The Project Gutenberg eBook of Audrey
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: Audrey
or, Children of light
Author: Mrs. O. F. Walton
Release date: March 22, 2024 [eBook #73229]
Language: English
Original publication: London: The Religious Tract Society, 1897
*** START OF THE PROJECT GUTENBERG EBOOK AUDREY ***
Transcriber's note: Unusual and inconsistent spelling is as printed.
[Illustration: SHE STOOD GAZING THROUGH THE SMALL WINDOW.]
AUDREY
OR
Children of Light
By
MRS. O. F. WALTON
AUTHOR OF
"CHRISTIE'S OLD ORGAN," "LITTLE DOT," "OLIVE'S STORY,"
"SAVED AT SEA," "A PEEP BEHIND THE SCENES," ETC.
LONDON
THE RELIGIOUS TRACT SOCIETY
4 Bouverie Street and 65 St. Paul's Churchyard, E.C.
STORIES
BY
MRS. O. F. WALTON.
Christie's Old Organ.
A Peep Behind the Scenes.
Winter's Folly.
Olive's Story.
The Wonderful Door; or, Nemo.
My Little Corner.
My Mates and I.
Audrey; or, Children of Light.
Christie, the King's Servant.
Little Faith.
Nobody Loves Me.
Poppy's Presents.
Saved at Sea.
Taken or Left.
The Mysterious House.
Angel's Christmas.
Little Dot.
Doctor Forester.
The Lost Clue.
Scenes in the Life of an Old Arm-Chair.
Was I Right.
The Religious Tract Society
4, Bouverie Street, & 65, St. Paul's Churchyard
CONTENTS
CHAPTER I. THE OLD HOUSE
CHAPTER II. A CURIOUS PLAYGROUND
CHAPTER III. A PAIR OF ROBINS
CHAPTER IV. FORGOTTEN GRAVES
CHAPTER V. THE COLLECTION
CHAPTER VI. ANGELS' VISITS
CHAPTER VII. THE MYSTERIOUS LIGHT
CHAPTER VIII. CHILDREN OF LIGHT
CHAPTER IX. UNDER THE YEW TREE
CHAPTER X. OLD JOE
CHAPTER XI. THE HOT SUMMER
CHAPTER XII. WHITE ROBES
Audrey
OR
CHILDREN OF LIGHT
CHAPTER I
The Old House
"NOW, Audrey!"
"Yes, Aunt Cordelia?"
"That's the third clean pinafore that you've had this week," said Aunt
Cordelia severely, "and it's only Thursday. Now, Audrey!"
And when Aunt Cordelia said, "Now, Audrey!" The little girl who was
addressed knew that something was seriously amiss.
She was a pretty little girl, with fair hair and brown eyes, and the
warm summer sun had tanned her as brown as the nuts in the window
of Aunt Cordelia's shop. She stood in the corner of the little back
parlour looking ruefully at her pinafore, which was almost as black as
if she had sent it up the chimney for five minutes' change of air.
"Now, Audrey!" repeated Aunt Cordelia more solemnly than before.
The poor child could not bear up against this last terrible appeal, and
bursting into tears, she sobbed—
"I wish there weren't such things as pinafores; I do wish there
weren't!"
"No such things as pinafores?" said Aunt Cordelia. "Why, what would
become of careless little girls' frocks, if there were no nice
pinafores to cover them, I should like to know?"
"I hate pinafores," sobbed the child, taking no notice of her aunt's
words; "I wish the Queen would say nobody was ever to wear them again!"
"For shame, Audrey," said Aunt Cordelia, "you should never say you hate
anything; it's very wicked indeed! Least of all you should never hate
pinafores, that keep you nice and clean and tidy."
"But that's just what they don't do," said Audrey. "They will get black
and grimy. I can't ever have a bit of fun because of them."
Then, as she dried her tears, a bright thought struck her, and she
said, "Couldn't I have a black pinafore, Aunt Cordelia, and then it
wouldn't show the dirt, would it now?"
"Well," said her aunt, laughing in spite of herself, "it will come to
that one of these days, I expect. Now go and get a clean pinafore at
once; and remember that's four this week," she called after her, as the
little girl ran upstairs.
It was a quaint old house in which Audrey and her aunt, Miss Palmer,
lived. Miss Palmer loved to boast about it to the customers who came
to the shop. It was three hundred years old, she told them, and the
wainscot was real oak, and the bannisters on the stairs were carved,
and there were curious old cupboards with black oak doors, and there
was a chimney so wide that none of the sweep's brushes were large
enough to sweep it.
But though Miss Palmer was very proud of her old house, which had been
in the family for so many years that the family had quite lost count
of their number, yet it caused her a great deal of worry and anxiety.
There never was such a place for dust as that old house; it collected
in every corner, it lay upon the window-sills, and it settled upon the
bright dish-covers and pewter jugs in the kitchen.
With this dust Miss Palmer was always waging war. From morning
till night—week in and week out—she fought perseveringly with the
ever-gathering dust, and tried to make her house as prim and as neat as
her tidy soul longed to see it. But just as Audrey's pinafores would
get black, so the old house would get dusty, and the two together
brought many a line of care into Miss Palmer's forehead.
Audrey had lived with her aunt since she was a fortnight old. Her
father was a baker in a town two hundred miles away. She had never seen
him, and he had never seen her since her aunt had carried her off, a
tiny, sickly baby, nearly eight years ago. Audrey's mother had died
soon after she was born, and her father had sent a piteous letter to
his sister Cordelia, telling her he did not know what would become of
him and of his nine motherless children, now Alice was gone.
On receipt of that letter, Miss Palmer had at once put up her
shop-shutters, packed a small carpetbag, locked up her old house, and
had set off for the town, two hundred miles away, where her brother
lived. She had only remained one night, for her business could not be
neglected; but she had brought the baby back with her, having adopted
it as her own.
A curious little thing Audrey looked, as Miss Palmer rolled her in a
warm shawl before starting on her homeward journey, for even then she
had a quantity of hair, which made her little face look, if possible,
smaller and more fragile. But Miss Palmer, although she was an old
maid, had had some experience with babies, having at one time been
nurse in a respectable family. So the little one had every care and
attention bestowed upon her, and had grown up a healthy, hearty child,
always untidy, and never clean for half an hour together, but yet with
cheeks like roses, and as plump and strong as even Miss Palmer's heart
could wish.
She was very fond of the little girl, although she did not often show
it. And though she sometimes rebuked her and said, "Now, Audrey!" in a
voice which made her tremble, she was not unkind to her, and did not
mean to be harsh.
"It was all for Audrey's good," she said to herself.
Thus Audrey, in spite of her pinafores, did not lead at all an unhappy
life. She went to a private school in the next street, where an old
woman tried to keep order amongst thirty or forty children, and, at
such times as she succeeded in making her voice heard, to teach them
reading, writing, and a few sums.
Audrey was a quick child, and learnt well all that it was possible to
learn in such a place. She could read easily and distinctly, and would
have been praised for her writing, had she not covered both herself and
her copybook with blots. But the sums were her delight, and she was
fast coming to the end of all the arithmetic which Miss Tapper was able
to impart.
But there was one thing which Audrey had never been taught, either at
school or at home, and that was the power of the love of Jesus. Her
aunt made her say a prayer night and morning, but she never talked to
her of the dear Lord who died instead of her, and who longed for her to
be His loving and obedient child. If Audrey was good she was praised,
if she was naughty she was blamed; but no one taught her who alone
could make her good, or could teach her not to be naughty.
She was like a little ship beaten about by the waves, driven first one
way and then another by the storm of temper on the wind of wilfulness.
She had not yet learnt whose hand must be on the helm if she was to
sail onward, and to reach the harbour in safety.
When Audrey appeared downstairs in her clean pinafore, she stood at the
shop-door watching her aunt, who was weighing out a pound of tea for a
customer—a stout, rosy woman with a basket on her arm.
"Aunt Cordelia," began the child; but the customer's tongue was going
so fast that her aunt did not hear her.
"Aunt Cordelia," said the child again, as the woman, having finished
her long story, took up her parcels, put them in her basket, and
departed.
"Well, Audrey?"
"May I go out and play, Aunt Cordelia?"
"Go out and play? No, indeed!" said her aunt indignantly. "Go out and
dirty another clean pinafore? Not if I know it! Take your doll and play
with it in the window-seat, and keep yourself clean for five minutes,
if you can do such a thing."
Audrey obeyed without a word, for she had been taught to do as she was
told. She went into the parlour and took up her poor old wooden doll
Olivia, who had lost all the colour from her cheeks and all the hair
from her head. Audrey did not play with her; she stood with her in her
arms gazing through the small square diamond-paned window into her
playground outside.
CHAPTER II
A Curious Playground
AUDREY stood a long time looking out of that window. It opened like a
door, and the ground outside was only two feet below it. Audrey could
get into her playground in a moment by jumping through the window; and
oh, how she longed to be there!
It was a strange place in which to play, for it was a very old and
long-disused churchyard. A great tombstone stood close to the window,
and shut out much of Audrey's view. A green, moss-grown, dirty old
tombstone it looked; but it was only like all the other stones in that
melancholy and deserted place.
They had all been put up to the memory of people long since dead—long
since forgotten. No loving hands ever brought flowers or wreaths to lay
on those old graves, for the ones who loved them and cared for them had
themselves been long since numbered with the dead, and were lying in
their own quiet resting-places.
Behind the old stones, so black with the smoke of years, so discoloured
and weather-stained by the dews of many a summer and the rains of
many a winter, Audrey could see the ancient church, which was fully
as dismal and deserted as were the graves amongst which it stood. It
had been built eight hundred years ago, and at one time large and
fashionable congregations had no doubt attended it. Now they had all
passed away, and with them had departed the usefulness of the old
church. It was shut up and neglected, and was left to the spiders and
other creeping things, which had made a happy home there.
That old churchyard was the happiest place in the world to Audrey; she
had loved it ever since she was a little child. She knew every corner
of it; she felt as if it belonged to her, and as if no one else had a
right to be there—no one except little Stephen.
She shared everything with him, and she loved him as if he were her
brother. There he was now under the lilac tree, sitting patiently
waiting for her to come; and Aunt Cordelia would not let her go out to
him. How disappointed Stephen would be! A tear trickled down Audrey's
cheek at the thought, and fell on the top of poor Miss Olivia's head.
"What—Audrey crying!" said her aunt, coming briskly into the room.
"What is it all about?"
Audrey wiped the tear off Miss Olivia's hair, and made no answer.
"What?" said her aunt. "Because I said you were not to go out? Now,
Audrey!"
"Aunt, it isn't that—it isn't that," sobbed Audrey. "It's because
Stephen will be disappointed, and it's his birthday. He is five years
old to-day, is Stephen."
"Oh, it's his birthday, is it?" said her aunt, relenting. "Well,
I did not know that. I suppose I must let you go; but mind your
pinafore—that's all!"
