The Project Gutenberg EBook of The Deep One, by Neil P. Ruzic
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.
Title: The Deep One
Author: Neil P. Ruzic
Release Date: January 31, 2016 [EBook #51091]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE DEEP ONE ***
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
THE DEEP ONE
By NEIL P. RUZIC
Illustrated by DILLON
[Transcriber's Note: This etext was produced from
Galaxy Science Fiction March 1957.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
There wasn't a single mistake in the plan for
survival--and that was the biggest mistake!
For centuries, the rains swept eight million daily tons of land into
the sea. Mountains slowly crumpled to ocean floors. Summits rose again
to see new civilizations heaped upon fossils of the old.
It was the way of the Earth and men knew it and did not worry. The end
was always in the future. Ever since men first learned to make marks on
cave walls, the end remained in the future.
Then the future came. The records told men how the Sun was before, so
they knew it was swollen now. They knew the heat was not always this
hot, or the glacier waters so fast, the seas so high.
They adapted--they grew tanner and moved farther pole-ward.
When the steam finally rose over equatorial waters, they moved to the
last planet, Pluto, and their descendants lived and died and came to
know the same heat and red skies. Finally there came the day when they
couldn't adapt--not, at least, in the usual way.
But they had the knowledge of all the great civilizations on Earth, so
they built the last spaceship.
They built it very slowly and carefully. Their will to live became
the will to leave this final, perfect monument. It took a hundred and
fifty years and during all that time they planned every facet of its
operation, every detail of its complex mechanisms. Because the ship had
a big job to do, they named it _Destiny_ and people began to think of
it not as the last of the spaceships, but as the first.
The dying race sowed the ship with human seed and hopefully named its
unborn passengers Adam, Eve, Joseph and Mary. Then they launched it
toward the middle of the Milky Way and lay back in the red light of
their burning planet.
* * * * *
All this was only a memory now, conserved in the think-tank of a
machine that raced through speckled space, dodging, examining,
classifying, charting what it saw. Behind, the Sun shrank as once it
swelled, and the planets that were not consumed turned cold in their
orbits. The Sun grew fainter and went out, and still the ship sped
forward, century after century, cometlike, but with a purpose.
At many of the specks, the ship circled, sucking in records, passing
judgment, moving on--a bee in the garden of stars. Finally, hundreds
of light-years from what had been its home, it located an Earth-type
world, accepted it from a billion miles off, and swung into an approach
that would last exactly eighteen years.
Immediately, pumps delivered measured quantities of oxygen and nitrogen
atoms. Circuits closed to move four tiny frozen eggs next to frozen
spermatozoa. The temperature gradually increased to a heat once
maintained by animals now extinct.
The embryos grew healthily and at term were born of plastic wombs.
The first voices they heard were of their real mothers. Soft, caressing
songwords. Melodious, warm, recorded women voices, each different,
bell-clear, vivacious, betraying nothing of the fact that they were
dead these long centuries.
"I am your mother," each voice told its belated offspring. "You can see
me and hear me and touch what appears to be me, and together with your
cousins, you'll grow strong and healthy...."
The voices sang on and the babies gurgled in their imported terran
atmosphere. The words were meaningless but important, for it had been
learned on the now dead world that these sounds were one of the factors
in love and learning.
Day after day, the voices lapped warm over the children. Plastic
feeders provided nutrition as noiseless pumps removed excess carbon
dioxide.
In one end of the ship, a miniature farm was born hydroponically, its
automatic grinders pre-digesting ripe vegetables for the children.
Animals were born, too, for food, but also companionship, and later to
stock New Earth ahead.
As the babies began to understand, the woman voices merged into
one mechanical mother who could be heard and seen and summoned on
panel screens throughout the ship. Everything became as Earthlike as
possible, but because the environment was artificial, the children grew
aware of their purpose in life at an age rarely reached on ancient
Earth.
* * * * *
They were two years old when their Mecmother informed them: "You are
unlike any children ever born. You are the last of a dead race, but
you must live. You must not be afraid. You must do everything humanly
possible to live."
When they were four, Mecmother introduced them to Mecteacher and said
to pay attention for five hours each day. Mecteacher took their IQs and
explained to Adam that he had a greater capacity than Eve, Joseph and
Mary, and was therefore their leader.
Soon afterward, all the children started "school," but Adam excelled.
At seven, he knew all about landing the ship. He played that he was
already eighteen and the ship was no longer on automatic.
