Accept no substitutes

By Robert Sheckley

The Project Gutenberg eBook of Accept no substitutes
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Accept no substitutes


Author: Robert Sheckley

Release date: October 12, 2023 [eBook #71859]

Language: English

Original publication: New York, NY: Royal Publications, Inc, 1957

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK ACCEPT NO SUBSTITUTES ***




                         Accept No Substitutes

                          By ROBERT SHECKLEY

                        Illustrated by ED EMSH

                  _The Sexual Morality Act was fierce
                to buck, but the Algolian sex surrogate
                     was ... er ... even fiercer!_

           [Transcriber's Note: This etext was produced from
                         Infinity March 1958.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


Ralph Garvey's private space yacht was in the sling at Boston
Spaceport, ready for takeoff. He was on yellow standby, waiting for the
green, when his radio crackled.

"Tower to G43221," the radio buzzed. "Please await customs inspection."

"Righto," said Garvey, with a calmness he did not feel. Within him,
something rolled over and died.

Customs inspection! Of all the black, accursed, triple-distilled bad
luck! There was no regular inspection of small private yachts. The
Department had its hands full with the big interstellar liners from
Cassiopeia, Algol, Deneb, and a thousand other places. Private ships
just weren't worth the time and money. But to keep them in line,
Customs held occasional spot checks. No one knew when the mobile
customs team would descend upon any particular spaceport. But chances
of being inspected at any one time were less than fifty to one.

Garvey had been counting on that factor. And he had paid eight hundred
dollars to know for certain that the East coast team was in Georgia.
Otherwise, he would never have risked a twenty-year jail sentence for
violation of the Sexual Morality Act.

There was a loud rap on his port. "Open for inspection, please."

"Righto," Garvey called out. He locked the door to the after cabin. If
the inspector wanted to look there, he was sunk. There was no place
in the ship where he could successfully conceal a packing case ten feet
high, and no way he could dispose of its illegal contents.

"I'm coming," Garvey shouted. Beads of perspiration stood out on his
high, pale forehead. He thought wildly of blasting off anyhow, running
for it, to Mars, Venus.... But the patrol ships would get him before he
had covered a million miles. There was nothing he could do but try to
bluff it.

He touched a button. The hatch slid back and a tall, thin uniformed man
entered.

"Thought you'd get away with it, eh, Garvey?" the inspector barked.
"You rich guys never learn!"

Somehow, they had found out! Garvey thought of the packing crate in the
after cabin, and its human-shaped, not-yet-living contents. Damning,
absolutely damning. What a fool he'd been!

       *       *       *       *       *

He turned back to the control panel. Hanging from a corner of it, in
a cracked leather holster, was his revolver. Rather than face twenty
years breaking pumice on Lunar, he would shoot, then try--

"The Sexual Morality Act isn't a blue law, Garvey," the inspector
continued, in a voice like steel against flint. "Violations can have
a catastrophic effect upon the individual, to say nothing of the race.
That's why we're going to make an example of you, Garvey. Now let's see
the evidence."

"I don't know what in hell you're talking about," Garvey said.
Surreptitiously his hand began to creep toward the revolver.

"Wake up, boy!" said the inspector. "You mean you _still_ don't
recognize me?"

Garvey stared at the inspector's tanned, humorous face. He said, "Eddie
Starbuck?"

"About time! How long's it been, Ralph? Ten years?"

"At least ten," Garvey said. His knees were beginning to shake from
sheer relief. "Sit down, sit down, Eddie! You still drink bourbon?"

"I'll say." Starbuck sat down on one of Garvey's acceleration couches.
He looked around, and nodded.

"Nice. Very nice. You must be rich indeed, old buddy."

"I get by," Garvey said. He handed Starbuck a drink, and poured one for
himself. They talked for a while about old times at Michigan State.

"And now you're a Customs inspector," Garvey said.

"Yeah," said Starbuck, stretching his long legs. "Always had a yen for
the law. But it doesn't pay like transistors, eh?"

Garvey smiled modestly. "But what's all this about the Sexual Morality
Act? A gag?"

"Not at all. Didn't you hear the news this morning? The FBI found an
underground sex factory. They hadn't been in business long, so it was
possible to recover all the surrogates. All except one."