"Thank you, aunty!" said Audrey, her face filling with sunshine in
a moment, as she climbed on a chair, crept through the small square
casement, and jumped to the ground outside.
The little boy gave a cry of joy as he saw her, and came slowly forward
to meet her. He could not come quickly, for Stephen was a crippled
child, and had never known what it was to run or to jump like other
children.
When he was a baby, he was so small that he was quite a curiosity; and
the neighbours declared that such a child had never been seen before.
But his father had nursed him and watched him as a gardener tends and
watches a little sickly plant of which he is very fond. And Stephen had
learnt to walk when he was three years old, and could now creep about
the churchyard and play quietly with Audrey amongst the old graves. He
was his father's only treasure, for Stephen's mother had died when he
was a baby; and he loved the little lad with all the love of his heart.
Stephen's father was a cobbler, and his window also opened on the
churchyard; and there he sat mending his shoes, and now and then
glancing at the children at their play. He was never happy when Stephen
was out of his sight, for the child's back was deformed and crooked,
and his legs were weak and unsound, and his father always feared some
evil might befall him.
And this was Stephen's birthday, and he was five years old.
"Oh, Audrey, I'm glad you've come!" he cried. "I've waited and waited
till school should leave, and it did seem so long! I've been looking in
at the window of the church and, Audrey, do you know, there's a bird
building his nest inside, just over the pulpit. Come and look!"
The two children went round to the other side of the church, and
climbing on the top of a large flat tombstone they peered in through
the yellow and discoloured panes of the window. What a strange place it
was!
The high, rotten old pulpit looked as if it must soon fall; the narrow
brown pews, with their high backs, and the large square pews, where the
grand people once sat, were all alike gradually slipping into crooked
positions, and leaning over on the uneven stone floor.
Audrey and Stephen loved to look into that old church; they peeped in
at all times of the day—in the morning, when the church looked bright
and almost cheerful, as the sunbeams danced on the old pillars and
streamed down the deserted aisles; in the afternoon, when the long
shadows fell across the chancel, and the coloured window at the western
end threw blue and red lights on the font and on the mouldy pavement
below; and again in the evening, just before going to bed, when the old
church was weird and ghostly, and the stone figures on the tombs in the
chancel looked to the children as if they were alive, and might stand
up and call to them as they watched.
Stephen would tremble at such times and cling fast to Audrey; but she
was never afraid of the old church by night or by day, and she would
have slept as soundly and as happily in one of the square pews as she
did in her own bed at home.
This afternoon the church looked very bright, and the sunshine showed
the dust and cobwebs which clung to the roof, as Stephen pointed out
the nest he had discovered.
It was a swallow's nest, and presently they saw the swallows themselves
flying in and out of a broken pane in the east window, and adding
finishing touches to their neat little nest.
"Isn't it lovely?" said Audrey. "We will come every day to watch them,
and we shall see if any little birds come in the nest."
Then she lifted Stephen down from the stone, and they wandered together
through the churchyard. What a forlorn place it was, full of long grass
and weeds! All the grave-stones seemed to have fallen out of place,
just as all the pews had done. Some were leaning one way and some
another.
The names on most of them had long since been worn away, but others
were still quite distinct; and Audrey loved to spell them out and to
calculate how long it was since those buried in the old graves had died.
In one corner of the churchyard was a swing, which Stephen's father
had put up for them; and just underneath the wall of the church was a
hutch, where Stephen's white rabbit lived.
It was very, very seldom that any one visited the old church, except
the deaf old woman who had the key of the gate; and she only came when
some stranger, passing through the old city, happened to discover the
whereabouts of the ancient building, and made it worth her while to
unlock the door.
CHAPTER III
A Pair of Robins
THERE were three houses the windows of which looked into the old
churchyard. Audrey and her aunt lived in one, Stephen and his father in
another, but the third had long been empty. The windows were covered
with dust, and the spiders and beetles had taken possession of it,
just as they had done of the old church. However, to the children's
astonishment, when they came back from watching the swallows on
Stephen's birthday, they saw that the window of the empty house had
been thrown wide open.
"Who can be inside? Dare you go and look, Audrey?"
"Yes, I'm not afraid," said the child; and leaving Stephen sitting on a
flat tombstone, she went up to the window and peeped in.
"Who did you see?" said the little boy, when she came back.
"I saw nobody but a mouse," said Audrey, "a little grey mouse, sitting
in the corner and eating a bit of bread; but the floor is all washed
and clean, and the cobwebs are gone, and I saw a letter lying on the
window-sill."
"Who can be there?" said Stephen. "We must watch and see."
They had not long to wait, for that very afternoon a man's face
appeared at the window. He was a tall man, dressed in black, quite a
gentleman, Audrey thought him. He was an old man, for his hair was
very white, and he stooped a little; but he was very active in spite
of his age, and his bright dark eyes seemed to be taking in all he
saw at a glance. He only looked out for a minute, but as Audrey and
Stephen crept nearer, they saw that he was very busy. He put down a
bright-coloured carpet on the floor, and brought in a large, leather
easy-chair and a little round table, and placed these close to the
window, and he hung a canary in its cage just over the casement. Then
he nailed up white muslin curtains, and Audrey and Stephen thought the
old house looked very pretty, and were glad that some one had come to
live in it.
"Will he live by himself, Stephen, do you think?" said Audrey.
But before Stephen had time to answer, Aunt Cordelia's voice was heard
calling—
"Now, Audrey, tea-time! What about your pinafore?"
The pinafore was quite clean this time, and Audrey went in with a light
heart; and as a reward for keeping clear of dirt, she was allowed to
play with Stephen again after tea. She was eager to get out, that she
might catch another glimpse of her old man, as she called him; but she
found the shutters closed, and she and Stephen could only watch the
flickering of the bright light inside.
"He's got a fire," said Stephen; "look at the smoke coming up out of
the chimney."
"And he's got a lamp, too," said Audrey. "Look, you can see it through
the crack in this shutter."
[Illustration: "THERE'S SOME ONE SITTING IN THE WINDOW!" HE SAID.]
"Listen—" said Stephen. "What is he doing?"
The sound of hammering came again and again from the room, the window
of which looked into the churchyard.
"He's putting up his pictures," said Audrey. "How pretty it will look
in the morning!"
There was, however, no time for her to peep at it before school;
but when she came home at twelve o'clock, she found Stephen full of
excitement.
"There's some one sitting in the window, and I can't make out who it
is," he said. "I can see something white, and it moves, but it isn't
the old man's head; it's too white for that."
"Why don't you go and look?" said Audrey.
"I daren't," said Stephen; "I waited for you, Audrey."
The little girl went on tip-toe and peeped in.
"It's an old woman, Stephen," she reported, when she came back to
him. "Such a pretty old woman, and she is sitting in that arm-chair,
knitting, and she is smiling to herself as she knits. I wonder what she
is thinking about that makes her smile. Come and look, Stephie."
Very, very quietly the two children crept to the window and peeped in.
"Is any one there?" said a pleasant voice.
But the children were so startled when she spoke, that they ran away
and hid behind the bushes, and it was some time before they dared to
venture again near the window.
"Is any one there?" said the kindly voice of the old woman. "I am sure
I hear some little feet outside."
"Yes, ma'am," said Audrey; "it's me and Stephen."
"You and Stephen, is it?" said the old woman. "And what are you and
Stephen like?"
Instead of answering, the two children put their heads in at the window.
How pretty it was inside that room! The walls were covered with
pictures and photographs and coloured texts, a fire was burning in the
grate, and in front of it lay a tortoiseshell cat fast asleep; the
chimney-piece was adorned with stuffed birds and vases filled with
grass, and on the round table was a large bunch of wallflowers, which
filled the whole room with sweetness.
"Now then, what are you and Stephen like?" said the old woman, smiling
again.
"Can't you see us, ma'am?" said Audrey.
"No, I can't see you," said the old woman quietly; "I'm blind."
"Oh dear, what a pity!" said little Stephen.
"No, not a pity," said the old woman, "not a pity, because the good
Lord sees best; we must never say it's a pity."
"Can't you see anything?" said Audrey.
"Not a glimmer," said the old woman, "it is all dark now; but I can
feel the warm sunshine, thank God, and I can smell these sweet flowers,
and I can hear your bonny voices."
"I'm so sorry for you," said little Stephen, "so very, very sorry!"
"God bless you, my dear child!" said the old woman, and a tear rolled
down her cheek and fell upon her knitting. "And now tell me who you
are, and what you are like."
"I'm Audrey, please, ma'am," said the little girl, "and he's Stephen,
and he's as good as my brother, only he isn't my brother—are you,
Stephie? And he's got shaky legs, and he can't walk far; but he plays
with me among the graves—don't you, Stephie?"
"And now, Stephen, what is Audrey like?" asked the old woman.
"She's got yellow hair," said little Stephen, "and she's nice!" And
then he turned shy, and would say no more.
"Now," said the old woman, "you must often come and talk to me as I sit
in my window, and you must tell me all you are doing. I know what to
call you, but you must know what to call me. My name is Mrs. Robin, and
you shall call me Granny Robin. I have some little grandchildren, but
they live over the sea in America, so you must take their place."
"Thank you, ma'am," said Audrey. "Thank you, Granny Robin, I mean," she
added, laughing.
That was the beginning of a great friendship between the two children
and the new-comers. Mr. Robin had been a schoolmaster, and for many
years had worked hard and lived carefully, so that in his old age he
had saved enough to retire, and to take the old house, and make a
comfortable home in it for himself and for his wife.
The rent was low, for few liked to take a house the windows of which
looked out upon graves, but the schoolmaster made no objection to the
churchyard. There were green trees in it, which would remind him of
the pretty village where he had lived so long, and he did not mind the
graves: he would soon be lying in one himself, and it was well to be
reminded of it, he said. And as for his wife, she could not see the
graves, but she could hear the twittering of the swallows that built
under the eaves of the deserted church, and she could smell the lilac
on the bush close to her window, and it would be a quiet and pleasant
home for her until the Lord called her.
The only fear that the schoolmaster had had in choosing his new home
had been lest his wife would miss the company to which she had been
accustomed in the village where they were so well known. She had a
large and loving heart, and there were very few in the village who did
not come to her for sympathy both in joy and in sorrow. She knew the
history of every one, and, one by one, they dropped in to tell her all
that was going on in the village—countless little events which would
have been of small interest to others, but which were of great interest
to Mrs. Robin.
She sat at her knitting when the neighbours had gone, thinking over
what she had heard, and carrying the sorrows of others, as she ever
carried her own, to the throne of grace.