He was in everything and everywhere. His tow hair poked above the
control board. His busy fingers hand-picked an experimental meal from
the farmroom. When he learned how to turn the artificial gravity switch
off in the recroom, his child legs floated haphazardly somewhere above
his head. And in the sunroom, where heat-lamp walls were triggered by
the degree of an occupant's tan, Adam's freckled face stared through
the visiport, seeing in his mind's eye the New Earth he would one day
conquer.
He lived fully, asking questions, accepting the answers, receiving
instructions. Some of them he testily disobeyed, was punished
compassionately, and learned respect and a kind of love for the mecs.
He played the games of childhood, but he played them alone. Once he was
gazing out a port, imaginatively sorting the stars of his universe into
shapes of the animals in the ship's farm. Mecfather lit up at a nearby
panel, glowing faintly red. Adam resisted an impulse to shiver--the
panel always made him flinch when it glowed red. Red, he was being
conditioned, was his conscience, brought out by Mecfather until he grew
old enough to bring it out himself.
"Why aren't you playing with the other children?" Mecfather asked.
"I've been watching you all day and you've avoided them on every
occasion."
Though he feared him, Adam loved Mecfather as he had been taught to
do and did not hesitate to confide. But how could he explain that the
other children did not seem as _real_ to him as the mecs?
"I don't know," Adam answered truthfully.
"They don't ignore you. They ask you to play, but you always go off by
yourself. Don't you like them?"
"They're flat, Father. They're not deep--like you."
* * * * *
Silent hidden computers assembled the answer, correlated, circuited a
mechanical smile. Certainly--a child brought up with only three real
children and three talking images in his universe could not distinguish
between reality and appearance. On the screen, Adam saw Mecfather
smile, the panel no longer red.
The voice was quiet now and full of understanding. "It is I who am
flat, Adam. I am only an image, a voice. I am here when you need me to
help, but I am not deep. Your cousins are deep; I am the flat one. You
will understand better when you grow older."
Electronically, Mecfather was worried. He called a "conference" of the
other mecs and their circuits joined in a complicated analog: What was
the probable outcome of this beginning of disharmony? There were too
many variables for an immediate answer, but the query was stored in
each mec's memory banks for later answer.
When the mecconference began, the panel switched off and Adam walked
thoughtfully through the ship's corridors. Unexpectedly, he spotted the
other children. He turned quickly into a room before they saw him and
ducked behind the largest of the couches.
He was in the aft recroom, he realized, not having paid attention to
where he was going. What was it all about? Did Mecfather really mean it
when he said the cousins were deeper than the mecs? Adam could believe
he was different from his parents and teacher--after all, he was
only seven--but he couldn't accept the information that he was _not_
different from his cousins. Somehow, he thought, I am alone....
He heard noises, the loud boisterousness of Joseph, the high-pitched
squeal of Eve, the grating laugh of Mary. Adam cringed deeper behind
the big couch. He _was_ different. _He_ didn't make sounds like that.
"Adam! Oh, A-dam! A-dam!" the cousins called, each their own way. "Come
out wherever you are, Adam! Come out and play!"
From behind the couch, Adam saw the beginnings of an infantile but
systematic search. The three of them were looking behind things, under
furniture, in back of hatches. They tried moving everything they saw,
but couldn't budge the heavy couch Adam hid behind.
Looking for escape, Adam's eyes caught a round metallic handle set
flush into the heavy deck carpet. He lifted it and pulled. Nothing
happened. He stood up, bracing his feet against the deck and heaved
with all his strength. It didn't move.
Then he experimentally turned the handle--to the right until it
clicked faintly, then the left, around twice, another faint click, but
different, a left-hand click, he knew somehow. So he turned again to
the left, this time three turns--and then the click was heavy, almost
audible. He pulled the handle and a door formed out of the carpet,
swinging easily open.
Just then, Joseph peered behind the couch. "Boo!"
* * * * *
Adam jumped into the opening, the heavy door slamming shut overhead.
Below, he stood erect and was surprised to feel the hair on his head
brush the ceiling.
He was frightened, but he calmed when he realized there were many
places on the ship he hadn't been before. Mecteacher revealed them
to him, but very slowly, and he supposed he would not be told about
_everything_ for many years. As he recovered his sense of balance, he
became aware of a faint luminescence around him. It seemed to have no
source, but was stronger in the distance.
He began to explore, groping at first, then more smoothly, efficiently,
as his eyes adjusted to the semi-darkness. A long corridor opened
up before him and what appeared before to be an illusion of distance
actually _was_ distance. He guessed he was near the engine compartment
and vaguely sensed that the luminescence had something to do with the
nuclear engines that Mecteacher told him moved the ship.