"Oh?" said Garvey, draining his drink.

"Yeah. That's when they called us in. We're covering all spaceports, on
the chance the receiver will try to take the damned thing off Earth."

Garvey poured another drink and said, very casually, "So you figured I
was the boy, eh?"

Starbuck stared at him a moment, then exploded into laughter. "You,
Ralph? Hell, no! Saw your name on the spaceport out-list. I just
dropped in for a drink, boy, for old time's sake. Listen, Ralph, I
_remember_ you. Hell-on-the-girls-Garvey. Biggest menace to virginity
in the history of Michigan State. What would a guy like you want a
substitute for?"

"My girls wouldn't stand for it," Garvey said, and Starbuck laughed
again, and stood up.

"Look, I gotta run. Call me when you get back?"

"I sure will!" A little light-headed, he said, "Sure you don't want to
inspect anyhow, as long as you're here?"

Starbuck stopped and considered. "I suppose I should, for the record.
But to hell with it, I won't hold you up." He walked to the port, then
turned. "You know, I feel sorry for the guy who's got that surrogate."

"Eh? Why?"

"Man, those things are poison! You know that, Ralph! Anything's
possible--insanity, deformation.... And this guy may have even more of
a problem."

"Why?"

"Can't tell you, boy," Starbuck said. "Really can't. It's special
information. The FBI isn't certain yet. Besides, they're waiting for
the right moment to spring it."

With an easy wave, Starbuck left. Garvey stared after him, thinking
hard. He didn't like the way things were going. What had started out
as an illicit little vacation was turning into a full-scale criminal
affair. Why hadn't he thought of this earlier? He had been apprehensive
in the sexual substitute factory, with its low lights, its furtive,
white-aproned men, its reek of raw flesh and plastic. Why hadn't he
given up the idea then? The surrogates couldn't be as good as people
said....

"Tower to G43221," the radio crackled. "Are you ready?"

Garvey hesitated, wishing he knew what Starbuck had been hinting at.
Maybe he should stop now, while there was still time.

Then he thought of the giant crate in the after cabin, and its
contents, waiting for activation, waiting for him. His pulse began to
race. He knew that he was going through with it, no matter what the
risk.

He signalled to the tower, and strapped himself into the control chair.

An hour later he was in space.

       *       *       *       *       *

Twelve hours later, Garvey cut his jets. He was a long way from Earth,
but nowhere near Luna. His detectors, pushed to their utmost limit,
showed nothing in his vicinity. No liners were going by, no freighters,
no police ships, no yachts. He was alone. Nothing and no one was going
to disturb him.

He went into the after cabin. The packing case was just as he had left
it, securely fastened to the deck. Even the sight of it was vaguely
exciting. Garvey pressed the activating stud on the outside of the
case, and sat down to wait for the contents to awaken and come to life.

       *       *       *       *       *

The surrogates had been developed earlier in the century. They had
come about from sheer necessity. At that time, mankind was beginning
to push out into the galaxy. Bases had been established on Venus, Mars
and Titan, and the first interstellar ships were arriving at Algol and
Stagoe II. Man was leaving Earth.

Man--but not woman.

The first settlements were barely toeholds in alien environments. The
work was harsh and demanding, and life expectancy was short. Whole
settlements were sometimes wiped out before the ships were fully
unloaded. The early pioneers were like soldiers on the line of battle,
and exposed to risks no soldier had ever encountered.

Later there would be a place for women. Later--but not now.

So here and there, light-years from Earth, were little worlds without
women--and not happy about it.

The men grew sullen, quarrelsome, violent. They grew careless, and
carelessness on an alien planet was usually fatal.

They wanted women.

Since real women could not go to them, scientists on Earth developed
substitutes. Android females were developed, the surrogates, and
shipped to the colonies. It was a violation of Earth's morals; but
there were worse violations on the way if these weren't accepted.

For a while, everything seemed to be fine. It would probably have gone
on that way, had everyone left well enough alone.

But the companies on Earth had the usual desire to improve their
product. They called in sculptors and artists to dress up the
appearance of the package. Engineers tinkered with the surrogates,
re-wired them, built in subtler stimulus-response mechanisms,
did strange things with conditioned reflexes. And the men of the
settlements were very happy with the results.

