Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Catalogue of Works Literary Art and Music Author: W. Reeves Release Date: May 1, 2016 [EBook #51902] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY *** Produced by Judith Wirawan, deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER NOTES Words surrounded by / are italicized. Words surrounded by = are bold. Words surrounded by _ are underlined. Small capitals are presented as all capitals in this e-text. Inconsistent spelling and apparent printer errors have been retained as printed in original book, except obvious punctuation errors have been repaired. Asterism (a symbol consisting of three asterisks arranged in a triangle) is presented as *** in this e-text. W. REEVES AND REEVES & TURNER'S Publications * * * * * CATALOGUE OF WORKS Literary Art and Music. ALSO ... Books on ... Freemasonry. [Illustration: Logo] London: 83, Charing Cross Rd. W.C. * * * * * HOW TO MEMORIZE MUSIC: With numerous Musical Examples. By C. F. Kenyon, cr. 8vo, 1s. * * * * * TREATISE ON THE TRAINING OF BOY'S VOICES: With Examples and Exercises and Chapters on Choir-Organization. Compiled for the Use of Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s. * * * * * GRADUATED COURSE OF EXERCISES FOR BOY CHORISTERS: With Pianoforte Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s. * * * * * INTERLUDES. Seven Lectures by H. C. Banister. Collected and Edited by Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.) * * * * * ORGAN MUSIC. (All with ped. obb.) (Prices Music-net). Chopin's Nocturne (Op. 9, No. 2) 1s. 6d. /E. H. Lemare/. Forward! Grand March 1s. 6d. /E. H. Sugg/. Lebanon March (Smallwood) 2s. /Dr. Westbrook/. Grand Festival March, "Illogan" 2s. /H. C. Tonking/. (also arr. for Piano solo; and Vn. & Pi.) Overture to William Tell (Rossini) 2s. 6d. /A. Whittingham/. Overture to Oberon (Weber) 2s. /A. Whittingham/. Overture to Freischütz (Weber) 2s. /A. Whittingham/. Six Pieces for Church Use (arr.) 1s. /W. Smallwood/. * * * * * 8vo cloth, 300 pp., 3s. 6d. =HONE (William), Ancient Mysteries described=, especially the English Miracle Plays founded on the Apocryphal New Testament Story, extant among the unpublished MSS. in the British Museum, including notices of Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, etc., with Engravings and Index. * * * * * 8vo, cloth, 3s. 6d. =HONE (William), The Apocryphal New Testament=, being all the Gospels, Epistles and other pieces now extant attributed in the first four centuries to Jesus Christ, his Apostles and their Companions and not included in the New Testament by its compilers. * * * * * In 4 Volumes, 8vo. Price £2 2s. Handsomely bound in designed buckram cloth. *** /_One Hundred Copies specially printed on hand-made paper supplied By Spalding & Hodge. Price £4 4s. net, bound in Vellum._/ Essays & Letters of MONTAIGNE. Edited by WILLIAM CAREW HAZLITT. _NEW AND ENLARGED INDEX_ AN ENTIRELY NEW EDITION formed from a Collation of the Foreign Quotations; a fresh English rendering and a careful revision of the text throughout. Some account of the Life of Montaigne, Notes to which are added, a Translation of all the Letters known to be extant. MR. HAZLITT'S MONTAIGNE,--An entirely new Edition text of Montaigne's Essays and Letters (founded on the now extremely scarce one published in 1877 in three volumes octavo) has now been brought to completion (Publisher, Messrs. Reeves and Turner) and will, partly by reason of enlarged introductory matter and partly by additional notes, extend to four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's father, though bearing his own name on the title, and he merely contributed the Preface. The book has now at length been adapted to the last French /Variorum/ so far as possible, and innumerable errors of the former English versions have been rectified. The Biographical account of the essayist has been considerably amplified and =instead of the sixteen Letters= given in 1877 =there are thirty-five=, many of which are of interest and importance towards understanding the Life of the Author. A salient feature in the present undertaking is to have substituted for the English colloquial equivalents, or rather supposed equivalents of the great Frenchman's language, the words which he actually uses or the sense, which he actually intends to convey; and the difference is often curious and sometimes immense between him and his English renderers.