The Project Gutenberg EBook of A. V. Laider, by Max Beerbohm
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: A. V. Laider
Author: Max Beerbohm
Posting Date: July 23, 2008 [EBook #761]
Release Date: December, 1996
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK A. V. LAIDER ***
Produced by Judith Boss
A. V. Laider
By
MAX BEERBOHM
I unpacked my things and went down to await luncheon.
It was good to be here again in this little old sleepy hostel by the
sea. Hostel I say, though it spelt itself without an "s" and even
placed a circumflex above the "o." It made no other pretension. It
was very cozy indeed.
I had been here just a year before, in mid-February, after an attack of
influenza. And now I had returned, after an attack of influenza.
Nothing was changed. It had been raining when I left, and the
waiter--there was but a single, a very old waiter--had told me it was
only a shower. That waiter was still here, not a day older. And the
shower had not ceased.
Steadfastly it fell on to the sands, steadfastly into the iron-gray
sea. I stood looking out at it from the windows of the hall, admiring
it very much. There seemed to be little else to do. What little there
was I did. I mastered the contents of a blue hand-bill which, pinned
to the wall just beneath the framed engraving of Queen Victoria's
Coronation, gave token of a concert that was to be held--or, rather,
was to have been held some weeks ago--in the town hall for the benefit
of the Life-Boat Fund. I looked at the barometer, tapped it, was not
the wiser. I wandered to the letter-board.
These letter-boards always fascinate me. Usually some two or three of
the envelops stuck into the cross-garterings have a certain newness and
freshness. They seem sure they will yet be claimed. Why not? Why
SHOULDN'T John Doe, Esq., or Mrs. Richard Roe turn up at any moment? I
do not know. I can only say that nothing in the world seems to me more
unlikely. Thus it is that these young bright envelops touch my heart
even more than do their dusty and sallowed seniors. Sour resignation
is less touching than impatience for what will not be, than the
eagerness that has to wane and wither. Soured beyond measure these old
envelops are. They are not nearly so nice as they should be to the
young ones. They lose no chance of sneering and discouraging. Such
dialogues as this are only too frequent:
A Very Young Envelop: Something in me whispers that he will come to-day!
A Very Old Envelop: He? Well, that's good! Ha, ha, ha! Why didn't he
come last week, when YOU came? What reason have you for supposing
he'll ever come now? It isn't as if he were a frequenter of the place.
He's never been here. His name is utterly unknown here. You don't
suppose he's coming on the chance of finding YOU?
A. V. Y. E.: It may seem silly, but--something in me whispers--
A. V. O. E.: Something in YOU? One has only to look at you to see
there's nothing in you but a note scribbled to him by a cousin. Look
at ME! There are three sheets, closely written, in ME. The lady to
whom I am addressed--
A. V. Y. E.: Yes, sir, yes; you told me all about her yesterday.
A. V. O. E.: And I shall do so to-day and to-morrow and every day and
all day long. That young lady was a widow. She stayed here many
times. She was delicate, and the air suited her. She was poor, and
the tariff was just within her means. She was lonely, and had need of
love. I have in me for her a passionate avowal and strictly honorable
proposal, written to her, after many rough copies, by a gentleman who
had made her acquaintance under this very roof. He was rich, he was
charming, he was in the prime of life. He had asked if he might write
to her. She had flutteringly granted his request. He posted me to her
the day after his return to London. I looked forward to being torn
open by her. I was very sure she would wear me and my contents next to
her bosom. She was gone. She had left no address. She never
returned. This I tell you, and shall continue to tell you, not because
I want any of your callow sympathy,--no, THANK you!--but that you may
judge how much less than slight are the probabilities that you
yourself--
But my reader has overheard these dialogues as often as I. He wants to
know what was odd about this particular letter-board before which I was
standing. At first glance I saw nothing odd about it. But presently I
distinguished a handwriting that was vaguely familiar. It was mine. I
stared, I wondered. There is always a slight shock in seeing an
envelop of one's own after it has gone through the post. It looks as
if it had gone through so much. But this was the first time I had ever
seen an envelop of mine eating its heart out in bondage on a
letter-board. This was outrageous. This was hardly to be believed.
Sheer kindness had impelled me to write to "A. V. Laider, Esq.," and
this was the result! I hadn't minded receiving no answer. Only now,
indeed, did I remember that I hadn't received one. In multitudinous
London the memory of A. V. Laider and his trouble had soon passed from
my mind. But--well, what a lesson not to go out of one's way to write
to casual acquaintances!
My envelop seemed not to recognize me as its writer. Its gaze was the
more piteous for being blank. Even so had I once been gazed at by a
dog that I had lost and, after many days, found in the Battersea Home.
"I don't know who you are, but, whoever you are, claim me, take me out
of this!" That was my dog's appeal. This was the appeal of my envelop.
