The Project Gutenberg EBook of Assignment's End, by Roger Dee
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Assignment's End
Author: Roger Dee
Illustrator: Docktor
Release Date: May 2, 2010 [EBook #32209]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK ASSIGNMENT'S END ***
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
ASSIGNMENT'S END
By ROGER DEE
Illustrated by DOCKTOR
[Transcriber's Note: This etext was produced from Galaxy Science Fiction
December 1954. Extensive research did not uncover any evidence that the
U.S. copyright on this publication was renewed.]
[Sidenote: _Alcorn's wild talent was miraculous ... he brought peace to
everybody who came near him. Only one person was exempt--himself!_]
He was just emerging for the hundredth time during the week from the
frightening hallucination that had come to plague him, when Kitty
Murchinsom came into his office.
"It's almost 15:00, Philip," she said.
When she had entered, her face had taken on the placid look that
everyone wore--unwittingly, but inevitably--the instant they came near
Alcorn.
Finding Kitty's cool blonde loveliness projected so abruptly against the
bleak polar plain of his waking dream, he knew how much more she was
than either fiancee or secretary alone. She was a beacon of reassurance
in a sea of uncertainty.
"Thanks, darling," he said, and looked at his watch. "I'd have
woolgathered past my appointment and it's an important one."
He stood up. Kitty came closer and put both hands on his shoulders.
"You've had another of those dreams, haven't you? I wish you'd see a--a
doctor about them."
He laughed, and if the sound rang hollow, she seemed not to notice.
"That's why I asked you to call me. I've made an appointment with one."
* * * * *
She stood on tiptoe to kiss him. "I'm glad you're decided. You haven't
been yourself at all for a week, Philip, and I couldn't _bear_ a
honeymoon with a preoccupied husband!"
He managed the appropriate leer, though he had never felt less like it.
The apprehension that followed his daytime chimera was on him again, so
strongly that what he wanted most to do was to take Kitty's hand
tightly, like a frightened child, and run headlong until he was beyond
reach of whatever it was that threatened him.
"Small chance," he said, instead. "Any man who'd dream away a honeymoon
with you is dead already."
She sighed placidly and turned back to the business at hand. "You won't
be late for your 16:00 conference with our Mr. O'Donnell and Director
Mulhall of Irradiated Foods, will you? Poor Sean would be lost without
you."
He felt the usual nagging dissatisfaction with the peculiar talent that
had put him where he was in Consolidated Advertising. "He'd probably
lose this case without my soothing presence and CA would pay its first
ungrounded refund claim in--" he counted back over the time he had been
with Consolidated--"four years and eight months."
Kitty said wistfully, "Shall I see you tonight, Philip?"
He frowned, searching for a way to ease the hurt she would feel later,
and finding none. "That depends on the psychiatrist. If he can't help
me, I may fly up to my cabin in the Catskills and wrestle this thing out
for myself."
Kitty moved to go, and then turned back. "I almost forgot. There was a
call for you at noon from a secretary of Victor Jaffers' at Carter
International. She seemed to know you'd be out and said that Mr. Jaffers
would call again at 15:00."
"Victor Jaffers?" Alcorn repeated. The name added a further premonitory
depression. "I think I know what he wants. It's happened before."
When Kitty had gone, Alcorn took a restless turn about the room and was
interrupted at once by the gentle buzzing of the radophone unit on his
desk. He pressed the receiving stud and found himself facing Victor
Jaffers' image.
"Don't bother to record this," Jaffers said without preamble. "Complete
arrangements have already been made to prove that I've never spoken to
you in my life."
* * * * *
Jaffers was a small, still-faced man who might have been mistaken for a
senior accountant's clerk--until the chill force of his eyes made itself
felt. Alcorn had seen the Carter International head before only in
teleprint pictures, had heard and discounted the stories about the man's
studied ruthlessness. But those eyes and the blunt approach made him
wonder.
"I've got a place in the contact branch of my organization for your
particular talent, Alcorn," Jaffers said flatly. "It will pay you five
times what you earn with Consolidated. You understand why I'm taking you
on."
"I know." The arrogance wearied rather than angered Alcorn. "I have a
gift for arranging fair settlements when both principals are present.
Mr. Jaffers, I've never exploited my gift for personal profit. That's a
matter of self-protection as well as ethics--I don't like trouble." He
reached for the canceling stud to end the interview. "Others have made
the same offer before you and there'll be others again. But I won't use
my ability unfairly."
Jaffers smiled, unamused. "You do go straight to the point, which saves
argument. But you'll work for me, Alcorn. Those others made the mistake
of talking to you personally. I know that you can be reached as easily
as any other man if my agents keep more than fifty feet away from you."
His eyes moved past Alcorn to the window. "Look at the window across the
street."
