The Project Gutenberg EBook of The Adventures of Tom Sawyer, Part 5.
by Mark Twain (Samuel Clemens)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Adventures of Tom Sawyer, Part 5.
Author: Mark Twain (Samuel Clemens)
Release Date: June 30, 2004 [EBook #7197]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER ***
Produced by David Widger
THE ADVENTURES OF TOM SAWYER
BY
MARK TWAIN
(Samuel Langhorne Clemens)
Part 5
CHAPTER XVIII
THAT was Tom's great secret--the scheme to return home with his
brother pirates and attend their own funerals. They had paddled over to
the Missouri shore on a log, at dusk on Saturday, landing five or six
miles below the village; they had slept in the woods at the edge of the
town till nearly daylight, and had then crept through back lanes and
alleys and finished their sleep in the gallery of the church among a
chaos of invalided benches.
At breakfast, Monday morning, Aunt Polly and Mary were very loving to
Tom, and very attentive to his wants. There was an unusual amount of
talk. In the course of it Aunt Polly said:
"Well, I don't say it wasn't a fine joke, Tom, to keep everybody
suffering 'most a week so you boys had a good time, but it is a pity
you could be so hard-hearted as to let me suffer so. If you could come
over on a log to go to your funeral, you could have come over and give
me a hint some way that you warn't dead, but only run off."
"Yes, you could have done that, Tom," said Mary; "and I believe you
would if you had thought of it."
"Would you, Tom?" said Aunt Polly, her face lighting wistfully. "Say,
now, would you, if you'd thought of it?"
"I--well, I don't know. 'Twould 'a' spoiled everything."
"Tom, I hoped you loved me that much," said Aunt Polly, with a grieved
tone that discomforted the boy. "It would have been something if you'd
cared enough to THINK of it, even if you didn't DO it."
"Now, auntie, that ain't any harm," pleaded Mary; "it's only Tom's
giddy way--he is always in such a rush that he never thinks of
anything."
"More's the pity. Sid would have thought. And Sid would have come and
DONE it, too. Tom, you'll look back, some day, when it's too late, and
wish you'd cared a little more for me when it would have cost you so
little."
"Now, auntie, you know I do care for you," said Tom.
"I'd know it better if you acted more like it."
"I wish now I'd thought," said Tom, with a repentant tone; "but I
dreamt about you, anyway. That's something, ain't it?"
"It ain't much--a cat does that much--but it's better than nothing.
What did you dream?"
"Why, Wednesday night I dreamt that you was sitting over there by the
bed, and Sid was sitting by the woodbox, and Mary next to him."
"Well, so we did. So we always do. I'm glad your dreams could take
even that much trouble about us."
"And I dreamt that Joe Harper's mother was here."
"Why, she was here! Did you dream any more?"
"Oh, lots. But it's so dim, now."
"Well, try to recollect--can't you?"
"Somehow it seems to me that the wind--the wind blowed the--the--"
"Try harder, Tom! The wind did blow something. Come!"
Tom pressed his fingers on his forehead an anxious minute, and then
said:
"I've got it now! I've got it now! It blowed the candle!"
"Mercy on us! Go on, Tom--go on!"
"And it seems to me that you said, 'Why, I believe that that door--'"
"Go ON, Tom!"
"Just let me study a moment--just a moment. Oh, yes--you said you
believed the door was open."
"As I'm sitting here, I did! Didn't I, Mary! Go on!"
"And then--and then--well I won't be certain, but it seems like as if
you made Sid go and--and--"
"Well? Well? What did I make him do, Tom? What did I make him do?"
"You made him--you--Oh, you made him shut it."
"Well, for the land's sake! I never heard the beat of that in all my
days! Don't tell ME there ain't anything in dreams, any more. Sereny
Harper shall know of this before I'm an hour older. I'd like to see her
get around THIS with her rubbage 'bout superstition. Go on, Tom!"
"Oh, it's all getting just as bright as day, now. Next you said I
warn't BAD, only mischeevous and harum-scarum, and not any more
responsible than--than--I think it was a colt, or something."
"And so it was! Well, goodness gracious! Go on, Tom!"
