A bold bad butterfly : & Other fables and verses

By Oliver Herford

The Project Gutenberg eBook of A bold bad butterfly
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: A bold bad butterfly
        & Other fables and verses

Author: Oliver Herford

Release date: January 13, 2026 [eBook #77690]

Language: English

Original publication: London: Gay and Bird, 1906

Credits: David Edwards, Tom Trussel, and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)


*** START OF THE PROJECT GUTENBERG EBOOK A BOLD BAD BUTTERFLY ***




                          A BOLD BAD BUTTERFLY

              [Illustration: _Frontispiece_ _See p. 57._]




                               A Bold Bad
                                Butterfly
                            _& Other_ FABLES
                              and VERSES by

                             OLIVER HERFORD

                           with many pictures
                             by _the Author_


                             [Illustration]


                          London: Published by
                              Gay and Bird

                                  MCMVI




                               PRINTED BY
                     HAZELL, WATSON AND VINEY, LD.,
                          LONDON AND AYLESBURY.




CONTENTS


                            PAGE

  THE BOLD BAD BUTTERFLY       1

  CRUMBS                       6

  THE SILVER QUESTION          7

  HOW THE LION BECAME KING    13

  THE WAKEFUL PRINCESS        19

  A CORNER IN CURLS           27

  TELL-TALE                   35

  GOSSIP                      38

  A HOPELESS CASE             39

  THE FALL OF THE ROSE        43

  SCANDAL                     44

  THE QUARREL                 46

  A BUTTERFLY OF FASHION      49

  THE MISSING LINK            53

  THE SNAIL’S DREAM           56

  LÈSE MAJESTÉ                57

  THE LOVESICK SCARECROW      59

  THE MUSIC OF THE FUTURE     61

  THE DOORLESS WOLF           64

  THE CHARM THAT FAILED       67

  JAPANESQUE                  73

  THE FIRST 1ST OF APRIL      74

  THE BOASTFUL BUTTERFLY      76

  THE TRAGIC MICE             80

  A THREE SIDED QUESTION      82

  THE LEGEND OF THE LILY      88

  THE UNTUTORED GIRAFFE       90

  THE ENCHANTED WOOD          94

  A BUNNY ROMANCE             98

  THE FLOWER CIRCUS          103

  THE FATUOUS FLOWER         109

  THE INVENTIVE DRAGON       112

  THE LION’S TOUR            115

  THE MERMAID CLUB           119

  TRANSCRIBER’S NOTE




THE BOLD BAD BUTTERFLY


    One day a Poppy, just in play,
    Said to a butterfly, “Go ’way,
    Go ’way, you naughty thing! Oh, my!
    But you’re a bold bad butterfly!”

    Of course ’twas only said in fun,
    He was a perfect paragon--
    In every way a spotless thing
    (Save for two spots upon his wing).

    But tho’ his morals were the best,
    He could not understand a jest;
    And somehow what the Poppy said
    Put ideas in his little head,
    And soon he really came to wish
    He _were_ the least bit “devilish.”

[Illustration]

    He then affected manners rough
    And strained his voice to make it gruff,
    And scowled as who should say “Beware,
    I am a dangerous character.
    You’d best not fool with me, for I--
    I am a bold, bad butterfly.”

    He hung around the wildest flowers,
    And kept the most unseemly hours,
    With dragonflies and drunken bees,
    And learned to say “By Jove!” with ease,
    Until his pious friends, aghast,
    Exclaimed, “He’s getting awf’lly fast!”

[Illustration]

[Illustration]

    He shunned the nicer flowers, and threw
    Out hints of shady things he knew
    About the laurels, and one day
    He even went so far to say
    Something about the lilies sweet
    I could not possibly repeat!

[Illustration]

[Illustration]

    At length, it seems, from being told
    How bad he was, he grew so bold,
    This most obnoxious butterfly,
    That one day, swaggering ’round the sky,
    He swaggered in the net of Mist-
    er Jones, the entomologist.

    “It seems a sin,” said Mr. J.,
    “This harmless little thing to slay,”
    As, taking it from out his net,
    He pinned it to a board, and set

    Upon a card below the same,
    In letters large, its Latin name,
    Which is--

           ┌─────────────┐
           │             │
           │      ?      │
           │             │
           └─────────────┘

                   but I omit it, lest
    Its family might be distressed,
    _And stop the little sum per year
    They pay me not to print it here_.

[Illustration: Finis]




CRUMBS


    Up to my frozen window-shelf
      Each day a begging birdie comes,
    And when I have a crust myself
      The birdie always gets the crumbs.

    They say who on the water throws
      His bread, will get it back again;
    If that is true, perhaps--who knows?--
      I have not cast my crumbs in vain.

    Indeed, I know it is not quite
      The thing to boast of one’s good deed;
    To what the left hand does, the right,
      I am aware, should pay no heed.

    Yet if in modest verse I tell
      My tale, some editor, maybe,
    May like it very much, and--well,
      My bread will then return to me.




THE SILVER QUESTION


    The Sun appeared so smug and bright,
      One day, that I made bold
    To ask him what he did each night
      With all his surplus gold.

    He flushed uncomfortably red,
      And would not meet my eye.
    “I travel round the world,” he said,
      “And travelling rates are high.”

    With frigid glance I pierced him through.
      He squirmed and changed his tune.
    Said he: “I will be frank with you:
      I lend it to the Moon.

    “Poor thing! You know she’s growing old
      And hasn’t any folk.
    She suffers terribly from cold,
      And half the time she’s broke.”

[Illustration]

[Illustration]

    That evening on the beach I lay
      Behind a lonely dune,
    And as she rose above the bay
      I buttonholed the Moon.

    “Tell me about that gold,” said I.
      I saw her features fall.
    “You see, it’s useless to deny;
      The Sun has told me all.”

[Illustration]

    “Sir!” she exclaimed, “how _can_ you try
      An honest Moon this way?
    As for the gold, I put it by
      Against a rainy day.”

    I smiled and shook my head. “All right,
      If you _must_ know,” said she,
    “I change it into silver bright
      Wherewith to tip the Sea.

    “He is so faithful and so good,
      A most deserving case;
    If he should leave, I fear it would
      Be hard to fill his place.”

    When asked if they accepted tips,
      The waves became so rough;
    I thought of those at sea in ships,
      And felt I’d said enough.

    For if one virtue I have learned,
      ’Tis tact; so I forbore
    To press the matter, though I burned
      To ask one question more.

    I hate a scene, and do not wish
      To be mixed up in gales,
    But, oh, I longed to ask the Fish
      Whence came their silver scales!

[Illustration]




HOW THE LION BECAME KING


    Once in the hazy days of Yore
    (I cannot very well be more
    Explicit, since it was before
        Dates were invented).
    Once on a time, as I began
    To say, the Lion formed a plan
    To undermine the rule of Man,
        Which he resented.

    In answer to the Lion’s call,
    His fellow-creatures, great and small,
    From earth and air came one and all
        In Trepidation.
    He then delivered a discourse,
    And proved with eloquence and force
    Man was their one and only source
        Of Tribulation.

