long ago whenever Toni went off to town, could
not shed a tear now he was dead. She was so excited she could scarcely
speak; she could scarcely put on her clothes. “Come help me fasten
my josie!” she called to her children.... So he had wanted _her_,
after all, poor old Toni. She had her grandson help her down in the
ditch. “Granny!” her grandchildren cried, shocked. “It rained cats and
dogs last night. For shame, a old lady like you, walking down in the
ditches.”

But they couldn’t do anything with her. She couldn’t rest, she said,
until she had seen Josephine. “I must go tell Josie,” she said. “Poor
old Josie----”

When Henriette neared Josephine’s house she began to cackle, her voice
like a reed. But Josephine, sitting in her chair, cut her short. “I
done heard a’ready. You needn’t bother to tell me.... Well, me, I’m
glad for you, Etta.”

Old Josephine sat heavily in her chair, sagging over. How fat and
sloppy she looked! And Henriette wondered what memories passed behind
her lidless old eyes.... Presently Josephine got up and went and made
some coffee. “One hundred for you,” she muttered, “and ninety-eight
for me. Well....” To-day old Josephine laced the coffee with anisette,
peering at Henriette disapprovingly. “You’ll need your strength,”
she said gruffly, deep in her throat. “Getting your feet all wet
that-a-way. You ought to be ‘shame’, at your age.”

But Henriette smiled. She knew Josephine was trying to dull her own
disappointment; she knew that Josephine was low in her mind. Henriette
drank of the hot, fragrant coffee. On either side of Josephine’s steps
the bunched-up rosettes of the altheas were very pink in the sunshine;
and the red yucca shook out its pretty, globular, rain-filled bells....
Henriette didn’t stay very long. “I got lots to do. I got to be up
bright and early,” she said.

But in the morning, when Henriette awakened, she found that something
terrible had happened to her voice. It was gone; she could not speak.
Her grandchildren crowded about her bed, concerned and anxious--an old
woman is frail as glass! “You see what we told you, Gran’mammy! You got
no call yesterday, getting het up and excited just because old Toni is
dead and they want you to sing for his funeral. And didn’t we tell you
stay out that ditch? Walking around in water, just like a duck, at your
age.”

They scolded and fussed and fumed and put warm flannels on her throat.
They gave her a toddy. But it did no good. Her throat hurt, and when
she opened her mouth she croaked like a frog--she who in her wailing
had had as many stops to her voice as a sounding organ.... “Poor
Gran’mammy,” her children said. “Now she can’t sing. And Josephine’ll
have to go and wail for old Toni’s funeral.” Henriette lay and moaned a
little. If she could only cry as children cry, in her disappointment.
But the tears wouldn’t come. They had all dried up long ago.

At dusk the family returned from the burying. But out of respect for
her feelings, as Henriette knew, they forbore to talk of the funeral
and of how nice Josephine had sung and “carried on.” They merely said,
“Josephine was so fat they had to hold her, to keep her from tumbling
down in the grave.” But when she thought no one was looking Henriette
took her funeral book from under her pillow and made a crossmark under
Josephine’s name. Now they were even. Her old hands shook and one
yellow tear rolled out of one eye. “Poor Gran’mamma,” her children
said, in whispers. “Poor old Granny....”

Sleep did not come to Henriette until nearly daybreak. It began to
rain about midnight, a steady rain, long and full of the secrets of
autumn. And Henriette lay in her bed and thought about death and dying.
She thought about her grandchildren, how good they were. Somehow she
always felt sorriest for young people when anyone died. Not for little
children, or the very old; but the ones in between. The ones between
eighteen and forty, say. They took it hardest. How terrible death was
to them, how _everlasting_! If only they could know what _she_ knew,
she and the little children.... Of course, she wailed and carried on;
that was her business, her calling. But how often, right in the midst
of a funeral, even as she stood and gazed in the grave, she had longed
to go and whisper to youth’s white, impassioned grief, “There, there,
_chère_ ... don’t sorrow so hard. Me, I know. I tell you, I _know_.”
But what she knew she could not have said.... Henriette stirred in her
bed, sought a new place for her pillow. How often she had longed to say
to some bereft mother, she who had buried six, “Do not grieve overmuch,
little Mammy. He is not here. See! He is dragging a little tin can for
a train, across the white courts of Heaven.”

Henriette slept, and after a time a bell tolled in her dreaming. It
awakened her. A gray light had come into the room, and the rain was
gone. Well, and who could be dead? Somebody old and rich was dead, the
bell had been tolling so long. The light about her bed grew brighter,
and the ceiling shone with rose. She dozed again; but when she again
awakened the bell was still tolling.... It must be an old person dead.

Suddenly Henriette became aware of a flow, a movement in the house.
The windows rattled; a door was opened somewhere and shut. And then
there was a swishing of skirts, a running of feet. Her grandchildren!
They crowded about her bed, three-deep, tense and excited. The cheeks
of the littlest ones glowed, the way they did when there was bad news
to be broken; when the sugar was out, or the cat had fallen down in
the cistern. “Granny, what you think is happen? Old lady Josephine’s
gone!” ... They crowded closer, to see how Henriette “took it.” “Poor
Josephine, she got sick in the night and she passed away early this
morning.”

Henriette sat up against her pillow, blinking. She looked like the kind
of old woman children make out of their knuckles, with black-headed
pins for eyes. And now the older ones, her daughters, stole into the
room on their tiptoes. They took her hands. “How you feel, Gran’mammy?
Is your throat all right? Well, they’ve done sent for you, honey. They
said Josephine asked for you in the night, to come and sing for her
funeral.... Well, _le bon Dieu_ is love you, sho’, Mammy.”

All day her children were busy, getting Henriette ready: her best
alpaca cleaned and pressed; her mourning veil laid out, her gloves and
her shoes. Shiny and speckless they must be, to follow the honoured
dead. “Mammy,” her daughters said, “you stay in bed and rest, so your
voice will be good to-morrow.” They were nice daughters; they were
trying to make her feel prideful again.... All day long Henriette lay
and gazed out at the white gravelled road, stretching away, on past
Josephine’s house. Looked like she could see Josephine, sitting there
on her gallery, the fat running over!

Well, she would miss Josephine, her old crony. Toni and Josie both
gone. It would be queer, a sort of joke, wailing for Josephine’s
funeral. It would be like singing beside her own grave.

* * * * *

The next morning, at the first peep of day, her children came in to
help her. “How you feel, Gran’mammy?” They looked at her and shook
their heads. She was so thin and so old. With her friends all gone she
seemed like something from some other life.... “Well, we won’t have
Mammy much longer,” they said. They crowded about her, solicitous.

Old Henriette sat up in bed. “Fetch me my specs,” she grumbled.

They brought her specs, her false teeth, her rosary, and her snake-oil.
They washed her feet and rubbed them, and helped her to dress. With her
mourning veil on she looked like a little black bride. And when she was
dressed and ready they brought her the funeral book. “Now, Mammy, look!
Mark it down--one hundred funerals. You’ve sung for more buryings than
anyone else in the parish.”

But Henriette stared at the funeral book; she seemed mad about
something, offended. “Don’t meddle so much,” she cackled. “You wait
till I come home from Josephine’s funeral.”

She set out in the ditch, holding tight to her little black bag and
her glasses. The grandchildren, who were to go on in the car, stood
and watched her sorrowfully. Once she turned back and waved.... She
was so little, so little and thin, so _perverse_! She hobbled along
in the ditch. Her funeral shoes felt stiff and heavy, and caught in
the Queen Anne’s lace; and whenever an automobile thundered by on the
highway, Henriette, terrified, put her hands to her ears.... Once, half
fainting, she stopped and clutched at the branch of a cottonwood tree.
And a loneliness passed over her, a loneliness and a heartache....
“Josie,” she called, hopelessly, “Josie.... I’m a-coming....”

But when she got to the turn of the road where the willows grew, she
faltered, distressed and alarmed. She could get no farther down in the
ditch. A freshet poured from a hole in the side of the road, and the
ditch in front of her was flooded with water. The black water boiled
and licked at her feet, treacherous and angry; and Henriette shrank
and backed away. For a moment she stood, trembling, uncertain; and she
stared at the road above her that stretched away in the sunlight, on
past Josephine’s house. Then, tottering and dizzy and sick with fright,
she pulled herself up the embankment, and with her face turned toward
Josephine’s house, began to hobble along on the highway.

“Josie--” she whispered, and a numbness, a darkness took hold of
her--“Josie.... I mind as how, after all, my friend, you and me ull
quit even....”

WITH GLORY AND HONOUR

BY ELISABETH COBB CHAPMAN

From _Century_

In a cross street of the riant fifties stands the Club Levering, an
old brownstone building in a brave new coat of tan plaster, with
wrought-iron lamps by its doors and an imposing uniformed figure to bow
you out politely, or with the force of a strong arm, in nice accordance
to the decorum or lack of it that you preserve within the precincts
which he guards.

The Club Levering is not a club; it is a cabaret, a dance hall, and a
theatre, with a strong attraction for Broadway luminaries. They drop in
after the theatre to hear Hal Levering sing his new songs and to watch
the swells, strayed from up town East, dance and enjoy themselves. And
they love Hal. “He’s a great boy,” they say. “An artist. Some kid.
Listen to that now. Boy, how he can put it over!”

Levering, born Lipwitz, had been driven to this place by a dim dream.
There was struggle behind him, years of the unbelievable struggle of
the poor man, of the immigrant Jew, against a relentless city. He
could remember dimly a night in southern Russia, the pogrom, flames
and the sounds of shots in the dark, driving out the Jew. He had been
held up by his mother, crying, on the deck of an immigrant ship to
see the Promised City blazing tall and splendid in the sunlight. They
had all been held up to see it, he and Lena and Roziska and Leo and
little Moses, even though Moses was too young to know what it was all
about--and the Promised Land, as it materialized, a tenement in the
crowded ghetto, too hard on the little Moses, who died in a few months.

Behind Hal were the years as a singing waiter in cheap cabarets, as
a “song plugger,” small-time vaudeville, and then a revue; and now
marvellously he was Hal Levering, star and part owner of the Club
Levering, and packing them in at higher prices than any other night
club dared charge.

He had done that single-handed. And he had carried the Lipwitz family
with him. Lena was now a dancer, a good one; Isaac, a partner in a
clothing store. Rosie had married a doctor. Mama kept house for Lena,
and if Papa had been alive, Hal would undoubtedly have found something
lucrative for him.

Always his dream had driven him. The dream of the artist, inarticulate,
clumsy, hunting for the ultimate beauty. He sang jazz now and he
wore fine clothes, while around him were the flash of jewels and the
white faces of gaudy women and the throb of Bennie Bernstein’s music.
Everybody paid him homage, bowing, pounding on the table for Hal
Levering, the artist, singing “Abie’s an Irisher Now,” a song whose
words were a cry of pain, written by a Jew in contempt of his race. He
sang it gorgeously, with exaggerated gestures, flexible hands, and when
he did the part where Abie pretends to be the Irish plug-ugly, one saw
the cringe of the homeless race that was ingrained in Abie in spite of
the defiant throw of an Irish jaw. It was a beautiful bit of mimicking,
and even though he was a Jew he did not mind the ugly words at all.

He had one song, “When My Little Baby Boy Says His Prayers to Me,” that
never failed to make his hearers cry. And there were tears in his own
eyes, when he came off, not because of the song--he knew hokum even
when he sang it himself--but because he could “get them” with it. Hal
Levering, the artist, his triumph ringing in his ears clapped out by
enthusiastic hands.

The grinding afternoon before his new summer show went on; he was in
his element. About him were excited waiters arranging their tables,
decorators at work on the flowers, Bennie Bernstein in his shirt
sleeves, sweating over the new songs, Lilian Laine begging help with
the duet they were to sing. And then, as Hal went over his new numbers
alone, the waiters and the decorators, Lilian and song-wise Bennie
himself, stopped to listen to him.

He had worked that day until his face was gray with fatigue, but when
at last he went out for his dinner, he walked bravely, with his head
up, a conqueror, Hal Levering of the Club Levering, a king on Broadway.

The opening of the summer show had been an enormous success. The
entrance was choked with disappointed people who could not get in, and
at the door the page boys battled with the crowd clamouring for tables,
among which the lucky ones who had reservations battled their way. And
Hal moved from table to table to welcome his guests and receive homage.
This was his big night, his triumph, the end, he thought with a choke
in his throat, of his struggle toward the ultimate beauty.

* * * * *

Constance Corthwaite came to the Club Levering that night. She had
never been there before, but Hal Levering recognized her at once. She
was as much a celebrity to Broadway as she was to Fifth Avenue. One saw
her everywhere, a pirate of a woman with a face moulded firm in lines
of complete and terrible ennui, hunting for amusement, scattering her
millions with a disdainful hand. She had been Constance Corthwaite
for thirty-five years now, for she had never found a man to hold her
interest long enough to marry him.

Levering had gone at once to her table, had been introduced, had
accepted a glass of excellent champagne, had bragged, had strutted, had
told jokes.

“Your place is quite amusing,” Constance Corthwaite said. “I hear you
sing very well.”

Hal Levering laughed. “That’s what they say. Have you ever heard me?”

She shook her head.

“Well, the stuff I do here is--well, no artist can put anything over
in a restaurant, but I’m opening in a new act, just a side line, you
know, at the Palace next week, and that’s where I knock ’em right out
of their seats. We’ve tried it out, and it’s great. Next week--come and
see me.” Then in a magnificent burst of cordiality: “Come around during
the show and see it from behind. How’d you like that, huh? See, I do a
skit, new songs, new patter--it’s a wow!”

She had favoured him with a glance from her long eyes. “Thank you.”

“What would you like to have me sing for you now?” he asked.

“Try something good--I should like to see how it went here.”

He sang “Sweet Siren” and “Pretty Little Mama” for her. She did
not applaud. He was disappointed. He had realized that she wasn’t
demonstrative, but he had hoped to win her.

Her friends seemed to enjoy themselves, and he took no more trouble
with them. He noticed that they laughed, drank, and danced. Later
there was an animated discussion; he could see that from the floor
as he sang. Constance Corthwaite’s friends were arguing with her.
They leaned toward her, protesting. The attitudes were unmistakable.
Apparently unmoved, she blew smoke from her nostrils and with a wave
of her cigarette turned their attention back to him. They watched him,
shrewdly, for a few seconds, and then went off into quiet laughter.
Laughter at some joke which that long-eyed woman had designed. From the
floor, singing, he saw all this, for his early training had made him
observant.

As Constance was leaving she beckoned to him. She stood at the door,
wrapped in her dark cloak. He went out at her nod, with alacrity. As
he went he wondered what she wanted and decided definitely that he did
not like her. “Too damned ritzy,” and he thought her ugly and badly
dressed, too, but after all she was Constance Corthwaite. Probably she
had fallen for him. Most of ’em did.

She recognized his approach with the smallest possible nod.

“Thank you for the songs. We enjoyed them. As I can’t watch you ‘knock
’em off their seats’ at the Palace, I suggest that you come down to
my place in the country next week-end and knock us off our seats down
there.”

She was asking him to visit her. So she _had_ fallen for him. They
all did. He was inundated with female attentions. But a visit to the
Corthwaite place! Well, he had arrived! He accepted blandly.

* * * * *

Mommer and Lena helped him pack. They came from their apartment across
the hall to his and favoured him with their advice and assistance. It
was a lengthy business. Before he got off, the plush splendour of his
rooms was strewn with discarded clothing.

“Take your dress suit, Hermie,” advised his mother. “Your new suit for
those swells is none too good.”

“Wear your lavender sport suit for the golfing.”

“A bathing suit.”

“Your silk socks, Hermie. Hermie, you have forgot your silk socks,
Hermie.”

“The lavender suit, Hermie.”

* * * * *

He got off at last. His big car seemed to eat the miles, exaltation
keeping time to the healthy song of his motor. He went swiftly through
the mean towns squatting on the island’s edge out to the rolling hills
of the North Shore. He dreamed dreams. Now a new billing suggested
itself. “Hal Levering--Society’s Favourite”--or better, “Hal Levering,
Society’s Favoured Comedian.” In his mind’s eye he could see an article
in _Vanity Fair_--perhaps--“Hal Levering, the erstwhile mammy songster
a belated society discovery.”

He turned the nose of the car into the Corthwaite gates and at
a reduced speed moved up the driveway. In spite of the explicit
directions given him by the policeman in Jonestown, he wasn’t at all
sure that this was the place.

He had passed, on his drive from New York, many great stone gates, so
high and so formidable that they gave only a niggard glimpse of blue
stone road, perhaps the outline of proud roofs upheld above the trees,
and he had expected the Corthwaite driveway to be at least as fine as
the finest of these.

But this was just a comfortable country road, distinguished from its
kind only by a pair of lowly stone pillars and a squat frame cottage
doing duty as a gatekeeper’s lodge.

He drove through a small woodland, not pruned or landscaped at all,
turned a corner, and found himself facing an expanse of lawn and a
rambling frame house, painted a soft faded yellow and adorned with
plain white shutters. The Corthwaite house laid claim to no other
beauty than that which is inherent in old colonial houses and in
ancient Greek vases, the unadorned beauty of line. Hal Levering was
disappointed in it. A butler, not in livery, met him at the door. He
was an old man and grumpy.

“Mr. Levering?” he asked. Levering had an uncomfortable feeling that
his clothes, his car, and his abilities were all being evaluated, but
he dismissed the suspicion as absurd, for the old man’s eyes had not
moved. He was at the moment holding open the door.

“Miss Corthwaite left word that if she had not returned at the time of
your arrival you were to make yourself at home and ask me for anything
you might require--sir.”

Levering entered.

“The Car?” he asked, and one had, as always, a feeling that he was
thinking of it with at least a capital “C.” “The Car will be all right
there?”

“The chauffeur will take it around if you will give me the keys--sir,”
said the old man.

“Oh!” There was an appreciative pause from Levering. This place was
like one of those English places he had heard of--all service--no show.

The old man led him upstairs, and down a long hall to a bedroom, which
like the rest of the house gave the impression of luxury, although the
chintz was faded and the old furniture austerely simple.

The windows gave one a view of a garden, a box hedge, and, looming
friendly in the rear, fruit trees not bowed as yet with the crop, but
holding the green fruit as sturdily as a street lamp its light. That
was no drawing room of a garden. The fruit trees were welcome to come
in if they liked. “I don’t call that much,” Levering remarked to the
air at large. He compared unfavourably the gay simple little flower
beds before him to the marble swimming pool and formal terraces of his
friend, Isaac Lowenstein, the moving-picture magnate. He carefully
dusted his gray tweeds, straightened his tie an infinitesimal fraction,
and from his bag searched out a bottle of brilliantine, and, anointing
a comb, smoothed his hair.

Downstairs again, Levering found himself in the great room he had first
entered, and through which he had passed too quickly for an impression.
Now he frankly took its measure. It did not impress him. It was big, to
be sure, but the hangings were not velvet, the upholstery was not rich.
He decided that the early-American maple was cool looking but plain,
and the dim rosy riot of the chintz, comfortable but cheap. He wondered
at the house because he was sure that here, if any place in the world,
things would be correct, and he had expected to find a glorified Club
Levering with more crystal and more plush and more grandeur.

The old butler found him there and offered liquid refreshment, which
was accepted gratefully.

“Did Miss Corthwaite say when she’d be home?” asked Levering. It made
him lonely to be left to himself. The din of his days had beaten upon
his nerves until solitude was a thing abhorred.

“She did not--sir,” said the butler. Hal was offended with his welcome.
He was doing Constance Corthwaite a favour in coming all the way down
here to the country, and she had made no effort to receive him. Left
alone, he looked about him for some source of amusement. Tentatively
he opened two small cabinets, hoping vainly that they might contain
phonograph or radio. He found only riding gloves, golf balls, a pair of
garden shears, and some sheet music. The music offered possibilities,
and in that room the big piano was the only piece of furniture that
looked like any furniture he had ever seen, but the music was queer
stuff. He did not know any of it, nor did he want to.

There were magazines piled on the long centre table, and he looked
through them hopefully. Here was the bland impudence of the young
intellectuals with their opinions supported by the dignity of a Duncan
Phyfe table. If Hal Levering had possessed a subtle mind, he would have
fathomed Constance Corthwaite at that instance. Eccentricity upheld by
Duncan Phyfe.

Half buried in the pile of papers and magazines he found an old book,
_The Book of the Corthwaites_, and in idle curiosity he turned the
leaves. There were long lists of names in it, explained by short
sentences.

In 1732, Colonel Abednego Corthwaite married Eliza Pepperidge. He
settled in the city of Boston and became one of its most prominent
citizens. His children were Abednego, Elisha, John, Eliza, Aaron, and
Piety. Abednego died in infancy. Elisha married Patience Cabot. Their
children were----

“Good-night!” Levering’s surprise was jolted out of him. “What does
anybody care who those dead ones married?” But Constance Corthwaite and
her kind must care, or the book would not be here. He carried it out on
to the porch that gave a view of the garden and the apple trees.

When Constance Corthwaite and the rest of her house party returned from
the golf links, they found Hal Levering reading....

“In 1802 Solomon Corthwaite married Sarah Emerson,” and in his eyes a
dazed, bored, yet questioning expression.

“How d’ye do?” said Miss Corthwaite. She did not offer to shake hands.
“Sorry to be so late. Golf, you know. Did Lake make you comfortable?”
With a little wave of a hand she indicated her other guests, who,
apparently without seeing him at all, were settling themselves in the
low wicker chairs. “Miss Bromley, Mr.--er--Levering.” Miss Bromley,
whose sunburned face and quite frankly dirty hands gave evidence that
she had played a hard game, indeed, acknowledged the introduction by
not the faintest flicker of an eye. She was seemingly impervious to
introductions. Her bow was not to be considered as directed at him
at all. She merely happened to be bowing at that moment. Miss Paine
and Mrs. Douglass and an Englishwoman, Lady Greville, to whom he was
in turn presented, acknowledged his presence with equal enthusiasm.
The men were more cordial, “My cousin, Mr. Herton, Lord Greville, Mr.
Paine, Mr. Taylor, Mr. Valentine.”

Levering instantly assumed the genial air of the club. That air, half
ingratiating, half bold, wholly impudent. From his smiling lips to the
bob of the little blue tassels that held up his blue golf stockings, he
radiated cordiality.

They stayed out on the porch for a long time, discussing their golf
and the long cold drinks. Levering, whose ignorance of the game was
abysmal, and whose drink was finished, found himself rather out of
this. Sitting as he was in the centre of the group, it seemed as
though he were encircled by silence, while beyond there went on a very
animated chatter. And as the dusk slid over them he was conscious of
being lonelier than he had ever been in his life.

After dinner that night things picked up a bit. They led him to the
piano and settled themselves expectantly around the room waiting to be
entertained. They were. He sang them new popular songs and old songs
that he had written himself, and he “got them” as he always got them at
the Club Levering.

He gave them pathos for a finale, “When My Little Baby Boy Lisps His
Prayers at Twilight,” and as an encore, “Mamma, Sweet Mamma,” in his
rich tenor, “Please don’t hold out on m-e-e.”

Miss Bromley and Mr. Taylor were inspired to do an apache dance. Lady
Greville came over to him. “How quaint!” she said in her staccato
voice and clipped pronunciation that he found difficult to understand.
“Rippin’--teach it me, won’t you?” He made room for her on the piano
bench. “See--like this--Ma-ma--sweet Mama--” she picked out the treble
with clever trained fingers. In a moment she was playing it very
well. “You’re some kid at the piano yourself, ain’t you?” he said
enthusiastically, boldly bending his head to look in her eyes. “But you
haven’t got it quite. Don’t play it like grand opera--see. It’s got a
wow--like this--SWEET MAMA!”

From a corner Constance Corthwaite watched them with amusement. She
looked like a cat luxuriously gorging itself with cream. There was on
her face exactly that complacent, contented, and cynical expression.

* * * * *

The next morning he came down late. They had kept him at the piano a
long time the night before, and besides, not for years had he risen
early. He found the house deserted as it had been the afternoon
before. Not until the butler told him they were all out riding did he
remember dimly that something had been said about riding, that they had
suggested he come along.

Out on the porch there were Sunday papers and warm sunshine. Levering
settled himself in a comfortable, soft-cushioned wicker chair and
picking up a paper turned to the Broadway page, where he found a
flattering notice of the Club Levering activities during the past week.
Yes, it was a triumph. Such a notice! “Quaintest night club in town.”
“Levering’s songs draw the élite.”

Oh! He’d arrived sure enough, and now here he was the guest of honour
at the Corthwaites’ house ... kind of a funny way to treat your guest
of honour, though, to leave him alone.... But then they knew that an
artist had to have time to himself.... Sure, that was it. Levering
dropped his paper and lay back comfortably. He closed his eyes and
savoured his triumph. He was the Kid himself, and running with all
these swells.... Funny kind of a place, though. No dog, no swank ...
kind of shabby. Not a patch on lots of places.... And come to think of
it, the people ain’t such classy dressers.... Not much jewellery on
the dames.... That English duke’s dinner jacket didn’t fit so damn
good.... Slow kind of crowd; he didn’t get ’em at all.... Now when
he’d sung that nifty song it didn’t go so big ... that Corthwaite
dame had acted kinda queer, seemed like she’d almost sneered.... But,
foolishness ... she liked him fine, and she liked his stuff, too....

He moved petulantly in his chair.

He wished they’d come back ... this was a bore ... no kind of way to
spend Sunday....

He picked up another sheet of the paper, but his attention wandered,
and it fluttered from his hand. “What the hell’s the matter with me?”

It was very still out there. Levering had never felt such stillness.
It pressed on his eardrums. He could fairly hear the silence. There
was no way to escape from one’s self in such quiet. He was acutely
uncomfortable. This was nothing like the Lowensteins’ place! Why,
Sunday morning at this hour there would be a crowd of good fellows
drinking highballs and singing and telling jokes, and the marble pool
would be full of people, and like as not someone would climb up one of
those Italian statues of old Lowenstein’s and stick a bathing cap on
its head. Sure, there’d be things doing all right.

But this stillness that screamed at you, and this funny little garden,
and no footman in livery, and no marble statues--hell! This wasn’t such
a place, and yet----

The stillness gives you funny ideas!

Now, old Lowenstein, he can’t be all wrong--but Constance Corthwaite’s
place can’t be wrong at all. This place is right--for her brand of
people. And the house--now, the house must be right, too. It wasn’t
what he liked himself, but it was right. It was bound to be right. It
wasn’t as if she didn’t always get the best. She could have anything in
the world, and she knew what was right--and she had this. And if this
was right, the Club Levering was wrong. He turned a little cold at the
thought. The club was his creation, it was his dream, it was, in fact,
himself, and it was wrong!

He stooped and picked up a sheet of the newspaper and folded it gently
and exactly.

Corthwaite--she knows. She’s the kind that don’t make mistakes about
houses.

He was not soothed and comforted in the sunlight now. He was acutely
and miserably fighting with doubt and distrust. For if the Club
Levering was wrong, then he was wrong. He had missed. He was cheated.
He was being shown a land that he could never enter, and desolately,
and suddenly now, he thought it was the only land worth entering.

Oh, the terrible, silent scorn of this house, in its rightness, scorn
for him and his land and his dream! Hal Levering was a poet. It seemed
to him now that the house behind him had drawn together and was
straining to get away from him, just as the people in it strained away
from him and left him alone and outside. He tried to reassure himself.
There were all kinds of people in the world, and this was America, and
he was as good as anybody.

“It ain’t so; I’m as good as any of ’em. What’d they ask me here for
if I ain’t? You big clown you, they asked you here to sing your jazz
songs, and so’s they could get a good laugh outa you. That’s what it
was for, you big dummy. Didn’t you see that Corthwaite girl sneering?
Sure you did. But you wouldn’t admit it! These people are right, and
you’re wrong, Hal Levering. You’re a Jew. No, that ain’t it either.
It’s because you ain’t a Jew--that’s it--because you’re pretending you
ain’t. Because you ain’t real. That’s it. They got their own names and
their own people and the things they’ve always had, but you--you’re
what they call a dirty Jew....

“That’s what it is about them that’s different--it ain’t just that
they got different styles in architecture--but they ain’t pretending
nothing. They don’t have to.”

He remembered the smile that had curled Constance Corthwaite’s lips the
night before. It grew, it spread, the image of curving lips blotted out
all the warm world, and he was alone before them, his heart sick with
the humiliation of the degraded artist.

Hal Levering rose from his chair, trembling a little, very white, just
as the riding party came strolling through the box hedge.

He looked down at them from the steps of the porch. They came toward
him like sublime creatures oblivious of his presence and of his pain,
ignoring him as they would always ignore him.

They were talking about someone named Coperbesby. He heard Constance
Corthwaite’s clear voice say:

“He has the most intense sense of race. A fierce and proud belief in
the Jew, and if you don’t understand that he is a Jew, that everything
he does is racial and unsullied, you can’t understand his music at all.”

Levering turned and, blundering against the door, went slowly out of
the sun, through the big quiet hall and upstairs. His room had been put
in order, and he hated to disarrange it, but he had to hurry, hurry
so that he could go quickly, and when you pack in a hurry things get
mussed up in spite of you.

* * * * *

The first thing his cronies at the club asked him was if he had had a
good time at the Corthwaite place.

Bennie Bernstein, the orchestra leader, Mimi Deland, the specialty
dancer, and her lean effeminate partner, surrounded him as soon as he
appeared that Monday night.

“Did you have a good time?” they asked him.

“Sure, fine, fine.”

Mimi Deland looked at him curiously. “Well, you don’t look it.”

He turned on her furiously. “What do you mean, I don’t look it? What do
you want me to do? Sing a song about it?”

She shrugged. “No,” simply. “But don’t chew my ear off.”

“Say, don’t get the week-end habit,” said Bennie jovially. “That bird
you had here last night doing your stuff was awful. We wouldn’t keep
open a week with him around.”

“Pretty bad, huh?” pleased.

“Lousy!”

It was time for his first song. As he stepped to the door that led him
to the spotlights and the applause, he said over his shoulder, “Don’t
worry about me getting the week-end habit; I won’t.”

“Gee,” remarked Deland as he slammed the door on them, “I wonder what
they did to him. He’s back early, too.”

He finished his song, and Bennie dipped his violin to his orchestra,
and they began the opening bars of “Abie’s an Irisher Now.”

At the sound of the first notes, Levering stiffened as though he had
been stung; then, turning on his heel, he called harshly, “Don’t play
that song to-night--or ever again.” After which he walked stiffly off
the floor, refusing his encore, while the music stopped in the middle
of a bar, jarred to a silence that held until Bennie shattered it with
his music again.

* * * * *

It was several weeks before Constance Corthwaite came again to the Club
Levering. She was quite sure, of course, when Hal Levering fled from
her house without a word to any of them, that he had somehow realized
his position; but that was not what had kept her from the club. She had
been away. Now, to-night, she was in town again and a little bored,
and as Hal Levering had once amused her she came to his place in the
hope that he might again. He was a hired performer; if she had hurt his
feelings, well--she was sorry, but she had no intention of staying away
as long as he could give her a moment’s entertainment.

The club had not been doing well for the last few weeks. Even Bennie
Bernstein’s saucy music did not hold the crowds. The reason, of course,
was that another man was in Hal Levering’s place.

Constance Corthwaite listened to one of his colourless offerings, and
then called him to her table.

“Where,” she asked, “is Hal Levering? Isn’t he going to be here
to-night?”

“Nope, he’s left for good.”

“Really, how disappointing! Where has he gone?”

“Say, lady, you’ll never believe me when I tell you; it’s the funniest
thing you ever heard! You know the money he was getting here--fifteen
hundred a week and a rake-off, and he part owner at that----”

“Really?”

“Sure. Well, he came in here one day, nobody expecting it at all, and
told ’em he was through--just like that. Through. Told ’em he was going
back and be a real Jew, going to give his talent to his people. Can you
beat it? They thought he had gone crazy, of course. Fifteen hundred a
week and a rake-off--and do you know what he’s done?” The objectionable
young man paused dramatically. “Say, he’s studying to be a cantor in a
synagogue--can you beat that?--can you?”

* * * * *

It was a year and more before the Club Levering saw its part owner
again. A variety of rumours had floated along Broadway--Levering had
gone abroad to study, he had taken a position in a synagogue, he was
composing highbrow music--but soon the rumours died away, and all that
was left of Levering at his old stamping ground was the flashing red
and green sign of the club. Business had fallen off; new places had
each in turn engaged the fickle attentions of the city’s night-lovers,
and the Club Levering was patronized by only a few stragglers. And then
the management decided to make one more bid for popular favour with a
new revue.

Bennie Bernstein laboured at his piano just as he had the afternoon of
Levering’s greatest triumph a year before, but the other performers
were new. No one now tried to fill Hal’s shoes; they had to depend on
a speeding chorus to cover up a palpable lack. And as Bennie sweated
to get the rehearsal into full swing, the service door opened and a
familiar voice sang out: “Hel-lo, Bennie, how’ve you been? Making the
grade O. K., huh?” It was Hal Levering.

“My--God--Hal!” and Bennie leaped from his stool and seized Levering by
the shoulders. The other performers gathered around, and to Hal again
was given the once so sweet chorus of praise.

“Cut it out--cut it out. Let’s get to work here. We gotta give ’em
something to knock ’em off their chairs!”

Bennie looked at Levering in astonishment. Was he really coming back?
It was too good to be true, but here he was, and Bennie ran over to
the piano joyfully. His nimble fingers flew up and down the keyboard,
and then, triumphantly, he hammered out the first bars of “Abie’s an
Irisher Now.” Levering, who had been chatting with the chef, who had
come running from the kitchen, whirled about with a white face.

“Bennie!” His voice stopped the music with the player’s hands suspended
in the air, such was its savage earnestness. “Never again that number,
Bennie. Levering’s a Jewisher now. Don’t forget that, hey?” Hal patted
his friend on the shoulder. “S’all right, Bennie, but there’s been some
changes made.”

The rehearsal went on under Levering’s direction, and when he was
satisfied with it he turned to the piano and handed Bernstein several
sheets of manuscript.

“Here’s some new numbers that I’m going to try,” he said.

“Hot dog!” Bernie murmured, as he bent his expert gaze on the neatly
written sheets. Then an expression of bewilderment spread over his
face. What was this stuff Hal was pulling? He glanced sideways at
Levering, who was standing at the edge of the platform, his back
turned. With a shake of his head, Bennie played a few bars; then
Levering joined in, a new softness, a thrilling timbre, in his rich
voice. Again the few in the room stopped their chatter and listened
with puzzled expressions, which changed into real wonder and reluctant
admiration as Hal sang:

“Set me as a seal upon thine heart,
As a seal upon thine arm,
For love is strong as death,
Jealousy is cruel as the grave.
Stir not up nor awake my love
Until he please.”

When he had finished, a silence hung over the place. Hal turned to
Bennie. “Try the next one,” he said quietly.

And again he sang a verse from the Song of Solomon, set to a wailing
accompaniment, that died away to a whisper, rose, swelled, and died
away again. It was thrilling, strange, but “Can even Hal Levering get
away with that stuff in a night club?” wondered Bennie.

One or two jazz numbers followed, and Hal called off rehearsal. The
word spread that Levering was back, and that night, when the lights
were dimmed and the chorus twinkled through the opening number, the
place was crowded beyond seating capacity.

There was no sight of Levering until after Buck and Wing, those
whirling cloggers, had done their turn. Then he appeared, and a burst
of applause, punctuated by the staccato click of the little wooden
hammers on the tables, showed that he still had a loyal following.

Bennie, at the piano, nervously settled himself, waiting for the noise
to cease. Then Hal broke into one of his new songs, those songs that
are as famous now as “Eli, Eli.” The reaction of the crowd was amazing.
Some wept, some applauded, others sat silent, wondering. It was so
unexpected, so sudden, that before they realized it Hal had bowed
quietly and left the room.

Later he sang several jazz songs, but after the applause he did not
join his patrons at their tables; he left the room in spite of
clamorous shouts of “C’mere, Hal,” “Have a lil one with us, Hal?” “Draw
up a chair, Hal.”

Sitting at one of the tables were Lord and Lady Greville, Nancy
Bromley, and John Taylor. If Levering had noticed the presence of these
companions of his week-end at Constance Corthwaite’s, he gave no sign.

“I told Constance he’d be back at it within a year,” remarked Nancy
Bromley, when Levering had left the floor and the lights had again been
brightened. “A taste of good fortune to a man like that always goes to
the head.... Cantor! It is to laugh.”

The others were silent; then Taylor spoke: “That’s not the man we knew,
though. Don’t you get the difference? Those first songs were superb.
The man who wrote that music is a genius.”

“Changed, nothing! That’s the same old Levering. I’ll prove it to you.”
Nancy called a waiter and told him to ask Mr. Levering if he would
speak to Miss Bromley.

“What are you going to do?” asked Greville.