"And then you began to cry."
"So I did. So I did. Not the first time, neither. And then--"
"Then Mrs. Harper she began to cry, and said Joe was just the same,
and she wished she hadn't whipped him for taking cream when she'd
throwed it out her own self--"
"Tom! The sperrit was upon you! You was a prophesying--that's what you
was doing! Land alive, go on, Tom!"
"Then Sid he said--he said--"
"I don't think I said anything," said Sid.
"Yes you did, Sid," said Mary.
"Shut your heads and let Tom go on! What did he say, Tom?"
"He said--I THINK he said he hoped I was better off where I was gone
to, but if I'd been better sometimes--"
"THERE, d'you hear that! It was his very words!"
"And you shut him up sharp."
"I lay I did! There must 'a' been an angel there. There WAS an angel
there, somewheres!"
"And Mrs. Harper told about Joe scaring her with a firecracker, and
you told about Peter and the Painkiller--"
"Just as true as I live!"
"And then there was a whole lot of talk 'bout dragging the river for
us, and 'bout having the funeral Sunday, and then you and old Miss
Harper hugged and cried, and she went."
"It happened just so! It happened just so, as sure as I'm a-sitting in
these very tracks. Tom, you couldn't told it more like if you'd 'a'
seen it! And then what? Go on, Tom!"
"Then I thought you prayed for me--and I could see you and hear every
word you said. And you went to bed, and I was so sorry that I took and
wrote on a piece of sycamore bark, 'We ain't dead--we are only off
being pirates,' and put it on the table by the candle; and then you
looked so good, laying there asleep, that I thought I went and leaned
over and kissed you on the lips."
"Did you, Tom, DID you! I just forgive you everything for that!" And
she seized the boy in a crushing embrace that made him feel like the
guiltiest of villains.
"It was very kind, even though it was only a--dream," Sid soliloquized
just audibly.
"Shut up, Sid! A body does just the same in a dream as he'd do if he
was awake. Here's a big Milum apple I've been saving for you, Tom, if
you was ever found again--now go 'long to school. I'm thankful to the
good God and Father of us all I've got you back, that's long-suffering
and merciful to them that believe on Him and keep His word, though
goodness knows I'm unworthy of it, but if only the worthy ones got His
blessings and had His hand to help them over the rough places, there's
few enough would smile here or ever enter into His rest when the long
night comes. Go 'long Sid, Mary, Tom--take yourselves off--you've
hendered me long enough."
The children left for school, and the old lady to call on Mrs. Harper
and vanquish her realism with Tom's marvellous dream. Sid had better
judgment than to utter the thought that was in his mind as he left the
house. It was this: "Pretty thin--as long a dream as that, without any
mistakes in it!"
What a hero Tom was become, now! He did not go skipping and prancing,
but moved with a dignified swagger as became a pirate who felt that the
public eye was on him. And indeed it was; he tried not to seem to see
the looks or hear the remarks as he passed along, but they were food
and drink to him. Smaller boys than himself flocked at his heels, as
proud to be seen with him, and tolerated by him, as if he had been the
drummer at the head of a procession or the elephant leading a menagerie
into town. Boys of his own size pretended not to know he had been away
at all; but they were consuming with envy, nevertheless. They would
have given anything to have that swarthy suntanned skin of his, and his
glittering notoriety; and Tom would not have parted with either for a
circus.
At school the children made so much of him and of Joe, and delivered
such eloquent admiration from their eyes, that the two heroes were not
long in becoming insufferably "stuck-up." They began to tell their
adventures to hungry listeners--but they only began; it was not a thing
likely to have an end, with imaginations like theirs to furnish
material. And finally, when they got out their pipes and went serenely
puffing around, the very summit of glory was reached.