    “What is he--taken at his best?
    A mere pretence! Not even dressed,
    If we his puny form divest
        Of spoil he’s looted.
    The fact that we can far excel
    His boasted Strength and Speed, as well
    As Hearing, Sight, and Taste, and Smell,
        Is undisputed.

    “I am not boasting when I own
    For Strength I’d back my claws alone
    Against his battle-axe of stone;
        While, as to Vision,
    ’Tis nothing more than idle talk
    To mention Man beside the Hawk--
    The swift Horse, too, his clumsy walk
        Views with derision.

    “Only Man’s Ignorance, I’m bound
    To say, could possibly confound
    The Scent and Hearing of the Hound
        With his dull powers;
    As well his Taste, that gluts on fare
    Like half-burnt Antelope and Bear,
    With the fastidious Bee compare,
        That sips the flowers.

[Illustration]

    “And yet,” the Lion said, “though we
    Outshine Man to the last degree
    Collectively, none holds as he
        The Combination.”
    In short, the moral of his theme
    Was this: If Beasts would reign supreme
    Their only practicable scheme
        Was Federation.

[Illustration]

    And so, in view of Public Need,
    The Hawk, Hound, Bee, and Horse agreed
    To pool their Sight, Scent, Taste, and Speed;
        And in due season
    They made, _pro tem._, the Lion King,
    Intrusting him with everything
    Upon condition he would bring
        Proud Man to reason.

    The crafty Lion then proposed
    To send an Embassy composed
    Of those same four. As none opposed,
        They started straightway,
    And, coming to Man’s portals wide,
    They entered, but no trace espied
    Of Man, until (from the outside)
        He closed the gateway.

    And there he kept them till they swore
    To be his servants evermore,
    And work his will, and bow before
        His rod of iron:
    The Dog to watch, the Hawk to kill,
    The Horse to carry and to till,
    The Bee with sweets his jars to fill.
        All save the Lion--

    The Lion stayed at home--and purred,
    And kept thenceforth the crown conferred
    _Pro tem._, and nothing more was heard
        About Conditions.
    So ends my tale. Perchance it brings
    Some light to bear on certain things--
    Such as the Origin of Kings,
        And Politicians.

[Illustration]




THE WAKEFUL PRINCESS


    One Time there lived (that is to say,
    If half a crust of bread a day
    And sleeping on a bed of hay
        May so be rated)
    A Gentle Youth who tuned his lay
    To all the Metres of the day,
    But was not, I regret to say,
        Appreciated.

[Illustration]

    In Market-place or Public Way
    He read his ode or sang his lay,
    As was the custom of the day,
        But none suggested
    A Laurel Wreath or Crown of Bay:
    Instead, one morn, to his dismay,
    While spouting forth a Tragic Play,
        He was arrested.

    In Irons he was led away,
    And, by a Justice stern and gray,
    For blocking up the Public Way
        He was indicted.
    Then, since he had nowith to pay
    The Fine (a trifle anyway),
    To leave the town without delay
        He was invited.

    There was no choice but to obey--
    He left the town at break of day,
    Yet still his heart was brave and gay
        Fate could not queer him.
    For was it not the month of May,
    Were there not flowers beside the way,
    And little lambs to sport and play,
        And birds to cheer him?

    He journeyed on for many a day;
    The Peasants gave him Curds and Whey;
    For aught I know the Fairies may
        Some Food have found him.
    At night he slept beneath a Bay
    Or Laurel Tree, and, I dare say,
    Dreamed he was Laureate, and they
        Were twined around him.

[Illustration]

    Indeed, his only trouble lay
    In this, that though his spirits gay
    And gentle Heart and winning way
        Charmed and delighted
    All whom he met, yet, strange to say,
    To hear his verses none would stay--
    Even the Peasants ran away,
        When he recited.

[Illustration]

    But he was not the sort that say,
    “Oh, woe is mine--alack-a-day!”
    He lived for Hope, and in some way
        Was bound to find it.
    “What matter! Let them go,” he’d say;
    “Each to his taste--henceforth I’ll play
    And sing to Birds alone, for they
        Don’t seem to mind it.”

    And so he journeyed many a day,
    Till now at last his darkening way
    Lies through a forest dim and gray;
        Yet, nothing daunted,
    Though hoary branches bar the way,
    And twisted roots his steps betray,
    And ghostly voices seem to say
        The place is haunted,

    Singing a Carol blithe and gay,
    He presses on, nor does he stay,
    Until at last the light of day
        His sight surprises.
    And now a little winding way
    Leads, through a meadow pink with May,
    To where, not half a mile away,
        A Palace rises.

    He wandered on, his thoughts astray,
    Framing a little Roundelay
    And weaving garlands of the May
        (For whom not guessing),
    Until before him suddenly
    There loomed a gateway grim and gray,
    Whose dark doors yielded to the sway
        Of his light pressing.

[Illustration]

    And lo! a garden gleaming, gay
    With flowers in dazzling array,
    And fountains flashing silver spray,
        And bowers shady;
    And on an emerald bank there lay
    A creature fairer than the day,
    Yet sadder than a moonlight ray--
        A wondrous lady.

    Abashed the Poet turned away,
    When a low voice entreated, “Stay!
    Read me that little Roundelay
        I heard you singing.”
    It was as though upon him lay
    A spell that forced him to obey,
    And he recited it straightway
        In voice clear ringing.

[Illustration]

    A dreamy, languid, far-away
    Expression dims her eyes as they,
    Like violets at droop of day,
        Are closing--closing.
    The Poet ends his Roundelay,
    And turns to hear what she may say,
    And finds to his complete dismay
        The Princess dozing.

    Then rose a cry: “She sleeps! Hurray!
    The Princess sleeps! Oh, joyful day!
    The spell is broken--Rise, I pray,
        Oh, sweet song-maker.”
    ’Twas the King spoke, “Arise, I pray:
    I make you Laureate this day;
    My daughter’s hand, too, by the way,
        Is yours--don’t wake her.”




A CORNER IN CURLS


[Illustration]

    Once on a time when Men were Bold
      And Women Fair--to be precise--
    A Princess lived whose Hair was Gold
      Beyond the Dreams of Avarice;

    Beauty she had and Wealth untold,
      Besides a Fabulous Amount
    Of Jewels rare and Crowns of Gold,
      And Suitors more than she could count.

    Such Suitors! Though her Fingers Fair
      Had been as leaves upon the Trees
    They still were far too few to wear
      The Rings they offered, on their Knees.

    In Coaches, Caravans, and Ships
      The Suitors came in Flocks untold,
    Happy to kiss her Finger-tips
      And beg from her a Lock of Gold.

    For though she seemed to Cupid’s Dart
      Impervious, and would not share
    The smallest atom of her Heart,
      She was most lavish with her Hair.

    To all who craved the Golden Boon
      She gave, until one Night Her Maid
    Exclaimed, “Alas! Your Highness soon
      Will not have Hair enough to braid!”

    Next day the Court was in a state,
      The usual audience was refused,
    A Notice hung upon the Gate--
      “_The Princess begs to be Excused._”

    Daily the Throng of Suitors grew
      And clamoured madly at the door,
    Until at length they formed a queue
      Extending for a mile or more.

