The Project Gutenberg EBook of Jesse Cliffe, by Mary Russell Mitford
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Jesse Cliffe
Author: Mary Russell Mitford
Release Date: October 2, 2007 [EBook #22839]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK JESSE CLIFFE ***
Produced by David Widger
JESSE CLIFFE
By Mary Russell Mitford
Living as we do in the midst of rivers, water in all its forms, except
indeed that of the trackless and mighty ocean, is familiar to our
little inland county. The slow majestic Thames, the swift and wandering
Kennett, the clear and brimming Loddon, all lend life and verdure to our
rich and fertile valleys. Of the great river of England--whose course
from its earliest source, near Cirencester, to where it rolls calm,
equable, and full, through the magnificent bridges of our splendid
metropolis, giving and reflecting beauty,* presents so grand an image
of power in repose--it is not now my purpose to speak; nor am I about
to expatiate on that still nearer and dearer stream, the pellucid
Loddon,--although to be rowed by one dear and near friend up those
transparent and meandering waters, from where they sweep at their
extremest breadth under the lime-crowned terraces of the Old Park
at Aberleigh, to the pastoral meadows of Sandford, through which the
narrowed current wanders so brightly--now impeded by beds of white
water-lilies, or feathery-blossomed bulrushes, or golden flags--now
overhung by thickets of the rich wayfaring tree, with its wealth of
glorious berries, redder and more transparent than rubies--now spanned
from side to side by the fantastic branches of some aged oak;--although
to be rowed along that clear stream, has long been amongst the choicest
of my summer pleasures, so exquisite is the scenery, so perfect and so
unbroken the solitude. Even the shy and foreign-looking kingfisher, most
gorgeous of English birds, who, like the wild Indian retiring before the
foot of man, has nearly deserted our populous and cultivated country,
knows and loves the lovely valley of the Loddon.
* There is nothing finer in London than the view from
Waterloo-bridge on a July evening, whether coloured by the
gorgeous hues of the setting sun reflected on the water in
tenfold glory, or illuminated by a thousand twinkling lights
from lamps, and boats, and houses, mingling with the mild
beams of the rising moon. The calm and glassy river, gay
with unnumbered vessels; the magnificent buildings which
line its shores; the combination of all that is loveliest in
art or in nature, with all that is most animating in motion
and in life, produce a picture gratifying alike to the eye
and to the heart--and the more exhilarating, or rather
perhaps the more soothing, because, for London, so
singularly peaceful and quiet. It is like some gorgeous town
in fairyland, astir with busy and happy creatures, the hum
of whose voices comes floating from the craft upon the
river, or the quays by the water side. Life is there, and
sound and motion; but blessedly free from the jostling of
the streets, the rattling of the pavement, the crowd, the
confusion, the tumult, and the din of the work-a-day world.
There is nothing in the great city like the scene from
Waterloo bridge at sunset. I see it in my mind's eye at this
instant.
It is not, however, of the Loddon that I am now to speak. The scene
of my little story belongs to a spot quite as solitary, but far less
beautiful, on the banks of the Kennett, which, a few miles before
its junction with the Thames, passes through a tract of wild, marshy
country--water-meadows at once drained and fertilised by artificial
irrigation, and totally unmixed with arable land; so that the fields
being for the most part too wet to admit the feeding of cattle, divided
by deep ditches, undotted by timber, unchequered by cottages, and
untraversed by roads, convey in their monotonous expanse (except
perhaps at the gay season of haymaking) a feeling of dreariness and
desolation, singularly contrasted with the picturesque and varied
scenery, rich, glowing, sunny, bland, of the equally solitary Loddon
meadows.
A large portion of these English prairies, comprising a farm called the
Moors, was, at the time of which I write, in the occupation of a wealthy
yeoman named John Cobbam, who, the absentee tenant of an absentee
landlord, resided upon a small property of his own about two miles
distant, leaving the large deserted house, and dilapidated outbuildings,
to sink into gradual decay. Barns half unthatched, tumble-down
cart-houses, palings rotting to pieces, and pigsties in ruins,
contributed, together with a grand collection of substantial and dingy
ricks of fine old hay--that most valuable but most gloomy looking
species of agricultural property--to the general aspect of desolation by
which the place was distinguished. One solitary old labourer, a dreary
bachelor, inhabited, it is true, a corner of the old roomy house,
calculated for the convenient accommodation of the patriarchal family of
sons and daughters, men-servants and maid-servants, of which a farmer's
household consisted in former days; and one open window, (the remainder
were bricked up to avoid taxes,) occasionally a door ajar, and still
more rarely a thin wreath of smoke ascending from one of the cold
dismal-looking chimneys, gave token that the place was not wholly
abandoned. But the uncultivated garden, the grass growing in the bricked
court, the pond green with duckweed, and the absence of all living
things, cows, horses, pigs, turkeys, geese, or chickens--and still more
of those talking, as well as living things, women and children--all
impressed on the beholder that strange sensation of melancholy which
few can have failed to experience at the sight of an uninhabited human
habitation. The one solitary inmate failed to relieve the pressing
sense of solitude. Nothing but the ringing sound of female voices, the
pleasant and familiar noise of domestic animals, could have done that;
and nothing approaching to noise was ever heard in the Moors. It was a
silence that might be felt.
