The Project Gutenberg eBook of Tattle-tales of Cupid
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: Tattle-tales of Cupid
Author: Paul Leicester Ford
Release date: September 9, 2023 [eBook #71597]
Language: English
Original publication: New York: Dodd, Mead and Company, 1896
Credits: Richard Tonsing, Charlene Taylor, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
*** START OF THE PROJECT GUTENBERG EBOOK TATTLE-TALES OF CUPID ***
TATTLE-TALES OF CUPID
_Books by Paul Leicester Ford_
❦
THE HONORABLE PETER STERLING
THE GREAT K. & A. TRAIN ROBBERY
THE STORY OF AN UNTOLD LOVE
THE TRUE GEORGE WASHINGTON
TATTLE-TALES
OF
CUPID
TOLD BY
PAUL LEICESTER FORD
❦
NEW YORK
DODD, MEAD AND COMPANY
1898
_Copyright, 1896_,
BY HARPER AND BROTHERS.
_Copyright, 1898_,
BY THE CENTURY CO.
_Copyright, 1898_,
BY PAUL LEICESTER FORD.
=University Press:=
JOHN WILSON AND SON, CAMBRIDGE, U.S.A.
_TO MY PLAYMATE_
_My dear Doña_:
_Once upon a time two children read aloud together more or less of
Darwin, Spencer, Lyell, Goethe, Carlyle, Taine, and other writers of
equal note. Though the books were somewhat above their comprehension,
and certainly not so well suited to their years as fairy-tales and
romances, both the choice and the rejection were deliberately made and
consistently maintained. The discrimination originated neither in
excessive fondness of fact, nor in the slightest dislike of fiction;
being solely due to a greater preference for the stories they themselves
created than for those they found in books. Presently, one of these two,
having found a new playfellow, stopped inventing and acting and living
their joint imaginings, and the other one had to go on playing by
himself. But he has never forgotten the original impulse, and so, in
collecting the offspring of some of his earliest and some of his latest
play-hours, his thoughts recur to the years of the old partnership, and
he cannot please himself better than by putting his playmate, where she
truly belongs, at the beginning of his “imaginary” playthings._
NOTE
“His Version of It” is reprinted in this form by permission of the
Century Company.
“The Cortelyou Feud” is reprinted by permission of Messrs. Harper and
Brothers.
Contents
❦
_Stories_ PAGE
HIS VERSION OF IT 3
A WARNING TO LOVERS 49
“SAUCE FOR THE GOOSE” 87
THE CORTELYOU FEUD 103
_Plays_
“THE BEST LAID PLANS” 133
“MAN PROPOSES” 197
Tattle-Tales of Cupid
HIS VERSION OF IT
❦
“She’s a darling!” exclaimed the bay mare, between munches of the big
red apple.
“That’s just what she is!” responded the off carriage-horse; and then,
as part of his apple fell to the floor, he added fretfully: “I do wish,
Lassie, that you girls wouldn’t talk to a fellow when he’s doing
something! You’ve made me lose half my apple!”
Old Reveille, with the prudence of twenty-eight years of experience,
carefully deposited the unmasticated fraction of his apple beside an
uneaten one in his manger before remarking reflectively: “She’s a
thoroughbred; but she’s not the beauty her mother was at the same age.”
“Fie!” reproved one of the cobs: “how can you be so ungallant, when she
always gives you an extra apple or piece of sugar?”
“I call it shameful unfairness,” growled the nigh horse of the pair.
“She doesn’t keep you up till two or three in the morning at balls and
cotillions. She doesn’t so much as ride you in the park, as she does
Lassie or Bubbles. When you haven’t done a step of work in six years,
and spend your summers out in the pasture and your winters in a
box-stall eating your head off, why should you get a double portion?”
“Yes,” whinnied Bubbles, plaintively; “and, what’s more, she always
kisses you.”
Reveille, who meantime had swallowed his first apple, looked up with a
lofty smile of superiority. Then he slowly winked his off eye, remarked,
“Naturally, you don’t understand it,” and fell to lipping his second
apple caressingly, previous to the decisive crunch. “See if that doesn’t
drive the women wild,” he cogitated, with a grin.
“Now isn’t that just like a man!” complained Lassie. “As if it wasn’t
enough to get more than his share, but he must go and have a secret
along with it.”
“Huh!” grunted the polo pony, who was, of necessity, the brains-carrier
of the stable; “if it’s family property, it can’t be much of a secret;
for I never heard of anything to which six humans were privy that didn’t
at once become town gossip. And they must be aware of it, for, from the
Major to the Minor, they discriminate in favor of Reveille in a manner
most reprehensible.” The polo pony was famous for the choiceness of his
language and the neatness of his wit; but he was slightly vain, as was
shown by his adding: “Pretty good, that, eh? Major—that’s the man we
take out riding or driving. Minor—that’s the three-year-old. Do you
hitch up to that post?”
“Do they all know your secret, Reveille?” asked Lassie, ingratiatingly.
“They think they do,” replied the veteran. “They don’t, though,” he
added; and then, heaving a sigh, he continued: “But the roan filly did,
and Mr. Lewis’s big grey, and dear old Sagitta—that was the Russian
wolf-hound, who died before any of you youngsters joined our set.”
“Then I fail to perceive,” remarked the polo pony, “why they should
treat you differently, if they are ignorant of the circumstances to
which you refer.”
“My dear colt,” retorted Reveille, “when you are grown to horsehood you
will learn that we are all governed by our imaginations, and not by our
knowledge. Why do you shy at a scrap of white paper? Superficially
because you are nearly related to an ass, actually because your fancy
makes it into a white elephant.”
“And how about your putting your head and tail up, and careering all
over the home lot, last summer, just because our Major fired his
revolver at a hawk? Were you an ass, too?” saucily questioned one of the
cobs.
“Probably,” assented the oldster, genially; “for that very incident
proves my point. What that shot reminded me of was the last time I heard
my Major fire his revolver. I saw a long, gentle slope, up which a
brigade of ‘secesh’ were charging to a railroad embankment protected by
a battery of twelve-pounders firing six rounds of case-shot to the
minute. And I was right among the guns again, seeing and hearing it all;
and my Major—only he was a captain then—was saying as coolly and quietly
as he orders the carriage now: ‘Steady, men, steady! There’s a hundred
yards yet, and they can’t stand it to the finish. Double charge with
canister! Three more rounds will settle them.’ Which was just what it
did. We horses, with the aid of the men and guns, held the Weldon
railroad, and Lee and his mules stopped holding Richmond.”
“Doesn’t he tell a story beautifully?” remarked Bubbles, in a distinctly
audible aside to Lassie.
“I’ve never known a better raconteur,” answered Lassie, in a stage
whisper of equal volume.
“Lay you a peck of oats to a quart that the girls get that secret out of
him,” whispered the Majors saddle-horse, who, as a Kentuckian of
thoroughbred stock, had sporting and race-track proclivities.
“Not with me!” denied the second cob. “Besides, no gentleman ever bets
on a certainty. Gaze at the self-satisfied look on the old fool’s phiz.
Lord! how a pretty face and figure, combined with flattery, can come it
round the old ones!”
There could be no doubt about it. Reveille was smirking, though trying
not to desperately; and to aid his attempt, he went on, with a pretence
of unconscious musing, as if he were still in the past: “Yes; we are
ruled by our imaginations, and, consequently, though I have reached the
honourable but usually neglected period in life which retires an officer
and a horse from active service, I get a box-stall and extra rations and
perquisites.”
“How rarely is the story-telling faculty united with the philosophical
mind!” soliloquised Bubbles to the rafters.
“And how rarely,” rejoined Lassie, “are those two qualities combined
with a finished, yet graphic, style!”
“I would gladly tell you that story,” said the old war-horse, “but it
isn’t one to be repeated. Every horse who isn’t a cow—to make an Irish
bull, which, by the bye, is a very donkeyish form of joke—has done
certain things that he has keenly regretted, even though he believes
that he acted for the good—just as brave soldiers will act as spies,
honourable lawyers defend a scoundrel, and good women give ‘at homes.’”
“What a decadence there has been in true wit!” remarked Lassie, apropos
of nothing. “It is such a pleasure to be put next a horse at dinner
whose idea of humour was formed before youthful pertness was allowed to
masquerade as wit.”
“It is a mortification to me to this day,” went on Reveille, “even
though the outcome has justified me. You know what our equine code of
honour is—how we won’t lie or trick or steal or kill, as the humans do.
Well, for nearly two months I was as false and tricky as a man.”
“I don’t believe it,” dissented Bubbles.
“The truly great always depreciate themselves,” asserted one of the
mares.
“No, ladies, I speak the truth,” reiterated the warrior; “even now the
memory galls me worse than a spur.”
“It would ease your conscience, I am sure,” suggested Bubbles, “to
confess the wrong, if wrong there was. A highly sensitive and chivalric
nature so often takes a morbidly extreme view of what is at most but a
peccadillo.”
“This, alas! was no peccadillo,” sighed Reveille, “as you will
acknowledge after hearing it.”
“I may be a colt, but I’m not a dolt,” sneered the polo pony to himself.
“As if we weren’t all aware that the garrulous old fool has been itching
to inflict his long tail upon us for the last ten minutes.”
“My one consolation,” continued Reveille, “is that the roan filly was in
the traces with me and an equal culprit in—”
“I thought that one of the sex of Adam would saddle it on a woman before
he got through,” interjected the cob.
“_Cherchez la femme!_” laughed the polo pony, delighted to trot out his
French.
“All I meant to suggest, ladies and gentlemen,” affirmed Reveille,
reflectively, “is that a woman is an excuse for anything. If this world
is a fine world, it is because she pulls the reins more often for good
than for bad.”
“‘Those who always praise woman know her but little; those who always
blame her know her not at all,’” quoted the worldly-wise Kentuckian.
Reveille swallowed the last fragment of his second apple, cleared his
throat, and began:—
“It was after Five Forks, where my Captain got a major’s oak-leaf added
to his shoulder-straps, and a Minié ball in his arm, that the thing
began. When he came out of the hospital—long before he should have, for
the bone had been shattered, and took its own time to knit—we hung about
Washington, swearing at our bad luck, my Major suffering worse than a
docked horse in fly-time from the little splinters of bone that kept
working out, and I eating my head off in—”
“History does repeat itself,” murmured the envious carriage-horse.
“Well, one day, after nearly three months of idleness, when I was about
dead with stalldom, I permitted the orderly to saddle me, and after a
little dispute with him as to my preferences, I let him take me round to
Scott Square. There for the first time I met the roan filly and the big
grey. She was a dear!” he added, with a sigh, and paused a moment.
“Ah, don’t stop there!” begged one of the ladies.
“Get a gait on you,” exhorted the cob.
Reveille sighed again softly, shook his head, and then came back to the
present.
“‘May you never lack for oats and grass,’ said I, greeting them in my
most affable style.
“‘May you die in clover,’ responded the grey, nodding politely.
“‘May you have all the sugar you desire,’ added the filly, sweetly, and
greeting me with a graceful toss of the head. That told me that a woman
belonged to her, for men never give sugar. Sometimes, on a forced march,
my Major used to divide his ration of hardtack with me; but I never
tasted sugar until—well, we mustn’t get ahead too fast.”
“No danger, while he is doing the lipping,” grumbled the disagreeable
cob.
“‘I see by your saddle that you are in the service,’ remarked the big
grey. ‘I am not so fortunate. Between ourselves, I think the fellow I
let ride me would do anything sooner than fight—though, now it’s all
over, he says if he’d returned from Europe in time he should have gone
into the army.’
“I shook my head dejectedly. ‘I’m very much off my feed,’ I told them.
‘My Major is not able to ride, and won’t be for a long time, so I’m
horribly afraid I’ve been sold. I really wouldn’t have believed it of
him!’
“‘What things man is capable of doing!’ sighed the filly, with tears of
sympathy in her eyes.
“‘Cheer up, comrade,’ cried the grey, consolingly. ‘Even if you are
sold, you might be worse off. You are still a saddle-horse, and as Miss
Gaiety and I both have good stables, you probably will have the same
luck, since you are in our set. The fellow I carry spurred my
predecessor, when he was leg weary, at an impossible jump in
Leicestershire, and because he fell short and spoiled his knees the
brute ordered him sold, and he was put to dragging a huckster’s cart,
besides being half starved. You’re not so bad off as that yet.’
“Just then three people came out of the house before which we were
standing, and I can’t tell you how my heart jumped with joy, and how my
ears went forward, when I saw that one of them was my Major. For the
instant I was so happy that I felt like kicking up; but the next moment
I was ready to die with mortification at the thought of how I had
cheapened him to strangers. Think of my saying such things to them of
the best man that ever lived!
“‘That’s _my Major_,’ I told them, arching my neck and flicking my tail
with pride. ‘He held the Weldon railroad without—’”
“But you told us a little while ago,” protested Lassie, “that—”
“Yes, yes,” hastily broke in the story-teller with a note of deprecation
in his voice. “Don’t you see, girls, that having just belittled him, I
had to give him the credit of it, though really we horses—But there, I
won’t go into that now.”
“That much is saved!” muttered the cob.
“Walpole,” said the polo pony, “well described a certain period of life
when he denied that a man was in his dotage, but suggested that he was
in his ‘anecdotage.’”
“It was far from my intention—” Reveille began, with dignity.
“I do wish you would bridle your tongues, the two of you,” snapped
Bubbles. “It’s just what I should expect of a colt that has never seen
anything better than a poplar ball and a wooden mallet, and so dislikes
to hear of real battles. Please pay no heed to him, Mr. Reveille.”
“We don’t notice either of them one curb or snaffle bit,” declared
Lassie, “so why should you? Forgive me for interrupting you, and do tell
us what you told the steeds about our Major?”
Reveille hesitated, and then resumed his tale: “‘His battery held the
Weldon railroad without any infantry supports,’ I told them, adding,
‘Sheridan’s right-hand man. Perfect devil at fighting, and the kindest
human in the world.’
“The roan filly, being a woman, answered: ‘He looks both;’ but the grey,
being something more stupid, remarked: ‘Then what made you think he had
sold you?’
“‘Dear Mr. Solitaire,’ cried the mare, ‘you must know that we all say
things in society, not because we think them, but to make conversation.
I knew Mr.—thank you, Mr. Reveille—was joking the moment he spoke.’ I
tell you, gentlemen, women can put the blinders on facts when they
really try!
“‘What do you think of my Felicia?’ asked Miss Gaiety.
“I had been so taken up with my dear that I hadn’t so much as looked at
hers. But, oh, fellows, she was a beauty! Filly built, right
through—just made to be shown off by a habit; hair as smooth as a mare’s
coat, and as long and thick as an undocked tail; eyes—oh, well, halter
it! there is no use trying to describe her eyes, or her nose, or her
mouth, or her smile. She was just the dearest, loveliest darling that I
ever did see!
“Mr. Lewis was putting her up, while my poor dear stood watching them,
with a look in his face I had never seen. Now, when there was anything
to be done, my Major was always the man who did it, and it puzzled me
why he had let Mr. Lewis get the better of him. The next instant I saw
that his right arm was still in a sling, and that his sword-sash was
used to tie it to his body. Then I knew why he had an up-and-down line
in his forehead, and why he bit his mustache.
“‘Can I give you any help, Major Moran?’ asked Mr. Lewis, when he had
helped Miss Fairley mount.
“‘Thanks, no,’ answered my pal, rather curtly, I thought; and putting
his left hand on me, into the saddle he vaulted. But he was foolish to
do it, as he said ‘Ouch!’ below his breath; and he must have turned
pale, for Miss Fairley cried out, ‘Mr. Lewis, quick! He’s going to
faint!’
“‘Nothing of the kind,’ denied my backer, giving a good imitation laugh,
even while his hand gripped my neck and I felt him swerve in the saddle.
‘Miss Fairley, I will not let even you keep me an interesting invalid.
If there was any fighting left, I should long since have been ordered to
the front by the surgeons; but now they wink their eyes at shirking.’
“‘I told you you ought not to go, and now I’m sure of it,’ urged Miss
Fairley. ‘You’ll never be able to control such a superb and spirited
horse with only your left arm.’”
“Bet that’s a subsequent piece of embroidery,” whispered the polo pony
to his nearest neighbor.
“Now, I have to confess that I had come out of the stable feeling full
of friskiness, and I hadn’t by any means worked it off on the orderly,
much of a dance as I’d given him. But the way I put a check-strap on my
spirits and dropped my tail and ears and head was a circumstance, I tell
you.
“‘There’s not the slightest cause for alarm,’ my confrère answered her.
‘The old scamp has an inclination to lose his head in battle, but he’s
steady enough as a roadster.’
“‘I really wish, though, that you wouldn’t insist on coming,’ persisted
Miss Fairley, anxiously. ‘You know—’
“‘Of course, Miss Fairley,’ interrupted my Major, with a nasty little
laugh, ‘if you prefer to have your ride a solitude _à deux_, and I am
in—’
“‘Shall we start?’ interrupted Miss Fairley, her cheeks very red, and
her eyes blazing. She didn’t wait for an answer, but touched up the
filly into a trot, and for the first mile or two not a word would she
say to my colleague; and even when he finally got her to answer him, she
showed that she wasn’t going to forget that speech.
“Well, what began like this went from bad to worse. He wasn’t even aware
that he had been shockingly rude, and never so much as apologised for
his speech. When Miss Fairley didn’t ask him to ride with them the next
day, he ordered me saddled, and joined them on the road; and this he did
again and again, though she was dreadfully cool to him. My dear seemed
unable to behave. He couldn’t be himself. He was rude to Mr. Lewis,
sulky to Miss Fairley, and kept a dreadful rein on me. That week was the
only time in my life when he rode me steadily on the curb. My grief! how
my jaw did ache!”
“I wish it would now,” interrupted the cob, sulkily. Let it be said here
that horses are remarkably sweet-natured but this particular one was
developing a splint, and was inevitably cross.
“Don’t be a nag,” requested one of the mares.
“The roan filly always blamed my Major for making such a mess of the
whole thing; but even though I recognised how foolish he was to kick
over the traces, I saw there were reasons enough to excuse him. In the
first place, he enlisted when he was only nineteen, and having served
straight through, he had had almost no experience of women. Then for six
months he had been suffering terribly with his arm, with the result that
what was left of his nerves were all on edge. He began to ride before he
ought, and though I did my best to be easy, I suppose that every moment
in the saddle must have caused him intense pain. Finally, he had entered
himself for the running only after Mr. Lewis had turned the first
mile-post and had secured the inside track. I really think, if ever a
man was justified in fretting on the bit my chum was.
“At the end of the week Miss Gaiety bade me good-bye. ‘I heard Mr.
Fairley say that we could now go back to Yantic; that’s where we live,
you know,’ she told me. ‘It’s been a long job getting our claim for
uniforms and blankets allowed, but the controller signed a warrant
yesterday. I’m really sorry that we are to be separated. If your
associate had behaved decently, you might have been asked to visit us.’
“‘Yes,’ announced the big grey; ‘Miss Fairley has asked the bully who
rides me and myself to spend a few days with you next week. I suppose
they’ll settle it then.’
“But the officer and horse who commanded the battery which held the
Weldon railroad weren’t going to be beaten as easily as that, you may be
sure! When I took my rider back to the stable that afternoon, I heard
him say to the orderly: ‘Jackson, I’m going north next week, and shall
want Reveille to start before me. I’m in too much pain to give you your
orders now, but come round to-morrow morning and get your instructions.’
“Yantic was nothing but a little village clustered about a great
woollen-mill, without any stable or hotel to live in, so we had to put
up at Norwich, a place seven miles away; and it was a case of put up, I
tell you, in both food and attendance! For a decently brought up horse
to come down to a hotel livery-stable is a trial I never want to go
through again. In the field I never minded what came, but I do hate
musty corn and damp bedding.
“You girls would have laughed to see the roan filly’s face the first
time we met on the road.
“‘Horse alive!’ she cried, without so much as a greeting, ‘you don’t
mean to say you have hopes? Why, Mr. Solitaire and that horrid Mr. Lewis
arrive to-day, and the thing’s probably as good as decided.’
“‘My Major is very resolute,’ said I.
“‘So is a mule,’ snapped Miss Gaiety, ‘but we don’t think the more of
him for that.’”
The polo pony gave a horse laugh as he said, “_That_ was one on you.”
“It was,” acknowledged Reveille; “and I regret to say it made me lose my
temper to such an extent that I retorted, ‘I can’t say much for the
taste of _your_ woman!’
“‘No,’ assented the filly; ‘if what you and Mr. Solitaire say is true,
she’s taking the worse of the two. But then, a human can’t help it. If
you covered a horse all over with clothes, do you think any one would
know much about him? Moreover, two-thirds of what men do or say is said
or done only to fool a woman. How can a girl help making mistakes, when
she’s got nothing to go by but talk? Why, look at it. Your Major seems
balky most of the time, won’t talk half of it, and when he does, says
the things he shouldn’t; while Mr. Lewis is always affable, talks well,
and pays indirect compliments better than any man I ever met.’
“‘If she could only be told!’ I groaned.
“‘She would be, if I could talk,’ sighed the mare. ‘I’d let her know how
he treats his horses!’
“‘Miss Gaiety,’ I ejaculated, ‘I’ve got an idea.’
“‘What?’ she demanded.
“‘Wait a bit till I’ve had time to think it out,’ said I. ‘Gettysburg
wasn’t fought in five minutes.’
“‘Gettysburg was a big thing,’ she answered.
“‘So’s my idea,’ I told her.
In the meantime my Major was explaining to Miss Fairley that the
government had sent him to New London to inspect the ordnance at Forts
Trumbull and Griswold, and that he found it pleasanter to stay in
Norwich, and run down by train to New London for his work. That’s the
way humans lie when it doesn’t deceive any one and it isn’t expected
that it will. Of course Miss Fairley knew what brought him North, and
why he preferred Norwich to New London! One thing he did do, though,
which was pretty good. He apologised to her for having said what he did
before their first ride, told her that his wound had been troubling him
so that at times he scarcely knew what he was saying, and declared he’d
been sorry ever since. He was humble! The Eleventh Battery of Light
Artillery would never have known him.
‘There,’ sniffed Miss Gaiety; ‘if the idiot had only talked in that vein
ten days ago, he might have done something. Oh, you men, you men!’
“At least he won a small favour; for when he asked leave, at parting, to
be her companion the next day in a ride, she told him he might join her
and Mr. Lewis, if he wished. But the permission wasn’t given with the
best of grace, and she didn’t ask him to luncheon before the start.
“I thought out my idea over night, and put it in shape to tell. My Major
took me to the Fairleys’ a little early, and so went in, leaving me
alone. In a minute, however, a groom brought the filly and the grey
round to the door, and with them came Sagitta, the Russian wolf-hound,
whom, it seems, Mr. Lewis had brought from Europe, and had just
presented to Miss Fairley.
“After the barest greetings, I unfolded my scheme. ‘I don’t know,’ said
I, ‘what Mr. Sagitta thinks, but we three are a spike-team in agreeing
that Mr. Lewis is a brute.’
“‘I bow-wow to that,’ assented the dog. ‘He kicked me twice, coming up
yesterday, because I was afraid to go up the steps of the baggage-car.’
‘So far as we can see he is going to win Miss Fairley,’ I continued. ‘As
Miss Gaiety says she’s a dear, I think we ought to prevent it.’
“‘Very pretty,’ says the grey; ‘but, may I ask, who is to interfere and
put the hobbles on him?’
“‘We are to tell her he’s cruel.’
“‘She won’t understand us, if we tell her till doomsday. These humans
are so stupid!’ growled Sagitta.
“‘That’s where my idea comes in,’ I bragged—a little airily, it is to be
feared. ‘We can’t, of course, tell it to her in words, but we can act
it.’
“‘Eh?’ exclaimed the filly, with a sudden look of intelligence.
“‘Not possible,’ snorted the big grey.
“‘I see,’ cried the mare, her woman’s wits grasping the whole thing in a
flash, and in her delight she kicked up her hind legs in the most
graceful manner.
“‘Heyday!’ exclaimed the grey, using our favourite expletive.
“It didn’t take me long to explain to him and Sagitta, and they entered
into the scheme eagerly. We were so hot to begin on it that we pawed the
road all into holes in our impatience.
“Presently out came the three, and then the fun began. Mr. Lewis stepped
forward to mount Felicia, and at once Miss Gaiety backed away, snorting.
Then the groom left us, and tried to hold her; but not a bit of it;
every time Mr. Lewis tried to approach she’d get wild.
“Finally my Major joined in by walking over to help, and the mare at
once put her head round and rubbed it against him, and stood as quiet as
a mouse. So he says: ‘I’ve only my left arm, Miss Fairley, but I think
we can manage it;’ and the next moment she was in the saddle.
“Lewis was pretty angry-looking as he went toward his own horse; and
when he, too, began to back and snort and shiver, he didn’t look any
better, you may be sure of that. You ought to have seen it! The brute
caught him by the bridle, and then the grey kept backing away or dodging
from him. Out on the lawn they went, cutting it up badly, then into Miss
Fairley’s pet bed of roses, then smashing into the shrubberies. I never
saw better acting. Any one would have sworn the horse was half dead with
fright.
“It didn’t take very much of this to make Lewis lose all self control.
“‘You cursed mule!’ he raved, his face white with passion; ‘if I had a
decent whip, I’d cut the heart out of you!’ And suiting the action to
the thought he struck the grey between the eyes with his crop a
succession of violent blows, until, in his fury, he broke the stick.
Then he clenched his fist and struck Solitaire on the nose, and would
have done so a second time if Miss Fairley hadn’t spoken.
“‘Stop!’ she called hotly, and Lewis dropped his fist like a flash.
Felicia was breathing very fast and her cheeks were white, while her
hands trembled almost as much as Solitaire had. Her face wore a queer
look as she continued: ‘I—excuse me, Mr. Lewis, but I couldn’t bear to
see you strike him. He—I don’t think he—something has frightened him.
Please give him just a moment.’ Then she turned to my dear, saying,
‘Perhaps you can calm him, Major Moran?’
“I should think he could! Talk of lambs! Well, that was Solitaire when
my Major went up to him. He let himself be led out of the flower-bed
back to the road as quiet as a kitten. The moment Lewis tried to come
near him, however, back away he would, even from my confrère. The groom
tried to help; but it takes more than three humans to control a horse
who doesn’t want to be controlled.