I raised my hand to the letter-board, meaning to effect a swift and
lawless rescue, but paused at sound of a footstep behind me. The old
waiter had come to tell me that my luncheon was ready. I followed him
out of the hall, not, however, without a bright glance across my
shoulder to reassure the little captive that I should come back.
I had the sharp appetite of the convalescent, and this the sea air had
whetted already to a finer edge. In touch with a dozen oysters, and
with stout, I soon shed away the unreasoning anger I had felt against
A. V. Laider. I became merely sorry for him that he had not received
a letter which might perhaps have comforted him. In touch with
cutlets, I felt how sorely he had needed comfort. And anon, by the big
bright fireside of that small dark smoking-room where, a year ago, on
the last evening of my stay here, he and I had at length spoken to each
other, I reviewed in detail the tragic experience he had told me; and I
simply reveled in reminiscent sympathy with him.
A. V. LAIDER--I had looked him up in the visitors'-book on the night of
his arrival. I myself had arrived the day before, and had been rather
sorry there was no one else staying here. A convalescent by the sea
likes to have some one to observe, to wonder about, at meal-time. I
was glad when, on my second evening, I found seated at the table
opposite to mine another guest. I was the gladder because he was just
the right kind of guest. He was enigmatic. By this I mean that he did
not look soldierly or financial or artistic or anything definite at
all. He offered a clean slate for speculation. And, thank heaven! he
evidently wasn't going to spoil the fun by engaging me in conversation
later on. A decently unsociable man, anxious to be left alone.
The heartiness of his appetite, in contrast with his extreme fragility
of aspect and limpness of demeanor, assured me that he, too, had just
had influenza. I liked him for that. Now and again our eyes met and
were instantly parted. We managed, as a rule, to observe each other
indirectly. I was sure it was not merely because he had been ill that
he looked interesting. Nor did it seem to me that a spiritual
melancholy, though I imagined him sad at the best of times, was his
sole asset. I conjectured that he was clever. I thought he might also
be imaginative. At first glance I had mistrusted him. A shock of
white hair, combined with a young face and dark eyebrows, does somehow
make a man look like a charlatan. But it is foolish to be guided by an
accident of color. I had soon rejected my first impression of my
fellow-diner. I found him very sympathetic.
Anywhere but in England it would be impossible for two solitary men,
howsoever much reduced by influenza, to spend five or six days in the
same hostel and not exchange a single word. That is one of the charms
of England. Had Laider and I been born and bred in any other land than
Eng we should have become acquainted before the end of our first
evening in the small smoking-room, and have found ourselves irrevocably
committed to go on talking to each other throughout the rest of our
visit. We might, it is true, have happened to like each other more
than any one we had ever met. This off chance may have occurred to us
both. But it counted for nothing against the certain surrender of
quietude and liberty. We slightly bowed to each other as we entered or
left the dining-room or smoking-room, and as we met on the wide-spread
sands or in the shop that had a small and faded circulating library.
That was all. Our mutual aloofness was a positive bond between us.
Had he been much older than I, the responsibility for our silence would
of course have been his alone. But he was not, I judged, more than
five or six years ahead of me, and thus I might without impropriety
have taken it on myself to perform that hard and perilous feat which
English people call, with a shiver, "breaking the ice." He had reason,
therefore, to be as grateful to me as I to him. Each of us, not the
less frankly because silently, recognized his obligation to the other.
And when, on the last evening of my stay, the ice actually was broken
there was no ill-will between us: neither of us was to blame.
It was a Sunday evening. I had been out for a long last walk and had
come in very late to dinner. Laider had left his table almost directly
after I sat down to mine. When I entered the smoking-room I found him
reading a weekly review which I had bought the day before. It was a
crisis. He could not silently offer nor could I have silently
accepted, six-pence. It was a crisis. We faced it like men. He made,
by word of mouth, a graceful apology. Verbally, not by signs, I
besought him to go on reading. But this, of course, was a vain counsel
of perfection. The social code forced us to talk now. We obeyed it
like men. To reassure him that our position was not so desperate as it
might seem, I took the earliest opportunity to mention that I was going
away early next morning. In the tone of his "Oh, are you?" he tried
bravely to imply that he was sorry, even now, to hear that. In a way,
perhaps, he really was sorry. We had got on so well together, he and
I. Nothing could efface the memory of that. Nay, we seemed to be
hitting it off even now. Influenza was not our sole theme. We passed
from that to the aforesaid weekly review, and to a correspondence that
was raging therein on faith and reason.
