The gold thimble : A story for little folks

By Oliver Optic

The Project Gutenberg eBook of The gold thimble
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The gold thimble
        A story for little folks


Author: Oliver Optic

Release date: November 26, 2023 [eBook #72229]

Language: English

Original publication: Boston: Lee and Shepard, 1862

Credits: Bob Taylor, Aaron Adrignola and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)


*** START OF THE PROJECT GUTENBERG EBOOK THE GOLD THIMBLE ***




  Transcriber’s Note
  Italic text displayed as: _italic_




[Illustration: The Giant and the Fairy.]




[Illustration: RIVERDALE STORY BOOKS

THE GOLD THIMBLE

BOSTON, LEE & SHEPARD.]




  The Riverdale Books.

  [Illustration: Decoration]

  THE GOLD THIMBLE.

  A STORY FOR LITTLE FOLKS.

  BY

  OLIVER OPTIC,

  AUTHOR OF “THE BOAT CLUB,” “ALL ABOARD,” “NOW OR NEVER,” “TRY
  AGAIN,” “POOR AND PROUD,” “LITTLE BY LITTLE,” &c.

  BOSTON:
  LEE AND SHEPARD,
  (SUCCESSORS TO PHILLIPS, SAMPSON & CO.)
  1865.




  Entered, according to Act of Congress, in the year 1862, by

  WILLIAM T. ADAMS,

  In the Clerk’s Office of the District Court of the District of
  Massachusetts.

  ELECTROTYPED AT THE
  BOSTON STEREOTYPE FOUNDRY.




THE GOLD THIMBLE.

[Illustration: Decoration]


I.

Mr. Lee had a gardener whose name was Long. He lived in a little
cottage near the great house of his employer. He was a very good
gardener, and Mr. Lee valued him highly for his knowledge of plants,
and for the fidelity with which the man served him.

Mr. Long had a family, but only three of his children remained at home.
The others worked in the mills, or had places in the city. Mary, the
youngest, was about Flora Lee’s age; and the other two at home were
fourteen and sixteen.

Early in the winter Mrs. Long was taken sick, and for several weeks
was confined to her bed. During this illness Susan took care of her
mother, and did the house work besides, with the help of her father and
her brother John.

Mrs. Lee thought this was too much for a girl of sixteen, and she
wanted to send one of her servants down to the cottage to do the
hardest of the work; but Susan declared she could do the whole very
well indeed, and did not need any help.

At the same time she said that Mary gave her some trouble, and was a
great care to her. Mrs. Lee, finding she could do no more, offered to
take the troublesome little girl home with her, and keep her for two or
three weeks.

Mrs. Lee did this kind act in a very quiet and pretty way. She did not
tell Susan she would take her sister in order to make less work in the
family, for she saw that she took pride in doing it all herself. But
she invited Mary to go up to her house and spend two or three weeks
with Flora.

I do not think it is wicked to do a kind act in this way, for it can
hardly be called deception. Some people do their good deeds so that
every body may see them; and some do all their kind acts so that no
person’s feelings shall be hurt.

The New Testament tells us not to let the right hand know what the
left hand doeth; that is, we must not parade our deeds of charity and
kindness before the world. If you had a little friend who was very
poor, but very proud, you might do something for him in such a way
that he would not feel as though he was accepting a gift.

Susan was very glad of this relief, and Mary was very glad to go up
to the great house, and walk through its handsome rooms, and over its
rich carpets. For the first day she could do nothing but walk through
the rooms and look at the fine things she saw. There were a great many
books with pretty pictures in them. The walls of the parlor and sitting
room were covered over with fine paintings, and on the mantel-pieces
were beautiful statues. There were, indeed, so many nice things to be
seen, that one day was scarcely enough to allow her to look at them as
much as she wished.

But my story is not about fine pictures, and statues, and carpets,
and sofas. It will be a story within a story which Mr. Lee told to the
children, with the reason why he told it; and I hope my young friends
will learn the same good lesson from it that poor Mary Long learned.

When Mary had been at Mr. Lee’s a few days, and got used to the fine
things there, Flora missed a little gold thimble, which one of her
aunts had given her as a Christmas present.

Flora felt very badly when she found that the thimble was gone; not
because it was gold, and worth two or three dollars, but because it was
the gift of her aunt.

“Don’t cry, Flora,” said Mrs. Lee. “You will probably find the thimble
again. If you do not, crying will not mend the matter.”