The house itself was approached through a long, narrow lane, leading
from a wild and watery common; a lane so deeply excavated between
the adjoining hedge-rows, that in winter it was little better than a
water-course; and beyond the barns and stables, where even that apology
for a road terminated, lay the extensive tract of low, level, marshy
ground from whence the farm derived its title; a series of flat,
productive water-meadows, surrounded partly by thick coppices, partly
by the winding Kennett, and divided by deep and broad ditches; a few
pollard willows, so old that the trunk was, in some, riven asunder,
whilst in others nothing but the mere shell remained, together with here
and there a stunted thorn, alone relieving the monotony of the surface.
The only regular inhabitant of this dreary scene was, as I have before
said, the old labourer, Daniel Thorpe, who slept in one corner of the
house, partly to prevent its total dilapidation, and to preserve the
valuable hayricks and the tumble-down farm buildings from the pillage to
which unprotected property is necessarily exposed, and partly to keep
in repair the long line of boundary fence, to clean the graffages,
clear out the moat-like ditches, and see that the hollow-sounding wooden
bridges which formed the sole communication by which the hay wagons
could pass to and from the distant meadows, were in proper order
to sustain their ponderous annual load. Daniel Thorpe was the only
accredited unfeathered biped who figured in the parish books as occupant
of The Moors; nevertheless that swampy district could boast of one
other irregular and forbidden but most pertinacious inhabitant--and that
inhabitant was our hero, Jesse Cliffe.
Jesse Cliffe was a lad some fifteen or sixteen years of age--there
or thereabout; for with the exact date of his birth, although from
circumstances most easily ascertained, even the assistant-overseer did
not take the trouble to make himself acquainted. He was a parish child
born in the workhouse, the offspring of a half-witted orphan girl and a
sturdy vagrant, partly tinker, partly ballad-singer, who took good care
to disappear before the strong arm of justice, in the shape of a tardy
warrant and a halting constable, could contrive to intercept his flight.
He joined, it was said, a tribe of gipsies, to whom he was suspected to
have all along belonged; and who vanishing at the same time, accompanied
by half the linen and poultry of the neighbourhood, were never heard
of in our parts again; whilst the poor girl whom he had seduced and
abandoned, with sense enough to feel her misery, although hardly
sufficient to be responsible for the sin, fretted, moaned,
and pined--losing, she hardly knew how, the half-unconscious
light-heartedness which had almost seemed a compensation for her
deficiency of intellect, and with that light-heartedness losing also her
bodily strength, her flesh, her colour, and her appetite, until, about
a twelvemonth after the birth of her boy, she fell into a decline and
died.
Poor Jesse, born and reared in the workhouse, soon began to evince
symptoms of the peculiarities of both his parents. Half-witted like his
mother, wild and roving as his father--it was found impossible to check
his propensity to an out-of-door life.
From the moment, postponed as long as possible in such establishments,
in which he doffed the petticoat--a moment, by the way, in which the
obstinate and masterful spirit of the ungentle sex often begins to
show itself in nurseries of a far more polished description;--from that
moment may Jesse's wanderings be said to commence. Disobedience lurked
in the habit masculine. The wilful urchin stood, like some dandy
apprentice, contemplating his brown sturdy legs, as they stuck out from
his new trowsers, already (such was the economy of the tailor employed
on the occasion) "a world too _short_," and the first use he made of
those useful supporters was to run away. So little did any one really
care for the poor child, that not being missed till night-fall, or
sought after till the next morning, he had strayed far enough, when, at
last picked up, and identified by the parish mark on his new jacket, to
be half frozen, (it was mid-winter when his first elopement happened,)
half-starved, half-drowned, and more than half-dead of fatigue and
exhaustion. "It will be a lesson!" said the moralising matron of the
workhouse, as, after a sound scolding, she fed the little culprit and
put him to bed. "It will be a lesson to the rover!" And so it proved;
for, after being recruited by a few days' nursing, he again ran away, in
a different direction.
When recovered the second time, he was whipped as well as fed--another
lesson which only made the stubborn recusant run the faster. Then, upon
his next return, they shut him up in a dark den appropriately called the
black-hole, a restraint which, of course, increased his zest for light
and liberty, and in the first moment of freedom--a moment greatly
accelerated by his own strenuous efforts in the shape of squalling,
bawling, roaring, and stamping, unparalleled and insupportable, even in
that mansion of din--in the very instant of freedom he was off again; he
ran away from work; he ran away from school; certain to be immersed in
his dismal dungeon as soon as he could be recaught; so that his whole
childhood became a series of alternate imprisonments and escapes.
That he should be so often lost was, considering his propensities and
the proverbial cunning of his caste, not, perhaps, very remarkable. But
the number of times and the variety of ways, in which, in spite of the
little trouble taken in searching for him, he was sent back to the place
from whence he came, was really something wonderful. If any creature in
the world had cared a straw for the poor child, he must have been lost
over and over: nobody did care for him, and he was as sure to turn up
as a bad guinea. He has been cried like _Found_ Goods in Belford Market:
advertised like a strayed donkey in the _H----shire Courant_; put for
safe keeping into compters, cages, roundhouses, and bridewells: passed,
by different constables, through half the parishes in the county; and
so frequently and minutely described in handbills and the _Hue and Cry_,
that by the time he was twelve years old, his stature, features, and
complexion were as well known to the rural police as those of some great
state criminal. In a word, "the lad _would_ live;" and the Aberleigh
overseers, who would doubtless have been far from inconsolable if they
had never happened to hear of him again, were reluctantly obliged to
make the best of their bargain.