“Never mind; you’ll see when he comes,” answered Nancy.

In a few moments Levering appeared and walked through the aisles of
tables to where the party was sitting. He did not cross the floor
in his old swaggering manner, receiving homage as he went; but with
dignity he walked and, reaching the table, bowed quietly to the four
people.

“Pull up a chair and have a drink,” invited Taylor.

“No, thank you, just the same. Is there anything I can do for you?”

“I am having some people down over the week-end of the twenty-third,
Mr. Levering,” said Nancy. “I should like very much to have you come.”

“That is very kind of you, Miss Bromley,” replied Levering quietly;
“I should be very glad to come on Saturday evening and entertain your
guests. My charge for such an affair is one thousand dollars. I presume
you will not want me after eleven-thirty. I must be back in town early,
for I sing in a concert Sunday afternoon.”

Nancy’s face was crimson as she answered, “That will be all right, Mr.
Levering.” Hal bowed and, turning, walked away.

John Taylor looked with amusement at the discomfited Nancy and then
at the proud set of the head of the Jew who was now a Jew, a Prince of
Israel, and a verse that he had learned as a child came to him: “For
thou hast made him a little lower than the angels, and hast crowned him
with glory and honour.”

BULLDOG

BY ROGER DANIELS

From _Saturday Evening Post_

“Next case!” Judge Barringer was brisk. Word had come to him that the
railbirds were plentiful down in the marshes of the Big Swamp and he
was going hunting. It was Monday morning, and the police-court docket
was an unusually large one even for Monday morning.

Out of the group of Negroes waiting in the prisoners’ pen, a group so
large this morning that it overflowed on to the sunny porch beyond,
edged a giant Negro in answer to the turnkey’s signal. Rather, he could
have been said to plough his way through, for the men and women ranged
before him separated as does soft loam under the impelling blade of
the ploughshare. Once free of the crowd, the man stepped forward with
an easy but awkward shuffle until he stood directly in front of the
judge’s desk. At that moment Judge Barringer was intently scanning the
docket slip and figuring how soon he would be able to get away.

The prisoner’s massive head might have been chiselled with an ax from
a block of black marble, and not too finely chiselled, at that. It had
the sheen of black marble, and was square and formidable, that head,
viewed from any angle. The jaw was square and protruding, the forehead
was square and receding, the nose was broad and flat. Just now the
mouth was spread wide across the shining ebony face.

“Mawnin’, Jedge,” the big Negro said with a sheepish grin. “Heah Ah is!”

Judge Barringer’s head jerked up instantly. He was not accustomed to
mawkish familiarity from his charges, nor did he fail to administer
stinging rebukes, when such were attempted, in the amount of sentence
given as well as in verbal reproof to any and all who might presume
to take such liberties. But as he took cognizance of the figure that
loomed before him, his expression changed. The frown that had furrowed
his forehead did not linger. It could not be said that he smiled, but
a look of real recognition, kindly and forbearing, came into his eyes.
One hardly frowns at an old acquaintance.

“Well, Bulldog,” Judge Barringer said, calling the big Negro by the
only name he had, “I haven’t seen you for the longest time. Where have
you been hiding?”

Bulldog grinned, even a broader grin than before, so that his white
teeth showed in a semicircle. “Same place wheah Ah usually is, Jedge
Barringer, Yo’ Honour. Down on the Fahm wiv Cap’n Jim.” The Farm was
the chain-gang camp.

“It’s too bad, Bulldog,” the judge said, shaking his head; “you’re big
enough to keep out of trouble and mind your own business.”

“Yas-suh, Jedge Barringer, tha’s jes’ what Ah was a-doin’, mindin’ mah
business, an’ Ah jes’ gits me into trouble jes’ the same. Seems lak me
an’ trouble sticks together lak a pair ob dice.” He grinned again. The
grin became infectious and Judge Barringer took it up. Even the stolid
fat Sam Perks, the turnkey, grinned. Then came a general titter, to be
brought to a sudden halt by the judge’s staccato gavel.

Judge Barringer had suddenly remembered the railbirds and the Big
Swamp. He was off for a three-day hunt, and there were several things
he must attend to personally before turning over the affairs of court
_pro tem._ to the clerk. With still more than half a heavy Monday
docket to be heard from, there was no time for amusement this morning.

“Well, where’s the witness against Bulldog? Is the Court to be kept
waiting? What has he to say for himself and why isn’t he here?”

The patrolman who had arrested the big Negro stepped forward.

“The witness is still in the hospital, judge,” he said. “Pretty badly
done up and they don’t know when he will be out. I guess the case will
have to be continued until he can appear.”

“Waste of time,” Judge Barringer said crisply. “I know Bulldog.” He
turned abruptly to the big Negro. “Well, what happened this time? Tell
us your side of the story.”

Bulldog shuffled from one foot to the other. “It was thisaway, Jedge,
Yo’ Honour. The las’ six months what you give me, they ain’t up till
to-morrow. Cap’n Jim, he startin’ the big ’Geechee Canal to-morrow.
Come las’ Friday, Cap’n Jim, he say, ‘Bulldog, yo’ bin a mighty good
nigger this trip. Ah’m lettin’ yo’ out a couple ob days ahaid ob time.
Mebby you-all be back so’s we kin staht wif the new ‘Geechee Canal
together.’ Ah reckon dat Cap’n Jim be right, Jedge, Yo’ Honour, cause
heah Ah is!”

As Bulldog broke into another of those infectious grins, it was
necessary for Judge Barringer to rap for order, although he was forced
to cough to hide his own mirth. Any other morning Bulldog might have
been highly amusing entertainment, but the railbirds were calling from
the Big Swamp.

“So much for that,” Judge Barringer said. “Tell us what happened. Why
is this man in the hospital?”

“It was thisaway, Jedge, Yo’ Honour,” Bulldog repeated the formula: “Ah
gits me home an’ Ah finds that a yaller Washin’ton nigger been shinin’
up to my Sally while Ah bin down on de Fahm. Yassuh, Jedge, Yo’ Honour,
he’s shinin’ when I gits home. I comes in de front do’ an’ he goes out
de back. All Ah done, Jedge, was jes’ flicked dat nigger, ’cause he
don’ move fas’ enough.”

“You just flicked him. What with?” Judge Barringer asked, as the term
was a new one to him.

“Wif the back ob mah han’, Jedge, thisaway.” Bulldog made a snapping
gesture with one hand; “jes’ lak yo’d flick on a fly, Jedge. Dat’s all
Ah done to dat measly little nigger. He wasn’t big enough to hit.”

“So you just flicked him like you’d flick off a fly?” Judge Barringer
questioned.

“Yas-suh, dat’s all, Jedge, Yo’ Honour,” Bulldog answered.

“And now this man is in the hospital and they don’t know when he will
be able to appear. It seems to me that the last time you were here you
said you had just made a pass at a man and when they got him to the
hospital he was cut in ten different places.” Judge Barringer leaned
back with an air of resignation. “Bulldog, you’re hopeless. I’m going
to send you back to Captain Jim for another six months. For the general
safety of the community at large, you’d better do your flicking on the
new Ogeechee Canal.”

“Yas-suh, Jedge, Yo’ Honour,” Bulldog answered.

Such a remark coming from any other prisoner would have been
impertinence and would have been swiftly treated as such. But between
old friends there are no impertinences. Bulldog turned away with a grin
and ploughed his way through the crowd in the prisoners’ pen to the
bench in the rear. Two Negroes got up hastily to make room for him.

The business of the court moved along swiftly. The railbirds were
calling to the judge’s bench from the Big Swamp. Bulldog, on the
prisoners’ bench, was thinking of the convict captain. He liked Captain
Jim. “Ah guess he knowed Ah’d be back in time all right,” he mused to
himself. “Well, Cap’n Jim, Ah’m comin’.”

Later that afternoon there was a meeting between the two. “Been waitin’
all mawnin’ for you, Bulldog,” was the convict captain’s greeting.
“Just you run along and get your work clothes and then you can go over
and clean up my quarters.”

The regular routine of the check-in was usually dispensed with in
Bulldog’s case, as it was to-day. Once safe in the convict camp, he
caused no trouble. He did the work of seven ordinary men and had withal
the stolid patience of a work horse. Only when he was at liberty was
Bulldog dangerous, like a colt turned out to grass which suddenly
remembers that he can kick. Captain Jim had been busy for several
minutes with the other prisoners before he realized that Bulldog still
stood back of him, shifting uneasily from foot to foot. He recalled
that the same thing had happened on one other occasion and grinned
inwardly.

He half turned. “Bulldog, you go over and tell old Henry,” Cap’n Jim
said, “to give you something to eat.”

“Yas-suh, Cap’n Jim,” Bulldog said with alacrity, his eyes brightening
and his lower lip hanging expectantly at the thought of food. “Dat’s
what Ah was hopin’ yo’ was goin’ to say, Cap’n Jim. Ah ain’t eat since
las’ night.” The sheepish grin spread over his face. “Seems lak Ah
cain’t relish de bacon and grits what dey gives up to dat city jail.
Dey don’t know how to feed a nigger lak yo’ does, Cap’n Jim.”

“So that’s why you came back so soon, is it?” the convict captain said
with a laugh.

“No, suh,” Bulldog answered soberly, his brows knit and his lips
protruding. “Ah didn’ come back fer no perticular reason, Cap’n Jim.
Now Ah stops and figgers it out, Ah guess it jus’ happen.” His face lit
up with an idea as he asked with all the wonder of a small boy, “Cap’n
Jim, you-all didn’ put no sign on me to make me come back?”

“If you don’t get out of here quick I’ll put a sign on you you won’t
forget,” the captain exploded.

“Yas-suh,” Bulldog called back to him over his shoulder, being already
half a dozen paces on his way.

Ten minutes later, garbed in his chain-gang work clothes, with a chain
dangling from his waist, Bulldog poked his head through the open window
of the cook shanty.

“Ev’nin’, Uncle Henry,” he said in a mellifluous tone to a gray-haired
Negro in cap and apron who was ladling the contents of a huge pot set
at the back of the big square stove.

Uncle Henry looked up, his face crinkled with smiles that seemed to
close his eyes until they were shiny, laughing dots.

“Dat you-all, Bulldog? Sho’ nuff I jes’ dis minute ’cided you done
dis’point Cap’n Jim an’ slumped a fresh ham bone an’ two pounds ob meat
on it into dat soup. But, Bulldog, boy, for you I fishes it out.”

“Yas-suh, Uncle Henry, Ah knowed yo’ ain’t goin’ to see Bulldog starve.
Mebbe yo’ has a handful ob dem yaller sweet yams.” Bulldog’s mouth
fairly dripped.

“Hush up dat fool talk, boy,” the old cook chuckled. “Don’ it do my
heart good to see them what likes they vittles? Bulldog, yo’ am de
most satisfactoriest meal hound what I know.” Uncle Henry doubled with
laughter, in which Bulldog, his mouth already crammed full, joined
heartily.

Uncle Henry sincerely liked Bulldog. The giant never referred to the
fact that Uncle Henry was a lifer. For twenty-seven years he had been a
convict-camp cook. It was as a young man that, under the influence of
ten-cent white mule, he had lifted a chair against his legally married
wife. In Uncle Henry’s mind that dreadful event had always remained
as an accident. His whole life was being freely given in atonement.
When some of the younger convicts taunted him and called him the old
murderer, they left a hurt that remained with Uncle Henry for weeks.

Bulldog shuffled toward the door finally with a sigh. “Ef Ah swallows
another swallow, Uncle Henry, Ah busts.”

“Boy, come again when yo’s hungry; yo’ makes me proud.” The old cook
chortled, looking after him.

As Bulldog turned into the lane to Captain Jim’s quarters, a small
whitewashed bungalow, two hounds bayed a ferocious greeting.

“Yo’ Lady Belle, yo’ Junie, hush yo’ mouf!” Bulldog bayed back. Then
he grinned and tossed the remains of the fresh ham bone over the
chicken-wire inclosure. The hounds left off their racket instantly and
pounced on the bone, while Bulldog leaned complacently against the
inclosure and eyed them with satisfaction.

“Dem houn’ dawgs go after dat bone lak it was a runaway nigger,” he
commented with approval. Though every other Negro on the place looked
upon the bloodhounds as a possible Nemesis, such a thought had never
entered Bulldog’s massive head. To him they were companions, and the
fact that he was allowed to feed them was proof conclusive that he was
above the ordinary regulations of the convict camp.

He turned from the hounds presently and made his way to a small
outhouse, where he procured a pail, a whitewash brush and a scraper.
Captain Jim liked things to look spick-and-span, and the timbers
supporting the bungalow porch had acquired a reddish-brown mud colour
from the recent rains. Bulldog proceeded at the first job that he knew
would catch Captain Jim’s eye. He knew on which side his bread was
buttered.

“Wasn’ it sad to see _Titanic_ sinkin’ down,
Wasn’ it sad to see _Titanic_ sinkin’ down;
Husban’s an’ wives, little chilluns los’ dey lives;
Wasn’ it sad to see _Titanic_ sinkin’ down.”

Verse after verse, in the droning singsong of the old spirituals, kept
time to the whitewash brush. The underpinning of the bungalow was
certainly going to catch Captain Jim’s eye when he came up the lane.

Two and a half hours later Bulldog took up his accustomed place in
line on the way to the mess hall. If he had recently gorged until he
couldn’t swallow another swallow, that was not going to interfere with
his doing full justice to Uncle Henry’s supper. And later, spread out
at full length in the bunk room over the mess hall, he lay on his
back and slept the sleep of the just. Sleeping on one’s back is said
to be conducive to snoring, but Bulldog was a silent sleeper. If he
was primitive in his mode of living, so, too, he was primitive in his
sleeping hours. Dead to the world he was, yet ready to be instantly
awake.

Once upon a time a fellow convict night guard had taken the liberty
to bring his stick across the soles of Bulldog’s bare feet as he lay
asleep. It was a common trick, and as the sleepers were chained to
their flat bunks, the guard had only to step back out of harm’s way,
while the startled sleeper rubbed open his eyes and bellowed revenge
to the accompaniment of catcalls from the other prisoners. But the
unlucky guard who had attempted the prank at Bulldog’s expense carried
an eye that squinted forever after as a warning to all and sundry that
the giant was equally dangerous, asleep or awake. It must have been
that Bulldog had heard the swish of the descending stick in his sleep,
for the smack of it against the soles of his feet and the whoosh of
his hand striking the unwitting guard had been nearly simultaneous. So
Bulldog slept the sleep of the just.

He was awake with the sun, and lay there for half an hour studying his
toes, even as a small boy of five or six months studies them. When
a man can do that intently for half an hour, his conscience isn’t
bothering him. So to breakfast presently and to take his place at the
head of the squad line. They were starting the new Ogeechee Canal and
Bulldog knew that Captain Jim meant him to set the pace. It was an
accepted fact that a squad line with Bulldog at its head got about a
week and a half of digging done in a week. It was useless to try to
drive labour out of Negro chain gangs, but to lead it out of them--that
was different. It explained why Captain Jim needed Bulldog. Winter was
coming along and the new drainage canal must be finished before the
flood rains of spring.

The beginning was to be made some three miles away from camp, and
they marched out in formation, five men to a squad. The chain-gang
squad of five meant two ahead, two behind, and one in the middle. Each
prisoner had a leg iron around his right ankle, to which was attached
the four-foot squad chain. When they were on the march the squad chains
of each squad were linked together in a common ring, so that if a
man attempted to bolt on the road he would have to take four of his
companions with him. Even if the bolt were successful, it was poor work
for five men, chained together, to beat off pursuit in the swamp. When
they worked, each man carried his own chain hooked to a snaffle sewed
to his tunic.

But the work line was watched over by a convict guard whose duty it was
to sit on a palmetto stump all day with a sawed-off shotgun across his
knees. Sometimes a prisoner escaped, but not often.

Bulldog, at the head of the line, had never tried to escape. When his
time was up he had always hurried to town in high glee, but with a
certain remote feeling that sooner or later he would be coming back to
Cap’n Jim. Once back, he was content to work out his time. He liked to
work, he gloried in the fact that he could do the work of seven.

“Ah reckon, big boy, dey hangs yo’ dis time.” Chinkapin, so named
because of his size, was the middle prisoner in Bulldog’s squad. He had
spoken irrelevantly to the landscape, a dreary waste of cypress knees
and cabbage palmetto extending half a dozen miles to the row of live
oaks that marked the river line. No one in the squad paid any attention.

“Ah reckon, big boy, dey hangs yo’ dis time!” Chinkapin repeated.

This time Bulldog half turned his head to speak, but as he did so
three turkey buzzards flapped crazily out of the swamp just ahead and
absorbed his attention for the moment. By the time the buzzards had
settled out of sight again Bulldog had forgotten Chinkapin.

But the little convict was not to be so readily neglected. “Ah reckon,
big boy, dey hangs yo’ dis time,” he intoned once more.

“Hangs who?” Bulldog demanded bluntly. “Chinkapin, yo’ half-size
nigger, shut yo’ mouf befo’ Ah sicks dem eye-pickin’ buzzards on yo’!”

“Ah ain’ kill nobody,” Chinkapin answered glibly; “dem flip-flop death
angels ain’ lookin’ fo’ me.”

“What yo’ mean yo’ ain’ kill nobody? What lie yo’ fixin’ to tell now?”
Bulldog had stopped and was facing his tormentor. “Who hangs who for
what? Yo’ tells de truf or Ah smacks yo’ cross-eyed.”

Chinkapin had an active mind. Although he had never seen him, he had
heard about the squint-eyed night guard. Bulldog towered above him. In
one glance Chinkapin made full appraisal. Bulldog’s hand was the size
of a ham. There was no going back now, for the big Negro was evidently
riled. The three buzzards taking wing had been an omen. Chinkapin
should have realized that before he pressed his point.

“Ah ain’ lyin’, Bulldog,” the diminutive one countered quickly. “My gal
done tol’ me las’ night when she brung mah clo’s. Ah’m leavin’ Sa’day.”

“Who cares when yo’ leaves, han’ful? Did Ah ax yo’ when yo’ leaves? Who
hangs for what? Yo’ answer me dat in de whole truf or I slaps you pas’
an’ presen’ an’ back again!”

Chinkapin shivered. The delay had stopped the whole squad line, and
back along the line a convict guard was shouting. But Bulldog was
intent only on the little Negro before him.

“Does yo’ answer me, Chinkapin, or does I knock you loose?” One hand,
open palmed, was raised threateningly.

“Dat Washin’ton nigger died,” Chinkapin blurted out in shaking fear.
“My gal tol’ me when she come las’ night.”

Bulldog’s hand dropped to his side. He stood absolutely motionless,
looking blankly at the quivering messenger of bad news. For a full
minute he stood there, and to Chinkapin it seemed that death itself was
standing there.

“Is yo’ tellin’ de whole truf?” Bulldog demanded.

“So help me!” quavered the terror-stricken Chinkapin.

“If yo’ ain’----”

But the sentence was never finished. One of the guards, alarmed at
the sudden halt, had fired into the air as a signal to the others.
The report of the gun had an electrical effect on Bulldog. If the
Washington Negro had died, he would hang. The three turkey buzzards,
frightened by the gun, came winging past. Out of the corner of one eye
Bulldog saw them.

“Stan’s yo’ back!” he commanded quickly, at the same time shoving the
four other members of the squad into a huddle. That gave him about six
feet of chain to work on. Swiftly he bent. The chain was coiled like
magic first around one forearm and then the other. There was a grunt,
the ring of metal, and the chain had parted. Bulldog dived headlong off
the trail into the palmetto scrub just as the first convict guard came
running up. He fired both barrels of the sawed-off shotgun point-blank
in the general direction of Bulldog’s dive. Then he reloaded and fired
again, keeping up the process until the other guards arrived. In a
circle they closed in on the place. But the turned-back palmetto scrub
revealed nothing. Bulldog was gone.

It was Chinkapin who turned an almost pasty gray face toward heaven as
he exclaimed, “May de Lawd have mercy on dis pore little nigger’s soul,
Ah didn’ mean no hahm!”

When he dived, Bulldog landed in the lush swamp grass and proceeded
through it bellywise like a snake. He made a hundred yards that way
before he got to his feet and broke into a run. The palmetto scrub was
slightly higher than his head as he pressed forward ankle-deep in the
slime. He came to a halt presently to get his second wind, knowing that
he was safe for the immediate present. The convict guards couldn’t
leave the chain gang. They would have to summon Captain Jim and a
posse. By that time Bulldog would be well on his way. But where?

Half an hour later, ploughing his way through the swamp grass to the
river, he was still pondering the question when his ear caught the
far-away bay of a hound.

“Dere’s dat posse, sho’ nuff,” Bulldog grunted, and put on speed. He
was nearing the river and higher ground, and the going was easier.
The Big Swamp, on both sides of the river, was mostly tidal backwash.
There wasn’t a habitation for miles ahead, and once he got to the
river, Bulldog felt he could swim downstream and lose himself in the
swamps on the other side. Unless the crime were a very terrible one,
a white man’s posse wouldn’t break its neck searching the swamps for
one chain-gang Negro more or less. Bulldog, for all his uncouthness,
had a rough-and-ready knowledge of the customs of the country. But for
one day the chase would be hot; the cry of the hounds, giving tongue,
assured the big Negro of that. Even now the dogs seemed to have gained
on him, and he stopped to listen. They were much nearer than they had
been before. Bulldog’s worried face changed to reveal a grin.

“Dem houn’ dawgs ain’ on no leash. Cap’n Jim done loosed ’em!” He
chortled aloud as if to convince himself that his ears had not deceived
him. He cocked his head on one side and listened intently. “Sho’ nuff!
Dat’s Lady Belle and Junie.”

The river line, with its row of live oaks festooned with Spanish moss,
was a scant half mile away now, and the going underfoot was solid.
Bulldog broke into a steady run. In a few minutes he had reached the
first of the live oaks. Back in the glory days of the old South, these
magnificent trees had been set out by some long-since-departed rice
planter. Now their branches interlaced.

Bulldog swung himself into a tree, got up among the middle branches,
ran out a good-sized limb like some giant monkey, paused, and then
swung himself into the next tree. The hounds were close now; he could
hear them as he climbed. But they were running the trail far ahead of
the posse. Through the second tree and into the third swung the apelike
giant. He kept on until he had reached the fifth, from which he dropped
swiftly to the ground. He found a stout section of an old branch,
tested it with the weight of his hand, and then swung back in a circle
to lie in wait beside his trail.

He did not wait long. The hounds went by in full cry, Junie in the
lead, Lady Belle at his heels. The bloodhound cares neither for sight
nor sound, but follows his nose. Bulldog closed in behind them and
grinned broadly as they came to a baffled halt at the foot of the live
oak.

“Yo’ Lady Belle, yo’ Junie, hush dat racket!”

At the sound of his voice the hounds whirled to face him, baying
excitedly at this strange turn of affairs.

“Yo’ heah me? Hush dat racket!” Brandishing the broken limb, Bulldog
stepped toward them. “Ah feeds yo’ wiv mah own han’s and yo’ runs me
down jes’ lak Ah was a runaway convic’ nigger! Junie, Lady Belle, fo’
dat Ah frails yo!”

The broken limb descended in a sidelong swish and Junie was bowled
over. A split second later, in the midst of a protracted howl, Lady
Belle got the same treatment. Both hounds scrambled to their feet
whimpering.

“Hush dat noise! Yo’ ain’ hurt!” Again the tree branch came swishing
down, but this time above their heads. The hounds were cowed. “Tracks
me down lak a runaway convic’ nigger, will yo’? Now yo’ gits!” Bulldog
grunted savagely. “Home, Junie! Home, Lady Belle, befo’ Ah cuts loose
an’ frails yo’ good!”

With tails down, both hounds turned and fled. Bulldog sent the tree
branch soaring through the air after them. It lit at their heels and
sent them scurrying faster.

“Why fo’ Cap’n Jim let loose dem houn’ dawgs? He might knowed Ah’d
frail ’em,” the big Negro commented philosophically. It was common
knowledge that a bloodhound loose on the trail could be beaten back, or
frailed, as usage had it. But time for philosophy was short. Bulldog
went down to the river at a jog trot, hesitated at its brink and then
dived overboard into the deep water that cut into the live-oak bank. He
came up with a snort and struck out for the opposite shore.

The tide was strong and carried him well downstream, which was to his
advantage in putting distance between himself and his pursuers. It
was in searching for a convenient landing place that he spied a boat
pulled up in a bayou. That meant someone else was there, and he allowed
himself to be swept farther downstream. It also offered him means of
getting upstream with much less trouble than through the swamp. He cut
into shore presently, and keeping well under the bank, worked his way
around to the boat. It was high and dry, and a pair of oars were tucked
under the seats.

Just as Bulldog reached for them there was the reddish-brown flash of a
copperhead that had been sunning itself. Outraged at being disturbed,
the reptile struck. But the giant Negro was quicker and snatched his
hand back out of harm’s way.

“Jes’ fo’ dat, little red snake, Ah whuffs yo’,” Bulldog grunted.

Sensing danger, the copperhead squirmed for the gunwale of the boat and
the safety of the river. Once more the big Negro was quicker. His heel
descended and the snake’s head was crushed.

“Whuff!” he grunted. “What Ah tell yo’?” Reaching down, he picked up
the remains and tossed them on the sun-baked bank. The whole little
drama had consumed not more than ten seconds. Bulldog shoved the boat
into the river and clambered quietly aboard.

Once in the current, he pulled upstream, using a long, steady, untiring
stroke. As a pickaninny, a flat-bottomed river rowboat had been his
hobbyhorse. It would be a full hour before the posse would get within
sight of the river, he figured, even if it came that far, now that the
hounds were no longer giving cry to guide it. Lady Belle and Junie had
cut it straight for home.

Ten miles above the place where he had first struck the river, Bulldog
pulled the boat into a bayou, beached it well up among a covering
screen of scrub palmetto, and then crawled under it and went to sleep.

The frogs were singing the sun to sleep when he awoke hungry. All along
he hadn’t had any idea at all where he was going, but that was a matter
which could easily remain indeterminate. The gnawing at his stomach was
serious. He would starve to death in the swamp; so, as a hiding place,
the swamp was cast aside.

“Ah got to git me goin’,” he mumbled to himself, his lips protruding
as they always did when he was perplexed. In an hour it would be dark.
He decided to wait. Presently, in the growing dusk, he dragged the
boat down to the river, and tucking the oars under the seats as he had
found them, he gave it a heave that sent it well out into the stream.
He watched while the current caught it up, nosed it around and bore it
from sight in the gloom. “Dey don’ git me fo’ stealin’ no boats,” he
grumbled dispassionately, “but I sho’ would relish me some food.”

The yellowest of yellow moons, as big as a house, bathed the palmettos
with metallic beauty when Bulldog silently and sullenly struck off
through the swamp, heading south. He was going down to the sea, but
there was no romance in his going. It was the urge of his stomach that
led him that way rather than striking inland. The sea coast below
the Big Swamp was a series of wind-swept savannas. It was broken
by innumerable inlets and fringed with islands. But there were no
settlements along this strip for miles and he would be safe from the
sight of men. The beaches offered clams, crawfish, and prawn. He had
never been a fugitive before. He was lonely for the companionship of
his kind. Most of all, he was hungry.

Hour after hour he went on and on through the swamp, another shadow
among a million, yet the only one that moved. His gait was rapid, but
not hurried, a relentless, ever-forward swinging rhythm of motion. If
he took bearings, he took them subconsciously. He made no plan. At the
sea he would find something to eat. His mind travelled no farther than
that. He even forgot that he was lonely.

A sudden cry through the stillness of the night sent dread loneliness
over him like a pall and stirred every fibre of him, so that he
quivered where he stood, as frozen as the other million shadows about
him. At once the night had a myriad of tiny sounds that mounted and
mounted, until, joined with the pulsations of his own body, they seemed
to roar in his ears.

But the cry that had startled him had been human. He sensed that, as he
stood listening to hear it again, stood like a statue in the moonlight,
motionless and breathless. Had the cry come from above or below him,
from before or behind him? He couldn’t tell, but as he strained his
senses he became gradually aware that he was not alone in the swamp.
The moon was well overhead now, and though it was half as bright as day
in the upper world, every shadow was as black as pitch. Insects droned,
the palmetto leaves caught a fitful breeze and rasped dully, unseen
things crackled in the undergrowth.

“Whar yo’ is?”

Bulldog jumped two yards at the sound of his own voice, not realizing
that he had experienced a psychological moment, that the very stress
he had put on his senses of perception had caused him to speak out,
just as a householder who fancies he has heard someone outside his door
will call out, “Who’s there?” And while he stood there unable to decide
whether to remain or run, that human cry came to him again, this time
almost at his feet.

His teeth chattered now from mental if not bodily fear. Sounds do not
come from nothing; and yet, strain his eyes as he would, he saw only
a cabbage palmetto and its jet-black shadow in the place from whence
it seemed to him the cry had come. Still he stared at the shadow.
Something was there. As he stared, he saw it take form. Slowly at first
it grew round and whitish, then its shape became more definite. Bulldog
was hypnotized by it now, glued to the spot where he stood. He tried to
ask it what it was, but his lips refused to move. He was cold now--cold
and shivering. Then, with a rush, his breath came back to him. The
thing had moved and was looking at him and he knew what he saw.

“Bulldog!” the thing gasped.

“Jedge Barringer! Ah thought yo’ was a ghos’!”

“Thank God you’ve come,” the judge said weakly. “I’ve had an accident.
I’m shot in the leg. Not bad, but I lost a lot of blood before I got
the flow stopped. I guess I’ve crawled ten miles trying to find the
river and my boat. But I’m all right now. Who’s with you? Captain Jim?”

Bulldog heard and yet didn’t hear. Judge Barringer had been hunting
and had shot himself in the leg. He had tried to reach his boat and
had failed. The boat in question was the one Bulldog had found and
appropriated; the boat he had later set adrift. The judge thought
Bulldog had been sent out to look for him by Captain Jim.

“You black hyena, don’t stand there like that!” Judge Barringer
exploded feebly. “I’m no ghost. Call Captain Jim.”

“Jedge, Yo’ Honour, dey ain’ nobody heah but me,” said Bulldog, simply
stating a fact.

“You mean to say you came for me alone?” Judge Barringer was suffering
from a terrible ordeal and was not thinking very clearly. “But how did
you know----”

He stopped. Bulldog had not come for him. No one had come for him. He
had slipped off quietly to hunt alone, expecting to go on that night to
Bryan Neck. The whole idea of someone coming for him had been a sort of
nightmare of hope when his brain had failed to function properly. He
might still be suffering from hallucinations.

“Bulldog!” He spoke to make sure this towering Negro before him was
real.

“Yas-suh, Jedge, Yo’ Honour.” Time and circumstances could not alter
custom, and Bulldog’s answer was a tribute to habit.

“Bulldog, what are you doing here?”

“Jedge, Yo’ Honour, it’s thisaway,” the big Negro began.

“That’s enough,” the judge cut in with a sigh of relief. “As long as
it’s you, I don’t give a damn what you’re doing here. Just give me a
hand and help me get to the river. I’ve got a boat there in a little
bayou between two live oaks.”

Bulldog bent and helped the judge to a sitting posture. The judge
groaned and then swore.

“Dat boat, Jedge Barringer?” Bulldog asked. “Dat was’n de boat wiv de
red paint on de oar handles?”

“Yes, that’s the one. So you know where it is? That makes things
easier.” Judge Barringer was fast being able to think once more.

“De las’ time Ah see dat boat, Jedge, Yo’ Honour, she was gwine down de
middle ob de ’Geechee all by itself,” Bulldog explained honestly.

“You mean adrift?”

“Yas-suh, Jedge, Yo’ Honour, jes’ lak a ol’ tree log.”

“All right.” It was no time to bewail the loss of a boat. “Then you can
take me back in your boat, Bulldog.”

“Me, Jedge? Ah swum.”

Judge Barringer put out a quick hand to Bulldog’s leg. The big Negro’s
clothes were dry. “You swam across? When?” he asked warily.

“Ah reckon it mus’ ’a’ been a couple hours befo’ dinnertime,” Bulldog
answered. He knew from experience it was useless to try to lie to Judge
Barringer. But the thought of dinnertime prompted him to add hopefully,
“Yo’ ain’t got nuthin’ to eat on yo’, has yo’, Jedge, Yo’ Honour?”

“Do you mean to tell me you broke away from the chain gang?”

“No, suh!” Bulldog answered hurriedly. “Ah didn’ do nuthin’ lak dat. It
was thisaway, Jedge, Yo’ Honour: Dat Washin’ton nigger die an’ Ah cain’
see no use in cravin’ to hang by mah neck.”

Judge Barringer was thoroughly aroused now. “Who told you that nigger
died?”

“Chinkapin.”

“Where?”

“He’s on de chain gang.”

“I don’t believe it!”

“Befo’ de Lawd, Ah wouldn’ lie to yo’, Jedge Barringer, an’ yo’ knows
it!” Bulldog said fervently.

“I mean I don’t believe that nigger died,” the judge explained.

“If yo’ believes it or don’ believes it, Jedge, Yo’ Honour, dat don’
save mah neck.”

“Well, we’ll see about that when we get back. In the meantime you can
have my word for it, that nigger didn’t die.”

“Yas-suh, Jedge, Yo’ Honour. Ah’ll take yo’ word for it--on’y, we ain’
goin’ back,” said Bulldog emphatically.

“Do you mean to say you aren’t going to help me get out of here--that
you’d go away and leave me?” Judge Barringer looked straight up into
the face of the big Negro.

“No, suh! Ah ain’ goin’ away an’ leave yo’, Jedge Barringer, but also
Ah ain’ goin’ back wiv yo’ an’ git hung by de neck for no yaller
Washin’ton nigger.... Ain’ yo’ even got a san’widge, Jedge?”

Judge Barringer was rapidly, in his weakened state, becoming
exasperated. “Now, you listen to me, Bulldog, and don’t be a fool. I
don’t want you to hang any more than you want to hang. Chinkapin never
told the truth in his life. If he said that nigger died, he meant it as
a joke, and you jumped to conclusions and----”

“No, suh, Jedge, Ah ain’ jump to nuthing. Jes when Chinkapin say dat
nigger die three flip-flop death-angel buzzards come flyin’ right ovah
mah haid.... If yo’ ain’ even got a san’widge, we goes hungry, both of
us; but, Jedge, we ain’ gwine back fo’ to git me hung.” Bulldog was
adamant on that point.

“If I had a gun, Bulldog, I’d shoot you!” Judge Barringer threatened.

“Yas-suh, Jedge, Yo’ Honour,” Bulldog agreed solemnly. “But dat
wouldn’t be gittin’ me hung by de neck. Ah saw oncet a lynch nigger an’
his neck was stretch out as long as mah arm. No, suh, Jedge Barringer,
when Ah dies Ah dies so dey can put me in de coffin beautiful.”

“Can’t you do something besides talk like a fool?” Judge Barringer felt
that his strength was slipping away from him. The hope that had come
with Bulldog’s arrival was fast disappearing. His head sank resignedly
to his chest. His brain was beginning to grow muddled again from sheer
exhaustion, when he felt that Bulldog had taken him by the shoulder.
From a long way off he could hear the big Negro’s voice.

“Jedge Barringer, don’ yo’ go passin’ out. Ah’ll git you home someways.
Gives me yo’ arm an’ I totes you to Ossabaw.”

Ossabaw? That was an island at the mouth of the river fully fifteen
miles distant. Now Judge Barringer, semiconscious as he was, knew
that Bulldog was crazy. If he should be taken to Ossabaw, he would be
farther away from help than ever. He would stay rather where he was. It
was warm here, and quiet.

But when the black giant reached down and picked him up he made no
protest. He was not even aware that he was being carried. Under this
new burden, Bulldog found the going heavy in the swamp and made for the
higher ground near the river bank. It was the wind coming up from the
sea some two hours later that had a reviving effect on Judge Barringer.
He opened his eyes to see a shadow a yard away.

“Is that you, Bulldog?” he asked.

“Yas-suh, Jedge, dis is me.”

“If you won’t do anything, why do you stay here?” Judge Barringer said
petulantly in his weakness.

“Shucks, Jedge, we ain’ heah no mo’; we’s halfway to Ossabaw. Yo’
weighs like ce-ment, Jedge. When Ah gits me a li’l’ res’ we goes on.”

“Halfway to Ossabaw?”

“Yas-suh, Jedge.”

Judge Barringer lapsed again. It was useless to try to argue with the
crazy hyena. If Bulldog had made up his mind to take him to Ossabaw, he
would have to go, being unable to resist. He saw a picture of himself
as a fellow Crusoe, fugitive from justice with a chain-gang Negro.
But if that leg of his lost its soreness, if he ever was able to get
around again, he swore that it would be much better for Bulldog to have
hanged. A sudden jolt, a feeling that he was floating, and he knew that
they were on their way.

