The Night of Hoggy Darn

By Richard McKenna

The Project Gutenberg EBook of The Night of Hoggy Darn, by Richard McKenna

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: The Night of Hoggy Darn

Author: Richard McKenna

Release Date: November 15, 2019 [EBook #60695]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE NIGHT OF HOGGY DARN ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                        THE NIGHT OF HOGGY DARN

                           BY R. M. McKENNA

            _The talented author of "The Fishdollar Affair"
          returns with another compelling story of a frontier
           world--grim New Cornwall of the Black Learning._

           [Transcriber's Note: This etext was produced from
             Worlds of If Science Fiction, December 1958.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


Red-haired Flinter Cole sipped his black coffee and looked around the
chrome and white tile galley of Space Freighter _Gorbals_, in which he
was riding down the last joint of a dogleg journey to the hermit planet
of New Cornwall.

"Nothing's been published about the planet for the last five hundred
years," he said in a nervous, jerky voice. "You people on _Gorbals_
at least _see_ the place, and I understand you're the only ship that
does."

"That's right, twice every standard year," said the cook. He was a
placid, squinting man, pink in his crisp whites. "But like I said, no
girls, no drinks, nothing down there but hard looks and a punch in the
nose for being curious. We mostly stay aboard, up in orbit. Them New
Cornish are the biggest, meanest men I ever did see, Doc."

"I'm not a real doctor yet," Cole said, glancing down at the scholar
grays he was wearing. "If I don't do a good job on New Cornwall I
may never be. This is my Ph. D. trial field assignment. I should be
_stuffing_ myself with data on the ecosystem so I can ask the right
questions when I get there. But there's nothing!"

"What's a pee aitch dee?"

"That's being a doctor. I'm an ecologist--that means I deal with
everything alive, and the way it all works in with climate and
geography. I can use _any_ kind of data. I have only six months until
_Gorbals_ comes again to make my survey and report. If I fumble away my
doctorate, and I'm twenty-three already...." Cole knitted shaggy red
eyebrows in worry.

"Well hell, Doc, I can tell you things like, it's got four moons and
only one whopper of a continent and it's low grav, and the forest there
you won't believe even when you see it--"

"I need to know about _stompers_. Bidgrass Company wants Belconti U. to
save them from extinction, but they didn't say what the threat is. They
sent travel directions, a visa and passage scrip for just one man. And
I only had two days for packing and library research, before I had to
jump to Tristan in order to catch this ship. I've been running in the
dark ever since. You'd think the Bidgrass people didn't really care."

"Price of stomper egg what it is, I doubt that," the cook said,
scratching his fat jaw. "But for a fact, they're shipping less these
days. Must be some kind of trouble. I never saw a stomper, but they say
they're big birds that live in the forest."

"You see? The few old journal articles I did find, said they were
flightless bird-homologs that lived on the plains and preyed on the
great herds of something called darv cattle."

"Nothing but forest and sea for thousands of miles around Bidgrass
Station, Doc. Stompers are pure hell on big long legs, they say."

"There again! _I_ read they were harmless to man."

"Tell you what, you talk to Daley. He's cargo officer and has to go
down with each tender trip. He'll maybe know something can help you."

The cook turned away to inspect his ovens. Cole put down his cup and
clamped a freckled hand over his chin, thinking. He thought about
stomper eggs, New Cornwall's sole export and apparently, for five
hundred years, its one link with the other planets of Carina sector.
Their reputedly indescribable flavor had endeared them to gourmets on a
hundred planets. They were symbols of conspicuous consumption for the
ostentatious wealthy. No wonder most of the literature under the New
Cornwall reference had turned out to be cookbooks.

Orphaned and impecunious, a self-made scholar, Cole had never tasted
stomper egg.

The cook slammed an oven door on the fresh bread smell.

"Just thought, Doc. I keep a can or two of stomper egg, squeeze it from
cargo for when I got a passenger to feed. How'd you like a mess for
chow tonight?"

"Why not?" Cole said, grinning suddenly. "Anything may be data for an
ecologist, especially if it's good to eat."

       *       *       *       *       *

The stomper egg came to the officers' mess table as a heaped platter
of bite-sized golden spheres, deep-fried in bittra oil. Their
delicate, porous texture hardly required chewing. Their flavor was
like--cinnamon? Peppery sandalwood? Yes, yes, and yet unique....

Cole realized in confusion that he had eaten half the platterful and
the other six men had not had any. He groped for a lost feeling--was it
that he and the others formed a connected biomass and that he could eat
for all of them? Ridiculous!

"I'm a pig," he laughed weakly. "Here, Mr. Daley, have some."

Daley, a gingery, spry little man, said "By me" and slid the platter
along. It rounded the table and returned to Cole untouched.

"Fall to, Doc," Daley said, grinning.

Cole was already reaching ... lying in his stateroom and he _was_ the
bunk cradling a taut, messianic body flaming with imageless dreams.
He dreamed himself asleep and slept himself into shamed wakefulness
needing coffee.

It was ship-night. Cole walked through dimmed lights to the galley and
carried his cup of hot black coffee to main control, where he found
Daley on watch, lounging against the gray enamel computer.

"I feel like a fool," Cole said.

"You're a martyr to science, Doc. Which reminds me, Cookie told me you
got questions about Bidgrass Station."

"Well yes, about stompers. What's wiping them out, what's their habitat
and life pattern, oh anything."

"I learned quick not to ask about stompers. I gather they're twenty
feet high or so and they're penned up behind a stockade. I never saw
one."

"Well dammit! I read they couldn't be domesticated."

"They're not. Bidgrass Station is in a clearing the New Cornish cut
from sea to sea across a narrow neck of land. On the west is this
stockade and beyond it is Lundy Peninsula, a good half-million square
miles of the damndest forest ever grew on any planet. That's where the
stompers are."

"How thickly settled is this Lundy Peninsula?"

"Not a soul there, Doc. The settlement is around Car Truro on the east
coast, twelve thousand miles east of Bidgrass. I never been there, but
you can see from the air it isn't much."

"How big a city is Bidgrass? Does it have a university?"

Daley smiled again and shook his head. "They got fields and pastures,
but it's more like a military camp than a town. I see barracks for the
workers and egg hunters, hangars and shops, a big egg-processing plant
and warehouses around the landing field. I never get away from the
field, but I'd guess four, five thousand people at Bidgrass."

Cole sighed and put down his cup on the log desk.

"What is it they import, one half so precious as the stuff they sell?"

Daley chuckled and rocked on his toes. "Drugs, chemicals, machinery
parts, hundreds of tons of Warburton energy capsules. Pistols,
blasters, cases of flame charge, tanks of fire mist--you'd think they
had a war on."

"That's no help. I'll make up for lost time when I get there. I'll beat
their ears off with questions."

Daley's gnomish face grew serious. "Watch what you ask and who you ask,
Doc. They're suspicious as hell and they hate strangers."

"They need my help. Besides, I'll deal only with scientists."

"Bidgrass isn't much like a campus. I don't know, Doc, something's
wrong on that planet and I'm always glad to lift out."

"Why didn't you and the others eat any of that stomper egg?" Cole asked
abruptly.

"Because the people at Bidgrass turn sick and want to slug you if you
mention eating it. That's reason enough for me."

Well, that was data too, Cole thought, heading back to his stateroom.

       *       *       *       *       *

Two days later Daley piloted the cargo tender down in a three-lap
braking spiral around New Cornwall. Cole sat beside him in the cramped
control room, eyes fixed on the view panel. Once he had the bright and
barren moon Cairdween at upper left, above a vastly curving sweep of
sun-glinting ocean, and he caught his breath in wonder.

"I know the feeling, Doc," Daley said softly. "Like being a giant and
jumping from world to world."

Clouds obscured much of the sprawling, multi-lobed single continent.
The sharpening of outline and hint of regularity Cole remembered noting
on Tristan and his own planet of Belconti, the mark of man, was absent
here. Yet New Cornwall, as a human settlement, was two hundred years
older than Belconti.

The forests stretched across the south and west, broken by uplands and
rain shadows, as the old books said. He saw between cloud patches the
glint of lakes and the crumpled leaf drainage pattern of the great
northeastern plain but, oddly, the plain was darker in color than the
pinkish-yellow forest. He mentioned it to Daley.

"It's flowers and vines and moss makes it that color," the little man
said, busy with controls. "Whole world in that forest top--snakes,
birds, jumping things big as horses. Doc, them trees are _big_."

"Of course! I read about the epiphytal biota. And low gravity always
conduces to gigantism."

"There's Lundy," Daley grunted, pointing.

It looked like a grinning ovoid monster-head straining into the western
ocean at the end of a threadlike neck. Across the neck Bidgrass Station
slashed between parallel lines of forest edge like a collar. Cole
watched it again on the landing approach, noting the half-mile of
clearing between the great wall and the forest edge, the buildings and
fields rectilinear in ordered clumps east of the wall, and then the
light aberration of the tender's lift field blotted it out.

"Likely I won't see you till next trip," Daley said, taking leave.
"Good luck, Doc."

Cole shuffled down the personnel ramp, grateful for the weight of his
two bags in the absurdly light gravity. Trucks and cargo lifts were
coming across the white field from the silvery warehouses along its
edge. Men also, shaggy-haired big men in loose blue garments, walking
oddly without the stride and drive of leg muscles. Their faces were
uniformly grim and blank to Cole, standing there uncertainly. Then a
ground car pulled up and a tall old man in the same rough clothing got
out and walked directly toward him. He had white hair, bushy white
eyebrows over deep-set gray eyes, and a commanding beak of a nose.

"Who might you be?" he demanded.

"I'm Flinter Cole, from Belconti University. Someone here is expecting
me."

The old man squinted in thought and bit his lower lip. Finally he said,
"The biologist, hey? Didn't expect you until next _Gorbals_. Didn't
think you could make the connections for this one."

"It left me no time at all to study up in. But when species extinction
is the issue, time is important. And I'm an ecologist."

"Well," the old man said. "Well. I'm Garth Bidgrass."

He shook Cole's hand, a powerful grip quickly released.

"Hawkins there in the car will take you to the manor house and get you
settled. I'll phone ahead. I'll be tied up checking cargo for a day or
two, I expect. You just rest up awhile."

He spoke to the driver in what sounded like Old English, then moved
rapidly across the field toward the warehouses in the same strange walk
as the other men. As far as Cole could see, he did not bend his knees
at all.

Hawkins, also old but frail and stooped, took Cole's bags to the
car. When the ecologist tried to follow him he almost fell headlong,
then managed a stiff-legged shuffle. Momentarily he longed for the
Earth-normal gravity of Belconti and the ship.

They drove past unfenced fields green with vegetable and cereal crops,
and fenced pastures holding beef and dairy cattle of the old Earth
breeds. It was a typical human ecosystem. Then they passed a group of
field workers, and surprise jolted the ecologist. They were huge--eight
or nine feet tall, both men and women, all with long hair and some of
them naked. They did not look up.

Cole looked at Hawkins. The old man glared at him from red-rimmed eyes
and chattered something in archaic English. He speeded up, losing the
giants behind a hedge, and the manor house with the palisade behind it
loomed ahead.

The great fence dwarfed the house. Single baulks of grassy brown timber
ten feet on a side soared two hundred feet into the air, intricately
braced and stayed. High above, a flyer drifted as if on sentry duty.
Half a mile beyond, dwarfing the fence in its turn, arose the
thousand-foot black escarpment of the forest edge.

The manor house huddled in a walled garden with armed guards at the
gate. It was two-storied and sprawling, with a flat-roofed watch tower
at the southeast corner, and made of the same glassy brown timber.
Hawkins stopped the car by the pillared veranda where a lumpy, gray,
nondescript woman waited. Cole got out, awkwardly careful in the light
gravity.

