Daughter of the Night

By Richard S. Shaver

The Project Gutenberg EBook of Daughter of the Night, by Richard S. Shaver

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Daughter of the Night

Author: Richard S. Shaver

Release Date: June 15, 2010 [EBook #32822]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK DAUGHTER OF THE NIGHT ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                        DAUGHTER OF THE NIGHT

                        By RICHARD S. SHAVER

[Transcriber Note: This etext was produced from Amazing Stories December
1948. Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed.]


[Sidenote: The evil magic of the Goddess Diana turned men to stone.
Would the power of the strange Eos be strong enough to turn them back to
living men?]


[Illustration: Like a flash of light the gleaming sword swept down]


Like a flash of light the gleaming sword swept down. A fraction of a
second later a portion of it no longer gleamed: it was crimson! And
Queen Dionaea's head bounced down the stairway into her garden of live
oaks. A few seconds of thought remained to it before it would be very
dead; but her thought was confused by shock--her eyes rolled
uncontrollably while she tried to remember some cantrap or rune from her
long association with the Goddess Diana. Desperately she tried to recite
the proper abracadabra to stay the swift death that was sweeping through
her mind; but it is hard for a head to chant a charm with no body to
draw a breath....

Druga, his job of execution finished, sheathed his bloody sword and
turning, stalked away. Thus it was that he did not see the amazing thing
that happened in the gloom of the ancient live oaks....

Baena was a serpent, a huge river of strength up to his giant head, and
he lived among the mighty branches of the oaks. Being a serpent, Baena
was far from equal to a human being in his brainpower, but even his dim
perception told him that harm had come to his one and only
benefactress--and that meant harm to him, too, for Queen Dionaea had
always cared for the needs of his stomach. Through her he ate and lived.
Without her, he would die. And so, he glided rapidly down from the trunk
of his favorite tree and emerged into the paths of the garden just as
Dionaea's bleeding head rolled out from the base of the steps.

Baena coiled his length protectingly about Dionaea. For an instant he
was at a loss, noting her horribly desperate attempts to speak without
breath, her mouth opening and closing and her tongue licking snake-like
in and out.

Baena realized after a moment that there was no hope for the Queen to go
on living. A head must have a body.

Glancing about, Baena saw nothing but the numerous coils of _his own
body_, and after an instant's hesitation, he took his tail in his mouth
up to the tenth joint and bit it off! Shrinking along all his length
with the terrible necessity that faced him, Baena quickly slapped the
bloody stump of his tail fast to the bleeding neck of Dionaea and said
one of the few magic spells he could remember....

       *       *       *       *       *

Turning his body slowly until his severed nerves told his spine that the
connections were as accurate as could be expected, Baena waited while
the spell slowly took effect. He lay there all night, waiting for his
own life's blood to reanimate the mind of Dionaea.

As Dionaea came back to her senses, Baena began to experience the
strange phenomena of wanting to go two ways at once, and as the
phenomena became more and more troublesome, he decided that he had
better have an understanding with Dionaea once and for all. But what
poor male ever won an argument with a woman?

Thus it was that Baena resigned himself to a life of traveling backward,
and that was that.

As a snake, he wished only to eat and bask in his favorite tree, but as
Dionaea, he wanted only one thing--and that with all the fervor of hate
a sorceress is capable of--a fitting revenge on the man who had visited
her execution upon her!

Day and night Dionaea plotted, and in her mind a fitting revenge
grew--it would include the lovely Feronia, Druga's beloved.... Carefully
she prepared the incantation.

It is here that my story really begins. What has happened, and how it
happened is of little consequence to what is to come--except perhaps to
introduce you to the characters. It is very simple. Dionaea was a very
evil sorceress, and Druga, most heroic of men, had long sought to bring
her into his power, and to end her evil days. Armed with the white magic
of Feronia, his loved one, who was also a sorceress, but one who worked
her charms only for the good of mankind, he had tracked Dionaea to her
castle, and there slain her. Or he would have, had it not been for
Baena, the serpent....

What is past is past. It is best not to think of it. There is much in
the past of all of us that would need a long, tiresome explanation to a
newcomer, and you are newcomers. To explain all of the past to everyone
would be an impossible task. You need know only that Druga, champion of
mankind, and his lovely Feronia, face now the most awful menace of their
lives, and unknowing of it, too, for thinking their arch enemy slain!

Where do all our characters live? In Fantasia, a land far away. A land
where wondrous things always happen. It is of one of the most wondrous
adventures of all that you are about to hear now--let the past lie, cold
and dead as it is, and come with me into the present, and into _danger_!

Who am I? Does it make any difference? If you must know, I am the Red
Dwarf, and I have seen and recorded _everything_! I was there, and if
you can but understand, everything has happened _because_ I was there!
If it were not so, how could you be sure what I tell is true? For it
_is_ true....

       *       *       *       *       *

It was evening. As Druga and Feronia sat talking, before retiring, the
horror fell upon them.

Feronia's hair fell like a living torrent to fondle her gleaming
shoulders and toy everywhere with the strangely electric invisible
vitality of her glowing skin. Her eyes were molten pools, dark and
liquid as the waters of the lost caverns, and the brows above them were
mystic lines of beauty left by the touch of a raven wing. Her generous
mouth was smiling the wondrous lovely magic that was Feronia, red as a
new-born rose, dewy and waiting for Druga. Her capable hands were soft
with expecting him, and cooler than the moss beneath the fern.

Her breasts were as naked as sun-bleached coral, white as a cloud in a
summer sky, white as truth, white as her own teeth laughing
tantalizingly at him.

Quite suddenly, shockingly, her lovely figure became transfused with a
vile, interloping energy that struck at Druga's sensitivities with a
sickening piercingness, so that he sprang to his feet in fear.

Standing there helplessly, Druga watched the evil energy transform the
strong, deep breasted beauty of his Feronia, change her devilishly and
subtly and gradually before his suffering eyes.

The white magic of her body became transfused with dark, throbbing
force, and as she strove to rise and act, Druga saw that she could not
move her limbs in any way!

Before his eyes her skin turned black as ebony, her eyes became stony
and fixed; even the sweet curling of her hair became hard and solid, her
whole body became changed to black, hated stone.

As suddenly as the horrible pulsing had come, it went away, leaving
Druga that least of all desirable women, one of virtuous stone.

So with one stroke Dionaea repaid Druga and Feronia; Druga by the loss
of his best beloved, and Feronia by the retention of her faculties in a
body of stone. That Feronia had to sit immovable and watch poor Druga in
his grief and loss was particularly excruciating.

Days of horror dragged by.

No matter what he proposed to do upon arising, mid-morning found him
reclining before the frozen statue-like body of his beloved, and night
would come down at last to hide the black stone of Feronia from his wet
eyes.