So happy, in fact, that they refused to return to human women, even
when they had the opportunity.

They came back to Earth after their tours of duty, these pioneers, and
they brought their surrogates with them. Loud and long they praised
the substitute women, and pointed out their obvious superiority to
neurotic, nervous, frigid human women.

Naturally, other men wanted to try out the surrogates. And when they
did, they were pleasantly surprised. And spread the word. And--

The government stepped in, quickly and firmly. For one thing, over
fifty percent of the votes were at stake. But more important, social
scientists predicted a violent drop in the birth rate if this went on.
So the government destroyed the surrogates, outlawed the factories, and
told everyone to return to normal.

And reluctantly, everyone did. But there were always some men who
remembered, and told other men. And there were always some men who
weren't satisfied with second-best. So....

       *       *       *       *       *

Garvey heard movements within the crate. He smiled to himself,
remembering stories he had heard of the surrogates' piquant habits.
Suddenly there was a high-pitched clanging. It was the standby alarm
from the control room. He hurried forward.

It was an emergency broadcast, on all frequencies, directed to Earth
and all ships at space. Garvey tuned it in.

"This is Edward Danzer," the radio announced crisply. "I am Chief of
the Washington branch of the Federal Bureau of Investigation. You have
all heard, on your local newscasts, of the detection and closure of an
illegal sexual substitute factory. And you know that all except one of
the surrogates have been found. This message is for the man who has
that last surrogate, wherever he may be."

Garvey licked his lips nervously and hunched close to the radio. Within
the after cabin, the surrogate was still making waking-up noises.

"That man is in danger!" Danzer said. "Serious danger! Our
investigation of the molds and forms used in the factory showed us that
something strange was going on. Just this morning, one of the factory
technicians finally confessed.

"The missing surrogate is not an Earth model!

"I repeat," Danzer barked, "the missing surrogate is _not an Earth
model_! The factory operators had been filling orders for the planet
Algol IV. When they ran short of Earth models for humans, they
substituted an Algolian model. Since the sale of a surrogate is illegal
anyhow, they figured the customer would have no kickback."

Garvey sighed with relief. He had been afraid he had a small dinosaur
in the packing case, at the very least.

"Perhaps," Danzer continued, "the holder of the Algolian surrogate
does not appreciate his danger yet. It is true, of course, that the
Algolians are of the species _homo sapiens_. It has been established
that the two races share a common ancestry in the primeval past. But
Algol is different from our Earth.

"The planet Algol IV is considerably heavier than Earth, and has a
richer oxygen atmosphere. The Algolians, raised in this physical
environment, have a markedly superior musculature to that of the
typical Earthman. Colloquially, they are strong as rhinos.

"But the surrogate, of course, does not know this. She has a powerful
and indiscriminate mating drive. _That's where the danger lies!_ So I
say to the customer--give yourself up now, while there's still time.
And remember: crime does not pay."

The radio crackled static, then hummed steadily. Garvey turned it
off. He had been taken, but good! He really should have inspected his
merchandise before accepting it. But the crate had been sealed.

He was out a very nice chunk of money.

But, he reminded himself, he had lots of money. It was fortunate he had
discovered the error in time. Now he would jettison the crate in space,
and return to Earth. Perhaps real girls were best, after all....

He heard the sound of heavy blows coming from the crate in the after
cabin.

"I guess I'd better take care of you, honey," Garvey said, and walked
quickly to the cabin.

A fusillade of blows rocked the crate. Garvey frowned and reached for
the de-activating switch. As he did so, one side of the heavy crate
splintered. Through the opening shot a long golden arm. The arm flailed
wildly, and Garvey moved out of its way.

The situation wasn't humorous any more, he decided. The case rocked and
trembled under the impact of powerful blows. Garvey estimated the force
behind those blows, and shuddered. This had to be stopped at once. He
ran toward the crate.

Long, tapered fingers caught his sleeve, ripping it off. Garvey managed
to depress the de-activating stud and throw himself out of range.