“After repeated attempts they got tired of trying; and then Mr. Lewis
suggested, with a laugh that didn’t sound nice: ‘Well, Major, we mustn’t
cheat Miss Fairley of her afternoon; and since you seem able to manage
my beast, perhaps you’ll ride him, and let me take yours?’
“Usually I should have been very much pained at my comrade’s nodding his
head, but this time it was exactly what I wanted. Whoop! Ride me? Neigh,
neigh! If you ever saw a coward in an ague of a blue funk, that is what
I was. I blessed my stars none of the Eleventh Battery were round! Lewis
tried; but, do his best, I wouldn’t let him back me. When my Major
interfered, I sidled up to my dear just as if I couldn’t keep away from
him; but when he attempted to hold me for Lewis to mount, I went round
in a circle, always keeping him between me and the brute. It was oats to
me, you’d better believe, to see the puzzled, worried look on Miss
Fairley’s face as she watched the whole thing.
“Well, they discussed what they called ‘the mystery,’ and finally agreed
that they couldn’t ride that afternoon, so we horses were sent down to
the stable, and the three went back to the verandah. Sagitta told me
afterward what happened there.
‘Come here, pup,’ calls Lewis to him, the moment they were seated.
“Sagitta backed away two steps, bristling up, and growling a bit.
“‘Come here, you brute!’ ordered Lewis hotly, rising.
“Sagitta crouched a little, drew his lips away from his fangs, and
pitched his growl ‘way down in his throat.
“‘Look out! That dog means mischief,’ cried my Major.
“‘Are the animals possessed?’ roared Lewis, his voice as angry as
Sagitta’s snarl, yet stepping backwards, for it looked as if the dog
were about to spring.
“But my Major didn’t retreat—not he! He sprang between the wolf-hound
and Miss Fairley. ‘Down, sir!’ he ordered sharply; and Sagitta dropped
his lips and his bristles, and came right up to him, wagging his tail,
and trying to lick his hand.
“‘Isn’t it extraordinary?’ cried Miss Fairley, with a crease in her
forehead. ‘Here, Sagitta!’
“‘Miss Fairley, be careful!’ pleaded my Major; but there wasn’t the
slightest necessity. Sagitta was by her side like a flash, and was
telling her how he loved her, in every way that dog could. And there he
stayed till Lewis came forward, when he backed away again, snarling.
“Now, in all their Washington intercourse my Major had been the surly
one; but in the interval he had evidently had time to realise his
mistake, and to see that he must correct it. Probably, too, he wasn’t
depressed by what had just taken place. Anyway, that afternoon he was as
pleasant and jolly as he knew how to be. But Mr. Lewis! Well, I
acknowledge he’d had enough to make any man mad, and that was what he
was. Cross, sulky, blurting out disagreeable things in a disagreeable
voice, with a disagreeable face: he did make an exhibition of himself,
so Sagitta said.
“After as long a stay as was proper, my Major told them he must go, and
I was brought round. Miss Fairley came to the stoop with him, and didn’t
I prick up my ears when I heard her say:
“‘Since you were defrauded of your ride to-day, Major Moran, perhaps you
will lunch here to-morrow, and afterward we will see if we can’t be more
successful?’
“The next day our interference was done a little differently. When we
were brought round to the door, there was Mr. Lewis with a pair of
cruelly big rowelled spurs on his boots, a brutal Mexican quirt in his
hand, and a look on his face to match the two. Of course the grey gave
him a lot of trouble in mounting, but we had already planned a different
policy; and so, after enough snorting and trembling to make Felicia look
thoughtful, he finally was allowed to get on Mr. Solitaire’s back.
“Much good it did him! The filly and I paired off just as if we were
having a bridle trip in double harness; but do his best, Mr. Lewis could
not keep the grey abreast of us. Twenty feet in front, or thirty feet
behind, that was where he was during the whole ride, and Lewis fought
one long battle trying to make it otherwise. He had had the reins
buckled to the lower bar of the curb, so it must have been pretty bad
for the grey, but there was no flinching about him.
“Every now and then I could hear the blows of the quirt behind me; and
when, occasionally, the grey passed us, I could see his sides gored and
bleeding where they had been torn by the spurs, and bloody foam was all
round his jaw, and flecked his chest and flanks. But he knew what he
meant to do, and he did it without any heed to his own suffering. There
was joy when the filly told us that every time the swish of the quirt
was heard she could feel her rider shiver a little; and Felicia must
have been distressed at the look of the horse, for she cut the ride
short by suggesting a return home.
“Sagitta informed us afterward that if Mr. Lewis had been bad the day
before, he was the devil that afternoon on the verandah, and Miss
Fairley treated him like one. What is more, she vetoed a ride for the
next day by saying that she thought it was getting too cold to be
pleasant. When we had ridden away, Solitaire later told me, she excused
herself to Mr. Lewis, and went to the stable and fed the grey with
sugar, patting him, and telling the groom to put something on the
spur-gashes.
“We horses didn’t hear anything more for three days, at the end of which
time my pal and I rode over one morning, and reminded Miss Fairley that
she had promised to show us where we should find some fringed gentians;
and though it was the coldest day of the autumn, Felicia didn’t object,
but ordered Miss Gaiety saddled, and away we went.
“We really had a very good time getting those gentians! Nothing was ever
done with the flowers, however, owing to circumstances which constitute
the most painful part of my confession. For a horse and an officer, I
had been pretty tricky already, but that was nothing to the fraud I
tried to perpetrate that morning. After our riders had mounted for the
return to Yantic, I suggested to Miss Gaiety what I thought would be a
winning race for my Major, which was neither more nor less than that she
should run away, and let him save Miss Fairley. The roan came right into
the scheme, and we arranged just how it was to be managed. She was to
bolt, and I was to catch her; but since my Major had only his left arm,
as soon as she felt his hand on the rein she was to quiet down; and I
have no doubt but it would have been a preeminently successful coup if
it had been run to the finish.
“What actually happened was that the mare bolted at a rabbit which very
opportunely came across the road, and away she went like a shell from a
mortar. I didn’t even wait for orders, but sprang after her at a pace
that would have settled it before many minutes. Just as I had got my
gait, however, my poor dear gave a groan, reeled in his saddle, and
before I could check myself he pitched from my back to the ground. I
could not stop my momentum under thirty feet, but I was back at his side
in a moment, sniffing at him, and turning him over with my nose, for his
wounded arm was twisted under him, and his face was as white as paper.
That was the worst moment of my life, for I thought I’d killed him. I
put my head up in the air, and didn’t I whinny and neigh!
“The filly, finding that something wrong had happened, concluded to
postpone the runaway, and came back to where I was standing. Miss
Fairley was off her like a flash, and, kneeling beside my treasure,
tried to do what she could for him, though that really wasn’t anything.
Just then, by good luck, along came a farmer in an oxcart. They lifted
my poor dear into it, and a pretty gloomy procession took up its walk
for Yantic.
“When we arrived at the Fairleys’ house, there was a to-do, as you may
imagine. He was carried upstairs, while I went for the doctor, taking a
groom with me, because humans are so stupid that they only understand
each other. I taught that groom a thing or two about what a horse can do
in the way of speed that I don’t believe he has ever forgotten.”
“Did you do better than 1.35½?” inquired the Kentuckian; but Reveille
paid no heed to the question.
“After that sprint I had about the dullest month of my life, standing
doing nothing in the Fairleys’ stable, while nearly dying of anxiety and
regret. The only thing of the slightest interest in all that time
occurred the day after our attempted runaway, when Mr. Lewis came down
to the stable, and gave orders about having the big grey sent after him.
He wasn’t a bit in a sweet temper—that I could see; and though I
overheard one of the grooms say that he was to come back later, as soon
as the nurse and doctors were out of the house, the big grey thought
otherwise, and predicted that we should never see each other again. Our
parting was truly touching, and put tears in the filly’s eyes.
“‘Friends,’ said Solitaire, ‘I don’t think he will ever forgive me, and
I suppose I am in for a lot of brutality from him; but I am not sorry.
If you ever give me another thought please say to yourself: “He did his
best to save a woman from having her life made one long night-mare by a
cruel master.”’
“Nothing much happened in the weeks my Major was housed, with the
exception of one development that had for me an extremely informing and
delightful quality. One day, about a month after our cropper, Felicia
came down to the stable, and without so much as a look or a word for
Miss Gaiety, came straight into my stall, flung her arms about my neck,
and laid her soft cheek caressingly against it, for some moments. Then
she kissed me on the nose very tenderly, and offered me what I thought
were some little white stones. I had never tasted sugar before, and
nothing but her repeated tempting and urging persuaded me to keep the
lumps in my mouth long enough to get the taste on my tongue. (I have to
confess that since then I have developed a strong liking for all forms
of sweetmeats.) What is more, she came down every day after that, and
sometimes twice a day, to caress and feed me. There was no doubt about
it, that for some reason she had become extraordinarily fond of me!
“It is awfully hard in this world to know what will turn out the best
thing. As a matter of fact, the tumble off my back was about the
luckiest accident that ever befell my Major; for it broke open the old
wound, and as the local doctors did not have six hundred other injured
men under them, they could give it proper attention, which the hospital
surgeons had never been able to do. One of them extracted all the pieces
of bone, set the arm, and then put it in a plaster jacket, which ought
to have healed it in good shape very quickly. But for some reason it
didn’t. In fact, I became very much alarmed over the length of my
Major’s convalescence, till one day I overheard one of the stablemen
say:
“‘Lor’! He won’t get well no too fast, with Miss Felicia to fluff his
pillers, an’ run his erran’s, an’ play to him, an’ read aloud to him,
an’ him got nothin’ to do but just lay back easy an’ look at her.’
“Then I realised that it would be some time before he would feel strong
enough to go back to his ordnance inspecting.
“Finally, one afternoon, the filly and I were saddled and brought round
to the front door, and there were Miss Fairley and my Major, both
looking as well and happy as their best friend would want to see them.
It was a nice day, and away we went over the New England hills.
“There wasn’t much surliness or coolness on that ride, and what they
didn’t talk about is hardly worth mentioning. After they had fairly
cantered, conversationally, for over three hours, however, they slowed
down, and finally only Felicia tried to talk, and she did it so jerkily
and confusedly, with such a deal of stumbling and stammering, that
presently, try her best, she had to come to a halt, too. Then there was
a most awkward silence, until suddenly my Major burst out, more as if
the sentence were shot from a gun than as if he were speaking it:
“‘Oh, Felicia, if you could only—’
“That seemed to me too indefinite a wish to answer easily, and
apparently Miss Fairley thought the same, for another silence ensued
which was embarrassing even to me. So far as I could make out, my Major
could not speak, and Miss Fairley would not. I was as anxious as he was
to know what she would say, and in my suspense I suddenly conceived an
idea that was little short of inspiration, though I say it who ought
not. I asked the roan filly:
“‘Is your Felicia resting her weight on the side toward my Major, or on
the side away from him?’
“‘She has a very bad seat in her saddle,’ the mare told me, ‘and she is
resting all her weight on the side next you.’
“‘Then, Miss Gaiety,’ I suggested, ‘I think they will like it if we
snuggle.’
“‘Well, just for this once I will,’ replied the filly, shyly.”
Reveille turned in his stall, and, walking over to his manger, picked up
a wisp of hay. But the action was greeted by an outburst from the
ladies.
“Oh, you are not going to stop there, dear Mr. Reveille!” they chorused.
“I always did hate a quitter on the home stretch,” chimed in the
discontented cob, pleased to have a grievance.
The narrator shook his head.
“No gentleman,” he asserted, “who overheard what followed would ever
tell of it; and a horse has an even higher standard of honour.”
“Ah, darling Mr. Reveille,” pleaded the feminine part of his audience,
“just a little more!”
“I hate to seem mulish,” responded the horse, “and so I will add one
small incident that is too good not to be repeated. When we rode up to
the house that evening, shamefully late for dinner, my Major lifted Miss
Fairley off Miss Gaiety in a way that suggested that she might be very
breakable, and, after something I don’t choose to tell you about, he
said:
“‘I wonder if we shall ever have another such ride!’
“‘It doesn’t seem possible, Stanley,’ whispered my Felicia, very softly.
‘You know, even the horses seemed to understand!’”
Just as Reveille finished thus, a human voice was heard, saying:
“You will have the veterinary see the cob at once, and let me know if it
is a case which requires more than blistering.”
Then came a second and very treble voice. “Papa,” it begged, “will oo
lif’ me up on ol’ Weveille’s back?” And the next moment a child of three
was sitting astride the old warrior and clinging to his mane.
“Well, you old scoundrel,” said the human, “do you know you are getting
outrageously fat?”
“Weveille isn’t not any scoundwel,” denied the child, earnestly. “Mama
says Weveille is a’ ol’ darlin’.”
“Your mama, fortunately for Reveille and me, always had a soft spot for
idiots,” explained the man, stroking the horse’s nose affectionately.
“But I will say this for the old fellow: if most folly resulted as well
as his, there would be a big premium on fools.”
Reveille winked his off eye at the other steeds.
“Aren’t these humans comical?” he laughed.
A WARNING TO LOVERS
❦
Before some blazing logs, which fill a deep fireplace with warmth that
overflows to just the right extent into the room, stands, slightly
skewed, a sofa. The sofa is a comfortable one. It is short, deep, and
low; and the arms have a suggestion of longing to be filled that is
truly seductive. In addition, two down cushions imply that the sofa is
quite prepared to fit itself to any figure, be it long, short, broad, or
narrow. Altogether, it is a most satisfactory sofa.
But the satisfactoriness does not end here. Seated at one end of that
sofa is a girl, clearly in that neither grass nor hay period, which
begins at sixteen and ends at eighteen. Not that it is intended to
suggest that because the girl is neither hay nor grass she is
unattractive. Quite the reverse. New-mown hay is the sweetest, and the
girl, if neither child nor woman, is, in her way, just as sweet.
In algebra, when _a_, _b_, and _c_ are computed, it is possible to find
the unknown quantity _x_. Applying an algebraic formula to the above, we
at once deduce what is necessary to complete the factors. It may be
stated thus: _a_, a sofa, plus _b_, a charming girl; and as _a_, a sofa,
must be divided by two, we find the unknown quantity to be _x_, a man,
and the product of our _a_, _b_, and _x_ to equal _xxx_, or triple
bliss. Nor is this wrong. The sofa does not do more than seat two people
comfortably, yet at the present moment there are little spaces at both
ends. Concerning the other details of this _a ÷ 2 + b + x − 0_ (_i. e._
Mrs. Grundy), it seems needless to enlarge.
“And isn’t it wonderful, Freddy, that you should love me and I should
love you?” cooed the girl.
“Just out of sight,” replied Freddy.
Most people would agree with the above remarks, though the circumstance
of a man and woman occasionally loving each other is a phenomenon
recognised, if not approved, by science. But though these two did not
know it, there was a wonder here. Freddy has been spoken of in the
masculine gender, because, as Shakespeare wrote: “The Lord made him,
therefore let him pass for a man.” Otherwise his manliness was open to
debate. Lovable the girl unquestionably was, or at least very fast
verging upon it, but it passeth human intelligence how Freddy could
inspire any sort of feeling except an intense longing for a gun loaded
with goose-shot.
“And that we should have loved each other for so long, and never either
of us dreamed that we cared one little bit for each other,” continued
the girl.
Freddy did not assent to this sentiment as readily as to the former.
Freddy had been quite sure that Frances had been pining for his love in
secret for some months. So he only remarked: “We got there all the
same.”
“Yes,” assented Frances. “And we’ll love each other always, now.”
“But I say,” inquired Freddy, “what do you think your father and mother
will say?”
“Why, they’ll be delighted,” cried the girl. “It couldn’t be better.
Cousins,—and just the same age—and, and— Oh, lots of other reasons, I’m
sure, but I can’t think of them now.”
“Let’s tell them together,” suggested Freddy, courageously.
“Freddy! Of course not. That isn’t the right way. No, you must request
an interview with papa in his library, and plead eloquently with him.”
“I suppose I must,” answered Freddy, with a noticeable limpness in his
voice and vertebræ.
“Wouldn’t it be fun if he should refuse his consent!” exclaimed the
girl.
Freddy did not recognise the comical quality. “I don’t see it,” he
moaned.
“Why, it would be so romantic! He would of course order you to leave the
house, and never, never darken his doors again. That’s what the father
always does.”
“You think that’s fun?”
“Such fun! Then, of course, we should have to arrange for romantic
meetings, and secret interviews, and you would write little letters and
put them in a prayer-book in our pew; and watch to get a glimpse of me
as I go in and out of places; and stand on the opposite side of the
street each night, till you saw the light in my room put out. Oh! What
fun it will be!”
“It might be raining,” complained Freddy.
“All the better. That would prove your devotion. Don’t you love me
enough to do that?”
“Yes,” said Freddy, meekly, “but I hate getting wet. Sometimes one
catches a nasty cold.”
“Any one who tells a girl he loves her with a fervour and passion never
yet equalled by man should not think of such things,” asserted Frances,
disapprovingly.
Freddy had an idea that a girl who reciprocated such a passion should
not seem so happy over the prospect of her lover undergoing the
exposure, but the youth did not know how to express it. So he proposed:
“Let’s keep it a secret for the present.”
“Let’s,” assented Frances. “We won’t tell any one for a long time, but
just have it all to ourselves. And when I am riding in the morning you
must join me; the groom will think it’s all right. And whenever papa and
mama are to be out in the evening, I’ll put a lamp in my window, and—”
Ting!
It seemed as if some of the electric current which made that distant
muffled ring had switched and passed through the happy pair. Both
started guiltily, and then both listened with the greatest intentness;
so intensely, that after a moment’s pause they could hear the soft
gliding sound of the footman’s list slippers as they travelled down the
hallway; could hear the click of the lock as he opened the front door;
could hear the murmur of voices; could hear the door closed. Then, after
a moment’s silence, a voice, for the first time articulate to them,
said: “I’ll wait in the morning room.”
“Freddy,” gasped the girl, “it’s that horrid Mr. Potter. Quick!”
Both had arisen from the sofa, and Freddy looked about in a very badly
perplexed condition. He was quite willing, but about what was he to be
quick?
“Sit down in that chair,” whispered the girl, pointing to one at a more
than proper distance, and Freddy sprinted for it, and sat down. The girl
resumed her seat on the little sofa, and putting her hands in a demure
position, rather contradictory to her quick breathing and flushed
cheeks, began: “As you were saying, the De Reszke brothers were the only
redeeming— Oh! Good evening, Mr. Potter.”
“Good evening, Frances,” responded a tall, rather slender,
strong-featured man, attired in evening dress, who had leisurely
strolled into the room, and who did not offer to go through the form of
shaking hands. “Talking to the fire?”
“No. Freddy and I were chatting about the opera.”
Mr. Potter put on his glasses and languidly surveyed the region of the
fireplace. Then he turned and extended his investigation, till his eyes
settled on Freddy, stuck away in the dim distance.
“Oh, are you there, youngster?” he remarked, in a tone of voice implying
that the question carried no interest with it. He looked at his watch.
“Isn’t it rather late for you two?”
“It’s only quarter past ten,” answered Frances, bristling indignantly.
“And if it were twelve it wouldn’t make any difference.” To herself she
said, “How I hate that man! Just because he’s thirty-four, he always
treats us as if we were children; and the way he tramples on poor, dear
Freddy is outrageous!”
“You don’t seem to be very sociably inclined,” said Mr. Potter. “From
the distance between you I should think you two chicks had been
quarrelling. Come, make it up.”
“Not at all,” cried Frances, indignantly. “I never lose my temper;
except when you are here.”
“Is that the reason you haven’t asked me to sit down?” asked Potter,
smiling.
“Of course you are to sit down, if you want,” exclaimed Frances. “Here.”
And she moved the four inches towards her end of the sofa that had not
been occupied under the previous arrangement.
Mr. Potter seated himself leisurely in Freddy’s old place, and arranged
one of the cushions to fit the small of his back. “I came to say
good-bye to your mother,” he explained, “and as I’m too busy to stop in
to-morrow, I decided to wait. You youngsters needn’t think it necessary
to sit up to entertain me. Won’t Freddy’s mother be sending his nurse
for him if he stays much later?”
“I’m so glad you are going to Europe,” remarked Frances. “I hope you’ll
stay a long while.”
Mr. Potter put his glasses on again and looked at Frances calmly.
“Hello!” he said mentally, “the kitten’s learning how to hiss.” Aloud he
announced: “I shall only be gone for a month or two,—just the voyage and
a change.”
“What a pity!” responded Frances, bitingly.
“I thought you’d miss me,” replied Mr. Potter, genially.
Frances gave an uneasy movement on the sofa, a cross between an angry
shake of the shoulders and a bounce.
“Where are you going?” questioned Freddy at this point, feeling that as
a grown man he must bear his part of the chat.
“Look here, littleun,” said Mr. Potter, “if you expect me to talk to you
back there, you—” At this point he suddenly ceased speaking, as if
something more interesting than his unfinished remark had occurred to
him.
“Freddy found it too warm by the fire,” explained Frances hastily,
guilty at heart, if to outward appearance brazen. But Mr. Potter did not
hear what she said, and sat looking into the fire with a suddenly
serious look, which nevertheless had a laugh not very far underneath.
After quite a pause, Frances said: “How entertaining you are!”
“Yes,” assented Mr. Potter, coming back from his thoughts; “I always
enjoy myself, and I find that other people do the same.” Then he again
relapsed into meditation.
“Isn’t he just as horrid as can be?” raged Frances, inwardly. “He
believes just because some women think him clever, and because men like
him, and because he’s a good business man, and because mama’s always
praising him to his face, as she would any one who was papa’s partner,
that he is perfect. And no matter how you try to snub him, he is so
conceited that he won’t see it. Horrid old thing!” Aloud she asked,
“What are you thinking about?”
Mr. Potter laughed. “That’s a great secret,” he asserted.
⁂
An hour later, Mr. Potter was seated in a library, smoking, with a glass
of seltzer—and something else—at his elbow. Opposite to him sat a man of
perhaps twice his years, equally equipped with a cigar and seltzer—and
something else.
“Well,” remarked the senior, “I think if we can get the whole issue at
82½ and place them at 87 and accrued interest, we had better do it.”
“That’s settled then,” agreed Mr. Potter. “Now, is there anything else?
I don’t want to have cablegrams following me, since I’m going for a
rest.”
“No,” replied the other. “I know I shall want my partner’s advice often
enough, but I’ll get on without you. Take a rest. You can afford it.
There’s nothing else.”
“Then if you are through with business, I want to speak to you of
Frances,” said Mr. Potter.
Mr. De Witt turned and looked at Mr. Potter quickly. “What about?”
“Do you know that that girl’s grown up, and we none of us have realised
it?”
“Well?”
“And do you know that she has seen next to no people,—that her morning
ride, her studies, and her afternoon drive with her mother are the only
events of her day?”
“Well?”
“And that her summers, off in that solitary country house of yours, with
never a bit of company but Freddy De Witt and myself, are horribly dull
and monotonous?”
“Well?”
“And that to kill time she reads a great many more novels than is good
for any one?”
“Come, come, Champney, what are you driving at?”
“One more question. Mrs. De Witt and you are dining out almost nightly.
What do you suppose Frances does evenings?”
“Does? Plays a bit, and reads a bit, and goes to bed like a good child.”
“But I tell you she isn’t a child any longer, so you can’t expect her to
behave like one. It dawned upon me this evening, and the quicker it
dawns upon you the better.”
“Why?”
“Do you want her to make a fool of herself over Freddy?”
“Freddy!”
“Yes, Freddy.”
“Ridiculous! Impossible!”
“Because they are a long way towards it, and if you want to end it,
you’ll have to use drastic measures.”
“Her own cousin, and only eighteen! I never heard of such folly.”
“But I tell you those two think they are in love with each other, and if
you don’t do something, they’ll really become so before long. Thinking a
thing is two-thirds of the way to doing it, as is shown by the mind
cure.”
“I’ll put an end to it at once,” growled Mr. De Witt. “Never heard of
such nonsense.”
“And how will you end it?” inquired Mr. Potter, smiling a little.
“End it? Tell them to stop their foolishness. Send him about his
business.”
“I thought that would probably be your way. Don’t you think it would be
better to get an injunction from the courts?”
“What good would an injunction do?” asked Mr. De Witt, crossly.
“Just as much good as your method. You can no more stop boys’ and girls’
love by calling it foolishness than the courts can. If you do as you
propose, you’ll probably have a runaway match, or some other awful bit
of folly.”
“Well, what can I do?”
“The best thing is to pack your trunks and travel a bit. That will give
her something else to think about, and she’ll forget all about the
little chap.”
“But I can’t leave the business.”
“The business will run itself. Or, if it won’t, what’s a year’s profits
compared to your only daughter’s life happiness?”
“But the bonds?”
“Don’t bid on them.”
“I can’t go. I can’t leave my business. Why, I haven’t been away from it
for more than a week in forty years.”
“All the more reason for going now.”
“I have it. Her mother and she shall sail with you.”
“Oh, get out!” ejaculated Champney, “I’m going for a rest.” Mr. Potter
had been the slave for many years of two selfish sisters and a whining
mother,—a mother who loved to whine,—and womankind meant to him an
absolute and entire nuisance.
“That’s it,” said the senior partner, regardless of this protest. “You
arrange to stay for six months instead of two. I’ll do your work
gladly.”
“I can’t,” groaned Potter.
“Come, Champney,” wheedled the elder, “you say yourself that my little
girl’s life happiness depends on her going. For my sake! Come! I did a
good turn for you—or at least you’ve always said I did—in the
partnership. Now do one for me.”
Potter sighed. He was used to being martyrised where women were
concerned and had not learned how to resist. “Well, if you say so. But
I’ll have to leave them there. Two months is my limit.”
“All right,” assented the senior, gleefully.
“Perhaps,” thought Potter, “perhaps they won’t be able to pack in time.”
And the idea seemed to please him.
For half an hour longer they chatted, and then Potter rose.
“Tell me, Champney,” inquired the senior, “how did you find out about
it?”
“Oh,” laughed Champney, “that’s telling.”
