The Project Gutenberg eBook, Sarah's School Friend, by May Baldwin,
Illustrated by Percy Tarrant
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Sarah's School Friend
Author: May Baldwin
Release Date: December 9, 2006 [eBook #20068]
Language: English
***START OF THE PROJECT GUTENBERG EBOOK SARAH'S SCHOOL FRIEND***
E-text prepared by Louise Pryor, Chris Curnow, and the Project Gutenberg
Online Distributed Proofreading Team (https://www.pgdp.net/)
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 20068-h.htm or 20068-h.zip:
(https://www.gutenberg.org/dirs/2/0/0/6/20068/20068-h/20068-h.htm)
or
(https://www.gutenberg.org/dirs/2/0/0/6/20068/20068-h.zip)
SARAH'S SCHOOL FRIEND
by
MAY BALDWIN
Author of 'Two Schoolgirls of Florence,' 'Barbara Bellamy,' &c.
With Six Illustrations by Percy Tarrant
[Illustration:
He took Sarah by the hand and pulled her up on to the bank.
Front. PAGE 179.]
London: 38 Soho Square, W.
W. & R. Chambers, Limited
Edinburgh: 339 High Street
Philadelphia: J. B. Lippincott Company
TO
MY KIND FRIENDS
OF
'ALDAMS'
CONTENTS.
CHAP. PAGE
I. A MILL-HAND'S MANSION 1
II. A DREARY BANQUET 11
III. STALLED OXEN 20
IV. AN UNANSWERED QUESTION 31
V. A RELUCTANT INVITATION 41
VI. AN EXTRAORDINARY LETTER 51
VII. HORATIA'S ARRIVAL 61
VIII. HORATIA 71
IX. A YORKSHIRE MIXTURE 81
X. PLAIN SPEAKING CLEARS THE AIR 90
XI. HORATIA SPEAKS OUT 100
XII. A RINKING-PARTY 109
XIII. HORATIA'S INFLUENCE 119
XIV. A MILLIONAIRE FOR FIVE MINUTES 129
XV. A VISIT TO CLAY'S MILLS 139
XVI. THE MILLIONAIRE'S PICNIC 148
XVII. A DISASTROUS BONFIRE 158
XVIII. NANCY PACKS UP 167
XIX. AN UNPLEASANT MOMENT 176
XX. SARAH'S FIRST STEP TO CONQUEST 185
XXI. CLAY'S MILLS PLAYING 194
XXII. 'FURRINERS' IN OUSEBANK! 204
XXIII. OUTWITTED 214
XXIV. GOOD-BYE TO BALMORAL 224
XXV. 'A BAD BUSINESS' 234
XXVI. TRUE YORKSHIRE GRIT 244
XXVII. SARAH IS MUCH IMPROVED 254
XXVIII. SARAH BECOMES A BUSINESS WOMAN 264
XXIX. 'A MIRACLE' 274
XXX. LAST 283
LIST OF ILLUSTRATIONS.
PAGE
He took Sarah by the hand and pulled her up on to the bank
_Frontispiece._
He took his young niece's arm and followed his sister-in-law
into the drawing-room 21
'I'm so glad you've called me "lass"! I was so hoping
some one would' 69
'Ask the band to play "La Rinka," Sarah,' cried Horatia 105
'We've come to say there's two men been turned off
because they've been ill, and boys put on in their
place' 132
As the two stood and watched the air-ship something
dropped from it 220
Sarah's School Friend.
CHAPTER I.
A MILL-HAND'S MANSION.
'It's a dreadful thing to have a father you don't respect,' said Sarah
Clay, as she walked into the gilded and beautifully painted drawing-room
of the aforesaid father's mansion in Yorkshire.
Her mother gave a little, sharp scream, and let fall the book she was
holding in her hand.
Sarah came forward swiftly, picked it up, and turned it over to look at
the title, at sight of which she said, with a little laugh, 'What a
humbug you are, mother! You know you've never read a single word of this
book.'
Mrs Clay's face flushed crimson. ''Ow dare you talk similar to that,
Sarah?' Only she pronounced it fairly with a true cockney accent, and
left out all her _h_'s. 'I don't know w'at women are comin' to nowadays,
w'at wi' one thing an' another, w'en it comes to a chit o' sixteen
talkin' like that about 'er mother bein' an 'umbug, let alone sayin' she
doesn't respect 'er father; an' w'at 'e'd say if 'e 'eard 'er I couldn't
say, I'm sure,' she said, flustered.
'Then don't say it,' observed Sarah lightly, as she threw herself lazily
into one of the luxurious armchairs opposite her mother, and only then
became aware that buried in the depths of another easy-chair was another
figure--that of a man. For a moment she was taken aback, and started in
fright, thinking that it was her father, of whom she might speak
disrespectfully behind his back, but whom she did not dare to abuse to
his face, fearless though she was by nature. However, to her relief, she
saw it was not her father's big, burly form that filled the gold-brocaded
chair, but her brother's tall, slight figure.
'Awfully bad form, Sarah,' he murmured in an effeminate voice, after
which he laid his head back in an attitude of exhaustion against the
chair, and gazed up at the ceiling.
'Yes; I think it must be that 'igh-class, fashionable school that's
taught 'er to speak so of 'er parents, an' not respect any one,' agreed
her mother in querulous accents.
'I didn't mean to speak disrespectfully to you, dear old mother,' said
the girl with a kind of patronising affection.
'I don't know w'at you call it, then, callin' me an 'umbug,' objected Mrs
Clay.
'I was in fun, and you know it _is_ humbug your pretending to read
Gibbon's _Decline and Fall of the Roman Empire_,' persisted Sarah.
At the title, the youth in the arm-chair roused himself, and said in
quite a different tone, 'Were you reading that, mater? Is it my copy?'
'Well, I can't say I'd really read it, not to understand it; but I saw it
was one o' the books you were studyin', an' I thought I'd take a look at
it just to know a little w'at you were studyin' w'en you got back to
college,' said his mother apologetically.
'That's awfully nice of you, mater; but why didn't you ask me about it?
I'd have told you anything you wanted to know about my work. That's such
a frightfully dry book. I should grind it up for my trip,' replied her
son.
'I don't know that I want to know about "trips;" but I feel I ought to
try an' educate myself now you two are comin' on, so as not to disgrace
you,' began his mother.
But her son, with an impatient movement--which, however, he immediately
suppressed--interrupted her. 'Dear mater, what does it matter whether you
are learned or not? For my part, I don't see what women want to be
educated for at all.'
'Oh, you don't, don't you? You ought to have lived about the year one.
You're several centuries behind the times, George!' exclaimed his sister
indignantly.
'I wish I had. I'm sure the girls of that time were nicer than they are
nowadays,' he replied, calmly relapsing into his nonchalant attitude.
'I'm sure they never talked about not respectin' their dads,' said Mrs
Clay plaintively. She had, as will be seen, a habit of harping back to
the same grievance, and this remark of her daughter's evidently rankled
in her mind.
'Perhaps their fathers were more respectable than mine,' replied Sarah.
'Well, I never did!' cried Mrs Clay, scandalised.
'Draw it mild, Sarah! The pater may be a bit of a tartar sometimes, but
he's respectable enough, in all conscience,' remonstrated her brother.
'I don't think so,' declared Sarah.
Before her mother could utter the protests which her son saw in her face,
George said, 'Oh, let her talk! She's got some maggot in her brain, and
she wants to air it. It amuses her, and it doesn't hurt us, as long as
the pater doesn't come in and hear her; and she'll take good care to shut
up if he does,' he wound up with a laugh.
His laugh exasperated his sister, and she retorted with some warmth, 'If
I do shut up when he comes in, it's only because he's so violent and
hateful!'
'Sarah! Sarah!' came from the mother and son simultaneously, in accents
of horrified indignation; and Mrs Clay continued, 'Leave the room at
once, miss. I won't sit 'ere an' 'ave my 'usband insulted like that.'
Without a word, the girl rose from her seat and left the drawing-room,
shutting the door sharply behind her.
'What's the governor been doing to upset her now?' inquired Mr George
Clay of his mother.
'Nothin' that I know of. It's some crotchet of Sairey, now she's begun
studyin' the woman's question, as she calls it, an' thinks 'e treats the
women 'ere badly.'
'Oh goodness, don't you tell me she's started that! Do they go in for
politics at that school, then?' cried her brother. 'I never heard of such
a thing at a girls' school; it ought not to be allowed.'
'Well, I don't know that it's politics exactly; it's somethin' to do wi'
women's duties to each other an' the 'ard life our mill-lasses 'ave, or
somethin'. She was talkin' to me the other evenin' about it, quite
beautifully; an' I will say that for Sairey, she don't mind my not
understandin', but explains, an' never seems to despise me for my
ignorance,' said his mother.
'I should think not, indeed! Book-learning isn't everything. With all
your experience of life you could teach Sarah a precious sight more than
she can teach you,' said George.
'It's very nice o' you to talk like that, dear; but I know you're both
far above me wi' your beautiful manners an' ways o' talkin',' said the
poor woman humbly.
'For goodness' sake, don't talk like that, mother, or I shall be sorry I
ever went to Eton and Cambridge if it makes you feel any distance between
us!' he cried.
'I don't feel it so much wi' you, dear. It's Sairey I feel it worse wi',
an' it's not 'er fault either; it's only that she's so clever an' so
beautiful.'
'She's good-looking, certainly; but, then, so are you. She's taken after
you, like me.' The young man smiled at his mother in a very pretty way.
He certainly had beautiful manners, as his mother said. 'But as for being
clever,' he continued, 'I call her a proud peacock.'
'Oh George, I was never as good-lookin' as Sairey, nor you either; nor
'alf such a lady. W'y, she might be a duchess's daughter! Every one says
so,' cried his mother, woman-like, dwelling upon the subject of good
looks rather than on her son's criticism of Sarah's cleverness.
'That's only education. You'd have been just as duchessy if you'd been
educated,' insisted her son, hesitating for a word to use instead of
lady-like, for he would not, even to himself, own that his mother was not
a lady in the world's acceptation of the word.
What every one in the West Riding, or heavy woollen district, said was,
what a most extraordinary thing it was that the son and daughter of that
brute Clay should be so refined when their father was such a rough,
uncouth man! The Clay family was one of the many instances in Yorkshire
of the mill-hand who rose from being a labourer to be the owner of a
large mill and enormous wealth, and who gave to his children the
education he had never received himself. But though in most cases the
children were better educated and superior in outward seeming to their
parents, it was not often that the contrast was so marked. In this case
it may have been caused by the fact that Mark Clay, instead of marrying a
mill-lass, had taken to wife a very pretty, delicate-looking girl from
London, who had bequeathed her good looks to her two children. She, or
rather her husband--for little Mrs Clay had no voice in the matter--had
sent the boy to Eton and then to Cambridge, and the girl to what her
mother called a ''igh-class, fashionable school'--which, if high prices
are any criterion, it certainly was.
Mrs Clay shook her head at her son's last remark. 'I should never 'ave
made a duchess. I was always timid, an' couldn't 'old up my 'ead as
Sairey does. It's somethin' in you both, though I don't 'old wi' Sairey
speakin' of 'er father in the way she does.'
'I should think not, indeed,' put in her son.
'Still, we can't expect 'er to respect us as much as she would if we 'ad
the same good manners an' way o' talkin' that she an' you 'ave. It's
natural she should feel superior, an' show it, too,' argued the poor
woman with some shrewdness; 'an' I've told your dad that it was only w'at
'e might 'ave expected.'
'Pray, don't talk of Sarah's manners being good, nor her way of talking
either; they're both as bad as bad can be,' said George Clay, with his
soft drawl.
'W'y, you don't never mean to say that, George, an' after all the pounds
dad's paid for 'er? For goodness' sake, don't tell 'im, or 'e'll
'alf-kill 'er--'e would! You don't know your father as I do,' cried the
mother in consternation.
An expression of annoyance came over her son's face at these words.
'Don't make the pater out worse than he is, my dear mother. He may be
violent at times, but I hope he knows better than to use physical force.
Anyway, I shall not tell him anything of the sort, and when I say her
manners are bad and her language unlady-like'----
'But that's just w'at 'e thinks it isn't; an' though 'e gets angry, 'e
thinks a lot o' 'er. An' w'en I don't like the words she uses sometimes,
'e says I don't know the way o' society; that the aristocracy speak like
that, an' be'ave so, too.'
'Well, so they do, some of them,' admitted her son.
But before he could finish his remark his mother interrupted him. 'Well,
then, that's w'at 'e wants; so if you tell 'im that, dear, 'e'll be in a
good temper for the rest o' the evenin'.' She looked wistfully at her son
as she made this suggestion.
He laughed good-humouredly. 'All right, mother; if Sarah gives him some
of her cheek to-night I'll tell him it's the fashion of the day. It's
true enough; but, oh dear! I wish you wouldn't have such fearfully long
dinners. That's not the fashion; it's the thing to starve.'
'It's not a bit o' good you tellin' 'im _that_, for 'e says 'e can afford
a Lord Mayor's banquet every day 'e likes, an' 'e 'll 'ave it, an' 'e
can't abear to see you sittin' there pickin' at a bit o' chicken, an' not
even takin' whisky-an'-soda wi' him.'
'Well, I must go and dress for this Lord Mayor's banquet, and so must
you, mother; so go and put on your black silk,' he remarked, as he rose
lazily from his arm-chair.
'Not that old dress, dear; it's so plain an' dowdy. I've somethin' better
than that;' and, looking as pleased as a young girl at his interest in
her dress, she went off nodding and smiling at the thought of the
pleasure she was going to give him at sight of her new finery.
George Clay was just going to beg her not to put on anything better than
the black silk, but on second thoughts checked himself. After all, if it
pleased her that was the chief thing, not to mention that his father
would probably think her choice more suited to his banquet, for such the
dinners at the Clays' might well be called.
On her way to her own room Mrs Clay had to pass her daughter's suite of
rooms, and after a little hesitation she knocked at the door of her
boudoir.
'Come in,' said a voice, and she entered.
Sarah was sitting on the wide window-seat, looking out over the park
towards the town, the tall factory chimneys of which could be seen, at
the bottom of the hill, belching out their volumes of smoke, which made
even the trees in the park unfit to touch, thanks to the soot it
deposited upon their leaves, stems, and trunks.
'W'y, Sairey, ain't you goin' to begin to dress? W'y 'asn't Naomi put out
your things?' exclaimed her mother.
'I'm not coming down to-night; I don't want to see your husband,' said
Sarah, still staring out into the park.
'My 'usband, indeed! Who do you think you're talkin' to? You seem to
forget I'm your own mother, an' that my 'usband, as you call 'im, is your
father, miss! 'Usband, indeed!' cried Mrs Clay.
'You're sure there's no mistake, mother? You're sure he _is_ my father? I
sometimes wonder if I could have been kidnapped as a baby, and changed.'
But she got no further, for little Mrs Clay could stand no more. 'You're
my child, Sairey. Though you're a deal better-lookin' than ever I was,
you are like enough for any one to know I'm your mother,' she protested.
'I wish to goodness I wasn't! Oh mother, don't look like that! I didn't
mean you, of course. I'm glad to be your child; but, oh, why did you
marry that man? Now, if you had only married Uncle Howroyd.'
'Seein' that I 'ave married 'im, an' that 'e's your father, it's no use
talkin' about such things. An', dear, 'e's not as bad as 'e might be. 'E
doesn't drink nor beat me,' she said.
'Mother, you talk as if he were a coalheaver,' cried her daughter
indignantly.
''E wasn't a coalheaver; but 'e was a mill-'and, an' I was a milliner's
girl in a little shop in London w'en I married 'im, an' I 'adn't a
farthing. An' look at the beautiful 'ouse I'm mistress o' now, an' look
at the money 'e spends on you an' me both--never stints us for anythin'!
I'm sure you ought to be grateful to 'im. I am, for I never expected to
rise to this w'en I was a milliner's 'prentice in London.'
'You needn't talk about that. It's bad enough to be a vulgar
millionaire's daughter,' replied the girl, and at the same time she
dropped from the window-seat and came towards her mother; adding, 'Well,
if you want me to come down to dinner I suppose I must ring for Naomi.
It's an awful nuisance, and I shall probably have a row with the pater.'
Mrs Clay was going to plead with her daughter as she had with her son;
but Sarah, who had suggested dressing partly to get rid of her mother,
pointed to the clock, and Mrs Clay hurried away to get ready for dinner
herself.
CHAPTER II.
A DREARY BANQUET.
After the mother had left the room, her daughter seemed in no hurry to
get ready for dinner; she turned back to the window, and, taking up her
old position on the wide window-seat, sat gazing down at the hideous view
of the big manufacturing town, with blackened buildings and tall, smoky
chimneys, which lay at the bottom of the hill, and seemed to have a weird
fascination for her. It must certainly have been from choice that Sarah
Clay looked at them, for she had only to sit at the other side of the
broad window-seat, turn her back on Ousebank, and, looking out on the
other side of the hill, she would have had a beautiful view over the hill
of pretty vales and villages and smiling pasture, and their own fine
park; but the girl deliberately turned her back upon nature, and looked
not upon art--for art there was not in Ousebank except what was produced
in the mills--but upon nature perverted by man, who had turned the
beautiful vale into a Black Country with its big factories, which
polluted earth and sky, air and water.
She was still staring out with a frown on her face when a knock came to
the door, and she called out, 'Come in,' without turning her head to see
who the new-comer was.
'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me
with this, and you'll best be getting ready for dinner, for it's late.'
Sarah turned her head, with the air that her mother declared was like
that of a duchess's daughter, and looked at the large cardboard box which
her maid held in her arms, with a gaze which, to do her justice, she was
quite unconscious was haughty. 'What is it?' she asked shortly.
'You just come and see, Miss Sarah,' replied the maid quite politely, but
with Yorkshire independence.
Sarah did not resent the tone of the advice, but came slowly from her
window-seat, and watched the maid undo the string of the box and take
out, with many exclamations of admiration, a beautiful white silk frock
elaborately trimmed with lace and ribbons.
'It's grand! Oh miss, make haste and let me do your hair, and put it on
you!' cried the maid.
'Now? I have no time. Put it away, and get out my white muslin, Naomi,'
replied Sarah, and she turned away after hardly a glance at the pretty
dress.
'But you are to wear it to-night. At least, the mistress said would you,
please, put it on,' corrected Naomi, as she saw her young mistress's look
of indignation at the peremptory order.
Sarah was just going to refuse decidedly; but the thought of her mother's
disappointment made her hesitate. The girl had good enough taste to feel
that the dress was far too smart for an ordinary family dinner; but,
then, as she reflected, it would be in keeping with the rest, which was
far too smart, all of it. So she said, 'Very well. Make haste, Naomi.'
'There, miss, you look just like a queen, and fit to live in a palace;
though, to be sure, ours is one, or as good as one. Now, just look in the
glass and see if you aren't lovely.'
'Yes; it's very pretty,' said Sarah impatiently.
'Are you ill, miss? You don't seem a bit pleased to have such beautiful
things. I'm sure if I had everything I could wish for like you I'd be as
happy as a queen,' observed Naomi, whom Sarah allowed to say what she
liked; in the first place, because she was the daughter of the head
mill-watchman, and her family had all--some still did--worked in Clay's
Mills; and, in the second place, because they had played together as
little children.
'I dare say you would; so am I, because a queen is not at all a happy
person; at least, if she is, it's not because she is a queen and can have
lots of new dresses and things,' remarked Sarah.
'You wouldn't talk like that if you'd ever had to do without them,'
replied the girl.
Sarah turned round and faced the girl. 'Naomi,' she said passionately,
'I'd give anything on earth to be poor and work for my living as you do.'
'Oh miss!' cried Naomi, and 'Oh Sal!' cried another voice, whose owner
had overheard this last remark.
For Mrs Clay had just entered the room, and had forgotten that her
daughter objected strongly to this shortening of her name, which it was
one of her father's aggravating habits to do. 'Oh Sarah,' she cried,
'don't talk such nonsense, and before Naomi, too! Some must be poor an'
some rich. It's always been so, and always will be so, an' it's flyin' in
the face o' Providence not to be thankful that you're not poor; an' with
that lovely gown on, too. 'Ow could you earn enough money to buy a gown
like that, do you suppose? W'y, Naomi doesn't earn enough in a year to
pay for it, I'd have you to know.'
'Then she ought to,' began Sarah; whereupon Mrs Clay cleared her throat
noisily, and said in quite a decided tone for her, 'That'll do, Naomi;
you can leave the room.' And when Naomi had done so, she continued in a
tone of reproof to her daughter,'What are you thinkin' of, wishin' you
earned your own livin' like Naomi? A nice one you'd be if such a dreadful
thing 'appened to you, wi' your 'aughty airs an' scornful ways that no
one would put up wi', let alone that you could never earn a penny if you
tried.'
'I'm not so sure about that. I've a good mind to try, to show you that
you're wrong,' said Sarah meditatively.
Her mother cast a frightened glance at her, and said soothingly, 'There,
my dearie, there's no need to think about it; you're far too pretty even
to do such a thing. You were born for a mansion, an' I 'ope you'll always
'ave one to live in.'
'I don't. I hope I shall one day have to work for my living, and I shall
do it whether it is necessary or not, you'll see,' she declared.
Fortunately both the dinner-gong and an elaborate set of chimes rang out
through the house, and Mrs Clay, with a nervous start, said hurriedly,
'There's the chimes! Well, we must be goin'. Don't you look grand
to-night, Sairey?'
'That's just what I feel, mother--a great deal too grand for a quiet
family dinner; and so are you,' she added, as she looked critically at
her mother in the elaborately trimmed, plum-coloured silk dress, so rich
that it seemed to prop up the delicate little woman and almost stifle her
with its heavy gold trimmings and fringes.
'It's to please your father and George, and nothing's too grand to do
that,' said Mrs Clay, as she went out of the room, making a rustle as she
passed along the richly carpeted passages and down the grand marble
staircase into the drawing-room. Mr Clay did not trouble himself to go
into the drawing-room to fetch his wife, but always walked straight to
the dining-room at the first note of the chimes.
George was waiting, as he did every evening, to give his arm to escort
his mother to the dining-room, and took her to the dinner-table, where
his wife and children found Mark Clay sitting at the top of the large
table which groaned under its massive gold ornaments and plate. He was a
big, bull-faced man; at first sight so different from his son and
daughter that the latter might almost be forgiven her extraordinary
suggestion to her mother that perhaps he was not her father at all! It
would require a closer observer than Sarah to see a certain set of the
chin which was common to him and his two children, though hers took the
form of haughtiness, and her brother's had such a pleasant, if indolent,
expression that his father had never discovered this hidden
characteristic.
'Well, lass, thee'rt grand to-night. How much did tha gown cost? A pretty
penny, I'll be bound. Well, lasses will be lasses, and the mills can give
as many on 'em as ye like. An' your mother, too, though she's a bit old
for such vanity; it's the young uns as want fine feathers. Now then, what
are ye scowling at?' cried her father, all in the broadest Yorkshire.
'It's the fashion to scowl at personal remarks, my dear father,' remarked
George, as he 'played,' in his mother's words, with his food.
'Then it's one fashion thee'll ha' to onlearn, dost hear? I'll ha' no
lass o' mine scowling at me at my own table,' replied her father, as he
brought his fist down on the table with a thump, which made his poor wife
jump as well as the crystal and glass, 'which it's a wonder he don't have
of gold too,' his well-bred butler observed, with a touch of contempt for
his master, which he allowed himself to vent to the equally well-bred
housekeeper, and to her only.
George stepped into the breach again. 'How's the market, dad?' he
inquired. 'Wool's going up, I hear.'
'Wool's going up, you hear? An' what might you know about wool? Nought as
I know of. I wish you did; but there, thee'rt too fine for t' wool-trade,
and thou'll never need to know about it, only to spend money,' said the
millionaire, purposely, as his son believed, talking in such broad
Yorkshire as is not often heard nowadays, and so broad as to be
unintelligible to the reader of this tale, for which reason it must be
taken for granted, as perhaps his wife's cockney dialect had better be.
However, the inquiry had turned the mill-owner's attention from his
daughter and her unbending attitude, and had apparently produced a good
effect, for Mr Clay, senior, seemed to be in a better temper for the
rest of the dinner, the long, wearisome dinner which he was the only one
who seemed to appreciate.
There was no conversation but the remarks made in a gentle tone by George
to his mother, to whom he was as attentive as he would have been to the
highest and most beautiful lady in the land.
Sarah kept a silence which might have been considered either sulky or
dignified, and Mrs Clay responded in low tones to her son's remarks.
Mr Clay did not condescend to talk to any of them. His wife he never
considered as a companion or a person to be conversed with, women being
inferior beings in his eyes, and for this reason he did not talk to
Sarah, whom he treated with the same contempt, in spite of being very
proud of her looks and bearing; while George he considered a nincompoop
and weakling, though he was secretly proud, too, of his fine manners and
aristocratic appearance.
And so the four ill-sorted people sat each at a different side of the
table, with a long stretch of gold-decked and flower-laden cloth between
them. 'And a good thing, too, or I think we should fight,' announced
Sarah one day.
Poor Mrs Clay put her hand to her head once or twice, and her
ever-observant son bent towards her with solicitude as he inquired,
'Don't you feel well, mother?'
'It's only the smell of all these flowers; they make me feel faint-like,'
she said.
'It's these lilies; they are too strong for a dining-table; just take
them away, Sykes,' he said to the butler, who happened to be close behind
George Clay's chair.
The man looked hesitatingly at his master, and then at the young man, and
apparently decided to obey the younger one, whom he, like the rest of the
staff, liked and respected, instead of the father, whom he detested, and
who now cried in a voice of thunder, 'Leave 'em alone, I say! I don't pay
for lilies to be thrown away for a woman's whim. Leave 'em alone.'
'They're cheap enough, and they really never are used for
table-decorating. It must have been a mistake of the maid's. Sykes had
better remove them, if you don't mind,' said George.
Sykes, being of the same opinion, swiftly removed the vase and handed it
to one of the footmen.
Mr Clay, awed by his son's superior knowledge of what was done and not
done (in society, he supposed), remained silent, and at last the banquet
came to an end, and with suspicious alacrity Mrs Clay and her daughter
rose and left the room, followed by George after his usual murmured
apology to his father for not staying with him; for George Clay was as
polite, in an indolent way, to his father as he was to every one else.
'Phew, I breathe again!' cried Sarah, as she stamped her feet outside the
dining-room door.
'Sh, sh, my dear! Your father might 'ear you. The flowers did make the
air sickly.'
'Flowers! It wasn't the flowers. It was everything. I always think of
Miss Kilmansegg and her "Gold, gold; nothing but gold!" Phew! how I
loathe and detest it all!'
'Draw it mild, Sarah! Even gold has its advantages.'
'It mayn't have to every one's mind. Look what an effeminate creature
it's made of you!' she cried.
George Clay lit a cigarette, with a 'May I?' to his mother, and only
smiled as he leant back in an armchair and puffed contentedly away.
Clearly Sarah was not able to rouse her brother by her criticism.
CHAPTER III.
STALLED OXEN.
'Now then, now then; have I just come in time for fireworks?' said a
man's voice; and Sarah felt a hearty clap of a man's firm hand on her
shoulder.
'Uncle Howroyd!' she cried, as she turned and threw her arms round her
uncle's neck.
'Gently there, my lass; you needn't stifle me if you can't breathe
yourself.--Well, George,' turning to the youth, 'you find life very
exhausting as usual, I suppose. But, I say, you haven't got company, I
hope?' he inquired, as he noticed the elaborate toilettes of the ladies.
'Oh no; we're only dressed for dinner. W'y didn't you come in time for
it, Bill? We've just finished; but you'll find your brother in the
dinin'-room, an' he'll ring for something to be brought back for you;
there's plenty,' said Mrs Clay.
'I don't doubt that; but I've had my dinner, thank you. I'm a plain man,
as you know, Polly, and my dinner isn't such a big affair as yours, by a
long way. And I'm not thirsty either, so I'll leave Mark to drink his
wine in peace and come along with you into the drawing-room--or _salon_,
is it you call it?' he added, with good-humoured banter.
At that moment the voice of Mr Mark Clay could be heard raised in angry
tones, apparently scolding the butler or some of his assistants, and
Sarah laughed as she said, 'You mean _you_ want to be left in peace.
There's not much peace in that room or anywhere else where that man is;'
and she gave a wave of her hand towards the dining-room.
[Illustration: He took his young niece's arm and followed his
sister-in-law into the drawing-room.]
Mr William Howroyd's bright, cheery face grew grave as he said kindly but
seriously, 'Nay, lass, you shouldn't speak so of your father.'
'I don't see what difference that makes. I can't help his being my
father. People ought to be allowed to choose. I would sooner have our
watchman for my father than him.'
'Nay, lass, you don't mean that, and I can't have you speak like that of
my brother,' said her uncle.
'He's only your step-brother, and you don't get on with him any too well
yourself. But don't look so solemn. I'll be quite good and proper if
you'll let that twinkle come into your eye again; it isn't you without a
twinkle.'
Her uncle laughed good-humouredly as he took his young niece's arm and
followed his sister-in-law into the drawing-room. His keen eye flashed
round the room, seeming to take in every detail in that one look, just as
in his own mill Mr William Howroyd knew every 'hand' and everything they
did or did not do, as some of them declared. 'Why, what's been doing
here? Here's some fine painting!' he exclaimed, as he went up to a panel
in the wall where a landscape was painted, evidently by a master-hand.
'Yes, a Royal Academician came down from London to do that; one thousand
pounds it cost. Mark was goin' to 'ave 'im do the lot; but 'e wouldn't do
any more after the first, so another man's got to come.'
'Ah, how's that?' inquired Mr Howroyd. 'It's well done; you won't better
this. Why, I see it's by Brown--Sir John Brown. It's worth one thousand
pounds, is that.'
'Sir John? 'E wasn't no Sir; just plain Mr Brown 'e was, though 'e gave
'isself airs enough for a Sir, an' wanted to dine with us--a common
painter chap!' said Mrs Clay.
George Clay looked annoyed, and coloured at his uncle's amused laugh; his
love and loyalty to his mother were much tried when she made a speech of
this kind, which, to do her justice, was not often, and generally was, as
in this case, an echo of her husband's opinions. 'My dear mother, I had
no idea that it was Brown you had here. Why, he's a gentleman we might be
proud to see at our table. I wish I had been at home,' he said hastily.
'W'at did 'e call 'isself Mr Brown for, then? If we'd known 'e was a Sir
John it would 'ave made all the difference,' objected Mrs Clay.
'It ought not to have made any difference. A man's a man, and with a
talent like that even father might have known better than to treat him
like a servant,' cried Sarah hotly.
'Well, it doesn't matter; it's over and past now. And he wasn't Sir John
then; he's only just been made so, and I dare say he's forgotten all
about Ousebank and his treatment here; and for my part I'd sooner have a
picture on canvas that you can take away than a painted panel. It's a lot
of money to give for that; though, to be sure, he can afford that, can
Mark,' said Mr Howroyd.
'Uncle Howroyd, why do you waste time at the end of your sentences like
that, when you are always saying you have no time to waste, because it is
so precious?'
'What are you after now, lass?' said her uncle, bending his keen and
kindly eyes upon his young niece. 'I expect it's your uncle's rough
north-country tongue that's the matter. Come, out with it. What have I
said wrong now?'
'Oh, I don't mind your north-country tongue, as you call it, only I don't
like the way you repeat yourself. You say, "That's a fine picture, is
that," or "She's a good girl, is Sarah;" and it would be quite enough and
shorter to say, "That is a fine picture," or "Sarah is a good girl."'
'Sarah! There's manners, correctin' your uncle; a chit o' sixteen that's
not left school yet!' protested Mrs Clay.
'Don't you be corrected, Uncle Howroyd. It's very musical the way
north-countrymen repeat themselves at the end of the sentence,' said
George gently.
Mr Howroyd paid no attention to the last two speakers, but, with an
amused twinkle in his eye, tried the two ways of expressing himself.
'You're right, lass; it's a waste of words, is that.'
There was a hearty laugh at this, in which both Mrs Clay and her
brother-in-law joined, as the latter said, with a shake of his head, 'I'm
afraid I'm too old to get out of the habit of repeating myself. Still, as
I talk very fast, perhaps I don't waste so much time after all; so I
think you'll have to put up with your old uncle's ways, and try and
reform some one else nearer home.'
'If you mean my father'----began Sarah.
But the tone in which she said 'my father' made her uncle interrupt her
sharply. 'No, I don't. I mean nearer home than that; I mean your own
tongue, young woman. You let it run on too fast and too freely. I'm sure
I don't know what kind of a school that is that you're at; but they don't
teach you respect for your elders; and I'm beginning to wonder if you've
paid the twopence extra for manners. If you have, you haven't got your
two-pen'orth, that's certain.'
'Oh yes, I have; only you don't understand them up in the north,' replied
Sarah airily, not in the least abashed or offended, apparently, by her
uncle's candid criticism.
'No, we don't that,' he replied emphatically. But, all the same, he most
evidently cared more for Sarah than he did for her mother or for her
languid brother, to whom he always talked with a kind of good-natured
contempt.
'The fact is, Uncle Howroyd, you're worried, and your way of showing it
is by scolding me, which is not fair, as _I_ am not the person you are
angry with, but some one whom you have come to see to-night, unless I'm
very much mistaken,' observed Sarah, nodding her head knowingly at her
uncle.
'You little witch! how dare you go guessing at your uncle's private
affairs like that?' cried Mr William Howroyd, laughing at his niece.
'Oh, dear Bill, I 'ope there's nothin' wrong between you an' Mark?
Per'aps you'd better not say anythin' to 'im to-night; 'e's a little put
out, just for the minute,' said Mrs Clay.
'For the minute? I'd like to see him at a minute when he isn't put out!
And if you're going to say anything to annoy him I wish you would say it
to-night, for I'd like to myself, only'----
'She daren't!' put in George from the depths of an arm-chair.
Mr William Howroyd turned from his handsome niece, whose hair he was
gently smoothing, to her equally handsome brother, who was lying back in
the softest chair he could find (and they were all comfortable, 'all of
the best,' as Mark Clay said of them, as of everything else he
possessed). 'No; and as for you, I don't suppose you'd trouble to say
anything to your father if it was to save you all from the workhouse,' he
said scornfully.
George Clay was nearly hidden from view by the cushions he had carefully
adjusted behind his head; consequently the sudden slight start and swift
opening wide of his lazy-looking eyes passed unnoticed even by the eyes
of his uncle, who, indeed, would never have thought of looking for
alertness or energy in his nephew. 'I might,' he replied lazily. 'I don't
fancy the workhouse. Is there any chance of it?'
Somehow every one seemed to think this a joke, and his uncle remarked,
'No, the workhouse would not suit you; no easy-chairs there. It might do
you good, though.'
'I wish there was a chance of it! Now that _would_ be life!' cried Sarah
eagerly.
'Don't talk so silly, child; you don't know w'at the work'ouse is like.
It's enough to call down a judgment upon you, bein' so ungrateful to
Providence for all the good things it's given you,' cried her mother.
'Fancy the work'ouse after _this_!' Mrs Clay put a world of expression
into the last word, as she looked round the sumptuous drawing-room in
which they were gathered.
'Yes, it would be a change; though stranger things have happened,' said
Mr Howroyd in his brisk way, and again he missed the look George shot at
him.
'I should like to know if there is any chance of it,' George remarked.
'You haven't answered my question yet, uncle.'
'What question? Oh, whether there's any chance of your ever going to the
workhouse?' laughed his uncle. 'How can I tell? One hears of kings
becoming beggars, so why not Mr George Clay?'
'There's no chance of that,' remarked George.
'How do you know?' began his uncle.
'Don't you be too sure. Our mills might be burnt down, or anything might
happen,' cried Sarah.
'Oh, if you mean by a beggar being penniless, that's always possible, of
course. What I meant was that I should never beg,' said her brother with
quiet decision.
'What would you do? Work?' inquired his uncle.
'I fancy so,' said George; and they all laughed again, as though the idea
of George working was a good joke.
But Mrs Clay added, 'An' I'm sure George is clever enough to earn money
in any way 'e likes; though, thank 'eaven! 'e'll never 'ave to.'
'I'm not so sure of that,' replied that youth.
'What do you mean by that?' demanded his uncle.
'Just what you meant,' replied the nephew, and this time Mr William
Howroyd was struck by the expression on his nephew's face.
'I'm sure I don't know w'at you're all talkin' about--work'ouses, an'
workin' for your livin', an' Sarah wishin' she was poor, an' all! W'ere's
the good of 'avin' riches if you can't enjoy it?' said Mrs Clay
plaintively. 'Look at this lovely 'ouse, with everythin' in it that
mortal man can wish for. W'y, Mrs Haigh was 'ere to-day, and she says
Bucking'am Palace isn't grander, and she's been there.'
'I dare say it isn't,' agreed her brother-in-law.
'Who's talking about Buckingham Palace?' cried Mark Clay, as he came into
the room.
'We were, Mark, and saying that it wasn't any better than your place,'
said his half-brother, as he shook hands with the master of the house.
'Ay, you're right there; as far as money can go you can't beat this
house. But why didn't you coom to dinner, lad?' he cried, his brother's
remark having, as the latter intended, put him in a good humour.
'Lad' in the north-country is as often used as 'man,' especially among
relatives, and Mark Clay used the word in a friendly way, though his
brother was near fifty.
'I had my dinner before I came; but I thought I'd like to have a smoke
and a few minutes' talk with you, Mark,' he replied.
'Sit thee down and have a pipe,' cried Mark Clay.
'Not here,' remonstrated his brother, looking round on the delicate
brocade hangings and furniture.
Poor Mrs Clay did not dare to open her mouth, though she in her secret
heart felt as indignant about it as Mr Howroyd.
But Sarah had no such qualms. 'You'll have to redecorate this room if
you're going to smoke here, and you'll have to find us another
drawing-room. Ladies don't sit in a drawing-room where men smoke,' she
said.
'Daughters sit where their parents tell them, if they're worthy of the
name of daughters.--But, if you don't mind, Mark, we'll go into your
study; we can talk better alone,' said her uncle before Sarah's father
could say anything.
Whether motives of economy moved him, or whether it was a certain
influence which Bill Howroyd, as he was familiarly called, had over most
people, Mark Clay got up from his seat, saying, 'Yes, we'll be better
without that pert lass's company, Bill,' and led the way to his study.
'That's a blessing!' said Sarah. 'A nice state of things it would be if
father took to smoking his horrid pipe here.'
'It would ruin the rose-coloured brocade, and the curtains would smell
'orrid,' said her mother.
'That wouldn't be so bad as not having a single room free from him,' said
Sarah, and then added to her brother, who got up at the time, 'Where are
you going, George?'
'To have a smoke,' he replied.
'You can smoke your cigarette here, dear; no one would smell that,' said
the fond mother.
'Thank you, mother; but I thought of smoking with my father and uncle,'
he replied.
'What! beard the lion in his den? What on earth for, George? You know
you never do go and smoke with him,' observed Sarah.
'Don't go to-night, my dear. Your uncle 'as somethin' particular to say
to 'im, an' nothin' very pleasant, I could see that; an' you'd best not
be there in case 'e's upset. Not but w'at Bill manages 'im better than
any one else; still, they'll get on better alone.'
George Clay hesitated a minute, and then, turning back, took up his old
position in his arm-chair, observing, 'Perhaps you're right, and I can go
down and see him to-morrow.'
'See whom--Uncle Howroyd?' demanded Sarah.
But George made no reply, and remained sunk among the cushions, his head
tilted back and his eyes staring at the painted cupids on the ceiling,
which did not give him much pleasure, judging by the half-frown upon his
face.
'It's my belief that there's something the matter,' said Sarah after a
silence.
'Nonsense, child! W'at should be the matter? There's always worries in
business, an' women 'ave no right to interfere in such things nor make
any remarks,' said Mrs Clay.
'Well, all I can say is, I wish something would happen. We're just
stalled oxen here,' observed Sarah.
'Stalled oxen? W'atever can you mean?' asked Mrs Clay in bewilderment,
for she did not recognise the allusion to the verse in Proverbs: 'Better
is a dinner of herbs where love is, than a stalled ox and hatred
therewith.'
George gave a little chuckle. 'She certainly does not mean what she
says.--You'd better read your Bible again, and you'll see that stalled
oxen is what we eat, not what we are.'
'Stalled oxen?' said Mrs Clay, repeating, as was her custom, any remark
which she did not understand or agree with. 'Is Sarah callin' us stalled
oxen?'
'No, I'm not, mother; I'm the only one that feels like that. George hugs
his golden chains, and so do you,' replied Sarah. 'And he doesn't care
how doubtful the means are that give them to him.'
George made no reply at all, and after some time the three got up and
went to bed.
And so ended an evening typical of many passed in the millionaire's
house, which was only less dreary than usual owing to William Howroyd's
visit.
CHAPTER IV.
AN UNANSWERED QUESTION.
'It's a beautiful morning, Miss Sarah,' said Naomi, as she pulled up the
blinds in her young mistress's room the day after the scenes described in
the foregoing chapters.
Naomi's rosy face was glowing with health and happiness, and this seemed
to strike Sarah, for she said, as she looked at her, 'Is it your
birthday, Naomi?'
'To-day, Miss Sarah? Why, no. I was seventeen the 1st of October. I'm a
year and three months older 'n you, miss.'
'What are you so pleased for, then?' she asked.
'I dunno as I'm more pleased than usual, unless it be the fine weather
makes one feel happy like.'
'It doesn't make me feel very happy; at least not when I'm at home. I
like a fine day at school, because we can go for a long ride or walk, or
play tennis or something out of doors,' observed Sarah.
'And so you can do all them things here, miss; there's horses and
carriages, and motor-cars, and a beautiful bit of grass for tennis; and
if you want a nice walk you can go over the fields and through
Brocklehurst coppice to Driffington, or by the Dunnings to Thornborough,'
said Naomi, chattering with freedom while she prepared the bath in the
little bathroom attached to Sarah's suite of rooms.
Her mistress let her chatter on, and listened while she gave an
enthusiastic description of the lovely country walks and rides and drives
to be taken in the immediate neighbourhood; and when the maid stopped for
a moment to take breath, Sarah remarked, 'Yes; but I don't care to do any
of these things up here. Do you know, Naomi, when the train gets near
Ousebank, and I see its horrid high chimneys and all the air black, I
feel as if the smoke came and wrapped itself round me and smothered me
somehow, and I don't breathe freely again till I'm in the train going
back to school.'
Naomi stopped short at the door of the bathroom, her mouth wide open, and
stared at her young mistress. She said at last, 'You'll have had a
nightmare, I'll be thinking;' then, cheering up at this explanation of
Miss Sarah's unpleasant sensations, she went on cheerfully with her
preparations for her mistress's toilet. 'And the very best thing you can
do, Miss Sarah, is to go for a lovely ride across Cowpen, and over t'
hill to Driffington. My! think of all the lasses in the mills as 'u'd
give their eyes to have the chance! There's Liza Anne now, she'd be glad
eno' of a holiday; these bright days make her back ache dreadful, so she
says.'
'Liza Anne's in Clay's Mills, isn't she?' inquired Sarah. Liza Anne was
Naomi's elder sister.
'Yes, Miss Sarah; she's a ligger-on, is Liza Anne, and so's Jane Mary,'
explained Naomi.
'What's a "ligger-on," Naomi?' inquired Sarah.
'Why, she puts the wool on the carding-machine and ligs it out. She's a
good, steady worker is Liza Anne.'
'Oh, I see; layer-on, you mean. I wish I were a "ligger-on," as you call
it; there'd be some object to get up for, at any rate.'
'You spend one day in Liza Anne's place or Jane Mary's, and you'd talk
different to that, Miss Sarah,' said Naomi.
Sarah sighed impatiently. 'You all say the same thing to me, and it's all
nonsense. You're much happier than I am; you have only to look in the
looking-glass and you'll see that, and yet you all persist in saying that
I'm happier than you.'
'You ought to be,' replied Naomi, as she gave a final adjusting pat to
the lace-bedecked matinée she had just put ready for Sarah to slip into;
but she did not attempt to argue with her mistress on a subject which she
felt, somehow, was too difficult for her.
Sarah dressed slowly; not that she was a deliberate young person at all,
but because she did not see any good in making haste, as there was
nothing to do, or rather, to put it truly, as she did not care to do
anything. However, in about an hour Sarah went downstairs dressed in a
simple but fresh and dainty print frock, and found her brother sitting at
breakfast.
'Morning, Sarah. What are you going to do to-day? Anything special on?'
he inquired.
'No; at least, I'm not going to do anything special. I believe there's a
tennis tournament on at the Haighs'; but I don't feel inclined to go;
it's going to be hot to-day, I think.'
'Piping, I should say. Well, if you don't want me to take you to the
Haighs' I'll cry off myself; it's a fearful fag playing a tournament in
this weather. Good-bye; I'm off,' he added, as he rose from the table.