This existence became at last unbearable, and he resolved to go out into
the world and seek some means of making his days less horrible to him.
That Feronia was not dead, and that he might have obtained her release
by appealing to some greater power, did not occur to Druga in his grief.
Indeed he could never become accustomed to the ways of witches and their
overlords, nor to thinking in terms of magic at all. He was a logical
person, and no matter what wonders he blundered into and saw with his
own eyes, he never quite believed any of it.

It was with a heavy heart that Druga sealed up the doors of Feronia's
home and made his sad way to the stable, mounted and rode slowly away.

       *       *       *       *       *

All night he rode, not choosing his way, but letting the horse do the
thinking, and in the warm sun of late morning lay down to sleep where
the horse had led him.

As the days passed in heedless wandering, the deep hurt of his loss
lessened, and he began to take note of the road that led ever on and on
to he knew not what, except that it beckoned, as paths and highways
alike have a way of doing to the traveler.

As his spirits became lighter, he began to take stock of the country
through which he passed, and to note all the strange and curious things
that hovered always just outside normal vision. They were not hidden
from Druga, who had more than ordinary vision, one of Feronia's witch
gifts to him, and many a strange fact of life he picked up from the
circumambient apparent emptiness.

It was with this far-seeing sense that Druga now noticed a glowing,
golden vibrance spreading an invisible, but terrifically felt glory, all
across the northern horizon. He turned the horse's head toward that
glory, no more able to avoid the decision than is a moth the flame.

What it was that he sensed he did not surely know, but his memory
supplied him with vague and haunting clues which he could not quite drag
out into the light of reason. It did not stand to reason, but there it
was ahead, the lure of woman augmented by some magic into a glory
visible as sunlight, strong as some great whirlpool of energy, drawing
him resistlessly on and on.

Many a mile later, Druga came to a point where he could see with his
eyes on ahead and into the shining core of that field of golden
vibrance.

"One of the universal poles of life!" cried Druga. In his studies Druga
had learned that just as the world has a North and South magnetic pole,
so does the universe have opposite poles of life-magnetic-energy. One of
these is female, and inducts in all life a female nature; the other is
male and inducts in all life a male nature, just as the North and South
pole induct in all iron and in kindred matter a North and South magnetic
pole.

"It is no wonder it draws me, it is the force which makes all life
attractive to all other life...."

Druga knew that there was no use his trying to resist the attraction any
more than a compass could resist pointing north. So he rode onward into
the glory, musing that it was strange this universal pole of infinite
space should, in its drifting, have crossed his own path upon this
planet.

As he neared the center of the increasing ecstasy, Druga's mind and body
became cleaned of all desires but one, and that was to reach the exact
center and there remain. Along with others, his affection for Feronia
was burned away, leaving him helpless in the grip of this emotion
greater by far than any other.

Glory, golden ecstatic glory, poured through him in a titanic flood, and
nearer and nearer he came to the shining central core of the mighty
field of universal energy.

       *       *       *       *       *

As he came at last to clear vision of the core, he saw floating there a
vast, circular disk of golden hue, and upon the disk a tremendous
mansion. Beneath the disk was only the shining golden air, and it came
to Druga that this mansion must be a singularly pleasant place to live.
He cast about for some means of lifting himself across the space of
nothingness that separated the dull earth and the shining plane of the
disk. So near to the delightful power that drew, and yet so impossible
to get nearer because of the nothingness between him and the disk, Druga
at last rode on beneath and on to the very center of the shining
darkness beneath the great disk.

Now he was truly at the pole and dynamic source of female magnetic
attraction! Shaking in every fibre with the blasting force of the
terrific center of this universal power, Druga stood, a moth caught up
in a whirlpool too great to understand or withstand; and he would have
died there after a time, unable to move from the spot.

But overhead the great disk suddenly showed a light, a beam of ruby red
that laddered down to him through the golden murk of energy, and above
that beam of ruby light he made out a shining form that beckoned to him.
Trying to answer the invitation, Druga put out a hand to the red beacon
and found it solid to his touch, a rod of crystal, thick as a man's body
and with hand-holds and foot-steps hewn into it. He got off the horse
and ascended the weird ladder toward the shining being who beckoned.

A woman divinely tall and with hair like ripened wheat, modelled of
hammered sunlight, her glowing flesh surcharged with the infinite female
energies of the Universal Pole, met him at the topmost step of the
ladder.

He stepped out into the halls of the mansion by her side, unable to
speak with the ecstasy that poured from her. For such was the nature of
that disk, that it concentrated the magnetic flow of the Pole field so
that it emanated solely from the body of this woman.

She drew a robe of the purest blue about her glowing body, to insulate
and screen off the terrific irresistible force. His mind speculated
constantly and intriguingly on what would happen to him if she should
desire him and cast off this protective robe?

       *       *       *       *       *

So thinking, Druga walked beside her vital beauty, noting the deep
lagoons of her eyes upon him, curious, blue as the sea, shaded by long
lashes of dusky amber shielding from him some deep wisdom that she must
keep from him just yet. Try as he might he could not plumb the swirling
depths within her mind. Reach as he would he could find there nothing to
read but pictured vastnesses of strange beauty and violent passions
strongly withheld, nooks and crannies of mysterious, unreadable thought
far beyond his understanding to interpret. His senses turned away from
the inner mysterious glory of her mind, and his eyes came to rest on her
lips, crimson arches riper than tropic flowers, moist as with desire,
wide and capable and smiling upon him with a woman's will to captivate
twinkling all along the crimson outline of her smile. Behind her lips
her teeth gleamed, almost avid, parted in a hunger that he did not then
care to understand. Her breasts were ripe and full, beneath the blue,
shielding robe, her waist a column of cunningly tapered ivory rounding
into hips and thighs of masterful curves, moving with mysterious woman
magic beneath the vaguely transparent shimmer of her robe.

Druga stared into the blue lagoons of her eyes, and at last asked what
was closest to his heart.

"Who and what are you, who lives here at the summit of female attraction
in all the universe?"

"In ancient times, many were the men who were alive enough to sense this
pole and come questing to me as the moth to the flame. But in these
times, who are you to sense the mighty energy of the Universal Pole and
be drawn here to me?"

"I am Druga, and I am sad and bereft, and I wander seeking death as much
as life. If the name tells you anything, you are welcome to the
information. I am no immortal. Are you then one of those who do not
die?"

"I have been called by many names in the past, but men sometimes
remember me as Aurora. Others have called me Eos."

"A fool is easily convinced, immortal Eos. But though I have not lived
long, I have learned that appearances are deceiving and not to be
trusted. How do I know that I am not out of my mind, and this place and
yourself but delusions?"

"You _are_ in a state, aren't you? You must tell me all about it; there
will be plenty of time. For there is no way for a man to leave here of
his own will."

"What became of all those visitors you tell me came here in the old
time?"

Eos laughed loudly, a clear ringing laugh.

"Perhaps you had better worry about that, Druga! What do you suppose
could have happened to them?"