“But aunt Sarah gave it to me, and I wouldn’t lose it for any thing,”
sobbed Flora.

“Where did you leave it, my child?”

“On the table in the parlor. I put it there while I opened the blind;
and when I came out I forgot all about it. Then I went to look for it,
and couldn’t find it any where.”

“Are you quite sure you left it there? Think again for a moment.”

“Very sure, mother.”

“Don’t be too sure, Flora,” added her mother, with a smile. “You know
you were very positive, the other day, that you left your scissors in
the basket; and then you found them in your play room—just where you
had put them yourself.”

“I know it, mother; but I feel pretty sure, this time, that I left the
thimble on the table.”

“I think you had better look in every room you have visited since you
lost it. How long ago was it?”

“About an hour, I should think. I never thought of it till just now.”

“Well, you look in every place you have been, and if you don’t succeed
in finding it, I will help you search for it then.”

Flora went immediately to the play room, and then to the kitchen, the
dining room, and a dozen other places; but the gold thimble was not to
be found. Then she tried to think where else she had been, and went
over the ground a second time.

“I can’t find it, mother. I have looked every where,” said she, as she
joined her mother in the sitting room.

“It must be in the house somewhere. It cannot have been stolen. None of
the servants have been in the parlor; and if they had, I am sure they
would not steal any thing that belongs to you, Flora.”

“I don’t think any one stole it, mother. How wicked that would be!”

“Have you seen the thimble, Mary?” said Mrs. Lee, as she turned to the
gardener’s daughter.

“No, marm. I haven’t seen any thing of it, as true as I live and
breathe,” replied Mary, speaking in a very earnest manner.

Mrs. Lee looked at her when she used these strong words, and she was
sad, for there was something in Mary’s manner that did not seem to her
just right. But she said no more, and went immediately with Flora to
search again for the lost thimble.

If Mary had answered with a simple “No,” perhaps Mrs. Lee would not
have suspected her; as it was, she could not help thinking that the
child had taken the thimble. Jesus said, “Let your communications be,
Yea, yea; nay, nay; for whatsoever is more than these cometh of evil.”

Those words, “as true as I live and breathe,” children, came of evil.

[Illustration: Telling the Story.]


II.

The search for the gold thimble was long and patient, but it could not
be found; and when Mrs. Lee said it was useless to look any more, poor
Flora burst into tears again.

“I don’t see what has become of it, mother,” said she. “I am so sorry I
took it out of the work box! Aunt Sarah will think I am careless.”

“Why did you take it out?”

“I wanted to show it to Mary. It was so pretty, I thought it would
please her.”

“I do not see that any one is to be blamed,” added her father.

“I don’t blame any one but myself. I was careless to carry it around
the house with me. I remember when I went to open the blind, I was
afraid I should scratch it, and so I put it on the table.”

“I will buy you another, Flora, the next time I go to Boston,” said Mr.
Lee.

“But that wouldn’t be aunt Sarah’s thimble,” sobbed Flora.

“Perhaps aunt Sarah will give you another when she hears that you have
lost it.”

“I would rather find it.”

“When you can’t do what you would, you must do the next best thing, my
child.”

“What is that, father?”

“Do without it.”

The tea bell rang then, and Flora wiped away her tears, and tried to
reconcile herself to the loss of the thimble. She was very sad and
unhappy, for she felt that it had been lost by her own carelessness.

The feeling that we have done wrong is far more painful than the
consequences which follow that wrong. Many good and true men have been
happy while their bodies were burning at the stake, or while they were
shut up in prison.

All the family sat down at the tea table except Mr. Lee, and he went up
stairs. He was absent fifteen or twenty minutes, and when he came back
he looked very sad, as though something unpleasant had happened.

But no one asked him any questions, and he did not say any thing to
inform the rest of the party what had occurred during his absence.

After tea, the family gathered around the cheerful fire in the sitting
room, as they always did during the long winter evenings. Mary was
busy with a great book, which was full of pictures. Flora had a little
story book in her hand, but she did not read it. She felt so badly
about the loss of her thimble that she could not read.

Mrs. Lee was sewing, and Mr. Lee was looking over the newspaper which
David White had brought in the afternoon.

He did not read all the time, for he kept looking into the fire, and
seemed to be thinking of something besides the contents of the paper.

“What is the matter, Flora?” asked he, at last, as he laid the
newspaper on the table. “You are very quiet to-night. You generally
laugh and play at this time in the evening.”