When he opened his eyes again they were still on the go. His injured
leg--it had been a flesh wound in the calf--was numb and did not pain
him now. It occurred to him that he might even be able to walk. But the
side-to-side sway, as he was carried along, seemed much easier; and
besides, there was little weight to his body now; he felt as light as
a feather. Years after, he was to look back at that moment and wonder
what ever had put such a crazy notion in his head. He closed his eyes
again.

“Jedge Barringer!... Jedge Barringer!” Bulldog was calling to him, but
it was cold and he did not want to get up.

“Jedge Barringer!”

That was not Bulldog’s voice. He roused himself with a great effort
and sat up. A bent old Negro was on his knees before him, his face a
picture of despair. Suddenly it was wreathed in smiles of thankfulness.

“Jedge Barringer, yo’ is alive, thank de Lawd! Ah been callin’ yo’ fo’
de longes’ time until Ah jes’ ’bout reckon yo’ was a corp’.”

“Daddy Ike!” Judge Barringer gasped. “Where did you come from? Where’s
Bulldog?”

“Down on de plantation, Jedge.” The old Negro’s face looked puzzled.
“How come yo’ don’ know Ah ain’ nebber lef’ Ossabaw, Jedge?”

And then Judge Barringer remembered. Ossabaw Island was the seat of the
old Depford plantation, now only a relic of the past, and Daddy Ike was
the oldest Negro in the section. He still lived in the old ramshackle
slave quarters and eked out a living by fishing and raising truck.
Everyone knew Daddy Ike, and yet Judge Barringer had forgotten until
now. This was the reason they had come to Ossabaw. It was dawn. Bulldog
had been carrying him all night. He owed his life to the big Negro.

Daddy Ike misread the judge’s thoughts. “Bulldog he gone,” the old
Negro said quickly. “Yo’ fergit all ’bout him, Jedge Barringer, while
Ah helps yo’ to mah boat.”

“That crazy nigger’s gone? Where?”

“Yas-suh, Jedge, Bulldog’s de craziest nigger in de worl’. Why fo’ yo’
an’ me gib two goobers wheah dat fool nigger’s gone? Us is gwine to git
yo’ home, Jedge. How’s yo’ laig?” Daddy Ike changed the subject.

Judge Barringer smiled. “Daddy Ike, you old rascal, don’t lie to me.
Bulldog saved my life. Where is he?”

“Jedge Barringer, Ah don’ know. De las’ time Ah seed him he was sittin’
in mah house eatin’ hominy grits an’ side meat an’ yams an’ black-eye
peas; an’ lissen to me, Jedge, if Ah don’t git yo’ home and git back
dat crazy nigger’s gwine to eat me into de po’house. But Ah don’ know
wheah he is now.”

“All right,” Judge Barringer laughed. “We’ll see about that later.
Where’s your boat, Daddy Ike? If you’ll give me a hand I think I can
hobble.”

“Dat’s right, Jedge, lets us go. Heah’s de boat. Bulldog he swum across
to de island an’ like to scairt me senseless, comin’ up to mah do’ in
dem chain-gang clo’s. Ah’d ’a’ come across to yo’ right away, Jedge,
but dat crazy Bulldog said Ah got to feed him fust. If we don’ get yo’
home he’ll eat up all mah winter rations!”

With the old Negro’s help, Judge Barringer managed to bear his weight
on the uninjured leg and hobble down the few feet of bank to the boat.
Ossabaw Island lay like a black blob in the early morning mist a
quarter of a mile away. But their way lay in the opposite direction,
and Daddy Ike, for all his eighty-odd years, lost no time in pushing
off. Bulldog had told him to bring back a pair of overalls and a shirt,
and he wanted to get back as soon as possible before the ravenous giant
ate him “into de po’house.” Also he was genuinely alarmed for the
escaped convict’s sake and wanted him to get away before the law came
after him.

“Yo’ ain’ gwine to say nuthin’ ’bout Bulldog, is yo’, Jedge?” the old
man asked presently. “Dat nigger’s crazy, but fo’ all he size, he’s
jes’ lak a baby.”

“I’ll let you know later,” Judge Barringer said absently. He was
pondering the question of just what was to be done with Bulldog. He
knew that the big Negro would not go far. It was only a matter of time
before he would be caught in some shanty or other, giving way to his
appetite. But Judge Barringer was also convinced in his own mind that
the story of the Washington Negro’s death had been a hoax--a hoax that
had worked too well. And when they landed at one of the first river
settlements where the judge could get a conveyance that would take him
back to the city, the first thing he did was to get to a telephone and
wait while he had his secretary at the other end give him a report from
the hospital.

“Discharged yesterday, Judge,” the secretary reported. “It would be
pretty hard to find him now. After his experience with Bulldog I guess
he’s left town.”

“All right; didn’t want him anyway,” said the judge. “Tell Dr. Rafe
Kirby to go out to the hospital and wait for me. I’ll be there in about
an hour, bringing an accident case.”

Before the secretary could question him further, he hung up the
receiver. Judge Barringer hated personal publicity unless it had to do
with politics.

He turned to the storekeeper, whose telephone he had used. “Would you
mind telling that old nigger out there I want to see him a moment?”

Daddy Ike came in with his hat in his hand. “What dey say, Jedge?” he
asked anxiously.

“That Washington nigger was let out of the hospital yesterday and by
now he’s halfway home.”

“Praise de Lawd for dat!” breathed Daddy Ike.

“And tell Bulldog when he finishes eating that he is to come and report
to me before he goes back to the chain gang,” Judge Barringer said. The
least he could do was suspend sentence, but if possible, he wanted to
do something more substantial than that.

* * * * *

Thorough examination by Dr. Rafe Kirby showed that the gunshot wound
was superficial. The hardship of crawling mile after mile through the
swamp had caused most of the judge’s suffering. He was promised that he
would be around with the aid of a crutch in a day or two.

“But I thought you went after railbirds, Judge,” Dr. Kirby said with a
grin when the patient’s wound had been dressed.

“Rafe, if you-all don’t want me to lose my reputation as a gentleman
before this young lady nurse, get out of here quick,” Judge Barringer
bellowed.

* * * * *

It was the following Monday, still hobbling with the aid of a crutch,
that Judge Barringer returned to the bench. There had been no word
from Bulldog and he did not quite know what to make of it. When the
first case was called, a small Negro, whose head was almost completely
shrouded in bandages, stood before him, Judge Barringer looked down
compassionately.

“Well, what did you run into--a truck?” he asked.

There was a movement in the prisoners’ pen. The Monday-morning crowd
was being swayed by some unseen force. Then the force came into view in
the shuffling, sheepish form of Bulldog.

“Yas-suh, Jedge, Yo’ Honour, heah Ah is!”

“Bulldog!”

Judge Barringer was accustomed to almost anything that might happen
in his court, but for the moment he was nonplussed. “Didn’t Daddy Ike
bring you my message?”

“Yas-suh, Jedge, Yo’ Honour, it was thisaway----”

“Why didn’t you come to me if you got my message?” Judge Barringer
interrupted, his dismay turning to reproof.

“Yas-suh, Jedge, Yo’ Honour, Ah’m comin’ to dat. It was thisaway,”
Bulldog pleaded apologetically: “If yo’ was to take dem rags offen dat
little half-size nigger, yo’d see it was Chinkapin hidin’ behin’ ’em.”

“Chinkapin!”

“Yas-suh, Jedge, de same what tol’ me dat lie ’bout dat Washin’ton
nigger dyin’. Dis heah Chinkapin cause all de trouble, Jedge, Yo’
Honour. If it wasn’ fo’ Chinkapin’s lyin’, Jedge, Ah wouldn’ ’a’ bus’
loose from de chain gang. If it wasn’ fo’ dat little han’ful lyin’, I
wouldn’ hab tote’ yo’ all de way to Ossabaw. Don’ blame me fo’ totin’
yo’ to Ossabaw, Jedge; blame Chinkapin; he done it. Dat Chinkapin
nigger’s to blame fo’ ev’y las’ bit ob de trouble. So’s when Ah’m
comin’ from Ossabaw Sa’day night, comin’ to see you, Jedge, Ah bumps
into dat Chinkapin an’ Ah jes nachelly squeeze his lyin’ haid fo’ him
and gib him a couple ob shakes and dat’s all.”

“Why did you wait until Saturday to come?” Judge Barringer asked.

“’Deed, Jedge, Yo’ Honour, how come Ah could come befo’ Sa’day? Cap’n
Jim didn’ let Chinkapin loose offen de chain gang until Sa’day,” said
Bulldog honestly.

Judge Barringer did not smile this morning. The business before him was
too personal. The little bandaged Negro had lied to Bulldog. But in
breaking away from the chain gang, Bulldog had been the means of saving
the judge’s life, for he might never have been found in the swamp. It
had been his purpose to suspend sentence on the big Negro, to take him
under his wing and get him a job. Now that seemed impossible.

“What do you think I ought to do, Bulldog?” he asked the giant gravely.

“Who, me?” Bulldog looked incredulous. “Shucks, Jedge Barringer, Ah’
don’ know what yo’ ought to do, but Ah knows what yo’ is gwine to do.”

“What’s that?”

Bulldog grew suddenly serious. He had heard enough tales of road gangs
in the northern counties of the state, where it was cold in winter,
where the prisoners were badly treated, and the food was poor.

“Yo’ ain’ funnin’ wiv me, Jedge, Yo’ Honour? Yo’ ain’ holdin’ it
agin me for totin’ yo’ all de way down to Ossabaw? ’Deed, Jedge
Barringer”--and here pathos entered Bulldog’s voice--“’deed, if yo’
sen’ me anywheres besides to de Fahm, yo’ll bus’ Cap’n Jim’s heart.”

Judge Barringer sighed a sigh of relief. “All right, Bulldog, you win.
Six months on the Fahm. And you, Chinkapin,” he said, turning to the
little Negro--“you go with him.”

“Yas-suh, Jedge, Yo’ Honour,” Bulldog grinned. As long as he could be
under the gentle tutelage of Captain Jim and Uncle Henry, the cook, he
was happy.

“An’ yo’ kin trus’ me, Jedge Barringer,” he said solemnly. “Ah won’
bus’ loose no mo’.”

HE MAN

BY MARJORY STONEMAN DOUGLAS

From _Saturday Evening Post_

Small cold shivers of fright began rippling up and down Ronny’s spine
the moment his father stopped the car at the wharf on the bay front,
and Gloria Cargill and Mrs. Kinney screamed with delight at the waiting
parallel planes of the flying boat. In spite of the warm brilliance
of the Florida morning at ten o’clock, in spite of the salt tang of
the wind that snapped flags on mastheads and ruffled the blue water
between the slips, in spite of the hilarious breakfast party they had
all shared in celebration of Ronny’s birthday trip to Bimini, his feet
chilled and his hands went clammy and the bacon and boiled pompano sat
uneasily within him. Yet the terror that from childhood had ridden him,
the fear of high places, of falling horribly through thin air, and
therefore, of all flying, was no greater in him at this moment than his
fear of letting his father know that he was afraid.

He sat mute in the corner of the back seat, his slender hands gripping
at his boyish bony knees. The lucky fact that no one ever noticed him
much anyway gave him a chance to pull himself together. As his father
dashed around to help out Gloria, and burly Colonel Kinney reached back
a hand for his smart chubby wife, Ronny looked at himself deliberately
in the little mirror over the wheel. His tan hid the pallor that he
felt. His mild gray eyes steadied as he watched them, so that they
would not betray him. That he did not show his panic more plainly gave
him courage to get out of the car, carrying Gloria’s green-leather
vanity case and her flimsy green-silk coat.

None of the four looked at him as he came up, the tall awkward boy so
acutely aware always that he could never be the figure of a man that
his father was. Ronny looked at him now, shyly, with the spark of his
adoration in his eye.

Andrew Burgess always dominated any group. His graying dark hair was
bared, flying its shaggy crest of lock above the others. His bronzed
handsome face was alert and eager, with only a few folds about the
eyes to betray his years. Ronny thought again, as he had since a small
boy, with that same little throb of almost hopeless devotion, that his
father was the finest man he had ever seen in his life. To Ronny, who
at school had followed breathlessly in the newspapers his father’s polo
exploits, his tennis triumphs, the purses and the ribbons that his
racing stable won, Andrew Burgess was also the most brilliant sportsman
in the world. His father never in his life refused a high dive or knew
the weak sickness of great heights. Never in a thousand years would he
have given up practice with the school polo team, as Ronny had, after
being in hospital two months with a broken rib, because ever after that
when he thought of playing polo the thunder of those following hoofs
came sickeningly back to him, the trampling pain, the darkness, the
oblivion. His father’s ribs had been broken, and his collar bone and
his leg, and he had played more dashing polo than ever, after that.
But Ronny couldn’t. He just couldn’t, that was all, no matter how deep
within him burned the bitter knowledge that he was a coward.

Sometimes Ronny thought that if his father ever discovered the depths
of his son’s weakness he would disown him. It was only that as a
motherless sickly child Ronny had been given over to the care of the
best of nurses, as a mild little boy to the most expensive of schools,
that had saved him until now, he was certain, from being found out.
This winter in Miami was the first time Ronny had ever been with his
father for so many months. It was as if Andrew had suddenly discovered
that he was about to be twenty and had decided to make a man of him.
As a result Ronny had had desperately to try to live up to what was
expected of him by a man who retained all his enthusiasm for sports,
even if he were too old now for the more strenuous of them. Ronny had
to give up entirely his rather studious, leisurely life. He had no
time now for reading, or for the Spanish translations he had been so
interested in doing with a young instructor at his college. And he gave
up his beloved photography, which for years at school and summer camp
and college had absorbed him. There was time for nothing now, and
certainly no excess energy for anything but sports.

He struggled with them, with what valiance he could muster. He worked
hard at a golf lesson every day, to improve his indifferent game,
while his father and Colonel Kinney tramped their speedy eighteen
holes every morning. He worked at tennis lessons for which he had no
feeling whatsoever, because it had been one of the things his father
had done best. And he spent hours every afternoon with his father and
the Kinneys at polo games or at the races, where he bet and lost often,
so that his father would not think him a piker, struggling wildly to
conceal even from himself how supremely he was bored. It seemed to
Ronny that nothing but luck and Gloria Cargill had kept his father from
finding him out.

It had been all luck at first. His father happened never to have seen
Ronny swinging rather wildly with a brassie, or practising an overhand
with his usual awkwardness. Ronny took care always to be swimming among
the breakers when everyone else was diving from the tower by the pool.
He rather liked swimming, anyway, if he could be left alone at it. He
grew brown from work with a medicine ball every morning on the sand,
put on a little weight, and tried to remain inconspicuous. His father,
incapable of imagining that any real man could be uninterested in the
sports he loved, was only vaguely disappointed with him as yet.

If at times he looked a little puzzled at the quiet boy who took no
prizes, broke no records at anything, would not play polo, was not
handsome and dominant and magnetic, he had not thought about it long
enough to be resentful. The boy was young yet. After all, he’d had too
much schooling, too many women nurses as a small boy. It was a good
thing he’d remembered to take him out of college. There would be still
time for his polo.

“Stick with me, old boy!” he would shout to Ronny in one of his lavish
moments, when a horse of his had won or he had taken a close game from
Colonel Kinney. “I’ll make a he man of you yet. Next year, when you’re
toughened up a bit, we’ll look around for a couple of good polo ponies
for you and you can get in on the practice games up at Aiken.”

Those were the moments that Ronny, writhing inwardly, hated most. It
made the time when his father must find him out seem very near. It was
to the putting off of that moment, which would have been the end of
everything for Ronny, that Gloria Cargill had assisted.

Ronny did not really like Gloria Cargill. He did not really like big
wheezy Colonel Kinney, whose talk was like his father’s--all sports
and poker and bootleggers--but somehow not the same--a thousand times
more monotonous. He did not really like Mrs. Kinney, who was fat and
flat faced, who wore the most expensive clothes in the most startling
colours and played bridge like an inspired card sharp. He never knew
what to say to any of them, and they had a way of screaming with
laughter at some embarrassed speech of his and then staring at him
curiously, with cold eyes, touched slightly with contempt. They always
made him feel that they knew perfectly what a coward he was, if his
father did not. But even they were easier to endure than Gloria, for
all that she took his father’s attention from him.

His father said that Gloria Cargill was the most marvellous woman in
New York, and all his world of rich men and expensive women and racing
and cards and sport and supper clubs seemed to agree with him. She
was the youthful widow of a tire king, and she spent her money like a
spoiled empress. She was almost as tall as Andrew, with a lithe figure
that was swaying and sleek either in a bathing suit or in one of her
fabulous evening dresses. Her hair was wild red gold around the bold
beauty of her face. Her brown-velvet eyes had little gold lights in
them that burned when they looked at men, and the wet brightness of
her mouth showed scarlet down the whole length of a hotel corridor or
across a dance floor.

For Ronny the worst of it was that she had discovered that he was
painfully shy of handsome women and therefore delighted in tormenting
him. She could turn the whole force of her fascination on him, like a
headlight, in which he squirmed and blinked miserably, to her laughing
delight. She adored running a glittering hand suddenly down his coat
sleeve, drowning him in her gusts of perfume, clinging with a burlesque
of devotion to his arm and flashing her heady glance into his dazzled
eyes. Once or twice Andrew had seen him blanch and jerk his hand back
involuntarily and he had been furious, because an assured gallantry
to women was to Andrew the fundamental of red-blooded masculinity.
He lashed out savagely to the boy, if in a low voice, in one of those
sudden rages which reddened his face uncontrollably. The whole thing
fixed Ronny in his miserable sense of inferiority.

But if he secretly disliked Gloria, he was grateful to her for taking
his father’s attention. It seemed that everyone was watching to see if
she would marry Andrew. Their world agreed it would be an excellent
match, with plenty of money on both sides. Sometimes Ronny had moments
of bitter jealousy of her, of this woman like a brass band and an
express train, who thought she was good enough for his splendid father.
But chiefly he was humbly glad to be effaced. And if she did marry
him, perhaps his father would not mind so much finding out, as he must
sometime, how much his son was unlike and unworthy of him.

Ronny thought all that over in a flash now, joining them in the full
sun upon the wharf. He was trying to keep himself from staring at that
flying thing. Gloria caught his somewhat rigid glance and smiled at him
brilliantly. He had never seen her beauty so bright and polished and
complete. She was all in a green so bright it made your eyes redden to
look at it--green shoes and small green hat with a diamond and emerald
pin pulled tight down over her blazing gold eyes. There was a flash
of emerald light on her finger and a cuff of glittering bracelets on
her wrist. And yet she dominated all that flash and glare with the
sheer assault of her eyes, her lips, her poise, her conscious charm.
Beside her, fattish Mrs. Kinney in her egg-yellow chiffon was almost
inconspicuous. Not that Mrs. Kinney cared. Her voice was as loud as
Gloria’s, if not louder. Her laughter had edges. Ronny saw men around
the wharves lingering and staring at the bright group, chauffeurs
staring from parked cars and mechanics from the plane shed. The women
especially seemed to be carelessly aware of the attention they were
attracting. When Gloria glanced about her with quick casual glances, it
was as if she trailed her laughter like an insolent plume across all
the staring faces, fascinating them and knowing that she fascinated
them, although they did not exist. That sort of thing always made
Ronny’s feet and hands seem enormous and uncomfortable. Now he tried to
imitate his father’s lordly buoyance, knowing exactly how far he failed.

For one moment he caught the aloof calculation in the eye of the
aviator fussing about the plane which was to take them up. Instantly
Ronny’s fear leaped and tore at him again. A line of perspiration was
cold on his upper lip. He was afraid. He could not go up in that thing,
to those terrible heights of thin air. He could not. He would not.
He would tell his father that he wasn’t well. He did feel slightly
nauseated already, and dizzy, as if he were looking down from a high
building. Little tremors crawled beneath his skin. Nothing in the world
could make him go up in that thing, even his father’s furious contempt.

Somebody gave him a soft leather helmet, and he buckled it under his
chin with clammy fumbling fingers. Colonel Kinney was putting one on
over his shiny bald spot. His father never wore anything on his head in
Florida, and Gloria and Mrs. Kinney said their hats were quite tight
enough. Then they were walking down the slippery plank and getting into
the plane.

It was a three-seater. Mrs. Kinney and the colonel took the third seat
and Gloria and his father the second. The women got in alertly, their
high heels clicking on the deck, their sleek knees flashing among their
skirts. His father motioned Ronny to sit next to the aviator, because
it was his birthday treat. Ronny got in.

It was like sitting on a leather cushion in a high-sided tin bathtub,
behind the smudged dimness of the short windshield. There were
things--rods and handles--dangerous-looking things, between Ronny’s
feet, which he would not have touched for worlds, and behind, overhead,
the loom and shadow of the great wings.

Gloria’s jewelled hand patted his shoulder. “So nice of you, darling,
to have this marvellous birthday!” she was crying, in that gay scream
which made his very eardrums cringe. Suddenly the roar of the engine
exploded in a thuttering numbness of sound that clamped mufflers on
their hearing. Ronny felt his skin chill and crawl. They were off.

At the same time he had a flash of panicky decision that he must not
clench his hands where this aviator could see them. There was something
careless and matter-of-fact and young about him, which Ronny suddenly
wished that he could emulate. So that, while the plane taxied out on
the smooth bay water, rocking a little as it curved and thundered
between the high black sides of oil tankers, past white bows of yachts,
in an increasing blur of speed, he was equally concerned in watching
his hands, fixed in a pose of relaxation, on his knees. He was bracing
himself for what he knew must come, the first sickening leap upward.
It did not come. There was only a slight adjustment in the angle of
the seat. The water at a distance looked lower than it had been. And
he suddenly realized that they were up, although he could feel no
sensation in himself but a quickening of his heartbeats.

All around the plane the sapphire level of the bay was deepening and
lowering. The plane ground ceaselessly, climbing with a great, roaring
steadiness the orderly staircase of the wind. There was reality in
it, and stolidity. Ronny felt a strange sense of lifting upward into
a freedom from earthly things, a consciousness of wide salt wind and
tremendous reaches of sunny air. He had forgotten about relaxing his
hands now, and his heart was pounding, but in him climbed, as the plane
climbed, an amazement and a new delight. He was hardly afraid at all.
It was astonishing. It was delicious.

As the plane wheeled, lifted its nose, climbed, wheeled, and lifted in
enormous roaring circles, the earth wheeled slowly beyond the side. The
checkered green, the crowded glistening roof tops of Miami, stretching
west to a mist of Everglades and sky, wheeled also. The blue bay floor
wheeled, which was at this height bright turquoise, streaked with lime
green, which whitened lightly on each side of the lean elbow of the
causeway, where cars slid like beetles. Beyond Ronny’s right bathtub
rim circled the straight lines of trees and streets that were Miami
Beach; the apron patches of green that were golf links; the small
squares that were hotel roofs, house roofs, patches and rectangles of
colour flattened on the ground. Then, as they climbed higher and the
plane lurched a little, heading into the vast sea wind, there before
them, dim through the windshield, reaching out tremendously to right
hand and to left, lay the ocean, a vast lavender miracle, wrinkling a
little and reaching out, reaching out so enormously to the stretched
horizon that it seemed to rise to meet it, to melt into it, and mingle
in, the distance all one smoking, imperceptible blue.

High and far above it, yet somehow not remote, because there was
nothing with which to measure the distance between, the plane snored
straight eastward now upon the crystal level of its pathway, rocking a
little upon its invisible cradling of air, strangely real, strangely
prosaic, a thing of wood and metal, weighty, hard to the touch, solid
to rest upon, commonplace in a world gone wonderful with high magic,
all blue air and bluer unbelievable sea.

Beside Ronny, the aviator’s sunburned profile was calm. His hands
moved only occasionally now on the controls. His manner was easy and
assured. From time to time he glanced about him, out at the sea below
his left shoulder; once across Ronny at the sky; and once, with a
long narrowed glance, at something behind and overhead, at a wire or
strut or something, which for some imperceptible reason had caught
his attention. Ronny followed his glance with a little prickling
thrill, but found himself nodding and grinning at Mrs. Kinney in the
back seat, beyond his father’s shoulder, and at Gloria’s brilliant,
enthusiastic face. His father and Colonel Kinney grinned at him
briefly, eyes narrowed and faces still, with the manner of men enjoying
themselves sedately. Ronny felt a sudden glow of friendship for all
of them. Against the vastness of the background, underlaid still with
the thought of his fear, they were familiar and dear and reassuring.
He was overwhelmed with thankfulness that he had not shown them how
much he had been afraid. The thuttering roar of the engines which shut
about them so completely was not so noticeable. Ronny felt a sudden
impulse to lean over and tell his father now all about how afraid of
things he was. It seemed as if an ordinary tone could have carried
and that in this moment of exultation his father would understand and
forgive everything. As if Ronny did not know well enough, at the same
moment, that the difference between his father and himself was more
impenetrable than the roar.

The plane had been moving steadily upon its level above the vast
wrinkled ultramarine of ocean for some thirty minutes now. Far behind,
the mainland had melted into the mist, that at the horizon blurred from
sea colour into sky colour, like the bloom on a grape. Before them the
islands were equally obscured. Occasionally the plane lifted or joggled
slightly, as the wings bucked the booming trade wind, but on the
whole it was stable, lulling into oblivion remembered fears. Ronny was
growing happier and happier in knowing himself relaxed, even sleepy,
under the numbing drone.

He could let his glance fall down over the side for a minute or two,
with no feeling in the pit of his stomach. He grew bolder, making
himself stick his head out almost into the wind to stare down. But
suddenly then, like a dropped weight, he was hit by a dreadful image
of himself leaping to his feet and pitching over there, head first,
and hurtling down the vast empty drop. The suddenness of it caught him
in the stomach and the throat so that his spine crept. He withdrew
his glance hurriedly to the comfortable commonplace within--dials and
indicators, floor boards, the aviator’s strong freckled hands, and
his own feet. They helped to steady him physically, but horror still
mounted within him, not so much at the outside world, perilous as
it had become again for him, but at the suddenly revealed depths of
strangeness in himself. Perhaps it was not only that he was utterly
unlike his father but that he was different from all normal men.
Perhaps within his very brain crawled the maggots of imbalance. At that
moment he felt it was even possible for him to go mad and scream, and
leap screaming over there. Ugh! Yet, of course, it was not so. It was
only his imagination. But a he man would never have been troubled by
fancies as sick as that.

It was at that moment that Ronny, fighting to calm the tumult in him
by staring fixedly at the aviator’s hands, saw the right one jerk as
the whole plane lurched sideways. He saw the aviator throw a glance
over his shoulder even while his hands and feet made curt gestures with
the controls. The plane righted, but tossed violently before lurching
again. Ronny, throwing a look back and up, saw a broken thing hanging
and banging at one wing--a great blue hole and long rags of canvas. The
vast circle of the sea below them was tipping up and circling like the
surface of water in a tilted cup. The man beside him, working tensely,
shot a look at him, a queer, tight-lipped grin, and the plane slid
downward slowly, circling and nosing, with occasional moments of level.
The engine roared as usual, and the air seemed calm.

The conviction that something was wrong, that something was awfully
wrong, came to Ronny with a surprising slowness. The very worst things
happened to him only in his imagination. When it was a matter of
outward affairs which older men had always controlled so much better
than he, it was hard to believe them capable of accident. The dark
floor of the sea was rushing toward them in dizzy circles. And yet
there was no horror in this for him, as there had been in the thought
of plunging alone. Something had gone wrong, that was all, and the
aviator had told him in that one glance that he was going to make a
landing. Ronny had much more confidence in him than he would ever have
in himself. They would probably land all right.

It was like sliding down an enormous shoot-the-chute, even to the water
at the bottom. The ocean was there, rushing up to the pitch of the
plane’s nose, a ridged, blurry surface of deep blue. They were going to
land all right. Ronny was certain. He was growing a little pleased with
himself. There was even a breath of relief at the more familiar level
after all that breathless height.

The engine subsided into a low growl. The wind screamed in the wires
as if for the first time, and below grew the long rustling rumour of
the waves. He could see whitecaps flashing now over brilliant sapphire
hollows. Why, these waves were high, he thought confusedly, leaning
back against the steepness. The faint scream of a woman behind him
came only a second before the shock and bounce of landing, with the
crash and drench of flying cold water. When their bouncing slide lost
momentum, they were immediately bucked about, tossed and dropped and
flung on the strong new element as if in a light, top-heavy dory. The
hiss and surge of waves were around them, dark blue water hurling
itself northwestward, blue blacks in the hollows and laced with snowy
streaks of foam.

Ronny turned at once to look back and grin at his father, still
exhilarated with himself and with his sudden sense of adventure. It
was like looking at people whom he had not seen for years, who were
changed, yet completely familiar. His father met his glance with a
face like bronzed rock, in which the eyes were a little fixed. He and
they all were engaged in the almost violent business of keeping their
balance in the lurching dip and rise of the plane, topheavy as it was
and beaten by the wind, upon the strong waves which rose before them,
jagged and frowning, which heaved them up with an unremitting power
and passed behind them for others hurrying and trampling on.

Gloria Cargill was clinging with one hand to his father’s arm, and
with the other was straightening her bright green hat. Mrs. Kinney’s
plucked eyebrows were lifted over the roundness of her eyes in an
almost ridiculous expression of amazed protest, and Colonel Kinney,
holding her tightly, was crimson to his heavy dewlaps, and swearing
visibly. Ronny was happy that he had not yet revealed himself to these
courageous people.

The aviator jerked off his helmet and became immediately individual and
human. His blue eyes were anxious in a bony, sun-reddened face. His
bleached hair bristled on his head, and his eyelashes were bleached.
Ronny remembered suddenly that his name was Bill. He looked more
disturbed than any of them.

“Well, folks,” he said, “I sure am sorry. That strut busted like a
match stick. Somebody will get murdered for this, if I have to do it
myself. Hope the ladies are all right. There’s nothing to worry about,
of course. Perhaps I can patch it.” He crawled backward between them
and on to the back of the fuselage.

“Want any help?” Andrew Burgess called, with his eyes warm and lively
again. “Rotten luck. I’ve been ready for a bottle of beer for the last
fifteen minutes. Hope this won’t make us too late for lunch.”

Ronny, looking up at Bill as he climbed over the seat and seeing the
curious slant look he cast down at his father’s nonchalance, knew as
suddenly as if he had spoken that the matter was to be graver than
that. He clung to the edge of his seat as the plane swung down in a
smashing burst of spray that flew over them and stung their faces,
considering the thing soberly. The violence of those Gulf Stream waves
was still almost unbelievable. They had looked down so long upon the
seeming flatness of this water. Ronny’s clothes were getting wet and he
shifted about on his seat to avoid the stinging spray that came inboard.

His father and Gloria Cargill were singing “Where do we go from here?”
and “When do we eat?” with voices that seemed a little too boisterous.
He knew that Gloria was showing what a good sport she could be, for his
father’s admiration, who watched her powder her nose and rouge, and do
over her lips with the scarlet lipstick. Gloria was lovely, glancing
sidewise into her tiny mirror, sidewise up at him. Mrs. Kinney was not
singing. Her plump cheeks had gone a little sallow under the rouge, and
her bright yellow hat and bright yellow dress looked startling on her.
She sat hunched up very close to her husband, with her eyes fixed upon
the lifting wave tops. Colonel Kinney patted her hand regularly and
watched Bill.

As the plane lifted to a racing wave Ronny could look out over the
sea to some distance to more racing blue wave tops with flashes of
white boiling at their crests, under the dazzling beat of the sun.
The horizon that had shrunk to this, from the vast sweep of the air,
was jagged and uneasy with waves, and the sky beyond it was a remote
unnoticed blue. It was the sea that had suddenly taken the menace that
the air had had; the sea, looming and tossing around the incongruous
smallness of the plane, an awkward alien, unfitted for this heavier
element. It seemed to Ronny that they sat a little lower among these
waves than they had at first.

The aviator, Bill, was slashing at a tangle of stiff canvas and wires
and broken sticks under the lower wing. Ronny saw him slip and the
tangle drop into the water, where it hung and splashed, held by a
single wire. The plane veered suddenly at the crest of a wave and Ronny
saw it plunge, stern down, on the wreckage. With a scream from Mrs.
Kinney, a broken strut crashed through a thin floor board and in the
jagged rip sea water bubbled smoothly, wetting their feet and ankles
and legs.

“Hey, look here!” Ronny’s father called suddenly. “We’re getting wet!
Here, Bill; come here and fix this! Put your feet up, Gloria. It’s all
right, Mrs. Kinney. We’ll be all right presently.”

Ronny had been certain his father would take charge of things. He was
splendid. His voice was loud and confident and reassuring. Only Ronny
could not make himself believe that nothing was the matter. Things
looked bad to him. Bill’s face told him the same thing, slipping and
splashing back along the wet fuselage, like a whale back, low in the
water.

The water was rapidly filling the cockpit. There wasn’t any use
being too cheerful, Ronny was thinking, climbing up to sit crouched
uncomfortably on the back of the seat. His father and Gloria did it,
laughing. But Mrs. Kinney had to be helped up and then held, perched
precariously, her round dismayed eyes still fixed on the coming
water. Colonel Kinney held her, with his ruddy face turning a curious
congested purple. Ronny saw suddenly that the Kinneys were afraid, and
he was sorry for them. It was dreadful to be afraid.

The plane had sunk with the weight of water in the cockpit, but now it
seemed not to be sinking any more.

Bill scrambled wetly up beside Ronny and spoke to the others, “This
isn’t so good, folks, but it isn’t so bad. The old bus is knocked out,
but it can’t sink any more and we’re not so far from Bimini now. We may
even drift quite near, the way the stream runs. Somebody’s sure to pick
us up almost any minute, because we’re in the direct line of boats from
Miami to Bimini and they’ll report by and by that we haven’t arrived.
All we’ve got to do now is hang on.”

His glance met Ronny’s on the last words, and Ronny saw that in
spite of his cheerful, matter-of-fact voice, his eyes were wide and
unwinking. Ronny’s own eyes were like that. As they stared at each
other for a long moment, Ronny felt a sudden warmth of understanding
and comradeship leap between them. After all, Bill was not so very much
older than he was, for all the weathered maturity of his face. That
glance linked them, by their youth, by their common ability to look at
the situation, without too much fear or too much optimism. These others
must be protected at all costs.

“Are you with me?” said Bill’s glance to Ronny, and Ronny’s answered
instantly, “You betcha life.”

Bill withdrew his gaze abruptly to unlace his shoes and take them off.
Ronny did the same, glad to feel his toes free in the water. He watched
one shoe float a minute and then go over the side in a slap of water
from a running wave. Bill was plucking up the wet cushions from the
seats below the water.

“They’ll float,” he said briefly. “You hang on to this one, Mrs.
Kinney. And listen here. The backs of these seats are going to get
awfully uncomfortable in about a minute. It would be easier if we all
got down on the fuselage, even if it is partly in the water. Then the
ladies can hang on to these cushions, too. That’s right, isn’t it, sir?”

He appealed to Andrew Burgess, and Ronny saw his father brighten
visibly, as if glad of something to do. “Perhaps you could show them,
sir,” Bill further suggested, and Andrew turned and slid back gingerly
over the wet surface, lowering himself with one hand on a strut down on
the incline, so that he rested with his legs in the water, but his body
supported.

“It is better,” he said promptly. “Come along, Gloria. Help Mrs.
Kinney, Colonel. Here, grab my hand. You won’t get any wetter than you
are now. It’s not half bad.”

Ronny and Bill and the colonel, splashing in the water, held Mrs.
Kinney and lowered her, quite mute now, down to Andrew Burgess. Gloria
went next, laughing. Her green silk dress clung wetly to her lithe
figure, and she moved with much more assurance than the other woman,
and seemed somehow more suited to the watery and difficult background.
Her face was not so tense either, but somehow the bright spots of
rouge on each cheek, the darkened eyelashes, the scarlet curve of
mouth seemed to stand away from her face a little, as if the flesh
were shrinking. After Colonel Kinney had followed them with ponderous
caution and a very tight grip of Ronny’s shoulder, the four hung there
in a row, their eyes looking upward at Bill and Ronny clinging above
them, and at the jagged wave crests racing down upon them, with the
same look. It was a mute look, guarded, expectant, a little humble.
Their lifted eyes made something in Ronny ache with pity for them. They
looked so helpless, hanging there, in the smashing dangerous water.
They were looking at Bill and him as if the two had suddenly taken on
an unguessed power and significance. Ronny tried to think of something
else to do for them to still the tightness in his throat.

“Let’s cut some of that wire, Bill,” he said. “Maybe we can put it
around them, so that they wouldn’t have to hang on so tightly. Got a
knife? I have.”