[Illustration]

    The Chancellor was in despair.
      “Princess, it comes to this,” he said,
    “That either you must lose your hair
      Or I must surely lose my head!”

    The Princess turned away her face.
      “Oh, dear,” she cried, “this grieves me sore;
    It will be hard to fill your place--
      You were a first-rate Chancellor!

    “But do not grieve--I have a plan
      To keep your head and save my Pride.”
    Then to the marble gate she ran,
      Unloosed her hair, stepped forth, and cried:

    “Brave Suitors, look upon this Gold,
      This mint of Curls--lo, I present
    A share to each of you--behold
      My Notes of Curl--at five per cent.!”

[Illustration]

    A cheer rose from a Thousand Throats;
      The panic passed--and months flew by.
    The Princess issued Tons of Notes,
      When lo!--a Bolt from out the Sky--

    A message came, brought by a Churl:
      “_Pont Morgan, Sultan of Peru,_
    _Has bought up all your Notes of Curl,_
      _And all your Notes are falling Due!_”

    The Princess grew distraught with fears
      By Day. At night she tossed in Bed,
    Dreaming an Awful Pair of Shears
      Hung by a Hair above her Head.

[Illustration]

    At last the Fatal Morning came,
      And with it came Pont Morgan, too
    With Awful Shears to press his claim,
      And an Enormous Retinue.

    “The Law is just!” the People cried;
      “And She the Penalty must pay!”
    The Shears their Awful Jaws spread wide,
      When suddenly a Voice cried, “Stay!”

[Illustration]

    An Unknown Damsel, Pale and Proud,
      And clad in Silken Cap and Gown,
    Strode swiftly through the gaping crowd,
      And struck the Awful Scissors down.

    “Beware!” she cried, “Proud Sultan, ere
      You touch a Hair of that Fair Head;
    For know you not that Every Hair
      Is numbered--as the Prophet said?

    “Show me the Notes--see, here is writ
      A number plain across each Bond,
    And you may only draw for it
      The numbered Hair to correspond.

    “So pause, Pont Morgan, ere you draw
      A Single Hair from that Gold Head;
    If it be wrong--then by the Law
      Your Life and Lands are forfeited!”

    “Hurray! Hurray! The Maid is Right!”
      The People cried with mad uproar.
    The Sultan turned a deadly white,
      And fell in Fits upon the Floor.

    “O Lady, whosoe’er you be,
      Claim what you will in all my Land!”
    The Princess cried. “I am,” said he,
      “Not Maid, but Man--I claim your Hand.”

    “’Tis yours! Right gladly will I be
      Your Bride--for in Creation’s Plan
    I never dreamed to find,” said she,
      “A Portia’s Logic in a Man!”

[Illustration]




TELL-TALE

[Illustration]


    The Lily whispered to the Rose:
      “The Tulip’s fearfully stuck up.
    You’d think, to see the creature’s pose,
      She were a golden altar-cup.
    There’s method in her boldness, too;
    She catches twice her share of Dew.”

[Illustration]

    The Rose into the Tulip’s ear
      Murmured: “The Lily is a sight;
    Don’t you believe she _powders_, dear,
      To make herself so saintly white?
    She takes some trouble, it is plain,
    Her reputation to sustain.”

    Said Tulip to the Lily white:
      “About the Rose--what do you think?--
    Her colour? Should you say it’s quite--
      Well, quite a natural shade of pink?”
    “Natural!” the Lily cried. “Good Saints!
    Why, _everybody_ knows she paints!”




GOSSIP

[Illustration]


    The news around the garden flew:
      Last night the Rose was robbed--_A flower
    Was filched from her and flung into
      The casement of my Lady’s bower_.

    The flowers were mystified. In vain
      They asked of one another, “_Pray,
    What ails our Lady of Disdain
      That she must wear a Rose to-day_”?

    The Daisy, with her latest breath,
      ’Reft of her petals, whispered low,
    “_It is a secret to the Death;
      I gave my petals all to know_.”




A HOPELESS CASE

[Illustration]


    Her sisters shunned her, half in fear
      And half in pity. “’Tis too bad
    She is not made as we--poor dear!”
      (Four leaves instead of Three she had.)

[Illustration]

    Said Doctor Bee: “Her case is rare
      And due to Influence prenatal.
    To amputate I would not dare,
      The operation might be fatal.

    “With Rest and Care and Simple Food
      She may outlive both you and me;
    A change of scene _might_ do her good.”
      (One bag of Honey was his fee.)

       *       *       *       *       *

    “Take me! take me!” the clovers cry,
      To a maid bending wistful-eyed.
    With gentle hand she puts them by,
      Till all but one are passed aside.

    Before her sisters’ wondering eyes
      Her leaves with kisses are told over.
    “At last! at last!” the maiden cries,
      “I’ve found you, little four-leaved clover.”

[Illustration]




THE FALL OF THE ROSE


    What the First Bee sang, who knows
    When he tempted the First Rose?
    Some such tale the Flowers believe,
    As the Serpent told to Eve.
    Only this the Roses know:
    Petals once as white as snow
    To a burning crimson grew,
    As her Loveliness she knew.
    Then it was a leaf she took
    Out of Eve’s own fashion-book;
    And from Eden’s mosses wove
    An apron chaste. In vain she strove,
    For in that veil of emerald lace
    The Moss Rose found an added grace.




SCANDAL

[Illustration]


    For all the Morning Glory’s airs,
      She has the instincts of a Weed;
    To-day I caught her unawares
      Kissing a Squash--I did indeed.

    “But don’t repeat it,” said the Rose,
      Then told the Pink, who told the Bee,
    Who said, “I’ll see to it, it goes
      No farther.” Then he told it me.

[Illustration]

    Said I, “It is a shame, O Bee!
      To circulate such arrant Bosh;
    And if it’s true--it’s plain to see--
      You’re only jealous of the Squash.”




THE QUARREL

[Illustration]


    The Laurel started the affair,
      Calling the Rose a vain coquette.
    The Rose replied she did not care
      _What_ people thought, outside her set.

    “Faith, you speak true!” the Laurel cried,
      “Roses and Laurels only meet
    When on the Hero’s head we ride,
      And you are tossed beneath his feet.”

    The Rose retorted, “I could name
      More than one Hero who threw down
    His precious Laurel wreath of fame
      For just one Rose from Beauty’s crown.”

[Illustration]

    The Laurel frowned, “’Tis as you say,
      And yet it cannot be gainsaid,
    Their Laurels are undimmed to-day
      Save by the Folly of that trade.”

    “Your reasoning’s false!” exclaimed the Rose,
      “Your premises are falser yet;
    Your sentiment is all a pose!
      Besides--you are not in my set!”

                                  MORAL

    ’Twixt Duty, here below, and Love,
      Alas! we see a great gulf fixed;
    Perhaps they’re Introduced Above--
      In Heaven, society is mixed.




A BUTTERFLY OF FASHION

[Illustration]


    A real Butterfly, I mean,
      With Orange-pointed saffron wings
    And coat of inky Velveteen--
      None of your Fashion-plated Things

    That dangle from the Apronstrings
      Of Mrs. Grundy--or you see
    Loll by the Stage Door or the Wings,
      Or sadly flit from Tea to Tea.