CHAPTER II


Eos led him into a great feasting chamber, and Druga saw there a great
host of men sitting, as to a feast, side by side.

Each one of them was of solid black stone. The fact struck Druga's mind
with a terrible impact. With a face like thunder he said:

"So it was you who turned my Feronia to stone, to drag me here to you by
your spells, and then when you tire of me to turn me likewise into
stone?"

The woman recoiled from his murderous rage, crying out in a shocked
voice, a voice of virtue unjustly accused:

"Surely you don't think that I had anything to do with this? These men
are the curse an enemy has put upon me; and every creature that I ever
loved she has turned into stone soon or late and left me here alone
forever. There is no cruelty like the cruelty of Diana Triformis."

The rage passed slowly from Druga, and left him weak and glad that his
hands had not found their way to that glorious throat, as they had
seemed about to do. For here was a woman who had suffered the same loss
as he.

"Eos, we must take thought together, for it seems we have a common
enemy. My own Feronia, a woman such as was only created by the Gods once
in all Time, was turned into similar black stone before my eyes not long
ago. We have a common enemy, and we must find a remedy for this curse
she puts upon us. Else I will go through life as you have gone, with
everything pleasant removed from it."

The artful eyes of Eos softened, and that mystery living in their depths
lightened, her arms became soft pillars of the temple of her beauty as
she lowered herself into the big chair at the head of that gloomy
feasting board of death. Druga picked up the big body of one of the
stone figures, carried it lightly to the side of the hall, and set it
there on a bench. Then he took the vacant place at the board beside the
queen of the palace of the dead.

Druga related to Eos all the events that had transpired since the
lopping off of Dionaea's head. She surmised, as did he, that this deed
was the one that had led Diana to turn the spell of the black stone
loose upon Druga as upon Eos.

"There must be found a way of turning the spells of this Goddess into
harmless attempts," said Druga. "We cannot sit here and wait for her
cruelty to work us greater harm. What can we do?"

"I have had long long years to plan a revenge upon her, but nothing I
have been able to do has had any effect," Eos said.

       *       *       *       *       *

The desire that Druga could no more help than he could help breathing,
looking upon the pole of all desire that shone its energies through the
flesh of Eos, now spoke, and Druga said with a tongue that was thick:

"Then, Eos, the very next time that Diana happens to think of you, I too
will become stone, and if we are to have joy of each other, we had
better have it soon, before I become as these others you have loved."

Eos looked at him sadly, her lips glistening with an unearthly dew and
her eyes shining like chained lightnings.

"It was that thought that betrayed me every time, Druga. Each of those
men said much those same words to me when he learned the fate that
awaited him, and for each of them my heart turned to water and we spent
our time in dalliance instead of spending our energies trying to
overcome the work of my enemy.

"For each of them I tried to give all there was of pleasure while they
yet had breath, as one tries to give water to a man about to die of
fever. I was only that much more hurt by their death--for such giving of
the self opens one to the deepest pangs of parting.

"That is the agony Diana designed for me, and she has done this to me
since that time I brought a young man to her island that was sacred to
her only. This time, Druga, there will be none of that for us; we will
try some other medicine than love for each other against this evil.
Work, we will try!"

"There speaks my dead Feronia," murmured Druga, sadly. And for thought
of her he forgot to feel the denial of his desire for the body of this
woman, a body filled with the energies of the whole Universal Pole of
female magnetism. That he should lose that glory was nothing beside the
pang he felt at thought of Feronia; and the wise Eos smiled to note that
this man had not forgotten his love even in the face of her infinite
attraction.

"If we went back to Feronia's home, might it not be that her work would
give you some inkling of how Diana might be overcome?" Druga was
thoughtful.

"I can only try," Eos answered him. "We will go there. I will examine
her work and her notes, and you will show me her laboratories that I
have heard of even here. Together, we might get an answer."

       *       *       *       *       *

Eos got up from the board, and went to a small chamber at the edge of
the disk. There her hands sent the disk slanting upward into the sky. As
they left the center of the pole of animal magnetism, Eos' body and face
changed subtly. Druga was released from the power of the pole's
attraction, and whether that was a good thing or not he could not say,
except that every atom of his body wanted to return there to that place
and remain.

"How is it, Eos, that the pole does not repel your female nature as it
attracts the male? Would it not repel an ordinary woman so that she
could not approach it?"

"In that you are wrong, Druga. The nature of this life-energy is not the
same as ordinary iron magnetism. Like poles do not repel, but are
unaffected. It is in fact only invigorating to me, making me stronger.
So it would be if you were at the other end of the universe. At the male
pole you would be vastly invigorated, not repelled. Do you understand?"

"It is only sad that the poles lie at opposite ends of the universe,"
murmured Druga, looking askance at Eos.

"Whatever might you be thinking, Druga? If such power arced between man
and woman they would be consumed!"

"But what a death, what a death," murmured Druga. Her sudden laughter
rang through the hall of death incongruously, and at the sound they fell
silent again and did not speak for thinking of the corpses waiting there
for what would never come.

"How many men has Diana and her friends killed through the years? Enough
to populate a couple of planets, I should say?"

"Diana? With her bow and arrows alone she used to account for a good
many; and later, as she learned more evil arts, there was no record
kept. She has been a most evil goddess, yet men worship her."

"Why? A goddess that kills a man for seeing her is a fiend! And her
maidens may not see a man, either. It is a strange life she leads, for a
true woman. She must be other than female."

"That could be, Druga," murmured Eos.

       *       *       *       *       *

The morning sun glittered from the streams and from the little glass
foot-bridge that shimmered magically across and up in a great arc to the
door in the side of the cliff. Eos sighed at the beauty.

"This wife of yours was a housekeeper, I note, with an eye for art."

"Her art and her work were always first, Eos. She was an uncommon hard
woman to get used to, but she made a man of me."

"That I can see," agreed Eos, and Druga looked at her twice to know what
she meant. "You owe everything to Feronia, according to you, and nothing
to yourself."

"Very little, Goddess. But I do not exaggerate, she was...."

"Well, never mind it now. I grow weary of Feronia this and Feronia that.
I will judge for myself whether she understood you or no."

"She was extremely understanding," said Druga.

       *       *       *       *       *

Days passed, and much hard work, Eos studying the laboratory notes of
Feronia, and Druga himself reading them over and trying to think of some
way he himself might strike back at their mutual enemy.

"Nothing that she has developed can be used directly against Diana
without her surviving to fight back. This would have been fatal to
Dionaea, but after all, as you have said--she is dead."

"She ought to be dead, I cut her head off!"

"That usually does the trick."

They decided to leave the laboratory the next morning, and that evening
Druga picked up the stone statue of his Feronia and carried it carefully
aboard the disk, placing her there--one woman among the thousand-odd
dead heroes of the long dead past. Druga sadly made a place for her at
the head of the board. He did not think of it, but Feronia now sat where
Eos herself had spent many a sad hour, sitting and gazing at her dead
lovers.