This correspondence had now reached its fourth and penultimate
stage--its Australian stage. It is hard to see why these
correspondences spring up; one only knows that they do spring up,
suddenly, like street crowds. There comes, it would seem, a moment
when the whole English-speaking race is unconsciously bursting to have
its say about some one thing--the split infinitive, or the habits of
migratory birds, or faith and reason, or what-not. Whatever weekly
review happens at such a moment to contain a reference, however remote,
to the theme in question reaps the storm. Gusts of letters come in
from all corners of the British Isles. These are presently reinforced
by Canada in full blast. A few weeks later the Anglo-Indians weigh in.
In due course we have the help of our Australian cousins. By that
time, however, we of the mother country have got our second wind, and
so determined are we to make the most of it that at last even the
editor suddenly loses patience and says, "This correspondence must now
cease.--Ed." and wonders why on earth he ever allowed anything so
tedious and idiotic to begin.
I pointed out to Laider one of the Australian letters that had
especially pleased me in the current issue. It was from "A Melbourne
Man," and was of the abrupt kind which declares that "all your
correspondents have been groping in the dark" and then settles the
whole matter in one short sharp flash. The flash in this instance was
"Reason is faith, faith reason--that is all we know on earth and all we
need to know." The writer then inclosed his card and was, etc., "A
Melbourne Man." I said to Laider how very restful it was, after
influenza, to read anything that meant nothing whatsoever. Laider was
inclined to take the letter more seriously than I, and to be mildly
metaphysical. I said that for me faith and reason were two separate
things, and as I am no good at metaphysics, however mild, I offered a
definite example, to coax the talk on to ground where I should be safer.
"Palmistry, for example," I said. "Deep down in my heart I believe in
palmistry."
Laider turned in his chair.
"You believe in palmistry?"
I hesitated.
"Yes, somehow I do. Why? I haven't the slightest notion. I can give
myself all sorts of reasons for laughing it to scorn. My common sense
utterly rejects it. Of course the shape of the hand means something,
is more or less an index of character. But the idea that my past and
future are neatly mapped out on my palms--" I shrugged my shoulders.
"You don't like that idea?" asked Laider in his gentle, rather academic
voice.
"I only say it's a grotesque idea."
"Yet you do believe in it?"
"I've a grotesque belief in it, yes."
"Are you sure your reason for calling this idea 'grotesque' isn't
merely that you dislike it?"
"Well," I said, with the thrilling hope that he was a companion in
absurdity, "doesn't it seem grotesque to you?"
"It seems strange."
"You believe in it?"
"Oh, absolutely."
"Hurrah!"
He smiled at my pleasure, and I, at the risk of reentanglement in
metaphysics, claimed him as standing shoulder to shoulder with me
against "A Melbourne Man." This claim he gently disputed.
"You may think me very prosaic," he said, "but I can't believe without
evidence."
"Well, I'm equally prosaic and equally at a disadvantage: I can't take
my own belief as evidence, and I've no other evidence to go on."
He asked me if I had ever made a study of palmistry. I said I had read
one of Desbarolles's books years ago, and one of Heron-Allen's. But,
he asked, had I tried to test them by the lines on my own hands or on
the hands of my friends? I confessed that my actual practice in
palmistry had been of a merely passive kind--the prompt extension of my
palm to any one who would be so good as to "read" it and truckle for a
few minutes to my egoism. (I hoped Laider might do this.)
"Then I almost wonder," he said, with his sad smile, "that you haven't
lost your belief, after all the nonsense you must have heard. There
are so many young girls who go in for palmistry. I am sure all the
five foolish virgins were 'awfully keen on it' and used to say, 'You
can be led, but not driven,' and, 'You are likely to have a serious
illness between the ages of forty and forty-five,' and, 'You are by
nature rather lazy, but can be very energetic by fits and starts.' And
most of the professionals, I'm told, are as silly as the young girls."
For the honor of the profession, I named three practitioners whom I had
found really good at reading character. He asked whether any of them
had been right about past events. I confessed that, as a matter of
fact, all three of them had been right in the main. This seemed to
amuse him. He asked whether any of them had predicted anything which
had since come true. I confessed that all three had predicted that I
should do several things which I had since done rather unexpectedly.
He asked if I didn't accept this as, at any rate, a scrap of evidence.
I said I could only regard it as a fluke--a rather remarkable fluke.
The superiority of his sad smile was beginning to get on my nerves. I
wanted him to see that he was as absurd as I.
"Suppose," I said--"suppose, for the sake of argument, that you and I
are nothing but helpless automata created to do just this and that, and
to have just that and this done to us. Suppose, in fact, we HAVEN'T
any free will whatsoever. Is it likely or conceivable that the Power
which fashioned us would take the trouble to jot down in cipher on our
hands just what was in store for us?"
Laider did not answer this question; he did but annoyingly ask me
another.
"You believe in free will?"
"Yes, of course. I'll be hanged if I'm an automaton."
"And you believe in free will just as in palmistry--without any reason?"
"Oh, no. Everything points to our having free will."
"Everything? What, for instance?"
