The devil downstairs

By P. F. Costello

The Project Gutenberg eBook of The devil downstairs
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The devil downstairs

Author: P. F. Costello

Release date: May 26, 2024 [eBook #73703]

Language: English

Original publication: New York, NY: Ziff-Davis Publishing Company, 1957

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE DEVIL DOWNSTAIRS ***





                         THE DEVIL DOWNSTAIRS

                           By P. F. COSTELLO

         _This was the Devil's boast: "Without me, you mortals
       would be in trouble. Your whole world would go to hell!"
          And he proved his point. Before long the world was
            crying: "Come back, Lucifer! All is forgiven!"_

           [Transcriber's Note: This etext was produced from
                        Fantastic January 1958.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


[Illustration: Beautiful women were Satan's main weapon. They made sin
look so attractive.]


"Joe! There's a burglar in the house!"

Joe Emerald grunted and pulled the sheets over his head. "Lemme sleep,"
he muttered.

"Wake up, Joe!" This time his wife's fingers dug into his shoulder. "I
tell you, somebody's in the house! For heaven's sake, wake up!"

"Let him," mumbled Joe again. "What d'ya want me to do, get up and make
him a cup of coffee? Go to sleep, Pearl, there's nobody...." He began
to snore.

Out in the living room, a lamp fell to the floor with a crash, Joe sat
erect, startled, awake. "Whassat!" he exclaimed.

"I _told_ you there was a burglar in the house," said Pearl.

"In a private dick's house?" asked Joe. "And what could he find
here--except bills?"

"He could be a kidnapper!" said his wife in a frantic whisper. "Joe,
please get your gun and go out there, before I do it myself!"

A door opened somewhere in the house.

"He's going into the children's bedroom!" gasped Pearl. "Oh, Joe...."
She leaped from bed, fumbled for her bathrobe.

"Stay right here!" said Joe, almost savagely. He was out of bed now,
and his fingers closed around his gun in its shoulder holster hanging
over the chair. He opened the bedroom door, stepped out into the
darkness of the living room beyond. A few quick steps took him to the
door of the children's room, which was closed. He laid a hand on the
knob, then whirled swiftly as a door shut softly somewhere at the rear
of the house.

"Basement door," he muttered. "He's going down in the basement; must
have heard Pearl yakking. Well, he won't get out that way!"

He made his way swiftly to the kitchen, halted an instant at the
basement door. Beyond it he heard a queer scurrying, clicking noise.
Then silence.

The basement had no outlet other than the door at which he stood, and
the windows were merely glass blocks set into the concrete wall, and
did not open, except for small ventilators built into them. Whoever was
down there would have to come up this stairway if he intended to leave
the house. But Joe did not intend to let him leave.

He opened the door, slid his hand inside in the darkness, flicked on
the light switch. The basement was instantly flooded with brilliant
light from the hundred-watt bulbs Joe had put in. Up at the head of the
stairs it was less glaring to Joe's eyes than it must have been to the
intruder. He had an advantage, and he followed it up quickly. He leaped
down the stairway, halfway, and brandished his gun. "Put 'em up!" he
snarled. "Don't make a move, or I'll put lead in your liver!"

There was no sound.

Slowly Joe advanced down the stairs, crouching to get as early a view
as possible of the entire basement, until his head came below the floor
joists. Nothing was in sight, but he heard a slight sound behind the
oil burner, which was the only place in the basement beyond view.

"Okay," he said. "You're behind the oil burner. Just step out with your
hands up, and don't make any false moves. And don't think you can pot
me--I'm the best pistol shot in this state, bar none. When Joe Emerald
shoots at something, he hits it."

There was no answer. Cautiously Joe stepped down the last two steps to
the concrete floor, then walked toward the oil burner's square bulk. He
approached it from the end that offered the widest passage between it
and the wall, eyes alert for the slightest sign of a protruding gun.
But there was nothing.

He took the last step that gave him a clear view of the space behind
the burner and stopped dead in his tracks.

"Oh, my beer-guzzling aunt!"

"A commendable habit, if done to sufficient excess," said a deep,
hoarse, almost animal-like voice.

Joe Emerald stared at the creature confronting him, and the creature
stared back.

"The devil!" he gasped.

"Are you swearing, or simply making an observation?" asked the hairy
creature, eyeing him intently with its slanted, lidless eyes.

Joe swallowed hard. "You are _green_!" he said, in startled tones.

"So you're _observing_," said the creature in disappointment. "Yes, I'm
green. What of it?"

"I'd rather expected you to be red."

"And with a forked tail?"

       *       *       *       *       *

Joe looked closely. "You haven't one, have you?"

"No. I never had. The whole thing is an ecclesiastical calumny."

"A what?"

"A dirty lie."

"You should talk!" exclaimed Joe.

"You don't seem to question my identity," observed the creature.
"Most people think the devil is human. Merely a case of identifying
themselves with a superior being, I assure you."

"If you're so superior, what are you doing in my basement?"

"I came down here to direct a crime wave--the most ambitious I've
attempted in years. This is a very corrupt town, you know."

"How right you are," agreed Joe. "But why from _my_ basement?"

"What better place than the home of a private detective? I always like
to have the law on my side, and it usually is."

"What makes you think I'd be on your side?"

       *       *       *       *       *

The Devil grinned. Joe almost dropped his gun. It was hardly a face
adaptable to grinning. The resulting grimace was only recognizable as
such with the aid of a sort of sixth sense. The intended humor came
through, but the physical aspect was soul-shaking.

"Ever hear of possession?" he asked.

Joe stiffened, gripped his gun tighter. "Don't make a move!" he warned.

"I won't need to," the Devil assured him. "I do it all with hypnotism.
In a few minutes you will walk back up those stairs, just as you came
down them, and tell your wife what she heard was only a cat, and
that you put it out. She won't suspect that _you_ are still in the
basement, temporarily occupying my body, while the man returning to the
delights of his wedded chamber is a being truly capable of utilizing
her particular talents to the greatest advantage. She may wonder at
your sudden virility, but I believe she will be rather pleased, if not
delighted."

The Devil sniffed. "By the way, do you own a dog?"

"Not now. Used to have a police dog, but my wife made me get rid of
it--too savage with kids around, she said. I used to keep it chained
down here."

"Oh, excellent," said the Devil. "I see the chain now, fastened to
the wall. Must have been a big devil. Ideal! A collar and all. Will
be handy to see that you don't walk off with my body while I'm using
yours."

He turned his slant eyes on Joe's and stared.

It was Joe's turn to grin. He did so crookedly. "Won't work," he said.
"I'm not suggestible. Can't be hypnotized, in other words. Sorry to
disappoint you."

"I'm not disappointed," said the Devil. "Very interested! You are
rather unusual."

"So, what now with the possession business?"

The Devil shrugged. "I'll have to resort to an old stand-by."

"And what's that?"

"Force. Tried and true, my most effective method. All through the ages
I've used force. Great conquerors have done my work merely by force of
arms. More lately I've preferred intrigue, cold war stuff, you know,
but since you are from the old school, I'll just have to overpower you."

The Devil advanced slowly, flexing his hairy arms and going into a
crouch, almost ludicrously reminiscent of a boxer's stance.

Deliberately Joe leveled his gun and pulled the trigger. The blast
was deafening in the close confines of the basement, but the Devil
didn't waver. He grinned his horrible grin once more and pointed to a
flattened piece of lead on the floor. "Neat trick, don't you think?"
he asked. "If I were vulnerable to bullets, I'd have been holed rather
frequently. Even silver bullets, silly superstition, are of no avail.
Put up your dukes, my friend. I'm going to slap you silly."

       *       *       *       *       *

The door at the head of the stairs opened, and Pearl's voice rang
through the basement. "Joe! Joe, are you all right!"

"Don't come down!" yelled Joe. "I've got the Devil cornered down here."

"_Cornered!_" exclaimed the Devil. "Why you grandstander, you! Even
while facing me, you can blow your horn to your wife! What a phony.
Maybe it's time she got a real break...."

Joe Emerald threw his gun carefully and swiftly through the air, and as
the Devil ducked it neatly, he hurled his six-foot-one of well-trained
muscle and bone at the hairy figure. They came together with a crash,
and for an instant the Devil reeled back.

"If it's force you want," snarled Joe, "maybe I'm not unversed in its
application. Ever seen any jiu jitsu?"

"Invented it," said the Devil, evading a hold, and applying one of his
own. Joe whirled through the air and went to the concrete floor with a
crash. But he was up in an instant, his hurtling body cracked into the
Devil's knees, and both went down in a heap. In an instant they were
thrashing around in a violent tangle of arms and legs. Joe crashed a
fist home into the Devil's mid-section, and the Devil grunted. Then
a back-handed slap from the Devil's hand rattled the teeth in Joe's
skull. Brilliant lights danced before his eyes. Instantly the Devil
threw his hairy body atop Joe's and bore him back, both shoulders flat
against the floor. A taloned claw gripped his throat, and began to
squeeze. Joe thrashed around, but he could not throw off the Devil's
weight, which seemed to increase immensely by the second.

"Great help, the knowledge of how to increase gravity," observed the
Devil, tightening his grasp on Joe's throat. "As soon as consciousness
leaves you, I'll make the transference, and then we'll chain you by
your own dog's collar and leave you here."

Joe Emerald thrashed wildly, but the lights in the basement began to
grow dim as his wind was cut off. Despair swept over him in a wave as
black as the approaching unconsciousness.

There was a dull thud, a groan, and the grip on his throat lessened,
fell away altogether. In a whirling haze of black, he heard a mumble,
"Women ... always bruising my head...."