It was warm in here. Not physically warm but friendy warm, like when
Mecmother spoke her comfort. The similarity almost made him cry, for he
understood, even in his seven years, that Mecmother was but the image
of his real mother who lived long ago and said those words of sympathy
to a child yet unborn. He wanted her now, even her image, but he didn't
call because he'd have to explain why he was hiding from his cousins.
He shivered then, thinking that Mecfather and Mecteacher knew where
he was and would light up their panels red. He thought, "Are you down
here, Mecfather?" Nothing answered, so he spoke the thought, and again
the walls stayed dark.
That was why it was so friendy warm in here, he realized. His
mecconscience was left above!
Deciding that the others might miss him, he retraced his steps, located
the trapdoor in the ceiling, pushed it open and ascended. The others
were sitting on the floor, dumbfounded, as Adam climbed out and
slammed the hatch shut.
"How did you get down there?" Joseph asked.
Adam remained silent. After a moment, Eve and Mary lost interest in the
question and started skipping a length of rope.
Joseph persisted. "How? I pulled, too!"
Adam didn't answer. He knew the bigger boy would forget about it if he
changed the subject. "How is it you're not with Mecteacher?"
"We were. But he made us look for you."
The closest wall panel lit bright red. It was Mecteacher. "_Adam! How
did you open that?_"
"I turned it--a certain way," he said evasively. Adam didn't want his
cousins to learn how.
"But how did you know?"
"I--I reasoned it."
* * * * *
The image faded as the new information was assimilated. Mecteacher's
voice said, "Wait a while, Adam."
The computer circuited the other mec's memory banks. After ten minutes,
the "conference" was over and Mecteacher returned to the screen. He
asked Adam to come alone to the classroom. The others were dismissed.
Reluctantly, Adam did as he was told. In the classroom, he stood
stiffly in front of the central panels. All three mecs lit up, their
color this time a tranquilizing blue.
"Adam, we are not real people in the _now_," Mecmother began. "Do you
understand that?"
"Y-yes, I understand. You are--planned--fixed before."
"That's right, Adam. We are pre-set. We have a very large number of
choices and actions, but we are not infinite."
"Infinite?"
"We are limited in the help we can give you. We were real--like you--a
long, long time ago. We exist now only to help you and the other
children. We are here to educate you, to love and console you--and one
other thing. We are here to settle your conflicts, to make sure you
don't hurt each other."
"But I didn't hurt anyone, Mecmother!"
"Not yet, Adam, but avoiding the others the way you do could be the
first sign of trouble."
"How do you _know_? How can you talk if you aren't real?"
"What you hear is a combination of recorded words that are
electronically put together to answer an almost infinite number of your
questions. But do not think of me as not real. I was merely in another
time. Do you understand that?"
"Yes."
"Then you also are able to see that your ability to reason things--to
understand what I am telling you now, for instance, is a remarkable
thing."
"You mean because I'm not like the others?"
"You have a superior mind. You are the leader, but do not regard
yourself as better than the others. You have more intelligence, yes,
but do not look down on your cousins for that. They may develop other
qualities better than yours. Stay simple, Adam, and you will be able to
live among them and thereby make the human race live again. The name of
this ship is _Destiny_. Do you know why?"
"Yes--I know."
"Be with the other children then. Play with them. You'll need each
other to live on New Earth--eleven years from now."
* * * * *
He thought sullenly, how can I play with them when they're _flat_? But
he didn't object out loud to Mecmother. He didn't like her this way.
Explanation was Mecteacher's job and discipline Mecfather's. Mecmother
should be warm and loving.
Mecteacher appeared and asked Adam to call in the other children so the
science lesson could start.
He found them tanning in the sunroom, their unclothed bodies evenly
browned from invisible light. They followed Adam without question, but
seemed to take a long time doing it. Joseph insisted first in donning
clothes, but he put on protective clothing first. Then, realizing the
absurdity of it, he switched to his formality suit--the loose-fitting
robe Mecteacher instructed the children to wear to lend dignity to the
classwork.
During Joseph's delay, the girls ambled off somewhere and returned only
when Adam shouted after them in exasperation. Quickening his pace,
Adam reached the classroom first and asked Mecteacher, "Are the other
children--deep?"
"Deep? Yes, Adam, Mecfather explained that to you. Why are you
confused? It's us, the mecs, who are flat. The other children are
healthy, living beings. The cells from which all of you were born were
selected after years of controlled breeding. Your parents were the
finest the human race could produce--intelligent, strong, healthy, high
survival quotient. Is this what you mean by deep?"
