Rewards and Fairies

By Rudyard Kipling

The Project Gutenberg EBook of Rewards and Fairies, by Rudyard Kipling

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Rewards and Fairies

Author: Rudyard Kipling

Illustrator: Frank Craig

Release Date: June 11, 2010 [EBook #32772]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK REWARDS AND FAIRIES ***




Produced by David Edwards, KD Weeks and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)





Transcriber's Note: Printer's errors and typos have been corrected.
Italics are indicated using _underscore_ characters. Consult the
Transcriber's Notes at the end of this text for details.




                      REWARDS

                        AND

                      FAIRIES

                        BY

                 RUDYARD KIPLING

      _WITH ILLUSTRATIONS BY FRANK CRAIG_

                      TORONTO
      THE MACMILLAN COMPANY OF CANADA, LTD.
                        1910




      COPYRIGHT, 1910
      BY RUDYARD KIPLING




CONTENTS


                                                            PAGE

    _A Charm_                                                 ix

    Introduction                                              xi

    Cold Iron                                                  1

      _Cold Iron_                                             25

    Gloriana                                                  27

      _The Two Cousins_                                       29

      _The Looking-Glass_                                     51

    The Wrong Thing                                           53

      _A Truthful Song_                                       55

      _King Henry VII. and the Shipwrights_                   81

    Marklake Witches                                          85

      _The Way Through the Woods_                             87

      _Brookland Road_                                       113

    The Knife and the Naked Chalk                            115

      _The Run of the Downs_                                 117

      _Song of the Men's Side_                               141

    Brother Square-Toes                                      143

      _Philadelphia_                                         145

      _If_----                                               175

    'A Priest in Spite of Himself'                           177

      _A St. Helena Lullaby_                                 179

      '_Poor Honest Men_'                                    213

    The Conversion of St. Wilfrid                            217

      _Eddi's Service_                                       219

      _Song of the Red War-Boat_                             243

    A Doctor of Medicine                                     247

      _An Astrologer's Song_                                 249

      '_Our Fathers of Old_'                                 275

    Simple Simon                                             277

      _The Thousandth Man_                                   279

      _Frankie's Trade_                                      303

    The Tree of Justice                                      305

      _The Ballad of Minepit Shaw_                           307

      _A Carol_                                              337




ILLUSTRATIONS


    'Admiral Boy--Vice-Admiral Babe,' says
      Gloriana, 'I cry your pardon'            _Face page_    41

    I kneeled, and he tapped me on the shoulder.
      'Rise up, Sir Harry Dawe,' he says               "      74

    They made the sign which no Indian makes
      outside of the Medicine Lodges                   "     171

    'You'll open a road from the East unto the
      West, and back again'                            "     292




_A CHARM_


      _Take of English earth as much
      As either hand may rightly clutch.
      In the taking of it breathe
      Prayer for all who lie beneath--
      Not the great nor well bespoke,
      But the mere uncounted folk
      Of whose life and death is none
      Report or lamentation.
            Lay that earth upon thy heart,
            And thy sickness shall depart!_

      _It shall sweeten and make whole
      Fevered breath and festered soul;
      It shall mightily restrain
      Over-busy hand and brain;
      It shall ease thy mortal strife
      'Gainst the immortal woe of life,
      Till thyself restored shall prove
      By what grace the Heavens do move._

      _Take of English flowers these--
      Spring's full-facéd primroses,
      Summer's wild wide-hearted rose,
      Autumn's wall-flower of the close,
      And, thy darkness to illume,
      Winter's bee-thronged ivy-bloom.
      Seek and serve them where they bide
      From Candlemas to Christmas-tide.
            For these simples used aright
            Shall restore a failing sight._

      _These shall cleanse and purify
      Webbed and inward-turning eye;
      These shall show thee treasure hid,
      Thy familiar fields amid,
      At thy threshold, on thy hearth,
      Or about thy daily path;
      And reveal (which is thy need)
      Every man a King indeed!_





INTRODUCTION


Once upon a time, Dan and Una, brother and sister, living in the English
country, had the good fortune to meet with Puck, _alias_ Robin
Goodfellow, _alias_ Nick o' Lincoln, _alias_ Lob-lie-by-the-Fire, the
last survivor in England of those whom mortals call Fairies. Their
proper name, of course, is 'The People of the Hills.' This Puck, by
means of the magic of Oak, Ash, and Thorn, gave the children power--

      To see what they should see and hear what they should hear,
      Though it should have happened three thousand year.

The result was that from time to time, and in different places on the
farm and in the fields and the country about, they saw and talked to
some rather interesting people. One of these, for instance, was a Knight
of the Norman Conquest, another a young Centurion of a Roman Legion
stationed in England, another a builder and decorator of King Henry
VII.'s time; and so on and so forth; as I have tried to explain in a
book called _Puck of Pook's Hill_.

A year or so later, the children met Puck once more, and though they
were then older and wiser, and wore boots regularly instead of going
bare-footed when they got the chance, Puck was as kind to them as ever,
and introduced them to more people of the old days.

He was careful, of course, to take away their memory of their walks and
conversations afterwards, but otherwise he did not interfere; and Dan
and Una would find the strangest sort of persons in their gardens or
woods.

In the stories that follow I am trying to tell something about those
people.




Cold Iron


When Dan and Una had arranged to go out before breakfast, they did not
remember it was Midsummer Morning. They only wanted to see the otter
which, old Hobden said, had been fishing their brook for weeks; and
early morning was the time to surprise him. As they tiptoed out of the
house into the wonderful stillness, the church clock struck five. Dan
took a few steps across the dew-blobbed lawn, and looked at his black
footprints.

'I think we ought to be kind to our poor boots,' he said. 'They'll get
horrid wet.'

It was their first Summer in boots, and they hated them, so they took
them off, and slung them round their necks, and paddled joyfully over
the dripping turf where the shadows lay the wrong way, like evening in
the East.

The sun was well up and warm, but by the brook the last of the night
mist still fumed off the water. They picked up the chain of otter's
footprints on the mud, and followed it from the bank, between the weeds
and the drenched mowing, while the birds shouted with surprise. Then
the track left the brook and became a smear, as though a log had been
dragged along.

They traced it into Three Cows meadow, over the mill-sluice to the
Forge, round Hobden's garden, and then up the slope till it ran out on
the short turf and fern of Pook's Hill, and they heard the
cock-pheasants crowing in the woods behind them.

'No use!' said Dan, questing like a puzzled hound. 'The dew's drying
off, and old Hobden says otters'll travel for miles.'

'I'm sure we've travelled miles.' Una fanned herself with her hat. 'How
still it is! It's going to be a regular roaster.' She looked down the
valley, where no chimney yet smoked.

'Hobden's up!' Dan pointed to the open door of the Forge cottage. 'What
d'you suppose he has for breakfast?'

'One of _them_. He says they eat good all times of the year.' Una jerked
her head at some stately pheasants going down to the brook for a drink.

A few steps farther on a fox broke almost under their bare feet, yapped,
and trotted off.

'Ah, Mus' Reynolds--Mus' Reynolds'--Dan was quoting from old
Hobden,--'if I knowed all you knowed, I'd know something.'[1]

[1] See 'The Winged Hats' in _Puck of Pook's Hill_.

'I say,' Una lowered her voice, 'you know that funny feeling of things
having happened before. I felt it when you said "Mus' Reynolds."'

'So did I,' Dan began. 'What is it?'

They faced each other stammering with excitement.

'Wait a shake! I'll remember in a minute. Wasn't it something about a
fox--last year. Oh, I nearly had it then!' Dan cried.

'Be quiet!' said Una, prancing excitedly. 'There was something happened
before we met the fox last year. Hills! Broken Hills--the play at the
theatre--see what you see----'

'I remember now,' Dan shouted. 'It's as plain as the nose on your
face--Pook's Hill--Puck's Hill--Puck!'

'I remember, too,' said Una. 'And it's Midsummer Day again!'

The young fern on a knoll rustled, and Puck walked out, chewing a
green-topped rush.

'Good Midsummer Morning to you. Here's a happy meeting,' said he. They
shook hands all round, and asked questions.

'You've wintered well,' he said after a while, and looked them up and
down. 'Nothing much wrong with you, seemingly.'

'They've put us into boots,' said Una. 'Look at my feet--they're all
pale white, and my toes are squdged together awfully.'

'Yes--boots make a difference,' Puck wriggled his brown, square, hairy
foot, and cropped a dandelion flower between the big toe and the next.

'I could do that--last year,' Dan said dismally, as he tried and failed.
'And boots simply ruin one's climbing.'

'There must be some advantage to them, I suppose,' said Puck, 'or folk
wouldn't wear them. Shall we come this way?'

They sauntered along side by side till they reached the gate at the far
end of the hillside. Here they halted just like cattle, and let the sun
warm their backs while they listened to the flies in the wood.

'Little Lindens is awake,' said Una, as she hung with her chin on the
top rail. 'See the chimney smoke?'

'To-day's Thursday, isn't it?' Puck turned to look at the old pink
farmhouse across the little valley. 'Mrs. Vincey's baking day. Bread
should rise well this weather.' He yawned, and that set them both
yawning.

The bracken about rustled and ticked and shook in every direction. They
felt that little crowds were stealing past.

'Doesn't that sound like--er--the People of the Hills?' said Una.

'It's the birds and wild things drawing up to the woods before people
get about,' said Puck, as though he were Ridley the keeper.

'Oh, we know that. I only said it sounded like.'

'As I remember 'em, the People of the Hills used to make more noise.
They'd settle down for the day rather like small birds settling down for
the night. But that was in the days when they carried the high hand. Oh,
me! The deeds that I've had act and part in, you'd scarcely believe!'

'I like that!' said Dan. 'After all you told us last year, too!'

'Only, the minute you went away, you made us forget everything,' said
Una.

Puck laughed and shook his head. 'I shall this year, too. I've given
you seizin of Old England, and I've taken away your Doubt and Fear, but
your memory and remembrance between whiles I'll keep where old Billy
Trott kept his night-lines--and that's where he could draw 'em up and
hide 'em at need. Does that suit?' He twinkled mischievously.

'It's got to suit,' said Una, and laughed. 'We can't magic back at you.'
She folded her arms and leaned against the gate. 'Suppose, now, you
wanted to magic me into something--an otter? Could you?'

'Not with those boots round your neck.'

'I'll take them off.' She threw them on the turf. Dan's followed
immediately. 'Now!' she said.

'Less than ever now you've trusted me. Where there's true faith, there's
no call for magic.' Puck's slow smile broadened all over his face.

'But what have boots to do with it?' said Una, perching on the gate.

'There's cold iron in them,' said Puck, and settled beside her. 'Nails
in the soles, I mean. It makes a difference.'

'How?'

'Can't you feel it does? You wouldn't like to go back to bare feet
again, same as last year, would you? Not really?'

'No--o. I suppose I shouldn't--not for always. I'm growing up, you
know,' said Una.

'But you told us last year, in the Long Slip--at the theatre--that you
didn't mind Cold Iron,' said Dan.

'_I_ don't; but folk in housen, as the People of the Hills call them,
must be ruled by Cold Iron. Folk in housen are born on the near side of
Cold Iron--there's iron in every man's house, isn't there? They handle
Cold Iron every day of their lives, and their fortune's made or spoilt
by Cold Iron in some shape or other. That's how it goes with Flesh and
Blood, and one can't prevent it.'

'I don't quite see. How do you mean?' said Dan.

'It would take me some time to tell you.'

'Oh, it's ever so long to breakfast,' said Dan. 'We looked in the larder
before we came out.' He unpocketed one big hunk of bread and Una
another, which they shared with Puck.

'That's Little Lindens' baking,' he said, as his white teeth sunk in it.
'I know Mrs. Vincey's hand.' He ate with a slow sideways thrust and
grind, just like old Hobden, and, like Hobden, hardly dropped a crumb.
The sun flashed on Little Lindens' windows, and the cloudless sky grew
stiller and hotter in the valley.

'Ah--Cold Iron,' he said at last to the impatient children. 'Folk in
housen, as the People of the Hills say, grow so careless about Cold
Iron. They'll nail the Horseshoe over the front door, and forget to put
it over the back. Then, some time or other, the People of the Hills slip
in, find the cradle-babe in the corner, and----'

'Oh, I know. Steal it and leave a changeling,' Una cried.

'No,' said Puck firmly. 'All that talk of changelings is people's excuse
for their own neglect. Never believe 'em. I'd whip 'em at the cart-tail
through three parishes if I had my way.'

'But they don't do it now,' said Una.

'Whip, or neglect children? Umm! Some folks and some fields never alter.
But the People of the Hills didn't work any changeling tricks. They'd
tiptoe in and whisper, and weave round the cradle-babe in the
chimney-corner--a fag-end of a charm here, or half a spell there--like
kettles singing; but when the babe's mind came to bud out afterwards, it
would act differently from other people in its station. That's no
advantage to man or maid. So I wouldn't allow it with my folks' babies
here. I told Sir Huon so once.'

'Who was Sir Huon?' Dan asked, and Puck turned on him in quiet
astonishment.

'Sir Huon of Bordeaux--he succeeded King Oberon. He had been a bold
knight once, but he was lost on the road to Babylon, a long while back.
Have you ever heard, "How many miles to Babylon?"'

'Of course,' said Dan, flushing.

'Well, Sir Huon was young when that song was new. But about tricks on
mortal babies. I said to Sir Huon in the fern here, on just such a
morning as this: "If you crave to act and influence on folk in housen,
which I know is your desire, why don't you take some human cradle-babe
by fair dealing, and bring him up among yourselves on the far side of
Cold Iron--as Oberon did in time past? Then you could make him a
splendid fortune, and send him out into the world?"

'"Time past is past time," says Sir Huon. "I doubt if we could do it.
For one thing, the babe would have to be taken without wronging man,
woman, or child. For another, he'd have to be born on the far side of
Cold Iron--in some house where no Cold Iron ever stood; and for yet the
third, he'd have to be kept from Cold Iron all his days till we let him
find his fortune. No, it's not easy," he said, and he rode off,
thinking. You see, Sir Huon had been a man once.

'I happened to attend Lewes Market next Woden's Day even, and watched
the slaves being sold there--same as pigs are sold at Robertsbridge
Market nowadays. Only, the pigs have rings on their noses, and the
slaves had rings round their necks.'

'What sort of rings?' said Dan.

'A ring of Cold Iron, four fingers wide, and a thumb thick, just like a
quoit, but with a snap to it for to snap round the slave's neck. They
used to do a big trade in slave-rings at the Forge here, and ship them
to all parts of Old England, packed in oak sawdust. But, as I was
saying, there was a farmer out of the Weald who had bought a woman with
a babe in her arms, and he didn't want any encumbrances to her driving
his beasts home for him.'

'Beast himself!' said Una, and kicked her bare heel on the gate.

'So he blamed the auctioneer. "It's none o' my baby," the wench puts in.
"I took it off a woman in our gang who died on Terrible Down yesterday."
"I'll take it off to the Church then," says the farmer. "Mother
Church'll make a monk of it, and we'll step along home."

'It was dusk then. He slipped down to St. Pancras' Church, and laid the
babe at the cold chapel door. I breathed on the back of his stooping
neck--and--I've _heard_ he never could be warm at any fire afterwards. I
should have been surprised if he could! Then I whipped up the babe, and
came flying home here like a bat to his belfry.

'On the dewy break of morning of Thor's own day--just such a day as
this--I laid the babe outside the Hill here, and the People flocked up
and wondered at the sight.

'"You've brought him, then?" Sir Huon said, staring like any mortal man.

'"Yes, and he's brought his mouth with him too," I said. The babe was
crying loud for his breakfast.

'"What is he?" says Sir Huon, when the womenfolk had drawn him under to
feed him.

'"Full Moon and Morning Star may know," I says. "_I_ don't. By what I
could make out of him in the moonlight, he's without brand or blemish.
I'll answer for it that he's born on the far side of Cold Iron, for he
was born under a shaw on Terrible Down, and I've wronged neither man,
woman, nor child in taking him, for he is the son of a dead slave
woman."

'"All to the good, Robin," Sir Huon said. "He'll be the less anxious to
leave us. Oh, we'll give him a splendid fortune, and he shall act and
influence on folk in housen as we have always craved." His Lady came up
then, and drew him under to watch the babe's wonderful doings.'

'Who was his Lady?' said Dan.

'The Lady Esclairmonde. She had been a woman once, till she followed
Sir Huon across the fern, as we say. Babies are no special treat to
me--I've watched too many of them--so I stayed on the Hill. Presently I
heard hammering down at the Forge there,' Puck pointed towards Hobden's
cottage. 'It was too early for any workmen, but it passed through my
mind that the breaking day was Thor's own day. A slow North-East wind
blew up and set the oaks sawing and fretting in a way I remembered; so I
slipped over to see what I could see.'

'And what did you see?'

'A smith forging something or other out of Cold Iron. When it was
finished, he weighed it in his hand (his back was towards me), and
tossed it from him a longish quoit-throw down the valley. I saw Cold
Iron flash in the sun, but I couldn't quite make out where it fell.
_That_ didn't trouble me. I knew it would be found sooner or later by
some one.'

'How did you know?' Dan went on.

'Because I knew the Smith that made it,' said Puck quietly.

'Wayland Smith?'[2] Una suggested.

[2] See 'Weland's Sword' in _Puck of Pook's Hill_.

'No. I should have passed the time o' day with Wayland Smith, of course.
This other was different. So'--Puck made a queer crescent in the air
with his finger--'I counted the blades of grass under my nose till the
wind dropped and he had gone--he and his Hammer.'

'Was it Thor then?' Una murmured under her breath.

'Who else? It was Thor's own day.' Puck repeated the sign. 'I didn't
tell Sir Huon or his Lady what I'd seen. Borrow trouble for yourself if
that's your nature, but don't lend it to your neighbours. Moreover, I
might have been mistaken about the Smith's work. He might have been
making things for mere amusement, though it wasn't like him, or he might
have thrown away an old piece of made iron. One can never be sure. So I
held my tongue and enjoyed the babe. He was a wonderful child--and the
People of the Hills were so set on him, they wouldn't have believed me.
He took to me wonderfully. As soon as he could walk he'd putter forth
with me all about my Hill here. Fern makes soft falling! He knew when
day broke on earth above, for he'd thump, thump, thump, like an old
buck-rabbit in a bury, and I'd hear him say "Opy!" till some one who
knew the Charm let him out, and then it would be "Robin! Robin!" all
round Robin Hood's barn, as we say, till he'd found me.'

'The dear!' said Una. 'I'd like to have seen him!'

'Yes, he was a boy. And when it came to learning his words--spells and
such like--he'd sit on the Hill in the long shadows, worrying out bits
of charms to try on passers-by. And when the bird flew to him, or the
tree bowed to him for pure love's sake (like everything else on my
Hill), he'd shout, "Robin! Look--see! Look, see, Robin!" and sputter out
some spell or other that they had taught him, _all_ wrong end first,
till I hadn't the heart to tell him it was his own dear self and not
the words that worked the wonder. When he got more abreast of his words,
and could cast spells for sure, as we say, he took more and more notice
of things and people in the world. People, of course, always drew him,
for he was mortal all through.

'Seeing that he was free to move among folk in housen, under or over
Cold Iron, I used to take him along with me night-walking, where he
could watch folk, and I could keep him from touching Cold Iron. That
wasn't so difficult as it sounds, because there are plenty of things
besides Cold Iron in housen to catch a boy's fancy. He _was_ a handful,
though! I shan't forget when I took him to Little Lindens--his first
night under a roof. The smell of the rushlights and the bacon on the
beams--they were stuffing a feather-bed too, and it was a drizzling warm
night--got into his head. Before I could stop him--we were hiding in the
bakehouse--he'd whipped up a storm of wildfire, with flashlights and
voices, which sent the folk shrieking into the garden, and a girl
overset a hive there, and--of course _he_ didn't know till then such
things could touch him--he got badly stung, and came home with his face
looking like kidney potatoes!

'You can imagine how angry Sir Huon and Lady Esclairmonde were with poor
Robin! They said the Boy was never to be trusted with me night-walking
any more--and he took about as much notice of their order as he did of
the bee-stings. Night after night, as soon as it was dark, I'd pick up
his whistle in the wet fern, and off we'd flit together among folk in
housen till break of day--he asking questions, and I answering
according to my knowledge. Then we fell into mischief again!' Puck shook
till the gate rattled.

'We came across a man up at Brightling who was beating his wife with a
bat in the garden. I was just going to toss the man over his own
woodlump when the Boy jumped the hedge and ran at him. Of course the
woman took her husband's part, and while the man beat him, the woman
scratted his face. It wasn't till I danced among the cabbages like
Brightling Beacon all ablaze that they gave up and ran indoors. The
Boy's fine green-and-gold clothes were torn all to pieces, and he had
been welted in twenty places with the man's bat, and scratted by the
woman's nails to pieces. He looked like a Robertsbridge hopper on a
Monday morning.

'"Robin," said he, while I was trying to clean him down with a bunch of
hay, "I don't quite understand folk in housen. I went to help that old
woman, and she hit me, Robin!"

'"What else did you expect?" I said. "That was the one time when you
might have worked one of your charms, instead of running into three
times your weight."

'"I didn't think," he says. "But I caught the man one on the head that
was as good as any charm. Did you see it work, Robin?"

'"Mind your nose," I said. "Bleed it on a dockleaf--not your sleeve, for
pity's sake." I knew what the Lady Esclairmonde would say.

'_He_ didn't care. He was as happy as a gipsy with a stolen pony, and
the front part of his gold coat, all blood and grass stains, looked like
ancient sacrifices.

'Of course the People of the Hills laid the blame on me. The Boy could
do nothing wrong, in their eyes.

'"You are bringing him up to act and influence on folk in housen, when
you're ready to let him go," I said. "Now he's begun to do it, why do
you cry shame on me? That's no shame. It's his nature drawing him to his
kind."

'"But we don't want him to begin _that_ way," the Lady Esclairmonde
said. "We intend a splendid fortune for him--not your flitter-by-night,
hedge-jumping, gipsy-work."

'"I don't blame you, Robin," says Sir Huon, "but I _do_ think you might
look after the Boy more closely."

'"I've kept him away from Cold Iron these sixteen years," I said. "You
know as well as I do, the first time he touches Cold Iron he'll find his
own fortune, in spite of everything you intend for him. You owe me
something for that."

'Sir Huon, having been a man, was going to allow me the right of it, but
the Lady Esclairmonde, being the Mother of all Mothers, over-persuaded
him.

'"We're very grateful," Sir Huon said, "but we think that just for the
present you are about too much with him on the Hill."

'"Though you have said it," I said, "I will give you a second chance." I
did not like being called to account for my doings on my own Hill. I
wouldn't have stood it even that far except I loved the Boy.

'"No! No!" says the Lady Esclairmonde. "He's never any trouble when he's
left to me and himself. It's your fault."

'"You have said it," I answered. "Hear me! From now on till the Boy has
found his fortune, whatever that may be, I vow to you all on my Hill, by
Oak, and Ash, and Thorn, _and_ by the Hammer of Asa Thor"'--again Puck
made that curious double-cut in the air--'"that you may leave me out of
all your counts and reckonings." Then I went out'--he snapped his
fingers--'like the puff of a candle, and though they called and cried,
they made nothing by it. I didn't promise not to keep an eye on the Boy,
though. I watched him close--close--close!

'When he found what his people had forced me to do, he gave them a piece
of his mind, but they all kissed and cried round him, and being only a
boy, he came over to their way of thinking (I don't blame him), and
called himself unkind and ungrateful; and it all ended in fresh shows
and plays, and magics to distract him from folk in housen. Dear heart
alive! How he used to call and call on me, and I couldn't answer, or
even let him know that I was near!'

'Not even once?' said Una. 'If he was very lonely?'

'No, he couldn't,' said Dan, who had been thinking. 'Didn't you swear by
the Hammer of Thor that you wouldn't, Puck?'

'By that Hammer!' was the deep rumbled reply. Then he came back to his
soft speaking voice. 'And the Boy _was_ lonely, when he couldn't see me
any more. He began to try to learn all learning (he had good teachers),
but I saw him lift his eyes from the big black books towards folk in
housen all the time. He studied song-making (good teacher she had too!),
but he sung those songs with his back toward the Hill, and his face
toward folk. _I_ know! I have sat and grieved over him grieving within a
rabbit's jump of him. Then he studied the High, Low, and Middle Magic.
He had promised the Lady Esclairmonde he would never go near folk in
housen; so he had to make shows and shadows for his mind to chew on.'

'What sort of shows?' said Dan.

'Just boy's magic as we say. I'll show you some, some time. It pleased
him for the while, and it didn't hurt any one in particular except a few
men coming home late from the taverns. But I knew what it was a sign of,
and I followed him like a weasel follows a rabbit. As good a boy as ever
lived! I've seen him with Sir Huon and the Lady Esclairmonde stepping
just as they stepped to avoid the track of Cold Iron in a furrow, or
walking wide of some old ash-tot because a man had left his swop-hook or
spade there; and all his heart aching to go straightforward among folk
in housen all the time. Oh, a good boy! They always intended a fine
fortune for him--but they could never find it in their heart to let him
begin. I've heard that many warned them, but they wouldn't be warned.
So it happened _as_ it happened.

'One hot night I saw the Boy roving about here wrapped in his flaming
discontents. There was flash on flash against the clouds, and rush on
rush of shadows down the valley till the shaws were full of his hounds
giving tongue, and the wood-ways were packed with his knights in armour
riding down into the water-mists--all his own magic, of course. Behind
them you could see great castles lifting slow and splendid on arches of
moonshine, with maidens waving their hands at the windows, which all
turned into roaring rivers; and then would come the darkness of his own
young heart wiping out the whole slateful. But boy's magic doesn't
trouble me--or Merlin's either for that matter. I followed the Boy by
the flashes and the whirling wildfire of his discontent, and oh, but I
grieved for him! Oh, but I grieved for him! He pounded back and forth
like a bullock in a strange pasture--sometimes alone--sometimes
waist-deep among his shadow-hounds--sometimes leading his shadow-knights
on a hawk-winged horse to rescue his shadow-girls. I never guessed he
had such magic at his command; but it's often that way with boys.

'Just when the owl comes home for the second time, I saw Sir Huon and
the Lady ride down my Hill, where there's not much magic allowed except
mine. They were very pleased at the Boy's magic--the valley flared with
it--and I heard them settling his splendid fortune when they should find
it in their hearts to let him go to act and influence among folk in
housen. Sir Huon was for making him a great King somewhere or other, and
the Lady was for making him a marvellous wise man whom all should praise
for his skill and kindness. She was very kind-hearted.

'Of a sudden we saw the flashes of his discontent turned back on the
clouds, and his shadow-hounds stopped baying.

'"There's Magic fighting Magic over yonder," the Lady Esclairmonde
cried, reining up. "Who is against him?"

'I could have told her, but I did not count it any of my business to
speak of Asa Thor's comings and goings.'

'How did you know?' said Una.

'A slow North-East wind blew up, sawing and fretting through the oaks in
a way I remembered. The wildfire roared up, one last time in one sheet,
and snuffed out like a rush-light, and a bucketful of stinging hail
fell. We heard the Boy walking in the Long Slip--where I first met you.

'"Here, oh, come here!" said the Lady Esclairmonde, and stretched out
her arms in the dark.

'He was coming slowly, but he stumbled in the footpath, being, of
course, mortal man.

'"Why, what's this?" he said to himself. We three heard him.

'"Hold, lad, hold! 'Ware Cold Iron!" said Sir Huon, and they two swept
down like night-jars, crying as they rode.

'I ran at their stirrups, but it was too late. We felt that the Boy had
touched Cold Iron somewhere in the dark, for the Horses of the Hill
shied off, and whipped round, snorting.

'Then I judged it was time for me to show myself in my own shape; so I
did.

'"Whatever it is," I said, "he has taken hold of it. Now we must find
out whatever it _is_ that he has taken hold of; for that will be his
fortune."

'"Come here, Robin," the Boy shouted, as soon as he heard my voice. "I
don't know what I've hold of."

'"It is in your hands," I called back. "Tell us if it is hard and cold,
with jewels atop. For that will be a King's Sceptre."

'"Not by a furrow-long," he said, and stooped and tugged in the dark. We
heard him.

'"Has it a handle and two cutting edges?" I called. "For that'll be a
Knight's Sword."

'"No, it hasn't," he says. "It's neither ploughshare, whittle, hook, nor
crook, nor aught I've yet seen men handle." By this time he was
scratting in the dirt to prize it up.

'"Whatever it is, you know who put it there, Robin," said Sir Huon to
me, "or you would not ask those questions. You should have told me as
soon as you knew."

'"What could you or I have done against the Smith that made it and laid
it for him to find?" I said, and I whispered Sir Huon what I had seen at
the Forge on Thor's Day, when the babe was first brought to the Hill.

'"Oh, good-bye, our dreams!" said Sir Huon. "It's neither sceptre,
sword, nor plough! Maybe yet it's a bookful of learning, bound with
iron clasps. There's a chance for a splendid fortune in that
sometimes."

'But we knew we were only speaking to comfort ourselves, and the Lady
Esclairmonde, having been a woman, said so.

'"Thur aie! Thur help us!" the Boy called. "It is round, without end,
Cold Iron, four fingers wide and a thumb thick, and there is writing on
the breadth of it."

'"Read the writing if you have the learning," I called. The darkness had
lifted by then, and the owl was out over the fern again.

'He called back, reading the runes on the iron:

            "Few can see
            Further forth
            Than when the child
            Meets the Cold Iron."

And there he stood, in clear starlight, with a new, heavy, shining
slave-ring round his proud neck.

'"Is this how it goes?" he asked, while the Lady Esclairmonde cried.

'"That is how it goes," I said. He hadn't snapped the catch home yet,
though.

'"What fortune does it mean for him?" said Sir Huon, while the Boy
fingered the ring. "You who walk under Cold Iron, you must tell us and
teach us."

'"Tell I can, but teach I cannot," I said. "The virtue of the Ring is
only that he must go among folk in housen henceforward, doing what they
want done, or what he knows they need, all Old England over. Never will
he be his own master, nor yet ever any man's. He will get half he gives,
and give twice what he gets, till his life's last breath; and if he lays
aside his load before he draws that last breath, all his work will go
for naught."

'"Oh, cruel, wicked Thor!" cried the Lady Esclairmonde. "Ah, look, see,
all of you! The catch is still open! He hasn't locked it. He can still
take it off. He can still come back. Come back!" She went as near as she
dared, but she could not lay hands on Cold Iron. The Boy could have
taken it off, yes. We waited to see if he would, but he put up his hand,
and the snap locked home.

'"What else could I have done?" said he.

'"Surely, then, you will do," I said. "Morning's coming, and if you three
have any farewells to make, make them now, for, after sunrise, Cold Iron
must be your master."

'So the three sat down, cheek by wet cheek, telling over their farewells
till morning light. As good a boy as ever lived, he was.'

'And what happened to him?' asked Dan.

'When morning came, Cold Iron was master of him and his fortune, and he
went to work among folk in housen. Presently he came across a maid
like-minded with himself, and they were wedded, and had bushels of
children, as the saying is. Perhaps you'll meet some of his breed, this
year.'

'Thank you,' said Una. 'But what did the poor Lady Esclairmonde do?'

'What _can_ you do when Asa Thor lays the Cold Iron in a lad's path? She
and Sir Huon were comforted to think they had given the Boy good store
of learning to act and influence on folk in housen. For he _was_ a good
boy! Isn't it getting on for breakfast time? I'll walk with you a
piece.'

When they were well in the centre of the bone-dry fern, Dan nudged Una,
who stopped and put on a boot as quickly as she could.

'Now,' she said, 'you can't get any Oak, Ash, and Thorn leaves from
here, and'--she balanced wildly on one leg--'I'm standing on Cold Iron.
What'll you do if we don't go away?'

'E-eh? Of all mortal impudence!' said Puck, as Dan, also in one boot,
grabbed his sister's hand to steady himself. He walked round them,
shaking with delight. 'You think I can only work with a handful of dead
leaves? This comes of taking away your Doubt and Fear! I'll show you!'

       *       *       *       *       *

A minute later they charged into old Hobden at his simple breakfast of
cold roast pheasant, shouting that there was a wasps' nest in the fern
which they had nearly stepped on, and asking him to come and smoke it
out.

'It's too early for wops-nestes, an' I don't go diggin' in the Hill, not
for shillin's,' said the old man placidly. 'You've a thorn in your foot,
Miss Una. Sit down, and put on your t'other boot. You're too old to be
caperin' barefoot on an empty stomach. Stay it with this chicken o'
mine.'




COLD IRON


    '_Gold is for the mistress--silver for the maid!
    Copper for the craftsman cunning at his trade._'
    'Good!' said the Baron, sitting in his hall,
    'But Iron--Cold Iron--is master of them all!'

    So he made rebellion 'gainst the King his liege,
    Camped before his citadel and summoned it to siege--
    'Nay!' said the cannoneer on the castle wall,
    'But Iron--Cold Iron--shall be master of you all!'

    Woe for the Baron and his knights so strong,
    When the cruel cannon-balls laid 'em all along!
    He was taken prisoner, he was cast in thrall,
    And Iron--Cold Iron--was master of it all!

    Yet his King spake kindly (Oh, how kind a Lord!)
    'What if I release thee now and give thee back thy sword?'
    'Nay!' said the Baron, 'mock not at my fall,
    For Iron--Cold Iron--is master of men all.'

    '_Tears are for the craven, prayers are for the clown--
    Halters for the silly neck that cannot keep a crown._'
    'As my loss is grievous, so my hope is small,
    For Iron--Cold Iron--must be master of men all!'

    Yet his King made answer (few such Kings there be!)
    'Here is Bread and here is Wine--sit and sup with me.
    Eat and drink in Mary's name, the whiles I do recall
    How Iron--Cold Iron--can be master of men all!'

    He took the Wine and blessed It; He blessed and brake the Bread.
    With His own Hands He served Them, and presently He said:
    'Look! These Hands they pierced with nails outside my city wall
    Show Iron--Cold Iron--to be master of men all!

    'Wounds are for the desperate, blows are for the strong,
    Balm and oil for weary hearts all cut and bruised with wrong.
    I forgive thy treason--I redeem thy fall--
    For Iron--Cold Iron--must be master of men all!'

    '_Crowns are for the valiant--sceptres for the bold!
    Thrones and powers for mighty men who dare to take and hold._'
    'Nay!' said the Baron, kneeling in his hall,
    'But Iron--Cold Iron--is master of man all!
          Iron, out of Calvary, is master of man all!'




Gloriana




THE TWO COUSINS


    Valour and Innocence
    Have latterly gone hence
    To certain death by certain shame attended.
    Envy--ah! even to tears!--
    The fortune of their years
    Which, though so few, yet so divinely ended.

    Scarce had they lifted up
    Life's full and fiery cup,
    Than they had set it down untouched before them.
    Before their day arose
    They beckoned it to close--
    Close in destruction and confusion o'er them.

    They did not stay to ask
    What prize should crown their task,
    Well sure that prize was such as no man strives for;
    But passed into eclipse,
    Her kiss upon their lips--
    Even Belphoebe's, whom they gave their lives for!




Gloriana


Willow Shaw, the little fenced wood where the hop-poles are stacked like
Indian wigwams, had been given to Dan and Una for their very own kingdom
when they were quite small. As they grew older, they contrived to keep
it most particularly private. Even Phillips, the gardener, told them
every time he came in to take a hop-pole for his beans, and old Hobden
would no more have thought of setting his rabbit-wires there without
leave, given fresh each spring, than he would have torn down the calico
and marking-ink notice on the big willow which said: 'Grown-ups not
allowed in the Kingdom unless brought.'

Now you can understand their indignation when, one blowy July afternoon,
as they were going up for a potato-roast, they saw somebody moving among
the trees. They hurled themselves over the gate, dropping half the
potatoes, and while they were picking them up Puck came out of a wigwam.

'Oh, it's you, is it?' said Una. 'We thought it was people.'

'I saw you were angry--from your legs,' he answered with a grin.

'Well, it's our own Kingdom--not counting you, of course.'

'That's rather why I came. A lady here wants to see you.'

'What about?' said Dan cautiously.

'Oh, just Kingdoms and things. She knows about Kingdoms.'

There was a lady near the fence dressed in a long dark cloak that hid
everything except her high red-heeled shoes. Her face was half covered
by a black silk fringed mask, without goggles. And yet she did not look
in the least as if she motored.

Puck led them up to her and bowed solemnly. Una made the best
dancing-lesson curtsy she could remember. The lady answered with a long,
deep, slow, billowy one.

'Since it seems that you are a Queen of this Kingdom,' she said, 'I can
do no less than acknowledge your sovereignty.' She turned sharply on
staring Dan. 'What's in your head, lad? Manners?'

'I was thinking how wonderfully you did that curtsy,' he answered.

She laughed a rather shrill laugh. 'You're a courtier already. Do you
know anything of dances, wench--or Queen, must I say?'

'I've had some lessons, but I can't really dance a bit,' said Una.

'You should learn then.' The lady moved forward as though she would
teach her at once. 'It gives a woman alone among men or her enemies
time to think how she shall win or--lose. A woman can only work in man's
playtime. Heigho!' She sat down on the bank.

Old Middenboro, the lawn-mower pony, stumped across the paddock and hung
his sorrowful head over the fence.

'A pleasant Kingdom,' said the lady, looking round. 'Well enclosed. And
how does your Majesty govern it? Who is your Minister?'

Una did not quite understand. 'We don't play that,' she said.

'Play?' The lady threw up her hands and laughed.

'We have it for our own, together,' Dan explained.

'And d'you never quarrel, young Burleigh?'

'Sometimes, but then we don't tell.'

The lady nodded. 'I've no brats of my own, but I understand keeping a
secret between Queens and their Ministers. _Ay de mi!_ But with no
disrespect to present majesty, methinks your realm is small, and
therefore likely to be coveted by man and beast. For example'--she
pointed to Middenboro--'yonder old horse, with the face of a Spanish
friar--does he never break in?'

'He can't. Old Hobden stops all our gaps for us,' said Una, 'and we let
Hobden catch rabbits in the Shaw.'

The lady laughed like a man. 'I see! Hobden catches conies--rabbits--for
himself, and guards your defences for you. Does he make a profit out of
his coney-catching?'

'We never ask,' said Una. 'Hobden's a particular friend of ours.'

'Hoity-toity!' the lady began angrily. Then she laughed. 'But I forget.
It is your Kingdom. I knew a maid once that had a larger one than this
to defend, and so long as her men kept the fences stopped, she asked 'em
no questions either.'

'Was she trying to grow flowers?' said Una.

'No, trees--perdurable trees. Her flowers all withered.' The lady leaned
her head on her hand.

'They do if you don't look after them. We've got a few. Would you like
to see? I'll fetch you some.' Una ran off to the rank grass in the shade
behind the wigwam, and came back with a handful of red flowers. 'Aren't
they pretty?' she said. 'They're Virginia stock.'

'Virginia?' said the lady, and lifted them to the fringe of her mask.

'Yes. They come from Virginia. Did your maid ever plant any?'

'Not herself--but her men adventured all over the earth to pluck or to
plant flowers for her crown. They judged her worthy of them.'

'And was she?' said Dan cheerfully.

'_Quien sabe?_ (who knows?) But at least, while her men toiled abroad
she toiled in England, that they might find a safe home to come back
to.'

'And what was she called?'

'Gloriana--Belphoebe--Elizabeth of England.' Her voice changed at each
word.

'You mean Queen Bess?' The lady bowed her head a little towards Dan.

'You name her lightly enough, young Burleigh. What might you know of
her?' said she.

'Well, I--I've seen the little green shoes she left at Brickwall
House--down the road, you know. They're in a glass case--awfully tiny
things.'

'Oh, Burleigh, Burleigh!' she laughed. 'You are a courtier too soon.'

'But they are,' Dan insisted. 'As little as dolls' shoes. Did you really
know her well?'

'Well. She was a--woman. I've been at her Court all my life. Yes, I
remember when she danced after the banquet at Brickwall. They say she
danced Philip of Spain out of a brand-new kingdom that day. Worth the
price of a pair of old shoes--hey?'

She thrust out one foot, and stooped forward to look at its broad
flashing buckle.

'You've heard of Philip of Spain--long-suffering Philip,' she said, her
eyes still on the shining stones. 'Faith, what some men will endure at
some women's hands passes belief! If _I_ had been a man, and a woman had
played with me as Elizabeth played with Philip, I would have----' She
nipped off one of the Virginia stocks and held it up between finger and
thumb. 'But for all that'--she began to strip the leaves one by
one--'they say--and I am persuaded--that Philip loved her.' She tossed
her head sideways.

'I don't quite understand,' said Una.

'The high heavens forbid that you should, wench!' She swept the flowers
from her lap and stood up in the rush of shadows that the wind chased
through the wood.

'I should like to know about the shoes,' said Dan.

'So ye shall, Burleigh. So ye shall, if ye watch me. 'Twill be as good
as a play.'

'We've never been to a play,' said Una.

The lady looked at her and laughed. 'I'll make one for you. Watch! You
are to imagine that she--Gloriana, Belphoebe, Elizabeth--has gone on a
progress to Rye to comfort her sad heart (maids are often melancholic),
and while she halts at Brickwall House, the village--what was its name?'
She pushed Puck with her foot.

'Norgem,' he croaked, and squatted by the wigwam.

'Norgem village loyally entertains her with a masque or play, and a
Latin oration spoken by the parson, for whose false quantities, if I'd
made 'em in my girlhood, I should have been whipped.'

'You whipped?' said Dan.

'Soundly, sirrah, soundly! She stomachs the affront to her scholarship,
makes her grateful, gracious thanks from the teeth outwards, thus'--(the
lady yawned)--'Oh, a Queen may love her subjects in her heart, and yet
be dog-wearied of 'em in body and mind--and so sits down'--her skirts
foamed about her as she sat--'to a banquet beneath Brickwall Oak. Here
for her sins she is waited upon by---- What were the young cockerels'
names that served Gloriana at table?'

'Frewens, Courthopes, Fullers, Husseys,' Puck began.

She held up her long jewelled hand. 'Spare the rest! They were the best
blood of Sussex, and by so much the more clumsy in handling the dishes
and plates. Wherefore'--she looked funnily over her shoulder--'you are
to think of Gloriana in a green and gold-laced habit, dreadfully
expecting that the jostling youths behind her would, of pure jealousy or
devotion, spatter it with sauces and wines. The gown was Philip's gift,
too! At this happy juncture a Queen's messenger, mounted and mired,
spurs up the Rye road and delivers her a letter'--she giggled--'a letter
from a good, simple, frantic Spanish gentleman called--Don Philip.'

'That wasn't Philip, King of Spain?' Dan asked.

'Truly, it was. 'Twixt you and me and the bedpost, young Burleigh, these
kings and queens are very like men and women, and I've heard they write
each other fond, foolish letters that none of their ministers should
open.'

'Did her ministers ever open Queen Elizabeth's letters?' said Una.

'Faith, yes! But she'd have done as much for theirs, any day. You are to
think of Gloriana, then (they say she had a pretty hand), excusing
herself thus to the company--for the Queen's time is never her own--and,
while the music strikes up, reading Philip's letter, as I do.' She drew
a real letter from her pocket, and held it out almost at arm's length,
like the old post-mistress in the village when she reads telegrams.

'_Hm! Hm! Hm!_ Philip writes as ever most lovingly. He says his Gloriana
is cold, for which reason he burns for her through a fair written
page.' She turned it with a snap. 'What's here? Philip complains that
certain of her gentlemen have fought against his generals in the Low
Countries. He prays her to hang 'em when they re-enter her realms. (Hm,
that's as may be.) Here's a list of burnt shipping slipped between two
vows of burning adoration. Oh, poor Philip! His admirals at sea--no less
than three of 'em--have been boarded, sacked, and scuttled on their
lawful voyages by certain English mariners (gentlemen, he will not call
them), who are now at large and working more piracies in _his_ American
ocean, which the Pope gave him. (He and the Pope should guard it, then!)
Philip hears, but his devout ears will not credit it, that Gloriana in
some fashion countenances these villains' misdeeds, shares in their
booty, and--oh, shame!--has even lent them ships royal for their sinful
thefts. Therefore he requires (which is a word Gloriana loves not),
_requires_ that she shall hang 'em when they return to England, and
afterwards shall account to him for all the goods and gold they have
plundered. A most loving request! If Gloriana will not be Philip's
bride, she shall be his broker and his butcher! Should she still be
stiff-necked, he writes--see where the pen digged the innocent
paper!--that he hath both the means and the intention to be revenged on
her. Aha! Now we come to the Spaniard in his shirt!' (She waved the
letter merrily.) 'Listen here! Philip will prepare for Gloriana a
destruction from the West--a destruction from the West--far exceeding
that which Pedro de Avila wrought upon the Huguenots. And he rests and
remains, kissing her feet and her hands, her slave, her enemy, or her
conqueror, as he shall find that she uses him.'

She thrust back the letter under her cloak, and went on acting, but in a
softer voice. 'All this while--hark to it--the wind blows through
Brickwall Oak, the music plays, and, with the company's eyes upon her,
the Queen of England must think what this means. She cannot remember the
name of Pedro de Avila, nor what he did to the Huguenots, nor when, nor
where. She can only see darkly some dark motion moving in Philip's dark
mind, for he hath never written before in this fashion. She must smile
above the letter as though it were good news from her ministers--the
smile that tires the mouth and the poor heart. What shall she do?' Again
her voice changed.