Accordingly, they placed him as a sort of boy of all-work at "the shop"
at Hinton, where he remained, upon an accurate computation, somewhere
about seven hours; they then put him with a butcher at Langley, where he
staid about five hours and a-half, arriving at dusk, and escaping before
midnight: then with a baker at Belford, in which good town he sojourned
the (for him) unusual space of two nights and a day; and then they
apprenticed him to Master Samuel Goddard, an eminent dealer in cattle
leaving his new master to punish him according to law, provided
he should run away again. Run away of course he did; but as he had
contrived to earn for himself a comfortably bad character for stupidity
and laziness, and as he timed his evasion well--during the interval
between the sale of a bargain of Devonshire stots, and the purchase of
a lot of Scotch kyloes, when his services were little needed--and as
Master Samuel Goddard had too much to do and to think of, to waste his
time and his trouble on a search after a heavy-looking under-drover,
with a considerable reputation for laziness, Jesse, for the first
time in his life, escaped his ordinary penalties of pursuit and
discovery--the parish officers contenting themselves by notifying to
Master Samuel Goddard, that they considered their responsibility, legal
as well as moral, completely transferred to him in virtue of their
indentures, and that whatever might be the future destiny of his unlucky
apprentice, whether frozen or famished, hanged or drowned, the blame
would rest with the cattle-dealer aforesaid, to whom they resolved to
refer all claims on their protection, whether advanced by Jesse himself
or by others.
Small intention had Jesse Cliffe to return to their protection or their
workhouse! The instinct of freedom was strong in the poor boy--quick and
strong as in the beast of the field, or the bird of the air. He betook
himself to the Moors (one of his earliest and favourite haunts) with a
vague assurance of safety in the deep solitude of those wide-spreading
meadows, and the close coppices that surrounded them: and at little
more than twelve years of age he began a course of lonely, half-savage,
self-dependent life, such as has been rarely heard of in this civilised
country. How he lived is to a certain point a mystery. Not by stealing.
That was agreed on all hands--except indeed, so far as a few roots of
turnips and potatoes, and a few ears of green corn, in their several
seasons, may be called theft. Ripe corn for his winter's hoard, he
gleaned after the fields were cleared, with a scrupulous honesty that
might have read a lesson to peasant children of a happier nurture.
And they who had opportunities to watch the process, said that it was
curious to see him bruise the grain between large stones, knead the rude
flour with fair water, mould his simple cakes, and then bake them in a
primitive oven formed by his own labour in a dry bank of the coppice,
and heated by rotten wood shaken from the tops of the trees, (which he
climbed like a squirrel,) and kindled by a flint and a piece of an old
horse-shoe:--such was his unsophisticated cookery! Nuts and berries from
the woods; fish from the Kennett--caught with such tackle as might be
constructed of a stick and a bit of packthread, with a strong pin
or needle formed into a hook; and perhaps an occasional rabbit or
partridge, entrapped by some such rough and inartificial contrivance,
formed his principal support; a modified, and, according to his vague
notions of right and wrong, an innocent form of poaching, since he
sought only what was requisite for his own consumption, and would have
shunned as a sin the killing game to sell. Money, indeed, he little
needed. He formed his bed of fern or dead grass, in the deepest recesses
of the coppice--a natural shelter; and the renewal of raiment, which
warmth and decency demanded, he obtained by emerging from his solitude,
and joining such parties as a love of field sports brought into his
vicinity in the pursuit of game--an inspiring combination of labour
and diversion, which seemed to awaken something like companionship and
sympathy even in this wild boy of the Moors, one in which his knowledge
of the haunts and habits of wild animals, his strength, activity, and
actual insensibility to hardship or fatigue, rendered his services of
more than ordinary value. There was not so good a hare-finder throughout
that division of the county; and it was curious to observe how
completely his skill in sportmanship overcame the contempt with which
grooms and gamekeepers, to say nothing of their less fine and more
tolerant masters, were wont to regard poor Jesse's ragged garments, the
sunburnt hair and skin, the want of words to express even his simple
meaning, and most of all, the strange obliquity of taste which led
him to prefer Kennett water to Kennett ale. Sportsmanship, sheer
sportsmanship, carried him through all!
Jesse was, as I have said, the most popular hare-finder of the
country-side, and during the coursing season was brought by that good
gift into considerable communication with his fellow creatures: amongst
the rest with his involuntary landlord, John Cobham.
John Cobham was a fair specimen of an English yeoman of the old
school--honest, generous, brave, and kind; but in an equal degree,
ignorant, obstinate and prejudiced. His first impression respecting
Jesse had been one of strong dislike, fostered and cherished by the old
labourer Daniel Thorpe, who, accustomed for twenty years to reign sole
sovereign of that unpeopled territory, was as much startled at the sight
of Jesse's wild, ragged figure, and sunburnt face, as Robinson Crusoe
when he first spied the track of a human foot upon _his_ desert island.
It was natural that old Daniel should feel his monarchy, or, more
correctly speaking, his vice-royalty, invaded and endangered; and
at least equally natural that he should communicate his alarm to his
master, who sallied forth one November morning to the Moors, fully
prepared to drive the intruder from his grounds, and resolved, if
necessary, to lodge him in the County Bridewell before night.