'Where are you going, George?' inquired Sarah. 'If it's anywhere nice
I'll come with you.'
'It isn't,' he replied, and was going out of the room.
'Where is it?' persisted Sarah.
'Into Ousebank,' he replied laconically.
'But that is nice. Take me with you, George.'
'You are the most perverse girl I ever met. You know you hate Ousebank,
and yet you call it a nice place to go for a walk,' he scoffed.
'It's interesting. I love to see the mills turn out at twelve o'clock;
it's like a living stream of human beings pouring out of a lock-gate, and
I love Uncle Howroyd's mill.'
'Well, I sha'n't be there at twelve o'clock, so if that's what you want
to go for you'd better stay at home,' observed her brother, who evidently
was not very anxious to take his sister with him this particular morning,
though, as a rule, he was a most good-natured and attentive brother.
Sarah was quick to notice this, and being the girl she was it made her
all the more determined to go with her brother; so she said, 'Ah, but I
can go to see Uncle Howroyd, and that's always nice. I simply love going
over the mill.'
'Oh!' ejaculated George, looking discomfited for a moment; and then he
apparently changed his mind, and said, 'All right, I'll go there with
you.'
But when they got to the door of Mr William Howroyd's office he did not
say good-bye, but was coming in with her, when Sarah said, 'You needn't
stop for me. I may be here some time. You had better go and do your own
business, and come and fetch me on your way back.'
'I think I'll come in,' said George, and in he came.
'Uncle Howroyd, do send George off, and say you'll take care of me for an
hour or so; he's so dreadfully polite even to his sister that he won't
leave me alone with you,' said Sarah.
'Ah, but I don't know that I can take care of such a difficult young
lady,' said her uncle teasingly.
'But I should like to see Uncle Howroyd, too,' objected George.
'That's nonsense! You've only come here to bring me, so if you want to
see him you can come another time by yourself, not just when I'm here,'
said Sarah.
'I thought you wanted to see the mill?' observed George.
'And I thought you came to Ousebank to do some business?' retorted his
sister.
'So I did.--As a matter of fact, my business was to see you, sir,' said
George, turning to his uncle, who had been listening to this argument
between the brother and sister with his usual amused look and twinkle in
his eye.
But when his nephew made this direct appeal to him, Uncle Howroyd became
the alert man of business, kind and keen, and said, 'At your service,
nephew.--As for you, Sarah, if your frock isn't too fine for going into a
dirty blanket-mill, old Matthew will take you and show you our wonderful
new engine, of which we are so proud.'
'I don't care twopence about your grand engine. I hate grand new things.
I'd rather go into the old dyeing-rooms; they have such lovely new shades
every time I go,' declared Sarah.
'There! isn't that just like a woman? Hates new things, and wants to go
into the dear old dye-rooms to see lovely new shades!' cried her uncle.
Sarah only laughed, as her uncle called old Matthew, the foreman, and
told him to take Miss Clay to the dye-rooms and show her all she wished
to see, and take care she didn't get her skirts dyed.
'Well, George, anything wrong?' he asked as the door shut upon Sarah, who
went off talking in a most friendly manner with old Matthew, and the
uncle and nephew were left alone.
'That's what I came to you about,' said George.
Mr William Howroyd looked at his nephew doubtfully. He did not understand
him at any time, and this morning the young man spoke in his usual lazy
tones, so that his uncle did not know whether George was in any trouble
or not; for, as he argued to himself, 'the boy never did show feelings,
so that he might be in love or debt or goodness knows what scrape, and
yet talk like that;' and Mr William Howroyd had a deeply rooted
conviction that all young men did at the universities was to get into
mischief of some sort. So he said, 'Come, George, be frank with me. Have
you got into any mess? You know if you have I'll be ready to do all I can
to get you out of it.'
The young man looked gratefully at his uncle as he replied in his
pleasant tones, 'I'm sure you would, uncle, and there's no one I'd sooner
come to if I wanted help; but I'm in no mess that I know of. It was
only'--he hesitated--'something in your manner last night that made me
think there was trouble at the mill either present or looming ahead. I
know my father is not popular.'
Mr Howroyd looked a little surprised for a moment; then he said
cheerfully, 'Dismiss that notion from your mind. I was a little put out
last night by something I heard, and I dare say I said all sorts of
disagreeable, sharp things; but there's no danger for your father any
more than there is for all of us. Business is not like a profession; you
gain more, but you stand to lose more, and it's not so certain as the
law, for example. So, if you'll take my advice, you'll go back and study
hard, and have a profession at your finger-tips; it never comes amiss to
any of us, and there's no harm done if you never follow it.' Then he
changed the conversation, and began talking of other things, and was
surprised to find what a pleasant and intelligent companion his nephew
could be. 'Why, I'd no idea you took such an interest in the heavy
woollen trade. It's almost a pity you're not going into it,' cried his
uncle at last.
'But that is what I intend doing, in spite of your advice to the
contrary,' observed George quietly.
His uncle cast a swift look at him. 'All the same, I should pass all my
law examinations, if I were you, in case--in case you might change your
mind,' he observed equally quietly; and then the two got up and went
across the mill-yard to the dyeing-rooms to find Sarah, who was still
there with Matthew.
George noticed the kindly words of greetings and the friendly glances
that passed between master and 'hands,' as all the workers are called up
north.
'Now, that man's been with us thirty years; he married his wife from
here, and his family all work for us; and this one has been fifty years,
and only comes once a week just to say he still works at the old mill,'
explained Mr Howroyd.
'That's as it should be,' said George, touching his hat at each greeting,
and raising it to an old woman who hobbled past them.
His uncle smiled a little, for such courtesy is not usual in mills, where
kind hearts are hidden under rough exteriors and blunt speech; but though
the 'hands' smiled, they said to each other, after the uncle and nephew
had passed by, that 'he was a gentleman was young Clay, and took after
his uncle Howroyd more'n his father, that was plain!'
'Oh uncle, why did you come so soon? I didn't want you yet,' cried Sarah
when she saw the two at the door.
'Didn't you? It strikes me it's about time we did come. My word, you've
got yourself into a nice state, my lass!' exclaimed Mr Howroyd, as well
he might, for Sarah, in her interest in the new shades, had gone too near
the huge vats and wet materials, and her dress was the colours of the
rainbow, while her hands were a deep crimson.
'But just look what a lovely colour this crimson is, George!' she
exclaimed, holding up a rag which she had dyed.
George contemplated his sister in silence, and then said, 'We'd better
get a taxi to go home, I think;' and added, 'Yes, it's a pretty shade,
but I think there's a little too much blue in it to be quite becoming.'
And, turning to the dyer, he began talking pleasantly about dyeing; and
when he went away the man remarked to Mr William Howroyd, 'He's a sharp
young gentleman is yon, and I think I'll try his advice.'
Meanwhile Sarah was sitting in the cab with her brother, contemplating
rather ruefully her stained hands. 'I say, will it come off?' she
inquired anxiously.
'Yes, in time, if you use some acid,' replied her brother, looking at her
fingers.
'Oh, but I must get them clean by lunch-time, or father will make a row,'
she cried.
'I should advise you to have lunch in your boudoir, as you call it. You
can't possibly get all this off at first go. I can't imagine what old
Matthew was about to let you get yourself in such a mess. Really, you are
very childish for your age, in some ways.'
'What were you talking to Uncle Howroyd about?' demanded Sarah, who did
not want to talk about her hands any longer.
'The heavy woollen trade,' replied her brother promptly.
'That wasn't what you came down to see Uncle Howroyd about. A lot you
know of the heavy woollen trade or any other trade! Besides, that came
out too pat. What you came down to Ousebank for was just the same thing
that I came for.'
'I should not have said so,' replied George dryly, with a significant
glance at her hands.
'It was, all the same. You came to ask Uncle Howroyd what he meant by
talking about the workhouse last night, and so did I; but I thought one
of us was enough to ask that question, so now just tell me what he said.'
If George was taken aback by her astuteness, he did not say so, but
answered simply, 'He said he did not mean anything, and that there was
no chance of the workhouse for us more than for him.'
'Do you believe that?' asked Sarah.
'He said there was no more chance of our going to the workhouse than his
going there,' repeated George.
'Do you believe that?' repeated Sarah.
'No, I do not,' said George gravely.
'Oh George, do you think we are ruined, or anything?' cried Sarah in
excitement.
'Oh, do be quiet, and don't talk so loud, or the cabby will hear you! Of
course we're not ruined; but it would never astonish me any day if we
came a howler. The pater goes too fast, and---- But we're all right now;
and, for goodness' sake, don't say a word to mother; it would upset her
dreadfully. It's only for her sake I'd mind so much.'
'We'd work for her, and she'd be happier with us, without father always
shouting at her,' said Sarah.
'Probably we'd have to work for him too, and he might not be angelic as a
pauper,' suggested George grimly, perhaps with a view to subdue Sarah's
desire for poverty.
'Oh, I never thought of that. Let's hope his money will last as long as
he lives,' she cried.
CHAPTER V.
A RELUCTANT INVITATION.
'We'd better go in the back way, I think,' observed George, tapping at
the window of the cab as he spoke and giving the order.
Sarah laughed, as she spread her hands out before her and surveyed them.
'Perhaps it would be as well, for peace' sake,' she remarked.
They were just getting out of the cab at the little back-door leading
into the stable-yard behind the house, when, to their dismay, they saw Mr
Mark Clay's burly figure come with swaggering walk along the little path
through the park towards the same door, probably coming to give some
order, or more probably, his children thought, to make himself
disagreeable to his stablemen and chauffeurs.
'Quick! in with you; there's the pater!' cried George, who, polite as
usual, was holding the cab-door open for his sister.
Sarah needed no second bidding; but, instinctively clutching the front
breadth of her skirt in her hands to conceal the stains, she jumped out,
ran in at the little gate, and into the house, up to her room by the
back-stairs.
George paid the man, who touched his hat and drove off quickly, and the
young man noticed that he passed the owner of the park through which he
was driving without any greeting at all. George turned to meet his
father.
The tall, slim young man, with his refined features, looked a fit heir to
the fine home, with its vast park; but a greater contrast to the coarse
man who came towards him could not be imagined. He raised his hat to his
father, and greeted him pleasantly enough. No one had ever heard George
Clay speak otherwise than respectfully to or of his father, in which he
compared favourably with Sarah; but if he could civilly do so he avoided
his company, and, if the truth be known, he only spent his vacations at
home for the sake of his mother and sister. On this occasion he could not
with politeness avoid meeting him, and did so with a good grace.
'Mornin', lad! Where t' been?' inquired Mark Clay, as he gave his son a
nod.
'Down to Ousebank, father. It's hot, isn't it?'
'Yes, it's fine and hot. Where's Sarah? Why didn't she stop and say
good-mornin' to her dad? I'm not fine enough for her. I'm only good to
make money, eh?'
'On the contrary, it was Sarah who was not fine enough to meet you. She
stained her hands, and was running off to wash them,' said George.
'Stained her hands! What did she stain her hands for? I won't have her
pretty hands soiled; there's no call for her ever to do aught with them
but fancy work.'
'Sarah isn't fond of fancy work,' observed George, avoiding a direct
answer.
'I don't know what she is fond of, without it's cheekin' me. What do you
think she said yesterday? That I was no better than a murderer because I
didn't pay a man his high wages when he got too old to work. A nice
thing it would be if I had to keep all my sick workmen in luxury, and pay
some one else for doing their work. It wasn't by such means that I built
this house, I can tell 'e.' Mark Clay spoke broader Yorkshire than many
of his men, and even he could speak, and did speak, better English when
he chose; in fact, it was only when he was annoyed or angry that he broke
out into dialect.
Sarah ran to her room and plunged her hands into hot water, but, as might
have been expected, without any effect; and when the lunch-gong sounded
they were still far too brilliant to bear her father's scrutiny. So she
rang for Naomi, and said, 'Just tell Sykes to send up some lunch to me,
Naomi; and if any one asks where I am, tell them I am very busy. So I am,
cleaning my hands; though you needn't tell them that.'
Naomi went off to do her young mistress's bidding, but came back in ten
minutes looking very grave, and said, 'Please, Miss Sarah, the master
says as 'ow it don't matter about your hands, and you can go down to
lunch with them as they are.'
Sarah stamped her foot with vexation. 'I told you not to say anything
about my hands, Naomi.'
'No more I didn't; but the master knew, for he told Mr Sykes to give me
that message for you. And please, miss, excuse me saying so, but Sykes he
said, "Try and make Miss Sarah come down, for master he gets into such a
taking if he's crossed;" and Sykes he says'----
'Never mind what Sykes said. Get me out my pink muslin,' said Sarah
shortly, with her most haughty air, and Naomi obeyed in silence.
Sarah's frock was not pinker than her face when she got to the
dining-room.
'So you've been to Howroyd's Mill messing with his dyes, have you? What
do you want to go there for when you could come to mine, eh? What did you
go to him for, and what did he say?' her father asked suspiciously.
'Nothing very interesting; at least I don't remember anything. Oh yes; he
said hands weren't money-making machines, but human souls which had to be
cared for,' replied Sarah.
'I don't mean that kind of talk. Did he talk business, eh?' inquired Mr
Clay.
'Oh dear no; he never does to me,' she answered.
'Not been croaking, has he?' the millionaire asked with hidden anxiety.
This time it was George who spoke, inquiring, 'Is there anything to croak
about, then?'
'I want an answer to my question, and, by gad, I'll have it!' exclaimed
his father, bringing his fist down on the table with a crash.
'No; he was very cheerful, as he always is. And now, sir, perhaps you
will be good enough to answer my question,' said George, who spoke very
quietly but decidedly.
Sarah gave her brother an approving look.
'What question? Oh, whether there's anything to croak about? Not in my
opinion; but your uncle---- But there, it's no good taking any notice of
him. He'd build a palace for his hands to work in and live in, and stop
in that old mill all his life, would Bill Howroyd,' replied Mr Clay; and,
frowning heavily, the millionaire got up from the table.
'I say, mother, would you mind if I went for a week's shooting to
Scotland?' inquired her son.
'No, dearie; no. You go; it'll do you good. I suppose it's some o' your
college friends as 'ave asked you? Yes, you go; there's nothin' for you
to do 'ere,' said the fond mother.
'And what about me? What am I to do if you go off and leave me all alone?
I shall go melancholy mad in this hole of a place!' cried Sarah.
''Ole!--w'en it's on the top o' a 'ill! W'at silly nonsense you do talk,
child! 'Ole, indeed!' said Mrs Clay.
'It is rather rough luck to leave you in your holidays; but Cockburn has
asked me so often. Couldn't you ask some one to stay with you--one of
your schoolfellows, perhaps?' George suggested.
'Nice, comfortable house this is to ask any one to stay in!' said Sarah
sarcastically.
'It's as comfortable as any o' theirs, if it isn't a great deal better,'
cried her mother.
'I'd sooner live in Naomi's home if I'd my choice,' said Sarah gloomily.
'Sarah is right in one way, mother,' said George before Mrs Clay could
say anything. 'It is not very comfortable to have constant disturbances
in one's home; and the governor is very easily angered.'
'Yes, dear, I know,' agreed Mrs Clay, who adored her son, and thought
everything he did or said perfection. 'An' it's 'ard for you an' Sarah,
for you don't understan' your father, nor ain't used to 'im as I am. But
that's not a bad idea o' yours that Sarah should ask one o' the young
ladies at 'er school to come an' stay 'ere for a bit.--There's that Miss
Cunning'am that you've got the photograph o' in your room. She's got a
nice, 'omely face.'
'She's a duke's granddaughter, whether her face is homely or not. No, I
couldn't ask her,' declared Sarah.
'Why not? She'd be the very one. Your father likes people o' 'igh class,
though 'e was only a mill-'and 'isself. An' she's got such a nice smile
on 'er photo,' persisted the mother.
'I couldn't possibly ask her; she'd never come and stay with a
manufacturer,' declared Sarah again.
'I'd be bound she'd jump at it. She'd not get a better dinner at 'ome or
anyw'ere, nor a better room to sleep in,' said Mrs Clay.
This remark grated upon both her children, as so many of poor Mrs Clay's
sayings did; but George, tactful as usual, remarked, 'Suppose you write
and ask Miss Cunningham, Sarah; and if she is too proud to visit a maker
of blankets, why, she will refuse, and there will be the end of it; and
if she accepts, it will show that her friendship for you is stronger than
class prejudices.'
Sarah looked at her brother for a minute as if she wanted to say
something, but did not do so, and only drummed with her crimson-dyed
fingers on the white table-cloth, taking apparently great delight in
their appearance.
'Yes; you do as your brother tells you, instead of sittin' there smilin'
at them dreadful 'ands o' yours. I'm sure they're nothin' to be proud o'.
Now, if you lived in Howroyd's Mill, w'ere your uncle Bill lives, you
might be ashamed to ask the young lady to stay wi' you; but 'ere it's
quite different,' said Mrs Clay.
The brother and sister, it will have been noticed, always called their
father's step-brother Uncle Howroyd, whereas their mother and father
called him Bill or 'your uncle Bill.' The fact was that the younger
people did not like 'Bill,' and George said he was thankful for one
thing, and that was that his name could not be shortened; while Sarah had
made violent protests against being called Sally or Sal, and would not
allow any one except her father, whom she could not control, to call her
anything but Sarah; and, indeed, the latter name suited her best.
Sarah followed her brother into his smoking-den. 'Pshaw! What a stuffy
room!' she exclaimed, as she threw herself upon the cushioned
window-seat.
'If it does not please you I fail to see why you have come into it; and
as for being stuffy'----Instead of completing his sentence George
shrugged his shoulders, as much as to say the accusation was too absurd
to be argued about.
'It _is_ stuffy, with all those cushions and carpets about, and pictures
and gimcracks, for all its big windows. I can't think how you like to
stuff it up with all this rubbish,' persisted Sarah.
'This rubbish, as you call it, is worth a pretty penny,' he remarked,
lighting a cigarette.
'You're as bad as father, counting everything by what it costs. But, I
say, George, why did you go and suggest my inviting Horatia Cunningham to
come and stay here? I don't want her; and now you've started mother on it
she'll give me no peace till I do ask her, and very likely say something
to father, and he'll begin worrying about it, especially if he hears
she's a duke's granddaughter. Besides, she wouldn't come if I did ask
her,' Sarah remarked.
'In that case there'll be no harm done if you do ask her. But I can't
imagine why you shouldn't; she looks a very nice girl, and you are great
friends, aren't you? And what has her grandfather to do with it?' asked
George.
'At school we are; but whether we should be after she'd been up here
isn't so certain. And as for why I shouldn't ask her, the reason is
pretty plain--father,' replied Sarah.
'You mean he might make himself unpleasant?' suggested George.
'There's no need for him to _make_ himself; Nature has made him
unpleasant,' exclaimed Sarah.
'You need not see much of him. You can go for picnics or drives, and
arrange to have lunch earlier or later; and you never breakfast and have
tea with him, so it's only at dinner-time that they will meet. I should
not think he will get into a rage before a stranger, especially a young
girl.'
Sarah seemed to be considering something, and suddenly she blurted out,
'It isn't only that. I don't want her to come here; can't you see why
not? They don't know what my people are. Oh, they know we're
manufacturers; but that's nothing to be ashamed of. Lots of manufacturers
are gentlemen, but we are not gentlefolks, and they--they don't guess it
from me,' she wound up half-shamefacedly.
'Then I wouldn't sail under false colours. We are risen from the people,
and our parents have not had the education they have been good enough to
give us; but it would be contemptible to be ashamed of the fact or of
them.'
'That's very fine and high-flown; but I am ashamed of my father, at any
rate. I'd rather not have Horatia Cunningham come here and laugh at my
mother behind her back,' said Sarah.
'I should like to see any one dare to do that,' said George, with an
angrier look than his sister had ever seen him give.
'She wouldn't mean it nastily; but it's no good pretending that mother
does not say the wrong thing sometimes,' said Sarah.
'The wrong thing has been sending you to that school,' said George, his
loyalty and love for his mother preventing his acknowledging the truth of
this remark; and then he said more kindly, for he sympathised more with
his sister than he chose to say, 'I don't believe Miss Cunningham would
be nasty in any way. I know her brother slightly at college, and he is
"Hail, fellow! well met," with every chap he meets. You take my advice,
and write and ask her to come here. You can tell her, if you like,
that--well, that we are _nouveaux riches_, and have no pretensions of
being gentlefolks; but that she will have a hearty Yorkshire welcome, and
that's not a thing to be despised, let me tell you. Here, sit down and
write the letter at once. I shall enjoy myself much more in Scotland if I
know you have a companion.'
'I shouldn't mind so much if you were going to be at home,' said Sarah,
only half-won over.
George ignored the implied compliment, and said, 'You will get on much
better alone. Sit down and write the invitation here. I'll help you.'
'No, thank you; I'd rather write my own way,' remarked Sarah, as she rose
from the window-seat. When she got to the door, she turned back to say,
'I have a presentiment that she'll accept, and it will be all your fault,
remember. Whatever the consequences, they will be on your head.'
George only laughed, and sat down himself to accept his shooting
invitation.
CHAPTER VI.
AN EXTRAORDINARY LETTER.
It did not take George Clay five minutes to write his acceptance of his
friend's invitation; but his sister did not find her letter quite so easy
to write, and she sat at the pretty Chippendale table biting the end of
her pen for more than that length of time before she began to write in
desperation, only to tear up the letter in despair.
'It's all very well for George to talk; but it's not so easy to sit down
and tell a girl you are not a lady, and, what's more, that your parents
are not gentlefolks,' said Sarah aloud to herself.
Then she started again, and wrote a friendly invitation, without any
embarrassing explanations or apologies.
'George may be able to say that kind of thing in a gentlemanly way--he
always does say the right sort of thing--but I shall just chance it,' she
muttered to herself, as she sealed up the letter and sent it off by
Naomi, without showing it to any one or taking any one's advice upon it.
To have done so would have been quite contrary to Sarah's habits, for she
was of a very independent character, and the circumstances of her whole
life no doubt fostered this characteristic.
'So we've got a grand young lady from London coming up to stay with us
plain folk,' said Mr Mark Clay when he saw his daughter at dinner that
evening.
'I've asked one of my schoolfellows to come to stay with me; but I don't
know that she will come, and I don't know that you will think her grand.
She dresses very plainly,' replied Sarah.
'Then she'll be all the more willing to come if she's poor,' said Mr
Clay.
'She's not in the least poor. It's not the fashion for schoolgirls to
dress very grandly,' said Sarah hastily.
'Nonsense! People dress as they can afford; and, I'll be bound, I could
buy up her father twice over,' said Mark Clay in his boastful way.
Sarah's lips curled scornfully. 'You couldn't buy his rank. I hope to
goodness she won't come,' she said.
No notice was taken of this remark, which was put down to Sarah's
contradictoriness, and no one knew how heartily the girl repented of her
invitation.
Meanwhile Horatia Cunningham opened the letter from her friend, without
in the least expecting it to contain an invitation to visit the
schoolfellow whom they all talked of as the millionaire's daughter. Great
was her surprise on reading it, for Sarah never talked at school of her
people or her home, and the girls vaguely imagined that she was unhappy
in her home.
'Mamma, just listen to this letter,' Horatia cried, as she read the
letter aloud at the breakfast-table:
'"DEAR HORATIA,--Will you come and spend as much of the holidays as
you can spare with me? We live on a hill outside Ousebank, so that
you will not be in a manufacturing town, and we can go for plenty
of walks or rides and drives and play tennis as much as you like. I
shall be all alone, as my brother is going to stay with friends in
Scotland.--Your affectionate friend, SARAH CLAY."'
'What an extraordinary letter! She is not gushing,' said Lady Grace
Cunningham, as she continued to pour out the coffee.
'Is she an orphan, and what does she mean by being all alone? Has she no
guardian or chaperon?' inquired Horatia's father.
'She has a father and a mother. She is the daughter of a millionaire
blanket-maker named Clay.'
'I believe I've heard the name; but I don't know what I've heard of him,'
said Mr Cunningham.
'That would account for her odd way of writing,' said his wife.
'What is odd about it?' demanded Horatia.
'Her writing without mentioning her mother's name, and she never says she
would like to see you. Besides, to begin with, as a matter of politeness,
Mrs Clay should have written to me,' objected Lady Grace Cunningham.
'Sarah is very independent, and I expect she does as she likes at home,'
said Horatia. 'But she is a very nice girl, mamma, and I may go, mayn't
I?' she begged.
'Do you really want to go? You know these people, though they have great
riches, are very often very unrefined. What is the girl like?'
'I'll show you her photograph, and she looks like a queen when she
walks,' said Horatia; and in her eagerness to get leave to pay the visit
she ran upstairs to fetch the photo, and came back with a portrait of a
boy and girl.
'Dear me, what a handsome couple!' exclaimed Lady Grace Cunningham; 'and
most refined,' she added, as she passed the photo to her husband for his
inspection and opinion.
'A very fine face--the girl's, I mean; the young fellow looks rather
effeminate. I don't think you'd learn anything but good from that girl;
but she looks proud. I should never have taken her for a tradesman's
daughter,' he remarked, as he put the photo down.
'She is not. He is a manufacturer,' protested Horatia.
'Some of our merchants are of good old stock, and as refined as
ourselves, if I may be allowed that piece of boasting,' replied his wife.
'And no doubt these people are. Well, personally, I have no objection to
Horatia's going to them, if you have not,' said Mr Cunningham; and he
buried himself in his newspaper.
'Hurrah!' cried Horatia, clapping her hands.
'Why this excitement? Are you so fond of this schoolfellow, or do you
find home dull?' inquired Lady Grace Cunningham.
'Oh no, mamma; of course I am never dull at The Grange, and I don't know
that I am so fond of Sarah. I do like her very much, but I shall see her
in another month; so, if you like, I will write and refuse the
invitation.'
'By no means. I wish you to grow up large-minded; but you have not
explained why you were so delighted at the thought of going to spend a
month with these strangers. I don't suppose their riches attract you.'
'Oh no; I don't think one could have a nicer home than this. I believe
the real truth is that I should like to see a mill. I read a story about
mill-girls once; how they wore pattens on their feet and shawls on their
heads, and talked so broadly that you couldn't understand them, and threw
mud at strangers. I would like'----
'To have mud thrown at you?' exclaimed her mother. 'Well, there's no
accounting for tastes!'
Horatia gave a merry laugh, such an infectious laugh that both her mother
and father joined in it.
'No; I should keep out of their way, and look at them through a window,'
she remarked.
'Perhaps they'd throw a stone through the window and break it,' observed
Horatia's practical sister.
'Well, I promise to duck my head if I see one coming,' she assured them,
laughing.
'I don't suppose there will be any need. I fancy mill-hands, as I believe
they call them, are very much civilised, and dress quite grandly now,'
said her mother.
'Oh, I hope not! I shall be disappointed if they do,' cried Horatia.
Thus it came about that two mornings after she had despatched her letter
Sarah had an answer from Horatia Cunningham, accepting her friend's kind
invitation with pleasure, and announcing her arrival at the end of the
week.
'So you were right, and she is coming,' Sarah said gloomily to her
brother, as she twisted the letter in her fingers.
'That's very nice. You must think of nice expeditions to take her. There
is lovely scenery within reach, especially if she's fond of motoring,' he
said.
'I wish to goodness the visit were over. I have a presentiment that it
will be a failure,' his sister persisted.
'Don't be absurd! It won't be a failure if you try to make it a success;
and, if you don't mind my giving you a hint, be civil to the governor
before Miss Cunningham, at all events; it's such bad form not to be, you
know,' said George.
'I wish you'd give the governor, as you call him, a hint or two. He's the
one who'll make the visit a failure, if it is one. Well, she's going to
come, so it's no use groaning about it now,' said Sarah.
'Now, Sally, what are you looking so glum about? I suppose you don't
think we're grand enough for your duchess-friend? Never you mind, we'll
put our best foot forward. She shall have the royal suite of rooms. I've
made up my mind to do the thing handsome,' said Mr Clay.
'Oh Mark, that is good o' you! I 'ope the young lady won't spoil 'em,'
said his wife.
The royal suite of rooms, it should be explained, consisted of a bedroom,
anteroom, sitting-room, and bathroom, which had been so sumptuously
decorated that the workmen called them the 'royal suite;' and Mr Clay,
overhearing them, had said the royal suite they should be called. Perhaps
it would be prophetic, for stranger things had to come to pass than
royalty coming to stay with the Mayor of Ousebank, as he had been, and
probably would be again.
Sarah knew she ought to express her gratitude to her father for the
honour he was showing to her friend; but no words would come. Sarah Clay
was, unfortunately, more in the habit of uttering unpleasant truths than
making pretty speeches to her father; and, if the truth be told, she was
not altogether pleased at the honour shown, for the rooms were not very
suitable for a young girl, and Sarah had an idea that the grandeur would
be wasted on Horatia, who, she suspected, would rather have a room near
hers.
George, as usual, came to the rescue. 'That is very kind of you, father;
but perhaps, as Miss Cunningham is very young, and is coming for the
first time among strangers, she would prefer to be in the west wing near
some one she knows. There's the anteroom, next Sarah's; that is very
pretty for a girl, and they could share the boudoir.'
Sarah shot a grateful look at her brother; but his pains were thrown
away, for Mr Clay, who was not a man to be easily turned from his plan,
said, 'She'll soon get used to us, and she can have her maid to sleep
next door. No; I've promised she shall have the royal rooms, and I'll not
go back on my word.'
'Let's hope she'll appreciate them,' said George in a non-committal tone.
Sarah spent the intervening two or three days in a state of suppressed
excitement and unsuppressed irritability; and George at last began to
regret, like herself, that her friend was coming, and was sorry for
having made the suggestion. He would even have given up his visit to the
north if Sarah had accepted his sacrifice; but the latter declared
brusquely, 'You couldn't do much good; and, considering that my excuse
for asking her here was that I should be alone, it would look rather odd
if you didn't go away, after all.'
So George went off, his parting words to Sarah being, 'Don't worry. Just
be as nice to her as you can, and don't, for goodness' sake, be ashamed
of being what you are, for you have nothing to be ashamed of.'
'I don't think that,' said Sarah.
'We need be ashamed of nothing in this world except doing wrong,' said
George; and the motor started with a hoot of approval of this worthy
sentiment.
Sarah waved her hand to her brother, and stood watching him until the
motor was hidden behind the trees and a bend in a long avenue, and then
turned back to the house, her head bent towards the gravel-path, the
pebbles of which she kicked with her feet, to the distinct disapproval of
the young gardener who had just rolled it, and viewed this destruction of
his work from a distance.
'Ashamed of nothing but doing wrong!' she soliloquised. 'That's not true.
One is ashamed of having dirty hands or muddy boots; there's nothing
wrong in that.' She turned impulsively as if to say this to her brother,
and have the last word; but that being an impossibility, she was reduced
to arguing the question out with herself, as Sarah had a habit of doing.
The only person she ever consulted, or whose advice or criticism she
accepted, was her uncle Howroyd. But this question she could not ask him,
for Sarah hardly liked to own to herself that she was a little ashamed of
her uncle Howroyd; at least, not exactly ashamed, but she did not mean
to take Horatia Cunningham to see him or the old-fashioned mill-house in
which William Howroyd and his father had lived for three or four
generations.
So Sarah was reduced to herself as an authority upon this question for
the present, and not being by any means a safe authority, she did not get
a wise answer, which might have saved her a great deal of vexation and
annoyance; for Sarah decided that George was quite wrong. There were
things which were not wrong, and yet one could not help being ashamed of
them; and one thing Sarah was ashamed of was having parents who were not
only uneducated, but had unrefined ideas.
Sarah had one day-dream, absurd as it may seem, of which she never spoke.
Sarah always cherished the hope that she might some day find that she and
her brother were not really George and Sarah Clay, but adopted children
of Mark Clay, and that by-and-by the news would be broken to them. And
yet Sarah was a well-educated, intelligent girl of sixteen, and lived in
the twentieth century. The fancy arose from a remark her father once made
when she was quite a child: 'They are not my children; they are a cut
above me. They've got their mother's features, but they'll have nothing
of me but my money.' And upon this half-bitter, half-proud speech of Mark
Clay's Sarah built her romance, which varied as she invented different
explanations of the mystery from time to time; but her favourite one was
that her mother first married a lord who was ashamed of his wife, and
would not acknowledge his children until they were grown up and properly
educated; and Sarah used to picture the reconciliation between them and
their proud relatives, for whose benefit she composed many fine speeches
full of reproof and final forgiveness.
This may be a little excuse for her want of respect to her father, Mark
Clay, by speaking of whom, it will be remembered, as 'your husband' she
used to anger her mother. She even half-thought of telling Horatia this
tale; but Horatia had a way of turning everything into ridicule, and one
of the many things that Sarah could not stand was being laughed at.
The same motor that took George Clay to the station took Sarah that
afternoon to meet Horatia Cunningham, who was to arrive at six o'clock,
and who persisted in arriving at that hour, although Sarah had written to
her and warned her it was the hour when the mill-hands came out; she said
she did not mind at all, and supposed that she would be quite safe in a
motor with its smart chauffeur; and Sarah, looking so fresh and dainty
that many a one turned and looked after the millionaire's pretty
daughter, started off for the station, and not one of them guessed she
was feeling nervous, and wished with all her might that she were going on
another errand. The girl even wished that something might have happened
to prevent her friend from coming; but when the train stopped she saw the
wish was vain, for Horatia's face was smiling at her from a window, and
Sarah forgot her fears for the moment, and smiled back a welcome.
CHAPTER VII.
HORATIA'S ARRIVAL.
Sarah stepped forward to help Horatia down from the carriage, and
suddenly her expression changed to one of mingled surprise and annoyance;
seeing which, the young visitor, with a merry laugh, jumped from the
carriage to the platform, ignoring the steps and Sarah's outstretched
hand.
'There! I said so, didn't I, Nanny?' she cried, turning to her maid, a
highly respectable, middle-aged woman, with as good-humoured a face as
her young charge.--'Sarah, I said the minute you saw us come out of a
third-class carriage you would put on that shocked face of yours. That's
partly why I did it.'
'You must excuse Miss Horatia, miss. She's full of mischief, and she got
into this carriage at the junction without my seeing what class it was,
or I would never have allowed her to do such a thing as arrive here
third, with you to meet her, and the "chauffer" and all,' said Horatia's
maid.
'Oh, bother the chauffeur! It's nothing to do with him which class I
travel!' exclaimed Horatia, who, to do her justice, had no idea that the
chauffeur was just behind her. That individual was far too well trained
to give any sign of having heard this remark, though it was very
different from the way his present employers treated him. Mark Clay
bullied his servants, and his timid little wife hardly dared to speak to
them. Sarah was very reserved, except with Naomi; while George was as
courteous to a beggar as to a lord, having but one manner with them all.
When Horatia saw what she had done she made a funny little face, and said
in an undertone to Sarah, 'I say, Sarah, can't we walk to your house?'
'I don't think we had better. We shall meet the mill-hands coming out,
and mother does not like us to do that,' said Sarah.
'Oh, of course, if your mother does not allow it, we can't; but do you
think I had better apologise to your man?' she suggested.
'Apologise? Pray, don't think of such a thing! But I suppose you are only
saying that to shock me, though why that should amuse you so much I can't
think,' observed Sarah.
'You would if you could see your own face; but I really didn't get into
that railway-carriage only to shock you. I got in to hear Yorkshire
people talk. I saw some country men and women get in, and I just followed
them; and, oh Sarah, what does "ginnel" mean, and a "fettle"?'
'I don't know what a "ginnel" is; but "fettle" is a verb. A fettler is
the man who cleans the machines in the mill. I have heard the people here
talk of "fettling" the hearth when they mean "clean up." And old Matthew,
a mill-hand, said the other day he didn't feel in a grand fettle. I
suppose he meant "well."'
'A ginnel's a narrow passage, miss. Yon's a ginnel we are just passing,'
said the chauffeur to Horatia, slowing down as they passed what is
generally called an alley, to which he pointed.
'Oh, thank you very much,' said Horatia genially, and added to Sarah, as
she squeezed her arm, 'Oh Sarah, I am enjoying myself so much!'
Her happiness was infectious, and Sarah turned to her visitor with an
amused smile. 'Why, what can you find to enjoy already?' she asked, with
some reason, for they were going almost at walking pace through the town,
because of the crowds that poured into the streets from almost every
side-turning, so that it could not be the exhilarating motion of motoring
that she liked so much.
'Everything! Seeing all those people and hearing people talk Yorkshire,'
cried Horatia.
'The people are just like poor people anywhere, only rather dirtier; and
I don't like their way of speaking--they have such rough, loud voices,'
replied Sarah.
'I think that kind of sing-song they have is musical, and they are not a
bit like our villagers; I don't know how, but they are not,' said
Horatia, glancing about her, and almost jumping up and down in her
eagerness to see all there was to be seen, as they drove slowly along the
narrow, and at this time crowded, streets of the grimy manufacturing
town.
'Oh, oh, look, Nanny, at that lovely river all purple!' she cried
enthusiastically.
'Well, really, Miss Horatia, I can't say that I do admire that. It looks
shocking dirty,' said the maid.
'It is. It's lovely before it gets to Ousebank; but it's so polluted by
the mills turning all their horrid dyes and things into it that fish
can't live in it,' observed Sarah in tones of disgust.
'Well, I call it a lovely colour. Just think how delightful--when you get
tired of a dress one colour, you have just got to dip it into the river
when the water's the colour you want, and, hey, presto! there you are
with a new dress!'
Even the chauffeur on the seat in front let his face relax into a smile
at Horatia's chatter; but Sarah, though she laughed, said decidedly, 'I'd
rather send my dresses to proper dyers than put them into that dirty
water; and I'd rather see the river clean, and so would you if you lived
here.'
They had got clear of the town now, and Horatia, having nothing to look
at except an ugly row of cottages, in which even she could not find
anything to admire, turned her attention to the car, which she declared
most luxurious, and ever so much better than her father's.
'We can go out in it as much as you like, if you like motoring, and go
for picnics in the country,' suggested Sarah.
'That will be very nice; but I want to see your mill first,' said
Horatia. 'Is it near the house?'
'No; we passed it just now, when you said, "What a big stream of
people"!' answered Sarah.
'But they didn't know you,' objected the other.
'Oh yes, they did--by sight, I mean. But what difference would that make?
You don't expect them to nod to me, do you?'
'All our villagers do to me, even though I don't know them by sight,'
said Horatia.
'Then they are different from our people, and perhaps there are not so
many. We have over eight hundred men in our mill, besides women and
boys.'
Horatia began to see that Sarah did not care to talk about mill-people,
as she called them in her mind, and as they entered the park at the
moment, and the house in another moment, she found other subjects for
conversation.
Horatia was a year younger than Sarah and more than a head shorter, and a
greater contrast than the two presented could not be imagined: the one
tall, slender, dignified, with regular features and clear complexion; and
the other short, square-set, with snub-nose and freckled skin, a face
only redeemed from plainness by its merry, twinkling eyes and
good-humoured mouth, which was always broadening into a smile.
Mrs Clay had seen Horatia Cunningham's photograph, so that she was
prepared for a girl with a homely face; but most photographs flatter, and
Mrs Clay had not expected to see any one quite so ordinary in appearance,
'an' that plainly dressed,' as she confided to her husband. However, she
came forward with a hearty welcome, and as soon as Horatia smiled at her
she forgot the slight shock her young guest's appearance had given her.
Horatia jumped out of the car as she had jumped out of the train. 'It is
so kind of you to have me; and what a lovely view you have! One would
never think the town was so near. I suppose it is hidden behind those
trees?' she said.
'No, my dear--Miss Cunningham, I mean--the town is be'ind the 'ouse. My
'usband built the mansion this way on purpose,' said Mrs Clay, in her
nervousness dropping the _h's_ more than usual.
Sarah kept a keen eye upon Horatia during this speech. She had been
dreading this moment, and had only forgotten her anxiety, thanks to
Horatia's free praise of all she saw; but not a trace of mockery could
she see in her schoolfellow's smile; in fact, Horatia was more polite
than she was to the teachers at school, to whom they were expected to be
most courteous. 'I suppose she didn't expect her to be educated,' thought
Sarah, a little bitterly.
But she did her school friend an injustice, for Mrs Clay was a far
greater shock to Horatia than she was to her hostess; and it said much
for the girl's innate good-breeding that she showed no sign of the fact,
but only answered frankly, 'Please don't call me Miss Cunningham. I'm not
grown up yet, and my name is Horatia.' And here the thought came into
Horatia's mind that she would certainly be ''Oratia' to her hostess, and
she felt a wild desire to laugh, but valiantly repressed it; for which
she was very thankful when Mrs Clay, with a pretty, pink colour in her
delicate, faded cheeks, said, 'Thank you, my dear; it's a very pretty
name, but it's difficult to remember. I expect I shall always call you
"my dear," as you don't mind, and I am sure you are a very dear young
lady.'
Horatia impulsively threw her arms round Mrs Clay's neck, and, kissing
her, said, 'I am sure I am going to have a lovely time here, and I think
it's awfully good of you to ask me.'
Mrs Clay beamed with delight, and all fears on her part that the visit
would not be a success were over.
Sarah's brow cleared. She was rather surprised that Horatia and her
mother had taken to each other; but so far so well. The worst was--her
father; and Sarah almost longed for dinner-time, so that that meeting
also should be over. 'She won't like him, I know,' she murmured, with a
recollection of a scene at school when a visitor had been presuming in
Horatia's opinion, and she had rather surprised her companions by the
frigid air she assumed. 'He'll offend her, and she will say something,
and, oh dear! I'm sure there will be a scene,' sighed Sarah.
However, dinner was two hours off, and Sarah took Horatia through the
vast corridors and up to the royal rooms, followed by Horatia's old
nurse, who had come in the capacity of maid, and was by her mistress's
orders keeping near her charge till she settled down in her new
surroundings.
Horatia and her maid were both used to large houses, and had stayed at
the ducal mansion of Horatia's relative; but when the door leading into
the royal rooms was opened she gave a cry of admiration. 'But am I to
sleep here? It's far too grand for me, Sarah. And what a big room! I
shall lose myself in it!' she cried.
'My father wished you to have these rooms. There's a bed for your maid
next door, in the dressing-room. My mother thought you might be nervous
in a new house,' explained Sarah.
'How kind you all are! Fancy taking all that trouble about making me
comfortable! I'm afraid I sha'n't be able to give you such a lot of rooms
when you come to stay with us,' said Horatia, as she wandered from room
to room, and stopped first to admire the writing-table with gold
everything, and finally the bathroom with silver fittings.
'I will leave you to rest a little, and when you are ready for a walk in
the park, please ring the bell and Naomi will fetch me,' said Sarah as
she went off, relieved to find that Horatia took everything in a
friendly spirit.
'Oh Miss Horatia, this is a funny house!' exclaimed Horatia's nurse.
'I don't see anything funny in it,' said Horatia; 'it's a very beautiful
one.'
'Yes, miss, it is that; these people must have a mint of money. Why, look
at these rooms; they're fit for a king. And to think that poor thing is
the mistress of it all. She doesn't look hardly fit,' said the woman.
Horatia let this remark pass in silence; but if her loyalty to her
hostess had let her she would probably have agreed with her nurse, for
she did feel, somehow, as Sarah did, that it was all too grand, and
oppressed her somehow. 'My dresses are not grand enough for these rooms,
Nanny, or for this house,' she replied.
But this was too much for the old nurse. 'You'll look a lady and be a
lady in the commonest of them, and that's more than these Clays be, for
all their money,' she cried indignantly.
'That isn't very nice of you when they are so kind to us, Nanny, and have
asked us here so that we may enjoy ourselves,' said Horatia
reproachfully.
'No, Miss Horatia, it isn't, and I ought to be ashamed of myself that you
have to teach me my duty instead of me showing you a good example; but I
felt wild to think of them, perhaps, thinking themselves better than you
because they have such a lot of money out of blankets,' said the good
woman. 'Why, I'd sooner have The Grange than this house any day.'
'So would I, of course, because it's my home; but I wouldn't mind
having a bathroom like this, all marble and silver, and all those lovely
little contrivances to wash yourself without any trouble; and I will some
day, when I'm rich,' declared Horatia.
[Illustration: 'I'm so glad you've called me "lass"! I was so hoping some
one would.' PAGE 69.]
And now, being ready for dinner, Horatia rang for Sarah, and the two went
down to the painted and gilded drawing-room to wait till the gong
sounded, which it presently did, and the three went into the dining-room,
where they found Mr Mark Clay, as was his custom, seated at the table.
When they arrived, Mrs Clay, whose duty it was to introduce Horatia to
her host, left that duty to Sarah, and Sarah left it to her mother, with
the result that no one performed that ceremony.
Horatia had to introduce herself, which she did very prettily. 'How do
you do, Mr Clay? Thank you for giving me such a lovely room'--everything
was lovely according to Horatia; 'it's the loveliest I have ever
seen--better than the peacock-room at Hasingfield.