This rather cornered me. I dodged out, as lightly as I could, by
saying:
"I suppose YOU would say it's written in my hand that I should be a
believer in free will."
"Ah, I've no doubt it is."
I held out my palms. But, to my great disappointment, he looked
quickly away from them. He had ceased to smile. There was agitation
in his voice as he explained that he never looked at people's hands
now. "Never now--never again." He shook his head as though to beat
off some memory.
I was much embarrassed by my indiscretion. I hastened to tide over the
awkward moment by saying that if _I_ could read hands I wouldn't, for
fear of the awful things I might see there.
"Awful things, yes," he whispered, nodding at the fire.
"Not," I said in self-defense, "that there's anything very awful, so
far as I know, to be read in MY hands."
He turned his gaze from the fire to me.
"You aren't a murderer, for example?"
"Oh, no," I replied, with a nervous laugh.
"_I_ am."
This was a more than awkward, it was a painful, moment for me; and I am
afraid I must have started or winced, for he instantly begged my pardon.
"I don't know," he exclaimed, "why I said it. I'm usually a very
reticent man. But sometimes--" He pressed his brow. "What you must
think of me!"
I begged him to dismiss the matter from his mind.
"It's very good of you to say that; but--I've placed myself as well as
you in a false position. I ask you to believe that I'm not the sort of
man who is 'wanted' or ever was 'wanted' by the police. I should be
bowed out of any police-station at which I gave myself up. I'm not a
murderer in any bald sense of the word. No."
My face must have perceptibly brightened, for, "Ah," he said, "don't
imagine I'm not a murderer at all. Morally, I am." He looked at the
clock. I pointed out that the night was young. He assured me that his
story was not a long one. I assured him that I hoped it was. He said
I was very kind. I denied this. He warned me that what he had to tell
might rather tend to stiffen my unwilling faith in palmistry, and to
shake my opposite and cherished faith in free will. I said, "Never
mind." He stretched his hands pensively toward the fire. I settled
myself back in my chair.
"My hands," he said, staring at the backs of them, "are the hands of a
very weak man. I dare say you know enough of palmistry to see that for
yourself. You notice the slightness of the thumbs and of he two
'little' fingers. They are the hands of a weak and over-sensitive
man--a man without confidence, a man who would certainly waver in an
emergency. Rather Hamletish hands," he mused. "And I'm like Hamlet in
other respects, too: I'm no fool, and I've rather a noble disposition,
and I'm unlucky. But Hamlet was luckier than I in one thing: he was a
murderer by accident, whereas the murders that I committed one day
fourteen years ago--for I must tell you it wasn't one murder, but many
murders that I committed--were all of them due to the wretched inherent
weakness of my own wretched self.
"I was twenty-six--no, twenty-seven years old, and rather a nondescript
person, as I am now. I was supposed to have been called to the bar.
In fact, I believe I HAD been called to the bar. I hadn't listened to
the call. I never intended to practise, and I never did practise. I
only wanted an excuse in the eyes of the world for existing. I suppose
the nearest I have ever come to practicing is now at this moment: I am
defending a murderer. My father had left me well enough provided with
money. I was able to go my own desultory way, riding my hobbies where
I would. I had a good stableful of hobbies. Palmistry was one of
them. I was rather ashamed of this one. It seemed to me absurd, as it
seems to you. Like you, though, I believed in it. Unlike you, I had
done more than merely read a book about it. I had read innumerable
books about it. I had taken casts of all my friends' hands. I had
tested and tested again the points at which Desbarolles dissented from
the Gipsies, and--well, enough that I had gone into it all rather
thoroughly, and was as sound a palmist, as a man may be without giving
his whole life to palmistry.
"One of the first things I had seen in my own hand, as soon as I had
learned to read it, was that at about the age of twenty-six I should
have a narrow escape from death--from a violent death. There was a
clean break in the life-line, and a square joining it--the protective
square, you know. The markings were precisely the same in both hands.
It was to be the narrowest escape possible. And I wasn't going to
escape without injury, either. That is what bothered me. There was a
faint line connecting the break in the lifeline with a star on the line
of health. Against that star was another square. I was to recover
from the injury, whatever it might be. Still, I didn't exactly look
forward to it. Soon after I had reached the age of twenty-five, I
began to feel uncomfortable. The thing might be going to happen at any
moment. In palmistry, you know, it is impossible to pin an event down
hard and fast to one year. This particular event was to be when I was
ABOUT twenty-six; it mightn't be till I was twenty-seven; it might be
while I was only twenty-five.
"And I used to tell myself it mightn't be at all. My reason rebelled
against the whole notion of palmistry, just as yours does. I despised
my faith in the thing, just as you despise yours. I used to try not to
be so ridiculously careful as I was whenever I crossed a street. I
lived in London at that time. Motor-cars had not yet come in,
but--what hours, all told, I must have spent standing on curbs, very
circumspect, very lamentable! It was a pity, I suppose, that I had no
definite occupation--something to take me out of myself. I was one of
the victims of private means. There came a time when I drove in
four-wheelers rather than in hansoms, and was doubtful of
four-wheelers. Oh, I assure you, I was very lamentable indeed.