But the good farmer, who chanced to be a keen sportsman, and to be
followed that day by a favourite greyhound, was so dulcified by the
manner in which the delinquent started a hare at the very moment of
Venus's passing, and still more by the culprit's keen enjoyment of
a capital single-handed course, (in which Venus had even excelled
herself,) that he could not find in his heart to take any harsh measures
against him, for that day at least, more especially as Venus seemed to
have taken a fancy to the lad--so his expulsion was postponed to another
season; and before that season arrived, poor Jesse had secured the
goodwill of an advocate far more powerful than Venus--an advocate who,
contrasted with himself, looked like Ariel by the side of Caliban, or
Titania watching over Bottom the Weaver.
John Cobham had married late in life, and had been left, after seven
years of happy wedlock, a widower with five children. In his family
he may be said to have been singularly fortunate, and singularly
unfortunate. Promising in no common degree, his sons and daughters,
inheriting their mother's fragile constitution as well as her amiable
character, fell victims one after another to the flattering and fatal
disease which had carried her off in the prime of life; one of them
only, the eldest son, leaving any issue; and his little girl, an orphan,
(for her mother had died in bringing her into the world,) was now the
only hope and comfort of her doting grandfather, and of a maiden sister
who lived with him as housekeeper, and, having officiated as head-nurse
in a nobleman's family, was well calculated to bring up a delicate
child.
And delicate in all that the word conveys of beauty--delicate as the
Virgins of Guido, or the Angels of Correggio, as the valley lily or the
maiden rose--was at eight years old, the little charmer, Phoebe Cobham.
But it was a delicacy so blended with activity and power, so light and
airy, and buoyant and spirited, that the admiration which it awakened
was wholly unmingled with fear. Fair, blooming, polished, and pure, her
complexion had at once the colouring and the texture of a flower-leaf;
and her regular and lovely features--the red smiling lips, the
clear blue eyes, the curling golden hair, and the round yet slender
figure--formed a most rare combination of childish beauty. The
expression, too, at once gentle and lively, the sweet and joyous temper,
the quick intellect, and the affectionate heart, rendered little Phoebe
one of the most attractive children that the imagination can picture.
Her grandfather idolised her; taking her with him in his walks, never
weary of carrying her when her own little feet were tired--and it was
wonderful how many miles those tiny feet, aided by the gay and buoyant
spirit, would compass in the course of the day; and so bent upon keeping
her constantly with him, and constantly in the open air, (which he
justly considered the best means of warding off the approach of that
disease which had proved so fatal to his family,) that he even had a pad
constructed, and took her out before him on horseback.
A strange contrast formed the old farmer, so gruff and
bluff-looking--with his stout square figure, his weather-beaten face,
short grey hair, and dark bushy eyebrows--to the slight and graceful
child, her aristocratic beauty set off by exactly the same style of
paraphernalia that had adorned the young Lady Janes and Lady Marys,
Mrs. Dorothy's former charge, and her habitual grace of demeanour adding
fresh elegance to the most studied elegancies of the toilet! A strange
contrast!--but one which seemed as nothing compared with that which was
soon to follow: for Phoebe, happening to be with her grandfather and
her great friend and playmate Venus, a jet-black greyhound of the
very highest breed, whose fine limbed and shining beauty was almost as
elegant and aristocratic as that of Phoebe herself;--the little damsel,
happening to be with her grandfather when, instigated by Daniel Thorpe's
grumbling accusation of broken fences and I know not what, he was a
second time upon the point of warning poor Jesse off the ground--was
so moved by the culprit's tattered attire and helpless condition, as he
stood twirling, between his long lean fingers, the remains of what had
once been a hat, that she interceded most warmly in his behalf.
"Don't turn him off the Moors, grandpapa," said Phoebe, "pray don't!
Never mind old Daniel! I'm sure he'll do no harm;--will you, Jesse?
Venus likes him, grandpapa; see how she puts her pretty nose into his
hand; and Venus never likes bad people. How often I have heard you say
that. And _I_ like him, poor fellow! He looks so thin and so pitiful. Do
let him stay, dear grandpapa!"
And John Cobham sat down on the bank, and took the pitying child in his
arms, and kissed and blessed her, and said, that, since she wished it,
Jesse _should_ stay; adding, in a sort of soliloquy, that he hoped
she never would ask him to do what was wrong, for he could refuse her
nothing.
And Jesse--what did he say to these, the first words of kindness that he
had ever heard from human lips? or rather, what did he feel? for beyond
a muttered "Thankye," speak he could not, But gratitude worked strongly
in the poor boy's heart: gratitude!--so new, so overpowering, and
inspired by one so sweet, so lovely, so gentle as his protectress, as
far as he was concerned, all-powerful; and yet a mere infant whom he
might protect as well as serve! It was a strange mixture of feelings,
all good, and all delightful; a stirring of impulses, a quickening of
affections, a striking of chords never touched before. Substitute the
sacred innocence of childhood for the equally sacred power of virgin
purity, and his feelings of affectionate reverence, of devoted service
and submission, much resembled those entertained by the Satyr towards
"the holy shepherdess," in Fletcher's exquisite drama.*
_Our_
"Rough thing, who never knew
Manners nor smooth humanity,"
could not have spoken nor have thought such words as those of the satyr;
but so far as our English climate and his unfruitful territory might
permit, he put much of the poetry into action. Sluggish of intellect,
and uncouth of demeanour, as the poor lad seemed, it was quite wonderful
how quickly he discovered the several ways in which he might best please
and gratify his youthful benefactress.
* That matchless Pastoral, "The Faithful Shepherdess," is
so much less known than talked of, that subjoin the passage
in question. One more beauti can hardly be found in the
wide range of English poetry.