Now, Hasingfield was the palace of Horatia's ducal relative, her
grandfather, and the peacock-room was so famous that even Mark Clay had
heard of it; so that Horatia could not have said anything that would have
pleased her host better. He held her hand for a moment, and looked down
at her bright, smiling face, as he said, 'I'm right glad to see you here,
and welcome you to Yorkshire. And there's nothing here that you are not
welcome to use as your own. Make yourself at home, lass.'
Horatia's smile broadened as she gave a laugh of delight. 'Oh, I'm so
glad you've called me "lass"! I was so hoping some one would. That shall
be your name for me, and Mrs Clay will call me "my dear,"' she answered,
taking her seat at the table in the best of humours.
It was a sumptuous repast, and if Horatia got tired of it and of her
host's boastings and unrefined remarks, she gave no sign, but seemed, as
she had said when she first arrived, to be enjoying herself immensely.
'So the dreaded introductions were safely and happily over, and either
she is acting or else she doesn't notice or mind anything,' Sarah said to
herself. But she was wrong, for Horatia was not acting, and she did
notice, and did mind some things. Later on Sarah was undeceived on this
point.
CHAPTER VIII.
HORATIA.
So the dinner was over, and Sarah heaved a great sigh of relief as the
two followed Mrs Clay to the drawing-room.
'What are you sighing for, Sarah? One would think you had just discovered
that you were a pauper, and had eaten your last grand dinner; for it was
a grand dinner. Was it in honour of little, insignificant me? Because,
you know, if it was, perhaps you wouldn't mind telling Mrs Clay that I
don't come down to dinner at home, but have schoolroom supper with Nanny;
and I don't think mamma would like me to eat all those things every
evening,' observed Horatia, taking Sarah's arm and doing a rink step
along the hall.
'Oh, we have that kind of dinner every day. There may have been extra
trouble taken because of you; but father likes it. You needn't eat any
more than you like; but I shouldn't sigh if I heard it was my last in
this house,' replied Sarah vehemently.
She spoke so vehemently that Horatia stopped her rinking and looked at
her friend in surprise. 'But it is your home,' she said.
'I'd rather live in a cottage,' declared Sarah.
'You say so; but I'd just like to see you turning up your aristocratic
nose at the tiny rooms; only, of course, your nose wouldn't turn up
properly, not being a snub like mine. Anyway, it would look down on
everything. But, I say, Sarah, what a lovely rink this hall would make!
If it weren't so hot we might have a fine rink this evening.'
'Oh my dear, not in this 'all; it's real cedar-board, brought express
from abroad for Mr Clay!' cried Mrs Clay in shocked accents. 'I'm sure I
don't know w'at 'e'd say if you was to suggest such a thing. Pray don't
name it to 'im.'
Horatia laughed gaily. 'I was only in fun. Of course, I shouldn't rink on
a parquet floor. I should like to see our butler's face if I did it on
our polished oak. I think I'll suggest it to Mr Clay this evening,' she
announced.
'You won't see him again. He never comes into the drawing-room in the
evening, thank goodness!' said Sarah. The 'thank goodness' slipped out
from habit, and she was rather glad that Horatia did not notice it.
'We shall just 'ave a quiet evenin'. Mr Clay likes to smoke 'is pipe
after dinner in 'is study, an' I go an' talk to 'im sometimes. So per'aps
you won't mind if I go an' leave you two to enjoy yourselves alone.--Your
father seems quite cheerful to-night.--I think you an' 'e will get on, my
dear,' said Mrs Clay, who was quite cheerful herself, owing to her
husband being in a pleasant humour.
It was the first peaceful dinner they had had since Sarah came home; Mark
Clay was never a very pleasant companion, and the dinner-table was very
often the scene of his rages, but Sarah seemed to anger her father
without even opening her mouth, and her mother, much as she missed her
only daughter, was generally relieved when she returned to school.
But before Mrs Clay thought it was time for her husband to have finished
his wine and retired to his study to smoke, to the surprise of all three
he appeared in the drawing-room, without the obnoxious pipe, and with
quite a pleasant expression for him.
'I'm thinking this lass will be dull with only us plain folk, and so I've
got a concert for her. Now, what would you like to hear--the opera at
Covent Garden, the Queen's Hall concert, or what?'
'Oh, how lovely! The opera, please. That is better than rinking in your
parquet hall, Mr Clay,' cried Horatia, clapping her hands.
'Rink in my hall!' cried the millionaire, scandalised; and then, seeing
Horatia's twinkling eyes, he laughed his hoarse laugh, and said, 'You'd
have Sykes after you if you did. What do you want to rink for? Senseless
pastime, I call it. Now, skating I can understand; it's healthy exercise,
and you might make use of it in cold countries; but rinking--what's the
use on't?'
'Oh, it's such fun! I do love it so!' cried Horatia.
'Well, now, if it's like that, I'll see what we can do. I am afraid I
can't get a rink built for you in a day, but I'll see what we can do. For
to-night, you'll have to put up with the opera,' said Mr Clay
good-naturedly.
Horatia thanked him profusely, and after he had left she said to Sarah,
'Oh Sarah, you _are_ rich! I'm sorry I ever came here to stay with you.'
'Why?' inquired Sarah quickly, as the colour mounted to her forehead, for
she expected that Horatia was going to say that she did not like people
who made such a display of wealth.
'Because I sha'n't be contented to be just middlingly well off after
this, and I never wanted to be rich before; but your father can do
everything he likes,' she cried enthusiastically.
'Oh no, he can't,' retorted Sarah.
'What can't he do?' demanded Horatia.
Sarah paused for a moment. She could not very well say what was in her
mind, which was that he could not make himself a gentleman, so she said
instead, 'He can't buy people's affection, for one thing.'
Horatia gave Sarah one of her quick, quizzical glances, but only replied,
'I don't know so much about that. There's cupboard-love, at any rate; but
never mind, let's go and listen to this opera. It's a lovely way of
spending the evening,' she added, for Sarah's face had taken on its
disdainful expression again.
So the two sat down at the gramophone to listen to Tetrazzini singing in
the opera, and Mrs Clay went off to her husband's study to take advantage
of his being in a good humour to spend the hour with the husband she
worshipped, although she feared him, and had none too happy a life with
him.
Mr Clay was smoking a short clay-pipe. If Sarah had been there she
probably would have said that another thing that he could not do was to
enjoy refined things, or give himself refined tastes, for one of Mark
Clay's greatest enjoyments was to smoke his short clay-pipe and the
rankest of rank tobacco, though he only did so in private.
'She's a nice young lady, Mark, this friend o' Sarah's, isn't she?' Mrs
Clay hazarded.
'Yes, she's a grand lass, is yon. She's always got a joke ready to crack
with you, and doesn't give herself no airs; and she might, for I find
they're a very high family--two dukes in it, and other titles as well,'
said Mr Clay.
'Oh, I don't care about 'er titles; she's a dear young lady in 'erself,
an' I'm sure Sarah'll only learn good from 'er,' said Mrs Clay.
'I wish Sarah'd learn not to give herself airs; you'd think she was a
duke's granddaughter and not the other. I'm sure she looks at me
sometimes as much as to say, "I'm a princess, and you're only a common
man," and treats me as if I was the dirt under her feet, instead of being
her father, to whom she owes everything,' said Mr Clay, with an aggrieved
air.
'She's not good-lookin',' said Mrs Clay, who alluded to Horatia and was
trying to put a word in indirectly for her daughter.
'No, she isn't, there's no denying that; but I'd sooner have her opposite
me at table, for all her plain looks, than I would our Sally.'
'I wouldn't go so far as that. I'm sure w'en the two came in to-night,
an' our girl lookin' so straight an' 'andsome, I felt proud o' 'er; but
the other is a dear young lady, an' keeps us all lively,' she said,
repeating her one remark about Horatia that she was a dear young lady.
'And if you'll believe me, George,' she wrote to her son two days later,
'your father's a different man since that little girl has been here, as
polite to the servants since he spoke sharp to Sykes and the little lady
stared at him so surprised like; and so kind to me I hardly know myself.
Not that I'm not very grateful to him, and know a man like him must have
his worries, and can't always be even-tempered.'
But much had happened during these two days. Sarah had planned these two
days, and, indeed, all the visit, as a succession of excursions in the
motor, picnics, tennis-parties (for the Clays knew every one for miles
round), and rides, and the next morning, accordingly, she said to
Horatia, 'I thought we might go to the lakes for lunch to-day; we might
start directly after breakfast, and get back for dinner in the evening.'
'Oh, haven't you seen the lakes?' asked Horatia in rather a disappointed
tone.
'Yes, of course; but they are always worth going to see,' replied Sarah.
'But if you don't care to see them, or would rather go anywhere else, or
do anything else, you have only to say so, and of course we'll do that.'
Horatia's face brightened. 'Do you really mean that? May I do what I like
just for the first day or two?' she inquired eagerly.
'Of course you may do what you like to-day and every day while you are
here. I would much rather you did. I'm tired of doing what I like; and,
besides, it will save me a lot of bother, because I did not want to go to
the lakes at all, and I was going to please you.'
'And I should have gone to please you,' cried Horatia, 'so we should both
have wasted a day; but I'm afraid you won't care for my plan. I want to
go and see your mills.'
'You mean my father's,' said Sarah hastily; but, though her face fell a
little, she continued, 'We shall have to ask his leave. I'll ask mother
to 'phone to him.'
But this plan of Horatia's was not destined to be carried out, for a
message came back to say that Mr Clay would rather they came another day,
as he was busy that day, and could not take them over himself.
'Then just let's go down the town and see the outsides of the mills. No;
not in the motor,' for Sarah had her hand on the bell to ring for it.
'How, then? Do you want to ride?' inquired Sarah in surprise.
'No; I want to go on Shank's mare, and poke into ginnels. I want to go up
a ginnel,' she declared.
'But a ginnel is only a narrow passage. The chauffeur told you so, don't
you remember? You've often been up a passage, I suppose?'
'Yes; but not when it's called a ginnel. I want to say I've been up one,
and I can't bring it in unless I say, "I went up a ginnel at Ousebank,"'
explained Horatia.
Sarah laughed. 'You are funny, Horatia,' she said. However, to please her
friend she put on her hat, and the two went off to Ousebank; and whom
should they meet but Uncle Howroyd, who stopped quite naturally to speak
to his niece and her friend.
'And what are you two lasses doing in Ousebank alone and on foot?' he
inquired.
'We've come to go up a ginnel,' said Horatia, her eyes twinkling.
Mr William Howroyd's twinkled in response. 'Eh, what, are you a
Yorkshire lassie, then, that you talk so pat about ginnels? And what
particular one do you want to go up--the ginnel against my mill?' he
inquired.
'Oh, have you got a mill, and can I come and see it?' cried Horatia
eagerly.
'Why, of course I've got a mill. Didn't Sarah tell you? Surely you
weren't coming to Ousebank without coming to see me?' he inquired
reproachfully. Then, seeing that Sarah coloured and looked rather
ashamed, he half-guessed the truth, and turned quickly to another
subject, and said, 'Come along, then, both of you.--This is not the
grandest mill in Ousebank, Miss Cunningham, nor the largest. My brother
Clay's is much bigger; but it's the oldest, and I like it best.'
'Oh, please, say Horatia,' she cried, as the three turned towards
Howroyd's Mill.
'Horatia! Any relation to the great Nelson?' he inquired, looking kindly
down on the eager young face smiling up at him.
'Yes; that's why I am called it; but I like Macaulay's Horatius best, so
I pretend I am named after him.'
'What!
Then out spake brave Horatius...
And how can man die better
Than facing fearful odds,
For the ashes of his fathers
And the temples of his gods?
Isn't that how it goes?' he asked.
'Not quite; you've left out three lines; but that's the man I mean,' she
replied. 'But I forgot. Perhaps I ought not to have asked to go over
your mill? Perhaps you are busy, and don't want us, like Mr Clay?'
'No, I'm not so busy as he is, and I have always time for Sarah, as she
knows,' he replied; 'though I don't know that a warm summer morning is
the time to go over a mill and into hot rooms.'
'Oh, please, don't discourage me! I've longed to see a mill, and now I am
really going to.'
Sarah privately thought Horatia rather childish, but she did not say
anything; and Mr Howroyd, who did whatever he did thoroughly, took them
over his mill.
'Now, I am going to show you the whole process of making a blanket out of
sacks of woollen rags or wool as it comes off the sheep's back,' he
announced.
'I hope you are not going to make a lesson of it, Uncle Howroyd,'
protested Sarah.
'Of course I am, and am going to question you upon it afterwards,' he
said, his eyes twinkling. 'Only, I hope you won't be like a young man
that came here for a newspaper once, and went away saying he was much
obliged, and had learnt a lot, and then wrote in his paper that we made
blankets of old newspapers.'
'And don't you?' inquired Horatia innocently.
'No, we do not,' said Mr Howroyd with emphasis; 'and it's about time you
did come and see a blanket-mill if that's all you know about it.'
Horatia not only joined merrily in Sarah's laugh, but listened quite
intelligently to Mr William Howroyd's explanation of the material used to
make blankets.
'It's most fearfully interesting,' she said with a sigh.
Mr Howroyd laughed. 'You'd best have gone to the lakes, as Sarah
proposed. This is a very dull holiday task you've set yourself, Miss
Horatia.'
'I never enjoyed any holiday so much in my life,' she protested stoutly,
and a look at her beaming, interested face confirmed her words.
CHAPTER IX.
A YORKSHIRE MIXTURE.
'Do you particularly want to walk home, Horatia?' inquired Sarah as they
were leaving Howroyd's Mill.
'No; I particularly don't want, considering that I have been driving
Shank's mare up awful break-neck steps and down precipices,' replied
Horatia, who had climbed up and down funny stairs and ladders in the
mill, which she called precipices.
'You are not going home, anyway, just now, for the mills are just coming
out, and the streets will be crowded, and it's luncheon-time; so you're
going to have a plain lunch with me, if you will honour me so far,' said
Mr Howroyd, and looked for a delighted acceptance from Sarah. But, to his
surprise, Sarah coloured and looked at Horatia doubtfully. 'I think
they'll be expecting us at home,' she said.
'Oh, will they? Can't we send a special messenger? I should so like to
stay, and I am so hungry.--You've no idea how hungry I am,' she said,
turning to Mr Howroyd with a merry laugh. 'Perhaps if you did you
wouldn't ask us to stay.'
Mr Howroyd laughed his cheery laugh. 'It would be the first time there
wasn't enough for any stranger at Howroyd's. That's not a Yorkshire
failing. We've always enough and to spare for any kind visitor, and
they're always sure of a Yorkshire welcome.'
'What's a Yorkshire welcome like? Is it different from any other kind of
welcome?' inquired Horatia slyly.
'Well, we think it's heartier and more sincere. You see, we don't go in
for show so much as they do down south; we say there's real old oak up
here, and French-polished deal down there.'
'Oh, what conceit!' cried Horatia. 'Are you hitting at me?'
'No; at me,' said Sarah a little bitterly.
'I'm hitting at myself; for old oak, you know, gets worm-eaten.--And
you're quite correct, Miss Horatia; that was boasting, and in very bad
taste. Let's hope my cook won't have burnt up the chicken and apple-tart
to punish me for it,' he said as he led the way into the cool, old
parlour of the mill, with its wainscoted walls and old-fashioned
furniture.
Horatia sat down in a rocking-chair, and gave a sigh of satisfaction. 'I
feel I deserve a rest. I've done a good day's work this morning. I'm
afraid I've tired you, Mr Howroyd, and taken up a lot of your time. I'd
no idea it took so long to look over a mill. Why, we must have been
nearly two hours.'
'Nearer two hours and a half. I calculate one and a half for most of my
visitors; but, then, they don't all want to know so much as this young
lady,' he replied, laughing.
'Oh, did I ask a lot of questions?' inquired Horatia.
'You did,' said Sarah.
'Well, I _am_ enjoying myself,' repeated Horatia for the hundredth time,
with always the same emphasis on the 'am.'
Mr Howroyd flashed one of his bright glances at her. 'That's right!' he
said.
'I do like knowing new things and doing new things, and all this is so
new to me. I feel as if I were abroad, out of England somewhere; and
wool-making--I mean making blankets and woollen things--is most
interesting,' said Horatia.
Sarah seemed to be pondering over something. Suddenly she lifted her
head--'What holiday-essay are you going to write this summer?'
Horatia gave a merry laugh. 'Oh, well, it wasn't for that I came to stay
with you, Sarah. You mustn't think that; but, of course, it will be nice
and easy to write one upon wool.'
'Oh, ho! So I have been teaching you your holiday-lesson, have I?' said
Mr Howroyd, as he helped Horatia to apple-tart and handed her the cheese;
for at Howroyd's Mill no maid waited at lunch. William Howroyd said he
had to be careful what he said before a servant, and he could reach all
he wanted himself.
Sarah was just putting out her hand to stop her uncle, but decided not to
interfere with him, for Mr Howroyd never understood a hint, and, with
what his niece considered a lamentable want of tact, would say, 'What are
you driving at, lass?' or 'Speak out, child; I like plain speaking.' So,
much as Sarah would have liked to prevent her uncle from offering 'such
an unfashionable mixture' as apple-tart and cheese, she abstained.
Horatia stared for a moment; then, thinking it was absent-mindedness on
the part of her host, burst into a merry laugh. 'You've only just given
me apple-tart, Mr Howroyd. I haven't come to the cheese course yet.'
'But we eat them together in Yorkshire. Come, you like new things; just
try cheese and apple-tart; it's a very good mixture, to my mind,' said Mr
Howroyd as he held the plate to Horatia.
'Very well, I will try it; but I don't think it sounds very nice, and if
I don't like it you must give me a lump of sugar; in fact, I think I had
better have one all ready in case it's horrid,' said Horatia, with
pretended resignation.
'I can do better than that,' said Mr Howroyd, as, getting up from the
table, he opened a cupboard and produced a long, flat box wrapped up in
white paper. 'Now, if you don't like our Yorkshire mixture, you shall
have one of these; but if you do like it you shall have the box.'
'Chocolates!' cried Horatia, opening the box. Then she took a spoonful of
apple-tart, put a square piece of cheese in the middle of it, and ate it;
but hastily took a chocolate out of the box, put it in her mouth, and
said, 'Delicious!'
Both Sarah and her uncle laughed at Horatia's way out of the difficulty.
'You didn't like it a bit. I saw by your face, so you don't deserve that
box of chocolates,' said the former.
'Indeed, she does, and she shall have them if she will accept them!'
protested Mr Howroyd.
So Horatia won her chocolates.
Mr Howroyd had telephoned to Balmoral to say that the girls were staying
to lunch, and a message was sent back that the motor would be sent about
an hour and a half after the lunch. So, when they had finished, William
Howroyd led the way into the drawing-room, a big, old-fashioned room,
and, drawing two chairs up to the large window, brought out all sorts of
quaint, old things for Horatia to see.
'Oh dear! I never saw anything like these things before; I can't possibly
put them into my essay, because I can't describe them. It is a pity,
because I really think I should get the prize. I'm sure no one else will
see anything so interesting in her holidays,' cried Horatia, as she
examined Mr Howroyd's family treasures with interest and reverence.
'I'm sure, I can't see what you find so interesting in these old things;
every one has them,' said Sarah half-impatiently.
'Nay, lass, every one has not got a tree made of hair, nor a beautiful
model of their church, a hundred years old, made of cork,' her uncle
corrected her.
'They may not have exactly that; but they have things that belonged to
their grandmothers,' declared Sarah. 'I know you have much grander things
at home, Horatia, though you pretend to admire these so much,' she
protested.
Horatia coloured a little; but it was not easy to offend her, and she
said, with a little laugh, 'I'm not pretending at all; and I only said
what was quite true, that I had never seen such things before.'
'Then you are simply laughing at us. You are only interested because we
are like savages, with their trinkets and beads, which they think fine
jewels,' said Sarah.
This time Horatia was really offended, but she did not say anything; and
Mr Howroyd said quickly, 'I shall begin to think you are ill, Sarah, or
sickening for a fever, and shall telephone to your mother to send for a
doctor, if you talk such nonsense.--Now, Miss Horatia, come and see my
greatest treasure of all; and he took her into an adjoining room, without
asking Sarah to accompany them at all. By the time they had seen his
greatest treasure, which was some wonderful needlework, the motor was
announced, and the two girls got into it.
'Now, I'm just going to time ourselves. We got home in seven minutes last
time; do you think we could do it in five to-day?' inquired Horatia of
Sarah.
'Certainly not. It's four miles from door to door. You'd no business to
do it in seven minutes; and if you incite Tom to do it in five he'll get
locked up, if he lives, and he'll well deserve it,' declared Mr Howroyd.
Tom Fox smiled grimly. He had known Mr Howroyd and Mr Howroyd had known
him since he was a tiny boy, so he answered, 'You'll not live to see me
locked up, Mr Howroyd--not for furious driving in the public road; though
I'll not deny that I did put on speed the day missie speaks of, going
through the park.'
'Oh, well, if you choose to risk your necks in that wretched car, you
must. For my part, there's nothing like a dogcart with a good trotting
horse; that's fast enough for me; but then I'm fifty years behind the
times, I know. Well, off you go. Good-bye; and come and see me again, and
have some more cheese to your tart,' he added, with a laugh and a twinkle
of his eye, as he raised his hat to the two girls.
'I will if you'll give me chocolates to help it down,' said Horatia; and
the car, with a hoot, sped away.
'And we have done it in five minutes,' cried Horatia as they drew up at
the front-door.
Mrs Clay met them in the hall, breathless. 'Mercy on us, Sarah, w'atever
'appened to the car or Tom? I'm sure my 'eart was in my mouth w'en I saw
you comin' along the park. I ran all the way down the stairs, thinkin' I
should never see you alive w'en I got to the bottom,' cried the poor
woman.
'It's all my fault. I'm so sorry, Mrs Clay! I begged Fox to get home in
five minutes, and I made the car go when we got to the park-gates,' said
Horatia penitently, as she linked her arm coaxingly in little Mrs Clay's.
'My dear, don't you go for to do such a thing again,' said Mrs Clay,
smiling with indulgence at the girl; 'but it's not you I'm blamin', but
Tom Fox, who ought to know better than endanger two lives, let alone
takin' notice o' a child like you, if you'll excuse my speakin' so
freely.'
'You are very good not to scold me; but I do so enjoy going at a
tremendous speed, and the motor does run so smoothly, much better than
ours, and mother is too nervous to go fast,' explained Horatia.
'I should think not, an' I don't blame 'er. For my part, I 'old on every
time I go in it if my 'usband isn't lookin', an' I'd rather by 'alf walk
or take the pony-chaise than go in it; but I'll stop Fox playin' such
tricks. W'atever would your ma 'ave said if she'd seen you, I can't
think.'
They had gone upstairs by this time, and were walking along the corridor
at the back of the house, which looked out on the back-yard, which was
coach-yard and garage, and Mrs Clay had scarcely finished the above
speech when they heard the angry voice of Mr Mark Clay in the yard below.
'How dare you drive my car at that speed, with my daughter and the Duke
of Arnedale's granddaughter in the car? Don't excuse yourself, but take
yourself off this moment, and never show your face in Ousebank again, or
I'll have you locked up, do you hear?' stormed Mr Clay at the chauffeur.
But his speech was interspersed with stronger language than that.
Horatia dropped Mrs Clay's arm, and ran a little in front of her and
Sarah, and both of them thought she was running to take refuge in her
room from language to which she was not accustomed; but, on the contrary,
she ran to the open window, and, leaning out of it, cried, 'Mr Clay,
stop, please, and listen to me a moment.--Don't go, Tom Fox.'
At sight of Horatia, Mr Clay's face changed a little, and perhaps he felt
a little shame at the language he knew she must have heard; but he was
too angry to heed her. 'Excuse me, but this is my business, and my orders
must be obeyed.--Get out of this, do you hear, Tom Fox?'
The man, white as a sheet, touched his hat, with a faint smile, to
Horatia, and walked off.
'Tom Fox, stop!' said Horatia. 'Wait one moment. If you are really going
I will go too, and you can come to the station with me.'
'Horatia!' cried Sarah; and, 'My dear!' echoed Mrs Clay.
Mr Clay looked up at the flushed, determined little face at the window.
He was a dogged, self-willed man, and gave way to no one; but he knew
when he had met his match. 'What does this mean, Miss Cunningham?' he
asked grimly, while Tom Fox stood hesitating in the doorway, and the
other servants stood in the background, wondering what would be the end
of the scene.
'It means that _I_ drove the car at that break-neck speed, because I
turned the high-speed gear, and Tom could not help himself, and he was
too much of a man to tell tales of me.'
'You can stop, Tom.--As for you, my lass'--the millionaire
paused--'you're a plucky un, you are! You ought to have Yorkshire blood
in you, if you haven't,' he concluded, and walked into the house without
another word.
'Thank you, miss,' said the chauffeur, as he took off his hat and stood
bareheaded, looking up at Horatia.
'I'm sorry I got you into a row, Tom Fox,' she said, 'and I promise you I
won't interfere with the motor any more without leave.' Then she withdrew
her head.
'Oh, my dear, I don't believe you'd be afraid of anything,' said Mrs
Clay, looking at her with admiration.
Horatia only laughed, and Sarah said nothing either.
CHAPTER X.
PLAIN SPEAKING CLEARS THE AIR.
'Your young lady's got a spirit,' said Sykes to Horatia's nurse, who was
as popular below-stairs as her mistress was above, for it is a fact that
'Like mistress, like maid,' is a very true saying, and Miss Cunningham's
old nurse behaved in the same kindly, tactful manner towards her
fellow-servants that her mistress showed towards her.
But on this occasion Nanny, or Mrs Nancy, as the servants called her,
gave way to her feelings, which had been much ruffled on this visit. 'If
by spirit you mean she don't allow injustice to be done to a poor man,
you're right; but I should like you to know that this isn't what we've
been used to--not by no means. Why, our last visit was to Miss Horatia's
grandpa, his Grace the Duke of Arnedale, and there we didn't have no
scenes; I should say not, indeed! It's not considered good form; that's
what they call it.'
'It's not a bad word, isn't that? You talk of a prize-fighter being in
good form,' observed Sykes.
'Well, our prize-fighter was in good form to-night, and yet Miss
Cunningham knocked him out in the first round,' interposed a young
footman, who went in for being a wit.
'Don't you get into the habit of making free with young ladies' names,
nor making jokes on them, young man,' said Mrs Nancy severely, as she
took up the work which she had been doing in the shade at the back of
the house, and went indoors.
'Now, there's a funny thing; she's only a servant same as us, and yet she
thinks herself our better because her family's got blood. Well, ours has
got money, and, for my part, give me good wages and plenty to eat, and
blood be blowed!' remarked the young footman, who had been nettled at the
reproof.
'No low talk here, please,' said Sykes with dignity as he rose to see
about the wine for dinner.
Nanny went upstairs ostensibly to get her young lady's things out for
dinner, although, as it was only three o'clock, it was rather early; but
in reality she felt that Miss Horatia wanted one of her own people with
her at this moment, so she knocked at her door, and found Horatia in the
silver-fitted bathroom plunging her head into the marble basin.
'Miss Horatia, my dearie, what are you thinking about? This hot day it's
enough to give you your death!' she cried.
'Oh Nanny, I was so hot, and my head does ache! I really couldn't help
it,' exclaimed Horatia.
'You lie down on your bed, missie, and I'll lower the blinds and bathe
your head with this spray. You've overdone yourself getting into such a
taking with that wretched man,' said the old nurse soothingly, as she
patted up the pillows for her charge and lowered the green sun-blinds.
'He wasn't a wretched man; he had nothing to do with it. I touched the
high-speed gear, I tell you, and poor Tom Fox was as frightened as any
one.'
'I wasn't speaking of him. I know he wasn't to blame. And I'm talking of
some one else, as you very well know, whom there's no living in peace
with; and I know what you're going to say, Miss Horatia--that he's our
host, and my better, which he may be the first, but I don't know so much
about his being the second, for my father wouldn't have demeaned himself
by such language to any man, let alone before women. And as I'm speaking
I may as well say it all out, which is that if the master and mistress
had known what kind of place we were coming to they'd never have allowed
it. And if I write and tell them'----
'Tell them what, pray?' interrupted Horatia.
'What kind of a man Mr Clay is, which no one has a good word for him; and
however you manage to keep him in good temper, Sykes says, he doesn't
know,' wound up Nancy.
'I don't want to know what Sykes says; and if you can't talk of more
agreeable things than that I'd rather you went away and left my headache
to cure itself. I'm only tired after looking all the morning at machines
turning round,' announced Horatia.
'And whatever you can find to please you in that passes me. Sykes says
those woollen-mills are all one like another, and hot, dirty, greasy
places!' declared Nancy.
'I believe you've fallen in love with Sykes,' said Horatia wickedly.
'Miss Horatia! Considering he's got a wife and family!' protested Nancy.
But she quoted Sykes no more, which was just what Horatia wanted and
expected.
'Now, Nanny, I'm quite all right, so you can get out my white muslin and
blue ribbon,' she said.
'Not that white muslin, miss! You've worn it three times, and it is so
plain compared with Miss Clay's,' objected the woman.
'So am I, so it's no good my trying to dress like her, and it's no use
your getting angry about it, and arguing, because you know she's
beautiful and I'm plain. And what's funnier still, I don't envy her a
bit--oh, I don't mean her wealth, but I mean her face and figure--for she
isn't a bit happy, and she doesn't enjoy life, and I do most awfully.'
'Because you try to make other people enjoy it, and you know the way to
win people's hearts. Why, the way you've won Mr Clay's'---- Here Nancy
paused.
'As Sykes says,' added Horatia slyly.
'Well, Miss Horatia, you will have your joke; and if I was going to say
that it's no wonder, seeing that I have to sit at his right hand, as the
place of honour, at the servants' hall dinner. And, oh, miss, if you did
but see our table! Well, we live well at his Grace's; but here! You never
saw such food--seven and eight courses we have, and fruit and wines. I'm
sure I don't know how much they cost.'
'You'll be wanting to stay up here, Nanny; you will never be contented
with our plain food after all these luxuries,' suggested Horatia.
Nancy gave a scornful sniff. 'I suppose that is a joke, Miss Horatia; but
it's a poor one. For if it were this house or the Union I'd not hesitate
between them.'
'Is that a joke, or do you expect me to believe you'd rather live in the
workhouse than this place?' inquired Horatia.
'It's no joke. Nothing would induce me to live here,' said Nancy.
'I wonder why,' said Horatia meditatively. It was just what Sarah said,
she remembered.
'It's not half so wonderful as the way you seem to have taken to these
people,' said Nancy; and then, feeling that she had gone too far, and
that Horatia thought so, she changed the conversation and spoke of the
dirt of Ousebank, which actually was blown to Balmoral.
Then the gong rang, and Horatia, cheery and smiling as ever, went
tripping down the grand staircase to the drawing-room to meet Mrs Clay
and Sarah. This evening, rather to her surprise, Mr Clay was there,
having departed from his usual habit of going straight to the dining-room
and sitting down at the table before the ladies appeared. He came forward
with a _gauche_ gallantry, and offered his arm to Horatia. 'Come, little
lass, I hear you lunched at Howroyd's and went over his mill to-day.
Couldn't you have waited one day more?'
'He didn't want us to,' said Horatia, taking the millionaire's arm with a
simple grace, as if it was quite an ordinary thing for her to go in to
dinner in this style, instead of its being the first time.
'I dare say not. Howroyd was only too proud to get you there. I'm talking
of my mills, which you could have seen just by waiting a day,' explained
Mr Clay.
'Oh, but I am going to see your mills too. I'll come to-morrow if you
will let us. Of course they will be much grander than Mr Howroyd's, so
it was better to see his first and keep the best to the last.'
'Oh ay, our stuff's much grander. We make finer cloth than Howroyd's, and
turn out ten times as much, I'll warrant,' said Mr Clay, with his
boastful laugh.
'I think, my dear, you'd better leave a day between. You can't spend all
these fine days in factories. You look tired out, an' Sarah too,
trapezing up and down greasy, slippery stairs,' protested Mrs Clay.
'The wife's right, and I'd as soon you waited a few days. I don't know
that I want visitors in my mills for a day or so,' chimed in the
millionaire.
Sarah looked searchingly at her father, and did not seem to like what she
saw in his face, for she turned away with a frown. Mrs Clay evidently did
not see anything except that her husband upheld her opinion, and was kind
to her, as he had been ever since Horatia had come to Balmoral.
'Why don't you want visitors, father?' inquired Sarah.
'Because I don't,' said her father shortly.
'I dare say you often don't; in fact, I shouldn't wonder if you would
rather visitors never came, because they must interrupt work dreadfully,'
said Horatia.
'Well, they do interrupt,' agreed the millionaire, glad to find an
excuse, 'and we're just at a busy time for a special Colonial order; but
I'll get you a day when everything is going smoothly.'
'But Uncle Howroyd is just as busy, and everything goes smoothly
there.--Doesn't it, Horatia?--And he found time to take us round; he said
it was doing his work all right, because he made a round of the mill
every day, and he might as well take us with him as go alone, as it made
it more agreeable.'
Mr Clay gave a scornful laugh. 'I'd like to see myself go the round of
all my mills daily! Why, I'd pretty soon be done for. It's easy enough in
a paltry place like Howroyd's; and as for him, he spoils his people, and
spoils other people's too.' And his face grew dark.
Horatia felt dimly that Sarah was treading on dangerous ground, and that
something was annoying her host, so she turned to Mrs Clay and said,
'Sarah says I am to choose what we do every day, so may I choose to go
and fish in the Adder?'
'Why, certainly, my dear; not that you'll find any fish there; but if it
amuses you, go by all means.'
'Don't you worry about an amusement for to-morrow. I've planned one for
you,' said Mr Clay.
'Oh, what is it?' cried Horatia, eager as usual for novelty.
'If she wants to fish, why shouldn't she?' objected Sarah, who had no
faith in her father's choice of a day's entertainment.
'But I don't want to fish if there are no fish to catch. There's nothing
duller than sitting all day and catching nothing,' put in Horatia.
'What's your plan, Mr Clay?'
'You wait till to-morrow morning, and you'll see,' he replied as they
rose from the table.
'It'll be something horrid, you'll see,' said Sarah after they had left
the dining-room.
'Why should it be something horrid?' inquired Horatia rather sharply.
'Because my father has not the least idea what kind of thing will please
you,' retorted Sarah.
'How do you know that?' demanded Horatia.
'Because he is far too ignorant,' said Sarah.
'You are not very respectful to your own father,' said Horatia rather
coldly, 'and I think that's rather ignorant.'
'Why don't you say we're all ignorant and vulgar? You know you think it
in your heart,' burst out Sarah.
Horatia looked at Sarah for a minute. 'Would you like me to say what I
really think?' she inquired.
'Yes, I would; I'd rather you said it than pretend to be enjoying
everything and being at home, when you despise us all in your heart. You
showed it this afternoon, and I know what you think of my father and
mother and uncle, and all of us, although you are too much of a lady to
say so. Oh yes; I can see your mouth curling with contempt. I know you
are a lady and I am not,' said Sarah, and then stopped, breathless from
her tirade.
Horatia looked at her steadily. 'You are quite wrong about one thing. I
am enjoying myself immensely,' she began.
But Sarah interrupted her. 'Of course you are, because you make fun of
everything and everybody, and you will go away home and make fun of us
here as vulgar parvenus.'
'How dare you accuse me of such mean behaviour? You want to hear the
truth, and you shall, Sarah. There is one person who is vulgar here, and
that is yourself, and you are the only one. I am sorry I ever came to
Balmoral just for that reason, because I used to like you so much at
school, and be so proud that you liked me best--you seemed so superior to
the other girls; but here you have quite changed and become despicable.'
'Because you have seen my parents, that is all,' said Sarah.
'No; it is not for any such reason. I like your parents very much, and I
think your father is a wonderful man to have made such a position for
himself without any school education; and I love your mother, and I can't
see anything vulgar in them. Vulgarity, mother says, is pretending to be
what you are not. Education has nothing to do with vulgarity in its bad
sense.'
'I don't believe that. Do you mean to say that you thought my father's
behaviour refined this afternoon?' inquired Sarah, speaking slowly.
'It was very natural. It would have been vulgar of my father; but Mr Clay
is different. I can't explain very well; but if mother were here she
would be able to do it. I don't want to discuss your parents; I'm sorry
for you if you can't respect them. And, please, I'd rather you didn't say
so to me. But I think there's nothing quite so contemptible as being
ashamed of one's family. Why, I believe you are even ashamed of your
uncle Howroyd, and I think he's the most splendid man I ever saw, and I
am glad we met him this morning, for I verily believe you didn't mean to
introduce me to him, and I should have been angry if I had missed seeing
him and his mill.'
Sarah did not make any reply, but said, 'Good-night, Horatia,' and turned
to go.
In a moment Horatia's arms were round her. 'Oh Sarah! don't be angry and
horrid, and don't mind what I said. Forget it all.'
Sarah turned with wet eyes. 'I dare say you're right, and I am horrid and
contemptible; but you don't understand,' she said.
'Yes I do, a little; but why should you think so much about education and
titles and things? They don't really matter, or make you happy; and papa
says they're going quite out of fashion,' said Horatia, with a merry
laugh, as she gave Sarah a final goodnight hug.
CHAPTER XI.
HORATIA SPEAKS OUT.
One thing Sarah had learnt from Horatia, and that was to be outwardly
respectful to her father, whatever she might inwardly feel towards him.
It is true, she had been told the same thing by her mother and brother;
but one word from her schoolfellow had had more effect than all her
brother's arguments or her mother's scoldings.
The next morning dawned cold and rainy; and Sarah was surprised to find
that for once the bad weather did not depress her, and the prospect of a
day in the house, which she generally dreaded, rather pleased her than
otherwise. The fact was that Sarah was glad her father's plans for the
day were put an end to. 'He's sure to have thought of something quite
unsuitable, that Horatia would not like,' she said to herself.
'Isn't this horrid, Sarah?' cried Horatia when the two met at breakfast,
and the rain was falling faster.
'It's a bore; but I dare say we can find something to do,' said Sarah,
after looking out of the window and seeing no prospect of better weather.
'It 'as turned quite cold; one might think it was autumn,' complained Mrs
Clay, rubbing her hands. 'That's the worst o' our climate, never two days
alike. I'm sure I'm starved in this dress; an' so must you be, my dear,'
she added to Horatia. 'Starved' is Yorkshire for 'cold.'
'I'm dreadfully sorry,' said Horatia, who was always in extremes of joy
or sorrow; 'because of Mr Clay's lovely plan, which can't come off now.'
'What was it?' demanded Sarah, who imagined from her way of speaking that
Horatia knew and liked the plan.
'I don't in the least know; but I'm quite sure it would have been lovely,
and now we can't do it,' she replied.
'I'm not so sure about that,' remarked Mrs Clay.
'Oh, what is it? Do tell me!' cried Horatia.
'I don't think Mr Clay would like me to; but I think 'e'll be in by the
time you've 'ad your breakfast, an' before it, if you go on as you're
doin', my dear, not eatin' anythin',' she put in; for Horatia, in her
excitement, had put down her knife and fork, and was letting her
breakfast get cold while she questioned her hostess.
'Hasn't father gone to the mill?' asked Sarah.
'No; 'e's busy over this plan,' replied his wife, smiling at Horatia, and
adding, 'It's not often 'e breaks 'is 'abit of goin' to the mill by nine
o'clock, for all 'e's so rich, so you must take that as a compliment, my
dear.'
'I do. I think it's most awfully kind of him, and I'm simply dying to
know what his plan is,' cried Horatia.
'You look anything but dying,' said Sarah, with a glance at Horatia's
bright, eager face.
'If you please, ma'am, the master has sent word that he'd be glad if the
young ladies would come to the barn as soon as they've finished
breakfast,' announced Sykes.
Both girls looked in surprise at this request--which, however, they both
prepared to carry out; and Sarah remarked that Sykes looked quite excited
for him.
'It's the plan! What on earth can it be, Sarah? What kind of place is the
barn?'
'A huge, ugly, dark, long room,' said Sarah in disgust, for the barn was
the last place to amuse one's self in.
'Oh, then, your father is having a magic-lantern show for us. Well, it's
very kind of him,' said Horatia in rather disappointed tones, for she was
not fond of a magic-lantern.
'We'd better drive there; it will be wet across the grass. Put on your
'ats an' take wraps wi' you in case you get 'ot, for the barn may be
draughty,' said Mrs Clay.
'Are you coming, mother?' said Sarah.
'Yes, my dear, if you don't mind. I sha'n't interfere wi' your pleasure,
an' I'd like to see the magic-lantern, too,' said Mrs. Clay quite gaily
for her.
'Of course, come along. Perhaps Nancy might come too; she'd like to see
it.'
'If she goes, Naomi might as well go too; it's absurd to have a
magic-lantern for three people,' said Sarah.
Mrs Clay said no more, but put on the cloak her maid brought her, and sat
there smiling, in what Sarah considered rather an aggravating way, till
the large motor which was to take them all to the barn drove up to the
door.
Two minutes brought them to the barn-door.
'Why, there's a band!' cried Horatia; 'or is it a gramophone?'
The door flew open as if by magic when they appeared, and even Sarah
gave a cry of admiration as Horatia, clapping her hands, exclaimed, 'Why,
it's a rink!--a lovely rink!'
'It is,' said Sarah, and said no more.
'It's better than a magic-lantern, isn't it, my dear?' inquired Mrs Clay
with a happy smile.
'Oh Mr. Clay, you are good!' cried Horatia, as she laid her little hand
in his huge, rough one.
The millionaire held it for a moment as he said, 'That's all right.
You're more than welcome, my little lass. Now, let's see you play this
new-fangled game.'
'But how did you do it? When was it done? You must have had it done since
I spoke two days ago,' declared Horatia.
'How did I do it? I did it by turning a golden key, my lass. There's few
things that that can't do,' he replied with a rough laugh.
'I should never have imagined that the barn could have been made so
pretty and artistic. It was very clever of you to think of it, father,'
said Sarah.
The millionaire looked pleased. Perhaps these few words of his proud
daughter gave him more satisfaction than all Horatia's delighted thanks,
for Sarah was hard to please, and her father always felt that she
secretly, and sometimes openly, despised him; but he only said, 'You
didn't think your rough, old father knew what dainty young ladies like
you and Miss Horatia would like, did you?'
Sarah coloured, for this was exactly what she had thought; but she
replied, 'Then I was mistaken, for it is just the thing for this nasty,
cold weather.--Isn't it, Horatia?'
'Yes; but my roller-skates! I have left them at home. I never thought I
should get skating up here,' said Horatia suddenly, and her face fell.
'You can have mine. I'll send to the house for them, and we can get a
pair in Ousebank for me,' said Sarah.
'I think we can manage that,' said the millionaire, as he made a sign to
the footman, who brought two beautiful pairs of roller-skates, and
prepared to put them on.
'It's just like Cinderella or a fairy pantomime,' cried Horatia, as she
started skimming along the smooth floor.
'My!' cried Naomi to Nancy. 'However can they keep on their feet with
they wheels under their boots?'
'It's habit. Miss Horatia's very fond of the pastime,' replied the nurse,
as she followed her charge with admiring gaze.
But in a moment Sarah joined Horatia, and then the relations between
Nancy and Naomi became strained, for if Horatia rinked well, Sarah rinked
much better.
'Oh, ain't she beautiful on they things? Why, it's like a bird, is that,'
cried Naomi. 'It's a pastime where you want a good figger.'
'For my part, I like well-made, strong-built figures more than such thin
ones,' said Nancy.
'If you'd be calling Miss Sarah thin, I'd have you to know she's not. Her
arms are beautiful and round, and so is she, and it's the grapes that are
sour, Mrs. Nancy,' retorted Naomi.
Mrs. Nancy did not deign even to notice this remark with a look, but with
a slow and dignified step walked over to where Sykes stood watching the
two girls with grave, approving face; and Naomi, who was only a young
servant, did not presume to join these two, and wished she'd kept her
tongue still.
[Illustration: 'Ask the band to play "La Rinka," Sarah,' cried Horatia.
PAGE 105.]
'Ask the band to play "La Rinka," Sarah,' cried Horatia, 'and we'll go
round together and dance it.'
The band, a local one, struck up 'La Rinka,' and even Mr Clay exclaimed,
'That's something to look at, Polly, ain't it? There ought to be some
folk asked to see 'em do it.'
At that moment Horatia and Sarah, still with linked hands, skated up to
them, and Sarah said, 'Horatia wishes we could have a skating-party this
afternoon. It sounds rather absurd in August; but really the weather is
more like November, so I dare say people will like to come.'
'They'll come right enough if I ask 'em to Balmoral,' said Mr Clay, with
his usual laugh. 'There's not many refuses my invitations.'