    Not such a Butterfly was he;
      He lived for Sunshine and the Hour;
    He did not flit from Tea to Tea,
      But gayly flew from Flower to Flower.

    One Day there came a Thunder Shower--
      An Open Window he espied.
    He fluttered in; behold, a Flower!
      An Azure Rose with petals wide.

    He did not linger to decide
      _Which Flower_; there was no other there.
    He calmly settled down inside
      That Rose, and no one said “_Beware!_”

    There was no Friend to say, “Take care!”
      How ever, then, could he suppose
    This Blossom, of such Colour Rare,
      Was just an Artificial Rose?

    All might have ended well--who knows?--
      But just then some one chanced to say:
    “_The very Latest Thing! That Rose
      In Paris is the Rage To-day._”

    No Rose of such a Tint _outré_
      Was ever seen in Garden Bed;
    The Butterfly had such a Gay,
      Chromatic Sense, it turned his head.

    “_The Very Latest Thing?_” he said;
      “Long have I sighed for something New!
    O Roses Yellow, White, and Red,
      Let others sip; _mine shall be Blue!_”

    The Flavour was not Nice, ’tis true
      (He felt a Pain inside his Waist).
    “It is not well to overdo,”
      Said he, “a just-acquired taste.”

    The Shower passed; he joined in haste
      His friends. With condescension great,
    Said he, “I fear your time you waste;
      _Real Roses_ are _quite_ out of date.”

    He argued early, argued late,
      Till what was erst a HARMLESS POSE
    Grew to a Fierce, Inordinate
      Craving for Artificial Rose.

    He haunted Garden Parties, Shows,
      Wherever Ladies Congregate,
    And in their Bonnets thrust his nose
      His Craving Fierce to Satiate.

    At last he chanced, sad to relate,
      Into a Caterer’s with his Pose,
    And there Pneumonia was his Fate
      From _sitting on an Ice Cream Rose_.

    O Reader, shun the Harmless Pose.
      They buried him, with scant lament,
    Beneath a Common Brier-Rose,
      And wrote:

                         HERE LIES A DECADENT.

[Illustration]




THE MISSING LINK

    _There was chattering and jabbering and bellowing and growling,
    And the sound of many waters and of many creatures howling
    As the voices of creation all were lifted up together
    In a universal chorus--“Did you ever see such weather?”_


    Beside the rail, despite the gale,
      Old Noah took each ticket,
    And registered each Beast and Bird
      That passed inside the wicket.

    And when at last they had made fast
      As much as they could stow away,
    He cried “Let go! cut loose! yo ho!
      Hoist gang! avast! heave ho--away!”

    With heave and yank, up came the plank,
      A-straining and a-creaking,
    When, rising o’er the wind and roar,
      They heard two voices shrieking,--

    “Take us aboard! You can’t afford
      So cruelly to flout us!
    We are a pair extremely rare;
      No ark’s complete without us.”

    Down went the gang, and up there sprang
      Before them, through the curtain
    Of blinding rain, the oddest twain,
      Of genus most uncertain.

    They’d human shape, yet like the ape
      Were caudally appended;
    And, strange to tell, their feet as well,
      Like apes’, in fingers ended.

    Quoth Noah, “Pray, who are you--say?
      Human, or anthropoidal?”
    “You takes your choice!” as with one voice
      They cried; which so annoyed all

    The apes on board with one accord
      They screamed for indignation;
    ’Twas very clear _they_ would not hear
      Of any such relation.

    Said Noah, “Though you’re rare, I know
      You’re not for my collection;
    And though not vain, I must refrain
      From claiming the connection.”

    With small regret, the pair he set
      On shore mid cheers and hissing,
    And that’s the way it comes to-day
      The MISSING LINK is missing.




THE SNAIL’S DREAM

[Illustration]


    A snail, who had a way, it seems,
    Of dreaming very curious dreams,
    Once dreamed he was--you’ll never guess!--
    The Lightning Limited Express!

[Illustration]




LÈSE MAJESTÉ

(SEE FRONTISPIECE)


    The Lion ramps around the cage,
    The Lady smiles to see him rage.
    The little Mouse outside the bars
    Looks on and laughs. “Well, bless my stars!”
    Quoth he, “to think they call that thing
    The _King of Beasts_! If _he’s_ a King,
    Who cannot make the Lady wince,
    What must _I_ be? When, not long since,
    Inside the cage I chanced to slip,
    You should have seen that Lady skip
    Upon the Lion’s back. ‘Help! Murder!
    A Mouse!’ she screamed; you should have heard her!
    And then with brooms the keepers came
    And drove me out (but, all the same,
    I got the crumb that I was after).
    A King indeed! Excuse my laughter!”




THE LOVESICK SCARECROW

[Illustration]


    A scarecrow in a field of corn,
    A thing of tatters all forlorn,
    Once felt the influence of Spring
    And fell in love--a foolish thing,
    And most particularly so
    In his case--_for he loved a crow_!

    “Alack-a-day! it’s wrong, I know,
    It’s wrong for me to love a crow;
    An all-wise man created me
    To scare the crows away,” cried he;
    “And though the music of her ‘Caw’
    Thrills through and through this heart of straw,

    “My passion I must put away
    And do my duty, come what may!
    Yet oh, the cruelty of fate!
    I fear she doth reciprocate
    My love, for oft at dusk I hear
    Her in my cornfield hovering near.

    “And once I dreamt--oh, vision blest!
    That she alighted on my breast.
    ’Tis very, very hard, I know,
    But all-wise man decreed it so.”
    He cried and flung his arm in air,
    The very picture of despair.

           *       *       *       *       *

    Poor Scarecrow, if he could but know!
    Even now his lady-love, the Crow,
    Sits in a branch, just out of sight,
    With her good husband, waiting night,
    To pluck from out his sleeping breast
    His heart of straw to line her nest.

[Illustration]




THE MUSIC OF THE FUTURE


    The politest musician that ever was seen
    Was Montague Meyerbeer Mendelssohn Green.
    So extremely polite he would take off his hat
    Whenever he happened to meet with a cat.

    “It’s not that I’m partial to cats,” he’d explain;
    “Their music to me is unspeakable pain.
    There’s nothing that causes my flesh so to crawl
    As when they perform a G-flat caterwaul.

[Illustration]

    “Yet I cannot help feeling--in spite of their din--
    When I hear at a concert the first violin
    Interpret some exquisite thing of my own,
    If it were not for _cat gut_ I’d never be known.

[Illustration]

    “And so, when I bow, as you see, to a cat,
    It isn’t to _her_ that I take off my hat;
    But to fugues and sonatas that possibly hide
    Uncomposed in her--well--in her tuneful inside!”

[Illustration]

               SONG.