--/The Athenæum./ * * * * * In the Press. Modern Orchestral Instruments Their Origin, Construction, and Use. /BEING A PRACTICAL ILLUSTRATED HANDBOOK/ /For the use of/ /AMATEURS OR STUDENTS./ With many additional Illustrations, Tables, an Appendix, and an Explanatory Index. BY K. SCHLESINGER. * * * * * Classical Works. Edited by Prof. Anthon. ANTHON'S HORACE, Edited by Rev. 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CONTENTS.--The Pastoral Symphony--Tristan and Isolda--Bach's Organ Fugues--Mozart's Requiem--Tschiakowsky's Sixth Symphony--The Composer in England--Charles Hallé--Camille Saint-Saëns--An Irish Musician--Hector Berlioz. * * * * * /=Ready.=/ =roy. 8vo, boards, 1/6= "THUS SPAKE ZARATHUSTRA" BY F. NIETZSCHE, /A BOOK FOR ALL AND NONE/. TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory Discourse, with Critical and Bibliographical Notices, Part I. /"Nietzsche's Ethics, however are not the Ethics for boys, nor for old women, nor for dreamers either; _they are the Ethics for full grown men_, the noble, strong, wide-awake men, who shape the world's destiny."/ --EDITOR. * * * * * =crown 8vo, Limp Cloth, 2/-= THE ART OF MODULATING. /A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL EXAMPLES./ BY HENRY C. 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Teetgen. /Second Edition/, cloth, 3s. 6d. THE DEPPE FINGER EXERCISES for rapidly developing an Artistic Touch in Pianoforte Playing, carefully arranged, classified and explained by Amy Fay, English Fingering, folio, 1s. 6d. (Continental Fingering, 1s. 6d.) HOW TO PLAY CHOPIN. The Works of Chopin and their proper Interpretation. By KLECZYNSKI, translated by A. WHITTINGHAM, 5th. Ed., /Woodcut and Music Illus/. Post 8vo, cloth, 3s. 6d. SCHUMANN'S RULES MAXIMS for young Musicians, 4d. PRACTICE REGISTER for Pupil's Daily Practice. A specimen, 1d., or 1s. 4d. per 100. REEVES' VAMPING TUTOR, Art of Extemporaneous Accompaniment or Playing by ear on the Pianoforte, rapidly enabling anyone having an ear for music (with or without any knowledge of musical notation) to accompany Waltzes, Polkas, Songs, and with equal facility in any key, with practical examples, including Ma Normandi (in C), Lilla's a Lady, The Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s. MOZART'S Don Giovanni, a Commentary, from the 3rd French Edition of Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s. 6d. TUNING THE PIANOFORTE.--SMITH (Hermann), The Art of Tuning the Pianoforte, a New and Comprehensive Treatise to enable the musician to Tune his Pf. upon the system founded on the Theory of Equal Temperament, cr. 8vo, limp cloth, /New Edition Thoroughly Revised/, 2s. A HISTORY OF PIANOFORTE MUSIC, With Critical Estimates of its Greatest Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo, cloth, 3s. 6d. TRANSPOSITION AT SIGHT, For Students of the Organ and Pianoforte, by H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d. * * * * * THE VIOLIN. HOW TO REPAIR VIOLINS AND OTHER MUSICAL INSTRUMENTS With Diagrams, by Alfred F. Common, cr. 8vo, boards, 1s. INFORMATION FOR PLAYERS, OWNERS, DEALERS AND MAKERS OF BOW INSTRUMENTS, ALSO FOR STRING MANUFACTURERS, taken from Personal Experiences, Studies and Observations by William Hepworth, with Illustrations of Stainer and Guarnerius Violins, etc., cr. 8vo, cloth, 2s. 6d. NOTICE OF ANTHONY STRADIVARI, the celebrated Violin Maker known by the name of Stradivarius, preceded by Historical and Critical Researches on the origin and Transformations of Bow Instruments, and followed by a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by J. Bishop, Facsimile, 8vo, cloth, 5s. BIOGRAPHICAL DICTIONARY OF FIDDLERS, including Performers on the Violoncello and Double Bass, Past and Present, containing a Sketch of their Artistic Career, together with