_Satyr_. Through yon same bending plain That flings his
arms down to the main; And through these thick woods, have I
run, Whose depths have never kiss'd the sun; Since the lusty
Spring began, All to please my master, Pan, Have I trotted
without rest To get him fruit; for at a feast He entertains,
this coming night, His paramour, the Syrinx bright.
[_He sees Clorin and stands amazed_.
But behold a fairer sight!
By that heavenly form of thine,
Brightest fair, thou art divine,
Sprung from great, immortal race
Of the Gods; for in thy face
Shines more awful majesty,
Than dull, weak mortality
Dare with misty eyes behold
And live! Therefore on this mould
Slowly do I bend my knee,
In worship of thy deity.
Deign it, goddess, from my hand
To receive whate'er this land,
From her fertile womb doth send
Of her choice fruits; and but lend
Belief to that the Satyr tells:
Fairer by the famous wells
To this present day ne'er grew,
Never better nor more true.
Here be grapes whose lusty blood
Is the learned poet's good;
Sweeter yet did never crown
The head of Bacchus; nuts more brown
Than the squirrel whose teeth crack 'em.
Deign, oh fairest fair, to take 'em!
For these black-eyed Dryope
Hath often times commanded me,
With my clasped knee to climb;
See how well the lusty time
Hath deck'd their rising cheeks in red,
Such as on your lips is spread.
Here be berries for a queen,
Some be red, and some be green;
These are of that luscious sweet,
The great god Pan himself doth eat;
All these, and what the woods can yield,
The hanging mountain, or the field,
I freely offer, and ere long
Will bring you more, more sweet and strong;
Till when, humbly leave I take,
Lest the great Pan do awake,
That sleeping lies in a deep glade,
Under a broad beech's shade.
I must go,--I must run
Swifter than the fiery sun.
_Clorin_. And all my fears go with thee!
What greatness or what private hidden power
Is there in me to draw submission
From this rude man and beast? sure I am mortal;
The daughter of a shepherd; he was mortal,
And she that bore me mortal: Prick my hand
And it will bleed; a fever shakes me, and
The self-same wind that makes the young lambs shrink
Makes me a-cold. My fear says I am mortal.
Yet I hare heard (my mother told it me,
And now I do believe it) if I keep
My virgin flower uncropt, pure, chaste, and fair,
No goblin, wood-god, fairy, elf, or fiend,
Satyr, or other power, that haunts the groves,
Shall hurt my body, or by vain illusion
Draw me to wander after idle fires,
Or voices calling me in dead of night
To make me follow, and so tempt me on
Through mire and standing pools to find my swain
Else why should this rough thing, who never knew
Manners nor smooth humanity, whose herds
Are rougher than himself, and more misshapen,
Thus mildly kneel to me? &c. &c.
_Beaumont and Fletcher's Works_,
(Seward's edition,) vol. iii. p. 117--121.
How we track Milton's exquisite Comus in this no less
exquisite pastoral Drama! and the imitation is so beautiful,
that the perception of the plagiarism rather increases than
diminishes the pleasure with which we read either
deathless work. Republican although he were, the great poet
sits a throned king upon Parnassus, privileged to cull
flowers where he listeth in right of his immortal laurel-
crown.
Phoebe loved flowers; and from the earliest tuft of violets ensconced
under the sunny southern hedge, to the last lingering sprig of woodbine
shaded by some time-hallowed oak, the blossoms of the meadow and the
coppice were laid under contribution for her posies.
Phoebe had her own little garden; and to fill that garden, Jesse was
never weary of seeking after the roots of such wild plants as he himself
thought pretty, or such as he found (one can hardly tell how) were
considered by better judges to be worthy of a place in the parterre.
The different orchises, for instance, the white and lilac primrose, the
golden oxslip, the lily of the valley, the chequered fritillary, which
blows so freely along the banks of the Kennett, and the purple campanula
which covers with equal profusion the meadows of the Thames, all found
their way to Phoebe's flower-plats. He brought her in summer evenings
glow-worms enough to form a constellation on the grass; and would spend
half a July day in chasing for her some glorious insect, dragon-fly, or
bee-bird, or golden beetle, or gorgeous butterfly. He not only bestowed
upon her sloes, and dew-berries, and hazel-nuts "brown as the squirrel
whose teeth crack 'em," but caught for her the squirrel itself. He
brought her a whole litter of dormice, and tamed for her diversion a
young magpie, whose first effort at flattery was "Pretty Phoebe!"
But his greatest present of all, most prized both by donor and receiver,
(albeit her tender heart smote her as she accepted it, and she made her
faithful slave promise most faithfully to take nests no more,) was a
grand string of birds' eggs, long enough to hang in festoons round, and
round, and round her play-room, and sufficiently various and beautiful
to gratify more fastidious eyes than those of our little heroine.
To collect this rope of variously-tinted beads--a natural rosary--he
had sought the mossy and hair-lined nest of the hedge-sparrow for her
turquoise-like rounds; had scrambled up the chimney-corner to bear away
those pearls of the land, the small white eggs of the house-martin; had
found deposited in an old magpie's nest the ovals of the sparrow-hawk,
red and smooth as the finest coral; had dived into the ground-mansion of
the skylark for her lilac-tinted shells, and groped amongst the bushes
for the rosy-tinted ones of the woodlark; climbed the tallest trees for
the sea-green eggs of the rooks; had pilfered the spotted treasures from
the snug dwelling which the wren constructed in the eaves; and, worst of
all--I hardly like to write it, I hardly care to think, that Jesse could
have committed such an outrage,--saddest and worst of all, in the very
midst of that varied garland might be seen the brown and dusky egg, as
little showy as its quaker-like plumage, the dark brown egg, from which
should have issued that "angel of the air," the songstress, famous in
every land, the unparagoned nightingale. It is but just towards Jesse
to add, that he took the nest in a mistake, and was quite unconscious of
the mischief he had done until it was too late to repair it.