    _Gather Kittens while you may,
      Time brings only Sorrow;
    And the Kittens of To-day
      Will be Old Cats To-morrow._




THE DOORLESS WOLF

[Illustration]


    I saw, one day, when times were very good,
    A newly rich man walking in a wood,
    Who chanced to meet, all hungry, lean, and sore,
    The wolf that used to sit outside his door.
    Forlorn he was, and piteous his plaint.
    “Help me!” he howled. “With hunger I am faint.
    It is so long since I have seen a door--
    And you are rich, and you have many score.
    When you’d but one, I sat by it all day;
    Now you have many, I am turned away.
    Help me, good sir, once more to find a place.
    Prosperity now stares me in the face.”
    The newly rich man, jingling all the while
    The silver in his pocket, smiled a smile:
    He saw a way the wolf could be of use.
    “Good wolf,” said he, “you’re going to the deuce,--
    The dogs, I mean,--and that will never do;
    I think I’ve found a way to see you through.”

[Illustration]

    “I too have worries. Ever since I met
    Prosperity I have been sore beset
    By begging letters, charities, and cranks,
    All very short in gold and long in thanks.
    Now, if you’ll come and sit by my front door
    From eight o’clock each morning, say, till four,
    Then every one will think that I am poor,
    And from their pesterings I’ll be secure.
    Do you accept?” The wolf exclaimed, “I do!”
    The rich man smiled; the wolf smiled; _I_ smiled, too,
    And in my little book made haste to scrawl:
    “Thus affluence makes niggards of us all!”

[Illustration]




THE CHARM THAT FAILED


    The Hero of my tale
        Was a serpent--don’t turn pale!
    My snake was not the “serpent” of Theology,
        With an apple up his sleeve
        To tempt some child of Eve,
    Nor was he versed in deadly Toxicology.
        No, his fangs were free from guile,
        And he had a roomy smile.
    There was no more harmless snake in all Zoölogy.
        But since no creature known
        Is perfect, I will own
    He had one failing--vanity, alas! innate.
        He was also fond of sport,
        Though not a cruel sort:
    His aim was more to charm than to assassinate.
        He was often heard to say,
        When feeling rather gay,
    “I’d like to see the Bird I cannot fascinate!”

            _And one day
            Some laughter-loving Fay
            His boasting heard,
            And sent a Bird._

[Illustration]

        It was sitting, stuffed and stiff, on
        A thing of straw and chiffon,
    Ribbands and lace and jet and such like finery,
        By a milliner begotten
        And some careless maid forgotten,
    In stuffed and lonely splendour in the Vinery,
        When with expectant eye
        Mr. Serpent, by-and-by,
    Strolled forth in search of game from out the Pinery.

                      _And the Bird
                      Never stirred
                      Or said a word._

        “Aha!” said Mr. Snake,
        “Unless I much mistake,
    Here’s a charming subject for a Trance Hypnotic;
        Soon I’ll have her in my toils!”
        And with mysterious coils
    He advanced with air complacent and despotic.
        Then he rose up, and let fly
        A glance from out his eye,
    And watched for the effect of his narcotic.

                      _And the Bird
                      Never stirred
                      Or said a word._

        Said Mr. Snake, “My spell
        Seems to work extremely well.”
    And straightway with Majestic Pride he puffed.

[Illustration]

        But when an hour had passed
        And still the Bird stood fast,
    I must confess he felt a trifle huffed.
        “There’s something wrong,” said he,
        “With the Bird--or else with me.”
    How should he know the wretched thing was stuffed?

                      _That Bird,
                      Who never stirred
                      Or said a word._

        Mr. Snake was sorely troubled,
        And his efforts he redoubled,
    And he balanced on the tip end of his tail,
        Swaying to and fro the while
        Like a pendulum--a style
    That hitherto he’d never known to fail.

        But not a word she uttered,
        And not a feather fluttered
    As he plied his mystic Art without avail.
        “Confound the bird!” he said,
        And he stood upon his head
    And waved his long mysterious tail in air,

[Illustration]

        And he focussed all the rays
        Of his esoteric gaze
    Into one cold and petrifying glare.
        But the Deadly Glance fell wide;
        He might as well have tried
    To hypnotize a table or a chair--

                      _As that Bird,
                      Who never stirred
                      Or said a word._

        “That settles it!” he cried.
        “I will not be defied!”
    And he coiled himself to spring--oh, rash proceeding!
        Like an arrow from a bow
        He sprang--how should he know
    The Doom to which he was so swiftly speeding?
        Next moment he lay dead,
        With a Hat Pin through his head,
    Whereat, with most commendable good-breeding--

                      _The Bird
                      Never stirred
                      Or said a Word._




JAPANESQUE

[Illustration]


    Oh, where the white quince blossom swings
      I love to take my Japan ease!
    I love the maid Anise who clings
      So lightly on my Japan knees;
    I love the little song she sings,
      The little love-song Japanese.
    I _almost_ love the lute’s _tink tunkle_
      Played by that charming Jap Anise--
    For am I not her old Jap uncle?
      And is she not my Japan niece?




THE FIRST FIRST OF APRIL


    The Infant Earth one April day
    (The first of April--so they say),
    When toddling on her usual round,
    Spied in her path upon the ground
    A dainty little garland ring
    Of violets--and _that_ was Spring.
    She caught the pretty wreath of Spring
    And all the birds began to sing;
    But when she thought to hold it tight
    ’Twas rudely jerked from out her sight;
    And while she looked for it in vain
    The birds all flew away again.

    Alas! The flowering wreath of Spring
    Was fastened to a silken string,
    And Time, the urchin, laughed for glee
    (He held the other end, you see).
    And that was long ago, they say,
    When Time was young and Earth was gay.
    Now Earth is old and Time is lame,
    Yet still they play the same old game:
    Old Earth still reaches out for Spring,
    And Time--well--Time still holds the string.




THE BOASTFUL BUTTERFLY

[Illustration]

(FROM THE ORIENTAL)


    Upon the temple dome
      Of Solomon the wise
    There paused, returning home,
      A pair of butterflies.

    _He_ did the quite blasé
      (Did it rather badly),
    Wherefore--need I say?--
      _She_ adored him madly.

    Enthusiasm she
      Did not attempt to curb:
    “Goodness gracious me!
      Isn’t this superb!”

    _He_ vouchsafed a smile
      To indulge her whimsy,
    Surveyed the lofty pile,
      And drawled, “Not bad--but flimsy.”

    “Appearances, though fine,
      Lead to false deduction;
    This temple, I opine,
      Is shaky in construction.

    “Think of it, my dear.
      All this glittering show
    Would crumble--disappear--
      Should I but stamp my toe!

    “If I should stamp--like this--”
      His wife cried, “Heavens! _don’t!_”
    He answered, with a kiss,
      “Very well; I won’t.”

[Illustration]

    Now, every blessed word
      Said by these butterflies,
    It chanced, was overheard
      By Solomon the wise.

[Illustration]

    He called in angry tone,
      And bade a Djinn to hie
    And summon to his throne
      That boastful butterfly.

    The butterfly flew down
      Upon reluctant wing.
    Cried Solomon, with a frown,
      “How dared you say this thing?

    “How dared you, fly, invent
      Such blasphemy as this is?”
    “Oh, king, I only meant
      To terrify the missis.”

    The insect was so scared
      The king could scarce restrain
    A smile. “Begone! you’re spared;
      _But don’t do it again_!”