Alcorn, turning, felt his neck prickle. Across the narrow canyon of
street, without pretense at concealing himself, a man in gray clothing
watched him from an open office window.
"I've had you under surveillance for days," Jeffers' voice said behind
him. "I've located two others of your sort since my statisticians
brought their existence to my attention, but somehow they slipped
through my fingers this week. I'm taking no chances on you."
Alcorn whirled back incredulously. "You've found others? Where and--"
"I'll tell you that when you're on my payroll."
"It's a trick," Alcorn said angrily. "I searched for years before I
settled down with Consolidated and I didn't find a trace of anybody like
myself. I don't believe there are any."
"Most of them covered themselves better." Jaffers added, with cold
finality, "I don't haggle, Alcorn. You'll work for me or for no one."
* * * * *
"The trouble is," Alcorn said, "that I'm different from other people and
I have to know why. I know _how_ I'm different, but if I knew _why_, I'd
never have come to a psychiatrist."
Dr. Hagen rattled the data sheet in his hands and blinked behind his
pince-nez like a friendly beagle. He was a very puzzled man, being
accustomed to analyzing his own reactions as well as those of his
patients. Alcorn could see him struggling to account for the sudden
serenity that had come over him the instant Alcorn entered the
office--certainly it was not the doctor's usual frame of mind, from the
first sour look of him--and failing.
"Different in what way, Mr. Alcorn?"
"I soothe people," Alcorn said. "There's something about me that
inspires trust and an eagerness to please. Everyone roughly within a
radius of fifty feet--I've checked the limit a thousand
times--immediately feels a sort of euphoria. They're as happy as so many
children at a picnic and they can't do enough for me or for each other."
Dr. Hagen blinked, but not with disbelief.
"It affects psychiatrists, too," Alcorn went on. "You'd cheerfully waive
the fee for this consultation if I asked it, or lend me fifty credits if
I were strapped. The point is that people are never difficult when I'm
around, because I was born with the unlikely gift of making them happy.
That gift is the most valuable asset I own, but I've never understood
it--and as long as I don't understand it, there's the chance that it may
be a mixed blessing. I think it's backfired on me already in one fashion
and possibly in another."
He shook out a cigarette and the psychiatrist obligingly held a lighter
to it. Dr. Hagen, Alcorn thought, must normally have been an
exceptionally strong-willed man, for he hesitated noticeably before he
spun the wheel.
[Illustration]
"Actually," Alcorn said, "I've begun to worry about my sanity and I'm
afraid my gift is responsible. For the past week, I've had a recurrent
hallucination, a sort of waking nightmare that comes just when I least
expect it and leaves me completely unstrung. It's worse than
recurrent--it's progressive, and each new seizure leaves me a little
closer to something that I'm desperately afraid to face."
The psychiatrist made a judicious tent of his fingers. "Obviously you
are an intelligent and conscientious man, Mr. Alcorn, else you would not
have contented yourself with your comparatively minor job. But your
profession as claims adjustor must impose a considerable strain upon
your nervous organization. Add to this that you are a bachelor at the
age of thirty-three and the natural conclusion--"
In spite of his mood, Alcorn laughed. "Wrong tack--remember my gift!
Besides, I'm engaged to be married next month and I'm quite happy with
the prospect. This trouble of mine is something entirely different. It's
tied in somehow with my talent for soothing and it scares me."
He could have added that Jaffers' hardly veiled threat on his life
disturbed him as well, but saw no point in wasting time on the one
danger he understood perfectly.
"This vision," Alcorn said, "and the sensory sharpness and conviction of
disaster that come with it--it's no ordinary hallucination. It's as real
as my peculiar talent and represents a very real danger. It's working
some sort of change in me that I don't like and I've got to find out
what that change is or I'm done for. I _feel_ that."
Obligingly, the psychiatrist said, "Describe your experience."
Talking about it made perspiration stand out on Alcorn's forehead.
"First I'm seized with a sudden sense of abnormally sharpened
perception, as if I were on the point of becoming aware of a great many
things beyond my immediate awareness. I can feel the emotions of people
about me and I have the conviction that, in another moment, I shall be
able to feel their thoughts as well.
"Then I seem to be standing alone on a frozen arctic plain, a polar
wasteland that should be utterly deserted, but isn't. I've no actual
sensations of touch or hearing, yet the scene is visually sharp in every
detail.
"There's a small village of corrugated sheet-metal houses just ahead,
the sort that engineers on location might raise, and the streets between
are packed with snow. Machines loaded with metal boxes crawl up and down
those streets, but I've never seen their drivers. Until this morning, I
never saw any people at all on the plain."
Dr. Hagen rattled his paper and nodded agreeably. "Go on. What are these
people like?"