The woman would not meet his glance. "I'm Flada Vignoli, Mr. Bidgrass's
niece and housekeeper," she said in a dead voice. "I'll show you your
rooms." She turned away before Cole could respond.

"Let me carry the bags, I need to," he said to Hawkins, laughing
uncertainly. The old man hoisted his skinny shoulders and spat.

The rooms were on the second floor, comfortable but archaic in style.
The gray woman told him that Hawkins would bring his meals, that Garth
Bidgrass would see him in a few days to make plans, and that Mr.
Bidgrass thought he should not go about unescorted until he knew more
about local conditions.

Cole nodded. "I'll want to confer with your leading biologists, Mrs.
Vignoli, as soon as I can. For today, can you get me a copy of your
most recent biotic survey?"

"Ain't any biologists, ain't any surveys," she said, standing in the
half-closed door.

"Well, any recent book about stompers or your general zoölogy. It's
important that I start at once."

The face under the scraggly gray hair went blanker still. "You'll have
to talk to Mr. Bidgrass." She closed the door.

Cole unpacked, bathed, dressed again and explored his three rooms. Like
a museum, he thought. He looked out his west windows at the palisade
and forest edge. Then he decided to go downstairs, and found his door
was locked.

The shock was more fear than indignation, he realized, wondering at
himself. He paced his sitting room, thinking about his scholarly status
and the wealth and power of Belconti, until he had the indignation
flaming. Then a knock came at the door and it opened to reveal old
Hawkins with a wheeled food tray.

"What do you mean, locking me in?" Cole asked hotly.

He pushed past the food tray into the hall. Hawkins danced and made
shooing motions with his hands, chattering shrilly in the vernacular.
Cole walked to the railing around the stairwell and looked down. At the
foot of the stair a giant figure, man or woman he could not say, sat
and busied itself with something in its lap.

Cole went back into his room. The food was boiled beef, potatoes and
beets, plain but plentiful, plus bread and coffee. He ate heartily and
looked out his windows again to see night coming on. Finally he tried
the door and it was not locked. He shrugged, pushed the food tray into
the hall and closed the door again. Then he shot the inside bolt.

In bed, he finally dropped off into a restless, disturbed sleep.

       *       *       *       *       *

Emboldened by morning and a hearty tray breakfast, Cole explored. He
was in a two-floor wing, and the doors into the main house were locked.
Through them he heard voices and domestic clatter. Unlocked across the
second-floor hall was another suite of rooms like his own. Downstairs
was still another suite and along the south side a library. The door
into the garden was locked.

My kingdom, Cole thought wryly. Prisoner of state!

He explored the library. Tristanian books, historical romances for the
most part, none less than three hundred years old. No periodicals,
nothing of New Cornwall publication. He drifted from window to window
looking out at the formal garden of flower beds, hedges and white sand
paths. Then he saw the girl.

She knelt in a sleeveless gray dress trimming a hedge. Her tanned and
rounded arms had dimpled elbows, he noted. She turned suddenly and he
saw, framed by reddish-brown curls, her oval face with small nose and
firm chin. The face was unsuitably grave and the eyes wide.

She was not staring at his window, Cole decided after a qualm, but
listening. Then she rose, picked up her basket of trimmings and glided
around the corner of the house. Before he could pursue her plump vision
to another window, a man appeared.

He looked taller than Cole and was built massively as a stone. Straight
black hair fell to his shoulders, cut square across his forehead and
bound by a white fillet. Under the black bar of eyebrow the heavy
face held itself in grim, unsmiling lines. He moved with that odd,
unstriding New Cornish walk that suggested tremendous power held in
leash.

Cole crossed the hall and watched the blue-clad form enter a door in
the wing opposite. The girl was nowhere. Again Cole felt a twinge of
fear, and boiled up anger to mask it.

Inside looking out, he thought. Peeping like an ecologist in a bird
blind!

When Hawkins brought lunch Cole raged at him and demanded to see Garth
Bidgrass. The old man chattered incomprehensibly and danced like a
fighting cock. Thwarted, the ecologist ate moodily and went down to
the library. The garden was empty and he decided on impulse to open a
window. A way of retreat, but from what and to where, he wondered as
he worked at the fastenings. Just as he got it free, a woman stooped
through the library door. She was at least seven feet tall.

Cole stood erect and held his breath. Not looking at him, the woman
dropped to her knees and began dusting the natural wood half-panelling
that encircled the room between bookcases. She had long blonde hair and
a mild, vacant face; she wore a shapeless blue dress.

"Hello," Cole said.

She paid no attention.

"Hello!" he said more sharply. "Do you speak Galactic English?"

She looked at him out of empty blue eyes and went back to her work.
He went past her gingerly and up to his room. There he wrote a note to
Garth Bidgrass, paced and fanned his indignation, tore up the note and
wrote a stronger one. When Hawkins brought his dinner, Cole beat down
his chattering objections and stuffed the note into the old man's coat
pocket.

"See that Bidgrass gets it at once! Do you hear, at once!" he shouted.

After nightfall, nervous and wakeful, Cole looked out on the garden by
the pale light of two moons. He saw the girl, wearing the same dress,
come out of the opposite wing, and decided on impulse to intercept her.

As he climbed through the library window he said to himself, "Anything
may be data to an ecologist, especially if it's pretty to look at."

       *       *       *       *       *

He met her full face at the house corner and her hands flew up,
fending. She turned and he said, "Please don't run away from me. I want
to talk to you."

She turned back with eyes wide and troubled, in what nature had meant
to be a merry, careless face.

"Do you know who I am?" he asked.

She nodded. "Uncle Garth says I'm not to talk to you." It was a little
girl's voice, tremulous.

"Why? What am I, some kind of monster?"

"N-no. You're an outworlder, from a great, wealthy planet."

"Belconti is a very ordinary planet. What's your name?"

"I'm Pia--Pia Vignoli." The voice took on more assurance, but the
plump body stayed poised for flight.

"Well I'm Flinter Cole, and I have a job to do on this planet. It's
_terribly_ important that I get started. Will you help me?"

"How can I, Mr. Cole? I'm nobody. I don't know anything." She moved
away, and he followed, awkwardly.

"Girls know all sorts of things that would interest an ecologist," he
protested. "Tell me all you know about stompers."

"Oh _no_! I mustn't talk about stompers."

"Well talk about nothing then, like girls do," he said impatiently.
"What's the name of that moon?" He pointed overhead.

Tension left her and she smiled a little. "Morwenna," she said. "That
one just setting into Lundy Forest is Annis. You can tell Annis by her
bluish shadows that are never the same."

"Good girl! How about the other two, the ones that aren't up?"

"One's Cairdween and the other, the red one--oh, I daren't talk about
moons either."

"Not even _moons_? Really, Miss Vignoli--"

"Let's not talk at all. I'll show you how to walk, you do look so funny
all spraddled and scraping your feet. I was born off-planet and I had
to learn it myself."

She showed him the light down-flex of the foot that threw the body more
forward than up, and he learned to wait out the strange micropause
before his weight settled on the other foot. With a little practice
he got it, walking up and down the moonlit path beside her in an
effortless toe dance. Then he learned to turn corners and to jump.

"Pia," he said once. "Pia. I like the sound, but it doesn't suit this
rough planet."

"I was born on Tristan," she murmured. "Please don't ask--"

"I won't. But no reason why I can't talk. May I call you Pia?"

He described Belconti and the university, and his doctorate, at stake
in this field assignment. Suddenly she stopped short and pointed to
where a red moon lifted above the dark cliff of the eastern forest.

"It's late," she said. "There comes Hoggy Darn. Good night, Mr. Cole."

She danced away faster than he could follow. He crawled back through
his window in the reddish moonlight.

       *       *       *       *       *

Next afternoon Cole faced Garth Bidgrass in the library. The old man
sat with folded arms, craggy face impassive. Cole, standing, leaned his
weight on his hands and thrust his sharp face across the table. His
freckles stood out against his angry pallor, and sunlight from the end
window blazed in his red hair.

"Let me sum up," he said, thin-lipped. "For obscure reasons I must
be essentially a prisoner. All right. You have no education here, no
biologists of any kind. All right. Now here is what they expect of me
on Belconti: to rough out the planetary ecosystem, set up a functional
profile series for the stomper and its interacting species, make energy
flow charts and outline the problem. If my report is incorrect or
incomplete, Belconti won't send the right task group of specialists.
Then you spend your money for nothing and I lose my doctorate. I must
have skilled helpers, a clerical staff, _masses_ of data!"

"You've said all that before," Bidgrass said calmly. "I told you, I can
provide none of that."

"Then it's hopeless! Why did you ever send for an ecologist?"

"I sent for help. Belconti sent the ecologist."

"Help me to _help_ you, then. You must try to understand, Mr. Bidgrass,
science can't operate in a vacuum. I can't work up a total planetary
biology. I must _start_ with that data."

"Do what you can for us," Bidgrass said. "They won't blame you on
Belconti when they know and we won't blame you here if it doesn't help."

Cole sat down, shaking his head. "But Belconti won't count it as a
field job, not in ecology. You _will_ not understand my position. Let
me put it this way: suppose someone gave you a hatchet and told you,
only one man, to cut down Lundy Forest?"

"I could start," the old man said. His eyes blazed and he smiled
grimly. "I'd leave my mark on one tree."

Colt felt suddenly foolish and humbled.

"All right," he said. "I'll do what I can. What do you think is wiping
out the stompers?"

"I know what. A parasite bird that lays its eggs on stomper eggs. Its
young hatch first and eat the big egg. The people call them piskies."

"I'll need to work out its life cycle, look for weak points and natural
enemies. Who knows a lot about these piskies?"

"I know as much as anybody, and I've never seen a grown one. We believe
they stay in the deep forest. But there are always three to each
stomper egg and they're vicious. Go for a man's eyes or jugular. Egg
hunters kill dozens every day."

"I'll want dozens, alive if possible, and a lab. Can you do that much?"

"Yes. You can use Dr. Rudall's lab at the hospital." Bidgrass stood up
and looked at his watch. "The egg harvest should start coming in soon
down at the plant and there may be a dead pisky. Come along and see."

       *       *       *       *       *

As Hawkins guided the car past a group of the giant field workers, Cole
felt Bidgrass' eyes on him. He turned, and the old man said slowly,
"Stick to piskies, Mr. Cole. We'll all be happier."

"Anything may be data to an ecologist, especially if he overlooks it,"
Cole murmured stubbornly.

Hawkins cackled something about "Hoggy Darn itha hoose" and speeded up.

In the cavernous, machinery-lined plant Cole met the manager. He
was the same powerful, long-haired man Cole had seen in the garden.
"Morgan," Bidgrass introduced him with the one name, adding, "He
doesn't use Galactic English."

Morgan bent his head slightly, unsmiling, ignoring Cole's offered hand.
His wide-set eyes were so lustrously black that they seemed to have no
pupils, and under the hostile stare Cole flushed angrily. They walked
through the plant, Morgan talking to Bidgrass in the vernacular. His
voice was deep and resonant, organ-like.

Bidgrass explained to Cole how stomper egg was vac-frozen under biostat
and sealed in plastic for export. He pointed out a piece of shell, half
an inch thick and highly translucent. From its radius of curvature Cole
realized that stomper eggs were much larger than he had pictured them.
Then someone shouted and Bidgrass said a flyer was coming in. They went
out on the loading dock.

The flyer alongside carried six men forward of the cargo space and
had four heavy blasters mounted almost like a warcraft. As the dock
crew unloaded two eggs into dollies, other flyers were skittering in,
further along the dock. Bidgrass pointed out to Cole on one huge four
by three-foot egg the bases of broken parasite eggs cemented to its
shell. Through a hole made by piskies, the ecologist noted that the
substance of the large egg was a stiff gel. Morgan flashed a strong
pocket lamp on the shell and growled something.