But Mr. Robin need not have feared for his wife. She had a happy,
contented spirit. It is true she had felt sad at leaving her happy
country home, but new interests were already springing up in the one
to which she felt the Lord had brought her. Little Stephen with his
shaky legs, and Audrey with her motherly care over him, had already
won Granny Robin's heart, and the children from that time spent a very
large part of their playtime in talking to their new friend, as she sat
at her window knitting.
CHAPTER IV
Forgotten Graves
ONE day, as the children stood by Granny Robin's side, they talked
about the old graves in the churchyard. It was a bright spring evening,
and the golden sunshine was streaming through the branches of the
ragged, untidy trees, which nearly hid the old church from sight.
Granny Robin could not see the sunshine, but Stephen could see it, and
he told her about it, and said he was sure the swallows liked it as
much as he did, for they were flying round and round in long circles,
twittering as they flew.
It had become quite a regular thing for Stephen to tell the old woman
all he saw, and he loved to hear her say that she was now no longer
blind, for she had found a pair of new eyes.
One day she called him her "little Hobab," and when he laughed and
asked her why she gave him such a funny name, she said it was because,
long, long ago, when Moses was travelling through the wilderness with
the children of Israel, he said to his brother-in-law, Hobab:
"Thou mayest be to us instead of eyes." And she said that God had sent
little Stephen to her, in her old age, that he might be instead of eyes
to her.
"I am so sorry for those poor graves," said Stephen on that spring
evening, when he had been telling Granny Robin about the sunlight and
the swallows.
"Why are you sorry for them?" asked the old woman.
"They look so sad and lonely," said Stephen.
"What are they like?" asked Granny Robin.
"Oh, all green and dirty," said Audrey, "and the trees are fallen
against them, and when the wind blows, their branches go beat, beat,
beat, against the stones, till Aunt Cordelia says she can't bear to
hear them when she's in bed at night."
"Does nobody bring flowers to put on them?" asked the old woman.
"No, never," said little Stephen.
"Nor wreaths?"
"Oh no, never."
"Does no one ever come to look at them?"
"No, never once, Granny Robin," said Audrey.
"And they do look so sad," said Stephen.
"Yes," said the little girl, "I went with Aunt Cordelia to the cemetery
one day, and it's lovely there, just like a garden; the flowers are
beautiful, and there were heaps of people watering graves, and raking
them and pulling off the dead flowers, and some of them were crying."
"But no one cries over these graves," said Granny Robin.
"No, not one person," said Stephen. "My father says all the people that
loved them are dead and buried themselves."
"Poor forgotten graves!" said the old woman. "And my grave will be like
one of them in fifty years' time—a forgotten grave."
She was talking to herself more than to the children, but little
Stephen answered her.
"Will no one remember it, Granny Robin?"
"Yes, some one will," she said brightly; "my Lord will never forget. He
will know where it is, and whose body lies inside, and it will be safe
in His care till the great Resurrection Day."
"Will the angels know too?" said Stephen.
"I think they will," she said.
"Do they know who are buried in these poor old graves?" asked the child.
"Yes, I believe they do," said the old woman.
"In every one?"
"Yes, in every one."
"Even when the names are worn off?" asked the little boy.
"Yes, I believe they do," said Granny Robin softly.
"I'm so glad," said Stephen. "Then maybe the angels do come and look at
them sometimes. I expect they come at night, when Audrey and me are in
bed. I'll get out and look some night, Granny Robin; maybe I shall see
them; my window looks out this way."
The forgotten graves weighed heavily on Stephen's mind after this talk
with the old woman. When Audrey was at school, he used to wander up and
down amongst them, pitying them with all the pity of his loving little
heart. And he would try to put aside some of the branches that kept
blowing against the stones, and which were so fast wearing them away,
and he would pull up some of the long grass, which in some places hid
the stones completely from sight.
"Audrey—" he said one afternoon when Aunt Cordelia had given her leave
to have a long play with him, "Audrey, couldn't we make these poor old
graves look nice?"
"We couldn't do them all," said Audrey. "Why, Stephen, there must be a
hundred or more!"
"No, we couldn't do them all; we might begin with two—one for you and
one for me, Audrey."
"Well, let's choose," said the little girl. "We'll walk round and have
a look at them all."
"We'll have one with some reading on," said Stephen, "and then we shall
know what to call it."
"Here's a poor old stone against the wall," said Audrey; "I'll read you
what it says."
"'SACRED
TO THE MEMORY OF
CHARLES HOLDEN,
WHOSE REMAINS LIE
HERE INTERRED.
HE WAS
OF HUMANE DISPOSITION,
A SOCIAL COMPANION,
A FAITHFUL SERVANT,
AND A SINCERE FRIEND.
HE DEPARTED THIS LIFE
THE 23RD OF DECEMBER, 1781.
AGED 38.'"
"I don't like that one bit," said Stephen; "it has got too many hard
words in it."
"Well, here's another."
"'IN MEMORY
OF
JOHN POWELL.
DIED IN 1781.
ALSO MARY, RELICT OF
THE ABOVE, WHO DIED
JANUARY 20, 1827,
AGED 87.
ALSO TWO GRANDCHILDREN,
WHO DIED YOUNG.'"
"That's much nicer," said Stephen. "I like those two grandchildren who
died young. I wonder how old they were; do you think they were as old
as you and me, Audrey?"
"I don't know," said Audrey; "it doesn't say, and it doesn't tell if
they were girls or boys."
"Never mind," said Stephen, "we can guess. I think one was a girl and
one was a boy. And are their bodies really down under here, Audrey?"
"Yes, what there is of them," said Audrey; "Aunt Cordelia says they
turn to dust."
"Oh," said little Stephen, in an awestruck voice, "I wish we could see
the dust of the two grandchildren who died young! I'll have this grave,
Audrey, and take care of them. Is there any one else inside it?"
"Yes, there's John Powell, died in 1781; also Mary, relict of the
above," read Audrey.
"What does relict mean?" asked Stephen.
"Aunt Cordelia has a relict," said Audrey, "and she keeps it in a box."
"Is it a woman?" asked Stephen.
"No, it's a bit of grey hair; she cut it off her mother's head when she
was dead, and she says it's a relict. I don't know what she means, but
she keeps it locked up ever so safe."
"I hope John Powell didn't lock Mary up," said Stephen.
"She must have got out if he did," said Audrey, "for she lived a long,
long, long time after him. He died in 1781, and she didn't die not
until 1827; let me count up, it's quite a long sum. Why, it's forty-six
years, Stephen!"
"Oh dear," said Stephen, "that is a long time! Let's tell Granny Robin
about it, and I'll ask her if she would have that one if she was me."
Granny Robin quite approved of their plan, and of Stephen's choice of
the two grandchildren who died young. She told them that relict meant
the wife left behind, and tears came into the old woman's sightless
eyes, as she sat at her knitting and thought of the poor widow left
behind for forty-six years. She pictured her living on and on, year
after year, coming doubtless often to that grave to look at the place
where her John lay, but still kept waiting for forty-six years for the
glad day when she should see him again.
Granny Robin thought it must have seemed a longs dreary time to poor
Mary. And then, maybe, those two grandchildren were a cheer and comfort
to her. Yet they were taken, they died young, but old Mary still lived
on. Till at last, on that winter's day, January 20, 1827, the call,
so long waited for, came, and she and her John were together again.
Then, too, the old grandmother saw once more the faces of the two
grandchildren who died young.
So Granny Robin mused as she sat at her work; and she wondered whether
the waiting-time seemed as long to old Mary, as she looked back to it
from the brightness and the joy of the Home above, or did it seem short
as a troubled dream seems when we wake from sleep?
"Our light affliction, which is but for a moment."
So long, when we are passing through it; but for a moment, as we look
back to it from God's eternity.
CHAPTER V
The Collection
STEPHEN had now quite settled upon the grave which he was to make his
especial care, but he promised not to begin his work until Audrey had
chosen hers. She was very undecided for a long time, but at length she
chose one, sacred to the memory of another John.
"It will be nice for us each to have a John," she said.
"'BENEATH IS DEPOSITED
ALL THAT WAS MORTAL OF
JOHN HUTTON,
WHO DIED THE 12TH OF APRIL, 1793,
AGED 47.'"
"'Go home, dear wife, and shed no tear,
I must ly here till Christ appear;
And at His coming hope to have
A joyful rising from the grave.'"
"How do you spell lie, Granny Robin?" said Audrey, when she had
finished reading it to her.
"L-i-e," said the old woman.
"Well, it's l-y here," said the child.
"That's the old-fashioned way," said Granny Robin.
"Well, now, we'll set to work," said Audrey; "we must wash them first,
Stephen. Do you think your father would give us some water in a basin?
I daren't ask Aunt Cordelia; she would say I should dirty my pinafore."
"If Stephen's father will give him a basin, I will give you one,
Audrey," said Granny Robin.
"And I'll get you both an old sponge," said Mr. Robin, who was smoking
his pipe in the window.
What a scrubbing went on after that! Stephen's father, who was always
pleased to do anything his poor little boy asked him, brought out soap
and two scrubbing brushes, and the children worked away diligently for
more than an hour.
At the end of it, they were far from satisfied with their work.
"The two grandchildren who died young won't come clean, Granny Robin,"
said little Stephen mournfully.
"They're quite as nice as my John is," said Audrey. "Anyhow," she added
more hopefully, "they're a deal cleaner than they were before. Now
what's the next thing to be done?"
"We must cut the long grass behind them," said Stephen, "and then we
must dig up the grave in front of the stone. I'll get father's big
scissors and my little spade."
Father's big scissors cut the grass down very successfully, but
Stephen's little spade refused to go into the hard ground. It had been
trodden underfoot for many years, and it lay hard and dry and stony
over the heads of the two grandchildren who died young.
But at this point old Mr. Robin came to the rescue. He brought a large
spade out of his house and dug the grave over for little Stephen, and
then, after he had rested a little, he did the same for Audrey's John,
as she called him.
[Illustration: AT THIS POINT OLD MR. ROBIN CAME TO THE RESCUE.]
"Wouldn't the wife be pleased if she saw we were doing it?" she said.
"What wife?" asked Stephen.
"This wife it says about in the hymn—"
"'Go home, dear wife, and shed no tear.'"
"I wonder if she did shed any," said Stephen.
"I expect she did," said Audrey; "I wonder what has become of her. Do
you think she will ever come to see how nice we have made her John's
grave, Granny Robin?"
"When did John die?" asked the old woman.
"In 1793," said Audrey.
"1793—a hundred years ago!" said Granny Robin. "Why, Audrey, the wife
must have been dead long since!"
"And she never sheds any more tears now," said Stephen, "because she's
in heaven."
"I hope so," said Granny Robin.
"Does everybody go to heaven when they die?" asked the child.
"No, my dear boy, not every one."
"Shall I go there when I die, Granny Robin? I do hope I shall," said
little Stephen.
"I hope so too, my little man. The Lord wants to have you there," she
said.
"What is it like, Granny Robin?" asked Stephen.