With the stone Feronia gone, the vast and multiplex-walled chambers of
mystery and magic assumed a new atmosphere, and Druga found himself
talking to Eos that night as if he was not a man whose heart was dead.

She sat in the place from which he had removed the black stone body of
Feronia, and Druga could not help but compare the glowing life of her
with the dead thing that had sat there.

The hammered sunlight of her hair made curls and waves of beauty about
the white shores of her shoulders. She had let the robe of insulative
blue drop from her, exposing the very heart of her beauty he had feared
to see when she was herself filled with the flow of the Pole of Life
Energy. And Druga wondered a little whether she were not still somehow
the center and pivot of the energy, for his senses reeled with looking,
and his will crumbled into forgotten ashes. He sank to the silken couch
beside her, and his eyes burned with flashing energies like meteors
plunging into the Northern lights.

Eos held her breath, and her eyes burned into his with greater and
greater force, for she had been dreaming and weeping and waiting there
at the Pole-of-all-Life for so many cold empty years--waiting for the
curse to be lifted so that she could begin to live again.

       *       *       *       *       *

With the last shred of her own will Eos murmured: "Let us go into the
disk and leave at once for Armora, and think no more of each other or
surely we will sink into the raptures we desire and forget to fight.
Then I will awake and find you too turned into stone, and myself again
alone against her. I have been unable to fight alone."

"If that is your will, do not fail to shield your beauty with that robe
you wear. For I cannot resist the power in your loveliness any more than
a straw in the wind!"

Eos closed the robe against his gaze, and like two people weighted down
with lead in every limb, they got up and went out of the darkened
chambers, and Druga closed the great doors and locked them. Silently,
not touching each other, they walked down the bridge of glass.

They entered the mansion on the disk, and Eos sent it sharply upward.
There was blood on her lower lip where she had bit it, and Druga's nails
had bitten into his palms.

Druga noted that the great golden glow in the sky had approached near to
the valley that Feronia had made her home, and he said:

"This pole of life seems to follow you about! Is there some relation
between you and it, so that you cannot be apart?"

Eos looked at him, smiling sadly, her eyes far-off with other thoughts.

"I have been taught, in the far past, that there was a Mother of Life, a
real woman, mighty and majestic beyond thinking, who lived there at the
pole and ordered life to be as it should be. That she is my ancestor,
and that there is some relation between the life energies and myself,
may be true, Druga. Whether the pole follows me, or whether coincidence
is governed by some magic so that we are never far apart, I know not.
Knowledge is a thing now lost from life, as we know it, Druga. We can
only guess at these truths, and never learn them surely."

"Now you are not telling me all you know, Eos."

"I would not tell you what I only guess, Druga. And I do not surely know
anything, any more. I have spent so much time brooding and alone."

"Forgive me, Eos. An eagle cannot fly with crows, and I will never again
put myself forward. When you have need of me, I will be here, and when
you need only your own thoughts, why then go apart; I will not seek you
out. I forget who and what you are, for my senses are strained beyond
endurance with the power of you."

"You are no crow, Druga. But in me is an adult mind, and you are as a
child, whom I must teach and raise up gradually to my estate. Every
parent grows impatient of ignorance in their offspring. One day, if time
keeps treading the self-same mill, we will be crushed together like
grapes and pressed clean. Until then, be my knight, and think not of me,
except with pity for the broken heart that beats inside me."

Druga did not look at her more, but went in and sat at the board where
the thousand dead stared, each stony eye broodingly centered upon the
spot where he had placed Feronia. And as Druga's eye likewise centered
upon that seat that had been the scene of a thousand deaths, he felt a
wave of anger from the stony body of Feronia, and a sense of guilt came
over him. He felt remorse that he should forget her and desire Eos. If
he had known that those eyes were not dead, but seeing and remembering
all that passed before them, he would have been shivering with fear of
her anger. But Druga did not know. Yet it seemed to his senses that each
of those eyes was likewise angry with him, and he got up in haste from
that table of dead men and one dead woman, and went and drank wine by
himself until sleep came.

       *       *       *       *       *

With the first rays of morning light Eos woke him, and Druga learned
that she had lowered the disk over the garden of live-oaks beside the
palace of Dionaea, and Druga looked out. No one was yet astir; they had
not yet been seen. Druga and Eos descended by the ladder of ruby glass,
and went side by side through the garden and Druga took the stairs he
knew well up to the sleeping chamber of Dionaea. For in the many-locked
cabinets of that chamber were her many acquisitions of magical
apparatus, and if anything was there that would help them, they meant to
find it.

As they entered the room, opening the door with a pick-lock, Eos cried
out in a triumphant voice:

"We are not in vain. The Queen is not dead, Druga!"

The sleepy-eyed Dionaea poked her head above the covers at the sound of
their entry. At sight of them, she hissed like a great snake, and
writhed the long hideous body of Baena free of the encumbrance of the
quilts, and Baena reared his own hideous, fanged head up beside
Dionaea's.

Druga stood astonished to see the fabled Amphis-Baena here in the bed of
Dionaea, and with the head of Dionaea! A great laugh broke from him to
see the reptilian change the grafting had wrought in Dionaea's beauty.

Dionaea did not say anything, but Baena coiled swiftly on the bed and
struck out full length, his fangs meeting in Druga's arm. Druga felt the
terrible venom, like fire in his veins, and seized the great
serpent-head in his two hands, squeezing in terrible anger. But Eos
seized him.

"No, do not kill her! Carry her into the disk, and make her captive. I
have conceived of a way of conquering Diana, and we need this creature
alive."

Druga wrapped the great body around and around his body and arm, seizing
the neck of Dionaea in one hand and the neck of Baena in the other. So
burdened, he staggered down the steps and up again into the disk, and
the trip took him a good hour, for Baena twisted loose and tried to
flee, and he wrestled and fell from the ladder, and only succeeded by
tying the writhing pillar of strength into a bow-knot and pulling it up
into the ship with a rope.

       *       *       *       *       *

Meanwhile the people of Armora had awakened from the tumult, and crowded
everywhere about the gardens, getting underfoot and wondering loudly
what this was all about. Eos hurried from the bed chamber of their Queen
with a great bundle of material she had selected as of possible future
use. They tried to stop her, but one glance of the potent magnetic power
that flamed from her great eyes sent them all to their knees in
worshipful, helpless adoration.

Druga, waiting above with the snake wound round with ropes and lashed to
the pillars, watched this evidence of her powers with awe, for he had
himself but narrowly escaped the swords of the guards, and had been
about to plunge down the ladder with his own sword in a futile attempt
to rescue Eos.