Of course these gifts were not only graciously accepted, but duly
returned; cakes, apples, tarts, and gingerbread, halfpence in profusion,
and now and then a new shilling, or a bright sixpence--all, in short,
that poor Phoebe had to bestow, she showered upon her uncouth favourite,
and she would fain have amended his condition by more substantial
benefits: but authoritative as she was with her grandfather in other
instances, in this alone her usual powers of persuasion utterly failed.
Whether infected by old Daniel's dislike, (and be it observed, an
unfounded prejudice, that sort of prejudice for which he who entertains
it does not pretend to account even to himself is unluckily not only
one of the most contagious feelings in the world, but one of the most
invincible:) whether Farmer Cobham were inoculated with old Daniel's
hatred of Jesse, or had taken that very virulent disease the natural
way, nothing could exceed the bitterness of the aversion which gradually
grew up in his mind towards the poor lad.
That Venus liked him, and Phoebe liked him, added strength to the
feeling. He would have been ashamed to confess himself jealous of their
good-will towards such an object, and yet most certainly jealous he
was. He did not drive him from his shelter in the Moors, because he had
unwarily passed his word--his word, which, with yeomanly pride, John
Cobham held sacred as his bond--to let him remain until he committed
some offence; but, for this offence, both he and Daniel watched and
waited with an impatience and irritability which contrasted strangely
with the honourable self-restraint that withheld him from direct abuse
of his power.
For a long time, Daniel and his master waited in vain. Jesse, whom
they had entertained some vague hope of chasing away by angry looks and
scornful words, had been so much accustomed all his life long to taunts
and contumely, that it was a great while before he became conscious of
their unkindness; and when at last it forced itself upon his attention,
he shrank away crouching and cowering, and buried himself in the closest
recesses of the coppice, until the footstep of the reviler had passed
by. One look at his sweet little friend repaid him twenty-fold; and
although farmer Cobham had really worked himself into believing that
there was danger in allowing the beautiful child to approach poor Jesse,
and had therefore on different pretexts forbidden her visits to the
Moors, she did yet happen in her various walks to encounter that devoted
adherent oftener than would be believed possible by any one who has not
been led to remark, how often in this best of all possible worlds, an
earnest and innocent wish does as it were fulfil itself.
At last, however, a wish of a very different nature came to pass. Daniel
Thorpe detected Jesse in an actual offence against that fertile source
of crime and misery, the game laws.
Thus the affair happened.
During many weeks, the neighbourhood had been infested by a gang of
bold, sturdy pilferers, roving vagabonds, begging by day, stealing and
poaching by night--who had committed such extensive devastations
amongst the poultry and linen of the village, as well as the game in the
preserves, that the whole population was upon the alert; and the lonely
coppices of the Moors rendering that spot one peculiarly likely to
attract the attention of the gang, old Daniel, reinforced by a stout lad
as a sort of extra-guard, kept a most jealous watch over his territory.
Perambulating the outside of the wood one evening at sunset, he heard
the cry of a hare; and climbing over the fence, had the unexpected
pleasure of seeing our friend Jesse in the act of taking a leveret still
alive from the wire. "So, so, master Jesse! thou be'st turned poacher,
be'st thou?" ejaculated Daniel, with a malicious chuckle, seizing, at
one fell grip, the hare and the lad.
"Miss Phoebe!" ejaculated Jesse, submitting himself to the old man's
grasp, but struggling to retain the leveret; "Miss Phoebe!"
"Miss Phoebe, indeed!" responded Daniel; "she saved thee once, my lad,
but thy time's come now. What do'st thee want of the leveret, mon? Do'st
not thee know that 'tis part of the evidence against thee? Well, he may
carry that whilst I carry the snare. Master'll be main glad to see un.
He always suspected the chap. And for the matter of that so did I. Miss
Phoebe, indeed! Come along, my mon, I warrant thou hast seen thy last o'
Miss Phoebe. Come on wi' thee."
And Jesse was hurried as fast as Daniel's legs would carry him to the
presence of Farmer Cobham.
On entering the house (not the old deserted homestead of the Moors,
but the comfortable dwelling-house at Aberleigh) Jesse delivered the
panting, trembling leveret to the first person he met, with no other
explanation than might be comprised in the words, "Miss Phoebe!" and
followed Daniel quietly to the hall.
"Poaching, was he? Taking the hare from the wire? And you saw him?
You can swear to the fact?" quoth John Cobham, rubbing his hands with
unusual glee. "Well, now we shall be fairly rid of the fellow! Take
him to the Chequers for the night, Daniel, and get another man beside
yourself to sit up with him. It's too late to disturb Sir Robert this
evening. To-morrow morning we'll take him to the Hall. See that the
constable's ready by nine o'clock. No doubt but Sir Robert will commit
him to the county bridewell."
"Oh, grandpapa!" exclaimed Phoebe, darting into the room with the
leveret in her arms, and catching the last words. "Oh, grandpapa! poor
Jesse!"