"We know very little about it, Stephen," said the old woman, "but we
can't help thinking about it, and dreaming about it; and I always think
of it as a beautiful garden, where the King walks with His friends. I
may be wrong, Stephie, but that's what I always see in my mind when I
think of it."
"The two grandchildren who died young will like being in the garden,"
said Stephen. "Do you think they're glad they died young, Granny Robin?"
"I think they are, Stephie," she said; "they did not have to tread far
on life's rough ways; their little feet reached the garden long, long
years ago."
"And there will be soft grass for them to walk on there," said Stephen,
"Maybe I'll see them when I get there. Do you think I'll know them,
Granny Robin?"
"I think you will, Stephie; I feel almost sure you will," she said.
"If I see any very dear little children playing under the trees of
the garden," said little Stephen, "I might ask them, 'Are you the two
grandchildren who died young?' And then they could tell me, couldn't
they?"
"God bless you, my dear little lad!" was all the answer Granny Robin
gave him.
The next day was Saturday, which was market-day in the old city. It
was Audrey's holiday, and the happiest day in the week to Stephen and
to herself. Aunt Cordelia was always busy cleaning from morning till
night, and sent Audrey into the churchyard, that she might be out of
the way of her sweeping-brush and dust-pan.
On this particular Saturday, Audrey and Stephen were whispering
together under the lilac tree for a very long time; and about ten
minutes afterwards, Mr. Robin, who was smoking his pipe in the window,
saw a sight which made him laugh so much, that for a long time he could
not tell Granny Robin at what he was laughing.
As he looked across the churchyard, he saw Audrey and Stephen coming
towards the window arm in arm. Stephen was dressed in the tall hat
which his father wore when he went to chapel on Sunday night, and in
an old greatcoat, which was fastened round his neck, and dragged like
a long tail behind him, whilst the sleeves were turned up so far that
there was far more lining than cloth to be seen. Audrey had a red shawl
thrown over her head, and her pinafore was tied round her waist like an
apron. Each child carried a tin, on which old Mr. Robin distinctly read
the words "Colman's Mustard."
As soon as they came up to the window both children made a low bow, but
neither of them spoke.
"Well, what do you want?" said Mr. Robin, as gravely as he could. "Are
you going round begging this fine spring morning?"
"Please, sir, we're making a collection," said Audrey.
"Yes, it's a collection," echoed little Stephen.
"What's it for, my little dears?" said Granny Robin, as she laid down
her knitting, and began to put her hand into her pocket.
"Mine's for the TWO GRANDCHILDREN WHO DIED YOUNG," said little Stephen.
"And mine's for ALL THAT WAS MORTAL OF JOHN HUTTON," said Audrey.
"Oh, I see," said the old woman; "you want to go and get some roots in
the market for your graves—is that it?"
That is it, and Granny Robin's hand must go in the pocket again. It
goes in empty, but it comes out well filled. Three pennies for the
grandchildren go into Stephen's tin, and three more for John Hutton go
rattling to the bottom of Audrey's.
Now it is Mr. Robin's turn, and his pocket seems to be full of pennies
too; and the tins make such a noise when they are shaken that Granny
Robin pretends to stop her ears, that she may not hear the din.
Then the two children go on to the next window, where Stephen's father
sits busy with his work. But the boot is laid down, that the collection
may have due attention, and it is silver this time which goes into the
tins, two quiet silver threepences, which make no noise, but which the
two children admire greatly as they slip in amongst the copper.
"Now for Aunt Cordelia," says Audrey. "You must go first, Stephen; she
won't say 'No' to you."
Aunt Cordelia makes a dive at Audrey's pinafore, the bottom of which
she declares is collecting all the dust in the churchyard, but she is
not angry when she hears why they have come. And when Stephen pleads
for something for his two grandchildren, she goes to her till and
brings out several pence for each tin, and willingly gives Audrey leave
to go that afternoon to the market with Mr. Robin to make her purchases.
CHAPTER VI
Angels' Visits
WHAT an important little person Audrey was, as she set out to do her
marketing that afternoon! Stephen was not able to go, for the crowd in
the market-place was so great on Saturday afternoon, that his father
was afraid he might get hurt. So Audrey and the old man were to do the
business between them; Audrey carried the money, and Mr. Robin brought
a basket for the flowers.
The market was an open one, and was held in a wide street in the centre
of the city. There were stalls for all manner of articles in that
market—toys, and kettles, and tins, and slippers, and caps, and all
sorts of other things; but the flower-stalls were by far the prettiest,
Audrey thought, and these were placed by themselves, all down one side
of that long street. The little girl went from stall to stall, admiring
all the flowers, and wondering which Stephen would like best.
It was well that Mr. Robin was there to help her to decide, or
Stephen's patience would have been exhausted long before she reached
home. He was sitting at the window looking out for them the whole time
they were away. And oh, what excitement there was when the basket was
unpacked, and the contents spread out on Granny Robin's round table!
Then, when all had been duly admired, they were divided into two heaps.
One heap was for Stephen's grandchildren, as he called them, and the
other was for Audrey's John. There were a yellow and a purple pansy,
a red and a white daisy, a yellow musk, a sweet william, a primrose,
a violet, a lily of the valley, and two or three beautiful roots of
forget-me-nots in each heap.
Then the children went out in great glee to plant their flowers. But
what was their surprise to find that, whilst Audrey had been in the
market, Stephen's father had been very busy bringing bucketfuls of
earth from the garden of a friend of his who lived not far away, and
making the two graves as tidy and neat as the daintiest flower-garden.
It was easy to plant the roots after this; and oh, how delighted the
children were, as they saw the graves growing more and more pretty
every moment!
And that evening there was a grand procession. Every one was invited to
see and to admire their work. Mr. Robin walked first, with Granny Robin
on his arm. The old woman had insisted on climbing out of her window to
visit the graves. If she could not see them, she could feel them, she
said, and she could smell the flowers.
As for Stephen's father, he had done very little shoe-mending all day,
for every few minutes he had come hopping out of his window to see how
they were getting on. Yet, although he had helped to choose the place
of each plant, the little cobbler still came behind Mr. and Mrs. Robin
in the procession which was about to visit the graves, and when he
arrived there, he seemed as much surprised and interested as if he had
never seen them before.
The difficulty was to get Aunt Cordelia there. Not that she was
unwilling to come, for she was anxious to see Granny Robin, of whom
the children talked so much; but the trouble was this, she could not
make up her mind to climb out of the window. It took Audrey and Stephen
nearly an hour to coax her to make the attempt. She even wanted to go
down the street to the house of the deaf old woman, that she might get
the key of the churchyard gate.
It was only when Audrey told her that if she did so, it would spoil
everything—for the old woman would be sure to come with her, and would
perhaps be angry with them for doing it without her leave—it was only
then that Aunt Cordelia consented to try the undignified descent.
But it was a terribly serious business. A stool was placed outside the
window, and Mr. Robin and the cobbler came forward to give her a hand,
whilst she gathered her petticoats round her, and at length, slowly
and gracefully, managed to alight on the churchyard grass. Then the
procession began, and the children's work was duly admired by the whole
party. They all had some remark to make about it, and these remarks
were very different from each other.
Aunt Cordelia, who was in a very good temper, and who was much
gratified by the politeness of Mr. and Mrs. Robin, said, "Well, I
declare, it's a very pretty garden, and a deal better play than
climbing all day long over those black, filthy old stones, Audrey. You
won't dirty half as many pinafores!"
Stephen's father was full of his boy's delight. It would be a pleasure
for Stephen every day, he said, and he would buy him a nice little red
can with which to water the flowers.
Mr. Robin said it was a real treat to see a bit of flower-bed again; it
reminded him of his garden in the country, and was like a bit of home
to him.
But Granny Robin, as she knelt on the grass to smell the flowers,
repeated softly to herself the words of a verse, which Audrey and
Stephen thought very beautiful.
"'Saint after saint on earth
Has lived, and loved, and died,
And as they left us one by one,
We laid them side by side;
We laid them down to sleep,
But not in hope forlorn;
We laid them but to ripen there
Till the last glorious morn.
Come, then, Lord Jesus, come!'"
"Do you think they know what we've been doing?" said little Stephen.
"Who, my dear child?"
"The two grandchildren who died young."
"I don't know," said Granny Robin; "I can't say, Stephen."
"Perhaps the angels will tell them when they go back to-night," said
Stephen. "They are sure to notice it when they come to look at the
graves, and I think the little children will be glad when they hear."
And that night, long after Stephen's father thought he was fast asleep,
the little boy stood at his bedroom window in the moonlight, looking
for the angels. The calm, quiet light was streaming through the
trees and down upon the desolate graves. It made even the saddest of
them look beautiful, little Stephen thought, and he fancied that the
moonbeams must be the reflection of the brightness of the angels' wings.
His own grave, as he loved to call it, was lying full in the pure,
silvery light. He could see the flowers he had planted distinctly, and
he could even distinguish some of the words on the old tombstone. He
loved to fancy to himself that the angels were glad to see it looking
so beautiful, that they were pleased with what he had done, and that
they were lingering round it with bright and happy faces. Some of the
other graves were lying in shadow, but the angels, so he thought, had
gathered round the one upon which he had bestowed so much care, and
were unwilling to leave it behind.
It was not until clouds came drifting across the sky, and one of them
was driven over the face of the moon, and the whole churchyard was
left in darkness again; it was not until every ray of moonlight had
disappeared, that little Stephen crept back to bed. The angels were
gone, he said, as he laid his head on the pillow; they had flown away
to the King's Garden, and perhaps, even then, they were telling the two
grandchildren who died young that the flowers were blooming on their
grave, and that it was no longer forsaken and desolate.
CHAPTER VII
The Mysterious Light
"GRANNY ROBIN—" said Stephen, when he and Audrey were leaning on her
window-seat on the bright Sunday afternoon which followed that busy
Saturday, "Granny Robin, do you think I shall die young?"
"I can't tell, my dear child," said the old woman, as she stroked
Stephen's little thin hand; "only the dear Lord above knows that."
"I think I should like to die young," said the child.
"If you go to heaven," said Audrey, "it won't be a good thing if you
don't."
"Shall I go to heaven, Granny Robin?" asked the little boy.
"If you have come to Jesus you will, Stephen," she said.
"I would like to come to Jesus, Granny Robin," said Audrey; "but how
can I come to Him? If He was in the city, and I knew which house He was
in, I would go to Him—wouldn't you, Stephie?"
"Yes," said the child; "we would take hold of hands and go together."
"You have not far to go," said Granny Robin, as she laid down her
knitting and put her arms round the two children.
"Tell us just what we must do," said Audrey, "and we'll do it, Stephen
and me, both of us, Granny Robin."
"You have a river here, haven't you, somewhere in the city?" asked the
old woman.
"Yes," said Audrey; "and it's beautiful in summer-time, it's covered
with boats."