"There may be a pisky hiding inside," Bidgrass said. "You are lucky,
Mr. Cole."

Morgan stepped inside and returned almost at once wearing goggles
and heavy gloves, and carrying a small power saw. He used the light
again, traced an eight-inch square with his finger, and sawed it out.
The others, all but Cole, stood back. Morgan pulled away the piece and
something black flew up, incredibly swift, with a shrill, keening sound.

Cole looked after it and Morgan struck him heavily in the face,
knocking him to hands and knees. Feet stamped and scraped around him
and Cole saw his own blood dripping on the clock. He stood up dazed and
angry.

"Morgan saved your eye," Bidgrass told him, "but the pisky took a
nasty gouge at your cheekbone. I'll have Hawkins drive you to the
hospital--you wanted to meet Dr. Rudall anyway."

Cole examined the crushed pisky on the way to the hospital. Big as his
fist, with a tripartite beak, it was no true bird. The wings were flaps
of black skin that still wrinkled and folded flexibly with residual
life. It had nine toes on each foot and seemed covered with fine scales.

Dr. Rudall treated Cole's cheek in a surprisingly large and well
appointed dressing room. He was a gray, defeated-looking man and
told Cole in an apologetic voice that he had taken medical training
on Planet Tristan many years ago ... out of touch now. His small lab
looked hopelessly archaic, but he promised to biostat the dead pisky
until Cole could get back to it.

Hawkins was not with the ground car. Cole drove back to the plant
without him. He wanted another look at the mode of adhesion of pisky
egg on stomper egg. He drove to the further end of the plant and
mounted the dock from outside, to freeze in surprise. Twenty feet away,
the dock crew was unloading a giant.

He was naked, strapped limply to a plank, and his face was bloody. Half
his reddish hair and beard was singed away. Then a hand hit Cole's
shoulder and spun him around. It was Morgan.

"Clear out of here, you!" the big man said in fluent, if plain,
Galactic English. "Don't you ever come here without Garth Bidgrass
brings you!" He seemed hardly to move his lips, but the voice rumbled
like thunder.

"Well," thought Cole, driving back after Hawkins, "datums are data, if
they bite off your head."

       *       *       *       *       *

"For your own safety, Mr. Cole, you must not again leave the company
of either Hawkins or Dr. Rudall when you are away from the house,"
Bidgrass told Cole the next morning. "The people have strange beliefs
that would seem sheer nonsense to you, but their impulsive acts, if you
provoke them, will be unpleasantly real."

"If I knew their beliefs I might know how to behave."

"It is your very presence that is provoking. If you were made of salt
you would have to stay out of the rain. Here you are an outworlder and
you must stay within certain limits. It's like that."

"All right," Cole said glumly.

He worked all day at the hospital dissecting the pisky, but found
no parasites. He noted interesting points of anatomy. The three-part
beak of silicified horn was razor sharp and designed to exert a double
shearing stress. The eye was triune and of fixed focus; the three
eyeballs lay in a narrow isosceles triangle pattern, base down, behind
a common triangular conjunctiva with incurved sides and narrow base.
The wings were elastic and stiffened with a fan of nine multi-jointed
bones that probably gave them grasping and manipulating power in the
living organism. None of it suggested the limit factor he sought.

Dr. Rudall helped him make cultures in a sterile broth derived from the
pisky's own tissues. In the evening a worker from the plant brought
eleven dead piskies and Cole put them in biostat. He rode home with
Hawkins to his solitary dinner feeling he had made a start.

Day followed day. Cole remained isolated in his wing, coming and going
through his back door into the garden. He became used to the mute
giant domestics who swept and cleaned. Now and then he exchanged a few
words with the sad Mrs. Vignoli, Pia's mother, he learned, or with
old Bidgrass, in chance meetings. He watched Pia through his windows
sometimes and knew she fled when he came out. There was something
incongruous in the timid wariness with which her plump figure and
should-be-merry face confronted the world.

Once he caught her and held her wrist. "Why do you run away from me,
Pia?"

She pulled away gently. "I'll get you in trouble, Mr. Cole. They don't
trust me either. My father was a Tristanian."

"Who are _they_?"

"Just they. Morgan, all of them."

"If we're both outworld, we should stick together. I'm the loneliest
man on this planet, Pia."

"I know the feeling," she said, looking down.

He patted her curls. "Let's be friends then, and you help me. Where do
these giant people come from?"

Her head jerked up angrily. "That has nothing to do with your work! I'm
inworld too, Mr. Cole. My mother is of the old stock."

Cole let her go in silence.

He began working evenings in the lab, losing himself in work. Few of
the blue-clad men and women he encountered would look at him, but he
sensed their hostile glances on the back of his neck. He felt islanded
in a sea of dull hatred. Only Dr. Rudall was vaguely friendly.

Cole found no parasites in hundreds of dissected piskies, but his
cultures were frequently contaminated by a fungus that formed dark red,
globular fruiting bodies. When he turned to cytology he found that what
he had supposed to be an incredibly complex autonomic nervous system
was instead a fungal mycelium, so fine as to be visible only in phase
contrast. He experimented with staining techniques and verified it in a
dozen specimens, then danced the surprised Dr. Rudall around the lab.

"I've done it! One man against a planet!" he chortled. "We'll culture
it, then work up mutant strains of increasing virulence--oh for a
Belconti geno-mycologist now!"

"It's not pathogenic, I'm afraid," Dr. Rudall said. "I ... ah ...
read once, that idea was tried centuries ago ... all the native fauna
have fungal symbiotes ... protect them against all known pathogenic
microbiota ... should have mentioned it, I suppose...."

"_Yes_, you should have told me! My God, there go half the weapons
of applied ecology over the moon ... my time wasted ... _why_ didn't
you tell me?" The ecologist's sharp face flushed red as his hair with
frustrated anger.

"You didn't ask ... hardly know what ecology means ... didn't realize
it was important ..." the old doctor stammered.

"_Everything_ is important to an ecologist, especially what people
won't tell him!" Cole stormed.

He tried to stamp out of the lab, and progressed in a ludicrous
bouncing that enraged him even more. He shouted for Hawkins and went
home early.

       *       *       *       *       *

In his rooms he brooded on his wrongs for an hour, then went downstairs
and thundered on the locked door into the main house, shouting Garth
Bidgrass' name. The sounds beyond hushed. Then Garth Bidgrass opened
the door, looking stern and angry.

"Come into the library, Mr. Cole," he said. "Try to control yourself."

In the library Cole poured out his story while Bidgrass, standing with
right elbow resting atop a bookcase, listened gravely.

"You must understand," Cole finished, "to save the stompers we must
cut down the piskies. Crudely put, the most common method is to find a
disease or a parasite that affects them, and breed more potent strains
of it. But that won't work on piskies, and I could have and should have
known that to begin with."

"Then you must give up?"

"_No!_ Something must prey on them or their eggs in their native
habitat, a macrobiotic limit factor I can use. I must learn the adult
pisky's diet; if its range is narrow enough that can be made a limit
factor."

The old man frowned. "How would you learn all this?"

"Field study. I want at least twenty intelligent men and a permanent
camp somewhere in Lundy Forest."

Bidgrass folded his arms and shook his head. "Can't spare the men. And
it's too dangerous--stompers would attack you day and night. I've had
over two hundred egg hunters killed this year, and they're trained men
in teams."

"Let me go out with a team then, use my own two eyes."

"Men wouldn't have you. I told you, they're superstitious about
outworlders."

"Then it's failure! Your money and my doctorate go down the drain."

"You're young, you'll get your doctorate another place," the old man
said. "You've tried hard, and I'll tell Belconti that." His voice was
placating, but Cole thought he saw a wary glint in the hard gray eyes.

Cole shrugged. "I suppose I'll settle in and wait for _Gorbals_. But
I've had pleasanter vacations."

He turned his back and scanned the shelves ostentatiously for a book.
Bidgrass left the room quietly.

It was a boring evening. Pia was not in the garden. Cole looked at
the barrier and the incredible cliff of Lundy Forest. He would like
to get into that forest, just once. Hundred and fifty days before
_Gorbals_ ... _why_ had they ever sent for him? They seemed to be
conspiring to cheat him of his doctorate. They had, too.... Finally he
slept.

       *       *       *       *       *

He woke to a distant siren wail and doors slamming and feet scraping in
the main house. Dressing in haste, he noted a red glow in the sky to
southward and heard a booming noise. In the hall outside his room he
met Pia, face white and eyes enormous.

"Stomper attack!" she cried. "Come quickly, you must hide in the
basement with us!"

He followed her into the main house and downstairs to where Mrs.
Vignoli was herding a crowd of the giant domestics down a doored
staircase. The giant women were tossing their heads nervously. Several
were naked and one was tearing off her dress. Cole drew back.

"I'm an ecologist, I want to see," he said. "Stompers are data."

He pushed her gently toward the women and walked out on the front
veranda. From southward came an incredibly rich and powerful chord of
organ music, booming and swelling, impossibly sustained. Old Hawkins
danced in the driveway in grotesque pointed leaps, shrieking "Hoosa
maida! Hoosa maida!" Overhead the moons Cairdween, Morwenna and Annis
of the blue shadows were arranged in a perfect isosceles triangle,
narrow base parallel to the horizon. It stirred something in Cole, but
the swelling music unhinged his thought. With a twinge of panic he
turned, to find Pia at his elbow.

"They're after me, after us," she cried against the music.

"I must see. You go find shelter, Pia."

"With you I feel less alone now," she said. "One can't really hide,
anyway. Come to the watch tower and you'll see."

He followed her through the house and up two flights to the roof of the
tower on the southeast corner. As they stepped into the night air, the
great organ sound enwrapped them, and Cole saw the southern sky ablaze,
with flyers swooping and black motes hurtling through the glare.
Interwoven pencils of ion-flame flickered in the verging darkness and
the ripping sound of heavy blasters came faintly through the music.

A hundred-yard section of the barrier was down in flames, and the
great, bobbing, leggy shapes of stompers came bounding through it while
others glided down from the top. Flyers swarmed like angry bees around
the top of the break, firing mounted blasters and tearing away great
masses of wood. The powerful chord of music swelled unendurably in
volume and exultant richness until Cole cried out and shook the girl.

"It plucks at my backbone and I can't think! Pia, Pia, what _is_ that
music?"

"It's the stompers singing," she shouted back.

He shook his head. Bidgrass Station seethed, lights everywhere, roads
crowded with trucks. Around the base of the breakthrough a defense
perimeter flared with the blue-violet of blasters and the angry red
of flame guns. As Cole watched it was overrun and darkened in place
after place, only to reform further out as reserves came into action.
Expanding jerkily, pushed this way and that, the flaming periphery
looked like a fire-membrane stressed past endurance by some savage
contained thing. With a surge of emotion Cole realized it was men down
there, with their guns and their puny muscles and their fragile lives
against two-legged, boat-shaped monsters twenty feet high.

"Sheer power of biomass," he thought. "Even their shot-down bodies are
missiles, to crush and break." A sudden eddy in the flaming defense
line brought it to within half a mile of the house. Cole could see men
die against the glare, in the great music.

The girl pressed close to him and whimpered, "Oh, start the fire mist!
Morwenna pity them!" Cole put his arm tightly around her.

A truck convoy pulled up by the manor house and soldiers were
everywhere, moving quickly and surely. A group hauled a squat, vertical
cylinder on wheels crashing through the ornamental shrubbery. Violet
glowing metal vaning wound about it in a double helix.