⁂
The next day there was woe in Israel. Mr. De Witt was cross over the
“children’s folly,” as he called it. Mrs. De Witt was deeply insulted at
such sudden and peremptory marching orders. “Men are so thoughtless,”
she groaned; “as if one could be ready to go on a day’s notice!”
Champney was blue over the spoiling of his trip. Freddy, when he heard
the news, was the picture of helplessness and misery, and only added to
the friction by coming round and getting in everybody’s way, in the rush
of the packing. As for Frances, she dropped many a secret tear into the
trunks as her belongings were bestowed therein. Never, it seemed to her,
had true love been so crossed.
“I know Mr. Potter is at the bottom of it.” (Frances was not alluding to
the trunk before which she knelt.) “He’s always doing mean things, yet
he never will acknowledge them. He won’t even pay me the respect of
denying them.” Frances slapped a shawl she was packing, viciously. “To
think of having to travel with him! He won’t even look at me. No. He
doesn’t even pay me the compliment of looking at me. I don’t believe
he’s even noticed my eyes and eyelashes.” Frances gazed into a
hand-glass she was about to place in the trunk, and seemed less cross
for a moment after the scrutiny. “He’s just as snubby as he can be. I
hate snubby people, and I’ll be just as snubby to him as I know how.
I’ll—”
“Good afternoon, Frances,” interrupted a voice, which made that young
lady nearly jump into the trunk she was bending over. “I came up to see
if I could do anything for you or your mother, and she sent me in to ask
you.”
Frances was rather flushed, but that may have been due to the stooping
position. “I don’t think of anything,” she answered.
“I’ve had some chairs sent on board, and laid in novels and smoked
glasses and puzzles; and oysters, and game, and fruit, and butter,” said
Champney, with a suggestion of weariness, “and I don’t think of anything
else. If you can suggest something more, I’ll get it.”
“I don’t know— Yes. You might change your mind and let us stay at home,”
snapped Frances.
“Don’t blame me for that,” laughed Champney. “That’s your father’s
doings.”
“I know you were at the bottom of it,” charged Frances.
“My dear child—” began Champney.
“I’m not _your_ child, and I’m not _a_ child, and I won’t be deared by
you,” cried Frances.
“Madame Antiquity,” responded Champney, bowing, “I assure you, that far
from wishing to force you to go on this trip with me, I only agreed to
take you, at your father’s request, and at a great personal sacrifice to
myself.”
Frances turned, and banged down the lid of her trunk. Then she banged it
again, to get the hasp to fit. Then she picked up a pair of discarded
boots and threw them across the room, hitting Freddy, who entered at
that moment.
“Why, sweetness!” gasped Freddy, who did not see Champney.
“Oh, go away,” cried Frances, blushing. “Don’t bother me! Can’t you see
I’m too busy to waste time now?”
And to illustrate the callousness of man to true love, it is regrettable
to state that Champney slipped out of the door at this point, with an
expression of great muscular tension about his mouth, and no sooner was
he in the hall than the brute reeled up against the wall and, leaning
there, laughed to a sinful degree.
Then he walked to the end of the hall, and entering a room, also
cluttered with trunks, he sat upon one of them and retold the scene to
the woman packing. “I never saw anything so delicious in its way,” he
laughed. “I really believe the medicine’s begun to work already. But do
you know, Frances promises to be a tremendous beauty. Just now, when her
cheeks and eyes were blazing so, she was simply glorious to look at.”
Which shows that Champney’s cool, disregarding manner was not more than
skin deep, and that unlimited possibilities lay underneath. Perhaps,
too, another potion was beginning to work.
“I’m sorry she is so childish with you, Champney,” said Mrs. De Witt.
“Don’t trouble yourself about that. I really don’t mind it; indeed, I am
afraid I rather enjoy it. It’s much rougher on her than on me, for she
really feels it, and it’s the person who loses his or her temper who
suffers the most.”
“I hope the dear child will try to be more amiable, for naturally she’s
sweetness itself, and it’s bad enough to be saddled with us without
making your trip worse than need be. It’s so good of you to take us!”
“Dear lady,” answered Champney, tenderly, “it’s nothing but a little
set-off against your years of goodness to me. You have really given me a
second home; nothing I can ever do will make me other than your debtor.”
“It’s nice to hear you say so, Champney,” said Mrs. De Witt,
affectionately. “I have always felt as if you were a son of mine.”
“Then don’t talk to me about my goodness in taking you.”
“But it is good of you.”
“I don’t think Freddy and Frances think so.”
“Oh, Champney! Tell me, how did you find out their foolishness?”
“That is a secret,” chuckled Champney, “that goes with me to the grave.”
⁂
Nor was it any better for Cupid the next day at the steamer. The evil
genius of the little god, in the shape of Potter, persisted in following
Frances about, and not a moment did she or Freddy find to swear
constancy or anything else to each other. Only a hand squeeze, while the
whistle was blowing “all ashore,” did they get to feed their hearts upon
during the separation.
Freddy went home, and, going to his room, flung himself on his bed, and
moaned, and bit the pillow, and felt he was feeling great thoughts, and
thought he was having great feelings.
And the little lady?
“No,” she declared, “I don’t want to walk with you; I don’t want a
steamer chair; I don’t want anything; I only want to be left
al-o-o-o-o-ne,” and—running to her stateroom, she flung herself upon the
lounge and wept over her unhappiness. “Oh, Freddy, Freddy,” she sobbed,
“only be true to me, that’s all I ask.”
But, alas, how is humanity constituted! The next morning, Freddy, after
a final look at himself in a tall mirror, remarked to the vision: “Yes,
that’s very tony. Now, I’ll take a walk on the Avenue, so as to give the
girls a treat.” As for Frances, after an hour’s rapid walk with Champney
in the crisp, sunny air, she came down to the breakfast-table, and said:
“Yes, steward, I’ll begin with fruit and oatmeal, and then I’ll have
chocolate, and beefsteak, and an omelette, and fried potatoes, and hot
rolls, and marmalade. Oh! And, steward, do you have griddle cakes?”
Thus, despite their mutual intentions, the thought of each other
lessened daily, till even the inevitable correspondence lost interest
and flagged. Frances discovered that London, Paris, and the Riviera
offered greater attractions than Freddy’s witless and vapid “chronicle
of small beer;” while Freddy found that listening to the conversation of
a girl, present, was a far better way of spending time than reading the
letters of a girl, absent. Finally, Frances found a letter at the
bankers at Berne which ended the correspondence,—a letter over which she
laughed so heartily that Champney looked up from his own bundle of mail
and asked, “What is it that’s so funny?”
“Freddy’s engaged to Kitty Maxwell,” replied Frances.
“I don’t think you ought to be so gleeful at other people’s
misfortunes,” reproved Champney, laughing himself, however, while
speaking, as if he, too, saw something humorous in the announcement.
“I—I wasn’t—I was laughing at something else,” Frances told him.
“What?” asked Champney.
“A secret,” replied Frances, blushing a little, even while laughing.
“Not from me?” urged Champney.
“Yes; I sha’n’t even tell you. Not a person in the world will ever know
it, and I’m very glad,” asserted Frances.
“I suspect I know it already,” suggested Champney. “I am a great hand at
finding out secrets. I have a patent method.”
“What is that?” asked Frances.
“That, too, is a secret,” laughed Champney.
⁂
When next we meet any of our characters, they—or at least two of
them—are toiling up a steep mountain path in the Bavarian Tyrol. Frances
leads, for the way is narrow, and Champney follows. Conversation is at a
marked discount; but whether this is due to the natural incompatibility
of the two, or merely to the exertion of the climb, is unknown to
history.
“She gets lovelier every day,” finally remarked Champney.
Frances stopped, and turned. “What did you say?” she asked.
“I didn’t speak,” answered Champney.
“I’m sure you did,” said Frances.
“No,” denied Champney, “I was merely thinking.”
“You did say something, I’m sure,” responded Frances, turning, and
resuming the climb.
Another five minutes brought them to the top of a little plateau set in
between two ranges of mountains, and dividing two lakes, famous the
world over. Even after the couple reached their destination, however,
they stood silent for a minute. Then Frances exclaimed,—
“Isn’t it glorious?”
“Lovely,” assented Champney, emphatically, but staring all the time at
Frances, making it doubtful of what he was speaking.
Frances, being quite conscious of this gaze, looked all the harder at
the view. “The mountains shut in so grandly!” she remarked, after a
pause.
“Such perfect solitude!” said Champney, enthusiastically.
“Yes,” assented Frances, with apparent reluctance in admitting the fact.
“But I suppose we must be going down again; mama will be lonely.”
Champney calmly seated himself on a stone, unstrung his field-glass, and
surveyed through it the edge of the lake, far below them. “Your mother,”
he announced, “is sitting on the rug, just where we left her. Her back
is against the tree, and she is pretending to read. But she’s doing
nothing of the kind. She is taking a nap on the sly. Surely you don’t
want to disturb her?”
“It must be nearly luncheon time.”
“The boatmen haven’t even begun to unpack yet. Johann is just taking the
Vöslauer out of the boat, to cool it in the lake. They won’t be ready
for half an hour.”
Frances began to look a little worried. There was a dangerous
persistence in this evident desire to remain on the alp. “I think I’ll
go down, anyway,” she said.
“You mustn’t do that,” begged Champney, laying the field-glass on the
rock.
“Why not?” demanded Frances.
“Because I have something to say to you,” said Champney.
Silence and apparent interest in the view on the part of Frances.
“Do you know,” asked Champney, “that I planned to be away for only two
months?”
“Yes.”
“And that I have been over here more than eight?”
“Oh, not so long as that,” denied Frances.
“Eight months and four days.”
“How quickly the time has gone!”
“But it has gone, and that’s the trouble. I have decided that I _must_
go back in September.”
Frances hesitated, and then said bravely, “We shall be very sorry to
have you go.”
“That makes it all the harder,” groaned Champney, rising and joining
Frances. “In fact, I hate so to leave you” (“you” can be plural or
singular) “over here that—that I want you to go back with me. Will you?”
“Why, that is for mama and papa to settle,” remarked Frances, artfully
dodging the question, though perfectly understanding it.
“This isn’t to be settled by fathers and mothers. My dar—my—I want you
to go—because you have become so dear to me. I want to tell you—to tell
you how I have grown to love you in these months. How happy you can make
me by a single word. I—you—once you told me you were not ‘my dear
child.’ Oh, Frances, won’t you be my dearest love?”
“If you want me to be,” acceded Frances.
⁂
One of the simplest laws of natural philosophy is that a thing descends
more easily than it ascends. Yet it took those two over four times
longer to come down than it had taken them to go up,—which proves that
love is superior to all the laws of gravity; though it is not meant to
suggest by this that it has aught to do with levity. From among a
variety of topics with which they beguiled this slow descent the
following sentences are selected:
“I can’t believe it yet,” marvelled Champney. “It doesn’t seem as if our
happiness could have depended on such a small chance.”
“What chance?”
“Why—on that evening. When I found your mother wasn’t in, I half turned
away, but after hesitating, decided to wait. And then, when I found you
two in the morning room, I decided that I would leave you, and go and
read in the library. I was just about to say so, when you told me to sit
down by you on the sofa. That led to our coming off here together, and
really finding out about each other. Of course that was equivalent to my
falling desperately in love.”
“But you could have done that at home,” laughed Frances, merrily.
“No, I should have come off here, and some other man would have won
you.”
“Champney! I never could love any one but you.”
Champney swallowed the absurd statement rapturously. “That’s just like
the angel that you are,” he declared.
“But I knew you had something to do with our coming,” asserted Frances,
“though you did deny it.”
“No; like a consummate donkey, I didn’t want to be bothered with you.
Conceive of it, dear one, that I could ever think you a bother!”
“You didn’t know me,” laughed Frances happily, and with no intention of
vanity.
“No, I should think not. I wanted your father to take you. But I shall
never want any one else to do that in the future.”
“But why did you want me to go to Europe, if it wasn’t to be with me?”
“Why—um—because, dear one, I saw a little girl that night who was
longing so for love that she was accepting a cheap and flashy
counterfeit in its stead. I didn’t want her to waste a real heart on
such an apology for a man, and so I interfered.”
“But how did you know?” cried Frances, looking bewildered. “We had only
just—you couldn’t have known it then?”
“Yes.”
“How?”
Champney laughed as he replied: “That’s telling.”
⁂
And now, another leap, please, back to that fireplace, and sofa, again
occupied by two—but not the same two—or, at least, only half the same.
“Well,” groaned Champney, “I suppose I ought to be going, for you must
look your prettiest to-morrow, otherwise malicious people will say it’s
a match arranged for the business.”
“Let them,” laughed Frances. “By the way, how have you arranged about
that? You are such a good business man, and papa and mama are so
delighted, that I know you have the best of it.”
“Of course I have. And she’s sitting beside me now. But nothing
mercenary to-night, Madam,” ordered Champney. “Cupid, not cupidity.”
“Well, Champney, dear, at least do tell me how you found out
about—about—” Frances stopped there.
“Never,” persisted Champney, nestling back on the sofa and laughing.
“I don’t think it’s nice for a man to have secrets from his wife,”
reproved Frances, taking an eminently feminine view of man’s knowledge.
“That is to be,” corrected Champney.
“Will you tell me—after to-morrow?”
“No.”
“Why not?”
“It’s too good to be told.”
“Ah, Champney!” And a small hand strayed round his neck, and rested
lightly against his cheek. Champney looked very contented.
“Please, dear.” And a pair of lips came dangerously close to his own.
Champney groaned a satisfied groan. “Well,” he began, “do you remember
when I came in the evening before we sailed, how Freddy was sitting over
there, and you were sitting just where you are?”
“Yes.”
“And how you let me sit down here, just where I am?”
“Yes.”
“And how I chatted for a moment and then suddenly became silent?”
“Yes.”
“That was when I discovered it.”
“How?”
“I found that the seat I was sitting in was _warm_!”
“SAUCE FOR THE GOOSE IS SAUCE FOR THE GANDER”
❦
“Oh, my dear!” cried her mother.
“I hope you have properly considered? He is charming, of course,
but—well—he is such a club habitué.”
“What? Well, well!” exclaimed her father. “Bless me, Meg, I had no idea—
Give me a kiss, if you have any to spare for your old dad now. Why, of
course, I consent, if you care for him. Only tell Mr. Tyler I hear he
spends too much time at his clubs.”
“Margaret! How nice!” ejaculated her sister. “I’ve liked him from the
start, and hoped—people said he was too fond of his club ever to care to
marry, and so I thought—but now it’s all right.”
“I knew he meant biz,” asserted her brother, “the moment he began to
keep away from the club, and put in so much time with you.”
“I cannot tell you, my dearest Margaret (if I may call you that?),”
wrote his mother, “how happy I am over what my dear boy has just told
me. The luxury and ease of club life are now so great that I had almost
feared Harry could not be weaned from them. But since he has chosen such
a dear, beautiful, and clever girl, my worst anxiety is over.”
“You are indeed to be congratulated, niece,” declared her aunt. “He is a
most eligible _parti_—good looks, position, and wealth. If you can only
keep him away from his clubs, I am confident you will be a very happy
and domestic couple.”
“I have been certain of it for weeks,” her dearest feminine friend
assured her. “There isn’t a man I would rather have had you take, for he
is so much at his club that I shall still see something of you.”
“Er, Miss Brewster,” said one of her rejected lovers, “let me offer you
my best wishes. At the club we all swear by Harry, and we actually think
of going into mourning over the loss. Er, the fellows are laying bets as
to whether we shall ever see him there again. The odds are six to one on
the club,—but the fellows don’t know you, you know.”
“I want to offer you my heartiest congratulations,” gushed the girl who
had tried for him. “Mr. Tyler has always been one of my best friends,
and I am sure you will be very happy. He isn’t, of course, very fond of
women’s society, but— Have you asked him to resign from his clubs?”
⁂
“Don’t you want to sit down, Harry?” asked Margaret, making room on the
little sofa beside the fire.
The young couple had enjoyed four months of ecstatic travel, thirty days
of chaos while they settled their household goods, and then a recurring
Indian-summer honeymoon of two months in front of their own fireside in
the charmingly cosey library where the above remark was made. Upon this
particular evening, however, Harry, in following his wife from the
dining-room, took neither his customary seat beside his wife on the sofa
nor lighted a cigar. On the contrary, he stood leaning against the
mantel with anything but an expression or attitude of ease, and, noting
this, Margaret had asked her question.
“Not to-night, dear,” said Harry. “The truth is—well—I met Parmlee on my
way up town, and I—that is—he asked me to come round to the club this
evening—and, well—I didn’t like to disappoint him. And then, a fellow
mustn’t stag—that is—don’t you think, my darling, that it’s a mistake
for married people to see too much of each other—and—”
“Oh, Harry!” cried Margaret, interrupting and rising. “You said you
never could have enough—”
“And I can’t, dearest,” interrupted Harry, hurriedly. “But you know—
Well—can’t you—”
“I feel as if it were the beginning of the end,” said Margaret, wildly.
“Now, my darling,” pleaded Harry, “do be reasonable. You know— There,
don’t cry. I won’t go. Sit down here and let me tell you how much I love
you.”
This occupied some time, but the clock never told on them, so it is
impossible to say just how long. Presently Margaret said:
“Harry, did you really want to—to leave me?”
“Not a bit,” lied Harry. “It was only to keep my word to Parmlee.”
“I suppose it’s too late now?” questioned Margaret, hopefully.
“Late? Oh, no! Fun’s just beginning. But I’m going to stay with you,
sweetheart.”
There was a moment’s silence, and then Margaret said: “If you want to
go, I want you to do it, Harry.”
“Well,” responded Harry, rising, “if you insist, dearest.”
“I do,” assented Margaret, in the most faint-hearted of voices.
“That’s a darling!” said her husband. “It’s half-past nine, so you’ll
only have a few minutes of loneliness before you go to bed.”
“I sha’n’t go to bed, Harry,” sighed Margaret, dolefully.
“Why, my darling,” protested Harry, a little irritably, “you don’t want
to make me miserable thinking of you as here by yourself. Please be
reasonable and don’t sit up for me. Leave me free to come home when I
want.”
“Very well, Harry,” acceded Margaret, dutifully, “if you insist I won’t
wait for your return.”
Harry took the charming face in his hands, and kissed each eyelid, and
then the lips. “I don’t deserve such an angel,” he asserted, his
conscience pricking him, “and— Oh, hang Parmlee!” he growled, as her
eyes, a little misty, looked up into his own. However, she belonged to
him, and there were plenty of evenings, and—well— “Good-night, my
treasure,” he ended.
⁂
Margaret remained standing where Harry had left her until she heard the
front door close; then she collapsed on the sofa and softly sobbed her
sense of desertion and grief into the pillow. The warnings of her family
and friends recurred to her, and added to the pain of the moment a
direful dread of the future. Not knowing that most bachelors are regular
club men merely because it is the nearest approach to home life they can
attain, she dwelt on his having been apparently wedded to these
comforters of men, before marriage, and inferred a return to his former
daily frequenting of them.
Her grief was keen enough to prevent her from noticing that the front
door was presently opened, and not till she heard a faint cough in the
room did she raise her head from the pillow. It was to find a servant
with his back turned to the sofa, occupied, apparently, in setting a
chair in a position entirely unsuited to it,—a proceeding he made far
more noisy than became a well-trained butler, and which he accompanied
with two more coughs.
Hurriedly wiping her eyes, Margaret asked, “What is it, Craig?”
With his eyes carefully focussed to see everything but his mistress’s
face, the man came forward and held out his tray.
Almost mechanically she took the card upon it, and after a mere glance
she directed,—“Say that Mrs. Tyler is not receiving this evening, and
begs to be excused.”
Left alone once more, the young wife sat down upon a stool near the
fire, and looked into the blaze, idly twirling the card. “I wonder,” she
soliloquised presently, “if he would have done the same.” Again she
lapsed into meditation, for a few minutes; then suddenly she sat up
straight, with an air of sudden interest which was clearly derived from
her own thoughts. A moment later, she gave a short, hesitating laugh.
“If I only dared! I wonder if he would? Men are—” she said
disconnectedly; but even as she spoke, her face softened. “Poor dear!”
she murmured tenderly. Yet the words of pity melted into another laugh,
and this time merriment and not guilt was as the dominant note.
Springing to her feet with vivacity, she sped into the hall, and placed
the card on the tray, and that in turn conspicuously on the hatrack. A
second action consisted in turning on all the electric lights of the
chandelier. This done, she touched the bell.
“You may close the house, Craig,” she ordered, when the servant
responded to the summons, “but as Mr. Tyler has gone to his club, I wish
you to leave these lights just as they are. I prefer that he should not
come home to a darkened house, so don’t turn out one.” Giving one last
glance, half merry and half guilty, at the bit of pasteboard put in so
prominent a position, Margaret lightly tripped upstairs, humming
something to herself.
⁂
Meantime Harry had wended his way to the club.
“Hello, Tyler!” said the man his wife had refused. “Don’t mean to say
you’ve actually ceased to be one of the ‘submerged tenth?’ How and where
is your superior moiety?”
“When I left Mrs. Tyler before her fire, ten minutes ago, she was very
well.”
“By George, if I had as clever and pretty a wife I don’t think I should
dare to leave her alone. I should be afraid of the other men.”
Harry turned away to hide his frown, but as he went towards the door of
the billiard room, rejoined: “Perhaps it wouldn’t be safe with _your_
wife.” To himself he carolled gleefully: “That cuts both ways.”
“But you are not afraid, I understand,” called the man, irritatingly,
“so I take it you won’t mind if I drop round there for a few moments
this evening, eh?”
“Certainly not,” responded Harry, suavely, but gritting his teeth. “Hang
the fellow,” he muttered. “How do such cads ever get into decent clubs?
As if Margaret’s refusing him twice wasn’t enough to make him understand
that she doesn’t want him round!”
Tyler’s anger was quickly forgotten in the warm reception his cronies
gave him, and a tumbler of “unsweetened” and a cue quickly made him
forget both the incident and the passing hours. Not till the marker
notified the players that the time limit had come did he wake to the
fact that it was two o’clock.
With a sense of guilt the husband hurried home. In the hallway, as he
took off hat and coat, he noticed the card, and picked it up. “So he did
come,” he growled, with a frown. “I hope Meg had gone to bed before he
got here. Not, of course, that it really matters,” he went on. “She told
me she never could endure him, so he’s welcome to call as often as he
likes to be snubbed.” To prove how little he cared, the husband crushed
the card viciously, and tossed it on the floor.
The light in Margaret’s room was burning low, Harry noticed when he had
ascended the stairs, and, peeping in, he saw that she was sleeping
peacefully. Entering quietly, he looked at her for a moment, thinking
with a little pang that he had given her pain. “You don’t deserve such
an angel,” he said aloud. “See how she has done just what you asked her
to do, with never a word of— There isn’t another woman who would have
taken it so sweetly. You’re an ass! And for what? Four hours of—of
nothing, when I might have been with her.” He leaned down to very softly
kiss a stray curl, and went towards his own room, while saying: “How
pretty and dainty she is! She’s worth all the clubs in the world!” What
was more, for a minute he believed it.
The moment Harry was gone Margaret opened her eyes very wide, rose
softly, and looked at the clock. Then she went back to bed, smiling
demurely.
⁂
The next morning, when Harry entered the breakfast room a little late,
he was received with a kiss, and no word of reproach. Margaret chatted
over the meal in her usual entertaining, happy mood, telling him the
news she had already extracted from the morning’s paper.
“She’s too clever ever to nag a man,” thought Harry, and assured that he
was not to be taken to task, he became equally amiable, and told her
whom he had seen at the club, and of his score.
“I’m glad you had such a pleasant evening!” said Margaret, sweetly. “I
hope you didn’t stay so late as to tire yourself.”
“I didn’t notice the time,” fibbed Harry, “but probably I was in by
twelve.”
“Oh, no, dear,” said Margaret, pleasantly, “for I didn’t get home till
after one myself, and you weren’t back then.”
⁂
Twenty times Harry has tried to persuade his wife into acknowledging
that she spoke in jest, but Margaret only looks at him with wideopen,
questioning eyes, as innocent as a child’s. Her husband firmly believes
that she went to bed ten minutes after he left the house, and always
ends his unsuccessful attempts to get her to confess the fact by taking
Margaret in his arms and telling her of his belief. This faith his wife
rewards with a tender kiss, but only a kiss, and still maintains her
demure silence.
Harry spends no more evenings at the club, and every woman who knows him
holds him up to other men as an ideal married Benedick.
THE CORTELYOU FEUD
❦
It could never have happened to us anywhere in New York but at Mrs.
Baxter’s. I say this not with bitterness at, but in calm recognition of,
the merits and demerits of that universally esteemed lady. Abroad, with
the lords chamberlain, herald’s offices, and peerages, it would be
impossible. In the far West, where the biography and genealogy of the
leading families are not subjects for polite conversation, it might
occur frequently. But in New York, lying between these two extremes, one
is safe, except from accidents due to the unfortunate existence of a
peculiar class of people.
The kind I refer to are those described as having a good heart. Such an
organ involves, as a natural corollary, a weak head. These qualities in
combination are a terrible menace to society; for, owing to the very
goodness of heart, their possessors are pardoned over and over again,
and repeat their ill deeds with as much immunity from punishment as a
New York police captain. Every social circle has one or more of these
half-criminals, and in that in which my lot was cast Mrs. Baxter was
unequalled for the number, ingenuity, and innocence of her mistakes.
Omitting all hearsay and they-say knowledge, I was her forty-seventh
victim; and as pœnologists affirm that more than half of the criminal
acts are undiscovered, it can at once be seen how society is menaced by
people with good hearts.
The lady who always tells me when I do wrong—and to married men I need
not be more descriptive—has held me responsible for that evening; and,
since she married me, her husband is not the one to impeach her
discrimination. She insists that, knowing Mrs. Baxter, I should have
come early, and so had time to arrange matters quietly. I appeal to any
man if it would ever occur to him to get to a dinner early on the
possibility he was to sit next a lighted shell, in order that he might
express to his hostess his dislike of explosives. All New York has known
for years of our family feud. It’s been common property ever since our
esteemed ancestors thrashed it out in court, to the enjoyment of the
public and the disruption of our family. For thirty years dinners,
luncheons, yacht cruises, and house parties have been arranged so as to
keep a proper distance between the descendants of my grandfather John
Cortelyou and of his nephew Dabney. Sometimes I have seen one of the
latter at the opposite end of a large dinner-table, and here and there I
have had other glimpses of them. But until that evening, no matter how
close chance brought us together, we had always succeeded in maintaining
a dignified unconsciousness of each other’s existence.