"I can't tell you that," Alcorn said, "because their images were not
complete. There seems to be a sort of relationship between them and
myself--a threatening one--but I can't guess what it may be. I can't
even tell you what racial type they belong to, because they have no
faces."
He crushed out his cigarette and took a deep breath, getting to the
worst of it. "I have a distinct conviction during each of these seizures
that the people I see are not ordinary human beings, that they're as
different from me as I am from everyone else, though not in the same
way. It's the difference that makes me uneasy. I can feel the urgency
and the resolution in them, as if they were determined to do--or had
resigned themselves to doing--something desperately important. And then
I know somehow that each of them has made some kind of decision
recently, a decision that is responsible for his being what he is and
where he is, and that I'll have to make a similar one when the time
comes. And the worst of it is that I know no matter which way my choice
falls, I'm going to be hideously unhappy."
The psychiatrist asked tranquilly, "You can't guess what choice it is
that you must make, or its alternative?"
"I can't. And that's the hell of it--not knowing."
The icy chill of the polar plain touched him and with it came a deeper
cold that had not been a part of the dream. At that instant, he might
have identified its source, but was afraid to.
"My fear has some relation to whatever it is these people are about to
do," he said. "I just realized that. But that doesn't help, because I've
no idea what it is."
He glanced at his strap watch, and the time made him stand up before the
little psychiatrist could speak again. The hour was 15:57, and he saw in
dismay that his 16:00 appointment with Sean O'Donnell and the Irradiated
Foods tycoon would be late.
"I don't expect an immediate opinion," he said. "You couldn't reach one
as long as I'm here. Add up what I've told you, and if it makes any sort
of sense you can radophone me tonight at 19:00. If my apartment doesn't
answer, relay the call to my cabin in the Catskills--I've kept the
location a secret, for privacy's sake, but the number is on alternate
listing."
He paused briefly at the door, touched with an uncharacteristic flash of
sour humor. "And telestat your bill to me. If I asked for it now, you'd
probably charge nothing."
* * * * *
The mood vanished as soon as he was outside and saw the gray-suited
Jaffers operative waiting with stolid patience on the ramp of a
department store across the street.
The shock of reminder brought on a giddy recurrence of his
hallucination.
The polar plain yawned before him. The silent machines crept over their
snow-packed ways, the faceless people stood in frozen groups.
He emerged from the seizure, shaken and sweating, to find that the
Jaffers man had crossed the street and was waiting a safe distance
behind. Alcorn fought down a panic desire to run away blindly only
because Kitty would be waiting for him at Consolidated--Kitty, his
bulwark of reassurance.
The gray-suited man was a deliberate hundred feet behind him when he
boarded a tube-car.
Kitty was not in his office and there was no time to ring for her.
Instead, he went through the long accounting room beyond, answering
automatically the smiles of a suddenly genial staff and headed for
O'Donnell's office.
He saw at once that he was too late.
The CA manager's door was open and O'Donnell and Mulhall of Irradiated
Foods were emerging. Both wore street jackets and both men had the
unmistakable air of euphoric calm that came within seconds of Alcorn's
approach.
O'Donnell gave Alcorn his familiar long-lipped grin, looking, with his
thin gentle face and neat brush of ermine-white hair, like an
aristocratic Irish saint.
"You missed a pleasant meeting," O'Donnell said. "I've just signed a
refund release to Charlie here, and a pleasure it was."
The awareness that they had been calmed before he'd arrived left Alcorn
speechless.
"Really shouldn't have accepted," Mulhall said sheepishly. Mulhall was a
big, solid man, bald and paunchy and, when his normal instincts were
controlled, an argumentative tyrant. "Niggling technicality, I say.
Shouldn't have taken a refund, but Sean here insisted."
They laughed together, like children sharing a joke.
"The claim was justified," O'Donnell said firmly. "Once Charlie's
secretary explained the case, there was no doubt."
Mulhall grinned at Alcorn. "Remarkable girl, Janice Wynn. She's waiting
in Sean's office. Wants to meet you, Philip."
They went toward the lift with their arms about each other, sharing an
all-too-brief moment of companionship.
* * * * *
Alcorn hesitated in front of the closed door of O'Donnell's office.
When he entered, Janice Wynn was standing at the window, watching the
soundless rush of traffic in the street below. She was dark, not pretty
in any conventional sense, but charged with a controlled vitality that
made physical beauty unimportant.
Her face was anything but serene, the complex of emotions in her tilted
green eyes far removed from the ready placidity he had learned to
expect. There was an unmistakable impression of driving urgency--the
same urgency, Alcorn thought, that he had felt in the people of his
waking dream.
"You're one," he said. His face felt stiff. "After all these years, I've
found another one like--"
"Like yourself," she said. "But it's I who have found _you_. Did you
really think you were unique, Philip Alcorn?"