Tom decided that he could be independent of Becky Thatcher now. Glory
was sufficient. He would live for glory. Now that he was distinguished,
maybe she would be wanting to "make up." Well, let her--she should see
that he could be as indifferent as some other people. Presently she
arrived. Tom pretended not to see her. He moved away and joined a group
of boys and girls and began to talk. Soon he observed that she was
tripping gayly back and forth with flushed face and dancing eyes,
pretending to be busy chasing schoolmates, and screaming with laughter
when she made a capture; but he noticed that she always made her
captures in his vicinity, and that she seemed to cast a conscious eye
in his direction at such times, too. It gratified all the vicious
vanity that was in him; and so, instead of winning him, it only "set
him up" the more and made him the more diligent to avoid betraying that
he knew she was about. Presently she gave over skylarking, and moved
irresolutely about, sighing once or twice and glancing furtively and
wistfully toward Tom. Then she observed that now Tom was talking more
particularly to Amy Lawrence than to any one else. She felt a sharp
pang and grew disturbed and uneasy at once. She tried to go away, but
her feet were treacherous, and carried her to the group instead. She
said to a girl almost at Tom's elbow--with sham vivacity:
"Why, Mary Austin! you bad girl, why didn't you come to Sunday-school?"
"I did come--didn't you see me?"
"Why, no! Did you? Where did you sit?"
"I was in Miss Peters' class, where I always go. I saw YOU."
"Did you? Why, it's funny I didn't see you. I wanted to tell you about
the picnic."
"Oh, that's jolly. Who's going to give it?"
"My ma's going to let me have one."
"Oh, goody; I hope she'll let ME come."
"Well, she will. The picnic's for me. She'll let anybody come that I
want, and I want you."
"That's ever so nice. When is it going to be?"
"By and by. Maybe about vacation."
"Oh, won't it be fun! You going to have all the girls and boys?"
"Yes, every one that's friends to me--or wants to be"; and she glanced
ever so furtively at Tom, but he talked right along to Amy Lawrence
about the terrible storm on the island, and how the lightning tore the
great sycamore tree "all to flinders" while he was "standing within
three feet of it."
"Oh, may I come?" said Grace Miller.
"Yes."
"And me?" said Sally Rogers.
"Yes."
"And me, too?" said Susy Harper. "And Joe?"
"Yes."
And so on, with clapping of joyful hands till all the group had begged
for invitations but Tom and Amy. Then Tom turned coolly away, still
talking, and took Amy with him. Becky's lips trembled and the tears
came to her eyes; she hid these signs with a forced gayety and went on
chattering, but the life had gone out of the picnic, now, and out of
everything else; she got away as soon as she could and hid herself and
had what her sex call "a good cry." Then she sat moody, with wounded
pride, till the bell rang. She roused up, now, with a vindictive cast
in her eye, and gave her plaited tails a shake and said she knew what
SHE'D do.
At recess Tom continued his flirtation with Amy with jubilant
self-satisfaction. And he kept drifting about to find Becky and lacerate
her with the performance. At last he spied her, but there was a sudden
falling of his mercury. She was sitting cosily on a little bench behind
the schoolhouse looking at a picture-book with Alfred Temple--and so
absorbed were they, and their heads so close together over the book,
that they did not seem to be conscious of anything in the world besides.
Jealousy ran red-hot through Tom's veins. He began to hate himself for
throwing away the chance Becky had offered for a reconciliation. He
called himself a fool, and all the hard names he could think of. He
wanted to cry with vexation. Amy chatted happily along, as they walked,
for her heart was singing, but Tom's tongue had lost its function. He
did not hear what Amy was saying, and whenever she paused expectantly he
could only stammer an awkward assent, which was as often misplaced as
otherwise. He kept drifting to the rear of the schoolhouse, again and
again, to sear his eyeballs with the hateful spectacle there. He could
not help it. And it maddened him to see, as he thought he saw, that
Becky Thatcher never once suspected that he was even in the land of the
living. But she did see, nevertheless; and she knew she was winning her
fight, too, and was glad to see him suffer as she had suffered.
Amy's happy prattle became intolerable. Tom hinted at things he had to
attend to; things that must be done; and time was fleeting. But in
vain--the girl chirped on. Tom thought, "Oh, hang her, ain't I ever
going to get rid of her?" At last he must be attending to those
things--and she said artlessly that she would be "around" when school
let out. And he hastened away, hating her for it.