“I can’t help thinking about my thimble, father. I would give any thing
to know what has become of it,” replied she, earnestly.

“Perhaps Mary can tell you something about it,” added Mr. Lee, as he
fixed his gaze upon the gardener’s daughter.

“I don’t know any thing about it, sir,” replied Mary, her face turning
very red, as her eyes met the stern look of Mr. Lee.

“Were you with Flora at the time she lost the thimble?”

“Yes, sir; I suppose I was; but I haven’t got the thimble.”

“I know you haven’t got it, Mary. I only asked you if you were with
Flora at the time she lost it.”

“I guess I was, sir; I don’t know. But I haven’t seen it, sir; as true
as I live and breathe, I haven’t.”

“Didn’t you see it on the table, when Flora left it? Just think a
moment.”

“No, sir; I didn’t see any thing at all of it.”

“There would have been no harm in seeing it, you know.”

“No, sir; but I didn’t see it. I hope to die if I did.”

“I would not use such expressions, Mary. A simple ‘Yes,’ or a ‘No,’
is a great deal better. It means more. It sounds more like the truth,
than, ‘As true as I live and breathe,’ and, ‘I hope to die if I did,’
or ‘did not.’”

“I won’t say so any more, sir. I did not think it was any harm.”

“Perhaps you did not; but I am always afraid, when a person uses these
strong expressions to me, that he is telling me a falsehood.”

“O, I am sure Mary hasn’t got my thimble, father,” said Flora, who
could not see why Mr. Lee should be so sad and stern, and almost
accuse poor Mary of taking the thimble.

“I’m sure I haven’t, Flora. As true as I—”

“Do not say that again, Mary,” interrupted Mr. Lee.

“But Mary hasn’t got my thimble, father,” added Flora.

“She has not, my child. Here is your thimble,” said Mr. Lee, handing
the lost treasure to her.

“Why, father! Where did you get it?” exclaimed Flora, jumping out of
her chair, and dancing with pleasure at the sight of the thimble.

“I found it, Flora.”

“Where did you find it, father?”

“I do not wish to tell you at present.”

“Then I was very careless. I will try to do better in future.”

“Do not reproach yourself, my child. I do not even know that you have
been careless. On the contrary, I think you were very prudent in taking
off the thimble before you opened the blind.”

“What _do_ you mean, father? I’m sure I don’t understand you.”

“Perhaps you will understand me another time.”

During this conversation Mary’s face was very red, and she kept
turning the leaves of the great book; though any one might have seen
that she hardly looked at the pictures. She did not seem to take any
interest in what was going on in the room, and expressed no pleasure at
the finding of the thimble.

“I knew Mary hadn’t got it!” said Flora.

“We will say no more about it just now, my child; and I will tell
you a story. It will be a kind of fairy story, and I hope it will be
pleasing to you.”

“O, I am so delighted, father!” said Flora, as she seated herself on a
cricket at his feet.

“And, Mary, you may put away your book, now, for I think the story will
interest you.”

The gardener’s daughter at once obeyed, and Mr. Lee commenced the
story, which will be found in the next chapter.

[Illustration: Horse]

[Illustration: Seekpeace and Poverty.]


III.

“‘Once upon a time—’”

“That’s just the way the fairy stories begin,” exclaimed Flora,
clapping her hands with delight.

“Well, my child, you must not interrupt me, or I shall not get along
very fast. ‘Once upon a time, there was a young man whose name was
Seekpeace. His parents had taken great care in bringing him up, and
stored his mind with good lessons to guide and protect him in the hour
of temptation.

But the parents of Seekpeace were poor people, and could not afford to
support their son in idleness, even if they had wished to do so. They
had done all they could for him in teaching him to be true to God and
true to himself.

One day they called Seekpeace to them, and told him they could not
afford to take care of him any longer, and that he must go out into the
world and make his own fortune. They hoped he would try to be a wise
and good man; and told him that nothing but a pure heart could make him
happy either in this world or in the world to come.

Seekpeace was a smart, active young man, and was very willing to go out
into the world and take care of himself. So he took a little bundle of
clothes, and with staff in hand started off on his journey.

He felt that he was now his own master; and when he started, he wanted
to become a great and good man. He promised himself that he would be
faithful to the principles which his father and mother had taught him,
and that they should never have cause to be ashamed of him.