He tried to answer and couldn't. The meeting he had dreamed of all his
life had come about with precisely the electric suddenness he had
imagined, but he felt none of the elation he had anticipated. He felt,
instead, a sudden panic.
For behind Mulhall's secretary, he had a shutter-swift glimpse of the
frozen plain, starkly clear with its huddle of metal buildings and its
faceless people clustered on the snow-packed street.
Janice Wynn gave him no time to flounder for control. "You're the last,"
she said. "And the most stubborn of the lot. You're lucky that we could
find you in the little time we have left."
Alcorn said hoarsely, "I don't know what you mean."
She looked more disappointed than surprised. "You've no inkling _yet_?
I've known most of the truth for days, though I still haven't made the
change. Your conditioning must have been too thorough or--"
She caught the shift of Alcorn's glance toward the window and turned
quickly. The man in gray was watching them intently from the office
across the street.
"You're under surveillance!" she said sharply. "By whom and for how
long?"
He told her of Jaffers' call, and winced at the sudden dismay in her
face.
"At best you've killed an inoffensive psychiatrist with your problem,"
she said. "At worst--" She came around O'Donnell's desk toward him, her
manner abruptly decisive. "We've less time than I hoped. Come out of
here, quickly."
In the corridor, she opened her handbag and took out a thick white
envelope. "There's no time now for explanations. The clippings will give
you an idea of what you're up against. Lose your spy if you can and
don't go near your apartment. I'll be at your cabin tonight at 21:00.
You'll learn the rest then."
She pressed a stud at the elevator bank and chose an ascending lift.
Alcorn realized that there would be a turbo-copter waiting for her on
the roof.
She faced Philip before entering the cage. "You have no chance at all
except with us. Remember that, or you'll regret it for the rest of your
_very_ short life."
Alcorn made no attempt to follow.
"... except with us," Janice Wynn had said.
_Us?_
She was like himself, gifted with his own talent. She was connected
somehow with the faceless people of his hallucinations.
Who were they, and where were they, and what did they want of him?
* * * * *
He was still groping for the answers when Kitty came toward him. She
gave a little cry of dismay when she saw his face.
"You look simply awful, Philip! Is it another of your--"
With Kitty's arrival, Alcorn's premonition of disaster returned.
Something was going to happen to him, _was_ happening to him, and unless
he moved carefully, it could involve Kitty as well. He had to keep Kitty
out of this, which meant that he must stay clear of her until he was
safe.
"It's nothing," he said hastily. "I'll call you later, Kitty. I've
another appointment now that can't wait."
She put out a hesitant hand. "Philip...."
He wanted desperately to tell her the whole improbable story, to reveal
his fears and get the reassurance she was able to give him.
But he couldn't risk involving Kitty in any danger.
"It's nothing," he repeated. He went down the lift quickly because he
knew that if he delayed to comfort her, he would never have the courage
to go at all.
His only clear thought, as he shouldered his way into the late-afternoon
throng outside CA, had been to escape from Kitty and from the too-vivid
memory of Janice Wynn. Now that he must choose a course, he was brought
up short by the fact that, so long as he was tailed by Jaffers' men,
there was literally no place for him to go.
He could not go to his apartment because of Jaffers' surveillance. He
had no intention of meeting Janice Wynn at his Catskill cabin at 21:00.
Her obvious knowledge--and, therefore, _theirs_--of the location ruled
that out as a refuge.
He looked about for the inevitable man in gray and found him following
at his careful hundred feet. The crowd caught and bore them both along
like chips in a millrace, keeping the interval constant.
Alcorn let himself be carried along, feeling the slow release of tension
that spread outward from him through the throng. The physical pressure
was also eased. People slowed their dogged pace and smiled at utter
strangers.
He had wondered often how the people affected by his circle of calm
accounted for their sudden change of mood. He had dreamed that one day
he might walk in such a crowd and enter another island of serenity like
his own and thus find another human being gifted like himself. Someone
with his own needs and longings, who would not melt into ready
complaisance when he drew near, but who would speak honestly and
clearly, who would understand how he felt and why.
Ironically, when that moment had come in O'Donnell's office, it hadn't
brought him the fulfillment he had expected. It had left, instead, a
panic beyond belief.
Why? What was he afraid of?
There was nothing evil or dangerous in his own gift--why should he fear
another possessing the same wild talent? Damn it, he thought, what sort
of fate could be so terrible that its foreshadowing alone could throw
him into such an anxious state?
How could he be sure that the faceless people were hostile? If they were
like Janice Wynn, and if Janice were like himself, it might follow
naturally that--
The rustle of the envelope in his pocket was like an answer, proving
that his problem, if nothing else, was real.