Notes of their Compositions, by A. Mason Clarke, 9 /Portraits/, post 8vo, cloth, 5s. HOW TO MAKE A VIOLIN, Practically Treated, 2 Folding Plates and many Illustrations, by J. Broadhouse, cr. 8vo, bevelled cloth, 3s. 6d. VIOLIN MANUFACTURE IN ITALY AND ITS GERMAN ORIGIN, by Dr. E. Schebek, translated by W. E. Lawson, 8vo., sewed, 1s. SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS. Biographical and Anecdotal, with Account of the Violin and Early Violinists (Viotti, Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann (Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt), by G. T. Ferris; /Second Edition/, cr. 8vo, bevelled cloth, 3s. 6d. (or gilt edges, 4s. 6d.) FACTS ABOUT FIDDLES, Violins Old and New. By J. Broadhouse, 3rd Edition, 6d. TECHNICS OF VIOLIN PLAYING. BY KARL COURVOISIER. /With Illustrations/, 8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) /Highly commended by Joachim./ HOW TO PLAY THE FIDDLE, for Beginners on the Violin. By H. W. and G. Gresswell. 7th edition, 1s. (cloth, 2s.) AUTOBIOGRAPHY OF LOUIS SPOHR. 2 vols in 1, thick 8vo, cloth, 7s. 6d. (pub. 15s.) TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN AND ALL OTHER BOW INSTRUMENTS, together with an account of the most celebrated makers and of the genuine characteristics of their Instruments, by J. A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s. * * * * * ORGAN WORKS. MODERN ORGAN TUNING, the How and Why, clearly explaining the Nature of the Organ Pipe and the System of Equal Temperament together with an Historic Record of the Evolution of the Diatonic Scale from the Greek Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d. 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ORGANS AND ORGANISTS IN PARISH CHURCHES, A Handbook of the Law relating to the Custody, Control and Use of Organs, and to the Position, Lights, and Disabilities of Organists, to which is Added a Chapter on the Hiring of Pianos, and on "The Three Years System," by William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq., Barrister-at-Law, cr. 8vo, cloth, 2s. 6d. A SHORT HISTORY OF THE ORGAN, Organists, and Services of the Chapel of Alleyn's College, Dulwich, with Extracts from the Diary of the Founder, by W. H. Stocks, cr. 8vo, sewed, 1s. THE INFLUENCE OF THE ORGAN IN HISTORY. By Dudley Buck, 1s. HENRY SMART'S ORGAN COMPOSITIONS Analysed. By J. Broadhouse, cr. 8vo, cloth, 2s. 6d. REFORM IN ORGAN BUILDING, by Thomas Casson, 6d. THE ORGAN, Its Compass, Tablature, and Short and Incomplete Octaves, by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth back, 4s. 6d. CATECHISM for the Harmonium and American Organ, by John Hiles, post 8vo, sewed, 1s. RIMBAULT (Dr. E. 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RUDIMENTS OF VOCAL MUSIC. With 42 Preparatory Exercises, Rounds and Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d. SOME FAMOUS SONGS, an Art Historical Sketch. By F. R. Ritter, 1s. VOICE PRODUCTION AND VOWEL ENUNCIATION, by F. F. Mewburn Levien, Diagrams by Arthur C. Behrend, post 8vo, 6d. POSITION AND ACTION IN SINGING, a Study of the True Conditions of Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J. Myer, cr. 8vo, 4s. 6d. NATIONAL SCHOOL OF OPERA IN ENGLAND; being The Substance of a Paper read before the Licentiates of Trinity College, March, 1882, by Frank Austin, post 8vo, sewed, 6d. HOW TO UNDERSTAND WAGNER'S "RING OF THE NIBELUNG," being the Story and a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried" and the "Dusk of the Gods," with a number of Musical Examples by Gustave Kobbé, Sixth Edition, post 8vo, cloth, 3s. 6d. "To be appreciated in the smallest way Wagner must be studied in advance."--/Illustrated London News./ RATIONAL ACCOMPANIMENT TO THE PSALMS by F. Gilbert Webb, post 8vo, 6d. HOW TO PLAY FROM SCORE.