       *       *       *       *       *

Then Pearl was bending over him, sobbing, lifting him, shaking him
wildly.

"Get up, Joe!" she begged. "Please get up. I've knocked him out with
the snow shovel."

Joe shook his head to clear it, and the lights seemed to come back on.
He climbed to his feet, stood wavering as he stared about. Pearl was
clinging to him, staring down at the floor. He looked down. The Devil
was lying flat on his stomach, and across him lay the snow shovel
with which Pearl had hit him. There was a goose-egg on the back of the
Devil's bald head, and it was getting bigger by the second.

"You really walloped him hard!" exclaimed Joe.

"We've got to get out of here!" said Pearl. "Get the kids and go! He'll
come to pretty soon and then..." she began to shudder uncontrollably.
"He's the Devil!" she sobbed.

"I guess he is," admitted Joe. "But it won't do any good to run from
him. Has never helped in the past."

His eyes roved about the basement, fell upon the chain fastened to the
wall, with its steel collar.

"That's it!" he exclaimed. "We'll chain him to the wall with Rover's
chain. That'll give us time to decide what to do."

He grabbed the Devil by the heels, dragged him over to the wall.
Opening the collar, he placed it around the Devil's thick neck, and
snapped it shut. It clicked with a satisfying air of finality. Joe
jerked it several times to see that it was tight.

"He's coming to!" exclaimed Pearl.

"And I think the kids have heard the commotion and are coming to
investigate," said Joe. "You get upstairs--head them off. We can't let
them see this..."

Pearl ran for the stairs, and called up to them. "No, Jimmy--Sally,
don't come down! Mother's coming up. Everything's all right."

The sleepy sound of the children's voices came to Joe's ears as she
disappeared up the stairs, and they were cut off suddenly as she shut
the door. He could hear the sound of their feet on the floor above as
she marshalled them back to their beds.

       *       *       *       *       *

Beside him the Devil stirred. "Ow," he groaned. "What was it she hit me
with?"

"A snow shovel."

"Never had any use for snow shovels," said the Devil, struggling to
a sitting position. The chain around his neck rattled and his eyes
widened. He looked at the chain, and at the bolt that held it into the
wall. He took the chain in both hands.

"Never saw a chiseling contractor's cement I couldn't pull a bolt out
of," he said.

Joe picked up the snow shovel and stood watchfully waiting. The Devil
tugged at the bolt, then yanked furiously. At length he leaned back
against the wall, breathing heavily.

"No cheap contractor put that in," said Joe. "I did it myself."

"What were you building, a fortification?" snarled the Devil.

"Just made up my mind there wasn't going to be any plaster cracking in
this house," said Joe.

"It doesn't seem that it will," said the Devil. "But never mind, it
won't make any difference in the long run. If there's anything I've got
lots of, it's time. I'll figure out a way to get out of here. Meantime
I'd advise you to stay out of my reach. And don't think that shovel
would help you--it's only women who can put dents in my noggin. And
your wife won't get a second chance--the woman doesn't live whom I
can't hypnotize in one second."

"Thanks for telling me," said Joe. "I'll see that she stays out of the
basement."

"Why don't you go back to bed," advised the Devil. "I've got to think
about this situation."

"Go back to bed?"

"What else can you do?" asked the Devil.

Joe thought a minute. "Nothing," he agreed finally. "But it seems to
me that you are in the same boat. You can't loose yourself from that
chain, and as long as I keep people out of the basement, your presence
here will be a secret. Okay, you think about it, and I'll go upstairs
and do the same. Seems to me that this thing can be turned to good,
somehow."

"While I'm down here you can't do much else," said the Devil dourly.
"But it can't last--it never has. This concrete will disintegrate
finally..."

Joe Emerald stared at the Devil a moment, then turned and went
thoughtfully up the stairs. At the top, he flicked the switch and the
basement went dark. Peering down, he could see only two balefully
glowing yellow orbs, slanted and evil, shining in the darkness.

He opened the cellar door, stepped into the room above and closed the
door behind him. Pearl stood in the doorway of the living room, staring
anxiously at him. He looked at her a moment, and suddenly he grinned.

"Pearl," he said. "We've got the Devil downstairs, chained to the wall!"

"Oh, Joe," she said with a wail. "What are we going to do?"

He walked over and took her in his arms and kissed her. "It's not what
we're going to do," he said. "What's _he_ going to do?"

She stared up at him. "What _can_ he do?"

"Nothing, so far as I can see," said Joe. "As long as nobody goes near
him, he's helpless." His eyes lit up. "Maybe this is the beginning of
that thousand years the Bible says he's to be chained!"

"Here, in _our_ basement?" asked Pearl.

"Why not? He's down there right now, isn't he?"

"Yes," she said hesitantly.

"Well, can you think of any reason why he shouldn't stay there?"

"No," she said, but there was doubt in her voice.

       *       *       *       *       *

As the weeks passed, her doubt began to fade. It began to become
increasingly evident that the Devil couldn't break the chain that held
him, and he had even ceased rattling it. Joe had nailed the basement
door shut so the kids couldn't open it, and had promised them a
spanking if they tried. Strangely enough, they had accepted the warning
without comment, and had, indeed, behaved like little angels. Neither
of them had even approached the door. As a matter of fact, they had
been a source of constant surprise because of their good behavior in
all respects. There hadn't even been a quarrel over toys.

"What's the matter with the kids?" asked Joe one night.

"Why, nothing," said Pearl. "They've been just as happy and contented
as they can be."

"Aren't they a little too happy and contented?"

Pearl looked at him sharply. "Of course not. How can they be too happy?"

"I think they are. When's the last time Jimmy has complained about
Sally kicking him?"

"I..." Pearl hesitated. "Sally hasn't been kicking him. So why should
he complain?"

"Why hasn't Sally been kicking him?"

"Joe, what on earth's the matter with you? Do you _want_ Sally to kick
him?"

"Of course not. But the point is, she hasn't."

"Not much of a point," said Pearl. "I think it's natural she should
outgrow it."

"Have you been listening to the news reports?" asked Joe.

"Certainly. I have the television on at noon every day. Richard Z.
Hardlett gives the complete news every day."

"Okay, what's been happening?"

"Not much of anything. Just things like the National Association
of Church Socials is holding a big social in Washington, and the
President's going to attend...."

"Kind of exciting, eh?"

"Not very."

"No murders, no robberies, no sex crimes, no Jack-the-Rippers, no
embezzlings, no politicians stirring up trouble in Syria so they can
raise the price of American gasoline?"

"What are you driving at?"

"I'm driving at another point," said Joe. "The second point is that the
world's kind of peaceful all of a sudden--some change!"

       *       *       *       *       *

Pearl looked at him, then her eyes lit up. "Of course!" she exclaimed.

"Of course what?"

"It's the Devil. He's chained up in our basement, and he can't go
around stirring up trouble! _That's_ why there isn't any crime going
on! Crime has taken a holiday while the Devil is chained up. Oh, Joe,
isn't it wonderful!"

"Yes," said Joe. "It's wonderful. If it gets much more wonderful, I
don't see how we're going to pay our bills."

"Pay our bills?"

"Yes. I haven't made a dime in two weeks! Not one single client has
come into my office since the night we chained old Beelzebub to the
basement wall."

       *       *       *       *       *

Pearl looked thoughtful. "Do you really think that he can't do any
mischief while he's chained up? It doesn't seem to me that he's always
been present at the scene of every crime. How could he be? Why, he'd
have to be in a million places at once."

Joe shrugged. "I used to think that he did it all with a sort of
world-wide influence. Something like a powerful mental wave that
suggested all sorts of evil things to susceptible people--which is
almost everybody."

"Or maybe he has his imps to carry out his orders--and they can't get
to him now to get their usual briefing."

"Seen any imps around the house?" asked Joe.

She shook her head. "No. And even at night, when you have been at the
office, I've not felt alarmed at the possibility of a prowler. I've
had a sort of confidence that there wouldn't be any. I do believe it's
true--the Devil is completely helpless to spread his evil influence
outside our basement."

"I guess you're right," admitted Joe. "I've felt the same thing--that
feeling of there being nothing to worry about. I even trust the other
guy when he's coming up behind me on the road, not to try to pass on a
hill or a curve. He doesn't even blow his horn when you miss the red
light changing to green. Everything's sweetness and light."

"Well," said Pearl, "there's only one answer that I can see."

"What's that?"

"You'll just have to get another job. If you're not to get any more
clients, you might as well quit being a private detective and look for
something else to do."

"I'll _have_ to," said Joe. "Our bank account won't last that long if
we have to tap it each month for all our living expenses, that's sure!
And we've got to keep up our payments on the mortgage, or we'll lose
the house."

"We can't let that happen!" exclaimed Pearl. "If anybody ever goes down
in that basement, the Devil will be loose again, and he'll be awful
mad. The world would take a real beating...."

"I rather suspect he'd go hog-wild for a time," Joe agreed. "And he'd
probably want to take it all out on us. Revenge would be his first
thought."

"Then you've _got_ to get another job. Right away. We don't want to
miss a single payment!"

"Nor any meals," said Joe. "Which reminds me, I wonder if the Devil
ever gets hungry?"

"I never thought of it," confessed Pearl, a slight expression of
contrition crossing her features. "The idea of the Devil eating is just
something that I've never considered, nor knew anybody who did consider
it."

"I don't believe he eats," said Joe. "Why should he need food? He's
immortal."

"I'd hate to think of him starving down there," said Pearl hesitantly.