I was, let it be confessed, thirty minutes late, and merely accepting
the last little envelope on the tray the footman offered me, hurried
towards the drawing-room. On my way I naturally looked at the card
inside and read:
_Mr. Pellew.
Miss Cortelyou._
That meant nothing to me. The name is not an uncommon one, and I have
taken in my aunts often enough to get accustomed to the occurrence, even
in the family. So, without a second thought of the matter, I passed
through the doorway and discharged my devoirs with Mrs. Baxter.
“I was on the point of suicide, thinking you had failed me,” she said.
“As it is, Mr. and Mrs. Dana have just sent me word that they can’t come
because Milly has croup.”
“My note said half after seven,” I stated boldly. When one is very late
it is always best to put one’s hostess in the wrong, and a mistake more
or less to Mrs. Baxter was immaterial.
“Oh, never!” she declared, so guiltily that I was really sorry for her.
“Well, we can’t discuss it now. We were just going in without you, and
we’ll go on, leaving you to find your partner by the process of
elimination. I haven’t left you Hobson’s choice, however.”
I glanced round, and as the couples had gravitated together, I easily
picked out the only single figure left, and went towards it. She was
turned from me, standing by Ferdie Gallaudet and his partner, who had
not yet moved.
“That back is too young and pretty for Aunt Ellen or Madge,” was my
first thought. My second was a spoken one, and merely consisted of the
trite, “I am to have the pleasure, Miss Cortelyou.”
She was saying something to the girl, and went on saying it, with her
head over her shoulder, even as she rested her hand on my arm and let me
lead her away. And just as I was going to look at her, I caught sight of
Ferdie’s face, and fell to wondering what could ail him that he looked
so queer. We had been close to the door, and before she had finished her
remark, or I had ceased from wondering, we were through it and in the
half-gloom of the hall.
“I beg your pardon,” said she, turning to me, and speaking very sweetly.
“It was a message, and I had only just begun when you came.”
“What a nuisance messages are!” was my remark. “What a nice voice you
have!” was my thought. Then we entered the dining-room, and I glanced at
my partner. It was Kate Cortelyou!
She looked at me at the same moment, and as our eyes met, an expression
of consternation appeared on both our faces. At least, that’s what I
felt in myself and saw in her. Horror succeeded as a next sensation and
expression. Womanlike, she cast her eyes appealingly towards her
hostess, and, manlike, I took a step towards the hall door. In another
second I think I should have bolted, but just then Ferdie Gallaudet
said, “Here’s your seat, Jack,” with a grin like a Cheshire cat on his
face. I looked at Kate and she looked at me. Then we both looked at the
chairs. Mechanically I stepped to them and pulled out that on the right
of mine. Kate’s eyelashes fluttered for a moment, as if she were
hesitating; then she slipped into the seat, and the next moment I was
sitting beside her. But enchantingly pretty as I thought her (and I was
either too fair-minded or she was too beautiful for me not to
acknowledge it, however much I might dislike to do so), I could only
wish I had broken my leg on my way to the house.
I turned to my left to see if any escape were possible, but my neighbour
on that side was that horrible perpetual motion of a Mrs. Marvin, and,
besides, she was very properly occupied with her partner. I peered
furtively behind Kate to see if she could escape me, for anything was
better than the alternative. Next her were two empty seats. Mrs.
Baxter’s capacity for social blundering had done its worst.
There is this to be said for the Cortelyou women, whether friends or
enemies: I’ve never seen one show the white feather in action. Just as I
was preparing to collapse under this accumulation of horrors, Kate
turned to me, with the friendliest of smiles, and murmured,—
“It’s ghastly, but every one except Mrs. Baxter is watching us.”
I took a furtive glimpse of the other guests. They were all pretending
to talk, but all clearly were missing nothing of our _tableau vivant_.
Wasn’t she clever to have seen it so quickly?
“They hope we’ll make a show of the family for their benefit,” I
growled.
“Can’t we—” suggested Kate, and then hesitated, and blushed very
prettily. The Cortelyou women are plucky, but Kate was only nineteen.
I never was good as leader, but at the shafts I’m steady and reliable.
“Of course we can,” I responded, won by that blush.
“Don’t frown, then,” smiled Kate.
“I was not frowning at you,” I protested.
“But they’ll think you are,” she replied.
I tried to appear as pleased as Kate so successfully pretended to be,
and she rewarded me with an encouraging “That’s better,” and a very
refreshing look at her eyes.
“Now,” she continued, “how can we do it?”
“I’m pretty well up on the litany,” I whispered. “If you can do the
supplications I can respond with the ‘miserable sinner’ part.”
Kate laughed merrily, even while shaking her head reprovingly. Kate has
nice teeth. “You are painfully frank,” she told me.
“Frank?”
“Yes. You are probably not a bit more miserable than I am, but I don’t
groan aloud.”
“Oh, I say!” I exclaimed, rather horrified at the construction my speech
had been given. “It would be pure form, you know, quite as it is in
church, and not mean a bit more than it does when the sinner’s pretty
and wears a French gown.”
Kate drew her mouth down into a church-going expression, which was very
fetching in its demureness, but which wasn’t suitable for our public
performance, so I remarked:
“Don’t look so disapproving. The saintly vein suits the Madonna type,
but the Cortelyou forte lies in quite another direction.”
I won another laugh from those unsaintly lips. “You are worse than I
thought,” she added.
“Then you have thought of me?” I inquired, beginning to mellow under her
laugh. That was a mistake, for her face instantly became serious, and
her eyes gave a flash.
“What I think is my own concern,” she responded. The Cortelyou women are
stunning when they look haughty.
Being one of the family, however, I am too accustomed to the look to be
as entirely crushed by it as others are. “Who’s frowning now?” I asked.
I thought I’d learn what kind of a temper Kate had.
She still smiled as if she liked being put next me, but her eyes
gleamed, and I knew she’d pay me for my speech if the opportunity
occurred.
“We can’t begin like this,” she said. “Suggest something else.”
“I once heard of a poor couple in an English county who were always
sitting next each other, so they agreed to count alternative tens up to
a thousand,” I answered.
“I’m afraid you haven’t enough facial control for that,” replied Kate,
sweetly, appearing the picture of contentment. I thought her remark
unnecessary, considering we had been face to face only a few minutes,
and that she had just lost control of hers.
“Then suggest something yourself,” I muttered.
“As the photographer says, ‘A little more smile, please,’” corrected
Kate. “Yes, you unquestionably have the Cortelyou temper,” she added
serenely.
“If I had,” I asserted, “I should long since have turned to Mrs. Marvin,
who is dying for a listener.” I thought I’d let Kate understand _I_
wasn’t sitting next two empty chairs.
She realised my advantage, but she wouldn’t retreat. The Cortelyou women
never do. Yet she knew enough to allow the honours of war to a
hard-driven enemy. “The Cortelyou men are gentlemen,” she said. Wasn’t
that a neat way of telling me that I would never fail a woman in
distress? I felt pleased that she understood the family so well as to
have no fear for the conduct of even her bitterest enemy. “Besides,” she
continued, “I like the Cortelyou temper.”
I raised my eyebrows.
“Yes,” she persisted, “it’s an absolutely reliable factor. Now, papa—”
Then she hesitated, realising the slip.
With an older girl I should have let her flounder, and enjoyed it; but
she was so young, and blushed so charmingly that I had to help her out.
“Don’t keep me in suspense about your father,” I said, in my most
interested of tones, as if I truly wished to know something of that blot
on the ‘scutcheon. This was my second mistake, and a bad one.
“We’ll leave Mr. Dabney Cortelyou out of the conversation, please,” she
retorted, looking me in the eyes. Was there ever a meaner return for an
act of pure charity than that?
By the way, Kate’s eyes are not Cortelyou. I wondered from where she got
them. When we are angry we contract ours, which is ugly. She opens hers,
which is—I tried to make her do it again by saying, “You should set a
better example, then.” No good: she had got back to her form, and was
smiling sweetly.
“They are furiously disappointed so far,” she remarked.
“What an old curiosity shop the world is about other people’s affairs!
It’s no concern of theirs that my grandfather and your”—I faltered, and
went on—“that my grandfather had a row in his family. We don’t talk of
it.” When I said “we” I meant the present company, but unfortunately
Kate took it to mean our faction, and knowing of her father’s idle
blabbing, she didn’t like it.
“Your side has always dodged publicity,” she affirmed viciously, though
smiling winsomely. Kate’s smile must be her strong card.
“We have maintained a dignified silence,” I responded calmly; but I knew
that a dagger thrust below that beautifully modelled throat would be
less cruel.
She tried to carry the wound bravely. “My father is quite justified in
letting the truth be known,” she insisted.
“Then why don’t you, too, give public house-warmings in the
family-skeleton closet?” I inquired blandly. That was really a triumph,
for Kate had never talked to outsiders about the wretched business. She
couldn’t even respond with what she thought; for if she said that it was
always the side in the wrong which talked, she was no better off,
because we, like her, had kept silence, but her father had chattered it
all over town. She looked down, and I gloated over her silence, till
suddenly I thought I saw a suggestion of moisture on her down-turned
lashes. What I said to myself was not flattering, and moreover is not
fit for publication. What I said aloud I still glow over with pride when
it recurs to memory.
“Beware of the croquette!” I exclaimed hastily. “I’ve just burned my
tongue horribly.” And I reached for the ice-water.
She was as quick as I had been. The Cortelyou girls are quick, but
she—well, I think the ancestress who gave her those eyes must have been
a little quicker.
“You spoke a moment too late,” she replied, looking up at me. “I had
just done the same, and feel like weeping.” I wonder what the recording
angel wrote against those two speeches?
Then suddenly Kate began to laugh.
“What is it?” I queried.
“Taste your croquette,” she suggested.
It was as cool as it should have been hot!
We both laughed so heartily that Mr. Baxter called, “Come; don’t keep
such a good story to yourselves.”
“Pretend you are so engrossed that you didn’t hear,” advised Kate,
simulating the utmost interest. “Aren’t we doing well?”
“Thanks to you,” was my gallant reply.
“Thanks to the Cortelyous,” she declared.
“They might have known,” said I, “that we’d never have a public circus
to please them.”
“Isn’t it nice,” she responded, “since we had to have a fracas, that it
should be between ladies and gentlemen?”
“Isn’t it?” I acceded. “Just supposing there had been some cad
concerned, who would have written to the papers and talked to
reporters!”
“That was impossible, because we are all Cortelyous,” explained Kate. I
like a girl who stands up for her stock.
“Yes,” I assented. “And that’s the one advantage of family rows.”
“I want to tell you,” she went on, “that you do my father a great
injustice. Some natures are silent in grief or pain, and some must cry
out. Because he talks, merely means that he suffers.”
I longed to quote her remark about leaving her father out of the
conversation, but having told her there were no cads in the family, the
quotation was unavailable. So I merely observed, “Not knowing Mr. Dabney
Cortelyou, I have had no chance to do him justice.”
“But what you hear—” she began, with the proudest of looks; and it
really hurt me to have to interrupt her by saying,—
“Since I only get word of him from his dearest friends I am forced to
take a somewhat jaundiced view of him.”
“I suppose you are surrounded by toadies who pretend to know him,” she
said contemptuously.
I was not to be made angry. I was enjoying the dinner too much. “It
would be a very terrible thing for our mutual friends,” I continued, “if
the breach were ever healed, and we exchanged notes as to their
tattling.”
“Fortunately they are in no danger,” she answered, more
cheerfully—indeed I might say, more gleefully—than it seemed to me the
occasion required.
“Fortunately,” I agreed, out of self-respect. Then I weakened a little
by adding, “But what a pity it is you and I didn’t have the settling of
that farm-line!”
“My father could not have acted otherwise,” she challenged back.
“And the courts decided that my grandfather was right.”
“I should have done just as he did,” she replied.
“Then you acknowledge my grandfather was right?”
“I!”—indignantly.
“You just assured me you should have done as he did!” I teased,
laughing. “No. Of course both of them were justified in everything but
in their making a legal matter a family quarrel. If we had had it to do,
it would have been done amicably, I think.”
“What makes you so sure?” she asked.
“Because I am sweet-tempered, and you—”
She wouldn’t accept a compliment from an enemy, so interrupted me with,
“My father has one of the finest natures I have ever known.”
“‘Physician, know thyself,’” I quoted, getting in the compliment in
spite of her.
“That’s more than you do,” she replied merrily.
This could be taken in two ways, but I preferred to make it applicable
to her rather than to myself. I said, “Our acquaintance has been short.”
“But we know all about the stock,” she corrected.
“I’m proud of the family,” I acknowledged; “but don’t let’s be
Ibsenish.”
“I knew you didn’t like him,” said Kate, confidentially. “I don’t
either.”
“He’s rather rough on us old families,” I intimated.
“Sour grapes,” explained Kate. “The wouldn’t-because-I-can’t-be people
always stir up the sediments of my Cortelyou temper.”
“I thought you liked the family temper,” I suggested.
“In anybody but myself,” she told me. “With others it’s really a great
help. Now, with my brothers, I know just how far I can go safely, and
it’s easy to manage them.”
“I suppose that accounts for the ease with which you manage me.”
She laughed, and replied demurely, “I think we are both on our good
behaviour.”
“I’m afraid our respective and respected parents won’t think so.”
This made her look serious, and I wondered if her father could be brute
enough ever to lose that awful temper of his at such a charming
daughter. The thought almost made me lose mine. “They can’t blame you,”
I assured her. “Your father—”
“Is sure that everything I do is right,” she interjected, “but Mrs.
Pellew?”
“We will not make Mrs. Pellew—”
Kate saw I was going to use her own speech, and she interrupted in turn.
“Of course you are over twenty-one,” she continued, “but the Cortelyou
women always have their way. I hope she won’t be very bad to you.”
She certainly had paid me off, and to boot, for my earlier speech. And
the nasty thing about it was that any attempt to answer her would look
as if I felt there was truth in her speech, which was really ridiculous.
Though I live with my mother, my friends know who is the real master of
the house.
“Any one living with a Cortelyou woman must confess her superiority,” I
responded, bowing deferentially.
“Yes,” she said, nodding her head knowingly. “People say that she spoils
you. Now I see how you compass it.”
“We have only exchanged Ibsen for Mrs. Grundy,” I complained.
“‘Excelsior’ is a good rule,” announced Kate.
“That’s what you’ll be doing in a moment,” said I, trying to look
doleful, for we were eating the game course.
“How well you act it!” replied Kate. “You ought to go on the stage. What
a pity that you should waste your time on clubs and afternoon teas!”
“Look here,” I protested, “I’ve done my best all through dinner,
considering my Cortelyou temper, and now, just because it’s so nearly
over that you don’t need me any longer is no reason for making such
speeches. I don’t go to my club once a week, and I despise afternoon
teas.”
“That sampler has become positively threadbare,” retorted Kate. “I
really think it must be worked in worsted, and hung up in all the New
York clubs, like ‘God bless our home!’ and ‘Merry Christmas!’”
“I much prefer hearts to clubs, for a steady trump,” I remarked.
“You play billiards, I presume?”
“Yes,” I innocently replied.
“What’s your average run?”
It was a tempting bait she shoved under my nose, but I realised the
trap; and was too wary to be caught. “Oh, four, when I’m in good form.”
“Really?”
“Really.” I did not choose to add that I was talking of the balk-line
game, not caring to be too technical with a woman.
“That’s very curious!” she exclaimed.
“I suppose some devoted friend of mine has told you I’m only a
billiard-marker?” I inquired.
“No—but—”
“But?”
“Nothing.”
“George Washington became President by always telling the truth.”
“That’s the advantage of being a woman,” replied Kate. “We don’t have to
scheme and plot and crawl for the Presidency.”
“How about spring bonnets?” I mildly insinuated.
“Does your mother have a very bad time persuading you to pay for hers?”
laughed Kate, mischievously.
I didn’t like the question, though I knew she was only teasing, so I
recurred to my question. “You haven’t told me what that ‘nothing’ was,”
I persisted.
“I oughtn’t,” urged Kate.
“Then I know you will,” I said confidently.
“Well, Seymour Halsey said to Weedon the other night, ‘I wish you could
play with Jack Pellew, so as to knock some of his airs out of him!’”
“Why,” I ejaculated, “I could play cushion caroms against your brother’s
straight game and beat him then!”
“I never did believe that story about George Washington,” asserted Kate,
with a singular want of relevance.
“No woman could,” I answered, squaring accounts promptly.
Here I saw the little preliminary flutter among the ladies, and knowing
that I should never speak to Kate again, I said:
“Miss Cortelyou, I’m afraid an unkind remark of mine a little while ago
gave you pain. You’ve probably forgotten it already, but I never shall
cease to regret I made it.”
“Don’t think of it again,” she replied, kindly, as she rose. “And thank
you for a pleasant evening.”
“Don’t blame me for that,” I pleaded hastily. “It was your own fault.”
“Not entirely,” denied Kate. “We did it so well that I’m prouder than
ever of the family.”
“I decline to share this honour with my grandfather,” I protested
indignantly. “He couldn’t keep his temper, bother him!”
We were at the door now, and Kate gave me the prettiest of parting nods
and smiles.
“Wasn’t it a pity?” she sighed. That was distinctly nice of her. Just
like a Cortelyou woman.
“Whew! Jack,” whistled Ferdie Gallaudet. “I thought I should die, and
expected to sit on your body at the postmortem.” Ferdie thinks he’s
clever!
“Oh, shut up, Ferdie,” I growled, dropping back into my seat.
“Don’t wonder your temper’s queered,” persisted the little ass.
“‘Wotinell’ did you talk about?”
“Family matters,” I muttered.
“Oh, I say, that’s a bit shiny at the joints. It was too well done to
have verged on that subject.”
“We talked family matters, and enjoyed it,” I insisted.
“Ever hear of George Washington?” inquired Ferdie.
“Kate mentioned him to me to-night, and I promised to put him up at the
Knickerbocker for a month.”
“Kate!” exclaimed Ferdie.
I lighted my cigar.
“Kate!” he repeated, with a rising inflection. “Now look here, I wasn’t
born yesterday.”
“Where’s your family Bible?” I inquired blandly.
“You’ll be saying next that to-night’s arrangement was by ‘special
request.’”
“You were across the table,” I retorted. “Draw your own conclusions.”
“I suppose you’ll join her later,” suggested Ferdie, in an irritating
manner.
I wouldn’t be bluffed by him, so I replied pointedly, “I may, to save
her from worse.”
“Give you odds on it,” offered Ferdie.
“I don’t make bets where women are concerned,” I crushingly responded.
“Sorry the strain has left you so bad-tempered,” said Ferdie, rising.
“There’s Caldwell beckoning to me. Ta, ta!”
I have liked Caldwell ever since.
When we joined the ladies I went over to Kate.
“This is persecution,” she smilingly protested, as she made room for me
on the sofa.
“I know it,” I cheerfully groaned, as I sat down beside her. “But I had
to for the sake of the family.”
“A family is a terrible thing to live up to!” sighed Kate.
“Terrible!” I ejaculated.
“Fortunately it will only be for a moment,” she assured me.
“If you go at once,” I urged, “they’ll all think it’s the feud.”
“What a nuisance!” cried Kate. “I ought to be on my way to a musical
this very minute.”
“On the principle that music hath charms?” I queried.
“Good-night!” she said, holding out her hand. I had already noticed what
pretty hands Kate had.
“Forgive me!” I begged.
“Never!” she replied.
“You are serious?” I questioned, and she understood what I meant as if I
had said it. I do like people who can read between the lines!
She amended her “never” to, “Well, not till I have had my chance to even
the score.”
“Take it now.”
“I haven’t time.”
“I will submit to anything.”
“My revenge must be deep.”
“I will do the thing I most hate.”
“Even afternoon teas?” laughed Kate, archly.
I faltered in voice while promising, “Even afternoon teas!”
“Then I’ll send you a card for mine,” she ended, and left me, crushed
and hopeless.
⁂
No. That didn’t end the feud. It only led to a truce. For a time things
went very well, but then the quarrel broke out with renewed force. You
see, Kate claimed I spoiled the boy, and I claimed she did the spoiling.
So we submitted it to arbitration. My mother said Kate was very
judicious, and her father declared I was a model parent. Then we called
in his godmother, and she decided we all four spoiled him. It’s been
open war ever since, with an occasional brief cessation of hostilities
whenever Kate kisses me. After the boy’s grown up, I suppose, peace will
come again.
His godmother? Oh! Mrs. Baxter. You see, we couldn’t do less, for she
had talked it all over town that the match was of her making. Her
making! In ten cases out of nine she would have had a disrupted dinner.
It’s lucky for her that Kate was a Cortelyou woman!
“THE BEST LAID PLANS”
AS ENACTED
IN
_Two Social Cups of Tea,
Two Social Jokes, and
One Social Agony._
SCENE
_Parlour in country house of Mrs. Wycherly._
CHARACTERS
MRS. WYCHERLY,
MISS HELEN WYCHERLY,
MISS ROSE NEWCOME,
MISS AMY SHERMAN,
LORD FERROL,
GEORGE HAROLD,
STEVEN HAROLD,
DENNIS GRANT.
SYLLABUS
ACT I
_A cup of tea and two social jokes._
5.30 P. M. Friday.
ACT II
_A cup of tea and one social agony._
5.30 P. M. Tuesday.
ACT I
SCENE.—_Parlour in country house with doors r. and l. At back, a
fireplace with open fire. Down centre l., a small table, with white
blotting-pad, large paper-knife, and writing paraphernalia; and two
chairs r. and l. Down centre r., a small table with tea-service, and
chair r. At extreme r. two easy-chairs._
MRS. WYCHERLY _sits at writing-desk r. with teacup on table, reading
a letter in her hand_. AMY _sits at desk l._ HELEN _at tea-table,
making tea_. STEVEN _at mantel_. GEORGE _and_ DENNIS _seated at r.
with teacups_.
_Helen._ Another cup, mama?
_Steven._ She doesn’t hear you, Helen.
_George._ Thanks to _his_ precious letter.
_Helen (louder)._ More tea, mama!
_Rose (outside l., calling)._ Are you having tea, Helen?
_Helen._ Yes, Rose.
_Amy._ And something very exciting as well.
_George._ More exciting even than your novel, I’ll be bound.
_Dennis (calling)._ Bring the chocolates with you, if you haven’t eaten
them all.
_Enter_ ROSE, _l., with box of chocolates and book_.
_Rose._ What is it?
_Dennis._ Ask Mrs. Wycherly.
_Rose._ What is the excitement, Mrs. Wycherly?
_George._ Louder.
_Amy (loudly)._ Mrs. Wycherly!
_Mrs. W. (starting)._ Oh! What?
_George._ That is just the problem. Is he a what, or isn’t he?
_Dennis (bitterly)._ I don’t believe it will make the least difference
even if he proves a “What is it.”
_Steven (more bitterly)._ No, we fellows see how it will be! The moment
“me lud” arrives, we shall be nowhere with you girls.
_George._ George Augustus Guelph Dunstan, Earl of Ferrol and Staunton!
His very letter of acceptance has made Helen forget that it is cream—not
sugar—that I “omit for want of space.”
_Helen._ Not at all! If you had been polite you would have given that
cup to Rose. As for his lordling, do you for an instant suppose that I
intend to compete as long as Rose and Amy are here? No, sir—I leave him
to my betters, _D. V._
_Mrs. W._ Well, really, I don’t think that either his titles or his
being in the hands of an oculist is any excuse for making his time so
indefinite (_looks at letter_). He will be charmed to pay me a visit,
“by next Friday, or perhaps even sooner.” Now isn’t that a nice position
to leave a hostess who wishes to make his stay quite as pleasant as his
papa made mine when I was at the “Towers.” Imagine this betitled being
getting into the Junction by the evening train and then having to walk
over to Beechcroft.
_Rose._ Oh, wouldn’t it be lovely to see him coming in at the gate, so
wet and muddy that Tiger would make the same mistake that he did with
that poor minister?
_Dennis._ I hope, if he does have to foot it, he will not bring the
usual number of parcels that the swells on the other side consider as
necessary as those books which Charlie Lamb said “no gentleman should be
without.”
_Amy._ Mrs. Wycherly, how can this man be two earls at once?
_Steven._ The English aristocracy finds it convenient to have an alias
now and again.
_Mrs. W._ I’m not sure, Amy, but I believe it has something to do with
his mother. I never could understand the peerage.
_George._ Ye gods! to think of a mother with a marriageable daughter not
understanding the peerage!
_Helen._ I won’t be slandered by you. Marriageable daughter, indeed!
_Rose (scornfully)._ Yes, isn’t that a regular man’s view of it?
_Dennis._ Well, I think it’s very creditable to be without a peer.
_Amy._ That depends on how you appear.
_Rose._ And that depends on your _appear age_.
_George (pityingly)._ Don’t notice them; they’re quite harmless.
Speaking of the peerage, though, did any of you see Labouchere’s screed
in “Truth”?
_Mrs. W._ I haven’t, for one—what was it?
_George._ Bass, the proprietor of the pale ale, has just been made a
baron, and this was an editorial on the “Last Addition to the Beerage.”
_Amy._ Mrs. Wycherly, do let me have the letter: I want to see what kind
of a hand he writes.
[MRS. W. _passes letter to_ AMY.
_Dennis._ There! That’s the way in this life. I’ll be bound you never
wanted to see what my writing was like.
_Rose._ Well, did you ever want to see Amy’s hand?
_Steven._ Hers is too small to make it worth while.
_Amy (sweetly)._ _Is_ your tea sweet enough, Steven?
_Dennis._ Why waste your sweetness on the desert air?
_Steven._ Thank you, Dennis, but I am not a deserted heir, and don’t
suppose I shall be, till The Right Honourable George Augustus Guelph
Dunstan, Earl of Ferrol and Staunton, puts in his appearance. Till then,
Mrs. Amy Sherman Micawber will never desert her Steven.
_Helen._ Really, I think it is very unkind to say all these things
before Lord Ferrol arrives. If you begin like this over the “cheerful
and uninebriating teacup,” with a good dinner not far distant, what will
you say when you have just dragged yourself out of bed to breakfast?