--Treatise on Accompaniment from Score on the Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d. * * * * * CHOIR LISTS FOR SUNDAY SERVICES. No. 1. Morning and Evening, printed in red, 1s. 4d. per 100. No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per 100. No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100. No. 4. Morning and Even., printed in red, 1s. 6d. per 100. No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong, Second Evensong, Gothic Letter, printed in red, 6d. per dozen, 3s. per 100. * * * * * CHOIR ATTENDANCE REGISTER, 8vo, cloth. No. 1. Ruled for a Choir of 20 or less, for one year, beginning at any date, 1s. 6d. No. 2. Ruled for a Choir of 40 or less, for one year, beginning at any date, 2s. No. 3. Ruled for a choir of 60 or less, for one year, beginning at any date, 2s. 6d. * * * * * /Performing Edition./ THE CREATION, A Sacred Oratorio composed by Joseph Haydn, Vocal Score, The Pianoforte Accompaniment arranged and the whole edited by G. A. Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s. * * * * * FROM LYRE TO MUSE, A History of the Aboriginal Union of Music and Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d. * * * * * POPULAR PART SONGS. 1. Merrily goes the Mill, by T. B. Southgate, 1d. 2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d. 3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d. 4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d. 5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d. 6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill Sibley, 3d. * * * * * =_TO ALL MUSICIANS._= --Here is something worth reading and when you =[Special price see below.]= have read it send for a copy without delay. The Publisher of The Musical Standard has secured the whole of the copies left unsold at =14=/-net by Messrs. S. Low, Marston and Company, Ltd., of the work entitled THE NATIONAL PORTRAIT GALLERY OF BRITISH MUSICIANS. BY JOHN WARRINER, MUS.D., TRINITY COLLEGE, DUBLIN. INTRODUCTION BY JOSEPH BENNETT. =Over 500 Photo Portraits= Of well-known and eminent living Musicians of Great Britain and Ireland, with short Biographical notice of each. The Whole Bound in One Handsome oblong folio Volume, cloth lettered. Offered for 7/6 post free (or 8/-post free abroad). * * * * * KING'S ROYAL ALBUMS, Nos. 1 and 2. NATIONAL AND PATRIOTIC SONG ALBUM. With Pianoforte Accompaniment. In 2 Bks., 1s. each. BOOK 1. BOOK 2. God Save the King Hearts of Oak God Bless the Prince of Wales Stand United There's a Land (Dear England) The Cause of England's Greatness Victoria The Last Rose of Summer God Bless our Sailor Prince The Leather Bottle Here's a Health unto His Majesty Home, Sweet Home Lord of the Sea Three Cheers for the Red, White Roast Beef of Old England and Blue The Blue Bells of Scotland The Minstrel Boy Tom Bowling The British Grenadiers Come Lassies and Lads Auld Lang Syne Ye Mariners of England Rule Britannia The Bay of Biscay * * * * * King's Royal Albums, No. 3. Price 1/- 10 MARCHES FOR THE PIANO. BY J. P. SOUSA. 1. The Washington Post. 6. The Corcoran Cadets. 2. Manhatton Beach. 7. Our Flirtation. 3. The Liberty Bell. 8. March past of the Rifle Regiment. 4. High School Cadets. 9. March past of the National Fencibles. 5. The Belle of Chicago. 10. Semper Fidelis. * * * * * King's Royal Album, No. 4. Price 1/- SIX ORGAN PIECES FOR CHURCH USE. EDITED BY WILLIAM SMALLWOOD. With Ped. Obb., Selections from rarely known works. 1. Moderato con moto 4. Andante Religioso 2. Adagio Expressivo 5. Andante con moto 3. Andante Moderato 6. Lento Cantabile * * * * * King's Royal Album, No. 5. Price 1/- SMALLWOOD'S ESMERALDA ALBUM FOR PIANO. Belgium (Galop). Esmeralda (Transcription on Belle of Madrid (Tempi di Polka). Levey's Popular Song). Emmeline (Galop). Placid Stream (Morceau). The Seasons (Galop). * * * * * King's Royal Album, No. 6. Price 6d. BALFE'S ROSE OF CASTILLE, 6 FAVOURITE MELODIES, easily arranged for the Pianoforte by E. F. Rimbault. 1. Convent Cell (The). 2. 'Twas Rank and Fame. 3. Tho' fortune darkly o'er me frown. 4. I am a simple Muleteer. 5. I'm not the Queen. 6. List to the Gay Castanet. * * * * * King's Royal Album, No. 7. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Mandoline and Piano. 1. The Washington Post. 6. The Corcoran Cadets. 2. Manhatton Beach. 7. Our Flirtation. 3. The Liberty Bell. 8. March past of the Rifle Regiment. 4. High School Cadets. 9. March past of the National Fencibles. 