She sent the disk spinning upward in flight, and Druga took himself from
her and went and sat by the writhing, fettered body of the Amphis-Baena,
or Dionaea-Baena, or two-headed snake, saying to her as she spat venom
at him:

"Listen to me, Dionaea, the best thing you can do for yourself is to try
to win the favor of Eos. She is an enemy who has suffered as greatly as
yourself from the work of Diana, and would help you if you earned it, to
acquire a human body again. I think the snake himself would like that
better too. He is too greatly married, I would say, to relish the state
overmuch."

Baena relaxed at these words, and ceased to struggle. Then in great
snake hisses, he made himself heard.

"Dionaea, I think too you should seize this opportunity to get out of
this fix we are in. I gave you my tail to roost upon as a temporary
measure, not as a permanent part of my future. Diana, whom we both
serve, could have released us if she had been so inclined, and fixed us
up with separate bodies, but she chose not."

That Dionaea was considering his words was evident. She ceased to spit
at him, and composed her face into thought. Druga leaned back and
smiled.

Eos brought the disk to rest again at the meadow at the foot of the
glass bridge before Feronia's cliff palace, and came in to them. She
stood gazing at the two-headed creature trussed to the pillars of the
chamber. Feronia gazed at them with her stone eyes, and all the men
gazed at Feronia as if transfixed by her stony beauty, and the sight
made Dionaea shiver with apprehension. For she thought that these were
people who had angered Eos and that Eos had changed them into stone. She
wondered why Eos had added Feronia to the collection.




CHAPTER III


Eos sat beside Feronia and watched the great, writhing two-headed
Dionaea, and waited. After a time the flowing golden bands of
Life-energy entered, focusing subtly all about her, so that she seemed
to Dionaea truly to be the Mother of All, and the greatest of All
Goddesses anywhere.

At the entrance of the golden energy Eos smiled with relief, for now she
had a power that she had not thought to use against Diana before. For to
Eos this aversion to all men of the Goddess Diana spelled out the
message of her weakness, and this energy of the life pole was going to
pierce that weakness.

Day dragged after day, and the weird scene there in the banquet hall of
the stone men of the past became to Druga a tense place of waiting for
his own demise and change into a similar relic to decorate this hall of
death. For Eos would not tell him what she planned for fear he would
give her away in the tense moments that were to come when Diana at last
rejoined her Dionaea in their strange dual existence.

The inducted energies of the female pole had a most disturbing effect
upon the mingled male and female of the Amphis-Baena.

Baena, driven half mad by the increased female qualities of the head of
Dionaea, made inadvertent love to her, caressing her face with his long
forked tongue, and combing at her tangled hair with his fangs, always
Baena was distraught with her attraction. This attention drove the woman
near frantic, strained as she was in her unnatural condition, and she
could not afford to anger the beast whose body she had been grafted
upon. For even a serpent has been known to swallow its tail, and Dionaea
had no desire to know if Baena could do that trick.

Eos, sitting quietly and watching the bound serpent, smiled at this
continual by-play, and offered to release Dionaea for revealing her
knowledge of Diana, so that some chink in her armor might be found. Not
that Eos now needed any such thing, but she was kind-hearted, and wanted
Baena at least on her side. For she could see into the dual life and
thought of the two-headed monster, and knew that if Baena chose to set
his will against Diana when she was within the body and mind of
Dionaea--it would help her in what she planned.

"Baena," Eos at last said, "if you can find a way to help me against
this unnatural mistress of your mistress, I will repay you by giving you
anything you may ask of me."

Baena looked at Dionaea's head with the reptilian love-light glowing
frustrate in his great green-and-gold eyes.

"If you will promise to give me what is in my mind that I desire, why
then when the time comes I will see what I can do. I am weary of being
the tail when I was meant to be the head, and if I had it to do over,
this unnatural and self-willed appendage would remain in her proper
place."

Now Eos knew that Baena could not help desiring Dionaea as a mate, for
she seemed most reptilian in the strange snake-growth that had come over
her, and knowingly she nodded at Baena, so that he knew that she knew
what he wanted, but Dionaea did not know, for it never occurred to her.
To Eos, what the future might bring to Dionaea as the mate of a snake
seemed a proper revenge for what she had done in aiding Diana, and for
other cruelties of which Druga had told her. She planned accordingly.

       *       *       *       *       *

Came that day which was the time appointed by Diana Triformis for her
visit to Dionaea. Much as she detested the need for entering the male
body of Baena to interview Dionaea, still Dionaea had been a valuable
ally, and Diana did intend in time to release her and give her again a
human body.

To this end she had made some inquiries as to how this might be done.
For in truth the method of doing so had evaded her mind in the
excitement and rage of finding what had happened, and in the task of the
spell she had created to turn Feronia into a stone image. For Diana knew
that what Baena had accomplished she could accomplish, certainly, and
the shame of forgetting how it might be done before the wise Baena's
critical eyes made her neglect to mention her intentions to either of
the two heads of the snake.

As the swirl of ethereal force that was Diana's traveling form settled
within the golden-moted atmosphere of the great chamber of the
disk-mansion, Eos stood up, and dropped from her body her insulating
blue robe of shimmering magic, so that her supercharged beauty shone
everywhere in blinding, awful attraction.

Druga, who had been sitting disconsolately talking to himself, rose to
his feet like an automaton and walked toward that more than mortal
beauty, his eyes blinded and his senses wholly submerged in ecstasy at
the sight of the glory of Eos unveiled. As he reached the Goddess he put
out his arms like a sleepwalker to take her to him, but she avoided him,
seizing him by a wrist and turning him about, hissing in his ear,
imperatively:

"Now prove to me that you are truly a mighty man of his word, with
courage and strength, and in spite of this body of mine go out of this
chamber and wait till I call without once letting your attention turn
toward me or noting anything that goes on, else are we both lost!"

Like a man weighted down with lead on his feet, Druga strove to obey
her, moving inch by slow inch away from that vast flood of energetic
attraction.

Eos watched him move slowly away from her, every muscle standing out on
his body and his neck corded with effort to keep his head turned away,
and a vast admiration for him rose in her throat and choked her. It
seemed to her that the statue of Feronia moved and that the stone face
changed, suffused for an instant with admiration also.

       *       *       *       *       *

The swirling purple cloud of Diana's entrance moved nearer to Dionaea,
for in the hyper-space of her travelling, the points and dimensions of
this world were much alike, and she did not realize that Dionaea was not
in her palace at Armora. Settling about the two-headed creature lashed
fast to the pillars of the chamber, she moved herself within the snake
body and came to rest within the body of Baena, the snake.

Looking out of the dual heads of Dionaea and Baena now, Diana Triformis,
who was no stranger to dual and triple existence even in the same body,
saw with those four eyes the naked body of Eos, reflecting, emanating,
giving off in vast floods the focused energies of the Pole of Female
Life-energy, and those four eyes fastened hypnotized upon that glory,
female beyond any other life in all space.