_Dennis (fiercely)._ The talking point will be passed. We shall act!
Bul-lud!!!
_George (rising and setting teacup on tea-table)._ So let it be
understood, if you girls give us the cold shoulder when his lordship
arrives, we will not be responsible for the consequences.
_Steven._ But don’t say we didn’t warn you.
_Helen._ Well, you deserve to have the cold shoulder for talking to us
so.
_Rose._ Yes, just as if we had all turned tuft-hunters.
_Mrs. W._ At least it shows modesty. The boys all take for granted they
cannot stand up against the new-comer.
_Rose._ Oh, Mrs. Wycherly, what nice, honest, guileless men you must
have known when you were a girl! To think that _these_ should gain the
reputation of modesty by their grumbling!
_Helen._ Yes, dear, they are delusions and snares, having fully mastered
Talleyrand’s aphorism “that words were meant to conceal ideas.”
_Amy._ “Put not your trust in kings and princes.”
_George._ That’s just what we want, only please extend it to the
aristocracy.
_Rose._ You all deserve to have us leave you to your own devices, as
soon as we can get a decent substitute.
_Mrs. W._ Well, if Lord Ferrol is anything like his father, I can
promise you no unworthy one, even compared to _my_ boys here.
_Steven (crossing down stage to Mrs. W. and bowing)._ Mrs. Wycherly, the
race does not improve. Why are the daughters no longer as their mothers
were?
_Helen._ }
_Amy._ } Oh!!!
_Rose._ }
_Helen (springing to her feet)._ Mr. Chairman, or Mrs. Chairwoman, is
not the honourable gentleman’s language unparliamentary?
_Rose._ It’s uncomplimentary, and I believe that is what unparliamentary
generally means.
_Amy (rising)._ I move the expulsion of the honourable gentleman.
_Helen (rising)._ Second the motion.
_Omnes._ Question! Question! Question!
_Mrs. W. (rising with mock solemnity and leaning on desk)._ Gentlemen,
after the _most mature_ deliberation the speaker must announce three
decisions. First, the language was not uncomplimentary, and—
_Rose_ } } Bribery!
_Helen_ } _together._ } Treachery, treachery!
_Amy_ } } Oh! Oh! Oh!!
_Mrs. W. (pounding on table with paper-knife)._ Order! Order!—And
_ergo_, not unparliamentary. Secondly, that in consequence the motion of
expulsion is not in order. Thirdly, even if it were in order, the
question could not be taken without debate.
_Rose._ I appeal to the House.
_Dennis (rising)._ All right! Three to three. Speaker throws casting
vote with us. How do you do—minority?
[_Bows._
_Helen (rising)._ Excuse me. We three decline to vote, so there is no
quorum. The question is before the House still, and can be spoken to.
_Dennis._ How badly the question must feel.
_Amy._ Not half so badly as you ought to.
_Mrs. W. (pounding)._ Order! The dignity of the chair must be upheld!
_Rose._ Then why don’t you hold it up? We’ve no objection.
_Amy (rising)._ Mr. Speaker—
_Mrs. W._ The honourable member from—from—
_George._ Philadelphia?
[_Passes_ AMY _the chocolates from tea-table_.
_Amy (sinking faintly into chair)._ Oh, not so bad as that!
_Mrs. W._ Very well—from the slough of despair—
_Amy._ Mr. Speaker, I rise from my slough of despair to demand, with a
tear in my eye—
_Dennis._ And a chocolate in your mouth—
_Mrs. W. (pounds)._ Order!—
_Amy._ To vindicate myself—
_George._ Well, if you’re going to rise, why don’t you do it?
_Mrs. W. (crossing to tea-table, and seizing hot water pot.)_ I shall
pour the hot water on the next person who interrupts the honourable
gentleman.
_Amy._ To vindicate myself and my compeers in the—alas!—opposition. We
have remained silent under the slur of malice—we have watched
the arbitrary and—(I fear corrupt is an unparliamentary
word)—ah—questionable rulings of the presiding officer. But, so saith
the adage, “Even the worm will turn;” and why not woman? So when we hear
the distinguished and courteous stranger, about to enter our sacred
portals, maligned and sneered at—then—then do we turn upon the
“allegators” and declare, that as soon as the shadow of his
“gracious”—no—I mean “early” presence darkens these halls of misrule,
then, with one accord, for better, for worse, we will cleave to him.
_Feminine Omnes._ We will.
_Rose._ Now, boys, you see what you have done! and, as you remarked a
moment ago, “Don’t say we didn’t warn you.”
[_Bell rings._
_Mrs. W._ There, young people,—that is the dressing bell. Now don’t
loiter, for I shall frown on any one who is not in the drawing-room five
minutes before seven. I declare this sitting adjourned.
[_All rise._ MRS. W. _crosses back and exits r. d._ ROSE _comes down c.
and whispers to_ AMY; _they laugh, put their hands behind each
other’s waists, and skip up r._
_Rose and Amy (singing)._ “Johnny, get your gun, get your sword, get
your pistol. Johnny, get your gun, get your gun, get your gun.”
[_Exit r. d. Men all laugh heartily._
_Helen (rapping on table in imitation of Mrs. W.)._ Order! Order!
_George._ Cash!
[_Men all laugh._ HELEN _looks at them scornfully and then exits r. d._
DENNIS _starts to follow_.
_George._ What’s your hurry, Dennis? Lots of time.
[_Sits._
_Steven (reseating himself)._ I bless my governing star every night that
it was given to my sex to dress in the time spent by t’otherest in doing
up its back hair.
_Dennis (crossing back to fireplace)._ Oh, yes! But as one girl said to
me, “That time isn’t worth having, for you can’t be with us!”
_George._ You must both have been pretty far gone, old fellow.
_Dennis._ Not half so badly as the girls are prospectively on “me lud.”
_Steven._ No, we are in for “a bad quarter of an hour” when he shows up.
_Dennis._ If he will only prove a show!
_Steven (sadly)._ The only English swells I’ve met were very jolly,
gentlemanly fellows.
_Dennis (cheerfully)._ All the more chance that this one turns out the
delicate little wood violet, such as we occasionally read of in the
papers as ornamenting the “Ouse of Lords.”
_George (gloomily)._ I am afraid we shall be the flower part of this
show.
_Dennis._ In what respect?
_George._ Why, wall flowers, of course.
_Steven._ Really, it’s no joking matter. I don’t know how long the girls
will carry on their intended neglect, but it will be strong while it
lasts.
_Dennis (coming down stage indignantly)._ If I have to put in two days
of life without—without—
_Steven (interrupting)._ Faith, hope, or charity, which?
_George._ Why don’t you say Amy, and have done with it?
_Dennis (half turning)._ Very well. If I have to put in a week here, ten
miles from anything, with Amy overflowing with sweetness for that—that—
[_Hesitates._
_George._ Oh, speak it out, old man! The word will do you good.
_Dennis._ No, it wouldn’t do justice to the subject.
_Steven._ Well, Dennis, you needn’t think you’re the only one in this
box.
_Dennis._ Hope he’ll get here on a rainy night, and no carriage at the
station, as Rose suggested. Do you suppose a fiver would make our dearly
beloved Burgess misunderstand the carriage order?
_George._ Burgess is a living proof of the saying, that “every man has
his price.”
_Steven._ How do you know?
_George._ I found it out when he drove Mrs. Wycherly home, quite
forgetting to say that Rose and I were to be picked up at Oakridge, as
she had specially directed.
_Steven (reprovingly)._
“You sockin’ old fox!
You pretty white cat—
I sink dear mama
Should be told about dat.”
_Dennis (sadly)._ It might be possible to corrupt the worthy Burgess,
but, unless we could arrange for a rainy day, I don’t see that it would
do us much good. The Anglo-Saxon doesn’t think much of ten miles.
_Steven._ No; and the Wycherlys would be so hurt at a guest of theirs
having such an accident that they would be doubly sweet to him.
_Dennis._ What day did he say he would come?
_Steven._ “Friday, or perhaps sooner.”
_George._ I suppose the “D. & T.” can’t arrange one of their numerous
accidents for that train?
_Dennis (crossly)._ Of course not! Whoever heard of a timely railroad
disaster?
_George._ Oh, for a mishap of some kind!
_Steven (springing to his feet and slapping his leg)._ Fellows, I have
an inspiration!
_George._ Did you get it by inheritance, or out of a bottle?
_Steven._ Look here; his ludship does not arrive, probably, till Friday.
My friend, Frank Parker, is to come up here Tuesday. Let’s make him
personate the “Lord high everything else.”
_George_} _together_ {Well?
_Dennis_} {What for?
[_Both rise and come down stage to_ STEVEN.
_Steven._ Why, in the first place, we shall fool the girls. That’s one
for us! In the second place, they’ll carry out their tender programme on
him, and so be tired of it when the “only genuine has our name blown in
the bottle” puts in his appearance. That’s two for us! Thirdly and
lastly, we will tell him to be a snob, so that the girls will find it
impossible to carry out their plans on him. That’s three for us!
_Dennis._ But will Parker dare to play such a trick in his first visit?
Wouldn’t he be like those would-be tragedians whose first and last
appearances are identical?
_Steven._ Oh, Mrs. Wycherly would forgive him anything, for he is the
son of an old sweetheart of hers. As for Frank, he’s up to anything, and
has lived so long in the West that his highest form of amusement is a
practical joke.
_Dennis._ But how are you going to fool our hostess?
_George._ Why, she has never seen Frank, and only heard of his existence
when Steven and I brought word of the jolly fellow we had met in
Colorado.
_Steven._ And, besides, he’s a winner in disguising his person and
voice. George and I coached all one day, lamenting that he had been left
behind, and there he was, sitting beside the driver all the time. Now to
the act!
[_Goes to writing-table, and writes. After writing a page, he blots it
on blotter and turns over and writes on second sheet._
_Dennis._ If it works I don’t go back to the city by a long sight. The
governor may go it alone till I have seen the fun.
_George (rising and imitating English accent and using his watch as an
eye-glass)._ I say, Steve, cawnt he make the heavy English noticeable?
_Dennis._ Yes; tell him to come out strong on that.
_George._ And remember he’s in the hands of an oculist, doncher know.
That will be a good excuse for goggles.
_Dennis._ Tell him we’ll share the expense if he will only come.
_Steven._ What was his third name?
_George._ George Augustus Guelph Dunstan—otherwise Dust-pan.
_Dennis._ When is an earl a small thing?
_George (with disgust)._ He never is, when he’s in this country.
_Dennis._ You never could guess a conundrum!
_George._ Give it up, old man.
_Dennis._ When he’s a little early.
_George._ Hurry up, Steve. Dennis is in sad need of dinner.
_Steven (reading letter)._ How’s this?
“Dear Frank,—We hear you are to come up here on Tuesday. Now, if you
want a soft thing pay heed to what I write. We expect a howling English
Lord up here the last of the week, and the girls are going to lay
themselves out for his benefit, just to spite us poor republicans. Put
on goggles, a beard and wig; get a big pattern suit and a leather
hat-box, and telegraph Mrs. Wycherly (in the name of Ferrol), that you
will arrive on the 5.15 train Tuesday. You will be met, coddled,
caressed, etc. etc., till we shall all call you tenderfoot. But a word
in your ear! Make yourself rather disagreeable. Dress in the wrong
clothes at meals. Use the words ‘nasty’ and ‘beastly’ frequently, and of
all things meet the girls more than half-way in their attentions. Your
name is George Augustus Guelph Dunstan, Earl of Ferrol and Staunton.
Your papa is the Marquess of D-a-c-h-a-n-t (pronounced Jaunt). Your dear
mama is no more. You have been in Florida, where you hurt your eyes, and
are just from Washington—‘a beastly bore, you know.’ I would give untold
gold if I could do it instead of you.
“Always yours, Steve.”
_Dennis._ I say, boys, we must have a kodak ready for the unveiling, and
catch the girls’ faces on the fly.
_George_ } (_together, shaking hands and_
_Steven_ } _laughing heartily_). Oh! won’t
_Dennis_ } it be rich!
_Enter_ ROSE, _r. d._
_Rose (crossing up stage to r.)._ Why, you wretched boys, haven’t you
gone up yet?
[_Men jump and turn with consternation._
_Steven (concealing letter behind him)._ Why—ah—is it late?
_Enter_ HELEN, _r. d., and crosses to tea-table, which she draws back to
l._
_Rose._ Late! You’ve just ten minutes to dress. Be quick! Mrs. Wycherly
has been stopped in the hall by a telegram, and if she catches you here
you’ll never hear the last of it.
[_Men exit hurriedly and awkwardly l. d._
_Helen._ Talk of the tardiness of women!
_Rose._ I know they’ve been talking about us. Did you see how guilty
they looked?
[_Crosses to desk._
_Enter_ AMY, _r. d._
_Amy._ After what Mrs. Wycherly said of tardiness, they ought to look
guilty.
_Rose (seating herself at desk and arranging pens, etc.)._ If they are
not late, it’s Seymour’s fault, not theirs.
_Helen._ I hope mama won’t wait for them. I have a good mind to tell
Seymour to put a lump of ice in the soup.
_Amy._ I should rather see those good for nothing, gossiping,
over-spoiled men there.
[_Rose begins to study blotter with great interest._
_Helen._ They deserve some kind of penance for their behaviour this
afternoon.
_Amy._ Yes, even in addition to our intended neglect when Lord Ferrol
arrives.
_Helen._ Oh, we can make it a capital joke, and if Lord Ferrol is only
nice we can have both the joke and a good time.
_Amy._ Well, I don’t care what Lord Ferrol is; I am going to use him to
punish—them.
_Helen._ Oh! Amy, why that significant pause? We all know how them
spells his name.
_Rose (springing to her feet with a scream)._ Girls! Girls!!
_Amy (startled)._ What’s the matter?
_Rose (melodramatically)._ My Lords! My Lords! There are traitors in the
camp and treachery stalks rampant.
[_Comes to centre with blotter._
_Helen._ Oh, come off that roof!
_Rose._ No, really, I’m in dead earnest.
_Amy._ What is it, Rose?
_Rose (evidently reading with difficulty from blotter)._ Listen. “Dear
Frank,—We hear you are to come up here on Tuesday. Now, if you want a
soft thing, pay heed to what I write—” Oh, I can’t read it backwards.
Where is a mirror?
_Helen (rushing to mantel)._ Here, Here.
[_Holds mirror in front of blotter._
_Rose (reading)._ “We are expecting a howling English Lord up here the
last of the week, and the girls are going to lay themselves out for his
benefit.”
_Helen_ } (_with intense anger_). What!!!
_Amy_ }
_Rose (reading)._ “Just to spite us poor republicans. Put on goggles, a
beard and wig; get a big pattern suit and a leather hat-box. Telegraph
Mrs. Wycherly (in the name of Ferrol) that you will arrive on the 5.15
train Tuesday. You will be met, _coddled_, CARESSED!!
[_Drops blotter in rage._
_Amy (shrieking)._ Oh!
_Helen (intensely)._ What!! (_Grabs at blotter eagerly._) Here, you read
too slowly, let me. (_Amy holds mirror._) “Coddled, caressed, till we
shall call you tenderfoot. But a word in your ear! Make yourself rather
disagreeable. Dress in the wrong clothes at meals. Use the words ‘nasty’
and ‘beastly’ frequently, and of all things meet the girls half-way in
their attentions. Your name is George Augustus—” It ends there.
[_Girls look at each other indignantly._
_Amy (dangerously)._ It was about time!
[_Going to the mantel and replacing mirror._
_Helen._ What shall we do?
_Amy._
“And he said can this be?
We are ruined by Chinese cheap labour (_pause_)
We will go for them heathen Chinee.”
_Helen (turning)._ Yes!—but how?
_Amy._ Girls, put on your thinking-caps, and hunt for some terrible
punishment.
_Rose._ Something “lingering, with boiling oil or melted lead.”
_Enter_ MRS. W. _r. d., with telegraph blank in hand._
_Mrs. W._ Why, girls, what were those shrieks about?
_Rose (with embarrassment)._ Oh, nothing, Mrs. Wycherly. That is—
_Amy._ I hope we didn’t frighten you, Mrs. Wycherly.
_Mrs. W._ Oh, no! I was only coming in to speak to Helen. (_Helen comes
to centre._) I have just received a despatch from Frank Parker. He has
been called back to San Diego by the illness of his mother, so we shall
not have his visit after all. (_Hands telegram to_ HELEN _and sits at
desk r._ ROSE _sits at desk l._ HELEN _and_ AMY _cross to r. and
evidently consult over telegram._) I really am very sorry, for I wanted
to renew with the son a very old family friendship, but there is no
chance, for he has gone West already.
_Helen (crossing to Mrs. W. and pleading)._ Oh, mama! Will you not keep
it a secret from the boys? Only George and Steven would care, and we
have a really good reason for not wanting them to know. Oh, please,
mama!
[_Puts arms round_ MRS. W.’S _neck._
_Amy (beseechingly)._ Oh, Mrs. Wycherly, please do!
_Rose (kneeling imploringly)._ Do, Mrs. Wycherly!
_Mrs. W. (suspiciously)._ What mischief are you concocting now? (_rising
and going to l. d., followed by all the girls_). Well, I won’t promise
not to, but I will hold my tongue till I see that I had better speak.
_Helen._ Oh, you dear mama!
_Mrs. W. (laughing)._ Temper your justice with mercy.
[_Exits l. d._
_Helen (melodramatically coming down c.)._ Who talks to me of justice
and mercy!
_Rose._ Helen, can’t you arrange to have Burgess drive over to that 5.15
train? It would be so lovely to see the men’s faces when the carriage
came back empty.
_Amy._ Gracious! If we only could get the real Ferrol here, in place of
the fictitious, and yet make the men think it was Mr. Parker.
_Rose._ But Lord Ferrol won’t be here till Friday, and by that time the
boys will have either found it out, or suspect from the time that it
really is the genuine article.
_Amy._ I’ll tell you what to do. Let me wire my cousin Jack Williams to
get himself up as an Englishman, and come up here on Tuesday. I can
coach him so that he can pass himself off for Mr. Parker, and the two
are enough alike, judging from the description, if disguised, to fool
the boys.
_Helen._ But the moment they were alone with him they would find—
_Rose (interrupting)._ We’ll arrange it so that until we are ready for
developments, they shall have no chance to find out.
_Rose._ But how about Mrs. Wycherly? She knows Mr. Williams, doesn’t
she?
_Amy._ We’ll let her into the secret—she’ll enjoy it as much as any of
us.
_Helen._ And she’s always wanted to have your cousin here.
_Rose._ Quick, Amy. Write the telegram.
[_All rush to desk._ AMY _sits in chair l._
_Helen._ Mercy! but you’ll ruin yourself with such a one.
_Rose._ We’ll have to share the expense.
_Amy (getting paper and pencil)._ No, I shall only send a short
despatch, and write full particulars by letter. Let me see—(_Aloud._)
“Come up here disguised as an Englishman—goggles, beard, wig, loud
clothes—”
_Rose._ And hat-box.
_Amy._ “And hat-box, by the train that gets here?—”
[_Looks at_ HELEN _inquiringly._
_Helen._ Five fifteen.
_Amy._ “That gets here at 5.15 Tuesday. Wire Mrs. Wycherly in name of
Ferrol that you will be here at that time. Further particulars by post,
but don’t fail.—Amy.”
[_Rises and folds telegram._
_Rose._ If he will only come! Think of those boys watching our attention
to him, and laughing in their sleeves.
_Rose._ And we all the time laughing at them.
_Helen._ And think of their faces when the discovery is made!
_Rose._ Oh, Helen! You must have your camera ready, and take them at
that moment.
[_All laugh._
CURTAIN
ACT II
SCENE.—_Same room, and same arrangement, except that tea-table is up
back to r., and the easy-chair l. is down centre._ MRS. W. _sits
chair c. sewing._ ROSE _sits on arm of easy-chair r._ AMY _walking
up and down at back._ HELEN _sits chair r. of fireplace._
_Amy (restlessly)._ I am so excited I can’t keep still. If Jack hadn’t
telegraphed when he did, I could never have survived the nervous
strain—but weren’t the men’s faces lovely when you read the despatch at
luncheon! Sly dogs!
_Helen._ I hope it will take the boys so long to clear the snow off
Silverspoon that we can have your cousin alone for a few minutes.
_Rose._ No such luck as that! Our evening’s skating will hardly weigh
with them, compared to the danger of our greeting the supposed Mr.
Parker without their moral support to carry him through.
_Helen._ I almost wish it were Mr. Parker instead of Mr. Williams who is
coming. How we could torture them all by awkward questions!
_Rose._ I don’t think I ever appreciated before how deliciously the
Indian must feel when he takes his enemy’s scalp.
_Mrs. W._ Why, you blood-thirsty little wretch!
_Helen._ Mama, we must make our arrangements so that they will have no
chance to interview him this evening. Then, to-morrow, we will either
fully coach him, or let them find out the trick—according to our wishes.
_Mrs. W._ Let me see,—I will meet him at the front door; the moment the
carriage drives up—
_Helen._ Yes, and you must bring him in here to tea. We won’t let him go
till the bell rings for dressing. Then we will all see him upstairs.
_Mrs. W._ But you can’t watch him after he is once in his room, and any
of the men can go to him.
_Rose._ “Not if the court understand himself, and he thinks he do.” We
will spell each other, so that one of us shall sit in the upper hall
till Mr. Williams comes downstairs. The boys would never dare to run
such a battery without a better excuse than they can invent for going to
the room of an entire stranger.
_Mrs. W._ That makes it safe till we leave them to their cigars.
_Helen (coming down, and sitting on the arm of Mrs. W.’s chair)._ Mama,
you will have to tell the boys that for a particular reason, cause
unspecified, you want to let the servants clear the dining-room early,
so as to set them free. Tell them to smoke in the library; we will sit
with them and put up with the smoke for once.
_Rose._ That will do, and you must break up the party at our usual
bed-time with the excuse that Lord Ferrol, after his journey, will want
to retire early. Take no denial, and we will escort him upstairs. Then
we girls will sit on the divan in the hall and gossip till we feel sure
that all is safe.
_Amy._ And we’ll write a note making an early appointment with him in
the valley summer-house; and then—(_Sounds of laughter outside._) Hush!
_Enter_ GEORGE, STEVEN, _and_ DENNIS, _r. d., and cross over to
fireplace, where they stand and warm their hands._
_Mrs. W._ Ah, what a breath of winter freshness you bring in with you!
_Steven._ It is a simply glorious afternoon. How you girls could stay
indoors and roast over a fire is a puzzle to me!
_Dennis._ You forget, Steve, that telegram which came at luncheon. They
were afraid they might lose a few moments of his society!
_George._ If his ludship isn’t afraid of a little frost, we will show
him how to spend an evening on the ice.
_Dennis._ I’ll bet a box of chocolates that he doesn’t know how to
skate. (_Aside to men._) They don’t have ice in Southern California.
_Amy._ Ten pounds and taken. (_Aside to girls._) Jack is a superb
skater!
_Steven._ Two to one that Dennis wins.
_Rose._ I suppose you think you are betting on a certainty, so I shall
take you up, just to make you feel ashamed when I lose.
_Steven._ Mrs. Wycherly, can’t we have our tea without waiting for his
giblets? I am simply famished!
_Helen (crossing to l.)._ I wonder if men ever really think of anything
besides eating.
_George._ If you think that clearing the drifts off that lake is a light
and ornamental position under the government, try it.
_Mrs. W. (rising and reseating herself at desk chair r.)._ Well, Helen,
you may make it now, only save a cup for Lord Ferrol.
[GEORGE _pulls easy-chair c. back to r., while_ DENNIS _and_ STEVEN
_bring tea-table to former position by chair._ ROSE _exits l. d._
_Helen (coming to tea-table and holding cup up)._ Lord Ferrol’s cup.
_Steven._ Oh, no!
_Dennis._ Never!
[_They try to obtain possession of it._
_Helen (going round table and sitting, still holding cup)._ Not for you.
_Enter_ ROSE _with hot water pot. Men return to fireplace._ AMY _sits
easy-chair l. of tea-table._
_Rose (rubbing teapot against Dennis’s hand as she passes)._ Hot water.
_Dennis (jumping and looking at his hand)._ Not the least doubt of it.
_Helen._ Make the most of it, boys: it’s the last time our tea will be
sweet to you!
_Dennis._ Why is Helen like a “P. & O.” steamer?
_Helen (indignantly)._ I’m not!
_Steven._ Because she’s steaming the tea?
_Dennis._ No.
_Amy._ Don’t keep us in suspense.
_Steven._ Because she’s full of tease.
_George._ You make me tired.
_Steven._ Is that why you sat down so often on the ice?
_Helen._ Isn’t that just like George,—sitting round, while the rest do
the work.
_George._ If you think there’s any particular pleasure in sitting in a
snowdrift, there’s one outside, right against the verandah.
_Steven._ That would never do at present. It might result in a cold, and
so destroy our little plan of winning the maiden affections of—well, I
won’t give him a name till I have seen him!
_Helen._ It is hard to put up with foreign titles, but as long as our
government will not protect that industry, the home product is so rude,
_boorish_, VULGAR, and YOUNG, that we cannot help—
_Rose (interrupting)._ Listen! (_Pause._) There’s the carriage.
[_All rise and start toward r. door._
_Mrs. W. (rising and intercepting them at door)._ Now, don’t all come
running out to frighten the poor man. (_Men return to fireplace; girls
reseat themselves._) Let his first greeting be with me, and then I will
bring him in and let him see you and get a cup of tea.
[_Exit r._
_Dennis (stalking down stage)._
Fe, Fo, Fi, Fum,
I smell the blood of an Englishman;
Be he alive, or be he dead,
I’ll grind his bones to make me bread.
_Rose (pointing at Dennis)._
Ping Wing, the pieman’s son,
Was the very worst boy in all Canton,
He stole his mother’s—
_Mrs. W. (outside)._ No, I’m sure—
_Enter_ MRS. W. _and_ LORD F. _(in goggles and wig) r. d. and come down
c._
_Mrs. W._ You are chilled by your ride, so you must have a cup of tea
before going to your room. Helen, this is Lord Ferrol. My daughter, Miss
Wycherly, Miss Newcome, Miss Sherman, Lord Ferrol—.
_Lord F. (bowing)._ Charmed, I assure you!