Sarah felt her lip curl; but the thought of Horatia checked her. She gave
her a quick look to see if she, too, was disgusted at this boasting, and
felt almost cross with her schoolfellow when, with a bright smile, she
answered, 'Then do ask them, Mr. Clay. I don't wonder that your
invitations are popular; you do have such good ideas for entertaining
your guests. When could we have them? To-morrow?'
'You'd better have them to-day. Who knows but to-morrow may be summer
again, and then it'll be too hot for rinking. We'll just 'phone up a
hundred or so.'
'A hundred?' gasped Horatia, as she thought of the preparation a party of
that kind would require at her own home.
'Oh, they won't all be able to come, but half will; and mother'll give
orders for the spread. And now I must be off. Good-bye, and enjoy
yourselves.' And the millionaire, with a brusque nod, was off.
Mrs Clay soon followed him, and the girls skated for another hour, and
then decided to stop, so as not to be tired for the afternoon.
'Well, mother, have you got victuals for seventy or so?' inquired Mark
Clay when they all met at lunch.
'Yes, Mark, the _chef_ is seein' to all that, an' 'e is sure to 'ave
everythin' to do you credit.'
'That's right. I've ordered the Ousebank band up, and I met Bill down
town, and asked him up. He says he can't rink, but he supposes you'll
want some to admire you, so he's coming to do that part. He's a great
admirer of Miss Horatia already, it appears.'
'I like him most awfully, and everybody else seems to, too. All the
people in his mill do, anyhow; they all looked glad to see him when he
went into their part.'
Mark Clay scowled. 'Ay, it's cheap popularity, is Bill Howroyd's; but
it's bad policy and bad business. If you let sentiment come into your
business you pretty soon have no business left for it to come into.'
No one made any comment upon these remarks, and the millionaire went on
in his harsh, dictatorial tones: 'Business is business, say I, and you've
got to keep your people under. I'm not making blankets and cloth to
please them, nor from philanthropy. I'm doing it to make money, and the
man that can make the most money for me I keep, and the one that doesn't
make enough goes, and the sooner the better.' And he gave another laugh.
Mark Clay had been eating between his sentences, and had his eyes upon
his plate, or he would have noticed Horatia's face. He gave a start of
surprise when she said, with indignation in her voice, 'What a horrid,
hard-hearted way to talk! I think Mr Howroyd's way is ten thousand times
better.'
Poor little Mrs Clay trembled, and even Sarah grew pale at the thought of
the storm Horatia had brought down upon her devoted head.
Mark Clay stared at this girl who presumed to call him horrid and
hard-hearted, and to hold up as an example his bugbear and opponent, Bill
Howroyd. Horatia returned his look with a perfectly fearless one. 'So you
prefer Bill Howroyd's way? Perhaps you prefer his home to mine? He'll
never build himself a Balmoral,' said the millionaire with a sneer.
'No; but he'll have a mansion up in heaven, and perhaps that's what he's
thinking of,' said Horatia.
Sarah looked at Horatia in amazement, and Mrs Clay looked anxiously at
her husband, as if imploring him not to be hard on this daring child; but
Mark Clay was not taking any notice of any one, not even of Sykes, who,
to divert his attention from this dangerous conversation, was pressing
some delicacy upon his master, who was staring moodily in front of him.
Horatia had little idea that she had quoted his mother--William Howroyd's
mother's last words to her sons, for they had had the same mother, though
their fathers had been very different: 'I've been very happy here; but I
am going to a better mansion up in heaven. Be sure and join me there,
lads,' she had said.
'Ay, there's something in what you've said, my lass,' observed the
millionaire after a pause, which seemed an eternity to those who were
present. 'There's sommat in it.' And without another word he rose from
the table.
'Oh Mrs Clay, what have I done? I'd no business to speak to Mr Clay like
that. I don't know what made me,' said Horatia, rather ashamed of her
plain speaking.
'I think the Almighty made you, my dear; an' may He bless you for 'avin'
done so, an' bless the words to my dear 'usband,' said his faithful wife.
And she, too, left the room.
'I'd no idea you were religious,' said Sarah to Horatia when they were
alone.
'Do you mean you thought I was a heathen?' demanded Horatia with a laugh.
'No; but I never heard you talk like that before,' said Sarah, who could
not get over her surprise at the way Horatia had come out. Truth to tell,
Sarah had an idea that to talk religion was not good form.
'I never heard myself,' laughed Horatia.
CHAPTER XII.
A RINKING-PARTY.
In spite of Horatia's laugh and her attempt to be as cheerful as ever,
depression seemed to have fallen on every one, and Sarah looked the
picture of melancholy.
'We'd better go and get ready for our rink-party. I expect everybody will
be thankful to have something to do this horrid weather. Not that I mean
that they will have accepted your invitation for that reason,' Horatia
added hastily.
'Oh, they come because we're rich, of course,' said Sarah; and then she
suddenly added, as if it were weighing on her mind, 'I wonder how many
would come if we were to lose all our money. Would you, Horatia?'
'Thank you for the compliment. No, I don't think I should; but I should
not stay away because you were poor, but because you are not what I
thought you were--your character, I mean,' said Horatia, who could speak
her mind at times, as will have been noticed.
'You would be the exception if you did stick to us. I expect Uncle
Howroyd will, and Naomi, and she will have to be our general servant,'
continued Sarah.
Horatia gazed at her in amazement. 'What in the world are you talking
about? How are you going to get poor? Oh,' as a thought struck her, 'is
there anything the matter? Do you know, to-day I thought there was. Tell
me, is there? Because, if so, I don't mean what I said. Of course I will
come and see you, and help to cook, too. I can make toffee.'
But instead of answering, Sarah demanded, 'Why did you think there was
something the matter to-day of all days, when father has just shown you
how much money he can spend merely for a few hours' amusement? What made
you think anything was wrong?'
'I don't really know, now that I come to think of it. I don't think I had
any reason; it was an idea that came to me while your father was talking
at lunch,' replied Horatia, hesitating.
'It must have been intuition,' said Sarah solemnly.
Horatia was not only a year younger than her schoolfellow, but she was
far less fond of study, and she said frankly, 'What's intuition? I know
what tuition is, because my brother has it--private tuition from his
tutor; but what you mean I can't think, and I do wish you'd speak out
plainly and tell me if you are in any trouble about money; because, you
know, you need not go spending it on me. I'm quite content to play
battledore and shuttlecock in the hall, and I didn't want a rink,
really.'
Sarah interrupted her with a smile. 'You need not mind father spending
money like that; he's got more than he knows what to do with at present,'
she said.
'But if he won't have any by-and-by, why don't you save it up for then?'
inquired Horatia.
'He thinks he will always be a millionaire, and so did I till the other
day; and then the idea came into my head, just as it came into yours--I
can't tell how or why--that there was something the matter, or that
there was going to be something the matter, and that one day we should
not be so rich. But, Horatia, please don't ever say such a thing to
anybody; it would do us great harm, even if it were quite untrue, and
perhaps make it come true. And, after all, it may be only my
imagination.'
Horatia looked very grave. 'But, Sarah, if there is any chance of such a
thing, why don't you begin to save up?' she repeated.
'But, don't you see? if the mill failed we should have to give up every
penny we had, however much we had saved. But, of course, you don't
understand these things, and the more I think of it the more impossible
it seems. Clay's Mills are as prosperous as ever. Do let's forget about
it. Not that I should mind for myself, but I should be sorry for mother,
because she likes having lots of money and motors, though she is afraid
to go out in them, so let us hope she will live and die in this hateful
house.'
Horatia did not argue with Sarah as to whether the house was hateful or
not. She rather liked it, for she was too young to perceive that it was
overladen with costly ornaments, and she revelled in the royal rooms in
which she was installed, and of which she had written long and graphic
descriptions home. 'Let us hope so, indeed,' was all she said; and added,
'But do leave off talking about miserable things and get ready for this
party. What ought I to wear? One ought to have winter things for skating,
but I haven't any best winter dress here.'
'Why not wear your white flannel? And, if you don't mind, I'll lend you a
white feather hat and boa. I have never worn them, and I have heaps of
other things to wear; mother has a mania for buying me clothes, and I
have a wardrobeful never touched.'
Horatia was just going to refuse, for she preferred wearing her own
clothes; but she thought it might please Sarah, so she accepted, and went
to her bedroom with them on. 'I've got a new hat and boa, Nanny,' she
announced.
Mrs Nancy looked at them, and cried, 'How well they suit you, Miss
Horatia! The mistress ought to get you some like them;' for she guessed
at once they were Sarah's.
'I'm going to wear them this afternoon,' replied Horatia.
'Wear Miss Clay's hat! Oh Miss Horatia! you can never do such a thing,'
protested the old nurse.
'Why not?' inquired Horatia, as she pirouetted before the cheval-glass,
admiring the pretty feather toque. 'It's the very thing for rinking, and
so is this boa. Look how queerly it is made, with chiffon twined in;
that's what makes it so becoming. Clothes make a lot of difference,
Nanny. I don't look half so ugly with these on.'
'You never look ugly, Miss Horatia, and you look "distangy" whatever you
put on, so there's no need for you to put on other folk's clothes to look
nice; the mistress wouldn't like it at all, I'm sure,' said Nancy.
'I don't think she'd mind, Nanny, and I should vex Sarah if I refused,
and that's just what I don't want to do,' said Horatia.
'Well, they do suit you, and if you've a fancy for them, and to please
Miss Clay, perhaps you'd better; specially if she's got a temper anything
like her father's, for they say he's fairly hated at the mills,' said
Nancy.
Nancy did not like Mr Clay, and not all his wealth could make her think
him a fit host for her young lady; and, indeed, after his explosion in
the back-yard she had taken it upon herself to write to Lady Grace
Cunningham, and said: 'I feel sure, my lady, that if you knew the people
we are with, you would never let us stay; for not but what this is a
palace fit for a king, and we eat like fighting-cocks. Still, they are
not what I've been used to since I've been in your service, and his
language is shocking, except when in Miss Horatia'a presence, which she
has a wonderful influence over him, every one says.' In spite of the
grammar of this letter being somewhat involved, Nancy's meaning and
opinions were pretty clear, and Lady Grace Cunningham took it to her
husband, who had a character rather like Horatia's.
'Let the child stay where she is; it will do her all the good in the
world, as, you see, she is evidently doing good--taming this boor, by all
accounts. Nancy is a rank old Tory, and turns up her nose at any one not
born in the purple. Times have changed, as Nancy will find out one day.'
So Lady Grace Cunningham did not recall them, but only wrote and told
Horatia that she must shorten her visit if she was not happy.
'I'm enjoying myself immensely. I never met kinder people,' Horatia wrote
back. And so she stayed on; and as Nancy was living, as she expressed it,
like a fighting-cock, she resigned herself very contentedly to her lot,
as she resigned herself to Horatia's wearing Sarah's clothes.
Horatia, with very mingled feelings, went down to the motor which was to
take them to the barn. She wondered what kind of people would be there.
She had an idea that, as the invitations were issued by Mr Clay, they
would be his friends or people of his choice, and Horatia looked forward
to an afternoon with a very rough and unrefined set of people.
Sarah wore the daintiest of costumes, just the right thing for the day
and pastime, for Sarah, if left to herself, had very good taste.
'What a lot of motors, Sarah! Does every one have one here?' inquired
Horatia, as she saw a number of cars coming up the three avenues which
led to Balmoral.
'Most people do,' said Sarah carelessly; 'and they'll use them to-day
sooner than their horses because of the bad weather, and some have come a
good distance.'
Tom Fox put on speed so as to arrive at the barn before the first of the
guests, which would not have been hospitable according to Yorkshire
ideas; and the two girls, accompanied by Mrs Clay, had alighted, and were
standing inside the door ready to receive the first guests; or, rather,
Sarah and her mother were there, for Horatia had gone away under the
pretext of putting on her roller-skates, and had her back to the door.
The nearer the time came the less she liked the idea of this
rinking-party, for though she managed to get on with Mr Clay, she felt
that seventy people of that kind would be more than she could bear.
'Well, Miss Horatia, what will you touch with your fairy wand next, eh? I
shall expect my old mill parlour to be turned into Aladdin's palace
after your next visit,' cried a cheery, brisk voice.
Horatia turned with delight to greet Mr Howroyd. 'I'm so glad you have
come!' she said, with more feeling than she had any idea of.
Mr William Howroyd's keen, kindly eyes gave her a quick glance, and his
sympathetic nature jumped at the right conclusion. 'Yes, I'm here; and
now, as I can't skate, and you don't know any one here yet, suppose we go
to those raised seats there; we shall hear the band, and, I can tell you,
our Ousebank band is not to be despised, and we shall see the people
rinking, and if you see any one you particularly want to know we'll go
down and ask Sarah to introduce her. I don't suppose I shall know half
the people here. I'm not a society man, you know.'
The first to arrive were two tall girls and their brother, very
pleasant-looking and lady-like; and after them, people came so fast that
Horatia could not look closely at them all; but she noticed that they
were all well dressed and looked ladies and gentlemen. 'But, then, dress
makes a lot of difference,' she repeated to herself for the second time
that afternoon.
'Hallo, Horatia!' cried a boy's voice in her ear; and, turning, Horatia
saw her cousin, once removed, George Cunningham, grinning at her.
'Oh George, how on earth did you get here?' she demanded, beaming with
delight.
'In the Maddoxes' car, to be sure. Didn't you know I was staying there?'
'I knew you were staying somewhere in Yorkshire, but I didn't know it was
near here,' she replied.
'As a matter of fact, it isn't so very near; but we came over in an
hour, in spite of the beastly roads. But, I say, it's a jolly good idea
of yours this,' he observed.
'Of mine? What do you mean? This isn't my party; it's Mr Clay's and Mrs
and Miss Clay's idea--this rink, I mean.'
'Oh, well, he called it Miss Horatia Cunningham's party. That's what made
us come. I wanted to see you, and see how you get on with these people.
But I'm jolly glad I came. The old buffer does it in style.'
'This is Mr Howroyd, Mr Clay's brother,' said Horatia hastily, to warn
her cousin that he must be careful what he said; but when she turned to
introduce her cousin to him, Mr William Howroyd had disappeared. He had
slipped away as soon as he saw that Horatia had a congenial companion.
That was William Howroyd's invariable way, always doing kindly,
unobtrusive acts, and then effacing himself.
George Cunningham gave a hearty laugh. 'The bird has flown,' he said.
'And a good thing, too. Suppose he had heard his brother called an "old
buffer"?' said Horatia reprovingly.
'He's heard him called much worse than that, by all accounts. Your host
isn't too popular, for all his money.'
'Well, anyway, it's horrid of you to come and eat his food, and then
criticise him,' said Horatia.
'Begging your pardon, I haven't eaten anything yet; and talking of grub,
what do you say to coming and having some? There's a splendid spread
behind that glass screen,' he said.
'It's much too early. Don't be so greedy, but come and rink before it
gets too full,' said Horatia; and the two went off.
When they had made several rounds, Horatia stopped near the two tall
girls who had come in first, and they immediately complimented her on her
rinking. 'You rink as if you thought no one was looking at you,' they
told her.
Horatia laughed. 'How should one rink when people _are_ looking? In a
different way?' she asked.
'No, one shouldn't; only most people look a little self-conscious,' they
replied.
Horatia noticed the slight Yorkshire intonation which she thought so
musical, and was inclined to laugh at her former fears, for there were no
'Mark Clays' at the party, and she soon heard many familiar names
mentioned as being present.
One of the Maddox party eventually asked her to have an ice. 'Come and
sit in this alcove place, and I'll fetch you one,' he suggested.
Horatia was tired, for she had already rinked for some time in the
morning, and she sat back in the alcove, half-hidden from sight.
'I always wonder how many more entertainments Mark Clay will hold out
for?' said a voice quite near her.
'Why, is he shaky?' inquired another.
'Not that I know of; but these fortunes made in a day, so to speak,
generally melt away in the same way.'
'I understood he was a solid man,' said the second speaker.
'So he is--so he is, for aught I know. I only know that we all have that
feeling about him. Perhaps the wish is father to the thought, for he's
none too popular.'
'Still, you need not wish him to be ruined, even if you don't like him. I
suppose he does some good with his money? These rich Yorkshire
manufacturers are most generous as a rule,' said the other, evidently a
stranger.
'He's an exception. His half-brother, Howroyd, gives twice as much, with
not a quarter his money. Pity he's not the millionaire, now. He's beloved
far and near.'
'What's wrong with Clay? This is a generous entertainment, for instance.'
'Oh yes, he'll do this to show off; but he's an awful brute to his
workpeople--grinds them down and shows no mercy to weak or worn-out
employés.'
'Here, Horatia, I've got the ice,' said young Maddox.
'Thank you. I'm glad we're not millionaires, Jack. People only hate you
for it,' she remarked.
'Do they? I'd chance that if I could be one. Look what this man can do?
Anything he likes! Make a rink in a day! Come on and have a turn,' said
young Maddox, to whom this particular example of the power of wealth
naturally appealed.
Horatia was unusually quiet, for her, that afternoon, and the moment Mr
Clay appeared at the door she started up to him to tell him how much they
were enjoying themselves, for she wished to show him attention, and to
show him, too, that she had not meant to criticise him that afternoon.
CHAPTER XIII.
HORATIA'S INFLUENCE.
The millionaire did not look very prepossessing as he stood near the
door, his tall, powerful form towering above the young skaters; his
coarse, red face darkened by a scowl.
'There's an ugly-looking brute just come into the rink,' young George
Cunningham had said to Horatia, who had replied, 'That's Mr Mark Clay,'
and had made straight for her host, dodging the skaters very cleverly.
Sarah, on the other hand, who had been near the door when her father
appeared, gave one glance at his ill-tempered face, and skated in the
opposite direction. She thought that he had not seen her. Not that it
would have made any difference, for his family were wont to avoid their
head when he was what his wife called 'put out about something'--which,
alas! was only too frequently the case.
Not so Horatia. She saw the danger-signals, but was no more afraid of him
than she would have been of a fly, to use her own expression. 'We are
enjoying ourselves so much! It was a brilliant idea of yours,' she said,
beaming at him and giving his arm an approving pat.
Mark Clay looked down at the eager little, freckled face, with its
snub-nose; and, in spite of himself, he smiled back at her. 'I'm glad you
are enjoying yourself. I did it for that. You must come and spend your
winter holiday with us. It'll be a more seasonable pastime then, it seems
to me,' he replied.
'But are you going to keep this as a rink? I thought you used it as a
barn in the autumn and winter?' inquired Horatia.
'We can build another,' he replied lightly, as if building another huge
barn was the work of a few hours. 'Come, let's see you go round.'
Horatia accordingly started off, and Mark Clay followed her with
approving eyes.
'She's a nice, dear girl, isn't she, Mark?' said his wife, emboldened by
her husband's softer expression to approach him.
'She is that,' he replied with emphasis.
'The man seems fond of his daughter. I heard he was as harsh at home as
he is abroad; but I see he has been maligned,' said a visitor, who did
not know Sarah.
'That is not his daughter, I am sure, for they say she is the prettiest
girl in Ousebank,' replied a friend.
'Well, that is a very nice, bright-looking girl, and a millionaire's
daughter is always pretty in the eyes of the world; gold makes most
things beautiful,' replied the lady; and she had hardly uttered the words
when Sarah herself, noticing that the two were strangers, and had not had
refreshments, came up to them.
'Won't you come and have some tea?' she asked in her dignified and rather
stiff way.
'Thank you; it would be nice. Are you Miss Clay, then?' inquired the
lady, who recognised that she was speaking to the prettiest girl present,
at all events.
'Yes,' said Sarah gravely.
'We thought the young lady laughing and talking to Mr Clay must be his
daughter; they seemed so friendly,' observed the stranger, as she and her
friend skirted the barn to get to the refreshment-tables.
Sarah could not help colouring slightly. 'No; she is only a schoolfellow
who is staying with us,' she replied; and the lady thought she had never
met with such an unapproachable girl, and wondered whether it was shyness
or pride. She had no idea that she was touching on a sore point.
When the party was over and the last motor had disappeared down the long
avenue, Horatia gave a little sigh of relief. 'I am glad they have gone.
I couldn't have skated another minute,' she said.
'You needn't have gone as long as you did. Why didn't you stop?' demanded
Sarah with uplifted brows. 'I was wondering at you; you scarcely rested
at all. I'm not a bit tired, because I rested at intervals.'
'I simply can't stop when I see other people. I must rink too,' she
declared.
There was a glorious sunset, and Tom Fox prophesied a fine day on the
morrow.
'So it will be too hot to rink then, and it's just as well, as you have
such a mania for it that you wear yourself out,' observed Sarah.
'Yes, my dear, you 'ave such dark circles round your eyes! I don't know
w'at her ladyship would say if she could see you just now lookin' so
tired,' added Mrs Clay.
'She would say I was a foolish girl, as she did last time I came from the
rink dead-tired. I expect it's like taking to drink,' said Horatia, and
she gave a merry laugh.
Mr Clay smiled at her. He was very quiet; but he had lost the scowl he
had when he arrived at the barn, for which his wife was very thankful.
'To-morrow I am going over your mills, you know, Mr Clay,' she informed
him.
He opened his mouth as if to protest, but only said, 'You'll be too
tired; better rest a few days. You shall go over the mills before you go
home. Not that there is anything so very wonderful to see, or to interest
a young lady like you.'
'I haven't half-written my essay yet; I expect I shall find some more to
put in after I've been round with you,' explained Horatia.
'Don't you go putting me and my mills into print,' said the millionaire,
looking almost afraid.
Horatia only laughed merrily as ever. 'I'll let you read my essay before
I send it up. Yes'--clapping her hands--'that's an awfully good idea. You
shall read it through, and tell me anything I have left out; and you
shall sign at the end, "Audited and found correct.--Mark Clay,
millionaire mill-owner."'
It was impossible not to laugh at the girl, and equally impossible to be
gloomy while Horatia was bubbling over with good spirits. The drooping
line round Mrs Clay's mouth had almost disappeared since Horatia's
advent.
During this drive even, Horatia had managed to chase away Mr Clay's
ill-humour, and his wife leant back comfortably, with a feeling that she
need not fear any storms, as the dear young lady would 'keep things
pleasant.'
When they got out of the motor and were going together to their rooms,
Horatia took Sarah's arm and began dancing along the polished surface
with a rinking movement. 'I thought you said you were tired out, and I
thought, too, that the rink was specially built to prevent you from
rinking here,' observed the latter, who was trying, with some difficulty,
to keep her balance and her dignity during this peculiar mode of
progress.
'So I did. I must stop,' agreed Horatia.
'You said I had changed, and that you did not know me before you came
here. And I certainly did not know you,' remarked Sarah abruptly.
'How am I changed? I feel just the same,' said Horatia, stopping short
and facing Sarah. 'Didn't I always laugh and make jokes at school?
Where's the difference?'
Sarah did not reply directly, for it was difficult to explain what she
meant. 'I did not say you were changed. I said I did not know you, and I
don't now. Why are you so nice to my father?' she suddenly demanded.
'I've a good mind to ask you why you are so nasty to him,' retorted
Horatia; 'but I won't, because I don't want to know. And as for my being
nice to him; you don't generally go and stay in people's houses, and then
be rude or disagreeable to them. Besides'----and here Horatia stopped.
'Besides what?' asked Sarah.
'Besides, it's time to go and dress for dinner. I shall feel quite dull
and unimportant when I go home and have to be a schoolgirl again; no
dressing for dinner, and no dinner to dress for, only schoolroom supper,
and it all depends upon cook's temper whether we get anything very nice
or not,' laughed Horatia.
As Horatia evidently did not intend to answer her question, Sarah said no
more on the subject; but she wondered very much what Horatia meant to
say. Sarah knew quite well she had not meant to say, 'Besides, it is
dinner-time.' Perhaps it was as well Horatia had stopped before she added
that she was 'sorry for Mr Clay.' 'Because,' she observed to herself,
'she would have wanted to know why I was sorry for such a rich man, and I
really could not have told her. And, besides, Sarah is so proud that she
would hate to be pitied.'
Sarah walked thoughtfully to her room, and there, instead of dressing for
dinner, she threw herself down in her favourite place, the broad
window-seat that looked towards Ousebank, her chin resting on the two
palms of her hands. 'Why am I so nasty to him?' she muttered to herself.
'Why is every one nasty to him? At least, I don't know that we are any of
us nasty--he wouldn't let us; but we are not "nice," like Horatia.' Sarah
did not attempt to answer this question; she sat there staring out over
Ousebank, and asked herself why she could not be 'nice' to her father if
Horatia could.
Naomi came to the door twice and knocked, and the second time she
ventured to open it; but, seeing Sarah, as she thought, looking cross and
staring out of the window, she went away again without daring to
interrupt her. But as time went on and no call came from her young
mistress, the good girl began to be anxious for fear Miss Sarah should be
late for dinner and thereby 'upset' Mr Clay, a thing to be avoided. So
she came in, and, standing at the door, coughed. She had to do this two
or three times before Sarah woke up to the fact of her presence, which
she did with a start. 'Oh Naomi, what is it?' she asked.
'Dinner, Miss Sarah,' said Naomi.
'Dinner?' Sarah started up in real fright this time. 'Has the gong gone?
I never heard it,' she cried.
'No, miss, not yet, but it soon will,' said Naomi, bustling about to get
Sarah ready.
'Then what do you mean by telling me such a story? I've a good mind not
to get ready at all,' said Sarah irritably and rather foolishly.
'Whatever would be the good of that, Miss Sarah, upsetting of Mr Clay for
nothing, let alone that I never told no story? You asked me what I came
for--at least, so I understood it--and I answered you, "Dinner," and
that's what I am here for. Oh, do make haste, Miss Sarah! You could keep
on that white skirt, and just slip on this pretty bodice; master won't
never notice. There's the gong! Oh dear, oh dear!' said Naomi, getting
quite flustered in her anxiety to get Sarah ready in time.
'You needn't be in such a state, Naomi; we are not all slaves or
prisoners that we have to be ready to a minute,' observed Sarah coolly,
and taking extra long instead of hurrying.
'No, Miss Sarah; but there's no call to do things a purpose to annoy any
one. Now, there's Miss Horatia going down as pleasant as can be,'
protested Naomi.
'You see we can't all be as pleasant as Miss Horatia, Naomi,' remarked
Sarah a little bitterly.
'You can be a deal pleasanter than her. Why, a word or a smile from you
goes further than all Miss Horatia's smiles, if only you'd give yourself
the trouble. Not that I'm saying a word against Miss Cunningham, for
there's no denying she makes the house a different place; and so they all
say, from the master downwards,' observed Naomi, her loyalty to her young
mistress struggling with her desire to be just and truthful.
'How does she do it, Naomi? I can't make it out. The house has been much
more comfortable since she came, and yet she doesn't do anything but
laugh, and you know any fool can laugh,' said Sarah, as she laughed
herself and ran off after Horatia.
'Miss Horatia's no fool, though,' observed Naomi, as she folded up and
arranged Sarah's clothes.
Before dinner was half-over, Sarah had to acknowledge to herself that she
had not been fair to Horatia in saying that she made things pleasant by
laughing, and it fell out in this wise.
The two girls arrived in the drawing-room at the same moment, and there,
according to his new practice, they found Mr Clay, who had taken to
coming properly into the drawing-room and going into dinner with his
women-folk. His face lightened as he saw the two girls; but instead of
offering his arm to Horatia, he gave it to his wife.
Mrs Clay did not take it for a moment. Such an attention had never been
paid her before in all their married life, for long before Mark Clay had
gained his wealth he had ceased to show any civility to his wife.
Sarah was as much surprised as her mother, though she had more tact than
to show it. Horatia looked pleased, but said nothing.
In the middle of dinner one of the footmen, who had gone out to get a
dish, came in with perturbed countenance, and said something to Sykes in
an undertone.
'Impossible,' said the butler. 'Say we're at dinner, and they must wait.'
'They say they won't wait,' murmured the footman, and added something
more, which apparently startled Sykes, who, giving some orders to the
under-footmen, left the room, and after a short absence came back and
said to Mr Clay, 'Excuse me, Mr Clay, but you're wanted just a minute.'
'Wanted?' exclaimed the millionaire, with a dark flush on his face. 'Tell
them to be off, whoever it is.'
'Please, Mr Clay, sir, excuse me, but if you'd see them a minute. It's a
deputation from the mill,' insisted Sykes.
Mr Mark Clay turned with a face distorted by rage; but before he could
say a word Horatia cried, 'Oh Mr Clay, do let me come with you and listen
to the deputation. I do so want to hear real Yorkshiremen talk.'
'You can hear me. I talk broad enow at times,' said the millionaire,
purposely speaking broad Yorkshire; 'and I've nowt to say to them.'
'You'd just better go,' she said, nodding her head at her host. 'Father
says things are topsy-turvy now, and the poor man has more power than he
used to have; and, besides, I would like to hear them talk.'
'Come forward, then,' said the millionaire, and rose from the table.
Sykes cast a look of gratitude and relief at Horatia; and poor Mrs Clay,
wiping away a tear, said, 'God bless her!'
CHAPTER XIV.
A MILLIONAIRE FOR FIVE MINUTES.
'Oh Sarah, I do 'ope they will come to an agreement! There's a lot o'
discontent goin' on, an' your father is that determined,' sighed little
Mrs Clay.
'Do you think he really is my father?' demanded Sarah.
'W'atever do you mean by talkin' such nonsense?' inquired Mrs Clay,
indignation taking the place of anger for the time.
'Only that one would think he was Horatia's father, to see the way she
goes on, as if she were a daughter of the house,' replied Sarah, her lip
curling.
'Sarah, I'm ashamed o' you showin' such wicked jealousy to that dear
girl. If you got on wi' your father there'd be no occasion for 'er to do
as she does; but if she 'adn't interfered to-night w'at would 'ave
'appened? A strike very likely, an' we're not safe from it yet. There's a
lot o' discontent,' repeated her mother.
'I hate interfering people!' was all Sarah said.
Then there was silence, while both mother and daughter strained their
ears to listen for any sound of voices from without, dreading to hear
Mark Clay's loud, rough voice raised in angry tones. But no sound was to
be heard, and Mrs Clay said after a time, 'I'm glad 'e's listenin' to
'em; it'll do 'em good if they can say their say, even if 'e don't give
way to 'em.'
Horatia meanwhile had tripped away with a light, dancing step, for which
she was very often taken to task, not only at school, where she was told
to walk properly and be more serious, but also by her mother, who said it
was undignified for a girl of fifteen.
Mark Clay walked heavily beside his young companion, scarcely listening
to her chatter--for it must be confessed that Horatia was rather a
chatterbox, or, as her father said, 'had a good deal to say for
herself'--but some words she said caught his ear. 'I dare say they are
envious of your riches. I never cared to be rich before; in fact, I never
thought about money, because we always seem to have everything we want at
home; but since I have been at Balmoral I have envied you your riches,
and thought it was rather unfair that you should have such a lot.'
'Oh, you think I've more than my share, do you, like all the rest of
them? Well, I s'pose it's natural; but I'm not going to share it up for
all that, as they'll pretty soon find out,' replied the millionaire.
Horatia had the sense not to say any more, and, indeed, there was no
time, for they were at the door of the steward's room, where business was
transacted in connection with the employés on the estate, and in this
room were six men standing, cap in hand, near the outer door, which led
into the yard.
Horatia wondered to herself if they kept near that door so as to have a
way of escape in case their master got into one of his passions; but
these sturdy Yorkshiremen were afraid of no one and nothing. Strong,
sturdy, and independent, they stood there, with civil but determined
faces. They were the old mill-hands, and had been with Mark Clay from
boyhood; and among them was Naomi's father.
'Well, men, is t' mill burnt down that I can't even eat my dinner in
peace, but must come at once to speak with you?' inquired Mr Clay.
'Sorry to interrupt your dinner, master; but we know it's a long
business, is that, up at Balmoral, and we've got to take an answer back
to our mates down Ousebank by nine o'clock,' said Naomi's father, who was
evidently the spokesman.
'Oh, and what may you want to know?' inquired Mark Clay in a tone which
did not promise much.
Luke Mickleroyd looked for a moment doubtfully at Horatia. 'It's business
we want to talk, Mr Clay,' he said.
'Have your say, lad, and have done with it. This young lady is going to
judge between us to-night, and the sooner you say what you've got to say
the better we'll be pleased, for our dinner's cooling on the table, and
that's not the way we treat guests up north,' said Mr Clay in a more
conciliatory tone. The reminder of Horatia had done Luke Mickleroyd's
cause a good turn, as he saw.
'Well, master, it's like this, only I doubt little missy there won't
understand aught about it. The young men say there's a lot more boys
taken on in the mill to what there ought to be,' began Luke.
Mr Clay interrupted angrily. 'Ought to be? And who's to settle that but
me?'
'I am, for to-night; you said I might. Do let me feel like a millionaire
just for five minutes!' said Horatia in an undertone, pulling at the
mill-owner's sleeve to make him attend to her.
The millionaire threw himself into the big armchair at the top of the
broad table which divided him from his men, and said with a rough laugh,
'Have your way, lass. I'm rich enough to let you have your whim, if you
don't go too far. Let's see how you'd manage a mill.--Now then, Luke, let
Miss Cunningham hear your tale, and see what she says to it.'
'We've got to deal with you, master,' began one of the others rather
gruffly, for he thought Mark Clay was treating them and their wrongs
lightly.
But Luke Mickleroyd had heard from his daughter Naomi of the influence
Horatia had over the mill-owner, and said, 'I'm spokesman, if you please,
mates.--And this is what we've come to say. There's two men been turned
off because they've been ill, and boys put on in their place.'
'They did no more work than the boys,' observed Mark Clay, 'and took
double the wages.'
'They didn't do quite as much work, 'tis true; but they did it better,
and we always made up by the end of the day between us what they couldn't
manage when 'twas heavy work; but the men say they ain't going to do it
for the boys.'
'No, of course not,' said Horatia impulsively.
'Oh, of course not, you say?--Well, go on,' said Mr Clay.
'And these men have got wives and families to support, and who'll take
them on if they're turned out of Clay's Mills for not being able to do
their work?'
[Illustration: 'We've come to say there's two men been turned off because
they've been ill, and boys put on in their place.' PAGE 132.]
'I've nought to do with that. Business is business, and you can't mix
sentiment up with it,' said the master.
'But, then, some one will have to support them,' said Horatia.
'The rates will,' said Mr Clay.
'Well, you pay the rates, so you may just as well keep them at the mills;
the work gets done, and it makes no difference to you whether their
friends help them to do it or not, and, you see, it won't get done with
those boys, because the men won't help them. So, I say, take the two men
back.--And, oh! I do think it kind of you men to do their work, and come
and speak up for them,' wound up Horatia.
Mr Clay gave her a glance. The plain little face was lit up by animation,
and he smiled. Then he turned to the men. 'Very good, lads; you hear what
the young lady says. I promised her her way, and she shall have it.' Here
his face grew stern. 'But it's to her I've given way, not to my men,
remember that. What Mark Clay does is done, and won't be undone; and
there's no parleying between master and man in Clay's Mills; so the next
time the men want to come up to see me, tell them it's no good; Mark Clay
receives no deputations from his men. If they don't like his ways they
can leave him; it's as they like.'
'We're not likely to do that without we're forced. We've worked for you,
man and boy, these thirty years, some of us, Mr Clay,' said Luke
Mickleroyd.
'I sha'n't force you. I know good workers when I've got 'em, and give 'em
good wages, too,' said Mr Clay. And this was quite true, and no better
work was turned out of any mill than that done by Clay's Mills.
'We thank you for receiving us to-night, master.--And we are much obliged
to you, miss, for your kind words,' said Luke Mickleroyd.
The millionaire rose from his seat. 'And now, I suppose, we can go and
have our dinner?' he said sarcastically.
'Good-night, Mr Clay.--Good-night, miss,' said the men, and they filed
out into the yard.
The millionaire grunted something which might be interpreted to be a
farewell, and turned to walk out of the other door. He did not wait to
let Horatia pass out first; indeed, he had never even offered her a seat,
though he had sat down himself, these courtesies not being in his way.
Horatia, however, did not seem to notice the want of politeness, but said
a bright goodnight to the deputation, and followed her host out of the
room.
Sykes was waiting at the back-door, watching the door of the steward's
room; and beside him was Naomi, and the moment the men appeared she ran
forward and said, 'Has he given in, father?'
Sykes followed, and came up in time to hear Luke Mickleroyd reply, 'Yes,
he's given way this time, lass.'
'That's a good job! Well, go on into the servants' hall, and have a drink
to celebrate the good news. I must make haste and serve the rest of the
dinner. And another time do you take and come a little later and give a
man a chance to have his dinner in peace,' said Sykes, hurrying off.
'I think we'll be going on to give the answer. I don't feel in no mood
for drink,' said Luke.
'Why not, lad? All's well that ends well, and we've got our way this
time,' said one of the others.
'Ay, we've got it this time; but we sha'n't get it next, without that
young lady works miracles, same as she seems to do wi' Mark Clay,'
replied the man gloomily.
'Tell us about it, father. She's really jolly, ain't she? Whatever did
she go to see you for? She's a caution, is Miss Horatia!' exclaimed
Naomi.
'She's a real good young lady, and wanted to do the family and us men a
good turn. Now, if he'd got a daughter like that!' said Luke.
'Oh, come, father, I'm not going to have a word said against Miss Sarah.
She's not gay like Miss Cunningham, 'tis true; but she's as grieved
['grieved' means 'vexed' in Yorkshire] about the way her father carries
on as can be, only she's too much of a lady to go putting herself in a
man's place,' said Naomi, defending her young mistress hotly.
'The other's more of a lady if you go by blood,' put in Tom Fox, who was
a staunch admirer of Horatia since the affair of the motor, and had heard
from Cunningham's chauffeur who Horatia was.
'We don't go by blood here; we go by money,' said Naomi scornfully; and
the other servants laughed.
Mrs Nancy, needless to say, was not there, or this conversation could not
have taken place.
Mrs Clay looked up eagerly when the two returned. Sarah, too, looked up,
and, though she did not show it, she was just as anxious to hear the
result. But neither of them dared to put any questions to Mr Clay.
'Here's a young lady who wanted to be a millionaire for five minutes,' he
said, with a hoarse laugh.
'W'atever do you mean, Mark?' asked Mrs Clay timidly.
'It's all right, Mrs Clay. Mr Clay agreed to do what they wanted,' said
Horatia hastily, to relieve her anxiety.
'Nay, lass, that I didn't. I agreed to do what you wanted, and that's a
very different thing, as the men'll find out if they try it on again.
There's only one will in Clay's Mills, and one person to have any wants,'
said the mill-owner.
'What does he mean about your being a millionaire for five minutes?'
demanded Sarah, who did not want her father to begin a tirade about
Clay's Mills and his rights.
'I just wanted to be a millionaire for five minutes, and Mr Clay let
me.--You _are_ good-natured to me!' Horatia said, turning to her host and
beaming at him.
'And you used that five minutes' power to give the men their way? They'll
always want it now,' said Sarah slowly.
'That's what I'm a bit afraid of; but I'll teach them a lesson next
time,' said Mr Clay grimly.
'Oh Mark! don't be 'ard on 'em,' began Mrs Clay.
But Horatia exclaimed, 'He wasn't a bit; he was very nice, and has taken
two delicate men with families back into the mills.--I must see these
mills, Mr Clay,' said Horatia.
'So you shall to-morrow, if you like, and then you'll see them two
fettlers doing their work, as if they'd all day to fettle one machine,'
replied Mr Clay.
'What's a fettler, and what is to fettle a machine?' inquired Horatia
with interest. 'I think I've heard that word before.'
'Clean it up, and if they don't do it sharp while the machine is going
there's an accident, and they get caught in the works, and that's what'll
likely happen to them two, and you'll feel sorry then you had them back,'
he replied.
It was late when they had finished dinner, and the mill-owner said
'Good-night' when his wife and the girls left the dining-room.
'Oh my dear, God bless you!' cried Mrs Clay when they were in the
drawing-room, as she took Horatia's hand in hers.
'I didn't do anything; I just amused myself,' said Horatia, laughing.
'But I expected to see quite different men. They looked quite quiet and
respectable.'
'What did you expect them to look like?' demanded Sarah. 'They were
respectable mill-hands, as my father was years ago.'
'But I expected to see wild, fierce men, like those in the French
Revolution, demanding their rights, and brandishing sticks and things.'
'Oh my dear! we ain't come to that, an', please God, we never shall,'
protested Mrs Clay with a shudder.
'They can look wild and fierce. You've only to watch them at a
football-match to see what they'd be like in earnest if they're like that
at play,' said Sarah.
'Then I 'ope I shall never see 'em so,' repeated Mrs Clay.
'And that's what you wanted to do--amuse yourself with the sight of
infuriated Yorkshiremen?' said Sarah, whom some demon seemed to possess
that evening.
Horatia turned indignantly to her. 'I didn't do it for any such reason. I
suppose you think I meddled, and perhaps I did; but I only did it as your
friend, Sarah, and I don't think you're very nice,' she said.
'I can't think w'at's come to you, Sally! Don't be so disagreeable. Miss
Horatia only means to be kind, and we're all much obliged to 'er,' said
Mrs Clay.
'Yes, we are,' said Sarah; 'I expect the men meant mischief; but you have
only done good for to-night. There'll be a row, sooner or later, and then
father'll have to stand firm or lose his position. Not that I think that
would be a bad thing, except for mother's sake. Still, it isn't every one
that would use five minutes of being a millionaire just to do good to
other people, and you're a good sort, Horatia. So don't mind what I say.
I'm always cross at Balmoral. I can't breathe here.'
CHAPTER XV.
A VISIT TO CLAY'S MILLS.
The next morning dawned bright and sunny, as Sarah saw when Naomi drew up
her blinds. She also saw that the girl's face was swollen with crying.
'What is the matter, Naomi?' she asked anxiously, for Sarah was very
kind-hearted, and she was very fond of her young maid.
'It's Ruth, miss; she's been took with the croup, and mother's been up
all night with her, and the doctor says he doubts if we shall pull her
through. And, oh, she's such--a--darling, is Ruth!' Here Naomi burst into
tears again.
'Poor little Ruth! I'll go and see her to-day, Naomi, and ask if there is
anything we can do for her,' said Sarah; and she dressed with more
alacrity than usual, in her desire to go and visit Naomi's home.
Horatia was always up earlier than Sarah, and generally went for a run in
the park before breakfast. She had just come in and was sitting at the
breakfast-table chattering with Mrs Clay when Sarah appeared, and, with a
hurried 'Good-morning' to them both, plunged into the subject of which
she was full. 'Naomi's sister is ill, mother. I'm going to see her this
morning, so will you, please, go to the mills with Horatia?' she said.
Mrs Clay looked a little vexed. 'Your father will be grieved if you don't
go, Sarah. 'E thinks you might go to your own mills sometimes, instead
of always goin' to your uncle Howroyd's,' she protested.
'They're not my own mills. I have nothing to do with them. If I had I'd
soon alter them,' Sarah replied hotly. 'Besides, Uncle Howroyd's mill is
a pleasure to go over; my father's are a pain.'
'Oh Sarah, you do say such things! An' w'at-ever you mean I don't know
'alf the time. I'm sure there's no need to go over more of the mills than
you like. You can stop before you get a pain, if that's w'at you mean,'
Mrs Clay added doubtfully, for Sarah had begun to laugh.
'It's not a pain in my body, mother; it's a pain in my mind that they
give me.--But I would have gone with you to-day, Horatia,' she observed,
turning to her schoolfellow, 'if my maid Naomi's sister had not been
taken ill; but I must go and see how she is. And I shall take Naomi with
me, and let her have a holiday for the rest of the day,' she announced.
Mrs Clay did not rebuke her daughter for taking it upon herself to give a
servant a holiday, any more than she did for settling her plans for the
day without any reference to her mother; but only said plaintively,
'W'at's the matter with little Ruth? I suppose it's nothin' catchin', or
they'd 'ave told me first; but still, I do think I should be more use
than you, Sarah; you don't know anythin' about sickness. W'at 'as Ruth
got?'
'Croup, and I thought I'd take her some jelly or something; children
always like jelly,' said Sarah.
'Jelly--when the poor child can't swallow, very like! You'd better by
'alf let me go, Sarah; the poor mother'll not 'ave a moment to talk to
you if the child's really bad, an' you'll only find yourself in the way.
You go with Horatia to the mills, an' I'll call at Mickleroyd's an' do
w'at I can do for 'em.'
'Martha Mickleroyd won't stand on ceremony with me, and I'm not so
ignorant as you think about croup. You have to put the child in hot
water. We had first-aid and domestic lessons at school. Besides, I
promised Naomi I'd go, so I must,' declared Sarah in such a determined
tone that Mrs Clay, who never could oppose any one for long, gave way
with a sigh.