Eos moved closer and closer to the bound snake, murmuring soft words:

"Oh, Diana, wonderful one, long have I desired you, for I know your
secret, that you are not female as your body seems, but male. So I have
decided to have you for myself, for I am weary of men, and want only the
boy Diana himself for my love, forever. Come to me, Diana, and dwell
with me here at the pole of love, and never leave me. Can you not see
that the enmity that has sprung up between us is the result of
misunderstood love!"

Now Baena, seeing his opportunity, thrust his own male personality to
the fore, trying to sway the intricate balance of sexes in the weird
self of Diana--and with his mind and his eyes upon Eos, made himself to
desire that infinite female attraction, which was not hard, so as to add
that much weight to the attraction which even a God might not resist
unless, as Druga had done, he turned his back upon it.

Diana could _not_ turn her back, and the whole sudden surprise of
finding herself not in the palace in Armora, but here in the halls of
her erstwhile enemy, Eos of the Dawn-light, made her natural male
attributes become dominant so that she desired Eos mightily.

Trapped thus by the circumstances, the lashed serpent body of Baena
which insisted upon gazing steadily at the vast and overwhelming beauty
of the unveiled body of Eos, and by the ignorance of Dionaea as to what
was going on, by her own masculine nature into desiring this essence of
all female attraction, Diana gazed upon Eos while the energies sent by
Eos' skill coursed in greater and greater ecstacy through her.

       *       *       *       *       *

So it was that Diana fell in love with Eos, as Eos desired, and with the
Gods, love is an overmastering passion that may not be resisted.

Now Eos and the trapped spirit of Diana conversed together, and at the
subtle words of Eos and the overmastering attraction, Diana swirled out
of the body of Baena and settled engrossed about the glowing glory that
was Eos. Inward she was drawn, and mated there in mysterious communion
with the Goddess.

"If you but had a strong male body, Diana, we could live here forever in
love and ecstasy. Why not return one of the stone men of the past into
flesh again, become a man instead of half-woman as in the past--and so
learn anew to live and love differently and gloriously...."

Such were Eos' words, made potent by the golden glowing energies within
her, swaying the bemused Diana to her will. And Diana, with Eos' hands,
went to the wall cabinets and set out certain magical apparatus, brewing
an antidote for the stony seizure she had sent to Eos' lovers in the
past. This liquid she poured over the male of stone that Eos selected,
and even as the stone man stirred and quickened into life again, her
ethereal self whirled out of Eos and settled into the reanimated flesh
of the man.

When he arose to his feet and spoke, it was Diana herself who spoke and
not the man who had loved Eos long ago. What this desecration of her
past love meant to Eos we shall not know, for she hid it beneath
languishing glances and subtle swayings of her body, drawing Diana to
her, wrapping her arms about the reanimated being, and walking with the
new male Diana out of the room and so to her own chambers.

       *       *       *       *       *

Druga, as Eos had foreseen, had been unable to contain his curiosity as
to what was going on, and had at last peered from the hallway where he
waited, just in time to see the purple swirl that was Diana settle into
and seem to reanimate the ancient long-dead stone image.

The emotions natural to a man rose in him. He was not sure just what he
was seeing, but jealousy rose in him like a flame, and his passion so
steadfastly controlled and so rewarded by the fickle Eos made this
jealousy into a terrible, red rage against her who had withheld herself
from him only to give herself to her worst enemy in the form of a man.

Druga, overcome with this jealous rage, strode out into the banquet hall
of dead men, took from the side of one of the dead men a great war-axe
of bronze, and hefting it in his hand as if it were a trembling feather
plume, strode after the two figures like the wrath of God.

As Eos reclined sensuously upon her couch in her sleeping chamber, and
Diana in the man's body stretched beside her, bending back Eos' head and
planting there a burning kiss, Druga entered, and standing over the pair
like an outraged husband, shouted in a voice he was unable to make
articulate.

"Of all contemptible females, you two are the most...."

So saying, and mouthing his disgust with a tongue that frothed with
rage, Druga seized the reanimated man with one hand by the shoulder and
flung him half across the room, whirling up the axe to send it through
him from curly head to gold-bossed sword belt.

Eos cried out in feigned fear and anguish, for she had expected this
development, and it was but one phase of the weapon-array she planned to
overcome the powers of Diana. For she knew Druga, and that he would be
able to act in no other way if he observed what was going on.

       *       *       *       *       *

But the body of the man was equipped with a sword of antique but sturdy
length, and Diana had time to sweep this formidable weapon from its
scabbard and turn aside the down plummeting axe, so that it struck a
great shower of sparks from the strange golden metal of the floor.

Druga, his rage unabated, only swung the axe aloft again, parrying
Diana's thrust with the haft of it, and then as she ducked his next
blow, the great side of the weapon struck her alongside the head;
stretching her senseless upon the floor.

Eos, on her feet, had not expected Druga so quickly to knock the goddess
unconscious, and indeed the purple mist of her hyper-space body was
already rising from the unconscious form on the floor as Eos threw
herself to the wall where a switch hung open, and with her face a glory
of triumph, thrust the great handle upward into place.

As the switch closed, a tiny black vortice spun suddenly into being in
the center of the room, and within the black swirl was a tiny golden
center. Swiftly the black vortice grew until Eos and Druga were pressed
against the wall to avoid the clutch of the power of the whirlpool. The
purple mist that was Diana was swept along as a whirlpool draws a straw,
faster and faster, and a great scream came out of the blackness. Within,
the center of the golden core seemed to give a triumphant laugh as the
purple mingled there.

For a time Eos and Druga watched the swirling gold and purple sentience
mingling and struggling at the center, and as the golden core shone
stronger and stronger and at last overcame the purple swirling entity
that was Diana, Eos pulled the switch again open, and the black vortice
of space-force lessened and finally disappeared.

That intense whirlpool of black energy had taken Diana back with it into
the terrible current of space. Diana would live--but only as a mote of
defeated consciousness whirled along forever into the depths of space by
forces too great to fight.

The man on the floor raised his head, sat up, rubbed the great lump left
there by the flat of Druga's axe--and his eyes met the flaming
attraction of Eos' eyes. With a bound he was at her side, gathering her
up into his arms, crooning brokenly.

"How long I sat and watched your grief and envied the other men who came
for their brief spell of life in Paradise before the black witchcraft of
your enemy made them into stone. How long I pitied you, poor Eos! How
many centuries have passed, and now a miracle! I am alive, and have you
once again! No other ever shall take you from me...."

Druga picked up the axe that lay disregarded on the floor.

"That may be what you wish, stranger, and though you are no enemy, if it
is Eos you desire, you shall have her only over my dead body! Arm
yourself, and prepare to die!"

The stranger eyed Druga scornfully. With a sudden gliding motion, he had
passed from Eos' arms and seized the sword from the floor, was driving
with it for Druga's throat. Druga got the axe in the way of the sword,
but an axe, whatever antiquarians may say, was never the best tool
against a smart swordsman; and this man knew his way with the weapon.