'You are to fancy that the music of a sudden wavers away. Chris Hatton,
Captain of her bodyguard, quits the table all red and ruffled, and
Gloriana's virgin ear catches the clash of swords at work behind a wall.
The mothers of Sussex look round to count their chicks--I mean those
young game-cocks that waited on her. Two dainty youths have stepped
aside into Brickwall garden with rapier and dagger on a private point of
honour. They are haled out through the gate, disarmed and glaring--the
lively image of a brace of young Cupids transformed into pale, panting
Cains. Ahem! Gloriana beckons awfully--thus! They come up for judgment.
Their lives and estates lie at her mercy whom they have doubly offended,
both as Queen and woman. But la! what will not foolish young men do for
a beautiful maid?'

'Why? What did she do? What had they done?' said Una.

'Hsh! You mar the play! Gloriana had guessed the cause of the trouble.
They were handsome lads. So she frowns a while and tells 'em not to be
bigger fools than their mothers had made 'em, and warns 'em, if they do
not kiss and be friends on the instant, she'll have Chris Hatton horse
and birch 'em in the style of the new school at Harrow. (Chris looks
sour at that.) Lastly, because she needed time to think on Philip's
letter burning in her pocket, she signifies her pleasure to dance with
'em and teach 'em better manners. Whereat the revived company call down
Heaven's blessing on her gracious head; Chris and the others prepare
Brickwall House for a dance, and she walks in the clipped garden between
those two lovely young sinners who are both ready to sink for shame.
They confess their fault. It appears that midway in the banquet the
elder--they were cousins--conceived that the Queen looked upon him with
special favour. The younger, taking the look to himself, after some
words gives the elder the lie; hence, as she guessed, the duel.'

'And which had she really looked at?' Dan asked.

[Illustration: 'Admiral Boy--Vice-Admiral Babe,' says Gloriana, 'I cry
your pardon.'--P. 41.]

'Neither--except to wish them farther off. She was afraid all the while
they'd spill dishes on her gown. She tells 'em this, poor chicks--and
it completes their abasement. When they had grilled long enough, she
says: "And so you would have fleshed your maiden swords for me--for me?"
Faith, they would have been at it again if she'd egged 'em on! but their
swords--oh, prettily they said it!--had been drawn for her once or twice
already.

'"And where?" says she. "On your hobby-horses before you were breeched?"

'"On my own ship," says the elder. "My cousin was vice-admiral of our
venture in his pinnace. We would not have you think of us as brawling
children."

'"No, no," says the younger, and flames like a very Tudor rose. "At
least the Spaniards know us better."

'"Admiral Boy--Vice-Admiral Babe," says Gloriana, "I cry your pardon.
The heat of these present times ripens childhood to age more quickly
than I can follow. But we are at peace with Spain. Where did you break
your Queen's peace?"

'"On the sea called the Spanish Main, though 'tis no more Spanish than
my doublet," says the elder. Guess how that warmed Gloriana's already
melting heart! She would never suffer any sea to be called Spanish in
her private hearing.

'"And why was I not told? What booty got you, and where have you hid it?
Disclose," says she. "You stand in some danger of the gallows for
pirates."

'"The axe, most gracious lady," says the elder, "for we are gentle
born." He spoke truth, but no woman can brook contradiction.
"Hoity-toity," says she, and, but that she remembered that she was a
Queen, she'd have cuffed the pair of 'em. "It shall be gallows, hurdle,
and dung-cart if I choose."

'"Had our Queen known of our going beforehand, Philip might have held
her to blame for some small things we did on the seas," the younger
lisps.

'"As for treasure," says the elder, "we brought back but our bare lives.
We were wrecked on the Gascons' Graveyard, where our sole company for
three months was the bleached bones of De Avila's men."

'Gloriana's mind jumped back to Philip's last letter.

'"De Avila that destroyed the Huguenots? What d'you know of him?" she
says. The music called from the house here, and they three turned back
between the yews.

'"Simply that De Avila broke in upon a plantation of Frenchmen on that
coast, and very Spaniardly hung them all for heretics--eight hundred or
so. The next year Dominique de Gorgues, a Gascon, broke in upon De
Avila's men, and very justly hung 'em all for murderers--five hundred or
so. No Christians inhabit there now," says the elder lad, "though 'tis a
goodly land north of Florida."

'"How far is it from England?" asks prudent Gloriana.

'"With a fair wind, six weeks. They say that Philip will plant it again
soon." This was the younger, and he looked at her out of the corner of
his innocent eye.

'Chris Hatton, fuming, meets and leads her into Brickwall Hall, where
she dances--thus. A woman can think while she dances--can think. I'll
show you. Watch!'

She took off her cloak slowly, and stood forth in dove-coloured satin,
worked over with pearls that trembled like running water in the running
shadows of the trees. Still talking--more to herself than to the
children--she swam into a majestical dance of the stateliest balancings,
the haughtiest wheelings and turnings aside, the most dignified
sinkings, the gravest risings, all joined together by the elaboratest
interlacing steps and circles.

They leaned forward breathlessly to watch the splendid acting.

'Would a Spaniard,' she began, looking on the ground, 'speak of his
revenge till his revenge were ripe? No. Yet a man who loved a woman
might threaten her in the hope that his threats would make her love him.
Such things have been.' She moved slowly across a bar of sunlight. 'A
destruction from the West may signify that Philip means to descend on
Ireland. But then my Irish spies would have had some warning. The Irish
keep no secrets. No--it is not Ireland. Now why--why--why'--the red
shoes clicked and paused--'does Philip name Pedro Melendez de Avila, a
general in his Americas, unless'--she turned more quickly--'unless he
intends to work his destruction from the Americas? Did he say De Avila
only to put her off her guard, or for this once has his black pen
betrayed his black heart? We'--she raised herself to her full
height--'England must forestall Master Philip. But not openly,' she sank
again--'we cannot fight Spain openly--not yet--not yet.' She stepped
three paces as though she were pegging down some snare with her
twinkling shoe-buckles. 'The Queen's mad gentlemen may fight Philip's
poor admirals where they find 'em, but England, Gloriana, Harry's
daughter, must keep the peace. Perhaps, after all, Philip loves her--as
many men and boys do. That may help England. Oh, _what_ shall help
England?'

She raised her head--the masked head that seemed to have nothing to do
with the busy feet--and stared straight at the children.

'I think this is rather creepy,' said Una with a shiver. 'I wish she'd
stop.'

The lady held out her jewelled hand as though she were taking some one
else's hand in the Grand Chain.

'Can a ship go down into the Gascons' Graveyard and wait there?' she
asked into the air, and passed on rustling.

'She's pretending to ask one of the cousins, isn't she?' said Dan, and
Puck nodded.

Back she came in the silent, swaying, ghostly dance. They saw she was
smiling beneath the mask, and they could hear her breathing hard.

'I cannot lend you any my ships for the venture; Philip would hear of
it,' she whispered over her shoulder; 'but as much guns and powder as
you ask, if you do not ask too----' her voice shot up and she stamped
her foot thrice. 'Louder! Louder, the music in the gallery! Oh, me, but
I have burst out of my shoe!'

She gathered her skirts in each hand, and began a curtsy. 'You will go
at your own charges,' she whispered straight before her. 'Oh, enviable
and adorable age of youth!' Her eyes shone through the mask-holes. 'But
I warn you you'll repent it. Put not your trust in princes--or Queens.
Philip's ships'll blow you out of water. You'll not be frightened? Well,
we'll talk on it again, when I return from Rye, dear lads.'

The wonderful curtsy ended. She stood up. Nothing stirred on her except
the rush of the shadows.

'And so it was finished,' she said to the children. 'Why d'you not
applaud?'

'What was finished?' said Una.

'The dance,' the lady replied offendedly. 'And a pair of green shoes.'

'I don't understand a bit,' said Una.

'Eh? What did _you_ make of it, young Burleigh?'

'I'm not quite sure,' Dan began, 'but----'

'You never can be--with a woman. But----'

'But I thought Gloriana meant the cousins to go back to the Gascons'
Graveyard, wherever that was.'

''Twas Virginia afterwards. Her plantation of Virginia.'

'Virginia afterwards, and stop Philip from taking it. Didn't she say
she'd lend 'em guns?'

'Right so. But not ships--_then_.'

'And I thought you meant they must have told her they'd do it off their
own bat, without getting her into a row with Philip. Was I right?'

'Near enough for a Minister of the Queen. But remember she gave the lads
full time to change their minds. She was three long days at Rye
Royal--knighting of fat Mayors. When she came back to Brickwall, they
met her a mile down the road, and she could feel their eyes burn through
her riding-mask. Chris Hatton, poor fool, was vexed at it.

'"You would not birch them when I gave you the chance," says she to
Chris. "Now you must get me half an hour's private speech with 'em in
Brickwall garden. Eve tempted Adam in a garden. Quick, man, or I may
repent!"'

'She was a Queen. Why did she not send for them herself,' said Una.

The lady shook her head. 'That was never her way. I've seen her walk to
her own mirror by bye-ends, and the woman that cannot walk straight
_there_ is past praying for. Yet I would have you pray for her! What
else--what else in England's name could she have done?' She lifted her
hand to her throat for a moment. 'Faith,' she cried, 'I'd forgotten the
little green shoes! She left 'em at Brickwall--so she did. And I
remember she gave the Norgem parson--John Withers, was he?--a text for
his sermon--"Over Edom have I cast out my shoe." Neat, if he'd
understood!'

'I don't understand,' said Una. 'What about the two cousins?'

'You are as cruel as a woman,' the lady answered. '_I_ was not to blame.
I told you I gave 'em time to change their minds. On my honour (_ay de
mi!_), she asked no more of 'em at first than to wait a while off that
coast--the Gascons' Graveyard--to hover a little if their ships chanced
to pass that way--they had only one tall ship and a pinnace--only to
watch and bring me word of Philip's doings. One must watch Philip
always. What a murrain right had he to make any plantation there, a
hundred leagues north of his Spanish Main, and only six weeks from
England? By my dread father's soul, I tell you he had none--none!' She
stamped her red foot again, and the two children shrunk back for a
second.

'Nay, nay. You must not turn from me too! She laid it all fairly before
the lads in Brickwall garden between the yews. I told 'em that if Philip
sent a fleet (and to make a plantation he could not well send less),
their poor little cock-boats could not sink it. They answered that, with
submission, the fight would be their own concern. She showed 'em again
that there could be only one end to it--quick death on the sea, or slow
death in Philip's prisons. They asked no more than to embrace death for
my sake. Many men have prayed to me for life. I've refused 'em, and
slept none the worse after; but when my men, my tall, fantastical young
men beseech me on their knees for leave to die for me, it shakes
me--ah, it shakes me to the marrow of my old bones.'

Her chest sounded like a board as she hit it.

'She showed 'em all. I told 'em that this was no time for open war with
Spain. If by miracle inconceivable they prevailed against Philip's
fleet, Philip would hold me accountable. For England's sake, to save
war, I should e'en be forced (I told 'em so) to give him up their young
lives. If they failed, and again by some miracle escaped Philip's hand,
and crept back to England with their bare lives, they must lie--oh, I
told 'em all--under my sovereign displeasure. She could not know them,
see them, nor hear their names, nor stretch out a finger to save them
from the gallows, if Philip chose to ask it.

'"Be it the gallows, then," says the elder. (I could have wept, but that
my face was made for the day.)

'"Either way--any way--this venture is death, which I know you fear not.
But it is death with assured dishonour," I cried.

'"Yet our Queen will know in her heart what we have done," says the
younger.

'"Sweetheart," I said. "A queen has no heart."

'"But she is a woman, and a woman would not forget," says the elder. "We
will go!" They knelt at my feet.

'"Nay, dear lads--but here!" I said, and I opened my arms to them and I
kissed them.

'"Be ruled by me," I said. "We'll hire some ill-featured old
tarry-breeks of an admiral to watch the Graveyard, and you shall come
to Court."

'"Hire whom you please," says the elder; "we are ruled by you, body and
soul"; and the younger, who shook most when I kissed 'em, says between
his white lips, "I think you have power to make a god of a man."

'"Come to Court and be sure of it," I says.

'They shook their heads and I knew--I knew, that go they would. If I had
not kissed them--perhaps I might have prevailed.'

'Then why did you do it?' said Una. 'I don't think you knew really what
you wanted done.'

'May it please your Majesty,' the lady bowed her head low, 'this
Gloriana whom I have represented for your pleasure was a woman and a
Queen. Remember her when you come to your kingdom.'

'But did the cousins go to the Gascons' Graveyard?' said Dan, as Una
frowned.

'They went,' said the lady.

'Did they ever come back?' Una began; but--'Did they stop King Philip's
fleet?' Dan interrupted.

The lady turned to him eagerly.

'D'you think they did right to go?' she asked.

'I don't see what else they could have done,' Dan replied, after
thinking it over.

'D'you think she did right to send 'em?' The lady's voice rose a little.

'Well,' said Dan, 'I don't see what else she could have done, either--do
you? How did they stop King Philip from getting Virginia?'

'There's the sad part of it. They sailed out that autumn from Rye Royal,
and there never came back so much as a single rope-yarn to show what had
befallen them. The winds blew, and they were not. Does that make you
alter your mind, young Burleigh?'

'I expect they were drowned, then. Anyhow, Philip didn't score, did he?'

'Gloriana wiped out her score with Philip later. But if Philip had won,
would you have blamed Gloriana for wasting those lads' lives?'

'Of course not. She was bound to try to stop him.'

The lady coughed. 'You have the root of the matter in you. Were I Queen,
I'd make you Minister.'

'We don't play that game,' said Una, who felt that she disliked the lady
as much as she disliked the noise the high wind made tearing through
Willow Shaw.

'Play!' said the lady with a laugh, and threw up her hands affectedly.
The sunshine caught the jewels on her many rings and made them flash
till Una's eyes dazzled, and she had to rub them. Then she saw Dan on
his knees picking up the potatoes they had spilled at the gate.

'There wasn't anybody in the Shaw, after all,' he said. 'Didn't you
think you saw some one?'

'I'm most awfully glad there isn't,' said Una. Then they went on with
the potato-roast.




THE LOOKING-GLASS


    _Queen Bess was Harry's daughter!_

    The Queen was in her chamber, and she was middling old,
    Her petticoat was satin and her stomacher was gold.
    Backwards and forwards and sideways did she pass,
    Making up her mind to face the cruel looking-glass.
      The cruel looking-glass that will never show a lass
      As comely or as kindly or as young as once she was!

    The Queen was in her chamber, a-combing of her hair,
    There came Queen Mary's spirit and it stood behind her chair,
    Singing, 'Backwards and forwards and sideways may you pass,
    But I will stand behind you till you face the looking-glass.
      The cruel looking-glass that will never show a lass
      As lovely or unlucky or as lonely as I was!'

    The Queen was in her chamber, a-weeping very sore,
    There came Lord Leicester's spirit and it scratched upon the door,
    Singing, 'Backwards and forwards and sideways may you pass,
    But I will walk beside you till you face the looking-glass.
      The cruel looking-glass that will never show a lass
      As hard and unforgiving or as wicked as you was!'

    The Queen was in her chamber; her sins were on her head;
    She looked the spirits up and down and statelily she said:
    'Backwards and forwards and sideways though I've been,
    Yet I am Harry's daughter and I am England's Queen!'
      And she faced the looking-glass (and whatever else there was),
      And she saw her day was over and she saw her beauty pass
      In the cruel looking-glass that can always hurt a lass
      More hard than any ghost there is or any man there was!




The Wrong Thing




A TRUTHFUL SONG


I.

THE BRICKLAYER:--

  _I tell this tale which is strictly true,
  Just by way of convincing you
  How very little since things were made
  Things have altered in the building trade._

  A year ago, come the middle o' March,
  We was building flats near the Marble Arch,
  When a thin young man with coal-black hair
  Came up to watch us working there.

  Now there wasn't a trick in brick or stone
  That this young man hadn't seen or known;
  Nor there wasn't a tool from trowel to maul
  But this young man could use 'em all!

  Then up and spoke the plumbyers bold,
  Which was laying the pipes for the hot and cold:
  'Since you with us have made so free,
  Will you kindly say what your name might be?'

  The young man kindly answered them:
  'It might be Lot or Methusalem,
  Or it might be Moses (a man I hate),
  Whereas it is Pharaoh surnamed the Great.

  'Your glazing is new and your plumbing's strange,
  But otherwise I perceive no change,
  And in less than a month if you do as I bid
  I'd learn you to build me a Pyramid.'


II.

THE SAILOR:--

  _I tell this tale which is stricter true,
  Just by way of convincing you
  How very little since things was made
  Things have altered in the shipwright's trade._

  In Blackwall Basin yesterday
  A China barque re-fitting lay,
  When a fat old man with snow-white hair
  Came up to watch us working there.

  Now there wasn't a knot which the riggers knew
  But the old man made it--and better too;
  Nor there wasn't a sheet, or a lift, or a brace,
  But the old man knew its lead and place.

  Then up and spake the caulkyers bold,
  Which was packing the pump in the after-hold:
  'Since you with us have made so free,
  Will you kindly tell what your name might be?'

  The old man kindly answered them:
  'It might be Japhet, it might be Shem,
  Or it might be Ham (though his skin was dark),
  Whereas it is Noah, commanding the Ark.

  'Your wheel is new and your pumps are strange,
  But otherwise I perceive no change,
  And in less than a week, if she did not ground,
  I'd sail this hooker the wide world round!'

BOTH: _We tell these tales which are strictest true, etc._




The Wrong Thing


Dan had gone in for building model boats; but after he had filled the
schoolroom with chips, which he expected Una to clear away, they turned
him out of doors and he took all his tools up the hill to Mr.
Springett's yard, where he knew he could make as much mess as he chose.
Old Mr. Springett was a builder, contractor, and sanitary engineer, and
his yard, which opened off the village street, was always full of
interesting things. At one end of it was a long loft, reached by a
ladder, where he kept his iron-bound scaffold planks, tins of paints,
pulleys, and odds and ends he had found in old houses. He would sit here
by the hour watching his carts as they loaded or unloaded in the yard
below, while Dan gouged and grunted at the carpenter's bench near the
loft window. Mr. Springett and Dan had always been particular friends,
for Mr. Springett was so old he could remember when railways were being
made in the southern counties of England, and people were allowed to
drive dogs in carts.

One hot, still afternoon--the tar-paper on the roof smelt like
ships--Dan, in his shirt sleeves, was smoothing down a new schooner's
bow, and Mr. Springett was talking of barns and houses he had built. He
said he never forgot any stick or stone he had ever handled, or any man,
woman, or child he had ever met. Just then he was very proud of the
village Hall at the entrance to the village, which he had finished a few
weeks before.

'An' I don't mind tellin' you, Mus' Dan,' he said, 'that the Hall will
be my last job top of this mortal earth. I didn't make ten pounds--no,
nor yet five--out o' the whole contrac', but my name's lettered on the
foundation stone--_Ralph Springett, Builder_--and the stone she's bedded
on four foot good concrete. If she shifts any time these five hundred
years, I'll sure-ly turn in my grave. I told the Lunnon architec' so
when he come down to oversee my work.'

'What did he say?' Dan was sandpapering the schooner's port bow.

'Nothing. The Hall ain't more than one of his small jobs for _him_, but
'tain't small to me, an' my name is cut and lettered, frontin' the
village street, I do hope an' pray, for time everlastin.' You'll want
the little round file for that holler in her bow. Who's there?' Mr.
Springett turned stiffly in his chair.

A long pile of scaffold-planks ran down the centre of the loft. Dan
looked, and saw Hal of the Draft's touzled head beyond them.[3]

[3] See 'Hal o' the Draft' in _Puck of Pook's Hill_.

'Be you the builder of the village Hall?' he asked of Mr. Springett.

'I be,' was the answer. 'But if you want a job----'

Hal laughed. 'No, faith!' he said. 'Only the Hall is as good and honest
a piece of work as I've ever run a rule over. So, being born hereabouts,
and being reckoned a master among masons, and accepted as a master
mason, I made bold to pay my brotherly respects to the builder.'

'Aa--um!' Mr. Springett looked important. 'I be a bit rusty, but I'll
try ye!'

He asked Hal several curious questions, and the answers must have
pleased him, for he invited Hal to sit down. Hal moved up, always
keeping behind the pile of planks so that only his head showed, and sat
down on a trestle in the dark corner at the back of Mr. Springett's
desk. He took no notice of Dan, but talked at once to Mr. Springett
about bricks, and cement, and lead and glass, and after a while Dan went
on with his work. He knew Mr. Springett was pleased, because he tugged
his white sandy beard, and smoked his pipe in short puffs. The two men
seemed to agree about everything, but when grown-ups agree they
interrupt each other almost as much as if they were quarrelling. Hal
said something about workmen.

'Why, that's what _I_ always say,' Mr. Springett cried. 'A man who can
only do one thing, he's but next-above-fool to the man that can't do
nothing. That's where the Unions make their mistake.'

'My thought to the very dot.' Dan heard Hal slap his tight-hosed leg.
'I've suffered in my time from these same Guilds--Unions d'you call 'em?
All their precious talk of the mysteries of their trades--why, what
does it come to?'

'Nothin'! You've just about hit it,' said Mr. Springett, and rammed his
hot tobacco with his thumb.

'Take the art of wood-carving,' Hal went on. He reached across the
planks, grabbed a wooden mallet, and moved his other hand as though he
wanted something. Mr. Springett without a word passed him one of Dan's
broad chisels. 'Ah! Wood-carving, for example. If you can cut wood and
have a fair draft of what ye mean to do, a Heaven's name take chisel and
mall and let drive at it, say I! You'll soon find all the mystery,
forsooth, of wood-carving under your proper hand!' Whack, came the
mallet on the chisel, and a sliver of wood curled up in front of it. Mr.
Springett watched like an old raven.

'All art is one, man--one!' said Hal between whacks; 'and to wait on
another man to finish out----'

'To finish out your work ain't no sense,' Mr. Springett cut in. 'That's
what I'm always saying to the boy here.' He nodded towards Dan. 'That's
what I said when I put the new wheel into Brewster's Mill in Eighteen
hundred Seventy-two. I reckoned I was millwright enough for the job
'thout bringin' a man from Lunnon. An' besides, dividin' work eats up
profits, no bounds.'

Hal laughed his beautiful deep laugh, and Mr. Springett joined in till
Dan laughed too.

'You handle your tools, I can see,' said Mr. Springett. 'I reckon, if
you're any way like me, you've found yourself hindered by those--Guilds,
did you call 'em?--Unions, we say.'

'You may say so!' Hal pointed to a white scar on his cheek-bone. 'This
is a remembrance from the master watching Foreman of Masons on Magdalen
Tower, because, please you, I dared to carve stone without their leave.
They said a stone had slipped from the cornice by accident.'

'I know them accidents. There's no way to disprove 'em. An' stones ain't
the only things that slip,' Mr. Springett grunted. Hal went on:

'I've seen a scaffold-plank keckle and shoot a too-clever workman thirty
foot on to the cold chancel floor below. And a rope can break----'

'Yes, natural as nature; an' lime'll fly up in a man's eyes without any
breath o' wind sometimes,' said Mr. Springett. 'But who's to show
'twasn't a accident?'

'Who do these things?' Dan asked, and straightened his back at the bench
as he turned the schooner end-for-end in the vice to get at her counter.

'Them which don't wish other men to work no better nor quicker than they
do,' growled Mr. Springett. 'Don't pinch her so hard in the vice, Mus'
Dan. Put a piece o' rag in the jaws, or you'll bruise her. More than
that'--he turned towards Hal--'if a man has his private spite laid up
against you, the Unions give him his excuse for working it off.'

'Well I know it,' said Hal.

'They never let you go, them spiteful ones. I knowed a plasterer in
Eighteen hundred Sixty-one--down to the Wells. He was a Frenchy--a bad
enemy he was.'

'I had mine too. He was an Italian, called Benedetto. I met him first at
Oxford on Magdalen Tower when I was learning my trade--or trades, I
should say. A bad enemy he was, as you say, but he came to be my
singular good friend,' said Hal as he put down the mallet and settled
himself comfortably.

'What might his trade have been--plasterin'?' Mr. Springett asked.

'Plastering of a sort. He worked in stucco--fresco we call it. Made
pictures on plaster. Not but what he had a fine sweep of the hand in
drawing. He'd take the long sides of a cloister, trowel on his stuff,
and roll out his great all-abroad pictures of saints and croppy-topped
trees quick as a webster unrolling cloth almost. Oh, Benedetto could
draw, but a was a little-minded man, professing to be full of secrets of
colour or plaster--common tricks, all of 'em--and his one single talk
was how Tom, Dick or Harry had stole this or t'other secret art from
him.'

'I know that sort,' said Mr. Springett. 'There's no keeping peace or
making peace with such. An' they're mostly born an' bone idle.'

'True. Even his fellow-countrymen laughed at his jealousy. We two came
to loggerheads early on Magdalen Tower. I was a youngster then. Maybe I
spoke my mind about his work.'

'You shouldn't never do that.' Mr. Springett shook his head. 'That sort
lay it up against you.'

'True enough. This Benedetto did most specially. Body o' me, the man
lived to hate me! But I always kept my eyes open on a plank or a
scaffold. I was mighty glad to be shut of him when he quarrelled with
his Guild foreman, and went off, nose in air, and paints under his arm.
But'--Hal leaned forward--'if you hate a man or a man hates you----'

'_I_ know. You're everlastin' running acrost him,' Mr. Springett
interrupted. 'Excuse me, sir.' He leaned out of the window, and shouted
to a carter who was loading a cart with bricks.

'Ain't you no more sense than to heap 'em up that way?' he said. 'Take
an' throw a hundred of 'em off. It's more than the team can compass.
Throw 'em off, I tell you, and make another trip for what's left over.
Excuse me, sir. You was saying----'

'I was saying that before the end of the year I went to Bury to
strengthen the lead-work in the great Abbey east window there.'

'Now that's just one of the things I've never done. But I mind there was
a cheap excursion to Chichester in Eighteen hundred Seventy-nine, an' I
went an' watched 'em leading a won'erful fine window in Chichester
Cathedral. I stayed watchin' till 'twas time for us to go back. Dunno as
I had two drinks p'raps, all that day.'

Hal smiled. 'At Bury then, sure enough, I met my enemy Benedetto. He had
painted a picture in plaster on the south wall of the Refectory--a noble
place for a noble thing--a picture of Jonah.'

'Ah! Jonah an' his whale. I've never been as fur as Bury. You've worked
about a lot,' said Mr. Springett, with his eyes on the carter below.

'No. Not the whale. This was a picture of Jonah and the pompion that
withered. But all that Benedetto had shown was a peevish greybeard
huggled up in angle-edged drapery beneath a pompion on a wooden trellis.
This last, being a dead thing, he'd drawn it as 'twere to the life. But
fierce old Jonah, bared in the sun, angry even to death that his cold
prophecy was disproven--Jonah, ashamed, and already hearing the children
of Nineveh running to mock him--ah, that was what Benedetto had _not_
drawn!'

'He better ha' stuck to his whale, then,' said Mr. Springett.

'He'd ha' done no better with that. He draws the damp cloth off the
picture, an' shows it to me. I was a craftsman too, d'ye see?

'"'Tis good," I said, "but it goes no deeper than the plaster."

'"What?" he said in a whisper.

'"Be thy own judge, Benedetto," I answered. "Does it go deeper than the
plaster?"

'He reeled against a piece of dry wall. "No," he says, "and I know it. I
could not hate thee more than I have done these five years, but if I
live, I will try, Hal. I will try." Then he goes away. I pitied him, but
I had spoken truth. His picture went no deeper than the plaster.'

'Ah!' said Mr. Springett, who had turned quite red. 'You was talkin' so
fast I didn't understand what you was drivin' at. I've seen men--good
workmen they was--try to do more than they could do, and--and they
couldn't compass it. They knowed it, and it nigh broke their hearts
like. You was in your right, o' course, sir, to say what you thought o'
his work; but if you'll excuse me, was you in your duty?'

'I was wrong to say it,' Hal replied. 'God forgive me--I was young! He
was workman enough himself to know where he failed. But it all came
evens in the long run. By the same token, did ye ever hear o' one
Torrigiano--Torrisany we called him?'

'I can't say I ever did. Was he a Frenchy like?'

'No, a hectoring, hard-mouthed, long-sworded Italian builder, as vain as
a peacock and as strong as a bull, but, mark you, a master workman. More
than that--he could get his best work out of the worst men.'

'Which it's a gift. I had a foreman-bricklayer like him once,' said Mr.
Springett. 'He used to prod 'em in the back like with a pointing-trowel,
and they did wonders.'

'I've seen our Torrisany lay a 'prentice down with one buffet and raise
him with another--to make a mason of him. I worked under him at building
a chapel in London--a chapel and a tomb for the king.'

'I never knew kings went to chapel much,' said Mr. Springett. 'But I
always hold with a man, don't care who he be, seein' about his own grave
before he dies. Tidn't the sort of thing to leave to your family after
the will's read. I reckon 'twas a fine vault.'

'None finer in England. This Torrigiano had the contract for it, as
you'd say. He picked master craftsmen from all parts--England, France,
Italy, the Low Countries--no odds to him so long as they knew their
work, and he drove them like--like pigs at Brightling Fair. He called us
English all pigs. We suffered it because he was a master in his craft.
If he misliked any work that a man had done, with his own great hands
he'd rive it out, and tear it down before us all. "Ah, you pig--you
English pig!" he'd scream in the dumb wretch's face. "You answer me? You
look at me? You think at me? Come out with me into the cloisters. I will
teach you carving myself. I will gild you all over!" But when his
passion had blown out, he'd slip his arm round the man's neck, and
impart knowledge worth gold. 'Twould have done your heart good, Mus'
Springett, to see the two hundred of us--masons, jewellers, carvers,
gilders, iron workers and the rest--all toiling like cock-angels, and
this mad Italian hornet fleeing from one to next up and down the chapel.
'Done your heart good, it would!'

'I believe you,' said Mr. Springett. 'In Eighteen hundred Fifty-four, I
mind, the railway was bein' made into Hastin's. There was two thousand
navvies on it--all young--all strong--an' I was one of 'em. Oh, dearie
me! Excuse me, sir, but was your enemy workin' with you?'

'Benedetto? Be sure he was. He followed me like a lover. He painted
pictures on the chapel ceiling--slung from a chair. Torrigiano made us
promise not to fight till the work should be finished. We were both
master craftsmen, do ye see, and he needed us. None the less, I never
went aloft to carve 'thout testing all my ropes and knots each morning.
We were never far from each other. Benedetto 'ud sharpen his knife on
his sole while he waited for his plaster to dry--_wheet, wheet, wheet_.
I'd hear it where I hung chipping round a pillar-head, and we'd nod to
each other friendly-like. Oh, he was a craftsman, was Benedetto, but his
hate spoiled his eye and his hand. I mind the night I had finished the
models for the bronze saints round the tomb; Torrigiano embraced me
before all the chapel, and bade me to supper. I met Benedetto when I
came out. He was slavering in the porch like a mad dog.'

'Working himself up to it?' said Mr. Springett. 'Did he have it in at ye
that night?'

'No, no. That time he kept his oath to Torrigiano. But I pitied him. Eh,
well! Now I come to my own follies. I had never thought too little of
myself; but after Torrisany had put his arm round my neck, I--I'--Hal
broke into a laugh--'I lay there was not much odds 'twixt me and a
cock-sparrow in his pride.'

'I was pretty middlin' young once on a time,' said Mr. Springett.

'Then ye know that a man can't drink and dice and dress fine, and keep
company above his station, but his work suffers for it, Mus' Springett.'

'I never held much with dressin' up, but--you're right! The worst
mistakes _I_ ever made they was made on a Monday morning,' Mr.
Springett answered. 'We've all been one sort of fool or t'other. Mus'
Dan, Mus' Dan, take the smallest gouge, or you'll be spluttin' her stern
works clean out. Can't ye see the grain of the wood don't favour a
chisel?'

'I'll spare you some of my follies. But there was a man called
Brygandyne--Bob Brygandyne--Clerk of the King's Ships, a little, smooth,
bustling atomy, as clever as a woman to get work done for nothin'--a
won'erful smooth-tongued pleader. He made much o' me, and asked me to
draft him out a drawing, a piece of carved and gilt scroll-work for the
bows of one of the King's ships--the _Sovereign_ was her name.'

'Was she a man-of-war?' asked Dan.

'She was a war-ship, and a woman called Catherine of Castile desired the
King to give her the ship for a pleasure-ship of her own. _I_ did not
know at the time, but she'd been at Bob to get this scroll-work done and
fitted that the King might see it. I made him the picture, in an hour,
all of a heat after supper--one great heaving play of dolphins and a
Neptune or so reining in webby-footed sea-horses, and Arion with his
harp high atop of them. It was twenty-three foot long, and maybe nine
foot deep--painted and gilt.'

'It must ha' just about looked fine,' said Mr. Springett.

'That's the curiosity of it. 'Twas bad--rank bad. In my conceit I must
needs show it to Torrigiano, in the chapel. He straddles his legs;
hunches his knife behind him, and whistles like a storm-cock through a
sleet-shower. Benedetto was behind him. He were never far apart, I've
told you.

'"That is pig's work," says our Master. "Swine's work. You make any more
such things, even after your fine Court suppers, and you shall be sent
away."

'Benedetto licks his lips like a cat. "Is it so bad then, Master?" he
says. "What a pity!"

'"Yes," says Torrigiano. "Scarcely _you_ could do things so bad. I will
condescend to show."

'He talks to me then and there. No shouting, no swearing (it was too bad
for that); but good, memorable counsel, bitten in slowly. Then he sets
me to draft out a pair of iron gates, to take, as he said, the taste of
my naughty dolphins out of my mouth. Iron's sweet stuff if you don't
torture her, and hammered work is all pure, truthful line, with a reason
and a support for every curve and bar of it. A week at that settled my
stomach handsomely, and the Master let me put the work through the
smithy, where I sweated out more of my foolish pride.'

'Good stuff is good iron,' said Mr. Springett. 'I done a pair of lodge
gates once in Eighteen hundred Sixty-three.'

'Oh, I forgot to say that Bob Brygandyne whipped away my draft of the
ship's scroll-work, and would not give it back to me to re-draw. He said
'twould do well enough. Howsoever, my lawful work kept me too busied to
remember him. Body o' me, but I worked that winter upon the gates and
the bronzes for the tomb as I'd never worked before! I was leaner than a
lath, but I lived--I lived then!' Hal looked at Mr. Springett with his
wise, crinkled-up eyes, and the old man smiled back.

'Ouch!' Dan cried. He had been hollowing out the schooner's after-deck,
the little gouge had slipped and gashed the ball of his left thumb,--an
ugly, triangular tear.

'That came of not steadying your wrist,' said Hal calmly. 'Don't bleed
over the wood. _Do_ your work with your heart's blood, but no need to
let it show.' He rose and peered into a corner of the loft.

Mr. Springett had risen too, and swept down a ball of cobwebs from a
rafter.

'Clap that on,' was all he said, 'and put your handkerchief atop. 'Twill
cake over in a minute. It don't hurt now, do it?'

'No,' said Dan indignantly. 'You know it has happened lots of times.
I'll tie it up myself. Go on, sir.'

'And it'll happen hundreds of times more,' said Hal with a friendly nod
as he sat down again. But he did not go on till Dan's hand was tied up
properly. Then he said:

'One dark December day--too dark to judge colour--we was all sitting and
talking round the fires in the chapel (you heard good talk there), when
Bob Brygandyne bustles in and--"Hal, you're sent for," he squeals. I was
at Torrigiano's feet on a pile of put-locks, as I might be here,
toasting a herring on my knife's point. 'Twas the one English thing our
Master liked--salt herring.

'"I'm busy, about my art," I calls.

'"Art?" says Bob. "What's Art compared to your scroll-work for the
_Sovereign_. Come."

'"Be sure your sins will find you out," says Torrigiano. "Go with him
and see." As I followed Bob out I was aware of Benedetto, like a black
spot when the eyes are tired, sliddering up behind me.

'Bob hurries through the streets in the raw fog, slips into a doorway,
up stairs, along passages, and at last thrusts me into a little cold
room vilely hung with Flemish tapestries, and no furnishing except a
table and my draft of the _Sovereign's_ scroll-work. Here he leaves me.
Presently comes in a dark, long-nosed man in a fur cap.

'"Master Harry Dawe?" said he.

'"The same," I says. "Where a plague has Bob Brygandyne gone?"

'His thin eyebrows surged up a piece and come down again in a stiff bar.
"He went to the King," he says.

'"All one. What's your pleasure with me?" I says shivering, for it was
mortal cold.

'He lays his hand flat on my draft. "Master Dawe," he says, "do you know
the present price of gold leaf for all this wicked gilding of yours?"

'By that I guessed he was some cheese-paring clerk or other of the
King's Ships, so I gave him the price. I forget it now, but it worked
out to thirty pounds--carved, gilt, and fitted in place.

'"Thirty pounds!" he said, as though I had pulled a tooth of him. "You
talk as though thirty pounds was to be had for the asking. None the
less," he says, "your draft's a fine piece of work."

'I'd been looking at it ever since I came in, and 'twas viler even than
I judged it at first. My eye and hand had been purified the past months,
d'you see, by my iron work.

'"I could do it better now," I said. The more I studied my squabby
Neptunes the less I liked 'em; and Arion was a pure flaming shame atop
of the unbalanced dolphins.

'"I doubt it will be fresh expense to draft it again," he says.

'"Bob never paid me for the first draft. I lay he'll never pay me for
the second. 'Twill cost the King nothing if I re-draw it," I says.

'"There's a woman wishes it to be done quickly," he says. "We'll stick
to your first drawing, Mus' Dawe. But thirty pounds is thirty pounds.
You must make it less."

'And all the while the faults in my draft fair leaped out and hit me
between the eyes. At any cost, I thinks to myself, I must get it back
and re-draft it. He grunts at me impatiently, and a splendid thought
comes to me, which shall save me. By the same token, 'twas quite
honest.'

'They ain't always,' said Mr. Springett. 'How did you get out of it?'

'By the truth. I says to Master Fur Cap, as I might to you here, I
says, "I'll tell you something, since you seem a knowledgeable man. Is
the _Sovereign_ to lie in Thames river all her days, or will she take
the high seas?"

'"Oh," he says quickly, "the King keeps no cats that don't catch mice.
She must sail the seas, Master Dawe. She'll be hired to merchants for
the trade. She'll be out in all shapes o' weathers. Does that make any
odds?"

'"Why, then," says I, "the first heavy sea she sticks her nose into 'll
claw off half that scroll-work, and the next will finish it. If she's
meant for a pleasure-ship give me my draft again, and I'll porture you a
pretty, light piece of scroll-work, good, cheap. If she's meant for the
open sea, pitch the draft into the fire. She can never carry that weight
on her bows."

'He looks at me squintlings and plucks his under-lip.

'"Is this your honest, unswayed opinion?" he says.

'"Body o' me! Ask about!" I says. "Any seaman could tell you 'tis true.
I'm advising you against my own profit, but why I do so is my own
concern."

'"Not altogether," he says. "It's some of mine. You've saved me thirty
pounds, Master Dawe, and you've given me good arguments to use against a
wilful woman that wants my fine new ship for her own toy. We'll not have
any scroll-work." His face shined with pure joy.

'"Then see that the thirty pounds you've saved on it are honestly paid
the King," I says, "and keep clear o' womenfolk." I gathered up my
draft and crumpled it under my arm. "If that's all you need of me I'll
be gone," I says, "for I'm pressed."

'He turns him round and fumbles in a corner. "Too pressed to be made a
knight, Sir Harry?" he says, and comes at me smiling, with
three-quarters of a rusty sword.

'I pledge you my Mark I never guessed it was the King till that moment.
I kneeled, and he tapped me on the shoulder.

'"Rise up, Sir Harry Dawe," he says, and, in the same breath, "I'm
pressed, too," and slips through the tapestries, leaving me like a stuck
calf.

'It come over me, in a bitter wave like, that here was I, a master
craftsman, who had worked no bounds, soul or body, to make the King's
tomb and chapel a triumph and a glory for all time; and here, d'you see,
I was made knight, not for anything I'd slaved over, or given my heart
and guts to, but expressedly because I'd saved him thirty pounds and a
tongue-lashing from Catherine of Castile--she that had asked for the
ship. That thought shrivelled me withinsides while I was folding away my
draft. On the heels of it--maybe you'll see why--I began to grin to
myself. I thought of the earnest simplicity of the man--the King, I
should say--because I'd saved him the money; his smile as though he'd
won half France! I thought of my own silly pride and foolish
expectations that some day he'd honour me as a master craftsman. I
thought of the broken-tipped sword he'd found behind the hangings;
the dirt of the cold room, and his cold eye, wrapped up in his own
concerns, scarcely resting on me. Then I remembered the solemn chapel
roof and the bronzes about the stately tomb he'd lie in, and--d'ye
see?--the unreason of it all--the mad high humour of it all--took hold
on me till I sat me down on a dark stair-head in a passage, and laughed
till I could laugh no more. What else could I have done?

[Illustration: I kneeled, and he tapped me on the shoulder. 'Rise up,
Sir Harry Dawe,' he says.--P. 74.]

'I never heard his feet behind me--he always walked like a cat--but his
arm slid round my neck, pulling me back where I sat, till my head lay on
his chest, and his left hand held the knife plumb over my
heart--Benedetto! Even so I laughed--the fit was beyond my
holding--laughed while he ground his teeth in my ear. He was stark
crazed for the time.

'"Laugh," he said. "Finish the laughter. I'll not cut ye short. Tell me
now"--he wrenched at my head--"why the King chose to honour
you--you--you--you lickspittle Englishman? I am full of patience now. I
have waited so long." Then he was off at score about his Jonah in Bury
Refectory, and what I'd said of it, and his pictures in the chapel which
all men praised and none looked at twice (as if that was _my_ fault!)
and a whole parcel of words and looks treasured up against me through
years.

'"Ease off your arm a little," I said. "I cannot die by choking, for I
am just dubbed knight, Benedetto."

'"Tell me, and I'll confess ye, Sir Harry Dawe, knight. There's a long
night before ye. Tell," says he.

'So I told him--his chin on my crown--told him all; told it as well and
with as many words as I have ever told a tale at a supper with
Torrigiano. I knew Benedetto would understand, for, mad or sad, he was a
craftsman. I believed it to be the last tale I'd ever tell top of mortal
earth, and I would not put out bad work before I left the lodge. All
art's one art, as I said. I bore Benedetto no malice. My spirits, d'you
see, were catched up in a high, solemn exaltation, and I saw all earth's
vanities foreshortened and little, laid out below me like a town from a
cathedral scaffolding. I told him what befell, and what I thought of it.
I gave him the King's very voice at "Master Dawe, you've saved me thirty
pounds!" his peevish grunt while he looked for the sword; and how the
badger-eyed figures of Glory and Victory leered at me from the Flemish
hangings. Body o' me, 'twas a fine, noble tale, and, as I thought, my
last work on earth.

'"That is how I was honoured by the King," I said. "They'll hang ye for
killing me, Benedetto. And, since you've killed in the King's Palace,
they'll draw and quarter you; but you're too mad to care. Grant me,
though, ye never heard a better tale."

'He said nothing, but I felt him shake. My head on his chest shook; his
right arm fell away, his left dropped the knife, and he leaned with both
hands on my shoulder--shaking--shaking! I turned me round. No need to
put my foot on his knife. The man was speechless with laughter--honest
craftsman's mirth. The first time I'd ever seen him laugh. You know the
mirth that cuts off the very breath, while ye stamp and snatch at the
short ribs? That was Benedetto's case.

'When he began to roar and bay and whoop in the passage, I haled him out
into the street, and there we leaned against the wall and had it all
over again--waving our hands and wagging our heads--till the watch came
to know if we were drunk.

'Benedetto says to 'em, solemn as an owl: "You have saved me thirty
pound, Mus' Dawe," and off he pealed. In some sort we were mad drunk--I
because dear life had been given back to me, and he because, as he said
afterwards, because the old crust of hatred round his heart was broke up
and carried away by laughter. His very face had changed too.

'"Hal," he cries, "I forgive thee. Forgive me too, Hal. Oh, you English,
you English! Did it gall thee, Hal, to see the rust on the dirty sword?
Tell me again, Hal, how the King grunted with joy. Oh, let us tell the
Master."

'So we reeled back to the chapel, arms round each other's necks, and
when we could speak--he thought we'd been fighting--we told the Master.
Yes, we told Torrigiano, and he laughed till he rolled on the new cold
pavement. Then he knocked our heads together.

'"Ah, you English," he cried. "You are more than pigs. You are English.
Now you are well punished for your dirty fishes. Put the draft in the
fire, and never do so any more. You are a fool, Hal, and you are a fool,
Benedetto, but I need your works to please this beautiful English
King----"

'"And I meant to kill Hal," says Benedetto. "Master, I meant to kill him
because the English King had made him a knight."

'"Ah!" says the Master, shaking his finger. "Benedetto, if you had
killed my Hal, I should have killed you--in the cloister. But you are a
craftsman too, so I should have killed you like a craftsman, very, very
slowly--in an hour, if I could spare the time!" That was Torrigiano--the
Master!'

Mr. Springett sat quite still for some time after Hal had finished. Then
he turned dark red; then he rocked to and fro; then he coughed and
wheezed till the tears ran down his face. Dan knew by this that he was
laughing, but it surprised Hal at first.