"Don't you even begin to think he might!" said Joe in sudden alarm.
"He doesn't eat, that's all there is to it. Even if he did, it would
be just for pleasure--and it won't hurt him to go without. Besides,
it would be the best thing that ever happened on this old world if he
_did_ starve to death."

"Don't worry," said Pearl. "I couldn't go down in that basement for
love or money!"

Joe looked at her sharply. "You'd better not--for either of them!" he
said. "I'll do the loving around here, and I'll make the money!"

       *       *       *       *       *

The sound of running feet interrupted him, and he turned to the door
to see Jimmy and Sally coming in from their play. Their faces were
flushed, shining with exertion and health.

"Daddy," said Sally. "Will you read us a fairy-story before supper?"

Joe lifted her in his arms and held her high with a grin. "Sure thing,
little girl," he said. "Come on into the parlor, Jimmy, and we'll
rattle one off."

"I'll get the book," said Jimmy, racing for the bookcase.

Joe seated himself on the easy chair and plumped Sally down beside him.
He took the book from Jimmy and made room for the boy opposite Sally.
He opened the book and read the title.

"Pandora's Box," he said. "The story of the little girl whose curiosity
loosed all the troubles upon the wor...." He stopped suddenly and
looked toward the kitchen where Pearl was rattling dishes preparing the
supper.

"What's the matter, Daddy?" asked Jimmy. "Why don't you read the story?"

Joe looked down at him. "I will," he said. "But I hope you realize this
is only a fairy-tale, and didn't really happen?"

"The man on the television said it did," protested Jimmy.

"On the television?"

"Yes. He said it was almost like somebody had closed Pandora's box, the
way things were going in the world these days. And how could anybody
close the box if it wasn't real?"

"Is that why you got me this book to read?" asked Joe.

"Sure. Now read it, Daddy. I want to know about Pandora's box, and how
she opened it, and what happened."

"It shouldn't happen to a dog," said Joe, "then--or now." He glanced
once more toward the kitchen. Then he began to read, but as he read, a
gnawing worry began to creep through his mind.

There was a Devil downstairs, and once before a woman had loosed him.

The next evening Pearl greeted him at the door with excitement. "Did
you hear the news?" she asked.

Joe looked alarmed. "He hasn't escaped?" he demanded.

"The Devil? No. Not a sound out of him. It's got everybody excited. The
newscasters have been giving it a big coverage."

"What's got everybody excited, and who's covering who?"

"The disarmament agreement! The United States and Russia have agreed to
scrap all armaments, disarm all the atom bombs, stop making them, and
put in a foolproof system of inspection that will make it impossible
for anybody in the world to make another atom bomb, or a missile, or
even a bomber. Isn't it wonderful!"

"Sure is," agreed Joe. "But maybe it's just another Russian agreement.
When the chips are down, they'll probably claim they never said any
such thing."

"No! They've submitted plans and maps of all their atomic
installations, their stockpiles, plans and details of their
intercontinental ballistics missile, everything. The United States is
going to do the same thing...."

Joe looked incredulous. "You mean the Russians _voluntarily_ instituted
this whole thing, and actually delivered the information...?"

"Yes. A team of scientists, diplomats and military men selected by
the U. N. flew in, and the Russians showed them everything. Russian
scientists, statesmen and military men are already on their way here to
inspect our installations."

"It looks like, with the Devil tied up downstairs, this old world is
headed for peace at last," said Joe.

"I'm so happy!" exclaimed Pearl. She looked at Joe closely. "Aren't
you?"

He nodded. "Of course. But I'm a little worried, that's all."

"About what?"

"Finding a job isn't going to be easy. I'll bet I tried every plant
in town today, and at every one, the story's the same. They aren't
hiring--in fact, they are laying men off."

"Laying them off?"

"Yes. As one personnel man put it: 'The men are working like
beavers--every one of them putting in an honest day's labor. We're
over-producing like mad.' The Union fined twelve bricklayers today for
laying more than ninety-six bricks an hour."

"You'll find something tomorrow," Pearl said reassuredly.

"I've got to go to the bank first," said Joe. "Tomorrow's mortgage
payment day. Just how much do we have in the bank?"

"About seven hundred dollars," said Pearl.

"Enough to last us for three months, if we scrimp," said Joe.

Pearl looked shocked. "You will find a job before _that_!" she
exclaimed positively.

       *       *       *       *       *

The day Joe paid the second mortgage payment out of savings deposit
funds, she was forced to admit that he might not.

"Romburg-Smith closed down today," Joe reported weariedly. "The
army cancelled their jet motor contract. Twenty-two million dollars
worth. All in all, the army's cancelled sixteen billion dollars worth
of contracts in the last thirty days. The President's estimate of
unemployment today is up to twenty-eight million. There were food riots
in Indianapolis...."

"Food _riots_!" exclaimed Pearl. "You mean fighting, violence?"

"No, not exactly," admitted Joe. "The newspapers called it a riot,
because they're desperate for news, these days, and anything at all
that will give them an excuse for some sensational adjectives for
the headlines, they'll jump on. As a matter of fact, it was just a
mass-meeting to request federal aid held in the courthouse square.
There were signs reading 'Give us jobs, or give us food.' All very
orderly and politely. But I keep thinking that hunger is a very
primitive instinct, and I keep thinking of the Devil downstairs, and
what he'd have to say about it."

"You _know_ what he'd say about it," said Pearl. "He'd suggest that
they steal food."

"Well," said Joe, "when they get hungry enough, what _will_ they do?
It's just possible they won't need the Devil to suggest anything."

"But that's impossible," said Pearl, wide-eyed. "The Devil's
responsible for all such things. With him out of action, people would
never think of crime."

"Wouldn't they?" asked Joe. "Is it a crime to eat?"

"No...." Pearl hesitated. "I guess it isn't. And I think if it got to
the point where I couldn't put a meal on the table for Jimmy and Sally,
I'd probably put a different interpretation on borrowing a few potatoes
from old MacDonald's potato field."

       *       *       *       *       *

"I wonder if the Devil's reputation is entirely deserved?" said Joe.
"He's chained up in our basement, but the situation that's building up
in the world is becoming explosive."

"Maybe he's not as helpless as we think," ventured Pearl. "Maybe he
_can_ control things mentally, even from down there in the basement?"

Joe shook his head.

"Why are you so sure?" asked Pearl.

"Something he said to me down in the basement."

"What was that?"

"When he told me to go upstairs and go to bed--he mentioned something
about not being able to do anything but good while he was down there."

"Who, the Devil?"

"No, me. He said I'd not be able to do much else, when I said maybe
this thing could be turned to good, somehow. He seemed pretty certain
that I didn't have much choice in the matter."

"Well, then, what are you worried about?"

"I'm worried because it has occurred to me that the Old Boy has
always been an egotist. Maybe he's not the big-shot he thinks he is,
controlling all the evil in the world. Maybe he hasn't got a monopoly,
and never had."

"I don't believe it," said Pearl. "The Bible says Satan is the author
of all evil."

"Maybe you're right," said Joe. "And if you are, and he should get
loose with the world in the potentially dangerous position it now
occupies, all hell could break loose."

"By the way," said Pearl. "The meter man is coming again tomorrow."

"The meter man?" asked Joe blankly.

"Yes. He'll want to read the meter...."

Joe clapped his hand to his head. "It's in the basement!" he exclaimed.
"How come he didn't ask to read it last month!"

"I told him we were fumigating the basement for termites," said Pearl.
"So he said he'd make our reading out for the same amount of power we
used the month before. But what'll I tell him this time?"

"Tell him we're fumigating again--that the first time didn't take! He
can't go down into that basement!"

"All right. But what'll I tell him the third time?"

"That's a good question. But maybe by that time he won't need to go
into the basement."

"Why won't he?"

"Because I haven't paid the bill for two months. One more and they'll
cut us off at the pole."

"Then you'd better not pay the bill," said Pearl.

"Are you asking me to cheat the electric company?" asked Joe.

Pearl looked startled. Then she smiled. "No. I'm asking you not to let
the Devil have a chance to get loose. Certainly _that's_ not a crime."

"From the Devil's view-point, maybe. But it isn't from mine. Anything
as dangerous as he is, should be locked up. I don't think there is a
jury in the world that would disagree with me in that respect."

       *       *       *       *       *

The next day, impossible as it seemed, all hell did break loose. Joe
Emerald was waiting in line with a hundred other men to check with the
unemployment bureau. One of the men had a portable radio, and although
he had it tuned so low that only he could hear it, his shout was
something everybody could hear.

"The President!" he choked. "Somebody's shot the President!"

He turned up the volume, and for a few stunned moments Joe listened
to the excited voice of the announcer blurting out a complete lack of
details other than a variety of ways of expressing the single detail
that he did have--that the President had been shot.

"That's a crime!" he exclaimed, and the man next to him blinked.

"What else?" he snorted. "What are you, a Democrat?"

"Pearl!" exclaimed Joe. "She's let him loose!"

The man beside him frowned. "A nut ..." he began, then sidled away. But
now Joe whirled and ran from the building. There was only one thought
in his mind. A crime had been committed, and it could only mean one
thing--the Devil was loose!

Within ten minutes he raced up the steps to his own front door and
hurled it open. In the living room he almost ran into Pearl, who
uttered a low cry of alarm.

"Joe! What's wrong!"

"The Devil!" shouted Joe. "He's loose!"

"Why, Joe, whatever are you talking about. He's not loose. The door's
nailed tight, just like it has been for two months. And besides, I've
been hearing him down there all morning."