Horatia had been looking from one to the other, listening with her quick,
eager look to the conversation, and longing to join in it, but
half-afraid for fear of vexing Sarah; but now she could no longer resist
the temptation. 'Can't we all go on our way to the mills? I should like
to see a mill-hand's cottage, and I needn't go into the sick-room at
all.'
Mrs Clay looked relieved. 'I'd far rather 'ave it so, Sarah. You don't
know for certain that it isn't 'oopin'-cough or somethin' o' that sort.
Women are that ignorant,' she declared.
'Martha Mickleroyd isn't ignorant; she's a very clever woman, and no more
ignorant than--lots of ladies,' Sarah finished hurriedly. She had nearly
said, 'than you are,' but luckily remembered in time.
'I believe that; but it isn't every lady that knows as much about illness
as I do; an' as Miss 'Oratia 'ere wants to go to see a mill-'and's
'ome'----Mrs Clay was saying.
But Sarah broke in with impatience, 'One would think we were Hottentots
or savages, or something, by the way Horatia talks!
Horatia coloured as she answered, 'Oh, but indeed I don't; you quite
mistake me. Father is very much interested in the housing question, and
all sorts of things that have to do with the poor, and putting stone
baths in their houses, and all that will make them healthier,' she
explained eagerly.
'Very kind of your father, I'm sure, my dear; but I think you'd better
not talk about stone baths for the Mickleroyds. Mark won't 'ave it. 'E
won't, indeed; 'e told Luke Mickleroyd so,' said Mrs Clay.
Sarah's lip curled. 'If that child has no bath to be put into it will
die, and it'll be his fault, then,' she observed, as she rose from the
table.
'No, it won't; it'll be the fault of its mother, who hasn't a small bath
in her house,' said Horatia.
Horatia had spoken on the impulse of the moment, without any thought of
contradicting or annoying Sarah; but the latter cast her a furious look,
and then, drawing herself up, said, 'When will you be ready to start?'
Horatia felt crushed by Sarah's manner; but it was so uncomfortable to
start out in the morning in this way that she determined to try to
conciliate her. 'Don't be horrid and up in the clouds above us all;' and
she took Sarah's arm with a coaxing smile.
Sarah could not help smiling, for this was an old school accusation which
Horatia had made when Sarah once asked how she looked proud and haughty,
and the girls had all laughed at it. 'I don't feel there; I've told you
that before; but you can't or won't understand how I hate and despise it
all.'
'Well, never mind; let's go and see those Mickleroyds. You don't hate
and despise them,' said Horatia.
Half-an-hour later the party in the motor stopped at the point of the
main street from which a 'ginnel' or alley led to the Mickleroyds' house,
in one of the oldest parts of the town, and quite near the mills.
Luke Mickleroyd, as will be remembered, was the chief watchman of Clay's
Mills, and could have afforded a nice little house in the suburbs on the
tram-line, for he earned good wages; but he found it more convenient to
be close to the mills, so that he could rest between his rounds, and in
cold weather warm and refresh himself during the night.
'What a funny old place! I wonder they don't pull it down,' said Horatia,
as she picked her way over uneven and broken paving-stones to the house,
which had steps, with no balustrade, leading down to an open cellar-door
and up to another door.
'It belongs to my father,' said Sarah curtly.
Horatia said no more, and determined not to make any comments whatever
she saw, 'not even if the paper were hanging off the walls and the place
in ruins,' she said to herself.
But once they were inside the cottage the scene was changed. Everything
was spotlessly clean; the walls were prettily papered; the furniture was
handsome and old-fashioned; and Maria Mickleroyd came forward with a
pleasant smile on her tired, anxious face. 'Pleased to see you, Mrs Clay,
and Miss Sarah; and you've brought Omi,' pronounced 'Oh my,' to Horatia's
amusement. 'That's main kind of you. Little Ruthie's dropped off into a
lovely sleep for the minute; but, thank you, I shall be glad to have Omi
for the day, if Miss Sarah is sure she can spare her, for I shall be up
to-night again, and I might rest a bit by-and-by. Luke's resting now.'
'No, I'm not resting, missus,' said Luke Mickleroyd, coming down a narrow
staircase. 'I've had my sleep, and was coming to take a turn at watching.
I ought to be good at that, seeing it's my trade; but Miss Sarah's found
us some one better, I see, in Omi.'
'We're glad to know the child is better, Luke,' said Mrs Clay, as she
added some suggestions about the child's treatment. 'An' now we're goin'
on to the mills; but if the doctor orders anythin' special, or Ruthie
fancies w'at you can't get, be sure an' send up to us. The master won't
grudge you that. An' if you want Naomi the night, keep 'er, so long as we
know. Jane Mary could come wi' the message after the mills are out. A
walk would do her good.'
'Jane Mary won't come nigh Balmoral,' put in Naomi suddenly.
'How'd thy tongue, Omi!' said her father, and Naomi subsided.
'Jane Mary should do w'at she's told; she's too independent,' said Mrs
Clay, and, with a short 'Good-morning,' they all went off.
Sarah turned to wave a friendly farewell, whereupon Mrs Clay said, with
some irritation, 'It seems to me, Sarah, that folk 'ave only got to be
nasty to your father for you to like 'em. It's not much good goin' on
like that. You know w'at the Bible says: a 'ouse divided against itself
cannot stand.'
'I wonder if that's true,' said Sarah gravely.
'Sarah, 'owever dare you!' exclaimed Mrs Clay; and even Horatia looked
rather shocked at this remark.
'Oh, I'm not talking about the Bible; of course I believe that. I meant
what you said,' explained Sarah. But this was not much better.
'Thank you, Sarah. W'atever I said, I 'ope it was true. I'm not in the
'abit of tellin' untruths.' Mrs Clay had forgotten what she had said.
'You only said what you thought, and we can all make that kind of
mistake. I only meant that I wonder whether I do like people better if
they dislike father.'
'Then you ought to be ashamed of yourself, for 'e's a good father. An'
look at all these mills; every brick is 'is an' built by 'im--'is money,
I mean--an' thousan's of poun's' worth of wool goods sent out every
week--well-made goods, too, as every one will tell you. 'E's a wonderful
man is your father, an' one to be proud of, not despised. Most girls
would 'old their 'eads 'igh for bein' 'is daughter, not 'old it 'igh to
despite 'im.--Oh, good-mornin', my men! good-mornin'!' Mrs Clay
exclaimed, as the gates were thrown open for them to enter, and she saw
some men crossing the yard.
The men replied by a surly 'Good-morning;' one or two touched their hats,
but the most of them took no notice of the master's wife and daughter at
all.
Mark Clay met them at the door of his private office, a plainly furnished
little room, the same now as it had been thirty years before, when it had
been just built. 'This is my private room,' he said.
Horatia looked round with interest. 'It's a very business-like-looking
room,' she said, after searching in vain for something more complimentary
to say.
'That's the biggest compliment you can pay it, and it is a true one, too.
There's millions have passed through my hands in this room,' he said
proudly.
''Ave you 'eard that Luke Mickleroyd nearly lost his little Ruth in the
night?' said Mrs Clay. 'We've just been to see 'em an' leave Naomi
there.'
Mrs Clay never liked to take the responsibility of doing anything
herself; but Mark Clay turned to her more angrily than Horatia had ever
seen him, and said, 'I won't have you go to the hands, encouraging them
in independence and idleness. You call for Naomi on your way back. Do you
hear? She doesn't get wages for nursing her sister. What's her mother
there for?'
'But, Mark, the mother's got the 'ouse to clean an' meals to cook;
they're such a large family, an' useful to us,' protested Mrs Clay.
'I don't care. I won't have it, I say. I shall have the other girl
wanting her day off; so you do as I tell you. If the mother can't see to
the girl, let her go to the hospital. What do I pay to the hospitals for
if it isn't for them to be useful to me? You can tell her so on your way
home, and take Naomi back with you to her work,' blustered Mark Clay.
'Oh, are we going straight home? I thought we could, perhaps, go to
Fountains Abbey to-day, and you would come with us?' cried Horatia.
Sarah shot a quick look of surprise at her friend, who added, 'You said I
might choose what I liked best to do every day, didn't you, Sarah?'
'Of course,' said Sarah.
'But, my dear, w'yever didn't you mention it before we started? We would
'ave taken a picnic-basket along wi' us,' cried Mrs Clay.
'That doesn't matter, Polly; send Fox for it while we're looking over the
mills. That's a good idea of the lass. We'll all go to Fountains. Do you
go and telephone to them to put in plenty of champagne and lemonade for
the girls,' said the mill-owner boisterously.
Mrs Clay hurried off to the telephone to give her directions, while Mark
Clay started with the two girls over the mills.
'I couldn't write an essay on this,' said Horatia, as they were hurried
through yard after yard, on each side of which were doors which the
millionaire just ordered to be opened, and into which they gave a peep as
he told them, 'In there there's thousands of pounds' worth of rags and
wool for blankets,' or 'cloth,' as the case might be.
'My father doesn't want you to; he only wants you to see what a huge
business he has. I hope he has succeeded,' said Sarah.
Horatia was saved the trouble of answering, for they now entered the room
where the machinery drowned every sound. 'Doesn't it make them deaf or
make their heads ache?' she shouted at length to Mark Clay.
'Make me deaf? No fear; I don't stop in here long enough,' he replied,
misunderstanding her, and not imagining it was the workpeople she was
thinking of.
And again Horatia was silent.
CHAPTER XVI.
THE MILLIONAIRE'S PICNIC.
'Oh dear! my head aches, at any rate,' sighed Horatia when they came out
of about the fiftieth room. 'I am glad we are going motoring; it will
blow my headache away.'
'Ay, it's a big place, is Clay's,' said the millionaire with an air of
satisfaction.
'There's Uncle Howroyd. I'm going to ask him to come with us to-day,'
observed Sarah abruptly.
'What's he wanting?' inquired his half-brother.
Whatever Mr William Howroyd wanted with the millionaire, it did not seem
important, for he stopped when Sarah met him, and the two went off
together, away from Clay's Mills; and Mr Clay, after waiting a moment to
see if his brother was returning, turned to Horatia. 'If you'll excuse
me, young lady, I'll give some orders for this afternoon, and tell them
to have some pieces done, ready for me to see when I come back. That's
the way to get rich, my lass; look after the pieces and the bales'll look
after themselves.' And the millionaire, with a hoarse laugh, went off to
'look after the pieces.'
Horatia stood at the door looking after him, and scarcely noticed a man
who half-smiled and raised his hat. She supposed that he was a man with
some manners, which the rest of them did not seem to possess; she had no
idea that it was a personal attention to her till he said, 'We're much
obliged to you for making t'master listen to us. It's saved a lot o'
trouble for the minute.'
Now, Horatia, as will have been noticed, acted and spoke upon impulse, so
she now asked eagerly, 'What trouble has it saved? And why has it only
been saved for the minute? Were you all going to strike if he hadn't seen
you?'
'Can't say what we mightn't have been obliged to do,' said the man.
'I don't see how you are obliged to do anything unless you like; but was
that what they wanted you to do?' persisted Horatia.
'That was one thing. But, see here, missy, if you can speak a word for
us, do 'e. They say you can do a lot wi' the master; he's a bit too hard
wi' us, and the young uns won't stand it. That's where the trouble will
come in.'
'What kind of trouble?' inquired Horatia.
The man did not look at her. He was gray-haired, and had been at Clay's
Mills for twenty years, and had an affection for the place. Besides
which, he was 'used to the master's ways,' and knew that a good workman
earned good wages and need not fear being turned off so long as he did
good work; but the younger men hated Mark Clay, and there were fewer old
men there than in most mills, for the moment they got ill or showed signs
of feebleness in any way they were discharged. Mark Clay lost more than
he gained, for they would have kept the younger ones in order. But all
this the man did not say to Horatia; he only repeated, 'I can't say what
they might not do when their blood's up.'
'But tell me what they say they'll do.'
'Strike,' said the man. 'But you'd best not repeat that,' he added,
almost regretting his confidence, and going off for fear of adding more.
'There's a fool's trick you've been at, Sam,' said a comrade, 'a-telling
that young lady what the men say. She'll repeat it all to the master.'
'I never breathed a word of their threats. I only said they'd strike, and
he knows they've threatened that before.'
'You didn't say a word about what them young lads said they'd do--you
know what?' the other demanded. 'They'd be turned off to-morrow if he got
wind on 't.'
'D' ye think I'm a fool? Of course I didn't. But I'll tell you what.
They've got som'at in their heads at Balmoral, for that young lady kept
on asking what they would do and what trouble there would be if the
master didn't do what we asked him,' retorted the first speaker.
The second looked gloomily before him. 'It'll be a bad day for my Tom if
them words of his get repeated to the master; and it's nought but lads'
hotheaded talk; they don't mean it.'
'I'm none so sure o' that, mate; but it's best to forget it. Anyway, the
master's off gallivanting for the day, and mayhap it'll take his mind off
the mills a bit. If he'd do that more frequent it 'u'd be better for
all--better for him and better for us,' the man wound up gravely.
In the meantime Sarah had gone to meet her uncle, and invited him to come
motoring.
'Me! Nay, lass; I've other fish to fry. I'm not a millionaire like Mark,
able to go away and amuse myself all day.'
'Now, uncle, you know that's nonsense; you can get away far more easily
than father, because you are not in such a frightful hurry to get rich.
Besides, you can always stop your work to do an act of charity, and it is
a real act of charity to come with us to-day,' declared Sarah, tucking
her arm in her uncle's.
'Indeed! How's that? Is Tom Fox, the chauffeur, ill, and have I got to do
his work?' inquired Mr Howroyd.
'No; and if he were, one of the other chauffeurs could take his place.
You've got to come and sit beside me, so as to prevent any one else
sitting beside me, because you are the only one I can bear to have near
me,' explained Sarah.
'Upon my word, if I were not your old uncle I should feel quite
flattered,' said Mr Howroyd in a joking way; but he grew grave as he
added, 'But as it is, my lass, I'm sorry to hear you talk like that.
What's wrong with the others, eh?'
'I don't know that there's anything wrong with them. I think it's me that
there's something wrong with,' replied Sarah.
'But I don't understand. Didn't you tell me Miss Horatia was to be of the
party? What's gone crooked between you two?' he inquired.
'I don't know; at least, it sounds silly, but I can't bear her being such
friends with father. She seems to think everything he does and says all
right, and it isn't; it's all wrong, and I think it's horrid of her!'
said Sarah.
'Steady there, my lass. I don't think it's the place of children to
criticise their elders at all, and certainly not their fathers; and as
for this you tell me about Miss Horatia, why, what would you have her
do--abuse her host, and talk against him to his daughter?'
'You don't understand, Uncle Howroyd. Just you come for this picnic, and
then see if I am not right,' begged Sarah.
'I sha'n't think that; but I think I'll come, only I must go home and
change first, and give some orders for the men,' said her uncle.
'Then I'll come too. I feel as if I shall say something horrid to
somebody if I don't.'
'Then you'd best come along with me, for you'll be poor company for the
others in this mood;' and he took her back to Howroyd's Mill with him.
An hour later the five started for Fountains Abbey, with a huge hamper
strapped on at the back of the car.
'It's a pity you don't appreciate good liquor, Bill, for there's
first-class champagne there,' said Mark Clay as they spun along.
'I don't know that it is, for I couldn't afford it very often,' remarked
his brother cheerfully.
'Pshaw! I've no patience with such rubbish! You could afford it fast
enough if you didn't waste all your money in pensioning off half your old
incapables and keeping the others at work, and going on as if you ran a
mill for the benefit of the hands,' said the millionaire.
'So I do, I hope,' replied his brother, with the same good-humoured
twinkle in his eye.
'Then I suppose you'll be giving them all the profits next, and we shall
see you working as a hand yourself?' said Mark Clay, in a tone that
implied his expectation of such a thing, as, indeed, was the case.
Mr William Howroyd laughed quietly. 'I shall keep the head of Howroyd's
Mill as long as I live, as my father was before me, and his father before
him, and I shall look after the old folks as they did, and, as I hope,
those that'll come after me will do.'
There was silence for a moment, for Mr Howroyd was not married, and they
wondered who would come after him. Mark Clay thought the mill should be
made into a company with his; but William Howroyd had very decidedly
declined to entertain that idea.
So it happened that it was with these words in their ears that they came
into sight of the beautiful ruins of Fountains Abbey, built by those who
acted upon the same principles.
Horatia had sat between Mr and Mrs Clay all the way; but the minute they
arrived she caught Sarah by the arm and said, 'Come and explore the
ruins, and let us find a place and take a sketch of it.'
'We must stop with the others,' said Sarah.
'Oh no, we needn't; you are only saying that because you are cross with
me, and it's no good, because I can't help the things that you don't like
in me. And besides, I want to talk to you.'
'How do you know what things I don't like?' inquired Sarah.
Horatia danced a queer little dance of her own, and then, coming back to
Sarah, said, 'Of course I can feel when you don't like things, but I
can't help that. Come and have a walk with me; I want to ask you about
something.'
There was no resisting Horatia's good spirits, and it was too glorious a
day to quarrel or be disagreeable; so, after seeing that Mr William
Howroyd had gone off with her father and mother, Sarah walked along with
Horatia. 'What do you want to ask me about?' she demanded of her friend.
'Well, it's this: why do you hate being rich?' she asked.
Sarah stared at her in wonder for a moment. 'Was that really what you
wanted to ask me?' and as Horatia nodded her head, she continued, 'What
an extraordinary question! I should think any one could see why for
herself. Do you think it's any pleasure to eat off Sèvres china, so
valuable that a servant goes in dread of his life lest he should break a
piece, or to have gold plate one is afraid of scratching, or to be
surrounded by stuffy carpets?'
Horatia interrupted her with a merry little laugh. 'How can you be
surrounded by carpets?' she demanded.
'You know quite well what I mean, only you choose to turn it off with a
laugh, and that's one of the things I don't like about you; you turn
things just the way you choose. And the carpets do seem to stifle me,
though you don't believe it,' declared Sarah.
'I beg your pardon. I didn't mean to laugh; but the picture of you
surrounded by stuffy carpets did amuse me so. But one thing I don't
believe, and that is that you really hate being rich,' persisted Horatia.
'You mean that I tell untruths?' replied Sarah.
'No, I don't; I mean that you wouldn't really like to be poor. I don't
believe you'd even like to have so little money as we have, though it's
plenty for us; and as for being really poor, I'd just like to see you try
it. At least, I just wouldn't, because I'd hate to see you miserable, and
you would be miserable with no money and no one bowing down before you
and getting you what you want before you asked for it, and everything.'
'Well, I've a kind of idea that you will have a chance of seeing who is
right, you or I, one of these days,' was Sarah's answer.
'I wish you'd tell me why you say that, Sarah--I do really,' said
Horatia.
To say what she really felt was impossible to Sarah, for at the bottom of
her hatred of her riches was the feeling that they had been unjustly, if
not dishonourably, obtained, and that other people knew it and despised
them for it, and this was gall and wormwood to a girl of her proud
spirit.
'How can I possibly tell you why any idea comes into my head any more
than I can tell you why I think it's going to rain to-night in spite of
its being so lovely just now?' demanded Sarah.
'That's quite a different thing. There's a west wind blowing, and it
feels like rain,' said Horatia; 'there's a reason for that.'
'Very well; there's a feeling in the air as if the home of Clay were
going to fall,' retorted Sarah.
'Then there must be some reason for it; and if you know it I think you
ought to try and prevent it for your mother's sake, even if you would
like it to fall,' said Horatia.
'You think girls can do anything, but you are wrong; they can't, and I
don't know any reason why it should fall, and I dare say it's all
imagination. Why does it interest you so much?' asked Sarah.
'Sarah, tell me, why won't Naomi's sister come near Balmoral?' asked
Horatia abruptly.
'Because she hates my father. Every one isn't so fond of him as you are,'
said Sarah.
'Why does she hate him? Doesn't she work in his mills?' Horatia inquired.
'Yes, that's one of the reasons. Besides, her young man was a hand, and
was turned off. Father is not popular with his hands,' said Sarah
sarcastically.
'Are you?' demanded Horatia, turning upon her.
Sarah did not answer for a minute, for the question took her aback; then
she laughed. 'No, I don't fancy I am. They think me proud, and I suppose
I am, though goodness knows what I have to be proud of,' she said.
'You might be proud of being so pretty, but I know you are not,' said
Horatia. 'I don't see why that girl should hate your father.'
'And I don't see why you should like him,' returned Sarah.
'I know you don't, and I am sorry for it and for lots of things; but it's
no good worrying about them when we are out on a picnic, especially as I
am starving of hunger, as you say here, and I see Tom Fox waving the flag
to show that lunch is ready.'
The millionaire was in the best of humours, paying his wife attention,
telling Tom Fox playfully to be sure and have a good lunch, and see that
his horse had one too! and joking with Mr Howroyd and Horatia, and with
Sarah when she gave him a chance.
'Have you got right yet?' inquired her uncle after lunch, as they were
preparing to go back.
'Not right enough to change places with any one; but they were better
to-day, I must say.'
'Oh, were they? How very condescending you are! Upon my word, Sarah, you
want taking down a peg badly,' said her uncle, who, however, took his old
place beside his niece.
CHAPTER XVII.
A DISASTROUS BONFIRE.
The return journey, as return journeys after a day's pleasuring often
are, was a much quieter affair than the drive on the way out. Even
Horatia was rather silent as she sat between her host and hostess, and Mr
William Howroyd seemed lost in thought.
It was the millionaire who broke the silence with one of the hoarse
laughs with which he generally prefaced his boastful remarks. 'See that
speck yonder? That's Balmoral, on t' hill; you can see it for twenty
miles round on a clear day like this. There's not another property in the
country that comes nigh it, though I say it as shouldn't.'
'Is that really Balmoral? Oh yes, of course I see it; they are making a
bonfire of weeds in the park,' exclaimed Horatia.
Mr Clay leant forward. 'Bonfire of weeds? I don't see any bonfire. Your
eyes must be sharper than mine,' he remarked; and then turning to Tom
Fox, he said, 'Can you see aught, Tom?'
'No, sir; leastways, not at Balmoral. That fire's far enough from us,'
replied the chauffeur.
'Fire?' cried Mrs Clay, starting nervously.
'Pshaw! Fire! It's a bonfire,' said Mr Clay very decidedly; adding, 'Put
on steam, Tom; we're crawling. I don't go in a motor to crawl, man.' But
he looked anxiously and uneasily in the direction of Balmoral, for he,
too, could now see a bonfire or something.
Mr William Howroyd had said never a word; but his face grew stern and
grave as he leaned forward.
Sarah looked at him, then towards Balmoral, and then she turned to him
again. 'It's not near the house, Uncle Howroyd; it's only a
bonfire.--What are you all so upset about?' she demanded; for Tom, who
was noted for his cautious driving, seemed to have caught the excitement,
and was driving faster than Sarah had ever known him do.
Mr Howroyd took field-glasses from his pocket, and fixing them to his
eyes, gazed earnestly in front of him; then he muttered something under
his breath. When he took the glasses away, he had an expression in his
eyes Sarah had never seen there before; but he did not answer her
question, and his niece could not imagine what had come to her cheery,
good-humoured uncle.
The car was going pretty fast, and Mr Clay seemed satisfied with the
progress they were making for the next few minutes, as well he might, for
it was above legal speed.
'Uncle Howroyd, we shall be fined, if we don't get killed first,'
observed Sarah, who was surprised that her uncle did not make some
protest against what she considered reckless speed.
Mr Howroyd did not seem to hear what she said, and she gave his arm a
tug; but at that moment a red tongue of fire shot up high above the trees
in Balmoral park; and now that they were nearer, all--including Mark Clay
himself, whose eyesight was not very good--could see that this was no
bonfire.
'Put on speed!' he roared to the frightened Tom Fox.
'We're at thirty-five now, sir,' said the man.
'Put on the highest you can,' again shouted Mr Clay, with a muttered
imprecation.
But Mr Howroyd leant forward, and putting his hand on his brother's arm,
said kindly but firmly, 'Nay, lad, we'll be there in a short time now.
Think of the wife and these two lasses. You've no right to put their
lives in danger, even if you think your property's in danger.'
'They're in no danger,' he answered brusquely, as he threw off the
other's restraining arm.
Horatia, who did not know what fear was, and was rather enjoying the rate
at which they were going, happened to glance at Mrs Clay, who was really
fainting with fright. 'Oh, Mrs Clay's ill!' she cried in alarm.
'Stop--pray stop!'
Whether Mr Clay would have taken any notice of her or not is doubtful;
but Tom Fox, who had reluctantly put on speed at his master's repeated
commands, took advantage of this excuse to slow down a little, which was
just as well; for, springing up out of nowhere, as they seem to reckless
drivers to do, appeared a policeman, who commanded them to stop.
'Confound you, man! can't you see my place is burning?' Mr Clay roared
out to him.
'What! Mr Mark Clay is it?' exclaimed the man in surprise, and in no
friendly tone. 'You've no right to endanger the public in this way,
whatever trouble you may be in.'
But Mr Howroyd interfered. 'And you've no right to stop us longer than to
take the name when it's an urgent matter, Marmaduke,' he said.
The man touched his hat. 'Beg pardon, Mr Howroyd, I didn't know you were
of this party. We reap as we sow in this world, and Mr Clay's fond enough
of the law when it's on his side and against others.--Go on, Tom Fox;
only mind, if there's an accident I'm witness that you were warned,' he
said, as he moved back and let them pass.
'Shall we be fined?' asked Sarah of her uncle.
'I don't know. No; I shouldn't think so in a case like this, especially
as we had luckily slowed down a bit,' he replied. But he did not seem to
care much, which surprised Sarah, who knew that he did not care for
motoring at all, and was always severe on wild driving.
'I think we shall. You can't go scorching along just because some trees
have caught fire. People's lives are more important than a few hundred
pounds. You don't seem to care about us at all,' she protested.
'Don't be so silly and childish, Sarah; and mind you go straight into the
house and stay there,' he replied.
They were now near enough to see that some trees were burning; but as
they were nowhere near the house, Sarah could not quite understand her
uncle's 'fidgetiness,' as she called it.
'How on earth did that tree catch fire,' Horatia suddenly ejaculated as a
tall poplar was seen blazing, 'and after such a wet day as yesterday?'
'I can tell you how it caught fire. It was set on fire by some of your
friends of yesterday; that's how it's caught fire, and that's their way
of saying "Thank you" to me for giving in to them; but they've taught me
a lesson, and one I sha'n't forget, and I hope it'll satisfy you too,
young lady,' replied Mark Clay grimly.
'I don't believe it. It would be too silly of them, to begin with; and,
besides, why should they burn the trees? If they wanted to be wicked like
that they'd burn the house,' declared Horatia.
'Ay, so they would have done before now if they'd had half a chance; but
it's too well protected. Why, there's police in it day and night, and
they know it!' he declared.
'All the same, I agree with Horatia, it does seem funny after yesterday,'
chimed in Sarah from the back-seat. 'And I can't think how those top
branches caught.'
'No, because you don't know your home as well as you might,' said her
father.
'What does he mean?' asked Sarah of her uncle.
'I suppose he means that the granaries are on fire, and that they've set
the trees alight,' explained Mr Howroyd, whose face was very white and
set, but with a different look of determination from his brother's.
They were in the park now.
'Turn off to the right, Tom,' said his master.
'Take the women-folk to the house first, Mark,' pleaded his brother.
'To the fire, Tom. I'll catch the rascals red-handed!' roared Mr Clay.
'Don't get out; go on in the car,' said Mr Howroyd to his niece in an
undertone; but his advice fell on deaf ears.
Sarah was excited enough now, for they had turned a sharp corner at an
angle, which made Mrs Clay give a sharp cry, and there in front of them
were the blazing remains of two huge barns and some charred trunks of
trees, while others were still burning.
In the roar and crackle of the flames and the crash of falling timber,
the approach of the motor had not been heard by the excited and
interested crowd who were watching the progress of the flames.
'Watching! Not one of them raising a hand to stop it!' muttered Mr
Howroyd between his teeth.
Mrs Clay clasped her hands in despair.
The millionaire bounded from the car and was among them before any one
saw him. 'You cowardly curs, that'll take my money and burn my property!
Off my land, I say! I'll pay you for this! You shall all be in prison
before the week's out! I see you all, and know you too well, curse you!'
'We haven't done aught to your property. You can't say we have. We saw
the flames in Ousebank oop o' top o' t' hill, and we ran to see. There's
no harm in that, and you can't have the law on us for't,' said a big,
burly man.
'You're trespassing on my land, every one of you, and I'll prosecute you
for that, if I can't for aught else. There's plenty of boards to warn
you,' said Mr Clay.
The crowd melted away as if by magic, and they saw the gardeners trying
feebly to check the progress of the flames.
Their master stood and watched them in grim silence for a little time.
His presence and the disappearance of the crowd seemed to give them
increased vigour, for they worked with a will now, and crash came down a
tree which had just caught and would have carried on the flames to
another plantation.
'That's right; rather late in the day. If you'd done that earlier it
might ha' been better. And where's the rest of you? There's twenty men in
the grounds somewhere, let alone the house; you could have had thirty at
this, and worsted those scoundrels if you'd chosen; but you didn't, and
I'll not forget it--I'll not forget it!'
'The others are guarding t' house, master' said the head-gardener. 'Sykes
wouldn't let a man leave; he's there--armed, and swore he'd shoot the
first hand that came nigh the house, let his business be what it might.'
A grim smile relaxed the millionaire's features for a moment as he heard
this news; but they grew grim again as he asked bitterly, 'And weren't
the garage and stable men enough to guard the house without the rest of
you, whose business is to keep my ground in order?'
The man turned back to his work of chopping off smouldering branches, as
he said in a surly tone, 'I'm here, sir, doing my best, and so's these
lads, seven on 'em, and it's no use blaming them that has tried to help
when your property is being destroyed for the fault of them that hasn't
had the courage to do it.'
'Courage to do your work!' said Mark Clay in a tone of contempt. 'And
where's the police?'
They were there, too, now, though where they had been up to this moment
did not seem certain.
'You can stand here now; the harm's done and the robbers gone,' he said
when they came to him. 'Bah! you're all in the same box.'
'Excuse me, Mr Clay, you mustn't bring charges like that against us,'
said one of them.
But Mark Clay took no notice of him or his protest, but walked back to
the motor, where Mrs Clay and Horatia still sat. 'Home, Tom, as long as
I've got one,' he muttered, as he got in and sat moodily looking before
him, and taking no notice of his white and shivering wife, or of Horatia,
who sat there looking the picture of misery; nor did he notice,
apparently, that neither Sarah nor Mr Howroyd was of the party.
Tom Fox drove up to the front-door, and Sykes, irreproachable as usual,
came down the steps and helped his master and mistress out of the car. He
gave no sign of anything at all unusual being amiss, for he was always
very grave, till his master said in a grim tone, 'Had any visitors,
Sykes?'
'No, sir; but we were ready for them if they'd come,' he then replied
significantly.
'Ay, you're true Yorkshire grit,' said his master, as he passed on into
the house in front of his wife, who, indeed, would hardly have got up the
steps but for Horatia's help and support.
'Oh Sykes! Oh, w'at a dreadful affair this is!' moaned Mrs Clay.
'We'll have to get rid of them southerners; they wouldn't face the crowd,
and are skulking in the stable-yard. I told the master what it 'u'd be,
but he wouldn't hearken to me. I'd got my men all ready, and not one
would have disobeyed me. Even Naomi came home to help, and offered to use
a gun if I'd show her how,' related Sykes, hoping by this tale of
devotion to please his mistress and distract her thoughts from a sad
subject.
But the effect was disastrous, for Mrs Clay gave a cry of horror and
burst into tears. 'Shoot! W'y should Naomi want a gun to shoot wi'? 'Oo's
she goin' to shoot? Oh, 'ow dreadful it all is! Shoot, indeed! 'Oo do you
want to shoot, Sykes?' she asked wildly.
'I don't want to shoot any one, ma'am; no more don't Naomi. And as the
danger's all over now we'd best say no more about it,' replied Sykes.
'Are you sure the danger's over?' demanded his mistress. And Horatia
asked the same question with her eyes.
Sykes made her a sign, which she did not understand, and replied to Mrs
Clay by saying in a soothing tone, 'Yes, ma'am, yes; the danger's quite
over, if there ever was any. There's not a soul inside these park-gates
except those that have a right to be; and, after all, the master can
afford a little loss like this afternoon.'
Mrs Clay gave a little sigh, and said, 'I think, my dear, I'll lie down a
bit, if you'll stop by me. I don't fancy bein' alone.'
And Horatia willingly went with her hostess.
CHAPTER XVIII.
NANCY PACKS UP.
Poor Mrs Clay lay down on the sofa in the drawing-room and shut her eyes.
Horatia sat beside her, kicking the corner of one of the rich Persian
rugs that lay about the drawing-room; not that she was in a bad
temper--indeed, Horatia was rarely in a bad temper--but as an outlet to
her superfluous energy.
It was pain and grief to Horatia Cunningham to sit still at any time; but
this afternoon, when she felt so excited and wanted to hear all about the
fire, it was a severe trial to her patience.
Mrs Clay was evidently worn out by the events of the day. Horatia glanced
at her from time to time, but did not like to break the silence. Great
was her relief, therefore, when a knock came at the drawing-room door.
Mrs Clay opened her eyes. 'Who can that be?' she demanded, clutching
Horatia's arm in her nervousness.
'Only one of the servants, I expect,' replied Horatia, looking towards
the door, in the hope that it would be some one with news of some sort.
'But they never knock at the drawing-room door,' objected Mrs Clay.
'Hadn't you better tell them to come in?' suggested Horatia, for Mrs Clay
lay there, clutching her hand and talking in whispers, but not giving any
answer to the person at the door.
'Oh no, my dear. I--we don't know who it is,' gasped the poor thing, who
was evidently quite unnerved, and no wonder.
'Shall I go and see who it is? I dare say it is one of the servants, who
did not like to come in and disturb you, because they know you are
resting,' said Horatia.
'I think you'd better ring for Sykes,' objected Mrs Clay, still keeping
her hold of Horatia.
'I'm sure it's only a servant, perhaps Sykes himself. I'll only open the
door a little bit,' said Horatia, loosening her hand from Mrs Clay's and
running to the door, which she opened, as she promised, only a little
bit, and then exclaimed, 'Nanny! it's you, is it? What's the matter?' For
it was against all etiquette for Mrs Nancy to come down to this part of
the house. Moreover, the old nurse looked disturbed and flurried.
'Excuse my disturbing you, Miss Horatia, but I couldn't get any one to
come, they're all that upset and put about; but I want to know what train
you're going by. The packing's all done, and you can start as soon as you
like; and the sooner the better for me,' she wound up viciously.
'What nonsense are you talking, Nanny? Why should we pack up and go away
just because a granary and a few trees are burnt down? We don't live in
the trees!' said Horatia, laughing.
'It's no laughing matter. If you remember, I said to you when we first
came here that it was no place for us, and now you see how true my words
have come?' said Mrs Nancy.
'I don't remember any words of yours that have come true, and I
shouldn't advise you to say that, Nanny, or they'll think you know
something about it, and, perhaps, did it yourself,' retorted Horatia
jokingly.
Nancy gave a kind of snort. 'Don't you go carrying your love of a joke
too far, miss; and if you think there's any chance of me being accused,
that's all the more reason that we should go before worse happens,' she
said gloomily.
'Why, Nanny, who would have thought you'd be such a coward? It's all over
now, and we can't go away all of a sudden like this, even if we wanted
to, and I don't. I want to stop and see what will happen next, and help
if I can.'
'Help! You'll be burnt in your bed before you can help yourself, let
alone any one else,' cried Nancy. 'Be guided by me, miss, and let us take
the night-mail. Sykes says there's one passes about eight o'clock. We
could telegraph at once, and her ladyship would be delighted to see you.
Don't pass another night under this doomed house.'
'Miss 'Oratia, w'at is it? 'Oo are you w'isperin' to out there?' asked
Mrs Clay.
'It's only Nancy, my nurse; she wants to speak to me about something. I
won't be a minute,' Horatia answered her; and then, stepping into the
passage, she said hurriedly, 'Nancy, who told you that? Tell me at once
all you know. When are they going to set fire to the house? To-night?'
'How should I know, miss? I can only say what I think,' replied the old
nurse, whose usually cheery face was puckered up with anxiety and fright.
Horatia took her nurse by both arms. 'Now, Nanny, you've just got to
tell me. Do you know anything, or don't you?'
'I know we're among a lot of savage folk that don't respect other folk's
property, and it's about time we went home,' declared the old woman.
Horatia gave a stamp of the foot. 'You are aggravating, Nanny! Do you
know of any plot to burn the house? Because if so'----began Horatia; but
she got no further.
For Nancy broke in with indignation, 'Well, I never, miss! A pretty pass
things have come to when you accuse me of knowing of plots! As if I'd mix
myself up with their wicked deeds! No, miss, I do not _know_ anything;
but I'm not blind nor deaf, and I have heard quite enough to make me pack
our trunks,' said the nurse.
'That's just what I want to know. What have you heard or seen? Do tell
me, Nanny. I shall be much more comfortable if I know,' entreated
Horatia.
'We shall both be much more comfortable when we are back at The Grange,'
said the nurse.
'It's no good you turning it off like that, Nanny, for I'm just going to
hold your arms like this till you tell me, and it's no use your wriggling
like that, for you can't get away; you may be bigger, but you didn't
learn gymnastics in your youth, and so you are not so strong in the arms
as I am.'
'I learnt one thing that you haven't, and that is respect for my elders,'
said Nancy severely, and trying to look dignified, but failing, as may be
imagined.
'I shall respect you all right if you tell me the truth,' replied
Horatia, unabashed by the rebuke.
'You don't want me to go carrying tales from the servants' hall, do you?
What do you suppose the mistress would say to that?' said Nancy.
'Mamma would say you were quite right in this case, because I am not
asking out of curiosity, but because I really ought to know,' said
Horatia.
'Well, miss, if you will have it, you will; but, of course, I only know
what little Naomi has told me of what she has heard down the town to-day,
and of course it mayn't be true,' said Nancy.
Horatia stamped her foot with impatience. 'Never mind whether it's true
or not; tell me what she said,' entreated Horatia.
'Naomi says that her sister Maria Jane says'--Horatia began to think that
the tale was going to be too complicated altogether, but the old woman
went on--'that the men say there wouldn't have been a brick left of
Balmoral this morning if they hadn't been given way to yesterday; and
that's your doing, miss.'
Horatia coloured a little with pleasure. 'Then what on earth are you
making this fuss about? The danger is over, as you see,' she cried
eagerly.
Old Nancy shook her head. 'You haven't heard the rest. That old
stupid--well, I beg his pardon, as we're in his house, and you seem to
like him, miss; though how you can, or what you can see in him, and after
how you've been used'----she said.
'Oh, never mind all that, Nanny; do tell me the rest! Mrs Clay will be
calling me again, so pray make haste!' exclaimed Horatia.
'Well, he goes down to the mills and undoes all the good you've done by
saying it was the last time a mill-hand would put foot in his park, for
he built that to be away from them, and he isn't going to have his peace
disturbed; and it wouldn't do them any good either, for he'd let them
have their way this time to please you, but it was the first and last
time he'd do such a thing.' Nancy stopped.
'That's not all. Go on, Nanny,' said Horatia.
'Well, Naomi's sister, you know--she hates Mr Clay, of course'----began
Nancy.
'Why of course?' interrupted Horatia.
'You know that story, surely, don't you, miss?'
'What story? How should I know why Naomi's sister hates Mr Clay? It's
very wrong of her,' said Horatia.
'So it is; but her young man--the young man she was going to marry, I
mean--was turned off by the master, and'----
'I expect he was a bad workman; that's his own fault,' said Horatia. 'But
never mind about that story. Oh dear! I don't know which story I want to
know. You are tiresome to-day, Nanny. What did Naomi say?'
'It was her sister. Naomi had nothing to do with it; she's too fond of
Miss Sarah,' said Nancy.
Horatia peeped into the drawing-room. Mrs Clay still had her eyes shut,
and by her breathing Horatia guessed what was indeed the case--that she
had fallen asleep; so Horatia gave a sigh, and resigned herself to listen
to Nancy's long-winded tale in the hope of getting at the truth in time.
'Come and sit on this seat outside the front-door, it is so hot in the
house; and, besides, I am afraid of some one coming and hearing you,' she
said, leading her nurse to a bench outside the drawing-room window.
'Now, about Naomi's sister.'
'It wasn't Naomi's sister herself,' began Nancy.
Horatia gave a groan; but so great was her anxiety to hear the truth that
she made a great effort and controlled herself. Then Nancy went on: 'He
said he'd burn the Clays out of Ousebank, and that they should have a
taste of it this very day, to show Mark Clay what he might expect if he
didn't alter his ways;' and Nancy stopped again.
'What else did Naomi say?' asked Horatia, who looked grave enough now.
'She said they'd burn the house next, or try to, and then the mills; and
that's what they will do, and very likely it'll be this night; and if it
isn't, it'll be to-morrow or the next day. And now perhaps you'll come
home with me,' Nancy wound up.
'Indeed I won't! Fancy leaving friends when they are in such trouble!'
Horatia exclaimed.
'You won't help them by staying. I know you've done some good; but it
hasn't helped, after all, and Miss Sarah's gone off and left you, and it
isn't the proper place for you at all.'
'I wonder where she is. Do you know, Nanny?' inquired Horatia, for she
had been wondering about this ever since she had turned round in the
motor to speak to Sarah, and had found that she had vanished.
'No, miss, I don't. I supposed you'd know. At any rate, she had no call
to go away at such a time, and leave you alone to take charge of her ma,
and all these dreadful things happening. I'm sure her ladyship will blame
me for not bringing you away at once; and if anything should
happen'--here Nancy threw up her hands in horror as she wound up, 'I
should never forgive myself--never, whatever the mistress might do.'
'As we're both going to be burned in our beds, according to you, you
won't have to try to forgive yourself,' observed Horatia.
'Don't talk so dreadful callous, Miss Horatia; and, if you don't mind for
yourself, you might consider me that you're running into danger,'
protested Nancy. Not that she cared about herself half so much as she did
for her young charge; but because she thought this argument might have
some weight with Horatia, who always thought of others before herself.
'You needn't stop if you're afraid. I shall write to mother to-night and
ask her to let me stay alone,' announced Horatia.
'Miss!' cried Nancy reproachfully.
Horatia gave a little laugh. 'Oh dear! there's nothing to laugh at, only
it always seems easier for me to laugh than to cry, or else I should cry
now. It is dreadful to think that all this money is wasted,' she said.
'It isn't wasted yet, and perhaps Mr Clay will see reason, though they
say he's wonderful obstinate; and if I was you, miss, I'd not meddle any
more. You meant well, no doubt; but, you see, you're very young, and it
hasn't done much good, after all; and it's best not to interfere in other
folk's business.'
The tears rose to Horatia's eyes. 'I know that. In fact, I'm afraid I've
done harm, and that's one of the reasons I must stop,' persisted Horatia.
'But you won't tell Mr Clay what I've said. Leastways, I didn't say it,'
cried Nancy, in alarm. 'Naomi said that her sister said that'----
'Oh, never mind who said it. Of course I sha'n't mention any names, but I
shall certainly warn Mr Clay of what the people mean to do.'
'Then you'll do the very harm you want to stop,' said old Nancy solemnly.
'Why?' asked Horatia.
'Because it'll only make him more determined. You don't know these
Yorkshire folk; there's nothing will turn them if they get a thing into
their heads. And let Mr Clay hear that they've threatened to burn him out
of the place, and he'll make the place too hot to hold them, and they'll
pay him out,' said the old woman shrewdly.
Horatia did not make any reply. She felt that there was some truth in
Nancy's remarks, and she gave a little sigh as she thought to herself how
difficult it was not to harm where you only meant to do good. At last she
said, 'I won't say anything to Mr Clay; but I'll have a talk with Sarah,
and she shall do as she likes.'
'She won't tell him; she knows him too well,' said Nancy, and she had
hardly uttered the words when Mrs Clay, who had evidently been dreaming,
awoke with a start, and called Horatia. 'You won't leave to-night, miss?'
the nurse said, in a last attempt.
'No, no; I really couldn't, Nanny; but we're quite safe, for there are a
lot of police guarding us.'
Nancy groaned as she went off.
CHAPTER XIX.
AN UNPLEASANT MOMENT.
Mr Howroyd and Sarah, it will he remembered, had not been seen since they
arrived at the scene of the fire in the park. Mr Howroyd had vaulted from
the car as soon as his half-brother; and when the latter made his angry
speech, and sent off the townspeople, William Howroyd went after them as
quickly as he could. But he had not gone far when he heard quick, light
footsteps behind him; and, turning to see who it was, he saw Sarah,
looking very hot, coming hurrying after him. 'What do you want, my lass?
You go home. The town's no place for you to-night,' he said.