"It's a Corbin powercaster," Pia shouted into Cole's ear. "It
broadcasts power to the portable blasters so the men don't need to
carry pack charges or lose time changing them."

Cole looked at the soldiers. The same big men he saw every day, the
same closed and hostile faces, but now a wild and savage joy shone in
them. This was their human meaning to themselves, their justification.
The red boundary roared down on them, they would be dying in a few
minutes, but they were braced and fiercely ready.

The music swelled impossibly loud and Cole knew that he too was going
to die with them, despised outworlder that he was. He hugged the girl
fiercely and tried to kiss her.

"Let me in your world, Pia!" he cried.

She pulled away. "Look! The fire mist! Oh thank you, good Morwenna!"

He saw it, a rose pink paled by nearer flame, washing lazily against
the black cliff edge of Lundy Forest. It grew, boiling up over the
barrier in places, spilling through the gap, and the great, agonizing
chord of music muted and dwindled. The flame-perimeter began shrinking
and still the fire mist grew, staining the night sky north and south
beyond eye-reach. The song became a mournful wailing and the soldiers
in the garden moved forward for the mopping up.

"Pia, I've got to go down there. I've got to see a stomper close up."

She was trembling and crying with reaction. "I think they'll be too
busy to mind," she said. "But don't go too far in ... Flinter."

He ran down the stairs and through the unguarded gate toward the
fought-over area. Wounded men were being helped or carried past him,
but no one noticed him. He found a stomper, blaster-torn but not yet
dead, and stopped to watch the four-foot tripart beak snap feebly and
the dark wings writhe and clutch. The paired vertical eyelid folds
rolled apart laterally to reveal three eyes under a single triangular
conjunctiva, lambent in the flame-shot darkness. Soldiers passed
unheeding while Cole stood and wondered. Then a hand jerked violently
at his arm. It was Morgan.

Morgan wordlessly marched him off to a knot of men nearer the mopping
up line and pushed him before Garth Bidgrass. Sweat dripped from
flaring eyebrows down the grim old face, and over a blistered right
cheek. A heavy blaster hung from the old man's body harness.

"Well, Mr. Cole, is this data?" he asked dourly. "Have you come out to
save stompers?"

"I wish I could have saved men, Mr. Bidgrass. I wanted to help," Cole
said.

"Another like this and you may have to," Bidgrass said, less sharply.
"It was close work, lad."

"I can help Dr. Rudall. You must have many wounded."

"Good, good," the old man said approvingly. "The men will take that
kindly and so will I."

"One favor," Cole said. "Will you have your men save half a dozen
living stompers for me? I have another idea."

"Well, I don't know," Bidgrass said. "The men won't like it ... but a
few days, maybe ... yes, I'll save you some."

"Thank you, sir." Cole turned away, catching a thick scowl from Morgan.
Overhead the three moons were strung in a ragged line across the sky,
and Hoggy Darn was rising.

       *       *       *       *       *

Cole worked around the clock at the hospital, sterilizing instruments
and helping Dr. Rudall with dressings. He was surprised to see other
doctors, many nurses and numerous biofield projectors as modern as any
on Belconti. Some of the wounded were women. All of them, wounded and
unwounded, seemed in a shared mood of exaltation. He caught glimpses of
Pia, working too. She seemed less poised for flight, tired but happy,
and she smiled at him.

After three days Cole saw his stompers in a stone-floored pen at the
slaughter house. Earth breed cattle lowed in adjacent pens. Four
stompers still lived, their bodies blaster torn and their legs crudely
hamstrung so they could not stand. They lay with heads together and the
sun glinted on the blue-black, iridescent scales covering the domed
heads and long necks.

Three shock-headed butchers stood by, assigned to help him. Their
distaste for Cole and the job was so evident that he hurried through
the gross dissection of the two dead stompers at one end of the same
pen. After an hour he thought to ask, as best he could, whether
the living stompers were being given food and water. When one man
understood, black hatred crossed his face and he spat on Cole's shoe.
The ecologist flushed, then shrugged and got on with the job.

It brought him jarring surprises culminating in a tentative conclusion
late on the second day. Then the situation began to fall apart. Working
alone for the moment, Cole opened the stomach of the second stomper and
found in it half-digested parts of a human body. Skull and humerus size
told him it was one of the giants.

First pulling a flap of mesentery over the stomach incision, Cole
went into the office and phoned Dr. Rudall to come at once. Coming
out, he heard angry shouts and saw two of his helpers running to join
the third, who stood pointing into the carcass. Then all three seized
axes, ran across the pen and began hacking at the necks of the living
stompers.

The great creatures boomed and writhed, clacking their beaks and half
rising on their wings, unable to defend themselves. The butchers howled
curses, and the stompers broke into a mournful wailing harmonized with
flesh-creeping subsonics. Cole shouted and pleaded, finally wrested an
axe from one and mounted guard over the last living stomper. He stood
embattled, facing a growing crowd of butchers from the plant, when Dr.
Rudall arrived.

"Dr. Rudall, explain to these maniacs why I must keep this stomper
alive!" he cried angrily.

"I'm sorry, Mr. Cole, they will kill it in spite of you."

"But Garth Bidgrass ordered--"

"In spite of him. There are factors you don't understand, Mr. Cole. You
are yourself in great danger." The old doctor's hands trembled.

Cole thought rapidly. "All right will they wait a day? I want tissue
explants for a reason I'll explain later. If you'll help me work up the
nutrient tonight--"

"Our pisky nutrient will work. We can take your samples within the
hour. Let me call the hospital."

He spoke rapidly to the glowering butchers in the vernacular, then
hurried into the building. An hour later the stomper was dead, and
Hawkins drove Cole and the doctor back to their lab with the explants.

"I've almost got it," Cole said happily. "Several weeks and two more
bits of information and I'll tell you. In spite of all odds, one man
against a planet--this will found my professional reputation back on
Belconti."

       *       *       *       *       *

Once again Cole faced Garth Bidgrass across the round table in the
library. This time he felt vastly different.

"The piskies are really baby stompers," he said, watching the craggy
old face for its reaction. It did not change.

"I suspected it when I saw how the smaller eggs fused with the
large egg, with continuous laminae," Cole went on. "There was the
morphological resemblance, too. But when I dissected two mature
stompers I found immature eggs. Even before entry into the oviduct what
you call pisky eggs are filamented to the main body of cytoplasm."

Disappointingly, Bidgrass did not marvel. He squinted and cocked
his head. Finally he said, "Do you mean the piskies lay their eggs
internally in the stompers?"

"Impossible! I made a karyotype analysis of pisky and stomper tissue
and they are _identical_, I tell you. My working hypothesis for now
is that pisky eggs are fertilized polar bodies. It's not unknown. But
that the main body should be sterile and serve as an external food
source--that's new, I'm sure. That will get my name in the journals all
through Carina sector."

He could not help smiling happily. Bidgrass bit his lower lip and
stared keenly, not speaking. Cole became nettled.

"I hope you see the logic," he said. "What threatens your stompers is
harvest pressure from your own egg hunters. Stop it for a few decades,
or set aside breeding areas, and you can have a whole planetful again."

The old man scowled and stood up. "We'll not stop," he said gruffly.
"There are still plenty of stompers. Remember last month." He walked to
the end window and back, then sat down again still looking grim.

"Don't be too sure," Cole objected. "I haven't finished my report.
I made a Harvey analysis on the tissues of one stomper. It involves
culturing clones, measuring growth rates and zones of migration and
working out a complex set of ratios--I won't go into details. But when
I fitted my figures into Harvey's formula it indicated _unmistakably_
that the stompers have a critical biomass."

"What does that mean?"

"Think of a species as one great animal that never dies, of which each
individual is only a part. Can you do that?"

"Yes!" the old man exploded, sitting bolt upright.

"Well, the weight of a cross-section of the greater animal at any
moment in time is its biomass. Many species have a point or value of
critical biomass such that, if it falls below that point, the greater
animal dies. The species loses its will to live, decays, drills into
extinction in spite of all efforts to save it. The stomper is such a
species, no doubt whatever. Do you see how the slaughter a month ago
may _already_ have extinguished them as a species?"

Bidgrass nodded, smiling grimly. His eyes held a curious light.

"Tell me, Mr. Cole, your Harvey formula--do _human beings_ have a
critical biomass?"

"Yes, biologically," Cole said, surprised. "But in our case a varying
part of the greater animal is carried in our culture, our symbol
system, and is not directly dependent on biomass. A mathematical
anthropologist could tell you more than I can."

Bidgrass placed his hands palm down on the table and leaned back in
sudden resolution.

"Mr. Cole, you force me to tell you something I had been minded to
hold back. I already know a good part of what you have just told me. I
_wish_ to exterminate the stompers and I will do so. But I meant for
you to go back to Belconti thinking it was the piskies."

Cole propped his chin on folded hands and raised his eyebrows. "I half
suspected that. But I fooled you, didn't I?"

"Yes, and I admire you for it. Now let me tell you more. Stomper egg
brings a very high price and I have kept it higher by storing large
reserves. When it is known the stomper is extinct, the rarity value of
my reserve will be enormous. It will mean an end of this harsh life for
me and for my grandniece after me."

Cole's lip curled, and red mounted in the old man's face as he talked,
but he went on doggedly.

"I want the pisky theory and the news of stomper extinction to be
released through Belconti University. The news will spread faster and
be more readily believed and I will avoid a certain moral stigma--"

"And now I've crossed you up!"

"You can still do it. I can ease your conscience with a settlement
of--say--five thousand solars a year for life."

Cole leaped up and leaned across the table.

"No!" he snapped. "Old man, you don't know how ecologists feel about
the greed-murder of species. What I _will_ do is work through Belconti
on your government at Car Truro, warn it that you are about to destroy
an important planetary resource."

Bidgrass stood up too, scowling darkly red.

"Not so fast, young fellow. I have copies of your early notes in which
you call the piskies the critical limit factor in stomper extinction.
Almost three hundred people were killed in that stomper attack, and
you could easily have been one of them. If you had, I would naturally
have reported it via the next _Gorbals_ to Belconti and sent along your
notes to date--do you follow me?"

"Yes. A threat."

"A counter-threat. Think it over for a few days, Mr. Cole."

       *       *       *       *       *

Cole sat glumly in his room waiting for his dinner and wondering if it
would be poisoned. When old Hawkins tapped, he pulled open the door,
only to find Pia instead with a service for two. She was rosy and
smiling in a low-cut, off-shoulder brown dress he had not seen before.

"May I eat dinner with you tonight, Flinter?" she asked.

"Please do," he said, startled. "Am I people now, or something?"

"Uncle Garth says now that you know--" She broke off, blushing still
more.

"I don't like what I know," he said somberly, "but it's not you, Pia.
Here, let me."

He pulled the cart into the room and helped her set the things on his
table. Pia _was_ lovely, he decided, wanting to caress the smooth
roundness of her shoulders and dimpled arms. When she sat across the
small table from him he could not help responding to the swell of her
round breasts barely below the neckline. But her manner seemed forced
and she looked more frightened than ever.

"You look like a little rabbit that knows it's strayed too far from the
woods, Pia. What _are_ you always afraid of?"

Her smile faded. "Not because I'm too far from the woods," she said.
"What's a rabbit? But let's not talk about fear."

They talked of food and weather through a more than usually elaborate
dinner. There was a bottle of Tristanian _kresch_ to follow it. Cole
splashed the blue wine into the two crystal goblets, gave her one and
held up his own.

"Here's to the richest little girl on Tristan someday," he said, half
mockingly.

Tears sprang to her eyes. "I don't want to be rich. I just want a
home away from New Cornwall, just anywhere. I was born on Tristan. Oh
Flinter, what you must think--" She began crying in earnest.