Seekpeace had not gone far before he met an old man who was dressed in
coarse and homely garments. He seemed to be very poor, but his face
beamed with smiles.

“What is your name?” inquired Seekpeace.

“My name is Poverty; and I belong to a very large family of that name.”

“Where are you travelling?”

“I am going home to the Valley of Shadows, where I am to meet all my
brethren of every name and family.”

“Why don’t you wear better clothes?” asked Seekpeace, glancing at his
coarse garments.

“They are the best I have.”

“Why don’t you buy better?”

“I have no money.”

“What! an old man like you with no money? What have you been doing all
your life?”

“I have been serving the Master; and perhaps I have laid up treasures
which may some day be bestowed upon me.”

“Poor man! How I pity you!”

“You need not pity me. I am happy and contented. I shall soon get home,
and then I shall enter upon the enjoyment of my treasures.”

“But it is too bad for an old man like you to be without money, and to
be dressed in such mean garments.”

“When I get home I shall wear brighter garments than these; and in the
Valley of Shadows, money will not buy me even a cup of the living water
which alone can slake my thirst.”

“You are a very queer old man,” said Seekpeace, as he glanced at the
pilgrim’s face, upon which played a sweet smile.

“Perhaps I am. My neighbors call me Contented Poverty; and I think I
am as happy as any of them,” replied the old man, as he resumed his
journey.

Seekpeace did not know what to think of the old man. He did not see
how he could be so happy, dressed in those coarse clothes, and with no
money in his purse. He did not understand who the Master was that he
served, nor why he was not paid for his work at the time he did it.

He noticed that the old man did not complain because he was not paid;
and certainly he was a very happy man for one who had not received his
wages.

When Seekpeace had gone a little farther, he saw a fine carriage drawn
by six beautiful horses, in which was seated another old man. He was
dressed in the richest and most costly garments.

“Who are you, sir?” asked Seekpeace, taking off his hat and bowing low
to the old man.

“My name is Wealth; and I live in the great mansion which you see on
the hill.”

“Where did you get all the money to enable you to purchase these fine
horses, and these very rich garments, and the great house on the hill?”

“I gave myself up to the business of money-making.”

“You seem to be a very happy man,” said Seekpeace, though there was no
smile on the old man’s face.

“I have servants by the score, and my house is full of fine things. My
table is covered with dainties, and my beds are of the softest down,”
said the man; but he did not say that he was happy, though Seekpeace
thought he must be, in the midst of so many fine things.

The carriage left him, and Seekpeace could not help comparing the
condition of the two old men. One had all the fine things of this
world, and the other had none.

“I will be a rich man,” said Seekpeace. “I will get money, and buy me
a great mansion, and fine clothes, and handsome horses. I will have
servants by the score. I will have my table covered with the richest
food of the land, and I will sleep upon beds of down.”

“That’s right, young man,” said a voice near him. “Be a rich man, and
then all men will bow their heads to you.”

Seekpeace turned to see who it was that spoke to him, and beheld the
giant whose name is Goldenhand standing by his side. The young man
was not afraid of the giant, for though he was very large, there was
nothing ugly about him.

He was dressed in rich garments, and he was just the person to please a
young man. He was a very skilful and powerful giant; and just to show
Seekpeace what he could do, he pulled down an old house that stood by
the road side, and piled up a handsome stone mansion in its place; and
he performed a great many other wonderful things, that filled the young
man with unbounded astonishment.

“Now, young man, you have seen what I can do, and if you wish to go
with me, I will help you to become rich and great,” said Goldenhand.

“But where must I go, and what must I do?” asked Seekpeace.

“I cannot tell you now. A great many different kinds of people go with
me. Some of them will do any thing I ask them to do, and they generally
get rich very fast. Others are not so willing to obey me, and prate
about right and justice; and a great many of these I am obliged to
discharge from my service. If you go with me, I shall expect you to
obey me in all things.”

“I wish to know what I am to do before I go,” said Seekpeace. “I am in
search of happiness.”

“Come with me, then, young man, and you will most certainly find it.”

“Don’t go with him,” said a sweet voice on the other side of Seekpeace.
“At least don’t promise to obey him in all things.”

[Illustration: Flower]

[Illustration: Mary in the Parlor.]


IV.

Seekpeace turned to see who had spoken, and beheld a beautiful little
fairy, whose face was so full of loveliness that he wanted to make her
his friend at once.

“Who are you, beautiful fairy?” asked Seekpeace.