There was a moment of silence. Then the surrogate delivered two blows
with the impact of a pile driver. An entire side of the packing case
splintered.

It was too late for de-activation.

       *       *       *       *       *

Garvey backed away. He was beginning to grow alarmed. The Algolian
sexual substitute was preposterously strong; that seemed to be how they
liked them on Algol. What passed for a tender love embrace on Algol
would probably fracture the ribs of an Earthman. Not a nice outlook.

But wasn't it likely that the surrogate had some sort of discriminatory
sense built in? Surely she must be able to differentiate between an
Earthman and an Algolian. Surely....

The packing case fell apart, and the surrogate emerged.

She was almost seven feet tall, and gloriously, deliciously
constructed. Her skin was a light golden-red, and her shoulder-length
hair was lustrous black. Standing motionless, she looked to Garvey like
a heroic statue of ideal femininity.

The surrogate was unbelievably beautiful--

And more dangerous than a cobra, Garvey reminded himself reluctantly.

"Well there," Garvey said, gazing up at her, "as you can see, a mistake
has been made."

The surrogate stared at him with eyes of deepest gray.

"Yes ma'am," Garvey said, with a nervous little laugh, "it's really a
ridiculous error. You, my dear, are an Algolian. I am an Earthman. We
have nothing in common. Understand?"

Her red mouth began to quiver.

"Let me explain," Garvey went on. "You and I are from different
races. That's not to say I consider you ugly. Quite the contrary! But
unfortunately, there can never be anything between us, miss."

She looked at him uncomprehendingly.

"Never," Garvey repeated. He looked at the shattered packing case. "You
don't know your own strength. You'd probably kill me inadvertently. And
we wouldn't want that, would we?"

The surrogate murmured something deep in her beautiful throat.

"So that's the way it is," Garvey said briskly. "You stay right here,
old girl. I'm going to the control room. We'll land on Earth in a few
hours. Then I'll arrange to have you shipped to Algol. The boys'll
really go for you on Algol! Sounds good, huh?"

The surrogate gave no sign of understanding. Garvey moved away. The
surrogate pushed back her long hair and began to move toward him. Her
intentions were unmistakable.

Garvey backed away, step by step. He noticed that the surrogate was
beginning to breathe heavily. Panic overtook him then, and he sprinted
through the cabin door, slamming it behind him. The surrogate smashed
against the door, calling to him in a clear, wordless voice. Garvey
went to the instrument panel and began to evacuate the air from the
after cabin.

Dial hands began to swing. Garvey heaved a sigh of relief and collapsed
into a chair. It had been a close thing. He didn't like to think what
would have happened if the Algolian sexual substitute had managed to
seize him. Probably he would not have lived through the experience. He
felt sorry at the necessity of killing so magnificent a creature, but
it was the only safe thing to do.

He lighted a cigarette. As soon as she was dead, he would jettison
her, crate and all, into space. Then he would get good and drunk. And
at last, he would return to Earth a sadder and wiser man. No more
substitutes for him! Plain, old-fashioned girls were good enough.
Yessir, Garvey told himself, if women were all right for my father,
they're all right for me. And when I have a son, I'm going to say to
him, son, stick with women. They're all right. Accept no substitutes.
Insist upon the genuine article....

He was getting giddy, Garvey noticed. And his cigarette had gone out.
He resisted a tremendous desire to giggle, and looked at his gauges.
The air was leaving the after cabin, all right. But it was also leaving
the control room.

Garvey sprang to his feet and inspected the cabin door. He swore
angrily. That damned surrogate had managed to spring the hinges. The
door was no longer airtight.

He turned quickly to the control board and stopped the evacuation of
air. Why, he asked himself, did everything have to happen to him?

The surrogate renewed her battering tactics. She had picked up a metal
chair and was hammering at the hinges.

But she couldn't break through a tempered-steel door, Garvey told
himself. Oh, no. Not a chance. Never.

The door began to bulge ominously.

Garvey stood in the center of the control room, sweat rolling down his
face, trying desperately to think. He could put on a spacesuit, then
evacuate all the air from the ship....

But the spacesuits, together with the rest of his equipment, were in
the after cabin.