"And barges," said Stephen.
"Yes, but the barges are ugly," said Audrey. "But the boats are lovely,
and sometimes they have a sail up, and then I like them best of all.
One day me and Stephen went down on the new walk by the river, and we
sat on one of the seats and watched them."
"Have you ever been over the river?" said Granny Robin.
"Yes, heaps of times," said Audrey.
"Did you swim across?" asked the old woman.
"Oh no, Granny, I should be drowned if I fell in! There's bridges,
you know—great big bridges. There's the pay bridge, where you pay a
halfpenny to go across, and there's two more; but Aunt Cordelia always
goes over the pay bridge."
"Are you afraid of falling in when you're on the bridge, Audrey?"
"Oh no; it's so strong, Granny Robin. Hundreds of folks go over it
every day."
"Audrey," said the old woman, "do you know, I once lived in a country
which had a very dismal name? It was called the Kingdom of Darkness."
"I shouldn't like to go there," said Stephen. "I don't like to be in
the dark."
"I was born there," said Granny Robin, "and I did not notice how dark
and gloomy it was. I was used to it, and it did not strike me as being
very dismal, not for a long, long time."
"How did you find out it was dark, Granny Robin?"
"I looked across the river to the other side."
"And what did you see there? asked Stephen.
"I saw another kingdom, Stephie, which was full of light; glorious
sunshine was streaming on it; there was not a dark corner to be seen in
it."
"Had that country a name?" said Audrey.
"Yes, it was named the Kingdom of Light."
"Didn't you want to go there, Granny Robin?"
"Yes, I was not happy in the Kingdom of Darkness any longer," she said.
"It looked black as night to me, and I wanted—oh, so much!—to get to
the other side."
"Why didn't you go, Granny Robin?"
"I couldn't find the way, Stephie. I tried to get across, but the water
was too deep, and I had to turn back."
"Did you ever get over?" asked Audrey.
But just then Aunt Cordelia's voice was heard calling loudly, "Tea,
Audrey—tea," and the little girl had to run home without hearing the
old woman's answer.
The evening was dark and gloomy. Clouds came driving up and covered the
blue sky, and the wind blew mournfully amongst the forlorn trees in the
churchyard. Granny Robin's window was closed, and Stephen whispered to
Audrey, when she came out, that he heard strange voices inside, and
that his father said two people had come to see Mr. Robin from the
village where he used to live.
Audrey and Stephen wandered about the churchyard together, but it was
very dismal that Sunday evening; even the flowers on the two graves did
not look fresh and beautiful, as they had done the night before.
After a time, they climbed on the square tomb and peeped into the
church, but it seemed more gloomy there than it did outside. Even the
swallow had settled down on his nest, as if he felt too depressed to
venture to fly into the churchyard.
"It looks like the Kingdom of Darkness," said Stephen in an awestruck
voice. "I wonder if Granny Robin ever got across; don't you, Audrey?
Shall we go in now?"
"No, let's stay outside," said the little girl. "Your father's at
chapel, and Aunt Cordelia's at church, and it's much darker in than
out."
So they wandered about for another half-hour, and then even Audrey
owned it would be better to go in.
"Let's have one more look in the church," said Stephen; "I want to see
if the swallow has gone to sleep."
They climbed on the stone, but they could see nothing. The old church
was quite dark now, and Stephen tried in vain to see the swallow in its
nest. They could only distinguish the outline of the chancel window,
and Audrey thought she could see the pulpit with its heavy top, but she
could not be sure even of that.
"Let's go," said little Stephen, shivering; "it looks more like the
Kingdom of Darkness than before."
[Illustration: "LOOK, STEPHEN!" SHE CRIED. "WHAT'S THAT?"]
He was climbing quickly down from the gravestone when Audrey called him.
"Look, Stephen," she cried. "What's that?"
The child got on his feet again and pulled himself up to the window.
When he had looked into the church a moment before all had been dark,
but now a bright light streamed across the chancel. They could see the
old, crooked stone pillars standing out clearly against it; they could
distinguish the communion table, and the wooden rail in front of it;
they could see the high pews and the uneven stone floor; they could
even make out the swallow's nest in the arch nearest to the pulpit.
"What can it be?" said Stephen, trembling from head to foot.
"Some one must be inside," said Audrey. "Let's watch."
"It must be old Maria," said Stephen.
"No, it can't be Maria; we should have seen her come," said Audrey.
"Why, we've been sitting looking at that little stone path leading from
the gate for nearly an hour. I am quite sure it isn't Maria!"
"Who can it be?" said Stephen. "Oh, Audrey, let's fetch father?"
"No, wait a bit," said Audrey; "your father won't be in. Let's watch
it; perhaps we shall see some one."
But although they watched for a long time, no one appeared in the
church, nor were they able to discover from whence the light came.
It was not a steady light; it flickered up and down, and the shadows
on the roof flickered with it. Nothing else moved in the old church;
all else was still as death. But Stephen's heart was beating faster
and faster as the minutes went on; and Audrey, feeling how much he
trembled, was just going to yield to his wish to go home, when quite
suddenly, as suddenly as it had appeared a few minutes before, the
light went out, and the old church was once more left in darkness.
CHAPTER VIII
Children of Light
IT was a little hard on the children, when they went home to tell their
tale of the strange light in the church, to find that no one would
believe them. Aunt Cordelia was inclined to be angry, and said:
"Whoever heard of a light in the old church? They shouldn't make up
such stories!"
Stephen's father only laughed, and told him he must not think of it
again; little boys fancied strange things sometimes. Even Granny Robin
seemed to imagine that their being out late, and their having felt
rather frightened, had something to do with it.
But Stephen and Audrey knew better, and, without saying a word to any
one, they would creep out night after night, and would climb upon the
fiat tomb that they might look for the sight.
But day after day of that week went by, and they never saw it again.
"Perhaps it only comes on Sunday," said Stephen.
"We must wait and see," said Audrey. "I do hope it will come, and then
we will fetch them to see it, and they will all believe it."
Meanwhile the two children had another talk with Granny Robin.
"Did you ever get into the Kingdom of Light?" little Stephen asked her.
"Yes, my child," said the old woman, "I did."
"And how long did you stay there?" said Audrey. "Weren't you sorry to
come away, Granny Robin?"
"I never came away," said the old woman; "I'm there now!"
"There now?" repeated Stephen; and he looked round the room, which was
fast growing dark, and was full of the shadows of the trees outside.
"Did you say you were there now, Granny Robin? I don't think it's very
bright now; and then you're blind, you know, and couldn't see it if it
was."
"It's always bright in the Kingdom of Light, and I can see that
sunshine, Stephen," she said.
"I think Granny Robin means her soul can see," said Audrey.
"Quite right, dear child," said the old woman; "it is my soul, and not
my poor old body, that is in the Kingdom of Light."
"I wish I was in the Kingdom of Light," said Audrey.
"You must cross over, Audrey," said Granny Robin.
"How can we cross?" asked little Stephen.
"Just as I did," she said. "You can't walk over or swim over; there is
only one way."
"What way is that?" asked Audrey.
"The bridge," said Granny Robin quietly; "you have several bridges over
your river—I have only one over mine."
"Is it the pay bridge?" asked Stephen.
"No, it's the free bridge," said Granny Robin, smiling—"'without money
and without price.'"
"What is its name, Granny Robin?"
"Christ Jesus," said the old woman reverently. "Did not He say—"
"'I am the way; no man cometh unto the Father but by Me?'"
"Tell me how you got across," asked Audrey.
"I came to Jesus," said the old woman. "I said to myself, 'My Lord is
not far away in heaven; He is close beside me in this room, standing
by my side, waiting for me to come to Him. I cannot take myself across
into the Kingdom of Light, but He can take me. He died on the cross
that He might be able to take me. I will trust myself to Him. Hundreds
of others have crossed by this bridge, and have crossed safely; I will
cross also. I will come to Christ to be saved by Him alone.' And,
children, I did cross, and here I am," said the old woman, smiling
again.
"I want to go into the Kingdom of Light," said little Stephen, laying
his small, thin hand on Granny Robin's.
"Trust yourself to Him this night, Stephen," she said; "you and Audrey,
both of you. Tell Him you want to come to Him, just now, that He may be
your bridge, and take you safe over from the Kingdom of Satan to the
Kingdom of the dear Son, the blessed Kingdom of Light."
And with a child holding each hand, the old woman knelt down and prayed—
"O Lord, Thou art close beside us, and we come to Thee. We want, each
one of us, to belong to the Kingdom of Light. Little Audrey and Stephen
are coming to Thee now; Thou art the way to God. We trust ourselves to
Thee to be saved. Thou hast taken many others out of the darkness and
into the light. Lord, we believe Thou wilt take us, just now, just as
we are. As we kneel here, hand in hand, we trust ourselves to Thee.
Lord, take us now, we do beseech Thee. Amen."
And then, as they sat beside her, and as she went on with her knitting,
Granny Robin sang softly—
"Out of my bondage, sorrow, and night,
Jesus, I come—Jesus, I come!
Into Thy freedom, gladness, and light,
Jesus, I come to Thee.
Out of my sickness into Thy health,
Out of my want and into Thy wealth,
Out of my sin and into Thyself,
Jesus, I come to Thee!"
"Now, Audrey and Stephen," said Granny Robin, "if you have come into
the Kingdom of the dear Son—the Kingdom of Light—you must remember what
you are."
"What are we, Granny Robin?"
"Children of Light," said the old woman, smiling. "Isn't that a
beautiful name?"
"It sounds like an angel's name," said little Stephen.
"And the Children of Light must never do the works of darkness," said
Granny Robin. "If you are tempted to be cross, or disobedient, or
untruthful, you must say to yourself, 'I am a Child of Light; I have
crossed over the bridge, and all those deeds of darkness must be left
behind in the Kingdom of Darkness.' Will you remember, Audrey and
Stephen?"
Just then Aunt Cordelia's voice was heard calling for Audrey to come to
her at once. It was an impatient, angry voice, and Audrey said, as she
got up reluctantly to go—
"What a bother! There's Aunt Cordelia calling, and she's as cross as
two sticks!"
"Children of Light, remember, Audrey," said Granny Robin softly, as she
jumped out of the window.
It was Friday, and Aunt Cordelia's baking-day. And if there was one day
in the week when Aunt Cordelia was more cross than usual, that day was
baking-day. Standing over the large oven and the scorching fire, baking
cakes and pies and buns for her shop, with the perspiration streaming
down her face, it was no wonder that Aunt Cordelia's temper was tried.
"Come along, Audrey, you lazy child!" she cried, as she took a tray of
cakes out of the oven. "Here am I, slaving away this hot day, and you
doing nothing but waste your time. There's that shop bell been tinkling
as if it was mad this last hour; and how in the world am I to get my
baking done, if I'm running backwards and forwards every minute!"