"Partly, but also--_feeling_. I think I feel things better."
The other children waddled in, took their seats and switched on
robomonitors in the ritual of classroom procedure. They all looked at
Mecteacher in the central panel.
Mecteacher motioned Adam to his chair-desk and began the lesson. He
described Old Earth and how it circled Old Sol with the other worlds
and the way the moons circled the planets--all of them condensed into
spheres and all the spheres turning in harmony.
He interrupted himself when Mary's robomonitor registered only partial
comprehension. "What don't you understand, Mary? Is it _sphere_?"
"I know what a sphere is," she said, remembering a previous lesson. "A
sphere is an apple or an orange--"
* * * * *
Mecteacher detected a covert wince from Adam's monitor. The teacher
appeared to Adam on his desk panel where the others couldn't see or
hear. "Do not think this is because she is not--deep, Adam. She is only
seven and not as advanced for her age as you are. You understand how we
mecs are pre-set?"
"Yes."
"In the classroom, then, if we don't go fast enough for you, try to
be patient. We can only deviate within set limits. It is not a new
problem, Adam. On Earth, it impeded the educational system from the
beginning."
Simultaneously with his conversation with Adam, Mecteacher held up
an apple on the central panel and re-explained the age-old analogy
between the apple and the Earth, the red skin and the Terran crust, and
further, the supposition that New Earth ahead would be like Old Earth
and the apple.
Eve wanted to know whether New Earth would have a New Moon.
"That's an interesting question, Eve. But we are still too many
millions of miles away to know yet. Before you are ready to leave the
ship, you will know."
In the months that passed, Adam tried associating more with the other
children. He played their games, which seemed to him to be played
without a purpose, but they wouldn't or couldn't play his--with one
exception.
He showed them how to turn off the artificial gravity in the recroom
and they became obsessed with the same physical euphoria he had
discovered for himself. But even while in free-fall, Adam maintained
his need for reason and couldn't indulge their pointless pastimes for
long. Often, when he grew tired of free-falling, he visited his lonely
chamber under the deck and explored the working parts of the ship.
On almost each occasion when he returned, he was caught by one of the
mecs and punished with fiercely glowing red panels. Remembering a
previous conversation with the mecs, Adam reasoned that their present
dissatisfaction with him was not real. After all, he recalled, they
were pre-set. They _had_ to act like that when he disobeyed them. Going
against them wasn't necessarily the same as doing wrong.
It took an act of will and intelligence far in advance of his
seven years, for Adam realized that if he continued like this, the
conditioning would eat at his brain like acid and guilt would rise
in the etch. So, from under the ship's deck, he turned the mecs
permanently off.
* * * * *
The stars changed with the passing years. The blue giant Adam used to
watch from the darkside port was now a diamond chip lost in starmilk
night. Ahead, a new jewel grew larger in the quartz port, a sapphire
blazing hot and big--bigger than any star in his memory, closer than
the _Destiny_ had ever come to a star.
Adam understood why the star was so big. He was eighteen Old Earth
years of age now and the star was New Sol. Soon there would be a New
Earth and maybe a New Moon. His destiny was near, his job decided. He
would locate the planet, orbit it, search for a clear space and land.
Then he and the others--
The others. The repulsive, flighty, inconsistent trio. They were
alike, all right, with never a serious thought in their heads. Why
weren't they concerned with their destiny as he was? If he were a
genius as the mecs once told him, why weren't the others also geniuses?
They all came from the best stock of Old Earth. No, it wasn't just that
he was supernormal; the others were--flat, undeep.
For years, he had kept peace by yielding to their demands. He suffered
their company, succumbed to their activities. But every so often, when
he felt especially disgusted, he retreated to his private sanctum under
the deck. This was such a time now, he felt, as Eve and Mary giggled
over to him.
They were not nude as had been the custom aboard the ship ever since he
turned off the mecs. They had clothes draped over parts of them that
seemed somehow to make them more than nude. But they wore red coloring
on their lips that he thought was repulsive.
He ducked behind the couch, clicked open the familiar combination and
descended into the only peace he ever knew. He sat at a chair-table he
had lowered into the compartment long ago, and peered pensively at the
drawings before him. If Mecteacher were here, he thought, the orbit
wouldn't be so difficult to calculate. He'd explain how to do it.
And then, he wondered, would Mecteacher have taught the others how
to be deep? Or was depth something inside, something that could not
be altered by education? If this were a world with other people, he
thought, would my cousins be considered abnormals--or would I?