What else? This is serious, Garvey told himself. This is very serious.
His mind seemed paralyzed. What could he do? Raise the temperature?
Lower it?

He didn't know what the surrogate could stand. But he had a suspicion
it was more than he could take.

One hinge shattered. The door bent, revealing the surrogate behind it,
pounding relentlessly, her satiny skin glistening with perspiration.

Then Garvey remembered his revolver. He snatched it out of its holster
and flipped off the safeties, just as the last hinge cracked and the
door flew open.

"Stay in there," Garvey said, pointing the revolver.

The Algolian substitute moaned, and held out her arms to him. She
smiled dazzlingly, seductively, and advanced upon him.

"Not another step!" Garvey shrieked, torn between fear and desire. He
took aim, wondering if a bullet would stop her....

And what would happen if it didn't.

The surrogate, her eyes blazing with passion, leaped for him. Garvey
gripped the revolver in both shaking hands and began shooting. The
noise was deafening. He fired three times, and the surrogate kept on
coming.

"Stop!" Garvey screamed. "Please stop!"

Slower now, the surrogate advanced.

Garvey fired his fourth shot. Limping now, the surrogate came on, her
desire unchecked.

Garvey backed to the wall. All he wanted now was to live long enough
to get his hands on the factory operator. The surrogate gathered
herself and pounced.

At point-blank range, Garvey fired his last shot.

       *       *       *       *       *

Three days later, Garvey's ship received clearance and came down at
Boston Spaceport. The landing was not made with Garvey's usual skill.
On the final approach he scored a ten-foot hole in the reinforced
concrete landing pit, but finally came to rest.

Eddie Starbuck hurried out to the ship and banged on the port. "Ralph!
Ralph!"

Slowly the port swung open.

"Ralph! What in hell happened to you?" Starbuck cried.

Garvey looked as though he had been wrestling with a meat grinder and
come out second-best. His face was bruised, and his hair had been badly
scorched. He walked out of the ship with a pronounced limp.

"A power line overloaded," Garvey said. "Had quite a tussle before I
could put everything out."

"Wow!" Starbuck said. "Look, Ralph, I'm sorry to put you through this
now, but--well--"

"What's up?"

"Well, that damned surrogate still hasn't been found. The FBI has
ordered inspection of all ships, private and commercial. I'm sorry to
ask it now, after all you've been through--"

"Go right ahead," Garvey said.

The inspection was brief but thorough. Starbuck came out and checked
his list.

"Thanks, Ralph. Sorry to bother you. That power line sure kicked up a
mess, huh?"

"It did," Garvey said. "But I was able to jettison the furniture before
it smoked me out. Now you'll have to excuse me, Eddie. I've got some
unfinished business."

He started to walk away, Starbuck followed him.

"Look, boy, you'd better see a doctor. You aren't looking so good."

"I'm fine," Garvey said, his face set in an expression of implacable
resolve.

Starbuck scratched his head and walked slowly to the control tower.

       *       *       *       *       *

Garvey caught a heli outside the spaceport. His head was beginning to
ache again, and his legs were shaky.

The surrogate's strength and tenacity had been unbelievable. If she
had been operating at her full capacity, he would never have survived.
But that last shot at point-blank range had done it. No organism was
constructed to take punishment like that. Not for very long.

He reached his destination in the center of Boston and paid off the
heli. He was still very weak, but resolutely he marched across the
street and entered a plain gray-stone building. His legs wobbled under
him, and he thought again how fortunate he was to have gotten the
surrogate.

Of course, the surrogate, with her amazing vitality, had also gotten
him.

It had been brief--

But unforgettable.

He had been damned lucky to live through it. But it was his own fault
for using substitutes.

A clerk hurried up to him. "Sorry to keep you waiting, sir. Can I help?"

"You can. I want passage to Algol, on the first ship leaving."

"Yes, sir. Round trip, sir?"

Garvey thought of the tall, glorious, black-haired, golden-skinned
women he would find on Algol. Not substitutes this time, the real
thing, with the all-important sense of judgment.

"One way," said Ralph Garvey, with a little smile of anticipation.




        
            *** END OF THE PROJECT GUTENBERG EBOOK ACCEPT NO SUBSTITUTES ***
        

    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.