Audrey was just going to say that she had been at school all day, and
it was very hard if she couldn't have a bit of play when she came home;
but she remembered Granny Robin's words.
"I am a Child of Light," she said to herself; and was quiet.
And when Aunt Cordelia called after her, as she was going into the
shop, "Audrey, put a clean pinafore on! Audrey, I never saw such a
dirty girl as you are! You're not fit to be seen!"
Audrey went quietly upstairs without a word, changed her pinafore, and
came down with a bright and pleasant face to take her place behind the
counter.
It was wonderful how happy she felt, even though she knew it was the
time when she and Stephen watered the graves, and he would be waiting
for her outside. And at tea-time Aunt Cordelia put one of her best
cakes on her plate, telling her that she had been a good child, and she
might go and play after tea.
That evening Stephen and she talked a great deal about the Children of
Light; and Stephen said he wondered if the angel's, when they came to
look at the graves to-night, would come and look at them as they lay in
their little beds.
"Because you know, Audrey, I think if we are Children of Light, we must
be their little brothers and sisters—don't you think so, too?"
When Sunday evening came, the children were very anxious to watch the
old church. They sat for a long time keeping a strict look out on the
gate, for they fancied that old Maria must have some special business
in the church on Sunday, and that they might see her come in.
But though they watched carefully for more than an hour, no one came to
turn the rusty lock; and at last, when darkness came on, the children
crept somewhat tremblingly to peep into the church.
Yes—there was the light again, flickering as before in the chancel; and
yet they could see no sign of any one in the church.
"Now," said Audrey, "we'll make them believe us. You fetch Mr. Robin,
Stephen, and I'll fetch Aunt Cordelia; she hasn't gone to church
to-night, and we'll show it to them."
Aunt Cordelia refused to come; she was wearing her Sunday dress, and
would spoil it, scrambling on those dirty stones, she said.
But Mr. Robin put on his cap, and came with Stephen as quickly as he
could.
"Now you will see, Mr. Robin," Audrey whispered to him, as he climbed
on the flat stone and looked in at the window. "What do you think it
can be?"
"I can't see anything," said Mr. Robin; "it's all dark inside."
The light had entirely vanished—not the faintest glimmer was to be
seen; and poor Audrey and Stephen were as far as ever from convincing
those at home that it had ever appeared, except in their imaginations.
"It all comes of wandering about amongst those graves," said Aunt
Cordelia. "It isn't good for children. But what can we do with them? We
can't turn them out into the streets to play."
CHAPTER IX
Under the Yew Tree
IT was wonderful what a difference that talk with Granny Robin had made
in Audrey's and Stephen's lives. They never forgot what she had said
to them, or that they were the Children of Light. And when Audrey's
birthday came, Granny Robin gave her a beautiful text to hang up in her
bedroom; and the words of the text were these—
"WALK AS CHILDREN OF LIGHT."
"How ought Children of Light to walk, Granny Robin?" asked Audrey.
"What does it mean?"
"It means, behave as Children of Light," said the old woman; "do
nothing and say nothing which the Children of Light ought not to do or
say."
"I will try, Granny Robin," said Audrey.
And she did try, from that day forward. When Aunt Cordelia was in one
of her difficult, fault-finding moods, Audrey would say to herself:
"I am a Child of Light," and would keep back the angry, fretful answer.
When she was tempted to be idle at school, or to join in the
disturbance which most of the children were making, she would say again:
"I am a Child of Light," and the thought would make her work with all
her might.
When she lay awake at night, and felt lonely in the little top
room where she slept, she would creep out of bed and look into the
churchyard, and above the old tower to the stars shining overhead, and
would say to herself:
"I am a Child of Light."
And then she never felt afraid; for were not the angels watching over
all the Children of Light, their little brothers and sisters in the
Kingdom?
As for Stephen, he was happier than he had ever been before; it was his
one thought night and day.
He was always asking his father, "Father, are you one of the Children
of Light? Have you crossed over the bridge?"
And when he received no answer to his question, he would throw his arms
round his father's neck, and would say, "Oh, I do hope you are in the
Kingdom of Light, father—the Kingdom of the dear Son!"
It must have been about the beginning of May—just at the time when the
lilac on the bush near Granny Robin's window was in full bloom—that a
very strange thing happened. The children had seen nothing more of the
light in the church since the Sunday when they had called Mr. Robin to
see it, and they were beginning to despair of ever seeing it again. Yet
still, when Sunday evening came, they climbed on the flat tombstone,
and looked in through the window, hoping against hope that it might
appear, and that they might be able to prove the truth of their story.
But as the days grew longer and lighter, it became more and more
unlikely that any one who might happen to be in the old church would
require a light until long after Audrey's and Stephen's bedtime.
But it so happened that one Sunday night, Aunt Cordelia told Audrey
that when she left church, she was going to see a friend of hers who
was ill, and who lived on the other side of the river, almost two miles
away. This would take her a long time, as the friend might require her
help when she arrived, and in that case it would be late before she was
home.
Audrey was in alone, for the rain was falling fast, and she and Stephen
had not been together all day. The little girl sat for some time by
the window, watching the rain which was beating mercilessly on the old
tombs, and covering the grave of the two grandchildren who died young
with the tiny blue blossoms of the forget-me-not which Stephen had
planted there.
It was a long, dreary evening, and it seemed as if it would never
come to an end. She would have liked to have gone to church with Aunt
Cordelia, but she was not allowed to go in the evening. Once a day was
enough for little girls, Aunt Cordelia said.
After a time it grew so dark that Audrey thought she would go to bed,
but then she remembered that she had had no supper, and that Aunt
Cordelia would not like her to help herself to any. If it had only been
fine, and she could have been with Stephen, she would not have minded
how long Aunt Cordelia had been away; they would have been so happy
together that the time would have seemed short to both of them.
As she was sitting at the window, she suddenly remembered the strange
light, and she wondered if it was burning. It was dark enough for any
one to need a light, and if it was to be lighted at all that night,
she felt sure it would be already burning. It was still raining fast.
Audrey could hear it beating against the window, and there was not even
light enough for her to see the crooked old tombstone which stood only
two yards from the house.
A great longing came over the little girl to run across the churchyard
to the other side of the old church, and to peep in at the window.
Would Aunt Cordelia be angry if she came home and found her out? She
did not think she would be, if she told her how very long the time had
seemed to her. Besides, she would not be five minutes away, and she
would know for certain whether that strange light was burning or not.
Aunt Cordelia's old mackintosh was hanging behind the kitchen door, and
Audrey took it down, and wrapping it round her, she opened the window
and crept cautiously out. It was so dark that to any one else, it
would have been impossible to cross the churchyard, full as it was of
rough, uneven stones, some of which were half buried in the long grass,
without either stumbling over them or falling against them. But Audrey
knew every inch of the churchyard, and she could find her way about it
by night more easily than a stranger could have done so by day.
So the little figure, in her long waterproof cloak, went in and out
amongst the old tombstones in safety, and at length reached the wall of
the church. Feeling her way by means of it, she passed under the east
window on her way to the flat stone on the other side of the church.
But just as Audrey was turning the corner, she stumbled over something
which was lying on the ground, and fell forward with her head against
the flat tombstone. What could it be? There was no grave close to the
wall, and she had felt quite safe in walking there. Audrey sat up and
rubbed her head, and wondered more and more what had made her fall. It
was very dark at this side of the church, for a thick yew tree overhung
the flat tombstone, and Audrey could distinguish nothing whatever.
She thought Stephen must have left something on the ground when he had
been playing there the day before; and she was just going to climb
upon the stone that she might look for the light, when she heard close
beside her a strange noise. It seemed to be a moan, or the cry of some
creature in pain; and Audrey thought she must have stumbled over some
wounded cat or dog, which must have crept under the church wall to die.
Wrapping her cloak tightly round her, she climbed down from the stone,
and felt with her hand on the grass below. To her utter horror and
astonishment, a voice spoke to her as she did so.
"Is any one there?" said the voice.
Audrey was trembling so much that she could not answer the question.
"Is any one there?" said the voice again.
"Yes," said Audrey fearfully, "I'm here; Who are you?"
"You needn't be scared," said the voice, "I'm only old Joe." And then
he gave another groan, which went straight to Audrey's little heart.
"What's the matter with you?" she said. "Are you ill? Have you hurt
yourself?"
"I'm dying, I think," said the voice faintly.
"I'll fetch somebody," said Audrey, getting up from the stone; "I'll
bring Mr. Robin."
"Oh no," said the old man in a louder voice, "don't tell of me. I
didn't do nobody any harm—don't fetch anybody; don't thee now—they'll
lock me up if they come!"
[Illustration: "I'LL FETCH SOMEBODY," SAID AUDREY.]
"Mr. Robin won't lock you up," said Audrey; "he's very kind is Mr.
Robin."
He made no answer to this, so Audrey did not speak to him again, but
at once began to creep past him. She was still trembling so much that
she could hardly stand, but she managed to make her way back to the old
houses, though not so quickly as she had come.
She stopped at Granny Robin's window, and knocked on the pane. Mr.
Robin opened it.
"Why, Audrey," he said, "what are you doing at this time of night—and
all wet and dripping, too?"
She could hardly tell him what she wanted, for her heart was beating so
fast with the fright she had had; but she begged him to come with her,
and to come at once, and to bring a candle with him.
CHAPTER X
Old Joe
MR. ROBIN climbed out of the window, and taking Audrey's hand in his,
he told her to guide him to the place where she had heard the voice.
She led him in and out amongst the tombstones; as far as the east
window of the church. Then, when they were sheltered from the wind and
the rain under the church wall, he lighted his candle, and they went
round the corner to the north side of the old building.
There, on the grass under the yew tree, lay an old man, so small, so
thin, so shrivelled, that he looked no bigger than a boy twelve years
old. His hat had fallen from his head, and his untidy grey hair hung
upon his shoulders, and round his neck was a board on which was written
the one word—"Blind."
The old man's eyes were closed, and he took no notice of them as they
bent over him. Mr. Robin took hold of his hand, and it was cold as ice;
then he felt his threadbare clothes, and these were wet through with
the rain, and so was his old red scarf, which he had untied, and which
was lying beside him on the grass.
"I think he is dying, Audrey," said Mr. Robin gravely.
But just then the old man opened his eyes, and said in a trembling
voice—
"Don't tell of me—don't let them lock me up! I didn't do no harm to
nobody."
"We'll take him to the fire," said Mr. Robin. "Go and get Stephen's
father to help me, Audrey; he'll be in by now."
Very gently the two men carried him through the churchyard, whilst
Audrey went before them with the candle. They took him into Mr. Robin's
house, and put him in Granny Robin's arm-chair before a blazing fire.
Then Audrey went to tell Aunt Cordelia, and to ask her to come and help
them.