    So spake King Solomon.
      The _butterflew_ away.
    His wife to meet him ran:
      “Oh, dear, what _did_ he say?”

    The butterfly had here
      A chance to shine, and knew it.
    Said he: “The king, my dear,
      Implored me _not to do it_!”




THE TRAGIC MICE

[Illustration]


    It was a tragic little mouse
      All bent on suicide
    Because another little mouse
      Refused to be his bride.

    “Alas!” he squeaked, “I shall not wed!
      My heart and paw she spurns;
    I’ll hie me to the cat instead,
      From whence no mouse returns!”

    The playful cat met him half way,
      Said she, “I feel for you,
    You’re dying for a mouse, you say,
      I’m dying for one, too!”

    Now when Miss Mouse beheld his doom,
      Struck with remorse, she cried,
    “In death we’ll meet!--O cat! make room
      For one more mouse inside.”

    The playful cat was charmed; said she,
      “I shall be, in a sense,
    Your pussy catafalque!” Ah me!
      It was her last offence!

           *       *       *       *       *

    Reader, take warning from this tale,
      And shun the punster’s trick:
    _Those mice, for fear lest cats might fail,
      Had eaten arsenic_!

[Illustration]




A THREE SIDED QUESTION


  Scene: _A hollow tree in the woods_.
  Time: _December evening_.

  MR. OWL.
  MR. SPARROW.
  MR. BEAR.

MR. OWL (_stretching his wings_):

  Heigho! It’s dark!
  How fast the daylight goes!
  I must have overslept. It’s time I rose
  And went about my breakfast to prepare.
  I should keep better hours; I declare,
  Before I got to bed ’twas broad daylight!
  That must be why I’m getting up to-night
  With such a sleepy feeling in my head.
  Heigho! Heigho! (_Yawns._)

[Illustration]

                          _Enter_ MR. SPARROW.

  MR. SPARROW:
  Why don’t you go to bed,
  If you’re so very sleepy?--it’s high time!
  The sun has set an hour ago, and I’m
  Going home myself as fast as I can trot.
  Night is the time for sleep.

  MR. OWL:
  The time for what?
  The time for _sleep_, you say?

  MR. SPARROW:
  That’s what I said.

  MR. OWL:
  Well, my dear bird, your reason must have fled!

  MR. SPARROW (_icily_):
  I do not catch your meaning quite, I fear.

  MR. OWL:
  I mean you’re talking nonsense. Is that clear?

  MR. SPARROW (_angrily_):
  Say that again--again, sir, if you dare!
  Say it again!

  MR. OWL:
  As often as you care.
  You’re talking nonsense--stuff and nonsense--there!

  MR. SPARROW (_hopping one twig higher up_):
  You are a coward, sir, and _impolite_!

  (_hopping on a still higher twig_)

  And if you weren’t beneath me I would fight.

  MR. OWL:
  I _am_ beneath you, true enough, my friend,
  By just two branches. Will you not descend?
  Or shall I--

  MR. SPARROW (_hastily_):
               No, don’t rise. Tell me instead
  What was the nonsense that you thought I said.

  MR. OWL:
  It may be wrong, but if I heard aright,
  You said the proper time for sleep was night.

  MR. SPARROW:
  That’s what I said, and I repeat it too!

[Illustration]

  MR. OWL:
  Then you repeat a thing that is not true.
  _Day_ is the time for sleep, not _night_.

  MR. SPARROW:
  Absurd!
  Who’s talking nonsense now?

  MR. OWL:
  Impudent bird!
  How dare you answer back, you upstart fowl!

  MR. SPARROW:
  How dare you call me upstart--you--you--_Owl_!

  MR. OWL: This is too much! I’ll stand no more, I vow!
  Defend yourself!

[Illustration]

  MR. BEAR (_looking out of hollow tree_):
  Come, neighbours, stop that row!
  What you’re about I’m sure I cannot think.
  I only know I haven’t had one wink
  Of sleep. Indeed, I’ve borne it long enough,
  ’Twould put the mildest temper in a huff;
  And I am but a bear. Why don’t you go
  To bed like other folks, I’d like to know?
  Summer is long enough to keep awake--
  Winter’s the time when honest people take
  Their three months’ sleep.

  MR. SPARROW:
  That settles me! I fly!
  Dear Mr. Owl and Mr. Bear, good-bye!      [_Exit._

  MR. OWL:
  I must go too, to find another wood.
  Every one’s mad in this queer neighbourhood!
  It is not safe such company to keep.
  Good evening, Mr. Bear.                   [_Exit._

  MR. BEAR:
  _Now_ I shall sleep.

                                CURTAIN.

[Illustration]




THE LEGEND OF THE LILY

[Illustration]


    Once a Tiger for a freak,
        Fell in love
    With a Lily, pure and meek
    And as timid, white, and weak,
        As a dove.
    Yet withal a wee bit chilly,
    Just enough the Tiger’s silly
        Pride to pique.

    By-and-by the Lily cold,
        Felt the charm;
    Learned, though dreadful to behold,
    That the Tiger, fierce and bold,
        Meant no harm.
    And she smiled upon him shyly,
    Till at length the Tiger wily,
        Was consoled.

    So in time the Beauty grew
        To adore
    The Royal Beast who came to woo,
    Loved him for his golden hue--
        For his roar;
    All for him with blushes burning,
    To a Tiger-lily turning,
        Golden too.

    But alas, the luckless Lily,
        Loved in vain;
    For a painted daffodilly
    Came between them, and the Lily,
        Pale with pain,
    In a dark pool, drooped and pining,
    Drowned herself, and rose a shining
        Water-lily.




THE UNTUTORED GIRAFFE


    A child at school who fails to pass
    Examination in his class
    Of Natural History will be
    So shaky in Zoölogy,
    That, should he ever chance to go
    To foreign parts, he scarce will know
    The common _Mus Ridiculus_
    From _Felis_ or _Caniculus_.
    And what of boys and girls is true
    Applies to other creatures, too,
    As you will cheerfully admit
    When once I’ve illustrated it.

[Illustration]

    Once on a time a young Giraffe
    (Who when at school at school devoured the chaff,
    And trampled underneath his feet
    The golden grains of Learning’s wheat)
    Upon his travels chanced to see
    A Python hanging from a tree,
    A thing he’d never met before.
    All neck it seemed and nothing more;
    And, stranger still, it was bestrown
    With pretty spots much like his own.
    “Well, well! I’ve often heard,” he said,
    “Of foolish folk who lose their head;
    But really it’s a funnier joke
    To meet a head that’s lost its folk.
    Dear me! Ha! ha! It makes me laugh.
    Where _has_ he left his other half?
    If he could find it he would be
    A really fine Giraffe, like me.”

[Illustration]

    The Python, waking with a hiss,
    Exclaimed, “What kind of snake is this?
    Your spots are really very fine,
    Almost as good in fact as mine,
    But with those legs I fail to see
    How you can coil about a tree.
    Take away half, and you would make
    A very decent sort snake--
    Almost as fine a snake as I;
    Indeed, it’s not too late to try.”

