Rundown

By Robert Lory

The Project Gutenberg EBook of Rundown, by Robert Lory

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: Rundown

Author: Robert Lory

Release Date: February 12, 2020 [EBook #61387]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK RUNDOWN ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                                RUNDOWN

                            BY ROBERT LORY

                  All panhandlers ask for dimes--but
                 this one had a very special purpose!

           [Transcriber's Note: This etext was produced from
                Worlds of If Science Fiction, May 1963.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


The subway train announced its arrival with a screech of grating steel.
The man was shoved from the car onto the platform by the eight p.m.
crowd. The noise and the abrupt handling of his body brought him to
awareness.

Not that he had been asleep or unconscious. Although he might have
been. He didn't know for sure.

He found it hard to concentrate, but soon a sign over the platform came
into focus:

                               WESTBORO

It meant nothing to him. The second thing he became aware of did.

Another train had replaced his, and directly in front of him was
an army of people, dispassionate towards everything but its one
objective--to get on.

They came at him all at once, forming a pushing, elbowing, cursing,
jarring mass of humanity. He glanced off one to collide with another.
He escaped the punishment by a lunge to one side which ended with a
crash to the cold cement floor.

He regained some semblance of steadiness on his feet and looked at the
sign. It was still Westboro. It still meant nothing to him.

He was lost.

What was worse, he couldn't remember where he was lost _from_.

He turned to walk, he didn't know exactly where, when he smashed into a
little boy eating an apple.

The boy reacted in a strange manner.

"Leave me alone, you dirty man, you," the boy said. He dropped his
apple and ran off. Scared.

The man flushed with embarrassment, but the boy's remark made him look
down at himself.

He saw a dirty man. Filthy. His white shirt--it had been white
once--was torn at the elbow and was covered with grime, his shoes at
the toes were white where the black polish had worn completely off, his
pants reflected no evidence of ever having been pressed and the right
leg was ripped from the knee down.

Two girls in their teens passed and giggled.

He was aware that others had noticed him.

"Hey, lookit the bum," a fat jolly-rover called out to his three
on-the-towning cronies.

"Bum," the man thought, and reached to his back pocket.

No wallet. But not long ago he had one, he was sure, because the feel
of its absence was there. Somebody must have taken it, or he might
have lost it. In that crowd or on the subway or before.... He couldn't
remember where he had been before.

The feeling of not remembering seemed familiar, and he tried hard to
think. But there was nothing static in his mind that he could hold on
to. His mind wasn't blank anymore, it was a jumble. He somehow recalled
he had been looking for his money. He fumbled through his other pockets.

He found a dirty handkerchief and two cents.

The feel of the coins brought everything back.

Quickly he felt his pulse. It was slower than he had ever known it to
be. Sure, there were times before when ... but then the doctor always
had been nearby. And this time, the most serious time of all--he looked
up at the Westboro sign--he was lost. Perhaps, up on the streets, he
would recognize something.

He began to take the stairs at a run, but his breath came too hard, and
he walked the rest of the way to the turnstile. The arm caught tight as
he started to go through and a sharp pain want through his groin.

"That's the way you go _in_, pal," somebody offered, and the man winced
at the few laughs he had drawn. He saw the exit sign and walked quickly
toward it.

The night lights were just ahead as he collided with a woman loaded
with bundles. They spilled. "Sorry," he said, leaving her to her
indignation, and at a faster pace he walked outside into the cool night
air.

       *       *       *       *       *

He had stopped walking and was leaning against the door of the Inn of
Six Horses, which proudly displayed its name and namesakes in blue and
white neon.

He had recognized nothing.

He had tried getting to the doctor's by cab, but no driver would listen
to him without first seeing the fare, even though he assured them all
that he could get it from the doctor.

A policeman had told him to move along or suffer the consequences of a
thick nightstick.

A drugstore proprietor had answered his request to use the phone by
threatening to call the policeman with the thick nightstick.

A dime. One dime!

He remembered his Shakespeare.

My kingdom for a ... horse? Six horses. Maybe, just maybe, at the Inn
of Six Horses....