They worked, balancing, slipping, plunging about on top of the
fuselage, over which the highest waves sent a skim of water, twisting
and cutting and clinging to the wing frames as they could. When four
lengths of the wire had been hacked off, Bill slid down to the Kinneys,
Ronny to his father and Gloria. There was enough to twist around the
body of each, but it was hard to bend it around a strut so that it
would stay fastened against the roll and jerk of the plane. Half
the time Ronny was completely in the water, working with one hand,
sprawling, while his father helped. When a higher wave reared above
them, hissing, they had to stop working and hang on tightly, their
heads and shoulders barely above the smother, their bodies banging
against the wood.

Once Ronny lost the last piece of wire overboard and had to dive for
it, clutching it luckily in the boiling depth below. But the swimming
was actually a refreshment to him. To be able to move his cramped
limbs freely and surely in this sea removed much of its menace. It was
an element with which he was familiar. He came to the surface with a
sputtering rush and an overhand that carried him easily back, with a
grin for his father’s anxious eyes. Ronny had even time to realize
that he had never seen his father look at him like that. As Ronny put
the wire about him Andrew’s right hand lingered on his shoulder and he
said, “Nice work, old chap.”

Ronny was warm with gratitude for that. His father was being splendid.
His colour was good. His voice was assured. He joked occasionally
with Gloria or Mrs. Kinney, putting out a hand to help when he could.
That was what it meant to have been a good sport all his life, Ronny
thought. He simply did not know what fear meant.

Gloria’s hair looked funny, wet and plastered about her forehead like
that. She had lost her hat somehow, but she was game all right. She was
singing a lot of old songs, making them all sing things like “On the
Banks of the Wabash” and “Waiting for the Robert E. Lee.” Even Mrs.
Kinney smiled with stiff lips when there was anything to smile about.

There was not much to do after Bill and Ronny got the wires fixed.
They all hung there, the four with the wires, Ronny and Bill wherever
they could catch hold of something, half supported by the wallowing
fuselage, bumping and hanging in the flounder of water, watching to
duck a taller wave crest, and talking now and then, little bursts of
talk that ran from one to another of the soaking figures. Their words
lagged or renewed like a slow pendulum of vitality.

Presently Bill, who did a good deal of scrambling about, shinned up
so that he could hang from the upper wing frame and peer, long and
earnestly, out over the wave tops. Mutely everyone watched him. Ronny,
standing on the fuselage above them, noticed that the whites of their
eyes shone a little. Bill had been looking steadily at the same place
for several seconds. He drew himself up higher, shading his eyes.

“You’re looking at something!” Gloria called suddenly.

Bill did not answer. The faces were tense and a similar light seemed to
be upon them all--a light of pallor and suspense. They knew that Bill
was looking at something. Ronny leaped up beside him.

At first he could see nothing but scalloped blue wave tops and the
leap and flash of foam. Then, more to the right, he caught a steady
flash that was a wave, but a wave breaking before a boat’s bow. When he
looked intently he could see, now and then, the gray pointed mass of
the bow itself, appearing and disappearing. It was hard to tell how far
away it was, or whether it was moving in their direction. Bill waited,
motionless, and so did Ronny.

His father called suddenly below them, “For God’s sake, boys, if you
see something, tell us! And do something about it, can’t you? Wave
something! Shout!”

Mrs. Kinney shrieked suddenly, strained and off key, “Oh, make them
hurry! Make them hurry! We can’t stand this any longer!” And the other
three all cried things, words and shouts mingled indistinguishably,
a babel of sound at the water’s edge, incapable of carrying, in that
wind, more than a boat’s length. Bill and Ronny waved their arms, waved
Bill’s coat, waved torn strips of canvas, and shouted as if a tension
had given way.

Presently the breaking white from the boat’s bow and the occasional
glimpse of bow itself were gone. There were only the jagged lift of the
wave tops and the foaming white of crests.

When Ronny really believed that the boat had gone, that he could not
see it any more, that it had really failed to see them, or had ignored
them, he stopped waving and let himself drop down to the fuselage. Bill
dropped beside him and they stood looking down at the faces below them,
the wet faces with the incredulous eyes raised to theirs. Ronny cleared
his throat before he shook his head and said, “It went.”

“You mean it went?” His father’s voice was suddenly harsh and there
were reddish veins under the salt water on his forehead. “You didn’t
wave hard enough! You didn’t try to shout! The hounds--to leave
us--the dirty dogs! I’ll have them arrested for it. I’ll make them
suffer for it, the dirty skunks, the lou----”

Gloria stopped him with a hand on his shoulder. Mrs. Kinney had gasped
once or twice and her eyes had rolled in her plump white face, but
Colonel Kinney had both arms around her.

“Hush, Momma, hush,” he said. “Never mind. That means we’ll see others.
The next one will come nearer.”

There was then nothing to do but keep on waiting and keep on hanging
on. There was no way of knowing what time it was, except that the
blazing sun had moved slightly westward down from the zenith. The
waves rolled as high, but it almost seemed as if the six had adjusted
to their rolling, so that they did it automatically, knowing how high
the highest would come. But the ferocity of the sun was an increasing
agony. Ronny felt the sting of it under his wet shirt, along his tanned
shoulders, and knew how much the others must feel it on the tenderer
skin of their faces and shoulders. Colonel Kinney’s bald spot glowed an
angry crimson. He had lost his helmet long since. And Ronny tore a big
piece from his wet shirt and made Colonel Kinney tie it over his head
like a hood.

All Gloria’s make-up had washed off and her cheeks were red with
sunburn and her nose already blistered. Mrs. Kinney’s pale face was
bright rose colour, and both women’s lips were swollen and blistered
from the salt water and the sun. Ronny tore other pieces from his shirt
to tie over their faces, and the sun was instantly angry on the bared
places on his neck and back.

It was a relief to dive into the water after a dropped cushion or to
swim around a bit, after their various positions on the fuselage, and
yet Bill was right when he warned him, in a low voice, not to tire
himself. Ronny contented himself by hanging over the cockpit edge with
one hand and letting his body float on the lift and drop of the waves.
The sense of high adventure was burning steadily in him; the sense that
here at last he was encountering an experience which he could remember
all his life.

The waves that came racing at them from the southeast, with their
curious impersonal violence, surprised him with their endlessness. It
was amazing that there could be so many of them, hurrying and shoving
forward, in their leaping up and down. As the blazing sun crept slowly
down the long afternoon slope, so that it shone redly in their smarting
eyelids, the light changed upon the waves, whitening their leaping
tops, intensifying the dark sapphire of their hollows, shadowed in the
trough with glossy black. It might have been a gloriously exhilarating
sea to sail a boat over. But sunk almost to the chin as they were
here, there was little gaiety in it. Deep blue could be bleak, Ronny
was learning slowly, and flashes of white sinister, just as the plane
that had been so powerful and assured, taking off from water only that
morning, floated here so incongruously; alien wreckage that just was
able to support itself and their clutched and uncomfortable lives.

The silences were longer between the choppy snatches of talk. Gloria
did no more singing. Ronny remembered, as if she had been some other
woman, how she had looked that morning, waiting on the pier. That
gay brilliant figure had practically no point of resemblance to this
sodden one with the drenched, salt-matted hair, the pale swollen lips,
the brilliant green silk only dank clinging fabric on the arms and
shoulders, the nose and eyelids reddened. Her consciousness of charm,
too, had gone--that powerful vibration.

Ronny looked at her now only with pity and concern for the pale woman,
silent, with closed eyes and miserably clutching hands where the great
emerald still flashed incongruously in the wet. Mrs. Kinney managed
somehow to look more like herself, with her plump short figure in the
soaked yellow silk clutched by her husband’s arm, with a piece of
Ronny’s shirt tied over her head and forehead. There was in all the
faces, it seemed to him, a growing look of withdrawal, of remoteness,
as if each one were drifting away from their relations with others to
the silent place where ultimately human life exists alone. When one
spoke, it was with a forced utterance. A smile took more strength than
it had and was more automatic. All their attention was centring, more
and more, on the sheer act of endurance.

The sun, just above the western horizon, burned and flared upon their
faces, under their blinking eyelids, and the blue waves changed slowly
to a cold green against a vast rosecoloured afterglow that held no
loveliness for them. In half an hour it would be night, and there was
no boat.

Ronny was thinking lingeringly of juicy beefsteak and baked potatoes
and a steaming cup of coffee, or fried onions, or even just an orange.
Anything to relieve this withering, abominable taste of salt in the
mouth. It seemed to him he must have swallowed quarts of salt water
already, and his tongue and the lining of his mouth were blistered with
it. The feeling of too much salt water swallowed was cold and uneasy
also in his stomach.

Bill came floundering beside him. “Look here, buddy, le’s you and me
try to turn this bus around, so the plane’ll be away from the wind.
Maybe she’ll ride better that way for the night.”

Suddenly Ronny saw the night--the night. “Sure,” he said to Bill,
grateful for activity. But something about his heart was cold.

It was harder to swim than it had been. There was no longer refreshment
in the swash of water over his body. The wind skimmed stinging hatfuls
of spray over a wave top into their faces. When they reached the rudder
they clung to it and breathed a trifle hard, planning their concerted
effort. Presently they let go and began pushing, thrashing tremendously
with their legs, breathing or gasping when they could. The huge thing
was unwieldy and hard to start and, once started, the wind often caught
and forced it back on top of them. Ronny’s legs began to feel the
strain of it and there was a pain in his labouring lungs. Floundering
and struggling side by side there, Ronny found that he and Bill
were staring grimly into each other’s eyes, as if the very abstract
intentness of the look, in such moments as their faces were clear of
water, was some sort of permanence. And at the moment when they got the
thing half about and the wind took it from the new angle, whirling it
as they wanted it to go, Ronny caught a twisted grin on Bill’s face, a
grin and gasp of triumph that reached to him as a glorious thing. It
was tremendous. It was unconquerable, he felt, grinning back as best he
could as they both hung and panted on the turned plane. He felt warm
all over, as if with a great achievement.

By the time they were ranged beside the others again, along the
fuselage, the anxious pale faces turned to them, the bodies
floundering and awash, the colour had gone from the watery world. There
was only a brief green streak of twilight where the sun had gone. To
the east the waves were black against the tremendous looming purple of
the night. Stars were quivering in the enormous rondure of the sky that
overhead took on a strange metallic blue and cast upon them a faint
luminance that was less than light and only a little less than dark.
By it they could see their own dark shapes, the black parallels of
the wings. On the black water the white crests flashed and lengthened
and disappeared, ghostly in the dark. The waves snarled now as they
leaped toward them. The hissing spray stung like thrown pebbles as it
struck their blistered, puffy faces. There was a little relief in the
darkness, for the sun no longer burned into their eyeballs, but in its
place the phantoms of the black lonely water started about them and the
blood went thin.

“I suppose now”--Mrs. Kinney’s voice came suddenly and a little shrill,
from the shadow she had become--“now that it’s dark, nobody can see to
pick us up, even if a boat did come?”

No one spoke. It was what everyone had been thinking, Ronny was sure.
But it had not been spoken before in so many words.

Then Bill said simply, “It’s not likely, Mrs. Kinney. But in the
morning it will be different. They’ll have heard from Bimini, and the
boats will be out sure. We’ve been drifting a bit or they would have
found us sooner.”

No one spoke again. They set themselves somehow to endure the night.

Through the noise of the wind humming and shrieking in the wires and
of the waves hissing and slapping against the wood, Ronny could hear
few sounds which would indicate that human life was here, clinging
perilously to what was almost wreckage. His arm ached dully and
continuously as he held it tight over the edge of the cockpit, and his
bumped and floating body smarted in places where the skin had been
rubbed off. Yet he was growing queerly drowsy. His eyelids drooped and
a hazy swimming took the place of thought within his head. He must even
have dozed once or twice, for a sharp pain in his elbow roused him or a
slap of choking water in the face, and he recognized miserably again,
what, for a second of blur, he had forgotten--the lost floundering in
the dark, the misery in him and in the figures about him.

Once or twice he heard Colonel Kinney speaking gently to his wife and
her sharp whimper, as if she, too, had wakened abruptly from a wretched
doze, perhaps one in which she had dreamed of warmth and safety and
being dry, to the reality of the roaring and sinister dark. Once he
heard Gloria swearing to herself, as if unable to stand it any longer,
and then stopping abruptly, knowing that it did no good.

The stars were gold and silver overhead in the vast dark vault, and it
seemed to Ronny that their tangled and glittering patterns were dragged
slowly across up there, like a remote panorama for how many human eyes
below them, raised in agony and mute endurance. Only decoration, after
all. He must have dozed again, hanging by the other elbow, cheek almost
in the water, for presently he started out of oblivion with a hand on
his shoulder.

It was Bill, his voice low and humble.

“Look here, buddy,” he said slowly and with difficulty, “we’ll have to
look out. They’ve begun to slip off. Mrs. Cargill’s wire keeps coming
unfastened and your father went down once. Coming up with him I hit
my head a bit. Would you stick around and watch them while I catch my
breath?”

“Hurt bad, Bill?” Ronny whispered anxiously. “Here, hang on to this
edge. Hook your elbow over. Take your time, old man. I’ll be on the
job.”

He swam slowly down the side, catching here and there at a foot.
“Don’t mind. It’s me,” he said hastily. He counted the dark heads and
shoulders out of the ghostly foam. One, Colonel Kinney; two, Mrs.
Kinney; three, Gloria; four, his fa---- that head disappeared even as
he looked. Instantly he dived, groping downward in the strangling,
rushing depths. There was only water in his frantic reaching fingers.
Then he felt hair, a shoulder, caught at a thrashing arm. They came to
the surface together, staring into each other’s shadowy faces, gasping.

“Dad,” Ronny whispered in agony, “did the wire come off? You must have
let go. For heaven’s sake, be careful. You can’t tell when----”

For a moment longer the bulk of Andrew Burgess hung and shook a little
in the dimness. “Thanks--old boy,” he said then. “Guess I wasn’t
holding on tight enough. Yet hanging on--hanging on’s--not much worth
while.”

“Hush, Dad. Don’t.” Ronny whispered. “They’ll hear you. Think how we’ll
talk about this when we get back. Just think of the experience of it.”

His father said nothing. Ronny hung and watched the stars and tried not
to think of those boiling black depths he had encountered, or of the
queer tone in his father’s voice, or of hot, yellow scrambled eggs. The
wind played three distinct wailing notes among the wires, high when the
plane was tossed higher on a crest, low and humming in the hollows. The
jerk and ache along his arms helped to keep him alert now. He hoped
that Bill would be all right. Then Mrs. Kinney cried out, either in a
doze or waking from it, and Ronny ached with pity for her, because she
sounded like a frightened child trying hard to be good. Ronny could
hear the patient fatherly drone of Colonel Kinney’s voice, trying to
console her. His own father changed his position restlessly, and then
Gloria, in one of those restless moments which passed among them all
like a long shudder. The night crawled on.

There was no way of knowing what time it was and yet it might not be
more than ten o’clock, Ronny thought. People ashore were just leaving
hotels to go out for the evening, or dressing gaily for a dance. How
strange it was--they here; those other people over there, hundreds
of them, thousands of them, laughing and well fed and happy, walking
around on pavements under bright lights. He could see them vividly,
hear the murmur of their voices, the scuffing of their feet on
sidewalks; and yet they could not think of the six here, even imagine
them, or their helpless plight in the black devouring ocean, unless
there were headlines in a morning paper. How queer things were.

And the stars far overhead moved slightly and slowly on their steady
courses, and the black water lifted and lashed and fell, lifted
and fell, lifted and fell, and the wind hummed its three notes
interminably. Ronny’s head swam a little with a creeping weariness. His
body was clammy inside and out, and it was extraordinary how his arms
could ache.

Then Gloria’s wire went loose and she slipped down with a choked
gasp and her head went under, and Ronny dived for her--dived with
desperation, so that he crashed full into her down there in the strong
surge, and came up with her weight caught in his arms. She coughed and
tried to swim a little and spluttered and tried to conceal from him
that she was crying in sheer wet misery. Then he could not find her
piece of wire. It must have gone down, too. He put one arm around her
and held her tightly while she recovered herself. Their wet bodies
close together warmed each other feebly, and he was grateful for it.
Her shivering stopped slowly and she put out a hand to a strut and held
on, so that he was relieved of her weight. He took off what was left of
his shirt and tied it around her and around the strut but warned her
hoarsely not to trust it too much, torn and sodden as it was.

Then he dozed a little, locking his grip and jerking it tight again
before it quite relaxed. It seemed to him that a second of real sleep,
half a second of sleep, would be an oblivion so delicious that it would
make up for everything. It was always just ahead--just ahead--and
then salt water smacked in his face and he was wide awake again and
his father’s head had disappeared, and he had to dive twice before he
brought him safely back again and held him while he recovered from the
longer immersion.

A fear that was not like any fear he had known yet clutched coldly at
his heart. Was it really a possibility--could it be possible!--that he
might lose someone down there? Was death really so near to any one of
them in this casual adventure?

The stars slid a little; the waters hissed; the wind screamed. Time was
an interminable agony, welding impossible moment to impossible moment
that crawled, crawled, crawled. Gloria slipped in again, and then his
father, and then Colonel Kinney, losing his wire, and Ronny dived again
and again. He had lost track of the number of times. He was not even
sure which one it was he hauled heavily to the surface, clinging to him
and coughing weakly. Now his right leg was getting cramped. The pain
shot up the stiffened muscle, needlelike and searing. Suppose it caught
him down there next, when he most needed all the strength he had? He
was ashamed to rouse Bill, but he had to, and he heard his own voice,
husky and humble, as Bill’s had been.

Bill roused instantly and took charge. Ronny hooked his arm over the
cockpit edge, and the doze that moved upon him was delightful. Yet it
seemed only a moment when Bill was calling him again, exhausted, and
the stars were altered and it was hours later.

As Ronny moved out to be among the others, and Bill hung gasping, he
counted them carefully, to make sure they were all there. His hands
lingered on a shoulder, and he saw that it was his father. After a
moment his father’s voice came to him wearily. “Still--hanging--on,”
he said. “Don’t go doing--too much now. We--depend on--you and Bill--a
lot.”

The night went like that, passing so slowly, with such a minute
succession of incidents, of wretchedness, that it seemed impossible
that it could ever end or change above a half-drowned world.

So that when Ronny, floundering on a wave top, with one arm holding up
Gloria, happened to see in the east a streak of pale colour, he stared
at it for a long time with puzzled, bloodshot eyes, wondering dully
what it could be. The glow widened, the sky and sea around it turned
pale gray. A streak of burning gold swelled into that. And Ronny cried
out suddenly, in his surprise, “Look; it’s morning!”

The tender light fell on faces sodden and strained almost beyond
recognition. But even as the light grew white and radiant over the
crested wave tops and the strange emerald of the waters, animation came
into the faces and they were once more his father and Gloria and Mrs.
Kinney and the colonel and Bill.

As if light were the supreme necessity, the supreme miracle, they
sought it. It was hope; it was food; it was safety; it was life. A
faint burst of animation, exclamation, broken words, feeble, husky
laughter passed among them like a renewed pledge. They were once more
capable of watching the sea to the west, where any moment now a boat
might come. Yet no boat came. The flash of spray was only the edge of
a higher wave. The drone was only the wind in the wires. Bill, lifting
himself up with greater difficulty now, peered out above them over an
empty sea.

Presently the reassuring warmth of the sun had changed to the agonizing
glare of yesterday. Their faces were a raw crimson against which the
wave edges were knife cuts. Their salt-crusted lips were swollen and
cracked. Their eyes were bloodshot and inflamed. Ronny and Bill managed
to find rags enough about them to make masks to tie over the faces of
the four. Ronny and Bill dared not mask themselves. They had to be on
the alert now, both of them. For now that the flash of hope was over
and the sun glared nearer and nearer to noon, the others slipped down
more easily into the blue depths. It was easier to find them there now,
that was all.

It must have been afternoon when Colonel Kinney, slipping down almost
without a splash, eluded Ronny’s grasp. Beneath the surface the big
body was only a whirling shadow which Ronny caught lightly once and
lost. When Ronny’s lungs seemed bursting he shot to the surface
empty-handed, with despairing eyes for Bill’s anxious look. One full
breath and he was down again, fighting down amidst the strong heave and
swirl of the waters, and Bill was with him. Twice they clutched each
other fiercely. There was no other shape.

Gasping dreadfully the two hung together on the fuselage, staring into
each other’s eyes. There was nothing to be said. Ronny was thankful for
the mask over Mrs. Kinney’s eyes. She need not know yet. She was like
a dead thing, hanging there, half held by the wire about her, with one
hand locked about a strut. She clung as if by no volition of her own,
but only the gripping tenacity of the life within her, straining to
go on. The sun beat down upon them. The wind screamed steadily in the
wires. The eternal water roared and hissed. No one had said anything
for hours and hours.

It was late afternoon. “Ron,” whispered his father feebly through his
mask, “where’s the colonel?”

“Gone,” said Ronny after a moment. “I--lost him.”

His father tore off his mask suddenly. Beneath it the contorted swollen
features were almost unrecognizable. “He’s lucky,” his father rasped.
“Why not? Why not?”

“Hush, Dad,” Ronny said patiently, “they’ll hear you. There’ll be a
boat before long. There must be.”

Andrew Burgess said nothing more. Ronny stared at the haggard, bitter
face where the stiff gray hairs bristled about the chin. It smote
through his numbed brain suddenly that his father--his splendid
father--was an old, old man.

The sunset flared hideously down upon them. Another night came slowly
from the west. And Gloria, tearing off her mask, leaned back abruptly
in the rag that held her, and tore free. Her lips strained back from
her gaunt face in a queer tense smile and she threw both hands over
her head and went down suddenly, before Ronny could guess what she had
intended. And below there was only the swirl and the silvery bubbles of
his own and Bill’s frantic search.

When they came back again it was almost night, and Ronny was shaken by
a paroxysm of grief which he had not even strength enough to express in
sobs. He remembered vaguely how beautiful she had been on that morning,
ages ago, when he was a boy, before the flight began.

In that night his father disappeared. It was a night such as Ronny had
never dreamed possible. He and Bill were left alone in all the lost
world, hanging mute and feeble on each side of the faintly warm figure
of Mrs. Kinney. Her wire still held. With the mask off, under the
stars, her face was not so ravaged as the others. From time to time she
moaned a little and they took turns in chafing gently her clammy hands
and feet. She was something infinitely precious that they had left to
care for, in the whirling chaos in their minds, in the roaring black
about them and the high black over them, punctuated with the glittering
smear of stars.

When the sun at last broke up the permanence of that night they blinked
their salt-incrusted eyes at each other unbelievably, to see the sun,
to see that they were still there--three nameless, shapeless beings,
under the incredible light.

Ronny turned his head presently to see a boat come surging toward them
with a great fan of spray at the bow--a boat with men in it, with
young, dry, smooth faces looking anxiously at them, and waving. Ronny
watched it come with no emotion whatsoever. He had always known that it
would come. But now that hardly mattered.

When hands clutched and hauled him up, he fought them until he saw they
had clutched also Bill and Mrs. Kinney. He felt himself in a dry boat,
with something to drink burning in his throat. But he felt nothing.
There was nothing to feel. Until they told him, gently, that Mrs.
Kinney had been dead for very many hours. Then he cried with terrible
retching sobs, vaguely ashamed that Bill should see him so.

“DONE GOT OVER”

BY ALMA AND PAUL ELLERBE

From _Collier’s_

Woodie Simmons walked past the house three times before he found
courage to open the gate. He was trying to decide what he was going
to say. His mind switched; no sooner had he chosen sentences than he
forgot them and thought of others. He went up the walk at last because
he was afraid that if he delayed longer he wouldn’t be able to think of
any at all.

There were four-o’clocks on either side of the walk, their blossoms
furled into tight little yellow and red fists, and beyond them prince’s
feather, nasturtiums, a chinaberry tree, and a syringa bush all mixed
in with tomatoes (the kind that bear small fruit, like red marbles),
collards, mint, jimson weeds and white and yellow dog fennel. The Rev.
Zachariah Draper spent but little time on things like gardening. But
his congregation kept his house in good repair. It was the best in the
Negro section of Lower Habersham.

Woodie knocked. There was the sound of a tilted chair let down to the
floor, and then of a heavy foot, and Draper came into the doorless
hallway that ran through the middle of the house with the slinging
slouch that had always made Woodie think of an enormous, sore-footed
cat. He had been afraid of the preacher all his life.

“Good-morning,” he said, as simply as he could, but he knew his voice
had a stilted sound.

Draper straightened and fumbled with his collar, which was unbuttoned.
He buttoned it and made a pompous bow. “Howdy, suh? What can Ah do fer
yer?”

The boy had the miserable consciousness that he had been mistaken for a
white man. He was tall for his seventeen years, with a coffee-and-cream
coloured skin; the light shone from behind him; he and Draper had
not met for five years, and he wore the kind of clothes that in that
place only white men wore: a gray tweed suit, tan Oxford shoes and blue
socks, a clean white collar, a blue cravat and a sailor straw hat. He
was intensely conscious of them, but they were all he had.

“It--it’s jest Woodie Simmons, Brudder Zach,” he stammered, dropping
desperately into the vernacular in an attempt at conciliation. “Don’t
yer know me?”

Draper came nearer, and the morning sun shone on his boldly modelled,
lustful face until it gleamed like oiled black marble. His huge body
seemed to exude health and strength, along with a rank, unpleasant
odour of its own and the smell of snuff. He wore enormous carpet
slippers on his bare feet, blue overalls, a dirty white stiff shirt
without a cravat, and the greenish black frock coat which was his
inevitable badge of office. He tilted back his head, his lips curled
away from his snuff-chinked teeth and bluish gums, something lightened
in his live black eyes and he broke into a great whoop of laughter.

The volume and unexpectedness of it startled the boy. He shrank back as
if he had been pushed. His anger rose, but fear and grief made him weak.

“Li’l Woodie Simmons!” Draper roared. “Li’l’ pickaninny Woodie, dressed
up lak’ _dat_!” He drew an immense blue handkerchief with white polka
dots on it from the tails of his coat and wiped his eyes and blew his
nose, watching Woodie the while with a malignant shrewdness beneath
his feigned amusement. He enjoyed the boy’s discomfort and wanted to
prolong it. “Tell me, son, do de Yankee white man what’s payin’ fer yer
at dat school up North throw in dem clo’es?”

“He--he pays all my expenses. All the boys dress thisaway. And--and
everybody else in the town.”

“Do tell! Ah thought mebbe dey’d done made yer er perfesser or
somethin’. And now yer’s done gradyerwaited yerse’f, is yer gwine take
de colonel’s place down ter de bank, or be de chief er _po_lice, or
what?”

Woodie’s eyes filled with tears. He trembled like a colt in a
thunderstorm--he was leggy and sensitive and slender like a colt.
“Brother Zack,” he said timidly, “my father--died--last night.”

A swift change went over the preacher. His easy, bantering air
disappeared. He bent forward an intent grave face. Always and innately
dramatic, he listened in every line.

“There’s nobody but--but you to preach--at his funeral. Will you--will
you please do it?”

Draper gazed at the boy for a long moment. “Tampa Simmons daid!” he
said slowly. He pursed his lips and narrowed his eyes, nodding his head
to emphasize the words. “Tampa Simmons _daid_!”

He still seemed to be listening, but now to something inside himself.
His unseeing eyes were turned inward. A change went over his face and
illumined his eye. He regarded Woodie with stern dignity. The boy knew
the issue had been settled, but not how.

“Yer paw was er backslider an’ er Philly-stine. He turned his back on
’ligion. He fought me up an’ he fought me down, ever since de day Ah
first come ter de Ole Ship er Zion, fifteen years ago. Ah wrastled wid
um in de presence uv de Lawd, an’ he scandalized mah name.”

It was the deep, sure barytone that had won him half his battles. He
could turn it on like an organ stop whenever he needed it. It had a
strangely moving quality. Woodie felt it in the flesh of his back.

“But de Sperret says ter me: ‘Bury um from de Ole Ship an’ preach ter
his funeral.’ Ah feel de Sperret movin’ in mah heart, an’ dat what it
say: ‘Bury um from de Ole Ship an’ preach ter his funeral.’ Yer can
tell yer maw Ah’ll do it.”

Woodie told her two hours later, after he had bought food in the town,
made arrangements for the funeral to be held the next morning at nine
o’clock--the hour set by Draper--notified their friends, and jogged
the three miles back home on the old white mule that had gone down the
furrows ahead of his father ever since he could remember.

“Praise de name er Jesus!” she said gently in her soft voice. “Glory be
ter Gawd! Ah never thought he’d do it!”

She turned her face to the whitewashed wall where she lay on her bed
and began to cry quietly to herself, from relief. Before Woodie could
leave the room she had gone to sleep, for the first time in forty-eight
hours.

She was a soft, plump little woman, almost the same colour as her son,
full of kindness and forgivingness. She had had no part in the feud
between her husband and the preacher. She had always gone to church
at the Old Ship of Zion. When Draper became a part of it she had
accepted him without question. He preached only hate and fear: hate of
the unconverted, of the liberal-minded, of white people, and fear of,
almost equally, God and the devil, but she didn’t see that. She was
perplexed and frightened when her husband denounced him as unchristian
and withdrew his family from the church. That had been fifteen years
ago, when Woodie was a baby.

Other people had followed Tampa Simmons--who was a good deal of a
leader in his own right--but not for long. There was fascination in the
very boards of the Old Ship and a dread fascination in Draper. His gift
of torrential oratory was unlike anything the Piney Woods had known.
His congregation whispered that he “had a hand,” and shivered with
dreadful pleasure, seeing his power as half from Satan and half from
God, and wholly interesting. Their meagre lives would have been barren
of entertainment, their genuine religious fervour denied an outlet,
without Draper and the Old Ship. Everyone had drifted back but the
Simmonses.

Woodie’s mother had remained away solely from loyalty to his father.
As Woodie lingered, looking down at her, he realized with a pang that
at any time during the fifteen years she would have returned to the
Old Ship, if she could, as a carrier pigeon to its home. She had never
really understood how his father felt, nor why. Woodie had understood,
even five years ago--when he was too young to talk about it. He could
have talked about it now, and now it was too late.

He went into the other room. Pieces of dark cloth had been tacked up
at the windows to keep out the light. Two old women were bent together
beside the fireless hearth. He had always called them Aunt Caroline
and Aunt Miranda, but they were not related to him. He could barely
see them in the half dark, but the mound of his father’s body beneath
a sheet on the bed stood out clearly. Nothing could have lain so
still which had not once had life in it. The room smelled of medicine
and snuff and food, and somehow faintly of death. The old women were
talking in whispers and dipping snuff.

There was another woman in the lean-to kitchen, beside the stove, where
he had never seen anyone but his mother. She was cooking dinner:
collards, turnip greens with pork, and crackling bread. The strong
odours made him a little queasy. The woman was stout and black and
shone with perspiration. She had big, loose breasts and cheeks and
lips and shrewd, tolerant eyes. She wore the garbled remains of white
women’s clothes: shoes broken at the bulges, a black silk skirt that
had split on the creases, and a newly blackened waist still damp with
pokeberry dye. Her face looked strange to Woodie without its usual half
smile. Her name was Maria Knox, and her husband was a truck gardener.
He had known her all his life, but when they spoke to each other their
words were stiff and unnatural. He had played with her children almost
every day until he went away, but now it seemed that it wasn’t he who
had known them.

He was feeling more clearly and deeply than he had ever felt; the
impressions made upon him were going to last until he was an old man,
but because he kept seeing himself as if he were someone else, he
thought he wasn’t much affected, and was disappointed in himself. He
couldn’t help seeing the house as if it were a stage-set for a play
about inferior people, and the people in the house as if they had been
actors, and that seemed to him cruel and unworthy.

He went on out of doors and sat on a stump near the house, where his
father used to smoke his pipe in the evening. It came to him there
that _he_ was the head of the family now. Somehow he had to take the
place of the strong, resourceful man who was dead. He felt slight and
ignorant--incompetent. The flash and fragrance of the spring day seemed
inappropriate and unnatural. He held up his hand to shield his eyes.
The fresh yellow-jasmine-scented air was strange in his nostrils.

He stared off across the clearing. That, too, seemed like a scene in a
play, and yet no other spot of ground was so familiar. The climbing sun
lit as if they had been candles the red trumpet flowers that hung on a
twisted pine. There had always been a trumpet vine on that tree....

Something moved near the base of the tree. He looked more closely and
saw that it was a woman. She was waving her hand--beckoning. He got up
and walked across the clearing.

As he came nearer he recognized a spry, birdlike creature who played
the melodeon in the Old Ship. He remembered that she used to give him
tea cakes.

“Why, howdy, sis? Charity?” He held out his hand.

She took it and peered at him with nearsighted eyes from a kindly face
as wrinkled as a nanny-oak ball.

“Howdy, Woodie? Yer sho’ has growed lak’ er weed! De spittin’ image uv
yer maw! Ah called yer over hyeh ter keep from disturbin’ her. Ah--Ah
got somethin’ ter tell yer.”

Her eyes blinked rapidly; she put her head first on one side and then
on the other with quick little jerks and her fingers worked nervously
together.

“Dat low-down nigger, dat Zach Draper”--she looked around
uneasily--“when he preach ter yer paw’s funeral ter-morrer, he
gwine--gwine”--her voice shook--“_he gwine sen’ his soul ter hell!_”

Woodie stared in blank amazement. “He’s go’n’er do _what_?”

“_He gwine sen’ yer paw’s soul ter hell!_”

“But--but how can he? What’s _he_ got to do with it? Don’t everybody
know Pappy was a good man? Do you think anybody will believe him?”

“_Ev’ybody_ b’lieve um! Ain’t he de preacher? An’ ain’t yer paw laid
his ’ligion down? Fer fifteen years he ain’t gone ter church nowhar!”

“There warn’t anywheres else to go but the Old Ship.”

“That ain’t gwine make no diff’rence ter most folks. Dey’ll say Brudder
Zach’s got de right ter decide ’bout dat. He’s er powerful man when it
comes ter de ’splainments uv de Sperret!”

Woodie had the feel of things crumbling down inside of him. “I’ll--stop
him somehow!” he said in a choked voice; but he felt frightened and
confused. He looked into the troubled eyes of the little organist.
“What can I do, sis--Charity?” he faltered.

“Ah dunno, chile! Ah dunno! Ah’s knowed yer paw all mah life, and,
preacher or no preacher, Zach Draper ain’t fitten ter tote swill fer
um!”

“Can’t you--can’t you change him somehow? Can’t you talk him out of it?”

“Ah’s done tried ter! Ah’s talked ter um till he won’t listen ter me no
mo’.”

Woodie shook with sudden anger. “Did you tell him he’s
ornery--lowdown--mean?”

“Gawd A’mighty, boy, Ah dassent! Ah’m skeered uv um! Ev’ybody’s skeered
uv um!” She lowered her voice almost to a whisper: “Dey do say he’s got
er han’!”

Woodie shivered. You got a “hand” from a conjure doctor, and it gave
you supernatural power over your enemies. He had thought, off at
school, that he had come to regard such things as nonsense, but down
here a deep live current of terror ran through the people, and he found
himself tingling to it as he used to do.

Woodie stood for a long time beneath the swaying trumpet flowers,
thinking. There was one person who could stop Draper if she would. Miss
Jinny Pickens could stop any coloured man or woman in that county from
doing anything. His grandfather and grandmother had belonged to her,
and he had seen his father and mother turn to her in every emergency.
He went to her now as naturally as they would have done.

But first he told the three women what Charity had said, and made them
promise to help him keep it from his mother.

From the other side of the gentle tree-smothered valley that stretched
before it the house lifted itself with its old air of remote nobility,
but when he had walked up the long, winding driveway under the oaks and
hickory trees and sycamores, he saw that the paint had flaked from the
tall Corinthian columns--which no longer had the effect of propping
up the sky--and that the iron balcony behind them drooped like a
disillusioned mouth.

And at the rear, where all coloured people were supposed to enter and
his feet took him of their own accord, the arms of the tall fig tree
couldn’t hide the broken shutters at the windows, the gaps in the
railing of the upstairs porch, nor the rotting boards of the steps--the
air the old place had of dropping minutely into ruin, bit by bit.

The harsh smell of fig leaves in the sun came to him strongly, and he
took a sudden sharp breath. It brought back his father more vividly
than even the sight of his dead face had done. Tampa Simmons seemed to
be standing against the big three-fingered leaves, heavily listed to
the left on account of his lame leg, just as he had stood that day when
he had brought cream (and Woodie) to the back yard and Miss Jinny had
come out to talk with him.

“Miss Jinny, ma’am,” he had said, “Ah don’t want mah li’l’ boy ter
grow up ter be lak’ Ah is! Miss Jinny--look at me!” He had spread out
his work-twisted hands in the mellow sunshine of late afternoon and
looked at her earnestly, and Miss Jinny (and Woodie) had looked at him.
“Ah don’t know nothin’; Ah can’t read an’ Ah can’t write; Ah ain’t
got nothin’ an’ Ah ain’t never goin’ ter have. Ah’m jest er cawnfiel’
nigger--er li’l’ better’n er mule. Don’t yer expec’ that mebbe somehow
it might be fixed so’s mah li’l’ boy might be--diff’rent?”