Joe ran into the kitchen, inspected the door. It was intact, and so
were the nails. He ran out of the house and peered through the glass
bricks of the basement windows, but could see nothing because of the
wavy pattern in them that permitted only light, but not vision through
them.

He came back into the house.

"What's wrong, Joe?" asked Pearl, her face pale.

"The President's been assassinated and that's what's wrong," said Joe
heavily. "And if that isn't a crime, what is?"

Pearl ran to the television and turned it on. In a moment they were
listening to almost hysterical voices, and watching equally hysterical
scenes, as television cameras wheeled into position in the nation's
capital and took shots of milling throngs, and announcers interviewed
individuals who gave varied incoherent statements and expressions
of grief that were obviously inspired only by the desire to be on
television.

       *       *       *       *       *

Abruptly the scene switched to a newscaster in the newsroom of the
network, and a more calm voice was giving a coherent, though tense
account of world news.

"Even as the President fell before an assassin's bullet," he was
saying, "violence is flaring in all parts of the world. In Barcelona
a mad mass of rioters is looting the city, led by rebel army factions
who have taken over the arsenal and established a new government.
The trouble seems to have broken out with unbelievable swiftness,
and already the U. S. Air Base has been attacked and it has been
reported that some fighting is actually going on. Air Force property
will be defended, according to a Pentagon spokesman, in spite of the
possibility of a rift with the government of the country, although just
who is the government at this moment cannot be said with any certainty.

"In Algiers, all communications have been cut off, but it is reported
that French citizens are being murdered wholesale in a ghastly blood
bath.

"In Paris, gangs of looters are battling police, and similar scenes are
being enacted in a dozen other European cities.

"But here in America there is a sort of a stunned silence and
inactivity as the nation learns of the murder of the President. No one
seems to know who fired the shot, but there is a growing rumor that it
was a senator who performed the deed. Impossible as it seems, there
were five senators in the White House at the time, and none of them
can be located now, in the confusion that has engulfed the home of the
President. No one seems to know which five they were...."

       *       *       *       *       *

The scene switched once more to a camera near the White House and
incoherence reigned supreme.

"_That's_ covering the news?" snorted Joe. "But what's that you were
saying before about hearing noises all morning from the basement? I
thought the Devil had been quiet as a mouse for weeks?"

"He has. And that's exactly what he sounds like now," Pearl said.

"You're being very lucid," said Joe. "What exactly does he sound like
now?"

"A mouse," said Pearl. "A great big mouse. He's been squeaking all
morning, and his claws keep clicking on the floor as though he were
doing the St. Vitus Dance."

Joe frowned. Then he went into the bedroom. When he came out, he had
his gun.

"What are you going to do?" asked Pearl in alarm.

"Where's the hammer?"

"In the kitchen in the knife drawer. Why?"

"I'm going to go down and see if the Devil's still securely chained.
Maybe he's working loose."

"Be careful," she said. "If he has, he might be waiting for you to pull
those nails out."

"You grab the snow shovel, and stand behind me waiting. If he _is_
loose, close your eyes and swing. Don't look into his eyes under any
circumstances."

Pearl went into the broom closet and got the snow shovel. She stationed
herself in readiness while Joe pulled the nails. They squeaked
protestingly, and from down in the basement came an answering squeak.

"That _does_ sound like a mouse," said Joe. "Been doing that all
morning?"

"Yes."

"From the sound of it, he's still chained," said Joe. "Hear that chain
rattle?"

"Maybe he's just doing it to fool you. When you get close...."

"I'm not going to get close enough for him to jump me," said Joe
positively. "One move from him, and I'll come up these stairs like a
shot. Then if he's following, you clout him as he comes past...."

The door was open now and Joe began his exploration. He snapped on the
basement light. The squeaking stopped instantly. He went slowly down
the stairs.

"He's still sitting beside the wall, and the chain's still tight," he
said over his shoulder to Pearl. "I can see that from here."

"Then don't go any closer," said Pearl worriedly. "Let well enough
alone."

"There's something...." Joe's voice trailed off. He went to the bottom
of the stairs, looked at the Devil. The Devil was staring back at
him, but there was no glimmer of intelligence or recognition in them.
Nothing but a cowering alertness, an unblinking stare that looked
almost like a trapped animal.

Then the Devil squeaked.

Joe jumped. Then he went pale.

"You're not the Devil," he gasped. "You're...."

There was no comment from the Devil. Nothing but another squeak, and
this time the Devil scrabbled his claws about on the floor in a nervous
chittering way.

"You're ... _a mouse_!" yelled Joe. He lifted his gun and aimed between
the Devil's eyes, then pulled the trigger. The gun roared in the
confines of the basement, and the Devil slumped to the floor. Once or
twice he kicked, then his mouth fell open, and he sagged into a limp
heap.

       *       *       *       *       *

"Joe!" screamed Pearl. "What did you do?"

"I just killed a mouse," said Joe. His voice was shaking.

"A mouse? With a gun. Are you crazy?"

"Come on down and take a look," said Joe.

Pearl descended the stairs hesitantly, the snow shovel held at the
ready, her eyes averted from the wall where the Devil was chained. "I
don't see any mouse," she said. "Where is it?"

"Chained to the wall," said Joe.

"Chained...." Pearl looked toward the Devil and her mouth dropped open.
Then she shrieked. "He's dead!" she cried out. "You've shot him."

"He's dead all right," said Joe. "But that isn't the Devil--only his
body. He's traded bodies with a mouse, and he's escaped. He's loose in
the world, Pearl, and he's on a rampage. And sooner or later he'll be
coming back here for revenge...."

Pearl's voice broke. "And for his body!" she wailed. "Oh, Joe. I'm
afraid."

"We've got to get out of here," said Joe. "Upstairs, and go find the
kids. We're leaving the city as fast as the car can take us. We'll go
up to the country to your mother's. Maybe the Devil won't know where to
find us. And maybe, in the body of a mouse, he won't be able to."

"But he won't be in the body of a mouse," said Pearl. "He'd change that
almost the minute he got out of the house. No telling who's the Devil
now!"

"You're right," said Joe. "All the more reason to get out of here
quick. Go find the kids, while I throw our clothes in the car."

Pearl dropped the snow shovel and raced out of the basement. Joe walked
over to the corpse of the Devil and gave it a kick.

"Dead all right, no doubt about it," he muttered to himself. Then he
turned and went upstairs. In a moment he was stuffing clothing from all
the bureau drawers and the closets into their traveling bags. When they
were full he carried them out to the car. Then he went back in and came
out with his arms full.

       *       *       *       *       *

Pearl came up the walk with Jimmy by one hand and Sally by the other.

"Where are we going?" asked Sally.

"Yeah," complained Jimmy. "What's the big rush? It was my turn to bat,
and we were only sixteen runs behind...."

"We're going to Grandma's," said Joe. "Going up to the farm for a
little vacation."

"Can I milk a cow?" asked Jimmy instantly.

"No," said Sally promptly, "I'm going to milk it!"

She kicked Jimmy in the shin and he howled at the top of his voice.

"He's loose all right," said Joe, and Pearl nodded palely. She shook
Sally and shoved her toward the car.

"Get into the car, both of you," she ordered. "I've got a few things to
get from the house, and I'll be right out."

Joe groaned. "Never mind all that stuff," he said. "We've got to get
out of here."

"I'm not going to get 'all that stuff'," said Pearl. "There are a _few_
things a woman has to have, and a man would never think of. I won't be
a minute."

And she wasn't. Almost before Joe had the kids settled in the back
seat, she reappeared carrying her large purse and stuffing an
assortment of things hastily into it as she ran toward the car.

"All right," she said, slipping into the front seat. "Let's go. The
sooner we get away from the house, the better I'll like it."

"Me too," said Joe.

"Not me," said Jimmy darkly. "If I don't get to milk the cow, I'd
rather stay here."

Sally kicked him again, and he punched her in the ribs. But her
answering wail lasted but a few seconds when she observed that neither
of her parents was paying any attention. She frowned at them and
looked back at the house as they roared away from it.

A half-hour later, as they passed from the suburbs out into the open
country, she said: "Mommy, why did you leave the front door open?"

Her mother started, turned toward Joe and laid a hand on his arm.

"The Devil with the door," said Joe. "We're not going back _now_!"

       *       *       *       *       *

Three hours later they were well upstate, and Joe began to breathe
easier. He turned on the radio. There was music on the station to which
it was tuned. He began to twist the dial.

"Let me do it," said Pearl. "You pay attention to your driving."

"Get some news," said Joe. "I want to know what's going on."

"I'll get some news if some is being broadcast," said Pearl. "This
isn't the time for news broadcasts, usually."

She turned the dial past several stations giving musical programs,
another where a strident nasal voice was selling something that turned
out to be horehound cough syrup which also cured dyspepsia, rheumatiz
and cancer. After ten minutes of spiel, a polka began rolling out the
barrel and it was obvious there would be no news on this station. Pearl
went on down the dial.

"... has settled over the city of Barcelona," said a voice.
"Temporarily, a calm has replaced the rioting, and apparently the
city is peaceful. What caused the sudden cessation in violence is not
apparent at the moment, but the new government has stepped in and
announced over the seized radio that they have assumed control and have
the situation in hand.

"In Algiers, French troops are pursuing rebel raiders, who are fleeing
in disorder, their initial ferocity seeming to have dissolved as
rapidly as it had begun.

"Here in this country, of course, the sensational news is the suicide
of Senator Schnort, who went suddenly insane, screaming that he had
been hypnotized, and that he had murdered the President. He apparently
used the same gun to blow out his own brains that he had used on the
President."