A short man at the bar, composing one half of the clientele, was
calling the bartender's attention to the fact that the six horses
outside outnumbered the customers.

"Go to blazes," the bartender commented on the short man's observation.

"I should," said the short one. "Then George here would be Uncas, the
last of the Mohicans, riding your six old white stallions."

"How do you know they're stallions?" George said. He was lean, mean and
weary, looking as if he had just returned from a hard day of peddling
vacuum cleaners.

The door banged shut and three pairs of eyes focused on a dirty man.

"Here comes a touch," said Pete.

"Please," said the man, his voice shaky and weak.

"Before you go into your act, pal," Pete said, "understand this: Nobody
gets nothing free here, this ain't no mission or nothing. This is a
business like any place else."

"A real thriving business," mocked Shorty.

"Please, a dime, I need a dime, that's all I--"

"A _dime_?" George laughed. "For what, a cup of coffee? This is a
high-class place. Beer costs fifteen cents here."

Shorty joined in with a snort. "Maybe he wants to call his girl."

"I _need_ the dime," the man said, leaning on the bar for support.

"A matter of real life and death, huh?" George said.

"Yes. Look ... here, I have two cents, you take them."

Pete looked suspiciously at the two coins. "We don't sell nothing that
costs two cents."

"You take the two cents, but give me a dime. _Please._"

"Sharp businessman," noted George.

"This is rich," said Pete. "Do you really expect to _buy_ a dime for
two cents?"

Shorty said, "He just noticed how well you're doing. He figures you can
afford the loss."

"Boy, it burns me up," said Pete. "These professional bums make more in
a week than I see in a month."

"You keep talking that way, and this clown will want to buy your
business for the two cents," Shorty said. "Ain't worth it," George said
and banged his glass down. "Fill it," he directed Pete.

As Pete turned, the man made a lunge for George's change on the bar.

"Watch him," warned Shorty.

George needed no warning. He had seen the man eying his money, and he
had hoped for just such a move. With a right fist to the side of the
man's head, George took revenge for a bad day's work.

The man lay very still on the floor.

       *       *       *       *       *

"What a paste," said Shorty, admiringly. "You could have killed him
like that."

"He sure ain't doing much moving," said Pete, coming around the end of
the bar. "I'd better take a look."

"Man, I didn't hit him that hard."

"Well, _man_, he sure asked for it," said Shorty. "And me and Pete will
be right here to tell the cops that the guy was a crook and tried to
rob your money. Right, Pete?"

"George, this guy's got no pulse," Pete said.

"Watcha gonna do, George?" Shorty said.

"Just shut up and wait a minute," Pete said. "I think he's trying to
say something."

The man's eyes pleaded with each of the three. His lips quietly formed
their message:

"Dime."

"Wow, talk about persistence," said Shorty.

George looked at his change on the bar.

He picked up a dime.

"Hey," said Shorty, "what are you doing?"

"Shut up," said Pete. "George's money is George's money. What he does
with it is his business."

"Look," George said, "I didn't mean to hit you so hard. I mean, I hit
you so hard my whole hand hurts. So here, you can have the dime, I
won't miss it."

He pressed the dime into the man's hand.

       *       *       *       *       *

"Holy cow," said Shorty. It was the first sound any of the three had
made after the man had left, fifteen minutes before.

George stared into the mirror behind the bar, seeking some mighty truth
in his own reflection. "He says ... he says _Unbutton my shirt_, and
then...."

George fondled some coins in his hand. "Then he takes that crazy dime,
a plain old, regular, crazy dime...."

Pete poured himself a Scotch. "What kind of guy is it, anyway," he
said, "who walks around with a slot in the middle of his chest that he
puts dimes into?"

"Yeah," said George, "and who _ticks_, yet?"





End of the Project Gutenberg EBook of Rundown, by Robert Lory

*** END OF THIS PROJECT GUTENBERG EBOOK RUNDOWN ***

***** This file should be named 61387.txt or 61387.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/1/3/8/61387/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.