5. The Bell of Chicago. 10. Semper Fidelis. * * * * * King's Royal Album, No. 8. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Banjo and Piano. (Contents as No. 7.) * * * * * King's Royal Album, No. 9. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Violin and Piano. (Contents as No. 7.) * * * * * King's Royal Album, No. 10. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for American Organ. (Contents as No. 7.) * * * * * King's Royal Album, No. XI. GRIEG'S "PEER GYNT" SUITE. 1. Dance of the Gnomes. 4. Amitrass' Dance. 2. Ases Death. 5. Solvejags Song. 3. Morning. * * * * * King's Royal Album, No. 12. GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION. 1. Arietta. 5. Popular Melody. 2. Waltzer. 6. Norwegian Melody. 3. Watchman's Song. 7. National Song. 4. Fairy Dance. 8. Norwegian Bridal March. * * * * * King's Royal Album, No. 13. GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH. * * * * * King's Royal Album, No. 14. HIAWATHA MANDOLINE ALBUM. ARRANGED BY SYDNEY OSBORNE. 1. Hiawatha Cake Walk 5. Over the Waves Waltz 2. Minnehaha Cake Walk 6. Donau Wellen Waltz 3. Alice Where Art Thou 7. Blue Danube Waltz 4. Kathleen Mavourneen * * * * * King's Royal Album, No. 15. ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM. BY EDWIN M. FLAVELL. 1. Andante con Moto 6. Prayer 2. Evensong 7. Canzonetta 3. March in F 8. A Call to Battle 4. Chorale 9. Souvenir 5. A Plaintive Song 10. Allegro * * * * * King's Royal Album, No. 16. 12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM. BY J. E. NEWELL. 1. Postludium 7. Offertoire 2. Communion 8. Andante Piacevole 3. Andante con Moto 9. Morning Prayer 4. Prelude 10. Loud Voluntary 5. Diapason Movement 11. Sketch 6. Faith "Melody" 12. Recessional March * * * * * MODERN CHURCH MUSIC. 1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price 2d. 2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our Souls Inspire," by Thomas Adams, F.R.C.O., price 2d. 3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d. 4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d. 5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d. 6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d. 7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins, J. M. W. Young, price 1-1/2d. 8. Te Deum, by T. E. Spinney, 1-1/2d. 9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d. 10. Story of the Cross, Music by H. Clifton Bowker, 2d. 12. Story of the Cross, Music by Dr. Geo. Prior, 2d. 13. The Lord's Prayer, Music by Ernest Austin, 2d. * * * * * AMERICAN ORGAN, Folio, Edited by Alfred Whittingham, in Six Books, 1s. each, complete paper covers, 3s., cloth bound, 5s. * * * * * PIANOFORTE (SOLO). Coon Band Contest, Cake Walk, by Arthur Pryor, 2s. Lefebure-Wely's St. Sulpice. Reminiscence by W. SMALLWOOD, 1s. 6d. Album Leaves: Pianoforte Sketches, without Octaves, by F. W. Davenport, 1s. 6d. each Number. No. 1. Waltz in F Dance in G No. 2. A Little Fugue in F minor Caprice in C No. 3. Prelude in G Melody in G No. 4. Sonatina in C Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s. Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d. Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s. Grand Festival March, "Illogan," by H. C. Tonking, 2s. * * * * * PIANOFORTE (4 HANDS.) Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans, 3s. Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s. * * * * * VIOLIN. A Selection of Favourite Airs arranged for the Violin by Henry Farmer, complete 1s. 6d., Piano Acc. /ad lib./ 2s. 6d. CONTENTS. 1. Theme. Variations (Mozart). 2. With Verdure Clad (Haydn). 3. German Shepherd's Song and Rataplain (Figlia del Reggimento). 4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante). 