He patted her shoulder. "Forgive me for a fool, Pia. Tell me about
Tristan. I had only one day there, waiting for _Gorbals'_ tender."

She spoke of her childhood on Tristan, and the tension eased in both.
Finally she proposed a picnic for the next day, the two of them to
take a sports flyer into the forest top. He agreed with pleasure and
squeezed her hand in saying good night.

She squeezed back a little. But she still looked frightened.

       *       *       *       *       *

Next day Pia wore a brief yellow playsuit, and Cole could not keep his
eyes off her. When he was loading the picnic hamper into the small
flyer before the main hangar, she suddenly pressed close to him. He
followed her wide-eyed gaze over his right shoulder and saw Morgan
bulking darkly ten feet away.

"Hello there, Mr. Morgan," Cole said into the impassive face under the
black bar of eyebrow.

Morgan rumbled in vernacular and walked on. His lips did not move.

"You're afraid of Morgan," Cole said when he had the flyer aloft and
heading east.

"He's a bard. He has a power," she said. "Today, let's forget him."

Cole looked back at the bulk of Lundy Peninsula, swelling lost into
blue-green distance from the narrow isthmus. The straight slash of
Bidgrass Station from sea to sea looked puny beside the mighty forest
towering on either side. Then Pia had his arm and wanted him to land.

He grounded on a pinkish-green mass of lichen several acres in area.
Pia assured him it would support the flyer, reminding him of the
planet's low gravity.

The resilient surface gave off a fragrance as they walked about on
it. In a sea all around their island, branches of the great forest
trees thrust up, leafy and flowering and bedecked with a profusion of
epiphytal plants in many shapes and colors. Bright-hued true birds
darted from shadow into sunlight and back again, twittering and crying.

"It's beautiful," he said. And so was Pia, he thought, watching her on
tiptoe reaching to a great white flower. The attractive firmness of
her skin, the roundness and dimpling, _ripeness_, that was the word he
wanted. And her eyes.

"Pia, you're not frightened any more!"

It was true. The long-lashed brown eyes were merry as nature meant them
to be.

"It's peaceful and safe," she said. "When I come to the forest top I
never want to go back to Bidgrass Station."

"Too bad we must, and let's pretend we don't," he said, pointing to a
cluster of red-gold fruits. "Are those good to eat?"

"Too good. That's the trouble with New Cornwall."

"What do you mean?"

"Race you back to the flyer," she cried, and danced away, bare limbs
twinkling in the sunlight. He floundered after.

The lunch was good and she had brought along the rest of the bottle of
_kresch_. They sipped it seated beside the flyer while she tried to
teach him New Cornish folk songs. Her small, clear singing blended with
that of the birds around them.

"I catch parts of it," he said. "As an undergraduate a few years ago I
studied the pre-space poets. I can read Old English, but it is strange
to my ear."

"I could teach you."

"I love one wry-witted ancient named Robert Graves. How does it go:
_If strange things happen where she is_--no, I can't recall it now."

"I could write the songs out for you."

"The beauty is in you and your voice. Just sing."

She sang, something about a king with light streaming from his hair,
coming naked out of the forest to bring love into his kingdom. Small
white clouds drifted in the blue sky, and blue Annis slept just above
the rustling branches that guarded the secret of their island. He
listened and watched her.

She was softly rounded as the clouds, and her clustered brown curls
made an island of the vivid face expressing the song she sang so
bird-like and naturally. She was vital, compact, self closed,
perfect--like one of the great flowers nodding in the breeze along the
island shore--and his heart yearned across to her.

"Pia," he said, breaking into the song, "do you really want to get away
from New Cornwall?"

She nodded, eyes suddenly wide, lips still parted.

"Come with me to Belconti then. Right now. We'll cross to Car Truro and
wait there for _Gorbals_."

The light dimmed in her face. "Why Car Truro?"

"Pia, it's hard to tell you. I'm afraid of your great-uncle.... I want
to contact the planetary government."

"It's no good at Car Truro, Flinter. Can't you just come back to
Bidgrass Station and ... and ... do what Uncle Garth wants?"

He could barely hear the last. The fear was back in her eyes.

"Do you know what he wants?"

"Yes." The brown curls drooped.

Cole stood up. "So _that's_ the reason--well, I'll not do it, do you
hear? Garth Bidgrass is an evil, greedy old man and maybe it runs in
the blood."

She jumped up, eyes more angry now than fearful. "He is not! He's
trying to save you! He's good and noble and ... and _great_! If you
only knew the truth--Morwenna forgive me!" She clapped her hand to her
mouth.

"_Tell_ me the truth then, since I'm still being made a Belconti fool
of. What _is_ the truth?"

"I've said too much. Now I'll have to tell Uncle Garth--" She began
crying.

"Tell him what? That I know he's a liar? That you failed as a--" He
could not quite say the word.

"It's true I was supposed to make you love me and I tried and I can't
because ... because ..." she ended in incoherent sobbing.

Cole stroked her hair and comforted her. "I've been hasty again,"
he apologized. "I'm still running in the dark, and that makes for
stumbles. Let's go back, and I'll talk to your great-uncle again."

       *       *       *       *       *

In the morning Garth Bidgrass, looking tired and stern, invited Cole
to breakfast with the family. Cole had never been in the large,
wood-panelled room overlooking the south garden through broad windows.
Pia was subdued, Mrs. Vignoli strangely cheerful. The meal, served by a
giant maid, was the customary plain porridge and fried meat.

The women left when the maid cleared the table. Bidgrass poured more
coffee, then leaned back and looked across at Cole.

"Mr. Cole, I did you a wrong in having you sent here. I kept you in the
dark for your own protection. Can you believe that?"

"I can believe that you believe it."

"You came too soon. You were too curious, too smart. I have had to
compound that wrong with others to Pia and my own good name."

Cole smiled. "I know I'm curious. But why can't I know--"

"You can, lad. You've nosed through to it and I'll tell you if you
insist. But it will endanger you even more and I wish you would forego
it."

Cole shook his head. "I'm an ecologist. If I have the big picture,
maybe I can help."

"I thought you'd say that. Well, history first, and settle yourself
because it _is_ a big picture and not a pretty one. This planet was
settled directly from Earth in the year 145 After Space, almost eight
hundred years ago. It seemed ideal--native protein was actually
superior to Earth protein in human metabolism. Easy climate,
geophysically stable, no diseases--but planetology was not much of a
science in those days.

"The colony won political independence in 202 A.S. It had a thriving
trade in luxury foods, mostly stomper egg concentrates--freight was
dear then. Settlements radiated out from Car Truro across the plains.
Food was to be had for the taking in the mild climate and it was a kind
of paradise. _Paradise!_"

The old man's voice rang hard on the last word and Cole stiffened.
Bidgrass went on.

"Early in the third century our social scientists began to worry about
the unnatural way the culture graded from the complexity of Car Truro
to a simple pattern of mud huts and food gathering along the frontiers.
Children of successive generations were taller than their parents
and much less willing or able to use symbols. By the time a minority
decided the trend should be reversed, the majority of the people could
not be roused to see a danger."

"Earth life is normally resistant to low-grav gigantism," Cole said. "I
wonder--"

"It was all the native foods they ate, but mainly stomper egg. There
are more powerful and quicker-acting substances in the forest fungi,
but then the population was all in the eastern grasslands, where the
stompers ranged."

"I read they were a plains animal."

"Yes, and harmless too, except for their eggs. Well, the minority set
up a dictatorship and began cultivating Earth plants and animals.
They passed laws limiting the mechanical simplicity of households
and regulating diets. They took children from subnormal parents and
educated and fed them in camps. But the normals were too few and the
trend continued.

"Shortly after mid-century the population reached the edge of the
southern forest, and there many were completely wild. They drifted
along the forest edge naked, without tools or fire or language or even
family groupings. Their average stature was nearly eight feet. The
normals knew they were losing. Can you imagine how they _felt_, lad?"

Cole relaxed a little. "Ah ... yes, I can ... I imagine the fight was
inside them, too."

Bidgrass nodded. "Yes, they were all tainted. But they fought. They
asked Earth for help and learned that Earth regarded them as tyrants
oppressing a simple, natural folk. The economy broke down and more
had to be imported. The only way to pay was in stomper egg exports.
In spite of that, in about the year 300, they decided to restrict the
stompers to the western part of the grasslands, thousands of miles
beyond the human range.

"The egg hunters began killing piskies and grown stompers. They killed
off the great, stupid herds of darv cattle on which the stompers fed.
The stompers that survived became wary and hostile, good at hiding and
fierce to attack. But killing off the eastern darv herds broke them and
in a generation they vanished from the eastern plains. Things seemed to
improve and they thought the tide was turned. Then, in the year 374,
came what our bards now call the Black Learning."

"Bards?" Cole said. He drained his coffee cup.

"Morgan could sing you this history to shiver the flesh on your bones,"
the old man said, pouring more coffee. "What I am telling you is
nowhere written down, but it is engraved in thousands of hearts. Well,
to go on.

"We knew some of the stompers had gone into the southern forest--you
see, they have to incubate their eggs in direct sunlight and we kept
finding them along the forest edge. But we had assumed they were eating
the snakes and slugs and fungi native to the forest floor. Now we
learned that a large population of wild humans had grown up unknown to
us in the deep forest--and the stompers were eating them.

"You have seen our forests from a distance, lad. Do you realize how
impossible it is to patrol them? We hadn't the men, money or machines
for it. We appealed, and learned we would get no help from any planet
in Carina sector except for pay. But the egg market fell off, and our
income with it. Ships did come, however, small ones in stealth, to
ground along the forest edge and capture the young women of the wild
people."

Cole struck the table. "How rotten!..." His voice failed.

Bidgrass nodded. "We call that the Lesser Shame. The young women were
without personality or language, yet tractable and responsive to
affection. They were flawless in health and physique, and eight feet
tall. They could be sold for fantastic prices on loosely organized
frontier planets and yes, even to Earth, as we learned. Something dark
in a man responds to that combination. You feel it as I speak--no,
don't protest, I know. We had long had that trouble among our own
people."

"Did my own people of Belconti--" Again Cole's voice failed. He brushed
back his red hair angrily.

"Belconti was new then, still a colony. Well, that was the _help_ we
got. We hadn't the power to fight stompers, let alone slave raiders.
But the Galactic Patrol was just getting organized and the sector
admiral agreed to keep a ship in orbit blockading us. We broke off all
contact except with Tristan, and the Patrol let only one freight line
come through to handle our off-planet trade. It was then we began to
hate the other planets. We call it the Turning Away.

"Now we are forgotten, almost a myth. The Patrol ship has been gone
since two hundred years ago. But we remember."

"I wish I'd known this," Cole said. "Mr. Bidgrass, things are greatly
changed in Carina sector--"

Bidgrass held up his hand. "I know, lad. That's why you're here, and
I'll come to it. But let me go on. Early in the fifth century we
decided to exterminate the stompers altogether and in two decades
killed off all the darv cattle. But the stompers went into the forests
in the south and west and from there came out to raid the plains. Not
to kill, but to carry off normal and semi-wild people into the forest
for breeding stock. A stomper's wing is more flexible than a hand. One
of them can carry half a dozen men and women and run a thousand miles
in a day. Some fungi in the forest can dull a man in an hour and take
his mind in a week. Few who were carried in ever came out again.

"This went on, lad, for _centuries_. From our fortified towns and
hunting camps we ranged along the forest edge like wolves. The stompers
_must_ lay their eggs in direct sunlight. That forced them out where
we could get at them, into clearings and uplands and along the forest
edge. We killed all we could.

"We found rhythms in their life pattern keyed to our four moons. When
the three lady moons form a tall triangle, the stompers group in the
open to mill and dance and sing. About every three months this happens
over several days and in old times it was the peak raid season. It was
also our chance to kill. The people call the configuration the House of
the Maidens."