"If a railway-journey could be avoided, I avoided it. My uncle had a
place in Hampshire. I was very fond of him and of his wife. Theirs
was the only house I ever went to stay in now. I was there for a week
in November, not long after my twenty-seventh birthday. There were
other people staying there, and at the end of the week we all traveled
back to London together. There were six of us in the carriage: Colonel
Elbourn and his wife and their daughter, a girl of seventeen; and
another married couple, the Bretts. I had been at Winchester with
Brett, but had hardly seen him since that time. He was in the Indian
Civil, and was home on leave. He was sailing for India next week. His
wife was to remain in England for some months, and then join him out
there. They had been married five years. She was now just twenty-four
years old. He told me that this was her age. The Elbourns I had never
met before. They were charming people. We had all been very happy
together. The only trouble had been that on the last night, at dinner,
my uncle asked me if I still went in for 'the Gipsy business,' as he
always called it; and of course the three ladies were immensely
excited, and implored me to 'do' their hands. I told them it was all
nonsense, I said I had forgotten all I once knew, I made various
excuses; and the matter dropped. It was quite true that I had given up
reading hands. I avoided anything that might remind me of what was in
my own hands. And so, next morning, it was a great bore to me when,
soon after the train started, Mrs. Elbourn said it would be 'too cruel'
of me if I refused to do their hands now. Her daughter and Mrs. Brett
also said it would be 'brutal'; and they were all taking off their
gloves, and--well, of course I had to give in.
"I went to work methodically on Mrs. Elbourn's hands, in the usual way,
you know, first sketching the character from the backs of them; and
there was the usual hush, broken by the usual little noises--grunts of
assent from the husband, cooings of recognition from the daughter.
Presently I asked to see the palms, and from them I filled in the
details of Mrs. Elbourn's character before going on to the events in
her life. But while I talked I was calculating how old Mrs. Elbourn
might be. In my first glance at her palms I had seen that she could
not have been less than twenty-five when she married. The daughter was
seventeen. Suppose the daughter had been born a year later--how old
would the mother be? Forty-three, yes. Not less than that, poor
woman!"
Laider looked at me.
"Why 'poor woman!' you wonder? Well, in that first glance I had seen
other things than her marriage-line. I had seen a very complete break
in the lines of life and of fate. I had seen violent death there. At
what age? Not later, not possibly LATER, than forty-three. While I
talked to her about the things that had happened in her girlhood, the
back of my brain was hard at work on those marks of catastrophe. I was
horribly wondering that she was still alive. It was impossible that
between her and that catastrophe there could be more than a few short
months. And all the time I was talking; and I suppose I acquitted
myself well, for I remember that when I ceased I had a sort of ovation
from the Elbourns.
"It was a relief to turn to another pair of hands. Mrs. Brett was an
amusing young creature, and her hands were very characteristic, and
prettily odd in form. I allowed myself to be rather whimsical about
her nature, and having begun in that vein, I went on in it, somehow,
even after she had turned her palms. In those palms were reduplicated
the signs I had seen in Mrs. Elbourn's. It was as though they had been
copied neatly out. The only difference was in the placing of them; and
it was this difference that was the most horrible point. The fatal age
in Mrs. Brett's hands was--not past, no, for here SHE was. But she
might have died when she was twenty-one. Twenty-three seemed to be the
utmost span. She was twenty-four, you know.
"I have said that I am a weak man. And you will have good proof of
that directly. Yet I showed a certain amount of strength that
day--yes, even on that day which has humiliated and saddened the rest
of my life. Neither my face nor my voice betrayed me when in the palms
of Dorothy Elbourn I was again confronted with those same signs. She
was all for knowing the future, poor child! I believe I told her all
manner of things that were to be. And she had no future--none, none in
THIS world--except--
"And then, while I talked, there came to me suddenly a suspicion. I
wondered it hadn't come before. You guess what it was? It made me
feel very cold and strange. I went on talking. But, also, I went
on--quite separately--thinking. The suspicion wasn't a certainty.