5. Mecco tu Vieni (La Straniera). * * * * * VIOLIN AND PIANO. Grand Festival March, "Illogan," by H. C. Tonking, 2s. * * * * * MANUSCRIPT MUSIC PAPER. /(a)/ 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 sheets), the lot 2/6. This is pre-eminently the Musical Students' Paper, as it is light, portable, smooth and easy to write upon; each sheet, too, will hold a large quantity of matter. There is no paper better suited for Exercises on Counterpoint and Harmony. /(b)/ 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 staves or Organ Music, 5 quires (120 sheets), the lot, 5/- The paper is of the same size as ordianry oblong folio, Organ Music, /e.g./, English Organ Music, Best's Arrangements, etc. /(c)/ 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), the lot 5/- Exactly the same in size as ordinary folio printed music so that upon it Songs of Organ Pieces may be written just as they are to be printed. It is a very useful paper, as Manuscript music written on it can be bound with Printed Music. /(d)/ 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6. /(e)/ 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), the lot 3/6. /(f)/ 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), the lot 5/- /(g)/ 12 Staves, folio music size (ruled even), 10 by 14, 5 quires (120 sheets), the lot 5/- /(h)/ 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6. * * * * * THE ORGANIST'S QUARTERLY JOURNAL. Of Original Compositions. Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds. Price 5/-each, or Subscription, 10/6 for 4 issues. New Series, Volume, containing 160 large pages, all with /ped. obb./, bound in cloth, 18/s./ =Part 12, New Series.= 1. IN MEMORIAM REV. GEOF. C. RYLY, M.A., Mus. Bac. Oxon. 2. TOCCATA G. B. POLLERI. 3. OVERTURE from Epiphany ALFRED KING, M.D. =Part XI., New Series.= 1. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. 2. PRELUDE AND FUGUE F. YOUNG. 3. FUGUE ARCHIBALD DONALD. 4. FUGUE WILLIAM HOPE. =Part 10, New Series.= 1. FUGUE ARCHIBALD DONALD. 2. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. 3. PRELUDE AND FUGUE F. YOUNG. =Part 9, New Series.= 1. ANDANTE CON MOTO W. A. MONTGOMERY, L.T.C.L. 2. FANTASIA in E minor CUTHBERT HARRIS, Mus. B. 3. POSTLUDE at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet W. CONRADI,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany. 4. HARVEST MARCH HENRY J. POOLE. =Part 8, New Series.= 1. SCHERZO MINUET W. MULLINEUX, Organist of the Town Hall, Bolton. 2. INTRODUCTION to the Hymn on the Passion, "O Haupt Voll Blut und Wunden" W. CONRADI. Organist Paul's Church, Schwerin, Germany. 3. THESIS AND ANTITHESIS, or DISPUTE, APPEASEMENT, CONCILIATION. W. CONRADI, Organist Paul's Church, Schwerin, Germany. 4. CARILLON in E CUTHBERT HARRIS, Mus.B., F.R.C.O., &c. 5. ANDANTE "Hope" INGLIS BERVON. 6. ORCHESTRAL MARCH in C JAMES CRAPPER, L.Mus., Organist of the Parish Ch., Kirkcudbright. =Part 7, New Series.= 1. ANDANTE GRAZIOSO in G CHAS. E. MELVILLE, F.R.C.O. 2. POLISH SONG, Arranged for the organ by PERCIVAL GARRETT. CHOPIN. 3. INTRODUCTION, VARIATIONS, AND FINALE on the Hymn Tune "Rockingham." CH. R. FISHER, Mus. B. 4. TWO SOFT MOVEMENTS W. C. FILEY, I.S.M. 1. "Espérance." 2. "Tendrerse." 5. ANDANTE in A flat W. GRIFFITHS, Mus. B., Org. of St. Sepulchre Church, Northampton. 6. FUGUE, 4 Voice, 3 Subjects DR. J. C. TILLY. =Part 6, New Series.= 1. CON MOTO MODERATO IN C ORLANDO A. MANSFIELD, Mus.B., F.R.C.O. 2. TEMPO DI MENUETTO GEO. H. ELY. 3. DIRGE IN MEMORIAM, REGINALD ADKINS J. E. ADKINS, F.R.C.O. 4. ANDANTE in F R. H. HEATH. 5. ABERYSTWYTH OFFERTOIRE J. G. MOUNTFORD. 6. ANDANTE in D (Prière) E. Evelyn BARRON, M.A. =Part 5, New Series.= 1. ALLEGRETTO SCHERZANDO in A flat W. E. ASHMALL. 2. ANDANTE RELIGIOSO in G DR. J. BRADFORD. 3. MARCH POMPOSO in E flat CHARLES DARNTON. 4. ANDANTE CON MOTO "Twilight" CH. R. FISHER, Mus.B. 5. MINUET In F W. E. BELCHER, F.R.C.O. =Part 4, New Series.= 1. ANDANTE MODERATO F. READ. 2. PRELUDE AND FUGUE in D minor E. A. CHAMBERLAYNE. 3. SKETCH ARTHUR GEO. COLBORN. 4. FUGUE JAMES TURPIN. 5. ALLEGRO CHARLES H. FISHER. 6. MARCHE MYSTIQUE THEME BY ROLAND, DE LASSUS.--A Relic of Ancient Times. =Part 3, New Series.= 1. MINUET AND TRIO in F ED. J. BELLERBY, Mus. B., Oxon. 2. "DUNDEE" ("or French") JOHN P. ATTWATER. 3. ADAGIO. An Elegy in G minor CHAS. R. FISHER, Mus. B. 4. ANDANTE, A major F. HONE. 5. ALLEGRO, D minor GEO. MINNS (Ely). =Part 2, New Series.= 1. TOCCATA FANTASIA (/Study in C minor/) E. T. DRIFFIEL. 