"Miss Phoebe!" ejaculated the culprit
"Oh, grandfather, it's all my fault," continued Phoebe; "and if anybody
is to go to prison, you ought to send me. I had been reading about
Cowper's hares, and I wanted a young hare to tame: I took a fancy for
one, and told poor Jesse! And to think of his going to prison for that!"
"And did you tell him to set a wire for the hare, Phoebe?"
"A wire! what does that mean?" said the bewildered child. "But I dare
say," added she, upon Farmer Cobham's explaining the nature of the
snare, "I dare say that the poachers set the wire, and that he only
took up the hare for me, to please my foolish fancy! Oh, grandpapa! Poor
Jesse!" and Phoebe cried as if her heart would break.
"God bless you, Miss Phoebe!" said Jesse.
"All this is nonsense!" exclaimed the unrelenting fanner. "Take the
prisoner to the Chequers, Daniel, and get another man to keep you
company in sitting up with him. Have as much strong beer as you
like, and be sure to bring him and the constable here by nine o'clock
to-morrow morning."
"Oh, grandfather, you'll be sorry for this! I did not think you had been
so hard-hearted!" sobbed Phoebe. "You'll be very sorry for this."
"Yes, very sorry, that he will. God bless you, Miss Phoebe," said Jesse.
"What! does he threaten? Take him off, Daniel. And you, Phoebe, go to
bed and compose yourself. Heaven bless you, my darling!" said the fond
grandfather, smoothing her hair, as, the tears still chasing each other
down her cheeks, she stood leaning against his knee. "Go to bed and to
sleep, my precious! and you, Sally, bring me my pipe:" and wondering
why the fulfilment of a strong desire should not make him happier, the
honest farmer endeavoured to smoke away his cares.
In the meanwhile, old Daniel conducted Jesse to the Chequers, and having
lodged him safely in an upper room, sought out "an ancient, trusty,
drouthy crony," with whom he sate down to carouse in the same apartment
with his prisoner. It was a dark, cold, windy, October night, and the
two warders sate cosily by the fire, enjoying their gossip and their
ale, while the unlucky delinquent placed himself pensively by the
window. About midnight the two old men were startled by his flinging
open the casement.
"Miss Phoebe! look! look!"
"What? where?" inquired Daniel.
"Miss Phoebe!" repeated the prisoner; and, looking in the direction to
which Jesse pointed, they saw the flames bursting from Farmer Cob-ham's
house.
In a very few seconds they had alarmed the family, and sprung forth in
the direction of the fire; the prisoner accompanying them, unnoticed in
the confusion.
"Luckily, master's always insured to the value of all he's worth, stock
and goods," quoth the prudent Daniel.
"Miss Phoebe!" exclaimed Jesse: and even as he spoke he burst in the
door, darted up the staircase, and returned with the trembling child in
his arms, followed by aunt Dorothy and the frightened servants.
"Grandpapa! dear grandpapa! where is grandpapa? Will no one save my dear
grand-papa?" cried Phoebe.
And placing the little girl at the side of her aunt, Jesse again mounted
the blazing staircase. For a few moments all gave him up for lost But he
returned, tottering under the weight of a man scarcely yet aroused from
heavy sleep, and half suffocated by the smoke and flames.
"Miss Phoebe! he's safe, Miss Phoebe!--Down, Venus, down--He's safe,
Miss Phoebe! And now, I sha'n't mind going to prison, 'cause when I come
back you'll be living at the _Moors_. Sha'n't you, Miss Phoebe? And I
shall see you every day!"
One part of this speech turned out true and another part false--no
uncommon fate, by the way, of prophetic speeches, even when uttered by
wiser persons than poor Jesse. Phoebe did come to live at the Moors, and
he did not go to prison.
On the contrary, so violent was the revulsion of feeling in the honest
hearts of the good yeoman, John Cobham, and his faithful servant, old
Daniel, and so deep the remorse which they both felt for their injustice
and unkindness towards the friendless lad, that there was considerable
danger of their falling into the opposite extreme, and ruining him
by sudden and excessive indulgence. Jesse, however, was not of a
temperament to be easily spoilt. He had been so long an outcast from
human society that he had become as wild and shy as his old companions
of the fields and the coppice, the beasts of the earth and the birds
of the air. The hare which he had himself given to Phoebe was easier to
tame than Jesse Cliffe.
Gradually, very gradually, under the gentle influence of the gentle
child, this great feat was accomplished, almost as effectually,
although by no means so suddenly, as in the well-known case of Cymon
and Iphigenia, the most noted precedent upon record of the process of
reaching the head through the heart. Venus, and a beautiful Welsh pony
called Taffy, which her grandfather had recently purchased for her
riding, had their share in the good deed; these two favourites being
placed by Phoebe's desire under Jesse's sole charge and management;
a measure which not only brought him necessarily into something like
intercourse with the other lads about the yard, but ended in his
conceiving so strong an attachment to the animals of whom he had the
care, that before the winter set in he had deserted his old lair in
the wood, and actually passed his nights in a vacant stall of the small
stable appropriated to their use.
From the moment that John Cobham detected such an approach to the habits
of civilised life as sleeping under a roof, he looked upon the wild
son of the Moors as virtually reclaimed, and so it proved. Every day
he became more and more like his fellow-men. He abandoned his primitive
oven, and bought his bread at the baker's. He accepted thankfully the
decent clothing necessary to his attending Miss Phoebe in her rides
round the country. He worked regularly and steadily at whatever labour
was assigned to him, receiving wages like the other farm servants; and
finally it was discovered that one of the first uses he made of these
wages was to purchase spelling-books and copy-books, and enter himself
at an evening school, where the opening difficulties being surmounted,
his progress astonished every body.