This mother and daughter were always together. What was to befall the
one might anywhere--anywhere--befall the other. But a like fate, in an
equally near future, was in store for that other lady. The coincidence
was curious, very. Here we all were together--here, they and I--I who
was narrowly to escape, so soon now, what they, so soon now, were to
suffer. Oh, there was an inference to be drawn. Not a sure inference,
I told myself. And always I was talking, talking, and the train was
swinging and swaying noisily along--to what? It was a fast train. Our
carriage was near the engine. I was talking loudly. Full well I had
known what I should see in the colonel's hands. I told myself I had
not known. I told myself that even now the thing I dreaded was not
sure to be. Don't think I was dreading it for myself. I wasn't so
'lamentable' as all that--now. It was only of them that I
thought--only for them. I hurried over the colonel's character and
career; I was perfunctory. It was Brett's hands that I wanted. THEY
were the hands that mattered. If THEY had the marks-- Remember, Brett
was to start for India in the coming week, his wife was to remain in
England. They would be apart. Therefore--
"And the marks were there. And I did nothing--nothing but hold forth
on the subtleties of Brett's character. There was a thing for me to
do. I wanted to do it. I wanted to spring to the window and pull the
communication-cord. Quite a simple thing to do. Nothing easier than
to stop a train. You just give a sharp pull, and the train slows down,
comes to a standstill. And the guard appears at your window. You
explain to the guard.
"Nothing easier than to tell him there is going to be a collision.
Nothing easier than to insist that you and your friends and every other
passenger in the train must get out at once. There ARE easier things
than this? Things that need less courage than this? Some of THEM I
could have done, I dare say. This thing I was going to do. Oh, I was
determined that I would do it--directly.
"I had said all I had to say about Brett's hands. I had brought my
entertainment to an end. I had been thanked and complimented all
round. I was quite at liberty. I was going to do what I had to do. I
was determined, yes.
"We were near the outskirts of London. The air was gray, thickening;
and Dorothy Elbourn had said: 'Oh, this horrible old London! I suppose
there's the same old fog!' And presently I heard her father saying
something about 'prevention' and 'a short act of Parliament' and
'anthracite.' And I sat and listened and agreed and--"
Laider closed his eyes. He passed his hand slowly through the air.
"I had a racking headache. And when I said so, I was told not to talk.
I was in bed, and the nurses were always telling me not to talk. I was
in a hospital. I knew that; but I didn't know why I was there. One
day I thought I should like to know why, and so I asked. I was feeling
much better now. They told me by degrees that I had had concussion of
the brain. I had been brought there unconscious, and had remained
unconscious for forty-eight hours. I had been in an accident--a
railway-accident. This seemed to me odd. I had arrived quite safely
at my uncle's place, and I had no memory of any journey since that. In
cases of concussion, you know, it's not uncommon for the patient to
forget all that happened just before the accident; there may be a blank
for several hours. So it was in my case. One day my uncle was allowed
to come and see me. And somehow, suddenly, at sight of him, the blank
was filled in. I remembered, in a flash, everything. I was quite
calm, though. Or I made myself seem so, for I wanted to know how the
collision had happened. My uncle told me that the engine-driver had
failed to see a signal because of the fog, and our train had crashed
into a goods-train.
"I didn't ask him about the people who were with me. You see, there
was no need to ask.
"Very gently my uncle began to tell me, but--I had begun to talk
strangely, I suppose. I remember the frightened look of my uncle's
face, and the nurse scolding him in whispers.
"After that, all a blur. It seems that I became very ill indeed,
wasn't expected to live.
"However, I live."
There was a long silence. Laider did not look at me, nor I at him.
The fire was burning low, and he watched it.
At length he spoke:
"You despise me. Naturally. I despise myself."
"No, I don't despise you; but--"
"You blame me." I did not meet his gaze. "You blame me," he repeated.
"Yes."
"And there, if I may say so, you are a little unjust. It isn't my
fault that I was born weak."
"But a man may conquer his weakness."
"Yes, if he is endowed with the strength for that."
His fatalism drew from me a gesture of disgust.
"Do you really mean," I asked, "that because you didn't pull that cord,
you COULDN'T have pulled it?"
"Yes."
"And it's written in your hands that you couldn't?"
He looked at the palms of his hands.
"They are the hands of a very weak man," he said.
"A man so weak that he cannot believe in the possibility of free will
for himself or for any one?"
"They are the hands of an intelligent man, who can weigh evidence and
see things as they are."
"But answer me: Was it foreordained that you should not pull that cord?"
"It was foreordained."
"And was it actually marked in your hands that you were not going to
pull it?"
"Ah, well, you see, it is rather the things one IS going to do that are
actually marked. The things one isn't going to do,--the innumerable
negative things,--how could one expect THEM to be marked?"
"But the consequences of what one leaves undone may be positive?"
"Horribly positive. My hand is the hand of a man who has suffered a
great deal in later life."
"And was it the hand of a man DESTINED to suffer?"
"Oh, yes. I thought I told you that."
There was a pause.
"Well," I said, with awkward sympathy, "I suppose all hands are the
hands of people destined to suffer."
"Not of people destined to suffer so much as _I_ have suffered--as I
still suffer."
The insistence of his self-pity chilled me, and I harked back to a
question he had not straightly answered.