2. ANDANTE GRAZIOSO W. FAULKES. 3. MARCHE FUNEBRE ARTHUR WANDERER. 4. ANDANTE SEMPLICE E. A. CHAMBERLAYNE. 5. FESTAL MARCH A. W. KETELBEY. =Part 1, New Series.= 1. OFFERTOIRE in A minor FRED. W. DAL (Leipzig). 2. SECOND FANTASIA on SCOTCH AIRS WILLIAM SPARK. 3. ADESTE FIDELES (with Variations and Fugue) CHARLES HUNT. 4. INTERMEZZO G. TOWNSHEND DRIFFIELD. =Part 103 (Old Series).= 1. POSTLUDE in G FREDERICK W. HOLLOWAY, F.C.O. 2. SUITE: NO. 1, PRELUDE; NO. 2, BERCEUSE; NO. 3, TOCCATA LAURENT PARODI (Genoa). 3. NOCTURNE WILLIAM LOCKETT. 4. ANDANTE PASTORALE in B minor JACOB BRADFORD, Mus. D., Oxon. 5. INTRODUCTORY VOLUNTARY ALBERT W. KETELBEY. 6. FUGUE R. J. ROWE, L.R.A.M. LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W. * * * * * Note the Price, PENCE not SHILLINGS. POPULAR AND COPYRIGHT MUSIC. Full Music Size, Well Printed and Critically Correct. ISSUED BY WILLIAM REEVES. 2^D (Postage 1/2d. each.) (Postage 1/2d. each.) 2^D VOCAL. 273. Alice where art thou? /J. Ascher/ 396. Always do as I do /Tinney/ 174. Angels at the Casement, A flat /W. M. Hutchison/ 105. Banner of the King /H. Fortesque/ 172. Barney O'Hea /S. Lover/ 224. Bay of Biscay /J. Davey/ 181. Border Lands (Sacred) /Miss Lindsay/ 180. Borderer's Challenge /H. J. Stark/ 390. Cat in the Chimney /L. Kingsmill/ 392. Child's Good Morning /O. Barri/ 391. Child's Good Night /O. Barri/ 383. Come into the Garden Maud /Balfe/ 184. Crossing the Brook /Edith Cooke/ 389. Dawn of Heaven /Buonetti/ 188. Diver, The /E. J. Loder/ 384. God Save the King /Dr. Jno. Bull/ 226. Hearts of Oak /Dr. W. Boyce/ 100. Honey Are You True to Me (Coon Song) /Lindsay Lennox/ 266. Kathleen Mavourneen /Crouch/ 213. Lady Clara Vere de Vere /Miss Lindsay/ 404. Last Good Bye to Mother /C. Dargan/ 227. Last Rose of Summer /Thos. Moore/ 215. Listen /A. H. Behrend/ 249. Maggie's Promise /W. Gordon/ 115. Sharing the Burden /J. E. Webster/ 225. Tom Bowling /C. Dibdin/ 236. When other Lips (Then you'll remember me) /Balfe/ VOCAL DUETS. 190. Flow on thou Shining River /Sir J. Stevenson/ 116. Gipsy Countess /Glover/ PIANOFORTE. 118. A la Valse /Roeckel/ 275. Alice where art thou? (easily arr. by) /Percy E. Douglas/ 278. Army and Navy March /Henzell/ 457. Au Village /Tschaikowsky/ 268. Battle March (Delhi) /Pridham/ 373. Belgium Galop /Smallwood/ 437. Belle of Chicago March /J. P. Sousa/ 122. Berceuse /Roeckel/ 376. Blumenlied /Gustav Lange/ 379. Bridal Chorus and Wedding March /Wagner/ 453. Cadet Two Step (easily arranged) /Alard/ 142. Charming Mazurka /Gungl/ 456. Chanson Triste /Tschaikowsky/ 456. Chant sans Paroles /Tschaikowsky/ 393. Chinese Patrol March /D. Pecorini/ 243. Cloches du Monastere /Lefebure-Wely/ 458. Coon Band Contest /A. Pryor/ 438. Corcoran Cadets March /J. P. Sousa/ 125. Corricolo Galop (Easily arranged) /L. Mullen/ 377. Edelweiss /Gustav Lange/ 374. Emmeline Galop /Smallwood/ 308. Fille du Regiment /Oesten/ 167. Flying Dutchman (La Vaisseau Fantome) /Wagner/ 244. Forward March /E. H. Sugg/ Four Humoresques: 206. Valse in D, No. 1 /Grieg/ 207. Minuetto in A minor, No. 2 /Grieg/ 208. Allegretto, No. 3 /Grieg/ 209. Allegro Alla Burla, No. 4 /Grieg/ 210. Funeral March /Grieg/ 305. French Air (Marseillaise) /Eric Stapleton/ 306. German Air (Watch on Rhine) /Eric Stapleton/ 264. Gipsies' March /C. Heins/ 252. Grand March (arr. by P. E. Douglas) /Blake/ 151. Grand March of the Warriors /H. V. Lewis/ 276. Hiawatha Cake Walk, (arr. by P. E. Douglas) /Moret/ 436. High School Cadets March /J. P. Sousa/ 304. Irish Air (Last Rose of Summer) /Eric Stapleton/ 303. Italian Air (Ah che la Morte) /Eric Stapleton/ 288. Japanese National Hymn, Harmonized by Sydney Osborne. 