Woodie heard again the grave, self-respecting bass and saw the deeply
furrowed, kindly face looking out at him with what had come to be to
the boy the wistfulness of their race.

Miss Jinny, too, had seen and heard, and felt, and in the end had
found a man in Boston--and Jerusalem seemed no farther from the Piney
Woods--to send Woodie away to school and give him such an opportunity
as had fallen to the lot of no other coloured child he had ever known.
Even his vacations were provided for: that the experiment might have a
thorough chance, he had spent them, until this year, with a prosperous
Negro family who had a summer place in Maine.

Behind the humble Simmons family always, as protection, somehow, from
any hardship too great to be borne, had stood the great rock of Miss
Jinny Pickens: impoverished, elderly, and alone, but a Pickens; knit
into the fibres of the state; indomitable by nature and affiliations.
Woodie felt her there. He stepped up and knocked at her door with
confidence.

The door was opened by a woman of his own race whom he did not know.
“_She_ ain’t hyeh!” she said, with inflections that suggested that only
the undesirable wouldn’t have known it. “She done gone ter Leestown,
ter see Miss Sadie Lee.”

The Lees were cousins of the Pickenses. He hadn’t thought of any of the
old names for a long time. He asked when Miss Jinny would return.

“Mebbe ter-morrer an’ mebbe not. Is you Tampa Simmons’ boy?”

When he said he was she told him what Draper meant to do at the
funeral. She told him with sympathy, but with a strange gusto. There
had been a trace of it even in the kindly Charity.

He had come through the woods. As he went back by the road and one
Negro after another stopped him to tell him the same thing in the
same way, the sick consciousness dawned within him of something which
he could not have expressed. The sympathy of these people was real
enough, but there was in it an excitation of horror that they craved; a
brushing near of occult and of awful things. They awaited his father’s
funeral in a state of delicious, morbid expectancy.

If Miss Jinny failed him!...

He got out the old white mule and started for Leestown.

When he returned the mule to the stable a round white moon was pouring
light steadily into the velvet darkness. Sore and stiff, he stumbled
into the kitchen, where a pallet had been fixed for him on the floor.

He had ridden the mule to Leestown and back--twenty-four miles. He had
had to ride slowly, because the old mule tired easily and had gone a
little lame. He would have made the trip by stage, but no stage went in
the afternoon. Both towns were off the railroad.

He had gone to Miss Sadie Lee’s house, and again Miss Jinny had been
away. Miss Sadie had taken her motoring. The best he had been able
to accomplish was to leave a note, to be delivered to Miss Jinny
immediately upon her return. He hadn’t dared wait for her. If she
wasn’t going to stop Zach Draper, he had to do it himself.

He couldn’t sleep. His mind ran all night, as uselessly as the arms of
an unconnected windmill. It showed him scores of unrelated pictures:
the faces of boys he knew off at school; the little white New England
church in the village there; Draper, laughing at him; a bend in the
creek where he used to swim; his father’s body; the corner of a
cornfield behind a snake fence covered with purple morning glories.
It repeated scraps of the day’s conversations. On and on and on.
It reverberated soundlessly with the voodooistic terror that ran
through the Negroes of the Piney Woods at the prospect of the morrow’s
sensation. Fear, like a hot wind, blew across it, searing and drying
his thoughts. He felt things older and bigger and more terrible than
he had realized threshing around him in the hot, humid Southern air....

Finally he got up and rummaged in a cupboard and slipped his father’s
old pistol into the pocket of his coat, where it hung over the back of
a chair. He had a plan now. It was as simple as Cain’s....

Toward morning he slept a little.

* * * * *

Woodie sat on the front pew in the Old Ship of Zion, between his mother
and Maria Knox. His mother was heavily swathed in borrowed black. Her
plump, innocent features, still swollen from weeping, looked purged and
peaceful beneath her veil. She alone was unaware of the air of tense
expectancy that bound the rest of the congregation together.

In front of them stood his father’s coffin, on two sawhorses banked
deep with cape jasmine, which had just begun to bloom; dead-white,
half-opened flowers set stiffly in stiff, glistening green leaves.
Their heavy odour lay like a blanket over the place in spite of the
open windows. A score of spring scents outside strove against it in
vain.

Behind him the church filled steadily. He could feel the waiting
people: row on close-packed row, all their faces turned one
way--tense--expectant--frightened. They were all very still. Somewhere
in the distance a man was calling hogs. The long-drawn notes of his
voice sounded like a horn. It died away, and the kind of silence that
belongs only to funerals fell upon the little church. Into it the clock
on the wall plumped nine twangy notes.

Charity spread her thin black fingers over the keys of the melodeon.
Draper erected his bulk in the chancel and began lining out the first
hymn: “Shall We Gather at the River?”

Woodie’s hour was on him, and Miss Jinny hadn’t come.

Things swam together and went black. He clutched the butt of the pistol
in his coat pocket with a cold, damp hand and stared at Draper. The man
seemed of superhuman size. He was like something the little church had
been built to hold. Woodie shook with fear.

His mother laid her hand on his arm. “Is yer all right, Son?”

“Yes’m,” he muttered thickly, “I’m all right.” But he scarcely heard
her and was barely aware that he had replied.

The first notes of the hymn came whining out of the old melodeon. He
rose with the rest, and the congregation sang. It passed over his mind
in a blur of sound.

Draper knelt beside the pulpit and prayed, and the people bowed their
heads to the roll of his voice. Woodie listened long enough to be sure
the prayer held no menace for the dead man; the rest of it became a
confused rumble in his ears.

Draper rose from his knees. Omitting the hymn between the prayer and
the sermon, he looked out over his people--gathered them in with
his eye. A hush fell upon them. The faint, lazy call of a distant
flycatcher pulsed its way clearly through their midst, and he spoke,
slowly.

“Brethren an’ sisters, de hymn done ax yer, shall we gather at de
river, de beautiful river dat flows by de throne uv Gawd? An’ _Ah’m_
a-axin’ yer”--he paused, spread out his arms in a slow gesture of
restrained power and let his voice fall upon a note that went through
the waiting people as a wind through leaves--“_Ah’m_ a-axin’ yer,
brethren an’ sisters, when yer gits ter de river, de beautiful river
dat flows by de throne uv Gawd, is yer gwine ter be fitten ter _git
on de boat_: de big boat dat’s a-waitin’ by de bank, wid de steam
a-shootin’ outer de chimbley an’ de paddles a-splashin’ in de water--de
big boat dat’s a-waitin’ dar ter take yer on down ter de throne itse’f?
_Is yer gwine ter be fitten?_”

A groan went over the people. A scarcely audible sigh of anticipation
came out of them. Draper caught it and fanned it. His voice began its
steady march toward its goal. Woodie’s mouth grew dry. His heart seemed
about to burst.

“It ain’t gwine do yer no good ter _sneak_ on ter de big boat ef yer
ain’t fitten, caise’ yer can’t fool de Lawd Jesus! Yer might fool de
cap’n er de boat, or de Angel Gabriel, but”--the creak of an automobile
brake came through the window--“yer can’t”--his outstretched hand sank
to his side--“fool----”

His big features stiffened with displeasure. He stood silent, staring
toward the door.

Woodie turned with the rest. His heart bounded like a toy balloon and
then crowded up into his throat and stuck there.

Miss Jinny Pickens was coming down the aisle.

But not the Miss Jinny Pickens he remembered: a frail, little old woman
with bent back and brown time spots on her wrinkled cheeks, who wore
shabby clothes and walked slowly, leaning on a cane.

A swift sense came back to him of the Miss Jinny whose foot had tapped
the floor as positively as a woodpecker’s beak against a tree; whose
back had been as straight as a child’s; whose movements had been marked
with crisp decisiveness; whose clothes had been magnificent.

Or had they only seemed so to the ragged little boy who had never owned
a pair of shoes or seen a train? Was it possible that she had been old
and frail and shabby then?

He couldn’t tell; but then and always she had been _Miss Jinny
Pickens_, and a member of the super-supreme court which in the last
analysis settled everything of importance in that countryside. No Negro
in the state had ever openly crossed one of them and lived out the day.
He looked with swift hope at Draper--and saw that things had changed.

Something inhered in Miss Jinny that stood for power, but Draper didn’t
see it. He waited there in haughty, calculating silence, watching
her progress down the aisle, through contemptuous, half-closed eyes,
unimpressed and unafraid. The consciousness that the issue lay solely
between him and Draper grew tight about Woodie’s heart. Miss Jinny
faded out for him almost before she had settled herself in the chair
that someone brought from the little room behind the melodeon.

And Draper, too, as soon as he began to talk again, forgot her. His
voice took on the sound of something started on its way which could not
be stopped--not even by the preacher himself. There had been but one
rebellion in the Old Ship of Zion since he came: now was the time to
stamp out any last lingering embers of it. As he slowly raised his hand
and swung back into his march of words, Woodie’s vitals seemed to melt
and flow downward. Despair boiled in him like vomit.

“De Lawd Jesus’ll be a-waitin’! He’ll be a-settin’ on de edge er de
great white throne, a-waitin’--a-waitin’ fer dat boat! An’ when He see
it comin’, He’ll holler out ter de angels: ‘Hi’st up de silver spyglass
ter Mah eye!’ An’ de angels’ll h’ist it. Twelve angels it’ll take ter
h’ist up de silver spyglass ter His eye.

“An’ den He’ll p’int de silver spyglass, an’ ef dere’s anybody on dat
boat dat don’t belong--_He’ll see um! He’ll see spang through um!_

“An’ He’ll say: ‘Lean de silver spyglass erginst de throne, an’ lif’ up
de speakin’ trumpet dat’s made er gol’!’ An’ de angels’ll do it. Twenty
angels it’ll take ter lif’ up de speakin’ trumpet dat’s made er gol’!

“An’ den de Lawd Jesus’ll put His mouth ter de speakin’ trumpet, an’
He’ll holler out loud an’ cl’are: ‘Mistah Cap’n, yer hyeh Me?’” very
slowly and solemnly: “‘_Yer got er onbeliever on dat boat!_ Yer’ll have
ter stop an’ go back, Mistah Cap’n, an’ lan’ um----’”

Woodie’s hand closed round the pistol, when his eye chanced to fall on
Miss Jinny’s face. Her look of quiet certitude startled him. He leaned
forward, scarcely breathing.

“‘--an’ lan’ um whar he belongs!’”

Miss Jinny cleared her throat, but Draper didn’t notice.

“‘Back whar de brimstone’s at, an’ de fire----’”

Miss Jinny moved her chair, but Draper didn’t even look her way.

“‘Back whar de smoke’s a-curlin’ out de groun’, an’----’”

The sharp pounding of Miss Jinny’s cane fell across his sentence and
broke it as brittelely off as if it had been a rod of glass.

* * * * *

Woodie dropped back limply into his seat. He opened his mouth to still
the sound of his breathing. He grew weak under the surge of his relief.
For a moment all that he could realize was that he hadn’t had to
shoot--that Miss Jinny had saved him from that.

She sat on the edge of her chair, as delicately separate as a white
hepatica, looking straight at Draper, and as the sense of her sank into
Woodie it seemed to him that she was a part of the backbone of life
itself, and again he looked at the preacher with a flaming up of hope.

But the big Negro was staring at the white woman in blank amazement,
without meeting her eyes, much as he might have stared at the roof if
it had fallen in; uneasy only because the mood he had induced in his
people had been threatened.

For a moment he was silent, while he reassembled his scattered powers.
He shifted his weight until the floor creaked. He leaned forward and
began to speak again, and Woodie’s hope sank slowly and heavily. It was
going to take more than the pounding of a cane to stop Zachariah Draper.

With his hand on his father’s old pistol, that had never been pointed
at anything bigger than a chicken-hunting skunk, he leaned forward
breathlessly, while Draper, out of a deep instinct in such matters, and
as though rebuking his antagonist, laid his tongue to stronger words
than any of his own.

“De Good Book say”--with sombre emphasis--“‘Take heed lest dere be in
any uv yer an evil heart uv onbelief! Take heed, fer de sword uv Gawd
am quick an’ powerful, an’ sharper dan any two-edged sword, piercin’
even ter de dividin’ asunder uv de soul an’ de sperret, an’ uv de
j’ints an’ de marrow!’”

“Amen!” a woman said startlingly in a clear soprano; the others groaned
in chorus, “A-amen! A-amen, brudder!” and the shattered mood of the
people came together again.

Draper fanned it as a wind fans a prairie fire: “Brethren an’ sisters,
ef yer want ter lan’ at de great white throne, yer got ter git shed uv
dat evil heart uv onbelief!”

_Tap, tap_, went the cane, mild and premonitory, but he pretended not
to hear.

“De Good Book say: ‘He shall set de sheep on His right han’, but de
goats on de lef’. An’ He shall say unter dem on de lef’ han’, Depart
from me, ye cursed, inter everlastin’ fire, prepared fer de Devil an’
his angels!’”

A gleam came into his eye. He in his pulpit, in the midst of his
people, and the white woman down there alone...! Almost alone too,
now, in that part of the state: ten Negroes all about her now to
every poverty-stricken white...! He within his rights, and she a
trespasser...! His voice rolled out over her like a river:

“Yer got ter pull off from de goats! Yer got ter come inter de fold!”

He chanted like a warrior leading hosts, with a rhythm as heavily
marked as the beating of a drum.

“Ah been down yander in de canebrake, a-lookin’ fer dem
goats--a-studyin’ in mah min’ an’ a-wrastlin’ in mah soul! Ah been down
yander in de canebrake, an’ what yer think Ah see?”

A moan of anticipation--pleasure and horror and fear--ran over his
human harp strings. “What yer see, brudder?” “Glory, hallelujah!”
“Praise de name er Jesus!” “What yer see?”

“Ah done see de Devil, de big, black, shiny Devil, a-scorchin’ up de
canebrake wid his breath!”

A bass voice began to moan heavily. An alto joined. Others took it up,
improvising with a sure sense of harmony an elaborate background for
Draper’s trampling barytone.

“His tail was long an’ shiny lak’ er blacksnake! His eyes was lak’ de
haidlights on de train!”

Woodie shut his eyes and prayed. The long-continued pound of emotion
had beaten from him all acquired white folks’ methods of speech and
feeling. “Gawd gimme strength,” he prayed, “ter shoot um through de
heart ef Ah have ter!”

The trampling barytone went on: “His feet was p’inted lak’ er crowbar
an’ cloven in de midst, an’ his mouth was lak’ et watermillon full er
seeds!”

Woodie sat there stiff and cold with sweat, in his excitement almost as
white as a white boy. He looked childlike and harmless and pitiful, but
he was the most dangerous kind of potential murderer: the determined
coward, rapt out of himself past the reach of reason; ready to shoot
when Draper’s words should pull the trigger.

Draper’s words crept toward it steadily. “His long white teeth was
a-champin’ an’ a-scrunchin’ an’ a-gnashin’--_fer dem goats_!”

He got his people rocking and moaning to the drunken rhythm of his
feelings and his words. He got them ten thousand miles away from the
mind of the white woman, so that her lonely, pale face in their midst
seemed strange and unnatural. And suddenly, under cover of the eerie
din, he dropped like a waiting eagle straight for his prey:

“An’ de Devil say ter me: ‘_Whar’s dat backslider?_’”

_Tap, tap, tap_, insisted the cane, steady and sharp.

Woodie moved farther from his mother, for elbow room.

Tiny beads of sweat broke out on Draper’s face, but he didn’t swerve.
“‘_Whar’s de man dat laid his ’ligion down?_’”

“Gawd gimme strength!” Woodie prayed.

“‘He ain’t so dark,’ de Devil say, ‘an’ he ain’t so light.’”

Woodie cocked the old pistol in his pocket.

“‘He’s middle-sized,’ de Devil say, ‘an’ he’s got er limp----’”

Woodie leaned forward to shoot, but Miss Jinny was on her feet.

She had risen casually, as if to smooth the folds of the shawl that lay
over the back of her chair, but the straight thrust of her keen blue
eyes seeking the preacher’s made the air between them crackle with life.

Draper drew himself up to the full of his enormous height. He was as
superb and as sincere as a great coiled snake. He thrust out his jaw
and frowned; his eyes lightened in the way they had, and the essential
spirit within him met Miss Jinny’s steadily.

The whole church held its breath. There was a moment of intense
silence, through which the call of the flycatcher fanned its lazy
way, and then an inward and spiritual something behind the frail old
countenance broke something behind the big, glistening black face,
with its prow of a nose, its curling lips and heavy jowl and restless,
predatory eyes--broke it with a snap that might have been audible, so
definite it was.

Draper raised his hand and lowered it; opened his mouth and closed
it again; drew forth the polka-dotted handkerchief and mopped the
perspiration from his face.

And then Miss Jinny sat down, and he found that he could speak.

But whatever it was that had snapped in him had snapped, too, in his
people. An uneasy sense of shame lay over them. There wasn’t one who
didn’t know Tampa Simmons as he knew his own hearthstone; not one whom
the dead man hadn’t helped and comforted when he could; who didn’t
believe in him as no human being had ever believed in Draper. The tide
of feeling flowed away from the preacher; ebbed faster and faster with
his every word.

He couldn’t tell what was stopping him. He was like a bird trying to
fly through the pane of a window. Because he could not see it, he
thought there was nothing there, and battered himself to pieces against
the realest thing in all that country, going down at last before his
congregation, a beaten man, jabbering meaningless sentences out of
which one fact only stood up: that the soul of Tampa Simmons went to
heaven, where Miss Jinny Pickens wanted it to go.

And in the midst of the debacle a strange thing happened. Softly,
spontaneously, without a leader, the people began to sing: “Done got
over!” they sang:

“Done got over!
Had a hard time;
Had to work so long;
But I done got over,
Done got over,
Done got over at last!”

The deep, old, patient, humble melody fell upon them like the spirit of
Christ, and they bowed their heads and sank to their knees, and most of
them wept.

And that night Woodrow Woodson Simmons, the son of Tampa Bay Florida
Simmons, who was the son of Wisdom, a chattel without surname belonging
to the Pickens estate; who was the son of Zebulon, likewise a slave;
who was the son of a naked savage of the Congo jungle, walked alone
through his native woods like a murderer reprieved, with a heart too
big for his breast; and, throwing the old pistol far out into the
swamp, caught the sound of the myriad feet of his people stumbling
painfully along the way his father had travelled, out of the land of
ignorance and out of the house of fear, and swore that some spark of
his father’s spirit should march in him at the head of that army until
he died.

MONKEY MOTIONS

BY ELEANOR MERCEIN KELLY

From _Pictorial Review_

Having lately discovered our Aunt Lady after a lapse of years, we made
the most of it, and frequently accepted her standing invitation to
motor over to the old town for Sunday dinner, saving up our Hooverized
appetites for days beforehand, since no mere world war had been able to
affect to any appreciable extent Aunt Lady’s table.

“A doctor’s got to keep his strength up these days,” she explained
apologetically, “and it isn’t as if we didn’t raise ’most everything on
the place.”

On such an occasion--and they were occasions--we noticed for the first
time a singularly limber, spindling, knock-kneed youth of a pale saddle
colour, who was being taught, with some difficulty, to wait on table.
He moved about his duties in a sort of rhythmical, high-stepping manner
that made one rather nervous, especially when soup was being served.
His eyes had the mournful, wistful anxiety of a young hound’s, but his
manner affected an easy pomposity, modelled obviously upon the best of
butler traditions, which are good in that part of the country.

“Sarvent, Moddom, sarvent!” he murmured as he placed me in my chair at
table; and at my husband’s ear he breathed solicitously, “I hopes de
julep was to Yore Honour’s tas’e?”

My husband, who is a mere business man and unaccustomed to such
attentions and entitlements, sat down with some suddenness as his chair
was thrust vigorously beneath his knees.

“Where,” he inquired of the Curtises, “did you get that?”

“It’s just the Infant Samuel; Mahaly’s child, you know.” Aunt Lady
spoke in rather a _distraite_ manner, her ear turned toward the pantry,
whence issued sounds of more or less repressed African mirth. Suddenly
there was a crash, and the mirth rose beyond repression.

“Excuse me one moment,” murmured Aunt Lady. “I expect Sam’l’s dropped
the shoat again.”

He had. It appeared that when the small roast pig, the _pièce de
résistance_ of the feast, was laid out prettily upon its platter,
fore feet folded on its breast and parsley arranged all round, it so
suggested to Sam’l’s vivid imagination a baby laid out for burial
that he could not make up his mind to bring it in to be carved. The
shoat had to be rescued, reinstated upon an unbroken platter, and
brought to table by Aunt Lady herself, the rest of the domestic force
being entirely demoralized. Only Sam’l remained serious, painfully,
shudderingly serious.

“He’s very fond of children,” observed our host, “and does not come of
a cannibal tribe, probably. Besides, he seems to have inherited his
mother’s nervous temperament. You remember Mahaly, I dare say?”

Certainly I did. She was one of the happiest memories of my childhood,
though overlaid, as such memories often are, with events more immediate.

I would no more have missed the weekly visit of Mahaly to our wash
house than I would have missed the circus, and for much the same
reason. She stimulated the imagination; she brought far things near; in
her companionship nothing seemed impossible, neither hippopotami, nor
miracles, nor “ha’nts.”

She moved in a world of her own, amid events invisible. One frequently
heard her conversing, giggling, coquetting with persons who were not
there, which might have been disconcerting to older and more rigid
minds.

But we loved to hear her tell about them, these invisibles: the King
of Yearth, for instance, one of her suitors, who came to court her in
the guise of a simple mole, although he lived in underground palaces
as gorgeous as Aladdin’s cave. (From which of the classic fables could
this have derived, and how?)

And there was the Queen of Sheba, African, like herself, but of a
“brighter” shade, who was not really dead, but sometimes chose to
manifest in the body of some descendant--“ef she kep’ herse’f _to_
herse’f,” added Mahaly significantly. That was the reason she lived
quite alone in a ramshackle cabin on the far side of the graveyard,
where “nigger folks wouldn’t come pesterin’.”

The Negroes were only too content to leave her alone, less out of fear,
apparently, than out of scorn. They regarded her as “foolish in the
head.” They jeered and laughed at her whenever she appeared, to poor
Mahaly’s wincing surprise; the penalty an artist pays for living in a
conservative community.

For Mahaly was unmistakably an artist in the broader sense of the word.
How the queer creature could sing! I am haunted yet by the dramatic
pathos she used to put into her favourite washtub ditty:

Hark, fum de tomb come do’fum soun’
(Jay-bird jump an’ jar de groun’).
I once was los’ but now I’se foun’
(Wash dem dishes an’ set ’em erroun’).

Why this rather inconsequent song should contain so much of pathos
I could not have told then, nor can I now; perhaps one sensed the
contrast between her supernatural yearnings, the Jeanne d’Arc voices
which guided her, and the humble round of Mahaly’s daily life: “Washin’
dem dishes” (other people’s dishes) “an’ settin’ ’em erroun’.”

On occasion she was moved to dance for us; not the ordinary, frivolous
clap-and-patter, buck-and-wing steps, for Mahaly had got religion and
was very much saved indeed--so much so that she gave nearly all her
earnings to the church--but a stately ceremonial prance, with odd jerks
of the body and long, rhythmic pauses, to the tune of a muttered chant.
Her eyes were half closed as in an ecstasy. So might some ancient
jungle priestess have danced before the great god Mumbo-jumbo.

And she had the true artist’s passion for colour, for beautiful
fabrics, which was doubtless the reason our mothers found her such an
invaluable laundress. With what loving tenderness she would “rub out”
some silken treasure entrusted to her care, or flute a delicate ruffle,
or clear-starch a sheer organdy! And her cabin walls fluttered queerly
with rags and tags of brilliant colour, discarded finery, bright
garments which had ceased to function; meaningless, savage, more than a
little mad, of course, yet cheerful to the eye as a patchwork quilt.
Mahaly was, indeed, an advance agent of the decorative doctrines of
Bakst.

Yet I recalled her most clearly--such is the sadism of childhood--not
as the wistful seeker after beauty, the patient and adoring friend (for
the most pestiferous of children never seemed to pester Mahaly), but as
the guy she always looked when she started off for camp meeting. This
great event of her church, known as “Conference,” took place annually
at a camp ground in the next county, and during the week or so it
lasted our kitchens were deserted, also our stables and gardens. An
enforced holiday was declared for all but the leisure classes.

Mahaly used to prepare for “Conf’rence” weeks beforehand; and on the
day of departure we youngsters would collect in groups to watch her
pass, hurrying by short cuts to fresh points of vantage, sniggering,
nudging one another, jeering at her, I am afraid, as cruelly as any of
the Negroes. But Mahaly never seemed to realize it; we were only “the
chillen,” whom she trusted and loved.

Moreover, she was uplifted beyond reach of our mocking, rapt in high
inner contemplation; and moved along the road with her queer, rhythmic,
jerking step to music that we could not hear, trailing clouds of
glory--literally. Sheba herself, on her way to the court of Solomon,
could have been no more magnificent. She wore, although the sun is
hot in “Conf’rence” time, a pink velvet opera cloak trimmed with
swan’s-down, which had belonged to Miss Mabilla Cornish in her days of
bellehood; beneath it glittered and swept a voluminous spangled yellow
evening gown from the same prolific source.

Her feet were encased in a pair of Dr. Tom Curtis’s rubber-sided
_Romeo_ slippers, with the toes removed for greater ease; and she
wore my mother’s Paris bonnet of many seasons past, an erection of
jet which sprouted purple ostrich tips at intervals. There were other
details, such as square gold-rimmed spectacles without glass, a _Janice
Meredith_ curl (blond) draped coquettishly over one shoulder, an
ancient carpetbag which bulged with sacrifices destined presumably for
the altar: a fat roasting pullet, a jar of brandied peaches, a bottle
of elderberry wine, other delicacies which she could not afford.

But Mahaly never got farther than to the railroad station. Whether the
other Negroes would not let her go with them, whether their jeers
caused her to lose confidence in the suitability of her appearance
before the Lord, or whether at the last she dared not put to the risk
of possible disillusionment her secret dreams, her hidden ecstasies, we
never knew. But the train for camp ground invariably went off without
Mahaly. She would reappear that evening, shorn of her glory and much
subdued, to a welcome she was sure of, in some grateful kitchen. Never
within my knowledge did Mahaly get to “Conf’rence.”

Except once. Aunt Lady told us about it, all these years afterward. It
chanced that Dr. Tom, driving past the station just after the annual
exodus to camp ground, was struck with the forlornness of the solitary
figure which remained; and, being Aunt Lady’s husband and that sort of
man, he had offered to drive Mahaly over in state behind his fast span
of trotters, having a patient to see in that part of the country.

Mahaly had stared incredulously. Then, with a wild shout of “Glory to
Gawd! Here I come!” she had clambered into the buggy, and said not
another word until, after many miles, he deposited her at the gates of
the Promised Land. Then she came down to earth sufficiently to smile
her gratitude speechlessly, radiantly. “I declare, the old wench looked
almost handsome!” murmured Dr. Tom, remembering it.

And that was the last of Mahaly for many a long day. Nobody knew what
had become of her.

It was a year later that they saw her coming home along the pike, still
wearing the pink opera cloak, bedraggled, weak, exhausted, but bearing
in her arms a puny yellow baby.

“Not her own?” I gasped, incredulous.

Aunt Lady nodded. “For all the world like an old cow that’s gone off
into the woods to calve, and don’t know whether to be proud or sorry
for herself,” she said with the rich tang of the soil that is her
heritage.

Mahaly never told where she had been, nor with whom. I thought of the
King of Yearth, in his Aladdin cave; I thought also of the sacrifices
and libations she had prepared for the altar, and of priests who might
well have appreciated them. But nobody ever knew. Once, pressed too
closely, she had made some cryptic allusion to “a merracle”; and a
miracle indeed it seemed to those who had known her half their lives as
a man-hating spinster of uncertain age.

But people pay heavily for miracles. Mahaly never recovered from hers.
She had the child christened “Infant Samuel” after an admired picture
in Aunt Lady’s parlour; and then she died, vaguer and more queer than
ever, babbling of mystic things. She left the Infant Samuel, of course,
to Aunt Lady, who seemed to find the legacy quite natural. It was not
her first.

“And, besides, I can’t help feeling that Tom was sort of responsible,”
she admitted, ignoring her husband’s startled disclaimer.

Sam’l’s infancy was no problem; he just grew up, she said, “like any of
the puppies,” in and out of the kitchen, the barn, the wash house--who
minded an extra piccaninny or two around? But the school age brought
difficulties. Not that Sam’l was mischievous, or disobedient, or lazy,
like ordinary coloured children. His name seemed to have affected his
nature, thus proving a theory of George Moore’s: the Infant Samuel was,
like his pictured prototype, a model child. But the other coloured
children failed to appreciate him.

“Dey mocks at me all de time,” he said quite patiently, not at all
complaining.

No matter how serious Sam’l was, the teacher reported, he seemed to
move his schoolmates to ribald mirth.

And for this there may have been some cause. He not only looked
peculiar, with his long, pointed head, his anxious solemnity, and his
extreme limberness of body, but he did peculiar things. For example,
the sums on his slate looked like real sums, quite neatly done, until
one examined them more closely, when they were found to be composed of
mere pothooks, meaningless hieroglyphics which resembled figures, and
which he seemed to think did quite as well.

“Ha, the imagist theory!” murmured my husband, who interests himself in
movements.

And once during geography class, when there were visitors, the teacher
had invited Sam’l, who drew quite nicely, to do a map of the United
States upon the blackboard from memory. The result was a vaguely
familiar outline which resembled a map, in that states and lakes and
rivers were all neatly marked, the mountains very handsomely shaded
indeed. But one of the visitors, examining it in a puzzled manner, had
discovered that its outline was the profile, face downward, of George
Washington.

Sam’l was sent home in disgrace for poking fun at company. But he
protested earnestly that he “hadn’t never poked fun at nobody,” not he.
That was the way he saw his native land, and he had drawn it so.

“Ho! The subjective school,” muttered my husband.

Later, under the influence of his name picture, Aunt Lady had thought
to make a preacher of the Infant Samuel; but after a brief trial the
coloured seminary had returned him with thanks. Their young brother,
they reported, was undoubtedly an earnest seeker, even sanctified;
he preached with fluency and was powerful in prayer; but though his
language and gestures were most superior, neither prayers nor sermons
seemed somehow to make sense; they sounded more like poetry. Nor would
his fellow theologs take him seriously. Whatever he said or did, they
sniggered at; a fatal handicap in the preaching profession.

So Dr. Tom took him in hand and decided to make a stable boy of him.
Sam’l became at once every inch a horseman; he had great adaptability.
True, whenever he entered a stall he got kicked, horses being intuitive
creatures, not easily deceived. But Dr. Tom bore with him until one
morning he found Sam’l running his aged, cherished buggy mare, Miss
Susy, round and round the back lot, riding her neck like a jockey,
plying the outraged favourite with whip and spur--“jes’ givin’ the ol’
gal a breath-out,” he explained, “to take the rheumatics out’n her
knees.” Incidentally, he gave Miss Susy an attack of heaves from which
she never recovered.

After that Aunt Lady thought best to take Sam’l into the house under
her own eye, where there were less valuable things than horses to
learn upon; and that was the period during which we had discovered
him, dramatizing himself on the model of Judge Cornish’s stately old
factotum, Romulus. He had already, in his zeal, polished most of the
silver off Aunt Lady’s tea set, and he averaged one smash a meal;
whereas Romulus had never been known in his long career to break so
much as a teacup.

“Sam’l can’t seem really to _do_ things, somehow,” said Aunt Lady,
sighing. “He just does _at_ ’em. Play-acting, like. ‘Monkey motions’;
you remember?”

It was a game the little darkies used to play when we were all young
together, a left-over from the care-free days of slavery and the
plantation “street.” A leader, chosen for skill at pantomime, would
select something to imitate, and the circle around him must represent
the subject as best they could each in his own way, singing as they
went:

“I ack monkey moshuns, too-ra-loo;
I ack monkey moshuns, so I do.
I ack ’em good, and dat’s a fack:
I ack jes’ like dem monkeys ack.”

And so they did--“gemman moshuns,” “lady moshuns,” “preacher moshuns,”
and other less polite--absurd little skinny-shanked, mop-headed
creatures, with their soft, bright animal eyes and ingratiating ways;
the bandar-log indeed. But why should his fellow bandar-log object so
consistently to Sam’l’s monkey motions? For the grown-up Negroes were
as unkind to him as his schoolmates had been. Was it, I suggested, that
they thought him a “white-folks’ nigger”?

On the contrary. Sam’l had great ambitions for his “race,” as he loved
to call them; yearned to lead it on to victory (against what enemy was
not stated--presumably the Germans); treated his persecutors--for they
amounted almost to that--with a magnanimity that was not without pathos.

“It’s jus’ ign’ance,” he would apologize for them kindly. “They ack
so mean an’ ornery an’ outrageous ’cause they got such woolly heads;
that’s all!”

Sam’l’s own hair happened by some odd freak to be quite straight and
thick and silky, like coarse floss.

“If he didn’t show off so much, I’d be downright sorry for him,” said
Aunt Lady. “The boy’s lonesome for his kind; but--just listen to that!”
(as a burst of song reached us from the pantry). “He can’t even sing
like other people!”

The pantry door having been thoughtfully propped open, we got full
benefit in the parlour of a fine falsetto aria done after Caruso’s best
manner, the impassioned tremolo, the husky little break at the climax,
all complete.

“Do you mean to say,” murmured my husband respectfully, “that the
Infant Samuel is serenading us in Italian?”

“Practically,” said the doctor. “As near as he can make it. He’s
been that way ever since I made the mistake of bringing Lady home a
phonograph from the city. She lends it to Sam’l to take to his room
on holidays, and our housework is accomplished to the strains of _I
Pagliacci_ and _Lucia_.”

“Never mind, it won’t last long,” his wife soothed him. “Sam’l’s going
off to be a hero soon.”

It appeared that, although the draft had twice rejected him, once
because of insufficient age and once because of defective vision, Sam’l
had managed to overcome all difficulties and was shortly to report at
training camp.

I exclaimed with surprise, not able somehow to visualize the
temperamental child of Mahaly as a warrior, and such a determined
warrior. It did seem in his case peculiarly heroic, he was so inept and
helpless-looking; so what the Negroes call “shackly” in the knees.

“Humph!” remarked Aunt Lady to my praise of this patriotism. “Showing
off, as usual. ‘I ack soldier moshuns, so I do.’ If Sam’l ever hears a
cannon he’ll start for home like a gun-shy setter. A mere ocean won’t
be able to stop him.”

* * * * *

It was a prophecy that came to pass, as many of Aunt Lady’s prophecies
do. But in the meanwhile Sam’l got as far as France; supplied by me,
because of auld lang syne, with the sort of comfort kit that would have
pleased Mahaly. It included a Bible, perfumed soap, a box of chocolate,
some very fancy notepaper, and a fountain pen; also a letter of sound
advice, as I rather dreaded the effect of foreign travel upon so
adaptable a temperament.

His reply is one of my cherished possessions. He had been allotted to a
labour battalion, diggers, road makers, and the like, of whom he wrote
modestly:

We are the Chosen People who must go before, like a Voice in the
Wilderness, to puppare the way. Hallelujah, praise the Lord. What
we’ll do to them en’emies, respeckted Madam, is a plenty. These yere
foreign nations is wusser than what you write about them. The way
they ack, respeckted Madam, is somethin’ scand’lous. Specially the
French. White wimmen makin’ over a sanctified cullud boy like who but
he! But don’ you fret, respeckted Madam, for fear I mought fergit my
raisin’. Pussonally I wouldn’t so demeen myself as to ’sociate with
no white wimmen what would demeen theirselves by ’sociatin’ with
cullud.

It was reassuring to feel that a representative from our old town was
keeping so stern an eye upon the morals and manners of our volatile
ally.

We learned not long afterward that Sam’l had been invalided safely
home, suffering from something like shell-shock. As Aunt Lady put it in
her letter, he must have heard a gunshot somewhere.

We forgot about Sam’l for a while after that, until one very early
morning I heard our furnace being shaken down with a sort of rhythmic
emphasis, and asked the maid who brought in my coffee what all the
racket was about.

She tossed her head. “Hit’s de new houseman,” she reported, “and he
’lows don’t nobody but him know how to shake a furnace nohow.” She
giggled angrily.

Intuition told me what had occurred, even before a voice came floating
up the furnace pipes:

“Hark, fum de tomb come do’fum soun’
(Jay-bird jump an’ jar de groun’).”

Nobody but Mahaly’s child could have given this song its old, peculiar
eeriness. Sam’l had abandoned the coloratura type of vocalization and
returned to an earlier manner.

“Yes, M’dame, hit’s me,” he called up cheerily (since his sojourn in
France he no longer pronounced me “Moddom”). “Miss Lady done sent me
along to work for you-all a while,” and he presently handed me his
credentials.