'Excuse me, sir,' said Mr. Springett, 'but I was thinkin' of some
stables I built for a gentleman in Eighteen hundred Seventy-four. They
was stables in blue brick--very particular work. Dunno as they weren't
the best job which ever I'd done. But the gentleman's lady--she'd come
from Lunnon, new married--she was all for buildin' what she called a
haw-haw--what you an' me 'ud call a dik--right acrost his park. A
middlin' big job which I'd have had the contract of, for she spoke to me
in the library about it. But I told her there was a line o' springs
just where she wanted to dig her ditch, an' she'd flood the park if she
went on.'

'Were there any springs at all?' said Hal.

'Bound to be springs everywhere if you dig deep enough, ain't there? But
what I said about the springs put her out o' conceit o' diggin'
haw-haws, an' she took an' built a white tile dairy instead. But when I
sent in my last bill for the stables, the gentleman he paid it 'thout
even lookin' at it, and I hadn't forgotten nothin', I do assure you.
More than that, he slips two five-pound notes into my hand in the
library, an' "Ralph," he says--he allers called me by name--"Ralph," he
says, "you've saved me a heap of expense an' trouble this autumn." I
didn't say nothin', o' course. I knowed he didn't want any haw-haws
digged acrost his park no more'n _I_ did, but I never said nothing. No
more he didn't say nothing about my blue-brick stables, which was really
the best an' honestest piece o' work I'd done in quite a while. He give
me ten pounds for savin' him a hem of a deal o' trouble at home. I
reckon things are pretty much alike, all times, in all places.'

Hal and he laughed together. Dan couldn't quite understand what they
thought so funny, and went on with his work for some time without
speaking.

When he looked up, Mr. Springett, alone, was wiping his eyes with his
green and yellow pocket-handkerchief.

'Bless me, Mus' Dan, I've been asleep,' he said. 'An' I've dreamed a
dream which has made me laugh--laugh as I ain't laughed in a long day.
I can't remember what 'twas all about, but they do say that when old men
take to laughin' in their sleep, they're middlin' ripe for the next
world. Have you been workin' honest, Mus' Dan?'

'Ra-ather,' said Dan, unclamping the schooner from the vice. 'And look
how I've cut myself with the small gouge.'

'Ye-es. You want a lump o' cobwebs to that,' said Mr. Springett. 'Oh, I
see you've put it on already. That's right, Mus' Dan.'




KING HENRY VII. AND THE SHIPWRIGHTS


  Harry our King in England, from London town is gone,
  And comen to Hamull on the Hoke in the countie of Suthampton.
  For there lay _The Mary of the Tower_, his ship of war so strong,
  And he would discover, certaynely, if his shipwrights did him wrong.

  He told not none of his setting forth, nor yet where he would go,
  (But only my Lord of Arundel,) and meanly did he show,
  In an old jerkin and patched hose that no man might him mark;
  With his frieze hood and cloak about, he looked like any clerk.

  He was at Hamull on the Hoke about the hour of the tide,
  And saw the _Mary_ haled into dock, the winter to abide,
  With all her tackle and habiliments which are the King his own;
  But then ran on his false shipwrights and stripped her to the bone.

  They heaved the main-mast overboard, that was of a trusty tree,
  And they wrote down it was spent and lost by force of weather at sea.
  But they sawen it into planks and strakes as far as it might go,
  To maken beds for their own wives and little children also.

  There was a knave called Slingawai, he crope beneath the deck,
  Crying: 'Good felawes, come and see! The ship is nigh a wreck!
  For the storm that took our tall main-mast, it blew so fierce and fell,
  Alack! it hath taken the kettles and pans, and this brass pott as well!'

  With that he set the pott on his head and hied him up the hatch,
  While all the shipwrights ran below to find what they might snatch;
  All except Bob Brygandyne and he was a yeoman good,
  He caught Slingawai round the waist and threw him on to the mud.

  'I have taken plank and rope and nail, without the King his leave,
  After the custom of Portesmouth, but I will not suffer a thief.
  Nay, never lift up thy hand at me! There's no clean hands in the trade--
  Steal in measure,' quo' Brygandyne. 'There's measure in all things made!'

  'Gramercy, yeoman!' said our King. 'Thy council liketh me.'
  And he pulled a whistle out of his neck and whistled whistles three.
  Then came my Lord of Arundel pricking across the down,
  And behind him the Mayor and Burgesses of merry Suthampton town.

  They drew the naughty shipwrights up, with the kettles in their hands,
  And bound them round the forecastle to wait the King's commands.
  But 'Since ye have made your beds,' said the King, 'ye needs must lie
      thereon.
  For the sake of your wives and little ones--felawes, get you gone!'

  When they had beaten Slingawai, out of his own lips,
  Our King appointed Brygandyne to be Clerk of all his ships.
  'Nay, never lift up thy hands to me--there's no clean hands in the trade.
  But steal in measure,' said Harry our King. 'There's measure in all
      things made!'

  _God speed the 'Mary of the Tower,' the 'Sovereign' and 'Grace Dieu,'
  The 'Sweepstakes' and the 'Mary Fortune,' and the 'Henry of Bristol' too!
  All tall ships that sail on the sea, or in our harbours stand,
  That they may keep measure with Harry our King and peace in Engeland!_




Marklake Witches




THE WAY THROUGH THE WOODS


    They shut the road through the woods
        Seventy years ago.
    Weather and rain have undone it again,
        And now you would never know
    There was once a road through the woods
        Before they planted the trees.
    It is underneath the coppice and heath,
        And the thin anemones.
        Only the keeper sees
    That, where the ring-dove broods,
        And the badgers roll at ease,
    There was once a road through the woods.

    Yet, if you enter the woods
        Of a summer evening late,
    When the night-air cools on the trout-ringed pools
        Where the otter whistles his mate.
    (They fear not men in the woods
        Because they see so few)
    You will hear the beat of a horse's feet
        And the swish of a skirt in the dew,
        Steadily cantering through
    The misty solitudes,
        As though they perfectly knew
    The old lost road through the woods....
    But there is no road through the woods.





Marklake Witches


When Dan took up boat-building, Una coaxed Mrs. Vincey, the farmer's
wife at Little Lindens, to teach her to milk. Mrs. Vincey milks in the
pasture in summer, which is different from milking in the shed, because
the cows are not tied up, and until they know you they will not stand
still. After three weeks Una could milk _Red Cow_ or _Kitty Shorthorn_
quite dry, without her wrists aching, and then she allowed Dan to look.
But milking did not amuse him, and it was pleasanter for Una to be alone
in the quiet pastures with quiet-spoken Mrs. Vincey. So, evening after
evening, she slipped across to Little Lindens, took her stool from the
fern-clump beside the fallen oak, and went to work, her pail between her
knees, and her head pressed hard into the cow's flank. As often as not,
Mrs. Vincey would be milking cross _Pansy_ at the other end of the
pasture, and would not come near till it was time to strain and pour
off.

Once, in the middle of a milking, _Kitty Shorthorn_ boxed Una's ear with
her tail.

'You old pig!' said Una, nearly crying, for a cow's tail can hurt.

'Why didn't you tie it down, child?' said a voice behind her.

'I meant to, but the flies are so bad I let her off--and this is what
she's done!' Una looked round, expecting Puck, and saw a curly-haired
girl, not much taller than herself, but older, dressed in a curious
high-waisted, lavender-coloured riding-habit, with a high hunched collar
and a deep cape and a belt fastened with a steel clasp. She wore a
yellow velvet cap and tan gauntlets, and carried a real hunting-crop.
Her cheeks were pale except for two pretty pink patches in the middle,
and she talked with little gasps at the end of her sentences, as though
she had been running.

'You don't milk so badly, child,' she said, and when she smiled her
teeth showed small and even and pearly.

'Can you milk?' Una asked, and then flushed, for she heard Puck's
chuckle.

He stepped out of the fern and sat down, holding _Kitty Shorthorn's_
tail. 'There isn't much,' he said, 'that Miss Philadelphia doesn't know
about milk--or, for that matter, butter and eggs. She's a great
housewife.'

'Oh,' said Una. 'I'm sorry I can't shake hands. Mine are all milky; but
Mrs. Vincey is going to teach me butter-making this summer.'

'Ah! _I_'m going to London this summer,' the girl said, 'to my aunt in
Bloomsbury.' She coughed as she began to hum, '"Oh, what a town! What a
wonderful metropolis!"'

'You've got a cold,' said Una.

'No. Only my stupid cough. But it's vastly better than it was last
winter. It will disappear in London air. Every one says so. D'you like
doctors, child?'

'I don't know any,' Una replied. 'But I'm sure I shouldn't.'

'Think yourself lucky, child. I beg your pardon,' the girl laughed, for
Una frowned.

'I'm not a child, and my name's Una,' she said.

'Mine's Philadelphia. But everybody except René calls me Phil. I'm
Squire Bucksteed's daughter--over at Marklake yonder.' She jerked her
little round chin towards the south behind Dallington. 'Sure-ly you know
Marklake?'

'We went a picnic to Marklake Green once,' said Una. 'It's awfully
pretty. I like all those funny little roads that don't lead anywhere.'

'They lead over our land,' said Philadelphia stiffly, 'and the coach
road is only four miles away. One can go anywhere from the Green. I went
to the Assize Ball at Lewes last year.' She spun round and took a few
dancing steps, but stopped with her hand to her side.

'It gives me a stitch,' she explained. 'No odds. 'Twill go away in
London air. That's the latest French step, child. René taught it me.
D'you hate the French, chi--Una?'

'Well, I hate French, of course, but I don't mind Mam'selle. She's
rather decent. Is René your French governess?'

Philadelphia laughed till she caught her breath again.

'Oh no! René's a French prisoner--on parole. That means he's promised
not to escape till he has been properly exchanged for an Englishman.
He's only a doctor, so I hope they won't think him worth exchanging. My
Uncle captured him last year in the _Ferdinand_ privateer, off Belle
Isle, and he cured my Uncle of a r-r-raging toothache. Of course, after
_that_ we couldn't let him lie among the common French prisoners at Rye,
and so he stays with us. He's of very old family--a Breton, which is
nearly next door to being a true Briton, my father says--and he wears
his hair clubbed--not powdered. _Much_ more becoming, don't you think?'

'I don't know what you're----' Una began, but Puck, the other side of
the pail, winked, and she went on with her milking.

'He's going to be a great French physician when the war is over. He
makes me bobbins for my lace-pillow now--he's very clever with his
hands; but he'd doctor our people on the Green if they would let him.
Only our Doctor--Dr. Break--says he's an emp----or imp something--worse
than impostor. But my Nurse says----'

'Nurse! You're ever so old. What have you got a nurse for?' Una finished
milking, and turned round on her stool as _Kitty Shorthorn_ grazed off.

'Because I can't get rid of her. Old Cissie nursed my mother, and she
says she'll nurse me till she dies. The idea! She never lets me alone.
She thinks I'm delicate. She has grown infirm in her understanding, you
know. Mad--quite mad, poor Cissie!'

'Really mad?' said Una. 'Or just silly?'

'Crazy I should say--from the things she does. Her devotion to me is
terribly embarrassing. You know I have all the keys of the Hall except
the brewery and the tenants' kitchen. I give out all stores and the
linen and plate.'

'How jolly! I love store-rooms and giving out things.'

'Ah, it's a great responsibility you'll find when you come to my age.
Last year Dad said I was fatiguing myself with my duties, and he
actually wanted me to give up the keys to old Amoore, our housekeeper. I
wouldn't. I hate her. I said, "No, sir. I am Mistress of Marklake Hall
just as long as I live, because I'm never going to be married, and I
shall give out stores and linen till I die!"'

'And what did your father say?'

'Oh, I threatened to pin a dishclout to his coattail. He ran away. Every
one's afraid of Dad, except me.' Philadelphia stamped her foot. 'The
idea! If I can't make my own father happy in his own house, I'd like to
meet the woman that can, and--and--I'd have the living hide off her!'

She cut with her long-thonged whip. It cracked like a pistol-shot across
the still pasture. _Kitty Shorthorn_ threw up her head and trotted away.

'I beg your pardon,' Philadelphia said; 'but it makes me furious. Don't
you hate those ridiculous old quizzes with their feathers and fronts,
who come to dinner and call you "child" in your own chair at your own
table?'

'I don't always come to dinner,' said Una, 'but I hate being called
"child." Please tell me about store-rooms and giving out things.'

'Ah, it's a great responsibility--particularly with that old cat Amoore
looking at the lists over your shoulder. And such a shocking thing
happened last summer! Poor crazy Cissie, my Nurse that I was telling you
of, she took three solid silver tablespoons.'

'Took! But isn't that stealing?' Una cried.

'Hsh!' said Philadelphia, looking round at Puck. 'All I say is she took
them without my leave. I made it right afterwards. So, as Dad says--and
he's a magistrate--it wasn't a legal offence; it was only compounding a
felony.'

'It sounds awful,' said Una.

'It was. My dear, I was furious! I had had the keys for ten months, and
I'd never lost anything before. I said nothing at first, because a big
house offers so many chances of things being mislaid, and coming to hand
later. "Fetching up in the lee-scuppers," my Uncle calls it. But next
week I spoke to old Cissie about it when she was doing my hair at night,
and she said I wasn't to worry my heart for trifles!'

'Isn't it like 'em?' Una burst out. 'They see you're worried over
something that really matters, and they say, "Don't worry"; as if _that_
did any good!'

'I quite agree with you, my dear; quite agree with you! I told Ciss the
spoons were solid silver, and worth forty shillings, so if the thief
were found, he'd be tried for his life.'

'Hanged, do you mean?' Una said.

'They ought to be; but Dad says no jury will hang a man nowadays for a
forty-shilling theft. They transport 'em into penal servitude at the
uttermost ends of the earth beyond the seas, for the term of their
natural life. I told Cissie that, and I saw her tremble in my mirror.
Then she cried, and caught hold of my knees, and I couldn't for my life
understand what it was all about,--she cried so. _Can_ you guess, my
dear, what that poor crazy thing had done? It was midnight before I
pieced it together. She had given the spoons to Jerry Gamm, the
Witchmaster on the Green, so that he might put a charm on me! Me!'

'Put a charm on you? Why?'

'That's what _I_ asked; and then I saw how mad poor Cissie was! You know
this stupid little cough of mine? It will disappear as soon as I go to
London. She was troubled about _that_, and about my being so thin, and
she told me Jerry had promised her, if she would bring him three silver
spoons, that he'd charm my cough away and make me plump--"flesh-up," she
said. I couldn't help laughing; but it was a terrible night! I had to
put Cissie into my own bed, and stroke her hand till she cried herself
to sleep. What else could I have done? When she woke, and I coughed--I
suppose I _can_ cough in my own room if I please--she said that she'd
killed me, and asked me to have her hanged at Lewes sooner than send her
to the uttermost ends of the earth away from me.'

'How awful! What did you do, Phil?'

'Do? I rode off at five in the morning to talk to Master Jerry, with a
new lash on my whip. Oh, I was _furious_! Witchmaster or no
witchmaster, I meant to----'

'Ah! what's a Witchmaster?'

'A master of witches, of course. _I_ don't believe there are witches;
but people say every village has a few, and Jerry was the master of all
ours at Marklake. He has been a smuggler, and a man-of-war's man, and
now he pretends to be a carpenter and joiner--he can make almost
anything--but he really is a white wizard. He cures people by herbs and
charms. He can cure them after Dr. Break has given them up, and that's
why Dr. Break hates him so. He used to make me toy carts, and charm off
my warts when I was a child.' Philadelphia spread out her hands with the
delicate shiny little nails. 'It isn't counted lucky to cross him. He
has his ways of getting even with you, they say. But _I_ wasn't afraid
of Jerry! I saw him working in his garden, and I leaned out of my saddle
and double-thonged him between the shoulders, over the hedge. Well, my
dear, for the first time since Dad gave him to me, my _Troubadour_ (I
wish you could see the sweet creature!) shied across the road, and I
spilled out into the hedge-top. _Most_ undignified! Jerry pulled me
through to his side and brushed the leaves off me. I was horribly
pricked, but I didn't care. "Now, Jerry," I said, "I'm going to take the
hide off you first, and send you to Lewes afterwards. You well know
why." "Oh!" he said, and he sat down among his bee-hives. "Then I reckon
you've come about old Cissie's business, my dear." "I reckon I just
about have," I said. "Stand away from these hives. I can't get at you
there." "That's why I be where I be," he said. "If you'll excuse me,
Miss Phil, I don't hold with bein' flogged before breakfast, at my time
o' life." He's a huge big man, but he looked so comical squatting among
the hives that--I know I oughtn't to--I laughed, and he laughed. I
always laugh at the wrong time. But I soon recovered my dignity, and I
said, "Then give me back what you made poor Cissie steal!"

'"Your pore Cissie," he said. "She's a hatful o' trouble. But you shall
have 'em, Miss Phil. They're all ready put by for you." And, would you
believe it, the old sinner pulled my three silver spoons out of his
dirty pocket, and polished them on his cuff! "Here they be," he says,
and he gave them to me, just as cool as though I'd come to have my warts
charmed. That's the worst of people having known you when you were
young. But I preserved my composure. "Jerry," I said, "what in the world
are we to do? If you'd been caught with these things on you, you'd have
been hanged."

'"I know it," he said. "But they're yours now."

'"But you made my Cissie steal them," I said.

'"That I didn't," he said. "Your Cissie, she was pickin' at me and
tarrifyin' me all the long day an' every day for weeks, to put a charm
on you, Miss Phil, and take away your little spitty cough."

'"Yes, I knew that, Jerry, and to make me flesh up!" I said. "I'm much
obliged to you, but I'm not one of your pigs!"

'"Ah! I reckon she've been talking to you, then," he said. "Yes, she
give me no peace, and bein' tarrified--for I don't hold with old
women--I laid a task on her which I thought 'ud silence her. _I_ never
reckoned the old scrattle 'ud risk her neckbone at Lewes Assizes for
your sake, Miss Phil. But she did. She up an' stole, I tell ye, as
cheerful as a tinker. You might ha' knocked me down with any one of them
liddle spoons when she brung 'em in her apron."

'"Do you mean to say, then, that you did it to try my poor Cissie?" I
screamed at him.

'"What else for, dearie?" he said. "_I_ don't stand in need of
hedge-stealings. I'm a freeholder, with money in the bank; and now I
won't trust women no more! Silly old besom! I do beleft she'd ha' stole
the Squire's big fob-watch, if I'd required her."

'"Then you're a wicked, wicked old man," I said, and I was so angry that
I couldn't help crying, and of course that made me cough.

'Jerry was in a fearful taking. He picked me up and carried me into his
cottage--it's full of foreign curiosities--and he got me something to
eat and drink, and he said he'd be hanged by the neck any day if it
pleased me. He said he'd even tell old Cissie he was sorry. That's a
great come-down for a Witchmaster, you know.

'I was ashamed of myself for being so silly, and I dabbed my eyes and
said, "The least you can do now is to give poor Ciss some sort of a
charm for me."

'"Yes, that's only fair dealings," he said. "You know the names of the
Twelve Apostles, dearie? You say them names, one by one, before your
open window, rain or storm, wet or shine, five times a day fasting. But
mind you, 'twixt every name you draw in your breath through your nose,
right down to your pretty liddle toes, as long and as deep as you can,
and let it out slow through your pretty liddle mouth. There's virtue for
your cough in those names spoke that way. And I'll give you something
you can see, moreover. Here's a stick of maple which is the warmest tree
in the wood."'

'That's true,' Una interrupted. 'You can feel it almost as warm as
yourself when you touch it.'

'"It's cut one inch long for your every year," Jerry said. "That's
sixteen inches. You set it in your window so that it holds up the sash,
and thus you keep it, rain or shine, or wet or fine, day and night. I've
said words over it which will have virtue on your complaints."

'"I haven't any complaints, Jerry," I said. "It's only to please
Cissie."

'"I know that as well as you do, dearie," he said. And--and that was all
that came of my going to give him a flogging. I wonder whether he made
poor _Troubadour_ shy when I lashed at him? Jerry has his ways of
getting even of people.'

'I wonder,' said Una. 'Well, did you try the charm? Did it work?'

'What nonsense! I told René about it, of course, because he's a doctor.
He's going to be a most famous doctor. That's why our doctor hates him.
René said, "Oho! Your Master Gamm, he is worth knowing," and he put up
his eyebrows--like this. He made joke of it all. He can see my window
from the carpenter's shed, where he works, and if ever the maple stick
fell down, he pretended to be in a fearful taking till I propped the
window up again. He used to ask me whether I had said my Apostles
properly, and how I took my deep breaths. Oh yes, and the next day,
though he had been there ever so many times before, he put on his new
hat and paid Jerry Gamm a visit of state--as a fellow-physician. Jerry
never guessed René was making fun of him, and so he told René about the
sick people in the village, and how he cured them with herbs after Dr.
Break had given them up. Jerry could talk smugglers' French, of course,
and I had taught René plenty of English, if only he wasn't so shy. They
called each other Monsieur Gamm and Mosheur Lanark, just like gentlemen.
I suppose it amused poor René. He hasn't much to do, except to fiddle
about in the carpenter's shop. He's like all the French
prisoners--always making knick-knacks; and Jerry had a little lathe at
his cottage, and so--and so--René took to being with Jerry much more
than I approved of. The Hall is so big and empty when Dad's away, and I
will _not_ sit with old Amoore--she talks so horridly about every
one--specially about René.

'I was rude to René, I'm afraid; but I was properly served out for it.
One always is. You see Dad went down to Hastings to pay his respects to
the General who commanded the brigade there, and to bring him to the
Hall afterwards. Dad told me he was a very brave soldier from India--he
was Colonel of Dad's regiment, the Thirty-third Foot, after Dad left the
Army, and then he changed his name from Wesley to Wellesley, or else the
other way about; and Dad said I was to get out all the silver for him,
and I knew that meant a big dinner. So I sent down to the sea for early
mackerel, and had _such_ a morning in the kitchen and the store-rooms.
Old Amoore nearly cried.

'However, my dear, I made all my preparations in ample time, but the
fish didn't arrive--it never does--and I wanted René to ride to Pevensey
and bring it himself. He had gone over to Jerry, of course, as he always
used, unless I requested his presence beforehand. _I_ can't send for
René every time I want him. He should be there. Now, don't you ever do
what I did, child, because it's in the highest degree unladylike;
but--but one of our woods runs up to Jerry's garden, and if you
climb--it's ungenteel, but I can climb like a kitten--there's an old
hollow oak just above the pigsty where you can hear and see everything
below. Truthfully, I only went to tell René about the mackerel, but I
saw him and Jerry sitting on the seat playing with wooden toy trumpets.
So I slipped into the hollow, and choked down my cough, and listened.
René had never shown _me_ any of these trumpets.'

'Trumpets? Aren't you too old for trumpets?' said Una.

'They weren't real trumpets, because Jerry opened his shirt collar, and
René put one end of his trumpet against Jerry's chest, and put his ear
to the other. Then Jerry put his trumpet against René's chest, and
listened while René breathed and coughed. I was afraid _I_ would cough
too.

'"This hollywood one is the best," said Jerry. "'Tis won'erful like
hearin' a man's soul whisperin' in his innards; but unless I've a
buzzin' in my ears, Mosheur Lanark, you make much about the same kind o'
noises as old Gaffer Macklin--but not quite so loud as young Copper. It
sounds like breakers on a reef--a long way off. Comprenny?"

'"Perfectly," said René. "I drive on the breakers. But before I strike,
I shall save hundreds, thousands, millions perhaps, by my little
trumpets. Now tell me what sounds the old Gaffer Macklin have made in
his chest, and what the young Copper also."

'Jerry talked for nearly a quarter of an hour about sick people in the
village, while René asked questions. Then he sighed, and said, "You
explain very well, Monsieur Gamm, but if only I had your opportunities
to listen for myself! Do you think these poor people would let me listen
to them through my trumpet--for a little money? No?"--René's as poor as
a church mouse.

'"They'd kill you, Mosheur. It's all I can do to coax 'em to abide it,
and I'm Jerry Gamm," said Jerry. He's very proud of his attainments.

'"Then these poor people are alarmed--No?" said René.

'"They've had it in for me for some time back because o' my tryin' your
trumpets on their sick; and I reckon by the talk at the alehouse they
won't stand much more. Tom Dunch an' some of his kidney was drinkin'
themselves riot-ripe when I passed along after noon. Charms an'
mutterin's and bits o' red wool and black hens is in the way o' nature
to these fools, Mosheur; but anything likely to do 'em real service is
devil's work by their estimation. If I was you, I'd go home before they
come." Jerry spoke quite quietly, and René shrugged his shoulders.

'"I am prisoner on parole, Monsieur Gamm," he said. "I have no home."

'Now that was unkind of René. He's often told me that he looked on
England as his home. I suppose it's French politeness.

'"Then we'll talk o' something that matters," said Jerry. "Not to name
no names, Mosheur Lanark, what might be your own opinion o' some one who
ain't old Gaffer Macklin nor young Copper? Is that person better or
worse?"

'"Better--for time that is," said René. He meant for the time being, but
I never could teach him some phrases.

'"I thought so too," said Jerry. "But how about time to come?"

'René shook his head, and then he blew his nose. You don't know how odd
a man looks blowing his nose when you are sitting directly above him.

'"I've thought that too," said Jerry. He rumbled so deep I could
scarcely catch. "It don't make much odds to me, because I'm old. But
you're young, Mosheur--you're young," and he put his hand on René's
knee, and René covered it with his hand. I didn't know they were such
friends.

'"Thank you, _mon ami_," said René. "I am much oblige. Let us return to
our trumpet-making. But I forget"--he stood up--"it appears that you
receive this afternoon!"

'You can't see into Gamm's Lane from the oak, but the gate opened, and
fat little Doctor Break stumped in, mopping his head, and half-a-dozen
of our people followed him, very drunk.

'You ought to have seen René bow; he does it beautifully.

'"A word with you, Laennec," said Dr. Break. "Jerry has been practising
some devilry or other on these poor wretches, and they've asked me to be
arbiter."

'"Whatever that means, I reckon it's safer than asking you to be
doctor," said Jerry, and Tom Dunch, one of our carters, laughed.

'"That ain't right feeling of you, Tom," Jerry said, "seeing how clever
Dr. Break put away your thorn in the flesh last winter." Tom's wife had
died at Christmas, though Dr. Break bled her twice a week. He danced
with rage.

'"This is all beside the mark," he said. "These good people are willing
to testify that you've been impudently prying into God's secrets by
means of some papistical contrivance which this person"--he pointed to
poor René--"has furnished you with. Why, here are the things
themselves!" René was holding a trumpet in his hand.

'Then all the men talked at once. They said old Gaffer Macklin was dying
from stitches in his side where Jerry had put the trumpet--they called
it the devil's ear-piece; and they said it left round red witchmarks on
people's skins, and dried up their lights, and made 'em spit blood, and
threw 'em into sweats. Terrible things they said. You never heard such a
noise. I took advantage of it to cough.

'René and Jerry were standing with their backs to the pigsty. Jerry
fumbled in his big flap pockets and fished up a pair of pistols. You
ought to have seen the men give back when he cocked his. He passed one
to René.

'"Wait! Wait!" said René. "I will explain to the doctor if he permits."
He waved a trumpet at him, and the men at the gate shouted, "Don't touch
it, Doctor! Don't lay a hand to the thing."

'"Come, come!" said René. "You are not so big fool as you pretend, Dr.
Break. No?"

'Dr. Break backed toward the gate, watching Jerry's pistol, and René
followed him with his trumpet, like a nurse trying to amuse a child, and
put the ridiculous thing to his ear to show how it was used, and talked
of _la Gloire_, and _la Humanité_, and _la Science_, while Dr. Break
watched Jerry's pistol and swore. I nearly laughed aloud.

'"Now listen! Now listen!" said René. "This will be moneys in your
pockets, my dear _confrère_. You will become rich."

'Then Dr. Break said something about adventurers who could not earn an
honest living in their own country creeping into decent houses and
taking advantage of gentlemen's confidence to enrich themselves by base
intrigues.

'René dropped his absurd trumpet and made one of his best bows. I knew
he was angry from the way he rolled his "r's."

'"Ver-r-ry good," said he. "For that I shall have much pleasure to kill
you now and here. Monsieur Gamm"--another bow to Jerry--"you will please
lend him your pistol, or he shall have mine. I give you my word I know
not which is best; and if he will choose a second from his friends over
there"--another bow to our drunken yokels at the gate--"we will
commence."

'"That's fair enough," said Jerry. "Tom Dunch, you owe it to the doctor
to be his second. Place your man."

'"No," said Tom. "No mixin' in gentry's quarrels for me." And he shook
his head and went out, and the others followed him.

'"Hold on," said Jerry. "You've forgot what you set out to do up at the
alehouse just now. You was goin' to search me for witchmarks; you was
goin' to duck me in the pond; you was goin' to drag all my bits o'
sticks out o' my little cottage here. What's the matter with you?
Wouldn't you like to be with your old woman to-night, Tom?"

'But they didn't even look back, much less come. They ran to the village
alehouse like hares.

'"No matter for these canaille," said René, buttoning up his coat so as
not to show any linen. All gentlemen do that before a duel, Dad
says--and he's been out five times. "You shall be his second, Monsieur
Gamm. Give him the pistol."

'Dr. Break took it as if it was red-hot, but he said that if René
resigned his pretensions in certain quarters he would pass over the
matter. René bowed deeper than ever.

'"As for that," he said, "if you were not the ignorant which you are,
you would have known long ago that the subject of your remarks is not
for any living man."

'I don't know what the subject of his remarks might have been, but he
spoke in a simply dreadful voice, my dear, and Dr. Break turned quite
white, and said René was a liar; and then René caught him by the throat,
and choked him black.

'Well, my dear, as if this wasn't deliciously exciting enough, just
exactly at that minute I heard a strange voice on the other side of the
hedge say, "What's this? What's this, Bucksteed?" and there was my
father and Sir Arthur Wesley on horseback in the lane; and there was
René kneeling on Dr. Break, and there was I up in the oak, listening
with all my ears.

'I must have leaned forward too much, and the voice gave me such a start
that I slipped. I had only time to make one jump on to the pigsty
roof--another, before the tiles broke, on to the pigsty wall--and then I
bounced down into the garden, just behind Jerry, with my hair full of
bark. Imagine the situation!'

'Oh, I can!' Una laughed till she nearly fell off the stool.

'Dad said, "Phil--a--del--phia!" and Sir Arthur Wesley said, "Good Ged!"
and Jerry put his foot on the pistol René had dropped. But René was
splendid. He never even looked at me. He began to untwist Dr. Break's
neckcloth as fast as he'd twisted it, and asked him if he felt better.

'"What's happened? What's happened?" said Dad.

'"A fit!" said René. "I fear my _confrère_ has had a fit. Do not be
alarmed. He recovers himself. Shall I bleed you a little, my dear
Doctor?" Dr. Break was very good too. He said, "I am vastly obliged,
Monsieur Laennec, but I am restored now." And as he went out of the gate
he told Dad it was a syncope--I think. Then Sir Arthur said, "Quite
right, Bucksteed. Not another word! They are both gentlemen." And he
took off his cocked hat to Dr. Break and René.

'But poor Dad wouldn't let well alone. He kept saying, "Philadelphia,
what does all this mean?"

'"Well, sir," I said, "I've only just come down. As far as I could see,
it looked as though Dr. Break had had a sudden seizure." That was quite
true--if you'd seen René seize him. Sir Arthur laughed. "Not much change
there, Bucksteed," he said. "She's a lady--a thorough lady."

'"Heaven knows she doesn't look like one," said poor Dad. "Go home,
Philadelphia."

'So I went home, my dear--don't laugh so!--right under Sir Arthur's
nose--a most enormous nose--feeling as though I were twelve years old,
going to be whipped. Oh, I _beg_ your pardon, child!'

'It's all right,' said Una. 'I'm getting on for thirteen. I've never
been whipped, but I know how you felt. All the same, it must have been
funny!'

'Funny! If you'd heard Sir Arthur jerking out, "Good Ged, Bucksteed!"
every minute as they rode behind me; and poor Dad saying, "'Pon my
honour, Arthur, I can't account for it!" Oh, how my cheeks tingled when
I reached my room! But Cissie had laid out my very best evening dress,
the white satin one, vandyked at the bottom with spots of morone foil,
and the pearl knots, you know, catching up the drapery from the left
shoulder. I had poor mother's lace tucker and her coronet comb.'

'Oh, you lucky!' Una murmured. '_And_ gloves?'

'French kid, my dear'--Philadelphia patted her shoulder--'and morone
satin shoes and a morone and gold crape fan. That restored my calm. Nice
things always do. I wore my hair banded on my forehead with a little
curl over the left ear. And when I descended the stairs, _en grande
tenue_, old Amoore curtsied to me without my having to stop and look at
her, which alas! is too often the case. Sir Arthur highly approved of
the dinner, my dear: the mackerel _did_ come in time. We had all the
Marklake silver out, and he toasted my health, and he asked me where my
little bird's-nesting sister was. I _know_ he did it to quiz me, so I
looked him straight in the face, my dear, and I said, "I always send her
to the nursery, Sir Arthur, when I receive guests at Marklake Hall."'

'Oh, how chee--clever of you. What did he say?' Una cried.

'He said, "Not much change there, Bucksteed. Ged, I deserved it," and he
toasted me again. They talked about the French and what a shame it was
that Sir Arthur only commanded a brigade at Hastings, and he told Dad of
a battle in India at a place called Assaye. Dad said it was a terrible
fight, but Sir Arthur described it as though it had been a
whist-party--I suppose because a lady was present.'

'Of course you were the lady; I wish I'd seen you,' said Una.

'I wish you had, child. I had _such_ a triumph after dinner. René and
Dr. Break came in. They had quite made up their quarrel, and they told
me they had the highest esteem for each other, and I laughed and said,
"I heard every word of it up in the tree." You never saw two men so
frightened in your life, and when I said, "What _was_ 'the subject of
your remarks,' René?" neither of them knew where to look. Oh, I quizzed
them unmercifully. They'd seen me jump off the pigsty roof, remember.'

'But what _was_ the subject of their remarks?' said Una.

'Oh, Dr. Break said it was a professional matter, so the laugh was
turned on me. I was horribly afraid it might have been something
unladylike and indelicate. But _that_ wasn't my triumph. Dad asked me to
play on the harp. Between just you and me, child, I had been practising
a new song from London--I don't always live in trees--for weeks; and I
gave it them for a surprise.'

'What was it?' said Una. 'Sing it.'

'"I have given my heart to a flower." Not very difficult fingering, but
r-r-ravishing sentiment.'

Philadelphia coughed and cleared her throat.

'I've a deep voice for my age and size,' she explained. 'Contralto, you
know, but it ought to be stronger,' and she began, her face all dark
against the last of the soft pink sunset:

    'I have given my heart to a flower,
    Though I know it is fading away,
    Though I know it will live but an hour
    And leave me to mourn its decay!

'Isn't that touchingly sweet? Then the last verse--I wish I had my harp,
dear--goes as low as my register will reach.' She drew in her chin, and
took a deep breath:

    'Ye desolate whirlwinds that rave,
    I charge you be good to my dear!
    She is all--she is all that I have,
    And the time of our parting is near!'

'Beautiful!' said Una. 'And did they like it?'

'Like it? They were overwhelmed--_accablés_, as René says. My dear, if I
hadn't seen it, I shouldn't have believed that I could have drawn
tears, genuine tears, to the eyes of four grown men. But I did! René
simply couldn't endure it! He's all French sensibility. He hid his face
and said, "_Assez Mademoiselle! C'est plus fort que moi! Assez!_" And
Sir Arthur blew his nose and said, "Good Ged! This is worse than
Assaye!" While Dad sat with the tears simply running down his cheeks.'

'And what did Dr. Break do?'

'He got up and pretended to look out of the window, but I saw his little
fat shoulders jerk as if he had the hiccoughs. That _was_ a triumph. I
never suspected him of sensibility.'

'Oh, I wish I'd seen! I wish I'd been you,' said Una, clasping her
hands. Puck rustled and rose from the fern, just as a big blundering
cockchafer flew smack against Una's cheek.

When she had finished rubbing the place, Mrs. Vincey called to her that
_Pansy_ had been fractious, or she would have come long before to help
her strain and pour off.

'It didn't matter,' said Una; 'I just waited. Is that old _Pansy_
barging about the lower pasture now?'

'No,' said Mrs. Vincey, listening. 'It sounds more like a horse being
galloped middlin' quick through the woods; but there's no road there. I
reckon it's one of Gleason's colts loose. Shall I see you up to the
house, Miss Una?'

'Gracious no! thank you. What's going to hurt me?' said Una, and she put
her stool away behind the oak, and strolled home through the gaps that
old Hobden kept open for her.




BROOKLAND ROAD


    I was very well pleased with what I knowed,
      I reckoned myself no fool--
    Till I met with a maid on the Brookland Road,
      That turned me back to school.

        _Low down--low down!
        Where the liddle green lanterns shine--
        Oh! maids, I've done with 'ee all but one,
        And she can never be mine!_

    'Twas right in the middest of a hot June night,
      With thunder duntin' round,
    And I see'd her face by the fairy light
      That beats from off the ground.

    She only smiled and she never spoke,
      She smiled and went away;
    But when she'd gone my heart was broke,
      And my wits was clean astray.

    Oh! Stop your ringing and let me be--
      Let be, Oh Brookland bells!
    You'll ring Old Goodman[4] out of the sea,
      Before I wed one else!

    Old Goodman's farm is rank sea sand,
      And was this thousand year;
    But it shall turn to rich plough land
      Before I change my dear!

    Oh! Fairfield Church is water-bound
      From Autumn to the Spring;
    But it shall turn to high hill ground
      Before my bells do ring!

    Oh! leave me walk on the Brookland Road,
      In the thunder and warm rain--
    Oh! leave me look where my love goed
      And p'raps I'll see her again!

        _Low down--low down!
        Where the liddle green lanterns shine--
        Oh! maids, I've done with 'ee all but one,
        And she can never be mine._

[4] Earl Godwin of the Goodwin Sands (?).




The Knife and the Naked Chalk




THE RUN OF THE DOWNS


    _The Weald is good, the Downs are best--
    I'll give you the run of 'em, East to West._
    Beachy Head and Winddoor Hill,
    They were once and they are still.
    Firle, Mount Caburn and Mount Harry
    Go back as far as sums'll carry.
    Ditchling Beacon and Chanctonbury Ring,
    They have looked on many a thing;
    And what those two have missed between 'em
    I reckon Truleigh Hill has seen 'em.
    Highden, Bignor and Duncton Down
    Knew Old England before the Crown.
    Linch Down, Treyford and Sunwood
    Knew Old England before the Flood.
    And when you end on the Hampshire side--
    Butser's old as Time and Tide.
      _The Downs are sheep, the Weald is corn,
      You be glad you are Sussex born!_




The Knife and the Naked Chalk


The children went to the seaside for a month, and lived in a flint
village on the bare windy chalk Downs, quite thirty miles away from
home. They made friends with an old shepherd, called Mr. Dudeney, who
had known their father when their father was little. He did not talk
like their own people in the Weald of Sussex, and he used different
names for farm things, but he understood how they felt, and let them go
with him. He had a tiny cottage about half a mile from the village,
where his wife made mead from thyme honey, and nursed sick lambs in
front of a coal fire, while Old Jim, who was Mr. Dudeney's sheep-dog's
father, lay at the door. They brought up beef bones for Old Jim (you
must never give a sheep-dog mutton bones), and if Mr. Dudeney happened
to be far in the Downs, Mrs. Dudeney would tell the dog to take them to
him, and he did.

One August afternoon when the village water-cart had made the street
smell specially townified, they went to look for their shepherd as
usual, and, as usual, Old Jim crawled over the door-step and took them
in charge. The sun was hot, the dry grass was very slippery, and the
distances were very distant.

'It's just like the sea,' said Una, when Old Jim halted in the shade of
a lonely flint barn on a bare rise. 'You see where you're going,
and--you go there, and there's nothing between.'

Dan slipped off his shoes. 'When we get home I shall sit in the woods
all day,' he said.

'Whuff!' said Old Jim, to show he was ready, and struck across a long
rolling stretch of turf. Presently he asked for his beef bone.

'Not yet,' said Dan. 'Where's Mr. Dudeney? Where's master?'

Old Jim looked as if he thought they were mad, and asked again.

'Don't you give it him,' Una cried. 'I'm not going to be left howling in
a desert.'

'Show, boy! Show!' said Dan, for the Downs seemed as bare as the palm of
your hand.

Old Jim sighed, and trotted forward. Soon they spied the blob of Mr.
Dudeney's hat against the sky a long way off.

'Right! All right!' said Dan. Old Jim wheeled round, took his bone
carefully between his blunted teeth, and returned to the shadow of the
old barn, looking just like a wolf. The children went on. Two kestrels
hung bivvering and squealing above them. A gull flapped lazily along the
white edge of the cliffs. The curves of the Downs shook a little in the
heat, and so did Mr. Dudeney's distant head.

They walked toward it very slowly and found themselves staring into a
horse-shoe-shaped hollow a hundred feet deep, whose steep sides were
laced with tangled sheep-tracks. The flock grazed on the flat at the
bottom, under charge of Young Jim. Mr. Dudeney sat comfortably knitting
on the edge of the slope, his crook between his knees. They told him
what Old Jim had done.

'Ah, he thought you could see my head as soon as he did. The closeter
you be to the turf the more you see things. You look warm-like,' said
Mr. Dudeney.

'We be,' said Una, flopping down. '_And_ tired.'

'Set beside o' me here. The shadow'll begin to stretch out in a little
while, and a heat-shake o' wind will come up with it that'll overlay
your eyes like so much wool.'

'We don't want to sleep,' said Una indignantly; but she settled herself
as she spoke, in the first strip of early afternoon shade.

'O' course not. You come to talk with me same as your father used. _He_
didn't need no dog to guide him to Norton Pit.'

'Well, he belonged here,' said Dan, and laid himself down at length on
the turf.

'He did. And what beats me is why he went off to live among them messy
trees in the Weald, when he might ha' stayed here and looked all about
him. There's no profit to trees. They draw the lightning, and sheep
shelter under 'em, and _so_, like as not, you'll lose a half score ewes
struck dead in one storm. Tck! Your father knew that.'

'Trees aren't messy.' Una rose on her elbow. 'And what about firewood? I
don't like coal.'

'Eh? You lie a piece more up-hill and you'll lie more natural,' said
Mr. Dudeney, with his provoking deaf smile. 'Now press your face down
and smell to the turf. That's Southdown thyme which makes our Southdown
mutton beyond compare, and, my mother told me, 'twill cure anything
except broken necks, or hearts. I forget which.'

They sniffed, and somehow forgot to lift their cheeks from the soft
thymy cushions.

'You don't get nothing like that in the Weald. Watercress, maybe?' said
Mr. Dudeney.

'But we've water--brooks full of it--where you paddle in hot weather,'
Una replied, watching a yellow-and-violet-banded snail-shell close to
her eye.

'Brooks flood. Then you must shift your sheep--let alone foot-rot
afterward. I put more dependence on a dew-pond any day.'

'How's a dew-pond made?' said Dan, and tilted his hat over his eyes. Mr.
Dudeney explained.

The air trembled a little as though it could not make up its mind
whether to slide into the Pit or move across the open. But it seemed
easiest to go down-hill, and the children felt one soft puff after
another slip and sidle down the slope in fragrant breaths that baffed on
their eyelids. The little whisper of the sea by the cliffs joined with
the whisper of the wind over the grass, the hum of insects in the thyme,
the ruffle and rustle of the flock below, and a thickish mutter deep in
the very chalk beneath them. Mr. Dudeney stopped explaining, and went on
with his knitting.

They were roused by voices. The shadow had crept half-way down the steep
side of Norton's Pit, and on the edge of it, his back to them, Puck sat
beside a half-naked man who seemed busy at some work. The wind had
dropped, and in that funnel of ground every least noise and movement
reached them like whispers up a water-pipe.

'That is clever,' said Puck, leaning over. 'How truly you shape it!'

'Yes, but what does The Beast care for a brittle flint tip? Bah!' The
man flicked something contemptuously over his shoulder. It fell between
Dan and Una--a beautiful dark-blue flint arrow-head still hot from the
maker's hand.

The man reached for another stone, and worked away like a thrush with a
snail-shell.

'Flint work is fool's work,' he said at last. 'One does it because one
always did it, but when it comes to dealing with The Beast--no good!' He
shook his shaggy head.

'The Beast was dealt with long ago. He has gone,' said Puck.

'He'll be back at lambing-time. _I_ know him.' He chipped very
carefully, and the flints squeaked.

'Not he. Children can lie out on the Chalk now all day through and go
home safe.'

'Can they? Well, call The Beast by his True Name, and I'll believe it,'
the man replied.

'Surely!' Puck leaped to his feet, curved his hands round his mouth and
shouted: "Wolf! Wolf!"

Norton's Pit threw back the echo from its dry sides--'Wuff! Wuff!' like
Young Jim's bark.

'You see? You hear?' said Puck. 'Nobody answers. Grey Shepherd is gone.
Feet-in-the-Night has run off. There are no more wolves.'

'Wonderful!' The man wiped his forehead as though he were hot. 'Who
drove him away? You?'

'Many men through many years, each working in his own country. Were you
one of them?' Puck answered.

The man slid his sheepskin cloak to his waist, and without a word
pointed to his side, which was all seamed and blotched with scars. His
arms too were dimpled from shoulder to elbow with horrible white
dimples.

'I see,' said Puck. 'It is The Beast's mark. What did you use against
him?'

'Hand, hammer, and spear, as our fathers did before us.'