    A something in the Python’s eye
    Told the Giraffe ’twas best to fly,
    Omitting all formality.
    And afterward, when safe at home,
    He wrote a very learned tome,
    Called, “What I Saw beyond the Foam.”

    Said he, “The strangest thing one sees
    Is a Giraffe who hangs from trees,
    And has--(right here the author begs
    To state a _fact_) and has _no legs_!”

    The book made a tremendous hit.
    The public all devoured it,
    Save one, who, minding how he missed
    Devouring the author--_hissed_.




THE ENCHANTED WOOD


    A dark old Raven lived in a tree,
    With a little Tree-frog for company,

    In the midst of a forest so thick with trees
    Only thin people could walk with ease.

    Yet though the forest was dank and dark,
    The little Tree-frog was gay as a lark;

    He piped and trilled the livelong day,
    While the Raven was just the other way:

    He grumbled and croaked from morn till night,
    And nothing in all the world was right.

    The moon was too pale, or the sun too bright;
    The sky was too blue, or the snow too white;

    The thrushes too gay, or the owls too glum;
    And the squirrels--well, they were too squirrelsome.

    And as for the trees, _why_ did they grow
    In a wood, of all places?--he’d like to know.

[Illustration]

    A wood is so dark and unhealthy, too,
    For trees; and besides, they obstruct the view.

    And so it went on from morn till night:
    The Tree-frog piping with pure delight,

    And the Raven croaking with all his might
    That nothing in all the world was right.

    Well, in this same wood, it chanced one day
    The enchanter Merlin lost his way;

    And stopping to rest ’neath the very tree
    Where the Raven and Tree-frog were taking their tea,

[Illustration]

    He divined of a sudden, by magic lore,
    A thing I forgot to mention before:

    That the forest and all that therein did dwell
    Owed their present shape to an ancient spell.

    Now a spell, though a tiresome job to make,
    Is the easiest thing in the world to break,

    When once you know how to perform the trick,
    As Merlin did. Waving his magic stick,

    He cried, “Let this forest and everything in it
    Take its former shape!” When lo! in a minute,

    In place of the Raven, a stern old sage
    All robed in black and all bent with age:

    And where the little Tree-frog had been
    Sat a goodly youth all dressed in green;

    And around about was a flowery lawn
    Where the forest had been. Said the sage, with a yawn:

    “I must have been dozing--well, to resume--
    As I was saying, this world of gloom--”

    “Oh, bother the world of gloom--just hear
    That thrush!” cried the youth; “the first this year!”

[Illustration]




A BUNNY ROMANCE

[Illustration]


    The Bunnies are a feeble folk
      Whose weakness is their strength.
    To shun a gun a Bun will run
      To almost any length.

    Now once, when war alarms were rife
      In the ancestral wood
    Where the kingdom of the Bunnies
      For centuries had stood,
    The king, for fear long peace had made
      His subjects over-bold,
    To wake the glorious spirit
      Of timidity of old,
    Announced one day he would bestow
      Princess Bunita’s hand
    On the Bunny who should prove himself
      Most timid in the land.

    Next day a proclamation
      Was posted in the wood
    “To the Flower of Timidity,
      The Pick of Bunnyhood:
    His Majesty the Bunny king,
      Commands you to appear
    At a tournament--at such a date
      In such and such a year--
    Where his Majesty will then bestow
      Princess Bunita’s hand
    On the Bunny who will prove himself
      Most timid in the land.”

    Then every timid Bunny’s heart
      Swelled with exultant fright
    At the thought of doughty deeds of fear
      And prodigies of flight.

    For the motto of the Bunnies,
      As perhaps you are aware,
    Is “Only the faint-hearted
      Are deserving of the fair.”

    They fell at once to practising,
      These Bunnies, one and all,
    Till some could almost die of fright
      To hear a petal fall.

[Illustration]

    And one enterprising Bunny
      Got up a special class
    To teach the art of fainting
      At your shadow on the grass.

    At length--at length--at length
      The moment is at hand!
    And trembling all from head to foot
      A hundred Bunnies stand.

[Illustration]

    And a hundred Bunny mothers
      With anxiety turn gray
    Lest their offspring dear should lose their fear
      And linger in the fray.

    Never before in Bunny lore
      Was such a stirring sight
    As when the bugle sounded
      To begin the glorious flight!
    A hundred Bunnies, like a flash,
      All disappeared from sight
    Like arrows from a hundred bows--
      None swerved to left or right.
    Some north, some south, some east, some west,--
      And none of them, ’tis plain,
    Till he has gone around the earth
      Will e’er be seen again.
    It may be in a hundred weeks,
      Perchance a hundred years.
    Whenever it may be, ’tis plain
      The one who first appears
    Is the one who ran the fastest;
      He wins the Princess’ hand,
    And gains the glorious title of
      “Most Timid in the Land.”

[Illustration]




THE FLOWER CIRCUS

[Illustration]


    The flowers in the dell
      Once gave a circus show;
    And as I know them well,
      They asked if I would go
    As their especial guest.
      “Quite charmed!” said I, and so
    Put on my very best
      Frock-coat and shiny hat,
    And my embroidered vest
      And wonderful cravat;
    In fact, no end of style,
      For it is, as you know,
    But once in a great while
      The flowers give a show.

    They gave me a front seat,
      The very nicest there--
    A bank of violets sweet
      And moss and maidenhair.
    ’Twas going to be a treat--
      I felt it in the air.

    As martial music crashed
      From a trained trumpet-vine,
    Into the ring there dashed
      A beauteous columbine!
    With airy grace she strode
      Her wild horse-chestnut steed.

    I held my breath, she rode
      With such terrific speed.
    They brought a cobweb ring,
      And lightly she jumped through it.
    (A very dangerous thing;
      How _did_ she learn to do it?)

    I cried, “Brava! Encore!”
      Until she’d jumped through nine,
    Each higher than before.
      (I tell you, it was fine!)

    Then Jack-in-pulpit--who
      From out his lofty place
    Announced what each would do--
      Cried, “Next there comes a race.”

[Illustration]

    Two Scarlet Runners flew
      Three times the ring around,
    And with a crown of dew
      The winner’s head was crowned.

    A booby race, for fun,
      Came next (the prize was cheaper).
    Trailing Arbutus won
      Over Virginia Creeper.

[Illustration]

    Then came the world-famed six,
      The Johnny-jump-up Brothers,
    Who did amazing tricks,
      Each funnier than the others.

    A Spider, in mid-air
      (Engaged at great expense),
    On tight-thread gossamer
      Danced with a skill immense!

    A dashing young Green Blade,
      Who quickly followed suit,
    An exhibition made
      Of how young blades can shoot.

[Illustration]

    There were Harebell ringers, too,
      Who played delightful tunes,
    And trained Dog-violets, who
      Did antics, like buffoons.

    All these and more were there--
      Too many for narration;
    But nothing could compare
      With the last “Great Sensation.”

    I never shall forget,
      Though I should live an age,
    The sight of Mignonette
      Within the Lion’s cage.

    Sweet smiling Mignonette
      Not one bit scared--for why on
    Earth should she fear her pet,
      Her dear, tame Dandelion?