For the next half-hour, they listened to a recital of a wave of
madness that had swept the world, to be followed by a calm almost as
unnatural. Then, finally, Joe switched off the radio and turned to
Pearl.

"He's stopped rampaging around, and now he's probably looking for us,"
said Joe. He looked at his wife, and looked back at the road ahead.
Then he turned to glance at her once more. She was still looking out of
the rear window.

"What's the matter?" he asked.

"That car," she said. "It's been sticking right behind us for miles. I
think he's following us."

       *       *       *       *       *

Joe took a quick look in the rear-vision mirror. Behind them was a
new 1957 Mercury, and at the wheel was a hatless, black-haired man
who seemed intent on the back of Joe's car. The man was alone in the
Mercury.

"We're going pretty fast," said Joe. "Just because he's been behind us
awhile doesn't mean he's following us. Now don't get to thinking every
car is following us, and the Devil's behind every tree, waiting to
spring out on us."

"Slow down and see if he passes us," suggested Pearl.

Joe lifted his foot very slowly off the gas pedal and the speedometer
needle began dropping from 65 to 60, then down to 55, and slowly and
steadily down to 40. The car behind made no move to pass, and Joe
dropped the speed down to 30, then to 25. Still the Mercury clung to
their rear.

"He _is_ following us!" exclaimed Pearl.

"Not necessarily," said Joe. "I've had drivers like this behind me many
times. But we will soon find out if he _is_ following us." He tramped
on the gas, and the car leaped ahead. In a moment he had the speed up
to 70, and kept increasing it until they were hurtling along at 90. The
Mercury stayed right behind them.

Jimmy's voice came in his ear now. "Beat him, Daddy!" he said
excitedly. "Race him good. He can't beat us!"

"He could if he wanted to," muttered Joe to himself. He eased off on
the gas again, and the needle dropped to 65 once more.

Pearl was pale. "He's following us, isn't he?" she said more than asked.

"I don't know yet," said Joe. "We'll find out in the town just ahead.
I'm going to take a few turns ..." his voice trailed off.

As they passed the city limits, Joe dropped his speed to well below the
posted limit and watched for a stop light ahead. Finally, he saw one,
and he timed his arrival. Abruptly, as he reached it, he shot the car
through the amber light just as the red flashed on. The Mercury stopped
for the red light, and as the image receded in the rear-vision mirror,
Joe breathed easier. "He didn't go through the red light," he said.

Pearl was watching. "The light's changing again," she said. "He's
coming up pretty fast."

Joe put on his right-turn light and made a normal turn at the next
corner. The Mercury made the turn too. Joe made another right turn two
blocks down. The Mercury made one too.

"That settles it," said Joe. "He's following us all right."

       *       *       *       *       *

Once again he maneuvered the car back onto the main highway and then
continued through the heart of town. The Mercury was right behind, but
now there was a car which had slipped in between. Joe timed his speed
again, and once more barely made it through an amber light before the
red. The car behind him halted, and so did the Mercury, by necessity.
Joe poured on the gas and at the next corner turned right. He sped to
the next block, turned right again, then left at an alley. He roared
through it, turned right once more, and raced three blocks along the
way they had come, and finally made another right turn back to the
main street. He was lucky, and made it through a green light. Several
more turns, and he headed straight out of town at right angles to his
original route. Moments later they found themselves on a gravel road
marked County Trunk M.

"Is there anything behind us?" asked Joe.

Pearl, who had been watching alertly all the while, turned and sat down
facing the front again. "Nothing," she said. "You've shaken him."

"I was lucky," Joe observed. "Got every break. Now we will take a few
byways for awhile, and then take a look at the map and see where we
are. We can get to your mother's by another route. We'll get there late
tonight, but at least we've lost the Devil for awhile--if that's who he
was."

"Who else would it have been?" asked Pearl.

"Ed Sullivan, trying to sell another Mercury," joked Joe. But deep
inside him he didn't feel humorous. Did the Devil have a way of knowing
where they were? This first time it was conceivable that he'd caught
them leaving the house, and had followed them all the way. But if he
hadn't, then he had some other way of knowing, and if that was true,
they wouldn't really have ditched him. He'd pick up the trail again,
and all his evasive tactics would have been in vain.

"He must have followed us from the house," said Pearl suddenly.

       *       *       *       *       *

Joe looked at her. "You've been thinking the same thing I have," he
said. "I _hope_ that's how he found us!"

"I hope so too," said Pearl.

"Daddy, I'm hungry," said Jimmy from the back seat.

"Okay, son. But you'll have to wait until we find a town. Then we'll
stop at a restaurant."

"How are you going to find a town on this road?" said Jimmy
disgustedly. "Why did you go on such a bumpy road. Is this the way to
Grandma's house?"

"Not exactly," said Joe. "We just took a little detour."

"To keep that man with the horns from following us?" asked Jimmy.

Joe gripped the wheel tightly. "Horns?" he asked, staring at Pearl.
"What man with horns?"

"Why that man we were racing with. He had horns growing out of his
head."

"I didn't see any horns," said Joe.

"He did too have horns," said Jimmy. "I didn't like him, and I'm glad
you got away from him. But now I'm hungry."

"I'm glad too, son," said Joe. He licked his lips. "But it must have
been that man's hair that looked like horns. He didn't really have any."

"When are we going to get to a restaurant?" inquired Jimmy impatiently.
"I'm awful hungry!"

Pearl laid a hand on Joe's arm. "Don't press it, Joe. Sometimes
children see things grownups can't. Let him forget it."

       *       *       *       *       *

Joe nodded, and for a moment there was silence. Then Jimmy's voice
piped up again.

"I won't forget it," he said positively. "They were _red_ horns."

They had eaten, having eventually found a small town with a restaurant,
and now they were on their way again. The children were asleep in the
back seat, and Pearl was studying a road map with the aid of a dash
light that came on when she opened the ashtray.

"A few miles more, and we will be on Highway 10. That will run into
38, and we can take that down to 26. From there it's only ten miles to
Mother's place."

"How many miles?"

Pearl began adding the figures on the map. Finally, she said, "About
one hundred and thirty."

"That'll get us to your mother's by about eleven. They'll be in bed."

"Can't be helped," said Pearl. "Unless we stop at the next town and
phone ahead."

"Good idea. We'll do it. Then they can have a place ready for the kids.
They'll be crabby when we wake them, and if the bed's ready, we can
just dump them into it."

They drove on a few minutes in silence, then Pearl said, "The Devil's
in a very unusual position."

"How so?"

"Well, if you actually killed his real body while he was out of it,
then I presume it's useless to him any more."

"I suppose it is," conceded Joe.

"Then he'll have to continue to use the bodies of other people, or of
other--things."

"Won't change things any," observed Joe. "He used other people's bodies
at will anyway. At least that's what he inferred when he talked about
hypnotizing me and using my body. Now he'll just have to do it all
the time. Nobody knew when he was among them before, and that hasn't
changed."

"The point is, he hasn't any body of his own, any more. If it were me,
I'd be very much disturbed and put out about it. And I'd be determined
to get even. Joe, we're running away now, and we've eluded him for now,
but how can we do it all our lives? Sooner or later he'll find us, and
we'll have to live in fear of that moment at all times. I don't think I
can face the prospect."

"But now you are jumping to conclusions," argued Joe. "How do you know
he can find us? Does he even know our names?"

"I ... I don't think so," confessed Pearl. "We never mentioned it--but
didn't you say he knew you were a private detective, and that's why he
selected you as his base of operations for whatever it was he wanted to
stir up in our town?"

"Yes, he did," admitted Joe. "So I'll grant you, it is most likely that
he does know our name. So we can change it."

"What kind of a life is it going to be, living under assumed names,
looking into dark corners, suspecting every person we see?" said Pearl,
almost in tears. "I don't think I can take it."

"But what else can we do?"

"I don't know. But there _must_ be something."

"He's not all-powerful," said Joe. "Otherwise he'd have the whole roost
to himself. The churches wouldn't exist...."

       *       *       *       *       *

He looked suddenly at Pearl. "The churches!" he exclaimed. "They've
been his competition for two thousand years--they must know something
about how to handle him! We'll go to a priest, get his advice. I've
heard of certain rites and chants to exorcise devils. They must have
one for Satan himself!"

"When we get to the next town, I'll call Mother," said Pearl, "and you
go to the parish house and talk to the priest. Maybe there's something
he can do to help us be prepared. We might need that help even tonight.
I keep feeling that there is a way the Devil knows things, and that
he'd know where to find us when he wants to."

"Maybe in his own body, yes. But in a human body, he might be subject
to some limitations. Let's hope clairvoyance is one of the things he
won't be able to exercise to full effect."

"You're whistling in the dark," said Pearl.

Joe didn't answer her. He was looking at some headlights coming up
behind them. For several miles he watched them, then breathed in relief
as they turned off. At least the Devil hadn't found them yet.

       *       *       *       *       *

They came to a small town soon, and stopped at a filling station across
from a church. Pearl used the phone while Joe had the car gassed up.
He questioned the attendant and found that the priest lived right next
door to the church, and that he usually was in at this time of the
evening.

When the car had been serviced, he pulled it over to the side and
waited until Pearl came out of the station.

"Did you get her?" he asked.

"Yes. She'll be waiting for us."

"Good. You stay with the kids while I go see the priest."

Joe crossed the street and went up to the door of the parish house. He
rang the bell. The housekeeper came to the door and welcomed him in
with a smile.