"... for the rest of your _very_ short life," she had said.
* * * * *
The sudden sharpening of awareness that preceded a new seizure rasped
him again. He felt the tranquillity about him, and then the arctic
montage swallowed it all, and once again he stood bodiless on the
snow-packed streets of the metal village.
The faceless people moved purposefully now, and beyond them loomed the
towering bulk of scaffolding erected about the pit where the great
bronze cylinder of a ship lay....
Pit?
Scaffolding?
Ship?
He stopped so abruptly that a man behind him stumbled and regained
balance only by clutching Alcorn's shoulder.
"Sorry," the man murmured, and moved on.
The mirage vanished; the crowd behind pushed on, parting politely about
Alcorn. The mass farther back surged restlessly, hurrying, grumbling
like an impatient corporate organism. The Jaffers agent, caught in the
press, was borne helplessly nearer.
Alcorn realized his opportunity and stood fast, waiting while the tide
of bodies flowed past. The man in gray saw his intention and struggled
frantically to break free of the pinioning crowd.
He failed.
A sort of grim satisfaction fell upon Alcorn when the man's face lost
its urgency and settled into smiling unconcern. The gift _was_ a weapon
of sorts. The way to escape--at least from Jaffers' surveillance--was
open.
He fell in beside the spy, paying less attention now to the man himself
than to the matter of disposing of him. The garish facade of a nearby
joy-bar solved his problem.
"Come with me," Alcorn ordered.
* * * * *
The joy-bar was less than half full at this early hour, but noisy enough
for midnight. A concealed battery of robotics ground out a brassy blare
of music, integrating random pitches--selected by electronic
servo-computers--into the jarring minor cacophony that had become the
latest rage.
The early patrons were intently watching the long telescreen above the
bar when Alcorn came in. A quarterstaff bout--a frantic, bloody sport
revived from God only knew how many centuries before--was in progress
there, matching a heavily muscled Nordic with a sandy bristle of hair
against a swarthy, hairless Eurasian. The Nordic, from his twisted
stance, had a couple of broken ribs already; the Eurasian's right ear
dangled redly.
Alcorn seated himself opposite Jaffers' operative in an isolated booth
and fed the coin-slot for drinks.
"Drink," he said grimly. "You're going to be drunker, my friend, than
you've ever been in your inquisitive life."
The uproar died out before the drinks arrived. Only the blaring music
machines and the blood-roar of the telescreen remained, and a suddenly
placid bartender turned both down to a murmur.
The rest was routine to Philip Alcorn's experience. Men at the bar
turned to each other like old friends, forgetting submerged frustrations
as readily as they forgot the vicious slash-and-parry on the screen. The
place drowsed in a slow and comfortable silence.
The Jaffers man tossed off his drink and dialed another. Alcorn, raising
his own, remembered Janice Wynn's letter in his pocket and set the glass
down, untasted.
The clippings, she had said, would give him an idea of what he was up
against.
His hands shook so violently when he ripped open the envelope that he
almost dropped it.
* * * * *
Eight clippings were inside, small teleprinted scissorings from digest
newssheets that were available at any street-corner dispenser. He read
them quickly, and was more puzzled than before until he realized that
they fell into two general groups of interlocking similarities.
Four were accounts of unexplained disappearances. A moderately
successful research chemist named Ellis had vanished from the offices of
his New York chemical firm; a neighborhood pharmacist in Minneapolis, a
spinster tea-shop proprietress in Atlanta and a female social worker in
Los Angeles had disappeared with equal thoroughness, completely baffling
the efforts of police to find them.
None of these people had been of more than minor importance, even in his
own immediate circle. Alcorn felt that these events had been reported
only because the efficiency of missing-persons bureaus made permanent
disappearance next to impossible. Even so, only one clipping--that on
Ellis, the New York chemist--bothered to run a photograph.
The other four accounts dealt with violent deaths, all rising from
sudden outbreaks of mob hysteria. Two of the victims had been small-town
clergymen, a profession which made their lynchings as startling as they
were inexplicable; both had been respected members of their little
communities until the day--the date was less than a week old--their
congregations rose up en masse and tore them limb from limb.
The remaining two of the second group had died in different fashions. A
doctor in a Nevada mining hamlet, making a late call, had been set upon
by the patient's family, knocked unconscious and shot. A Girl Scout
leader in Mississippi had been thrown over a cliff by her young charges.
* * * * *
A morbid and pointless collection of horrors, Alcorn thought, until he
saw the parallel that related them.
The circumstances were strikingly similar in every case except that the
four who disappeared were urbanites, while the murdered ones were all
members of small and comparatively isolated communities. Not one of the
eight had been over thirty-five; each had been well-liked; none was
wealthy, yet all were in comfortable circumstances from vocations that
depended upon good will.