'Yes it is, Uncle Howroyd. I want to see Jane Mary. I'm sure this is some
of her doing,' she panted as she came up to her uncle.
'And if it is, what good will it do you to know it, even if she owned up,
which she won't, you may be sure?' inquired her uncle, stopping, rather
unwillingly, to talk to his niece.
'Oh, she'll tell me; she's not afraid of me. She knows I'm on her side,'
said Sarah.
'A fine statement that! Then what are you going to do? Incite them to
more outrages? Because, if that's your intention, you certainly won't
come; and I must say, Sarah, you don't show a very nice spirit in taking
this tone.'
'What tone?' demanded Sarah, looking rather defiant.
'Why, rejoicing in your father's loss, and openly taking the part of his
enemies,' said Mr Howroyd.
'I'm not rejoicing in it; I'm awfully sorry. I would have given anything
to have prevented it; and it's just to prevent any more that I am going
down to Ousebank,' replied Sarah.
William Howroyd turned and continued his way towards Ousebank. As it was
evident that Sarah meant to go to the town, it was better that she should
go with him than alone, which he was convinced she would do if he did not
let her come with him; so he only said testily, 'I never did pretend to
understand women, but you beat every one of them. I don't know what you
do mean; but I'm glad to hear you are not so undutiful as I thought you
were. Not that you'll do any good by going to Ousebank, because you'll
not turn these people.'
'If you think I'm going to try to turn Jane Mary because I want to save
papa's property for him you are mistaken, because I don't care a fig if
it is destroyed or not; but I do care about Jane Mary, and I don't want
her to get into trouble, and that's why I am going to see her.'
'You're a queer girl, Sarah; but I think you'll be sorry one of these
days for the part you're acting now. Why, that little schoolfellow of
yours has a more friendly feeling for your father than his own daughter,'
observed Mr Howroyd, as the two walked hurriedly along the path through
the park, which was a short-cut to the town.
'Oh Horatia! You say you don't understand me; but I think I'm much
easier to understand than Horatia. She came up here to be my friend and
companion, and sympathise with me, and, lo and behold! she goes and makes
friends with father, and cares much more for father and mother than for
me,' complained Sarah.
'And I don't blame her,' said Mr Howroyd.
Sarah laughed. 'I wonder you don't follow her example; but you don't, and
you know, Uncle Howroyd, it's no use your pretending to champion my
father, because you don't really care for him a bit except from duty, and
you like me much better,' she announced coolly.
'I don't like you at all to-night, and I disapprove of your behaviour to
your parents very strongly. As I told you before, you will be sorry for
it one day,' said her uncle.
They had reached the outskirts of the park and come out on the high-road
as Mr Howroyd said this; and about a hundred yards to the right of them,
coming down the hill, they saw a crowd of people, and heard the murmur of
many voices. It was the townspeople coming from the fire, who had been
longer in coming because they had kept to the drive, not daring to use
the short-cut.
'It's the hands!' said Sarah.
'You'd best turn back, my lass; you can't do any good, and you're far too
young to mix yourself up with this kind of thing,' her uncle entreated
her.
Sarah shook her head. 'I am going on; but if you want to go ahead, do; I
shall be all right with these people,' she affirmed.
But this was more than Mr Howroyd could bear. 'Nay, you'll not do that if
I can stop it, lass. You don't want to be the talk of the town, do you?
But whether you do or not, you're not going to have your way. There'll be
scandal enough without Mark Clay's daughter adding to it by going
marching through the town with the rabble that have just burnt her
father's barns,' said Mr Howroyd; and he quickened his steps to avoid
being caught up by the rabble, as he called them.
But in spite of his efforts, the crowd behind gained on them, and they
heard the foremost say, 'It's William Howroyd, that's who it is. He's a
different man to his brother, that he is. He'd never turn us out of his
park, wouldn't Mr William.'
'He's got Clay's lass with him, though. What d'ye say lads, shall we let
her come into t' town if he won't let us go into his park, or shall we
turn her back same as he did us?'
There were mingled shouts of 'Let her be!' and 'Nay, nay, let's turn her
back, same as he did us, and teach him a lesson!'
They were close behind now, and Mr William Howroyd could no longer
pretend not to hear what they said. The road was wide, and bordered by
banks and hedges. He took Sarah by the hand and pulled her up on to the
bank with him; but even in that moment he noticed that her hand did not
tremble in the least, but was, as a matter of fact, steadier than his
own.
'I'm not going to run away from them, Uncle Howroyd. I'm not a bit afraid
of them,' she protested, as he pulled her up after him.
'You do as I tell you; but you couldn't run away from them if you wanted
to,' he replied.
Sarah stood on the bank beside her uncle, and waited for the crowd to
come up to them. They were only about fifty in all, and mostly young men,
and they seemed undecided what to do when they saw Mr Howroyd standing
upon the bank by the roadside, with his niece beside him.
William Howroyd's pleasant, cheery face was graver than most present had
ever seen it, as he stood and watched the men come up and stand,
half-sheepishly and half-defiantly, in a kind of irregular semicircle
round them.
As none of them spoke, except in murmurs to each other, Mr Howroyd
decided to break the ice, and began, in his brisk, ringing voice, which
had a very stern tone in it to-night: 'Well, men, what do you want of me?
I've made way for you to go forward. Why don't you go?'
'We want a word with you first, Mr Howroyd,' said one of the foremost,
who had already shown himself to be antagonistic.
'I want no words with men who break the laws of the land,' replied
William Howroyd sternly, and as he said this some of the men remembered
that he was a Justice of the Peace.
'We've broken no laws, Mr William. We never set the barn afire, and you
can't prove that we did,' said one rather anxiously.
'You stood by and let it burn; and you forget that it was my brother's
property,' he replied.
'Mark Clay's no blood-brother of yours. We've nought again' you, Mr
William.--Let 'im be, lad; he've allus right on his side, and he's a
good master, is Mr William,' said an older man, walking on.
'Noa; but we've summat again' Mr Clay, and I say let the Clays stop in
their park--they want it to themselves, and let 'em have it; but we won't
have 'em in Ousebank,' said the first speaker in a surly voice.
'The park's private property, and you've no right there, and my brother
had a right to turn you out to-night. I'd have done the same if you'd
come into my house; but we're all equal on the public road, and if you
molest us here you'll answer for it to me in another place,' said Mr
Howroyd with determination.
All this time Sarah had stood beside her uncle, her eyes flashing, but
giving no other sign that she was moved by the discussion; but she now
said, 'The men are right, Uncle Howroyd. I will go back to Balmoral;' and
she turned to go up the hill.
Poor Mr Howroyd might well say he did not understand women, for this was
the last thing he had expected Sarah to do, and it embarrassed him very
much, for he wanted to get to the town as soon as he could and stop
possible disturbances; but it was impossible to let Sarah return to her
home alone on an evening like this. He stood looking first at the crowd,
which was now passing on, and then at Sarah, doubtful which to accompany,
when the question was decided for him by a man in the crowd, who came
forward and said, 'I'll see Miss Clay home, Mr William; you'll be wanted
down Ousebank to-night.'
'Mickleroyd!' cried Mr Howroyd in amazement. 'You here! I didn't expect
to see you among this lot.'
William Howroyd feared no man, and 'said his mind,' as he was wont to
express it, and he was far too popular for it to be resented, perhaps
because his 'mind' had never anything but kindness in it, though it was
very truthful.
'I'll answer for my presence here if need be, Mr. William; but let me
take the young lady home. She'll be safe with me, and the town'll be
safer if you are there,' said the old man, with sturdy independence.
'I'll come, Luke.--Good-night, uncle,' said Sarah, deciding the question,
as usual, for herself.
'Good-night, Sarah. I'm glad you're going home; your mother'll be
worrying about you, I'll be bound, and she'll want some one to comfort
her,' said her uncle as he turned to go down the hill.
'Oh, Horatia's doing that, I've no doubt. I can't think why she wasn't
me, and I her. She'd have liked to live at Balmoral,' replied Sarah.
'She's a good young lady, Miss Sarah, and, if you'll excuse me, she's
done the master a mint of good. It's what he wants, some one to say a
word in season, and make him a little softer like,' said Luke Mickleroyd.
'You're all alike, Luke; you think there's no one like Horatia
Cunningham, and I can't think why except that she has a pleasant way of
saying things,' said Sarah a little bitterly.
'It isn't only that, miss; it's that she's got a lot of heart. But I know
you've got a heart too, and a heart of gold; only I often think 'tis a
pity some people cover it up so carefully that it wants a lot of digging
to come at,' remarked the man.
'I suppose you are talking about me; but don't I show you any feeling,
Luke?' asked Sarah rather reproachfully.
'Yes, miss, of course; and I wasn't thinking of you at the minute, as it
happened. I'm sorry I said what I did about Miss Cunningham if it annoyed
you, for I know from Naomi how kind you are, and what a true friend to
all our family. If I said anything, it was because I was thinking 'twas a
pity you didn't take things as the other young lady does, for if you had
very likely matters would never have come to this pass.'
Sarah did not answer a word, and the two walked on in silence. Luke
Mickleroyd was thinking bitterly of the part his daughter Jane Mary had
taken in the day's work, and Sarah's thoughts were not more pleasant.
'I dare say you're right, Luke; but one can't change one's character. If
a person's born proud and horrid like me she can't help it; it's her
nature to be so,' she said after a pause.
'There's something above nature, Miss Sarah; and though I'm not one to
preach, I know you know better than me, not being a scholar, that you can
be changed,' replied the man.
Sarah was so surprised at such a speech from a mill-hand that she found
no words to reply; but when he had left her, by her desire, at the back
of the house, she made her way to her room by the back-stairs, and taking
up her favourite attitude on the wide window-seat, sat and gazed out over
Ousebank.
'I hate them all! I hate Ousebank, and the mills, and the hands--the
ungrateful people; they turned against me even, though they know I have
always taken their parts and sympathised with them,' she burst out. Then
the words of her uncle came back to her that she would one day regret the
attitude she had taken up, and she wondered whether she didn't regret it
a little now. And then Luke Mickleroyd's remarks haunted her, and with a
sudden impatient movement she got up and went to the door. There she
paused irresolutely, and then, half-shamefacedly, she turned back and
knelt down by her bedside; and after ten minutes she got up and walked
swiftly out of the room and down the stairs, wondering rather at have
said; and though she said her prayers night and morning as a matter of
habit, she did not remember ever having prayed in the daytime before.
CHAPTER XX.
SARAH'S FIRST STEP TO CONQUEST.
Sarah walked swiftly along the passages, her head erect, her colour a
little brighter, and her lips half-smiling instead of being curved in a
contemptuous droop; and on her way she met Naomi.
'Oh miss!' cried Naomi, and then stopped short, and looked curiously at
her young mistress.
'Well, Naomi, what is it? What are you looking at me like that for? Has
anything more happened?' demanded Sarah.
'No, miss; thank goodness there's nothing more than you know, and that's
enough, and too much. I was only thinking you look rare and beautiful
this evening,' blurted out the maid.
'What nonsense, Naomi! I'm just hot and red, and you don't like pale
people,' replied Sarah; but she was pleased all the same; for though she
was not in the least vain of her good looks--which she would have
exchanged willingly for Horatia's parentage--she liked to be admired, and
she walked on, feeling very satisfied with herself.
Naomi looked after her admiringly. 'There's not a young lady can hold a
candle to her in all the county. But wherever's she going? Why, that's
not the way to the drawing-room; she's going to the master's room. Well,
it isn't often she pays him a visit, and it mostly ends badly, if it
doesn't begin so. How she comes to be his daughter I can't think; she's
too good for the like of him. I'd sooner have believed she was a duke's
daughter,' she soliloquised.
Meanwhile Sarah, conscious that she was doing a noble action in
conquering her own feelings, walked on, as Naomi had said, to her
father's special sitting-room, which he called his study, but in which
his only study was how to make more money.
Sarah tapped at the door, and her father's voice growled something which
she took to be an invitation to come in, so she opened the door and
entered the room; but on the threshold she paused and hesitated. Her
father was sitting in his big easy-chair in front of his bureau, writing.
He did not look up at once, thinking it was a servant, who could wait his
pleasure, and Sarah had time to notice his forbidding expression. It
seemed to her that her father had never looked more unlovable, as he sat
there with a scowl on his face, writing no doubt letters to the police or
whatever authorities he wished to invoke aid from to punish the
incendiaries; and as he wrote such a malignant and fierce expression came
over his face that Sarah made a movement to retreat; but the noise she
made in doing so attracted Mr Clay's attention, and, looking up sharply,
he exclaimed, 'What! you, Sally?' and laid down his pen to hear what his
daughter had to say to him.
'Yes, father; I came to tell you how sorry I am about all this affair
to-day,' she said.
Mr Clay looked keenly and a little suspiciously at his daughter. She
stood there, looking so like a culprit apologising for her misdeeds, that
the thought flashed across him that perhaps she had something to be
sorry for. She made no secret of her sympathy with the 'hands,' and she
had not expressed sorrow or indignation at the time, so that the
mill-owner may be excused if he believed for the moment that she had had
something to do with the fire.
'Are you sorry?' he asked dryly. 'I thought you didn't care if I lost
every penny of my money. That's what you always say. Are you sure you're
not sorry that your friends are going to get into trouble, eh? I suppose
you didn't know anything about it beforehand? Because, you know, I
sha'n't make any exceptions. Those that burn my property shall pay for
it.'
'Father,' cried Sarah indignantly, 'how can you think such a dreadful
thing of me? If that's what you think, I'm sorry I came to you at all;'
and she turned to go.
'Stop a minute, my lass,' said her father. 'I'd like to get to the bottom
of this. Why did you come?'
'I came to tell you I am sorry for your loss,' said Sarah half-sullenly.
'You are sure you didn't come to beg these people off their punishment?'
persisted Mr Clay.
'Yes, I am quite sure of that. I should never waste my time asking you to
show mercy to any one,' cried Sarah, her eyes flashing.
Mark Clay looked at his daughter with an angry light in his eyes. 'I'm
glad you've got so much sense, my lass,' he said coldly, and went on with
his writing.
Sarah hesitated a minute. She was sorry for the words the moment they
were out of her mouth. It was a miserable end to her attempt at making
friends with her father; but her father's head was bent over his
writing, and his face had on the stubborn look she knew so well, so she
reluctantly turned away, and went back to her own room.
'He means mischief,' she said as she leant her chin on her hands. 'He's
more dangerous when he is quiet like that than when he blusters.'
How long she sat Sarah did not know, until she was startled by hearing
the dinner-gong clanging through the house. She gave a violent start, and
looked round to see if Naomi had put out her dress for dinner, and saw,
to her surprise, not only that she had not done so, but that it was the
dinner-hour, so that either dinner must be late--an unheard-of thing in
that house--or she had not heard the dressing-bell, and this must be the
dinner-gong.
'But where is Naomi, and why was my dress not put out for me?' Sarah
asked herself, and in answer to her unspoken question Naomi appeared.
'Oh Miss Sarah, I'm so sorry; I've fair forgot everything to-day, with
all the upset! Oh miss, do let me dress you quick!' she cried, in great
distress.
'It's the dinner-gong, then?' inquired Sarah.
'Yes, miss; there hasn't been any other. Sykes he forgot to ring the
dressing-bell; the first time in his life, he says, that he ever did such
a thing. The only one that's gone on the same as usual is the French
_chef_, and, of course, he doesn't care a bit about us English folk. All
he said when he heard about this was, "Vell, he got plenty money build
more barns; but if his dinner isn't to the minute he'll swear, and so
there it is, ready to dish." So pray make haste, Miss Sarah, for master's
sure to be upset easy to-night,' Naomi wound up.
'Naomi, was Jane Mary in this?' inquired Sarah abruptly.
It will be noticed that they both alluded to the incendiarism as 'this.'
Naomi replied, 'I couldn't say, Miss Sarah. I couldn't say anything for
certain about it, on any account.'
'You mean you won't; and that means that you don't trust me,' replied
Sarah.
'No, indeed, miss; I'd trust you as soon as I would myself. But it's the
real truth; I don't know anything, nor I won't know anything. And if I
was you I'd do the same. It'll be the safest way and the best in this
business,' Naomi told her earnestly.
Sarah sighed. 'It's going to be a bad business for those that do know
anything about it,' she said.
'It would have been worse if some of them had had their way,' observed
Naomi.
'Then you do know something about it?' exclaimed Sarah.
'I know what they're all talking about, but what's true and what's false
I couldn't tell you.'
'Is my mother dressed for dinner?' inquired Sarah suddenly, abandoning
the attempt to pump Naomi.
'No, Miss Sarah; the mistress has been lying down ever since she came in,
with Miss Horatia.'
'Lying down with Horatia?' ejaculated Sarah.
'I mean lying down, with Miss Horatia sitting beside her holding her hand
like a daughter,' Naomi corrected herself.
Sarah coloured violently, and Naomi wondered what made her do so. Poor
Sarah was being made to feel all round what a poor sort of daughter she
was, and she felt irritably that it was only since Horatia came that this
fact had been obvious. But Sarah was wrong. Her attitude towards her
parents had always been noticeable, and her brother and mother had
constantly upbraided her with it; but it was Horatia's coming which had
brought this home to her, and she did not like it.
'That will do, Naomi,' she said, giving an impatient tug to the sash that
the maid was tying, and she ran lightly down the corridors and the wide
marble staircase to the dining-room.
Mr and Mrs Clay and Horatia were all there, and dinner was begun; and
Sarah noticed, to her annoyance, that all three were dressed in the
clothes they had worn for the picnic. 'Oh, you haven't changed! I have;
that's why I am late.'
'We were all too upset to think of dress; we're not like you, above
caring about these things,' said her father bitterly.
'Sarah thought you wouldn't like to see 'er in 'er dusty clothes, Mark;
an' I would 'ave changed too, only I was so tired I thought you'd excuse
me; an' Miss 'Oratia 'ere was too kind to leave me alone, my nerves bein'
upset,' put in Mrs Clay in order to shield her daughter, and really
making things worse by contrasting Sarah's conduct with Horatia's.
'Yes, she's a good, kind lass, is Miss Horatia,' said Mr Clay, giving her
a friendly look, as he pressed some favourite dish of his on her.
Sarah had dreaded dinner, being of the same opinion as Naomi that her
father would be upset. Indeed, he had looked very much upset and ready
for an explosion when she left him in his study; but it was 'Horatia
again,' she said to herself, and she thought angrily that Horatia cared
nothing about those poor people who had got themselves into trouble.
She was angrier still when Horatia replied, 'I'm not at all good or kind
at this minute, for I should like to put all those people I saw in the
park into prison.'
'You'll have your wish before long, little lass, for that's where they'll
all be,' said Mr Clay.
'Oh, but I shall be very sorry if they really do go to prison. I only
wished it from revenge, and, of course, that's a very wrong motive,'
cried Horatia. She looked across at Sarah to help her; but Sarah would
not look at her friend or join in the conversation at all.
'I don't know whether it's a wrong motive or not, but I do know that it's
necessary to punish those wretches for destroying my property; and
punished they will be,' Mr Clay replied.
'There wasn't many o' 'em really doin' that, Mark,' said Mrs Clay
timidly.
'They were doing as bad, standing by watching the destruction; and I'll
have every man of them clapped into prison,' said the millionaire.
Mrs Clay said no more, and Horatia began to chatter about other things,
amusing both Mr and Mrs Clay by her shrewd remarks.
Sarah sat sullenly by, and when dinner was over she went straight up to
her room instead of joining the others in the drawing-room. 'They prefer
Horatia to me, so let them have her. I'm sure she's welcome to do
daughter,' Sarah said to herself. Perhaps finding her place usurped
awakened Sarah to the knowledge that she had a place to fill in her
home, and that she was not filling it.
The next day Mr Clay went down to his mills as usual, and no word had
been said about the events of the day before; but Sarah was not deceived.
Her father, she was sure, was planning his revenge, and sooner or later
he would, as he had said, clap his enemies into prison.
Naomi could give her no information on the subject, and Mr Howroyd
refused point-blank to discuss the matter. 'You'll hear all there is to
hear in time; but it may come before me to be heard, and I can't discuss
it with you or any one else.'
The next morning came a very polite letter from Lady Cunningham to Mrs
Clay, thanking her for all her kindness to Horatia, and begging that she
might return in time to pay a visit to some relatives, who desired that
she might accompany her parents, as she was a great favourite.
'I don't wonder at that, my dearie; you'd be welcome anywhere, with your
bonny bright face,' said Mrs Clay.
'I sha'n't let you go unless you promise to come again soon,' said Mr
Clay, with a heavy attempt at humour.
'Oh, but I am coming! I've enjoyed myself immensely,' cried Horatia
willingly.--'Good-bye, Sarah. I shall be so glad to see you back at
school. We shall be friends again then as we used to be, sha'n't we?'
'I don't feel as if anything were going to be as it used to be,' said
Sarah; but she kissed Horatia very affectionately when they parted.
'I believe it's your doing that mamma sent for us, Nanny,' said Horatia
when the two were in the train.
'And if it was, I'm not a bit ashamed of it,' said Nancy stoutly, 'for I
couldn't have stayed another night there, starting and trembling at every
sound, and dreaming shocking dreams of being burnt alive in my bed.'
'It's awfully selfish of us to come away and let them be burnt alive in
their beds, if you think it's at all likely,' remarked Horatia.
'Then I'll have to be selfish, for I don't consider it's any part of my
duty to stop and be burnt with them, which it's their own fault in a way,
for they do say that Mr Clay's made himself fairly hated by his ways.'
'I don't hate him,' observed Horatia.
'No, miss, so I saw; but however you put up with him and his common ways,
let alone his hasty temper, I can't make out. Well, we've seen the last
of them, thank goodness! so I'll say nothing against them,' remarked Mrs
Nancy with satisfaction.
'I've promised to go and stay with them again soon,' observed Horatia.
'That's if her ladyship allows it,' replied Nancy, in a tone that implied
that the mistress wouldn't allow it.
Horatia only laughed. 'It will be nice to see them all again,' she said.
And this time she meant her own family.
CHAPTER XXI.
CLAY'S MILLS PLAYING.
Sarah was sitting in her own room, rather cross with herself for feeling
lonely, and trying not to acknowledge, even to herself, that she missed
Horatia, or to own that her schoolfellow made things go more smoothly,
somehow. It was a stormy-looking morning, and Sarah was wondering what
she should do with herself, when she felt a gentle hand placed on her
shoulder, and, turning in surprise, saw her brother standing behind her,
with his usual pleasant smile on his face.
'Good-morning!' he said, as he kissed her.
'Goodness me, George! Where on earth did you spring from?' she cried in
surprise. 'I thought you were in Scotland.'
'So I was till yesterday; in fact, I've only just arrived,' he remarked.
'You've been travelling all night, and you look as fresh and clean as if
you'd just dressed for breakfast! But that's just like you. I believe
you'd be miserable if you had your hair untidy or your face dirty,' she
observed.
'It certainly isn't a pleasant idea. Besides, there is no need for it in
this case, seeing that they provide plenty of hot water in the through
sleeping-car,' remarked George, seating himself on the window-seat
opposite his sister.
'All the same, I should think it would be pleasanter to travel by day.
And what brought you back a week before your time?' Sarah demanded.
'I thought I should like to have a last look at the old home,' he replied
dryly. 'I have more affection for it than you have, you see.'
'How did you hear about it?' inquired Sarah.
'I saw something in the papers, and wired to Uncle Howroyd, and he said I
had better come back. I meant to come in any case, though, as soon as I
saw the papers,' explained George.
'What did the papers say? I haven't seen one, and no one will tell me
anything. Uncle Howroyd is worst of all, because, he says, he's a
magistrate; but I suppose it's just because I am only a girl, since he
will talk to you,' said Sarah.
'He only told me the real facts of the case, and said he thought my place
was at home, if only to comfort my mother.' Here George paused a moment,
and then continued, 'She seems to miss that little Miss Cunningham. She's
been rather lonely these last two days.'
There was a tone of reproach in his voice, and Sarah answered quickly,
'I've been too miserable and worried to talk to any one.'
'I'm afraid the pater will be in a terrific rage about it,' replied
George; and, having made his reproach, did not recur to it.
'Will be in a rage? What do you mean? He has been in a rage ever since it
happened. He ought to be cooling down by now; but I don't suppose he'll
do that till he's got them all in prison,' replied Sarah.
'Then you don't know?' inquired George.
'Know what? Have they been tried and let off? It's too bad of Uncle
Howroyd not to tell me, and I wanted so to know,' cried Sarah.
'They can't get a case against them. No one will give evidence, not even
the head-gardener; he says he didn't see how the fire began, and it might
have been burning weeds that caused it,' said George.
Sarah laughed. 'I am glad!' she exclaimed in a tone of delight.
'I'm not. It's a very disgraceful thing that a man's property should be
destroyed and no one punished,' said George, with unwonted sternness.
'But father said he'd prosecute them all for trespassing,' observed
Sarah.
'You'll be glad to hear that he has been told that no magistrate would
convict; it's something about a right of way,' said George.
'George, I am sorry they did it; but I do think he has provoked them, and
he is hard to his workpeople,' said Sarah.
'I know; but this isn't the way to make him better. In fact, I am afraid
they've enraged him so that goodness only knows what will be the end of
it,' said George gloomily.
'I suppose you'd mind dreadfully if we did lose all our money?' suggested
she.
'Of course I should; and so would you, whatever nonsense you may talk to
the contrary!' cried George testily. 'And it's to do what I can to smooth
matters down and prevent any such catastrophe that I have hurried home.
Not that I can do much good,' he wound up.
'Oh George, it would be jolly to live in a little cottage, and do as one
liked, and dress as one liked, and not have to sit for hours over long,
stupid meals, and have to walk half a mile from your bedroom to the
dining-room!' cried Sarah.
'You'd be a nice one in a cottage! You'd want the whole of it to yourself
to begin with; and as for doing what you like, you would not be able to
do that if you were poor any more than, or nearly as much as, if you were
rich. You'd have to keep the house clean, and do the cooking, and be a
drudge. How would you like that, pray?' he inquired.
'Lovely!' said Sarah with enthusiasm.
George looked at her curiously, with a half-amused expression. 'I only
hope you mayn't be put to the proof, but it wouldn't surprise me.
However, I mustn't stop here talking; I want to see the governor. I
suppose he's gone to the mills?'
'Yes; but I don't advise you to go there after him. You know he's always
in a worse humour in the morning than he is in the afternoon when he's
had some lunch. Wait and see him then. We might go down to the rink
father had made on purpose for Horatia. I think he'd have got her the
moon if she had asked for it,' observed Sarah.
George laughed. 'She was very nice to mother. By the way, if you really
want to skate, I'll go and tell her; she'd like to come down and watch
us, and the walk would do her good.'
'All right,' agreed Sarah, as her brother went off to fetch his mother.
'It was so kind o' your father to 'ave this floor laid. 'E's good enough
to people if they only take 'im the right way, only 'e mustn't be
crossed; 'e never 'as been. Oh deary me! w'at 'e'll do now that they've
crossed 'im in this business, I don't know. 'E says 'e'll best 'em yet,
for 'e's never been bested by any man, an' doesn't mean to be,' said Mrs
Clay as she walked along, clinging to her son's arm.
'I dare say he'll calm down in a day or two. It is very irritating. He
can't "best" the law, as he calls it,' said George in a soothing tone.
'Well, there's no fear o' 'is goin' against the law, for 'e doesn't 'old
wi' that,' said Mrs Clay.
'Then we may console ourselves that his "besting" will be legal, in which
case no harm will come of it,' said George with a smile, as, having put
his skates on, he gave his hand to his sister and took her for a round.
Mrs Clay sat on the raised stand, and watched the two as they skated
round and round, doing all sorts of figures, and performing rinking feats
for her special benefit, as she was well aware.
'Beautiful, my dears--beautiful! But, oh, do be careful! Suppose you were
to fall an' break your pretty noses or legs, or anythin'!' she ejaculated
at intervals.
The two skaters laughed heartily at this last remark. 'I believe you
would care more about our noses than our legs, mother,' said Sarah,
'though they aren't half so important.'
'There's nothin' so important to a woman as good looks--except bein'
good,' said Mrs Clay seriously when they stopped to rest for a few
minutes beside her.
After a couple of hours they went back to lunch, and found their father
had just come back from the mills. He greeted George in a friendly enough
manner.
'I got your telegram, my lad, thank you; and it's nice of you to hurry
home to stand by your dad in his fight. For I suppose that's what you've
come for, isn't it?'
'Yes, father, certainly, as I told you in my telegram. I only wish I had
been there; they wouldn't have got off scot-free, the scoundrels!'
replied George.
'That's the right spirit, my lad. I wish you had been there; but I've got
the best of them. They didn't know Mark Clay when they tried that game on
with him; but they'll know him better now,' said the mill-owner.
'What have you done, sir?' inquired George, in his calm way, which gave
no sign of his secret anxiety on the subject.
Mark Clay gave a chuckle, which made Sarah feel very uneasy; but only
said, 'You'll see, my boy--you'll see. Just wait till the end of the
week. It'll be public property then, and folks will see whether Mark
Clay's an easy man to beat.'
George avoided looking either at his mother or Sarah; for, truth to tell,
he felt very uncomfortable. This cheerfulness on the part of his father
boded no good. But he asked no more questions, and talked about the sport
he had had in Scotland.
'George,' said Sarah after lunch, 'what's he up to?'
'I don't know,' replied her brother, too depressed to comment upon her
mode of expression.
'Well, I believe I know. He's going to turn them all off. You see if he
isn't. That's what he means by saying, "Wait till the end of the week."
Oh dear! oh dear! What a business there'll be! There were at least a
hundred in the park that day.'
'It's their own fault. But that would be cutting off his nose to spite
his ears, wouldn't it? It would inconvenience him dreadfully to dismiss
so many men at once,' objected George.
George, it will be observed, knew even less of his father's business than
Sarah, whose visits to her uncle Howroyd's mill and her acquaintance with
the Mickleroyd family gave her some knowledge of the working of the
mills; so she answered now, 'Oh, he won't care. He'll shut a workroom up
and make the others work harder. You may trust him for not
inconveniencing himself; it's the people who will be thrown out of
employment that I am sorry for.'
George did not argue the matter with her, but walked off to see his
uncle, who had nothing consoling to say to him, except that he would
stand by them whatever happened.
'And what do you suppose he expects to happen?' George asked his sister,
rather irritably, when he returned.
'Goodness knows! All I know is that I shall be glad when this week is
over,' she replied.
But Sarah was wrong, for when the time came there was no gladness at
Balmoral.
'You were right, Sarah,' said George, coming in and throwing himself down
on a cane arm-chair in the garden, near where his sister was sitting
reading.
'I generally am,' said Sarah lightly. She and her brother were great
friends in spite of their abuse of each other.
'It's no joke,' he replied seriously; and Sarah, looking to see what was
the matter, was struck by her brother's grave looks. He was coming out
in quite a new aspect.
'What's no joke? Oh, do you mean that I was right about father's
revenge?' she inquired.
'I don't know about its being a revenge; but he's turned out that crowd
that looked on at the fire, and the hands have revenged themselves by
striking, and Clay's Mills are "playing."'
It should be explained that 'playing' in the north country means not
working, and a very serious thing it is, especially in a large mill.
Sarah dropped her book, and sat there, open-mouthed, looking at her
brother. 'Clay's Mills "playing"! Our hands have gone out on strike?' she
gasped.
Her brother nodded silently. 'Of course they'll have to give in; the
governor can hold out longer than they can; but it means a terrible
loss,' he said at length.
They were sitting there staring blankly at each other when they heard
their father's voice. Both started as if they had been caught doing
something wrong, and instinctively looked round to see if there was any
possibility of escaping without being seen; but they saw that this was
impossible, for Mr. Clay was making for them.
'Oh George! he'll be in a towering rage. You talk to him. I'm sure to say
something to irritate him,' said Sarah in a hurried undertone.
'He doesn't look much upset,' observed George; and just at that minute
the millionaire came within hearing, and called out a cheery
'Good-morning' to them.
'Well, my lad, I've got rid of a lot of bad material to-day,' he remarked
jocosely.
'You mean the hands, father?' said George, as he rose and politely placed
a chair for his father.
'Yes, I mean the hands,' said Mr Clay, mimicking, with little success it
must be owned, his son's soft, drawling tones and refined accents.
'I'm sorry you found them all bad material,' George replied, without
noticing this.
'I didn't say I did; but part of it was bad, and as the good wouldn't
stay without the bad, out they both had to go, and bitterly they'll rue
the day they did it,' declared Mr Clay.
'I hope you won't,' burst out Sarah.
Her father looked as if he were going to get into one of his violent
rages, but refrained, as he had done lately; and again Sarah could not
help noticing the change that had taken place since Horatia's coming,
though Horatia had not been able to prevent him from doing this latest
act. 'I hope not; Clay's Mills sha'n't "play" for them,' he said quietly;
but there was a satisfied look on his face that Sarah could not
understand.
It was Saturday, and all that day and all Sunday the millionaire went
about looking aggressively cheerful. 'He only does it just to annoy us,'
said Sarah.
'It doesn't annoy me. I'm only too glad to see one cheerful face in the
midst of so many gloomy ones, though I should like to know what it
means,' said George.
'So should I, for Naomi says father has a big contract on, and will lose
thousands every day he stands idle,' said Sarah.
George looked very serious. 'What can he be thinking of? He must be
going cracky,' he opined.
'Oh no, he isn't,' said Sarah a few minutes later; 'he's done them,
somehow. Look!'
George looked out of the window. 'The mills are working!' he exclaimed.
'How has he done it?'
CHAPTER XXII.
'FURRINERS' IN OUSEBANK!
The young Clays stood and stared at each other in blank amazement. Then
they looked out again at the cluster of tall chimneys which belonged to
Clay's Mills, and which were belching forth great volumes of smoke as if
in contemptuous defiance of those who had dared to try to stop their
mighty engine.
'It is our mills!' repeated Sarah, as if she had almost disbelieved her
eyes.
'Yes, there's no mistake about it; they are our mills; and yet I could
have vowed I saw some of the hands pass by the park-gate this morning
when I went to speak to the park-keeper. They were going away from
Ousebank in search of work, I supposed.'
'I expect you are mistaken. How could the mills work without the hands?
Unless they climbed down, and I'm sure they won't do that. Besides, you
don't know their faces, do you?' asked Sarah.
'I guessed who they were by the way they glared at me; it made me pretty
uncomfortable,' said George.
Sarah looked at her brother, who was smoking a gold-tipped cigarette.
'You don't look very uncomfortable,' she observed.
'Oh George! Oh Sarah! Do you see that the mills are workin' again?' cried
Mrs Clay, her lips trembling, as she came into the room where her
children were.
George put his arm round his mother. Even Sarah was moved to be
demonstrative, and, taking her mother's hand, fondled it.
'What is it, mother? Why does that frighten you so? It is a very good
thing, though I don't know how it has come about,' said George gently.
Mrs Clay only shook her head. She made no reply, but stood gazing out
over Ousebank, her eyes fixed on the cluster of chimneys that belonged to
their mills. They had finished the firing probably, for the chimneys were
not smoking so violently now, but some smoke was still coming out.
Sarah seemed very thoughtful, and soon left the room to go in search of
Naomi. 'Have the hands gone back, Naomi?' she asked abruptly.
'You've seen it, then? Our lads haven't, I know. I can't make it out at
all. I'd give something to know what's happened; but now that none of the
townspeople are allowed farther than the park-gates we hear no news at
all,' replied Naomi.
'Naomi, I must know how they've managed it. I shall come down the town
with you,' cried Sarah.
'Very well, miss. I'll be ready in two minutes,' said Naomi, and went
off.
On her way she met Mrs Clay, who looked relieved at meeting her, and
remarked, 'Oh Naomi, just tell Miss Sarah that Mr Howroyd 'as 'phoned to
say that none of us are to go into the town to-day.'
'None of us, ma'am? Do you mean not even me?' inquired Naomi, looking
blank.
'Oh, you! No, you won't matter; they won't 'urt you,' said Mrs Clay,
quite severely for her.
Naomi returned slowly to Sarah's room. 'Mistress says no one is to go
into the town to-day, by Mr Howroyd's orders, except me; so, please,
miss, may I run down and find out what it all means?'
As may be imagined, Sarah did not understand this message at all; but
when Naomi had explained as well as she could, her young mistress said
with decision, 'I'm coming with you, Naomi. Something dreadful is the
matter. I expect they are burning up all the fuel, or doing some damage
to the mill.'
'Please, Miss Sarah, don't be angry, but I daren't take you. It's as much
as my place is worth, and you might get roughly handled if the lads are
angry with the master,' said Naomi.
'You need not take me, but you can't prevent me from going with you. In
fact, if you like you can start first. I will go alone,' persisted Sarah.
Naomi would have liked to argue with Sarah; but she knew it would be a
waste of time, so she went off, and instead of making herself smart, she
caught up a shawl, threw it over her head, and ran down the back-stairs
and out at the back-door as quick as she could.
'No, you don't!' cried a voice behind her, and a strong hand grasped her
shoulder none too gently.
With a little cry Naomi turned, to see herself confronted by Sykes, who
exclaimed, 'Whatever are you up to, Naomi? I thought you were a
mill-lass, and we don't want none of them up here.'
'So I am for the moment. Let me pass, Mr Sykes. Miss Sarah wants to know
what's on in Ousebank.'
'No good, I'll warrant; and don't get mixing up with it,' was the
butler's parting remark as he released her.
Naomi sped across the park; but what was her surprise to see ahead of
her, running as fast as she could, another mill-lass! Naomi made after
her quickly, meaning, if she were a friend, to ask what was doing in
Ousebank, and, if not, to demand her business at Balmoral. 'Wait a bit,
lass,' she called out when she got near enough to be heard; but the girl
only ran on faster. She was tall and slender, and not unlike Jane Mary,
Naomi's sister; and the thought struck Naomi that if it was her sister,
she was after no good. 'Jane Mary,' she shouted, 'if you don't stop I'll
heave this stone at you!'
The figure in front stopped at this threat, and turned.
'Miss Sarah! I beg your pardon, miss; I didn't know you,' cried Naomi in
surprise.
'Now that you do know me, and see that I mean to go to Ousebank, perhaps
you'll drop that stone--it might have killed me if it had fallen on my
head--and let me walk beside you instead of in front.'
Noami looked rather guiltily at the stone in her hand, and dropped it,
saying apologetically, 'I thought it might be some one up to no good. But
do you suppose they won't know you, miss?'
'You didn't,' observed Sarah with a laugh.
'Not your back; but all Ousebank knows your face, and they'll maybe turn
nasty to you,' Naomi warned her.
'They'll be too busy to stare at a mill-lass, and I shall keep as well
behind you as I can.'
Naomi looked doubtfully at her mistress. 'Perhaps if you were to tie this
handkerchief round your face, as if you'd got toothache, you'd pass
better,' she suggested, handing Sarah a large white pocket-handkerchief
with a coloured border.
Sarah took it and wrapped it round her face, saying as she did so, 'It
will make me very hot. But I'll tell you what, we'll go straight to your
house, Naomi; they will know all about it there, and we sha'n't mix in
the crowd.' Sarah's courage, as may be seen, was oozing away with all
Naomi's warnings.
But Naomi proved a Job's comforter. 'I doubt we'd better not go home,
Miss Sarah. There's Jane Mary fair off her head, she's that mad with the
master, and she's turned against all of you. She'd think you were a spy
or something, and be nasty as like as not.'
Sarah said no more, and as they had come to the town now they had enough
to do to pick their way through the crowded streets. 'The mills can't be
working, Naomi. Here are some of the chief hands,' she said in an
undertone.
'I never thought they were. It's some mischief they're doing. Hark! did
you hear what yon man said?' inquired Naomi in the same tone.
'No; at least, I could not understand, he spoke such broad Yorkshire. I
thought he said something about "furriners,"' replied Sarah.
'That's what he did say. Oh miss, come into the ginnel [alley] till these
men pass,' cried Naomi, pulling Sarah into the said 'ginnel,' just in
time to avoid a party of young men, who were evidently very excited, and
were anathematising Mark Clay. 'Miss, you'd best go to Howroyd's. There's
a fine to-do to-day,' entreated Naomi.
'Perhaps I'd better,' agreed Sarah, who was not very happy in her
mill-lass's get-up. At no time did Sarah like meeting the 'hands;' but in
this disguise she disliked it still more. It was only a mad impulse which
made her don the disguise, and she rather regretted it now that she saw
the state of the town. So she willingly turned towards Howroyd's Mill.
'The master's at the telephone. He's been there most of the morning, and
it's no use your coming to-day; you'd best leave your message,' said the
maid, who did not recognise Sarah. Indeed, she had only opened the door a
few inches, taking them to be poor girls come to ask help from the
ever-ready philanthropist, William Howroyd.
'Let me in, Mary,' said Sarah, coming forward and untying her disguising
handkerchief.
The maid gave a little shriek, and grasping Sarah by the hand, drew her
inside. 'Miss Sarah, my dear! however could you? And the town all against
your father! Come forward! Pray, come forward!'
Sarah very willingly went 'forward,' as they say in Yorkshire, and gave a
sigh of relief as she threw off the shawl which covered her head, and
sank into a chair. 'What is the matter, Mary? What has my father done
now?' she demanded.
'You don't know? Oh deary me!' cried the maid, with lifted hands and much
shaking of the head.
'No; tell me quick,' said Sarah abruptly.
Mary looked fearfully round, as if the information was dangerous to give.
'He's got in a lot of furriners--blacklegs--to run the mills,' she said
in a hoarse whisper.
Sarah looked at her in horror, mingled with incredulity. 'Foreigners! How
could he? And how could they do the work? Besides, where did he get them
from, and when did they come? It's impossible!' she cried.
'It's true for all that,' said Mary, nodding her head.
'I must see Uncle Howroyd,' said Sarah. 'Go and tell him I'm here, Mary.'
'I told you not to leave the house,' was her uncle's remark when he came
in, looking graver and sadder than Sarah had ever seen him.
'Yes, I know; but I simply had to come, and no one recognised me. See, I
was a mill-lass,' said Sarah, throwing her shawl over her head to show
her uncle.
She looked so pretty and coaxing--for Sarah could be charming to those
she loved--that her uncle smiled, and said with a sigh, 'Well, you're
safe enough now you're here, and I've half a mind to send for your mother
and George. Anyway, I must telephone to tell them you are here.'
'Oh no, Uncle Howroyd; I must go back for lunch,' cried Sarah, not adding
what was in her mind--that her father would be angry if she were not home
for lunch.
'You'll have to stay now you've come, child. There'll be no going home
for you to-day, so you'll have to do with a plain dinner to-night; and
Naomi had better go back and fetch what you want, unless I go and fetch
them and your mother myself,' replied Mr Howroyd.
'Do you mean that you think mother isn't safe at Balmoral?' cried Sarah,
starting up.
'I hope so. Do you suppose I should be here and not with her if she
weren't?' demanded Mr Howroyd. 'No; it's only that I doubt if your father
will be able to get home to-day, and I thought she 'd feel safer with
me.'
'She has George,' said Sarah quickly, for she sometimes resented other
people speaking slightingly of her brother, however much she might do so
herself.
'Ah yes, she has George. Well, I'll just 'phone to her;' and he went off,
only to return in a few minutes to say, 'You are right; she prefers
George, and George prefers Balmoral. He says I am to tell you to stop
where you are, if it's any use telling you to do anything.'
'I sha'n't obey George; but as it's Hobson's choice, I will stay with
you, Uncle Howroyd; but, please, tell me, how did father manage to get
foreigners to do his work?'
'That's more than any one but himself knows; but he smuggled them into
the mills yesterday, and they slept there all night, it seems; but who
they are, or where they came from, or how they are getting on, no one
knows,' replied Mr Howroyd.
'They can't stop in there always, and the people will kill them when they
come out,' said Sarah.
'Your father will protect them, and so shall I, if it comes to that; but
it's a bad business, a very bad business; and what will be the end of it,
who can tell?'
'I know they'll burn down the mills--that's what always happens--and we
shall be ruined,' said Sarah.
'That won't ruin you, because they are insured, and let us hope it won't
come to that. Besides, the mills are so well guarded that they can't get
near them,' said Mr Howroyd in a tone which showed that he had thought of
this danger himself.
Mr Howroyd was now called away, and Sarah was left to her own thoughts,
which were not pleasant ones. Somehow, when it came to the point, the
thought of her father being burnt in his mill or ruined by his
workpeople's spite was not so lovely, and she was relieved when Naomi
reappeared with a bundle in her arms.
'I didn't dare to bring a portmanteau, miss, or even your dressing-bag. I
was afraid with all these folk about ready for any mischief, so I've just
brought a few necessities, as the mistress says; and she sends her love,
and says she's glad you are safe with your uncle, though she wishes you'd
stayed with her.'