_Mrs. W._ My nephews, Mr. George and Steven Harold, and Mr. Grant.
There! the formidable host is reviewed, and you can now make yourself as
comfortable as possible.
_Lord F._ Er, thanks, but if you will allow me, I will go to my room
first,—I am so filthy.
_Mrs. W._ Oh, but you really must have tea first.
_Lord F._ You’re awfully good, I’m sure. Er, will you pardon my glasses,
but I burned my eyes shooting alligators, and, er! that was why I
couldn’t make a more positive date, for I was in the hands of an
oculist.
_Amy (aside)._ Oh! Jack, what a lie!
_Steven (aside)._ Didn’t I tell you the old fellow would come out
strong? I shouldn’t know him myself?
_Amy (rising from easy-chair l.)._ Here, Lord Ferrol, I have been
sitting in the easiest chair to prevent the others from taking it, so
that you should have it when you came.
_Lord F._ Er, thanks, awfully!
[_Sits._ AMY _stands in devoted attitude just at back of his chair._
_Rose (rising and bringing hassock)._ Let me give you this hassock—one
is so uncomfortable in these deep chairs without one.
_Lord F._ Er, Thanks! You’re very kind.
_Helen (tenderly)._ Lord Ferrol, will you tell me how you like your tea?
_Lord F._ Strong, please, with plenty of cream and sugar.
_Amy (admiringly)._ Ah, how nice it is to find a man who takes his tea
as it should be taken! (_looking at men scornfully_). It is really a
mental labor to pour tea for the average man.
_Dennis._ Average is a condition common to many; therefore we are
common. Yet somebody said the common people were never wrong.
_Helen._ Well, they may never be wrong, but they can be uncommonly
disagreeable!
_Lord F._ Yes, that’s very true. You know, at home we don’t have much to
do with that class, but out here you can’t keep away from them.
_Amy (turning to men)._ There! I hope you are properly crushed?
_Lord F. (turning to Amy)._ Eh!
_Amy (leaning over Lord F. tenderly)._ Oh, I wasn’t speaking to you,
dear Lord Ferrol!
_Mrs. W._ I fear that you have had some unpleasant experiences here,
from the way you speak.
_Lord F._ Rather. (_Helen hands cup with winning smile._) Thanks,
awfully!
_George._ Perhaps Lord Ferrol will tell us some of them; we may be able
to free him from a wrong impression.
_Lord F._ The awful bore over here is, that every one tries to make
jokes. Now, a joke is very jolly after dinner, or when one goes to
“Punch” for it.
_Steven._ To what?
_Lord F._ To “Punch,” don’t you know,—the paper.
_Steven._ Oh! Excuse my denseness; I thought we were discussing jokes.
_Lord F._ I beg pardon?
_Amy._ Don’t mind him, Lord Ferrol.
_George._ No, like “Punch,” he’s only trying to be humorous.
_Lord F._ Er, is that an American joke?
_Dennis._ I always thought Punch was a British joke!
_Lord F._ Er, then you Americans do think it funny?
_George._ Singularly!
_Lord F._ What I object to in this country is the way one’s inferiors
joke. It’s such bad form.
_Rose (horrified)._ Surely they haven’t tried to joke you?
_Lord F._ Yes. Now to-day, coming up here, I took my luggage to the
station, and got my brasses, but forgot your direction that it must be
re-labelled at the Junction, so they wer’n’t put off there. I spoke to
the guard, and he was so vastly obliging in promising to have them sent
back that I gave him a deem.
_Omnes._ A what?
_Lord F._ A deem—your small coin that’s almost as much as our sixpence,
don’t you know.
_Omnes._ Oh, yes!
_Lord F._ Well, the fellow looked at it, and then he smiled, and said
loud enough for the whole car to hear: “My dear John Bull, don’t you
sling your wealth about in this prodigal way. You take it home, and put
it out at compound interest, and some day you’ll buy out Gould or
Rockefeller.”
_Helen._ How shockingly rude! What did you do?
_Lord F._ I told him if he didn’t behave himself, I’d give him in
charge. (_Men all laugh._) Now, is that another of your American jokes?
_Dennis (aside)._ Oh! isn’t this rich?
_Amy (aside to Lord F.)._ Oh, you are beautiful!
_Lord F. (bewildered and starting)._ Thanks awfully,—if you really mean
it!
_Steven (coming down to back of Lord F.’s chair)._ What did she say,
Lord Ferrol? You must take Miss Sherman with a grain of allowance.
_Amy._ I’m not a pill, thank you.
_Lord F._ Why, who said you were?
_Dennis._ Only a homœopathic sugarplum.
_Lord F._ I don’t understand.
_Steven (aside to Lord F.)._ Keep it up, old man. It’s superb!
_Lord F._ I beg pardon,—did you speak to me?
_Steven (retreating to fireplace)._ Oh, no! only addressing vacancy.
_Mrs. W._ I hope, Lord Ferrol, that there has been enough pleasant in
your trip to make you forget what has been disagreeable.
_Lord F._ Er, quite so. The trip has been vastly enjoyable.
_Rose._ Where have you been?
_Lord F._ I landed in New York and spent the night there, but it was
such a bore that I went on to Niagara the next day. From there I
travelled through the Rockies, getting some jolly sport, and then went
to Florida.
_Mrs. W._ Why, you have seen a large part of our country; even more than
your father did. I remember his amazement at our autumn foliage. He said
it was the most surprising thing in the trip.
_Amy._ What did you think of it, Lord Ferrol?
_Lord F._ It struck me as rather gaudy.
_Rose._ Why, I had never thought of it, but perhaps it is a little
vivid.
_Dennis (aside to men)._ Oh, how I should like to kick him!
_Steven (aside to Dennis)._ Hush! You forget that “Codlin’s your
friend—not Short.”
_George._ Didn’t you ever see a Venetian sunset?
_Lord F._ Oh, yes. Why do you ask?
_George (sarcastically)._ I merely thought it might be open to the same
objection!
_Lord F._ It might—I don’t remember. I’ll look it up in my journal when
I get home, and see if it impressed me at the time.
_Helen._ Do you keep a journal? (_Rises and sits on footstool at Lord
F.’s feet._) How delightful! (_Beseechingly._) Oh, won’t you let me look
at what you have with you?
_Rose._ Please, Lord Ferrol!
_Amy._ Ah, do!
_Lord F._ It would bore you, I’m sure.
_Dennis (aside)._ I don’t care if he isn’t a double-barrelled earl, I
should like to kick him all the same!
_Helen._ Lord Ferrol, you must let us hear some of it.
_Rose._ If you don’t we shall think you have said something
uncomplimentary of the American women.
_Lord F._ No, I assure you I have been quite delighted.
_Amy._ Then why won’t you let us see it?
_Lord F._ Er, I couldn’t, you know; but if you really are in earnest,
I’ll read you some extracts.
_Omnes._ Oh, do!
_Lord F._ I ought to explain that I started with the intention of
writing a book on America, so this (_producing book_) is not merely what
I did and saw, but desultory notes on the States.
_Rose._ How interesting!
_Lord F._ After your suggestion of what I have written of the American
women, I think it best to give you some of my notes on them.
_Mrs. W._ By all means!
_Lord F. (reading)._ “Reached Washington, the American capital, and went
direct to Mrs. ——. Cabman charged me sixteen shillings. When I made a
row, butler sent for my host, who, instead of calling a constable, made
me pay the fellow, by insisting on paying it himself. Mr. —— is a
Senator, and is seen very little about the house, from which I infer the
American men are not domestic—presumably, because of their wild life—”
_Mrs. W. (with anxiety)._ Their what?
_Lord F._ Their wild life,—spending so much of their time on the plains,
don’t you know.
_Mrs. W. (relieved)._ Oh! Excuse my misapprehension.
_Lord F. (reading)._ “The daughter is very pretty, which Mrs. —— tells
me is unusual in Washington society—as if I could be taken in by such an
obvious Dowager puff! (_Men all point at Mrs. W. and laugh. Mrs. W.
shakes her finger reprovingly._) Miss —— says the Boston girls are plain
and thin, due to their living almost wholly on fads, which are very
unhealthy.” (_Speaking._) I couldn’t find that word in the dictionary.
_Steven._ Sort of intellectual chewinggum, Lord Ferrol.
_Dennis._ Yes, and like gum, you never get beyond a certain point with
it. It’s very fatiguing to the jaw.
_Lord F. (reading)._ “She says the New York girls are the best dressed
in the country, being hired by the dressmakers to wear gowns, to make
the girls of other cities envious, and that this is where they get all
the money they spend. Very remarkable!”
_Helen._ Something like sandwich men, evidently.
_Lord F. (reading)._ “The Philadelphia girls, she says, are very fast,
but never for long at a time, because the men get sleepy and must have
afternoon naps.”
_Amy._ Did she tell you that insomnia is thought to make one very
distinguished there?
_Lord F. (making note in book)._ Er, thanks, awfully. (_Reading._) “She
says that the Baltimore girls are great beauties, and marry so quickly
that there is generally a scarcity. It is proposed to start a joint
stock company to colonise that city with the surplus from Boston, and
she thinks there ought to be lots of money in it! Another extreme case
of American dollar worship! The Western girls, she told me, are all
blizzards.” (_Speaking._) I don’t think I could have mistaken the word,
for I made her spell it. Yet the American dictionary defines blizzard as
a great wind or snow storm.
_George._ That is it, Lord Ferrol. They talk so much that it gives the
effect of a wind storm.
_Lord F._ Ah! much obliged. (_Reading._) “Went to eight receptions in
one afternoon, where I was introduced to a lot of people, and talked to
nobody. Dined out somewhere, but can’t remember the name. Took in a Miss
——, a most charming and lovely—”
_Dennis (interrupting)._ Ah, there!
_Lord F._ I beg pardon.
_Rose._ You must forgive his rude interruption, Lord Ferrol.
_Lord F._ Oh, certainly! You’re sure you’re not bored?
_Omnes._ By no means. Do go on.
_Lord F._ “A most charming and lovely girl from New York. She thinks
Miss —— characterised the cities rightly, except her own. Asked me if I
thought she was only a dressmaking advertisement? As scarcely any of her
dress was to be seen, I replied that as I couldn’t look below the table,
I was sure it was the last thing one would accuse her of being. She
blushed so violently that I had to tell her that I had seen much worse
dresses in London; but that didn’t please her any better, and she talked
to the man next her for the rest of the evening. (_All have difficulty
in suppressing their laughter._) I met a Boston girl afterwards who—”
[_Bell rings._
_Mrs. W._ Lord Ferrol, there is our summons to the upper regions. We
will not make a formal guest of you, but will all guide you to your
room.
[_All rise._
_Lord F._ Er, thanks.
_Mrs. W. (taking Lord F.’s arm)._ Your trunks not having arrived (_exit
r. d. with Lord F._) we will none of us—
[_Exit_ AMY _and_ HELEN _r. d., evidently laughing_. ROSE _exits l. d.
Men all go off into paroxysms of laughter._
_Steven (suddenly)._ Well, I must go and coach him.
_Dennis._ My dear fellow! you can’t paint the lily.
_Enter_ ROSE, _quietly, l. d. Men all check their laughter_.
_Rose._ I came back for my skates. Why, what are you laughing about! And
pray what lily are you going to paint?
_George._ My dear cousin, when a person enters a room already occupied,
without due warning, she must not ask questions relative to the subject
under discussion.
_Rose (talking down stage to conceal her laughter)._ I know very well
what you were talking about. You were making fun of Lord Ferrol.
_Steven._ Give you my solemn word we were not making fun of _Lord
Ferrol_.
_Men._ No! How suspicious you girls are!
[_All laugh._ HELEN _tries to suppress her laughter, and then rushes out
r. d., followed by_ STEVEN.
_Dennis._ That journal was a mighty clever dodge of Parker’s. It staved
off all dangerous questions till Steve could coach him.
_George._ There were some capital notions in it, too. If he will only
give us a few more risqué anecdotes, none of the girls will dare talk to
him.
_Dennis._ Did you see Mrs. Wycherly’s horrified expression when he
alluded to the wild life of the American men? I am sure she thought he
was going to give us some “exposures in high life.”
_Enter_ STEVEN _hurriedly, r. d._
_Steven._ Look here, fellows, you’ve got to help me. The girls have
planted themselves on the divan upstairs, and I can’t go to Ferrol’s
room without their seeing me. Come up and occupy them, while I slip in.
_Dennis._ Decoy ducks, eh?
_Stuart._ That’s it. Come along, George.
[_All exit r. d.,—slight pause._
_Enter_ LORD F. _l. d., dressed as before_.
_Lord F. (looking about)._ I must have made a mistake in the door, for I
got into the butler’s pantry; but this is right, I am sure. Queer place
and queer manners! Will make interesting reading, though. Ah, a good
chance to fill up my journal. (_Seats himself at desk, takes out book,
and writes, speaking aloud and soliloquising as he does so._) “At 5.15
reached some unpronounceable and unspellable place. Was met by Mrs.
Wycherly at front door”—curious fashion that! It made me take her for
the housekeeper at first. “She insisted, in spite of my protests,”—I
suppose it was an American idea of hospitality,—“in taking me at once
into the drawing-room and presenting me to the house-party, and giving
me a cup of tea. I felt very disagreeable, both from the condition I was
in, and the fact that all of them kept making remarks which were
entirely unintelligible to me. The young ladies were very kind, but more
forward even than they are in England, though in a different way.”—I
confess I rather liked it.—“Read some of my journal aloud and had no
corrections. Blizzard applied to Western girls means that they talk a
great deal. Was shown to my room by Mrs. Wycherly and the young ladies,
which was rather embarrassing, especially as they seemed inclined to
linger, and only hurried out on the appearance of the gentlemen. On
leaving, one of the girls slipped her hand into mine and gave it a
distinct squeeze, at the same time asking in a whisper, ‘Did your sister
send her love?’”—Now the idea of Sappho sending her love to a girl of
whom she had never heard!—“I pretended not to hear, but she evidently
knew that she had been too free, for as she left she jerked her head
towards the gentlemen and said, ‘They didn’t see.’ Could not change my
travelling suit, my boxes having gone astray. Found a letter pinned to
my pin-cushion, and when the valet brought the hot water, he gave me
another. Both, judging from the hand-writing and paper, seem to be
written by ladies and gentlemen.”—I should like to know what they mean?
I wonder if it’s good form in America to play jokes on guests?
(_Produces notes and reads._) “Dear F.”—(_Rises and comes to c._) Now
the idea of the fellow writing to me in that way on the acquaintance of
a single afternoon—why, even my best friends only say “Dear
Ferrol.”—“You were simply marvellous. I would have staked my bottom
dollar on your identity, if I had not known who you were.”—Now what does
he mean by that, I wonder?—“You were so real that Dennis wanted to kick
you, and nothing but the presence of the ladies prevented him.”—Gad! I
wonder if these fellows can be gentlemen, and if so, whether they are a
fair specimen—kick me! (_Pause._) Well, I suppose they’re jealous.—“So
don’t be too hard on us. Now as to the future. If we do not see each
other this evening, you must get up before breakfast, go out of the side
door, and strike across the lawn toward the river. Three minutes’ walk
will bring you in sight of a little summer-house. Come to it, and some
of us will be there prepared to instruct you as to yourself, and put you
on your guard as to the girls, who, you see, are making a dead set at
you.”—You know, that’s just what I thought.—“Remember, in the bright
lexicon, etc., etc., Steve.”—Now what does he mean by “bright lexicon?”
And does he think I’m going to tramp through the snow, when it’s so
evidently a joke? (_Opens other note._) “You dear love of a snob”—Now I
should vastly like to know how that is meant. I don’t think it’s a nice
way of beginning a letter, I’m sure. Yet she evidently means it as a
compliment—“You were so perfectly delicious that I could scarcely
forbear from giving you a kiss.”—Extraordinary!—“Indeed I think I will
to-morrow, just to make the boys desperate. I only hope your life is
insured, for Dennis will probably chuck you out of the window, when I
do, and it’s too cold for the window to be opened. Fortunately there is
plenty of soft snow to break the fall.”—Now isn’t that a nasty way of
joking! One would actually think she enjoyed the prospect of seeing me
thrown out the window.—“I have given directions that you are to be
called early, and as soon as you can, I want you to come to the valley
summer-house. Turn to your right, and walk straight towards the river,
and you can’t miss it. There you will find a bevy of maidens waiting to
metaphorically hug and kiss you, and instruct you so that you may play
the part of George Augustus Guelph Dunstan, Earl of Ferrol and Staunton,
with sufficient stupidity and vanity. Amy”—Now I should like to know
what all that means. (_Reflectively._) Amy—she’s the one who told me I
was beautiful the first time she spoke to me. I should like to know what
she means!
_Enter_ MRS. W. _r. d._
_Mrs. W. (crossing to c.)._ Why, I didn’t know you had come downstairs,
Lord—I hardly know whether to call you Lord Ferrol, but I suppose it is
safer.
_Lord F. (surprised)._ Eh?
_Mrs. W. (confidentially)._ I was immensely amused just now in coming
down. There are all the boys and girls sitting in the upper hall, each
intent on getting a few words with you, or of preventing the others.
_Lord F._ I suppose I ought to be vastly flattered. Yet I thought the
gentlemen disliked me.
_Mrs. W. (laughing)._ Oh, they will probably kill you before the end of
your visit.
_Lord F._ Good gracious, Mrs. Wycherly, you’re not speaking seriously!
_Mrs. W._ You play your part so well that I myself should think that you
were to the manner born.
_Lord F. (aside)._ I wonder if it is the fashion of the house to speak
in innuendoes. (_Aloud._) Er! Mrs. Wycherly, I am so new to your ways
that I should really like to ask you about one or two questions of
etiquette. You know that it differs so in countries, and I never want to
seem cold or rude. Now, over here, is it customary for young ladies to
say that they want to kiss fellows (_voices outside_) who are no
relations of theirs?
_Mrs. W._ Why, I never heard—
_Enter all, r. d._ HELEN, GEORGE, _and_ STEVEN _cross to l._ ROSE _comes
down r. to writing-desk_. DENNIS _and_ AMY _stand at fireplace_.
_Amy (to Lord F.)._ Oh, here you are! We’ve all been waiting upstairs
for you.
_Lord F._ Er, thanks.
_Rose._ I hope we are not late, Mrs. Wycherly.
_Mrs. W. (going up stage to fireplace)._ Oh, it doesn’t matter in the
least. You will simply have grieved Seymour over the dinner.
_Rose._ I know I shall grieve him by my appetite. (_Over desk to Lord
F._) Why, Lord Ferrol, I am hungry enough to eat you.
_Lord F. (half turning)._ Er, thanks, awfully. (_Aside._) Now, what does
she mean?
_Amy._ Oh, I wouldn’t eat Lord Ferrol, for you can’t eat your cake and
have it. (_Coming down center to Lord F._) But I should like to kiss
him, if he will let me.
_Lord F._ Er, charmed,—if Mrs. Wycherly thinks it proper.
_Dennis (seizing paper-knife from desk and rushing down between them)._
This is too much, Parker! You are getting more than your share.
(_Turning to Amy._) Avaunt, woman! you have raised the savage in me, and
behold the consequences!
[_Uses the knife as a scalping knife, and then tears off_ LORD F.’S
_wig, revealing a perfectly bald head_.
_Lord F._ Gad, sir! what do you mean?
_Omnes._ Why, who are you?
[AMY _crosses to l. as if bewildered_.
_Lord F._ Who am I?
_Mrs. W. (with horror)._ You are not really Lord Ferrol?
_Lord F._ Who else should I be?
[_Pause._
_Amy (sinking faintly into chair)._ And I asked leave to kiss him!
_Mrs. W. (coming down to c. and speaking with great anxiety)._ Lord
Ferrol, my young people here were each trying to play a joke on the
other, and by a horrible coincidence you have been the victim.
(_Imploringly._) Will you not try to forgive us now, and let me explain
at dinner?
[_All come down stage and seem to plead._
_Lord F._ Well, really, if it’s a mistake, of course I can’t cut up
rough. (_To Amy._) Then you don’t think I’m a dear love of a snob, eh?
_Amy (faintly)._ Oh, no, Lord Ferrol.
_Lord F._ And you don’t want to kiss me?
_Amy (more faintly)._ No, indeed, Lord Ferrol.
_Lord F._ Then, Miss Sherman, I will try to make you do both.
_Steven (coming down c.)._ There, didn’t I tell you the real English
swells were very jolly, gentlemanly fellows?
[_Shakes hands with Ferrol._
_Lord F._ And didn’t I tell you the Americans were always joking in the
wrong place? (_To Dennis._) Er, I’ll thank you for my hair.
CURTAIN
“MAN PROPOSES”
IN
SEVERAL DECLARATIONS
AND
ONE ACT
PLACE
_Morning room at the Wortleys._
TIME
_After dinner, and before the masked ball._
CHARACTERS
MISS AGNES WORTLEY
(_A winner of hearts_).
MRS. VAN TROMP
(_A widow to be won_).
POLLY
(_A serving maid who serves_).
MR. STUART
(_A theoretical bachelor_).
MR. REGINALD DE LANCEY VAN TROMP
(_A man with ancestors_).
MR. CHARLIE NEWBANK
(_A man with money_).
MR. FREDERICK STEVENS
(_A man with neither_).
SCENE.—_Morning room in city house,—doors l. and b. Fireplace with
fire l. c. Writing-desk, with matches, pens, ink, paper, and
handbell back centre—chair at desk. Down stage l., easy-chair, and
an ottoman or light chair c. At extreme down stage r. corner, a bay
window, with practical curtains, and a divan seat. On mantel a clock
which strikes ten as soon as curtain rises._
_Enter_ POLLY _l. d._
_Polly (coming down wearily)._ Mercy, how tired I am! And no chance of
rest for at least six hours (_drops into chair c._). Dinners and balls
may be fun for those who do the eating and dancing, but it’s death on us
poor servants. I’m worked hard enough usually, in all conscience’ sake,
but Miss Agnes has given me just the hardest day I’ve ever seen!
(_Imitates Agnes giving orders._) “Polly, is my bath ready?” “Polly,
give me my dressing-gown.” “Polly, bring me my coffee.” “Now dress my
hair, Polly.” “Get me my habit, Polly.” (_Rises._) “While I’m in the
park, Polly, sew the ribbons on my two dominos.” “Oh, and I’ll be too
busy to-day to write acknowledgments for the bouquets, Polly, so you may
write to Mr. Stevens and Mr. Van Tromp and Mr. Newbank, and any others
that come, thanking them for their lovely flowers, which are now filling
my room with sweetness!” From seven till eight it’s been nothing but
“Polly, do this,” and “Polly, do that,” and “Where’s Polly?” And no one
so much as said “Polly, want a cracker?” I haven’t had a chance to sit
down since I got up. I even had to eat my dinner off the laundry tubs
(_mimics eating with pen and paper-cutter at desk_) standing, because
the caterers were everywhere, getting the dinner and ball supper ready.
Miss Agnes says she’s all “worn out.” I wish she could try my work once
in a while. How I should enjoy telling the rich and sought-after Miss
Agnes Wortley to (_mimicking_) “button my shoes,” (_sticks out foot_) or
(_waves her hand_) “fetch me my gloves!” I would give a month’s wages if
I could only take her place just for to-night at the masked ball.
(_Speaking with excitement._) When she decided that she must have two
dominos, so that she could change in the middle of the ball, I thought
to myself: ‘What’s to prevent your slipping on the domino she isn’t
wearing, and going downstairs?’ (_Muses._) If I only dared! I could
easily slip out before she wanted to change! (_Pause._) No! I mustn’t
even think of it or the temptation will be too great.
[_Goes to fireplace, and sitting on rug pokes the fire._
STUART _appears b. d. and looks in_.
_Polly._ It would be such fun! Think of being Miss Agnes for one evening
and dancing with all her admirers! Oh, my! Supposing one should propose!
Mr. Newbank! (_Laughs._) Or Mr. Van Tromp! (_Laughs again._) I’d know
what I’d say to them! Mr. Stevens? I wonder if she cares for him.
_Stuart._ And how about Mr. Stuart?
_Polly (springing up, flustered)._ Oh, Jiminy! Oh—I beg your pardon, Mr.
Stuart, I was—I—
[_Hesitates._
_Stuart (laughing)._ Poking the fire, eh? Is this room free territory?
_Polly._ Yes, Mr. Stuart. It’s Miss Wortley’s boudoir, but she thought
it would be a nice place for people to come when they were tired of
dancing downstairs.
[_Curtsey's_ _and exits l. d._
_Stuart (calling out r.)._ This way, Fred. Here’s a quiet nook saved
from the universal ruin and bareness of downstairs.
[_Comes down._
_Enter_ FRED, _b. d., slowly_.
_Stuart._ Isn’t this luck?
_Fred (gloomily)._ There isn’t any such thing! Or if there is, I never
get any.
_Stuart._ Now, Fred, you can’t say that after this. You and I don’t want
to stay and smoke with the men. Neither do we want to join the ladies.
The other rooms are as bare and uncomfortable as waxed floors and
camp-chairs can make them. I suggest trying upstairs, and when I
discover and pilot you to this oasis in the desert, you at once begin to
grumble.
_Fred._ I’m sorry I’m bad company, Mr. Stuart; but if I’m so to you,
just think what I must be to myself.
_Stuart._ There is something in that.
_Fred._ And you only see me occasionally, and I’m with myself day and
night.
_Stuart (laughing)._ Pity you can’t hire some one to kill your
disagreeable companion. I wonder if a jury wouldn’t bring in a verdict
of justifiable homicide, if you drowned or hung him.
_Fred._ I’d like to!
_Stuart._ Curious. Such a dinner, even when I know it’s to be followed
by a ball, always puts me in a beatific state of mind.
_Fred (wearily)._ I thought it very long and tedious.
_Stuart._ And what is worse, you looked it. You looked as glum all
through as if you were waiting for the last trump.
_Fred (crossly)._ It wasn’t the last trump I was waiting for. I was—
_Stuart (interrupting)._ No, I misworded my sentence. You were waiting
for the last of Van Tromp.
_Fred._ Oh, pshaw!
[_Rises and crosses to r. angrily._
_Stuart (laughing)._ You don’t seem to enjoy my pun?
_Fred._ Oh, if it pleases you, go ahead.