'So? Then how'--Puck twitched aside the man's dark-brown cloak--'how did
a Flint-worker come by _that_? Show, man, show!' He held out his little
hand.

The man slipped a long dark iron knife, almost a short sword, from his
belt, and after breathing on it, handed it hilt-first to Puck, who took
it with his head on one side, as you should when you look at the works
of a watch, squinted down the dark blade, and very delicately rubbed his
forefinger from the point to the hilt.

'Good!' said he, in a surprised tone.

'It should be. The Children of the Night made it,' the man answered.

'So I see by the iron. What might it have cost you?'

'This!' The man raised his hand to his cheek. Puck whistled like a Weald
starling.

'By the Great Rings of the Chalk!' he cried. 'Was _that_ your price?
Turn sunward that I may see better, and shut your eye.'

He slipped his hand beneath the man's chin and swung him till he faced
the children up the slope. They saw that his right eye was gone, and the
eyelid lay shrunk. Quickly Puck turned him round again, and the two sat
down.

'It was for the sheep. The sheep are the people,' said the man, in an
ashamed voice. 'What else could I have done? _You_ know, Old One.'

Puck sighed a little fluttering sigh. 'Take the knife. I listen.'

The man bowed his head, drove the knife into the turf, and while it
still quivered said: 'This is witness between us that I speak the thing
that has been. Before my Knife and the Naked Chalk I speak. Touch!'

Puck laid a hand on the hilt. It stopped shaking. The children wriggled
a little nearer.

'I am of the People of the Worked Flint. I am the one son of the
Priestess who sells the Winds to the Men of the Sea. I am the Buyer of
the Knife--the Keeper of the People,' the man began, in a sort of
singing shout. 'These are my names in this country of the Naked Chalk,
between the Trees and the Sea.'

'Yours was a great country. Your names are great too,' said Puck.

'One cannot feed some things on names and songs'; the man hit himself on
the chest. 'It is better--always better--to count one's children safe
round the fire, their Mother among them.'

'Ahai!' said Puck. 'I think this will be a very old tale.'

'I warm myself and eat at any fire that I choose, but there is no _one_
to light me a fire or cook my meat. I sold all that when I bought the
Magic Knife for my people. It was not right that The Beast should master
man. What else could I have done?'

'I hear. I know. I listen,' said Puck.

'When I was old enough to take my place in the Sheepguard, The Beast
gnawed all our country like a bone between his teeth. He came in behind
the flocks at watering-time, and watched them round the Dew-ponds; he
leaped into the folds between our knees at the shearing; he walked out
alongside the grazing flocks, and chose his meat on the hoof while our
boys threw flints at him; he crept by night into the huts, and licked
the babe from between the mother's hands; he called his companions and
pulled down men in broad daylight on the Naked Chalk. No--not always did
he do so! _This_ was his cunning! He would go away for a while to let us
forget him. A year--two years perhaps--we neither smelt, nor heard, nor
saw him. When our flocks had increased; when our men did not always look
behind them; when children strayed from the fenced places; when our
women walked alone to draw water--back, back, back came the Curse of the
Chalk, Grey Shepherd, Feet-in-the Night--The Beast, The Beast, The
Beast!

'He laughed at our little brittle arrows and our poor blunt spears. He
learned to run in under the stroke of the hammer. I think he knew when
there was a flaw in the flint. Often it does not show till you bring it
down on his snout. Then--_Pouf!_--the false flint falls all to flinders,
and you are left with the hammer-handle in your fist, and his teeth in
your flank! I have felt them. At evening, too, in the dew, or when it
has misted and rained, your spear-head lashings slack off, though you
have kept them beneath your cloak all day. You are alone--but so close
to the home ponds that you stop to tighten the sinews with hands, teeth,
and a piece of driftwood. You bend over and pull--so! That is the minute
for which he has followed you since the stars went out. "Aarh!" he says.
"Wurr-aarh!" he says.' (Norton's Pit gave back the growl like a pack of
real wolves.) 'Then he is on your right shoulder feeling for the vein in
your neck, and--perhaps your sheep run on without you. To fight The
Beast is nothing, but to be despised by The Beast when he fights
you--that is like his teeth in the heart! Old One, why is it that men
desire so greatly, and can do so little?'

'I do not know. Did you desire so much?' said Puck.

'I desired to master The Beast. It is not right that The Beast should
master man. But my people were afraid. Even my Mother, the Priestess,
was afraid when I told her what I desired. We were accustomed to be
afraid of The Beast. When I was made a man, and a maiden--she was a
Priestess--waited for me at the Dew-ponds, The Beast flitted from off
the Chalk. Perhaps it was a sickness; perhaps he had gone to his Gods to
learn how to do us new harm. But he went, and we breathed more freely.
The women sang again; the children were not so much guarded; our flocks
grazed far out. I took mine yonder'--he pointed inland to the hazy line
of the Weald--'where the new grass was best. They grazed north. I
followed till we were close to the Trees'--he lowered his voice--'close
_there_ where the Children of the Night live,' He pointed north again.

'Ah, now I remember a thing,' said Puck. 'Tell me, why did your people
fear the Trees so extremely?'

'Because the Gods hate the Trees and strike them with lightning. We can
see them burning for days all along the Chalk's edge. Besides, all the
Chalk knows that the Children of the Night, though they worship our
Gods, are magicians. When a man goes into their country, they change his
spirit; they put words into his mouth; they make him like talking water.
But a voice in my heart told me to go toward the north. While I watched
my sheep there I saw three Beasts chasing a man, who ran toward the
Trees. By this I knew he was a Child of the Night. We Flint-workers fear
the Trees more than we fear The Beast. He had no hammer; he carried a
knife like this one. A Beast leaped at him. He stretched out his knife.
The Beast fell dead. The other Beasts ran away howling, which they would
never have done from a Flint-worker. The man went in among the Trees. I
looked for the dead Beast. He had been killed in a new way--by a single
deep, clean cut, without bruise or tear, which had split his bad heart.
Wonderful! So I saw that the man's knife was magic, and I thought how to
get it,--thought strongly how to get it.

'When I brought the flocks to the shearing, my Mother the Priestess
asked me, "What is the new thing which you have seen and I see in your
face?" I said, "It is a sorrow to me"; and she answered, "All new things
are sorrow. Sit in my place, and eat sorrow." I sat down in her place by
the fire, where she talks to the ghosts in winter, and two voices spoke
in my heart. One voice said, "Ask the Children of the Night for the
Magic Knife. It is not fit that The Beast should master man." I listened
to that voice.

'One voice said, "If you go among the Trees, the Children of the Night
will change your spirit. Eat and sleep here." The other voice said, "Ask
for the Knife." I listened to that voice.

'I said to my Mother in the morning, "I go away to find a thing for the
people, but I do not know whether I shall return in my own shape." She
answered, "Whether you live or die, or are made different, I am your
Mother."'

'True,' said Puck. 'The Old Ones themselves cannot change men's mothers
even if they would.'

'Let us thank the Old Ones! I spoke to my Maiden, the Priestess who
waited for me at the Dew-ponds. She promised fine things too.' The man
laughed. 'I went away to that place where I had seen the magician with
the knife. I lay out two days on the short grass before I ventured
among the Trees. I felt my way before me with a stick. I was afraid of
the terrible talking Trees. I was afraid of the ghosts in the branches;
of the soft ground underfoot; of the red and black waters. I was afraid,
above all, of the Change. It came!'

They saw him wipe his forehead once again, and his strong back-muscles
quivered till he laid his hand on the knife-hilt.

'A fire without a flame burned in my head; an evil taste grew in my
mouth; my eyelids shut hot over my eyes; my breath was hot between my
teeth, and my hands were like the hands of a stranger. I was made to
sing songs and to mock the Trees, though I was afraid of them. At the
same time I saw myself laughing, and I was very sad for this fine young
man, who was myself. Ah! The Children of the Night know magic.'

'I think that is done by the Spirits of the Mist. They change a man if
he sleeps among them,' said Puck. 'Had you slept in any mists?'

'Yes--but _I_ know it was the Children of the Night. After three days I
saw a red light behind the Trees, and I heard a heavy noise. I saw the
Children of the Night dig red stones from a hole, and lay them in fires.
The stones melted like tallow, and the men beat the soft stuff with
hammers. I wished to speak to these men, but the words were changed in
my mouth, and all I could say was, "Do not make that noise. It hurts my
head." By this I knew that I was bewitched, and I clung to the Trees,
and prayed the Children of the Night to take off their spells. They were
cruel. They asked me many questions which they would never allow me to
answer. They changed my words between my teeth till I wept. Then they
led me into a hut and covered the floor with hot stones and dashed water
on the stones, and sang charms till the sweat poured off me like water.
I slept. When I waked, my own spirit--not the strange, shouting
thing--was back in my body, and I was like a cool bright stone on the
shingle between the sea and the sunshine. The magicians came to hear
me--women and men--each wearing a Magic Knife. Their Priestess was their
Ears and their Mouth.

'I spoke. I spoke many words that went smoothly along like sheep in
order when their shepherd, standing on a mound, can count those coming,
and those far off getting ready to come. I asked for Magic Knives for my
people. I said that my people would bring meat, and milk, and wool, and
lay them in the short grass outside the Trees, if the Children of the
Night would leave Magic Knives for our people to take away. They were
pleased. Their Priestess said, "For whose sake have you come?" I
answered, "The sheep are the people. If The Beast kills our sheep, our
people die. So I come for a Magic Knife to kill The Beast."

'She said, "We do not know if our God will let us trade with the people
of the Naked Chalk. Wait till we have asked."

'When they came back from the Question place (their Gods are our Gods),
their Priestess said, "The God needs a proof that your words are true."
I said, "What is the proof?" She said, "The God says that if you have
come for the sake of your people you will give him your right eye to be
put out; but if you have come for any other reason you will not give it.
This proof is between you and the God. We ourselves are sorry."

'I said, "This is a hard proof. Is there no other road?"

'She said, "Yes. You can go back to your people with your two eyes in
your head if you choose. But then you will not get any Magic Knives for
your people."

'I said, "It would be easier if I knew that I were to be killed."

'She said, "Perhaps the God knew this too. See! I have made my knife
hot."

'I said, "Be quick, then!" With her knife heated in the flame she put
out my right eye. She herself did it. I am the son of a Priestess. She
was a Priestess. It was not work for any common man.'

'True! Most true,' said Puck. 'No common man's work, that. And,
afterwards?'

'Afterwards I did not see out of that eye any more. I found also that a
one eye does not tell you truly where things are. Try it!'

At this Dan put his hand over one eye, and reached for the flint
arrow-head on the grass. He missed it by inches. 'It's true,' he
whispered to Una. 'You can't judge distances a bit with only one eye.'

Puck was evidently making the same experiment, for the man laughed at
him.

'I know it is so,' said he. 'Even now I am not always sure of my blow. I
stayed with the Children of the Night till my eye healed. They said I
was the son of Tyr, the God who put his right hand in a Beast's mouth.
They showed me how they melted their red stone and made the Magic Knives
of it. They told me the charms they sang over the fires and at the
beatings. I can sing many charms.' Then he began to laugh like a boy.

'I was thinking of my journey home,' he said, 'and of the surprised
Beast. He had come back to the Chalk. I saw him--I smelt his lairs as
soon as ever I left the Trees. He did not know I had the Magic Knife--I
hid it under my cloak--the Knife that the Priestess gave me. Ho! Ho!
That happy day was too short! See! A Beast would wind me. "Wow!" he
would say, "here is my Flint-worker!" He would come leaping, tail in
air; he would roll; he would lay his head between his paws out of
merriness of heart at his warm, waiting meal. He would leap--and, oh,
his eye in mid-leap when he saw--when he saw the knife held ready for
him! It pierced his hide as a rush pierces curdled milk. Often he had no
time to howl. I did not trouble to flay any beasts I killed. Sometimes I
missed my blow. Then I took my little flint hammer and beat out his
brains as he cowered. He made no fight. He knew the knife! But The Beast
is very cunning. Before evening all The Beasts had smelt the blood on
my knife, and were running from me like hares. _They_ knew! Then I
walked as a man should--the Master of The Beast!

'So came I back to my Mother's house. There was a lamb to be killed. I
cut it in two halves with my knife, and I told her all my tale. She
said, "This is the work of a God." I kissed her and laughed. I went to
my Maiden who waited for me at the Dew-ponds. There was a lamb to be
killed. I cut it in two halves with my knife, and told her all my tale.
She said, "It is the work of a God." I laughed, but she pushed me away,
and being on my blind side, ran off before I could kiss her. I went to
the Men of the Sheepguard at watering-time. There was a sheep to be
killed for their meat. I cut it in two halves with my knife, and told
them all my tale. They said, "It is the work of a God." I said, "We talk
too much about Gods. Let us eat and be happy, and to-morrow I will take
you to the Children of the Night, and each man will find a Magic Knife."

'I was glad to smell our sheep again; to see the broad sky from edge to
edge, and to hear the sea. I slept beneath the stars in my cloak. The
men talked among themselves.

'I led them, the next day, to the Trees, taking with me meat, wool, and
curdled milk, as I had promised. We found the Magic Knives laid out on
the grass, as the Children of the Night had promised. They watched us
from among the Trees. Their Priestess called to me and said, "How is it
with your people?" I said, "Their hearts are changed. I cannot see
their hearts as I used to." She said, "That is because you have only one
eye. Come to me and I will be both your eyes." But I said, "I must show
my people how to use their knives against The Beast, as you showed me
how to use my knife." I said this because the Magic Knife does not
balance like the flint. She said, "What you have done, you have done for
the sake of a woman, and not for the sake of your people." I asked of
her, "Then why did the God accept my right eye, and why are you so
angry?" She answered, "Because any man can lie to a God, but no man can
lie to a woman. And I am not angry with you. I am only very sorrowful
for you. Wait a little, and you will see out of your one eye why I am
sorry." So she hid herself.

'I went back with my people, each one carrying his knife, and making it
sing in the air--_tssee-sssse_. The Flint never sings. It
mutters--_ump-ump_. The Beast heard. The Beast saw. _He_ knew!
Everywhere he ran away from us. We all laughed. As we walked over the
grass my Mother's brother--the Chief on the Man's Side--he took off his
Chief's necklace of yellow sea-stones.'

'How? Eh? Oh, I remember! Amber,' said Puck.

'And would have put them on my neck. I said, "No, I am content. What
does my one eye matter if my other eye sees fat sheep and fat children
running about safely?" My Mother's brother said to them, "I told you he
would never take such things." Then they began to sing a song in the
Old Tongue--_The Song of Tyr_. I sang with them, but my Mother's brother
said, "This is _your_ song, oh, Buyer of the Knife. Let _us_ sing it,
Tyr."

'Even then I did not understand, till I saw that--that no man stepped on
my shadow; and I knew that they thought me to be a God, like the God
Tyr, who gave his right hand to conquer a Great Beast.'

'By the Fire in the Belly of the Flint, was that so?' Puck rapped out.

'By my Knife and the Naked Chalk, so it was! They made way for my shadow
as though it had been a Priestess walking to the Barrows of the Dead. I
was afraid. I said to myself, "My Mother and my Maiden will know I am
not Tyr." But _still_ I was afraid with the fear of a man who falls into
a steep flint-pit while he runs, and feels that it will be hard to climb
out.

'When we came to the Dew-ponds all our people were there. The men showed
their knives and told their tale. The sheepguards also had seen The
Beast flying from us. The Beast went west across the river in
packs--howling! He knew the Knife had come to the Naked Chalk at
last--at last! _He_ knew! So my work was done. I looked for my Maiden
among the Priestesses. She looked at me, but she did not smile. She made
the sign to me that our Priestesses must make when they sacrifice to the
Old Dead in the Barrows. I would have spoken, but my Mother's brother
made himself my Mouth, as though I had been one of the Old Dead in the
Barrows for whom our Priests speak to the people on Midsummer mornings.'

'I remember. Well I remember those Midsummer mornings!' said Puck.

'Then I went away angrily to my Mother's house. She would have knelt
before me. Then I was more angry, but she said, "Only a God would have
spoken to me thus, a Priestess. A man would have feared the punishment
of the Gods." I looked at her and I laughed. I could not stop my unhappy
laughing. They called me from the door by the name of Tyr himself. A
young man with whom I had watched my first flocks, and chipped my first
arrow, and fought my first Beast, called me by that name in the Old
Tongue. He asked my leave to take my Maiden. His eyes were lowered, his
hands were on his forehead. He was full of the fear of a God, but of
_me_, a man, he had no fear when he asked. I did not kill him. I said,
"Call the maiden." She came also without fear--this very one that had
waited for me, that had talked with me by our Dew-ponds. Being a
Priestess, she lifted her eyes to me. As I look on a hill or a cloud, so
she looked at me. She spoke in the Old Tongue which Priestesses use when
they make prayers to the Old Dead in the Barrows. She asked leave that
she might light the fire in my companion's house--and that I should
bless their children. I did not kill her. I heard my own voice, little
and cold, say, "Let it be as you desire," and they went away hand in
hand. My heart grew little and cold, a wind shouted in my ears; my eye
darkened. I said to my Mother, "Can a God die?" I heard her say, "What
is it? What is it, my son?" and I fell into darkness full of
hammer-noises. I was not.'

'Oh, poor--poor God!' said Puck. 'And your wise Mother?'

'_She_ knew. As soon as I dropped she knew. When my spirit came back I
heard her whisper on my ear, "Whether you live or die, or are made
different, I am your Mother." That was good--better even than the water
she gave me and the going away of the sickness. Though I was ashamed to
have fallen down, yet I was very glad. She was glad too. Neither of us
wished to lose the other. There is only the one Mother for the one son.
I heaped the fire for her, and barred the doors, and sat at her feet as
before I went away, and she combed my hair, and sang.

'I said at last, "What is to be done to the people who say that I am
Tyr?"

'She said, "He who has done a God-like thing must bear himself like a
God. I see no way out of it. The people are now your sheep till you die.
You cannot drive them off."

'I said, "This is a heavier sheep than I can lift." She said, "In time
it will grow easy. In time perhaps you will not lay it down for any
maiden anywhere. Be wise--be very wise, my son, for nothing is left you
except the words, and the songs, and the worship of a God."'

'Oh, poor God!' said Puck. 'But those are not altogether bad things.'

'I know they are not; but I would sell them all--all--all for one small
child of my own, smearing himself with the ashes of our own house-fire.'

He wrenched his knife from the turf, thrust it into his belt and stood
up.

'And yet, what else could I have done?' he said. 'The sheep are the
people.'

'It is a very old tale,' Puck answered. 'I have heard the like of it not
only on the Naked Chalk, but also among the Trees--under Oak, and Ash,
and Thorn.'

       *       *       *       *       *

The afternoon shadows filled all the quiet emptiness of Norton's Pit.
The children heard the sheep bells and Young Jim's busy bark above them,
and they scrambled up the slope to the level.

'We let you have your sleep out,' said Mr. Dudeney, as the flock
scattered before them. 'It's making for tea-time now.'

'Look what I've found,' said Dan, and held up a little blue flint
arrow-head as fresh as though it had been chipped that very day.

'Oh,' said Mr. Dudeney, 'the closeter you be to the turf the more you're
apt to see things. I've found 'em often. Some says the fairies made 'em,
but I says they was made by folks like ourselves--only a goodish time
back. They're lucky to keep. Now, you couldn't ever have slept--not to
any profit--among your father's trees same as you've laid out on Naked
Chalk--could you?'

'One doesn't want to sleep in the woods,' said Una.

'Then what's the good of 'em?' said Mr. Dudeney. 'Might as well set in
the barn all day. Fetch 'em 'long, Jim boy!'

The Downs, that looked so bare and hot when they came, were full of
delicious little shadow-dimples; the smell of the thyme and the salt
mixed together on the south-west drift from the still sea; their eyes
dazzled with the low sun, and the long grass under it looked golden. The
sheep knew where their fold was, so Young Jim came back to his master,
and they all four strolled home, the scabious-heads swishing about their
ankles, and their shadows streaking behind them like the shadows of
giants.




SONG OF THE MEN'S SIDE


    Once we feared The Beast--when he followed us we ran,
      Ran very fast though we knew
    It was not right that The Beast should master Man;
      But what could we Flint-workers do?
    The Beast only grinned at our spears round his ears--
      Grinned at the hammers that we made;
    But now we will hunt him for the life with the Knife--
      And this is the Buyer of the Blade!

        _Room for his shadow on the grass--let it pass!
          To left and right--stand clear!
        This is the Buyer of the Blade--be afraid!
          This is the great god Tyr!_

    Tyr thought hard till he hammered out a plan,
      For he knew it was not right
    (And it _is_ not right) that The Beast should master Man;
      So he went to the Children of the Night.
    He begged a Magic Knife of their make for our sake.
      When he begged for the Knife they said:
    'The price of the Knife you would buy is an eye!'
      And that was the price he paid.

        _Tell it to the Barrows of the Dead--run ahead!
          Shout it so the Women's Side can hear!
        This is the Buyer of the Blade--be afraid!
          This is the great god Tyr!_

    Our women and our little ones may walk on the Chalk,
      As far as we can see them and beyond.
    We shall not be anxious for our sheep when we keep
      Tally at the shearing-pond.
    We can eat with both our elbows on our knees, if we please,
      We can sleep after meals in the sun;
    For Shepherd of the Twilight is dismayed at the Blade,
      Feet-in-the-Night have run!
    Dog-without-a-Master goes away (Hai, Tyr aie!),
      Devil-in-the-Dusk has run!

    Then:
        _Room for his shadow on the grass--let it pass!
          To left and right--stand clear!
        This is the Buyer of the Blade--be afraid!
          This is the great god Tyr!_




Brother Square-Toes




PHILADELPHIA


    If you're off to Philadelphia in the morning,
      You mustn't take my stories for a guide.
    There's little left indeed of the city you will read of
      And all the folk I write about have died.
    Now few will understand if you mention Talleyrand,
      Or remember what his cunning and his skill did.
    And the cabmen at the wharf do not know Count Zinnendorf,
      Nor the Church in Philadelphia he builded.

          It is gone, gone, gone with lost Atlantis
          (Never say I didn't give you warning).
          In Seventeen Ninety-three 'twas there for all to see,
          But it's not in Philadelphia this morning.

    If you're off to Philadelphia in the morning,
      You mustn't go by everything I've said.
    Bob Bicknell's Southern Stages have been laid aside for ages,
      But the Limited will take you there instead.
    Toby Hirte can't be seen at One Hundred and Eighteen,
      North Second Street--no matter when you call;
    And I fear you'll search in vain for the wash-house down the lane
      Where Pharaoh played the fiddle at the ball.

          It is gone, gone, gone with Thebes the Golden
          (Never say I didn't give you warning).
          In Seventeen Ninety-four 'twas a famous dancing-floor--
          But it's not in Philadelphia this morning.

    If you're off to Philadelphia in the morning,
      You must telegraph for rooms at some Hotel.
    You needn't try your luck at Epply's or the 'Buck,'
      Though the Father of his Country liked them well.
    It is not the slightest use to inquire for Adam Goos,
      Or to ask where Pastor Meder has removed--so
    You must treat as out of date the story I relate,
      Of the Church in Philadelphia he loved so.

          He is gone, gone, gone with Martin Luther,
          (Never say I didn't give you warning).
          In Seventeen Ninety-five he was (rest his soul!) alive.
          But he's not in Philadelphia this morning.

    If you're off to Philadelphia this morning,
      And wish to prove the truth of what I say,
    I pledge my word you'll find the pleasant land behind
      Unaltered since Red Jacket rode that way.
    Still the pine-woods scent the noon; still the catbird sings his tune;
      Still autumn sets the maple-forest blazing.
    Still the grape-vine through the dusk flings her soul-compelling musk;
      Still the fire-flies in the corn make night amazing.

          They are there, there, there with Earth immortal
          (Citizens, I give you friendly warning).
          The things that truly last when men and times have passed
          They are all in Pennsylvania this morning!




Brother Square-Toes


It was almost the end of their visit to the seaside. They had turned
themselves out of doors while their trunks were being packed, and
strolled over the Downs towards the dull evening sea. The tide was dead
low under the chalk cliffs, and the little wrinkled waves grieved along
the sands up the coast to Newhaven and down the coast to long, grey
Brighton, whose smoke trailed out across the Channel.

They walked to The Gap where the cliff is only a few feet high. A
windlass for hoisting shingle from the beach below stands at the edge of
it. The Coastguard cottages are a little farther on, and an old ship's
figure-head of a Turk in a turban stared at them over the wall.

'This time to-morrow we shall be at home, thank goodness,' said Una. 'I
hate the sea!'

'I believe it's all right in the middle,' said Dan. 'The edges are the
sorrowful parts.'

Cordery, the coastguard, came out of the cottage, levelled his telescope
at some fishing-boats, shut it with a click and walked away. He grew
smaller and smaller along the edge of the cliff, where neat piles of
white chalk every few yards show the path even on the darkest night.

'Where's Cordery going?' said Una.

'Half-way to Newhaven,' said Dan. 'Then he'll meet the Newhaven
coastguard and turn back. He says if coastguards were done away with,
smuggling would start up at once.'

A voice on the beach under the cliff began to sing:

    'The moon she shined on Telscombe Tye--
        On Telscombe Tye at night it was--
    She saw the smugglers riding by,
        A very pretty sight it was!'

Feet scrabbled on the flinty path. A dark, thin-faced man in very neat
brown clothes and broad-toed shoes came up, followed by Puck.

    'Three Dunkirk boats was standin' in!'

the man went on.

'Hssh!' said Puck. 'You'll shock these nice young people.'

'Oh! Shall I? Mille pardons!' He shrugged his shoulders almost up to his
ears--spread his hands abroad, and jabbered in French. 'No comprenny?'
he said. 'I'll give it you in Low German.' And he went off in another
language, changing his voice and manner so completely that they hardly
knew him for the same person. But his dark beady-brown eyes still
twinkled merrily in his lean face, and the children felt that they did
not suit the straight, plain, snuffy-brown coat, brown knee-breeches,
and broad-brimmed hat. His hair was tied in a short pig-tail which
danced wickedly when he turned his head.

'Ha' done!' said Puck, laughing. 'Be one thing or t'other,
Pharaoh--French or English or German--no great odds which.'

'Oh, but it is, though,' said Una quickly. 'We haven't begun German yet,
and--and we're going back to our French next week.'

'Aren't you English?' said Dan. 'We heard you singing just now.'

'Aha! That was the Sussex side o' me. Dad he married a French girl out
o' Boulogne, and French she stayed till her dyin' day. She was an
Aurette, of course. We Lees mostly marry Aurettes. Haven't you ever come
across the saying:

    'Aurettes and Lees,
    Like as two peas.
    What they can't smuggle,
    They'll run over seas?'

'Then, are you a smuggler?' Una cried; and, 'Have you smuggled much?'
said Dan.

Mr. Lee nodded solemnly.

'Mind you,' said he, 'I don't uphold smuggling for the generality o'
mankind--mostly they can't make a do of it--but I was brought up to the
trade, d'ye see, in a lawful line o' descent on'--he waved across the
Channel--'on both sides the water. 'Twas all in the families, same as
fiddling. The Aurettes used mostly to run the stuff across from
Boulogne, and we Lees landed it here and ran it up to London town, by
the safest road.'

'Then where did you live?' said Una.

'You mustn't ever live too close to your business in _our_ trade. We
kept our little fishing smack at Shoreham, but otherwise we Lees was all
honest cottager folk--at Warminghurst under Washington--Bramber way--on
the old Penn estate.'

'Ah!' said Puck, squatted by the windlass. 'I remember a piece about the
Lees at Warminghurst, I do:

    'There was never a Lee to Warminghurst
    That wasn't a gipsy last and first.

I reckon that's truth, Pharaoh.'

Pharaoh laughed. 'Admettin' that's true,' he said, 'my gipsy blood must
be wore pretty thin, for I've made and kept a worldly fortune.'

'By smuggling?' Dan asked.

'No, in the tobacco trade.'

'You don't mean to say you gave up smuggling just to go and be a
tobacconist!' Dan looked so disappointed they all had to laugh.

'I'm sorry; but there's all sorts of tobacconists,' Pharaoh replied.
'How far out, now, would you call that smack with the patch on her
foresail?' He pointed to the fishing-boats.

'A scant mile,' said Puck after a quick look.

'Just about. It's seven fathom under her--clean sand. That was where
Uncle Aurette used to sink his brandy kegs from Boulogne, and we fished
'em up and rowed 'em into The Gap here for the ponies to run inland. One
thickish night in January of '93, Dad and Uncle Lot and me came over
from Shoreham in the smack, and we found Uncle Aurette and the
L'Estranges, my cousins, waiting for us in their lugger with New Year's
presents from mother's folk in Boulogne. I remember Aunt Cecile she'd
sent me a fine new red knitted cap, which I put on then and there, for
the French was having their Revolution in those days, and red caps was
all the fashion. Uncle Aurette tells us that they had cut off their King
Louis' head, and, moreover, the Brest forts had fired on an English
man-o'-war. The news wasn't a week old.

'"That means war again, when we was only just getting used to the
peace," says Dad. "Why can't King George's men and King Louis' men do on
their uniforms and fight it out over our heads?"

'"Me too, I wish that," says Uncle Aurette. "But they'll be pressing
better men than themselves to fight for 'em. The press-gangs are out
already on our side: you look out for yours."

'"I'll have to bide ashore and grow cabbages for a while, after I've run
this cargo; but I do wish"--Dad says, going over the lugger's side with
our New Year presents under his arm and young L'Estrange holding the
lantern--"I just do wish that those folk which make war so easy had to
run one cargo a month all this winter. It 'ud show 'em what honest work
means."

'"Well, I've warned ye," says Uncle Aurette. "I'll be slipping off now
before your Revenue cutter comes. Give my love to sister and take care
o' the kegs. It's thicking to southward."

'I remember him waving to us and young Stephen L'Estrange blowing out
the lantern. By the time we'd fished up the kegs the fog came down so
thick Dad judged it risky for me to row 'em ashore, even though we could
hear the ponies stamping on the beach. So he and Uncle Lot took the
dinghy and left me in the smack playing on my fiddle to guide 'em back.

'Presently I heard guns. Two of 'em sounded mighty like Uncle Aurette's
three-pounders. He didn't go naked about the seas after dark. Then come
more, which I reckoned was Captain Giddens in the Revenue cutter. He was
open-handed with his compliments, but he _would_ lay his guns himself. I
stopped fiddling to listen, and I heard a whole skyful o' French up in
the fog--and a high bow come down on top o' the smack. I hadn't time to
call or think. I remember the smack heeling over, and me standing on the
gunwale pushing against the ship's side as if I hoped to bear her off.
Then the square of an open port, with a lantern in it, slid by in front
of my nose. I kicked back on our gunwale as it went under and slipped
through that port into the French ship--me and my fiddle.'

'Gracious!' said Una. 'What an adventure!'

'Didn't anybody see you come in?' said Dan.

'There wasn't any one there. I'd made use of an orlop-deck port--that's
the next deck below the gun-deck, which by rights should not have been
open at all. The crew was standing by their guns up above. I rolled on
to a pile of dunnage in the dark and I went to sleep. When I woke, men
was talking all round me, telling each other their names and sorrows
just like Dad told me pressed men used to talk in the last war. Pretty
soon I made out they'd all been hove aboard together by the press-gangs,
and left to sort 'emselves. The ship she was the _Embuscade_, a
thirty-six gun Republican frigate, Captain Jean Baptiste Bompard, two
days out of Le Havre, going to the United States with a Republican
French Ambassador of the name of Genêt. They had been up all night
clearing for action on account of hearing guns in the fog. Uncle Aurette
and Captain Giddens must have been passing the time o' day with each
other off Newhaven, and the frigate had drifted past 'em. She never knew
she'd run down our smack. Seeing so many aboard was total strangers to
each other, I thought one more mightn't be noticed; so I put Aunt
Cecile's red cap on the back of my head, and my hands in my pockets like
the rest, and, as we French say, I circulated till I found the galley.

'"What! Here's one of 'em that isn't sick!" says a cook. "Take his
breakfast to Citizen Bompard."

'I carried the tray to the cabin, but I didn't call this Bompard
"Citizen." Oh no! "Mon Capitaine" was my little word, same as Uncle
Aurette used to answer in King Louis' Navy. Bompard, he liked it; he
took me on for cabin servant, and after that no one asked questions; and
thus I got good victuals and light work all the way across to America.
He talked a heap of politics, and so did his officers, and when this
Ambassador Genêt got rid of his land-stomach and laid down the law
after dinner, a rook's parliament was nothing compared to their cabin. I
learned to know most of the men which had worked the French Revolution,
through waiting at table and hearing talk about 'em. One of our
forecas'le six-pounders was called Danton and t'other Marat. I used to
play the fiddle between 'em, sitting on the capstan. Day in and day out
Bompard and Monsieur Genêt talked o' what France had done, and how the
United States was going to join her to finish off the English in this
war. Monsieur Genêt said he'd justabout make the United States fight for
France. He was a rude common man. But I liked listening. I always helped
drink any healths that was proposed--specially Citizen Danton's who'd
cut off King Louis' head. An all-Englishman might have been
shocked--that's where my French blood saved me.

'It didn't save me from getting a dose of ship's fever though, the week
before we put Monsieur Genêt ashore at Charleston; and what was left of
me after bleeding and pills took the dumb horrors from living 'tween
decks. The surgeon, Karaguen his name was, kept me down there to help
him with his plasters--I was too weak to wait on Bompard. I don't
remember much of any account for the next few weeks, till I smelled
lilacs, and I looked out of the port, and we was moored to a wharf-edge
and there was a town o' fine gardens and red-brick houses and all the
green leaves in God's world waiting for me outside.

'"What's this?" I said to the sick-bay man--old Pierre Tiphaigne he was.
"Philadelphia," says Pierre. "You've missed it all. We're sailing next
week."

'I just turned round and cried for longing to be amongst the laylocks.

'"If that's your trouble," says old Pierre, "you go straight ashore.
None'll hinder you. They're all gone mad on these coasts--French and
American together. 'Tisn't _my_ notion o' war." Pierre was an old King
Louis man.

'My legs was pretty tottly, but I made shift to go on deck, which it was
like a fair. The frigate was crowded with fine gentlemen and ladies
pouring in and out. They sung and they waved French flags, while Captain
Bompard and his officers--yes, and some of the men--speechified to all
and sundry about war with England. They shouted, "Down with
England!"--"Down with Washington!"--"Hurrah for France and the
Republic!" _I_ couldn't make sense of it. I wanted to get out from that
crunch of swords and petticoats and sit in a field. One of the gentlemen
said to me, "Is that a genuine cap o' Liberty you're wearing?" 'Twas
Aunt Cecile's red one, and pretty near wore out. "Oh yes!" I says,
"straight from France." "I'll give you a shilling for it," he says, and
with that money in my hand and my fiddle under my arm I squeezed past
the entry-port and went ashore. It was like a dream--meadows, trees,
flowers, birds, houses, and people _all_ different! I sat me down in a
meadow and fiddled a bit, and then I went in and out the streets,
looking and smelling and touching, like a little dog at a fair. Fine
folk was setting on the white stone doorsteps of their houses, and a
girl threw me a handful of laylock sprays, and when I said "Merci"
without thinking, she said she loved the French. They was all the
fashion in the city. I saw more tricolour flags in Philadelphia than
ever I'd seen in Boulogne, and every one was shouting for war with
England. A crowd o' folk was cheering after our French ambassador--that
same Monsieur Genêt which we'd left at Charleston. He was a-horseback
behaving as if the place belonged to him--and commanding all and sundry
to fight the British. But I'd heard that before. I got into a long
straight street as wide as the Broyle, where gentlemen was racing
horses. I'm fond o' horses. Nobody hindered 'em, and a man told me it
was called Race Street o' purpose for that. Then I followed some black
niggers, which I'd never seen close before; but I left them to run after
a great, proud, copper-faced man with feathers in his hair and a red
blanket trailing behind him. A man told me he was a real Red Indian
called Red Jacket, and I followed him into an alley-way off Race Street
by Second Street, where there was a fiddle playing. I'm fond o'
fiddling. The Indian stopped at a baker's shop--Conrad Gerhard's it
was--and bought some sugary cakes. Hearing what the price was I was
going to have some too, but the Indian asked me in English if I was
hungry. "Oh yes!" I says. I must have looked a sore scrattel. He opens a
door on to a staircase and leads the way up. We walked into a dirty
little room full of flutes and fiddles and a fat man fiddling by the
window, in a smell of cheese and medicines fit to knock you down. I
_was_ knocked down too, for the fat man jumped up and hit me a smack in
the face. I fell against an old spinet covered with pill-boxes and the
pills rolled about the floor. The Indian never moved an eyelid.

'"Pick up the pills! Pick up the pills!" the fat man screeches.

'I started picking 'em up--hundreds of 'em--meaning to run out under the
Indian's arm, but I came on giddy all over and I sat down. The fat man
went back to his fiddling.

'"Toby!" says the Indian after quite a while. "I brought the boy to be
fed, not hit."

'"What?" says Toby, "I thought it was Gert Schwankfelder." He put down
his fiddle and took a good look at me. "Himmel!" he says. "I have hit
the wrong boy. It is not the new boy. Why are you not the new boy? Why
are you not Gert Schwankfelder?"

'"I don't know," I said. "The gentleman in the pink blanket brought me."

'Says the Indian, "He is hungry, Toby. Christians always feed the
hungry. So I bring him."

'"You should have said that first," said Toby. He pushed plates at me
and the Indian put bread and pork on them, and a glass of Madeira wine.
I told him I was off the French ship, which I had joined on account of
my mother being French. That was true enough when you think of it, and
besides I saw that the French was all the fashion in Philadelphia. Toby
and the Indian whispered and I went on picking up the pills.

'"You like pills--eh?" says Toby.

'"No," I says. "I've seen our ship's doctor roll too many of 'em."

'"Ho!" he says, and he shoves two bottles at me. "What's those?"

'"Calomel," I says. "And t'other's senna."

'"Right," he says. "One week have I tried to teach Gert Schwankfelder
the difference between them, yet he cannot tell. You like to fiddle?" he
says. He'd just seen my kit on the floor.

'"Oh yes!" says I.

'"Oho!" he says. "What note is this?" drawing his bow acrost.

'He meant it for A, so I told him it was.

'"My brother," he says to the Indian. "I think this is the hand of
Providence! I warned that Gert if he went to play upon the wharves any
more he would hear from me. Now look at this boy and say what you
think."

'The Indian looked me over whole minutes--there was a musical clock on
the wall and dolls came out and hopped while the hour struck. He looked
me over all the while they did it.

'"Good," he says at last. "This boy is good."

'"Good, then," says Toby. "Now I shall play my fiddle and you shall sing
your hymn, brother. Boy, go down to the bakery and tell them you are
young Gert Schwankfelder that was. The horses are in Davy Jones's
locker. If you ask any questions you shall hear from me."

'I left 'em singing hymns and I went down to old Conrad Gerhard. He
wasn't at all surprised when I told him I was young Gert Schwankfelder
that was. He knew Toby. His wife she walked me into the back yard
without a word, and she washed me and she cut my hair to the edge of a
basin, and she put me to bed, and Oh! how I slept--how I slept in that
little room behind the oven looking on the flower garden! I didn't know
Toby went to the _Embuscade_ that night and bought me off Dr. Karaguen
for twelve dollars and a dozen bottles of Seneca Oil. Karaguen wanted a
new lace to his coat, and he reckoned I hadn't long to live; so he put
me down as "discharged sick."'

'I like Toby,' said Una.

'Who was he?' said Puck.

'Apothecary Tobias Hirte,' Pharaoh replied. 'One Hundred and Eighteen,
Second Street--the famous Seneca Oil man, that lived half of every year
among the Indians. But let me tell my tale my own way, same as his brown
mare used to go to Lebanon.'

'Then why did he keep her in Davy Jones's locker?' Dan asked.

'That was his joke. He kept her under David Jones's hat shop in the
"Buck" tavern yard, and his Indian friends kept their ponies there when
they visited him. I looked after the horses when I wasn't rolling pills
on top of the old spinet, while he played his fiddle and Red Jacket sang
hymns. I liked it. I had good victuals, light work, a suit o' clean
clothes, a plenty music, and quiet, smiling German folk all around that
let me sit in their gardens. My first Sunday, Toby took me to his church
in Moravian Alley; and that was in a garden too. The women wore
long-eared caps and handkerchiefs. They came in at one door and the men
at another, and there was a brass chandelier you could see your face in,
and a nigger-boy to blow the organ bellows. I carried Toby's fiddle, and
he played pretty much as he chose all against the organ and the singing.
He was the only one they let do it, for they was a simple-minded folk.
They used to wash each other's feet up in the attic to keep 'emselves
humble: which Lord knows they didn't need.'

'How very queer,' said Una.

Pharaoh's eyes twinkled. 'I've met many and seen much,' he said; 'but I
haven't yet found any better or quieter or forbearinger people than the
Brethren and Sistern of the Moravian Church in Philadelphia. Nor will I
ever forget my first Sunday--the service was in English that week--with
the smell of the flowers coming in from Pastor Meder's garden where the
big peach tree is, and me looking at all the clean strangeness and
thinking of 'tween decks on the _Embuscade_ only six days ago. Being a
boy, it seemed to me it had lasted for ever, and was going on for ever.
But I didn't know Toby then. As soon as the dancing clock struck
midnight that Sunday--I was lying under the spinet--I heard Toby's
fiddle. He'd just done his supper, which he always took late and heavy.
"Gert," says he, "get the horses. Liberty and Independence for ever! The
flowers appear upon the earth and the time of the singing of birds is
come. We are going to my country seat in Lebanon."

'I rubbed my eyes, and fetched 'em out of the "Buck" stable. Red Jacket
was there saddling his, and when I'd packed the saddle-bags we three
rode up Race Street to the Ferry by starlight. So we went travelling.
It's a kindly, softly country there, back of Philadelphia among the
German towns, Lancaster way. Little houses and bursting big barns, fat
cattle, fat women, and all as peaceful as Heaven might be if they farmed
there. Toby sold medicines out of his saddle-bags, and gave the French
war-news to folk along the roads. Him and his long-hilted umberell was
as well known as the stage coaches. He took orders for that famous
Seneca Oil which he had the secret of from Red Jacket's Indians, and he
slept in friend's farmhouses, but he _would_ shut all the windows; so
Red Jacket and me slept outside. There's nothing to hurt except
snakes--and they slip away quick enough if you thrash in the bushes.'

'I'd have liked that!' said Dan.

'I'd no fault to find with those days. In the cool o' the morning the
cat-bird sings. He's something to listen to. And there's a smell of
wild grape-vine growing in damp hollows which you drop into, after
long rides in the heat, which is beyond compare for sweetness. So's
the puffs out of the pine woods of afternoons. Come sundown, the frogs
strike up, and later on the fireflies dance in the corn. Oh me, the
fireflies in the corn! We were a week or ten days on the road, tacking
from one place to another--such as Lancaster, Bethlehem-Ephrata--"thou
Bethlehem-Ephrata"--no odds--I loved the going about; and so we jogged
into dozy little Lebanon by the Blue Mountains, where Toby had a
cottage and a garden of all fruits. He come north every year for this
wonderful Seneca Oil the Seneca Indians made for him. They'd never
sell to any one else, and he doctored 'em with von Swieten pills,
which they valued more than their own oil. He could do what he chose
with them, and, of course, he tried to make them Moravians. The
Senecas are a seemly, quiet people, and they'd had trouble enough from
white men--Americans and English--during the wars, to keep 'em in that
walk. They lived on a Reservation by themselves away off by their
lake. Toby took me up there, and they treated me as if I was their own
blood brother. Red Jacket said the mark of my bare feet in the dust
was just like an Indian's and my style of walking was similar. I know
I took to their ways all over.'

'Maybe the gipsy drop in your blood helped you?' said Puck.

'Sometimes I think it did,' Pharaoh went on. 'Anyhow Red Jacket and
Cornplanter, the other Seneca chief, they let me be adopted into the
tribe. It's only a compliment, of course, but Toby was angry when I
showed up with my face painted. They gave me a side-name which means
"Two Tongues," because, d'ye see, I talked French and English.

'They had their own opinions (_I_'ve heard 'em) about the French and the
English, _and_ the Americans. They'd suffered from all of 'em during
the wars, and they only wished to be left alone. But they thought a heap
of the President of the United States. Cornplanter had had dealings with
him in some French wars out West when General Washington was only a lad.
His being President afterwards made no odds to 'em. They always called
him Big Hand, for he was a large-fisted man, and he was all of their
notion of a white chief. Cornplanter 'ud sweep his blanket round him,
and after I'd filled his pipe he'd begin--"In the old days, long ago,
when braves were many and blankets were few, Big Hand said----" If Red
Jacket agreed to the say-so he'd trickle a little smoke out of the
corners of his mouth. If he didn't, he'd blow through his nostrils. Then
Cornplanter 'ud stop and Red Jacket 'ud take on. Red Jacket was the
better talker of the two. I've laid and listened to 'em for hours. Oh!
they knew General Washington well. Cornplanter used to meet him at
Epply's--the great dancing place in the city before District Marshal
William Nichols bought it. They told me he was always glad to see 'em,
and he'd hear 'em out to the end if they had anything on their minds.
They had a good deal in those days. I came at it by degrees, after I was
adopted into the tribe. The talk up in Lebanon and everywhere else that
summer was about the French war with England and whether the United
States 'ud join in with France or make a peace treaty with England. Toby
wanted peace so as he could go about the Reservation buying his oils.
But most of the white men wished for war, and they was angry because
the President wouldn't give the sign for it. The newspaper said men was
burning Guy Fawke images of General Washington and yelling after him in
the streets of Philadelphia. You'd have been astonished what those two
fine old chiefs knew of the ins and outs of such matters. The little
I've learned of politics I picked up from Cornplanter and Red Jacket on
the Reservation. Toby used to read the _Aurora_ newspaper. He was what
they call a "Democrat," though our Church is against the Brethren
concerning themselves with politics.'