'I wish I had, Naomi. Tell her I would never have come if I had known I
should not be able to get back, and that if she will tell Uncle Howroyd I
may, I'll come home at once,' said Sarah.
Trouble was doing Sarah good, and her affectionate message did her mother
good; though she hurried off to the telephone to tell Mr Howroyd that she
forbade Sarah to attempt to come home, and to inform him that Mr Clay was
stopping at the mill too.
And so the weary, dreary day wore on, and the excitement in the streets
grew. After nightfall the older men held indignation meetings in public,
where they had huge audiences of sympathisers, the entire population
being on their side, as a matter of fact.
'Foreigners in Ousebank! We've never had such a thing before, and we
don't want it now,' they all agreed. As for the younger men, they held
meetings too; but their meetings were held within closed doors, and what
was said at them was not divulged.
'They're brewing mischief they young uns, sir,' said Luke Mickleroyd to
Mr Howroyd when he came in for a few minutes before he took his watch for
the night.
'I'm afraid they are. We must only pray and trust that they may not carry
it out,' replied Mr Howroyd.
'Ay, sir, that's all we can do. I shall keep a sharper lookout to-night
than I've ever done, and, please God, they'll be kept from doing harm to
others and bringing sorrow on themselves,' said the good and pious old
watchman.
CHAPTER XXIII.
OUTWITTED.
All that night Sarah lay and tossed and turned, or fell into fitful
slumbers, in which she had hideous dreams of the mills being burnt down,
and her father with them. After a very vivid one, in which she saw the
mill-owner standing, a tall, burly figure, on the top of one of the
chimneys, with flames all round him which in a minute must devour him,
she woke with a muffled cry, to find Naomi standing beside her with a
frightened face.
'What has happened, Naomi? Tell me the worst at once,' cried Sarah.
'There's nought to tell, good or bad, so far as I know. But are you ill,
Miss Sarah?' inquired the maid.
'No; I'm quite well. But the mills, and my father--are you sure
that--that he's alive and well?' asked Sarah.
'So far as I know he is, and so are the mills; but no one has seen the
master since yesterday, for he never came home last night. He sent to say
he should stop in the mills all night,' said Naomi.
'Naomi, I must get up. Quick, get me some hot water,' cried Sarah,
jumping up as she spoke.
'It's only six o'clock, miss. I shouldn't have come in and wakened you,
only I thought I heard you call. You'd best go to sleep again; you're
upset with all these doings, and no wonder.'
'I can't sleep, and I want to go to the mills,' declared Sarah.
But Naomi exclaimed in alarm, 'Impossible, miss! Don't you think of doing
such a thing! Mr Howroyd won't hear of it, I know. Besides'--here Naomi
paused, and added in a rather embarrassed manner, 'you can't, Miss
Sarah.'
'I can't go to the mills--our own mills, Naomi? What do you mean? You are
hiding something from me. Are they burnt down or damaged in any way?'
asked Sarah anxiously.
'Not so far as I know, miss; but you can't go into them for all that. No
one can,' repeated Naomi.
'Naomi, have you seen the mills to-day? Are the chimneys all standing
just as usual?' demanded Sarah.
'Why, yes, to be sure they are, and smoking; and big fires they are
making, too, for I saw red sparks coming out of one. Why, what's the
matter, Miss Sarah? You must be getting downright nervous,' observed
Naomi, for Sarah had started and given a little shiver at this last
remark.
'It's nothing, only I had a horrid dream about one of the chimneys; but
if you say you saw them standing, with nothing unusual about them, it's
all right.' And Sarah gave a half-nervous laugh as she thought of the
'unusual' appearance they had in her dream. 'All the same, I'm going to
get up; it's no use lying in bed when you can't sleep,' she continued.
While she was dressing, Sarah's thoughts recurred to the conversation she
had just had with Naomi, and she suddenly remembered that the girl had
never explained her mysterious statement that no one could go into
Clay's Mills. So she rang her bell, and telling Naomi to do her hair, sat
down on a chair while this process went on, and came to the point at
once. 'I suppose father has barricaded himself and the men into the
mills; but I could have got through all right,' she observed.
'The master has barricaded himself in; but the pickets set by the hands
to guard the mills have barricaded every one else out, and they wouldn't
let you pass if it was ever so, not for life or death, for it's been
tried,' replied Naomi.
'How do you mean for life or death?' asked Sarah, bewildered at this
extraordinary statement.
'What I say. One of those foreigners was taken ill and wanted a doctor,
and no doctor would they let through, not even Mr Howroyd; and if any one
could get round Ousebank folk it would be Mr William, for he's fair
worshipped by them all for his goodness.'
'What's going to be the end of it all?' cried Sarah.
'I couldn't say, Miss Sarah. I don't know what's going on, nor I don't
want to. It's safest not, and so mother thinks, for she won't have a word
about it in our house; and Jane Mary has to hold her tongue there, though
they do say she talks like a man at the young fellows' meetings, and is
as bad or worse than they, egging them on. Not that I know anything about
it,' Naomi hastened to add.
'There are none so ignorant as those that won't know, eh, Naomi?' said
Sarah slyly.
'Perhaps not, miss,' agreed Naomi, as she shut her lips tightly, and was
not to be induced to say any more.
Meanwhile the night at Balmoral had not been much more restful. In the
morning George said to his mother in a decided tone which she had not
heard him ever use, 'I am going into Ousebank, mother. I shall go and see
Uncle Howroyd, and if he approves I shall try and see my father.'
'Oh my dear, my dear, don't you do it! I couldn't stay here alone--I
couldn't really!' she cried, wringing her hands.
'Then come with me. We'll motor down, and at best they can only stop the
car and make us turn back; but I don't think they will. Come, mother,
that's not a bad idea; it will make a change, and bring you nearer to the
governor, and you will see Sarah and give her a scolding for her
disobedience.'
'I don't feel like scolding any one. I shall only be too thankful to have
her safe by me; though who knows whether any of us are safe anywhere?'
said poor little Mrs Clay, whom the events of the past week had
frightened out of her wits.
'I think you exaggerate the danger. They may try to fire the house--in
fact, I rather expect they will, only I fancy the police are guarding us
too well for them to succeed; but as for touching us or attempting our
lives, I don't for a moment believe they would do any such thing--not
Ousebank men,' said George, composed as ever.
'Oh, but it isn't only Ousebank men; there are some agitators come down,'
cried his mother.
'They'll not put their heads in a noose, catch them, however much they
may incite other fellows to. Don't you worry, mother; trust to me. I'll
take you safe to Uncle Howroyd's,' said George.
Mrs Clay meekly did as she was bid. At bottom she was rather pleased to
be going near her husband and insubordinate daughter, and by the time she
got into the motor her fears were calmed.
Sarah was looking out of the mill-house window when she saw the car drive
up to the big gates of the little front-garden. 'Mother, oh, I am glad to
see you!' she cried, as she kissed her mother affectionately.
Mrs Clay's pale cheeks grew pink with pleasure at the affectionate
greeting, and she clasped her tall daughter in her arms. 'My dearie, I am
glad to have you again!' she exclaimed.
'You ought to scold her well, Polly, instead of petting her; but it is
always the way with the prodigal--he has the fatted calf,' said Mr
Howroyd.
'George says he's going to see his father,' said Mrs Clay.
'If the pickets will let him,' observed his uncle.
'Exactly so,' said George.
'You can't possibly,' cried Sarah; 'they won't even let Uncle Howroyd
through, so they certainly won't let you.'
'There's no harm in trying, anyway. I half-thought they might be
unpleasant when we passed through the town; but they only scowled a bit,'
observed George, as, having made his mother comfortable in an easy-chair,
he kissed her and took up his hat to go.
'You are really going, dear?' said his mother.
Sarah expected her to protest with tears; but she did nothing of the
kind. 'I believe,' mused Sarah, 'that she cares more for father's safety
than she does for George's!' And this idea was so surprising to her that
she, too, let her brother go without a protest. Not that arguments would
have been any good, as his sister knew.
'That boy has more grit in him than I suspected,' said George's uncle, as
he watched his nephew walk with his deliberate gait out at the gate
towards the notorious mills.
'I'd have given something to go with him to see what will happen when
they turn him back. George is awfully obstinate, uncle; I dare say he'll
stand there and argue with them till they let him through because they're
sick of him and his polite requests to be allowed to go into his own
father's mills,' observed Sarah.
Mr Howroyd laughed, though it was not his usual cheery laugh. 'He'll be a
cleverer fellow than I take him for if he gets past that picket, will
George.'
However, half-an-hour later the telephone rang. 'It's from Clay's Mills,'
Mr Howroyd informed them, 'and they're calling for you, Polly.'
'Oh dear, 'ave they 'urt 'im?' Mrs Clay cried, and flew to the telephone.
'It's George,' she announced in accents of surprise; 'an' 'e says father
is quite well, an' very glad to see 'im, an' 'e shall stay a bit.'
'How did he get in? Ask him that, mother,' demanded Sarah, who was
naturally curious on the point.
''E says 'e walked in,' repeated her mother.
Sarah went to the receiver herself. 'Nonsense; he couldn't.--How did you
get past the pickets, George?'
'Walked past, I tell you. They argued a little, but I told them I was on
their business as well as my own, and they let me walk in. They're
awfully good fellows, really, and you all exaggerate their ferocity.'
Suddenly Naomi came running into the room. Howroyd's house was not so
ceremoniously ordered as Balmoral; but still Sarah was a little surprised
at Naomi, till she said, 'There's a balloon-ship up above Ousebank, and
you never saw such a funny thing in your life. Come and see it, Miss
Sarah.'
'I suppose she means an air-ship,' said Sarah; but as she had nothing
else to do, and time was hanging heavy on her hands, she followed Naomi
into the garden. 'Yes, it is an air-ship,' she said. 'I wonder what it is
doing up here.'
'It's going towards the hill--over Balmoral. We shall see where it goes
if we go up to the roof, Miss Sarah,' said Naomi, who had never seen such
a thing before, and was all agog with curiosity.
To please her, Sarah went up to the roof lookout.
'Yes, it is over Balmoral, and they seem to be descending and doing
manoeuvres over the house. I suppose they are going to look at it closer;
but they won't be allowed in to-day, for Sykes is suspicious of a bird
even. We really might be in Russia, to judge by the state of siege we are
in,' she observed.
She had still more reason to make the comparison a little later, for as
the two stood and watched and commented on the movements of the air-ship
something dropped from it.
'What was that, Miss Sarah?' asked Naomi.
'Fire! They've outwitted us after all!' said Sarah, and she fled
downstairs as hard as she could.--Uncle Howroyd, ring up the
fire-brigade. They've set fire to Balmoral!' she panted.
[Illustration: As the two stood and watched the air-ship something
dropped from it.]
'How do you know? Who told you so?' he inquired, evidently unbelieving,
as well he might, for there was a posse of police guarding the house and
grounds.
'We have seen it. They dropped fire out of an air-ship. Do send for the
brigade!' cried Sarah, stamping her foot with rage at the delay.
For a moment her uncle stared at her in stupefaction; then he clapped his
hand to his forehead. 'It's that agitator scoundrel that's put them up to
it!' he cried; and he rang up the brigade, only to drop the receiver with
a gesture of despair. 'They've had a call some miles off,' he cried.
'Uncle Howroyd, we must do something.'
'Yes,' he agreed. 'Wait a bit.'
Presently Sarah heard the mill-bell ring, and saw her uncle standing
bareheaded at a window looking on his yard, in which the hands summoned
from their work were gathered.
'My friends of many years, I have to ask a favour of you. My brother's
house is burning, and the brigade is away. Who'll help to save a
Yorkshireman's home, however much he has blundered, for a Yorkshire
family?'
'We will, Mr William,' cried a hundred voices, and five minutes later
there was not a man to be seen in the yard; but Sarah and Naomi, who had
climbed to the lookout, saw them hurrying up the road to the hill on
which Balmoral stood.
Flames were coming out of the top windows.
'They may save the lower part,' said Sarah.
'The marble staircase won't burn, will it?' asked Naomi.
Sarah laughed hysterically. 'No; but it won't be much use alone,' she
remarked.
'It's going to be a big fire,' observed Naomi in an awe-struck voice.
'I'm glad my father is not there,' was Sarah's apparently irrelevant
reply.
Naomi was surprised for the second time that day at Sarah's solicitude
for her father. She did not know that her dream had something to do with
it. Besides, Mr Mark Clay, boastful and blustering, was a different man
from Mark Clay a prisoner in his own mills, with his beautiful house
burning.
'Oh miss, the royal suite is on fire! See!' cried Naomi, as she saw the
flames come out of that wing.
Sarah said nothing; but her lips tightened as she saw the wanton
destruction of her home, and, now that she came to think of it, there
were countless treasured possessions of her own there that she wanted to
save.
'I wonder if I ought to tell mother?' she asked herself.
But she need not have troubled. Mrs Clay knew, and was talking about it
in melancholy accents to Mary, her brother-in-law's maid. 'It's no more
than I expected, Mary; an' the mills will go next,' she said.
'Let's hope not, ma'am; and now that Mr William's gone up something may
be done to save it,' said Mary, who had great faith in her master.
But Mrs Clay had no faith in any human help; and when Sarah came down she
found her mother dry-eyed and resigned. 'Yes, my dear, I know; it's the
Lord's will. The Lord gave, an' the Lord taketh away. I began poor, an' I
suppose it's 'is will I should end so. Per'aps I lay too great store by
riches.'
'Never mind, mother, I'll work for you, and you shall never want, even if
I have to scrub floors to support you,' said Sarah.
Mrs Clay shook her head; but the tears came now and relieved her. 'It's
for you I care most, dearie. Your 'ands were never made to scrub floors
or do any menial work,' she declared, as she stroked Sarah's soft, white
hands.
'I don't believe anybody's hands were made to be idle, and I mean to use
mine, you'll see,' she said.
'Per'aps it's not so bad as we think. We must 'ave patience,' said Mrs
Clay. 'Go an' see 'ow it's goin', my dear.'
CHAPTER XXIV.
GOOD-BYE TO BALMORAL.
It is always the unexpected which happens. Here was Mrs Clay taking the
destruction of her cherished possessions quite calmly, and only praying
silently, as Sarah saw, that her husband and son might be saved. And here
was Sarah getting angrier and angrier as she watched the fire spreading,
apparently unchecked, and swallowing up not only the costly treasures for
which she did not much care, but her own personal treasures, for which
she cared more than she expected.
Naomi made matters worse by her lamentations. 'To think of all the
beautiful carpets and curtains ruined; and, oh, Miss Sarah! all your
dresses, and that picture in your boudoir that you are so fond of, some
Italian view or something! Oh dear! oh dear! the more I think of it the
worse it seems. It's wicked, is this morning's work!'
'It's a fine morning for a fire--the sun shining, and just a nice breeze
blowing to fan the flames,' observed Sarah sarcastically.
But Naomi did not perceive the sarcasm; and after a wondering and rather
reproachful glance at her young mistress, she remarked, 'It's what I call
a bad morning; but, then, I suppose you're glad, because you want to be
poor; though how you can stand there quiet-like, and see all your poor ma
and pa's things burnt up, let alone everything you can call your own,
passes me--it does.'
A smile flitted over Sarah's face as she thought how far out Naomi was in
her judgment; but it passed speedily as she saw a huge tongue of flame
dart up and blaze high above the trees.
'It's the garage! The petrol has taken fire!' said Naomi. 'Whatever could
they have been thinking of to leave it there? Surely they've never left
those beautiful cars to burn themselves up?'
'They don't seem to have done anything to stop the fire. If Uncle Howroyd
hadn't been there himself, and if they had not been his hands, I should
have said they had helped it, like the men the other day,' remarked
Sarah.
'No fear of that. Mr William's men will stand by him and do what he says,
for his sake. It's not been their fault that Barmoral's burnt to the
ground, I'll lay,' declared Naomi with vehemence.
'No, I'm sure of that,' said Sarah, who felt a pang which surprised her
at the words, 'Barmoral's burnt to the ground.' Not that they were quite
true, for Balmoral was still burning furiously; but they soon would be.
Suddenly Naomi made a terrible suggestion. 'Miss Sarah, suppose anybody
is in the house?' she cried.
Sarah turned on her quite angrily. 'Who should there be in the house? Of
course there's no one in it. The fire began at the top, and it's not
likely any one would stay up there to be burnt,' she cried, for this
thought had never struck her; she had taken it for granted that the
servants would have escaped at once. After the first fright she added
more calmly, 'Of course they are safe. Balmoral is only three stories
high, and the top story is only attics and storerooms and servants'
bedrooms, and they are not likely to be up there at this time of the day.
But, pray, don't go suggesting horrors of that kind to mother, or you
will make her quite ill.'
'I'm sorry if I upset you, and I know you've a feeling heart, though you
don't care about the house burning, so I'll say no more and hope for the
best,' said Naomi.
Sarah felt as if she could shake her for her determined pessimism.
However, she said nothing, but stood and watched the flames in silence
till they seemed to be dying down a little, and then she reluctantly
turned from the absorbing sight, and went downstairs to give her mother
the news.
'I think they've got the flames under, mother,' she said; but Mrs Clay
took little notice. 'Mother, don't you hear? They've got the flames under
at last.'
'Yes, my dear, I 'ear, an' I'm glad of it; but it's your father I'm
thinkin' about. I do 'ope an' pray 'e's safe,' she replied.
'Why shouldn't he be? The mills are all right,' said Sarah.
'Yes; but I don't know if 'e's there. I keep ringin' 'im up, an' there's
no answer, so 'e's not in the mills, for they always call 'im for the
telephone.'
'The old hands would; but, you see, everything is different now. Let me
try,' observed Sarah, taking up the receiver, and ringing, at intervals,
for some minutes. 'They are all looking at the fire from the lookout,'
she remarked at length, as she put the receiver down.
Mrs Clay shook her head. 'It isn't like your father to stand an' watch
'is property burn; 'e'll be up an' doin' somew'ere,' she declared.
'Would you like me to go and see if he is still there?' suggested Sarah.
Not that she supposed for a minute that her mother would allow her to go,
for she objected to her walking through Ousebank on ordinary occasions
when the mill-hands were out, so she was still less likely to let her go
to-day when the town was in a state of excitement never known before,
and, to crown all, their mills in a state of siege and their family so
unpopular.
But Sarah was mistaken. Her mother said gratefully, 'If you would just
run to the mills, dear, I should be very glad. Even if they won't let you
through, they'll tell you, or some one will tell you, if your father 'as
come out.'
Sarah was just starting for her room to fetch her hat, when she
remembered that she had no hat. She had come down with a shawl over her
head like the mill-lasses, for whom she hoped to be mistaken; and Naomi
had not thought of bringing one with the other necessaries which she had
made into a bundle.
'And I don't suppose you've got a hat to your name now, Miss Sarah,' the
maid observed gloomily when consulted on the subject.
Sarah gave her hair a brush, and remarked lightly, 'Well I must go
bareheaded. Perhaps it will please those people to see the state of
poverty they have reduced me to.' And off she started, regardless of
Naomi's protests and offers to go and get a hat somewhere.
'Eh, but she's a proud lass, is yon!' said more than one whom she
passed, her head high and her eyes looking straight ahead of her, not
seeing or noticing the groups through which she passed.
'Ay, she counts us the dust under her feet,' said another, and the group
agreed; while one of the number observed, 'Perhaps she'll think
differently when she sees her property laid in the dust;' and a younger
man laughed, though the others said, 'Nay, 'tis nought to laugh at. Clays
are no friends of mine; but I was always agin that. 'Tis a wicked deed
they've done up at Balmoral, and tricks with air-ships isn't a Yorkshire
way of fighting, though 'tis a dirty trick he've played us with his
foreigners.'
But Sarah had not the satisfaction of hearing any of the remarks
disapproving of the fire, and her heart swelled as she thought that all
Ousebank was glad of their loss; for no one--not even an acquaintance,
herself the wife of a mill-owner--stopped her to condole with her. Sarah
had no idea that it was her own repellent bearing that prevented them,
nor that this same lady went home and said to her family, with tears in
her eyes, 'It made my heart ache to see her walking alone through all
those crowds, with her head bare and face so grave. I'd have been glad to
take her hands and say how sorry I was; but she wouldn't look at me, but
passed me as if I was quite beneath her. I didn't dare to stop her.'
Nor, apparently, did the pickets dare--or care--to do so either, as Sarah
came straight up to the chief gate and knocked at it.
A cautious face appeared at the other side of a little window, and a
moment afterwards the little postern-gate was opened wide enough to let
her slip in, and speedily shut to with a clang by two men who were
posted there in case any one should attempt to enter with her.
'Thank you. Will you take me to my father?' she said to the men, whom she
recognised as old hands.
'He's in the dye-house, miss. They 're making a beautiful new colour, and
the master's rare and pleased about it,' replied the elder man.
'But the fire? Doesn't he mind about the fire?' inquired the girl.
The man looked at her, not understanding. The fire's all right, miss;
they made it a bit too hot this morning, but it's all right now. We've
got proper stokers and all,' he assured her, evidently thinking she was
afraid the engine was not being properly attended to, and alluded to
that.
It flashed across Sarah that they did not know of the fire at Balmoral.
Then her father did not know, and she would have to tell him! She went
very slowly towards the dye-house. This possibility had never struck her.
Even though they could not see Balmoral from Clay's Mills, there was the
telephone, and the pickets outside; but then Sarah remembered that for
some reason or other the telephone had been abandoned, and naturally the
pickets would not for obvious reasons choose to give the news.
She found her father and George in the dye-room as she had been told, the
former jubilant over the new shade, and George standing by apparently as
interested as his father.
'What! Sally? There's a brave girl to come and see the prisoners! But
it's an ill wind that blows no one any good. Here's George showing
himself quite a business man, with the makings of a fine wool-merchant
in him, and I never knew it. So that's all the strike has done--got them
two Clays to fight instead of one,' cried Mr Clay, and Sarah was struck
by her father's pride in George.
She did not answer, but stood looking appealingly at her brother.
Mr Clay misunderstood her, and said, 'You don't like the idea of a
merchant-brother; but you'll have to get used to it. I don't mean to let
him go back to college. He knows a lot of useful stuff, and these are
ticklish times.'
George understood his sister better, and, answering her look, said,
'What's the matter, Sarah? Is mother ill?'
Mr Clay looked anxiously at her. In his egotism he had not thought of his
timid little wife, whom all this might well have made ill; but that he
was not devoid of regard for her Sarah saw by his face.
'No, it's not mother; it's Balmoral.--Father, I thought you knew,' she
stammered.
'Knew what? Speak out, girl. What's happened there. Nothing short of an
earthquake could harm it; it's well enough protected.'
'It's burning, father,' Sarah blurted out.
The mill-owner looked at her unbelievingly, and laughed his boisterous
laugh. 'Burning! Nonsense! They couldn't get near it to damage it. Why,
there's fifty police up there guarding it, and a pretty penny it's
costing me--a pretty penny all this.'
Sarah looked pitifully at her father. 'They dropped fire from an
air-ship, father; but Uncle Howroyd and all his hands have gone up there
to try to put it out,' she hastened to add, for her father's face
terrified her.
He took no more notice of her; but turning to George, on whom he seemed
all of a sudden to rely, he said,' What does the girl mean with her
cock-and-bull story of an air-ship setting my house on fire? Why should
an air-ship'----He paused. 'How could they get an air-ship?' he
continued.
'Perhaps I'd better go to the lookout, father,' said George.--Come,
Sarah;' and he took his sister by the hand and hastened along the
dye-yard towards the spiral staircase to the lookout.
The mill-owner let them go without a word, not attempting to follow them,
for it was an arduous climb to the lookout, and the mill-owner was a
stout and heavy-built man, and had not been up there for years. He stood
for a little as if puzzled, then went to the entrance-yard to the porter,
and asked, 'Have you seen or heard aught of any fire at Balmoral?'
'No, sir; not except what Miss Clay said,' he replied.
Meanwhile Sarah was breathlessly hastening up the stairs, and telling
George all that had happened.
'Why didn't you tell us before?' he demanded.
'Because we never imagined you didn't know. I thought every one in the
town knew, and mother did try to telephone to you, but she couldn't make
any one hear,' explained Sarah.
George groaned, but made no more reproaches, and soon they came out on
the lookout.
The flames were still raging, though not so high. Evidently the petrol
had burnt out; but not so the fire, alas!
'It will burn to the ground,' George remarked, as he stood there with
glasses to his eyes. 'They are trying to save the west wing, but I doubt
if they will.'
'Oh George, let me look! I never thought of using glasses! Why, you can
see the people running about with buckets!' cried Sarah.
'It feels like a bit of myself gone; but you don't care, of course,' he
remarked, as he reluctantly tore himself away to go down and tell his
father.
'I do care. And, oh George, I'm awfully sorry for father! What will he do
or say?' cried his sister.
'I don't know. But how did mother take it?' he asked.
'She said it was God's will. Somehow, I don't think it surprised her; she
seemed to expect a disaster as soon as she knew about these foreigners
being brought in, and I don't think she'll care if only father is safe,'
said Sarah.
'Poor mother; she doesn't think of herself at all. Still, I know the
place is heavily insured. Father is too cautious a man not to see to
that, though he'll never get those pictures or their value back again,
nor his plate. I must try to break it to him; but it isn't a thing one
can break,' said George.
'Well, boy, what's this story? Any truth in it? More trees burnt?' asked
Mr Clay.
'They've done worse this time, father; they have managed to set fire to
the house. But Uncle Howroyd is working for all he's worth, and so are
his men, so let us hope they'll save the valuables,' said George.
He spoke so calmly and collectedly that his father failed to grasp the
extent of the calamity.
'I don't rightly understand. Is it the house that's on fire, and which
part?' he demanded. Evidently he only imagined that it was some small
outbreak which would soon be got under.
George hesitated. 'It's got a good hold of the house, sir--the fire, I
mean; but we can build it up again.'
'Build it up again? Build up Balmoral again? You don't know what you're
talking about. There's a million sunk in that house,' he cried angrily,
and yet he did not believe them till he saw George's pitying look.
'It's not really bad, my lad?' he asked.
'Yes, father, it's pretty bad; but the house is insured.'
The millionaire gave a yell of rage. 'If they've done it, by heaven they
shall pay for it!' And he made a dash for the front entrance.
CHAPTER XXV.
'A BAD BUSINESS.'
After a moment of consternation, Sarah and her brother followed their
father, and arrived at the front gate in time to see him dash out and
down the street before the pickets on duty at the gate had seen what was
happening, or had time to prevent his escape, if, indeed, they had wished
to do so. Perhaps they felt that to prevent a man from going to rescue
his property from destruction would be exceeding their duty, or perhaps
they thought they had gone far enough, for they made no attempt to stop
him, and looked after him with not unfriendly faces.
'He may run, but he'll not run so fast as the flames,' said one to the
others.
'And you're a set of blackguards for what you've done, and I'd sooner be
a blackleg any day than a blackguard,' shouted the watch inside the gate
to the watch outside.
'I'd nought to do with it, Ben; I'm only obeying orders standing here,
and there's no denying that the master's driven the lads to it. They've
hot blood, and he's roused it,' replied the picket, who did not seem to
resent the plain speaking of his former mate.
'No one is ever driven to setting other folk's homes on fire,' said the
watchman bluntly.
'George, what do you think he's going to do?' demanded Sarah of her
brother, who was standing, cigarette in mouth, listening with apparent
indifference to the colloquy of the past and present hands.
'Gone to see what they are doing at Balmoral,' observed George.
'Hadn't you better go after him?' suggested his sister.
'I don't think so. Strikes me I'd better keep a lookout for possible
air-ships dropping down upon us here. They'll get a warm reception if
they do,' said George with significance.
'I wonder where they got the air-ships from. Naomi says it's the London
agitators who have done it all,' said Sarah.
'Very likely. Well, it's a miserable business. I don't care for the men
we've got here overmuch, though they do their work very well, and it was
very clever of the governor to have got them here and at work so
promptly,' said George.
'A good deal too clever! And see what the result has been! He tricked the
hands, and the hands have tricked him, and he has come worst off so far,'
retorted Sarah.
'I don't know about that! There's a proverb which says, "He laughs
longest who laughs last," and we've yet to see who that will be. So far,
the men have burnt Balmoral, but that loss is insured against; but they
have not bettered their position, and they are losing money, whereas the
governor is making money by the change.'
'One would think it was you who didn't care now; you stand there smoking,
as if nothing were the matter,' remarked Sarah.
'If you will tell me what good I should do by getting excited I might
try it; but I don't know of anything to be gained by making a row. You'd
better go back to mother, and tell her the mills are all right, that
father's gone to see what he can do at Balmoral, and that I shall stop
here until further notice. Try to put a good face on it, and cheer her
up, Sarah. She isn't fit for all this worry,' urged her brother.
'I'll do my best,' replied Sarah; and she went back to her mother, and
left her brother in charge of the mills and of the men.
The two porters at the gate were his devoted servants, and talked to him
with the freedom of old workmen, as they deplored the present condition
of things. 'And the sooner we see the backs of those chaps the better,'
said one. 'They are quick enough, but they're not thorough; and they'd
chuck it up to-morrow if it weren't for the high wages they're bribed
with.'
'I shouldn't have thought that would pay,' observed George in his usual
lazy, indifferent way.
The man gave him a look, and said in a significant tone, 'It doesn't--at
least, it wouldn't in the long-run; but it pays better than letting the
mills "play," especially with this big contract on for blankets for
abroad. The hands knew that, and that's why they struck. They thought the
master'd have been obliged to give way to get it done. And so did I, and
so he would have if he hadn't got those chaps by a miracle.'
'How did he get them?' inquired George, asking the same question that
every one else was asking.
The man laughed, with an evident appreciation of the smartness that could
accomplish what looked like a miracle, although he shook his head
disapprovingly. 'He telephoned to somewhere abroad--I don't rightly know
if 'twas France or Belgium; in fact, he've been 'phoning for days; and it
seems there was a wool-mill shut down, and these men out of employ, and
he had the whole lot brought over and put in here by midnight on Sunday.
They came in wagon-loads from a station ten miles off, and not a soul
knew. Oh, he managed it well, did the master! But they laugh best who
laugh last, as the saying is.'
George took a whiff of his cigarette. 'So you think the men will laugh
the last? Do you think they'll burn the mills down?' he inquired.
'No, sir; I don't think they could if they would, and I doubt if they
would. 'Twould be wholesale murder, with all those hands inside. Besides,
there'll be some arrests for this other job, and that'll cool their
blood. No; what I 'm afraid of is those men in here,' said the old man,
pointing with his thumb over his shoulder towards the mill-buildings.
'What do you think they'll do?' George demanded.
'They'll go. They're getting tired of the confinement and the dullness.
Besides, they are frightened. Goodness knows how they've got to know
anything of what's going on outside, but they have; and if they hear of
this fire it'll be all up with us. They'll go, and a sack of gold won't
keep them.'
George looked very thoughtful. 'Where do they sleep, and what do they
eat?' he asked.
'Oh, they sleep on blankets and wool in the barns. And they've got their
own cooks, and there's plenty of food of the kind they like,' replied the
man, with true British contempt for foreign messes.
'What food have they, and how did you get enough in for them?' George
asked.
'That's the master again! There's sacks and sacks of flour and coffee and
beans, and things that we thought were bales of wool, and tins of milk;
and they eat a lot of them things, and very little meat, except bacon.
But they're crying out for vegetables. Mark my words, Mr George, they
won't be here much longer, double pay or not.'
George turned and left him, and went for a walk through the mills. The
men greeted him rather surlily, from which he opined that they could not
be French, though they spoke that language; but when he put any questions
they declined to answer, saying that their orders were not to give any
information to any one. However, they seemed to be working well, and so
George remarked to their manager.
'Yes, sir; they are doing time-work. They will get a bonus each if the
work they are doing is finished by a certain time,' replied the man.
'I see,' said George, and then he looked thoughtful again. They would
finish the contract and go. He walked back to the office, from whence he
meant to go to the lookout again to see how the fire was going, but was
in time to hear the ring of the telephone. 'Halloa!' he said.
'It's Sarah! Do you see what's happened at Balmoral?' she inquired.
'No; but I imagine it's burning or burnt to the ground,' said George in a
resigned tone.
'The fire's out; at least, there's only smoke to be seen. But everybody's
come away, and I am afraid some one is hurt, for I saw through the
glasses that they were crowding round something, and then the men made a
stretcher, and they are bringing whoever it is to Ousebank,' said Sarah.
'God forbid that any life has been lost! Let me know what it is as soon
as you know. I can't leave the mills till father comes back, and I don't
know that I shall even then. I think I'm wanted here.'
'I wish I could be there with you!' exclaimed Sarah.
'You've got to stay where you are and look after mother. How is she?'
inquired George.
'She's all right. At least, she sits quite quietly, and says it's God's
will, and that she doesn't care as long as she has all of us. But it's
very dull here. Women always do have the dull work to do in this world,'
observed Sarah.
'They think they have; but I don't think you'd be much better off here;
it's not particularly lively being with a lot of sulky foreigners who
won't talk to you.'
'How can they if they're foreigners?' protested Sarah.
'They can talk French all right, some of them; but they won't answer me
in their own language,' said George.
'I dare say they don't understand your French,' said Sarah.
But George declined to notice this insulting remark. Sarah was evidently
called away from the telephone, and ring as he might he could get no
answer from her or any one at Howroyd's. He tried to get on to the
office, but was told that Howroyd's was 'playing,' as they say in the
north country, because the most of the men were at Balmoral. So there
was nothing for it but to possess his soul in patience, and watch the men
at their dinner-hour eating bacon and haricot beans, and a kind of soup
made out of George could not imagine what, seeing that the cooks had no
vegetables to make it with, and drinking wine and water.
'They seem to enjoy their food,' George remarked to Ben the gate-keeper.
'Yes, sir, they do; and a little seems to go a long way with them. But
listen to them now that their tongues are loosened! Goodness only knows
what they are saying, but they seem excited enough. I'd give a good deal
to understand their jargon,' replied Ben.
'It's Flemish, I fancy. Anyway, I can't understand it. I wish I had some
one to send to Howroyd's. I suppose it wouldn't be safe for one of you to
leave the gate?' said George.
'Safe or not, I daren't risk it. The master's orders were not to leave it
without his permission, if I wanted to stay with him. But I shouldn't
worry, sir; ill news travels apace, and if there were anything wrong
you'd have heard it soon enough,' said the man.
He had scarcely uttered these words when their attention was attracted by
a knocking at the entrance-gate; and upon Ben going to the window to look
out, he saw the picket on duty making signs to him to come to the gate
and speak. The man looked so disturbed, and almost ashamed, that Ben knew
there was nothing to fear from him except bad news, and that he felt
pretty sure he should soon hear.
'Now, what villainy have you been up to?' he asked, as he opened the gate
half-way.
'It's no use making bad blood by hard words, Ben. I told you before I've
had nought to do with the happenings at Balmoral. We're only fighting for
our rights and our livelihood, that you're trying to take away from us;
but there, I didn't come to say all that, but to see the young master, if
he 'll let me have a word with him,' said the man.
'I shouldn't think he'd have anything to say to you, and I shouldn't have
thought you'd the face to speak to him when you're trying to ruin him;
and as for me taking your livelihood away, you've done it yourselves.
Dogs in the manger, I call you; won't work yourselves, and won't let any
one else.'
'Have done, Ben, and let me see Mr George. I've got a message that won't
wait,' said the other.
The gate-keeper went to find George, who was again at the telephone in a
vain effort to communicate with his sister, with whom he felt very
irritated for leaving him without news for so long.
'Wants to see me? One of the pickets, you say? Does he want to come to
terms, do you think?' inquired George.
'I doubt it, sir; but you'd better see him. He says his message won't
wait.'
Thus entreated, George left the telephone and went to the gate.
'Excuse me, Mr George,' said the man, standing bareheaded to speak to
him, which even George knew was a token of great respect--was it also
sympathy?--coming from a mill-hand of his father's. 'Excuse me, but we
think you're wanted at Howroyd's. There's been an accident'----
'An accident? To whom?' interrupted George.
'To the--to Mr Clay, sir,' said the man.
George was just hurrying off, but stopped for a moment. Suppose this were
a ruse to get him out of the mills. He half-thought of trying to get a
message to Sarah before leaving the mills.
But the man, seeming to guess his thoughts, said, 'We sha'n't interfere
with the mills, sir, if you'll take my word for it.'
'You can scarcely expect me to feel very secure, can you?' said George
quietly.
'No, sir, I know; but I swear to you I'll fetch you if you're wanted
here. But do you go to Howroyd's at once,' said the man so earnestly that
George hesitated no longer. Touching his hat as he passed them, he walked
rapidly to his uncle's, where he found all in confusion.
The first person he saw was Sarah. 'What is the matter with father?' he
asked.
'I don't know,' said Sarah.
'Don't know! Where is he?' asked George.
'In the sitting-room; that's why I couldn't get at the telephone. They
disconnected it to stop the noise. The doctors are with him,' replied
Sarah, who looked white and shaken.
'How did it happen? Did he get burnt? Is there no one to tell me
anything?' asked George in despair.
'I don't know. He was brought on a stretcher, and Uncle Howroyd came with
him, and he and mother have gone into that room. I don't know any more
than you; but, oh, I am glad you've come!' cried Sarah, bursting into
tears.
'Come and sit down,' said George, putting his arm round his sister's
shoulder. 'Some one will come out in a minute, I hope.'
It was William Howroyd who came. 'You here, my lad! That's right. You'll
have to take the head of affairs now,' he said kindly but sadly.
'Is my father--dead?' asked George, with pale lips.
'No, no, not dead; but it's a stroke, and he won't be fit for business
for some time. If I can help you I will; but it's a bad business, a very
bad business. Well, my home is yours, as you know, and you must all stay
here for the present. As for the future, why, you can stay here then if
you will. It's not a mansion, but there's room enough for us all.'
CHAPTER XXVI.
TRUE YORKSHIRE GRIT.
'Can I see my father, sir?' said George.
'Yes, of course, my lad. Go in. He won't know you, but you may go in,'
said his uncle.
Mrs Clay sat watching beside her husband, who lay on his improvised couch
in the sitting-room, and she looked up dully when her son came in.
'They've killed 'im this time, George,' she said.
'I hope not, mother. He'll pull through this,' replied her son.
But his mother shook her head. ''E'll never get over bein' bested by the
men. 'E's always been so masterful all 'is life, an' they've mastered 'im
at last,' she declared.
'I don't know so much about that. Father said I was to stop at home and
help him, and I mean to do it, and see if things can't be straightened
out again,' said George, with youthful confidence.
Mrs Clay looked at her son proudly. 'You've the same spirit as your
father, though you've never shown it before; but this coil's too 'ard for
you to untwist, lad. You'd best leave it to your uncle Bill; 'e'll do the
best 'e can for us all, an' there'll always be a bite an' a sup for us
while 'e lives. But Clay's Mills are a thing of the past now, lad.'
Sarah, who, without asking leave of any one, had followed her brother
into the sick-room, broke in now. 'We're not going to live on charity,
mother. If we really are poor I shall just work in a mill, that's all. I
won't live on any one else, not even Uncle Howroyd.'
Her mother and brother both gave her a warning glance.
George said in low tones, 'It's no good exaggerating the misfortune. We
have met with losses, and my father may not be a millionaire at this
moment; but I hope we may not long trespass on Uncle Howroyd's
hospitality, though there is no talk of living on charity.'
As he said this his father opened his eyes, and it seemed to George that
there was a gleam of consciousness in them. He bent over the sick man,
and said in low, clear tones, 'Father, I'll do my best to keep the mills
going. That is your wish, is it not?'
''E can't 'ear, George,' sighed his mother.
'I think he understood,' declared George; and though the others did not
agree with him, they said no more to discourage the young man.
'Come, Sarah,' George said gently to his sister, as he drew her out of
the room with him, 'you'll have to help me to put all this business
right.'
'I? What can I do? I know nothing about accounts, you know,' cried Sarah,
secretly pleased, all the same, at the idea of being of use.
'You are often down at Uncle Howroyd's, and I hear you talking of
"fettles and pieces," and goodness knows what all,' observed George.
Sarah laughed. 'I suppose you mean fettlers (people who clean the
machines) and piecers (those who join the pieces of wool or yarn together
when it breaks),' she explained.
'There! You see I don't even know these words, and if I have to go into
accounts and details I must know them, or I shall be showing my
ignorance, and the people will have no confidence in me,' returned
George.
'But those foreigners don't understand you. What will you do with them?'
inquired Sarah.
'Nothing. I shall send them off the minute this contract is done,' said
George. 'That is to say, if Uncle Howroyd approves.'
'What are you going to do with my approval, my lad?' demanded William
Howroyd, coming in and putting his hand for a moment kindly on his
nephew's shoulder.
Sarah was struck by his serious and troubled face. She wondered whether
it was anxiety for his brother's health or sorrow for the misdeeds of the
Ousebank men. She did not know that there was a third reason added to
these two; but she soon was to know it.
'I want to pack off those men as soon as the contract we have in hand is
finished,' said George.
'They've saved you and me any trouble, George, lad. They've discharged
themselves,' said Mr Howroyd gravely.
George looked at his uncle aghast. 'You mean that the foreigners have
gone--without a minute's warning?' he asked.
'They have that,' replied Mr Howroyd.
'But why did they suddenly do that? They seemed to go back to work
willingly enough after their dinner,' said George.
'It seems they had some means of communicating with the outside world.
When they heard of your poor father's illness, and were told he was
ruined, and his house even burnt down, they decided to leave a sinking
ship,' said Mr Howroyd.
'Uncle Howroyd, do you think it is a sinking ship?' inquired Sarah.
Mr Howroyd considered a little; but, being a man who thought honesty
always the best policy, he replied frankly, 'I think we shall save enough
out of the wreck to keep you afloat; but I think Clay's Mills must shut.'
'I don't understand that, sir. Of course, I know that we must have lost a
good deal by the fire, and this contract, too, will be a serious loss;
but there is the insurance of the house, and I understand that, thanks to
you and other kind helpers, a good deal was saved at Balmoral,' observed
George.
'That is so, my lad; but the trouble is--and that's what caused your
father's illness--the house was not insured,' said Mr Howroyd.
'Oh, but, uncle, it was. I happen to know, because father said the
insurance he paid would keep a family comfortably,' interrupted Sarah.
'I know, and so I thought; but, owing to threats they received, saying it
was going to be burnt down, the company asked such a heavy premium that
your father refused to pay it, and said he'd take precautions instead. It
was a mad thing, and no one but him would have dared to do it. And now,
what are you going to do with an empty mill, whose hands have all struck,
and whose head is lying unconscious?' inquired Mr Howroyd kindly but
discouragingly.
The brother and sister had drawn closer to each other instinctively in
this their first trouble, for trouble it was to both.
'If we give up the mills, what have we to live on? I don't know my
father's affairs, but I imagine he has a large capital,' said George.
'It's difficult to explain to you, but most of it was in the mills. I
expect that you will have a few hundreds a year when the business is
wound up. But things have not been so prosperous as they have appeared of
late with your father, and he spent freely,' replied Mr Howroyd.
George sat silent after this; but Sarah suddenly exclaimed, 'George,
don't give it up! Open the mills again, and try to keep them going with
the old hands. I know you could, with Uncle Howroyd's help, and I'll stop
at home and help you all I can, and take care of mother.'
George gave his sister a swift glance, and then appealed to his uncle.
'What do you say, sir? Is it any use my trying?'
'My lad,' said Mr Howroyd in a moved tone of voice, 'if you had asked me
that question a month ago I should have told you to go back to your Greek
and your Latin at college, and leave blanket-making to those who know
what they are doing; but if you like to try, I'll not be the one to stop
you. It won't be much worse if you fail.'
'Oh, but he won't fail.--Will you, George?' cried Sarah.
'I hope not; I can but try,' said George.
But the two enthusiasts had a sudden check when they informed their
mother.
'George run the mills! You don't know w'at you are talkin'
about.--That's your doin', Sarah; you 've always some maggot in your
'ead.'
'But Uncle Howroyd said he might try,' said Sarah.
'Your uncle Howroyd's kindness itself, an' generous to a fault. Don't you
see you'd be runnin' them on 'is credit? Who'd trust George if they
thought 'e was responsible? An' if your uncle Howroyd stan's surety 'e
runs to lose 'eavily,' said Mrs Clay, who knew something about business.
'I never thought of that,' said Sarah slowly.
'Mother, you know that a certain sum was settled on me when I came of
age, and was not invested in the business,' said her son.
'Yes, dear; but don't you touch that. You'll only lose it, an' then w'ere
will you be?' she protested.
'Where I am now, under the necessity of earning my own living, and that
will be no hardship,' said George, with his pleasant smile.
But their mother was not to be persuaded. 'Your father was a wonderful
man. You 'aven't 'is talents, though you're dear, good children,' was all
she would say.
'My father's talents didn't prevent him from making a horrid mess of
things,' began Sarah hotly.