[_Goes up and sits on desk._
_Stuart._ Fred, you make a mistake to go into society while you are in
this mood. Take a friend’s advice and cut it till you are better
tempered.
_Fred (impatiently)._ I don’t go because I enjoy it.
_Stuart (sarcastically)._ Ah! You go to make it pleasant for others.
_Fred._ No, I go because _she_ goes.
_Stuart (laughing)._ Will you tell me why a woman’s reason is always a
“because,” and a man’s is always a “she”?
_Fred._ _She_‘s an excuse for anything!
_Stuart._ Even for Charlie Newbank?
_Fred (rising angrily)._ Look here, Mr. Stuart, I’ll take a good deal
from you; but there is a limit.
_Stuart (soothingly)._ Excuse me, my boy. It is brutal in me, but I am
trying to see if I can’t laugh you out of it.
_Fred (sits chair l. as if discouraged)._ No use! As they say out West,
it’s come to stay and grow up with the country.
_Stuart._ Oh, I didn’t mean your love for Miss Wortley. She’s a sweet,
unspoiled girl, in spite of her own and her papa’s money, and I hope
you’ll win her. I was only trying to cheer you out of your dumps, and
make you look at the golden side of things.
_Fred._ That’s just what I see all the time, and what comes between us.
I can’t forget her money.
_Stuart (springing to his feet)._ There! That goes to prove a pet little
theory of mine, that it is rather hard for a rich girl to marry well.
_Fred._ I should think you needed a confirmatory evidence.
_Stuart._ You are just like the rest! You take the conventionally
superficial view of it.
_Fred._ Very well, turn lawyer and argue your case before referee Mr.
Frederick Stevens, junior member of the celebrated firm of Mary, Green
and Hart.
_Stuart._ You fire my ambition. Well, (_rising and imitating legal
style_) your honour, and gentlemen of the jury, _a priori_ and
_imprimis_ we start with the postulate that the party of the first part,
otherwise the girl with money, is usually so spoiled that most fellows
won’t care for her. But we will leave that out of the argument and say
that she is a nice girl. Well, by her parents, her friends, and her
reading, she is taught to think that every man who is attentive to her
may be a fortune-hunter. The consequence is that she is suspicious, and
may say or do something to wound or insult a fellow who cares for her,
and so drive him off.
_Fred._ That’s one point for your side.
_Stuart._ But even if she is not made suspicious by her money, (_points
at Fred_) he is. A decent man dreads to have his motives misjudged. He’s
afraid that the girl, or her father, or her mother, or her friends, or
his friends, will think he is fortune-hunting.
_Fred._ I should think he did!
_Stuart._ Finally, her money draws about her a lot of worthless fellows.
As a consequence, she is always beset and engaged. You must remember
that in this country a man, if he amounts to a row of pins, is a worker,
and not a drone. He cannot, therefore, dance the continual attendance
that is necessary to see much of a society girl nowadays. This can only
be done by our rich and leisured young men, who are few and far between;
by foreign titles, who are quite as scarce; and by the idlers and
do-nothings, who, if the girl is worth winning, are as distasteful to
her as they are to the rest of mortal kind. (_Sits chair c._) I submit
my case.
_Fred._ Mr. Stuart, you entirely missed your vocation. Allow me to
congratulate you on your _maiden_ argument. But at the same time the
referee would call your attention to the fact that you have failed to
take the relatives into account. They can overcome all this by heading
off the undesirables and encouraging their choice.
_Stuart._ But that’s just what they won’t do, and which I don’t think
they could to any extent, even if they tried. How much can Mr. Wortley
and Mrs. Van Tromp control Miss Agnes’ companions at the dinners and
dances and other affairs, which are practically the only places where
she meets men?
_Fred._ Here they can.
_Stuart._ But they don’t. You say Mr. Wortley favours Newbank and Mrs.
Van Tromp encourages her brother-in-law. Naturally, then, they don’t
approve your very evident liking for Miss Agnes. Yet I see you here
quite as often as either of the favoured ones. Do you think if this
system of exclusion were possible, it would not have been practised long
ago?
_Fred._ If you ask it as a conundrum I give it up. But I know that
neither of them want me to marry Miss Wortley. Mr. Wortley wishes
Newbank’s millions to add to the family. Mrs. Van Tromp hopes to graft
Miss Wortley on the fine old stock of Van Tromps.
_Stuart._ And what does the person most concerned want? In this glorious
country of ours, where children always know more than parents, the
girl’s consent is really the only requisite. What does Miss Wortley
want?
_Fred._ I only wish I knew!
_Stuart._ Well, how does she treat you compared with the other men?
_Fred._ At first she was very nice and friendly, but latterly she’ll
have nothing to do with me.
_Stuart._ A girl of taste!
_Fred._ I’m in the mood to enjoy such friendly jokes.
_Stuart._ It was meant kindly, Fred, as you will see in a moment. Now,
my boy, I’m going to give you a talking to, and if you resent it, it
will only be further confirmation of another little theory of mine, that
a man’s an ass who concerns himself in other people’s affairs.
_Fred._ Go ahead. I’m blue enough to like anything sour or disagreeable.
[_Sits, desk chair, and leans on desk._
_Stuart._ Now, there at once you give me the text to preach from.
(_Walks behind chair l. and leans on back, speaking over it down r._)
About a year ago a certain gentleman named Fred meets a certain lady
named Agnes. We’ll say he met her at a dance—
_Fred._ No, it was yachting.
_Stuart._ Ah!—excuse my lack of historical accuracy. Well, on a yacht—he
met her; then at a ball—he met her; then at a cotillion—he met her; then
at a dinner—he met her. In short, he met her, and met her, and met her.
_Fred (gloomily)._ Yes, and what is more, he spent hours trying to.
_Stuart._ Well, she was pretty and charming and—I’m short of an
adjective, Fred.
_Fred._ Of course you are! There isn’t one in Webster’s Unabridged which
would do her justice!
_Stuart._ That should have been said to her and not wasted on me. Well,
we’ll say the girl is plu-perfect. The fellow is rather good looking—eh,
Fred?
_Fred._ I don’t know.
_Stuart._ He talks and dances well; and is, in fact, quite a shining
light among her devotees.
_Fred (irritably)._ Oh, cut it, for heaven’s sake!
[_Rises impatiently._
_Stuart (laughing)._ Excuse me,—the story-teller never cuts; it’s the
editor who does that.
_Fred (angrily)._ Oh, go on.
_Stuart._ Well, at first this masculine paragon whom I have so meagrely
described seems to be doing well. She likes his society and shows it.
(_To Fred._) Right?
_Fred._ I thought so.
_Stuart._ But as he gets more interested, he changes. He makes his
attentions and feelings too marked—something no girl likes. Then he is
cross and moody when she does not give him most of her time and dances.
He is inclined to be jealous of every Tom, Dick, and Harry who comes
near her, and absurdly tries to dictate what she shall do and not do;
which she resents. In short, the very strength of his love makes him an
entirely different kind of a man. He is neither companionable nor
entertaining; he is both surly and passionate. Do you blame her for
repulsing him?
_Fred._ No, you are right. I know I’ve given her reason for turning me
the cold shoulder.
_Stuart._ Then if you’ve known this, why haven’t you behaved yourself?
_Fred._ I’ve tried to, over and over again; but when I see such cads as
Van Tromp and Newbank and the rest of the pack around her, I get
perfectly desperate.
_Stuart._ And why? Now, Van Tromp is not only a fool, which I suppose is
the fault of his ancestors, but he is so impecunious that every girl who
has money must suspect his motives. Newbank is wealthy, but is the kind
of man who makes one think of Wendell Phillips’ remark, that “the Lord
showed his estimate of money by the people he gave it to.” Why should
you be jealous of such rivals? You stand at least as good a chance as
they.
_Fred._ No I don’t. Look here, I’ve just been made a member of the firm.
That will give me something like $4,000 a year at first. How can I ask a
girl living as she does to try and get along on that?
_Stuart._ You forget her own income.
_Fred._ That’s just what I can’t do. I’ve tried to tell her that I love
her, but her money makes the words stick in my throat.
_Stuart._ And yet Van Tromp, who hasn’t a cent in the world, and never
will have, if he has to make it himself, will say it as glibly as need
be.
_Fred._ It’s that makes me desperate. I try to be good company, but I
feel all the time as if it weren’t an even race, and so I can’t.
_Stuart._ My dear boy, no race in this world is even. If it were
anything but a woman’s heart in question, I would bet on you as the
winner; but as that commodity is only to be represented by the algebraic
_x_, I never wager on it.
_Fred (scornfully)._ How learnedly a bachelor does talk of women’s
hearts! One would think he had broken a lot in order to examine their
contents.
_Stuart (a little angrily)._ I never lost a girl through faint heart,—or
lost my temper with both her and my best friend.
_Fred (apologetically)._ There! Of course you are right and I am a fool.
_Stuart (looking at watch)._ There being no dissent to that opinion, and
the ladies being now ready to see us, you had better go downstairs and
show Miss Wortley that the Fred Stevens of a year ago is still in the
flesh.
_Fred (going to b. d.)._ And you?
_Stuart._ I’ll stay here and have a cigar.
[_Exit_ FRED, _b. d._
_Stuart (taking out cigar-case)._ How that poor fellow does carry his
heart in view! (_Takes match from desk._) No wonder Miss Wortley keeps
hers to herself, with such an example!
[_Strikes match._
_Enter_ POLLY, _l. d._, _carrying black domino and lace mask_.
_Stuart._ Hello! One minute, please. Whose domino is that?
_Polly (halting)._ I mustn’t tell, sir.
_Stuart._ No, of course not. Quite right. (_Tosses away match and
jingles coins in his pocket._) Perhaps, though, you can tell me to whom
you are carrying it.
_Polly (coming down)._ Perhaps I might, sir.
_Stuart (taking out money)._ Well?
_Polly._ I was carrying it to Mrs. Van Tromp’s room, sir.
_Stuart (giving money)._ Thank you. (_Takes domino and mask from her._)
Mr. Stuart told you Miss Wortley wanted you to come at once to her, and
so you left these in this room—understand? (_Gives more money_) Now be
off to your mistress.
_Polly._ Yes, sir.
[_Exit_ POLLY _l. d._
_Stuart._ It’s better to be born lucky than rich. (_Pats domino
tenderly, and arranges it neatly in chair c._) You’re luckier, though,
for you belong to the dearest and most heartless woman in this world.
(_Looks at mask._) And you! She doesn’t need you to mask her feelings,
confound and bless her inscrutable face! You’ll be pressing against it
ere long. (_Kisses mask._) Take that to her.
_Mrs. V. T. (outside)._ No, I sent Polly for my domino, but she hasn’t
brought it.
_Stuart._ Speaking of angels— And she mustn’t discover that I know.
[_Hurriedly seizes mask and domino and tosses them behind curtains of
bay window; then strikes match as if about to light cigar._
MRS. VAN TROMP _appears at b. d. and looks in_.
_Mrs. V. T._ Shall it be a cigar or my society? “Under which king,
Bezonian? Speak or die.”
_Stuart (throwing match in fire)._ That goes without saying. The cigar
is my slave; I am Mrs. Van Tromp’s!
_Mrs. V. T._ Was that impromptu?
_Stuart._ Coined for the occasion, and needing only the approval of your
majesty to make it gold in my eyes.
[_Bows._
_Mrs. V. T._ I am too good a queen to help stamp worthless money, and
that’s what a compliment is. As the French say, “Fine words cost nothing
and are worth just what they cost.”
_Stuart._ Anglisé in “Fine words butter no parsnips.” You know, I’ve
always wanted to send that proverb to Delmonico. He takes something
uneatable, and by giving it a sauce and a high-sounding French title,
deludes the public into ordering it. You pay five cents for the basis,
ten for the sauce, and the other thirty-five for the French, which no
man can understand or pronounce.
_Mrs. V. T._ He didn’t serve this evening’s dinner.
_Stuart._ Far be it from me to suggest that there was anything wrong in
the cuisine to-night. The only criticism I could possibly make on the
dinner was that there were twenty-four too many people.
_Mrs. V. T. (counting on fingers)._ Twenty-four from twenty-six—that
leaves two?
_Stuart._ Let me congratulate you on your mental arithmetic.
_Mrs. V. T._ Have you actually reached that time of life when one ceases
to enjoy dinners?
_Stuart._ I hope not. I was even flattering myself that my tastes were
becoming more juvenile.
_Mrs. V. T._ In what does that show itself?
_Stuart._ In wanting something I can’t have. I believe it’s considered
infantile to want the moon.
_Mrs. V. T._ You want the moon? Then you must be in love! I’m so sorry I
can’t stay and let you tell me all about her. I came upstairs for my
domino and mustn’t tarry.
[_Starts up back._
_Stuart (standing between her and the door)._ One moment, Mrs. Van
Tromp. I’ll not bore you with my own love affair, but I should like to
ask your help in another.
_Mrs. V. T. (turning and coming down l.)._ I promise my assistance. I
love to help on—other people’s love affairs.
_Stuart._ There is a poor fellow downstairs who is eating his heart out
with love for your cousin Agnes. He thinks you are against him.
_Mrs. V. T._ You mean Mr. Stevens?
_Stuart._ Yes.
_Mrs. V. T._ Why, Mr. Stuart, I like Mr. Stevens, and he would be my
second choice—
_Stuart (interrupting)._ For yourself?
_Mrs. V. T. (laughing)._ No, for Agnes. But surely you don’t expect me
to work against my brother-in-law?
_Stuart._ But Agnes is your cousin. Do consider her!
_Mrs. V. T._ Mr. Stuart, I married Alexander Van Tromp without caring
that (_snaps her fingers_) for him. Yet we hit it off together very
nicely. He obtained income and I won social position. By it I have been
able to introduce my uncle into good society, and give Agnes her pick of
the best. Do you think I do her wrong in planning the same kind of a
marriage for her?
_Stuart._ Has Cupid no rights?
_Mrs. V. T._ He can come later. The Van Tromps are too old a family for
the members to live long. So I am only giving Agnes a few years of
matrimony, like my own; and then—well, you know whether my life is
gloomy or otherwise.
_Stuart._ Mostly otherwise, I should say.
_Mrs. V. T._ No girl of nineteen knows enough to pick out the man she
can breakfast with three hundred and sixty-five days in the year for
half a century. Moreover, a young girl cannot have a large enough
choice. She can only say “yes” or “no” to those who ask her. On the
contrary, a woman of—we’ll say twenty-eight—picks out her man and
fascinates him. To quote the French again: “A girl of sixteen accepts
love; a woman of thirty incites it.”
_Stuart._ As you have been doing?
_Mrs. V. T._ Agnes shall sample matrimony with Regie; see just what it
is like; and then be prepared to select a second time with wisdom and
discrimination—like her aged and venerable cousin.
_Stuart (hesitatingly)._ Will you pardon the question,—but was Mr.—was,
ah, the brother of Reginald anything like, ah, his brother?
_Mrs. V. T. (laughing)._ Very!
_Stuart (confidentially)._ What did you do with him?
_Mrs. V. T._ On the day we married, he put a ring on my finger; I put
one through his nose. Then he led very nicely.
_Stuart._ And is that your ideal of a husband?
_Mrs. V. T._ Unless I find a man capable of not merely doing the
leading, but by whom I shall wish to be led.
_Stuart._ And how is this man to prove his capacity?
_Mrs. V. T._ Oh, it’s merely a matter of cleverness or mastery. Let a
man outwit me, and I will (_curtseys_) ever after sign myself, “Your
obedient, humble servant.”
_Stuart._ Don’t you see that you are bribing your own undoing?
_Mrs. V. T._ How so?
_Stuart._ Why, your conditions are almost in the nature of a challenge.
Now you know, of course, Mrs. Van Tromp, that I don’t love you, yet you
make me want to enter the rather formidable competition just to see if I
couldn’t get the better of you.
_Mrs. V. T. (laughing)._ Well, I have no wish to balk you. But it must
be a game of forfeits. If you fail, you must pay a penalty.
_Stuart._ Isn’t failure to win Mrs. Van Tromp penalty enough?
_Mrs. V. T._ Not to so confirmed a bachelor as Mr. Stuart. Come, if you
beat me, I will do any one thing you wish; if you are beaten, you must
do the one thing I wish. Is it a bargain?
_Stuart._ Done! (_Kissing Mrs. V. T.’s hand._) Perdition have my soul!
_Mrs. V. T._ And now for my domino.
[_Hurries up and exits l. d._
_Stuart (at l. d.)._ But, Mrs. Van Tromp, you haven’t told me in what I
am to beat you?
[_Exit_ STUART, _l. d._
_Enter_ CHARLIE _and_ AGNES, _b. d._
_Charlie._ Thith ith better than down thairth, Mith Wortley, ithn’t it?
_Agnes (sinking into chair c. with sigh)._ Oh, much!
_Charlie._ I’ve been wanting to thuggeth it before, Mith Wortley, but
that bore Van Tromp wath alwayth round, and if he heard me, he would
intrude hith thothiety upon uth.
_Agnes._ Why. Mr. Newbank, I thought you were friends.
_Charlie._ We uthed to be, till the fellowth came out thuth a thnob.
_Agnes._ That is where you men have such an advantage. Now we girls have
to put up with every donkey that comes near us.
_Charlie._ That ith hard, Mith Wortley. But it theemth to me that you
might thave yourthelf by a little diplomathy.
_Agnes (eagerly)._ Do tell me how!
_Charlie._ Why don’t you get rid of Van Tromp?
_Agnes._ Why, I can’t be rude to him. You must remember he is a
relation.
_Charlie._ I didn’t mean rudneth.
_Agnes._ What then?
_Charlie._ Why, he athkth you to danth; you are out of breath or tired.
He thitth down by you; you want a glath of lemonade, or thomething elth,
it dothn’t matter what.
_Agnes (aside)._ Does he really think that’s an original idea?
(_Aloud._) How clever!
_Charlie._ Yeth, I rather think thatth a good nothon.
_Agnes._ Isn’t it warm here?
_Charlie._ Very. I’ve thought of thuggethting that we open a window.
_Agnes._ Oh, I’m so afraid of drafts. Did you see where I left my fan?
_Charlie._ No,—unleth you left it down thairth in the library.
_Agnes._ Won’t you see if I did?
_Charlie (going up l. b.)._ With the greateth of pleathure.
_Agnes._ And, Mr. Newbank, (_Charlie turns_) don’t tell Mr. Van Tromp
I’m here. [REG. _appears at b. d._
_Charlie._ I’ll tell any lie thooner. (_Turns._) Ah!! (_Politely._)
Mither Van Tromp, Mith Wortley ith fatigued and wanth to retht a little.
_Reg._ Aw! Then she shows gweat good sense in sending you away.
_Charlie (angrily)._ Thir, you thouldn’t inflict your thothiety on a
lady who hath juth been athking me how to get rid of you.
_Reg. (coolly)._ I hope you told her it was by keeping you about her.
_Charlie._ If thatth the cathe, I’ll be back very thoon.
[_Exits b. d._
_Reg._ Aw, I’m deucid sowy that boah Newbank has tired you, Miss
Wortley. You weally should not be so awfully good natured, don’tcher
know.
_Agnes._ Oh, we have to be, and he’s no worse than a lot of others.
_Reg._ I jolly wish, you know, that I could save you fwom it.
_Agnes._ Don’t you think it warm here?
_Reg._ Weally, but it is, pon honour.
_Agnes._ And I’m so thirsty. Would it trouble you too much to get me a
glass of water?
_Reg. (rising and going up l.)._ Chawmed, I assure you.
CHARLIE _appears b. d. and they run into each other_.
_Reg._ Aw, I thought you were going to allow Miss Wortley a little west.
_Charlie._ Thatth why I wath coming back. I didn’t think the would thend
you away.
_Reg._ I’ll be back soon, deah boy.
[_Exits b. d._
_Charlie._ I’m thorry, Mith Wortley, but your fan ith not in the
library.
_Agnes (aside)._ Tell me something I don’t know. (_Aloud._) Have the
rest of the men finished their cigars?
_Charlie._ Yeth.
_Agnes._ I suppose I ought to go down.
[_Rises._
_Charlie._ Yeth, we’ll go together, and tho ethcape Van Tromp.
_Agnes (aside)._ What a pity some glue company can’t buy those two and
melt them down into mucilage! (_Aloud._) Yes, but first won’t you see if
I didn’t leave my fan on the piano in the music-room?
_Charlie._ Why, thertainly.
[_Starts up to b. d._
_Agnes (aside)._ While you’re gone I’ll get into my domino, and if you
catch me afterwards, it’s my fault.
[_Exit_ CHARLIE. _Loud exclamation outside._
_Charlie (outside)._ You donkey, you ran into me on purpoth, and
thpilled that water on me.
_Agnes._ Do for once temper the wind to the shorn lamb!
[_Looks around room helplessly, and then rushes to bay window and
hides._
_Reg. (outside)._ I beg pawdon, but it was you who wan into me. Cawnt
cher see where you are going?
REG. _appears b. d. with a glass containing very little water, wiping
his coat sleeve with handkerchief, and looking angrily after_ CHARLIE.
_Reg._ I’m deucid sowy, Miss Wortley, but that clumsy fool has spilled
most of the water (_coming down_). One can always tell the _nouveaux_
wiche by their gaucherwies. (_Finds chair empty—starts, and looks round
room._) Pon honour, if he hasn’t dwiven her away!
[_Stands looking about._
CHARLIE _appears at b. d._
_Charlie._ I met your maid, Mith Wortley, and the thaid your fan wath in
your room, (_coming down r._) and that the’ll get it. (_Discovers Agnes’
absence._) Now then, I hope you are thatithfied with having driven her
away.
_Reg._ Oh, I dwove her away, did I?
_Charlie._ Yeth.
_Reg. (laughing)._ That is wich!
_Charlie._ Well, thath more than you are!
_Reg._ Cholly Newbank, you get worse form everwy day.
_Enter_ POLLY _with fan l. d._
_Polly._ Here is the fan, Mr. Newbank.
_Charlie (taking fan)._ Can you tell me where Mith Wortley ith?
_Polly (starting to go)._ No, sir.
STUART _appears in b. d. and stands and listens_.
_Charlie._ One moment, girl. (_To Reg._) Mither Van Tromp, will you
oblige me by leaving the room?
_Reg._ By Jove! The bwass of the man would start a foundwy.
[_Sits chair l. with emphasis._
_Charlie._ Thir, in the future I thall refuth to recognith you.
_Reg._ Thanks, awfully.
_Charlie (taking bank-note from pocket)._ Girl, do you thee thith?
_Polly._ Oh, yes, sir.
_Charlie._ What ith Mith Wortleyth domino like?
_Polly._ Oh, indeed, sir, I don’t dare to tell you.
_Charlie._ Nonthenth! The’ll never know who told. You might ath well
make five dollarth.
_Polly._ But Mr. Van Tromp might tell.
_Reg. (with extreme dignity)._ Mr. Van Tromp is too much of a gentleman
to either bwibe or tell tales.
_Charlie._ But he’ll lithen all the thame!
_Polly (fearfully)._ She’s going to wear a white silk one with cardinal
ribbons, and a black lace veil.
[_Receives note and exits l._
_Charlie (triumphantly)._ Ah! Now I have her.
_Reg._ Deucid sowy to spoil your little dweam, but I fahncy I shall
speak to her myself this evening.
_Charlie (gleefully)._ All right. The knowth you are after her money.
_Stuart (coming down)._ Ah! Damon and Pythias together as usual. It
really gives one faith in friendship to see how you two fellows run
together.
_Charlie._ Mither Thuart, did you ever hear anything more nonthenthical
than for Van Tromp to thuppothe that Mith Wortley ith going to thave him
from the poorhouth?
_Reg. (with dignity)._ Mr. Stuart will tell you that a born gentleman
can do much that is impossible to the canaille.
_Charlie (angrily)._ What do you mean by that, thir?
_Reg._ Pway dwaw your own conclusions.
_Stuart (sitting on desk)._ And so you two bloods intend to question the
oracle? I hadn’t credited you with the courage.
_Charlie._ It dothn’t need much when one knowth what the anther will be.
_Reg. (confidently)._ I’m not afwaid for my part, but even “no” wouldn’t
make me commit suicide.
_Charlie._ Thath prethuth fortunate for you, but hard on the reth of
uth.
_Stuart (quizzically)._ Oh, it’s easy enough to propose to a girl when
she isn’t present. You fellows forget that Miss Wortley is a masked
battery this evening. It takes pluck to face one of them, and I don’t
believe you’ll either of you dare do it.
_Charlie._ I’d like to bet a monkey I will.
_Stuart._ Done! And do the same with you, Van Tromp.
_Charlie._ He hathn’t the money.
_Reg. (glancing scornfully at Charlie)._ You’ll oblige me gweatly by
minding your own affairs. Done, Mr. Stuart.
_Enter_ FRED _b. d._
_Stuart._ Ah, Fred, you’ve just missed a rare bit of sport.
_Fred._ What was that?
_Stuart._ Why, we’ve just wagered—
_Reg. (dignified)._ I beg pawdon, Mr. Stuart, but I had always supposed
a wager was a confidential mattah.
[_Walks with dignity up r. and exits b. d._
_Charlie._ For onth in hith life, Van Tromp ith right.
[_Bows grandly and goes up l. Exits b. d._
_Stuart (laughing)._ I thought that would get rid of them. Well, have
you shown Miss Wortley that you can still be occasionally jolly?
_Fred (gloomily)._ I haven’t had the chance. She must be in her room,
for I’ve looked everywhere else for her. Not that it’s much loss. I know
I should not have been in the mood to please her.
_Stuart._ That’s because you don’t try hard enough.
_Fred (bitterly)._ Hear the bachelor talk of making love!
_Stuart._ You think me ignorant?
_Fred._ Rather,—judging from the results.
_Stuart (resting hand on Fred’s shoulder)._ Fred, I’m not the kind of a
man who lets the world know what he’s thinking about. With all due
respect to a young fellow who is not far distant, it doesn’t pay to show
one’s feelings too much. But I’m going to tell you my bit of romance as
an object-lesson. Two months ago I met the most charming woman in the
world, and could no more help falling in love—
_Fred (looking up in surprise)._ What! The ideal bachelor in love?
_Stuart._ I don’t see why two and forty should be debarred from that
universal sensation, any more than four and twenty.