'I hate politics, too,' said Una, and Pharaoh laughed.

'I might ha' guessed it,' he said. 'But here's something that isn't
politics. One hot evening late in August, Toby was reading the newspaper
on the stoop and Red Jacket was smoking under a peach tree and I was
fiddling. Of a sudden Toby drops his _Aurora_.

'"I am an oldish man, too fond of my own comforts," he says. "I will go
to the church which is in Philadelphia. My brother, lend me a spare
pony. I must be there to-morrow night."

'"Good!" says Red Jacket looking at the sun. "My brother shall be there.
I will ride with him and bring back the ponies."

'I went to pack the saddle-bags. Toby had cured me of asking questions.
He stopped my fiddling if I did. Besides, Indians don't ask questions
much and I wanted to be like 'em.

'When the horses were ready I jumped up.

'"Get off," says Toby. "Stay and mind the cottage till I come back. The
Lord has laid this on me, not on you--I wish he hadn't."

'He powders off down the Lancaster road, and I sat on the door-step
wondering after him. When I picked up the paper to wrap his
fiddle-strings in, I spelled out a piece about the yellow fever being in
Philadelphia so dreadful every one was running away. I was scared, for I
was fond of Toby. We never said much to each other, but we fiddled
together, and music's as good as talking to them that understand.'

'Did Toby die of yellow fever?' Una asked.

'Not him! There's justice left in the world still. He went down to the
City and bled 'em well again in heaps. He sent back word by Red Jacket
that, if there was war or he died I was to bring the oils along to the
city, but till then I was to go on working in the garden and Red Jacket
was to see me do it. Down at heart all Indians reckon digging a squaw's
business, and neither him nor Cornplanter, when he relieved watch, was a
hard task-master. We hired a nigger-boy to do our work, and a lazy
grinning runagate he was. When I found Toby didn't die the minute he
reached town, why, boylike, I took him off my mind and went with my
Indians again. Oh! those days up north at Canasedago, running races and
gambling with the Senecas, or bee-hunting in the woods, or fishing in
the lake.' Pharaoh sighed and looked across the water. 'But it's best,'
he went on suddenly, 'after the first frostes. You roll out o' your
blanket and find every leaf left green over night turned red and
yellow, not by trees at a time, but hundreds and hundreds of miles of
'em, like sunsets splattered upside down. On one of such days--the
maples was flaming scarlet and gold, and the sumach bushes were
redder--Cornplanter and Red Jacket came out in full war-dress, making
the very leaves look silly: feathered war-bonnets, yellow doe-skin
leggings, fringed and tasselled, red horse-blankets, and their bridles
feathered and shelled and beaded no bounds. I thought it was war against
the British till I saw their faces weren't painted, and they only
carried wrist-whips. Then I hummed "Yankee Doodle" at 'em. They told me
they was going to visit Big Hand and find out for sure whether he meant
to join the French in fighting the English or make a peace treaty with
England. I reckon those two would ha' gone out on the war-path at a nod
from Big Hand, but they knew well, if there was war 'twixt England and
the United States, their tribe 'ud catch it from both parties same as in
all the other wars. They asked me to come along and hold the ponies.
That puzzled me, because they always put their ponies up at the "Buck"
or Epply's when they went to see General Washington in the city, and
horse-holding is a nigger's job. Besides, I wasn't exactly dressed for
it.'

'D'you mean you were dressed like an Indian?' Dan demanded.

Pharaoh looked a little abashed. 'This didn't happen at Lebanon,' he
said, 'but a bit farther north, on the Reservation; and at that
particular moment of time, so far as blanket, hair-band, moccasins, and
sunburn went, there wasn't much odds 'twix me and a young Seneca buck.
You may laugh,' he smoothed down his long-skirted brown coat. 'But I
told you I took to their ways all over. I said nothing, though I was
bursting to let out the war-whoop like the young men had taught me.'

'No, and you don't let out one here, either,' said Puck before Dan could
ask. 'Go on, Brother Square-toes.'

'We went on.' Pharaoh's narrow dark eyes gleamed and danced. 'We went
on--forty, fifty miles a day, for days on end--we three braves. And how
a great tall Indian a-horseback can carry his war-bonnet at a canter
through thick timber without brushing a feather beats _me_! My silly
head was banged often enough by low branches, but they slipped through
like running elks. We had evening hymn-singing every night after they'd
blown their pipe-smoke to the quarters of Heaven. Where did we go? I'll
tell you, but don't blame me if you're no wiser. We took the old
war-trail from the end of the Lake along the East Susquehanna through
the Nantego country, right down to Fort Shamokin on the Senachse river.
We crossed the Juniata by Fort Granville, got into Shippensberg over the
hills by the Ochwick trail, and then to Williams Ferry (it's a bad one).
From Williams Ferry, across the Shanedore, over the Blue Mountains,
through Ashby's Gap, and so south-east by south from there, till we
found the President at the back of his own plantations. I'd hate to be
trailed by Indians in earnest. They caught him like a partridge on a
stump. After we'd left our ponies, we scouted forward through a woody
piece, and, creeping slower and slower, at last if my moccasins even
slipped Red Jacket 'ud turn and frown. I heard voices--Monsieur Genêt's
for choice--long before I saw anything, and we pulled up at the edge of
a clearing where some niggers in grey and red liveries were holding
horses, and half-a-dozen gentlemen--but one was Genêt--were talking
among felled timber. I fancy they'd come to see Genêt a piece on his
road, for his portmantle was with him. I hid in between two logs as near
to the company as I be to that old windlass there. I didn't need anybody
to show me Big Hand. He stood up, very still, his legs a little apart,
listening to Genêt, that French Ambassador, which never had more manners
than a Bosham tinker. Genêt was as good as ordering him to declare war
on England at once. I had heard that clack before on the _Embuscade_. He
said he'd stir up the whole United States to have war with England,
whether Big Hand liked it or not.

'Big Hand heard him out to the last end. I looked behind me and my two
chiefs had vanished like smoke. Says Big Hand, "That is very forcibly
put, Monsieur Genêt----" "Citizen--citizen!" the fellow spits in. "_I_,
at least, am a Republican!" "Citizen Genêt," he says, "you may be sure
it will receive my fullest consideration." This seemed to take Citizen
Genêt back a piece. He rode off grumbling, and never gave his nigger a
penny. No gentleman!

'The others all assembled round Big Hand then, and, in their way, they
said pretty much what Genêt had said. They put it to him, here was
France and England at war, in a manner of speaking, right across the
United States' stomach, and paying no regards to any one. The French was
searching American ships on pretence they was helping England, but
really for to steal the goods. The English was doing the same, only
t'other way round, and besides searching, they was pressing American
citizens into their navy to help them fight France, on pretence that
those Americans was lawful British subjects. His gentlemen put this very
clear to Big Hand. It didn't look to _them_, they said, as though the
United States trying to keep out of the fight was any advantage to
_her_, because she only catched it from both French and English. They
said that nine out of ten good Americans was crazy to fight the English
then and there. They wouldn't say whether that was right or wrong; they
only wanted Big Hand to turn it over in his mind. He did--for a while. I
saw Red Jacket and Cornplanter watching him from the far side of the
clearing, and how they had slipped round there was another mystery. Then
Big Hand drew himself up, and he let his gentlemen have it.'

'Hit 'em?' Dan asked.

'No, nor yet was it what you might call swearing. He--he blasted 'em
with his natural speech. He asked them half-a-dozen times over whether
the United States had enough armed ships for any shape or sort of war
with any one. He asked 'em, if they thought she _had_ those ships, to
_give_ him those ships, and they looked on the ground, as if they
expected to find 'em _there_. He put it to 'em whether, setting ships
aside, their country--I reckon he gave 'em good reasons--whether the
United States was ready or able to face a new big war; she having but so
few years back wound up one against England, and being all holds full of
her own troubles. As I said, the strong way he laid it all before 'em
blasted 'em, and when he'd done it was like a still in the woods after a
storm. A little man--but they all looked little--pipes up like a young
rook in a blowed-down nest, "Nevertheless, General, it seems you will be
compelled to fight England." Quick Big Hand wheels on him, "And is there
anything in my past which makes you think I am averse to fighting Great
Britain?"

'Everybody laughed except him. "Oh, General, you mistake us entirely!"
they says. "I trust so," he says. "But I know my duty. We _must_ have
peace with England."

'"At any price?" says the man with the rook's voice.

'"At any price," says he word by word. "Our ships will be searched--our
citizens will be pressed, but----"

'"Then what about the Declaration of Independence?" says one.

'"Deal with facts, not fancies," says Big Hand. "The United States are
in no position to fight England."

'"But think of public opinion," another one starts up. "The feeling
in Philadelphia alone is at fever heat."

[Illustration: They made the sign which no Indian makes outside of the
Medicine Lodges.--P. 171.]

'He held up one of his big hands. "Gentlemen," he says--slow he spoke,
but his voice carried far--"I have to think of our country. Let me
assure you that the treaty with Great Britain will be made though every
city in the Union burn me in effigy."

'"At any price?" the actor-like chap keeps on croaking.

'"The treaty must be made on Great Britain's own terms. What else can I
do?"

'He turns his back on 'em and they looked at each other and slinked off
to the horses, leaving him alone: and then I saw he was an old man. Then
Red Jacket and Cornplanter rode down the clearing from the far end as
though they had just chanced along. Back went Big Hand's shoulders, up
went his head and he stepped forward one single pace with a great deep
Hough! so pleased he was. That was a statelified meeting to
behold--three big men, and two of 'em looking like jewelled images among
the spattle of gay-coloured leaves. I saw my chiefs' war-bonnets sinking
together, down and down. Then they made the sign which no Indian makes
outside of the Medicine Lodges--a sweep of the right hand just clear of
the dust and an inbend of the left knee at the same time, and those
proud eagle feathers almost touched his boot-top.'

'What did it mean?' said Dan.

'Mean!' Pharaoh cried. 'Why it's what you--what we--it's the Sachems'
way of sprinkling the sacred corn-meal in front of--oh! it's a piece of
Indian compliment really, and it signifies that you are a very big
chief.

'Big Hand looked down on 'em. First he says quite softly, "My brothers
know it is not easy to be a chief." Then his voice grew. "My children,"
says he, "what is in your minds?"

'Says Cornplanter, "We came to ask whether there will be war with King
George's men, but we have heard what our Father has said to his chiefs.
We will carry away that talk in our hearts to tell to our people."

'"No," says Big Hand. "Leave all that talk behind--it was between white
men only--but take this message from _me_ to your people--'There will be
no war.'"

'His gentlemen were waiting, so they didn't delay him; only Cornplanter
says, using his old side-name, "Big Hand, did you see us among the
timber just now?"

'"Surely," says he. "_You_ taught me to look behind trees when we were
both young." And with that he cantered off.

'Neither of my chiefs spoke till we were back on our ponies again and a
half-hour along the home-trail. Then Cornplanter says to Red Jacket, "We
will have the corn dance this year. There will be no war." And that was
all there was to it.'

Pharaoh stood up as though he had finished.

'Yes,' said Puck, rising too. 'And what came out of it in the long run?'

'Let me get at my story my own way,' was the answer. 'Look! it's later
than I thought. That Shoreham smack's thinking of her supper.'

The children looked across the darkening Channel. A smack had hoisted a
lantern and slowly moved west where Brighton pier lights ran out in a
twinkling line. When they turned round The Gap was empty behind them.

'I expect they've packed our trunks by now,' said Dan. 'This time
to-morrow we'll be home.'




IF----


    If you can keep your head when all about you
      Are losing theirs and blaming it on you;
    If you can trust yourself when all men doubt you,
      But make allowance for their doubting too;
    If you can wait and not be tired by waiting,
      Or being lied about, don't deal in lies,
    Or being hated don't give way to hating,
      And yet don't look too good, nor talk too wise;

    If you can dream--and not make dreams your master;
      If you can think--and not make thoughts your aim,
    If you can meet with Triumph and Disaster
      And treat those two impostors just the same;
    If you can bear to hear the truth you've spoken
      Twisted by knaves to make a trap for fools,
    Or watch the things you gave your life to, broken,
      And stoop and build 'em up with worn-out tools;

    If you can make one heap of all your winnings
      And risk it on one turn of pitch-and-toss,
    And lose, and start again at your beginnings
      And never breathe a word about your loss;
    If you can force your heart and nerve and sinew
      To serve your turn long after they are gone,
    And so hold on when there is nothing in you
      Except the Will which says to them: 'Hold on!'

    If you can talk with crowds and keep your virtue,
      Or walk with Kings--nor lose the common touch,
    If neither foes nor loving friends can hurt you,
      If all men count with you, but none too much;
    If you can fill the unforgiving minute
      With sixty seconds' worth of distance run,
    Yours is the Earth and everything that's in it,
      And--which is more--you'll be a Man, my son!




'A Priest in Spite of Himself'




A ST. HELENA LULLABY


    How far is St. Helena from a little child at play?
      What makes you want to wander there with all the world between?
    Oh, Mother, call your son again or else he'll run away.
      (_No one thinks of winter when the grass is green!_)

    How far is St. Helena from a fight in Paris street?
      I haven't time to answer now--the men are falling fast.
    The guns begin to thunder, and the drums begin to beat.
      (_If you take the first step you will take the last!_)

    How far is St. Helena from the field of Austerlitz?
      You couldn't hear me if I told--so loud the cannons roar.
    But not so far for people who are living by their wits.
      (_'Gay go up' means 'gay go down' the wide world o'er!_)

    How far is St. Helena from an Emperor of France?
      I cannot see--I cannot tell--the crowns they dazzle so.
    The Kings sit down to dinner, and the Queens stand up to dance.
      (_After open weather you may look for snow!_)

    How far is St. Helena from the Capes of Trafalgar?
      A longish way--a longish way--with ten year more to run.
    It's South across the water underneath a setting star.
      (_What you cannot finish you must leave undone!_)

    How far is St. Helena from the Beresina ice?
      An ill way--a chill way--the ice begins to crack.
    But not so far for gentlemen who never took advice.
      (_When you can't go forward you must e'en come back!_)

    How far is St. Helena from the field of Waterloo?
      A near way--a clear way--the ship will take you soon.
    A pleasant place for gentlemen with little left to do.
      (_Morning never tries you till the afternoon!_)

    How far from St. Helena to the Gate of Heaven's Grace?
      That no one knows--that no one knows--and no one ever will.
    But fold your hands across your heart and cover up your face,
      And after all your trapesings, child, lie still!




'A Priest in Spite of Himself'


The day after they came home from the sea-side they set out on a tour of
inspection to make sure everything was as they had left it. Soon they
discovered that old Hobden had blocked their best hedge-gaps with stakes
and thorn-bundles, and had trimmed up the hedges where the blackberries
were setting.

'It can't be time for the gipsies to come along,' said Una. 'Why, it was
summer only the other day!'

'There's smoke in Low Shaw!' said Dan, sniffing. 'Let's make sure!'

They crossed the fields towards the thin line of blue smoke that leaned
above the hollow of Low Shaw which lies beside the King's Hill road. It
used to be an old quarry till somebody planted it, and you can look
straight down into it from the edge of Banky Meadow.

'I thought so,' Dan whispered, as they came up to the fence at the edge
of the larches. A gipsy-van--not the showman's sort, but the old black
kind, with little windows high up and a baby-gate across the door--was
getting ready to leave. A man was harnessing the horses; an old woman
crouched over the ashes of a fire made out of broken fence-rails; and a
girl sat on the van-steps singing to a baby on her lap. A wise-looking,
thin dog snuffed at a patch of fur on the ground till the old woman put
it carefully in the middle of the fire. The girl reached back inside the
van and tossed her a paper parcel. This was laid on the fire too, and
they smelt singed feathers.

'Chicken feathers!' said Dan. 'I wonder if they are old Hobden's.'

Una sneezed. The dog growled and crawled to the girl's feet, the old
woman fanned the fire with her hat, while the man led the horses up to
the shafts. They all moved as quickly and quietly as snakes over moss.

'Ah!' said the girl. 'I'll teach you!' She beat the dog, who seemed to
expect it.

'Don't do that,' Una called down. 'It wasn't his fault.'

'How do you know what I'm beating him for?' she answered.

'For not seeing us,' said Dan. 'He was standing right in the smoke, and
the wind was wrong for his nose, anyhow.'

The girl stopped beating the dog and the old woman fanned faster than
ever.

'You've fanned some of your feathers out of the fire,' said Una.
'There's a tail-feather by that chestnut-tot.'

'What of it?' said the old woman, as she grabbed it.

'Oh, nothing!' said Dan. 'Only I've heard say that tail-feathers are as
bad as the whole bird, sometimes.'

That was a saying of Hobden's about pheasants. Old Hobden always burned
all feather and fur before he sat down to eat.

'Come on, mother,' the man whispered. The old woman climbed into the van
and the horses drew it out of the deep-rutted shaw on to the hard road.

The girl waved her hands and shouted something they could not catch.

'That was gipsy for "Thank you kindly, Brother and Sister,"' said
Pharaoh Lee.

He was standing behind them, his fiddle under his arm.

'Gracious, you startled me!' said Una.

'_You_ startled old Priscilla Savile,' Puck called from below them.
'Come and sit by their fire. She ought to have put it out before they
left.'

They dropped down the ferny side of the shaw. Una raked the ashes
together, Dan found a dead wormy oak branch that burns without flame,
and they watched the smoke while Pharaoh played a curious wavery air.

'That's what the girl was humming to the baby,' said Una.

'I know it,' he nodded, and went on:

    'Ai Lumai, Lumai, Lumai! Luludia!
              Ai Luludia!'

He passed from one odd tune to another, and quite forgot the children.
At last Puck asked him to go on with his adventures in Philadelphia and
among the Seneca Indians.

'I'm telling it,' he said, staring straight in front of him as he
played. 'Can't you hear?'

'Maybe, but _they_ can't. Tell it aloud,' said Puck.

Pharaoh shook himself, laid his fiddle beside him, and began:

'I'd left Red Jacket and Cornplanter riding home with me after Big Hand
had said that there wouldn't be any war. That's all there was to it. We
believed Big Hand and we went home again--we three braves. When we
reached Lebanon we found Toby at the cottage with his waistcoat a foot
too big for him--so hard he had worked amongst the yellow-fever people.
He beat me for running off with the Indians, but 'twas worth it--I was
glad to see him,--and when we went back to Philadelphia for the winter,
and I was told how he'd sacrificed himself over sick people in the
yellow fever, I thought the world and all of him. No I didn't neither.
I'd thought that all along. That yellow fever must have been something
dreadful. Even in December people had no more than begun to trinkle back
to town. Whole houses stood empty and the niggers was robbing them out.
But I can't call to mind that any of the Moravian Brethren had died. It
seemed like they had just kept on with their own concerns, and the good
Lord he'd just looked after 'em. That was the winter--yes, winter of
Ninety-three--the Brethren bought a stove for the Church. Toby spoke in
favour of it because the cold spoiled his fiddle hand, but many thought
stove-heat not in the Bible, and there was yet a third party which
always brought hickory coal foot-warmers to service and wouldn't speak
either way. They ended by casting the Lot for it, which is like pitch
and toss. After my summer with the Senecas, church-stoves didn't highly
interest me, so I took to haunting round among the French _emigrés_
which Philadelphia was full of. My French and my fiddling helped me
there, d'ye see. They come over in shiploads from France, where, by what
I made out, every one was killing every one else by any means, and they
spread 'emselves about the city--mostly in Drinker's Alley and Elfrith's
Alley--and they did odd jobs till times should mend. But whatever they
stooped to, they were gentry and kept a cheerful countenance, and after
an evening's fiddling at one of their poor little proud parties, the
Brethren seemed old-fashioned. Pastor Meder and Brother Adam Goose
didn't like my fiddling for hire, but Toby said it was lawful in me to
earn my living by exercising my talents. He never let me be put upon.

'In February of Ninety-four--No, March it must have been, because a new
ambassador called Fauchet had come from France, with no more manners
than Genêt the old one--in March, Red Jacket came in from the
Reservation bringing news of all kind friends there. I showed him round
the city, and we saw General Washington riding through a crowd of folk
that shouted for war with England. They gave him quite rough music, but
he looked 'twixt his horse's ears and made out not to notice. His stirrup
brished Red Jacket's elbow, and Red Jacket whispered up, "My brother knows
it is not easy to be a chief?" Big Hand shot just one look at him and
nodded. Then there was a scuffle behind us over some one who wasn't hooting
at Washington loud enough to please the people. We went away to be out of
the fight. Indians won't risk being hit.'

'What do they do if they are?' Dan asked.

'Kill, of course. That's why they have such proper manners. Well, then,
coming home by Drinker's Alley to get a new shirt which a French
Vicomte's lady was washing to take the stiff out of (I'm always choice
in my body-linen) a lame Frenchman pushes a paper of buttons at us. He
hadn't long landed in the United States, and please would we buy. He
sure-ly was a pitiful scrattel--his coat half torn off, his face cut,
but his hands steady; so I knew it wasn't drink. He said his name was
Peringuey, and he'd been knocked about in the crowd round the
Stadt--Independence Hall. One thing leading to another we took him up to
Toby's rooms, same as Red Jacket had taken me the year before. The
compliments he paid to Toby's Madeira wine fairly conquered the old man,
for he opened a second bottle and he told this Monsieur Peringuey all
about our great stove dispute in the Church. I remember Pastor Meder and
Brother Adam Goose dropped in, and although they and Toby were direct
opposite sides regarding stoves, yet this Monsieur Peringuey he made 'em
feel as if he thought each one was in the right of it. He said he had
been a clergyman before he had to leave France. He admired at Toby's
fiddling, and he asked if Red Jacket, sitting by the spinet, was a
simple Huron. Senecas aren't Hurons, they're Iroquois, of course, and
Toby told him so. Well, then, in due time he arose and left in a style
which made us feel he'd been favouring us, instead of us feeding him.
I've never seen that so strong before--in a man. We all talked him over
but couldn't make head or tail of him, and Red Jacket come out to walk
with me to the French quarter when I was due to fiddle at a party.
Passing Drinker's Alley again we saw a naked window with a light in it,
and there sat our button-selling Monsieur Peringuey throwing dice all
alone, right hand against left.

'Says Red Jacket, keeping back in the dark, "Look at his face!"

'I was looking. I protest to you I wasn't frightened like I was when Big
Hand talked to his gentlemen. I--I only looked, and I only wondered that
even those dead dumb dice 'ud dare to fall different from what that face
wished. It--it _was_ a face!

'"He is bad," says Red Jacket. "But he is a great chief. The French have
sent away a great chief. I thought so when he told us his lies. Now I
know."

'I had to go on to the party, so I asked him to call round for me
afterwards and we'd have hymn-singing at Toby's as usual.

'"No," he says. "Tell Toby I am not Christian to-night. All Indian." He
had those fits sometimes. I wanted to know more about Monsieur
Peringuey, and the _emigré_ party was the very place to find out. It's
neither here nor there of course, but those French _emigré_ parties they
almost make you cry. The men that you bought fruit of in Market Street,
the hairdressers and fencing-masters and French teachers, they turn back
again by candlelight to what they used to be at home, and you catch
their real names. There wasn't much room in the wash-house, so I sat on
top of the copper and played 'em the tunes they called for--"_Si le Roi
m'avait donné_," and such nursery stuff. They cried sometimes. It hurt
me to take their money afterwards, indeed it did. And there I found out
about Monsieur Peringuey. He was a proper rogue too! None of 'em had a
good word for him except the Marquise that kept the French
boarding-house on Fourth Street. I made out that his real name was the
Count Talleyrand de Périgord--a priest right enough, but sorely come
down in the world. He'd been King Louis' ambassador to England a year or
two back, before the French had cut off King Louis' head; and, by what I
heard, that head wasn't hardly more than hanging loose before he'd run
back to Paris and prevailed on Danton, the very man which did the
murder, to send him back to England again as Ambassador of the French
Republic! That was too much for the English, so they kicked him out by
Act of Parliament, and he'd fled to the Americas without money or
friends or prospects. I'm telling you the talk in the wash-house. Some
of 'em was laughing over it. Says the French Marquise, "My friends, you
laugh too soon. That man will be on the winning side before any of us."

'"I did not know you were so fond of priests, Marquise," says the
Vicomte. His lady did my washing, as I've told you.

'"I have my reasons," says the Marquise. "He sent my uncle and my two
brothers to Heaven by the little door,"--that was one of the _emigré_
names for the guillotine. "He will be on the winning side if it costs
him the blood of every friend he has in the world."

'"Then what does he want here?" says one of 'em. "We have all lost our
game."

'"My faith!" says the Marquise. "He will find out, if any one can,
whether this canaille of a Washington means to help us to fight England.
Genêt (that was my ambassador in the _Embuscade_) has failed and gone
off disgraced; Fauchet (he was the new man) hasn't done any better, but
our abbé will find out, and he will make his profit out of the news.
Such a man does not fail."

'"He begins unluckily," says the Vicomte. "He was set upon to-day in the
street for not hooting your Washington." They all laughed again, and one
remarks, "How does the poor devil keep himself."

'He must have slipped in through the wash-house door, for he flits past
me and joins 'em, cold as ice.

'"One does what one can," he says. "I sell buttons. And you, Marquise?"

'"I?"--she waves her poor white hands all burned--"I am a cook--a very
bad one--at your service, abbé. We were just talking about you."

'They didn't treat him like they talked of him. They backed off and
stood still.

"'I have missed something then," he says. "But I spent this last hour
playing--only for buttons, Marquise--against a noble savage, the
veritable Huron himself."

'"You had your usual luck, I hope?" she says.

'"Certainly," he says. "I cannot afford to lose even buttons in these
days."

'"Then I suppose the child of nature does not know that your dice are
usually loaded, Father Tout-a-tous," she continues. I don't know whether
she meant to accuse him of cheating. He only bows.

'"Not yet, Mademoiselle Cunegonde," he says, and goes on to make himself
agreeable to the rest of the company. And that was how I found out our
Monsieur Peringuey was Count Charles Maurice Talleyrand de Périgord.'

Pharaoh stopped, but the children said nothing.

'You've heard of him?' said Pharaoh.

Una shook her head.

'Was Red Jacket the Indian he played dice with?' Dan asked.

'He was. Red Jacket told me the next time we met. I asked if the lame
man had cheated. Red Jacket said no--he had played quite fair and was a
master player. I allow Red Jacket knew. I've seen him, on the
Reservation, play himself out of everything he had and in again. Then I
told Red Jacket all I'd heard at the party concerning Talleyrand.

'"I was right," he says. "I saw the man's war-face when he thought he
was alone. That is why I played him. I played him face to face. He is a
great chief. Do they say why he comes here?"

'"They say he comes to find out if Big Hand makes war against the
English," I said.

'Red Jacket grunted. "Yes," he says. "He asked me that too. If he had
been a small chief I should have lied. But he is a great chief. He knew
I was a chief, so I told him the truth. I told him what Big Hand said to
Cornplanter and me in the clearing--'There will be no war.' I could not
see what he thought. I could not see behind his face. But he is a great
chief. He will believe."

'"Will he believe that Big Hand can keep his people back from war?" I
said, thinking of the crowds that hooted Big Hand whenever he rode out.

'"He is as bad as Big Hand is good, but he is not as strong as Big
Hand," says Red Jacket. "When he talks with Big Hand he will feel this
in his heart. The French have sent away a great chief. Presently he will
go back and make them afraid."

'Now wasn't that comical? The French woman that knew him and owed all
her losses to him; the Indian that picked him up, cut and muddy on the
street and played dice with him; they neither of 'em doubted that
Talleyrand was something by himself--appearances notwithstanding.'

'And was he something by himself?' asked Una.

Pharaoh began to laugh, but stopped. 'The way _I_ look at it,' he said,
'Talleyrand was one of just three men in this world who are quite by
themselves. Big Hand I put first, because I've seen him.'

'Ay,' said Puck. 'I'm sorry we lost him out of Old England. Who d'you
put second?'

'Talleyrand: maybe because I've seen him too,' said Pharaoh.

'Who's third?' said Puck.

'Boney--even though I've seen him.'

'Whew!' said Puck. 'Every man has his own weights and measures, but
that's queer reckoning.'

'Boney?' said Una. 'You don't mean you've ever met Napoleon Bonaparte?'

'There, I knew you wouldn't have patience with the rest of my tale after
hearing that! But wait a minute. Talleyrand he come round to Hundred and
Eighteen in a day or two to thank Toby for his kindness. I didn't
mention the dice-playing, but I could see that Red Jacket's doings had
made Talleyrand highly curious about Indians--though he would call him
the Huron. Toby, as you may believe, was all holds full of knowledge
concerning their manners and habits. He only needed a listener. The
Brethren don't study Indians much till they join the church, but Toby
knew 'em wild. So evening after evening Talleyrand crossed his sound leg
over his game one and Toby poured forth. Having been adopted into the
Senecas I, naturally, kept still, but Toby 'ud call on me to back up
some of his remarks, and by that means, and a habit he had of drawing
you on in talk, Talleyrand saw I knew something of his noble savages
too. Then he tried a trick. Coming back from an _emigré_ party he turns
into his little shop and puts it to me, laughing like, that I'd gone
with the two chiefs on their visit to Big Hand. _I_ hadn't told. Red
Jacket hadn't told, and Toby, of course, didn't know. 'Twas just
Talleyrand's guess. "Now," he says, "my English and Red Jacket's French
was so bad that I am not sure I got the rights of what the President
really said to the unsophisticated Huron. Do me the favour of telling it
again." I told him every word Red Jacket had told him and not one word
more. I had my suspicions, having just come from an _emigré_ party where
the Marquise was hating and praising him as usual.

'"Much obliged," he said. "But I couldn't gather from Red Jacket exactly
what the President said to Monsieur Genêt, or to his American gentlemen
after Monsieur Genêt had ridden away."

'I saw Talleyrand was guessing again, for Red Jacket hadn't told him a
word about the white man's pow-wow.'

'Why hadn't he?' Puck asked.

'Because Red Jacket was a chief. He told Talleyrand what the President
had said to him and Cornplanter; but he didn't repeat the talk, between
the white men, that Big Hand ordered him to leave behind.'

'Oh!' said Puck. 'I see. What did _you_ do?'

'First I was going to make some sort of tale round it, but Talleyrand
was a chief too. So I said, "As soon as I get Red Jacket's permission to
tell that part of the tale, I'll be delighted to refresh your memory,
abbé." What else could I have done?

'"Is that all?" he says, laughing. "Let me refresh your memory. In a
month from now I can give you a hundred dollars for your account of the
conversation."

'"Make it five hundred, abbé," I says.

'"Five, then," says he.

'"That will suit me admirably," I says. "Red Jacket will be in town
again by then, and the moment he gives me leave I'll claim the money."

'He had a hard fight to be civil but he come out smiling.

'"Monsieur," he says. "I beg your pardon as sincerely as I envy the
noble Huron your loyalty. Do me the honour to sit down while I explain."

'There wasn't another chair, so I sat on the button-box.

'He was a clever man. He had got hold of the gossip that the President
meant to make a peace treaty with England at any cost. He had found
out--from Genêt, I reckon, who was with the President on the day the two
chiefs met him. He'd heard that Genêt had had a huff with the President
and had ridden off leaving his business at loose ends. What he
wanted--what he begged and blustered to know--was just the very words
which the President had said to his gentlemen _after_ Genêt had left,
concerning the peace treaty with England. He put it to me that in
helping him to those very words I'd be helping three great countries as
well as mankind. The room was as bare as the palm of your hand, but I
couldn't laugh.

'"I'm sorry," I says, when he wiped his forehead. "As soon as Red Jacket
gives permission----"

'"You don't believe me, then?" he cuts in.

'"Not one little, little word, abbé," I says; "except that you mean to
be on the winning side. Remember, I've been fiddling to all your old
friends for months."

'Well, then, his temper fled him and he called me names.

'"Wait a minute, ci-devant," I says at last. "I _am_ half English and
half French, but I am not the half of a man. I will tell thee something
the Indian told me. Has thee seen the President?"

'"Oh yes!" he sneers, "I had letters from the Lord Lansdowne to that
estimable old man."

'"Then," I says, "thee will understand. The Red Skin said that when thee
has met the President thee will feel in thy heart he is a stronger man
than thee."

'"Go!" he whispers. "Before I kill thee, go."

'He looked like it. So I left him.'

'Why did he want to know so badly?' said Dan.

'The way I look at it is that if he _had_ known for certain that
Washington meant to make the peace treaty with England at any price,
he'd ha' left old Fauchet fumbling about in Philadelphia while he went
straight back to France and told old Danton--"It's no good your wasting
time and hopes on the United States, because she won't fight on our
side--that I've proof of!" Then Danton might have been grateful and
given Talleyrand a job, because a whole mass of things hang on knowing
for sure who's your friend and who's your enemy. Just think of us poor
shopkeepers, for instance.'

'Did Red Jacket let you tell, when he came back?' Una asked.

'Of course not. He said, "When Cornplanter and I ask you what Big Hand
said to the whites you can tell the Lame Chief. All that talk was left
behind in the timber, as Big Hand ordered. Tell the Lame Chief there
will be no war. He can go back to France with that word."

'Talleyrand and me hadn't met for a long time except at _emigré_
parties. When I give him the message he just shook his head. He was
sorting buttons in the shop.

'"I cannot return to France with nothing better than the word of an
unsophisticated savage," he says.

'"Hasn't the President said anything to you?" I asked him.

'"He has said everything that one in his position ought to say, but--but
if only I had what he said to his Cabinet after Genêt rode off I believe
I could change Europe--the world, maybe."

'"I'm sorry," I says. "Maybe you'll do that without my help."

'He looked at me hard. "Either you have unusual observation for one so
young, or you choose to be insolent," he says.

'"It was intended for a compliment," I says. "But no odds. We're off in
a few days for our summer trip, and I've come to make my good-byes."

'"I go on my travels too," he says. "If ever we meet again you may be
sure I will do my best to repay what I owe you."

'"Without malice, abbé, I hope," I says.

'"None whatever," says he. "Give my respects to your adorable Dr.
Pangloss (that was one of his side-names for Toby) and the Huron." I
never _could_ teach him the difference betwixt Hurons and Senecas.

'Then Sister Haga came in for a paper of what we call "pilly buttons,"
and that was the last I saw of Talleyrand in those parts.'

'But after that you met Napoleon, didn't you?' said Una.

'Wait just a little, dearie. After that, Toby and I went to Lebanon and
the Reservation, and, being older and knowing better how to manage him,
I enjoyed myself well that summer with fiddling and fun. When we came
back, the Brethren got after Toby because I wasn't learning any lawful
trade, and he had hard work to save me from being apprenticed to
Helmbold and Geyer the printers. 'Twould have ruined our music together,
indeed it would; and when we escaped that, old Mattes Roush, the
leather-breeches maker round the corner, took a notion I was cut out for
skin-dressing. But we were rescued. Along towards Christmas there comes
a big sealed letter from the Bank saying that a Monsieur Talleyrand had
put five hundred dollars--a hundred pounds--to my credit there to use as
I pleased. There was a little note from him inside--he didn't give any
address--to thank me for past kindnesses and my believing in his future
which he said was pretty cloudy at the time of writing. I wished Toby
to share the money. _I_ hadn't done more than bring Talleyrand up to
Hundred and Eighteen. The kindnesses were Toby's. But Toby said, "No!
Liberty and Independence for ever. I have all my wants, my son." So I
gave him a set of new fiddle-strings and the Brethren didn't advise us
any more. Only Pastor Meder he preached about the deceitfulness of
riches, and Brother Adam Goose said if there was war the English 'ud
surely shoot down the Bank. _I_ knew there wasn't going to be any war,
but I drew the money out and on Red Jacket's advice I put it into
horse-flesh, which I sold to Bob Bicknell for the Baltimore
stage-coaches. That way, I doubled my money inside the twelvemonth.'

'You gipsy! You proper gipsy!' Puck shouted.

'Why not? 'Twas fair buying and selling. Well, one thing leading to
another, in a few years I had made the beginning of a worldly fortune
and was in the tobacco trade.'

'Ah!' said Puck, suddenly. 'Might I inquire if you'd ever sent any news
to your people in England--or in France?'

'O' course I had. I wrote regular every three months after I'd made
money in the horse trade. We Lees don't like coming home empty-handed.
If it's only a turnip or an egg, it's something. Oh yes, I wrote good
and plenty to Uncle Aurette, and--Dad don't read very quickly--Uncle
used to slip over Newhaven way and tell Dad what was going on in the
tobacco trade.'

'I see--

            'Aurettes and Lees--
            Like as two peas.

Go on, Brother Square-toes,' said Puck. Pharaoh laughed and went on.

'Talleyrand he'd gone up in the world same as me. He'd sailed to France
again, and was a great man in the Government there awhile, but they had
to turn him out on account of some story about bribes from American
shippers. All our poor _emigrés_ said he was surely finished this time,
but Red Jacket and me we didn't think it likely, not unless he was quite
dead. Big Hand had made his peace treaty with Great Britain, just _as_
he said he would, and there was a roaring trade 'twixt England and the
United States for such as 'ud take the risk of being searched by British
and French men-of-wars. Those two was fighting, and just _as_ his
gentlemen told Big Hand 'ud happen--the United States was catching it
from both. If an English man-o'-war met an American ship he'd press half
the best men out of her, and swear they was British subjects. Most of
'em was! If a Frenchman met her he'd, likely, have the cargo out of her,
swearing it was meant to aid and comfort the English; and if a Spaniard
or a Dutchman met her--they was hanging on to England's coat-tails
too--Lord only knows what _they_ wouldn't do! It came over me that what
I wanted in my tobacco trade was a fast-sailing ship and a man who could
be French, English, or American at a pinch. Luckily I could lay my hands
on both articles. So along towards the end of September in the year '99
I sailed from Philadelphia with a hundred and eleven hogshead o' good
Virginia tobacco, in the brig _Berthe Aurette_ named after mother's
maiden name, hoping 'twould bring me luck, which she didn't--and yet she
did.'

'Where was you bound for?' Puck asked.

'Er--any port I found handiest. I didn't tell Toby or the Brethren. They
don't understand the inns and outs of the tobacco trade.'

Puck coughed a small cough as he shifted a piece of wood with his bare
foot.

'It's easy for you to sit and judge,' Pharaoh cried. 'But think o' what
_we_ had to put up with! We spread our wings and run across the broad
Atlantic like a hen through a horse-fair. Even so, we was stopped by an
English frigate, three days out. He sent a boat alongside and pressed
seven able seamen. I remarked it was hard on honest traders, but the
officer said they was fighting all creation and hadn't time to argue.
The next English frigate we escaped with no more than a shot in our
quarter. Then we was chased two days and a night by a French privateer,
firing between squalls, and the dirty little English ten-gun brig which
made him sheer off had the impudence to press another five of our men.
That's how we reached to the chops of the Channel. Twelve good men
pressed out of thirty-five; an eighteen-pound shot-hole close besides
our rudder; our mainsail looking like spectacles where the Frenchman had
hit us--and the Channel crawling with short-handed British cruisers. Put
_that_ in your pipe and smoke it next time you grumble at the price of
tobacco!

'Well, then, to top it off, while we was trying to get at our leaks, a
French lugger come swooping at us out o' the dusk. We warned him to keep
away, but he fell aboard us, and up climbed his jabbering red-caps. We
couldn't endure any more--indeed we couldn't. We went at 'em with all we
could lay hands on. It didn't last long. They was fifty odd to our
twenty-three. Pretty soon I heard the cutlasses thrown down and some one
bellowed for the _sacré_ captain.

'"Here I am!" I says. "I don't suppose it makes any odds to you thieves,
but this is the United States brig _Berthe Aurette_."

'"My aunt!" the man says, laughing. "Why is she named that?"

'"Who's speaking?" I said. 'Twas too dark to see, but I thought I knew
the voice.

'"Enseigne de Vaisseau Estephe L'Estrange," he sings out, and then I was
sure.

'"Oh!" I says. "It's all in the family, I suppose, but you _have_ done a
fine day's work, Stephen."

'He whips out the binnacle-light and holds it to my face. He was young
L'Estrange, my full cousin, that I hadn't seen since the night the smack
sank off Telscombe Tye--six years ago.

'"Whew!" he says. "That's why she was named for Aunt Berthe, is it?
What's your share in her, Pharaoh?"

'"Only half owner, but the cargo's mine."

'"That's bad," he says. "I'll do what I can, but you shouldn't have
fought us."

'"Steve," I says, "you aren't ever going to report our little fall-out
as a fight! Why, a Revenue cutter 'ud laugh at it!"

'"So'd I if I wasn't in the Republican Navy," he says. "But two of our
men are dead, d'ye see, and I'm afraid I'll have to take you to the
Prize Court at Le Havre."

'"Will they condemn my 'baccy?" I asks.

'"To the last ounce. But I was thinking more of the ship. She'd make a
sweet little craft for the Navy if the Prize Court 'ud let me have her,"
he says.

'Then I knew there was no hope. I don't blame him--a man must consider
his own interests--but nigh every dollar I had was in ship or cargo, and
Steve kept on saying, "You shouldn't have fought us."

'Well, then, the lugger took us to Le Havre, and that being the one time
we _did_ want a British ship to rescue us, why o' course we never saw
one. My cousin spoke his best for us at the Prize Court. He owned he'd
no right to rush alongside in the face o' the United States flag, but we
couldn't get over those two men killed, d'ye see, and the Court
condemned both ship and cargo. They was kind enough not to make us
prisoners--only beggars--and young L'Estrange was given the _Berthe
Aurette_ to re-arm into the French Navy.

'"I'll take you round to Boulogne," he says. "Mother and the rest'll be
glad to see you, and you can slip over to Newhaven with Uncle Aurette.
Or you can ship with me, like most o' your men, and have a turn at King
George's loose trade. There's plenty pickings," he says.

'Crazy as I was, I couldn't help laughing.

'"I've had my allowance of pickings and stealings," I says. "Where are
they taking my tobacco?" 'Twas being loaded on to a barge.

'"Up the Seine to be sold in Paris," he says. "Neither you nor I will
ever touch a penny of that money."

'"Get me leave to go with it," I says. "I'll see if there's justice to
be gotten out of our American Ambassador."

'"There's not much justice in this world," he says, "without a Navy."
But he got me leave to go with the barge and he gave me some money. That
tobacco was all I had, and I followed it like a hound follows a snatched
bone. Going up the river I fiddled a little to keep my spirits up, as
well as to make friends with the guard. They was only doing their duty.
Outside o' that they were the reasonablest o' God's creatures. They
never even laughed at me. So we come to Paris, by river; along in
November, which the French had christened Brumaire. They'd given new
names to all the months, and after such an outrageous silly piece o'
business as _that_, they wasn't likely to trouble 'emselves with my
rights and wrongs. They didn't. The barge was laid up below Notre Dame
church in charge of a caretaker, and he let me sleep aboard after I'd
run about all day from office to office, seeking justice and fair
dealing, and getting speeches concerning liberty. None heeded me.
Looking back on it I can't rightly blame 'em. I'd no money, my clothes
was filthy mucked; I hadn't changed my linen in weeks, and I'd no proof
of my claims except the ship's papers, which, they said, I might have
stolen. The thieves! The doorkeeper to the American Ambassador--for I
never saw even the Secretary--he swore I spoke French a sight too well
for an American citizen. Worse than that--I had spent my money, d'ye
see, and I--I took to fiddling in the streets for my keep; and--and, a
ship's captain with a fiddle under his arm--well, I _don't_ blame 'em
that they didn't believe me.

'I come back to the barge one day--late in this month Brumaire it
was--fair beazled out. Old Maingon, the caretaker, he'd lit a fire in a
bucket and was grilling a herring.

'"Courage, mon ami," he says. "Dinner is served."

'"I can't eat," I says. "I can't do any more. It's stronger than I am."

'"Bah!" he says. "Nothing's stronger than a man. Me, for example! Less
than two years ago I was blown up in the _Orient_ in Aboukir Bay, but I
descended again and hit the water like a fairy. Look at me now," he
says. He wasn't much to look at, for he'd only one leg and one eye, but
the cheerfullest soul that ever trod shoe-leather. "That's worse than a
hundred and eleven hogshead of 'baccy," he goes on. "You're young, too!
What wouldn't I give to be young in France at this hour! There's nothing
you couldn't do," he says. "The ball's at your feet--kick it!" he says.
He kicks the old fire bucket with his peg-leg. "General Buonaparte, for
example!" he goes on. "That man's a babe compared to me, and see what
he's done already. He's conquered Egypt and Austria and Italy--oh! half
Europe!" he says, "and now he sails back to Paris, and he sails out to
St. Cloud down the river here--_don't_ stare at the river, you young
fool!--and all in front of these pig-jobbing lawyers and citizens he
makes himself Consul, which is as good as a King. He'll _be_ King, too,
in the next three turns of the capstan--King of France, England, and the
world! Think o' that!" he shouts, "and eat your herring."

'I says something about Boney. If he hadn't been fighting England I
shouldn't have lost my 'baccy--should I?

'"Young fellow," says Maingon, "you don't understand."