Cole nodded vigorously. "I remember that. Strange how lunar periodicity
is bionative in every planet having a moon."

"It saved us here, praise Morwenna, but once almost destroyed us. There
is a longer, sixty-two year cycle called the Nights of Hoggy Darn. Then
the red moon passes through the House of the Maidens and the stompers
go completely berserk. The first one after the war was joined fully, in
434, caught us unprepared and cost us more than three-fourths of our
normal population in the week that we remember as the Great Taking.
We were thrown back into Car Truro for decades and the stompers came
back on the plains. They snatched people from the streets of Car Truro
itself. That we call the Dark Time."

The old man's craggy face shadowed with sorrow and he sighed, leaning
back. Cole opened his mouth but Bidgrass leaned forward again, new,
fierce energy in his voice.

"We rallied and came back. We fought from the air and killed them in
large numbers when we caught them in the open on Maiden nights. We
drove them back off the plains and harried them along the forest edges
and in the upland clearings where they came to lay eggs. We gathered
all the eggs we could find. They defended their eggs and caused us
steady losses. But we fought.

"We built our strategy on the Maidens and in time we drove the enemy
out of the southern forest and into the west. Then we crowded him into
Lundy Peninsula, made it a sanctuary for a hundred years to draw him
in. When I was your age we fought out the last Nights of Hoggy Darn a
few miles east of here. Ten years later we finished Bidgrass Station
and the barrier and the continent was free of stompers."

Cole shifted his chair to get the sun off his neck. "I hardly know what
to say," he began, but Bidgrass raised his hand.

"I've more to tell you, that you must know. By the late seventh century
things were normal around Car Truro as regards regression. We began
a pilot program of reclamation. The egg hunters captured wild people
along the forest edge, still do. But some are beyond saving, and those
they kill. We have to pen them like animals at first, but they can be
trained to work in the fields, and for a long time now we have had
few machines except what we need for war. Their children, on an Earth
diet, come back toward normal in size and intelligence. The fourth and
fifth generations are normal enough to join in the war. But war has
always come first and we have never been able to spare many normals for
reclamation work.

"Even so, ex-wilds make up more than half our normal population now.
That's about forty thousand; there are nearly a hundred thousand on
the reclamation ladder, mostly around Car Truro. The ex-wilds have a
queer, poetic strain, and mainly through them we've developed a sort of
religion along the way. It helps the subnormals who are so powerfully
drawn to run back to the forests. It's a strange mixture of poetry and
prophecy, but it's breath of life to the ex-wilds. I guess I pretty
well believe it myself and even you believe some of it."

Cole looked his question, hitching his chair nearer the table.

"Yes, your notion of the greater animal, critical biomass, that you
spoke of. We speak of Grandfather Stomper and we are trying to kill
him. He is trying to enslave Grandfather Man. The whole purpose and
meaning of human life, to an ex-wild, is to kill Grandfather Stomper
and then to reclaim Grandfather Man from the forest. You would have to
hear Morgan sing it to appreciate how deeply they feel that, lad."

"I feel it, a little. I understand Morgan now, I think. He's an
ex-wild, isn't he?"

"Yes, and our master bard. In some ways he has more power than I."

Cole got up. "Mind if I pull a curtain? That sun is hot."

"No, go ahead. Our coffee is cold," the old man said, rising too. "I'll
ask for a fresh pot."

Seated again in the shaded room, Bidgrass resumed, "There's not much
more. After the barrier was up it seemed as if Grandfather Stomper knew
his time was running out. Don't laugh now. Individual stompers don't
have intelligence, symbol-using, that is, as far as we know. But they
changed from plains to forest. They learned to practise a gruesome kind
of animal husbandry--oh, I could tell you things. _Something_ had to
figure it out."

"I'm not laughing," Cole said. "You're talking sound ecology. Go on."

"Well, they began laying eggs right along the barrier and didn't try
to defend them. We picked up hundreds, even thousands, every day. The
people said Grandfather Stomper was trying to make peace, to pay rent
on Lundy Forest. And maybe he was.

"But we spat in his face. We gathered his tribute and still took all
the eggs we could find in the inland clearings. We killed every stomper
we saw. Then, for the first time I think, Grandfather Stomper knew it
was war to the death. He began to fight as never before. Where once
a stomper would carry a captured egg hunter a hundred miles into the
forest and turn him loose, now it killed out of hand. They began making
mass attacks on the station and they didn't come to capture, they came
to kill. So it has gone for forty years now."

The old man's voice changed, less fierce, more solemn. He sat up
straight.

"Lundy Forest is near eight hundred thousand square miles. No one
knows how many millions of wild humans are in it or how many scores of
thousands of stompers. But this I knew long before you came to tell
me about critical biomass: Grandfather Stomper is very near to death.
He ruled this planet for a million years and he fought me for near a
thousand, but his time is come.

"Don't laugh, lad, at what I am about to say now. Mass belief, blind
faith over centuries of people like our ex-wilds and semi-wilds, can do
strange things. To them and even to myself I _represent_ Grandfather
Man, and from them a power comes into me that is more than myself. I
know in a _direct_ way that in the Nights of Hoggy Darn to come I will
at long last kill Grandfather Stomper and the war will be won. That
time is only eight weeks away."

"Then I'll still be here. Grand--Mr. Bidgrass, I want to fight with
you."

"You may and welcome, lad. Must, even, to redeem yourself. Because, for
what you know now, your life is forfeit if the ex-wilds suspect."

"Why so? Are you not _proud_--" Cole half stood and Bidgrass waved him
down.

"Consider, lad. For centuries across the inhabited planets people of
wealth and influence have been eating stomper egg, serving it at state
banquets. But now _you_ know it is human flesh at one remove. How will
they feel toward us when they learn that?"

"How should they feel? Man has to be consumed at some trophic level.
His substance is as much in the biogeochemical cycles as that of a
pig or a chicken. I suppose we _do_ feel he should cap the end of a
food chain and not short-cycle through himself, but I'm damned if I'm
horrified--"

"Any non-ecologist would be. You know that."

The giant maid came in with a pot of coffee and clean cups. Bidgrass
poured and both men sipped in silence. Then Bidgrass said slowly,
"Do you know what the people here call outworlders? Cannibals! For
centuries we have had the feeling that we have been selling our own
flesh to the outworlds in exchange for the weapons to free Grandfather
Man."

He stood up, towering over Cole, and his voice deepened.

"It has left bone-deep marks: of guilt, for making the outworlders
unknowing cannibals; of hatred, because we feel the outworlds left
us no choice. And shame, lad, deep, deep shame, more than a man can
bear, to have been degraded to food animals here in our forests
and across the opulent tables of the other planets. Morgan is only
second-generation normal--his father was killed beside me, last Hoggy
Darn. If Morgan knew you had learned our secret he would kill you out
of hand. I could not stop him. Do you understand now why we didn't
want you until next _Gorbals_? Do you see into the hell you have been
skating over?"

Cole nodded and rubbed his chin. "Yes, I do. But I don't despise
Morgan, I think I love him. On Belconti, Grandfather Man is mainly
concerned to titillate his own appetites, but here, well ... how do
I feel it?... I think what you have just told me makes me more proud
to be a man than I have ever been before. I will carry through the
deception of Belconti University with all my heart. Can't Morgan
understand that?"

"Yes, and kill you anyway. Because you _know_. You will not lightly be
forgiven that."

Cole shook his head helplessly. "Well _dammit_ then--"

"Now, now, there's a way out," Bidgrass said, sitting down again. "The
prophecies all foretell a change of heart after Grandfather Stomper
dies. They speak of joy, love, good feeling. Morgan did agree to your
coming here--he wants to hide the past as much as I do and he could see
the value of my plan. In the time of good feeling I hope he will accept
you."

"I hope so too," Cole said. "Morgan is a strange man. Why is Pia so
afraid of him?"

"I'll tell you that, lad--maybe it will help you to appreciate your
own danger. Some few of us are educated on Tristan. Twenty-three years
ago my younger brother took my niece Flada there. She ran away and
married a Tristanian named Ralph Vignoli. My brother persuaded them to
come back and live at our installation there, and Ralph swore to keep
secret the little he knew.

"The ex-wilds of New Cornwall kept wanting Ralph to come here so they
could be sure of the secret. He kept refusing and finally they sent an
emissary to kill him. My brother was killed protecting him. I stepped
in then with a compromise, persuaded Ralph to come here for the sake of
his wife and daughter. Pia was seven at the time.

"Ralph was a good man and fought well in battles, but two years later
Morgan and some others came to the house in my absence and took him
away. They took him to a clearing in Lundy Forest, where the stompers
come to lay eggs, stripped off his clothing and left him. That was
so the stompers would not take him for an egg hunter and kill him
outright, but would carry him into the forest like they do with strayed
wild stock. Morgan said the command came to him in a dream.

"I think Pia feels she is partly responsible for Ralph's death. I
think she sometimes fears Morgan will dream about her, her Tristanian
blood...."

"Poor Pia," Cole said softly. "These _years_ of grief and fear...."

"They'll be ended come Hoggy Darn again, Morwenna grant. Don't you
grieve her with your death too, lad. Stay close to the house, in the
house."

Bidgrass rose and gulped the last of his coffee standing.

"I must go, I'm late," he said, more cheerfully than Cole had ever
heard his voice. "I have a conference with General Arscoate, our
military leader, whom you'll meet soon."

He went out. Cole went out too, thoughts wrestling with feelings,
looking for Pia.

       *       *       *       *       *

In the days that followed Cole took his meals with the family except
when there were guests not in Bidgrass' confidence. The doors into the
main house remained unlocked and he saw much of Pia, but she seemed
unexpectedly elusive and remote. Cole, busy with his report to Belconti
University, had little time to wonder about it.

He faked statistics wholesale and cited dozens of nonexistent New
Cornish authorities. To his real data indicating critical biomass he
added imaginary values for the parameters of climate, range, longevity,
fertility period and Ruhan indices to get an estimated figure. Then he
faked field census reports going back fifty years, and drew a curve
dipping below critical ten years before his arrival. He made the latest
field census show new biomass forty-two percent below critical and
juggled figures to make the curve extrapolate to zero in twelve more
years.

It pained him in his heart to leave out the curious inverse
reproduction data. But it was a masterpiece of deception that should
put the seal on his doctorate, and because it reported the extinction
of a planetary dominant, he knew it would make the journals and the
general news all through the sector.

The night he finished it, working late in the library, Pia brought him
milk and cookies and sat with him as he explained what he had done.

"It's right," he defended himself to her against his scholar's
conscience. "Humans on New Cornwall are a threatened species too. The
secret must be hidden forever."

"Yes," she agreed soberly. "I think if all the sector knew, the
ex-wilds would literally die of shame and rage. Being wild is not so
bad, but--that other!" She shuddered under her gray dress.

"Pia, sometimes I feel you're still avoiding me. Surely now it's all
right and genuine between us."

She smiled sadly. "I'll bring you trouble, with Morgan. Father came to
New Cornwall because of me."

"But I didn't. I've been thinking I may _stay_, partly because of you.
You've been afraid so long it's habitual."

"Strangely, Flinter, I don't feel it as fear any more. It's like bowing
with sadness, my strength to run is gone. My old dreams--Morgan coming
for me--I have them every night now."

"Morgan! Always Morgan!"

She shook her head and smiled faintly. "He has a dark, poetic power. He
is what he is, just like the stompers. I feel ... not hate, not even
fear ... a kind of _dread_."

He stroked the back of her hand and she pulled it away.