Since his return from the war, Aunt Lady wrote, the other Negroes had
treated him so unsympathetically that she thought best for him to
convalesce elsewhere, in the care of people like ourselves who could
understand his sensitive nature. While Sam’l, she went on to say, was
not and could never be a decent house servant, he was certainly better
than the city sort, who, she understood, were likely as not to sit down
beside you in the street car.

He did not drink or gamble, he was not light-fingered (though of course
he sometimes borrowed things, like anybody), and he was willing and
anxious to do whatever was expected of him, whether he knew how or not.
His shell-shock merely took the form of a sort of nervousness in the
feet, resembling St. Vitus’s dance.

We did not, as it happened, either need or want a houseman,
particularly one afflicted with St. Vitus’s dance; but Aunt Lady,
having never in her life failed a friend, is naturally not a person
whom her friends can fail. Sam’l and I engaged each other.

It proved a relation which, while pleasant, was of short duration.
Sam’l was neglecting his operatic interests at the time in favour of
interpretative dancing, and his habit of constant practise in kitchen
and basement not only bade fair to disrupt our domestic arrangements,
but even to endanger the foundations of the house. At all hours of
the day and some of the night there was to be felt a certain measured
vibration in the atmosphere, accompanied by a slight warning rattle of
chandeliers and crockery.

We might have ignored this growing menace in the interests of
friendship, but that one day my husband happened to observe our
houseman going off for a holiday sporting golf tweeds and stockings
whose vivid pattern was unmistakable. Sam’l, as Aunt Lady had
forewarned us, was merely borrowing these articles, and had every
intention of returning them to my husband’s closet at the first
favourable opportunity; but husbands have their little crotchets. I
parted with Sam’l, to our mutual regret.

He bore no hard feelings, confessing that he was really on his gradual
way northward to join some influential acquaintances he had made
during his military career. We were, it appeared, merely a stepping
stone, albeit an honoured and a valued stepping stone, upon his upward
progress.

That should by all rights have been the end of Sam’l so far as we were
concerned, for when Negroes go North they are usually lost to us. But
some years later a visitor was announced, who had sent up no card.

“Leastways he _tried_ to gimme a card,” bridled the housemaid,
giggling, “but I never took’n it off him.”

The drawing room was empty. I asked where she had put the caller.

“In the kitchen, whar he belongs at!” was the emphatic response.

The prodigal had returned, but a metamorphosed, almost an
unrecognizable prodigal. He had grown a neat little shoebrush moustache
(in itself quite a feat for a coloured man); he wore an extremely
well-tailored cutaway, mouse-coloured trousers and gloves to match,
immaculate white spats, and a gardenia in his buttonhole. His manner
was even more of a metamorphosis; it had become as simple as his
appearance was elaborate; crisp, clear, decisive, very much the manner,
in fact, of my husband closing up a business deal. Sam’l invariably
profited by his contacts.

“I shall not take up mo’ than a moment of yore vallyble time, Madam”
(pronounced in plain American now), “but I have come to tender you and
His Honour some free tickets for the performance to-morrow night. I
also mailed free tickets,” he added, “to Doctor and Miss Lady Curtis,
and I took’n the libbuty to suggest that they better come and stay with
you-all for the event.”

“Quite right, Sam’l; I’m glad you did,” I murmured, rather dazed, “but
what is the event?”

In silence he handed me a card--the one my housemaid had
rejected--printed in Old English lettering, “Professor Samuel K.
Curtis, Esq.” Mahaly’s child had evidently paid his “white folks” the
compliment of incorporating their names with his own.

“How nice!” I murmured. “But what are you professor of, Sam’l?”

“The art of Terpsichore, Madam. I thought perhaps you’d reckernize
the name. But it’s natural you wouldn’t,” he added, “being as how I’m
better known to the public as ‘Slippyfoot.’ Also,” he added simply, “as
‘the Charleston King.’”

I began to understand. One knew by hearsay--our personal ambitions in
that line having ceased with the fox trot--of the new dancing step
which was taking America and even Europe by storm; and I remembered
reading that our own city was to be the privileged scene of a coloured
Charleston contest, with competitors from all quarters of the country.

“So you’ve come to compete in the Charleston contest?” I asked.

“Hardly to compete,” he replied gently, looking rather disappointed
in me. “Rather to expound, Madam. To show ’em,” he elucidated
further, “how the Charleston should be did; its origins, methods, and
significations, like I showed ’em,” he added very, very modestly, “in
London and in Paris.”

I rose to the occasion sufficiently to invite the Charleston King to
remain for supper; an invitation he accepted on condition that he be
allowed to wait on us at table, which he did, white spats, gardenia,
and all. Greatness had not gone to his head; he still remembered his
“raisin’.” Incidentally, he dropped and broke my favourite salad bowl.

None of us had happened to see the Charleston danced before, or so
we thought, until the contest begun. Then we recognized it: the same
old clap-and-patter, wriggling and prancing, familiar to any Southern
childhood, with some elaborations: a constant St. Vitus-like movement
of the feet, odd sidewise skating-motions, a slow dipping of the body
up and down and up again, with flapping arms, as of some clip-winged
bird trying to fly.

“Good gracious!” exclaimed Aunt Lady, beside me. “You don’t tell me
_ladies_ and _gentlemen_ are carrying on like this in the ballroom? And
what’s the crowd making such a to-do about, anyhow? They can see this
sort of thing any day if they look out the back window!”

Yet the large auditorium was packed as for a prize fight; white people
on the main floor, standing up, mounting their chairs in order to see
better; coloured people packing the gallery, in delegations, with
appropriate banners; and all shouting together, catcalling, yelling for
Slippyfoot Sam.

What a descent from his christened name! I was glad for the moment that
Mahaly was not present at this apotheosis of her miracle child. But
only for a moment.

He came in the place of honour on the programme, the spotlight full
upon him, heralded by a fanfare of snare drums and saxophones. To
my surprise, it was not the elegant gentleman I had promised my
companions. He had left to lesser luminaries the fine raiment, the
spats, and the gardenia. Even the neat moustache had been sacrificed
to art. He had deliberately reverted to type. Barefoot, in ragged
trousers, and a hat without a crown, it was a Sam’l any one in that
audience would recognize, as we did, and love because he was their own.
He had shown the intuition of genius; achieved the crowning artistry of
imitating himself.

The audience, with one gasp of surprise, went wild. There were shrieks
of welcome and approval, congratulatory howls.

“Attaboy, Slippyfoot!” they yelled. “You show ’em, King!”

And of course they laughed at him, as people always did and always
would. But it was a new laughter, sympathetic, almost affectionate.
Sam’l, I realized, had become to his public a sort of symbol, like the
Charleston itself, like the tune “Dixie”; a reminder of a South that
was passing now, and would never come again.

He paid no attention to laughter or to cheers; a ludicrous enough
figure with his great flat feet and exquisitely awkward body, yet oddly
dignified. It was the dignity of conscious power; Sam’l knew what he
was about. Those melancholy, anxious hound’s eyes roamed over the
enormous audience till suddenly they paused and lighted. He had found
his white folks. He smiled at us; I think I had never seen Sam’l smile
before. It was an experience; sudden, irradiating, infinitely proud and
trustful. He was among friends.

He began to move, a strange, slow prance with measured jerks and
pauses, which I recognized--Mahaly before the great god Mumbo-jumbo!
Suddenly he crouched, shivering, trembling, and began to run
desperately--all without leaving one spot; he fought against unseen
enemies, shield before him, thrusting his spear, flinging his assegai;
he moved away, drooping, heavy, a captive in chains; never losing a
single beat of the wild rhythm, a single intricate double pat of the
foot.

I began to understand what he was doing. This was no mere exposition
of the Charleston “as it should be did, its origins, methods, and
significations.” Sam’l, the despised and rejected of them, was
interpreting his people for our benefit, dramatizing in dance the
history of his race, even as Roland Hayes in song, as others in
literature.

There was something hypnotic in that ceaseless beating rhythm, those
constant, significant movements of the half-naked body. We saw through
his imagination; we remembered through his race-memory. Hoeing and
sowing; picking cotton under the eye of an overseer with a lash;
escaping into the swamp, with bloodhounds following; terror he danced
for us, the terror that crouches and prays and kills; ecstasy, the
shouting joys of religion, the release of freedom--springing up and up
as if he would dance with the stars.

There followed the humble, happy life of the quarters: picking a banjo,
crooning as he patted and swung, flashing his teeth at a girl; rocking
a child in his arms, tenderly, lovingly; bending up and down over
a wash-tub, testing a flatiron with wetted forefinger; “washin’ dem
dishes an’ settin’ ’em erroun’.” (We heard him humming his mother’s old
working song to the timeless steady thump of the orchestra, and Aunt
Lady smiled at me dimly.)

* * * * *

Now and again the music changed, and for a moment some familiar tune
emerged. To the beat of “Greased my heel wid hog-eye lard,” we saw him
slip stealthily along the hen-roosts, seize his prey and still it with
a quick twist of the wrist; later he seemed to be shooting craps, down
on his knees, shaking the dice and rolling them out, to delighted cries
from the audience:

“He fives! He sevens! Attaboy, King! Roll your own! Babies, come to
Papa!”

We rode a race with him, jockeying home to a grand-stand finish. (I
thought of poor, astonished Miss Susy.) We saw him off to the war,
strutting gloriously, twirling his baton at the head of a brass band,
and we saw him slipping ingloriously home again, peering back over his
shoulder as if he had seen a ghost; for Sam’l did not spare himself.
Next he mounted the pulpit, wrestled with the Lord in prayer, laying
off his hands in eloquent gesture, giving us the Word straight from the
shoulder, so that a sudden hysterical voice out of the gallery shouted,
“Yas, O my Lawdy! _I_ hears You callin’ me!”

And all the time his feet kept up that steady, monotonous, hypnotic
beat and shuffle, shuffle and beat, as if they could never stop; as if
they could never stop until the unseen force that manages the puppet
show should cease to pull the strings.

When at the end he stumbled away out of the spotlight, dancing still,
bent over double like an old rheumatic that leans upon a stick, there
was a moment’s quiet.

Some two thousand people felt for that moment, perhaps, just what he
intended them to feel: the loneliness of children in a world that has
grown old, the helplessness of a simple jungle folk, a bandar-log, set
down in the life of cities and expected to be men. “They ack so mean
an’ ornery an’ outrageous ’cause they got such woolly heads!”

Then the audience followed him, as it had welcomed him, with shouts and
shrieks of laughter.

But Sam’l’s white folks would never laugh at him again; dreamer of
dreams that he was, seer of visions. Aunt Lady’s dear, wrinkled face
was frankly wet with tears.

Her husband put an arm around her.

“Why, old honey, it’s only Sam’l at his monkey motions! What are you
weeping about?”

“_I_ don’t know. What are you!” she countered snappishly.

FOUR DREAMS OF GRAM PERKINS

BY RUTH SAWYER

From _American Mercury_

Gram Perkins was not my grandmother. I had good reason to believe
that she had died and received Christian burial a half century before
I first set foot in Haddock harbour. Neither were the dreams of my
dreaming; so my connection with her was always remote and impersonal.
Nevertheless, I came to know through her all the horror and the
fascination of a perturbed spirit.

For those who may not know the harbour, let me explain that it bites
into the northern stretch of Maine coast. Summer resorters are still
in the minority, and peace and beauty serve as perpetual handmaidens
to those few exhausted, nerve-racked city folk who have found refuge
there. I was there only a few days when the immortal essence of Gram
Perkins confronted me. Perkins is a prevailing name at the harbour.
A Perkins peddles fish on Tuesdays and Fridays. A Perkins keeps the
village store in whose windows are displayed those amazing knickknacks
somebody or other creates out of sweet grass, beads, birch bark, and
sealing wax. A Perkins is framed daily in the general delivery window
of the post office, and his brother drives the one village jitney.

It was Cal Perkins of tender years who indirectly introduced me to the
mysterious dreamer of the dreams. Cal took me on my first scaling of
the blueberry ledges. Standing like Balboa on the Peak of Darien he
swept a hand inland and said: “Somewhars, over thar, lives Zeb Perkins.
Hain’t never laid eyes on him myself, but Pa says you doan’t never want
to hear him tell of them four dreams he’s had of Grandmother Perkins.
Woan’t sleep ag’in fur a month ef you do.” It was not long before I
discovered those dreams were as firm a tradition at the harbour as
the “Three Hairs of Grandfather Knowital” are in Eastern Europe--only
with a difference. Natives in the Balkans pass on their story for the
asking; whereas in Haddock harbour they evade all questions leading to
Gram Perkins, while their tongues travel to their cheeks.

One day Cal took me to the cemetery and showed me the Perkins monument.
It was a splendid affair in two shades of marble with a wrought-iron
fence and gateway, and all about it were the head stones marking the
graves of the separate members of the family. I read the inscription on
Gram Perkins’s stone:

Sara Amanda Perkins
Beloved wife of Benjamin Perkins, Sea Captain
1791-1863
May she rest in perfect peace!

“Wall, she didn’t!” Cal hurled the words at me as he catapulted through
the gate, shaking all over like the aspen back of the lot. I caught a
final mumbling: “Never aim to stop nigh _her_. Pa says I might git to
dreamin’, too.”

Here was distinctly unpleasant food for thought. Already she had a firm
grip on my waking hours, and there was no relish to the idea of her
haunting my sleeping ones. The manner in which she possessed the town
was astounding. She lurked wherever one went, popping out with the most
casual remark when one was buying a pound of butter or a pint of clams.
And yet, for all the daily allusions and innuendoes, one never got at
the heart of the matter; one never rightly understood why Gram Perkins
was and yet was not five feet below the sod. As for the dreamer of the
dreams, one never found him clothed in anything more solid than words.

I questioned Peddling Perkins one Friday when he came to our house with
the makings of a chowder. “Tell me,” I began, “where does Zeb Perkins
live and what relation is he to you?”

He paused in his weighing. The scales hung from a rafter in his cart
and worked somewhat mysteriously. He might have been weighing out the
exact amount of relationship he cared to claim. “Fur as I can make out
he’s sort of a third cousin.”

“Did he ever tell you about those dreams?”

“No, m’am!” He fixed me with a fore-warning eye. “What’s more, he
hain’t never goin’ to. I seen Scip Perkins--time he told him. Scairt!
Never seen a feller so shook up in his life. Didn’t take off his
clothes and lay good abed fur a week. No, m’am!”

I questioned the post-office Perkins one day: “Do you happen to know
what Zeb Perkins dreamed about his grandmother?”

“Dreamed! Gosh, what didn’t he dream? Think of anything a sensible
woman, dead and buried fifty years, stands liable to do and you
wouldn’t have the half of it.” He finished snapping his teeth together
to signify that he had gone as far with those dreams as he intended to
go--for the present, anyway.

A few days later I took the matter to the village store. I even
bought a chain and earrings of sealing wax to make my going seem less
mercenary. “Those dreams,” I ventured, “how did they happen and do they
belong entirely to Zeb?”

“They do, God be praised!” Whereupon the storekeeper retired behind
the necklace for a good two minutes, and then partially emerged to
whisper, “No one’s layin’ any claim at all to those dreams but Zeb. And
I’ve always thought myself if he hadn’t had them, no knowing what he
mightn’t have had.”

For two recurring summers I stayed fixed at this point. And then came a
spring when I slipped off early to the harbour for trout. The Perkins
who drives the jitney met me at the wharf as I stepped from the Boston
boat. “Hain’t a summer resorter nor a bluejay here yit,” was his
greeting. “Weather’s right smart--nips ye considerable.” And it did.
The water in the brooks was so cold my fingers remained stiff and blue
all day. But the fishing was good, and in the end I caught something
more than trout.

A morning came with a southeast wind. Up to that I had lost almost no
flies, so I started out with little extra tackle. The middle of the
morning found me a mile deep in an alder swamp, bog on one side and
piled-up brush on the other. It was what you would call dirty fishing,
and in half an hour I had lost every fly and leader I had with me.
There was nothing to do but put up my rod and go back. In an effort
to strike higher ground I came into what was new country to me. A
trail led up toward where I judged the blueberry ledges would be, and
climbing for a mile or so I suddenly broke through into a clearing and
a wagon road. A grayish house stood beside the road. A thin spiral of
smoke curled out of the chimney. On a split stake, even with the road,
teetered a sign reading:

HAND MADE TROUT FLIES FOR SALE HERE

I attacked the door without mercy. A moment’s knocking brought the
sound of stirring from within, and the door finally creaked open,
displaying the oddest cut of a little man in a wheel chair. He blinked
at me like some great nocturnal bird, and soon there was an intelligent
wag of the head--more at my clothes than at me.

“Come in. Doan’t gin’rally git lady fishermen. Hearn tell they git ’em
down to the harbour lookin’ jes’ as he-ish as the men.” He rolled his
chair backward from the door, beckoning me to follow. I could hear
him repeating the last of his words under his breath as if by way of
confirmation: “Yes, sir, looking jes’ as he-ish as the men.”

He led me into a room that might have been identified even in the
uttermost corner of the world as having been conceived and delivered in
the State of Maine. An airtight stove centred it, and on its pinnacle
stood a nickel-plated moose at bay. There were half a dozen pulled-in
rugs: fruit pulled in; red, yellow, and purple roses pulled in; a
rooster pulled in; and other things that defied the imagination. The
two window sills were gay with geraniums and begonias. Crayon portraits
panelled the walls, and between each portrait hung a hair wreath.
Fronting the door was a shower of coffin plates, strung together
with a fish line. A large coloured print of a clipper hung over the
mantel, while all about hung trophies of the South Seas--strings of
shells and beads and corals. But the most amazing exhibit was the
feathers: peacock, egret, flamingo, pheasant, turkey, and cock tails,
yellowhammer and bluejay wings, breasts, crests and what not. The work
bench was littered with tiny feathers, partridge and guinea fowl,
and spools of bright silk. He brushed all these aside and reached
underneath to a drawer, bringing out a handful of trout flies. It took
no close scrutiny to tell their exquisite workmanship.

“Pick out what ye want. Swamp back yonder jes’ eats ’em up, doan’t it?”
And he smiled an ingratiating, toothless smile.

I made my selections slowly, studying the little man more than the
flies. His head was as bald and pink as a baby’s. His lips were
tremulous, and his eyes showed that pale blue opacity of the very
old or very young. It was his hands that held me confounded. They
were twisted like bird claws. How they could have ever taken wisps
of feather and fine lengths of silk and wound them into the perfect
semblance of tiny aërial creatures was more than I could conceive. He
caught at my wondering and with a burst of crowing laughter he held the
claws closer for inspection. “Handsome, hain’t they? Cal’ate I work ’em
steady as most folks work a good pair. Can’t stand wet nor cold, no
better ’n Gram Perkins could in hern. Good days she was the smartest
knitter in the county.”

So here was another Perkins. I aimed my habitual question at him,
expecting no better results. “Tell me, do you know anything about those
four dreams?”

He sat a moment, motionless, in what one might have termed a
vainglorious silence. He sucked his lips in and out over those vacant
gums as if he found them full of flavour; then he suddenly burst into
the triumphant crow of a chanticleer. “Yes m’am! Cal’ate I do know
them dreams--seein’ I dreamed ’em. I be Zeb Perkins!” He said it with
as sweet an unction as if he had announced himself King of the Hejaz.
In a flash the room stood revealed anew. It spoke aloud of Sara Amanda
Perkins, beloved wife of Benjamin Perkins, sea captain; of his clipper,
of the relics of his voyages, of her handiwork in rugs and wreaths. The
very begonias might be slip grandchildren of the ones she had planted.
Here, indeed, was a stage set for those dreams. Here sat Zeb Perkins,
playwright and stage manager, picking excitedly at his pink head,
eternally ready to ring up his curtain. He caught my eye on the wreaths.

“Them little tow-headed fergit-me-nots belonged to her first son as
died a baby. She set a terrible store by him. The black in them susans
come from her sister Ida, my great-aunt Perkins. See them coffin
plates. Ye’ll see every one of them was copper, nickeled over, every
one but Gram’s. Hers was solid.”

There was a wealth of information conveyed in that last word. I had
been standing until now. One of Zeb’s claws waved itself away from the
coffin plates to a chair: “Set, woan’t ye? Ye’ll see them rockers
under ye are worn as flat as sledge runners. That was Gram’s chair; and
we wore them rockers off luggin’ her ’round. She was all crippled up,
Gram was, same as me; only in them days there warn’t no wheel chairs.”

The chair was all Zeb claimed. There was no more rock to it than to
a dray sledge. From the chair his eyes flew to the crayon portraits.
“Look at them! Look at Marm--then look at Gram. Why, there was nary a
thing Gram couldn’t do, for all her crippled-upness. Bake a pie, fry a
batch o’ doughnuts, clean up the butt’ry. But Marm seems like she was
born fretty and tired. Made ye tired jest to watch her travel from the
sink to the cook stove. She’d handle a batch o’ biscuits like she never
expected to live to see ’em baked. Jes’ lookin’ at ’em, can’ ye make
out a difference?”

I did and I could. In spite of everything the artist had done to
obliterate all human expression he had mastered the single point of
difference. One face sagged utterly, the other looked out with sharp
alert eyes on a world that interested her immensely. There was a grim
humour about the mouth, and a firmness that spoke a challenge even at
the end of a century.

“I tell ye,” Zeb’s eulogy was gathering momentum. “We boys set a
terrible store by Gram. She was cuter and smarter tied to that chair
than Marm was on two good legs--hands to match ’em. Golly! How sick
boys git bein’ whined at. Didn’t make no odds what we done--good or
bad--Marm al’ays whined, but Gram--she stood by like she’d been a boy
herself. She’d beg us off hoein’ fer circus and fair days and slip
us dimes for this or that. Cal’ate she’s slipped us enough nickels
and dimes to stretch clean to the upper pasture. Pasture! Golly! When
we was up thar, hot days, hayin’, she’d al’ays mix us a pitcher o’
somethin’ cool--cream o’ tartar water or lemon and m’lasses. When
she had it ready she’d take a stick and tick-tack on the wind’y. She
could whistle, too; whistle through them crooked fingers o’ hern like
a yaller-hammer. She’d whistle whenever she wanted to be fetched
anywhars; then one of us boys would come runnin’ and heave her to
wheresomever she aimed to go--kitchen to butt’ry--butt’ry to settin’
room--settin’ room to shed.”

Zeb stopped here and illustrated. He put two of his crooked fingers to
his mouth and shrilled out a thin, wailing note as eery as a banshee’s.

“That’s the way she done it,” he continued. “And Marm would fuss and
fret and say she didn’t see why the Lord ’lowed a little crippled-up
body like Gram’s to stay so chuck full o’ spunk. Some days she git sort
o’ vengeful, Marm would, and tell Gram she’d better quiet down decent,
or more’n likely she’d never rest quiet in her grave after she died.”

III

A hush fell on the room. There was a baleful light shimmering through
Zeb’s dull eyes, his claws began a nervous intertwining. “Wall ...”
he broke the silence at last, “Gram died. Night afore she died seems
like she got scairt. She grabbed us boys one after another and made
us all promise we wouldn’t bury her twell we were good and sure she
was dead. ‘Keep me five days--promise me that,’ she kept a-sayin’. And
we promised. Recollect it didn’t seem to me then as how Gram could
die--so full of smartness and spunk. Even after old Doc Coombs come and
pronounced her, seemed like she’d open her eyes any minute and ask us
boys to lug her somewhars. ’Stead o’ that she lay so quiet, seemed like
I could hear Doomsday strike.”

The air about us became suddenly supercharged with something. Was it
that ravenous desire for life that must have consumed Gram Perkins?
Under their glass domes the hair wreaths seemed to move as if fanned by
a breath. The feathers about us swayed. The rooster in the pulled-in
rug seemed to pulse with life and a desire to crow. A crowing shook the
room, but it came from Zeb.

“Hot! Golly, Gram died in the sizzlingest spell, middle of August,
folks can remember. Didn’t embalm in them days, so ’twas ice or
nothing. We drew lots for shifts--us boys. Ben and Ellery drew day; Sam
and me night. Mebbe we didn’t work! Lugged in hunks from the ice house
to the shed; thar we cracked and lugged in dish pans to the settin’
room. Crack--lug--mop--lug--crack. Five days! It’s been a powerful
sight o’ comfort sence to know we kept Gram’s promise. Then come the
funeral--smart one. Slathers o’ flowers and mourners and hacks. Cal’ate
you’ve seen the lot whar we buried her?”

At the mention of burial a sense of enormity made me shudder. I was
beginning to realize that the further Zeb progressed in the matter of
the obsequies of Gram Perkins the more alive she became. At that moment
she possessed the house--every crack and cranny in it. She possessed
Zeb, and she possessed me. I found myself straining my ears for the
rattle of dishes in the butt’ry or the sharp thin note of a whistle.
Zeb’s ear was cocked as well as mine.

“Them dreams,” he said, pulling himself together. “First one come
fifteen years after Gram died. All was gone from the harbour by that
time but me. Ben took the pneumony and died quick. Ellery got liver
complaint, turned yaller as arnicy and thinned out to a straw. Sort o’
blew away he did. Sam--he got trampled on by a horse. That left jes’
me. Night after I buried Marm I come back here and had my first dream.
I was young ag’in. Boys back, Marm back, all of us settin’ thar at
Gram’s funeral. Parson was a-prayin’--had been fur a considerable time.
I could hear Nate French fumblin’ fur his tunin’ fork, so’s to lead the
departin’ hymn when plain as daylight I heard a whistle. Yes, m’am.
Then I heard a tick-tack--like Gram was knockin’ on some wind’y. Kept
hopin’ she’d quiet down when out shot another whistle--clear above the
parson’s prayin’. Nobody but me seemed to notice, so I got up gingerly
and tiptoed over to the coffin and raised the lid.

“Thar she was--fixin’ fur to tick-tack ag’in. I grapped her fingers
quick and shoved ’em back whar they belonged. Then I leaned over and
whispered, loud as I durst, ‘Lay still, Gram. Parson’s nigh through
and we’ll be movin’ along shortly. Folks ’ll be passin’ ’round in a
moment to view the remains. Fur the Lord’s sake, close your eyes and
act sensible.’ Wall ... that fixed her. She give me a wink so’d I know
she’d act right, and I tiptoed back to my place. They was all still
a-prayin’--kept right on a-prayin’ twell I woke up. Three years later,
come November, I had the second.”

Zeb shivered, and so did I. I wanted that second dream and yet I did
not want it. Had I chosen I could no more have stayed it than one could
have held back the second act of a Greek tragedy.

“We was on our way to the cemetery.” Zeb’s voice lifted me free of
all choice in the matter. “I was ridin’ outside the first hack, bein’
the youngest, and I was thinkin’ what a fine day it was fur that time
o’ year. Sort o’ funny, too, fur Gram died in August and here it was
November and we was jes’ gittin’ to bury her. I was lookin’ at the
hearse when it happened. Hearses was different in them days, black
urns at the four top corners with black plumes stickin’ out and a pair
o’ solid wooden doors behind. Above the poundin’ of the horses’ hoofs
I heard a hammerin’ on them solid doors. Bang ... bang ... plain as
daylight. Old Jared Sims was drivin’ and I didn’t want he should hear
so I sung out, ‘Cal’ate they’re shinglin’ the Coomb’s barn.’ He turned
’round in his seat to look, and jes’ that minute thar come a regular
whale of a hammerin’ and the doors of the hearse bust open. Thar was
Gram--top of her own coffin, peekin’ down low at me and beckonin’ fur
me to come and git her.

“Mad! I was as mad as a hornet. I went back to that wink she’d given me
in t’other dream and seemed like she’d gone back on her word--something
Gram had never done livin’. I was off the seat of that hack in a jiffy,
runnin’ aside the hearse. When the goin’ slowed up I stuck my head
inside and hollered, ‘Ye git straight back whar ye b’long! And what’s
more ye stay thar!’ Then I begun to whimper like I couldn’t stand my
feelin’s another minute. ‘Gram,’ says I, ‘hain’t ye got any heart? Do
ye want to disgrace us boys? How’ll ye cal’ate we’ll feel to have the
neighbours thinkin’ we’re tryin’ to bury ye ag’in your will? We give ye
them five days like we promised--can’t ye lay down decent and proper
now?’

“That settled her. She turned, meek as a cow, climbed back into her
coffin and closed the lid down. I went back to the hack and climbed up.
We was still a-goin’ when I woke up.”

An interlude followed. I tried to bring back my mind to the reality
of life as I knew it to be. I fingered my trout flies and did my best
to image the still, deep pool below the swamp where I had been on the
point of casting just as my last leader broke. Half an hour more I
could be back there, casting again. But the pool and the trout faded
into oblivion beside the sterner reality of Gram Perkins. I was on the
hack with young Zeb, my eyes fastened in growing perturbation on a pair
of solid black doors.

“Jes’ started on our January thaw when the next dream took me,” broke
in Zeb. “We’d reached the cemetery. Grave dug, coffin lowered, folks
standin’ ’round fur a final prayer. To all appearances everything
was goin’ first rate. But the sexton hadn’t more than picked up his
shovel, easy-like, when out comes a whistle, clear as a fog horn. I
opened my eyes quick and looked down. Thar was Gram, poppin’ out like
a jack-in-the-box, lid swung wide open and both hands reachin’ fur the
dirt the sexton was shovellin’ in. Yes, m’am! Ye never saw dirt fly in
all your born days the way Gram made it fly. At the rate she was goin’,
I knew we’d be standin’ thar twell Doomsday, gittin’ her buried.

“Everybody else was prayin’ hard along with the parson, and he was
’most to the Resurrection. I knew somethin’ had to be done quick, so
in I jumped. I slapped the dirt out of her hands hard like you would
with a child and says I, ‘Land o’ goodness, Gram, what ails ye? We’ve
fetched ye along to what the Bible calls your last restin’ place. All
we boys is askin’ of ye now is to keep quiet and rest twell Jedgment
Day.’

“The words warn’t more’n out afore I knew I’d said the wrong thing.
She didn’t lay any more store ’bout this eternal restin’ than what ye
would, settin’ thar fingerin’ them flies. She give me the most pitiful
look ye ever saw on a human face. It said, plain as daylight, ‘Zeb, lug
me back home and let me git to work ag’in.’

“Wall ... I took to whimperin’ like a two-year-old. ‘Ef ye woan’t do it
fur the Bible,’ says I, ‘do it fur us boys. Ye’ve al’ays been terrible
proud of us--al’ays wanted we should have jes’ what we wanted, and
thar’s nothin’ in the whole o’ creation we want so much this minute as
to see ye restin’ peaceful. Git back in. Close your eyes, fold your
hands, git that listen fur the last trumpet look on your face. Hurry,
woan’t ye? The sexton’s shovellin’ like sixty.’

“She give me another of them pitiful looks--nigh broke me all up--and
she sort o’ slid back and slammed the lid down on her fur all the
world like one of these cuckoo clocks. I lit out and landed side o’
the parson jes’ as he said ‘Amen.’ ... ‘Amen,’ says I, thankful-like.
‘Amen,’ says the sexton.... ‘Amen,’ says the mourners in a roarin’
chorus like the sea. And then I swear to ye that way under the dirt I
heard Gram sing out Amen! Tell ye I woke in a sweat!”

“Cold sweat?” I asked. It was all I could think of.

“Cold as a clam, dripped with it.”

“That makes three.”

“Three!” Zeb tolled it out like a passing bell. “All bad enough--the
fourth, worst of all. Ye wait.”

I waited.

“Three years I lived comfortable in my mind. Seemed like that last Amen
had settled things. Then May come along. I’d been slippin’ some of them
geraniums to take up to the cemetery Memorial Day. I could still walk
some--slowly, but git about--and I went to bed mighty real happy at the
idea o’ fixin’ up Gram’s grave. Right on top o’ that came the fourth
dream!

“I was swingin’ up the road toward the cemetery, and in one hand
I carried a pot with the slips in, and t’other held my stick I
walked with. Jes’ about reached the lot when up comes a jedge from
Boston--nice feller--and I asked him to come along and see the view
from our place. ‘Most famous in the State,’ says I. ‘Clear days we can
see ’most anything.’

“I fetched him through the iron gates and stood him up close to the
monument and begun pointin’ places out. ‘Thar’s Mount Washington,’
says I. ‘Some days ye can see the whole Presidential Range.... Thar’s
Katahdin ... thar’s....’ But I stopped thar dead. I’d caught something
move in the grass by Gram’s headstone. The next minute out come a
whistle, loudest I ever heard. I swung the jedge clear ’round and
pointed out to sea. ‘Thar’s Mount Desert,’ says I, and ‘thar’s Isle au
Haut. That’s the Rockland boat ye hear whistlin’--consarn it!’

“I looked at Gram. She’d got her head and shoulders clear and she was
whistlin’ ag’in fur dear life. Then she took her fingers out of her
mouth and nodded her head toward out back. Seemed like she was askin’
me fur the last time to take her home. The jedge seemed lost in the
scenery, and I stepped up to Gram and showed her the geranium slips.
‘Look at them,’ says I. ‘Fetched ’em all the way over to decorate your
grave, and here ye be, bustin’ loose and cuttin’ up. Hain’t ye ever
goin’ to give in and rest in peace?’

“Wall, she never said a word, jes’ kept working herself further and
further out. I was terrible scairt the jedge would turn round any
second and ketch her. Stood thar on pins and needles watchin’ Gram rise
from her grave. ‘Have a heart, Gram,’ I begun coaxin’ ag’in. ‘How’d ye
like a city feller like that jedge to ketch a Perkins turnin’ ghost
like?’ ... Never finished what I set out to say. She looked so queer
and upset--so like she wanted to tell me something and didn’t know how.
I stood thar, geraniums in one hand, stick in t’other, tryin’ to make
out what it was Gram wanted to tell me. Then it come over me, all of a
flash. ’Twasn’t she that wanted to git out; ’twas that smart, spunky
body o’ hern. It was drivin’ the sperrit same as a strong wind drives
a cloud afore it. She was ready to rest if that doggoned crippled-up,
pie-bakin’, doughnut-fryin’ body would have let her be. But it
wouldn’t. It was draggin’ her out of her coffin, out of her grave,
turnin’ her loose about the county like no decent sperrit could stand.

“‘I’ll fix it,’ says I, droppin’ the geraniums and grabbin’ the
stick with both hands, ‘I’ll fix it so it’ll let ye rest quiet twell
Doomsday,’ and with that I laid on Gram with that stick. I beat her up
twell thar warn’t nothin’ left but a scatterin’ of dust on the spring
sod. Yes, m’am! I reduced Gram to dust and ashes like the Bible said
had to be.”

A long sigh swept the stillness of the room. The face of Zeb Perkins
underwent a sequence of changes. Triumph had been there, but it
dwindled out and sorrow took its place; and then a fear, a tremulous
commiseration and, finally, bewilderment. He now looked straight at me.
His eyes were dull, fearful. “They doan’t understand, them Perkins to
the harbour. They doan’t think I ever ought to have done that to Gram.”

I gathered up my flies and was halfway to the door before Zeb spoke
again. His voice had now grown querulous: “Wall--what do ye think?”

I gave my answer as I slipped out of doors, into the wide spaces again.
“I think the trout are going to bite,” said I.

THE LITTLE GIRL FROM TOWN

BY RUTH SUCKOW

From _Harper’s_

“I wonder who that is coming here,” Mrs. Sieverson said, looking out of
the kitchen window.

“Somebody coming?” Mr. Sieverson asked from the sink. “Oh, I guess
that’s Dave Lindsay, ain’t it? He said he’d be out.”

“Yes, but he’s got someone with him. Oh! I believe it’s that little
girl from back East somewhere that’s visiting them. Leone! Children!”

Mr. Sieverson went outdoors, and then Mrs. Sieverson, and, by the time
the car stopped, rounding the drive, all four children were on hand
from somewhere. Even Marvin and Clyde, the two boys.

“Anybody home?” Mr. Lindsay called out jovially.

“You bet!”

They were all looking at the little girl in the car beside him. They
had heard about this little girl, and how “cute” she was. Her mother
was some relative of Mrs. Lindsay. Leone and Vila looked at her
eagerly. The boys hung back but they wanted to see her. Mr. Lindsay was
proud. He said:

“Well, sir, I’ve got somebody along with me!”

“I see you have!” Mr. Sieverson answered with shy heavy jocularity and
Mrs. Sieverson asked, “Is this the little girl been visiting you?”

“This is the little girl! But I don’t know whether she’s visiting or
not. I’ve just about made up my mind I’ll keep her!”

They all laughed appreciatively. Leone pulled her mother’s dress. She
wanted her mother to ask if the little girl couldn’t get out and play
with them. “Now, don’t. We’ll see,” Mrs. Sieverson whispered. The
little girl was so pretty sitting there with her soft golden-brown hair
and her cream-white dress that Mr. and Mrs. Sieverson were both shy
of saying anything directly to her. Mr. Sieverson cried, still trying
conscientiously to joke:

“Well, ain’t you going to get out?”