“My name is Pureheart,” replied the fairy. “Goldenhand has done a
great deal of good in his time, but he often leads young men away from
their duty, and makes them very unhappy.”

“Don’t mind her,” said Goldenhand. “She is very pretty, but she can
give you no fine houses, no rich food, no soft beds, no willing
servants.”

“I can give you what is better than all these; I can give you a
conscience void of offence before God and man.”

“Don’t stop to hear her prate; but come with me, and I will show you
the Palace of Luxury, in which you may live and be happy, if you will
only serve me faithfully, and not bother your head with Pureheart’s
nonsense,” said Goldenhand.

“Be wise, Seekpeace, and do not take a step which you will regret when
it is too late to repent,” urged Pureheart.

Then Seekpeace was sorely perplexed. Goldenhand promised him ever so
many fine things; and Pureheart, beautiful as she was, said nothing
about great houses, soft clothing, and downy beds.

After thinking a long time, he told the giant he would go with him
and see the Palace of Luxury. Then he saw the tears in the eyes of
Pureheart, as she turned to leave him.

Goldenhand took his arm, and presently they reached the Palace of
Luxury. The doors were thrown wide open to them, and the giant pointed
out the splendid carpets, the rich furniture, the soft beds, the tables
loaded with all the good things of every clime, the spicy gardens, and
every thing that could please the senses.

“Now will you come with me?” asked Goldenhand.

“What am I to do?”

“You see that cottage yonder. In it lives a widow, with three small
children. She has a hundred pieces of gold in the house. Go and take it
from her. You shall have it all for your own.”

“What! rob the widow and the orphans of their daily bread? I cannot do
that,” replied Seekpeace, with evident horror.

“You are a silly young man. Why, others do just such things, and why
should not you?” said Goldenhand, with a sneer.

“Others may do it, but I cannot.”

“Then you and I cannot be friends,” added the giant, angrily; and he
disappeared, leaving Seekpeace standing at the door of the Palace of
Luxury.

While the young pilgrim was wondering what had become of the giant, he
perceived that Pureheart was again standing by his side.

“You have done well, Seekpeace,” said the fairy, with a sweet smile on
her beautiful face. “But I see you still cast longing looks at the
Palace of Luxury. Let us enter, and examine some of the fine things you
saw there.”

Pureheart led the way into the palace, and the young man again admired
the splendors of the interior, and wished he might possess them.

“What a rich carpet!” exclaimed he.

“It is very pretty, but let us examine it a little more closely.”

Then Pureheart tore up the rich carpet, and Seekpeace saw that beneath
it there were a great many little sharp points; and the fairy told
him that by and by the carpet would wear down, and the sharp points
would prick the feet of him who owned the palace, if he got into it by
robbing the widow and the orphan.

Pureheart then led him into a chamber, and showed him that beneath the
downy bed there were sharp spikes, which would pierce the flesh of him
who slept on the couch, if he entered the palace by such means as the
giant had recommended.

In the dishes of rich food the fairy pointed out little grains of
poison, as well as at the bottom of the wine cups. The fine clothes
in the wardrobe were found to be filled with nettles. In the splendid
apartments of the palace, hid beneath the fine furniture, they found
some hideous serpents, which no one could wish to have in the house
with him.

“I am sure I don’t want to live in such a place as this,” said
Seekpeace.

“I thought you would not, if you only understood its nature.”

“But can’t I have all these fine things without being wicked?” asked
Seekpeace.

“Perhaps you may. I don’t know. I only wanted to teach you that all
these fine things are not happiness: Remember what your father and
mother told you; be true to God and true to yourself, and you will be
happy, whether you live in a palace or a cottage.”

“You are very beautiful,” said Seekpeace, as he gazed at the shining
face of the fairy. “I wish you would go with me on my journey.”

“I will go with you if you wish me to do so; but I am jealous; and when
you forget or neglect me, and love Goldenhand better than you love me,
I shall leave you.”

“You shall be my friend to the end of my journey,” said Seekpeace, as
he embraced the fairy. “And if Goldenhand won’t help me without my
lying, and cheating, and stealing, why, then I will be like the old
man in the coarse garb, whom I met this morning. He was no friend of
Goldenhand, I suspect.”

“He was not. The giant tempted him as he has tempted you; but the old
man loved me best.”

“I will love you with all my soul as long as I live; and when I meet
the old man in the Valley of Shadows, I hope we shall be happy.”