He drove Druga to the wall with swift darting movements of the blade,
and Druga had no time to swing the unwieldy axe, but had to keep
parrying the thrusts with the axe-haft, holding it between his hands
like a quarterstaff. In moments his life blood would have been spilled
on the floor had not Eos cried out:

"Hold, you brawling idiots, I am for neither of you! What do you think I
have gone through all this for, to have you two whom I love kill each
other? Now put up the weapons before I loose my own natural lightning
and send you both into that doom you can only guess at!"

       *       *       *       *       *

Druga peered at Eos, startled, and the reanimated statue pressed the
blade to his throat, but Eos struck it up with her hand as he turned to
peer at her too, and then Eos opened both her eyes quite wide upon them
so that a weakness came upon them both, sending them to their knees in
strange thralldom to the energies within her. So leaving them, Eos
walked out of the chamber and to the great hall.

After a time, when their reeling senses returned, the two men followed
the foot-steps that still sparkled where she had stepped, like
flickering motes of golden dust outlining her prints upon the
floor--followed the steps like men out of their wits, half staggering.

As they entered the hall, Eos was repeating the procedure so recently
gone through by Diana, preparing a great cauldron of the fluid she had
used to bring life again to the stone bodies. They leaned weakly against
the wall, watching her as she poured the boiling, steaming liquid over
one after another of the statues. The first figure so bathed was the
body of Feronia.

She came out of the stony trance like a fury, blazing one indignant
glance toward Eos, then turned the torrents of her wrath upon Druga.

"You philandering booby! I made you what you are and you repay me by
running off from me in my greatest need and taking up with this--this--"

"She released you from your stony prison, Feronia!" Druga said hastily,
fearing she would anger Eos with whatever word she thought of to
describe her rival--and Feronia was clever enough to avoid saying what
she was about to say, but went on with her abuse of Druga.

"Never mind what or who she is, it is you that has shown yourself the
ingrate, for she owed me nothing. You couldn't go to Mors, Daughter of
the Night, and get this thing properly taken care of at once, knowing
she was friendly to me, no! You had to wander off on your old grey
horse, never thinking of Mors, and get yourself wrapped up with the
first woman that you come to, and wind your affections all around the
planet in pursuit of her. You couldn't even remember me for one little
month! You--you--oh, Druga!"

With which outburst her voice broke, and weeping and saying his name
over and over Feronia went into his arms and wept there on his breast
for a long time. And after her tears were stopped Druga knew that
Feronia would never mention the affair again.

Druga held the dear form of his loved one close and let her weep,
stroking the raven black hair, within him the soft well of affection for
her filling and filling with all the memories of her dear, mad,
competent, unpredictable, tyrannical ways. Over the curling sweep of her
dear hair he watched Eos reviving one by one the dead loves of her past,
and thought to himself that at least with Feronia he did not have all
those rivals to contend with. The slight line across his throat where
Eos' magic had stopped the sword of one rival from letting out his life
reminded him too that with Eos as she was now, there would be no day
pass that some of these warriors would not try to get rid of some of the
rest. Druga decided that after all, Feronia loved him alone, while with
Eos there was no knowing what rivals he would have.

Now Eos got a great snake out of the forest, a female, cunningly marked
with little emerald markings, and striped with many colors, most
venomous and snake-charming in its appearance.

This snake she quickly separated from its head, and placed upon its
cunning female body the head of Dionaea, doing all that was needful
successfully to incorporate the two into one life.

Baena's tail, which caused him great pain at the separation, she healed
by applying a salve, assuring him that he would in time grow a new tail
to take the place of the old, as is the way with snakes the world over.

       *       *       *       *       *

When Dionaea awoke and found herself with a female snake's body, and
Baena mooning over her like a lovesick coil of ship's hawser, she let
out strings of oaths such as no ship's hawser had heard since the
beginning of time. All of which seemed strikingly snake-charming to
Baena, who only kissed Dionaea lovingly with his pointed tongue and
assured her she would get used to him or he would devour her and seek a
new mate elsewhere. With which assurance Dionaea ceased to curse and
began to fawn upon Baena, saying:

"Why, how can you think it is your noble self I object to, Baena? It is
just that I did not expect this development! I have grown so used to you
that there is really very little difference, after all."

So conversing, the now lowly Dionaea and the now lordly Baena glided
from the chamber and made their way down the ruby ladder of strange
crystal, and out into the world. For it is only so that a male can leave
the pole of the universal life force of the female principle, in the
company of a female good enough to keep his mind from obeying the
influence of the magnetic field.

Feronia, watching the scene, decided it was time for bed, and mentally
taking Druga by the ear, led him out and down the ruby ladder and across
the rainbow bridge of fragile glass into her own halls.

"Eos will handle her difficulties much the better without our presence,
Druga. Besides we must get to bed, for in the morning there will be much
work to attend to...."

"What you have in mind?"

"Well, first we have to practice the magical performance we have just
watched Eos go through, so that if we ever need it we too can release a
figure from that stony curse of petrifaction. It is a most uncomfortable
state. Then we have to return to Eos' disk palace and from her get
certain information, such as the whirlpool she used to suck up the
strength of Diana and cast it out into a current of force flowing
through hyper-space--for we might need it sometime in the future."

"Which I devoutly pray you will not manage," murmured Druga, yawning. "I
am too tired to even think about such a thing tonight."

With which words Druga stretched himself across the bed and straightway
began to snore, and Feronia, who had expected a warmer welcome home than
_that_, looked at him exasperated beyond measure. But then she
insinuated her own witch's perceptions into his mind, looked over the
somewhat shriveled memories of her that remained to him, and resolved to
recreate his love entire before she strained it again with her
impatience.

Outside, the great glowing magnetic field of female attraction pulsed
and glowed and reached its strange streamers across the sky. The disk
with its ancient, quaint, pillared and beautiful mansion, trembled in
the current of the energy flow of the pole of life. In Feronia's hall a
dark, small witch bent to her knees and prayed a prayer, with tears
streaking her too-determined face, that this great sleeping man of hers
would return his heart where it belonged.




CHAPTER IV


Now a witch's prayer is pretty apt to find its way to the God to which
it is directed, especially when it is a white witch with black hair
doing the praying, and not a black witch with white hair, as is so often
the case.

Mother Mors, watching the small black-and-white-striped prayer winging
its way across the deeps of night, reached out her hand and gathered it
in to her whirling bosom, full of the milk of eternal kindness and soft
with the vibrant softness of darkness itself, and read it there with the
inner eyes of her heart.

That prayer contained some startling and incomplete information, and the
mention of the passing of her enemy Diana whom she had tried to entrap
herself for so long, brought Mors abruptly out of her sleep and sent her
swiftly arrowing down upon the little valley where the golden pole now
lit the whole sky.