'We heard cheering. A carriage passed over the bridge with two in it.

'"That's the man himself," says Maingon. "He'll give 'em something to
cheer for soon." He stands at the salute.

'"Who's t'other in black beside him?" I asks, fairly shaking all over.

'"Ah! he's the clever one. You'll hear of him before long. He's that
scoundrel-bishop, Talleyrand."

'"It is!" I said, and up the steps I went with my fiddle, and run after
the carriage calling, "Abbé, abbé!"

'A soldier knocked the wind out of me with the back of his sword, but I
had sense to keep on following till the carriage stopped--and there just
was a crowd round the house-door! I must have been half-crazy else I
wouldn't have struck up "_Si le Roi m'avait donné, Paris la grande
ville!_" I thought it might remind him.

'"That is a good omen!" he says to Boney sitting all hunched up; and he
looks straight at me.

'"Abbé--oh, abbé!" I says. "Don't you remember Toby and Hundred and
Eighteen Second Street?"

'He said not a word. He just crooked his long white finger to the guard
at the door while the carriage steps were let down, and I skipped into
the house, and they slammed the door in the crowd's face.

'"You go there," says a soldier, and shoves me into an empty room, where
I catched my first breath since I'd left the barge. Presently I heard
plates rattling next door--there were only folding doors between--and a
cork drawn. "I tell you," some one shouts with his mouth full, "it was
all that sulky ass Sieyès' fault. Only my speech to the Five Hundred
saved the situation."

'"Did it save your coat?" says Talleyrand. "I hear they tore it when
they threw you out. Don't gasconade to me. You may be in the road of
victory, but you aren't there yet."

'Then I guessed t'other man was Boney. He stamped about and swore at
Talleyrand.

'"You forget yourself, Consul," says Talleyrand, "or rather you remember
yourself--Corsican."

'"Pig!" says Boney, and worse.

'"Emperor!" says Talleyrand, but, the way he spoke, it sounded worst of
all. Some one must have backed against the folding doors, for they flew
open and showed me in the middle of the room. Boney whipped out his
pistol before I could stand up. "General," says Talleyrand to him, "this
gentleman has a habit of catching us canaille _en déshabillé_. Put that
thing down."

'Boney laid it on the table, so I guessed which was master. Talleyrand
takes my hand--"Charmed to see you again, Candide," he says. "How is the
adorable Dr. Pangloss and the noble Huron?"

'"They were doing very well when I left," I said. "But I'm not."

'"Do _you_ sell buttons now?" he says, and fills me a glass of wine off
the table.

'"Madeira," says he. "Not so good as some I have drunk."

'"You mountebank!" Boney roars. "Turn that out." (He didn't even say
"man," but Talleyrand, being gentle born, just went on.)

'"Pheasant is not so good as pork," he says. "You will find some at that
table if you will do me the honour to sit down. Pass him a clean plate,
General." And, as true as I'm here, Boney slid a plate along just like a
sulky child. He was a lanky-haired, yellow-skinned little man, as
nervous as a cat--and as dangerous. I could feel that.

'"And now," said Talleyrand, crossing his game leg over his sound one,
"will you tell me your story?"

'I was in a fluster, but I told him nearly everything from the time he
left me the five hundred dollars in Philadelphia, up to my losing ship
and cargo at Le Havre. Boney began by listening, but after a bit he
dropped into his own thoughts and looked at the crowd sideways through
the front-room curtains. Talleyrand called to him when I'd done.

'"Eh? What we need now," says Boney, "is peace for the next three or
four years."

'"Quite so," says Talleyrand. "Meantime I want the Consul's order to the
Prize Court at Le Havre to restore my friend here his ship."

'"Nonsense!" says Boney. "Give away an oak-built brig of two hundred and
seven tons for sentiment? Certainly not! She must be armed into my Navy
with ten--no, fourteen twelve-pounders and two long fours. Is she strong
enough to bear a long twelve forward?"

'Now I could ha' sworn he'd paid no heed to my talk, but that wonderful
head-piece of his seemingly skimmed off every word of it that was useful
to him.

'"Ah, General!" says Talleyrand. "You are a magician--a magician without
morals. But the brig is undoubtedly American, and we don't want to
offend them more than we have."

'"Need anybody talk about the affair?" he says. He didn't look at me,
but I knew what was in his mind--just cold murder because I worried him;
and he'd order it as easy as ordering his carriage.

'"You can't stop 'em," I said. "There's twenty-two other men besides
me." I felt a little more 'ud set me screaming like a wired hare.

'"Undoubtedly American," Talleyrand goes on. "You would gain
something if you returned the ship--with a message of fraternal
good-will--published in the _Moniteur_" (that's a French paper like
the Philadelphia _Aurora_).

'"A good idea!" Boney answers. "One could say much in a message."

'"It might be useful," says Talleyrand. "Shall I have the message
prepared?" He wrote something in a little pocket ledger.

'"Yes--for me to embellish this evening. The _Moniteur_ will publish it
to-night."

'"Certainly. Sign, please," says Talleyrand, tearing the leaf out.

'"But that's the order to return the brig," says Boney. "Is that
necessary? Why should I lose a good ship? Haven't I lost enough ships
already?"

'Talleyrand didn't answer any of those questions. Then Boney sidled up
to the table and jabs his pen into the ink. Then he shies at the paper
again: "My signature alone is useless," he says. "You must have the
other two Consuls as well. Sieyès and Roger Ducos must sign. We must
preserve the Laws."

'"By the time my friend presents it," says Talleyrand, still looking out
of the window, "only one signature will be necessary."

'Boney smiles. "It's a swindle," says he, but he signed and pushed the
paper across.

'"Give that to the President of the Prize Court at Le Havre," says
Talleyrand, "and he will give you back your ship. I will settle for the
cargo myself. You have told me how much it cost. What profit did you
expect to make on it?"

'Well, then, as man to man, I was bound to warn him that I'd set out to
run it into England without troubling the Revenue, and so I couldn't
rightly set bounds to my profits.'

'I guessed that all along,' said Puck.

    'There was never a Lee to Warminghurst--
    That wasn't a smuggler last and first.'

The children laughed.

'It's comical enough now,' said Pharaoh. 'But I didn't laugh then. Says
Talleyrand after a minute, "I am a bad accountant and I have several
calculations on hand at present. Shall we say twice the cost of the
cargo?"

'Say? I couldn't say a word. I sat choking and nodding like a China
image while he wrote an order to his secretary to pay me, I won't say
how much, because you wouldn't believe it.

'"Oh! Bless you, abbé! God bless you!" I got it out at last.

'"Yes," he says, "I am a priest in spite of myself, but they call me
bishop now. Take this for my episcopal blessing," and he hands me the
paper.

'"He stole all that money from me," says Boney over my shoulder. "A Bank
of France is another of the things we must make. Are you mad?" he shouts
at Talleyrand.

'"Quite," says Talleyrand, getting up. "But be calm; the disease will
never attack you. It is called gratitude. This gentleman found me in the
street and fed me when I was hungry."

'"I see; and he has made a fine scene of it and you have paid him, I
suppose. Meantime, France waits."

'"Oh! poor France!" says Talleyrand. "Good-bye, Candide," he says to
me. "By the way," he says, "have you yet got Red Jacket's permission to
tell me what the President said to his Cabinet after Monsieur Genêt rode
away?"

'I couldn't speak, I could only shake my head, and Boney--so impatient
he was to go on with his doings--he ran at me and fair pushed me out of
the room. And that was all there was to it.'

Pharaoh stood up and slid his fiddle into one of his big skirt pockets
as though it were a dead hare.

'Oh! but we want to know lots and lots more,' said Dan. 'How you got
home--and what old Maingon said on the barge--and wasn't your cousin
surprised when he had to give back the _Berthe Aurette_, and----'

'Tell us more about Toby!' cried Una.

'Yes, and Red Jacket,' said Dan.

'Won't you tell us any more?' they both pleaded.

Puck kicked the oak branch on the fire, till it sent up a column of
smoke that made them sneeze. When they had finished the Shaw was empty
except for old Hobden stamping through the larches.

'They gipsies have took two,' he said: 'my black pullet and my liddle
gingy-speckled cockrel.'

'I thought so,' said Dan, picking up one tail-feather the old woman had
overlooked.

'Which way did they go? Which way did the runagates go?' said Hobden.

'Hobby!' said Una. 'Would you like it if we told Keeper Ridley all your
goings and comings?'




'POOR HONEST MEN'


    Your jar of Virginny
    Will cost you a guinea,
    Which you reckon too much by five shillings or ten;
    But light your churchwarden
    And judge it according
    When I've told you the troubles of poor honest men.

    From the Capes of the Delaware,
    As you are well aware,
    We sail with tobacco for England--but then
    Our own British cruisers,
    They watch us come through, sirs,
    And they press half a score of us poor honest men.

    Or if by quick sailing
    (Thick weather prevailing)
    We leave them behind (as we do now and then)
    We are sure of a gun from
    Each frigate we run from,
    Which is often destruction to poor honest men!

    Broadsides the Atlantic
    We tumble short-handed,
    With shot-holes to plug and new canvas to bend,
    And off the Azores,
    Dutch, Dons and Monsieurs
    Are waiting to terrify poor honest men!

    Napoleon's embargo
    Is laid on all cargo
    Which comfort or aid to King George may intend;
    And since roll, twist and leaf,
    Of all comforts is chief,
    They try for to steal it from poor honest men!

    With no heart for fight,
    We take refuge in flight,
    But fire as we run, our retreat to defend,
    Until our stern-chasers
    Cut up her fore-braces,
    And she flies off the wind from us poor honest men!

    Twix' the Forties and Fifties,
    South-eastward the drift is,
    And so, when we think we are making Land's End,
    Alas, it is Ushant
    With half the King's Navy,
    Blockading French ports against poor honest men!

    But they may not quit station
    (Which is our salvation),
    So swiftly we stand to the Nor'ard again;
    And finding the tail of
    A homeward-bound convoy,
    We slip past the Scillies like poor honest men.

    Twix' the Lizard and Dover,
    We hand our stuff over,
    Though I may not inform how we do it, nor when;
    But a light on each quarter
    Low down on the water
    Is well understanded by poor honest men!

    Even then we have dangers
    From meddlesome strangers,
    Who spy on our business and are not content
    To take a smooth answer,
    Except with a handspike ...
    And they say they are murdered by poor honest men!

    To be drowned or be shot
    Is our natural lot,
    Why should we, moreover, be hanged in the end--
    After all our great pains
    For to dangle in chains,
    As though we were smugglers, not poor honest men?




The Conversion of St. Wilfrid




EDDI'S SERVICE


    Eddi, priest of St. Wilfrid
      In the chapel at Manhood End,
    Ordered a midnight service
      For such as cared to attend.

    But the Saxons were keeping Christmas,
      And the night was stormy as well.
    Nobody came to service
      Though Eddi rang the bell.

    'Wicked weather for walking,'
      Said Eddi of Manhood End.
    'But I must go on with the service
      For such as care to attend.'

    The altar candles were lighted,--
      An old marsh donkey came,
    Bold as a guest invited,
      And stared at the guttering flame.

    The storm beat on at the windows,
      The water splashed on the floor,
    And a wet yoke-weary bullock
      Pushed in through the open door.

    'How do I know what is greatest,
      How do I know what is least?
    That is My Father's business,'
      Said Eddi, Wilfrid's priest.

    'But, three are gathered together--
      Listen to me and attend.
    I bring good news, my brethren!'
      Said Eddi, of Manhood End.

    And he told the Ox of a manger
      And a stall in Bethlehem,
    And he spoke to the Ass of a Rider
      That rode to Jerusalem.

    They steamed and dripped in the chancel,
      They listened and never stirred,
    While, just as though they were Bishops,
      Eddi preached them The Word.

    Till the gale blew off on the marshes
      And the windows showed the day,
    And the Ox and the Ass together
      Wheeled and clattered away.

    And when the Saxons mocked him,
      Said Eddi of Manhood End,
    'I dare not shut His chapel
      On such as care to attend.'




The Conversion of St. Wilfrid


They had bought peppermints up at the village, and were coming home past
little St. Barnabas's church, when they saw Jimmy Kidbrooke, the
carpenter's baby, kicking at the churchyard gate, with a shaving in his
mouth and the tears running down his cheeks.

Una pulled out the shaving and put in a peppermint. Jimmy said he was
looking for his grand-daddy--he never seemed to take much notice of his
father--so they went up between the old graves, under the leaf-dropping
limes, to the porch, where Jim trotted in, looked about the empty
church, and screamed like a gate-hinge.

Young Sam Kidbrooke's voice came from the bell-tower, and made them
jump.

'Why, Jimmy,' he called, 'what are you doin' here? Fetch him, Father!'

Old Mr. Kidbrooke stumped downstairs, jerked Jimmy on to his shoulder,
stared at the children beneath his brass spectacles, and stumped back
again. They laughed: it was so exactly like Mr. Kidbrooke.

'It's all right,' Una called up the stairs. 'We found him, Sam. Does
his mother know?'

'He's come off by himself. She'll be just about crazy,' Sam answered.

'Then I'll run down street and tell her.' Una darted off.

'Thank you, Miss Una. Would you like to see how we're mendin' the
bell-beams, Mus' Dan?'

Dan hopped up, and saw young Sam lying on his stomach in a most
delightful place among beams and ropes, close to the five great bells.
Old Mr. Kidbrooke on the floor beneath was planing a piece of wood, and
Jimmy was eating the shavings as fast as they came away. He never looked
at Jimmy; Jimmy never stopped eating; and the broad gilt-bobbed pendulum
of the church clock never stopped swinging across the white-washed wall
of the tower.

Dan winked through the sawdust that fell on his up-turned face. 'Ring a
bell,' he called.

'I mustn't do that, but I'll buzz one of 'em a bit for you,' said Sam.
He pounded on the sound-bow of the biggest bell, and waked a hollow
groaning boom that ran up and down the tower like creepy feelings down
your back. Just when it almost began to hurt, it died away in a hurry of
beautiful sorrowful cries, like a wineglass rubbed with a wet finger.
The pendulum clanked--one loud clank to each silent swing.

Dan heard Una return from Mrs. Kidbrooke's, and ran down to fetch her.
She was standing by the font staring at some one who kneeled at the
altar rail.

'Is that the lady who practises the organ?' she whispered.

'No. She's gone into the organ-place. Besides, she wears black,' Dan
replied.

The figure rose and came down the nave. It was a white-haired man in a
long white gown with a sort of scarf looped low on the neck, one end
hanging over his shoulder. His loose long sleeves were embroidered with
gold, and a deep strip of gold embroidery waved and sparkled round the
hem of his gown.

'Go and meet him,' said Puck's voice behind the font. 'It's only
Wilfrid.'

'Wilfrid who?' said Dan. 'You come along too.'

'Wilfrid--Saint of Sussex, and Archbishop of York. _I_ shall wait till
he asks me.' He waved them forward. Their feet squeaked on the old grave
slabs in the centre aisle. The Archbishop raised one hand with a pink
ring on it, and said something in Latin. He was very handsome, and his
thin face looked almost as silvery as his thin circle of hair.

'Are you alone?' he asked.

'Puck's here, of course,' said Una. 'Do you know him?'

'I know him better now than I used to.' He beckoned over Dan's shoulder,
and spoke again in Latin. Puck pattered forward, holding himself as
straight as an arrow. The Archbishop smiled.

'Be welcome,' said he. 'Be very welcome.'

'Welcome to you also, O Prince of the Church,' Puck replied. The
Archbishop bowed his head and passed on, till he glimmered like a white
moth in the shadow by the font.

'He does look awfully princely,' said Una. 'Isn't he coming back?'

'Oh yes. He's only looking over the church. He's very fond of churches,'
said Puck. 'What's that?'

The Lady who practises the organ was speaking to the blower-boy behind
the organ-screen. 'We can't very well talk here,' Puck whispered. 'Let's
go to Panama Corner.'

He led them to the end of the south aisle, where there is a slab of iron
which says in queer, long-tailed letters: _Orate p. annema Jhone
Coline._ The children always called it Panama Corner.

The Archbishop moved slowly about the little church, peering at the old
memorial tablets and the new glass windows. The Lady who practises the
organ began to pull out stops and rustle hymnbooks behind the screen.

'I hope she'll do all the soft lacey tunes--like treacle on porridge,'
said Una.

'I like the trumpety ones best,' said Dan. 'Oh, look at Wilfrid! He's
trying to shut the altar gates!'

'Tell him he mustn't,' said Puck, quite seriously.

'He can't, anyhow,' Dan muttered, and tiptoed out of Panama Corner while
the Archbishop patted and patted at the carved gates that always sprang
open again beneath his hand.

'That's no use, sir,' Dan whispered. 'Old Mr. Kidbrooke says altar-gates
are just _the_ one pair of gates which no man can shut. He made 'em so
himself.'

The Archbishop's blue eyes twinkled. Dan saw that he knew all about it.

'I beg your pardon,' Dan stammered--very angry with Puck.

'Yes, I know! He made them so Himself.' The Archbishop smiled, and
crossed to Panama Corner, where Una dragged up a certain padded
arm-chair for him to sit on.

The organ played softly. 'What does that music say?' he asked.

Una dropped into the chant without thinking: '"Oh, all ye works of the
Lord, bless ye the Lord; praise him and magnify him for ever." We call
it the Noah's Ark, because it's all lists of things--beasts and birds
and whales, you know.'

'Whales?' said the Archbishop quickly.

'Yes--"O ye whales, and all that move in the waters,"' Una
hummed--'"Bless ye the Lord"--it sounds like a wave turning over,
doesn't it?'

'Holy Father,' said Puck with a demure face, 'is a little seal also "one
who moves in the water"?'

'Eh? Oh yes--yess!' he laughed. 'A seal moves wonderfully in the waters.
Do the seal come to my island still?'

Puck shook his head. 'All those little islands have been swept away.'

'Very possible. The tides ran fiercely down there. Do you know the land
of the Sea-calf, maiden?'

'No--but we've seen seals--at Brighton.'

'The Archbishop is thinking of a little farther down the coast. He means
Seal's Eye--Selsea--down Chichester way--where he converted the South
Saxons,' Puck explained.

'Yes--yess; if the South Saxons did not convert me,' said the
Archbishop, smiling. 'The first time I was wrecked was on that coast. As
our ship took ground and we tried to push her off, an old fat fellow, I
remember, reared breast high out of the water, and scratched his head
with his flipper as if he were saying: "What _does_ that respectable
person with the pole think he is doing?" I was very wet and miserable,
but I could not help laughing, till the natives came down and attacked
us.'

'What did you do?' Dan asked.

'One couldn't very well go back to France, so one tried to make them go
back to the shore. All the South Saxons are born wreckers, like my own
Northumbrian folk. I was bringing over a few things for my old church at
York, and some of the natives laid hands on them, and--and I'm afraid I
lost my temper.'

'It is said,' Puck's voice was wickedly meek, 'that there was a great
fight.'

'Eh, but I must ha' been a silly lad.' Wilfrid spoke with a sudden thick
burr in his voice. He coughed, and took up his silvery tones again.
'There was no fight really. My men thumped a few of them, but the tide
rose half an hour before its time, with a strong wind, and we backed
off. What I wanted to say, though, was, that the seas about us were full
of sleek seals watching the scuffle. My good Eddi--my chaplain--insisted
that they were demons. Yes--yess! That was my first acquaintance with
the South Saxons and their seals.'

'But not the only time you were wrecked, was it?' said Dan.

'Alas, no! On sea and land my life seems to have been one long
shipwreck,' He looked at the Jhone Coline slab as old Hobden sometimes
looks into the fire. 'Ah, well!'

'But did you ever have any more adventures among the seals?' said Una,
after a pause.

'Oh, the seals! I beg your pardon. They are the important things.
Yes--yess! I went back to the South Saxons after twelve--fifteen years.
No, I did not come by water, but overland from my own Northumbria, to
see what I could do. It's little one _can_ do with that class of native
except make them stop killing each other and themselves----'

'Why did they kill themselves?' Una asked, her chin in her hand.

'Because they were heathen. When they grew tired of life (as if they
were the only people) they would jump into the sea. They called it going
to Wotan. It wasn't want of food always--by any means. A man would tell
you that he felt grey in the heart, or a woman would say that she saw
nothing but long days in front of her; and they'd saunter away to the
mud-flats and--that would be the end of them, poor souls, unless one
headed them off! One had to run quick, but one can't allow people to lay
hands on themselves because they happen to feel grey. Yes--yess!
Extraordinary people, the South Saxons. Disheartening, sometimes....
What does that say now?' The organ had changed tune again.

'Only a hymn for next Sunday,' said Una. '"The Church's One Foundation."
Go on, please, about running over the mud. I should like to have seen
you.'

'I dare say you would, and I really _could_ run in those days.
Ethelwalch the king gave me some five or six muddy parishes by the sea,
and the first time my good Eddi and I rode there we saw a man slouching
along the slob, among the seals at Manhood End. My good Eddi disliked
seals--but he swallowed his objections and ran like a hare.'

'Why?' said Dan.

'For the same reason that I did. We thought it was one of our people
going to drown himself. As a matter of fact, Eddi and I were nearly
drowned in the pools before we overtook him. To cut a long story short,
we found ourselves very muddy, very breathless, being quietly made fun
of in good Latin by a very well-spoken person. No--he'd no idea of going
to Wotan. He was fishing on his own beaches, and he showed us the
beacons and turf-heaps that divided his lands from the Church property.
He took us to his own house, gave us a good dinner, some more than good
wine, sent a guide with us into Chichester, and became one of my best
and most refreshing friends. He was a Meon by descent, from the west
edge of the kingdom; a scholar educated, curiously enough, at Lyons, my
old school; had travelled the world over, even to Rome, and was a
brilliant talker. We found we had scores of acquaintances in common. It
seemed he was a small chief under King Ethelwalch, and I fancy the King
was somewhat afraid of him. The South Saxons mistrust a man who talks
too well. Ah! _Now_, I've left out the very point of my story. He kept a
great grey-muzzled old dog-seal that he had brought up from a pup. He
called it Padda--after one of my clergy. It _was_ rather like fat,
honest old Padda. The creature followed him everywhere, and nearly
knocked down my good Eddi when we first met him. Eddi loathed it. It
used to sniff at his thin legs and cough at him. I can't say I ever took
much notice of it (I was not fond of animals), till one day Eddi came to
me with a circumstantial account of some witchcraft that Meon worked. He
would tell the seal to go down to the beach the last thing at night, and
bring him word of the weather. When it came back, Meon might say to his
slaves, "Padda thinks we shall have wind to-morrow. Haul up the boats!"
I spoke to Meon casually about the story, and he laughed.

'He told me he could judge by the look of the creature's coat and the
way it sniffed what weather was brewing. Quite possible. One need not
put down everything one does not understand to the work of bad
spirits--or good ones, for that matter.' He nodded towards Puck, who
nodded gaily in return.

'I say so,' he went on, 'because to a certain extent I have been made a
victim of that habit of mind. Some while after I was settled at Selsea,
King Ethelwalch and Queen Ebba ordered their people to be baptized. I
fear I'm too old to believe that a whole nation can change its heart at
the King's command, and I had a shrewd suspicion that their real motive
was to get a good harvest. No rain had fallen for two or three years,
but as soon as we had finished baptizing, it fell heavily, and they all
said it was a miracle.'

'And was it?' Dan asked.

'Everything in life is a miracle, but'--the Archbishop twisted the heavy
ring on his finger--'I should be slow--ve-ry slow should I be--to assume
that a certain sort of miracle happens whenever lazy and improvident
people say they are going to turn over a new leaf if they are paid for
it. My friend Meon had sent his slaves to the font, but he had not come
himself, so the next time I rode over--to return a manuscript--I took
the liberty of asking why. He was perfectly open about it. He looked on
the King's action as a heathen attempt to curry favour with the
Christians' God through me the Archbishop, and he would have none of it.
"My dear man," I said, "admitting that that is the case, surely you, as
an educated person, don't believe in Wotan and all the other hobgoblins
any more than Padda here." The old seal was hunched up on his ox-hide
behind his master's chair.

'"Even if I don't," he said, "why should I insult the memory of my
fathers' Gods? I have sent you a hundred and three of my rascals to
christen. Isn't that enough?"

'"By no means," I answered. "I want _you_."

'"He wants us! What do you think of that, Padda?" He pulled the seal's
whiskers till it threw back its head and roared, and he pretended to
interpret. "No! Padda says he won't be baptized yet awhile. He says
you'll stay to dinner and come fishing with me to-morrow, because you're
overworked and need a rest."

'"I wish you'd keep yon brute in its proper place," I said, and Eddi, my
chaplain, agreed.

'"I do," said Meon. "I keep him just next my heart. He can't tell a lie,
and he doesn't know how to love any one except me. It 'ud be the same if
I were dying on a mud-bank, wouldn't it, Padda?"

'"Augh! Augh!" said Padda, and put up his head to be scratched.

'Then Meon began to tease Eddi: "Padda says, if Eddi saw his Archbishop
dying on a mud-bank Eddi would tuck up his gown and run. Padda knows
Eddi can run too! Padda came into Wittering Church last Sunday--all
wet--to hear the music, and Eddi ran out."

'My good Eddi rubbed his hands and his shins together, and flushed.
"Padda is a child of the Devil, who is the father of lies!" he cried,
and begged my pardon for having spoken. I forgave him.

'"Yes. You are just about stupid enough for a musician," said Meon. "But
here he is. Sing a hymn to him, and see if he can stand it. You'll find
my small harp beside the fireplace."

'Eddi, who is really an excellent musician, played and sang for quite
half an hour. Padda shuffled off his ox-hide, hunched himself on his
flippers before him, and listened with his head thrown back. Yes--yess!
A rather funny sight! Meon tried not to laugh, and asked Eddi if he were
satisfied.

'It takes some time to get an idea out of my good Eddi's head. He looked
at me.

'"Do you want to sprinkle him with holy water, and see if he flies up
the chimney? Why not baptize him?" said Meon.

'Eddi was really shocked. I thought it was bad taste myself.

'"That's not fair," said Meon. "You call him a demon and a familiar
spirit because he loves his master and likes music, and when I offer you
a chance to prove it you won't take it. Look here! I'll make a bargain.
I'll be baptized if you'll baptize Padda too. He's more of a man than
most of my slaves."

'"One doesn't bargain--or joke--about these matters," I said. He was
going altogether too far.

'"Quite right," said Meon; "I shouldn't like any one to joke about
Padda. Padda, go down to the beach and bring us to-morrow's weather!"

'My good Eddi must have been a little over-tired with his day's work.
"I am a servant of the Church," he cried. "My business is to save souls,
not to enter into fellowships and understandings with accursed beasts."

'"Have it your own narrow way," said Meon. "Padda, you needn't go." The
old fellow flounced back to his ox-hide at once.

'"Man could learn obedience at least from that creature," said Eddi, a
little ashamed of himself. Christians should not curse.

'"Don't begin to apologise just when I am beginning to like you," said
Meon. "We'll leave Padda behind to-morrow--out of respect to your
feelings. Now let's go to supper. We must be up early to-morrow for the
whiting."

'The next was a beautiful crisp autumn morning--a weather breeder, if I
had taken the trouble to think; but it's refreshing to escape from kings
and converts for half a day. We three went by ourselves in Meon's
smallest boat, and we got on the whiting near an old wreck, a mile or so
off shore. Meon knew the marks to a yard, and the fish were keen.
Yes--yess! A perfect morning's fishing! If a bishop can't be a
fisherman, who can?' He twiddled his ring again. 'We stayed there a
little too long, and while we were getting up our stone, down came the
fog. After some discussion, we decided to row for the land. The ebb was
just beginning to make round the point, and sent us all ways at once
like a coracle.'

'Selsea Bill,' said Puck under his breath. 'The tides run something
furious there.'

'I believe you,' said the Archbishop. 'Meon and I have spent a good many
evenings arguing as to where exactly we drifted. All I know is we found
ourselves in a little rocky cove that had sprung up round us out of the
fog, and a swell lifted the boat on to a ledge, and she broke up beneath
our feet. We had just time to shuffle through the weed before the next
wave. The sea was rising.

'"It's rather a pity we didn't let Padda go down to the beach last
night," said Meon. "He might have warned us this was coming."

'"Better fall into the hands of God than the hands of demons," said
Eddi, and his teeth chattered as he prayed. A nor'-west breeze had just
got up--distinctly cool.

'"Save what you can of the boat," said Meon; "we may need it," and we
had to drench ourselves again, fishing out stray planks.'

'What for?' said Dan.

'For firewood. We did not know when we should get off. Eddi had flint
and steel, and we found dry fuel in the old gulls' nests and lit a fire.
It smoked abominably, and we guarded it with boat-planks up-ended
between the rocks. One gets used to that sort of thing if one travels.
Unluckily I'm not so strong as I was. I fear I must have been a trouble
to my friends. It was blowing a full gale before midnight. Eddi wrung
out his cloak, and tried to wrap me in it, but I ordered him on his
obedience to keep it. However, he held me in his arms all the first
night, and Meon begged his pardon for what he'd said the night
before--about Eddi running away if he found me on a sandbank, you
remember.

'"You are right in half your prophecy," said Eddi. "I have tucked up my
gown, at any rate." (The wind had blown it over his head.) "Now let us
thank God for His mercies."

'"Hum!" said Meon. "If this gale lasts, we stand a very fair chance of
dying of starvation."

'"If it be God's will that we live, God will provide," said Eddi. "At
least help me to sing to Him." The wind almost whipped the words out of
his mouth, but he braced himself against a rock and sang psalms.

'I'm glad I never concealed my opinion--from myself--that Eddi was a
better man than I. Yet I have worked hard in my time--very hard!
Yes--yess! So the morning and the evening were our second day on that
islet. There was rainwater in the rock pools, and, as a Churchman, I
knew how to fast, but I admit we were hungry. Meon fed our fire chip by
chip to eke it out, and they made me sit over it, the dear fellows, when
I was too weak to object. Meon held me in his arms the second night,
just like a child. My good Eddi was a little out of his senses, and
imagined himself teaching a York choir to sing. Even so, he was
beautifully patient with them.

'I heard Meon whisper, "If this keeps up we shall go to our Gods. I
wonder what Wotan will say to me. He must know I don't believe in him.
On the other hand, I can't do what Ethelwalch finds so easy--curry
favour with your God at the last minute, in the hope of being saved--as
you call it. How do you advise, Bishop?"

'"My dear man," I said, "if that is your honest belief, I take it upon
myself to say you had far better not curry favour with any God. But if
it's only your Jutish pride that holds you back, lift me up, and I'll
baptize you even now."

'"Lie still," said Meon. "I could judge better if I were in my own hall.
But to desert one's fathers' Gods--even if one doesn't believe in
them--in the middle of a gale, isn't quite--What would you do yourself?"

'I was lying in his arms, kept alive by the warmth of his big, steady
heart. It did not seem to me the time or the place for subtle arguments,
so I answered, "No, I certainly should not desert my God." I don't see
even now what else I could have said.

'"Thank you. I'll remember that, if I live," said Meon, and I must have
drifted back to my dreams about Northumbria and beautiful France, for it
was broad daylight when I heard him calling on Wotan in that high,
shaking heathen yell that I detest so.

'"Lie quiet. I'm giving Wotan his chance," he said. Our dear Eddi ambled
up, still beating time to his imaginary choir.

'"Yes. Call on your Gods," he cried, "and see what gifts they will send
you. They are gone on a journey, or they are hunting."

'I assure you the words were not out of his mouth when old Padda shot
from the top of a cold wrinkled swell, drove himself over the weedy
ledge, and landed fair in our laps with a rock-cod between his teeth. I
could not help smiling at Eddi's face. "A miracle! A miracle!" he cried,
and kneeled down to clean the cod.

'"You've been a long time winding us, my son," said Meon. "Now
fish--fish for all our lives. We're starving, Padda."

'The old fellow flung himself quivering like a salmon backward into the
boil of the currents round the rocks, and Meon said, "We're safe. I'll
send him to fetch help when this wind drops. Eat and be thankful."

'I never tasted anything so good as those rock-codlings we took from
Padda's mouth and half roasted over the fire. Between his plunges Padda
would hunch up and purr over Meon with the tears running down his face.
I never knew before that seals could weep for joy--as I have wept.

'"Surely," said Eddi, with his mouth full, "God has made the seal the
loveliest of His creatures in the water. Look how Padda breasts the
current! He stands up against it like a rock; now watch the chain of
bubbles where he dives; and now--there is his wise head under that rock
ledge! Oh, a blessing be on thee, my little brother Padda!"

'"You _said_ he was a child of the Devil!" Meon laughed.

'"There I sinned," poor Eddi answered. "Call him here, and I will ask
his pardon. God sent him out of the storm to humble me, a fool."

'"I won't ask you to enter into fellowships and understandings with any
accursed brute," said Meon, rather unkindly. "Shall we say he was sent
to our Bishop as the ravens were sent to your prophet Elijah?"

'"Doubtless that is so," said Eddi. "I will write it so if I live to get
home."

'"No--no!" I said. "Let us three poor men kneel and thank God for His
mercies."

'We kneeled, and old Padda shuffled up and thrust his head under Meon's
elbows. I laid my hand upon it and blessed him. So did Eddi.

'"And now, my son," I said to Meon, "shall I baptize thee?"

'"Not yet," said he. "Wait till we are well ashore and at home. No God
in any Heaven shall say that I came to him or left him because I was wet
and cold. I will send Padda to my people for a boat. Is that witchcraft,
Eddi?"

'"Why, no. Surely Padda will go and pull them to the beach by the skirts
of their gowns as he pulled me in Wittering Church to ask me to sing.
Only then I was afraid, and did not understand," said Eddi.

'"You are understanding now," said Meon, and at a wave of his arm off
went Padda to the mainland, making a wake like a war-boat till we lost
him in the rain. Meon's people could not bring a boat across for some
hours; even so it was ticklish work among the rocks in that tideway. But
they hoisted me aboard, too stiff to move, and Padda swam behind us,
barking and turning somersaults all the way to Manhood End!'

'Good old Padda!' murmured Dan.

'When we were quite rested and re-clothed, and his people had been
summoned--not an hour before--Meon offered himself to be baptized.'

'Was Padda baptized too?' Una asked.

'No, that was only Meon's joke. But he sat blinking on his ox-hide in
the middle of the hall. When Eddi (who thought I wasn't looking) made a
little cross in holy water on his wet muzzle, he kissed Eddi's hand. A
week before Eddi wouldn't have touched him. _That_ was a miracle, if you
like! But seriously, I was more glad than I can tell you to get Meon. A
rare and splendid soul that never looked back--never looked back!' The
Archbishop half closed his eyes.

'But, sir,' said Puck, most respectfully, 'haven't you left out what
Meon said afterwards?' Before the Bishop could speak he turned to the
children and went on: 'Meon called all his fishers and ploughmen and
herdsmen into the hall and he said: "Listen, men! Two days ago I asked
our Bishop whether it was fair for a man to desert his fathers' Gods in
a time of danger. Our Bishop said it was not fair. You needn't shout
like that, because you are all Christians now. My red war-boat's crew
will remember how near we all were to death when Padda fetched them over
to the Bishop's islet. You can tell your mates that even in that place,
at that time, hanging on the wet, weedy edge of death, our Bishop, a
Christian, counselled me, a heathen, to stand by my fathers' Gods. I
tell you now that a faith which takes care that every man shall keep
faith, even though he may save his soul by breaking faith, is the faith
for a man to believe in. So I believe in the Christian God, and in
Wilfrid His Archbishop, and in the Church that Wilfrid rules. You have
been baptized once by the King's orders. I shall not have you baptized
again; but if I find any more old women being sent to Wotan, or any
girls dancing on the sly before Balder, or any men talking about Thun or
Lok or the rest, I will teach you with my own hands how to keep faith
with the Christian God. Go out quietly; you'll find a couple of beefs on
the beach." Then of course they shouted "Hurrah!" which meant "Thor help
us!" and--I think you laughed, sir?'

'I think you remember it all too well,' said the Archbishop, smiling.
'It was a joyful day for me. I had learned a great deal on that rock
where Padda found us. Yes--yess! One should deal kindly with all the
creatures of God, and gently with their masters. But one learns late.'

He rose, and his gold-embroidered sleeves rustled thickly.

The organ clacked and took deep breaths.

'Wait a minute,' Dan whispered. 'She's going to do the trumpety one. It
takes all the wind you can pump. It's in Latin, sir.'

'There is no other tongue,' the Archbishop answered.

'It's not a real hymn,' Una explained. 'She does it as a treat after her
exercises. She isn't a real organist, you know. She just comes down here
sometimes, from the Albert Hall.'

'Oh, what a miracle of a voice!' said the Archbishop.

It rang out suddenly from a dark arch of lonely noises--every word
spoken to the very end.

    'Dies Irae, dies illa
    Solvet saeclum in favilla
    Teste David cum Sibylla.'

The Archbishop caught his breath and moved forward.

The music carried on by itself a while.

'Now it's calling all the light out of the windows,' Una whispered to
Dan.

'I think it's more like a horse neighing in battle,' he whispered back.
The voice cried:

    'Tuba mirum spargens sonum
    Per sepulchra regionum.'

Deeper and deeper the organ dived down, but far below its deepest note
they heard Puck's voice joining in the last line:

    'Coget omnes ante thronum.'

As they looked in wonder, for it sounded like the dull jar of one of the
very pillars shifting, the little fellow turned and went out through the
south door.

'Now's the sorrowful part, but it's very beautiful.' Una found herself
speaking to the empty chair in front of her.

'What are you doing that for?' Dan said behind her. 'You spoke so
politely too.'

'I don't know ... I thought ...' said Una. 'Funny!'

''Tisn't. It's the part you like best,' Dan grunted.

The music had turned soft--full of little sounds that chased each other
on wings across the broad gentle flood of the main tune. But the voice
was ten times lovelier than the music.

    'Recordare Jesu pie,
    Quod sum causa Tuae viae,
    Ne me perdas illâ die!'

There was no more. They moved out into the centre-aisle.

''That you?' the Lady called as she shut the lid. 'I thought I heard
you, and I played it on purpose.'

'Thank you awfully,' said Dan. 'We hoped you would, so we waited. Come
on, Una, it's pretty nearly dinner-time.'




SONG OF THE RED WAR-BOAT


    Shove off from the wharf-edge! Steady!
      Watch for a smooth! Give way!
    If she feels the lop already
      She'll stand on her head in the bay.
    It's ebb--it's dusk--it's blowing,
      The shoals are a mile of white,
    But (snatch her along!) we're going
      To find our master to-night.

        For we hold that in all disaster
          Of shipwreck, storm, or sword,
        A man must stand by his master
          When once he has pledged his word!

    Raging seas have we rowed in,
      But we seldom saw them thus;
    Our master is angry with Odin--
      Odin is angry with us!
    Heavy odds have we taken,
      But never before such odds.
    The Gods know they are forsaken,
      We must risk the wrath of the Gods!

    Over the crest she flies from,
      Into its hollow she drops,
    Crouches and clears her eyes from
      The wind-torn breaker-tops,
    Ere out on the shrieking shoulder
      Of a hill-high surge she drives.
    Meet her! Meet her and hold her!
      Pull for your scoundrel lives!

    The thunders bellow and clamour
      The harm that they mean to do;
    There goes Thor's own Hammer
      Cracking the dark in two!
    Close! But the blow has missed her,
      Here comes the wind of the blow!
    Row or the squall'll twist her
      Broadside on to it!--_Row!_

    Hearken, Thor of the Thunder!
      We are not here for a jest--
    For wager, warfare, or plunder,
      Or to put your power to test.
    This work is none of our wishing--
      We would stay at home if we might--
    But our master is wrecked out fishing,
      We go to find him to-night.

        For we hold that in all disaster--
          As the Gods Themselves have said--
        A man must stand by his master
          Till one of the two is dead.

    That is our way of thinking,
      Now you can do as you will,
    While we try to save her from sinking,
      And hold her head to it still.
    Bale her and keep her moving,
      Or she'll break her back in the trough ...
    Who said the weather's improving,
      Or the swells are taking off?

           *       *       *       *       *

    Sodden, and chafed and aching,
      Gone in the loins and knees--
    No matter--the day is breaking,
      And there's far less weight to the seas!
    Up mast, and finish baling--
      In oars, and out with the mead--
    The rest will be two-reef sailing ...
      That was a night indeed!

        But we hold that in all disaster
          (And faith, we have found it true!)
        If only you stand by your master,
          The Gods will stand by you!




A Doctor of Medicine




AN ASTROLOGER'S SONG


    To the Heavens above us
      O look and behold
    The Planets that love us
      All harnessed in gold!
    What chariots, what horses,
      Against us shall bide
    While the Stars in their courses
      Do fight on our side?

    All thought, all desires,
      That are under the sun,
    Are one with their fires,
      As we also are one;
    All matter, all spirit,
      All fashion, all frame,
    Receive and inherit
      Their strength from the same.

    (Oh, man that deniest
      All power save thine own,
    Their power in the highest
      Is mightily shown.
    Not less in the lowest
      That power is made clear.
    Oh, man, if thou knowest,
      What treasure is here!)

    Earth quakes in her throes
      And we wonder for why!
    But the blind planet knows
      When her ruler is nigh;
    And, attuned since Creation,
      To perfect accord,
    She thrills in her station
      And yearns to her Lord.

    The waters have risen,
      The springs are unbound--
    The floods break their prison,
      And ravin around.
    No rampart withstands 'em,
      Their fury will last,
    Till the Sign that commands 'em
      Sinks low or swings past.

    Through abysses unproven,
      And gulfs beyond thought,
    Our portion is woven,
      Our burden is brought.
    Yet They that prepare it,
      Whose Nature we share,
    Make us who must bear it
      Well able to bear.
    Though terrors o'ertake us
      We'll not be afraid,
    No power can unmake us
      Save that which has made.
    Nor yet beyond reason
      Nor hope shall we fall--
    All things have their season,
      And Mercy crowns all.

    Then, doubt not, ye fearful--
      The Eternal is King--
    Up, heart, and be cheerful,
      And lustily sing:--
    _What chariots, what horses,
      Against us shall bide
    While the Stars in their courses
      Do fight on our side?_




A Doctor of Medicine


They were playing hide-and-seek with bicycle lamps after tea. Dan had
hung his lamp on the apple tree at the end of the hellebore bed in the
walled garden, and was crouched by the gooseberry bushes ready to dash
off when Una should spy him. He saw her lamp come into the garden and
disappear as she hid it under her cloak. While he listened for her
footsteps, somebody (they both thought it was Phillips the gardener)
coughed in the corner of the herb-beds.

'All right,' Una shouted across the asparagus; 'we aren't hurting your
old beds, Phippsey!'

She flashed her lantern towards the spot, and in its circle of light
they saw a Guy Fawkes-looking man in a black cloak and a steeple-crowned
hat, walking down the path beside Puck. They ran to meet him, and the
man said something to them about _rooms_ in their head. After a time
they understood he was warning them not to catch colds.

'You've a bit of a cold yourself, haven't you?' said Una, for he ended
all his sentences with a consequential cough. Puck laughed.

'Child,' the man answered, 'if it hath pleased Heaven to afflict me with
an infirmity----'

'Nay, nay,' Puck struck in, 'the maid spoke out of kindness. _I_ know
that half your cough is but a catch to trick the vulgar; and that's a
pity. There's honesty enough in you, Nick, without rasping and hawking.'

'Good people'--the man shrugged his lean shoulders--'the vulgar crowd
love not truth unadorned. Wherefore we philosophers must needs dress her
to catch their eye or--ahem!--their ear.'

'And what d'you think of _that_?' said Puck solemnly to Dan.

'I don't know,' he answered. 'It sounds like lessons.'

'Ah--well! There have been worse men than Nick Culpeper to take lessons
from. Now, where can we sit that's not indoors?'

'In the hay-mow, next to old Middenboro,' Dan suggested. '_He_ doesn't
mind.'

'Eh?' Mr. Culpeper was stooping over the pale hellebore blooms by the
light of Una's lamp. 'Does Master Middenboro need my poor services,
then?'

'Save him, no!' said Puck. 'He is but a horse--next door to an ass, as
you'll see presently. Come!'

Their shadows jumped and slid on the fruit-tree walls. They filed out of
the garden by the snoring pig-pound and the crooning hen-house, to the
shed where Middenboro the old lawn-mower pony lives. His friendly eyes
showed green in the light as they set their lamps down on the chickens'
drinking-trough outside, and pushed past to the hay-mow. Mr. Culpeper
stooped at the door.

'Mind where you lie,' said Dan. 'This hay's full of hedge-brishings.'

'In! in!' said Puck. 'You've lain in fouler places than this, Nick. Ah!
Let us keep touch with the stars!' He kicked open the top of the half
door, and pointed to the clear sky. 'There be the planets you conjure
with! What does your wisdom make of that wandering and variable star
behind those apple boughs?'

The children smiled. A bicycle that they knew well was being walked down
the steep lane.

'Where?' Mr. Culpeper leaned forward quickly. 'That? Some countryman's
lantern.'

'Wrong, Nick,' said Puck. ''Tis a singular bright star in Virgo,
declining towards the house of Aquarius the water-carrier, who hath
lately been afflicted by Gemini. Aren't I right, Una?'

Mr. Culpeper snorted contemptuously.

'No. It's the village nurse going down to the Mill about some fresh
twins that came there last week. Nurse,' Una called, as the light
stopped on the flat, 'when can I see the Morris twins? And how are
they?'