A further similarity built up in Alcorn's subconscious, but died
unconsidered because at that moment the quarterstaff bout on the screen
ended and a brazen-voiced announcer gave the time.
It was 18:30. Dr. Hagen was to call him at his apartment at 19:00.
Alcorn, mulling over the cryptic half-knowledge gained from the
clippings, wondered what the little psychiatrist might make of it. Hagen
was capable in his field; even with so little to work on, he might
possibly come up with the right answer.
Alcorn decided that he could not run from a danger until he knew what
the hazard was. He might as well face the issue squarely now and be done
with it.
The Jaffers operative, on his ninth drink, had relaxed into a smiling
stupor. Alcorn left him snoring in the booth and headed for the public
radophone unit beyond the end of the bar. He could not be in his
apartment to take Dr. Hagen's call, but he could anticipate it.
The telescreen announcer's voice stopped him short. "_Have you seen this
man? Sought by police for the murder earlier this evening of Dr. Bernard
Hagen, prominent psychiatrist, he is thought to be at large somewhere in
downtown...._"
The screen showed an enlarged full-face photograph of Alcorn.
* * * * *
He was responsible for Hagen's death. But who had wanted the knowledge
of Alcorn's gift--or the suppression of that knowledge--badly enough to
kill the psychiatrist for it?
Jaffers, or the faceless people behind Janice Wynn?
It had to be Jaffers, he decided, eliminating a possible source of
opposition and at the same stroke placing himself still further on the
defensive.
Slowly, he became aware that the joy-bar had fallen quiet, that everyone
in the place was watching him with a sort of intent sympathy. The
bartender left his place and came toward him, his heavy face a study in
concern.
"We know you couldn't have done it," the man said. The sway of Alcorn's
presence held him hypnotized. "Can we help?"
Alcorn's only thought was of flight. "Have you a turbo-copter?"
"On the roof," the bartender said. "It's yours."
Alcorn took him along to unlock the controls. On the roof landing, a
cool evening wind was blowing. There was a dim thin sickle of moon and a
pale haze of stars, a wraithlike scattering of small white clouds that
drifted in the reflected spectrum of the city's multicolored glow.
He sat in the turbo-copter with a feeling of incredulous unreality. The
vast and shining breadth of the city was spread about him like a
monstrous alien puzzle, a light-shot maze without meaning. Where, in
that suddenly foreign tangle, could he go?
He set the 'copter off at random, knowing that its owner would have the
police on his heels the moment he recovered volition. Alcorn was still
trying to settle upon a course when a seizure fell upon him again.
First he had seen the city as something alien; now he felt it, a
clamorous surf-roar of conflicting individual emotions, an unresolved
ant-hill scurrying of hates and hopes and endless frustrations.
Then he was on the polar plain. The pit and scaffolding were the same,
but the enigmatic groupings of people on the streets had changed. Four
of them had faces now. Three were unfamiliar, but the fourth he
recognized as Ellis, the research chemist who had disappeared from his
laboratory in New York City.
* * * * *
By the time Alcorn was composed, he discovered that he had chosen a
course without conscious intent. Dark, open country fled past beneath,
pricked here and there with racing points of light that marked the main
artery of northward surface traffic. Familiar mountain shapes loomed
ahead, indicating where he was bound.
He was heading, lemminglike, for his cabin in the Catskills.
The knowledge made him wonder if he could trust the instinct that had
decided him. Jaffers might or might not know of the cabin; certainly
Janice Wynn knew, for she had said she would pick him up there at 21:00.
Kitty, when he failed to call her as he had promised, would know at once
where he had gone, and would either radophone him or come to him
quickly.
He frowned unhappily over the possibilities, caught between an eagerness
to see Kitty and a dread of having her involved in his trouble. He
considered taking Kitty and fleeing in his borrowed turbo-copter to some
isolated place where the two of them might make a fresh start, and gave
up the idea at once as worse than impractical.
Jaffers would find him without difficulty, now that he knew what to look
for. And there was the progressive reality of his visions--for he had
ceased to think of them any more as hallucinations. The coming of Janice
Wynn and the inexorable sharpening of his awareness proved that reality
beyond doubt.
He found the twin-notched peak that landmarked his cabin. The cool of
night and the mountain quiet, when he climbed out, were a tonic to his
abraded nerves. There was a nostalgic calling of night-birds, the clean
breath of pines and, from some tangled rocky slope, the faint pervading
perfume of wild honeysuckle.
He had not guessed how sharp his awareness had become until he realized
that someone was waiting for him inside the cabin.
* * * * *
He halted outside, feeling like a man just recovering vision after a
long blindness. Janice Wynn was in the cabin and she was alone. He knew
that as certainly as if he had seen her walk in.