"Father Lengowski will be out in a moment," she said, indicating a
chair in the waiting room.

Joe had barely settled himself when the priest walked in. He was a
jovial type, and his voice was booming. "What can I do for you, young
man?" he asked.

"I don't know," said Joe hesitantly, "I came for a little information,
and perhaps for a little advice."

"Are you in trouble?" asked the priest.

"Not in the usual way," said Joe. "But I _am_ in trouble. Maybe I'd
better explain it. You see, several months ago the Devil came to my
house, and said he was going to set up headquarters for some new
deviltry he had in mind in my town. He also said he was going to use my
body while he was there, and that he'd take over by hypnosis. Well, I
can't be hypnotized, so it didn't work--but we scuffled. He was choking
me, and would have gained control of my body except for my wife. She
hit him over the head with a snow shovel, and while he was unconscious
we chained him to the basement wall where I formerly kept a big dog
of mine. We nailed the basement door shut, and left him there. But he
finally escaped, by changing bodies with a mouse. That's when this
trouble in the world started--you'll recollect that for several months,
crime and evil had taken a holiday...."

       *       *       *       *       *

He stopped, and eyed the priest, who had been staring at him and
licking his lips. "You don't believe me," he said.

"It isn't a matter of belief," said the priest. "But granting that all
this is true, what do you want of me?"

"Just some information. For instance, I believe the Church knows some
means of exorcism, or some way of overcoming the Devil's influence."

"Well, yes, there are such things. But why do you wish to know this? As
you say, the Devil is no longer at your house...."

"True enough. But you see, when I found out he'd escaped, I shot the
mouse...."

"Shot ... the mouse?" Father Lengowski shifted his feet nervously.

"Well, that is, I shot the Devil's body, thus killing the mouse. Of
course, it also made it impossible for the Devil to regain his own
body--it was quite dead and useless."

"I see ... and what can the exorcism rites do?"

"Well, you see, the Devil is very angry with us, and he's been
following us in a Mercury. We eluded him in a town awhile back, and
now we're on our way to my wife's mother's place, to sort of hide out
awhile. But if he should find us, we'd like some sort of defense...."

"Exorcism might work," said Father Lengowski nervously. "But we'd have
to have the Devil, or the possessed person, right before us, and you
couldn't do it. I don't believe I could do it. Perhaps the Bishop...."

"I'm afraid such a complicated procedure won't help, Father Lengowski.
There won't be time, if he should appear. What I want is something we
can use ourselves, in an emergency."

"Well, there is an old stand-by," said Father Lengowski, "very simple.
I will give you a blessed crucifix, and you merely hold it before you,
thrusting it out at the Devil, and utter the words 'Get Thee behind me,
Satan.'"

"I've heard of that," admitted Joe.

"Good. You wait here, and I'll get a crucifix." The priest hastened
from the room, closing the door behind him. But it did not latch
securely, and slowly swung open again. And Joe heard the priest's
voice speaking urgently on the phone in the hallway outside. He heard a
few words, and then, face growing red, he leaped to his feet and made
his way swiftly to the door. He let himself out and ran down the steps
and across the street to the car. He piled into the front seat and
jabbed his thumb on the starter button.

"What's the matter?" asked Pearl in alarm.

"Nothing much. That priest thinks I'm a nut, and he's calling the
local gendarmes. We've got to get out of here before we wind up in the
bug-pokey. I've learned one thing in there--we can't go around saying
the Devil's chasing us in a Mercury!"

"Oh, Joe!" said Pearl, then subsided, her face strained in the darkness
as Joe drove hastily out of town.

       *       *       *       *       *

"We're almost there," said Pearl. "We've just passed the Jacobi's
place."

It was after midnight, and Joe sighed in relief. He was tired of
driving, and the tension had been telling on him. He had found himself
staring at the rear-view mirror half the time, almost dreading the
appearance of any headlights coming from behind. And when they had
appeared, he had waited anxiously, slowing the car for the headlights
to pass. They always did, but he continually expected that they would
not, that instead they would pull up behind, and settle into steady
pursuit.

"Do you think we dare tell your mother anything about all this?" he
asked.

"Heavens, no!" said Pearl. "At least not for a few days. We can tell
Dad, though. I think, without too much trouble. He's always believed
me, and he will still, I know."

"Then mum's the word until you break the ice," said Joe. "We'll just
get the kids to bed, and then get to bed ourselves as fast as we can.
There'll be plenty of time later to talk."

The porch light was on when he drove the car into the farmyard. A swarm
of bugs flew dizzily around it, and literally coated the living-room
window, where a light was on.

As he turned off the ignition, Pearl's mother appeared in the doorway.
"I'll open the door and you come in quick," she called. "I don't want
all these bugs to swarm in."

"You needn't have left the light on," said Joe. "We'd have found our
way."

He turned to Pearl. "You take one of the suitcases and go ahead, get
the bed ready. I'll bring Sally first, then come back for Jimmy. I
don't think either of them will wake up."

The children did not wake, although Jimmy mumbled something about
horns, and his grandmother thought it was very cute.

"The lad's dreaming," she said.

"I wish he were," said Joe.

Grandmother looked at him blankly. "But he is. He's talking about
somebody with horns. He's having a nightmare--oh, he isn't sick, is
he?" Immediately she hovered over Jimmy like the epitome of anxiety
itself.

"Of course not," Joe assured her. "He's sound as a bell. I merely meant
I hoped he wasn't having a nightmare."

       *       *       *       *       *

But as he put Jimmy down on the bed to which Grandmother led him, he
was frowning slightly. It should not be like a small boy to dream of
the Devil, especially if he didn't know he was the Devil. It didn't
seem that the afternoon's experience should have created so deep an
impression upon him that it would recur in his dreams. Did it mean that
somehow Jimmy was sensing the Devil, and his possible nearness? Was the
Devil really on their trail, homing in on them with some occult sense
peculiarly his own?

Out in the living room, Pearl was engaging in animated conversation
with her mother. Already they were inspecting pictures of the other
seventy-seven grandchildren, and gossiping like mad. Joe interrupted.

"Mother," he said, "I've always admired your common sense, and I
just know you want us all to go to bed immediately, and save all the
visiting for tomorrow. Please don't let us keep you from your beauty
rest."

"You're always so tactful," she said in return. "I've always said you
were a wonderful son-in-law. A wonderful husband and father. A fine...."

"Thank you, Mother. Now show us where we sleep, and we'll let you get
back into your comfy bed."

"You'll sleep in our bed, and Dad and I will take the couch and the
davenport."

"Oh, no," protested Joe. "Pearl and I can sleep on the couch and
davenport. No use you giving up your bed. Besides Dad doesn't like
those broken springs on the couch ... do you, Dad?"

His father-in-law grinned. "Of course not, son. But you are dealing
with your mother-in-law, and there's no arguing. For thirty years she
has made a practice of making herself--and me--uncomfortable when the
kids come home. She couldn't sleep if she wasn't putting herself out!"

"Yeah, I know," agreed Joe. "The Mother-Martyr complex. She's got the
worst case I ever saw!"

"Joe, you're the greatest kidder ..." said Grandmother.

"Who's kidding?" asked Joe, grinning at her. "Show me to my bedroom
before you change your mind."

Long after the house was silent, he lay beside Pearl, thinking.

"Are you asleep?" she asked finally.

"You're awake too?" he asked.

"Yes."

"I keep thinking of the Devil looking for us," said Joe.

"And I keep thinking he'll find us," said Pearl. "Somehow, I have a
feeling we're not fooling him at all."

"Go to sleep," said Joe. "He'd have to have radar to find us."

"You know," said Pearl, "that's a good name for it! And right now I
feel like a blip on a radar screen."

"But a mighty pretty blip," said Joe. He kissed her good night and
then turned on his shoulder to go to sleep.

In the morning he awoke to find Pearl already up. He climbed into his
clothes and went out into the kitchen. Pearl was sitting at the table,
eating a grapefruit.

"Where's your mother?" asked Joe.

"Out in the driveway, talking to somebody--a neighbor, I suppose."

The kitchen door opened, and Dad came in, carrying a gallon jug full
of fresh milk and two freshly picked musk-melons cradled in one arm.
"First ones ripe," he said cheerfully. "We'll let you kids initiate the
patch. Where's Mother? She can fix them for us...."

"Out front, talking to a neighbor," said Joe.

Dad deposited the melons on the sink and set the jug of milk in the
refrigerator. "Neighbor? Wonder who'd stop out front, and not drive
right into the yard...?"

He walked through the house to the front room, and peered out through
the curtains. Then he came back.

"Ain't no neighbor," he said. "Somebody in a Mercury."

Joe jumped and Pearl dropped her spoon.

"Here, let me get you another spoon," said Dad. "Floor's pretty
dirty--we had thrashers here yesterday...."

The sound of footsteps on the back porch preceded the opening of the
screen door. Pearl and Joe turned and stared.

"Why, Joe," said Pearl's mother. "You up already? You could have stayed
in bed a couple more hours, and got your sleep out." She walked up to
him, took his face in her hands, and kissed him. Then she turned. "Dad,
you found some ripe melons!" she exclaimed. "How lovely. I'll fix them
right now, and we'll have them before I fix the pancakes."

       *       *       *       *       *

Joe looked at Pearl, then sat down at a chair. "I'm starved," he said.
"Those pancakes sound real good."

"Who was that outside?" asked Dad.

"Oh, some fellow asking the directions to Highway 13."

"I suppose you told him to take the next fork to the left, then turn
right at Perkin's general store," said Dad.