'Next Sunday, perhaps. Doing beautifully,' the Nurse called back, and
with a _ping-ping-ping_ of the bell brushed round the corner.

'Her Uncle's a vetinary surgeon near Banbury,' Una explained, 'and if
you ring her bell at night, it rings right beside her bed--not
downstairs at all. Then she jumps up--she always keeps a pair of dry
boots in the fender, you know--and goes anywhere she's wanted. We help
her bicycle through gaps sometimes. Most of her babies do beautifully.
She told us so herself.'

'I doubt not, then, that she reads in my books,' said Mr. Culpeper
quietly. 'Twins at the Mill!' he muttered half aloud. '"And again He
sayeth, Return, ye children of men."'

'Are you a doctor or a rector?' Una asked, and Puck with a shout turned
head over heels in the hay. But Mr. Culpeper was quite serious. He told
them that he was a physician-astrologer--a doctor who knew all about the
stars as well as all about herbs for medicine. He said that the sun, the
moon, and five Planets, called Jupiter, Mars, Mercury, Saturn, and
Venus, governed everybody and everything in the world. They all lived in
Houses--he mapped out some of them against the dark with a busy
forefinger--and they moved from House to House like pieces at draughts;
and they went loving and hating each other all over the skies. If you
knew their likes and dislikes, he said, you could make them cure your
patient and hurt your enemy, and find out the secret causes of things.
He talked of these five Planets as though they belonged to him, or as
though he were playing long games against them. The children burrowed in
the hay up to their chins, and looked out over the half door at the
solemn, star-powdered sky till they seemed to be falling upside down
into it, while Mr. Culpeper talked about 'trines' and 'oppositions' and
'conjunctions' and 'sympathies' and 'antipathies' in a tone that just
matched things.

A rat ran between Middenboro's feet, and the old pony stamped.

'Mid hates rats,' said Dan, and passed him over a lock of hay. 'I wonder
why.'

'Divine Astrology tells us,' said Mr. Culpeper. 'The horse, being a
martial beast that beareth man to battle, belongs naturally to the red
planet Mars--the Lord of War. I would show you him, but he's too near
his setting. Rats and mice, doing their businesses by night, come under
the dominion of our Lady the Moon. Now between Mars and Luna, the one
red, t'other white, the one hot, t'other cold and so forth, stands, as I
have told you, a natural antipathy, or, as you say, hatred. Which
antipathy their creatures do inherit. Whence, good people, you may both
see and hear your cattle stamp in their stalls for the self-same causes
as decree the passages of the stars across the unalterable face of
Heaven! Ahem!'

Puck lay along chewing a leaf. They felt him shake with laughter, and
Mr. Culpeper sat up stiffly.

'I myself,' said he, 'have saved men's lives, and not a few neither, by
observing at the proper time--there is a time, mark you, for all things
under the sun--by observing, I say, so small a beast as a rat in
conjunction with so great a matter as this dread arch above us.' He
swept his hand across the sky. 'Yet there are those,' he went on sourly,
'who have years without knowledge.'

'Right,' said Puck. 'No fool like an old fool.'

Mr. Culpeper wrapped his cloak round him and sat still while the
children stared at the Great Bear on the hill-top.

'Give him time,' Puck whispered behind his hand. 'He turns like a
timber-tug--all of a piece.'

'Ahem!' Mr. Culpeper said suddenly. 'I'll prove it to you. When I was
physician to Saye's Horse, and fought the King--or rather the man
Charles Stuart--in Oxfordshire (I had _my_ learning at Cambridge), the
plague was very hot all around us. I saw it at close hands. He who says
I am ignorant of the plague, for example, is altogether beside the
bridge.'

'We grant it,' said Puck solemnly. 'But why talk of the plague this rare
night?'

'To prove my argument. This Oxfordshire plague, good people, being
generated among rivers and ditches, was of a werish, watery nature.
Therefore it was curable by drenching the patient in cold water, and
laying him in wet cloths; or at least, so I cured some of them. Mark
this. It bears on what shall come after.'

'Mark also, Nick,' said Puck, 'that we are not your College of
Physicians, but only a lad and a lass and a poor lubberkin. Therefore be
plain, old Hyssop on the Wall!'

'To be plain and in order with you, I was shot in the chest while
gathering of betony from a brookside near Thame, and was took by the
King's men before their Colonel, one Blagg or Bragge, whom I warned
honestly that I had spent the week past among our plague-stricken. He
flung me off into a cowshed, much like this here, to die, as I
supposed; but one of their priests crept in by night and dressed my
wound. He was a Sussex man like myself.'

'Who was that?' said Puck suddenly. 'Zack Tutshom?'

'No, Jack Marget,' said Mr. Culpeper.

'Jack Marget of New College? The little merry man that stammered so? Why
a plague was stuttering Jack at Oxford then?' said Puck.

'He had come out of Sussex in hope of being made a Bishop when the King
should have conquered the rebels, as he styled us Parliament men. His
College had lent the King some monies too, which they never got again,
no more than simple Jack got his bishopric. When we met he had had a
bitter bellyful of King's promises, and wished to return to his wife and
babes. This came about beyond expectation, for, so soon as I could stand
of my wound the man Blagge made excuse that I had been among the plague,
and Jack had been tending me, to thrust us both out from their camp. The
King had done with Jack now that Jack's College had lent the money, and
Blagge's physician could not abide me because I would not sit silent and
see him butcher the sick. (He was a College of Physicians man!) So
Blagge, I say, thrust us both out, with many vile words, for a pair of
pestilent, prating, pragmatical rascals.'

'Ha! Called _you_ pragmatical, Nick?' Puck started up. 'High time Oliver
came to purge the land! How did you and honest Jack fare next?'

'We were in some sort constrained to each other's company. I was for
going to my house in Spitalfields, he would go to his parish in Sussex;
but the plague was broke out and spreading through Wiltshire, Berkshire,
and Hampshire, and he was so mad distracted to think that it might even
then be among his folks at home that I bore him company. He had
comforted me in my distress. I could not have done less; and I
remembered that I had a cousin at Great Wigsell, near by Jack's parish.
Thus we footed it from Oxford, cassock and buff coat together, resolute
to leave wars on the left side henceforth; and either through our mean
appearances, or the plague making men less cruel, we were not hindered.
To be sure they put us in the stocks one half-day for rogues and
vagabonds at a village under St. Leonard's forest, where, as I have
heard, nightingales never sing; but the constable very honestly gave me
back my Astrological Almanac, which I carry with me.' Mr. Culpeper
tapped his thin chest. 'I dressed a whitlow on his thumb. So we went
forward.

'Not to trouble you with impertinences, we fetched over against Jack
Marget's parish in a storm of rain about the day's end. Here our roads
divided, for I would have gone on to my cousin at Great Wigsell, but
while Jack was pointing me out his steeple, we saw a man lying drunk, as
he conceived, athwart the road. He said it would be one Hebden, a
parishioner, and till then a man of good life; and he accused himself
bitterly for an unfaithful shepherd, that had left his flock to follow
princes. But I saw it was the plague, and not the beginnings of it
neither. They had set out the plague-stone, and the man's head lay on
it.'

'What's a plague-stone?' Dan whispered.

'When the plague is so hot in a village that the neighbours shut the
roads against 'em, people set a hollowed stone, pot, or pan, where such
as would purchase victual from outside may lay money and the paper of
their wants, and depart. Those that would sell come later--what will a
man not do for gain?--snatch the money forth, and leave in exchange such
goods as their conscience reckons fair value. I saw a silver groat in
the water, and the man's list of what he would buy was rain-pulped in
his wet hand.

'"My wife! Oh, my wife and babes!" says Jack of a sudden, and makes
up-hill--I with him.

'A woman peers out from behind a barn, crying out that the village is
stricken with the plague, and that for our lives' sake we must avoid it.

'"Sweetheart!" says Jack. "Must I avoid thee?" and she leaps at him and
says the babes are safe. She was his wife.

'When he had thanked God, even to tears, he tells me this was not the
welcome he had intended, and presses me to flee the place while I was
clean.

'"Nay! The Lord do so to me and more also if I desert thee now," I said.
"These affairs are, under God's leave, in some fashion my strength."

'"Oh, sir," she says, "are you a physician? We have none."

'"Then, good people," said I, "I must e'en justify myself to you by my
works."

'"Look--look ye," stammers Jack, "I took you all this time for a crazy
Roundhead preacher." He laughs, and she, and then I--all three together
in the rain are overtook by an unreasonable gust or clap of laughter,
which none the less eased us. We call it in medicine the Hysterical
Passion. So I went home with 'em.'

'Why did you not go on to your cousin at Great Wigsell, Nick?' Puck
suggested. ''Tis barely seven mile up the road.'

'But the plague was here,' Mr. Culpeper answered, and pointed up the
hill. 'What else could I have done?'

'What were the parson's children called?' said Una.

'Elizabeth, Alison, Stephen, and Charles--a babe. I scarce saw them at
first, for I separated to live with their father in a cart-lodge. The
mother we put--forced--into the house with her babes. She had done
enough.

'And now, good people, give me leave to be particular in this case. The
plague was worst on the north side of the street, for lack, as I showed
'em, of sunshine; which, proceeding from the _primum mobile_, or source
of life (I speak astrologically), is cleansing and purifying in the
highest degree. The plague was hot too by the corn-chandler's, where
they sell forage to the carters; extreme hot in both Mills along the
river, and scatteringly in other places, _except_, mark you, at the
smithy. Mark here, that all forges and smith-shops belong to Mars, even
as corn and meat and wine-shops acknowledge Venus for their mistress.
There was no plague in the smithy at Munday's Lane----'

'Munday's Lane? You mean our village? I thought so when you talked about
the two Mills,' cried Dan. 'Where did we put the plague-stone? I'd like
to have seen it.'

'Then look at it now,' said Puck, and pointed to the chickens'
drinking-trough where they had set their bicycle lamps. It was a rough,
oblong stone pan, rather like a small kitchen sink, which Phillips, who
never wastes anything, had found in a ditch and had used for his
precious hens.

'That?' said Dan and Una, and stared, and stared, and stared.

Mr. Culpeper made impatient noises in his throat and went on.

'I am at these pains to be particular, good people, because I would have
you follow, so far as you may, the operations of my mind. That plague
which I told you I had handled outside Wallingford in Oxfordshire was of
a watery nature, conformable to the brookish riverine country it bred
in, and curable, as I have said, by drenching in water. This plague of
ours here, for all that it flourished along watercourses--every soul at
both Mills died of it,--could not be so handled. Which brought me to a
stand. Ahem!'

'And your sick people in the meantime?' Puck demanded.

'We persuaded them on the north side of the street to lie out in
Hitheram's field. Where the plague had taken one, or at most two, in a
house, folk would not shift for fear of thieves in their absence. They
cast away their lives to die among their goods.'

'Human nature,' said Puck. 'I've seen it time and again. How did your
sick do in the fields?'

'They died not near so thick as those that kept within doors, and even
then they died more out of distraction and melancholy than plague. But I
confess, good people, I could not in any sort master the sickness, or
come at a glimmer of its nature or governance. To be brief, I was flat
bewildered at the brute malignity of the disease, and so--did what I
should have done before--dismissed all conjectures and apprehensions
that had grown up within me, chose a good hour by my Almanac, clapped my
vinegar-cloth to my face, and entered some empty houses, resigned to
wait upon the stars for guidance.'

'At night? Were you not horribly frightened?' said Puck.

'I dared to hope that the God who hath made man so nobly curious to
search out His mysteries might not destroy a devout seeker. In due
time--there is a time, as I have said, for everything under the sun--I
spied a whitish rat, very puffed and scabby, which sat beneath the
dormer of an attic through which shined our Lady the Moon. Whilst I
looked on him--and her--she was moving towards old cold Saturn, her
ancient ally--the rat creeped languishingly into her light, and there,
before my eyes, died. Presently his mate or companion came out, laid him
down beside there, and in like fashion died too. Later--an hour or less
to midnight--a third rat did e'en the same; always choosing the
moonlight to die in. This threw me into an amaze, since, as we know, the
moonlight is favourable, not hurtful, to the creatures of the Moon; and
Saturn, being friends with her, as you would say, was hourly
strengthening her evil influence. Yet these three rats had been stricken
dead in very moonlight. I leaned out of the window to see which of
Heaven's host might be on our side, and there beheld I good trusty Mars,
very red and heated, bustling about his setting. I straddled the roof to
see better.

'Jack Marget came up street going to comfort our sick in Hitheram's
field. A tile slipped under my foot.

'Says he heavily enough, "Watchman, what of the night?"

"Heart up, Jack," says I. "Methinks there's one fighting for us that,
like a fool, I've forgot all this summer." My meaning was naturally the
planet Mars.

'"Pray to Him then," says he. "I forgot Him too this summer."

'He meant God, whom he always bitterly accused himself of having
forgotten up in Oxfordshire, among the King's men. I called down that he
had made amends enough for his sin by his work among the sick, but he
said he would not believe so till the plague was lifted from 'em. He was
at his strength's end--more from melancholy than any just cause. I have
seen this before among priests and over-cheerful men. I drenched him
then and there with a half cup of waters, which I do not say cure the
plague, but are excellent against heaviness of the spirits.'

'What were they?' said Dan.

'White brandy rectified, camphor, cardamoms, ginger, two sorts of
pepper, and aniseed.'

'Whew!' said Puck. 'Waters you call 'em!'

'Jack coughed on it valiantly, and went down hill with me. I was for the
Lower Mill in the valley, to note the aspect of the Heavens. My mind had
already shadowed forth the reason, if not the remedy, for our troubles,
but I would not impart it to the vulgar till I was satisfied. That
practice may be perfect, judgment ought to be sound, and to make
judgment sound is required an exquisite knowledge. Ahem! I left Jack and
his lantern among the sick in Hitheram's field. He still maintained the
prayers of the so-called Church, which were rightly forbidden by
Cromwell.'

'You should have told your cousin at Wigsell,' said Puck, 'and Jack
would have been fined for it, and you'd have had half the money. How did
you come so to fail in your duty, Nick?'

Mr. Culpeper laughed--his only laugh that evening--and the children
jumped at the loud neigh of it.

'We were not fearful of _men's_ judgment in those days,' he answered.
'Now mark me closely, good people, for what follows will be to you,
though not to me, remarkable. When I reached the empty Mill, old Saturn,
low down in the House of the Fishes, threatened the Sun's rising-place.
Our Lady the Moon was moving towards the help of him (understand, I
speak astrologically). I looked abroad upon the high Heavens, and I
prayed the Maker of 'em for guidance. Now Mars sparklingly withdrew
himself below the sky. On the instant of his departure, which I noted, a
bright star or vapour leaped forth above his head (as though he had
heaved up his sword), and broke all about in fire. The cocks crowed
midnight through the valley, and I sat me down by the mill-wheel,
chewing spearmint (though that's a herb of Venus), and calling myself
all the asses' heads in the world! 'Twas plain enough _now_!'

'What was plain?' said Una.

'The true cause and cure of the plague. Mars, good fellow, had fought
for us to the uttermost. Faint though he had been in the Heavens, and
this had made me overlook him in my computations, he more than any of
the other planets had kept the Heavens--which is to say, had been
visible some part of each night wellnigh throughout the year. Therefore
his fierce and cleansing influence, warring against the Moon, had
stretched out to kill those three rats under my nose, and under the nose
of their natural mistress, the Moon. I had known Mars lean half across
Heaven to deal our Lady the Moon some shrewd blow from under his shield,
but I had never before seen his strength displayed so effectual.'

'I don't understand a bit. Do you mean Mars killed the rats because he
hated the Moon?' said Una.

'_That_ is as plain as the pikestaff with which Blagge's men pushed me
forth,' Mr. Culpeper answered. 'I'll prove it. Why had the plague not
broken out at the blacksmith's shop in Munday's Lane? Because, as I've
shown you, forges and smithies belong naturally to Mars, and, for his
honour's sake, Mars 'ud keep 'em clean from the creatures of the Moon.
But was it like, think you, that he'd come down and rat-catch in general
for lazy, ungrateful mankind? That were working a willing horse to
death. So then you can see that the meaning of the blazing star above
him when he set was simply this: "Destroy and burn the creatures of the
Moon, for they are at the root of your trouble. And thus, having shown
you a taste of my power, good people, adieu."'

'Did Mars really say all that?' Una whispered.

'Yes, and twice so much as that to any one who had ears to hear.
Briefly, he enlightened me that the plague was spread by the creatures
of the Moon. The Moon, our Lady of Ill-aspect, was the offender. My own
poor wits showed me that I, Nick Culpeper, had the people in my charge,
God's good providence aiding me, and no time to lose neither.

'I posted up the hill, and broke into Hitheram's field amongst 'em all
at prayers.

'"Eureka, good people!" I cried, and cast down a dead mill-rat which I'd
found. "Here's your true enemy, revealed at last by the stars."

'"Nay, but I'm praying," says Jack. His face was as white as washed
silver.

'"There's a time for everything under the sun," says I. "If you would
stay the plague, take and kill your rats."

'"Oh, mad, stark mad!" says he, and wrings his hands.

'A fellow lay in the ditch beside him, who bellows that he'd as soon die
mad hunting rats as be preached to death on a cold fallow. They laughed
round him at this, but Jack Marget falls on his knees, and very
presumptuously petitions that he may be appointed to die to save the
rest of his people. This was enough to thrust 'em back into their
melancholy.

'"You are an unfaithful shepherd, Jack," I says. "Take a bat" (which we
call a stick in Sussex) "and kill a rat if you die before sunrise.
'Twill save your people."

'"Aye, aye. Take a bat and kill a rat," he says ten times over, like a
child, which moved 'em to ungovernable motions of that hysterical
passion before mentioned, so that they laughed all, and at least warmed
their chill bloods at that very hour--one o'clock or a little
after--when the fires of life burn lowest. Truly there is a time for
everything; and the physician must work with it--ahem!--or miss his
cure. To be brief with you, I persuaded 'em, sick or sound, to have at
the whole generation of rats throughout the village. And there's a
reason for all things too, though the wise physician need not blab 'em
all. _Imprimis_, or firstly, the mere sport of it, which lasted ten
days, drew 'em most markedly out of their melancholy. I'd defy sorrowful
Job himself to lament or scratch while he's routing rats from a rick.
_Secundo_, or secondly, the vehement act and operation of this chase or
war opened their skins to generous transpiration--more vulgarly,
sweated 'em handsomely; and this further drew off their black bile--the
mother of sickness. Thirdly, when we came to burn the bodies of the
rats, I sprinkled sulphur on the faggots, whereby the onlookers were as
handsomely suffumigated. This I could not have compassed if I had made
it a mere physician's business; they'd have thought it some conjuration.
Yet more, we cleansed, limed, and burned out a hundred foul poke-holes,
sinks, slews, and corners of unvisited filth in and about the houses in
the village, and by good fortune (mark here that Mars was in opposition
to Venus) burned the corn-chandler's shop to the ground. Mars loves not
Venus. Will Noakes the saddler dropped his lantern on a truss of straw
while he was rat-hunting there.'

'Had ye given Will any of that gentle cordial of yours, Nick, by any
chance?' said Puck.

'A glass--or two glasses--not more. But as I would say, in fine, when we
had killed the rats, I took ash, slag, and charcoal from the smithy, and
burnt earth from the brickyard (I reason that a brickyard belongs to
Mars), and rammed it with iron crowbars into the rat-runs and buries,
and beneath all the house floors. The Creatures of the Moon hate all
that Mars hath used for his own clean ends. For example--rats bite not
iron.'

'And how did poor stuttering Jack endure it?' said Puck.

'He sweated out his melancholy through his skin, and catched a loose
cough, which I cured with electuaries, according to art. It is
noteworthy, were I speaking among my equals, that the venom of the
plague translated, or turned itself into, and evaporated, or went away
as, a very heavy hoarseness and thickness of the head, throat, and
chest. (Observe from my books which planets govern these portions of
man's body, and your darkness, good people, shall be illuminated--ahem!)
None the less, the plague, _qua_ plague, ceased and took off (for we
only lost three more, and two of 'em had it already on 'em) from the
morning of the day that Mars enlightened me by the Lower Mill.' He
coughed--almost trumpeted--triumphantly.

'It is proved,' he jerked out. 'I say I have proved my contention, which
is, that by Divine Astrology and humble search into the veritable causes
of things--at the proper time--the sons of wisdom may combat even the
plague.'

'H'm!' Puck replied. 'For my own part I hold that a simple soul----'

'Mine?--simple, forsooth?' said Mr. Culpeper.

'A very simple soul, a high courage tempered with sound and stubborn
conceit, is stronger than all the stars in their courses. So I confess
truly that you saved the village, Nick.'

'I stubborn? I stiff-necked? I ascribed all my poor success, under God's
good providence, to Divine Astrology. Not to me the glory! You talk as
that dear weeping ass Jack Marget preached before I went back to my work
in Red Lion House, Spitalfields.

'Oh! Stammering Jack preached, did he? They say he loses his stammer in
the pulpit.'

'And his wits with it. He delivered a most idolatrous discourse when the
plague was stayed. He took for his text: "The wise man that delivered
the city." I could have given him a better, such as: "There is a time
for----"'

'But what made you go to church to hear him?' Puck interrupted. 'Wail
Attersole was your lawfully appointed preacher, and a dull dog he was!'

Mr. Culpeper wriggled uneasily.

'The vulgar,' said he, 'the old crones and--ahem--the children, Alison
and the others, they dragged me to the House of Rimmon by the hand. I
was in two minds to inform on Jack for maintaining the mummeries of the
falsely called Church, which, I'll prove to you, are founded merely on
ancient fables----'

'Stick to your herbs and planets,' said Puck, laughing. 'You should have
told the magistrates, Nick, and had Jack fined. Again, why did you
neglect your plain duty?'

'Because--because I was kneeling, and praying, and weeping with the rest
of 'em at the altar rails. In medicine this is called the Hysterical
Passion. It may be--it may be.'

'That's as may be,' said Puck. They heard him turn the hay. 'Why, your
hay is half hedge-brishings,' he said. 'You don't expect a horse to
thrive on oak and ash and thorn leaves, do you?'

       *       *       *       *       *

_Ping-ping-ping_ went the bicycle bell round the corner. Nurse was
coming back from the Mill.

'Is it all right?' Una called.

'All quite right,' Nurse called back. 'They're to be christened next
Sunday.'

'What? What?' They both leaned forward across the half-door. It could
not have been properly fastened, for it opened, and tilted them out with
hay and leaves sticking all over them.

'Come on! We must get those two twins' names,' said Una, and they
charged up-hill shouting over the hedge, till Nurse slowed up and told
them.

When they returned, old Middenboro had got out of his stall, and they
spent a lively ten minutes chasing him in again by starlight.




'OUR FATHERS OF OLD'


    Excellent herbs had our fathers of old--
      Excellent herbs to ease their pain--
    Alexanders and Marigold,
      Eyebright, Orris, and Elecampane,
    Basil, Rocket, Valerian, Rue,
      (Almost singing themselves they run)
    Vervain, Dittany, Call-me-to-you--
      Cowslip, Melilot, Rose of the Sun.
        Anything green that grew out of the mould
        Was an excellent herb to our fathers of old.

    Wonderful tales had our fathers of old--
      Wonderful tales of the herbs and the stars--
    The Sun was Lord of the Marigold,
      Basil and Rocket belonged to Mars.
    Pat as a sum in division it goes--
      (Every plant had a star bespoke)--
    Who but Venus should govern the Rose?
      Who but Jupiter own the Oak?
        Simply and gravely the facts are told
        In the wonderful books of our fathers of old.

    Wonderful little, when all is said,
      Wonderful little our fathers knew.
    Half their remedies cured you dead--
      Most of their teaching was quite untrue--
    'Look at the stars when a patient is ill,
      (Dirt has nothing to do with disease,)
    Bleed and blister as much as you will,
      Blister and bleed him as oft as you please.'
        Whence enormous and manifold
        Errors were made by our fathers of old.

    Yet when the sickness was sore in the land,
      And neither planet nor herb assuaged,
    They took their lives in their lancet-hand
      And, oh, what a wonderful war they waged!
    Yes, when the crosses were chalked on the door--
      Yes, when the terrible dead-cart rolled,
    Excellent courage our fathers bore--
      Excellent heart had our fathers of old.
        None too learned, but nobly bold
        Into the fight went our fathers of old.

    If it be certain, as Galen says,
      And sage Hippocrates holds as much--
    'That those afflicted by doubts and dismays
      Are mightily helped by a dead man's touch,'
    Then, be good to us, stars above!
      Then, be good to us, herbs below!
    We are afflicted by what we can prove;
      We are distracted by what we know--
              So--ah so!
        Down from your heaven or up from your mould,
        Send us the hearts of our fathers of old!




Simple Simon




THE THOUSANDTH MAN


    One man in a thousand, Solomon says,
      Will stick more close than a brother.
    And it's worth while seeking him half your days
      If you find him before the other.
    Nine hundred and ninety-nine depend
      On what the world sees in you,
    But the Thousandth Man will stand your friend
      With the whole round world agin you.

    'Tis neither promise nor prayer nor show
      Will settle the finding for 'ee.
    Nine hundred and ninety-nine of 'em go
      By your looks or your acts or your glory.
    But if he finds you and you find him,
      The rest of the world don't matter;
    For the Thousandth Man will sink or swim
      With you in any water.

    You can use his purse with no more shame
      Than he uses yours for his spendings;
    And laugh and mention it just the same
      As though there had been no lendings.
    Nine hundred and ninety-nine of 'em call
      For silver and gold in their dealings;
    But the Thousandth Man he's worth 'em all,
      Because you can show him your feelings!

    His wrong's your wrong, and his right's your right,
      In season or out of season.
    Stand up and back it in all men's sight--
      With _that_ for your only reason!
    Nine hundred and ninety-nine can't bide
      The shame or mocking or laughter,
    But the Thousandth Man will stand by your side
      To the gallows-foot--and after!




Simple Simon


Cattiwow came down the steep lane with his five-horse timber-tug. He
stopped by the woodlump at the back gate to take off the brakes. His
real name was Brabon, but the first time the children met him, years and
years ago, he told them he was 'carting wood,' and it sounded so exactly
like 'cattiwow' that they never called him anything else.

'Hi!' Una shouted from the top of the woodlump, where they had been
watching the lane. 'What are you doing? Why weren't we told?'

'They've just sent for me,' Cattiwow answered. 'There's a middlin' big
log sticked in the dirt at Rabbit Shaw, and'--he flicked his whip back
along the line--'so they've sent for us all.'

Dan and Una threw themselves off the woodlump almost under black
Sailor's nose. Cattiwow never let them ride the big beam that makes the
body of the timber-tug, but they hung on behind while their teeth
thuttered.

The wood road beyond the brook climbs at once into the woods, and you
see all the horses' backs rising, one above another, like moving
stairs. Cattiwow strode ahead in his sackcloth woodman's petticoat,
belted at the waist with a leather strap; and when he turned and
grinned, his red lips showed under his sackcloth-coloured beard. His cap
was sackcloth too, with a flap behind, to keep twigs and bark out of his
neck. He navigated the tug among pools of heather-water that splashed in
their faces, and through clumps of young birches that slashed at their
legs, and when they hit an old toadstooled stump, they never knew
whether it would give way in showers of rotten wood, or jar them back
again.

At the top of Rabbit Shaw half-a-dozen men and a team of horses stood
round a forty-foot oak log in a muddy hollow. The ground about was
poached and stoached with sliding hoof-marks, and a wave of dirt was
driven up in front of the butt.

'What did you want to bury her for this way?' said Cattiwow. He took his
broad-axe and went up the log tapping it.

'She's sticked fast,' said 'Bunny' Lewknor, who managed the other team.

Cattiwow unfastened the five wise horses from the tug. They cocked their
ears forward, looked, and shook themselves.

'I believe Sailor knows,' Dan whispered to Una.

'He do,' said a man behind them. He was dressed in flour sacks like the
others, and he leaned on his broad-axe, but the children, who knew all
the wood gangs, knew he was a stranger. In his size and oily hairiness
he might have been Bunny Lewknor's brother, except that his brown eyes
were as soft as a spaniel's, and his rounded black beard, beginning
close up under them, reminded Una of the walrus in _The Walrus and the
Carpenter_.

'Don't he just about know?' he said shyly, and shifted from one foot to
the other.

'Yes. "What Cattiwow can't get out of the woods must have roots growing
to her"'--Dan had heard old Hobden say this a few days before.

At that minute Puck pranced up, picking his way through the pools of
black water in the ling.

'Look _out_!' cried Una, jumping forward. 'He'll see you, Puck!'

'Me and Mus' Robin are pretty middlin' well acquainted,' the man
answered with a smile that made them forget all about walruses.

'This is Simon Cheyneys,' Puck began, and cleared his throat.
'Shipbuilder of Rye Port; burgess of the said town, and the only----'

'Oh, look! Look ye! That's a knowing one,' said the man. Cattiwow had
fastened his team to the thin end of the log, and was moving them about
with his whip till they stood at right angles to it, heading downhill.
Then he grunted. The horses took the strain, beginning with Sailor next
the log, like a tug-of-war team, and dropped almost to their knees. The
log shifted a nail's breadth in the clinging dirt, with the noise of a
giant's kiss.

'You're getting her!' Simon Cheyneys slapped his knee. 'Hing on! Hing
on, lads, or she'll master ye! Ah!'

Sailor's left hind hoof had slipped on a heather-tuft. One of the men
whipped off his sack apron and spread it down. They saw Sailor feel for
it, and recover. Still the log hung, and the team grunted in despair.

'Hai!' shouted Cattiwow, and brought his dreadful whip twice across
Sailor's loins with the crack of a shot-gun. The horse almost screamed
as he pulled that extra last ounce which he did not know was in him. The
thin end of the log left the dirt and rasped on dry gravel. The butt
ground round like a buffalo in his wallow. Quick as an axe-cut, Lewknor
snapped on his five horses, and sliding, trampling, jingling, and
snorting, they had the whole thing out on the heather.

'Dat's the very first time I've knowed you lay into Sailor--to hurt
him,' said Lewknor.

'It is,' said Cattiwow, and passed his hand over the two wheals. 'But
I'd ha' laid my own brother open at that pinch. Now we'll twitch her
down the hill a piece--she lies just about right--and get her home by
the low road. My team'll do it, Bunny; you bring the tug along. Mind
out!'

He spoke to the horses, who tightened the chains. The great log half
rolled over, and slowly drew itself out of sight downhill, followed by
the wood gang and the timber-tug. In half a minute there was nothing to
see but the deserted hollow of the torn-up dirt, the birch undergrowth
still shaking, and the water draining back into the hoof-prints.

'Ye heard him?' Simon Cheyneys asked. 'He cherished his horse, but he'd
ha' laid him open in that pinch.'

'Not for his own advantage,' said Puck quickly. ''Twas only to shift the
log.'

'I reckon every man born of woman has his log to shift in the world--if
so be you're hintin' at any o' Frankie's doings. _He_ never hit beyond
reason or without reason,' said Simon.

'_I_ never said a word against Frankie,' Puck retorted, with a wink at
the children. 'An' if I did, do it lie in your mouth to contest my
say-so, seeing how you----'

'Why don't it lie in my mouth, seeing I was the first which knowed
Frankie for all he was?' The burly sack-clad man puffed down at cool
little Puck.

'Yes, and the first which set out to poison him--Frankie--on the high
seas----'

Simon's angry face changed to a sheepish grin. He waggled his immense
hands, but Puck stood off and laughed mercilessly.

'But let me tell you, Mus' Robin,' he pleaded.

'I've heard the tale. Tell the children here. Look, Dan! Look,
Una!'--Puck's straight brown finger levelled like an arrow. 'There's the
only man that ever tried to poison Sir Francis Drake!'

'Oh, Mus' Robin! Tidn't fair. You've the 'vantage of us all in your
upbringin's by hundreds o' years. 'Stands to nature you know all the
tales against every one.'

He turned his soft eyes so helplessly on Una that she cried, 'Stop
ragging him, Puck! You know he didn't really.'

'I do. But why are you so sure, little maid?'

'Because--because he doesn't look like it,' said Una stoutly.

'I thank you,' said Simon to Una. 'I--I was always trustable like with
children if you let me alone, you double handful o' mischief!' He
pretended to heave up his axe on Puck; and then his shyness overtook him
afresh.

'Where did you know Sir Francis Drake?' said Dan, not relishing being
called a child.

'At Rye Port, to be sure,' said Simon, and seeing Dan's bewilderment,
repeated it.

'Yes, but look here,' said Dan. 'Drake he was a Devon man. The song says
so.'

'"_And_ ruled the Devon seas,"' Una went on. 'That's what I was
thinking--if you don't mind.'

Simon Cheyneys seemed to mind very much indeed, for he swelled in
silence while Puck laughed.

'Hutt!' he burst out at last, 'I've heard that talk too. If you listen
to them West Country folk, you'll listen to a pack o' lies. I believe
Frankie was born somewhere out west among the Shires, but his father had
to run for it when Frankie was a baby, because the neighbours was
wishful to kill him, d'ye see? He run to Chatham, old Parson Drake did,
an' Frankie was brought up in a old hulks of a ship moored in the Medway
river, same as it might ha' been the Rother. Brought up _at_ sea, you
might say, before he could walk _on_ land--nigh Chatham in Kent. And
ain't Kent back-door to Sussex? And don't that make Frankie Sussex? O'
course it do. Devon man! Bah! Those West Country boats they're always
fishin' in other folks' water.'

'I beg your pardon,' said Dan. 'I'm sorry.'

'No call to be sorry. You've been misled. I met Frankie at Rye Port when
my Uncle, that was the shipbuilder there, pushed me off his wharf-edge
on to Frankie's ship. Frankie had put in from Chatham with his rudder
splutted, and a man's arm--Moon's that 'ud be--broken at the tiller.
"Take this boy aboard an' drown him," says my Uncle, "and I'll mend your
rudder-piece for love."'

'What did your Uncle want you drowned for?' said Una.

'That was only his fashion of say-so, same as Mus' Robin. I'd a
foolishness in my head that ships could be builded out of iron.
Yes--iron ships! I'd made me a liddle toy one of iron plates beat out
thin--and she floated a wonder! But my Uncle, bein' a burgess of Rye,
and a shipbuilder, he 'prenticed me to Frankie in the fetchin' trade, to
cure this foolishness.'

'What was the fetchin' trade?' Dan interrupted.

'Fetchin' poor Flemishers and Dutchmen out o' the Low Countries into
England. The King o' Spain, d'ye see, he was burnin' 'em in those parts,
for to make 'em Papishers, so Frankie he fetched 'em away to _our_
parts, and a risky trade it was. His master wouldn't never touch it
while he lived, but he left his ship to Frankie when he died, and
Frankie turned her into this fetchin' trade. Outrageous cruel hard
work--on besom black nights bulting back and forth off they Dutch roads
with shoals on all sides, and having to hark out for the
_frish-frish-frish_-like of a Spanish galliwopses' oars creepin' up on
ye. Frankie 'ud have the tiller and Moon he'd peer forth at the bows,
our lantern under his skirts, till the boat we was lookin' for 'ud blurt
up out o' the dark, and we'd lay hold and haul aboard whoever
'twas--man, woman, or babe,--an' round we'd go again, the wind bewling
like a kite in our riggin's, and they'd drop into the hold and praise
God for happy deliverance till they was all sick.

'I had nigh a year at it, an' we must have fetched off--oh, a hundred
pore folk, I reckon. Outrageous bold, too, Frankie growed to be.
Outrageous cunning he was. Once we was as near as nothing nipped by a
tall ship off Tergo Sands in a snowstorm. She had the wind of us, and
spooned straight before it, shooting all bow guns. Frankie fled inshore
smack for the beach, till he was atop of the first breakers. Then he
hove his anchor out, which nigh tore our bows off, but it twitched us
round end-for-end into the wind, d'ye see, an' we clawed off them sands
like a drunk man rubbin' along a tavern bench. When we could see, the
Spanisher was laid flat along in the breakers with the snows whitening
on his wet belly. He thought he could go where Frankie went.'

'What happened to the crew?' said Una.

'We didn't stop,' Simon answered. 'There was a very liddle new baby in
our hold, and the mother, she wanted to get to some dry bed middlin'
quick. We runned into Dover, and said nothing.'

'Was Sir Francis Drake very much pleased?'

'Heart alive, maid, he'd no head to his name in those days. He was just
a outrageous, valiant, crop-haired, tutt-mouthed boy roarin' up an' down
the narrer seas, with his beard not yet quilled out. He made a
laughing-stock of everything all day, and he'd hold our lives in the
bight of his arm all the besom-black night among they Dutch sands; and
we'd ha' jumped overside to behove him any one time, all of us.'

'Then why did you try to poison him?' Una asked wickedly, and Simon hung
his head like a shy child.

'Oh, that was when he set me to make a pudden, for because our cook was
hurted. _I_ done my uttermost, but she all fetched adrift like in the
bag, an' the more I biled the bits of her, the less she favoured any
fashion o' pudden. Moon he chawed and chammed his piece, and Frankie
chawed and chammed his'n, and--no words to it--he took me by the ear an'
walked me out over the bow-end, an' him an' Moon hove the pudden at me
on the bowsprit gub by gub, something cruel hard!' Simon rubbed his
hairy cheek.

'"Nex' time you bring me anything," says Frankie, "you bring me
cannon-shot an' I'll know what I'm getting." But as for poisoning----' He
stopped, the children laughed so.

'Of course you didn't,' said Una. 'Oh, Simon, we _do_ like you!'

'I was always likeable with children.' His smile crinkled up through the
hair round his eyes. 'Simple Simon they used to call me through our
yard gates.'

'Did Sir Francis mock you?' Dan asked.

'Ah, no. He was gentle-born. Laugh he did--he was always laughing--but
not so as to hurt a feather. An' I loved 'en. I loved 'en before England
knew 'en, or Queen Bess she broke his heart.'

'But he hadn't really done anything when you knew him, had he?' Una
insisted. 'Armadas and those things, I mean.'

Simon pointed to the scars and scrapes left by Cattiwow's great log.
'You tell me that that good ship's timber never done nothing against
winds and weathers since her upspringing, and I'll confess ye that young
Frankie never done nothing neither. Nothing? He adventured and suffered
and made shift on they Dutch sands _as_ much in any one month as ever he
had occasion for to do in a half-year on the high seas afterwards. An'
what was his tools? A coaster boat--a liddle box o' walty plankin' an'
some few fathom feeble rope held together an' made able by _him_ sole.
He drawed our spirits up in our bodies same as a chimney-towel draws a
fire. 'Twas in him, and it comed out all times and shapes.'

'I wonder did he ever 'magine what he was going to be? Tell himself
stories about it?' said Dan with a flush.

'I expect so. We mostly do--even when we're grown. But bein' Frankie, he
took good care to find out beforehand what his fortune might be. Had I
rightly ought to tell 'em this piece?' Simon turned to Puck, who
nodded.

'My mother, she was just a fair woman, but my Aunt, her sister, she had
gifts by inheritance laid up in her,' Simon began.

'Oh, that'll never do,' cried Puck, for the children stared blankly. 'Do
you remember what Robin promised to the Widow Whitgift so long as her
blood and get lasted?'[5]

[5] See 'Dymchurch Flit' in _Puck of Pook's Hill_.

'Yes. There was always to be one of them that could see farther through
a millstone than most,' Dan answered promptly.

'Well, Simon's Aunt's mother,' said Puck slowly, 'married the Widow's
blind son on the Marsh, and Simon's Aunt was the one chosen to see
farthest through millstones. Do you understand?'

'That was what I was gettin' at,' said Simon, 'but you're so desperate
quick. My Aunt she knew what was coming to people. My Uncle being a
burgess of Rye, he counted all such things odious, and my Aunt she
couldn't be got to practise her gifts hardly at all, because it hurted
her head for a week afterwards; but when Frankie heard she had 'em, he
was all for nothing till she foretold on him--till she looked in his
hand to tell his fortune, d'ye see? One time we was at Rye she come
aboard with my other shirt and some apples, and he fair beazled the life
out of her about it.

'"Oh, you'll be twice wed, and die childless," she says, and pushes his
hand away.

'"That's the woman's part," he says. "What'll come to me--to me?" an' he
thrusts it back under her nose.

'"Gold--gold, past belief or counting," she says. "Let go 'o me, lad."

'"Sink the gold!" he says. "What'll I _do_, mother?" He coaxed her like
no woman could well withstand. I've seen him with 'em--even when they
were sea-sick.

'"If you _will_ have it," she says at last, "you shall have it. You'll
do a many things, and eating and drinking with a dead man beyond the
world's end will be the least of them. For you'll open a road from the
East unto the West, and back again, and you'll bury your heart with your
best friend by that road-side, and the road you open none shall shut so
long as you're let lie quiet in your grave."[6]

[6] The old lady's prophecy is in a fair way to come true, for when the
Panama Canal is finished, one end of it will open into the very bay
where Sir Francis Drake was buried. Then ships will be taken through the
Canal, and the road round Cape Horn which Sir Francis opened will be
abandoned.

'"And if I'm not?" he says.

'"Why then," she says, "Sim's iron ships will be sailing on dry land.
Now ha' done with this foolishness. Where's Sim's shirt?"

'He couldn't fetch no more out of her, and when we come up from the
cabin, he stood mazed like by the tiller, playing with a apple.

'"My Sorrow!" says my Aunt; "d'ye see that? The great world lying in his
hand, liddle and round like a apple."

'"Why, 'tis one you gived him," I says.

'"To be sure," she says. "'Tis just a apple," and she went ashore with
her hand to her head. It always hurted her to show her gifts.

[Illustration: 'You'll open a road from the East unto the West, and back
again.'--P. 292.]

'Him and me puzzled over that talk plenty. It sticked in his mind
quite extravagant. The very next time we slipped out for some fetchin'
trade, we met Mus' Stenning's boat over by Calais sands; and he warned
us that the Spanishers had shut down all their Dutch ports against us
English, and their galliwopses was out picking up our boats like flies
off hogs' backs. Mus' Stenning he runs for Shoreham, but Frankie held on
a piece, knowin' that Mus' Stenning was jealous of our good trade. Over
by Dunkirk a great gor-bellied Spanisher, with the Cross on his sails,
came rampin' at us. We left him. We left him all they bare seas to
conquest in.

'"Looks like this road was going to be shut pretty soon," says Frankie,
humouring her at the tiller. "I'll have to open that other one your Aunt
foretold of."

'"The Spanisher's crowdin' down on us middlin' quick," I says.

'"No odds," says Frankie, "he'll have the inshore tide against him. Did
your Aunt say I was to lie quiet in my grave for ever?"

'"Till my iron ships sailed dry land," I says.

'"That's foolishness," he says. "Who cares where Frankie Drake makes a
hole in the water now or twenty years from now?"

'The Spanisher kept muckin' on more and more canvas. I told him so.

'"He's feelin' the tide," was all he says. "If he was among Tergoes
Sands with this wind, we'd be picking his bones proper. I'd give my
heart to have all their tall ships there some night before a north gale,
and me to windward. There'd be gold in my hands then. Did your Aunt say
she saw the world settin' in my hand, Sim?"

'"Yes, but 'twas a apple," says I, and he laughed like he always did at
me. "Do you ever feel minded to jump overside and be done with
everything?" he asks after a while.

'"No. What water comes aboard is too wet as 'tis," I says. "The
Spanisher's going about."

'"I told you," says he, never looking back. "He'll give us the Pope's
Blessing as he swings. Come down off that rail. There's no knowin' where
stray shots may hit." So I came down off the rail, and leaned against
it, and the Spanisher he ruffled round in the wind, and his port-lids
opened all red inside.

'"Now what'll happen to my road if they don't let me lie quiet in my
grave?" he says. "Does your Aunt mean there's two roads to be found and
kept open--or what does she mean? I don't like that talk about t'other
road. D'you believe in your iron ships, Sim?"

'He knowed I did, so I only nodded, and he nodded back again.

'"Anybody but me 'ud call you a fool, Sim," he says. "Lie down. Here
comes the Pope's Blessing!"

'The Spanisher gave us his broadside as he went about. They all fell
short except one that smack-smooth hit the rail behind my back, an' I
felt most won'erful cold.

'"Be you hit anywhere to signify?" he says. "Come over to me."

'"O Lord, Mus' Drake," I says, "my legs won't move," and that was the
last I spoke for months.'

'Why? What had happened?' cried Dan and Una together.

'The rail had jarred me in here like.' Simon reached behind him
clumsily. 'From my shoulders down I didn't act no shape. Frankie carried
me piggy-back to my Aunt's house, and I lay bed-rid and tongue-tied
while she rubbed me day and night, month in and month out. She had faith
in rubbing with the hands. P'raps she put some of her gifts into it,
too. Last of all, something loosed itself in my pore back, and lo! I was
whole restored again, but kitten-feeble.

'"Where's Frankie?" I says, thinking I'd been a longish while abed.

'"Down-wind amongst the Dons--months ago," says my Aunt.

'"When can I go after 'en?" I says.

'"Your duty's to your town and trade now," says she. "Your Uncle he died
last Michaelmas and he've left you and me the yard. So no more iron
ships, mind ye."

'"What?" I says. "And you the only one that beleft in 'em!"

'"Maybe I do still," she says, "but I'm a woman before I'm a Whitgift,
and wooden ships is what England needs us to build. I lay it on ye to do
so."

'That's why I've never teched iron since that day--not to build a toy
ship of. I've never even drawed a draft of one for my pleasure of
evenings.' Simon smiled down on them all.

'Whitgift blood is terrible resolute--on the she-side,' said Puck.