"An old song runs through my head," she went on. "A prophecy that
Grandfather Stomper cannot be killed while outworld blood pumps through
any heart on the planet. I feel like my own enemy, like ... like your
enemy. You should not have come until next _Gorbals_. Flinter, _stay
away from me_!"

He talked soothingly, to little avail. When they parted he said
heartily, "Forget those silly prophecies, Pia. I'll look out for you."

Privately, he wondered how.

       *       *       *       *       *

Cole sat beside Pia and across the food-laden table from General
Arscoate, a large pink-faced man in middle life.

"It's an old and proven strategy, Mr. Cole," the general explained.
"When Hoggy Darn starts we will harass the enemy from the air in all
but one of the fourteen sizable open spaces in Lundy Forest. That one
is Emrys Upland, the largest. They will concentrate in Emrys, more each
night, until the climactic night of peak frenzy. Then we come down with
all the men and women we can muster and we kill. We may go on killing
stragglers for years after, but Grandfather Stomper will die on that
night."

"Why not kill from the air?"

"More firepower on the ground. I can only lift ninety-four flyers all
told. But I will shuttle twenty thousand fighting men into Emrys in an
hour or two on the big night."

"So quickly? How can you?" Cole laid down his fork.

"They will be waiting in the forest top all around the periphery, in
places where we are already building weapons dumps. In the first days
of harrying, we will stage in the fighters."

"Morgan will visit each group in the forest top and sing our history,"
Bidgrass said from the head of the table. "On the evening of the
climactic night, as Hoggy Darn rises, they will take a sacramental meal
of stomper egg. At no other time is it eaten on this planet."

Mrs. Vignoli looked down. "Garth!" Arscoate said.

"The lad must know, must take it with us," Bidgrass said. "Lad, the
real reason for not killing from the air is that the people _need_
to kill personally, with their feet on the ground. So our poetry has
always described that last, great fight. I must _personally_ kill
Grandfather Stomper."

Cole toyed with his knife. "But he is only a metaphor, a totem image--"

"The people believe in an actual individual who is the stomper
counterpart of Garth here," the general broke in. "You know, Mr. Cole,
the stompers we kill ordinarily are all females. The males are smaller,
with a white crest, and they keep to the deep forest except on Hoggy
Darn nights. Maybe the frenzy then has something to do with mating--no
one knows. But Garth will kill the largest male he can find. The
people, and I expect Garth and I as well, are going to believe that he
has killed Grandfather Stomper in person."

The general sipped water and looked sternly over his glass at Cole.
Cole glanced at Pia, who seemed lost in a dream of her own, not there
to them.

"I see. A symbol," he agreed.

"Not the less real," Arscoate said tartly. "Symbols both mean and are.
Garth here is a symbol too and that is why, old as he is, he must be
in the thick of it. He is like the ancient battle flags of romantic
pre-space history. People before now have actually _seen_ Grandfather
Stomper. I am _not_ a superstitious backworlder, Mr. Cole, but--"

Cole raised a placatory hand. "I know you are not, general. Forgive me
if I seemed to suggest it."

"Let's have wine," Bidgrass said, pushing back his chair. "We'll take
it in the parlor and Pia can sing for us."

When General Arscoate said good-night he told Cole not to worry, that
he would have reliable guards at the manor gate during Garth Bidgrass'
absence in Car Truro.

"I meant to tell you and Pia in the morning, lad," Bidgrass said.
"Arscoate and I must go to Car Truro. There's heartburning there over
who gets to fight and who must stay behind. It will be only two days."

       *       *       *       *       *

Cole felt uneasy all day. He spent most of it writing the covering
letter for his report and phrasing his resignation from the university
field staff. He wrote personal letters to his uncle and a few friends.
After dinner he finally signed the official letters and took the
completed report to Bidgrass' desk. Then he went to bed and slept
soundly.

Pia wakened him with frantic shaking.

"Dress quickly, Flinter. The guard at the gate was just changed and
it's not time."

She darted out to the hall window while he struggled with clothing,
then back again.

"_Quickly_, darling! Morgan's crossing the garden, with men. Follow me."

She led him through the kitchen and out a pantry window, then stooping
along the base of a hedge to where a flowering tree overshadowed the
garden wall.

"I planned this, out of sight of guard posts, when I was a little
girl," she whispered. "I always knew--over, Flinter, quickly!"

Outside was rough ground, a road, a wide field of cabbages and then
the barrier. Veiled Annis rode high and bluish in the clear sky. They
crossed the field in soaring leaps, and shouts pursued them. The girl
ran north a hundred yards behind the shadowy buttresses and squeezed
through a narrow crack between two huge timber baulks. Cole barely made
it, skinning his shoulders.

"I found this too when I was a little girl," Pia whispered. "I had to
enlarge it when my hips grew, but only just enough. Morwenna grant
they're all too big!"

"Morgan is, for sure," Cole said, rubbing his shoulder. "Pia, I _hate_
to run."

"We must still run. My old plan was to reach here unseen, but now they
know and they'll come over the wall in flyers. We'll have to hide in
the thick brush near the forest edge until Uncle Garth returns."

She pulled a basket out of the shadows.

"Food," she said. "I brought it last night."

He carried the basket and they raced across the half-mile belt to
concealment among high shrubbery and enormous mounds of fungi. Flyers
with floodlights came low along the wall and others quartered the
clearing. Cole and Pia stole nearer to the forest edge, into its
shadow. They did not sleep.

Once he asked, "How about stompers?"

"They're a chance," she whispered. "Morgan's _sure_."

With daylight they saw four flyers patrolling instead of the usual one.
At their backs colossal blackish-gray, deeply rugose tree trunks eighty
feet in diameter rose up and up without a branch for many hundreds of
feet. Then branches jutted out enormously and the colorful cascade of
forest-top epiphytes came down the side and hung over their heads a
thousand feet above.

Pia opened the food basket and they ate, seated on a bank. She wore her
brown dress, her finest, he had learned, and she had new red shoes. She
was quiet, as if tranced.

Cole remembered the picnic on the forest top, the secret island of
beauty and innocence, and his heart stirred. He saw that the food
basket was the same one. He did not tell her his thoughts.

They talked of trivial things or were silent for long periods. He held
her hand. Once she roused herself to say, "Tomorrow, about this time,
Uncle Garth will come looking for us." Shortly after, she gasped and
caught his arm, pointing.

He peered, finally made a gestalt of broken outlines through the
shrubbery. It was a stomper, swinging its head nervously.

"It smells us," she whispered. "Oh Flinter, forgive me darling. Take
off your clothes, _quickly_!"

She undressed rapidly and hid her clothes. Cole undressed too, fear
prickling his skin, remembering what Bidgrass had told him. The stomper
moved nearer in a crackle of brush and stopped again.

Man and girl knelt trembling under a fan of red-orange fungus. The girl
broke off a piece and motioned the man to do the same.

"When it comes, pretend to eat," she breathed, almost inaudibly. "Don't
look up and don't say a word. Morwenna be with us now."

The stomper's shadow fell across them. The man's skin prickled and
sweat sprang out. He looked at the girl and she was pale but not tense,
munching on her piece of fungus. She clicked her teeth faintly and he
knew it was a signal. He ate.

The stomper lifted the man by his right shoulder. It was like two
fingers in a mitten holding him three times his own height off the
ground. He saw the beak and the eye and his sight dimmed in anguish.

Then the right wing reached down and nipped the left shoulder of the
rosy girl-body placidly crouching there. It swung her up to face the
man momentarily under the great beak and the tri-corn eye, and their
own eyes met.

Very faintly she smiled and her eyes tried desperately to say, "I'm
sorry" and "Goodbye, Flinter." His eyes cried in agony "No! No! I will
not have it so!"

Then the two-fingered mitten became a nine-fingered mitten lapping him
in darkness that bounced and swayed and he knew that the stomper was
running into Lundy Forest. The wing was smooth and warm but not soft,
and it smelled of cinnamon and sandalwood. The odor overpowered him and
the man lapsed into stupor.

       *       *       *       *       *

The man woke into a fantastic dream. Luminous surfaces stretched up to
be lost in gloom, with columns of darkness between. The spongy ground
on which he lay shone with faint blue light. Luminous, slanting walls
criss-crossed in front of him. Close at hand, behind and to the right,
enormous bracket fungi ascended into darkness in ten-foot steps that
supported a profusion of higher order fungi in many bizarre shapes.

He stood up and he was alone.

He climbed over a slanting root-buttress and saw her lying there. He
called her name and she rose lightly and came to him. Radiant face,
dimpled arms, round breasts, cradling hips: _his woman_. They embraced
without shame and she cried thanks to Morwenna.

He said, "People have come out of the forest. What are the rules?"

"We must eat only the seeds of the pure white fungus--that's the least
dangerous. We must walk and walk to keep our bodies so tired and hungry
that they use it all. We must keep to a straight line."

"We'll live," he said. "Outside among our people, with our minds
whole. We'll alternate left and right each time we round a tree, to
hold our straight line. We'll come out somewhere."

"I will follow. May Morwenna go with us."

The fantastic journey wound over great gnarled roots and buttresses
fusing and intermingling until it seemed that the root-complex was
one unthinkably vast organism with many trunks soaring half-seen into
endless darkness. Time had no feeling there. Space was a bubble of
ghostly light a man could leap across.

Could leap and did, over and over, the woman following. The man climbed
a curiously regular, whitish root higher than his head and it writhed.
Then, swaying bark along its length, came a great serpent head with
luminous ovoid eyes. While the man crouched in horror, waving the woman
back, the monstrous jaws gaped and the teeth were blunt choppers and
grinders, weirdly human looking. They bit hugely into a bracket fungus
and worried at it. Man and woman hurried on.

Strength waned. The woman fell behind. The man turned back to her and
the light was failing. The blue mold was black, the luminous panels
more ghostly.

"It's night. Shall we sleep?" he asked.

"It's just come day," the woman said, pointing upward.

He looked up. Far above, where had been gloom, hung a pinkish-green,
opalescent haze of light. Parallel lines of tree trunks converged
through it to be lost in nebulosity.

"Daylight overpowers the luminous fungi," she said.

"We sleep, then walk again. Shall we find food?"

"No. We must always go to sleep hungry so we will wake again."

They looked, until tired out, for a place of shelter.

They slept, locked together in the cranny of a massive buttress. The
man dreamed of his tame home-world.

       *       *       *       *       *

He woke again into nightmare. In a twenty-foot fan-grove of the white
fungus they combed handfuls of black spores out of gill slots. The
birdshot-sized spores had a pleasant, nutty flavor.

With the strength more walking. _Use it, use it, burn the poison._ Day
faded above, and luminous night below came back to light the way. A
rocky ledge and another, and then a shallow ravine with a black stream
cascading. They drank and the man said, "We'll follow it, find an
upland clearing."

They heard rapid motion and crouched unbreathing while a stomper minced
by up ahead. It had a white crest.

On and on, fatigue the whip for greater fatigue and salvation at the
end of endurance. They passed wild humans. A statuesque woman with dull
eyes and yellow hair to her ankles, placidly feeding. Babies big as
four-year-old normals, by themselves, grazing on finger-shaped fungi.
An enormous human, fourteen feet tall, fat-enfolded, too ponderous to
stand even in low gravity, crawling through fungus beds. The man could
not tell its sex.

On and on, sleep and eat and travel and sleep, darkness above or
darkness below, outside of time. The stream lost, found again,
sourcing out finally under a great rock. And there, lodged in a black
sandbank, the man found a human thigh bone half his own height. He
scoured off the water mold with sand. He was armed.

The man walked ahead clutching his thigh bone, and the woman followed.
They slept clasped together naked all three, man, woman and thigh bone.

Stompers passed them and they crouched in sham feeding. The man prayed
without words, _both or neither_. And hatred grew in him.