_Fred._ Oh, of course not,—only, to make an Irish bull, we had all grown
to think you as wedded to celibacy.
_Stuart._ There are divorces and desertions in celibacy as well as in
matrimony. Well, I love this woman; I don’t think she loves me,—though
you never can tell with a clever one, and sometimes I think she is
beginning to like me, because she—because she tries to make me believe
she is worse than she is. She delights in making me think she’s a devil,
which shows that she is a bit afraid of me. I’ve never said a word of my
love to her, but she knows it as well as I do. But nobody else dreams of
it. I don’t make my attentions so obvious that every one sees them, and
so cause her embarrassment whenever I even come into the room. I don’t
cut up rough if she talks or dances with other fellows. I simply try to
be pleasant and useful enough to make her prefer my society to that of
any other man.
_Fred (sighing)._ Well, of course you are right, but—tell me what you
think I ought to do.
_Stuart (walking to desk and holding bell)._ What do you suppose would
happen if I rang this?
[_Rings._
_Fred._ That doesn’t answer my question.
_Stuart._ I want to see if the bell won’t save me the trouble.
_Enter_ POLLY, _l. d._
_Polly._ Did you ring, sir?
_Stuart._ Yes, I want to find out if you told the truth about Miss
Wortley’s domino?
_Polly (embarrassed)._ Well, sir, Miss Wortley has two dominos, and I
don’t know which she intends to wear first.
_Stuart._ What is the other domino like?
_Polly._ It’s blue with silver lace.
_Stuart._ What will you charge me to wear the white and cardinal one
this evening, leaving Miss Wortley only the blue and silver one?
_Polly (eagerly)._ Oh, Mr. Stuart, that’s just what I’ve wanted to do,
but haven’t dared! Please don’t tempt me.
_Stuart._ Fudge! If you’ll do as I’ll tell you, you shall have a year’s
wages to-morrow.
_Polly._ Gracious!!
_Stuart._ Is it a bargain?
_Polly (eagerly)._ Yes, sir. What am I to do?
_Stuart._ H’m. Can you write a good hand?
_Polly._ Ask Mr. Stevens?
_Stuart (reproachfully)._ Oh, Fred!!
_Fred._ I don’t know what she means.
_Polly._ I wrote that note to-day thanking you for the flowers: I write
nearly all Miss Wortley’s notes.
_Fred._ Bosh!
[_During letter-writing he surreptitiously dives into inside pocket and
produces glove, handkerchief, faded flowers, and letters tied with
ribbon. Examines letters, and then crosses to mantel, tears them up,
and throws them into fire._
_Stuart._ Good! It couldn’t be better. They’ll think it’s Miss Wortley’s
hand-writing. Sit down at that desk and write as I dictate.
_Polly._ Yes, sir.
[_Sits at desk—business of letter-writing._
_Stuart._ “My own: Driven to the verge of desperation by the parasites
who cluster about my wealth, I long for nothing but a refuge. This you
can give me, and if you cherish one emotion of tenderness for me, you
will be in the little morning room at twelve. A.” Address that to
Newbank. Now take another sheet. “Reginald: If you have one spark of
affection for me, keep me no longer in suspense! I shall be in the
little morning room over the supper-room at ten minutes after twelve.
Fly then to your loving but unhappy A.” Address that to Van Tromp. Now,
Polly, you must deliver those notes in person, get into Miss Wortley’s
domino, and be here at that time. Newbank will propose to you, and you
must accept him and get rid of him. Then you must do the same to Van
Tromp. Understand?
_Polly._ Yes, Mr. Stuart.
[_Rises with two notes in hand._
_Stuart._ And you mustn’t let them find out their mistake till
to-morrow.
[_Exits_ POLLY _b. d._
_Fred._ Do you think that’s honourable?
_Stuart._ It’s too soon after dinner for me to discuss ethics. But for
you it’s the chance of a lifetime. You know what Miss Wortley is to
wear. Go and make yourself agreeable to her, and if her mask gives you
courage, tell her that you love her.
_Fred._ You don’t understand. I’m not afraid to tell her that to her
face. It’s not the woman I’m afraid of. If she were poor, I could have
said to her as I say to myself, fifty times a day, “I love you.” But I
can’t say that to her money.
_Stuart._ And so you are going to place your Brunhilde on the top of her
gold and then fear to climb the fiery mountain? Why, Fred, tell her that
you love her, and leave it for her to decide whether it’s the woman or
the wealth you care for.
_Fred._ I can’t bear to give her the chance even to think I’m sordid.
_Stuart._ Nonsense, my boy! Go and tell Miss Wortley that you love her
before it’s too late. Make her the prettiest compliment a man can pay a
woman, and if she has the bad taste to think it’s her money and not her
beauty and sweetness, you are no worse off.
_Fred._ Mr. Stuart, I’ve tried to say it and to write it. I’ve begun
sentence after sentence; I’ve torn up letter after letter. It’s no good.
_Stuart (wearily)._ I don’t see anything to be done, except to get your
proposal made by proxy. (_Stops short in walk._) By Jove, that’s an
idea.
_Fred._ What?
_Stuart (triumphantly)._ I have it. I’ll get into a domino, pass myself
off for you, and propose.
[_Goes up back._
_Fred (angrily)._ You’ll do nothing of the kind!
_Stuart._ Why not?
_Fred._ Mr. Stuart, your proposition is simply insulting. A moment since
you said that a declaration of love was the greatest compliment a man
could pay a woman, and now you would turn it into a joke or trick. Do
you think I will allow the woman I love to be so treated?
_Stuart (soothingly)._ All right. We’ll say no more about it.
[_At b.d._
_Fred._ Then give me your word you won’t.
_Stuart._ That’s another matter.
_Fred._ Then I shall at once find Miss Wortley and—
_Stuart (interrupting)._ Tell her all about it. That’s right. You will
have told her that you love her.
[_Exits b. d._
_Fred (following)._ Not at all! I shall simply keep near her, and if you
make the attempt I shall interfere.
[_Exits b. d._
[AGNES _rises from concealment, peeks out and comes down c. with_ MRS.
V. T.’S _domino and mask on her arm_.
_Agnes._ At last! I began to think I should have to spend the night
there,—though I did nearly burst in on them two or three times. And
that’s the way men discuss women! (_Scornfully._) So, Mr. Van Tromp, I’m
to save you from the poorhouse! And “no” wouldn’t make you commit
suicide! And you’re not afraid of what my answer will be, Mr. Newbank!
Oh!!! (_Laughs._) I should like to hear their proposals to Polly. I’ve
always thought that girl a treasure, but she gets her dismissal
to-morrow. The idea of wearing my domino, and telling all those men what
I was to wear! And telling Mr. Stevens that she wrote my letters for me!
(_Anxiously._) What must he think of me! And the only one of them too
who seemed to think I deserve the commonest courtesy. “I could say to
Miss Wortley, as I say to myself fifty times a day, I love you.”
(_Demurely._) That was nice! I wonder if he— I wonder if Mr. Stuart will
propose to me? I never thought he would behave so badly. (_Pacing across
stage meditatively._) How can I turn the tables and punish them all? Let
me see—(_checking off on fingers_)—the two puppies will be punished by
the loss of their bets and—me! Polly will lose her position. Now—
_Enter_ MRS. V. T. _l. d._
_Mrs. V. T._ Oh, Agnes, I can’t find my domino anywhere, and— Why, you
have it!
_Agnes (as if seized with an inspiration)._ Frances, you must let me
change dominos and masks with you.
_Mrs. V. T._ What for?
_Agnes._ Mr. Stuart has bribed Polly to tell about our dominos,—and he’s
going to propose to my blue one.
_Mrs. V. T. (incredulously)._ What,—to you?
_Agnes (embarrassed)._ Oh! That is— Well—he’s— You see it’s—he’s only
asking for some one else.
_Mrs. V. T._ Oh, I see! Some one who hasn’t dared?
_Agnes._ Yes. Mr. Newbank is so—
_Mrs. V. T._ Of course. He is shy.
_Agnes._ Very. (_Hurriedly._) And so I thought we could change dominos,
and—and—don’t you see?
_Mrs. V. T. (reflectively)._ But then— Wouldn’t— Oh! Why, of course I
will. Here, let me help you on with it; and now run along downstairs.
The dancing is in full swing.
_Agnes (going up)._ I’ll go at once. (_Turns in b. d._) You will find my
domino in my dressing-room.
[_Exits l. d._
_Mrs. V. T. (reflectively)._ And so Mr. Stuart is going to propose to a
blue domino—that’s me—on behalf of Mr. Stevens? (_Laughs._) There’s a
nice game of cross purposes. Ah, sir, you’ll have to be cleverer than
that to— What a chance to beat him! Let me see.
STUART _appears at b. d._
_Stuart._ Not masked yet?
_Mrs. V. T._ Ah! Mr. Stuart, I am ready to name our game of forfeits.
_Stuart (coming down)._ Bravo!
_Mrs. V. T._ You want to win my cousin for Mr. Stevens. Succeed, and you
shall name whatever forfeit you choose. Fail, and I set what penalty I
please.
_Stuart._ Agreed.
_Mrs. V. T._ But I warn you: I shall stoop to anything rather than be
beaten. If a man is honourable he will be at a great disadvantage. Like
Faust, I have made a pact with the devil.
_Stuart._ Better take a partner with whom I am on less friendly
relations.
_Mrs. V. T._ He is not on so good terms with you as with me. Don’t you
know that women are extremes? That they are either a great deal better
or worse than men?
_Stuart._ I have always heard that women said spiteful things of their
sex, but I don’t think it’s nice of you to make such speeches about the
one I care for. One would almost think you were jealous of her.
_Mrs. V. T. (throwing glove on floor)._ There is my challenge to the
combat.
_Stuart (picking it up)._ I accept the gage.
_Mrs. V. T. (holding out hand)._ But not to keep it.
_Stuart._ I will only return the glove without the _g_.
_Mrs. V. T._ And without that letter, I prefer to get a new pair.
[_Going up._
_Stuart (following)._ Then it is real war?
_Mrs. V. T._ War, fierce and merciless.
[_Exit_ MRS. V. T. _and_ STUART, _b. d._
POLLY _peeks in l. d., then enters with white domino and mask on arm_.
_Polly._ I didn’t dare to put this on (_putting on domino and mask_) in
Miss Wortley’s room for fear she might come in. What will she say when
she only finds one? My! I shall have to keep out of her way this
evening, or she will want to know who is wearing it. (_Looking down at
domino._) Oh, I wish I dared go to Miss Wortley’s dressing-room and look
at myself in the glass! (_Walks off, looking behind her._) I will.
(_Goes up to l. d. and starts to exit._) Oh, Jiminy!
[_Turns and rushes out b. d._
_Enter_ AGNES _l. d. in domino, and with mask in her hand_.
_Agnes (coming down)._ I changed my mind about going downstairs, for I
had rather miss all the dancing in the world than puppydom’s love-making
to the back-stairs. I could almost forgive Polly when I think of what I
have in store. (_Crosses r. and looks through curtains at bay window._)
From my hiding-place, I’ll hear every word of it. (_Goes to mantel and
looks at clock._) Quarter to twelve—I’m early!
STUART _appears at b. d. and looks in_.
_Agnes._ Ah!
[_Hurriedly masks herself._
_Stuart (aside)._ That’s the quickest change I ever saw. I only just
left her at the door of her room! (_Comes down._) Are you practising
lightning transformations?
_Agnes._ Comment ça va-t-il, Monsieur?
_Stuart (regretfully)._ I’m sorry, but I don’t understand French.
(_Aside._) Whopper number one.
_Agnes._ Wie gehts?
_Stuart._ Nor German. (_Aside._) Number two.
_Agnes._ Buenas noches, señor?
_Stuart (wearily)._ And on Spanish I’m an entire failure. (_Aside._) The
recording angel didn’t catch me that time!
_Agnes._ Will you kindly tell me what you do speak?
_Stuart (gallantly and bowing)._ In your society only the universal
language.
_Agnes._ And I don’t understand Volapük.
_Stuart._ Volapük! That’s not the one of which I speak.
_Agnes._ And of what, then?
_Stuart._ To the language which without instruction is known around the
world; to the language that’s spoken by all classes, and is never out of
fashion; to the language that has no dictionary; yet which possesses the
most beautiful vocabulary in the universe.
_Agnes._ I don’t remember any such in my text-book on philology.
_Stuart._ It is too real to be taught in schools. Nor were you old
enough to understand it had it been. I speak of the language of love.
_Agnes._ Of course; I suppose it is a universal tongue. (_Satirically._)
But so few can speak it well. Don’t you think it ought to be left to the
poets?
_Stuart._ I love the future of the human race too much to wish that.
Think of the frightful increase of bad rhymers it would cause,—and that
too with the markets already overstocked.
_Agnes._ But would that be any worse than to see the average unromantic
breadwinner make love? It’s very hard on our sex to appear sympathetic.
Most men do it about as successfully as a hippopotamus would waltz.
_Stuart._ Aren’t you a little unfair, Mrs. Van Tromp?
_Agnes._ And so you think I am Mrs. Van Tromp?
_Stuart._ I don’t think it; I know it. Do you think for a moment you
could deceive me? But that doesn’t answer my question.
_Agnes._ As to the justice of my criticism on the way men propose?
(_With affected coyness._) Perhaps I have had too little experience to
speak with knowledge.
_Stuart._ Mrs. Van Tromp would not dare to say that unmasked. Her face
would give her tongue the lie.
_Agnes._ I fancy you are the first man who ever turned calling one a
liar into a compliment.
_Stuart._ Since that is possible, may not a poetic proposal be also?
_Agnes._ Perhaps. And when I hear one that does not make me want to
laugh, I’ll make public recantation.
_Stuart._ It’s a bold man or a fool who’d venture after what you have
said. And yet I should like to try.
_Agnes (laughing)._ Why, Mr. Stuart, what would you do if I were to take
you seriously and say yes?
_Stuart (with mock resignation)._ Bear it—like a man. But I am quite
safe from that danger! I trust you won’t mind if in the passion of the
moment I call you Frances.
_Agnes._ This once I’ll condone the liberty.
_Stuart (coming very close to Agnes)._ And if I should so far forget
myself as to try and—well, behave as lovers generally do?
_Agnes (retreating)._ Oh, Mrs. Van Tromp is quite safe from that.
[_Slips past_ STUART _and crosses to l._
_Stuart (aside)._ Don’t be too sure of that.
_Agnes._ Well, begin.
_Stuart (crossing to chair c.)._ Now that’s no way to give a lover an
opening. I want this to have verisimilitude. In real life you don’t as
good as say to the man (_sits very much on the edge of chair c._)
sitting on the edge of his chair, ‘Please begin.’ Do let’s make it
realistic.
_Agnes (laughing)._ Even to the mitten? Very well. (_Imitating society
manner._) I didn’t see you at Mrs. Grainger’s rosecotillion Tuesday, Mr.
Stuart.
_Charlie (without)._ Ah! My angel, we meet.
_Agnes (seizing Stuart’s hand)._ Quick! Come!
[_Drags him over to bay window, where she conceals both with curtain._
_Enter_ POLLY, _in mask and domino, and_ CHARLIE _b. d._
_Charlie._ My own! What can I do to thow my gratitude?
_Polly._ If you but knew how I have trembled at my unmaidenly imprudence
in writing you!
_Charlie._ My angel, love knowth no prudenth; no boundth can limit it.
_Polly._ And you don’t scorn and despise me?
_Charlie._ Thcorn? Dethpithe? Never.
_Polly._ And you don’t think me unmaidenly?
_Charlie._ It ith impothible. You are nothing but what ith perfect and
beautiful.
_Polly (sighing)._ Ah!
_Charlie (sighing)._ Ah! (_Reaches out and takes her hand._) Mith
Wortley, did you mean what you thaid in your letter?
_Polly (languishing)._ Can you doubt it?
_Charlie._ And you really love your Cholly?
_Polly (tenderly)._ Oh, Cholly!
_Charlie (kneeling)._ And you really want to marry your Cholly?
_Polly (faintly)._ Oh, Cholly!
REGINALD _appears b. d. and enters_.
_Reg._ Miss Wortley, I have hurwied to your side. And none too soon, it
appears.
_Charlie (jumping to his feet and speaking very angrily)._ You
thpethimen of the horroth of heredity, you get out of here!
_Polly (sotto voce to Charlie)._ Oh, please don’t make a disturbance!
Remember whose house it is! Leave us and I’ll get rid of him and follow.
_Charlie._ My angel, I can refuth you nothing. (_Goes up stage and
speaks to Reg._) Thir, you owe your thafety to that lady.
[_Exit b. d._
_Reg. (coming down)._ Miss Wortley, I am deucid sowy that epitome of bad
form has been borwing you.
_Polly._ Oh, I don’t mind that. I was only afraid he was going to
misbehave.
_Reg._ Aw, the cad’s always doing that, don’tcher know.
_Polly._ Oh, Mr. Van Tromp, what must you think of me!
_Reg._ Think of you? The woman Reginald De Lancey Van Tromp loves is
above thought. In but one way can the loveliest of her sex offend me.
_Polly (eagerly)._ Ah! Tell me, so that I may never do it.
_Reg._ By wefusing the heart and hand he (_kneeling_) places at her
feet.
_Polly._ Oh! I am faint with too great happiness. (_Leans on Reg._)
Reginald, support— Oh, Jiminy! Some one’s coming.
[_Recovers, and rushes up l. to l. b., exit l. d. followed by_ REG.
_Enter_ MRS. VAN TROMP _and_ FRED, _b. d._
_Mrs. V. T. (coming down)._ I told you we should find this room empty.
[_Looks about._
_Fred._ But that doesn’t tell me why you asked me to bring you here.
_Mrs. V. T._ Perhaps to cheat you out of your dance with our host’s
pretty daughter.
_Fred._ I might answer you in kind. But it’s fairer to tell you that
your mask is no disguise.
_Mrs. V. T._ You know me?
_Fred._ Yes. You are “our host’s pretty daughter.”
_Mrs. V. T._ I am but a poor actress if I have played my part so badly.
_Fred._ Indeed, no. Even now I find it hard to believe, your acting is
so perfect. If I had not known your domino, I should never have
recognised you.
_Mrs. V. T._ My domino?
_Fred._ I overheard it mentioned. I was sorry to learn your secret, but
really I couldn’t help it.
_Mrs. V. T._ It really does not matter. But I am glad you told me. Most
men would have kept mum and let me talk on about “our host’s pretty
daughter,” and then have never let me hear the last of it.
_Fred._ I’m afraid I’m no better than the rest of my sex, Miss Wortley.
With most women I should have done that.
_Mrs. V. T._ And why am I an exception?
_Fred._ I didn’t want to deceive you.
_Mrs. V. T._ Why not?
_Fred._ Because I wanted you to think well of me.
_Mrs. V. T._ Why, I do that already. If you only knew how I respected
and admired the men who have been real friends, and not seekers of my
money!
_Fred._ Miss Wortley, I thank you for your kind thoughts of me, but you
mustn’t think them any longer.
_Mrs. V. T._ Why not?
_Fred._ Because I don’t deserve them. Do you remember our first meeting?
_Mrs. V. T. (aside)._ Gracious! I hope I’m not to be cross-examined.
(_Aloud, hesitatingly._) It was on a yacht, wasn’t it?
_Fred._ After that cruise I came back to my desk and bachelor quarters,
but neither they nor I have been the same since. It’s always seemed to
me as if a bit of heaven had come into my life in those days. Every hour
since has been consecrated to an ideal. I have worked as I was never
able to work before. And why? Because I was straining every fibre to win
money and position enough to be able to come to you and say: “Miss
Wortley, I love you as a man must love one so sweet and beautiful. I’m
not rich, but if you can care for me enough to make a few sacrifices I
will try and keep you from regretting them, by love and tenderness.”
_Mrs. V. T._ But, Mr. Stevens, you seem to forget that the man I marry
will be made rich at once. (_Aside._) Ugh, I feel like a brute.
_Fred._ I’ve tried to forget it, but I couldn’t. It has come between us
in the past; is it to do so in the future?
_Mrs. V. T._ Mr. Stevens, I can’t tell you my grief in finding you like
the rest of my disinterested masculine friends.
_Fred (hotly)._ You think I care for your money?
_Mrs. V. T._ What else can I think? (_Aside._) You cat!
_Agnes (starting to pull aside curtain, sotto voce to Stuart)._ Oh! I
mustn’t—
_Stuart (checking her)._ No, don’t interfere, Mrs. Van Tromp. Let the
poor fellow take the whole dose while he’s about it.
_Fred (who has gone up back and now comes down)._ Miss Wortley, do you
realize what you are saying? In the last minute you have three times
deliberately insulted me. Say you don’t love me, if that is so, but
don’t impute shameful motives to my love. It is of value to me if
worthless to you.
_Mrs. V. T._ Mr. Stevens, frankness under such circumstances is best for
all. Put yourself in my place. I am an heiress, with expectations from
my father. You acknowledge yourself that you are poor. Don’t blame me if
I draw my own conclusions.
_Fred._ But I will blame you, and it is the last time I shall ever
trouble you. You ask me to put myself in your place: let us try the
reverse. I offer you a love as true and unmercenary as was ever offered
a woman. What do I deserve at your hands? Mercy, at least. But instead,
you—you have not been content to reject it—you have poisoned it forever.
[_Turns and walks up stage to b. d._ MRS. VAN TROMP _begins to take off
mask_. AGNES _springs from bay window, and rushes forward c._
_Agnes._ One moment, Mr. Stevens. (_To Mrs. V. T. tearfully._) Oh,
Frances, how could you?
_Mrs. V. T. (taking off mask)._ I couldn’t. I was unmasking to show him
his mistake.
[FRED _stands hesitating, looking from one to the other_. STUART’S _head
through curtains_.
_Fred._ You are not Miss Wortley?
_Agnes (taking off mask)._ No, Mr. Stevens. Miss Wortley never thought
you a fortune-hunter. She remembers perfectly the first time she met
you. She’s glad she brought a little heaven into your life. She’s glad
that you—that you—
_Fred (rushing down stage)._ That I love you?
_Agnes._ Yes.
_Fred._ And you are willing to make the sacrifice?
_Agnes._ Yes.
_Fred._ And you care for me?
_Agnes._ No (_holds out her hand_), I love you.
_Fred (taking and kissing it)._ My treasure!
[_Both retire up back l._
_Mrs. V. T._ Heigho! That’s what comes of wrong-doing. In trying to win
my wager, I’ve actually helped Mr. Stuart to beat me.
_Stuart (head through curtains)._ For which I can’t thank you enough!
_Mrs. V. T._ You!
_Stuart._ Exactly! Aren’t you ashamed?
[_Comes out c._
_Mrs. V. T._ Of being defeated? Yes. But don’t be too triumphant. You
didn’t win single-handed.
_Stuart._ I certainly did not have much assistance, except from Mrs. Van
Tromp.
_Mrs. V. T._ On the contrary, you had the best assistance in the world.
I ought to have known better than bet against so powerful a coalition as
Mr. Stuart and Cupid. I only hope my behaviour has made me odious to
you!
[_Crosses petulantly to r._
_Stuart._ On the contrary, I’m rather fond of real deviltry! So, if
agreeable, we’ll settle the stakes at once.
_Mrs. V. T._ I throw myself on your mercy.
_Stuart._ And what mercy would you have shown me, had I lost?
_Mrs. V. T._ Yes, but then I’m a woman.
_Stuart._ Deo gratia.
_Mrs. V. T._ And you know, Mr. Stuart, a woman is never expected to pay
her bets.
_Stuart._ There’s one woman who will pay hers to me, and that promptly.
Attention, please. As a forfeit, you are to say to me, “I love you.”
_Mrs. V. T._ Ah, Mr. Stuart, don’t make me tell any more untruths!
_Stuart (taking her hand)._ Don’t say it then; tell me without words.
[_Stoops head and they kiss. Sounds of altercation outside._
_Agnes_ (_coming down with_ FRED). What’s that?
CHARLIE _and_ REG. _enter at b. d. and come down_.
_Charlie._ Well, you reprethentative of a graveyard, you juth athk her.
_Reg._ Ask her? I tell you she’s engaged to me. (_Sees Stuart_). Aw, Mr.
Stuart, you’ve lost your wager.
_Stuart (to Agnes)._ Has Mr. Van Tromp proposed to you this evening?
_Agnes._ No.
_Charlie (reeling with laughter against mantel)._ Ha, ha, ha, ha, ha!
Oh, thith ith rich! Oh, I thall die of laughing! Oh, thum one thtop me!
To think of the proud and haughty Reginald De Lanthy Van Tromp
propothing to the wrong girl,—ha, ha, ha, ho, ho, ho!
_Stuart._ Laugh away, Newbank. Get it all in now, for it won’t last.
_Charlie._ Won’t latht? I don’t underthtand you.
[POLLY, _with domino on her arm, appears at b. d.—looks in, and starts
back as if frightened_.
_Agnes._ Come here, Polly.
[POLLY _comes down r. between_ CHARLIE _and_ REG.
_Stuart._ Here is the minx who can make all clear. Polly, did Mr.
Newbank propose to you?
_Polly._ Yes, sir.
_Reg._ Oh, deah, how funny! Haw, haw, haw! But then, people in his
station always do take maids. Pwoposing to a servant!
_Polly._ But you proposed to me too, Mr. Van Tromp.
_Charlie (laughing very hard)._ Holy Motheth, but I thall thertainly die
of laughing!
_Polly._ Please, Miss Wortley, forgive me?
_Stuart._ Yes. Remember what she has done for (_points to Fred and
Agnes_) you two.
_Fred._ And for (_pointing at Stuart and Mrs. V. T._) those two.
_Agnes._ But she must have a lesson.
_Stuart._ Why, we’ve all had a lesson—on the mysterious means Cupid
employs to accomplish his purposes.
_Mrs. V. T._ Verily ’tis so:
“Love goes by haps,
Some Cupid kills with arrows, some with traps.”
CURTAIN
------------------------------------------------------------------------
TRANSCRIBER’S NOTES
1. Silently corrected obvious typographical errors and variations in
spelling.
2. Retained archaic, non-standard, and uncertain spellings as printed.
3. Enclosed italics font in _underscores_.
*** END OF THE PROJECT GUTENBERG EBOOK TATTLE-TALES OF CUPID ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