'Didn't you ever see Sir Francis Drake again?' Dan asked.

'With one thing and another, and my being made a burgess of Rye, I never
clapped eyes on him for the next twenty years. Oh, I had the news of his
mighty doings the world over. They was the very same bold, cunning
shifts and passes he'd worked with beforetimes off they Dutch sands,
but, naturally, folk took more note of them. When Queen Bess made him
knight, he sent my Aunt a dried orange stuffed with spiceries to smell
to. She cried outrageous on it. She blamed herself for her foretellings,
having set him on his won'erful road; but I reckon he'd ha' gone that
way all withstanding. Curious how close she foretelled it! The world in
his hand like an apple, an' he burying his best friend, Mus'
Doughty----'

'Never mind for Mus' Doughty,' Puck interrupted. 'Tell us where you met
Sir Francis next.'

'Oh, ha! That was the year I was made a burgess of Rye--the same year
which King Philip sent his ships to take England without Frankie's
leave.'

'The Armada!' said Dan contentedly. 'I was hoping that would come.'

'_I_ knowed Frankie would never let 'em smell London smoke, but plenty
good men in Rye was two-three minded about the upshot. 'Twas the noise
of the gun-fire terrified us. The wind favoured it our way from off
behind the Isle of Wight. It made a mutter like, which growed and
growed, and by the end of a week women was shruckin' in the streets.
Then _they_ come sliddering past Fairlight in a great smoky pat
vambrished with red gun-fire, and our ships flying forth and ducking in
again. The smoke-pat sliddered over to the French shore, so I knowed
Frankie was edging the Spanishers toward they Dutch sands where he was
master. I says to my Aunt, "The smoke's thinning out. I lay Frankie's
just about scrapin' his hold for a few last rounds shot. 'Tis time for
me to go."

'"Never in them clothes," she says. "Do on the doublet I bought you to
be made burgess in, and don't you shame this day."

'So I mucked it on, and my chain, and my stiffed Dutch breeches and all.

'"I be comin', too," she says from her chamber, and forth she come
pavisanding like a peacock--stuff, ruff, stomacher and all. She was a
notable woman.'

'But how did you go? You haven't told us,' said Una.

'In my own ship--but half-share was my Aunt's. In the _Antony of Rye_ to
be sure; and not empty-handed. I'd been loadin' her for three days with
the pick of our yard. We was ballasted on cannon-shot of all three
sizes; and iron rods and straps for his carpenters; and a nice passel of
clean three-inch oak planking and hide breech-ropes for his cannon, and
gubs of good oakum, and bolts o' canvas, and all the sound rope in the
yard. What else could I ha' done? _I_ knowed what he'd need most after
a week's such work. I'm a shipbuilder, little maid.

'We'd a fair slant o' wind off Dungeness, and we crept on till it fell
light airs and puffed out. The Spanishers was all in a huddle over by
Calais, and our ships was strawed about mending 'emselves like dogs
lickin' bites. Now and then a Spanisher would fire from a low port, and
the ball 'ud troll across the flat swells, but both sides was finished
fightin' for that tide.

'The first ship we foreslowed on, her breast-works was crushed in, an'
men was shorin' 'em up. She said nothing. The next was a black pinnace,
his pumps clackin' middling quick, and he said nothing. But the third,
mending shot holes, he spoke out plenty. I asked him where Mus' Drake
might be, and a shiny-suited man on the poop looked down into us, and
saw what we carried.

'"Lay alongside, you!" he says. "We'll take that all."

'"'Tis for Mus' Drake," I says, keeping away lest his size should lee
the wind out of my sails.

'"Hi! Ho! Hither! We're Lord High Admiral of England! Come alongside, or
we'll hang ye," he says.

''Twas none of my affairs who he was if he wasn't Frankie, and while he
talked so hot I slipped behind a green-painted ship with her top-sides
splintered. We was all in the middest of 'em then.

'"Hi! Hoi!" the green ship says. "Come alongside, honest man, and I'll
buy your load. I'm Fenner that fought the seven Portugals--clean out of
shot or bullets. Frankie knows me."

'"Ay, but I don't," I says, and I slacked nothing.

'He was a masterpiece. Seein' I was for goin' on, he hails a Bridport
hoy beyond us and shouts, "George! Oh, George! Wing that duck. He's
fat!" An' true as we're all here, that squatty Bridport boat rounds to
acrost our bows, intending to stop us by means o' shooting.

'My Aunt looks over our rail. "George," she says, "you finish with your
enemies afore you begin on your friends."

'Him that was laying the liddle swivel-gun at us sweeps off his hat an'
calls her Queen Bess, and asks if she was selling liquor to pore dry
sailors. My Aunt answered him quite a piece. She was a notable woman.

'Then _he_ come up--his long pennant trailing overside--his waistcloths
and netting tore all to pieces where the Spanishers had grappled, and
his sides black-smeared with their gun-blasts like candle-smoke in a
bottle. We hooked on to a lower port and hung.

'"Oh, Mus' Drake! Mus' Drake," I calls up.

'He stood on the great anchor cathead, his shirt open to the middle, and
his face shining like the sun.

'"Why, Sim!" he says. Just like that--after twenty year! "Sim," he says,
"what brings you?"

'"Pudden," I says, not knowing whether to laugh or cry. "You told me to
bring cannon-shot next time, an' I've brought 'em."

'He saw we had. He ripped out a fathom and a half o' brimstone Spanish,
and he swung down on our rail, and he kissed me before all his fine
young captains. His men was swarming out of the lower ports ready to
unload us. When he saw how I'd considered all his likely wants, he
kissed me again.

'"Here's a friend that sticketh closer than a brother!" he says.
"Mistress," he says to my Aunt, "all you foretold on me was true. I've
opened that road from the East to the West, and I've buried my heart
beside it."

"I know," she says. "That's why I be come."

'"But ye never foretold this"; he points to both they great fleets.

'"This don't seem to me to make much odds compared to what happens _to_
a man," she says. "Do it?"

'"Certain sure a man forgets to remember when he's proper mucked up with
work. Sim," he says to me, "we must shift every living Spanisher round
Dunkirk corner on to our Dutch sands before morning. The wind'll come
out of the North after this calm--same as it used--and then they're our
meat."

'"Amen," says I. "I've brought you what I could scutchel up of odds and
ends. Be you hit anywhere to signify?"

'"Oh, our folk'll attend to all that when we've time," he says. He turns
to talk to my Aunt, while his men flew the stuff out of our hold. I
think I saw old Moon amongst 'em, but we was too busy to more than nod
like. Yet the Spanishers was going to prayers with their bells and
candles before we'd cleaned out the _Antony_. Twenty-two ton o' useful
stuff I'd fetched him.

'"Now, Sim," says my Aunt, "no more devouring of Mus' Drake's time. He's
sending us home in the Bridport hoy. I want to speak to them young
springalds again."

'"But here's our ship all ready and swept," I says.

'"Swep' an' garnished," says Frankie. "I'm going to fill her with devils
in the likeness o' pitch and sulphur. We must shift the Dons round
Dunkirk corner, and if shot can't do it, we'll send down fireships."

'"I've given him my share of the _Antony_," says my Aunt. "What do you
reckon to do about yours?"

'"She offered it," said Frankie, laughing.

'"She wouldn't have if I'd overheerd her," I says; "because I'd have
offered my share first." Then I told him how the _Antony's_ sails was
best trimmed to drive before the wind, and seeing he was full of
occupations we went acrost to that Bridport hoy, and left him.

'But Frankie was gentle-born, d'ye see, and that sort they never
overlook any folks' dues.

'When the hoy passed under his stern, he stood bare-headed on the poop
same as if my Aunt had been his Queen, and his musicianers played "Mary
Ambree" on their silver trumpets quite a long while. Heart alive,
little maid! I never meaned to make you look sorrowful----'

       *       *       *       *       *

Bunny Lewknor in his sackcloth petticoats burst through the birch scrub
wiping his forehead.

'We've got the stick to rights now! She've been a whole hatful o'
trouble. You come an' ride her home, Mus' Dan and Miss Una!'

They found the proud wood-gang at the foot of the slope, with the log
double-chained on the tug.

'Cattiwow, what are you going to do with it?' said Dan, as they
straddled the thin part.

'She's going down to Rye to make a keel for a Lowestoft fishin' boat,
I've heard. Hold tight!'

Cattiwow cracked his whip, and the great log dipped and tilted, and
leaned and dipped again, exactly like a stately ship upon the high
seas.




FRANKIE'S TRADE


    Old Horn to All Atlantic said:
          (_A-hay O! To me O!_)
    'Now where did Frankie learn his trade?
    For he ran me down with a three-reef mains'le.'
          (_All round the Horn!_)

    Atlantic answered:--'Not from me!
    You'd better ask the cold North Sea,
    For he ran me down under all plain canvas.'
          (_All round the Horn!_)

    The North Sea answered:--'He's my man,
    For he came to me when he began--
    Frankie Drake in an open coaster.'
          (_All round the Sands!_)

    'I caught him young and I used him sore,
    So you never shall startle Frankie more,
    Without capsizing Earth and her waters.
          (_All round the Sands!_)

    'I did not favour him at all,
    I made him pull and I made him haul--
    And stand his trick with the common sailors.
          (_All round the Sands!_)

    'I froze him stiff and I fogged him blind,
    And kicked him home with his road to find
    By what he could see of a three-day snow-storm.
          (_All round the Sands!_)

    'I learned him his trade o' winter nights,
    'Twixt Mardyk Fort and Dunkirk lights
    On a five-knot tide with the forts a-firing.
          (_All round the Sands!_)

    'Before his beard began to shoot,
    I showed him the length of the Spaniard's foot--
    And I reckon he clapped the boot on it later.
          (_All round the Sands!_)

    'If there's a risk which you can make
    That's worse than he was used to take
    Nigh every week in the way of his business;
          (_All round the Sands!_)

    'If there's a trick that you can try
    Which he hasn't met in time gone by,
    Not once or twice, but ten times over;
          (_All round the Sands!_)

    'If you can teach him aught that's new,
          (_A-hay O! To me O!_)
    I'll give you Bruges and Niewport too,
    And the ten tall churches that stand between 'em.'
          _Storm along my gallant Captains!_
          (_All round the Horn!_)




The Tree of Justice




THE BALLAD OF MINEPIT SHAW


    About the time that taverns shut
      And men can buy no beer,
    Two lads went up by the keepers' hut
      To steal Lord Pelham's deer.

    Night and the liquor was in their heads--
      They laughed and talked no bounds,
    Till they waked the keepers on their beds,
      And the keepers loosed the hounds.

    They had killed a hart, they had killed a hind,
      Ready to carry away,
    When they heard a whimper down the wind
      And they heard a bloodhound bay.

    They took and ran across the fern,
      Their crossbows in their hand,
    Till they met a man with a green lantern
      That called and bade 'em stand.

    'What are ye doing, O Flesh and Blood,
      And what's your foolish will,
    That you must break into Minepit Wood
      And wake the Folk of the Hill?'

    'Oh, we've broke into Lord Pelham's park,
      And killed Lord Pelham's deer,
    And if ever you heard a little dog bark
      You'll know why we come here!

    'We ask you let us go our way,
      As fast as we can flee,
    For if ever you heard a bloodhound bay,
      You'll know how pressed we be.'

    'Oh, lay your crossbows on the bank
      And drop the knife from your hand,
    And though the hounds are at your flank
      I'll save you where you stand!'

    They laid their crossbows on the bank
      They threw their knives in the wood,
    And the ground before them opened and sank
      And saved 'em where they stood.

    'Oh, what's the roaring in our ears
      That strikes us well-nigh dumb?'
    'Oh, that is just how things appears
      According as they come.'

    'What are the stars before our eyes
      That strike us well-nigh blind?'
    'Oh, that is just how things arise
      According as you find.'

    'And why's our bed so hard to the bones
      Excepting where it's cold?'
    'Oh, that's because it is precious stones
      Excepting where 'tis gold.'

    'Think it over as you stand,
      For I tell you without fail,
    If you haven't got into Fairyland
      You're not in Lewes Gaol.'

    All night long they thought of it,
      And, come the dawn, they saw
    They'd tumbled into a great old pit,
      At the bottom of Minepit Shaw.

    And the keepers' hound had followed 'em close
      And broke her neck in the fall;
    So they picked up their knives and their crossbows
      And buried the dog. That's all.

    But whether the man was a poacher too
      Or a Pharisee so bold--
    I reckon there's more things told than are true,
      And more things true than are told.




The Tree of Justice


It was a warm, dark winter day with the Sou'-West wind singing through
Dallington Forest, and the woods below the Beacon. The children set out
after dinner to find old Hobden, who had a three months' job in the
Rough at the back of Pound's Wood. He had promised to get them a
dormouse in its nest. The bright leaf still clung to the beech coppice;
the long chestnut leaves lay orange on the ground, and the rides were
speckled with scarlet-lipped sprouting acorns. They worked their way by
their own short cuts to the edge of Pound's Wood, and heard a horse's
feet just as they came to the beech where Ridley the keeper hangs up the
vermin. The poor little fluffy bodies dangled from the branches--some
perfectly good, but most of them dried to twisted strips.

'Three more owls,' said Dan, counting. 'Two stoats, four jays, and a
kestrel. That's ten since last week. Ridley's a beast.'

'In my time this sort of tree bore heavier fruit.' Sir Richard
Dalyngridge[7] reined up his grey horse, Swallow, in the ride behind
them. 'What play do you make?' he asked.

[7] This is the Norman knight they met the year before in _Puck of
Pook's Hill_. See 'Young Men at the Manor,' 'The Knights of the Joyous
Venture,' and 'Old Men at Pevensey,' in that book.

'Nothing, sir. We're looking for old Hobden,' Dan replied. 'He promised
to get us a sleeper.'

'Sleeper? A _dormeuse_ do you say?'

'Yes, a dormouse, sir.'

'I understand. I passed a woodman on the low grounds. Come!'

He wheeled up the ride again, and pointed through an opening to the
patch of beech-stubs, chestnut, hazel, and birch that old Hobden would
turn into firewood, hop-poles, pea-boughs, and house-faggots before
spring. The old man was as busy as a beaver.

Something laughed beneath a thorn, and Puck stole out, his finger on his
lip.

'Look!' he whispered. 'Along between the spindle trees. Ridley has been
there this half-hour.'

The children followed his point, and saw Ridley the keeper in an old dry
ditch, watching Hobden as a cat watches a mouse.

'Huhh!' cried Una. 'Hobden always 'tends to his wires before breakfast.
He puts his rabbits into the faggots he's allowed to take home. He'll
tell us about 'em to-morrow.'

'We had the same breed in my day,' Sir Richard replied, and moved off
quietly, Puck at his bridle, the children on either side between the
close-trimmed beech stuff.

'What did you do to them?' said Dan, as they repassed Ridley's terrible
tree.

'That!' Sir Richard jerked his head toward the dangling owls.

'Not he,' said Puck. 'There was never enough brute Norman in you to hang
a man for taking a buck.'

'I--I cannot abide to hear their widows screech. But why am I on
horseback while you are afoot?' He dismounted lightly, tapped Swallow on
the chest, so that the wise thing backed instead of turning in the
narrow ride, and put himself at the head of the little procession. He
walked as though all the woods belonged to him. 'I have often told my
friends,' he went on, 'that Red William the King was not the only Norman
found dead in a forest while he hunted.'

'D'you mean William Rufus?' said Dan.

'Yes,' said Puck, kicking a clump of red toadstools off a dead log.

'For example, there was a knight new from Normandy,' Sir Richard went
on, 'to whom Henry our King granted a manor in Kent near by. He chose to
hang his forester's son the day before a deer-hunt that he gave to
pleasure the King.'

'Now when would that be?' said Puck, and scratched an ear thoughtfully.

'The summer of the year King Henry broke his brother Robert of Normandy
at Tenchebrai fight. Our ships were even then at Pevensey loading for
the war.'

'What happened to the knight?' Dan asked.

'They found him pinned to an ash, three arrows through his leather coat.
_I_ should have worn mail that day.'

'And did you see him all bloody?' Dan continued.

'Nay, I was with De Aquila at Pevensey, counting horse-shoes, and arrow
sheaves, and ale-barrels into the holds of the ships. The army only
waited for our King to lead them against Robert in Normandy, but he sent
word to De Aquila that he would hunt with him here before he set out for
France.'

'Why did the King want to hunt so particularly?' Una demanded.

'If he had gone straight to France after the Kentish knight was killed,
men would have said he feared being slain like the knight. It was his
duty to show himself debonair to his English people as it was De
Aquila's duty to see that he took no harm while he did it. But it was a
great burden! De Aquila, Hugh, and I ceased work on the ships, and
scoured all the Honour of the Eagle--all De Aquila's lands--to make a
fit, and, above all, a safe sport for our King. Look!'

The ride twisted, and came out on the top of Pound's Hill Wood. Sir
Richard pointed to the swells of beautiful, dappled Dallington, that
showed like a woodcock's breast up the valley. 'Ye know the forest?'
said he.

'You ought to see the bluebells there in Spring!' said Una.

'I have seen,' said Sir Richard, gazing, and stretched out his hand.
'Hugh's work and mine was first to move the deer gently from all parts
into Dallington yonder, and there to hold them till the King came. Next,
we must choose some three hundred beaters to drive the deer to the
stands within bowshot of the King. Here was our trouble! In the mellay
of a deer-drive a Saxon peasant and a Norman King may come over close to
each other. The conquered do not love their conquerors all at once. So
we needed sure men, for whom their village or kindred would answer in
life, cattle, and land if any harm come to the King. Ye see?'

'If one of the beaters shot the King,' said Puck, 'Sir Richard wanted to
be able to punish that man's village. Then the village would take care
to send a good man.'

'So! So it was. But, lest our work should be too easy, the King had done
such a dread justice over at Salehurst, for the killing of the Kentish
knight (twenty-six men he hanged, as I heard), that our folk were
half-mad with fear before we began. It is easier to dig out a badger
gone to earth than a Saxon gone dumb-sullen. And atop of their misery
the old rumour waked that Harold the Saxon was alive and would bring
them deliverance from us Normans. This has happened every autumn since
Senlac fight.'

'But King Harold was killed at Hastings,' said Una.

'So it was said, and so it was believed by us Normans, but our Saxons
always believed he would come again. _That_ rumour did not make our work
any more easy.'

Sir Richard strode on down the far slope of the wood, where the trees
thin out. It was fascinating to watch how he managed his long spurs
among the lumps of blackened ling.

'But we did it!' he said. 'After all, a woman is as good as a man to
beat the woods, and the mere word that deer are afoot makes cripples and
crones young again. De Aquila laughed when Hugh told him over the list
of beaters. Half were women; and many of the rest were clerks--Saxon and
Norman priests.

'Hugh and I had not time to laugh for eight days, till De Aquila, as
Lord of Pevensey, met our King and led him to the first shooting
stand--by the Mill on the edge of the forest. Hugh and I--it was no work
for hot heads or heavy hands--lay with our beaters on the skirts of
Dallington to watch both them and the deer. When De Aquila's great horn
blew we went forward, a line half a league long. Oh, to see the fat
clerks, their gowns tucked up, puffing and roaring, and the sober
millers dusting the undergrowth with their staves; and, like as not,
between them a Saxon wench, hand in hand with her man, shrilling like a
kite as she ran, and leaping high through the fern, all for joy of the
sport.'

'_Ah! How! Ah! How! How-ah! Sa-how-ah!_' Puck bellowed without warning,
and Swallow bounded forward, ears cocked, and nostrils cracking.

'_Hal-lal-lal-lal-la-hai-ie!_' Sir Richard answered in a high clear
shout.

The two voices joined in swooping circles of sound, and a heron rose out
of a red osier bed below them, circling as though he kept time to the
outcry. Swallow quivered and swished his glorious tail. They stopped
together on the same note.

A hoarse shout answered them across the bare woods.

'That's old Hobden,' said Una.

'Small blame to him. It is in his blood,' said Puck. 'Did your beaters
cry so, Sir Richard?'

'My faith, they forgot all else. (Steady, Swallow, steady!) They forgot
where the King and his people waited to shoot. They followed the deer to
the very edge of the open till the first flight of wild arrows from the
stands flew fair over them.

'I cried, "'Ware shot! 'Ware shot!" and a knot of young knights new from
Normandy, that had strayed away from the Grand Stand, turned about, and
in mere sport loosed off at our line shouting: "'Ware Senlac arrows!
'Ware Senlac arrows!" A jest, I grant you, but too sharp. One of our
beaters answered in Saxon: "'Ware New Forest arrows! 'Ware Red William's
arrow!" so I judged it time to end the jests, and when the boys saw my
old mail gown (for, to shoot with strangers _I_ count the same as war),
they ceased shooting. So _that_ was smoothed over, and we gave our
beaters ale to wash down their anger. They were excusable! We--they had
sweated to show our guests good sport, and our reward was a flight of
hunting-arrows which no man loves, and worse, a churl's jibe over
hard-fought, fair-lost Hastings fight. So, before the next beat, Hugh
and I assembled and called the beaters over by name, to steady them. The
greater part we knew, but among the Netherfield men I saw an old, old
man, in the dress of a pilgrim.

'The Clerk of Netherfield said he was well known by repute for twenty
years as a witless man that journeyed without rest to all the shrines of
England. The old man sits, Saxon fashion, head between fists. We Normans
rest our chin on our left palm.

'"Who answers for him?" said I. "If he fails in his duty, who will pay
his fine?"

'"Who will pay my fine?" the pilgrim said. "I have asked that of all
the Saints in England these forty years, less three months and nine
days! They have not answered!" When he lifted his thin face I saw he was
one-eyed, and frail as a rushlight.

'"Nay but, Father," I said, "to whom hast thou commended thyself?" He
shook his head, so I spoke in Saxon: "Whose man art thou?"

'"I think I have a writing from Rahere, the King's Jester," said he
after a while. "I am, as I suppose, Rahere's man."

'He pulled a writing from his scrip, and Hugh coming up, read it.

'It set out that the pilgrim was Rahere's man, and that Rahere was the
King's Jester. There was Latin writ at the back.

'"What a plague conjuration's here?" said Hugh, turning it over.
"_Pum-quum-sum oc-occ._ Magic?"

'"Black Magic," said the Clerk of Netherfield (he had been a monk at
Battle). "They say Rahere is more of a priest than a fool and more of a
wizard than either. Here's Rahere's name writ, and there's Rahere's red
cockscomb sign drawn below for such as cannot read." He looked slyly at
me.

'"Then read it," said I, "and show thy learning." He was a vain little
man, and he gave it us after much mouthing.

'"The charm, which I think is from Virgilius the Sorcerer, says: 'When
thou art once dead, and Minos (which is a heathen judge) has doomed
thee, neither cunning, nor speechcraft, nor good works will restore
thee!' A terrible thing! It denies any mercy to a man's soul!"

'"Does it serve?" said the pilgrim, plucking at Hugh's cloak. "Oh, man
of the King's blood, does it cover me?"

'Hugh was of Earl Godwin's blood, and all Sussex knew it, though no
Saxon dared call him kingly in a Norman's hearing. There can be but one
King.

'"It serves," said Hugh. "But the day will be long and hot. Better rest
here. We go forward now."

'"No, I will keep with thee, my kinsman," he answered like a child. He
was indeed childish through great age.

'The line had not moved a bowshot when De Aquila's great horn blew for a
halt, and soon young Fulke--our false Fulke's son--yes, the imp that lit
the straw in Pevensey Castle[8]--came thundering up a woodway.

[8] See 'Old Men at Pevensey' in _Puck of Pook's Hill_.

'"Uncle," said he (though he was a man grown, he called me Uncle),
"those young Norman fools who shot at you this morn are saying that your
beaters cried treason against the King. It has come to Harry's long
ears, and he bids you give account of it. There are heavy fines in his
eye, but I am with you to the hilt, Uncle."

'When the boy had fled back, Hugh said to me: "It was Rahere's witless
man cried, ''Ware Red William's arrow!' I heard him, and so did the
Clerk of Netherfield."

'"Then Rahere must answer to the King for his man," said I. "Keep him by
you till I send," and I hastened down.

'The King was with De Aquila in the Grand Stand above Welansford down in
the valley yonder. His Court--knights and dames--lay glittering on the
edge of the glade. I made my homage, and Henry took it coldly.

'"How came your beaters to shout threats against me?" said he.

'"The tale has grown," I answered. "One old witless man cried out,
''Ware Red William's arrow,' when the young knights shot at our line. We
had two beaters hit."

'"I will do justice on that man," he answered. "Who is his master?"

'"He is Rahere's man," said I.

'"Rahere's?" said Henry. "Has my fool a fool?"

'I heard the bells jingle at the back of the stand, and a red leg waved
over it, then a black one. So, very slowly, Rahere the King's Jester
straddled the edge of the planks, and looked down on us, rubbing his
chin. Loose-knit, with cropped hair, and a sad priest's face, under his
cockscomb cap, that he could twist like a strip of wet leather. His eyes
were hollow-set.

'"Nay, nay, Brother," said he. "If I suffer you to keep your fool, you
must e'en suffer me to keep mine."

'This he delivered slowly into the King's angry face! My faith, a King's
Jester must be bolder than lions!

'"Now we will judge the matter," said Rahere. "Let these two brave
knights go hang my fool because he warned King Henry against running
after Saxon deer through woods full of Saxons. 'Faith, Brother, if _thy_
Brother, Red William, now among the Saints as we hope, had been timely
warned against a certain arrow in New Forest, one fool of us four would
not be crowned fool of England this morning. Therefore, hang the fool's
fool, knights!"

'Mark the fool's cunning! Rahere had himself given us order to hang the
man. No king dare confirm a fool's command to such a great baron as De
Aquila; and the helpless King knew it.

'"What? No hanging?" said Rahere, after a silence. "A God's Gracious
Name, kill something, then! Go forward with the hunt!"

'He splits his face ear to ear in a yawn like a fish-pond. "Henry," says
he, "the next time I sleep, do not pester me with thy fooleries." Then
he throws himself out of sight behind the back of the stand.

'I have seen courage with mirth in De Aquila and Hugh, but stark mad
courage of Rahere's sort I had never even guessed at.'

'What did the King say?' cried Dan.

'He had opened his mouth to speak, when young Fulke, who had come into
the stand with us, laughed, and, boy like, once begun, could not check
himself. He kneeled on the instant for pardon, but fell sideways,
crying: "His legs! Oh, his long, waving red legs as he went backward!"

'Like a storm breaking, our grave King laughed,--stamped and reeled with
laughter till the stand shook. So, like a storm, this strange thing
passed!

'He wiped his eyes, and signed to De Aquila to let the drive come on.

'When the deer broke, we were pleased that the King shot from the
shelter of the stand, and did not ride out after the hurt beasts as Red
William would have done. Most vilely his knights and barons shot!

'De Aquila kept me beside him, and I saw no more of Hugh till evening.
We two had a little hut of boughs by the camp, where I went to wash me
before the great supper, and in the dusk I heard Hugh on the couch.

'"Wearied, Hugh?" said I.

'"A little," he says. "I have driven Saxon deer all day for a Norman
King, and there is enough of Earl Godwin's blood left in me to sicken at
the work. Wait awhile with the torch."

'I waited then, and I thought I heard him sob.'

'Poor Hugh! Was he so tired?' said Una. 'Hobden says beating is hard
work sometimes.'

'I think this tale is getting like the woods,' said Dan, 'darker and
twistier every minute.'

Sir Richard had walked as he talked, and though the children thought
they knew the woods well enough, they felt a little lost.

'A dark tale enough,' says Sir Richard, 'but the end was not all black.
When we had washed, we went to wait on the King at meat in the great
pavilion. Just before the trumpets blew for the Entry--all the guests
upstanding--long Rahere comes posturing up to Hugh, and strikes him with
his bauble-bladder.

'"Here's a heavy heart for a joyous meal!" he says. "But each man must
have his black hour or where would be the merit of laughing? Take a
fool's advice, and sit it out with my man. I'll make a jest to excuse
you to the King if he remember to ask for you. That's more than I would
do for Archbishop Anselm."

'Hugh looked at him heavy-eyed. "Rahere?" said he. "The King's Jester?
Oh, Saints, what punishment for my King!" and smites his hands together.

'"Go--go fight it out in the dark," says Rahere, "and thy Saxon Saints
reward thee for thy pity to my fool." He pushed him from the pavilion,
and Hugh lurched away like one drunk.'

'But why?' said Una. 'I don't understand.'

'Ah, why indeed? Live you long enough, maiden, and you shall know the
meaning of many whys.' Sir Richard smiled. 'I wondered too, but it was
my duty to wait on the King at the High Table in all that glitter and
stir.

'He spoke me his thanks for the sport I had helped show him, and he had
learned from De Aquila enough of my folk and my castle in Normandy to
graciously feign that he knew and had loved my brother there. (This,
also, is part of a king's work.) Many great men sat at the High
Table--chosen by the King for their wits, not for their birth. I have
forgotten their names, and their faces I only saw that one night.
But'--Sir Richard turned in his stride--'but Rahere, flaming in black
and scarlet among our guests, the hollow of his dark cheek flushed with
wine--long, laughing Rahere, and the stricken sadness of his face when
he was not twisting it about--Rahere I shall never forget.

'At the King's outgoing De Aquila bade me follow him, with his great
bishops and two great barons, to the little pavilion. We had devised
jugglers and dances for the Court's sport; but Henry loved to talk
gravely with grave men, and De Aquila had told him of my travels to the
world's end. We had a fire of apple-wood, sweet as incense,--and the
curtains at the door being looped up, we could hear the music and see
the lights shining on mail and dresses.

'Rahere lay behind the King's chair. The questions he darted forth at me
were as shrewd as the flames. I was telling of our fight with the apes,
as ye called them, at the world's end.[9]

[9] See 'The Knights of the Joyous Venture,' in _Puck of Pook's Hill_.

'"But where is the Saxon knight that went with you?" said Henry. "He
must confirm these miracles."

'"He is busy," said Rahere, "confirming a new miracle."

'"Enough miracles for to-day," said the King. "Rahere, you have saved
your long neck. Fetch the Saxon knight."

'"Pest on it," said Rahere. "Who would be a King's Jester? I'll bring
him, Brother, if you'll see that none of your home-brewed bishops taste
my wine while I am away." So he jingled forth between the men-at-arms at
the door.

'Henry had made many bishops in England without the Pope's leave. I know
not the rights of the matter, but only Rahere dared jest about it. We
waited on the King's next word.

'"I think Rahere is jealous of you," said he, smiling, to Nigel of Ely.
He was one bishop; and William of Exeter, the other--Wel-Wast the Saxons
called him--laughed long. "Rahere is a priest at heart. Shall I make him
a bishop, De Aquila?" says the King.

'"There might be worse," said our Lord of Pevensey. "Rahere would never
do what Anselm has done."

'This Anselm, Archbishop of Canterbury, had gone off raging to the Pope
at Rome, because Henry would make bishops without _his_ leave either. I
knew not the rights of it, but De Aquila did, and the King laughed.

'"Anselm means no harm. He should have been a monk, not a bishop," said
the King. "I'll never quarrel with Anselm or his Pope till they quarrel
with my England. If we can keep the King's peace till my son comes to
rule, no man will lightly quarrel with our England."

'"Amen," said De Aquila. "But the King's peace ends when the King dies."

'That is true. The King's peace dies with the King. The custom then is
that all laws are outlaw, and men do what they will till the new king is
chosen.

'"I will amend that," said the King hotly. "I will have it so that
though King, son, and grandson were all slain in one day, _still_ the
King's peace should hold over all England! What is a man that his mere
death must upheave a people? We must have the Law."

'"Truth," said William of Exeter; but that he would have said to any
word of the King.

'The two great barons behind said nothing. This teaching was clean
against their stomachs, for when the King's peace ends, the great barons
go to war and increase their lands. At that instant we heard Rahere's
voice returning, in a scurril Saxon rhyme against William of Exeter:

    "Well wist Wal-wist where lay his fortune
    When that he fawned on the King for his crozier,"

and amid our laughter he burst in, with one arm round Hugh, and one
round the old pilgrim of Netherfield.

'"Here is your knight, Brother," said he, "and for the better disport of
the company, here is my fool. Hold up, Saxon Samson, the gates of Gaza
are clean carried away!"

'Hugh broke loose, white and sick, and staggered to my side; the old man
blinked upon the company.

'We looked at the King, but he smiled.

'"Rahere promised he would show me some sport after supper to cover his
morning's offence," said he to De Aquila. "So this is thy man, Rahere?"

'"Even so," said Rahere. "My man he has been, and my protection he has
taken, ever since I found him under the gallows at Stamford Bridge
telling the kites atop of it that he was--Harold of England!"

'There was a great silence upon these last strange words, and Hugh hid
his face on my shoulder, woman-fashion.

'"It is most cruel true," he whispered to me. "The old man proved it to
me at the beat after you left, and again in our hut even now. It is
Harold, my King!"

'De Aquila crept forward. He walked about the man and swallowed.

'"Bones of the Saints!" said he, staring.

'"Many a stray shot goes too well home," said Rahere.

'The old man flinched as at an arrow. "Why do you hurt me still?" he
said in Saxon. "It was on some bones of some Saints that I promised I
would give my England to the Great Duke." He turns on us all crying,
shrilly: "Thanes, he had caught me at Rouen--a lifetime ago. If I had
not promised, I should have lain there all my life. What else could I
have done? I have lain in a strait prison all my life none the less.
There is no need to throw stones at me." He guarded his face with his
arms, and shivered.

'"Now his madness will strike him down," said Rahere. "Cast out the evil
spirit, one of you new bishops."

'Said William of Exeter: "Harold was slain at Santlache fight. All the
world knows it."

'"I think this man must have forgotten," said Rahere. "Be comforted,
Father. Thou wast well slain at Hastings forty years gone, less three
months and nine days. Tell the King."

'The man uncovered his face. "I thought they would stone me," he said.
"I did not know I spoke before a King." He came to his full towering
height--no mean man, but frail beyond belief.

'The King turned to the tables, and held him out his own cup of wine.
The old man drank, and beckoned behind him, and, before all the Normans,
my Hugh bore away the empty cup, Saxon fashion, upon the knee.

'"It is Harold!" said De Aquila. "His own stiff-necked blood kneels to
serve him."

'"Be it so," said Henry. "Sit, then, thou that hast been Harold of
England."

'The madman sat, and hard, dark Henry looked at him between half-shut
eyes. We others stared like oxen, all but De Aquila, who watched Rahere
as I have seen him watch a far sail on the sea.

'The wine and the warmth cast the old man into a dream. His white head
bowed; his hands hung. His eye indeed was opened, but the mind was
shut. When he stretched his feet, they were scurfed and road-cut like a
slave's.

'"Ah, Rahere," cried Hugh, "why hast thou shown him thus? Better have
let him die than shame him--and me!"

'"Shame thee?" said the King. "Would any baron of mine kneel to me if I
were witless, discrowned, and alone, and Harold had my throne?"

'"No," said Rahere. "I am the sole fool that might do it, Brother,
unless"--he pointed at De Aquila, whom he had only met that day--"yonder
tough Norman crab kept me company. But, Sir Hugh, I did not mean to
shame him. He hath been somewhat punished through, maybe, little fault
of his own."

'"Yet he lied to my Father, the Conqueror," said the King, and the old
man flinched in his sleep.

'"Maybe," said Rahere, "but thy Brother Robert, whose throat we purpose
soon to slit with our own hands----"

'"Hutt!" said the King, laughing. "I'll keep Robert at my table for a
life's guest when I catch him. Robert means no harm. It is all his
cursed barons."

'"None the less," said Rahere, "Robert may say that thou hast not always
spoken the stark truth to him about England. I should not hang too many
men on _that_ bough, Brother."

'"And it is certain," said Hugh, "that"--he pointed to the old
man--"Harold was forced to make his promise to the Great Duke."

'"Very strongly forced," said De Aquila. He had never any pride in the
Duke William's dealings with Harold before Hastings. Yet, as he said,
one cannot build a house all of straight sticks.

'"No matter how he was forced," said Henry, "England was promised to my
Father William by Edward the Confessor. Is it not so?" William of Exeter
nodded. "Harold confirmed that promise to my Father on the bones of the
Saints. Afterwards he broke his oath and would have taken England by the
strong hand."

'"Oh! La! La!" Rahere rolled up his eyes like a girl. "That ever England
should be taken by the strong hand!"

'Seeing that Red William and Henry after him had each in just that
fashion snatched England from Robert of Normandy, we others knew not
where to look; but De Aquila saved us quickly.

'"Promise kept or promise broken," he said, "Harold came near enough to
breaking us Normans at Senlac."

'"Was it so close a fight, then?" said Henry.

'"A hair would have turned it either way," De Aquila answered. "His
house-carles stood like rocks against rain. Where wast thou, Hugh, in
it?"

'"Among Godwin's folk beneath the Golden Dragon till your front gave
back, and we broke our ranks to follow," said Hugh.

'"But I bade you stand! I bade you stand! I knew it was all a deceit!"
Harold had waked, and leaned forward as one crying from the grave.

'"Ah, now we see how the traitor himself was betrayed!" said William of
Exeter, and looked for a smile from the King.

'"I made thee Bishop to preach at _my_ bidding," said Henry; and turning
to Harold, "Tell us here how thy people fought us?" said he. "Their sons
serve me now against my Brother Robert!"

'The old man shook his head cunningly. "Na--Na--Na," he cried. "I know
better. Every time I tell my tale men stone me. But, Thanes, I will tell
you a greater thing. Listen!" He told us how many paces it was from some
Saxon Saint's shrine to another shrine, and how many more back to the
Abbey of the Battle.

'"Ay," said he. "I have trodden it too often to be out even ten paces. I
move very swiftly. Harold of Norway knows that, and so does Tostig my
brother. They lie at ease at Stamford Bridge, and from Stamford Bridge
to the Battle Abbey it is----" he muttered over many numbers and forgot
us.

'"Ay," said De Aquila, all in a muse. "That man broke Harold of Norway
at Stamford Bridge, and came near to breaking us at Santlache--all
within one month."

'"But how did he come alive from Santlache fight?" asked the King. "Ask
him! Hast thou heard it, Rahere?"

'"Never. He says he has been stoned too often for telling the tale. But
he can count you off Saxon and Norman shrines till daylight," said
Rahere, and the old man nodded proudly.

'"My faith," said Henry after a while, "I think even my Father the Great
Duke would pity if he could see him."

"How if he _does_ see?" said Rahere.

'Hugh covered his face with his sound hand. "Ah, why hast thou shamed
him?" he cried again to Rahere.

'"No--no," says the old man, reaching to pluck at Rahere's cape. "I am
Rahere's man. None stone me now," and he played with the bells on the
scollops of it.

'"How if he had been brought to me when you found him?" said the King to
Rahere.

'"You would have held him prisoner again--as the Great Duke did," Rahere
answered.

'"True," said our King. "He is nothing except his name. Yet that name
might have been used by stronger men to trouble my England. Yes. I must
have made him my life's guest--as I shall make Robert."

'"I knew it," said Rahere. "But while this man wandered mad by the
wayside, none cared what he called himself."

'"I learned to cease talking before the stones flew," says the old man,
and Hugh groaned.

'"Ye have heard!" said Rahere. "Witless, landless, nameless, and, but
for my protection, masterless, he can still make shift to bide his doom
under the open sky."

'"Then wherefore didst thou bring him here for a mock and a shame?"
cried Hugh, beside himself with woe.

'"A right mock and a just shame!" said William of Exeter.

'"Not to me," said Nigel of Ely. "I see and I tremble, but I neither
mock nor judge."

'"Well spoken, Ely." Rahere falls into the pure fool again. "I'll pray
for thee when I turn monk. Thou hast given thy blessing on a war between
two most Christian brothers." He meant the war forward 'twixt Henry and
Robert of Normandy. "I charge you, Brother," he says, wheeling on the
King, "dost thou mock my fool?"

'The King shook his head, and so then did smooth William of Exeter.

'"De Aquila, dost thou mock him?" Rahere jingled from one to another,
and the old man smiled.

'"By the Bones of the Saints, not I," said our Lord of Pevensey. "I know
how dooms near he broke us at Santlache."

'"Sir Hugh, you are excused the question. But you, valiant, loyal,
honourable, and devout barons, Lords of Man's Justice in your own
bounds, do _you_ mock my fool?"

'He shook his bauble in the very faces of those two barons whose names I
have forgotten. "Na--Na!" they said, and waved him back foolishly
enough.

'He hies him across to staring, nodding Harold, and speaks from behind
his chair.

'"No man mocks thee. Who here judges this man? Henry of
England--Nigel--De Aquila! On your souls, swift with the answer!" he
cried.

'None answered. We were all--the King not least--overborne by that
terrible scarlet and black wizard-jester.

'"Well for your souls," he said, wiping his brow. Next, shrill like a
woman: "Oh, come to me!" and Hugh ran forward to hold Harold, that had
slidden down in the chair.

'"Hearken," said Rahere, his arm round Harold's neck. "The King--his
bishops--the knights--all the world's crazy chessboard neither mock nor
judge thee. Take that comfort with thee, Harold of England!"

'Hugh heaved the old man up and he smiled.

'"Good comfort," said Harold. "Tell me again! I have been somewhat
punished----"

'Rahere hallooed it once more into his ear as the head rolled. We heard
him sigh, and Nigel of Ely stood forth, praying aloud.

'"Out! I will have no Norman!" Harold said as clearly as I speak now,
and he refuged himself on Hugh's sound shoulder, and stretched out, and
lay all still.'

'Dead?' said Una, turning up a white face in the dusk.

'That was his good fortune. To die in the King's presence, and on the
breast of the most gentlest, truest knight of his own house. Some of us
envied him,' said Sir Richard, and fell back to take Swallow's bridle.

'Turn left here,' Puck called ahead of them from under an oak. They
ducked down a narrow path through close ash plantation.

The children hurried forward, but cutting a corner charged full breast
into the thorn-faggot that old Hobden was carrying home on his back.

'My! My!' said he. 'Have you scratted your face, Miss Una?'

'Sorry! It's all right,' said Una, rubbing her nose. 'How many rabbits
did you get to-day?'

'That's tellin's,' the old man grinned as he re-hoisted his faggot. 'I
reckon Mus' Ridley he've got rheumatism along o' lyin' in the dik to see
I didn't snap up any. Think o' that now!'

They laughed a good deal while he told them the tale.

'An' just as he crawled away I heard some one hollerin' to the hounds in
our woods,' said he. 'Didn't you hear? You must ha' been asleep
sure-ly.'

'Oh, what about the sleeper you promised to show us?' Dan cried.

''Ere he be--house an' all!' Hobden dived into the prickly heart of the
faggot and took out a dormouse's wonderfully woven nest of grass and
leaves. His blunt fingers parted it as if it had been precious lace, and
tilting it toward the last of the light he showed the little, red, furry
chap curled up inside, his tail between his eyes that were shut for
their winter sleep.

'Let's take him home. Don't breathe on him,' said Una. 'It'll make him
warm and he'll wake up and die straight off. Won't he, Hobby?'

'That's a heap better by my reckonin' than wakin' up and findin' himself
in a cage for life. No! We'll lay him into the bottom o' this hedge.
Dat's jus' right! No more trouble for him till come Spring. An' now
we'll go home.'




_A CAROL_


    _Our Lord Who did the Ox command
      To kneel to Judah's King,
    He binds His frost upon the land
      To ripen it for Spring--
    To ripen it for Spring, good sirs,
      According to His word;
    Which well must be as ye can see--
      And who shall judge the Lord?_

    _When we poor fenmen skate the ice
      Or shiver on the wold,
    We hear the cry of a single tree
      That breaks her heart in the cold--
    That breaks her heart in the cold, good sirs,
      And rendeth by the board;
    Which well must be as ye can see--
      And who shall judge the Lord?_

    _Her wood is crazed and little worth
      Excepting as to burn,
    That we may warm and make our mirth
      Until the Spring return--
    Until the Spring return, good sirs,
      When people walk abroad;
    Which well must be as ye can see--
      And who shall judge the Lord?_

    _God bless the master of this house,
      And all that sleep therein!
    And guard the fens from pirate folk,
      And keep us all from sin,
    To walk in honesty, good sirs,
      Of thought and deed and word!
    Which shall befriend our latter end--
      And who shall judge the Lord?_


THE END

_Printed by_ R. & R. CLARK, LIMITED, _EDINBURGH_.




Transcriber's Notes:

  Some quotes are opened with marks but are not closed or closed with the
  wrong mark. Possible printer's errors and omissions have been silently
  corrected, while those requiring interpretation have been left open.
  Spelling is preserved except as noted below.

  The page numbers referred to here are in the original printed edition.

    "Winters bee-thronged ivy-bloom" was changed to "Winter's
      bee-thronged ivy-bloom". (page x)

    A missing period was added to the final word. (page xiii)

    (good teacher she had too!)" changed
      to "(good teacher he had too!)" (page 18)

    A missing period was added after "she laughed". (page 45)

    "King Philip's fleet!" was changed to "King Philip's fleet?" (page 49)

    A missing period was added after "called gratitude". (page 210)

    "soeclum" was changed to "saeclum". (page 241)

    A missing comma was added to "That's tellin's,'" (page 335)

    The [oe] ligature is represented here as "oe".





End of the Project Gutenberg EBook of Rewards and Fairies, by Rudyard Kipling

*** END OF THIS PROJECT GUTENBERG EBOOK REWARDS AND FAIRIES ***

***** This file should be named 32772-8.txt or 32772-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/2/7/7/32772/

Produced by David Edwards, KD Weeks and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.