The mystery and awesome power and majestic primal vitality of her
silhouetted against and merged with the golden glory of the primal pole
as the vast body of Mors merged and condensed and settled and came into
human form there within the great banquet hall of Eos' palace on the
disk.

Now as the body of the great Goddess of the night came into solidity
before Eos, her laughter rang out, rich and ringing and with low, dark
under-tones. Eos looked up from the great stack of ancient alchemic
formulae where she sought the solution to the incredible quandary of too
many lovers. For too-much-of-a-good-thing she could not find any
reference in the books, for they were all designed to give only
information on how to get rid of too-much-of-a-bad-thing.

Rosy to the tips of her fingers with embarrassment, Eos rose to her
feet, her glory dimmed by the majesty of Mors' dark beauty, her height
dwarfed by the tall, mysterious strength of Mors' indestructible figure,
a figure such as must have caused the ancient artists deepest despair to
depict in the least of its intense and vital and overwhelmingly sublime
symmetry.

Mors' laughter made Eos blush till rosy was not the word for her.

"My dear Eos, can this be you? I would hardly have expected it of you,
who have always been to me the personification of so many virtues...."

"Oh, Mother Mors, I am glad to see you, in spite of this state of
affairs--you can help me. You must know what has happened?"

"I can guess, but you had better explain from the beginning. Only a
woman could know what to do here, it seems." Mors glanced around at the
thousand and some virile males.

"You know the Pole is responsible for bringing them here, and one by one
Diana turned them into stone as soon as my lonely heart turned to them
for affection."

"It's a good story, but no one but me will ever believe it."

Eos only looked pitifully at Mors, and Mors took her to her dark, soft
heart, and the vast strength of her poured into the vibrant soul of Eos,
mingled there with that golden energy that made her what she was.

"Whatever I do is going to break their hearts--you know what this place
does to men. I cannot love them all, but I _do_, and I cannot send them
away empty-handed. You know what it _means_ to them! It is really all
that cruel Diana's fault!

"For ridding me of her I owe you a debt, and though you are but a child
to my ages of life, I will help you avoid ruining the lives of all these
fine men whom you have loved. Suppose I take them away with me, all but
one, and give them back their own time and place before they found their
way here--give them the will to want that life before they knew you,
would that comfort you?"

"Only one?" murmured Eos, then blushed as she looked out over the
thousand-and-odd faces that stared at her accusingly.

"Only one, and you must choose him carefully from among them all."

"That will take some thought," said Eos, her face full of indecision. "I
loved each of them dearly."

       *       *       *       *       *

Mors' face grew a little stern at that, and quickly Eos went on:

"I'll attend to it directly, Mother Mors."

"I have a little errand to attend to over at Feronia's, I will be back
in a few beats of Druga's stricken heart. You could at least have kept
your body hidden from him, out of respect for Feronia! I have not much
patience with your dilemma. After all, there are other places to live,
you know."

"But not for me, Mors. It follows me about!"

Mors' face grew even sterner, and Eos added:

"Of course I _know_ that is because of the peculiar nature of the metal
of which the disk is constructed, but _after all_ you _know_ it has been
my home for so _very_ long, I couldn't be expected to give up my home,
could I?"

Mors only lifted one great dark eyebrow and lifted suddenly into dark
whirling force and disappeared.

Eos, her face tear-streaked, went slowly down the endless line of men,
examining each one carefully and cudgeling her memory to decide which
one she had loved the _very_ most. It was _so_ difficult.

Mors, meanwhile, drifted into being over the sleeping Druga and the
praying Feronia, still on her knees, her face upraised and very sweet
with the dark-winged eyes closed, the long line of her throat sheer
beauty in the dim light.

She touched the closed eyes softly with her potent fingertips, and
Feronia opened them with a new understanding gifted into their
structure. Then she softly entered Feronia's body and together they
peered down into the body and the thought of the sleeping man, and with
her dark fingertips vibrant with the energies of dark space, Mors went
over each little nerve and passage in the brain where the energies of
the disk and the Pole and the sight of the intense glory of Eros' body
had burned out Feronia's years of love.

Everywhere she touched, a new awareness grew, centered and vitalized by
the presence of Mors within the body of Feronia, so that nowhere was
there any evidence of the loss of love, but only the beautiful memories
of Feronia alive again within his mind, and wherever desire lived in him
Mors touched her fingers, and planted a seed that would grow with good
treatment into vital love. As she worked, Feronia wept shamelessly with
thankfulness, and for every tiny node of love that Mors planted in
Druga, one sprouted likewise in Feronia, and some of them were for Druga
and some were natural gratitude to Mors for this work of replacement.
The sleeping Druga stirred and his arms came about Feronia's hips where
she stood by the bed. Mors sent her strange energies through the two
lovers, marrying them there with the potent blessing that is actual
magnetic mingling of being--and Feronia knew that only by abuse could
she lose this man again!

"You are a good girl, Feronia, and you have a good man. I will visit you
again, if that _Dark Master_ wills it."

A chill went through the chamber at the mention of The Name, and Mors
went out with the strange ecstatic sweep of entity, and Feronia knew
what was meant by _God-head_.

       *       *       *       *       *

Eos waited for a long time before Mors came again to her, for the
God-head required certain things of Mors for this night's work.

As she at last reappeared to Eos, Eos did not note the terrific emotions
of love-ecstasy upon her face, the record of her touching with _the One_
upon the mention of him, and began to complain.

"How can I give them up, Mors?"

But Mors only looked at her with absent, flaming eyes, intent upon some
far thing, and for the first time Eos noted the vast and subtle change
in her, as if she had touched some vast fountain of beneficence
somewhere in the while she had been gone. Her cheeks were flushed, her
breast rising and falling. Mors was like a woman in love, or a Goddess
touched by the love of Jove, and Eos' eyes fell before her sublimely,
and only stood waiting for Mors to do what she must.

So Mors absently gathered up all the thousand-and-some men, tucking them
into her bosom one by one, and whirled into the night with all but one.

As the Goddess Mors disappeared, a sudden suspicion struck Eos, and she
whirled to look upon the man that was left behind.

She burst into tears.

The Red Dwarf reached out and patted her golden head. Then he stepped to
the controls and sent the disk winging swiftly away.

"Where are you going?" asked Eos, lifting her head in surprise, and
looking indignantly through her tears.

"To the opposite Pole of Energy, my sweet one," said the Red Dwarf. "Be
patient a little while, and you will yet be supremely happy. Mother Mors
is very wise...."

And Eos was very happy. You see, I _do_ know, for I was there. If it
were not so, how could you be sure what I tell you is true? For it _is_
true....

The wise will understand what I have written.





End of Project Gutenberg's Daughter of the Night, by Richard S. Shaver

*** END OF THIS PROJECT GUTENBERG EBOOK DAUGHTER OF THE NIGHT ***

***** This file should be named 32822.txt or 32822.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/2/8/2/32822/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.