The kettle was soon boiled, and they gave him some hot tea, and then
the colour came back a little into his ashen face, and he said—
"Thank you. I'm better now. You won't tell of me—will you?"
"What is there to tell?" asked Mr. Robin.
"You won't tell of me sleeping in the old church. I don't do no hurt to
anybody."
Mr. Robin and Stephen's father looked at each other.
"So you sleep in the old church, do you?" said Mr. Robin.
"Yes," said the old man. "I've slept there about a year now. You won't
tell of me, will you? I've nowhere else to go but to the house, and I
don't do a bit of harm—not a bit I don't."
"How do you get in?" asked Granny Robin.
"Through the vestry-window," he said. "It hasn't a lock on it. But I
couldn't climb up this afternoon; I turned faint and dizzy-like. I fell
down quite stupid, and when I came to my senses it was raining fast; I
thought I was going to die—I did indeed."
"Then that was the light we saw in the church—me and Stephen!" cried
Audrey.
"Did you see it?" said the old man piteously. "Don't tell of me—don't!"
"How do you get your living?" asked Granny Robin.
"I sit under the railway-bridge and play my fiddle," said the old man.
"I must have dropped my fiddle, I think," he said, as he felt for it
with his trembling hands. "It'll be on the grass outside somewhere; and
I get a few coppers—a very few coppers indeed. They buy me a bit of
food, but I've none left for lodgings—not a penny, I haven't."
"So you sleep in the old church! Isn't it very damp?" asked Aunt
Cordelia.
"Not in the pulpit," said the old man. "I curl away in the pulpit, and
put my head on an old cushion—it's snug up in the pulpit. Don't tell of
me—now don't, there's good folks!"
"But what do you want a light for?" said Mr. Robin gravely.
"Just to eat my supper by," he said. "It's so dark in there. I feel
lonesome when I'm eating my supper. I put it out as soon as ever I've
done."
"Then you're not blind!" said Stephen's father, holding up the board
which had been hanging round his neck.
"No," he said; "I wear that because they give me more coppers if I do.
I haven't very good sight; it's dim-like, but I'm not so blind as all
that."
"Oh dear, oh dear!" said Mr. Robin. "This is a very sad story."
"Don't tell of me—" said the old man, whimpering like a child, "don't
tell of me!"
"We must think what's to be done," said Granny Robin; "we'll talk it
over to-night."
"And you may sleep on this sofa till morning," added Mr. Robin. "We are
trusting you very much by letting you stay under our roof; but we can't
turn you out in the rain. You won't disappoint our trust, will you?"
"No, I won't, sir," said old Joe; "and thank you kindly, sir!"
He turned so faint after this, that they were obliged to lift him
on the sofa and to cover him with a thick shawl. And then, when the
others were gone, and Mr. and Mrs. Robin were alone, they talked long
and earnestly together about what was to be done with old Joe. He was
evidently a poor, ignorant old man, with no idea of right or wrong, and
as dark in his soul as a heathen in Africa. Yet perhaps God had sent
him to them that they might lead him into the Kingdom of Light, and if
so, they ought not to send him away.
So in the morning, after they had given him some breakfast, they talked
to him about it.
"We have an empty room at the top of the house," said Mr. Robin, "where
you may sleep, and we'll put a mattress for you to lie on, if you'll
do two things to please us, and if you'll keep your word about them.
First, you must promise me you'll never go into the old church again—if
you do, we shall feel it our duty to tell of you; and next, you must
let me put that lying board of yours at the back of the fire. If you'll
do those two things, old Joe, we'll give you a shelter and welcome."
"And you'll not tell of me?" said the old man.
"Not as long as you keep your word," said Mr. Robin.
So old Joe stayed on. His illness seemed to have been brought on by
exposure and by want, and after a few days' quiet, he seemed almost
himself again. Then he was never to be seen in the daytime, for wet
or fine, he went to play under the railway-bridge; and he found that
he received quite as many pence as he had done when he had that lying
board round his neck.
But in the evening, just as it was growing dark, he climbed over the
wall on the opposite side of the churchyard, and came creeping through
the graves up to Granny Robin's window. Here he rapped three times, and
when they had let him in, they took him to the kitchen fire, that he
might warm himself before going up to bed.
Audrey and Stephen would often come in to talk to him, as he sat
holding his thin, wrinkled hands to the blaze. Audrey felt him her
special charge, and often said that Old Joe belonged to her, for she
had found him first.
"How was it we only saw your light on Sunday?" she asked him one day.
"Because I was in earlier that night," he said. "I came later on week
nights; I was afraid of folks seeing me; but I didn't think as anybody
would be about the old church of a Sunday night."
"I'm so sorry for you, old Joe," said little Stephen, laying his small
hand on the shrivelled one of the old man. "I wonder if you are one of
the Children of Light?"
"I'm afraid he's not," said Audrey gravely.
"Oh, but you must be!" said little Stephen. "You'll be so happy if you
are."
"I never heard tell of them," said old Joe.
"They are the people who belong to Jesus," said Stephen; "and He will
make you one of them if you ask Him. Will you ask Him, old Joe?"
"I've been a bad, wicked old man," said Joe. "I don't suppose He would
have anything to do with such as me."
"But He loves you," said little Stephen—"doesn't He, Audrey? And He
died for you, old Joe. Won't you ask Him to take you into the Kingdom
of Light?"
"I haven't said a prayer since I was a little lad and went to
Sunday-school," said old Joe—"not for sixty years or more. It's too
late for me to begin now."
"No, it isn't too late," said Audrey. "It's never too late to begin to
pray."
"You must begin to-night, old Joe," said Stephen. "Put your hands
together—so—now say after me, 'O Lord, take my sin away, and make me a
Child of Light. Amen.' You can remember that prayer—can't you, old Joe?"
"I think I can," said the old man.
"And you can say it when you're out under the railway-bridge, can't
you?" asked Audrey.
"I think so; I'll try," said the old man humbly.
"Oh, I'm so glad!" said little Stephen. "'I do so want you to be one of
the Children of Light."
CHAPTER XI
The Hot Summer
AFTER this Audrey and Stephen had many a talk with old Joe, in the
evening, about the Kingdom of Light. He kept his promise, and said
the little prayer; and Granny Robin said that she felt sure that it
was being answered—he was so humble, so sorry for his sinful life, so
anxious to walk as the Children of Light ought to walk.
It was touching to see his love for the children. He had been so long
without any one to care for him, that it was a new life to him to be
amongst kind, friendly faces, and all the love of his poor old heart
went out to them. As the evenings grew long and light, he followed them
about the churchyard, helping them to water the graves, and to cut down
the long grass at the foot of the stones.
But if old Maria happened, by any chance, to come into the churchyard
to show the old building to a stranger, he always hid behind a bush
until she was out of sight. He seemed to fear that, by some means, she
would know how often he had spent the night in the pulpit, and would
speak to him about it.
Stephen and Audrey were very pleased to find that old Joe had watched
the swallows with as much interest as they had done. He told them that
he had liked to have their company in the deserted church, and that
when he woke early in the morning he had loved to hear them twittering
overhead, and to watch them flying in and out of the broken pane in
the east window. There were young birds in the nest now, and Audrey
and Stephen spent a great part of every day in looking in through the
window, and in watching the parent birds feeding them.
And Granny Robin, when she heard of it, said that it reminded her of a
verse in the Book of Psalms:
"'The swallow hath found a nest for herself, where she may lay her
young, even Thine altars, O Lord of hosts, my King and my God.'"
And she taught Audrey and Stephen a little hymn, which she told them to
say to themselves as they peeped in at the swallows—
"'Happy birds that sing and fly
Round Thine altars, O most High;
Happier souls that find a rest
In a Heavenly Father's breast.'"
That was a hot summer in the old city. The elderly people said it
reminded them of the summers when they were young, which they always
declared were far hotter than the summers of their old age. The city
lay on a great plain, and the scorching rays of the sun seemed to
strike down upon it, with nothing to break their power. The old walls
helped to shut out even the faintest breath of air which might be
stirring outside; and as day after day and night after night went by,
and no cool refreshing showers came, the atmosphere in the narrow
streets of the city became close and stifling, and it was difficult to
work by day or to sleep by night.
Every one felt the influence of the weather in one way or another. Aunt
Cordelia felt it, and it affected her temper, and made her more hard
than ever on Audrey's pinafores. Granny Robin felt it, and sometimes
was so weary that she laid down her knitting, and sat with folded hands
dozing in her chair by the window. Stephen's father felt it, and was
obliged to climb out of his window and take his stool and tools under
one of the churchyard trees.
Audrey felt it, and sat wearily in the close atmosphere of Miss
Tapper's academy, and longed for school to be over, that she might get
back to Stephen. But the little boy felt it most of all. The flowers on
the two graves were drooping with the heat, in spite of all the careful
watering they received. And Stephen, the frailest flower of all, was
fading also, in spite of the tender care and love of his father.
No one thought much of it at first. It was the hot weather, they said,
which made him so quiet, and which led him to lie for hours together
on a rug which his father spread for him under the lilac bush, unable
to play, too weary even to look at pictures, too weak and tired to do
anything but watch the swallows flying backwards and forwards, and
round and round, as they looked for food for the little birds in the
nest. It was the hot weather, they felt sure, which had taken away his
appetite, and which had made him look even more thin, and pale, and
fragile than he did before.
[Illustration: "GRANNY ROBIN, I'VE COME TO TELL YOU A SECRET."]
They were all very good to him. Aunt Cordelia would come to her window
with a little cake fresh baked from her oven, to tempt him to eat.
Audrey would spend all her spare time in reading to him and trying to
amuse him. Granny Robin would let him climb inside her window, and lie
on her knee for hours together; whilst his father would do anything and
everything that he thought would cheer and brighten the child whom he
loved so dearly.
But although they were all so kind to him, although they all felt that
he suffered far more from the intense heat than they did, still none of
them were very anxious about him. They had been so long accustomed to
his being weak and fragile, that it did not strike them as strange that
he should be so completely exhausted by the weather; and they hoped and
believed that when cooler days came his strength would return, and that
he would be what he had been, and would do what he had been able to do
before the hot weather set in.
It was old Joe who saw most clearly, in spite of the dimness of his
sight for other things, that little Stephen was fading away. The
evenings were long and light now, and the old man and the children
spent more time together than before. The two graves were covered with
flowers, and old Joe had taken Stephen's place in helping Audrey to
water them and to take care of them. Stephen was too weak even to lift
his own little can. But Joe would carry him in his arms to look at
them, and to smell the roses which were growing on a little rose-bush,
which he had given him to plant on the grave of the two grandchildren.
Yet tears would often come into the old man's eyes as he looked at
the child. He had had no one to love him or to care for him till the
children had found him, and now one of them was going to leave him.
"Joe," said Stephen to him one day, "you'll take care of the grave for
me if I go away."