[Illustration]




THE FATUOUS FLOWER


    Once on a time a Bumblebee
    Addressed a Sunflower. Said he:
    “Dear Sunflower, tell me is it true
    What everybody says of you?”

    Replied the Sunflower: “Tell me pray,
    How should _I_ know what people say?
    Why should I even care? No doubt
    ’Tis some ill-natured tale without
    A word of truth; but tell me, Bee,
    What _is_ it people say of me?”
    “Oh, no!” the Bee made haste to add;
    “’Tis really not so very bad.
    I got it from the Ant. She said
    She’d _heard_ the Sun had turned your head,

[Illustration]

    “And that whene’er he walks the skies
    You follow him with all your eyes
    From morn till eve--” “Oh, what a shame!”
    Exclaimed the Sunflower, aflame,
    “To say such things of me! They _know_
    The very opposite is so.

    “They know full well that it is _he_--
    The _Sun_--who always follows me.
    _I_ turn away my head until
    I fear my stalk will break; and still
    He tags along from morn till night,
    Starting as soon as it is light,
    And never takes his eyes off me
    Until it is too dark to see!
    They really ought to be ashamed.
    Soon they’ll be saying I was named
    For him, when well they know ’twas he
    Who took the name of Sun from me.”

    The Sunflower paused, with anger dumb.
    The Bee said naught, but murmured, “_H’m!_”
    ’Twas very evident that he
    Was much impressed--this Bumblebee.
    He spread his wings at once and flew
    To tell some other bees he knew,
    Who, being also much impressed,
    Said, “_H’m!_” and flew to tell the rest.

    And now if you should chance to see,
    In field or grove, a Bumblebee,
    And hear him murmur, “_H’m!_” then you
    Will know what he’s alluding to.

[Illustration]




THE INVENTIVE DRAGON


    In a very lonely tower,
      So the legend goes to tell,
    Pines a Princess in the power
      Of a dreadful Dragon’s spell.

    There she sits in silent state,
      Always watching--always dumb,
    While the Dragon at the gate
      Eats her suitors as they come--

    King and Prince of every nation,
      Poet, Page, and Troubadour,
    Of whatever rank or station--
      Eats them up and waits for more.

    Every Knight that hears the legend
      Thinks he’ll see what he can do,
    Gives his sword a lovely edge, and--
      Like the rest is eaten too!

    All of which is very pretty,
      And romantic, too, forsooth;
    But, somehow, it seems a pity
      That they shouldn’t know the truth.

    If they only knew that really
      There is no Princess to gain--
    That she’s an invention merely
      Of the crafty Dragon’s brain.

    Once it chanced he’d missed his dinner
      For perhaps a day or two;
    Felt that he was getting thinner,
      Wondered what he’d better do.

    Then it was that he bethought him
      How in this romantic age
    (Reading fairy tales had taught him)
      Rescuing ladies was the rage.

    So a lonely tower he rented,
      For a trifling sum per year,
    And this thrilling tale invented,
      Which was carried far and near;

    Far and near throughout the nations,
      And the Dragon ever since,
    Has relied for daily rations,
      On some jolly Knight or Prince.

    And while his romantic fiction
      To a chivalrous age appeals,
    It’s a very safe prediction:
      He will never want for meals.

[Illustration]




THE LION’S TOUR
    A FABLE


    His Majesty the King of Beasts,
    Tired of fuss and formal feasts,
    Once resolved that he would go
    On a tour incognito.
    But a suitable disguise
    Was not easy to devise;
    Kingly natures do not care
    Other people’s things to wear.

    The very thought filled him with shame.
    “No, I will simply change my name,”
    Said he, “and go just as I am,
    And call myself a Woolly Lamb.”

    And so he did, and as you’ll guess,
    He had a measure of success.
    Disguised in name alone, he yet
    Took in ’most every one he met.

[Illustration]

    The first was Mister Wolf, who said,
    “Your Majesty--” “Off with his head!”
    The angry monarch roared. “I am,
    I’d have you know, a Woolly Lamb.”

    Then Mistress Lamb, who, being near,
    Had heard, addressed him: “Brother dear--”
    “Odds cats!” the lion roared. “My word!
    Such insolence I never heard!”

    His rage was a terrific sight
    (It almost spoiled his appetite).
    And so it went, until one day
    He met Sir Fox, who stopped to say
    (Keeping just far enough away,
    Yet in a casual, off-hand way,
    As if he didn’t care a fig),
    “Good-morning to you, Thingumjig.”
    To-day we think it _infra dig_,
    To use such words as Thing um jig;
    But what is now a vulgar word
    In those days never had been heard.
    Sir Fox himself invented it
    This great emergency to fit.

    The King of Beasts, quite unprepared
    For this reception, simply stared.
    Of course he was not going to show
    There was a word he did not know.
    He bowed, and with his haughtiest air
    Resumed his walk; but everywhere
    He went his subjects, small and big,
    Took up the cry of Thingumjig.

[Illustration]

[Illustration]

    It followed him where’er he went;
    He didn’t dare his rage to vent.
    Suppose it were a compliment?
    His anger then would only show
    Here was a word he did not know!
    The only course for him, ’twas clear,
    Was to pretend he did not hear.

    And this he did until, at length,
    Long fasting so impaired his strength
    He gave his tour up in despair,
    ’Mid great rejoicing everywhere.




THE MERMAID CLUB


    ┌──────────────────────────────────────┐
    │ _The Mermaid Culture Club request    │
    │   That you will kindly be            │
    │  On such and such a day their guest  │
    │    At something after three._        │
    └──────────────────────────────────────┘

    I wrote at once that “I should be
    Most charmed,” and donned my best
    Dress diving-suit,--a joy to see,--
    And at their club-house ’neath the sea
    Arrived at “something after three”
    Promptly (unpunctuality
          Is something I detest).
    The President, a mermaid fair,
    Sat by a coral table,
    And read an essay with an air
    Intelligent and able
    Upon--but you will never guess
    The subject--it was nothing less
    Than _sunshades_ and _umbrellas_.
    I really did my very best
    To keep from laughing--as their guest.
    That it was hard must be confessed
    When next the meeting was addressed
    On _shoes_, and which would wear the best--
    _Tan slippers_ or _prunellas_.
    Then came (it did look like a joke)
    Essays on _bonnet_, _hat_, and _toque_:
    Said I, “They must be mocking.”
    And when at length a mermaid rose,
    And read a thesis to expose
    The latest novelty in _hose_,
          I felt my reason rocking.
    But when at last the thing was o’er
    And I was back again on shore,
          I fell to moralizing.
    And as remembrance came to me
    Of other clubs _not_ in the sea,
    Of essays read by ladies fair
    Upon the “why” and “whence” and “where,”
          Said I, “It’s not surprising.”

[Illustration]




TRANSCRIBER’S NOTE:


Missing punctuation and diacritic marks have been silently added.

Many of the poems have illustrated titles, sometimes illustrated
dropcaps. The [Illustration] tags for these have been omitted from this
version.



*** END OF THE PROJECT GUTENBERG EBOOK A BOLD BAD BUTTERFLY ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.