"Tell me: Was it marked in your hands that you were not going to pull
that cord?"
Again he looked at his hands, and then, having pressed them for a
moment to his face, "It was marked very clearly," he answered, "in
THEIR hands."
Two or three days after this colloquy there had occurred to me in
London an idea--an ingenious and comfortable doubt. How was Laider to
be sure that his brain, recovering from concussion, had REMEMBERED what
happened in the course of that railway-journey? How was he to know
that his brain hadn't simply, in its abeyance, INVENTED all this for
him? It might be that he had never seen those signs in those hands.
Assuredly, here was a bright loophole. I had forthwith written to
Laider, pointing it out.
This was the letter which now, at my second visit, I had found
miserably pent on the letter-board. I remembered my promise to rescue
it. I arose from the retaining fireside, stretched my arms, yawned,
and went forth to fulfil my Christian purpose. There was no one in the
hall. The "shower" had at length ceased. The sun had positively come
out, and the front door had been thrown open in its honor. Everything
along the sea-front was beautifully gleaming, drying, shimmering. But
I was not to be diverted from my purpose. I went to the letter-board.
And--my letter was not there! Resourceful and plucky little thing--it
had escaped! I did hope it would not be captured and brought back.
Perhaps the alarm had already been raised by the tolling of that great
bell which warns the inhabitants for miles around that a letter has
broken loose from the letter-board. I had a vision of my envelop
skimming wildly along the coast-line, pursued by the old, but active,
waiter and a breathless pack of local worthies. I saw it outdistancing
them all, dodging past coast-guards, doubling on its tracks, leaping
breakwaters, unluckily injuring itself, losing speed, and at last, in a
splendor of desperation, taking to the open sea. But suddenly I had
another idea. Perhaps Laider had returned?
He had. I espied afar on the sands a form that was recognizably, by
the listless droop of it, his. I was glad and sorry--rather glad,
because he completed the scene of last year; and very sorry, because
this time we should be at each other's mercy: no restful silence and
liberty for either of us this time. Perhaps he had been told I was
here, and had gone out to avoid me while he yet could. Oh weak, weak!
Why palter? I put on my hat and coat, and marched out to meet him.
"Influenza, of course?" we asked simultaneously.
There is a limit to the time which one man may spend in talking to
another about his own influenza; and presently, as we paced the sands,
I felt that Laider had passed this limit. I wondered that he didn't
break off and thank me now for my letter. He must have read it. He
ought to have thanked me for it at once. It was a very good letter, a
remarkable letter. But surely he wasn't waiting to answer it by post?
His silence about it gave me the absurd sense of having taken a
liberty, confound him! He was evidently ill at ease while he talked.
But it wasn't for me to help him out of his difficulty, whatever that
might be. It was for him to remove the strain imposed on myself.
Abruptly, after a long pause, he did now manage to say:
"It was--very good of you to--to write me that letter." He told me he
had only just got it, and he drifted away into otiose explanations of
this fact. I thought he might at least say it was a remarkable letter;
and you can imagine my annoyance when he said, after another interval,
"I was very much touched indeed." I had wished to be convincing, not
touching. I can't bear to be called touching.
"Don't you," I asked, "think it IS quite possible that your brain
invented all those memories of what--what happened before that
accident?"
He drew a sharp sigh.
"You make me feel very guilty."
"That's exactly what I tried to make you NOT feel!"
"I know, yes. That's why I feel so guilty."
We had paused in our walk. He stood nervously prodding the hard wet
sand with his walking-stick.
"In a way," he said, "your theory was quite right. But--it didn't go
far enough. It's not only possible, it's a fact, that I didn't see
those signs in those hands. I never examined those hands. They
weren't there. _I_ wasn't there. I haven't an uncle in Hampshire,
even. I never had."
I, too, prodded the sand.
"Well," I said at length, "I do feel rather a fool."
"I've no right even to beg your pardon, but--''
"Oh, I'm not vexed. Only--I rather wish you hadn't told me this."
"I wish I hadn't had to. It was your kindness, you see, that forced
me. By trying to take an imaginary load off my conscience, you laid a
very real one on it."
"I'm sorry. But you, of your own free will, you know, exposed your
conscience to me last year. I don't yet quite understand why you did
that."
"No, of course not. I don't deserve that you should. But I think you
will. May I explain? I'm afraid I've talked a great deal already
about my influenza, and I sha'n't be able to keep it out of my
explanation. Well, my weakest point--I told you this last year, but it
happens to be perfectly true that my weakest point--is my will.