His chief fancy was for gardening. The love, and, to a certain point,
the knowledge of flowers which he had always evinced increased upon him
every day;--and happening to accompany Phoebe on one of her visits
to the young ladies at the Hall, who were much attached to the lovely
little girl, he saw Lady Mordaunt's French garden, and imitated it the
next year for his young mistress in wild flowers, after such a fashion
as to excite the wonder and admiration of all beholders.
From that moment Jesse's destiny was decided. Sir Robert's gardener, a
clever Scotchman, took great notice of him and offered to employ him at
the Hall; but the Moors had to poor Jesse a fascination which he could
not surmount. He felt that it would be easier to tear himself from
the place altogether, than to live in the neighbourhood and not there.
Accordingly he lingered on for a year or two, and then took a grateful
leave of his benefactors, and set forth to London with the avowed
intention of seeking employment in a great nursery-ground, to the
proprietor of which he was furnished with letters, not merely from his
friend the gardener, but from Sir Robert himself.
N. B. It is recorded that on the night of Jesse's departure,
Venus refused her supper and Phoebe cried herself to sleep.
Time wore on. Occasional tidings had reached the Moors of the prosperous
fortunes of the adventurer. He had been immediately engaged by the great
nurseryman to whom he was recommended, and so highly approved, that in
little more than two years he became foreman of the flower department;
another two years saw him chief manager of the garden; and now, at the
end of a somewhat longer period, there was a rumour of his having been
taken into the concern as acting partner; a rumour which received
full confirmation in a letter from himself, accompanying a magnificent
present of shrubs, plants, and flower-roots, amongst which were two
Dahlias, ticketed 'the Moors' and 'the Phoebe,' and announcing his
intention of visiting his best and earliest friends in the course of the
ensuing summer.
Still time wore on. It was full six months after this intimation, that
on a bright morning in October, John Cobham, with two or three visiters
from Belford, and his granddaughter Phoebe, now a lovely young woman,
were coursing on the Moors. The townspeople had boasted of their
greyhounds, and the old sportsman was in high spirits from having beaten
them out of the field.
"If that's your best dog," quoth John, "why, I'll be bound that our
Snowball would beat him with one of his legs tied up. Talk of running
such a cur as that against Snowball! Why there's Phoebe's pet Venus,
Snowball's great grandam, who was twelve years old last May, and has not
seen a hare these three seasons, shall give him the go-by in the first
hundred yards. Go and fetch Venus, Daniel! It will do her heart good to
see a hare again," added he, answering the looks rather than the words
of his granddaughter, for she had not spoken, "and I'll be bound to say
she'll beat him out of sight He won't come in for a turn."
Upon Venus's arrival, great admiration was expressed at her symmetry and
beauty; the grayness incident to her age having fallen upon her, as it
sometimes does upon black greyhounds, in the form of small white spots,
so that she appeared as if originally what the coursers call "ticked."
She was in excellent condition, and appeared to understand the design
of the meeting as well as any one present, and to be delighted to find
herself once more in the field of fame. Her competitor, a yellow dog
called Smoaker, was let loose, and the whole party awaited in eager
expectation of a hare.
"Soho!" cried John Cobham, and off the dogs sprang; Venus taking the
turn, as he had foretold, running as true as in her first season, doing
all the work, and killing the hare, after a course which, for any part
Smoaker took in it, might as well have been single-handed.
"Look how she's bringing the hare to my grandfather!" exclaimed Phoebe;
"she always brings her game!"
And with the hare in her mouth, carefully poised by the middle of the
back, she was slowly advancing towards her master, when a stranger, well
dressed and well mounted, who had joined the party unperceived during
the course, suddenly called "Venus!"
And Venus started, pricked up her ears as if to listen, and stood stock
still.
"Venus!" again cried the horseman.
And Venus, apparently recognising the voice, walked towards the
stranger, (who by this time had dismounted,) laid the hare down at his
feet, and then sprang up herself to meet and return his caresses.
"Jesse! It must be Jesse Cliffe!" said Phoebe, in a tone which wavered
between exclamation and interrogatory.
"It can be none other," responded her grandfather. "I'd trust Venus
beyond all the world in the matter of recognising an old friend, and we
all know that except her old master and her young mistress, she never
cared a straw for anybody but Jesse. It must be Jesse Cliffe, though to
be sure he's so altered that how the bitch could find him out, is beyond
my comprehension. It's remarkable," continued he in an under tone,
walking away with Jesse from the Belford party, "that we five (counting
Venus and old Daniel) should meet just on this very spot--isn't it?
It looks as if we were to come together. And if you have a fancy for
Phoebe, as your friend Sir Robert says you have, and if Phoebe retains
her old fancy for you, (as I partly believe maybe the case,) why my
consent sha'nt be wanting. Don't keep squeezing my hand, man, but go and
find out what she thinks of the matter."
Five minutes after this conversation Jesse and Phoebe were walking
together towards the house: what he said we have no business to inquire,
but if blushes may be trusted, of a certainty the little damsel did not
answer "No."
End of the Project Gutenberg EBook of Jesse Cliffe, by Mary Russell Mitford
*** END OF THIS PROJECT GUTENBERG EBOOK JESSE CLIFFE ***
***** This file should be named 22839.txt or 22839.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/2/8/3/22839/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