Mr. Lindsay asked, “Well!--shall we, Patricia?”

The little girl looked gravely at the other little girls, and then
nodded.

“All right, sir! Patricia’s the boss! I’ve got to do as she says.”

She consented to smile at that, and the two boys giggled. Mr. Lindsay
lifted her out of the car. She put her arms around his neck, and her
little legs and her feet in their shiny black slippers dangled as he
swung her to the ground. The children felt shy when he set her down
among them. Mr. and Mrs. Sieverson didn’t quite know what to say.

“_There_ she is! This is the first time this little girl has ever been
out to a farm. What do you think of that, Marvin?”

Marvin grinned, and backed off a few steps.

“Yes, sir! But she and Uncle Dave have great times driving round
together, don’t they?”

The little girl looked up at him and then smiled and nodded her head
with a subtle hint of mischief.

“You bet we do! We have great times.”

The Sieversons all stood back in a group shyly grinning and admiring.
Leone’s eyes were as eager as if she were looking at a big doll in a
store window. They had never seen any child as pretty as this one, and
Mr. Lindsay knew it and was brimming with pride. Her short dress of
creamy linen, tied with a red-silk cord at the neck and embroidered
with patches of bright Russian colours, melted its fairness into the
pure lovely pallor of her skin. The sleeves were so short that almost
the whole of her soft, round, tiny arms was bare. Her hair was of fine
gold streaked and overlaid with brown--the colour of a straw stack with
the darker, richer brown on top--but every hair lay fine and perfect,
the thick bangs waved slightly on her forehead, and the long soft bob
curved out like a shining flower bell and shook a little when she
moved her head. Her skin wasn’t one bit sunburned, and so white and
delicately grained that there seemed to Vila, in awe, to be a little
frost upon it ... like the silver bloom on wildflower petals, picked
in cool places, that smudged when she rubbed it with her fingers.

Mr. Lindsay became businesslike now that he was out of the car. “Well,
Henry,” he said, “you got it all figured up and ready to show me? I
think we’ve got Appleton where we can make a deal all right.”

“Yeah, I guess it’s ready.”

While the two men talked, the little girl stood beside Mr. Lindsay,
her hand still in his, with a grave, trustful, wondering look. Leone,
smiling at her, was getting closer. Mr. Lindsay seemed to remember her
then and looked down at her.

“Well, Patricia, what about you while I’m looking after my business?”
He smiled then at the other children. “Think you can find something to
do with all these kids here?”

Leone looked up at him and her blue eyes pleaded brightly in her
eagerness. “I guess they’s plenty of them to look after her,” Mr.
Sieverson said shyly but still grinning. “They can entertain her,” Mrs.
Sieverson put in. She could do the baking without Leone this morning,
she thought rapidly, but feeling hurried and anxious.

“You going to play with them for a while, are you?” Mr. Lindsay felt
responsible for Patricia. All the same he wanted her off his mind for a
while until he had finished his business. “I don’t know whether----”

“Oh, Leone’ll look after her,” Mrs. Sieverson assured him, and Mr.
Sieverson repeated, “Sure! She’ll be all right with Leone.”

Leone came up now, smiling eagerly and with a sweetness that
transformed her thin freckled face. She shook back the wisps of uneven,
tow-coloured hair. She took the little girl’s hand protectingly and
confidingly in her hot palm that had a gleam of dusty perspiration
along the life line and the heart line. The tiny hand felt like a soft
warm bit of silk--or a flower.

“That’s right! Uncle Dave won’t be gone long. Don’t take her out where
it’s too hot, kids. You know she isn’t used to things the way you are.”

“No, you be careful,” Mrs. Sieverson warned them.

“Will you go with Leone?” The little girl did not say that she would or
wouldn’t, but she was courteous and did not draw back. “You’ll be all
right! _You’ll_ have a good time! Oh, I guess Uncle Dave didn’t tell
these kids who you were, did he? This is Patricia.”

“Can you say that?” Mrs. Sieverson asked--doubting if _she_ could.

Vila drew shyly back, with one shoulder higher than the other; but
Leone laughed in delight. “I can say it!” She nodded. She squeezed
Patricia’s hand.

“You can say it, can you? All right, then. Well, now, you kids can show
this little girl what good times you can have on the farm. That so? All
right then, Henry.”

Mrs. Sieverson went into the house to get back to her baking. She had a
lot to do to-day. She wasn’t at all worried about leaving their little
visitor so long as Leone was with her. But she turned to call back to
the children, who were still silently grouped about Patricia in the
driveway:

“You better stay in the yard with her. Mr. Lindsay won’t like it if she
gets her dress dirty. Leone! You hear me?”

“I heard. Do you want to come into the yard, Patricia? You do, don’t
you?” Leone asked coaxingly.

Patricia went soberly with her. Her eyes, gray with threads of violet
in the clear iris, were looking all about silently. Her little hand lay
quiet but with confidence in Leone’s. The other children followed, the
boys lagging behind, but coming all the same.

“There, now! Here’s just the nicest shady place, and Patricia can sit
here, can’t she, and just be so nice?” Leone placed Patricia in the
round patterned shade of an apple tree, and spread out her linen dress,
making it perfectly even all around, and carefully drew out her little
legs straight in front of her with the shiny black slippers close
together. “There!” she said proudly. “See?”

She sat down on one side of Patricia, and then Vila shyly and with a
sidelong confiding smile sat down on the other. The boys hung back
together.

“Leone!” Mrs. Sieverson called from the house. “Ain’t you got something
to entertain her with? Why don’t you get your dolls?”

“Do you want to see our dolls, Patricia?”

So far Patricia had been consenting but silent. “You go in and get
them, Vila,” Leone ordered, and when Vila whined, “I don’t want to!”
she said, “Yes, you have to. I can’t leave her. I have to take care
of her. Don’t I, Patricia?” But when Vila came back with the scanty
assortment of dolls Patricia looked at them and then reached out her
hand for the funny cloth boy doll in the knitted sweater suit. The boys
laughed proudly and looked at each other, the way they had done when
the swan in the park at Swea City took the piece of sandwich they put
on the water for it. “Isn’t that doll cute, Patricia?” Leone begged
eagerly.

Patricia touched its black-embroidered eyes, and its red-embroidered
lips--done in outline stitch--and then looked up at the eager, watching
children and smiled with that gleam of mischief.

The boys laughed again. They all came around closer. “That’s mine,”
Vila said softly. She reached over and touched the big stuffed cloth
doll, with the hair coloured yellow and the cheeks bright red, that was
smooth along the top and bottom sides like a fish but crisp along the
edges from the seams. Patricia took it and looked at it. She looked at
every one of their dolls--there were five, one of them was a six-inch
bisque doll from the ten-cent store--and then smiled again.

“I’ll bet you have nice dolls at home, haven’t you, Patricia?” Leone
said in generous worship. “I’ll bet you’ve got lots nicer dolls than we
have.”

Patricia spoke for the first time. The children listened, with bright
eager eyes wide open, to each soft little word.

“I have fifteen dolls.”

Marvin said, “Gee!”

“Have you got them named?” Vila leaned over the grass toward Patricia,
and then quickly hitched herself back, frightened at the sound of her
own voice asking the question.

“Oh, yes, I always name my dolls,” Patricia assured them. “My dolls
have beautiful names. They’re all the names of the great actresses and
singers.” And she began gravely to repeat them. “Geraldine Farrar, and
Maria Jeritza, and Eva LeGallienne, and Amelita Galli-Curci....”

While she was saying them, the boys looked at each other over her head,
their eyes glinting, their mouths stretched into grins of smothered
amusement, until Clyde broke into giggles.

Leone was indignant. “Those are _lovely_ names! I think Patricia was
just wonderful to think of them!”

Vila stretched across the grass again. She touched the cloth doll
and drew back her fingers as quickly as if it were hot. “Her name’s
Dor’thy,” she whispered.

After Patricia’s gracious acceptance of the dolls, the children wanted
to show her all the treasures they had--even those they had never told
anyone else about. Everything, they felt, would receive a kind of glory
from her approval. They liked to repeat her name now. “Patricia.” “She
wants to see the little pigs. Don’t you, Patricia?” “Aw, she does not!
Do you, Patricia? She wants to see what I’ve got to make a radio.”
Patricia looked from one to the other with her violet-gray eyes and
let the others answer for her. But after a while she said with a cool,
gentle, royal decision:

“No. I don’t want to go anywhere. I want to stay right here in this
round shade.”

The children were highly delighted. They began to bring their treasures
to her. Vila had run off to the edge of the garden and dug up two
glass precious stones she had buried there, but when she came back to
Patricia she was too shy to show them and kept them hidden in her hot
little hand that got sticky and black from the earth clinging to them.
The boys were getting quite bold. Marvin said:

“I bet you never saw a mouse nest, Patricia.”

“Patricia doesn’t care anything about that,” Leone said impatiently.
“I wish you boys would go off somewhere anyway and let _us_ look after
Patricia.”

“I can show it to you, Patricia.”

“_She_ doesn’t want to see that!”

“Yes, I do,” Patricia assured them with an innocent courtesy that made
Clyde giggle again.

The boys ran off to the woodshed to get it. It was all made of
wound-about string and little bits of paper and a soft kind of woolly
down. Patricia examined it with her large grave eyes. She reached out
one finger toward it delicately, and drew the finger back. She looked
up at the boys.

“What is it?” she breathed.

“A mouse nest,” Marvin said nonchalantly.

He held it carefully in his brown sturdy hands, partly to keep it
together, but more because he liked to have Patricia’s soft little
fingers come near his. They were as smooth as silk, and rosy at the
tips as the pointed petals of the dog-tooth violets he had found near
the little creek in the woods, when he was out there one day last
April all alone. A happy shiver went over him at the thought of their
touching him, silvery and cool.

“Do the mouses--_mices_--live in it?”

“Sure! They did before we took it away.”

“Oh, but can’t they live in it any more? What will the mices do?”

“Gee! What can they do?” Marvin swaggered. Clyde giggled.

Her pink mouth opened into a distressed O. She looked from one to the
other for help, and the violet in her eyes deepened. “But they won’t
have anywhere to live! You must put it back.” She was very serious.

“Shoot! Why, they’ve run off somewheres else by this time!”

What did it matter about mice anyhow? Gee, they were something to get
rid of! Why did she suppose Pop kept all those cats and fed ’em, if it
wasn’t to get rid of the mice? But she looked so distressed that Leone,
with an angry glance at the boys, assured her hastily leaning over and
hugging her:

“No, they haven’t, Patricia! Boys just like to say things like that.”

“Aw, gee----!”

“But what will the mices _do_?”

“The boys’ll put the nest back, and then the mice’ll come there,” Leone
warmly promised her. She didn’t care if it wasn’t true.

The boys had never heard anything so funny in their lives. Gee whiz!
They despised her for such ignorance, and could hardly keep from
laughing, and yet they felt uneasily ashamed of themselves for they
didn’t quite know what. They had just wanted to bring her the mouse
nest to make her interested and then to show her, too, that they
weren’t afraid of things most people didn’t want to touch. But they
seemed to be out of favour. They hung around while the girls talked a
lot of silly talk, and laid all the dolls out in the grass in front of
them.

“I’ll bet you’ve got awful pretty clothes for your dolls, haven’t you,
Patricia?”

Patricia didn’t like to say, or to talk about her dolls because she
didn’t really think that these dolls’ dresses were one bit pretty.
Leone went on questioning her, with naïve admiration, and Vila listened
with her eyes glistening.

“I’ll bet you’ve been into lots of big stores, Patricia. Did this dress
you’ve got on come from a big store?”

They both bent and examined the creamy shining linen with its coarse
silky weave and the large roughened threads that Vila scarcely dared
to touch with her fingers all dirty from the precious stones. Patricia
graciously let them touch and see until, gently but with a final
dignity, she drew the cloth out of their fingers.

“Now you mustn’t touch me any more.”

The boys giggled again at this, admiring but feeling abashed.

A striped kitten came suddenly into sight at a little distance--became
motionless, saw them--and flattened and slid under the cover of the
plants in the garden. Patricia gave a little cry. Her face bloomed into
brightness.

“Oh! Do you have a kitty?”

“A cat! Gee!” They all laughed. “_One_ cat! I bet we got seventeen.”

“Really seventeen kitties? Did your father buy them all for you?”

“Buy them!” The boys shouted with laughter. “Gee, you don’t buy cats!”

“Oh, you do,” Patricia told them, shocked. “They cost twenty-five
dollars, the kitties that sit in the window in the shop.”

“Twenty-five dollars! Pay twenty-five dollars for a _cat_!” _Cats_,
when you had to drown half of ’em and couldn’t hardly give the others
away! The boys were hilarious with laughter over such ignorance.

Leone couldn’t help knowing that Patricia was ignorant, too. But she
gave the boys a hurt, indignant, silencing look--it was mean of them
to laugh at Patricia when she didn’t know! Anyway, she was so little.
Leone put her arm around Patricia, in warm protection.

“But they do!” Patricia’s eyes were large and tearful and her soft
little lips were quivering. It was dreadful to have these children
not believe her, and she couldn’t understand it. “Some of them cost a
hundred dollars!”

“Oh, gee!” the boys began.

“Maybe some of them _do_,” Leone said quickly. “You don’t know
everything in the world, Marvin Sieverson.” She knew, of course, that
cats couldn’t--but then, she wasn’t going to have the boys make fun of
Patricia. “Come on now, Patricia,” she pleaded. “We’ll go and see our
kitties. Shall we?”

The boys watched anxiously. They didn’t want Patricia to be mad at
them. They wanted to take her out to the barn and have her look at
everything.

She considered. Her eyes were still large and mournful and a very dark
violet. At last she nodded her head, held out her hands trustingly to
Leone to be helped from the grass, smoothed down her skirts--and the
whole tribe went running off together.

* * * * *

Patricia had to climb up the steep stairs into the haymow one step at a
time. She felt along the rough sides carefully with her little hands.
The boys would have liked to help her and were too bashful, but all
the time Leone was just behind her, telling her, “Don’t you be afraid.
Leone’s right here, Patricia. Leone won’t let you fall.” When they got
up into the haymow Patricia was almost frightened at first; it was so
big, and there were such shadows. A long beam of sunlight fell dimly
and dustily golden from the high window in the peak, across the great
beams and the piled hay, and widened over the great stretch of wooden
floor.

“Haven’t you ever been up in a haymow before?” Clyde demanded.

“Of course she hasn’t,” Leone answered indignantly.

Patricia looked around at them, and her face was pale with awed
excitement. “It’s like the church!” she breathed.

“Gee, a _hay_-mow!”

Still, it really was. Even their voices and the way they walked sounded
different up here. The boys were tickled and a little embarrassed that
Patricia had thought of that.

“Is this where the kitties live?”

“The little ones do. Where are the little bitty ones, Marvin?”

“_I_ know!” both the boys shouted. They leaped up into the sliding
mounds of hay, calling back, “Come on if you want to see, Patricia!”

“I’ll help you, Patricia,” Leone encouraged her.

She boosted and got Patricia up on to the hay pile and helped her
flounder along with her feet plunging into uncertain holes, and the
long spears of hay scratching at her bare legs above the half socks,
and the dust making her eyes smart. Then Patricia began to laugh. She
liked it!

“Here they are!” the boys shouted.

A bevy of half-grown cats suddenly fled down the hay like shadows. “No,
no!” Patricia screamed when the boys tried valiantly to catch a little
black cat by its tail. Leone was assuring her, “Never mind, they won’t
hurt the kitties, Patricia.”

“Look here! Come here!” the boys were calling.

Patricia was almost afraid to go. The boys had found the nest of little
kittens. They had got hold of the soft, mousy, wriggling things and
were holding them up for her to see. Fascinated, she went nearer. The
little kittens had pink skin fluffed over with the finest fur, big
round heads, and little snubby ears, and blue eyes barely open.

“Oh!...” She looked up at Leone with her pink lips pursed. She loved
the little kittens but she was afraid of them. “Oh, but they aren’t
kitties! They don’t look like kitties.”

The boys were highly amused. “What do they look like?” Marvin demanded.
“What do you think they are? Cows? Horses?”

She said tremulously, “No, I _know_ cows are big. But their heads look
the way little baby cow heads do in the pictures. They do.”

“I think they do, too,” Leone asserted stoutly. She coaxed, “Touch
them, Patricia. They won’t hurt you.”

The boys grinned at the way Patricia put out her fingers and drew them
back. How could these little bits of kittens hurt her? Didn’t she know
they couldn’t bite yet? Their little teeny teeth couldn’t do anything
but nibble. It was fun to feel them. Marvin caught up the white one and
held it out to her, and they all kept urging her. He hoped her fingers
would touch his. She cringed back, her mouth pursed in wonder.

“Oh, but they have such funny tails!”

“No, they ain’t. They got tails like all cats got.”

“Oh, no, Marvin. In the show the kitties have tails so big, and they
waved them--just like the big plumes on men’s hats riding on horses.”

The boys doubled up with laughter. “Who’d put cats in a show?”

“Oh, but they are!” Patricia looked at them in distress.

“Why shouldn’t they be?” Leone demanded.

Of course she knew why, as well as the boys did. Nobody would pay to
see a cat! Patricia had meant the tigers. She was so little she didn’t
know the difference. The boys were not to tease her though! Clyde was
giggling. Gee, if she didn’t have the funniest notions!

At last they got her to touch the kitten. She did it first with just
the pink tip of one finger--then it felt so soft, so little and fluffy,
with tiny whiskers like fine silk threads, that she reached out her
hands. Marvin felt the brush of her fingers, as if a cobweb had blown
across his hand, and a shiver of joy and pain went down his backbone.
Patricia laughed in delight, and looked from one to the other of the
children with her large shining eyes, to share her wonder.

“Take it!” Marvin urged.

“Oh, no, I wouldn’t!”

“Why not? Go on and take it!”

She shook her head.

“She doesn’t have to if she doesn’t want to,” Leone said warmly.

“Yes, she does!” Marvin thrust the kitten into her hands. She gave a
little shriek and squeezed it by its soft belly, while the weak pinkish
legs wavered and clawed out of her grasp.

“I’m going to drop it!”

“No, you won’t!”

Its fluffiness filled her with ecstasy. “Oh, see its claws! They look
like little bits of shavings from mother’s pearl beads!” The boys
grinned in amusement and delight at each other. Vila laughed happily.
“Oh, and inside its little ears! Just the way shells look inside--only
these are _silk_ shells!” The boys grinned broadly. She caught the
kitten to her cheek and held it wildly wriggling. “Oh, kitty, I love
you! I want to have you to take home!”

“You can--you can have it,” the children all urged her eagerly. Marvin
said, “Gee, we got all kinds of cats, and that old gray one----” Clyde
pinched him. “Shut up!” He grinned and blushed. Patricia laid the
kitten gravely and reluctantly back in the rounded nest. She shook
her head until the fluffy bell of shining hair trembled. She said
solemnly, and as if she had forgotten that the others were there:

“No. I won’t. Because all its other little sisters and brothers would
be lonesome for it. And its mother would.”

The boys stood grinning but they said nothing.

What were the kittens’ names? Patricia asked. She was horrified that
they had none. “Gee, we call ’em kitty,” Marvin said; but Leone
hastened to add, “Well, we call that one we have Old Gray.”

Patricia said: “Oh, but they must have names! That’s wicked. Nobody
goes up to heaven to our Lord Jesus without a name!”

The boys just barely glanced at each other. They kept their red faces
straight with agony. Then Marvin went pawing and rolling through the
hay over to the other side of the pile, where he buried his flushed
face and snorted.

“I’m going to give every one a name,” Patricia asserted solemnly.

“What are you going to name ’em, Patricia?” Leone and Vila were
impressed.

“I’m going to give them jewel names. Because the cats make me think
about things like jewels. This is what I’m going to call them. I’m
going to name this one Pearl because it’s white, and this bluey one
Sapphire, and the other bluey one Turquoise, and this little pinky one
Coral, and this one ... Jade!”

“Aren’t you going to name one Di’mond, Patricia?” Leone asked eagerly.
Vila thought that, too.

“No.” Patricia was very decided. “Cats don’t look like diamonds. They
look like coloured jewels.”

The boys giggled. Besides that one she had named _Pearl_--gee, they had
already looked at these kittens and they knew very well that one was a
he-cat! If she wasn’t funny!

Vila was looking at Patricia so intently that she trembled. Now she
said, “Patricia’s eyes are jewel eyes, too. They’re--they’re----” She
didn’t know how to say it, and yet she felt what she meant and wanted
to say--felt it so that it hurt! The whites of Patricia’s eyes gleamed,
and a little blue spread out into them from the circles of the coloured
parts, and in these there were all sorts of threads of colour woven
together, the way they were inside the glass of marbles--bluish and
violet-coloured and gray, and a sort of golden! All just as clear....
Vila reached out and took Patricia’s wrist quickly and with shy ardour,
but then she only smiled and couldn’t think of anything to say ... she
would have been afraid to say it, anyway.

“Now she must see all our places!”

They went through the big barn. “Look here, Patricia!” “Patricia can’t.
She’s looking at this.” She looked at everything, but when they urged
her, “Touch it! Go ahead!” she wouldn’t quite do that. When they went
out of the barn they all took hands and ran pounding down the long
slope of heavy boards and out into the farmyard. Patricia was afraid at
first and then shrieked with laughter and wanted to do it over again.

“Now we mustn’t do it any more,” Leone said after the third time. “Her
little face is all red. Let go her hand, Marvin! Now, darling, stand
still, and Leone’ll wipe off her little face.”

They thought it was funny the way she ran when the chickens came near
her. “Oh, gee, if we had time we’d go down to the pond and show her the
geese. Wouldn’t she run if that old goose got after her!” Leone said,
“Marvin Sieverson! We shan’t go there.”

But the very best place was the orchard. Even the boys were not so wild
and noisy there. Their feet made only soft swishing sounds when they
went through the long grass. The boughs were loaded, some broken and
sweeping the ground, and the sky was patterned with leaves.

“Patricia!” Marvin hinted, tempting her, holding out a little green
apple.

Leone snatched it from his hand. “Why, Marvin Sieverson, shame on you!
Do you want to make little Patricia sick?”

“Aw, gee!” He had just wanted to see if she would take it. He and Clyde
had both been hunting through the grass for some apples that Patricia
could really eat.

Only the yellow transparents were ripe. The large apples had a clear
pale colour against the leaves that were only slightly darker--mellow
and clear at the same time, a light pure yellow-green through which
the August sunshine seemed to pass. Patricia took the big yellow apple
that Marvin picked for her and carried it all around with her. “_Eat_
it, Patricia, why don’t you?” But she wanted to hold it. “Oh, thank
you!” she said very earnestly for every single thing the children gave
her--the red dahlia, and the tiny bunch of sweet peas, the bluebird’s
feather. Whenever she saw a bird she stopped. She put her little silky
hand on Leone’s wrist. “Look!” “It’s just a bird.” She stood and
watched with fascinated eyes until the bird was lost in the sky and she
had to turn away dazzled with blue and gold.

“Do you wish you could stay here and belong to us, Patricia?” Leone
asked her wistfully. “We’d play you were my little girl, wouldn’t we?”

Patricia wished that she could stay. There were streaks of dust down
the shining linen dress and on the soft little arms, a damp parting in
the lovely wave of the bangs, and around her mouth there was a faint
stain of red from the juicy plums the boys had brought her to suck. Oh,
yes, the country, she said, was _nice_! She looked about with shining
innocent eyes of wonder. She loved the animals. In the city, she told
them, animals weren’t happy. There were the beautiful green birds in
the shop--just the colour, almost, of these apple-tree leaves!--but her
father wouldn’t buy them for her because he didn’t believe in keeping
things in cages, and he wouldn’t get her the big gray dog because it
wasn’t right to take dogs out on chains.

“Oh, if I lived in the country,” she cried, “do you know what I’d do?
I’d just run around and run around----”

“You’d play with _me_, wouldn’t you, Patricia?” Marvin cut in jealously.

“I’d play----”

“Children!”

The grown people were calling them. Disaster showed on the children’s
faces. “Oh, we don’t want Patricia to go home!” There were so many
things still that they hadn’t shown her. But Mr. Lindsay came into the
orchard calling out jovially:

“Well! Here she is! Ready to go home now with Uncle Dave?” He took it
for granted that she was. He took her reluctant little hand, and the
other children trailed after them. When they reached the farmyard, he
said, “See what’s going with us!”

Patricia looked in awe and wonderment. “What is it?” she breathed.

“Don’t you know what that is?”

Mr. and Mrs. Sieverson, standing back, both laughed. The children too
were grinning.

Patricia ventured, “A baby cow!”

Then they all laughed to think that she had known.

“That’s what it is, all right. But don’t you know what baby cows are
called? Calf! That’s a calf! Well, sir, do you want this little calf to
go with us?”

Patricia didn’t know whether or not Uncle Dave meant that for a joke.
But the little calf was so sweet--she loved it so terribly the instant
she saw it--that she couldn’t help risking that and begging, “Oh, yes!”
Its head really was shaped like the tiny kittens’. But its eyes were
very large and coloured a soft deep brown under a surface of rounded
brightness, so gentle and so sad too, that it seemed to her as if the
colour showed in each eye under a big tear. The calf turned its head
toward her. Its frail legs bent inward, to prop it up. Its coat looked
like cream spilled over with shining tar. There were curls, like the
curly knots showing in freshly planed wood; and the shining ends of the
hair looked as if they had curled because the whole coat had just been
licked by the mother.

“Oh, yes, Uncle Dave! Is it going _with_ us?”

“It’s going to be our back-seat passenger. If the boss permits?”

It made Mr. Sieverson laugh--feel tickled--to see how the thought of
riding to town with that calf pleased the little girl. But he said
dutifully to Mr. Lindsay:

“Now, if that calf’s going to be any nuisance to you----”

“No, no. As long as I’ve got the old car, put it in. Tie it up.”

Patricia saw the rope then in Mr. Sieverson’s hand. She cried, “Oh, not
_tie_ the little calf!”

“Sure,” Mr. Sieverson said, grinning kindly at her. “You don’t want it
to jump out, do you?”

She looked at Uncle Dave for confirmation of that. He said:

“Sure! Calves won’t go riding any other way.”

The two boys laughed.

Patricia stood back close to Leone but not saying anything more. She
looked frightened. Mr. Sieverson said, with some feeling of reassuring
her still more:

“You don’t want to let this calf get loose or you won’t get any of it!”

She didn’t understand that.

“Get any of it to eat. This calf’s going to make veal.”

“Eat it?” she cried in horror; and she earnestly put him right. “Oh,
no, I wouldn’t _eat_ it.” Mr. Sieverson was joking.

“Why, sure!” he said. “Don’t you eat good veal? You’re going to take
this calf to the butcher.”

“Oh, no!” He meant that! Patricia was suddenly wild with crying. They
all stood back, shocked, never expecting such a storm as this. “Oh, no!
The little calf isn’t going to be killed! I won’t! I won’t! No!” She
put out her hands blindly and turned from one to the other for help.
Mr. Sieverson didn’t know what to do. She turned to him and beat the
air with her little fists, shrieking, “Oh, you’re _wicked_!”

He couldn’t stand that. His face got red. Even if she was just a child,
he demanded, “Don’t you eat veal?”

“No! No!” Patricia shrieked.

“What, then?” he demanded.

She had to look at him. Her little pink mouth was open and her bright
eyes drowned. She quavered, “Other kinds of meat ... I’ll eat chicken,”
and turned piteously to Uncle Dave.

Mr. Sieverson didn’t like to be called “wicked” by anyone. The
injustice, when he had just been trying to be nice to this little
girl, too, hurt him. His wife murmured, “Well, now, Henry----” But he
insisted, “Don’t chicken have to be killed before you can eat it?”

But even Mr. Sieverson, although he was in the right of it, felt
ashamed when he saw the little thing cry. Mrs. Sieverson gave him a
look, stroked Patricia’s hair, and said, “They won’t take the calf.”
Mr. Lindsay hastened to promise, “No, no. Of course we won’t take the
calf.” They were all trying now to reassure her. Vila was crying, too.
The boys were pleading, “Patricia!” although they didn’t know just
what they would say to her in comfort if they got her to look at them.
“No, no, it isn’t going. It won’t have to be tied up. See, he’s put
away the rope.” The two men settled the thing with a look above her
head. Patricia looked up at last, with piteous drowned eyes, as dark
as wet violets. She broke away from all of them and, running to the
calf--fearful of touching things as she was--she threw her arms in
protection around its neck and stared fiercely at the shamefaced people.

“Oh, no, we couldn’t take it!” Mr. Lindsay muttered. He cleared his
throat.

The children surrounded Patricia again. They were begging her not to
cry. Her cheek was laid against the little calf’s silky ear, and she
was telling it, in her own mind, “Don’t you care, don’t you mind,
precious little calf, I’ve saved you.” She let herself be drawn away
but said “No!” when Mrs. Sieverson wanted to wipe the tears from her
cheeks, and held up the little wet face trustingly for Leone to do it.
That pleased all the Sieversons greatly.

“So now we can go! Hm?” Mr. Lindsay asked her.

She seemed to have forgiven them. She didn’t want to look at Mr.
Sieverson, but when she said good-bye to Mrs. Sieverson she touched
her little skirts and made a curtsey. Clyde pinched Marvin to tell him
to look. The children watched her with as great delight as they had
watched the tightrope walker in the “show.” Mr. Lindsay lifted her into
the car. She smiled faintly at the children, but there were stains of
tears on her pearly cheeks, and her eyes were still as dark as violets.

“You children go get her something--apples or something,” Mrs.
Sieverson whispered.

“We have, Mamma! We’ve got a whole lot of things for her.”

They began piling presents into her lap. “Don’t forget your little
feather, Patricia!” Marvin ran off to find something else. The wilting
flowers, the apple, the six rosy plums, the bluebird’s feather she
carefully took again. Marvin came panting back with his new game of
“Round the World by Aëroplane.” But Mr. Lindsay wouldn’t let him give
her that.

“No, no, my boy! You keep your game. She’s got more things at home now
than she can ever play with.”

Now she seemed happy and appeased. The children crowded close to the
side of the car and pleaded, “Come out again, won’t you, Patricia?”
Vila whispered in her shy voice, “I’ll take care of Pearl and Samphire
and those others, Patricia.” Marvin said fiercely, “If any tomcat comes
round, I’ll----” and ground and gnashed his teeth and made fiercely
appropriate motions. Leone gave him a look for making her think about
the tomcat! But Patricia was still smiling and happy and hadn’t
understood. Now, in her relief and in the flurry of going, she was
more eager and talkative than she had been all afternoon. She promised
everything they asked.

“I will. I will, Leone. I will, Marvin. Thank you for all the beautiful
things.”

In the midst of it Mr. Lindsay leaned over to say in a low tone to Mr.
Sieverson, a little ashamed, “Well, somebody else’ll take that in for
you, Henry, if you can’t go.”

“Sure. That’s all right, Mr. Lindsay.”

“Well, now, my little girl, tell them all good-bye.”

“Good-bye.” “Good-bye, Patricia!” They called and waved madly to her,
all standing back together. She answered them. At the very last minute,
just as the car was going out into the driveway, she leaned out with
her shining hair mussed and blowing in the breeze, and cried:

“Good-bye, calf! I forgot to say good-bye to you.”

Marvin laughed in delight, and then Clyde echoed him.

* * * * *

Mr. Sieverson stood looking after the car. That “wicked” still rankled.
He said, as if very much put out, “Well, now, I’ll have to find another
way of getting this calf in or else take it myself before night.” Then
he said, as if ashamed, “Gosh! I don’t know. I almost hate to take it.
That little thing put up such a fuss.” He couldn’t help adding, “She
was a pretty little kid, wasn’t she?”

Mrs. Sieverson did not answer at once. Then she said in an
expressionless tone, “Well ... maybe you better take the other one,
then.”

He looked at her and seemed to want to assent. Then he cried, “Oh, no!
We can’t do that. This is the one we’d picked on.” He looked angry, and
yet in his light-blue eyes under the shock of lightish hair there was a
hurt, puzzled look. “Oh, well,” he muttered. “Folks can’t be foolish!”
If ever folks were to start thinking of _such_ things....

He went forward resolutely, saying “Hi! Stand still, there!” as he took
hold of the calf. His wife stood back watching him and saying nothing.
The calf turned, bolted a little way, and then let him take hold of
it again. It did not seem to know whether to be afraid of him or not.
Its eyes looked up into his. In the large eyes of dark mute brown and
the smaller eyes of light blue there was much the same reluctant
bewilderment in some far depths. But the man knew what he was after,
and the calf did not know what was to come.

“Come on here!” Mr. Sieverson said sharply.

He put the rope around the calf’s neck.

SHADES OF GEORGE SAND!

BY ELLEN DU POIS TAYLOR

From _Harper’s_

It was one of those April mornings when the sun lacquers yesterday’s
rain puddles with gold, and the meadow larks melodiously promise a
month of blue weather with violets to match it. But all this fruitful
fuss did not warm one apathetic drop of Matilda Gessler’s young blood
nor soften one scornful angle of her averted face.

Matilda was weighing sugar in her father’s dingy little grocery in
Crittenden, South Dakota, when she should have been dozing under
ancestral lace in a château somewhere in France. If Mathilde Lantier,
her paternal grandmother, hadn’t lived with such unwise intensity that
one moonlit hour in a certain French garden, and if old Franz Gessler
hadn’t been so conveniently eager to shoulder the consequences, and if
... but then Matilda knew nothing of all this. But she knew enough. She
knew what her mother’s Methodist God had done to her. He had created
her under a morally tight roof in Crittenden for the good of her soul
when every Latin molecule of her belonged in one of those sophisticated
centres of the earth where it’s dinner in low-cut brocade at eight and
philosophy before kissing.

And so Matilda, weighing sugar, sniffed at the plucky April trying to
make a bright island on the muddy floor. What was the use of looking
like a bayadere when it meant breaking her lithe back over flour bags,
the contents of which were destined to nourish the grace of girls less
graceful than she? She was doomed to make beans into bundles that
others might be strengthened for flight. Only last week Hazel Amberton,
the thick-ankled daughter of the jeweller, packed her gauzy traps and
went forth to conquer Minneapolis.

Matilda shrugged her shoulders. It was a gesture inherited from
Mathilde Lantier and worthy of Ninon de Lenclos herself, but there was
no one to appreciate it except three tobacco-sodden farmers who tramped
out, leaving her to resume her futile musing.

If ancestors would only stay where they belonged and live their lives
in straight lines and leave the tangents to those who deserved them!
Well, no good rebelling against anything as irrevocable as your
grandmother’s mistakes, your father’s failures, or your mother’s God.
That left one thing to rebel against ... the store.

The store was a place of odorous chiaroscuro. Smells fairly nudged one
another and often knocked one another down. There was the fetidness
of stale codfish, the acrid pungency of freshly ground coffee, the
penetrating foulness of rancid butter, and the sickening tropical odour
of decaying bananas. It wasn’t worth looking at either ... rows of tins
whose faded labels betrayed the probable age of the victuals within;
jars of moribund prunes and molasses-coloured horehound drops, counters
piled with coarse denim garments leaking threads, bolts of grotesquely
sprigged calico. Even the dusty jumble of decorated china on the top
shelf didn’t look destined for anything but cooling pork fat. And, if
all this wasn’t enough, they have to live over it. Four of them lived
up there in the huddled stuffiness of a half-dozen rooms ... horrible,
uneasy rooms tenanted by lumpy pieces of golden-oak furniture whose
sharp corners and glittering hostile surfaces constantly threatened one
with eviction.

But there was one member of the family before whom the whole
domineering conglomeration was powerless. That was Minnie Gessler,
Matilda’s fat, unimaginative mother. Every rocker dreaded her
relentless dimensions. There was but one place where she looked
properly engulfed and that was under the steepled bulk of the red-brick
church around the corner. She waddled there regularly. Matilda often
puzzled over her mother’s voluptuous devotion to something that
couldn’t be poked or eaten or wasn’t her son Fred.

Matilda sighed resentfully when she thought of her brother. The
dispatch with which he made his dreams come true was nothing short of
indecent. He rarely came near the store except to eat and sleep over
it. He made quick, successful love to the dimpled daughters of the
Crittenden gentry and bragged about it afterward in Lemke’s Pool Room.
He never kissed the mother who adored him, but he wheedled a Ford car
out of her and went tearing up and down the long yellow road between
Crittenden and a half-dozen towns, seeking other lips to conquer and
getting them. Now Matilda dutifully kissed her mother every night but
it had got her nothing. Minnie Gessler hadn’t even allowed her daughter
to have a French name in peace. It was ’Tilda she grumbled at and not
Mathilde.