“You will be, forever and forever,” said the fairy, with a radiant
smile.

And Seekpeace most faithfully kept his promise, and was happy to the
end of his journey.’

       *       *       *       *       *

“Now, how do you like my story, children?” asked Mr. Lee.

“Very much, father,” replied Flora. “I think I know what it means too.
Goldenhand wasn’t a real giant, like those in Jack and the Beanstalk.”

“You are right, my child. What do you think of Pureheart?”

“She was a very nice fairy.”

“What do you think of her, Mary? Did you like her?”

“Yes, sir.”

“Then I hope you will love her as Seekpeace did. But, Mary, you did
not say ‘no’ to the giant when he asked you to take the thimble, as
Goldenhand asked Seekpeace to take the widow’s gold. If you had said
‘no,’ Pureheart would at once have come to help you resist temptation,
and make you happy.”

“I never will do so again,” exclaimed Mary, bursting into tears.

“I hope you never will,” added Mr. Lee. “The giant often tempts
boys and girls to take what does not belong to them. Resist him, as
Seekpeace did, and Pureheart will be your friend to the end of your
journey.”

Mr. Lee did not tell the children that he had found the gold thimble
in Mary’s basket; but he hoped that his story would do her good. And I
hope my little readers will understand and profit by it.




WHIP-POOR-WILL.

A SAD STORY OF A NAUGHTY BOY.

[Illustration: Decoration]


    There was a little fellow,
      And his name was Willie Brown;
    His mother was a widow,
      In a little country town.
    One day he was so naughty
      That his mother told him not
    To leave the house a moment
      Till a whipping he had got.

    If you wish to know how naughty
      This Willie Brown had been,
    Let me tell you that the wash tub
      He had thrown poor kitty in;
    And the pretty little creature—
      Old pussy’s joy and pride—
    Had struggled in the soap-suds
      Till in agony she died.

    Don’t you think ’twas very wicked
      For Willie, in his wrath,
    To give the darling kitty
      Such a soap and water bath?
    Don’t you think he needed something
      To teach him better—that
    Soap-suds was not the element
      To drown a pussy-cat?

    Willie did not want a whipping,
      And the stick he dreaded so,
    That he minded not his mother,
      Who had told him not to go;
    But in terror and in silence
      He departed from the house,
    Creeping out the door on tiptoe,
      Like a thieving little mouse.

    Behind his mother’s cottage
      Was the forest deep and wide;
    And the naughty boy kept running
      Till he reached its gloomy side;
    Then he took the beaten pathway,
      Which the cows and sheep had made,
    And hour after hour there
      Within the forest staid.

    Willie wandered in the forest
      Till the sun went down at last,
    And the darkness, deep and dreary,
      Gloomy shadows round him cast;
    Far more than any whipping
      Did he fear the long dark night;
    So his steps he home directed,
      Guided by the cottage light.

    But a little way he travelled
      When a scream from overhead
    Almost froze his blood with terror
      As he homeward swiftly fled.
    And the cry above him sounded,
      “Whip-poor-will! whip-poor-will!”
    And again it was repeated,
      “Whip-poor-will! whip-poor-will!”

    “Don’t whip me; O, don’t whip me!”
      Cried the trembling little lad;
    “And I’ll never drown a kitty,
      And I never will be bad.”
    But the voice above kept screaming,
      “Whip-poor-will! whip-poor-will!”
    Though poor Willie begged for mercy,
      It kept crying, “Whip-poor-will!”

    “Don’t let them whip me, mother!”
      Cried poor trembling Willie Brown,
    As he rushed into the cottage,
      Where poor kitty he did drown.

    “The monsters in the forest
      Want to whip me, mother, still;
    And they chased me, ever crying,
      ‘Whip-poor-will! whip-poor-will!’”

    “You are foolish, boy, as naughty;
      It was nothing but a bird;
    Of the whip-poor-will that says so,
      Pray, have you never heard?
    It was your conscience, Willie,
      Made you feel so very bad,
    For you did not mind your mother,
      And you are a wicked lad.

    “And boys who are so naughty,
      Must always cowards be,
    Who sometimes in their shadows
      Can such awful monsters see.
    But since you were so wicked
      As the kitty dear to kill,
    And the bird did only scare you,
      Why, then, I must whip poor Will!”

[Illustration: Dog]




        
            *** END OF THE PROJECT GUTENBERG EBOOK THE GOLD THIMBLE ***
        

    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.