"Why, of course, Dad," said Mother. "That's the way to go, isn't it?"

"No," said Dad.

She turned and put her hands on her hips. "Now, Dad, you know very
well that is the way to Highway 13."

"Usually," agreed Dad. "But it's closed now. Under repair. If he takes
it, he'll be axle-deep in sand inside a quarter mile."

"Oh, dear, I forgot about that," said Mother, anxiety showing itself on
her face.

"Don't worry about it," said Dad. "If he does get stuck, he'll come
walking back here, and I can make five dollars pulling him out with the
tractor."

"You know you won't do any such thing," declared Mother. "You never
charged anybody yet for pulling them out. Land sakes, you want Joe to
think you're a highwayman?"

"Isn't that why you sent him that way, so I could make five dollars?"
asked Dad, a twinkle in his eye.

"No, it isn't," said Mother. "But, come to think of it, it is a good
idea, isn't it?"

"If I didn't know you," said Dad, "I'd say you meant that. You aren't
usually a kidder, Mother. What's got into you?"

"Maybe it's Joe," said Mother. "He appreciates kidding, don't you, Joe?"

"Sometimes," said Joe, looking at her sharply. There was no twinkle in
her eye. "But I didn't know you could do it with such a straight face?"

"Don't see why not," she said. She turned back to the sink. "Do you
kids want some ice cream in your melons?"

"In the morning, for breakfast?" asked Pearl.

"Dad will eat ice cream any time," she said, "and as long as he'll
be having some, we might as well all do the same. These melons are
delicious that way, and who cares what time of day it is?"

"I want some melon with ice cream in it, too!"

       *       *       *       *       *

Jimmy's piping voice came from the doorway, and he pranced out into the
kitchen in his shorts.

"Looks like I should have gotten some more melons," said Dad, beginning
to move toward the door.

"Never mind," said Mother. "He can have my piece. I don't feel like
eating anyway. Jimmy, go get some clothes on before you catch cold.
This morning air is a bit chilly--Dad, close the door."

"Why, Grandma, what big horns you have," said Jimmy, staring at her.

Joe froze in his chair.

Dad chuckled as he made his way to the door to close it. "Like father,
like son," he said. "Already he's kidding his Grandma! Hey, here comes
that fellow already, walking back. He got stuck, all right!"

Pearl's chair fell over with a clatter as she rose abruptly to her
feet. She faced the door, her face white.

Joe recognized him the minute he came to the door. It was the man who
had been driving the Mercury the day before. But before he could utter
a word, the man dashed into the kitchen, then ran for the living room
without a backward glance.

"Hey, young feller!" exclaimed Dad. "Where you think you're going?" He
began to follow, but almost immediately the young man reappeared, a
crucifix clutched in his hand, and he faced Pearl's mother, brandishing
it wildly.

Pearl leaped to the stove and picked up the poker. With a set
expression on her face she ran toward the young man. Joe leaped forward
and grabbed her.

"Stop!" he yelled. "Do you want to knock your mother out?"

Pearl froze in his grasp, and complete silence settled over the
kitchen. Except for Jimmy. He was eyeing the young man brandishing
the crucifix. "Daddy was right," he said. "You don't have red horns,
Mister."

He turned to his grandmother. "But Grandma does!" he said triumphantly.

Pearl moaned and slumped to the floor in a faint.

"Yes, son," said the young man, advancing toward the older woman. "He's
got horns, all right! He's the Devil. But I won't have any Devil in my
house!"

He advanced upon Pearl's mother, thrust out the crucifix and said in
loud tones, "Get thee behind me, Satan!"

The old lady smiled, walked around the young man, and stood behind him,
"Anything you wish," she said.

"Now, just a minute," said Dad, his bewilderment complete. "What in
thunderation's going on here? Mother, I don't know what you think
you're doing, but you're much too old to carry on like this with a
strange young man. And don't banter with the Devil's name after all
these years!"

The young man stood horror-stricken, staring at the crucifix in his
hand, and then he uttered a cry of despair and slumped to the floor in
a dead faint.

"Pick her up and put her on the bed!" yelled Joe. "Get her out of here,
and stay out yourself. This is something for Pearl and I to handle...."

       *       *       *       *       *

"Pick her up," said Dad dazedly. "Son, are you going daffy, too?
You've got her in your arms already. Carry her into the bedroom
yourself--you're younger'n I am."

"No, no," said Joe, pointing to the young man on the floor. "Pick
her...."

"Let her lay there," said Mother to Dad. "It's time we cut out this
silly business. I've got a score to settle, and now that the cat's out
of the bag, and your wife spoiled all my fun by getting stuck in the
sand and ruining my post-hypnotic suggestions, I might as well settle
it and be on my way."

Dad staggered over to a kitchen chair and slumped down into it. "Will
somebody explain what's going on?" he begged. "I'm an old man, but I
didn't think I was going crazy. Or am I?"

Pearl was coming to now, and she struggled to her feet. Joe steadied
her a moment, then he looked at Dad. "No, you're not going crazy, Dad.
We came here last night because we were fleeing from the Devil. He was
chained up in our basement for months, but he escaped, and took the
body of this young man lying on the floor--only it isn't a young man,
now, but your wife. He switched bodies with her this morning when he
stopped in front of the house. The Devil's in your wife's body now. And
he's come to kill Pearl and I out of vengeance for my killing his own
body."

"It's true, Dad," said Pearl. "Can't you see that he's the Devil?"

Her father looked at the body of his wife, standing there eyeing them
all quizzically. Then he nodded. "Yes, I can see it. He's the Devil,
all right. I've met him before. I recognize him now."

"That's right," said the Devil, grinning. "I remember you, too. You
were quite a lad before you married and settled down!"

On the floor now, the body of the young man was stirring, and finally
it sat up. The Devil looked at it.

"This body's messy with virtue," he said. "I think I'll switch back for
a moment. After all, I don't have any argument with you and your wife,
and we did have fun, years ago. The memory of it is rather pleasant."

"To you, perhaps," said Dad, "but not to me, I've put all that behind
me, and if I had it to do over again...."

"I know," said the young man, getting to his feet. "Women are always
reforming men, and ruining them for my purposes. But that's past now,
and I lost that game. Right now I've got a grudge to settle."

Pearl's mother uttered a low moan and rushed over and huddled close to
her husband. He put a protective arm around her shoulder.

       *       *       *       *       *

The Devil turned to Joe. "What makes you think I intend killing you
both?" he asked. "That's crude, and what would I stand to gain? You're
both going to die some day, anyway, and in your present condition, I
won't have any chance at you afterward. So, does it make sense that I'd
let you slip out of my clutches that way?"

Joe looked at him. "I guess I see your point," he agreed. "But what are
you going to do?"

The Devil grinned. "How would you like to be married to me?" he asked.

"Don't be queer!" snapped Joe.

"I mean to this body I'm wearing now?" asked the Devil.

Joe gasped. "You mean...."

"Why not? I think it's a very delicate bit of artistry, myself.
Imagine it. You will make a lovely couple, both male, and your wife
will be such a good mother to the children. Will be rather strange for
them to have to call a man Mother, but I presume they will get used to
it--or will they? How would you explain it to them? That their mother
has suddenly become a man? And you, think of your position. You love
your wife dearly, I know. And what an interesting situation as you take
her into your arms and kiss her tenderly, and...."

"Stop!" roared Joe, leaping forward. "I'll tear you limb from limb
first! I killed you once before, and by Heaven, I'll do it again!"

       *       *       *       *       *

But before he could make another move, little Jimmy raced forward, and
clutching the Devil by the leg bit hard into the calf. The Devil yelped
in pain, but then he recovered and grinned. "The lad has possibilities.
And who am I to deny him an occasional bite out of his mother's leg."

He disengaged the boy's grasp from his leg and pushed him gently aside.
His grandmother reached out and pulled him to her, and the youngster
stood with her arms protectively around him, glaring at the Devil.

"You've got your horns back again," he said accusingly.

"You just keep your eyes on those horns, son," advised the Devil. "In
a moment you'll see them again, and in an interesting place...." He
turned to stare at Pearl, and his gaze became penetrating.

Joe took another step forward, his face livid, but the Devil waved an
arm, and Joe stood rooted to the spot, overcome by a strange paralysis.

Pearl went white. "No ..." she gasped.

"But, yes," said the Devil. "I have frequently been a beautiful woman,
but I must admit, never one quite so beautiful. I believe I will enjoy
using your body for the next twenty or thirty years. Believe me, I'll
take good care of it. It won't grow old and fade as it would if you
were using it. I wouldn't be surprised if it eventually became somebody
very important, perhaps even a queen, or the wife of a president. Some
position where I can control the world politically as well as morally
and anti-ecclesiastically."

He advanced slowly toward Pearl, his gaze boring into her eyes. "Don't
resist, girl," he said. "It won't take but a second, and you'll be rid
of me. I promise I won't bother you and your family again. You'll be
free to live out your lives in whatever happiness you choose to make of
them...."

Pearl stood stiffly now, her face a mask of utter horror. Joe felt
a wave of blackness engulfing him, a wave of sheer hate that almost
consumed him, but he could not move a muscle. Then, as Pearl seemed to
wilt for a moment, seemed about to fall, there came the rush of bare
feet and a childish scream as Sally flung herself into the room and
raced straight toward the Devil.

Her slim arms were extended, and she hit the Devil full in the back. He
staggered forward, tripped on the rug, and crashed headlong against the
refrigerator. He dropped like a poled ox and lay there, unconscious.