But George silenced his sister, and said to his mother, 'Very well, dear
mother, if you do not wish me to try to carry on father's business for
him till he is able to take it up again himself, then I will not do so;
but I shall ask Uncle Howroyd to take me into his mill to learn the
business of a blanket-maker. I mean to be sooner or later.'
Mrs Clay looked at her son in amazement. 'You, George! But all your
book-learnin'--w'at are you goin' to do wi' all that? Is it all goin' to
be wasted? All your beautiful, expensive education an' all?' she
expostulated. 'An' Sarah, too, talkin' o' stayin' at 'ome an' 'elpin'!
She'll 'ave to go to some school, though I doubt whether we can afford
her present one.'
'I don't think that school is much loss to Sarah, though it seems to have
suited Miss Cunningham. But as for my book-learning, I mean to try to
apply it to manufacturing; and if it is not much use there, as I fear it
won't be, still no knowledge is lost, and I shall always have my books
and the pleasure of reading,' remarked George.
'Well, my dear, you must do as you think best. If you could do such a
thing as keep the mills goin' till your father was about again, 'twould
be a grand thing, an' give 'im new life w'en 'e came to 'imself, an' I've
no right to be a 'indrance in your way; so do as you wish, dear, an' God
bless you for a dear, good boy!' said his mother, after some argument.
'Come along Sarah, let's go and look at our mills. It's rather
disgraceful, but, do you know, I've never been over the whole of them
before,' said George.
'It will be dreadful to see them empty and "playing," as the people say,'
said Sarah.
'Please, sir,' said Naomi, 'the French _chef_ is here, and wants a
month's wages and compensation for loss, he says.'
George paused on the threshold. 'I thought Sykes was seeing to all that,
and housing the people till we could settle with them?' said George.
'He says he wishes to leave this country of savages at once,' said Naomi,
with a toss of her head.
'I expect there's money in the till at the mills,' said Sarah.
'I'll write him a cheque on my own bank, and I shall be thankful to eat
no more of his elaborate messes,' observed George; and he did so, though
the cheque was a much bigger one than he had expected, and the operation
had to be repeated till most of the servants were satisfied, after which
George said, with a laugh, to his sister, 'I hope Sykes and Naomi and Tom
Fox won't present their bills, for, to tell the truth, I've used up all
my balance, and rather more.'
'Have you paid every one else?' asked Sarah.
'Yes; and I had no idea we had such an army to wait upon us. You've no
idea what the total comes to,' said George, as he ruefully totalled it
up.
'There must be lots of money somewhere,' said Sarah vaguely.
'Ah, now you begin to understand what poverty means,' said George. 'It's
not quite so lovely, is it, after all?'
Sarah did not choose to answer this taunt, and was saved from the
necessity of doing so by the announcement that Tom Fox and Sykes the
butler were outside.
'I shall have to overdraw and realise some money,' observed George to his
sister, after he had told Naomi to show them in.
'And please, sir, they speak for me, if you'll excuse me,' said Naomi as
she ushered them into the room.
Sarah was surprised to find how disappointed and hurt she felt at this
cupidity on the part of Naomi, and she would not look at her at all.
'Ah, Sykes, you want your wages? How much will that be?' said George,
quiet and pleasant as usual.
'No, no, Mr George, I didn't come for them, sir. If you'll excuse me,
sir, and not think it a liberty, but I've a nice house, a biggish house,
though 'tis a cottage compared to Balmoral of course; but it's lying
empty, and it would be convenient to have it used, and I'm going there
myself to-night, and if you'd condescend for the next few months'----said
Sykes, with much clearing of his throat and apologetic coughs.
'That's exceedingly kind of you, Sykes,' cried George, much touched.
'Where is this house?'
'Right opposite Balmoral, on the hill, Mr George. It touches the grounds,
and what I was thinking was, you could make a gate into the grounds, and
you'd be like in your own park, same as before.'
'I know the house. It's a big one, as you say. You've made money, then,
Sykes?'
'Yes, sir; the master was always liberal, and I've saved, and done well
in investments. I'd be pleased to wait on you, same as before. And Tom
Fox here---- Why don't you speak up, Tom?' urged Sykes.
'I'd be glad to remain in your service, Mr George, and motor you down to
town, as I hear you are taking on the business. I saved the motors, all
on 'em,' said Tom.
'I don't know how to thank you, my friends, except by accepting your
offers with all my heart; and if the mills pay all right you must take
shares,' said George, with his winning smile.
'Well, we've got three servants and a motor, so far,' said Sarah;
'because, of course, Naomi is going to stay, and it will be very nice to
be still on the hill instead of living in Ousebank. I hate Ousebank'.
George wanted to remind Sarah that she had hated Balmoral; but he decided
not to cast up the past, as she was so much improved, so he only said,
'Yes, I've often looked at that Red House, and wondered whose it was, and
who would come and live in it. I little thought that it would be
ourselves.'
'It reminds me of the Bible,' observed Sarah abruptly.
'What does?' asked George. 'The Red House?'
'No; all the other servants fleeing like the hireling, but our own
Yorkshire servants staying with us, and offering their services and
houses, and all.'
'There's another text it makes me think of,' said George reverently, 'and
that is to put your trust in God.'
CHAPTER XXVII.
SARAH IS MUCH IMPROVED.
'George, I'm going to cheer mother up by telling her what a nice house we
have had offered to us,' said Sarah, full of the new plans.
'I don't fancy anything will cheer mother while father lies there in that
condition. However, she will be glad that Sykes has shown himself loyal,'
replied George, who was just going down to the mills.
Mrs Clay had been sitting by her husband the whole of the day, and no
power could induce her to leave him; but now Mr Howroyd had persuaded her
to come and take some food. The two met George and Sarah in the passage.
'Going out, George? What are you living on to-day--air or excitement?
Don't you know it's dinner-time?' he exclaimed when he saw that his
nephew had his hat in his hand and was evidently going out.
'I was just going to the mills, uncle. I shall be back in half-an-hour,'
said George.
'What are you going to do there? They are shut up, and Luke Mickleroyd
and the other watchmen are in charge. Come and have some food, lad; it
will help your mother to eat if she sees you eating. You must all badly
want something; you've starved all day.'
George Clay put down his hat, remarking, 'I had no idea it was so
late.--Come, mother, take my arm.'
'Mother, we have something so nice to tell you,' said Sarah, speaking in
a gentler voice than was her wont to her mother.
''Ave you, my dear?' said Mrs Clay indifferently.
'Yes; we've got a house for you to live in already.'
'I know, Sarah. Your uncle is very kind. I'm sure I'm very grateful to
'im,' said Mrs Clay.
'Oh, but it isn't Uncle Howroyd; it's Sykes. He wants us to live in his
Red House on the top of the hill,' cried Sarah, her face aglow with
pleasure at the good news she was imparting.
'Sykes, our butler! I 'aven't come to sharin' my butler's 'ouse,' said
Mrs Clay, bridling.
'But he's going to wait on us just as he used to do,' explained Sarah.
'Wat's the good o' talkin' nonsense, Sarah? 'Ow can I order a man about
in 'is own 'ouse? An' 'ow can you want your poor father to open 'is eyes
an' look upon the ruins o' 'is beautiful mansion? It's downright indecent
o' you to be so glad that you've got to live in a poky little 'ouse; but,
at least, you sha'n't drag your father an' me to live there, to be
reminded o' the beautiful past,' said Mrs Clay.
'Nay, Polly, my dear, you are taking this quite wrong. The children are
behaving as well as can be, and Sykes too; and it's not a poky house, by
any means. In fact, it's as big as this, and I don't know that it would
be a bad idea, after a little while,' urged Mr Howroyd.
'I'm sure, Bill, I don't want to complain; but it's all so strange
without Mark, an' to think o' 'im in Syke's 'ouse, after w'at 'e's been
used to,' said his sister-in-law.
Sarah restrained her first impulse to reply indignantly, and said, 'I
don't think father would mind, and it was partly for his sake I was glad.
I thought he could still have his park and grounds, and you forget he
could not see the ruins of Balmoral, because the plantations come
between.'
'Besides, mother, if things go well we shall perhaps be able to build the
house again,' suggested George. But he was no more successful than his
sister in cheering his mother.
She answered him, quite shortly for her, 'That you'll never do, George.
There'll never be another Balmoral, so don't you think it. There are not
many men like Mark, an' there never was a 'ouse like 'is now'ere, not
even the King's, so I've 'eard, an' I'm glad an' proud to 'ave lived in
it; but I'll try an' be resigned to the will o' Providence; an' if you
both wish it, an' your uncle thinks it right, I'll go to Sykes's 'ouse
w'en your father is able to be moved.'
Mrs Clay said 'Sykes's 'ouse' in a tone of such contempt that her
brother-in-law observed, with his genial laugh, 'One would think it was
the workhouse by the way you talk, instead of being as big as many a
manufacturer's. But I know you are thinking of the old place, and, of
course, after what you've been used to it is a trial; but you must pluck
up courage and be thankful that you have your family still and no lost
lives to mourn over.'
Mrs Clay shook her head in a melancholy way; she was not to be comforted,
and the others gave it up.
'One would think he had been the best and kindest husband in the world,
instead of being'----began Sarah after dinner, when her mother had
hurried back to her husband's room; but here she checked herself.
'Well, there's one thing--you'll excite no envy, hatred, and malice at
the Red House; and you know the proverb, "Better is a dinner of herbs
where love is, than a stalled ox and hatred therewith,"' said their
uncle.
'Oh!' cried Sarah, and then explained, 'That's just what I said when we
lived at Balmoral; but I didn't mean it to come about in this dreadful
way.'
'Ay; but things never do come about in the way we want or expect,' said
Mr Howroyd as he rose from the table, leaving the brother and sister
together.
'George, what are you thinking of?' asked his sister abruptly, after the
former had sat for some time smoking a cigarette, and leaning back in his
old indolent way.
'Thinking of? I'm thinking that I've undertaken a task too big for me,
and that I should do better to accept Uncle Howroyd's offer of winding up
affairs,' he replied.
'Then you are a coward! And I only wish I were your age and a man, and
I'd carry on the mills myself, and show people.'
George looked at his sister with an amused smile, which was his usual way
of treating her outbursts, and which always exasperated her; but he
hastened to say, 'Steady there, Sarah! I never said I was going to back
out, only that things seem more difficult than they did when I began.'
'Why? After Sykes's offer, and Tom Fox's? I never told mother of him. It
didn't seem to be any use, because she doesn't care for anything or feel
grateful about anything.'
'I hope I shall have as good a wife; but she will be difficult to find,'
observed George.
'You'll probably marry a virago; easy-going people like you generally do,
and you'll be henpecked all your life,' was Sarah's consoling remark.
Then they both laughed, which did them good. Not very long after they
went to bed, and, being young and full of hope, to sleep.
It seemed to them both that they had just shut their eyes when they heard
the clanging of a bell; and, starting up in alarm, they recognised it as
the bell of their uncle's mill calling the people to work.
George decided to go down to the mills, and a very short time saw him
dressed and at the gates.
''Tis young Clay,' he heard as he passed down the street, through groups
of idle men, women, and girls, whom he guessed to be their former
employés. They had nothing to get up for; but habit was too strong for
them, and they had risen and turned out at the same hour.
'What'll he be going to do at t' old mills?' some of them inquired of
each other.
'I be main sorry for him. He's a right good young gentleman, they say,'
said one woman.
'I wish he'd run the mills. I'd work for him,' said another.
'If he'd have you; but I doubt he'd not have one of his father's hands
after what's happened,' was the retort.
'He's but a youngster; he can't run the mills. They'll have to shut down
till the old master comes to, or this one gets old enough,' said a shrewd
old hand.
'Yes, 'twould never do for he to start blanket-making without experience;
he'd soon run aground. I'd not work for him,' remarked another old man.
Evidently no one had any idea that George intended to try his hand at the
business, in spite of inexperience and youth; and, indeed, as he went
down the street he found himself wondering how he was to set about it,
and whether he had not better brave Sarah's scorn and give it up. But he
reasoned with himself, 'I will go on till my private capital is
exhausted, and if I have failed by then I'll own it and give up.' With
new resolve, he walked briskly on and entered the silent mills.
The clang of the gate as it shut after him struck painfully on his ears,
and he went to the office and sat down to think. 'If only I knew what to
do! Perhaps this room will inspire me,' he murmured. But the room did not
seem to do so; on the contrary, he was oppressed with the sense of the
failure in which all the business done in that room had ended.
Suddenly the door opened, and Sarah, dainty and fresh in the muslin Naomi
had thoughtfully brought her, almost her only possession in the way of
clothes, came in. 'George, I have an inspiration,' she said.
Her brother looked up with a smile. 'That's funny,' he replied, 'for
that's just what I was sitting here waiting for.'
'That's a nice, useless thing to do!' said Sarah.
'On the contrary, it appears to have been answered,' he said.
'Oh, well, it wasn't your sitting there that made me come and have that
inspiration; it was the clanging of Uncle Howroyd's bell. Why don't you
do the same thing?' inquired Sarah.
'Do what?' demanded George, who did not think much of this inspiration.
'Ring the bell--the big bell, I mean--to call the hands in, just as if
nothing had happened,' urged Sarah.
'Nothing would happen if I did, except that we should have a gaping crowd
round the gate, and the fire-brigade coming to see if we had a fire. So,
if that's your inspiration, I'm inclined to agree with you that my
waiting for it has been useless,' returned George.
'I wish you'd try, George. I believe the hands would all come back, and
we should get the contract done after all,' persisted Sarah. 'They looked
at me in quite a friendly way as I passed, and lots of the men touched
their hats, a thing they never did before.'
George hesitated. 'But I don't feel that I could take them back again,'
he said.
'Then what do you mean to do? You can't run the mills with new hands,'
she protested.
'No; but I can't take back the men who have destroyed our property,' he
declared.
'They are, or soon will be, taken up; so they won't apply,' began Sarah,
when her brother interrupted her.
'Sarah,' he cried with sudden vigour, 'you have inspired me after all! I
will have the bell rung, and when the people come, as some are sure to
come, out of curiosity, I will make them a speech, and explain that
those whom my father dismissed are still dismissed, but that the rest I
shall be glad to have back. I'll speak to the manager, and see what he
thinks.'
The manager and Ben looked admiringly at George.
'There's pluck for you! Let's hope it will be rewarded. At any rate, we
can but try,' they said; and they gave orders for the big mills-bell to
be rung, and the few faithful ones stood in the yard, making a kind of
bodyguard round George, and waited for the curious crowd to arrive.
Sarah watched from the office window, and her eyes shone with excitement
as she heard the sound of clogs and many footsteps coming down the
street. 'I was right' she cried. 'It's our old hands! I knew they'd
come.'
And they did come, till the mill-yard was packed, and then George made
them a speech.
'My father is stricken down by the misdeeds of some of his former
employés, and in his absence I am going, with the help of my good friends
here, to run my father's mills. Those of you who voluntarily left his
employ are welcome to return to it; those he discharged will not be
admitted.'
Such, in brief, was the young man's speech. The hands noticed that he had
not called them 'friends,' nor, indeed, had his tone been friendly, but
only business-like and curt, in marked contradiction to the way he had
spoken of 'my good friends here,' alluding to those who had remained at
their posts. But they were just men, and they respected the young man all
the more for bravely and boldly 'standing up to them,' and showing his
loyalty to his father and those who had stood by his father.
Some few slunk away. They were those Mr Clay had discharged--an act which
had brought about the strike. But this time their discharge was accepted.
Without exception the hands took up their old places; the engine, which
had stopped, went on again; the fires, which had not yet gone out, were
replenished; and before William Howroyd could get down to see what new
misfortune this was, Clay's Mills had ceased to 'play.'
'Nay, my lass, you can't be serious. Men are not a flock of sheep to come
back to you just because the bell rings,' he protested when Sarah told
him the tale.
'Just go into the rooms and see for yourself,' she said. 'They are all
setting to work with a will.'
'But I meant to have a talk with George and try to arrange things,'
objected Mr Howroyd. 'One can't restart a business like this in this
hap-hazard manner.'
'It's not hap-hazard; it's just natural. They're sorry for us and for
everything, and they've just come back as if nothing had happened. I
really think George is a born business man; he's quite left off being
half-asleep all the time,' cried Sarah.
'It's my belief he's been more wide awake than we knew "all the time,"'
quoted her uncle.
'Anyway, he's quite wide awake now. And, oh! it's so funny to hear him
when they come and ask him some questions he doesn't know anything about.
He puts up his pince-nez, looks very wise, and says, "You had better go
on as you have always done for the present."'
Mr Howroyd pinched her cheek. 'You are far too wide awake, especially
when it comes to criticising other people. Well, I expect I can go back
to my own mill. I'm not wanted here. I shall soon be coming to your
George for advice. Dear, dear! who would have thought it? He looked as if
it was too much trouble to live. This bad business has done you both
good--you as well as him, and you badly wanted some improvement, my lass.
It'll be a proud day for your father when he hears what you have both
done,' said Mr Howroyd as he went off, looking bright and cheery again.
CHAPTER XXVIII.
SARAH BECOMES A BUSINESS WOMAN.
Mr Howroyd had not been gone very long when George came in, his usually
calm, unruffled brow puckered, and his face wearing a worried look. 'I
say, Sarah, I'm afraid I've been very presumptuous in undertaking to
carry on my father's business,' he said.
'What has happened? Aren't they behaving all right?' inquired Sarah,
looking anxiously at him.
'Oh, the hands? Yes. Hurst, the manager, says they have come back in a
good spirit, and are working all they know to get the contract done. He
says he never saw smarter work,' George told her.
'Then I don't see what you are worrying about,' said Sarah, laughing, as
she added, 'I expect they want to show that they are as good as any
"Frenchies," as they call the foreigners.'
'But that isn't the trouble; it's father's customers and the people he
has done business with. Some of them have called in and intimated pretty
plainly that they don't mean to have any dealings with me,' he observed.
'How horrid of them! They might at least have waited to see how you got
on,' exclaimed Sarah in great indignation.
'Well, it was rather my own fault. I suppose they can't afford to wait
and see how things go in business. They began talking about business
deals, and using all sorts of terms which, I suppose, are current in the
wool-trade, and I let them see that I didn't understand anything about
it,' said George.
His face was so melancholy and his forehead so wrinkled that Sarah burst
into a hearty laugh.
'It's no laughing matter; it spells ruin to us if our clients--customers,
I mean--fight shy of us, and we shall be worse off than if I had never
meddled with the matter,' he said severely.
'I am very sorry, George; but I could not help it; it is so funny for you
to be so worried and fidgety. Why didn't you say Uncle Howroyd would
stand surety, and refer them to Hurst? He has been manager for years, and
father used to say that Hurst knew as much about the business as he did
himself. If I were you I'd get him to write a circular-letter to all
those people, and say that in father's temporary absence from business he
is managing for you by Mr Howroyd's advice.'
'I never thought of it. I'm very unfit for all this. I like the dyeing
and the chemical part of the business; but what all these men said was
Chinese to me. I wish you'd just tell me what some of these words mean,'
he said, as he sat down to the table and began questioning his sister.
'I can tell you a good deal, because, you see, I am always down at Uncle
Howroyd's, and he lets me go into his office and talk to him while he is
working. I've often seen the other merchants and buyers come in; but it
seemed quite simple; they just ordered what they wanted, and Uncle
Howroyd put the pieces on.'
'Put the pieces on what?' inquired George. 'Don't laugh; tell me what
that means.'
'Put the pieces to be made on to the machines--the lengths of blanketing
or cloth,' said Sarah.
'Excuse me, Mr George, but Mr Blakeley is here,' said Ben the
gate-keeper, coming into the office.
'Who is Mr Blakeley?' inquired George.
'He's one of our buyers, sir,' replied the man.
'Oh George, I know him! Do have him shown in here,' entreated Sarah. 'He
is such a nice, good-humoured man.'
But circumstances alter cases, and Sarah was surprised to find that the
good-natured Mr Blakeley, whom she always saw smiling and ready to
complete a deal with her Uncle Howroyd, became a brusque, serious
business man with her brother.
'I have an order on hand here, Mr Clay; but I should prefer if you will
allow me to cancel it. I understand that there are changes in the mills,
and it is rather particular that it should be woven exactly as it was,'
he said, after having made some curt and perfunctory inquiries after Mr
Mark Clay's health.
George evidently did not understand what he meant, and was just saying,
with his usual courtesy, 'Oh, certainly; we should not, of course, hold
you to your word.'
But Sarah broke in. She had been used to talk to these men when they came
to see her uncle, and they had all admired the handsome girl, and showed
her attention to please her uncle, who was evidently very fond of her and
proud of his niece. So she felt no shyness with Mr Blakeley, and said,
'What difference do the changes make, Mr Blakeley? My father did not
weave the cloth, and the manager and foremen who looked after these
things are still here.'
Mr Blakeley looked at her, and an amused smile crept over his face at her
business-like tone. 'Quite true, Miss Sarah; but the weavers of this
particular cloth have left, I understand, and I would rather not trust it
to new ones.'
'Of course not,' began George.
But Sarah interrupted again. 'You'd better hear what our manager has to
say. Father won't be pleased if he finds we have sent good customers
away.'
'There's a good business woman for you!' cried Mr Blakeley with a laugh.
''Tis a pity you are not a man; you could go into partnership with your
brother and father.'
Meanwhile George had acted on Sarah's advice, and sent for Mr Hurst, who
came at once. 'There's no call for you to withdraw your order, Mr
Blakeley. We've got the wools you asked for, and there's one of the
weavers who has done your cloth before, so I think you may be easy in
your mind about its being done as well as ever. We're turning out some
fine work, and there's a new shade you might find useful, which perhaps
you'd like to see.'
Mr Blakeley pricked up his ears at the news of a new shade, and went off
quite eagerly with the manager.
George heaved a sigh of relief. 'You pulled us through that time, Sarah;
but it won't always go like that. I can't push.'
'You must, or you'll get pushed to the wall; but I have had another
inspiration since I came down. Why don't you weave a lot of coat-lengths
of that new shade? It's much more suitable for that than for blankets.'
'I thought the same thing when I saw it, and said something of the kind
to father, and he said he should try samples. They were almost the last
words he said to me that day before he left me.'
'It was only yesterday,' observed Sarah.
George stared at her. 'So it was! I can hardly believe it. It seems weeks
ago; but I am glad you reminded me of it, for it will please father to
find we have carried out his wishes, and I think it might "catch on," as
he said.'
'The fact is, you've got dazed with the shock. I believe you felt it more
than I did. I am very sorry for father being ill, and I think the hands
who burnt our house behaved disgracefully, and I'm glad they were turned
off; but I can't help feeling that it was father's own fault, and that
perhaps it will do him good.'
'It's not our business to judge his treatment of his employés. He was a
very liberal father to us,' said George.
'You are not so hard-hearted'----began Sarah; but a prolonged ringing at
the telephone interrupted her.
'It's mother,' she announced, 'and she's calling for you.'
George went and listened. 'Father is conscious, and has asked for us,' he
cried, and his face lightened.
'I'm very glad,' replied Sarah quietly; but her face showed no such joy
as her brother's. It is to be feared that where her father was concerned
Sarah was somewhat hard-hearted.
'We must go at once,' said her brother, taking up his hat.
'I don't think you ought to leave the mill till the dinner-hour. The bell
will ring in a quarter of an hour. Can't you wait till then?' objected
Sarah, who, as is seen, was more business-like than her brother, thanks
to her intercourse with her uncle Howroyd.
'Perhaps you are right. Then you had better go, and say I will be there
almost directly,' he suggested.
Sarah started with mingled feelings. She was glad, really glad, that her
father had recovered consciousness, and was therefore, she supposed,
getting better; but the fact was, Sarah felt very resentful and sore that
he had made himself so hated, and she walked very slowly along the
streets that separated her father's mills from Mr Howroyd's.
''E knows me, Sarah!' cried her mother, whose face was transfigured with
joy. 'Thanks be to God, 'e knows me, my dear 'usband!'
For the life of her, Sarah could not show any great joy, but only
inquired, 'Has he asked for me, or is it only George he wants to see,
mother?'
''E mentioned you both, an' asked w'ere Sally was,' said her mother,
forgetting, in her great relief, the small detail that Sarah disliked
being called so.
'Then I'd better go to him and tell him George will come in as soon as he
can leave the mills,' said Sarah, preparing to go into the sitting-room,
which was still being used as the stricken man's bedroom.
'Don't you say any such thing! Don't you breathe a word about the mills
or Balmoral or anything. 'E's not to be excited, the doctor says. I've
'alf a mind to tell 'im 'e shall see you by-and-by; it would be a
dreadful thing if you were to upset 'im. You don't always get on too well
with your father, Sarah,' Mrs Clay wound up reproachfully.
'I sha'n't say anything to upset father while he is lying there so ill. I
only meant to explain why George did not come at once,' explained Sarah.
'You needn't explain. Sick folk don't want explanations,' objected Mrs
Clay. 'Say George is out.'
'Very well,' agreed Sarah, and she went into the sick-room. It was a
relief not to see her father lying there with unseeing eyes and breathing
so heavily; but, somehow, Sarah felt very uncomfortable under his keen
glance to-day. Still, she managed to say, 'I am glad you are better,
father.'
'Ay, I'm going to get better; but I'll never be the man I was. I've made
a mess of it, Sally, and I shall not leave you the big fortune I meant
you to have to match your pretty face, my little lass. I've not done
right, and I shall never be able to do it now,' said the sick man.
'Yes, you will, father. You will be all right in a few weeks, and you can
make another fortune, and build Balmoral again,' cried Sarah eagerly, as
she impulsively took her father's hand, and then started on finding that
it lay limp in hers.
A spasm passed over the invalid's face at her words; and if Mrs Clay had
not been too much afraid of her husband she would have stopped Sarah and
sent her away. As it was, she gave a little groan from the background, as
much as to say, 'You've done the very thing I told you not to do.'
'There'll never be another Balmoral. It would take me too long, and I
doubt if Clay's Mills will ever be themselves again. I'd like those
fellows to be sent off the minute the contract's done. It'll take them
another week; but I'll be glad to see the backs of them. I wish they'd
never come,' said Mr Clay, who seemed to have a feverish desire to talk.
'They've gone, father,' said Sarah.
But this was too much for Mrs Clay's patience. 'That'll do, Sarah. Your
father's not got to talk business w'ile 'e's so bad.--There, Mark, don't
you worry; everything's going on as well as can be expected,' she said,
in what she thought was a soothing tone.
Her husband waved her aside. 'Let be, Polly! Let the lass speak; I must
know the worst.--So they've gone, the villains! When they thought I was
done for, the rats forsook the sinking ship. Ay, 'twas a bad day for us,
was yon. Well, that ends it! The credit of Clay's Mills has gone for
ever. I'd best not get better. You'll have a little something to live on;
and that's all I've done with my toiling and moiling. I'm best dead,' he
said.
Mrs Clay grasped Sarah's arm in a convulsive grip. 'Don't breathe another
word. I forbid you!'
Sarah felt sure she should do more good by speaking; but she remained
obediently silent.
'It's strange--a sick man's fancy, I suppose--but I thought I heard our
bell. There's no mistaking it. And, hark! there it is again. Am I
light-headed, Polly, or what's that bell I heard?' he asked.
'No, Mark, no, you're not light-headed; it is your own bell. All's goin'
as well as can be expected,' replied poor Mrs Clay.
'What does she mean? Speak up, my lass; why are they ringing my bell?
Speak, I tell you!' he commanded.
So Sarah spoke, and told him what her brother had done.
The mill-owner listened in silence, and Sarah scarcely recognised her
father's voice when he said, 'Thank God, my credit's saved! I don't
deserve such children; but you take after your mother, and she's brought
you up right. I've been a hard man, and I'd have been your ruin if you
hadn't prevented it.' Then he shut his eyes, only to open them and say,
'Tell the hands I'm glad they've come back;' and with a sigh he went off
into a refreshing sleep.
'And, oh George! he was so different, so humble and gentle. It did make
me feel so ashamed of myself,' cried Sarah to her brother when he came in
to lunch.
'I'm glad to hear it. It's about time you were,' announced George.
'You needn't say that now,' said Sarah, 'just when everything is going
all right.'
'I don't know that everything is going all right; in fact, I'm rather
glad I did not come in time to talk to father, for I should not have
given such a glowing account of everything as you have,' he remarked.
'You are dreadfully pessimistic. Of course there are ups and downs in
business; it's only that you are not used to it,' insisted Sarah.
'It's mostly downs at present unfortunately,' said George; and he was to
repeat the remark only too often in the weeks that followed.
CHAPTER XXIX.
'A MIRACLE.'
It was some weeks after the events related in the last chapter, and
George was looking years older, so his mother told him.
'Nay, lad, you must let me help you,' said Mr Howroyd. 'I've a few
thousands lying idle, and you'll want them to keep the mills going for
the next few weeks.'
'Do you mean to say it costs a thousand a week to keep the mills going?'
cried Sarah.
'It does that, lass, and I hear you've no orders coming in,' replied her
uncle.
'Then what's the good of their doing work if no one will buy it?' said
Sarah, whose enthusiasm had died out, and who was now as pessimistic as
her brother.
'Have it done ready for buyers. We often have to fill our warehouses in
bad times till we can find a market for our goods; and as George won't go
and ask for orders'----began his uncle.
'I really could not, Uncle Howroyd. I should feel like a beggar,'
protested George.
'Then you must sit here and wait till buyers come; it's only a case of
holding out long enough. Hurst is a good man, and a first-rate manager. I
don't know why the buyers have left you. I'm afraid it's some mischief
that's been made over the trial of the young men for firing the house,
and their heavy sentence. It has not done Clay's Mills any good.'
'I know that, uncle, and that's why I don't want to take your money. It's
only throwing good money after bad,' said George.
'Haven't I got any money?' inquired Sarah.
Mr Howroyd laughed as he said, 'Not yet. You'll have all that and more
when I'm dead and gone.'
'And I hope that will be never!' cried Sarah impetuously.
'Then you'd better take this money now. I've neither chick nor child, so
it's yours,' he said with his cheery smile.
'George, I think you'd better. Taking it from Uncle Howroyd is not taking
charity,' said Sarah.
'I should think not,' put in her uncle.
George let himself be persuaded, in spite of his firm conviction that
feeling was so strong against Clay's Mills and their owners, and that
they were practically being boycotted by the buyers.
And he was right. The weeks dragged on, and since the big contract, which
had been finished and sent off to time, thanks to the goodwill of the
hands, no order of any importance had come in, and George heard of them
being placed elsewhere in the town.
'It's no good, Sarah,' he said one day. 'I knew we were done for when I
read that article in the paper about ill-gotten gains, and there have
been others since.'
'Is Uncle Howroyd's money gone?' inquired Sarah.
'Practically, and the warehouses are full. I mind more for father and
the hands; they've come back to us, and everything is going well in the
mills, and Hurst is a good business man; but it's no use making good
cloth if people won't buy it.'
'Hasn't the new dye taken at all?' inquired Sarah.
'Yes, to a certain extent, and it is the only thing we are selling; but
it wants some fashionable person to take it up, and I really couldn't
push it or ask any of my friends,' he observed.
'I might ask Horatia to get her mother to have a costume that colour,'
said Sarah doubtfully; 'but she hasn't written lately. She said they were
coming up north in their motor, and should call and see us all. But I
expect they've read those things that have been written, and don't want
to have anything to do with us now we're ruined, or going to be.'
'In that case you can't possibly write to her. But I wish I knew what to
do. I have even been to see some of the buyers, only to be refused,' said
George a little bitterly.
'Oh, have you really? That was plucky of you, because I know you hate it
so. I do wish something would happen. I hate going into father's room and
having to tell him that things are rather slack. You know the doctor says
he will soon be able to go down to the mills himself, and then he'll know
the truth,' said Sarah, who, it will be observed, had quite changed in
her feelings towards her father.
'Well, they say when things come to the worst they will mend, and things
have come to about the worst with us, so let's hope they will mend,' said
George, rousing himself and trying to speak cheerfully.
'That proverb is rubbish,' said Sarah, with some of her old violence;
'things often come to the worst and just end there.'
'We've done our best, anyway, so we shall have that consolation,'
remarked George.
'How much longer can you hold out?' inquired the practical Sarah.
'Practically I'm at the end of my tether, and was thinking of warning the
hands that the mills may have to shut down at the end of next week.'
'Oh, wait a day, George, and don't do anything without asking father
first; he ought to be asked, and he may think of a way out of the
difficulty,' entreated his sister.
'All right; but a day won't make any difference, unless a miracle
happens,' observed George.
'Father will have been out for his first drive, and will be stronger, for
one thing,' said Sarah. 'And, who knows? a miracle may happen.'
'Lady Grace and Mr and Miss Cunningham to see you, Miss Sarah,' announced
Sykes.
Sarah gave a little cry of joy, and looked significantly at her brother.
'Oh George'----she began.
But he said hastily, 'Don't ask a favour, Sarah. When people come to pay
a call of civility they don't want to be bothered about business.'
'Very well,' said Sarah, who was not so self-willed as she used to be.
Horatia rushed at her. 'Oh Sarah! I am so glad to see you, and so sorry
to see Balmoral--I mean, not to see it. Father wants to look over your
mills, and I want to see your father,' she cried, bubbling over with high
spirits as ever.
Meanwhile Lady Grace and Mr Cunningham were shaking hands with George,
and congratulating him upon his energy and plucky attempt to keep on his
father's business.
'Let's all go down to the mills,' cried Horatia.
'It's dinner-hour now; but if you will stop and have lunch with us we
shall be very glad, and we will go after lunch. It won't be a Balmoral
lunch,' said George, smiling at her.
'All the better; we shall be finished the sooner,' said Horatia,' and the
mills take an awfully long time to see.'
'Then will you come and see father? He does not come down yet, and mother
has her lunch with him; she can't bear to leave him,' said Sarah.
Horatia accordingly went off with Sarah, and found the mill-owner looking
very different; but it was Mrs Clay who seemed the most changed. She
looked years younger, and so quietly happy. Horatia could not understand
it at all, not being given to troubling her head about people's
characters.
After lunch--which, after all, was a very good one, and served in Sykes's
best style, to do honour to the guests--the party drove down to the
mills.
Sarah could not help thinking what a good thing it would be if Lady Grace
Cunningham should take a fancy to this new cloth, she was such a
striking-looking woman, and a well-known figure in society; but the girl
determined not to suggest it, though her heart beat a little quicker when
they were coming to the dyeing-rooms.
Before this they passed the warehouses, and George good-naturedly opened
the doors to let Horatia see more blankets than she would ever see again
in her life.
'How full it is! This place was quite empty when I last came,' she cried
innocently.
George blushed like a girl. 'It's a slack time with us,' he said, and
hastily shut the door.
But Mr Cunningham stopped a moment. 'They are not sold, then?' he
inquired.
'No,' said George; 'but let me show you something more interesting.'
'Then it's rather fortunate I called, for I fancy I know a buyer. It's a
large line of steamers I have a share in that are starting, and want a
big consignment of blankets to be numbered and delivered by a near date,'
said Mr Cunningham; and he began to go into figures with George.
The two went off with the manager to do some telephoning, and Lady Grace
Cunningham walked on with the two girls to the dyeing-rooms. Sarah felt
more than ever that she could not say anything, though she showed the new
shade and the cloth.
'Oh mother, do have a coat and skirt of it!' cried Horatia. 'It does suit
you so well! Just see!'
'But I don't suppose I am allowed to buy it wholesale like this?' Lady
Grace protested.
'I believe one firm in London has stocked some. George will know the
name,' said Sarah; but her eyes were shining with such pleasure that Lady
Grace saw that the suggestion had given great pleasure.
'If you will let me have the name I will certainly order a costume. I
have never seen the shade, and I think it ought to become very popular;
it is such a good winter colour,' she said.
'Thank you very much,' said Sarah quietly; but her face said a great deal
more.
When Mr Cunningham joined them, Horatia insisted on his looking at the
new cloth. He admired it as much as his wife, and said, 'I wish you'd
have a dress of that shade. I'm so sick of dull colours, and this is
really becoming.'
Horatia clapped her hands. 'She's going to when Mr Clay tells us the name
of the place where you can buy it.'
'I can do that; but you would give me great pleasure if you would let me
send you a length,' said George.
And Lady Grace gracefully accepted the offer, knowing that it gave the
young man, as he said, great pleasure; and adding, 'But let me know where
it can be got in London, for I am sure to be asked.'
When they took their leave, George and Sarah looked at each other,
smiling. 'The miracle has happened, George!' the latter exclaimed.
'Thank goodness!' he said. 'Oh Sarah, if you only knew how that warehouse
full of blankets has weighed upon me!'
'Then I wonder you're alive to tell the tale,' said a cheery voice behind
him.
They both laughed. 'Oh Uncle Howroyd, isn't it lovely? Mr Cunningham has
given George such a big order, and Lady Grace is going to wear the new
shade. They've been to call.'
'I know. They called on me first,' said their uncle.
'Did you ask them to help us?' cried Sarah, her face falling.
'Nay, lass; I'm as proud as you, and I never said a word except that
young George was battling bravely. Mr Cunningham told me he had come on
purpose to see if he could get blankets, and, as a matter of fact, he
asked me; but I hadn't any ready. So, you see, it was Providence helping
those who help themselves,' he replied.
Meanwhile the Cunninghams were speeding south with the dress-length
packed in the carrier at the back of the motor.
'I don't recognise the description I heard of that family,' observed Lady
Grace Cunningham; 'and it just shows that one must never believe what one
hears, for according to you and Nanny they were very different.'
'Yes; I noticed that. And young Clay, too, is not in the least like
Maxwell's description of him. He said the young man was an easy-going
fellow, who looked always half-asleep, as if life was a bore to live, and
was only fit to lounge in fashionable drawing-rooms. I shall ask him what
he means,' said her husband.
'But that's how Sarah talked of him. I expect he's changed, and so is
she; in fact, they are all changed,' declared Horatia.
'But you told me Mrs Clay was a meek, trodden-down creature, and Mr Clay
a rather violent man, and that Sarah could not bear him. And as for
Nanny's description, it was worse still, and I find Mrs Clay very
different, and Sarah is devoted to her parents, especially her father.'
'I know,' agreed Horatia, nodding her head. 'I was so astonished that my
eyes nearly dropped out of my head. But it's the fire that has done it.
It's burst up all their bad qualities. I can tell you it was pretty
uncomfortable last time I stayed there; and when you tell Nanny your
opinion of them, she'll say a miracle must have happened.'
'I think they have been having a hard struggle. The young fellow betrayed
it when he showed that full warehouse. I heard something about it. There
is a feeling against them. Even our shipping people objected to trading
with them. But I'm glad I persuaded them; it may give them a lift, and
one thing leads to another.'
'Yes; and you must make that shade the fashion, mother. Wear it at your
big reception, will you?' begged Horatia.
'And get it copied at once?' laughed her mother.
'Yes, because Mr Clay was so kind to me. Think of that rink that he had
made just to please me!' cried Horatia.
'Ah, that was a waste of money! They won't be able to throw their money
about like that for some time to come,' said Mr Cunningham, shaking his
head.
'No; and a good thing, too. I don't approve of these colossal fortunes,'
said his wife.
'Unless one has it one's self,' laughed her husband.
'It just shows how quickly they can be lost,' she observed.
'Well, it seems to have done them all good, so I don't think we need
regret it or pity them,' said Mr Cunningham.
'Only, I do wish you had seen Balmoral; it was like Aladdin's palace. I
never saw anything like it,' cried Horatia.
CHAPTER XXX.
LAST.
The worst had come and passed. Two days later Mr Clay announced his
intention of going down to the mill. 'Not that I'm going to take things
out of your hand, lad--nay, I shall never be good for much again--but
just to see the old place, and say a word to some of the hands,' he
explained.
'Will you wait till this afternoon, father?' asked George.
'Why? What's doing?' inquired his father.
'Only carrying bales for a big order,' said George.
'I'd like to see that; it means business,' persisted the mill-owner. And
he had his way.
'I wanted to get the warehouse cleared before he came,' George explained
to his sister, who was his confidante; for Mrs Clay, strange to say, took
no interest in the mills or her son's proceedings except so far as it
'pleased father.'
However, Mr Clay came down, and saw the huge bales being sent off to the
shipping line. His quick business eye took in the whole situation at a
glance. 'You've been slack. It's been a heavy pull,' he said gravely.
'Yes, father; but the worst is over, and things are looking up. We've
cleared this side, and I've had two more smaller orders since Mr
Cunningham's,' said his son.
'And you've borne all that worry alone, and never told me a word. You're
too good to your old father, both of you, for I've brought it on you;
it's me the buyers have forsaken, not you. But they'll come round again.
We make good cloth and blankets, and they know it,' he said; but he did
not boast as he used to do.
The hands, looking rather ashamed and shy, greeted him respectfully as he
walked slowly along, dragging his paralysed foot after him. 'I'm glad to
see you again,' he said again and again.
But when he had gone, they shook their heads and said Mark Clay would
never be the man he had been, and that it was the young master they must
look to now.
'And a good master he'll be, though he's a bit too polite, and down upon
what he calls rudeness, which is only our way,' said one of the young
men.
'You've taught them London manners, lad,' said Mark Clay, looking at his
son quizzically, as he noticed how no man, woman, or child passed the
young master without some greeting.
George laughed. 'I couldn't stand their rough ways,' he admitted.
'Well, I've nought against it, and I see you've made some other
alterations for their benefit; but I've nought against that either.
You've done well by the mill and by me, and I'm proud of you, and proud
of my girl, for she's got a shrewd business head, too, it seems.'
'Yes; I couldn't have done it without her. She is so quick, and seems to
know the right thing by instinct,' said George.
'That's the woman's way. It's wonderful how they'll see things we can't.
Your mother's the same,' replied Mark Clay.
And George made no comment on this change of front, though he remembered
the times without number that his blood had boiled when the millionaire
had spoken contemptuously of his wife, and told her that she did not know
what she was talking about.
* * * * *
It is two years later, and a motor-car drove up to a beautiful house that
stood on the place that Balmoral formerly occupied. Out of the motor
stepped a young man with a good-humoured, freckled face, very like
Horatia, whom he handed out, and who was now a very nice-looking girl of
seventeen.
'We've come to your house-warming, Sarah,' she cried. 'And, oh, what a
beautiful house! It's almost as good as the last one. And you've got a
marble staircase and all. Why, it's exactly like the other!' she cried.
Sarah shook her head. 'It's not so big or so grand; but we tried to make
it like the last to please father and mother. Poor mother was always
talking of her marble staircase, so that's exactly copied, and so is the
parquetry flooring, and her rooms are as like as we could make them; but
we have no royal apartments for you this time,' she said.
'I'm glad of it. I don't mind telling you now that I used to have a
nightmare every night, dreaming that burglars had come in and murdered me
for my wealth--thinking it was mine, you know,' Horatia confided to her.
'Father is in the drawing-room waiting to see you. He is still rather an
invalid,' said Sarah as she led the way to it.
'It's almost the same, Sarah!' Horatia cried again. 'Yes; and we still
have the gold plate and Sèvres china. Sykes saved a lot of things, we
found afterwards; but it's not so palatial, and father wouldn't have it
called Balmoral any more. He said that was boastful.'
'Oh! What is the name of the house, then?' inquired Horatia.
'Father will tell you,' said Sarah.
'So you've kept your promise, and come to stay with us again; only, this
time it's my son's house,' said Mr Mark Clay.
'Oh no, father; he says not,' cried Sarah.
Mr Clay shook his head. 'I lost my all when I lost Balmoral, and he built
up the fortune again. I'll never have a mansion here; but I'm content to
stay in my son's till I get a mansion in the sky,' he said.
Horatia smiled at the allusion to her speech. 'What is the name of the
house?' she asked.
'Horatia House. We all wished to have something to remind us that it was
your family we had to thank for having a home again. You made the tide
turn and the dye take. George wanted to call it Arnedale House, after
your ancestor; but Sarah said, "Call it Horatia House," and so we did.'
'And a very pretty name it is,' said little Mrs Clay, who looked very
pretty herself.
'That is a very pretty compliment you have paid me! I feel I ought to
make a pretty speech of thanks, but I don't know how,' cried Horatia with
a merry laugh.
'Here's the mill-owner,' said his father, as George came in, looking as
aristocratic as ever, with the same pleasant smile and perfect manners,
only wide awake. 'I've a right to be proud of my children, haven't I?
They're all I am proud of now,' said Mr Clay as he took a hand of each.
And Horatia and her brother agreed with him that he had a right to be
proud of his children.
THE END.
Edinburgh: Printed by W. & R. Chambers, Limited.
***END OF THE PROJECT GUTENBERG EBOOK SARAH'S SCHOOL FRIEND***
******* This file should be named 20068-8.txt or 20068-8.zip *******
This and all associated files of various formats will be found in:
https://www.gutenberg.org/dirs/2/0/0/6/20068
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
https://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