133. Kassala Gavotte /H. Wilcock/ 270. Kathleen Mavourneen /P. E. Douglas/ 171. Khartoum Quick March /F. P. Rabottini/ 286. King's Own March /Warwick Williams/ 246. Liberty Bell March /Sousa/ 135. Little Dear Gavotte /F. Astrella/ 162. Lohengrin /Wagner/ 136. Maiden's Prayer /Badarazewska/ 435. Manhattan Beach March /J. P. Sousa/ 137. March in E flat /J. B. Mallett/ 441. March Past of the National Fencibles /J. P. Sousa/ 440. March Past of the Rifle Regiment /J. P. Sousa/ 140. May-Day Galopade /J. Gungl/ 141. Mazurka /Badarazewska/ 143. Melodie /Roeckel/ 247. Melody in F /Rubinstein/ 211. Minuetto (from E minor Sonata) /Grieg/ 163. Mountain Echo March /G. Gariboldi/ 385. Narcissus /Nevin/ 439. Our Flirtation March /J. P. Sousa/ 147. Placid Stream /Smallwood/ 103. Queenie (Intermezzo) /P. D'Orsay/ 165. Rienzi /Wagner/ 253. Robin's Return (arr. by P. E. Douglas) /Fischer/ 148. Scherzino /Roeckel/ 301. Scotch Air (Blue Bells of Scotland) /Eric Stapleton/ 375. Seasons Galop /Smallwood/ 442. Semper Fidelis /J. P. Sousa/ 196. Silvery Echoes /Blake/ 394. Soldiers' Chorus (Faust) /Gounod/ 381. Sonatina in F /Beethoven/ 380. Sonatina in G /Beethoven/ 302. Spanish Air (Dance) /Eric Stapleton/ 378. Stephanie Gavotte /A. Czibulka/ 166. Tannhauser /Wagner/ 150. Tarantella /L. B. Mallett/ 290. Washington Post March (easy) /J. P. Sousa/ 454. White Wings (Transcription) /Smallwood/ 291. Woodland Echoes /Wyman/ PIANO DUETS. 367. Come o'er the Stream Charlie /A. Mullen/ 371. From Greenland's Icy Mountains /A. Mullen/ 372. I'd Choose to be a Daisy /A. Mullen/ 154. Maiden's Prayer /Badarazewka/ 156. March of the Cameron Men /A. Mullen/ 155. Marche des Croates /A. Mullen/ 159. Minnie, or Lilly Dale /A. Mullen/ 353. Silvery Waves (Wyman) /Andre/ DANCE. 388. Amorosa Mazurka /A. H. Oswald/ 387. Blue Bells Schottische /S. Leslie/ 262. Blue Danube Waltz /Strauss/ 382. British Army Polka /Alec Carlton/ 285. City Polka /J. D. Wimpenny/ 161. Cosmopolitan Quadrille /L. Gautier/ 127. Cyprus Polka /Scotson Clark/ 402. Donau Wellen Waltz (Easily arr. by) /Percy E. Douglas/ 101. Electric Waltz /H. Klein/ 397. Esmeralda Waltz (easily arranged) /S. Osborne/ 395. Fancy Dress Ball Quadrille /Rosenberg/ 413. Faust Waltz (arr. by P. E. Douglas) /Gouno/ 250. Flora Waltz /W. Gordon/ 386. Horse Guards Schottische /S. Leslie/ 102. Lucifer Polka /H. Klein/ 251. Niagara Waltz /Vorzanger/ 144. Munich Polka /Jos. Gungl/ 403. Olympia Schottische /Sydney J. Smith/ 254. Over the Waves (Sobra las Olas) /Rosas/ 366. Roseland Waltz /Marietta Lena/ 415. Sweetheart Polka /Gounod/ 265. Vinolia Schottische /P. Lester/ 268. Woodland Whispers Waltz /Stanley/ VIOLIN AND PIANO. 256. Campbells are Coming /A. Mullen/ 257. British Grenadiers /A. Mullen/ 258. A Life on the Ocean Wave /A. Mullen/ 259. Hearts of Oak /A. Mullen/ 260. Ivy Green /A. Mullen/ 261. Red, White and Blue /A. Mullen/ 317. Ben Bolt /A. Mullen/ 312. Low Back'd Car /A. Mullen/ 313. Sprig of Shillelagh /A. Mullen/ 314. March from Norma /A. Mullen/ 315. March, Guillaume Tell /A. Mullen/ 316. Lass O'Gowrie /A. Mullen/ 284. Réverie (E min.) /W. Vinnicombe/ VIOLIN. 170. March St. Olave /F. James/ MANDOLINE AND PIANO. 274. Alice where art Thou? 407. Belle of Chicago March /J. P. Sousa/ 406. Blue Danube Waltz /Strauss/ 416. Cadet Two Step (arranged) /Alard/ 408. Corcoran Cadets March /J. P. Sousa/ 272. Donau Wellen Waltz /Ivanovici/ 414. Faust Waltz and Flower Song /Gounod/ 277. Hiawatha Popular Cake Walk /Neil Moret/ 401. High School Cadets March /J. P. Sousa/ 289. Honey are you true /Sydney Osborne/ 267. Kathleen Mavourneen /Crouch/ 399. Liberty Bell March /J. P. Sousa/ 400. Manhattan Beach March /J. P. Sousa/ 411. March Past of the National Fencibles /J. P. Sousa/ 410. March Past of the Rifle Regiment /J. P. Sousa/ 255. Oceana Schottische /W. H. Stevens/ 279. Over the Waves /Rosas/ 409. Our Flirtation March /J. P. Sousa/ 412. Semper Fidelis March /J. P. Sousa/ 398. Washington Post March /J. P. Sousa/ BANJO AND PIANO. 429. Belle of Chicago March /J. P. Sousa/ 406. Cadet Two Step (arranged) /Alard/ 430. Corcoran Cadets March /J. P. Sousa/ 428. High School Cadets March /J. P. Sousa/ 419. Liberty Belle March /J. P. Sousa/ 418. Manhattan Beach March /J. P. Sousa/ 433. March Past of the National Fencibles /J. P. Sousa/ 432. March Past of the Rifle Regiment /J. P. Sousa/ 431. Our Flirtation March /J. P. Sousa/ 434. Semper Fidelis March /J. P. Sousa/ 417. Washington Post March /J. P. Sousa/ * * * * * THE VIOLIN TIMES, Monthly, 2d., (by post 2-1/2d,) /Edited by E. 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