[Illustration]
When he went in, she was standing before the wide cold mouth of the
cabin's fireplace. She wore the same quiet suit she had worn in
O'Donnell's office, and her tilted green eyes were at once relieved and
anxious.
"I was afraid you might have lost your head and run away," she said.
"It's good you didn't. There wouldn't have been time to find you
again--the change is too close on us both."
"Change?"
She gave him a disappointed look. "I thought you'd have guessed by now
the relation between ourselves and those people in the clippings. You
had another seizure in the 'copter, didn't you?"
He stared, too disconcerted to answer.
"You saw four faces this time," she went on, "where you had seen none
before. And you recognized one."
"It was Ellis, the chemist," Alcorn said. And with a numb premonition of
the truth, he quietly asked, "How did you know that?"
"You were broadcasting it like a beacon. We're both in the last stages
of the change. Now that our conditioning is lifting, we're reverting to
our original telepathic nature. That's how _they_ found you and me, as
they found Ellis and the others--by tracking down our communication
auras."
He said slowly, "Those four--why were they mobbed and killed?"
"Because the change caught them too suddenly for escape," she said. "And
because, in our natural state, we are incompatible with Man."
"With Man," he repeated. "And what does that make us? Supermen or
monsters?"
"You're still blinded by your conditioning," she answered, "or you'd see
that we're neither, that we're not even native to this planet. I don't
know a great deal more than that myself--I haven't remembered it all
yet, because the change isn't complete...."
She broke off and, with both hands above the fireplace, gripped the
rough stone of the mantelpiece. Her tilted green eyes burned with a
contradictory play of emotions; the soft planes of her face seemed to
shift and alter, seeking an impossible balance between ecstasy and
terror and a tearing, intolerable agony.
"I'm learning the rest ... now," she whispered. "Sooner than ... I
thought."
He sensed the change that possessed her, the struggling of new emotions,
the shattering of imposed concepts and conditionings and their
realigning to shape a new personality, a new person. He knew from that
moment that she had been right, and that what he had feared from the
beginning of his first seizure was about to happen to him.
She closed her eyes briefly. When she opened them again, Alcorn drew
back. Then resentment flared in him and he was suddenly furious, at the
alteration of status that left him on the defensive.
He remembered the clippings and understood something of the frustrated
rage that must have gripped the howling mobs when they killed the two
ministers and the Nevada doctor and the Girl Scout leader.
Janice Wynn straightened from the fireplace, her head tilted as if she
were listening to some sound beyond range of his own hearing.
"Someone is coming," she said. Her voice had changed as much as her
face; her eyes watched him with a remote yet curiously intimate
compassion. "Not our people. It isn't time for them yet."
She was at the cabin door before he realized that she had moved.
"Stay here," she ordered. "Don't open the door for anyone. For _anyone_,
do you hear?"
She was gone into the outside darkness.
Alcorn felt it himself then, the indefinable certainty of approach. A
turbo-copter, then another, slanting down toward his hideaway, two
speeding machines filled with grimly intent men--Jaffers' agents.
The 'copters landed about a hundred yards away from the cabin. There was
a dragging silence and then a booming, amplified voice.
"Alcorn, come out!"
He stood fast, feeling above their tension the swift progress of Janice
Wynn through the darkness toward them. She was close to the nearer
machine when he felt a sudden veering of her attention, followed the
direction of her probing, and sensed another 'copter angling down out of
the night.
Her mental order was as urgent as a shout: _Let no one in. No one!_
She moved on. The pilot of the third 'copter was only beginning to
assume identity to Alcorn's sharpened senses when Janice Wynn drew
within effective reach of the nearer grounded machine.
The amplified voice was calling again: "Come out, Alcorn, or we'll have
to--"
It broke off short in a scream. There was a flurry of shots, a white
flash in the darkness and a concussion that shook the cabin.
He felt Janice turn and run purposefully through the darkness toward the
second 'copter.
The third machine was dropping in for landing when he identified its
pilot.
"Kitty!" he breathed. "Dear God, Kitty!"
She was at the door, the terror and tenderness of her crying
overwhelming his flinching perception. "Philip, let me in! Philip
darling, are you all right?"
She was inside and in his arms before he could prevent it.
She clung to him frantically until the effect of his presence calmed
her. The terror went out of her eyes slowly, but the tears glistening on
her cheeks contradicted her smile of relief.
"Thank God you're safe, Philip! When I heard on the visinews about Dr.
Hagen--"
Janice Wynn's silent command was violent in Alcorn's head. _Put her out
quickly! Do you want her there when your own change comes?_
He caught Kitty's hands and drew her toward the door.
"You can't stay here, Kitty. There's no time to explain. I'll call later
and tell you everything."