Joe, released from the paralysis that held him, leaped forward and
hurled himself upon the Devil's body. Granddad, too, swung into action,
and between them they both knelt on an arm of the prone Devil, and then
Joe barked: "Mother, fetch a clothesline. We've got to tie him up. Once
we've done that, you go and get a log chain, Dad, and we'll chain him
up out in the old storm cellar."

"You bet," said Dad. "And then we'll bulldoze enough dirt over it so
he'll never get out!"

"Now you're talking," said Joe. "Not even a mouse must get into that
cellar...."

He clamped a hand on the Devil's throat and held it in readiness.
"Don't look at him, anybody," he warned. "He's coming to. Hurry with
that clothesline, Mother!"

       *       *       *       *       *

The Devil's eyes opened, and he looked up dazedly. There was no
recognition in them. He looked up at Joe. "What's happened?" he asked,
then groaned. He closed his eyes a moment as a wave of dizziness
obviously swept over him. Then he opened them again. "Who are you?" he
asked.

"Don't you know?" asked Joe, puzzled by something he saw, or rather
didn't see, in the eyes that looked up at him.

The man stared at him with a dazed air of incomprehension.

"I'm afraid I don't."

"Who are you?" asked Joe.

"I...." A look of surprise flitted over the man's face. "I ... don't
know. I can't seem to remember a thing."

"Don't believe him, son," said Dad. "He's trying to pull a fast one."

Joe looked at Pearl's father in startlement. "You've been looking at
him ..." his voice trailed off.

Pearl came over and looked, too. "He ... doesn't look like the Devil,"
she said hesitantly.

"I feel like the devil," said the young man. "And you two are sure hard
on my arms. They're getting numb."

       *       *       *       *       *

Joe eased up, then slid his knees off to the floor, "I guess I can hold
him if he tries anything, Dad. You can get off him now."

Dad got to his feet and stood aside, watchfully.

"Got that rope, Mother?" he asked. She handed it to him.

"You going to tie me up?" asked the young man in dazed tones. "What's
going on here?"

"I believe he's got amnesia from hitting his head on the refrigerator,"
said Pearl.

Joe looked undecided. "You don't remember who you are?" he asked.

The young man shook his head. "I don't remember a thing. All I know is
that I'm lying here and you two are apparently bent on strangling me.
Can you tell me why?"

"I can tell you why, but if you've got amnesia, I don't think I should.
In fact, if you aren't faking, you'll never know why, believe me!"

"Joe," said Pearl. "I think he's gone."

"He can't be," said Joe positively.

"But why?"

"I'll tell you later," said Joe. He turned to Jimmy. "Come over here,
son. I want to whisper in your ear." He handed Pearl the poker. "Clout
him over the head if he makes a move," he directed.

Then he leaned over and whispered in his son's ear. Jimmy listened,
then he stared at the young man. He nodded.

Joe whispered some more, and Jimmy nodded again, a look of importance
spreading over his face.

"Okay," said Joe. "Now you and Sally go and get dressed. I want to take
you both over to the barn and we'll have a go at milking that cow."

With expressions of delight, both children raced off.

Joe turned to Pearl's mother. "How about those pancakes?" he asked.
"I'm hungry, and I think our friend is, too. After what we have done to
him, I think we owe him a breakfast, at least."

He turned to the young man. "Feel able to get to your feet?"

The young man felt of the top of his head gingerly. "I guess so. And I
think I'm hungry, too, now that you mention it. Those pancakes sound
kind of interesting." He got to his feet, looked uncertainly around at
the wondering faces of Pearl's mother, father, and Pearl herself. He
smiled. "I don't know what's been going on, but maybe after some of
those pancakes, you'll explain."

       *       *       *       *       *

Pearl looked at her husband. "After pancakes, you aren't the only one
who'll want some explaining!"

"That goes for me, too, Daughter," said Dad. "I can't say that I've
ever experienced a morning quite like this in my life before. But one
thing seems right, and I agree with Joe...."

"Mother," interrupted Joe, "how about the pancakes?" He stepped over
to his father-in-law and whispered in his ear. The older man started,
looked at his wife, then grinned. "You're right, son. What she doesn't
know, won't hurt her."

"What I don't know, doesn't matter much," she returned, looking at him
with a twinkle in her eye.

Joe looked at her. "I guess it doesn't, at that," he said.

Breakfast finished, Joe looked at their bewildered guest.

"I can't tell you who you are, just at this moment," he began, "but
when Dad gets the tractor out, we'll go down the road and pull your car
out where it's stuck...."

"My car?"

"Yes. It's a Mercury, and your name ought to be on the ownership card
fastened to the steering wheel. That'll be a start. Once you know your
name and address, you can go on from there. Somehow, you have suffered
amnesia. Maybe you had an accident. Anyway, you came rushing in here
and caused a commotion, and in the scuffle, you knocked yourself out
against the refrigerator."

"Oh. And that's why you were holding me down, and wanting to tie me up?"

"For a moment it looked as though you were a dangerous maniac,"
admitted Joe. "You can't blame us for not taking chances."

"Of course not...." The young man drew a hand across his forehead. "I
certainly must have had a real blow. I just don't remember a thing. You
say I own a Mercury, but it means nothing to me. I know a Mercury is a
car, for instance, but that's about all. I seem to know how to talk,
what pancakes should taste like ... except that I'm almost willing to
wager that I never tasted any as good as these before."

"Thank you," said Mother, beaming.

"I shouldn't wonder if your past way of life would all fit into place
in your mind, and even though you might not regain full memory, you'd
be able to take up where you left off. When you get back to your
family...."

The young man shook his head. "I don't think I've got a family. It just
doesn't register. Not like the pancakes, or that a Mercury is a car...."

Joe got to his feet. "Come on, Dad, let's get the tractor and get
that Mercury out. Once our friend here knows who he is, maybe he can
remember the details, and be on his way."

The young man got to his feet eagerly. "Yes, let's go. I do have a
burning curiosity, and you can hardly blame me, can you?" He turned to
Pearl's mother. "I want to thank you for your hospitality, and I want
you to know I'll never forget those pancakes, no matter what else I've
forgotten!"

He turned to Pearl, bowed slightly. "It has been nice meeting you, and
those lovely children of yours."

Joe led the way out the kitchen door and waved back at Pearl. "Don't
worry about a thing," he said. "I'll be back just as soon as we get our
friend out of the sand."

       *       *       *       *       *

Later, Joe sat in the living room, and he was surrounded by three human
question marks.

"The children are up at Aunt Margie's," said Pearl. "And now you'd
better tell us what all this is about?"

"It's simple," said Joe. "The Devil has a case of amnesia. As long as
he has it, we're safe. If he recovers his memory, we may be in for it
again. But I have a feeling he won't recover it--perhaps not for a
thousand years."

"Not for a thousand years?" asked Dad. "How do you figure that?"

"Well, in the first place, the Devil isn't gone. That is, he didn't
suddenly leave the body of that young man, as you all seem to think."

"How do you know that?" asked Pearl.

"Easy. I killed the mouse."

"The mouse?"

"Yes. The Devil traded places originally with a mouse, and then traded
places with this young man. But the mouse was dead, so the mouse's
body was empty of a mouse, if I make myself clear. Thus, the mouse is
still the young man, and always will be. The Devil will be the young
man, because his own body is dead. That is, he'll be the young man
until he recovers his memory, if he ever does, and then he could be
anybody. I hope it never happens."

"How can you be absolutely sure all this is a fact?" asked Pearl.

"Jimmy told me," grinned Joe.

"Jimmy?"

"Yes. Remember when I whispered to him? Well, I asked him if the
man still had horns, and he did. Then I told him that it was a very
important secret, and that he was never to discuss it with anyone,
except me. You see, I didn't want anybody to blurt out the word Devil
while the young man was here. Such a thing might be just the key to
bring back his memory."

"But won't he remember, anyway, just as soon as he gets to putting
things together, when he gets back to where the young man has his home
and friends?" asked Dad.

"Why should he? The stimulus of his name, his family, his home should
only serve to add to his subconscious memories as the young man. He
now has the brain and body of a man who has lost his memory. The Devil
can't remember anything but what's already in the young man's mind.
If his _own_ memory is never stirred, the chances are he will never
realize his true identity. He will gradually take on the only one
handy, that of the young man, and he might well turn out to be a model
citizen!"

"So that's what you mean by him being an amnesiac for a thousand
years?" asked Dad.

"Yes. The Bible says the Devil will be bound for a thousand years, cast
into a pit. Must we take that literally? Can't the binding be a mental
one, and can't the pit be amnesia?"

"It could be," said Mother suddenly. "Even hell, I believe, is a state
of mind."

       *       *       *       *       *

Pearl started. "Does that mean that now we'll have no more crime on
earth, no more evil?"

"I'm afraid not," said Dad. "I know one thing for sure, the Devil is
not the author of _all_ evil. Mankind is cussed enough in his own
right, and even with the Devil suffering from amnesia, I feel sure
there'll be plenty of trouble going on."

"But not _quite_ as much," said Joe, looking at Dad. "With one less
evil companion, things should be a mite better, don't you think?"

"Your logic," said Dad, "is unassailable."

Pearl looked thoughtful. "What if the young man meets a girl, falls in
love, and she him, and marries her? She'd be married to the Devil, in
actuality."

Dad grinned at her. "It wouldn't be the first young man to be reformed.
In that case, I'd say, the Devil would be better off with amnesia!"


                                THE END





*** END OF THE PROJECT GUTENBERG EBOOK THE DEVIL DOWNSTAIRS ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.