* * * * *
He pondered the question for a moment, then decided, as he had so often
in the past, that it was truly the cousins who were the flat ones. They
were deviants from an average that couldn't exist on the _Destiny_,
but which must have once existed elsewhere. They had been flat at
seven--perhaps when children are supposed to be flat, as Mecmother had
suggested--but they stayed that way. At eighteen, as at seven, they
still played the same games with scarcely any variation.
He heard them rummaging above, attempting again and again to pull open
the hatch. It had happened this way for years: They'd try to open the
trapdoor for an hour or two, then give it up and turn their attention
to something else. They never thought to turn the handle. Maybe an
undeep person wouldn't be able to reason the combination clicks, but
only a completely flat one would persist in pulling when it always
ended in failure.
Possibly, he thought, the cosmic rays had been more destructive to
their egg cells. Or maybe the alien radiations subtracted something
from the other cells to add to his. If this were true, he was partly a
product of the others and owed his depth to them.
Adam felt sorry for his cousins then and wished he hadn't hurt them
by avoiding their presence. Despite their undepth, they must have
feelings. The mecs probably wouldn't have been able to give them depth
but, he remembered, the other role of the mecs was to prevent each one
of them from harming the others. In their role as arbitrator, Adam
realized, they might have stopped him from hurting them so.
Filled with remorse, he left his desk-chair and walked stoop-shouldered
under the low ceiling. At the trapdoor, he opened the combination on
the inside lock handle and pushed upward. It wouldn't open. He tried
again, but it wasn't the lock that was stuck. They must have slid
something heavy over the hatch, something he couldn't move.
He tried calling to them, but his voice was lost in the insulative
metal of the deck. Finally he sat down, conserving his strength for a
final onslaught.
If he couldn't open the hatch, he realized vividly it would be not
only his failure, but the failure of the human race.
But maybe it did not have to be so. Maybe the differences in the others
weren't biological--maybe they were environmental. And with that
thought, he made his way through the narrow passageway and reversed his
deed of eleven years past. He turned the mecs back on.
Returning to the hatch, he reworked the combination to make sure it was
not the lock that held him. He pushed upward with all his strength,
steadily with increasing pressure, until the beads of perspiration
turned into gulleys that streamed down his face.
Exhausted, he crawled back to his chair and lay across the desk
littered with calculations of a landing he would never make. The soft
luminescence from the _Destiny's_ nuclear engines crept forward and
caressed him.
* * * * *
In the aft recroom, Eve and Mary were admiring Joseph's strength in
being able to push the heavy couch over Adam's trapdoor.
Three wall panels lit red. All the mecs appeared together. "It's time
for your science lesson," one said. "But where is Adam?"
"He's in the trapdoor," they answered flatly.
The panel turned green, reserving its redness for the delinquent Adam
when he would choose to appear.
Mecteacher began, "Now about the Solar System...."
But the cousins didn't listen. Joseph had turned the gravity switch off
and they were too busy floating upended, trying new positions, laughing
at each other's ridiculous postures in the ship without bottom. The
game was not a new one, but it was newly discovered and they reveled in
its glories.
Month after month, they played their weightless games while the
mecs implored them to come down. The constellations shifted in the
visiports. New Sol grew larger and then smaller as the _Destiny_ sped
toward its unseen planet.
In the recroom, the mecvoices were only noises to the trio now,
annoying noises that could be silenced, they discovered, with forceful
kicks to the red-glowing panels.
When all the mecscreens had been smashed and the weightless games grew
boring, Mary looked out the sunroom port. She was surprised to see a
rust-yellow sphere hanging in the sky. She watched it seriously for a
time, frowning as it grew bigger and filled a third of her horizon.
Then she called Eve and Joseph.
Mary pointed and they all stared in bewilderment. She opened her eyes
wide and laughed with glee. "It's an apple," she said. "An apple in the
sky!"
But Joseph wasn't fooled. Dimly he remembered something Adam had told
him--something about a thing that would appear in the sky. He fought
hard bringing it to conscious memory. Then he started aft toward the
recroom. In there, under the couch, he remembered, was Adam. Adam would
remind him what it was.
Suddenly Joseph smiled, his face flushed. He turned back to the sunroom
port. He wouldn't have to ask Adam, after all. For a moment, he watched
to make sure, while the huge yellow sphere swam closer.
"No, Mary," he said triumphantly. "It's not an apple in the sky. Apples
are red. It's an orange!"
End of the Project Gutenberg EBook of The Deep One, by Neil P. Ruzic
*** END OF THIS PROJECT GUTENBERG EBOOK THE DEEP ONE ***
***** This file should be named 51091.txt or 51091.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/1/0/9/51091/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