Snakes and giant slugs and the beautiful, gigantic, mindless wild
humans, again and again, a familiar part of nightmare. The fat and
truly enormous humans; and the man learned they had been male once. He
remembered from far away where time was linear the voice of Grandfather
Man: _Some are beyond saving, and those they kill._

And a stomper passed, white crested, and far ahead a human voice cried
out in wordless pain and protest. The man was minded to deviate from
his line for fear of what they might see, but he did not. When they
came on the boy, larger than the man but beardless and without formed
muscles, the man looked at the tears dropping from the dull eyes
and the blood dropping from the mutilation and killed him with the
thigh bone. _Some are beyond saving._ And the hatred in him flamed to
whiteness.

On and on, day above and day below in recurrent clash of lights. A
white crested stomper paused and looked at them, crouched apart and
trembling. The man felt the deepest, most anguished fear of all and
beneath it, hatred surged until his teeth ached.

On and on. The man's stubble softened into beard, his hair touched his
ears. On and on.

The land sloped upward and became rocky. The trees became smaller and
wider spaced so that whole trunks were visible and the light of upper
day descended. A patch of blue sky, then more as they ran shouting with
gladness, and a bare mountain crest reared in the distance.

They embraced in wild joy and the woman cried, "Thank you, oh
_loveliest_ Morwenna!"

"Pia, we're human again," Cole said. "We're back in the world. And I
love you."

       *       *       *       *       *

Fearful of stompers, they moved rapidly away from the forest over
steadily rising ground. The growth became more sparse, the ground more
rocky, and near evening they crossed a wide moorland covered with
coarse grass and scattered blocks of stone. Ahead a long, low fault
scarp bounded it and there they found a cave tunneled into the rock,
too narrow for a stomper. At last they felt safe. Morwenna rode silvery
above the distant forest.

Water trickled from the cave which widened into a squared-off chamber
in which the water spilled over the rim of a basin that looked cut with
hands. Underfoot were small stone cylinders of various lengths and as
his eyes adjusted Cole saw that they were drill cores.

"Prospectors made this," he told Pia, "in the old, innocent days
when they still hoped to find heavy metals." Then he saw the graven
initials, T.C.B., and the date, 157 A.S.

They ate red berries growing in their dooryard, gathered grass for a
bed and slept in a great weariness.

Next day and the next they ate red berries and fleshy, purple ground
fruits and slept, gaining strength. Secure in their cave mouth they
watched stompers cross the moorland. When night fell they gazed at the
bunched moons, but the three Maidens did not quite form a house and
Hoggy Darn was still pursuing them.

"A few days," Pia said.

"If this isn't Emrys Upland, Arscoate will kill us with fire mist."

She nodded.

More stompers crossed the moorland, some white crested. They moved
there randomly at night and from the forest came a far-off sound of
stompers singing. The Maidens formed a house and Hoggy Darn grazed the
side of it before they fled. To south and west faint rose glowed in the
night sky.

"Fire mist," Pia said. "The nights of harrying have begun. Oh Flinter,
if this is really Emrys Upland it will be perfect."

"What will?"

"You--us--oh, I can't say yet."

"Secrets, Pia? Still secrets? Between _us_?"

"You'll know soon, Flinter. I mustn't spoil it."

The love in her eyes was tinged with a strangeness. She sought his arms
and hid her face in his shoulder.

Stompers on the moorland all day so they dared not leave the cave.
Flyers streaking high overhead, scouting.

"Pia, I believe this _is_ Emrys Upland. I'll help after all with the
great killing."

"You will help, Flinter."

"Afterward I'll take you to Belconti."

"We will never see Belconti, Flinter."

The strangeness in her eyes troubled him. He could not kiss it away.

Stompers crowding the moorland all night with their dancing, their
vast singing coming to the cave from all round the compass. Rose banks
distant in the night sky and Hoggy Darn crossing the House of the
Maidens. Red Hoggy Darn, still lagging, still not catching it perfectly
upright. The strangeness of Pia. The waiting, clutching a polished
thigh bone.

       *       *       *       *       *

At last the night when the mighty war song of the stompers went up
unbearably, as the man had heard it that once before, and fire mist
boiled along the distant mountains. Flyers shuttled across the sky,
dropped, rose again. Blasters ripped the night with ion-pencils. Hoggy
Darn gleamed redly on the threshold of the House of the Maidens that
stood almost upright and perfect with silvery Morwenna at the vertex.
Flyers blasted clearings in the throng of stompers, and grounded. Men
boiled out of them, setting up Corbin powercasters here, there, another
place, fighting as soon as their feet hit ground.

The man stood up and brandished the thigh bone.

"I must go down and fight. Wait here."

"I must go too," the girl said calmly.

"Yes, you must," he agreed. "Come along."

Stampers rushed by them and bounded over their heads and did not harm
them. Blaster-torn stompers fell heavily beside them, threshing and
snapping, and they were not touched. Men lowered weapons to point at
the man and girl, shouting to one another out of mazed faces silently
in the whelming music of the stomper chorus. Man and girl walked on.

Unharmed through the forest of singing, leaping shapes, hand in hand
through a screen of fighting men that parted to admit them, they walked
into the light of a glowing Corbin where a tall, gaunt old man stood
watching their approach. The feeling of exalted unreality began to lift
from Cole.

"Grandfather, give us blasters," he shouted. "We want to fight."

"The power is on you, lad, and you only half know it," the old man
shouted back. "Stand here by the Corbin. Your fight is not yet." Tears
stood in the fierce old eyes.

Across the moorland the fighting raged. Islands of men and women
grouped round their Corbins held back the booming, chaotic sea of
stompers that surged against them from all sides. Dikes of dead and
dying grew up, men and stompers mingled. The flyers shuttled down and
up again and more islands of men took shape. Hoggy Darn crossed the
threshold and the savage war song of the stompers shook the night sky.

In a lull Morgan came in to the Corbin to change the wave track on his
blaster. His face was a mask of iron joy and his eyes blazed.

"Morgan, if we are both alive after, I will kill you!" Cole shouted.

"No," Morgan rumbled. "You have been into the forest and come out
again. It took you three weeks. It took me three hundred years. Clasp
hands, my brother in hatred."

"Yes, brother in hatred." The exalted unreality began coming back
strongly. "I want a blaster!" he howled at Morgan.

"No, brother in hatred, your fight is not yet." Morgan rejoined the
battle, the ring of men standing braced in blaster harness fifty yards
away, ripping down with interweaving ion-pencils the great forms
leaping inward. Man and girl held hands and watched.

To the left trouble came to a nearby island. Stompers converged from
all sides, abandoning the other attacks, impossibly many. They overran
the defenders, attacking not them but the powercaster behind them,
and piled up until the Corbin's blue-violet glare was hidden. A great
blossoming of flame tore the pile of stompers apart, but the Corbin was
dark.

"They blew out the power banks," Pia said. "They've never known to do
that before. Now the men still living have only pack charges."

It was a new tactic, a death-hour flash of insight for Grandfather
Stomper. Across the moor, island after island went dark and the war
song grew in savage exultation, but the man thought it dwindled in
total volume. Then it was their own turn.

Cole and Pia crouched away from the Corbin in the lee of a stone block
and two still-twitching stompers. Beside them Morgan and Bidgrass fired
steadily at the shapes hurtling above. When the Corbin blew, a wave
of stinking heat rolled over them. All around, survivors struggled to
their feet, using flame pistols to head-shoot wounded stompers, digging
out and connecting emergency pack charges to their blasters. They were
pitifully few and their new, dark island was thirty feet across.

The moor seemed dark with only the red of flame pistols and the violet
flickering of power pack blasters. It seemed to heave randomly like a
sluggish sea with the seen struggles of dying stompers and the felt
struggles of lesser human bodies. Thinned now, stompers attacked singly
or in small groups. Blasters flickered and ripped and went darkly
silent as power packs discharged. The red of short-range flame pistols
replaced them. But across the fault scarp ridge the tumult swelled to
new heights and Corbin after Corbin there flamed out of existence in a
bloom of rose-purple against the skyline.

In a lull Bidgrass shouted to Morgan, "That's costing them more than
they have to give, over there. Listen. Can you hear it?"

"Yes, Father in Hatred," Morgan said. "They will break soon."

"Yes, when Arscoate lays the fire mist. They will come through here. I
have one charge left."

"I have two, Father in Hatred. Change packs with me."

Cole found his voice and his senses once more.

"I must find a weapon! Grandfather, give me your flame pistol!"

"Soon, lad. Soon now. Let the power take you," the old man soothed.

Stompers streamed over the moor again and the fighting flared up. The
war song beat against the man's ears so that he drew the girl nearer
and shook the thigh bone. Blaster fire flickered out altogether and
the red blooming of flame pistols weakened. But more and more stompers
streamed past without attacking. Then the man saw fire mist plume
lazily in the east, point after point coalescing all along the forest
edge.

"Now!" shouted a great voice beside him. "Now, lad!"

It was old Bidgrass, striding out like a giant, blaster leveled in its
carrying harness.

The shout released Cole and he saw it far off, coming down the scrap
rubble to the moor. Huger than any, white crest thirty feet above the
ground, Grandfather Stomper. The war song roared insanely over the
moor. Hoggy Darn gleamed heart-midst of the three lady moons.

The grim old man aimed and fired. The great bird-shape staggered and
came on, left wing trailing. The old man waited until it was nearly on
top of him and fired again. The stomper jerked its head and the bolt
shattered the great tripart beak but did not kill it. With the right
mitten-wing it reached down and swung its adversary twenty feet up,
held him and haggled at him with its stumps of beak.

The old man's free right arm flailed wildly. Cole beat the stomper's
leg with the thigh bone and howled in hatred. Then he saw the flame
pistol lying where it had fallen from the holster. He picked it up, but
the power was on him again and he did not use it. He hurled the thigh
bone at the stomper's head, diverting it for a second, and tossed the
pistol to old Bidgrass. He knew they could not fail.

The old man caught the pistol. When the great head swung back he held
the muzzle against the tri-corn eye and fired. Red plasma-jet burned
into the brain behind it. The stomper bounded once in the air, dropped
its slayer, ran three steps and collapsed.

The stomper song changed suddenly. It became a mournful lament, a dying
into grieving subsonics. Cole knew that note. He had heard it from the
stompers in the stone-floored pen when the butchers were hacking off
their heads. He knew that Grandfather Stomper was dead forever, after
seven hundred years of war.

Flyers crossed above, blasters were still at work across the ridge,
but the war was ended. The power, whatever that sense of exalted
unreality might be, left Cole; and he felt naked and ridiculous and
wondered what he was doing there. Then he saw the girl bending above
Garth Bidgrass and regained control of himself.

The strong old man was smiling wearily.

"We've won the war, lad," he said. "The next task is yours."

"I'll help you," Cole said.

"You'll lead. Oh, I'll live, but not for long. Centuries ago, lad,
there was a prophecy, and until tonight people like myself and Arscoate
thought it was only poetry, however literally Morgan and the other
ex-wilds took it."

"What was it?"

"It foretells that on the night Grandfather Stomper shall die the new
Grandfather Man will come naked out of the forest with his beautiful
wife and armed with a thigh bone, and that he will lead us in the even
greater task of reclamation that comes after. _Your_ ritual title of
address is 'Father in Love,' lad, and I'm just a broken old man now.
Take up the burden."

Cole's throat swelled, choking speech for a moment.

"I can start," he said.





End of Project Gutenberg's The Night of Hoggy Darn, by Richard McKenna

*** END OF THIS PROJECT GUTENBERG EBOOK THE NIGHT OF HOGGY DARN ***

***** This file should be named 60695-8.txt or 60695-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/0/6/9/60695/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.