"Yes, Stephie, yes, to be sure I will," said the old man, as he wiped
away the tears which would come in his eyes.
But he never asked him where he was going, or when. He knew, and
Stephen knew, that the Child of Light was on his way to the Home of
Light, where darkness cannot come. He could not help speaking of it
that night, when Mr. Robin brought him his supper, that he might eat it
under the lilac tree.
"The little lad's going fast," he said, with a sob.
"What little lad? Not Stephie!" said Mr. Robin.
"He is, though," said the old man; "and what's more, he knows it
hisself."
It was only old Joe's fancy, Mr. Robin said, when he mentioned it to
his wife, but still he did think Stephen's father should let a doctor
see him.
Stephen's father was spoken to, and at once went off for the best
doctor in the old city. But the doctor told them just what the old man
had told them before—that Stephen was going fast. He might pick up a
bit if cooler weather came, but he would never outlive the summer, he
said.
Stephen had heard the doctor's words, and leaving his father and Mr.
Robin together, he crept away to Granny Robin's window.
"May I come in and sit on your knee, Granny Robin?" he said.
"Yes, my little darling," said the old woman, as she felt for the
window, that she might help him in.
"Now we're cosy," said Stephen, as the old woman laid aside her
knitting and took him in her arms.
"Granny Robin, I've come to tell you a secret."
"What is it, Stephie?"
"I'm going to die young, Granny Robin."
"Oh, I hope not, my dear child!" she said, as she stroked his little
thin face.
"Yes, the doctor said so," said Stephen gravely. "And you said it was a
good thing for the two grandchildren, Granny Robin."
"Yes, it will be a good thing for you, Stephie," she said; "but oh,
what shall we do without you? Whatever shall we all do without you?"
And Granny Robin broke down at this, and sobbed as if her heart would
break.
"Never mind," said little Stephen—"don't cry! I'm a Child of Light, you
know; and it will never be dark in the King's Garden—will it, Granny
Robin? And won't it be nice when you, and father, and Audrey, and old
Joe come there too?"
Granny Robin dried her eyes; she would not grieve the little lad by her
tears. And there was Audrey to be comforted—poor little Audrey—who had
come in crying and full of sorrow.
"I'm so tired," said Stephen presently, with a long, deep sigh.
Audrey called his father, who lifted him out of Granny Robin's arms,
and carried him to his little bed.
"Father," he said, as he was undressing him, "carry me to the window,
please."
"Why, Stephie, it's getting dark," he said. "What did you want to see?"
"I always look out before I get into bed," said the child. "I always
have a peep at the grave of the two grandchildren. Yes—there it is;
isn't it pretty, father? I wonder if any angels are looking at it now,
and if they see you and me up here? Shall you plant any flowers on my
grave? You will, won't you? I do wish I could be buried here, under the
window."
"My little lad, my own darling little lad!" sobbed the father, as he
laid him on his pillow.
The next day Stephen seemed better than he had done for weeks before,
and they all felt cheered and comforted, in spite of the doctor's
words. He walked about a little, and sat under the lilac bush, and even
helped Audrey to water the graves.
"Maybe he'll get better after all," said Mr. Robin hopefully. "Doctors
do make mistakes sometimes."
But old Joe shook his head.
"The candle flickers up a bit afore it goes out," he said gravely.
CHAPTER XII
White Robes
THE summer passed away, the hot, tiring weather departed, and cool
winds began to blow over the churchyard. The leaves on the trees were
changing colour, the flowers on the two graves were dying one by one,
the ground in the early morning was wet with heavy dew, the swallows
that lived in the old church were consulting with their friends about
flying to a warmer country, yet still little Stephen, contrary to the
doctor's expectation, lingered on. He was growing much weaker, but he
was very happy, and he was not at all afraid of what was coming. He was
going to the King's Garden, he said, and the flowers would not fade
there.
Audrey spent every spare moment of the day by his side, and he lay for
hours in Granny Robin's arms whilst she talked or sang to him.
His thoughts were still very busy about the old graves in the
churchyard.
"I shall look for all of them in the Garden—" he said, "for Audrey's
John, and for my John, and for Mary, relict of the above. Wouldn't
you like to see them, Granny Robin? And I shall tell them Audrey is
taking care of their graves. But I think I shall look first for the two
grandchildren who died young. I think they will be my little friends,
like Audrey is here."
"But there's Someone you will like to see best of all," said Granny
Robin.
"Yes, the King," said little Stephen, "the dear Son. Will He talk to
me, Granny Robin?"
"Yes, my darling," she said; "He will feed you, and He will lead you to
fountains of living waters, and you shall see His face, and His name
shall be in your forehead. You could never enter the Garden if He had
not died for you, and brought you into the Kingdom of Light."
"I think I shall soon go now," said little Stephen. "Perhaps I shall be
there to-morrow, Granny Robin."
She took a very tender leave of him when his father came to carry him
home to bed. He seemed more tired than usual that night, she thought;
perhaps he had talked too much. He would be rested in the morning, she
said to herself, as she took up her knitting. She could not see what
Stephen's father saw as he lifted him from her knee—that a change was
creeping over his little thin face. Aunt Cordelia saw it, too, as she
came to kiss him when he was carried past her window; and she followed
Stephen's father home, and helped him to undress the little boy, and to
lay him in bed.
"Thank you," said little Stephen, as he laid his head on the pillow;
"I'm so tired."
Aunt Cordelia sat down at the foot of the bed, and his father held his
little hand in his, and turned away, that Stephen might not see his
tears.
All was very still, and they thought that he had fallen asleep, when he
looked up and said—
"I've never said 'Good-night' to Audrey."
Aunt Cordelia went to fetch her. Audrey was in bed, but she wrapped her
in a shawl and carried her in.
Little Stephen sat up, put his arms round her neck, and whispered—
"Don't forget the two grandchildren, Audrey; you'll keep them nice,
won't you? Good-bye!"
When Audrey had gone, he seemed to be sleeping again, and his father
and Aunt Cordelia sat quite still, fearing to disturb him.
It must have been more than two hours after this, that he stirred again.
"What is it, Stephen?" asked his father. "What is it, my dear little
lad?"
"The graves—" said Stephen. "I never looked out to-night; take me to
look at them, father."
His father lifted him very gently and tenderly, and carried him to the
window.
It was full moon, and the churchyard was filled with the pale silvery
light. The grave of the two grandchildren was bathed in the moonlight;
and the child lay in his father's arms for a long time, looking at it.
Then he suddenly raised his head, and said, with a cry of gladness—
"Father, the angels have come! I can see them to-night."
And then his head fell back heavily on his father's arm.
Yes, the angels had come, and the little Child of Light had gone away
with them.
It was only Stephen's tiny worn-out body which his father laid back on
the bed. Stephen was gone. He had passed above the churchyard; he had
left the old city behind; he had gone higher than the moonlight, higher
and higher still, to the King's Garden.
Were the two grandchildren who died young looking out for him at the
glorious gate? Was the mother who had died when he was born waiting and
watching for her boy? We cannot tell, we do not know; but we can tell,
we do know, that the dear Lord he loved, the Saviour who had taken
away his sin, and who had removed him from the Kingdom of Darkness
to the Kingdom of Light, was there to welcome him to His paradise of
everlasting glory, where the Children of Light dwell in no earthly
sunshine, but the glory of God doth lighten it, and the Lamb is the
Light thereof.
They all missed him terribly, yet they tried to comfort themselves by
thinking of his joy, and they all looked forward to the day when they
would see him again.
"Mr. Robin, sir, you must teach me as you taught my little lad," said
Stephen's father, as they walked home from the tiny grave in the
cemetery where Stephen's body had been laid.
"God helping me, I will!" said Mr. Robin, with tears in his eyes.
It was wonderful how Stephen's loss drew them all together. Even Aunt
Cordelia, who used to pride herself on making no neighbours, seemed to
have become one of a very loving family. As for old Joe, his one desire
was to do all the little lad would have liked him to do. He comforted
Audrey, he watered the graves, he went to church on Sunday—above all,
he said the prayer Stephen had taught him, and he tried to walk as one
of the Children of Light.
Mr. Robin and Audrey made another expedition to the market on a
Saturday afternoon late in the autumn. Audrey's face was very sorrowful
this time as she carried the basket. They were not buying flowers, for
there were few flowers in the market now; they were looking for bulbs,
and the bulbs were for little Stephen's grave.
"I think they ought to be white," said Audrey, with a sob; "it will
look more like a Child of Light—won't it, Mr. Robin?"
So they chose white snowdrops, white crocuses, and large white
hyacinths for the little grave in the cemetery.
It was one of a long row of little graves, children's graves, which had
been made side by side, at the edge of the path. Very carefully, very
tenderly, they worked at it, and the bulbs were planted and covered
over with soil.
"It doesn't look very pretty now," said Audrey; "it is all brown and
bare."
"Wait a bit," said Mr. Robin; "we will come again in the spring."
So the winter came, and the white snow lay thick on Stephen's grave
in the cemetery, and in the churchyard on the grave of the two
grandchildren who died young. But when the warm spring sunshine had
melted the snow, and was turning the trees green, and bringing the
flowers on the lilac bush, the old man and Audrey went once more to the
cemetery.
A tiny white stone now stood at the head of the small grave, and on the
stone they read these words:
LITTLE STEPHEN,
WHO DIED YOUNG,
A CHILD OF LIGHT.
And in front of the stone was a lovely mass of pure white flowers.
"It looks beautiful," said Audrey, with a sigh. "I do wish he could see
it."
"It's a good picture of the little lad now," said the old man; "for
does not the Lord say, 'They shall be like unto the angels'? And of
the angels we read, 'Their raiment is white as the light.' Yes, the
Children of Light are clothed in the robes of light, even fine linen,
clean and white, which is the righteousness of the saints. Once they
were covered with sin, but now they are white and clean, made white in
the blood of the Lamb, whiter than snow."
"I wish we were all there," said Audrey, "you, and me, and Granny
Robin, and Aunt Cordelia, and Stephen's father, and old Joe. Wouldn't
Stephie be glad if we were to come?"
As they walked home, Mr. Robin taught Audrey a little hymn, which she
liked very much, and which she always repeated afterwards, when she
came to look at Stephen's grave.
"'Within the gate, they dwell at home,
In rest, in life, in light;
No grief, no sin, no care can come,
But all is glad, is bright
Within the gate.'"
"'Without the gate, our weary feet
Still tread the vale of tears;
We often sin; our anxious hearts
Are sometimes filled with fears,
Without the gate.'"
"'Open the gate, Lord Jesus! Come,
Thou whom our hearts love well,
And bid us enter Thy dear home,
Where Thy beloved dwell.
Open the gate!'"
THE END.
Butler & Tanner, The Selwood Printing Works, Frome, and London.
*** END OF THE PROJECT GUTENBERG EBOOK AUDREY ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