She showed her hurt beneath the placidity his gift imposed upon her. "If
I must, Philip. But--"
He threw open the door. "Don't argue, Kitty. For God's sake, go!"
* * * * *
The blast of the second turbo-copter's explosion might have precipitated
the seizure that took him just then.
The polar plain sprang up about him, more terribly cold and stark than
ever, its clustering buildings and metal machines standing out in such
clear perspective that he was certain he could have put out a hand and
touched them.
But the people were faceless no longer, except for one that knelt before
the group in a tense attitude. Janice Wynn stood over that one while its
features filled in slowly, line by line, growing more and more familiar
as the face neared identity.
By the time Alcorn realized that it was his own face, the change was
fully upon him.
A vast icy wind roared in his ears. A force seized and flung him,
distorted and disoriented, to infinity. There was darkness and terror
and then a chorus of calm voices calling reassurance. Pain gripped him,
and panic, and finally an ecstasy of remembering that was beyond
imagining.
Dimly, he heard Kitty's screaming. Something struck him furiously on the
shoulder and he felt his distant physical body struggle automatically
for balance.
A second blow caught him on the temple and he fell heavily, his new
awareness flickering toward unconsciousness. There was a confusion of
voices about him and Kitty's raw shrilling died away.
He lay still, secure in the certainty that he was no longer alone.
Mind after mind brushed his, lightly, yet more warming than any clasping
of hands, and with each touch, he identified and embraced an old friend
whose regard was dearer than his own life. He knew who they were. He was
one of them--again.
_It's over_, Janice Wynn's voice said gently. _Do you remember me now,
Filrinn?_
_Janeen_, he said. He stood up slowly.
Her green eyes stirred with an emotion that matched his own. It was
incredible that he could ever have forgotten--no matter how thoroughly
he had absorbed the protective conditioning--the unity between himself
and Janeen.
_I remember_, he said. The wonder of it still dazed him. _It's good to
be myself again._
She sighed. _It's good to know why they sent me, instead of one of the
others, to bring you back. You remember that?_
"I remember," he said aloud, as if he needed to say the words to make it
true. "We were together before this assignment for two hundred of these
people's years. We'll be together again for hundreds more, now that
we're free to go--for when will we ever find another world that needs
attention as this one needed it?"
* * * * *
He saw the Earthgirl then, curled limply on the cabin's sofa.
Her stillness left him alarmed, surprised and ashamed that he should so
readily have forgotten an obligation.
Her dishevelment, and the heavy brass fireplace poker on the rug beside
the couch, told him the story at once.
_You came just in time, Janeen. Poor Kitty! You didn't hurt her?_
Janeen shook her head. _Of course not, Filrinn. I caught her mind before
the shock of your change could derange it and--conditioned her. She'll
sleep until we've gone, and tomorrow Philip Alcorn will be no more than
a pale memory._
_Either my conditioning still lingers or my empathetic index is too high
... I'd like her to know the truth about us, Janeen, before we go._
He knelt beside the couch and smoothed the fair, tousled hair back from
the Earthgirl's quiet face.
"I'm sorry it had to be like this, Kitty," he said. He spoke aloud, but
his mind touched hers below the level of consciousness. He felt the
slow, bewildered surge of response. "It'll help you to forget, perhaps,
if you know that we came here from a star system you'll never hear of in
your lifetime, to study your people and to see what we could do to help
them.
"Alike in form, we are so far apart in nature that you could not have
borne our real presence, so we buried our real selves under a mask of
conditioning as deeply as we buried our ship under the ice of your
planet's pole. After ten years of study, our conditioning was to lift
slowly, so that we would realize who and what we were. But you are more
like us than we had thought, and with some of us, the conditioning was
too strong to break.
"It may help to know that your likeness to us will bring our people
together again when the time is right, that your children's children may
meet us on equal terms."
He lifted her from the couch and carried her to her 'copter. He set the
machine's controls to automatic and stepped back.
"Good-by, Kitty," he said.
Janeen was waiting for him in the cabin.
_The auxiliary shuttle is on its way to pick us up, Filrinn. We'll be
gone within the hour._
They stood together, linking their minds, sharing an ecstasy in the
meshing of identities that was greater than any physical fulfillment.
_But we have that, too_, Janeen said for his ears alone. And then, to
the calm, smiling faces that lingered in the background of their mingled
consciousness: _Leave us._
The faces withdrew and left them--like children just grown to awareness
of their own marvelous gifts--alone.
End of the Project Gutenberg EBook of Assignment's End, by Roger Dee
*** END OF THIS PROJECT GUTENBERG EBOOK ASSIGNMENT'S END ***
***** This file should be named 32209.txt or 32209.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/2/2/0/32209/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