Influenza, as you know, fastens unerringly on one's weakest point. It
doesn't attempt to undermine my imagination. That would be a forlorn
hope. I have, alas! a very strong imagination. At ordinary times my
imagination allows itself to be governed by my will. My will keeps it
in check by constant nagging. But when my will isn't strong enough
even to nag, then my imagination stampedes. I become even as a little
child. I tell myself the most preposterous fables, and--the trouble
is--I can't help telling them to my friends. Until I've thoroughly
shaken off influenza, I'm not fit company for any one. I perfectly
realize this, and I have the good sense to go right away till I'm quite
well again. I come here usually. It seems absurd, but I must confess
I was sorry last year when we fell into conversation. I knew I should
very soon be letting myself go, or, rather, very soon be swept away.
Perhaps I ought to have warned you; but--I'm a rather shy man. And
then you mentioned the subject of palmistry. You said you believed in
it. I wondered at that. I had once read Desbarolles's book about it,
but I am bound to say I thought the whole thing very great nonsense
indeed."
"Then," I gasped, "it isn't even true that you believe in palmistry?"
"Oh, no. But I wasn't able to tell you that. You had begun by saying
that you believed in palmistry, and then you proceeded to scoff at it.
While you scoffed I saw myself as a man with a terribly good reason for
NOT scoffing; and in a flash I saw the terribly good reason; I had the
whole story--at least I had the broad outlines of it--clear before me."
"You hadn't ever thought of it before?" He shook his head. My eyes
beamed. "The whole thing was a sheer improvisation?"
"Yes," said Laider, humbly, "I am as bad as all that. I don't say that
all the details of the story I told you that evening were filled in at
the very instant of its conception. I was filling them in while we
talked about palmistry in general, and while I was waiting for the
moment when the story would come in most effectively. And I've no
doubt I added some extra touches in the course of the actual telling.
Don't imagine that I took the slightest pleasure in deceiving you.
It's only my will, not my conscience, that is weakened after influenza.
I simply can't help telling what I've made up, and telling it to the
best of my ability. But I'm thoroughly ashamed all the time."
"Not of your ability, surely?"
"Yes, of that, too," he said, with his sad smile. "I always feel that
I'm not doing justice to my idea."
"You are too stern a critic, believe me."
"It is very kind of you to say that. You are very kind altogether.
Had I known that you were so essentially a man of the world, in the
best sense of that term, I shouldn't have so much dreaded seeing you
just now and having to confess to you. But I'm not going to take
advantage of your urbanity and your easy-going ways. I hope that some
day we may meet somewhere when I haven't had influenza and am a not
wholly undesirable acquaintance. As it is, I refuse to let you
associate with me. I am an older man than you, and so I may without
impertinence warn you against having anything to do with me."
I deprecated this advice, of course; but for a man of weakened will he
showed great firmness.
"You," he said, "in your heart of hearts, don't want to have to walk
and talk continually with a person who might at any moment try to
bamboozle you with some ridiculous tale. And I, for my part, don't
want to degrade myself by trying to bamboozle any one, especially one
whom I have taught to see through me. Let the two talks we have had be
as though they had not been. Let us bow to each other, as last year,
but let that be all. Let us follow in all things the precedent of last
year."
With a smile that was almost gay he turned on his heel, and moved away
with a step that was almost brisk. I was a little disconcerted. But I
was also more than a little glad. The restfulness of silence, the
charm of liberty--these things were not, after all, forfeit. My heart
thanked Laider for that; and throughout the week I loyally seconded him
in the system he had laid down for us. All was as it had been last
year. We did not smile to each other, we merely bowed, when we entered
or left the dining-room or smoking-room, and when we met on the
wide-spread sands or in that shop which had a small and faded but
circulating library.
Once or twice in the course of the week it did occur to me that perhaps
Laider had told the simple truth at our first interview and an
ingenious lie at our second. I frowned at this possibility. The idea
of any one wishing to be quit of ME was most distasteful. However, I
was to find reassurance. On the last evening of my stay I suggested,
in the small smoking-room, that he and I should, as sticklers for
precedent, converse. We did so very pleasantly. And after a while I
happened to say that I had seen this afternoon a great number of
sea-gulls flying close to the shore.
"Sea-gulls?" said Laider, turning in his chair.
"Yes. And I don't think I had ever realized how extraordinarily
beautiful they are when their wings catch the light."
Laider threw a quick glance at me and away from me.
"You think them beautiful?"
"Surely."
"Well, perhaps they are, yes; I suppose they are. But--I don't like
seeing them. They always remind me of something--rather an awful
thing--that once happened to me."
IT was a very awful thing indeed.
[Transcriber's Note: I have closed contractions in the text, e.g.,
"does n't" has become "doesn't" etc.; in addition, on page 18,
paragraph 3, line 5, I have changed "Dyott" to "Dyatt".]
End of the Project Gutenberg EBook of A. V. Laider, by Max Beerbohm
*** END OF THIS PROJECT GUTENBERG EBOOK A. V. LAIDER ***
***** This file should be named 761.txt or 761.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/7/6/761/
Produced by Judith Boss
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