Matilda’s father was shy and the only German thing about him was his
name. There was a foreign gleam in his hazel eyes and the hair that
fimbriated his bald head was black. He had not inherited Mathilde
Lantier’s fire--that fire which had made the submitting required of her
a thing almost as prismatic as the unrealizable dreams of other people.
But he hated the store. Matilda was the only one who suspected this
and she knew it from the gingerly manner in which he handled grubby
potatoes and the delicate way he turned up his nose over a slab of
ancient cheese. Once Matilda caught him trying to carve the head of a
Greek goddess out of a bar of American Family Soap, and after that she
had a dim kind of respect for the thin man who shuffled uncomplainingly
about the murky store at all hours.

This, then, was Matilda’s family. It was no worse than the usual run of
families, but Matilda thought she was uniquely cursed. The trouble was
that Matilda’s frustrations blinded her to everything but her own point
of view. If only her French blood were given an opportunity to riot
uncensored! But no opportunity had materialized ... that is none which
iridescently mattered. To be sure, she had taken a degree from the
little sectarian college on the edge of Crittenden, but that experience
had only enabled her to rebel against fate in terms of bad poetry.

Matilda deserted her sugar and went over and stood in the doorway.
She glanced up and down the clapboarded vista of Main Street. Dora
Todd, the blue-and-gold daughter of the banker, clicked by on her new
red heels. Envious tears smarted Matilda’s eyelids. She did not envy
Dora because the wind tossed her curls flaxenly, nor did she covet
eyes made of azure china, but those heels were another matter. They
typified Dora’s power to dress herself up. Matilda adored her own
dark obliqueness and she would have liked to keep it in the style to
which it deserved to be accustomed. Those heels now--they might have
been those of her ancestress, young Mathilde Lantier, setting Paris
boulevards to music! Matilda shook herself impatiently. Why couldn’t
her grandmother stay out of it? She even appropriated the heels of that
silly cream-coloured girl who didn’t know Balzac from buttons! And that
wasn’t the worst of it. Pretty soon that other woman would take command
of her resentment--that irritatingly brilliant woman who had flooded
the world with printed proofs that she had lived the fullest life of
her generation and who had given Mathilde Lantier such vivid advice one
afternoon in her drawing room at Nohant. Sometimes Matilda wished that
her grandmother had kept that memory to herself, for the bright taint
of it simmered through her blood like some high and mighty poison.

* * * * *

This was what had happened.

It was the summer Matilda was twelve. Mathilde Lantier Gessler had come
to Crittenden from Baltimore to see her son once more before she died.
Grandmother Gessler was tall and every inch of her was swarthy. Her
eyes were as black as bottomless water and as imperishable as diamonds.
There was a tuft of hair on her jutting chin, and it was proudly
apparent that her lips had curved once. She came and stayed three days.
Before she left she took Matilda aside.

“_Ma petite_,” she whispered harshly, “I am content that it is the
_père_ you resemble and not that fat _other_.”

“Why?” asked Matilda, perversely delighted at this allusion to her
mother’s size.

“Because, _ma cherie_, it is the dark and slender ones of the earth
that know how to suffer, and yet keep their joy.”

“Oh, Grandma,” exclaimed the child, “you are happy then!”

“Of course,” the old woman assured her gallantly, “and a great number
of tears I might have shed and did not. I laughed sixteen hours out
of the twenty-four and smiled in my sleep the other eight. The dreams
I had under the crimson canopy of that ancient bed across the sea!
But that was before it was decided that I marry Franz Gessler, the
merchant, and make an end in Baltimore.”

“Merchant?” queried Matilda. “Is that why Papa keeps a store?”

Mathilde shrugged her aristocratic old shoulders.

“God punished us. I was young and dark and it made trouble. Franz
Gessler was fat and yellow and he dropped dead of it.”

“Is that why we are so poor and the store smells so awful?”

And then it had seemed to Matilda that her grandmother peered down at
her for the first time. “Ah, yes,” she sighed, stroking the braided
silk of her granddaughter’s hair. “Ah, yes!”

“Tell me more,” begged Matilda. “Tell me everything.”

But the old woman had suddenly grown stubborn or weary. She sat there
and kept quiet about the walled gardens in which she had strolled; the
suitors she had tormented over sundials; the mistake she made that
night the moon shone with such Hellenic tenderness; the tearful morning
they packed her into the eager arms of the old German merchant and
hurried them both off to Baltimore. But she did rouse from her romantic
napping long enough to say:

“_Ma petite fille_, there was a thing or two I had from a woman who
knew how to love beyond bounds and suffer with triumph. One summer
afternoon I saw her at Nohant. There were books on the floor, an
unfinished letter to Flaubert on the writing table, and Dumas sitting
in a corner. She deserted everything to talk to me. Her eyes were
wisdom, her hands were comforting, and her smile contagious. I left,
but before that she gave me these,” and the old woman drew up a
yellowed package from the capacious pocket of her gown.

“They are for you.” And she smiled a wise and curious smile.

The package contained a picture and a book, and very old they both
looked.

“The original,” explained the grandmother, holding up the picture, “was
painted by Delacroix.”

“It’s a man,” observed the child ruefully, taking in the long aquiline
face framed by short thick hair above a tightly buttoned waistcoat.

Mathilde Lantier snorted. “You have only to observe how the mouth is of
a sympathy and the bosom of a tenderness to know!”

“Oh,” said Matilda, “excuse me!”

“And this,” continued the woman, “is just one of the so many books she
wrote. Ah, _ce roman dépeint une existence malheureuse d’artiste_!”

“C-o-n-s-u-e-l-o,” spelled Matilda, bending over the tattered cover.

“_C’est ça, ma cherie._”

“You talk funny, Grandma.”

The grandmother pointed to a line of faded script on the fly-leaf.
A long bony finger caressed each word as the foreign staccato of it
sharpened the air like thin music: “_Quand on a aimé un homme, il est
bien difficile d’aimer Dieu ... c’est si différent!_”

There was a silence in which the stately reveries and tingling regrets
of an old coquette mingled with the timid wonder of a child.

“She said truly,” sighed the withered woman at last, “too truly for
peace.”

“Peace?” asked the little girl, “and what is that, Grandma?”

“A thing a woman longs for but does not want, _ma petite fille_.”

Mathilde Gessler returned to Baltimore. A week later a telegram
came announcing her very sudden death. But she hadn’t quite died. A
goodly fraction of her alternately dreamed and despaired under the
olive-tinted skin of her granddaughter, and her granddaughter thought
at times she would die of it. And that wasn’t all. There was that
unholy booty from Nohant. Matilda longed to achieve the expression
which illumined the experienced features of the woman Delacroix
painted, and the unintelligible copy of _Consuelo_ with the scribbled
sentence on the fly-leaf finally drove her to the little college just
outside of Crittenden. It had been rumoured that French was taught
there.

Doctor Pusey, professor of Romance languages, was a retired
Presbyterian. He threw up his hands at mention of the lady’s name.
His attitude, combined with her dead grandmother’s enthusiasm, put
Matilda into a palpitation that drove her to the little college library
ransacking for information. One short paragraph in the encyclopedia
rewarded her:

Sand, George (1804-1876), the pseudonym of Madame Amandine Lucile
Aurore Dudevant, _née_ Dupin, the most prolific authoress in the
history of literature and unapproached among women novelists of
France. Her life was as strange and adventurous as any of her novels,
which for the most part are idealized versions of the multifarious
incidents of her life.

Matilda fumed at the inadequacy of it. It gave no clue as to why the
college curriculum had been cleansed of her. Of course there was that
reference to an adventurous life, but that might mean anything from tea
parties with kings to lions in Africa. And Delacroix had made her look
like a clever Madonna masquerading as a nobleman up to nothing more
damnable than courageous benevolences.

There came a day, thanks to old Pusey’s French exercises, when she
could spell her way through _Consuelo_ and make what was scrawled on
the fly-leaf her own. That sentence tormented Matilda like music which
must be experienced to be appreciated: “_Quand on a aimé un homme, il
est bien difficile d’aimer Dieu ... c’est si différent!_”

No wonder old Mathilde had looked a bit wan over that sentiment! But
before a woman could look wan like that she would have lived some
intoxicating moments in ballroom corners and rose arbours. Love ... it
would be slow and silken and happen in a far place. How fiercely and,
at times, almost resentfully Matilda envied this George Sand who could
be so flip about the love of God! She had more or less ceased envying
Mathilde Lantier. After all, that lady had in some subtle fashion wound
up in Crittenden.

Crittenden ... every harsh tight syllable of it made Matilda feel
manacled. Her history had run a quarter of a century and here she still
was loitering in the doorway of her father’s store while another girl’s
red heels made the minutes flash and click on Main Street. Of course,
before the sun shortened April another hour a thing would have happened
to her, too, but Matilda was not aware of this. She just stood there
in the doorway shifting her unhappy weight from one miserable foot to
the other and thought bitterly of all the drawing rooms she could make
historic if God would only stop being a Methodist.

Matilda snatched up a hat faded by last summer’s sun and walked
down a street paved with clay, past houses whose eaves were dripping
with sunlight to where a wet yellow road cut uncertainly through the
pastures. She walked until a rickety wooden bridge spanned Sandy Creek.
Matilda liked Sandy Creek. The willows that bent to it reminded her
of churchyards filled with people who had died loving one another. A
cottonwood or two dropped white fluff and it floated on the sluggish
water like tufts of foam. But the water wasn’t so sluggish this
morning. Last night’s rain made it behave like the brooks one read
about. Matilda leaned over the rachitic railing and looked at it.

If one had the nerve one could start being adventurous from this very
spot. All one would have to do would be to follow Sandy Creek as it
flowed through three great rivers and sprayed into a gulf on the brink
of which was a French town where dark men lurked passionately under
iron balconies.

Just then Matilda noticed something which disfigured the sandy
smoothness of the creek bank. Her fingers tightened resentfully on
the railing. It was so like any one of those people back there in
Crittenden to sacrifice beauty to the easiest way by dumping worn-out
shoes, broken bottles, and old papers off the only bridge within ten
miles! And there was something almost shamelessly revelatory about
such rubbish. Matilda leaned over and peered down at it. Well, of all
things! Somebody had tossed away his library, for edging the heap
were a half-dozen books, their backs broken and their tattered leaves
flapping hysterically in the wind. Matilda scrambled down and turned
over the mass with a stick. Her lip curled. They were well thrown
away--nothing but a lurid copy or two of the adventures of Nick Carter
and the pale experiences of Elsie Dinsmore. Just as she was about to
abandon the pile a name caught her eye. She snatched up the volume and
rubbed the black lettering with an unconvinced finger. It wasn’t merely
a coincidence. It was probably Providence warning her, or the shade of
the mad mistress of Nohant mockingly reminding her that the road to a
salon is paved with something more definite than intentions.

A man named Francis Gribble had been so intrigued by those daring feet
which had blazed the way to a high banned place that he had written a
volume about George Sand and Her Lovers and somebody in this town had
bought it--a woman, perhaps, who had glimpsed it in a window in a city
and to whom it had appealed as a Baedeker to romance intoxicatingly
beyond the stilted prelude to a husband and a family of children. And
she had tossed it away....

Matilda hurried home. And it was only the excessive brightness of the
sun that prevented her seeing a waistcoated shade striding gallantly
along beside her.

Once home, she locked the door of her room so she could have her
mythical headache in peace. She threw herself flat on the bed and was
oblivious to everything but a certain world compressed between those
two brown covers. One paragraph of the preface gave everything away.

Living in an extravagant age, George Sand gloried in her own
contributions to its extravagance. She not only lived her own life
but boldly asserted her right to do so. Her feeling was that when she
loved she was making history.

A pretty brazen creed for the timorous daughter of a sad little grocer
in a prairie town, but we must not forget that Matilda had inherited
a way of dreaming. That was why these words burned slogan-wise in her
brain after every other page was devoured and why at six o’clock the
following evening she was able to seize her opportunity by something
more than the tenuous tail of it as it whisked over her dazzled head.

The whole point about George Sand was that she would have got nowhere
if she had been content to be a home girl. The fact that she was
a descendant of kings and that a grisette gave birth to her in an
alcove adjoining a ballroom wouldn’t have availed her much had she not
answered when Paris called. She could have stayed down in the country,
being a dutiful wife to Casimir Dudevant until kingdom come and that
would have been all there was to it--no Latin Quarter to be free in, no
salons to dominate, no editors to cajole, no poet to be adored by--and
what woman doesn’t dream of being adored by one of the shallow ethereal
creatures? Then, too, George Sand had a sense of values. It would be
more interesting to coddle Chopin on an island than to keep Maurice and
Solange tidy at Nohant; so she up and had the courage of her romantic
convictions.

Just as the dawn was turning the blurred square of her window to rose
Matilda decided what she would do. She would go to a city, Chicago,
perhaps; change her name to Mathilde Lantier, and open a salon. She
might even write when she had lived long enough to have a viewpoint
about her lovers. In the meantime she would make a collection of bon
mots. To hear her one would think that opening a salon in Chicago was
as simple as setting up a millinery shop on Main Street at home.

The next day Matilda went about the detested store in a daze of
intrepid graciousness, and so hypnotized was she by her borrowed
boldness that she verily believed she was bringing something to pass.

When the school children trooped in at noon she tossed lemon drops
across the counter as if they were largesse. She sold farmhand overalls
with the charming condescension of a princess. A notoriously stingy old
fellow who “batched it” in a tumbledown cottage across the tracks came
in and bought china recklessly because Matilda’s way among the chipped
dusty cups was that of a hostess tendering a senator tea.

At six o’clock that evening it was her father who swung open the door
she dreamed of.

The four of them were at supper. The fat, hairy mother headed the
board like a pink general whose idea of relaxation is being as plump
as possible in a flowered wrapper. Her handsome son Fred sat there
glorying sullenly in a prowess which enabled him to juggle night
into day and make sibyls, sheriffs, virgins, and hoboes stand in awe
of him or succumb, as the case might be. There was Matilda herself,
hollow-eyed, brooding, with a heritage in her breast clamouring to be
aired and a book upstairs which was making her poignantly sure that
at last she had found a way up the hill. At the foot of everything
sat Franz, the grocer, who clung to the tangled faded ends of dreams
with the same kind of shamefaced pride that he clung to the last faint
fringe of his hair. He was gumptionless and meant too well for his own
good, but it was he who spoke.

“I’m thinkin’ of puttin’ in a line of fancy glassware and some
electrical stuff. We gotta be more modern.”

“A fool notion,” grunted Minnie Gessler.

“Go to it, Dad,” said Fred. “When you get the place fixed up maybe I’ll
clerk for you.”

“Where you plannin’ to get the truck?” asked Minnie, Fred’s interest
making her visibly weaken in favour of the proposition.

“Chicago,” confessed poor Franz, hanging his head.

“Well, you’re not goin’ traipsin’ off there and leave the store.
Runnin’ up and down those stairs would jest kill me ... my corns....”

“Fred’ll go,” decided her husband, growing sallower and stringier than
ever under her accusation and his own disappointment.

“And I’m going with him,” announced Matilda, clutching the tablecloth
between her knees with hands that tingled and trembled.

“For the land’s sakes, what for?”

“To buy hats,” said Franz, going white with inspiration. “I’m thinkin’
o’ puttin’ in a line o’ women’s hats.”

“Hats,” snorted Minnie, “in a grocery store!”

“It’s a general store,” he reminded her courageously, and his eyes
sought help from his daughter. But Matilda was silent. Gratitude and
pity choked her.

“I won’t have ’Tilda tagging me to Chicago,” objected Fred sourly.

Minnie Gessler became as alert as her bulk would permit. Suspicion
twitched at her features. It was one thing to give this beloved son the
trip he wanted but jeopardizing his purity might be another. Chicago
was sheer Babylon.

“Go ’long with him, ’Tildy,” she said, “and keep your eye on him.”

* * * * *

The train shuttled noisily through the windy dust of two states and
finally deposited them on the station platform in Chicago. A terrifying
kaleidoscope this platform. Was it possible for a city to be big enough
to supply destinations for all those people? Matilda clung to the arm
of her brother and was in despair about theirs. Fred hailed a taxi and
gave the chauffeur a number out on North Dearborn Street.

“What’s that?” asked Matilda timorously.

“Boarding house run by Old Lady Campbell. Clyde Eggers, the drummer,
told me about it. Said just to give his name and she’d treat us white.”

“How nice!” agreed Matilda meekly. Where had this uncouth brother of
hers kept all this unsuspected savoir faire? He didn’t know George
Sand from Adam, and yet he was the one who was brave and unabashed.
Matilda leaned back in the taxi, which was very swift and very yellow.
Time enough to check up on her own courage after the cinders were
washed off and she knew where she was.

They were dropped in front of a high narrow brownstone house. Flora
Campbell met them. She was a large imposing woman with coarse black
curly hair which she wore in a high chignon. A tight black-satin gown
accentuated the amplitude of her bust and the grotesque narrowness
of her hips. There was something innately gaudy about her which her
clothes barely hinted at. Notwithstanding her advanced ideas about
adventure, Matilda would have been shocked had she even so much as
suspected what her prospective landlady had been through. Carl Eggers,
the drummer, knew by what perilous, unconventional steps Flora Campbell
had finally arrived at this boarding house--the genteel goal of her
dreams. And, in spite of the flagrant past of its mistress, it had
turned out to be the most respectable of boarding houses. The only
off-colour thing about the establishment was the violent toilettes of
the owner herself, but she was complacently confident that she dressed
as all dignified matrons must eventually dress.

She eyed Matilda and Fred proprietarily.

“So you’re friends o’ Clyde’s from Crittenden! Glad to take care o’
you. I have only the nicest people. People like Mr. Goodwillie who is
at Field’s, Mrs. Kelsey whose daughter paints, and Mr. Eugene Walter
who writes.”

“Writes?” asked Matilda, hypnotized by Mrs. Campbell’s tone.

“Yes,” answered Flora importantly, “books in his room.”

Matilda turned to Fred. “We’ll stay, won’t we?” she asked timidly.

“’Spose so,” grunted Fred. He didn’t much care where he slept.

They stayed a week. Matilda helped Fred with his buying and spent
the rest of her time poking purposelessly in and out of the stores
on State Street and gazing despairingly at the flashing modishness
of the boulevard. She could fairly feel herself shrinking under the
expensively turned out gaiety of the city, so impersonally musical and
so inexorably full of motion!

The boarding house hadn’t been a success either. Mr Goodwillie turned
out to be an amiable old bore with a manner which was a courtly
hang-over from his floorwalking days. Mrs. Kelsey was a plump gray
woman whose only claim to distinction was a lorgnette on a silver
chain studded with amethysts, and a daughter who studied at the Art
Institute. Enid Kelsey was a yellow-haired, green-eyed, freckled little
creature with a large shapely mouth full of white teeth. She and the
young man who wrote books in his room seemed to have a great deal in
common.

Eugene Walter was tall, lank, and mouse-haired. He had an Adam’s
apple and blue eyes that twinkled behind horn-rimmed glasses. He
seemed to have unlimited leisure. Matilda wondered when he wrote his
books, but the mere fact that it had been said that he wrote them was
glamorous enough. Mr. Walter was anything but an Apollo; but even
the irresistible George Sand had had to make a choice between beauty
and genius. There had been that lover of hers, Michel de Bourges. He
must have been queer enough with his shrunken body and his unwieldy
head several sizes too large for him. And yet in spite of Matilda’s
willingness to overlook his lack of pulchritude, Mr. Walter continued
to ignore her. The only person in the house who noticed Matilda was a
Miss Slattery who taught English somewhere and she was acidly superior
to everything but hot water and the Elizabethans. The week wore on.
Fred was out every night. Matilda smelled whisky on his breath and once
she surprised him amorously counting a roll of dirty greenbacks. Had he
gambled and won? He apparently had. Matilda sighed. Fred, as usual, was
making his dreams come true.

It was Monday evening. Matilda and Fred were due to start back to
Crittenden in the morning. They were sitting in the parlour. Enid was
playing the piano, and Eugene Walter was hanging loosely over her.
Matilda watched them narrowly and bitterly. That giggling little blonde
was monopolizing the only male in the room worth talking to, while she,
Matilda Gessler, the granddaughter of a certain not inconsiderable
French coquette, was forced to sit moping beside a brother whose mind
was busy with exploits which he meant to turn into cash or kisses.

Why hadn’t Eugene Walter noticed her? God knows, it only needed
one warm word or a bent look to make all her stifled vividness leap
into flower. She could be ten times more arresting than that stupid
flaxen-topped creature who used her gleaming teeth to make up for her
lack of brains. What was the matter?

And then a strip of iridescent silk slipping from a white shoulder
made her divine the truth with devastating thoroughness. It was the
clothes. She leaned forward, studying her rival from a purely sartorial
angle. She _was_ effective in spite of her freckled skin and turned-up
nose. The green gown emphasized the emerald lights in her eyes. Gold
banded her hips, and a large cornelian made a splash of flame against
her breast. Matilda looked down and fingered her own brown serge
disgustedly. Why had she been so blind? She gritted her teeth. Then
her hot rage cooled into a resolve. She wouldn’t let her French blood
go to waste. She would warm it yet or know the reason why. There was a
woman once who charmed a romantic doctor out of Venice by the velvet
eccentricity of her attire.

“I’m not going back to Crittenden,” announced Matilda with soft
suddenness.

“Gee!” he whistled. “What’s the big idea?”

“I’m going to stay here and be an authoress.”

“Like fun you are.”

“Yes,” said Matilda, and wondered why more people didn’t lie for the
sheer intoxication of it. It could miraculously commit one to anything.
“Yes,” continued Matilda, “Dad will miss me. Mother won’t like it, but
you must lend me two hundred dollars.” She held out her hand.

Fred shifted his gum from one cheek to the other. He chewed peppermint
gum so that his sister would not detect the odour of liquor on his
breath.

“I ain’t got any money,” he said sullenly.

“Yes, you have. I saw you pull a roll of it out of your pocket. You
must lend it to me. If you don’t I’ll write the folks what you’ve been
up to. Mother’d be furious if she knew you drank and gambled. She’d
take the car away from you.”

Poor Fred looked shaken. Life in Crittenden without that Ford would be
awful. They had sent Matilda to Chicago to spy on him and this was the
result.

“Two hundred,” insisted Matilda ominously.

He squirmed miserably as he counted the money into her palm.

The next afternoon Matilda’s locks made a dark swirling island on the
floor of a State Street barber shop. Then a department store claimed
her. She could imitate George Sand’s haircut but the waistcoat was
another matter. Something intuitive counselled her that if she didn’t
dare be mannish she must be as feminine as possible. So she bought a
dinner gown of flame-coloured crêpe de chine. To this she added a long
swathing kind of cape and a pair of black-satin pumps buckled in gold.

She spent a whole hour before dinner nerving herself to the point of
slipping that sheath of ignescent silk over her cropped head. She
finally surveyed herself in the mirror and was panic stricken at what
she saw. She was too lithe, almost colubrine, and every inch of her
from shoulder to knee cap looked on fire. She cooled herself at a
window and then returned to the mirror practising nonchalance. How
broad and white her back was! But would George Sand have hesitated
knowing that she was probably beautiful? Matilda shuddered and snatched
up a long black motor veil from a hook. It would do duty as a scarf.
She would let her shoulders slide out by inches.

Matilda slipped into her seat at table and nervously attacked her soup.
She did not raise her head. She felt that the least motion on her part
would ignite a neighbour. Mr. Goodwillie coughed, and Miss Slattery
sniffed. It was over the last spoonful of bread pudding that she caught
Eugene Walter’s eyes fixed upon her. Flora Campbell gave the signal to
rise. Mr. Goodwillie ceremoniously escorted her into the parlour.

“Very tasty ... that frock. Going to the theatre?”

“No,” she answered, “I just got tired wearing that stuffy serge.”

“One does,” agreed Mr. Goodwillie stiltedly, seating her on the sofa.

Enid floated to her place at the piano, where she postured and shook
her flaxen halo in vain. Mr. Walter was not disposed to lean over her
to-night. He sat gazing at a herd of fluffy sheep framed in hard gold
which was suspended over Matilda’s head. Miss Slattery glared at her
over the flapping pages of a woman’s magazine. Mrs. Kelsey inspected
her through her lorgnette. They both left the room. After strumming
fruitlessly on the piano for awhile, Enid whirled and murmured
something about being bored and drifted out, leaving a faint odour of
lilies of the valley.

Matilda sank into a silence so absolute that even the brook-like
garrulity of the loquacious Goodwillie could not weather it, and so he,
too, rose and left.

It was nine-thirty.

She and Eugene Walter avoided looking at each other. It was as if they
wordlessly conspired to rid themselves of the others and now that they
were alone it was meet and proper they should sit there in a moment’s
decent silence and not gloat. He advanced finally and stood in front of
her, his eyes still on the white animals huddled under a white storm.

“I wonder,” and he did not succeed in making his voice casual, “why
artists paint sheep? Inane things.”

“Isn’t that the trouble with everything?” asked Matilda heavily.

“That gown isn’t inane. It’s gorgeous.” And he gave her a direct look.

“I was so sick of that old serge,” she said weakly, drawing the veil
about her shoulders a shade more tightly.

He sat down beside her and gave the veil a little pull which exposed
one shoulder. It glistened in the light like marble and made her feel
like a Diana submitting to the brazen teasing of a satyr. “You’ve no
right ...” she murmured.

“You’ve no right to cover up such eburnean loveliness,” he whispered.

Eburnean? What was that? Her whole being wondered what it meant and it
thrilled her because she did not know.

“Take that funereal rag off,” he said pettishly twitching the veil.

“I feel funereal,” she said, despondent once more at his touch.

“Why?” he asked, his hand barely touching her knee.

“Because I’ve been in Chicago a whole week and nothing has happened.”

“Doesn’t eating dinner in the presence of a novelist thrill you?”

“It did at first,” she admitted ruefully.

“Well, you thrill me in that gown. You’re epical.”

Matilda gasped. He talked like a book. She became suddenly oblivious
to Eugene Walter’s Adam’s apple, his pasty pallor, and the clamminess
of his fingers as they caressed her elbow. She glowed under his
elaborate infatuation and told him everything. More than everything.

She told him about her French grandmother who had jilted a title to
follow an adventurous lover to Baltimore; how she herself lived in a
copy of a French château surrounded by a vast western garden; about her
father who sat all day in his tapestried library, reading Balzac. She
told him about her majestic mother who sceptred it over everybody and
dispensed formidable charity to a grateful countryside. But she did not
dare refer to the one thing that would have impressed Eugene Walter
more than all her guilty exaggerations. She did not dare refer to her
grandmother’s momentous interview with the famous chatelaine of Nohant;
for to have brought Madame Sand into it would have in some subtle
fashion given her own secret away. Therefore, there was nothing for it
but to gild everything else.

At midnight Eugene Walter stooped and gallantly kissed her hand.

“Good-night, Egeria,” he whispered, and his eyes were two promises
lighting her up the darkened stairs.

Matilda tottered happily to her room. She had been flattered for over
two hours in words five syllables long, and her adroit fictions had
enabled her to measure up to the flame of her gown. And he had called
her Egeria. That sounded involved and classical. Just who was this
divinity? Some goddess, perhaps, who had turned Mount Olympus upside
down by appearing on it attired in a crimson tunic.

Matilda hung her own bright gown caressingly away in the closet and
tumbled into bed too stirred for sleep. This was it. This was the
beginning. George Sand herself had probably hung around Paris a week or
two before Sandeau noticed her. And hadn’t Eugene promised to introduce
her to his crowd and dedicate his novel to _Mathilde_ Gessler? And out
there among those powerful literary friends of his perhaps there was a
poet whose hands were not moist and who looked like Byron.

* * * * *

Matilda Gessler and Eugene Walter stole out every night after dinner.
She descended Flora Campbell’s stairs in scarlet silk with the long
dark cape wrapped romantically about her. They wandered along the shore
of the Lake, and while the spray misted the sidewalk with pearl, he
concealed the thinness of his soul under trappings borrowed from Oscar
Wilde. Occasionally he stepped back and allowed Swinburne to make love
to Matilda. And Matilda was satisfied.

Once when a scimitar-shaped moon cut the wet purple clouds with silver,
Eugene wound his long arms about Matilda and kissed her on the mouth.
His lips were thin and cold and savoured in some ridiculous fashion
of bitter tea. She very nearly cried out against she knew not what,
but ten minutes later the old complacency came surging back when he
murmured in her ear, “_Ma Mathilde ... Ma belle ... Ma princesse
adorée._”

French! How many generations of dark heads in France had dropped to
catch the flattering music of those very words! Just so De Musset must
have apostrophized George Sand....

Every night it was the same. Once she hinted that it was time to invade
that literary circle of his, but he passionately flouted the idea. He
must keep her to himself awhile, for all too soon the clamouring world
would claim her. This made Matilda prey to conflicting emotions. She
wanted above everything to feel the world under her feet, but the only
way of getting it there seemed to be via somebody’s arms--somebody
whose head was above the horizon. Ah, yes, she would marry Eugene when
he asked her and then slip from one pair of arms to another until....

And so it was that they strolled every night by poetic water, and when
she wearied of the interminable contacts that got nowhere he would lure
her back by a quotation.

It was two o’clock in the morning, Eugene had preceded her up the damp
stairs. Matilda had taken off her shoes so that she could steal up
in noiseless security. Just as she was turning to tiptoe down to her
room, she felt a soft plump hand on her shoulder. She turned sharply,
suppressing a scream. It was Flora Campbell in a sky-blue kimono
latticed with yellow roses. “Come into my room,” she hissed, the gold
in her teeth gleaming.

Matilda mutely allowed herself to be propelled into a tiny alcove
garishly ruffled in pink cretonne and stuffed with bird’s-eye maple.

“Sit down, miss,” ordered Flora, shoving a low stool toward her.

Mathilda took it heavily, although she had no intention of doing so.
Flora remained standing, her two hands ruthlessly crushing the blossoms
on her hips.

“I ran a decent house until you came, miss,” she accused shrilly. “I’ve
had complaints.”

“Complaints,” hazarded poor Mathilda, “what are those?”

“Do you mean to sit down there and tell me that you can dress yourself
up in flashy low-necks and sit in my parlour and make eyes at my
best-paying boarder and philander on park benches with him until two in
the morning and then pretend you don’t know what I mean when I say I’ve
had complaints?”

“I don’t,” answered Matilda, her lips trembling childishly. Oh, it was
dreadful being pushed into this horrible pink place minus the dignity
of shoes and to be hissed at by this awful harpy in a terrible wrapper!

“You can’t put over any of that big-eyed innocent stuff on me. I ain’t
lived fifty-seven years for nothing. I’ll give you until to-morrow to
pack and find a new place.”

“Who--who complained about me?” quavered Matilda.

“Everybody,” replied Flora cryptically. “There’s that sweet little Enid
Kelsey. What kind of an example are you for her, I’d like to know? And
Miss Slattery can’t bear the sight of that red dress and she’s been
with me five years.”

“But,” objected Matilda faintly, “there’s Mr. Walter. He was out, too.”

“He’s a man. I never interfere with what they do. Besides, he was
friendly with that Kelsey kid and going to bed at ten until you came
along. Why should I turn him out?”

Why, indeed? Matilda rose. “Good-night,” she said succinctly and opened
the door.

“If I was you,” warned Flora, “I’d reform. Men don’t marry light women.”

Matilda did not reply to this excellent advice. It was doubtful if she
heard it. Her head hummed and something in her throat whirred. Once in
her room, she threw herself full length across the bed and sobbed. She
didn’t weep because she felt guilty. She wept because the vulgar words
of that coarse woman had pounded her brilliant conception of herself
into the dust. It was like seeing a beloved rose go worm-eaten--to
have her dream go like that. She wasn’t in love with Eugene. It was
more tragic than that. She was still in her Crittenden cage. A bar
would have to be broken, and she had counted on Eugene’s ardour. He
represented her only way out. Once out, there would be countless hands
to help her up. And now she was about to be driven into the street
like the scarlet-lettered women one read about. How had George Sand
managed things? How would she have managed an irate landlady? Well, she
was done for ... done for.... Then a ray of hope filtered through the
gloom. She had one more night.

She would put Eugene to the test. He adored her. He had said so over
and over until her ears ached with it. Confronted with the possibility
of losing her, he would make something happen--something that would
make it radiantly unnecessary to return to Crittenden.

Matilda slept finally--slept across her bed in wrinkled crêpe de chine
while a noisy gas jet drew the hot yellow walls together....

When she awoke it was past noon. Her temples throbbed and her gown
was a wreck, but that didn’t matter. Eugene would be glad to take
her, headache and all, in her old serge; for deep down inside Matilda
Gessler there was an inherited technic which up until now she had not
been stirred enough to use. She would use it now. She would return
Eugene’s kisses. Perhaps she would find herself in love with Eugene if
she returned one of his kisses, and then she, too, would be entitled to
feel that, “_Quand on a aimé un homme, il est bien difficile d’aimer
Dieu ... c’est si différent!_”

Matilda hummed under her breath as she crammed her dingy wardrobe into
a wicker suitcase.

At six o’clock Matilda stole out and ate a hasty sandwich in the little
white-tiled lunch room around the corner. She would have died rather
than face the polite hostility in Flora Campbell’s dining room. At
six-thirty she slipped back into the front hall. Uncertainty assailed
her and made her cheeks tingle with something not unlike shame. If only
Eugene would appear and they could unobtrusively slip out together!
She smiled as she visualized his probable uneasiness about her
non-appearance at dinner. He might even omit pudding and rush out.

She wavered there at the foot of the stairs, her breath shortening and
thickening in her throat.

Then the portières between the parlour and the hall parted. Enid
appeared muffled to the chin in a green-velvet cape edged with soft
gray fur. Over the top of her spiralling mop of hair towered Eugene
Walter. Matilda gasped and her despair sharpened. It was wretchedly
evident that in the glow of Enid’s pride in being reappropriated by
him and under the unbearable intensity of her own need of him, Eugene
Walter had taken on some of the remote perfection of an Adonis and the
poetic dignity of a Galahad. He paused in front of the rack and took
down his hat--the very hat that had lain crushed between them last
night on that bench by the Lake when he had all but promised her the
Mediterranean. Matilda made a brown blot against the wall and somehow
managed to ascend three steps.

“If there isn’t Miss Gessler!” lilted Enid, nudging Eugene. Matilda
turned and looked unseeingly down into their faces. She felt curiously
like a person who had died and after a fitting funeral had had the bad
taste to come back to life.

“We thought you’d gone,” said Enid, balancing her fairy proportions
against her escort.

“I’m going,” apologized Matilda dully, “in the morning.”

“How distressing!” exclaimed Eugene nervously, twirling his hat.

“How funny!” chanted Enid, laying her white fingers on his sleeve.

“Is there anything I can do?” he said with that cool, impersonal
courtesy which is not meant to be taken advantage of.

“No, thank you,” answered Matilda mechanically, heavily, mounting
another step.

“Good-bye then, _Mathilde_ ... and good luck!” he called up to her,
feigning a casualness he clearly did not feel. He made a forward motion
as if to take her hand, but Enid with birdlike deftness fluttered in
front of him and sank gracefully down on the bottom step.

“My slipper’s unfastened,” she murmured.

He knelt and took the slender golden foot in his hand.

Matilda gained the upper hall. Just as she turned to enter her room she
glimpsed Flora’s coloured bulk in close communion with Mrs. Kelsey’s
gray dumpiness. Matilda clenched her fists. How fast they must have
tossed her name about at dinner and with what eager celerity they must
have sprayed it with venom! And there was Eugene. How easily he was
filling the gap between dessert and bedtime with the fluffy green and
gold that was Enid! And yet if those two hens had held their tongues
she might have....

Matilda sank down in the darkness beside her window and leaned her
forehead against the sooty glass. Paint peeling from clapboards, pork
fat congealing on thick china, dust sifting through the vulgar meshes
of coarse lace curtains, smells crowding one another through the damp
tumult of the store, bolts of cross-barred gingham stuffily waiting
to become high-necked dresses, two books and a picture under a pile
of cotton chemises reminding one of freedoms taken in silk ... this
was what she was doomed to return to. Matilda writhed there beside the
window on the other side of which a city went adventuring without her.
She even cried out to her mother’s Methodist God.

Then something seemed to materialize close beside her--something that
laid a cool shadowy hand upon her shoulder and brushed its dark velvet
waistcoat against her cheek. For one ghostly moment she believed that
she was her grandmother being comforted at Nohant. Then she looked
up. It was as if she were aware of eyes ... mocking at first and then
softly united with hers.

They sat there for hours grimly enjoying an old disillusionment
together.

THE END

Transcriber’s Notes

• Italic text represented with surrounding _underscores_.

• Small capitals converted to ALL CAPS.

• Obvious typograpic errors silently corrected.

• Variations in hyphenation, spelling, and word choice kept as in the
original. (Some words seem like obvious errors, but the
transcriber has compared the reprinted text here with the original
publications, and the book accurately reproduced the originals.)

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