"Any other boy!" Tom thought, grating his teeth. "Any boy in the whole
town but that Saint Louis smarty that thinks he dresses so fine and is
aristocracy! Oh, all right, I licked you the first day you ever saw
this town, mister, and I'll lick you again! You just wait till I catch
you out! I'll just take and--"
And he went through the motions of thrashing an imaginary boy
--pummelling the air, and kicking and gouging. "Oh, you do, do you? You
holler 'nough, do you? Now, then, let that learn you!" And so the
imaginary flogging was finished to his satisfaction.
Tom fled home at noon. His conscience could not endure any more of
Amy's grateful happiness, and his jealousy could bear no more of the
other distress. Becky resumed her picture inspections with Alfred, but
as the minutes dragged along and no Tom came to suffer, her triumph
began to cloud and she lost interest; gravity and absent-mindedness
followed, and then melancholy; two or three times she pricked up her
ear at a footstep, but it was a false hope; no Tom came. At last she
grew entirely miserable and wished she hadn't carried it so far. When
poor Alfred, seeing that he was losing her, he did not know how, kept
exclaiming: "Oh, here's a jolly one! look at this!" she lost patience
at last, and said, "Oh, don't bother me! I don't care for them!" and
burst into tears, and got up and walked away.
Alfred dropped alongside and was going to try to comfort her, but she
said:
"Go away and leave me alone, can't you! I hate you!"
So the boy halted, wondering what he could have done--for she had said
she would look at pictures all through the nooning--and she walked on,
crying. Then Alfred went musing into the deserted schoolhouse. He was
humiliated and angry. He easily guessed his way to the truth--the girl
had simply made a convenience of him to vent her spite upon Tom Sawyer.
He was far from hating Tom the less when this thought occurred to him.
He wished there was some way to get that boy into trouble without much
risk to himself. Tom's spelling-book fell under his eye. Here was his
opportunity. He gratefully opened to the lesson for the afternoon and
poured ink upon the page.
Becky, glancing in at a window behind him at the moment, saw the act,
and moved on, without discovering herself. She started homeward, now,
intending to find Tom and tell him; Tom would be thankful and their
troubles would be healed. Before she was half way home, however, she
had changed her mind. The thought of Tom's treatment of her when she
was talking about her picnic came scorching back and filled her with
shame. She resolved to let him get whipped on the damaged
spelling-book's account, and to hate him forever, into the bargain.
CHAPTER XIX
TOM arrived at home in a dreary mood, and the first thing his aunt
said to him showed him that he had brought his sorrows to an
unpromising market:
"Tom, I've a notion to skin you alive!"
"Auntie, what have I done?"
"Well, you've done enough. Here I go over to Sereny Harper, like an
old softy, expecting I'm going to make her believe all that rubbage
about that dream, when lo and behold you she'd found out from Joe that
you was over here and heard all the talk we had that night. Tom, I
don't know what is to become of a boy that will act like that. It makes
me feel so bad to think you could let me go to Sereny Harper and make
such a fool of myself and never say a word."
This was a new aspect of the thing. His smartness of the morning had
seemed to Tom a good joke before, and very ingenious. It merely looked
mean and shabby now. He hung his head and could not think of anything
to say for a moment. Then he said:
"Auntie, I wish I hadn't done it--but I didn't think."
"Oh, child, you never think. You never think of anything but your own
selfishness. You could think to come all the way over here from
Jackson's Island in the night to laugh at our troubles, and you could
think to fool me with a lie about a dream; but you couldn't ever think
to pity us and save us from sorrow."
"Auntie, I know now it was mean, but I didn't mean to be mean. I
didn't, honest. And besides, I didn't come over here to laugh at you
that night."
"What did you come for, then?"
"It was to tell you not to be uneasy about us, because we hadn't got
drownded."
"Tom, Tom, I would be the thankfullest soul in this world if I could
believe you ever had as good a thought as that, but you know you never
did--and I know it, Tom."
"Indeed and 'deed I did, auntie--I wish I may never stir if I didn't."
"Oh, Tom, don't lie--don't do it. It only makes things a hundred times
worse."
"It ain't a lie, auntie; it's the truth. I wanted to keep you from
grieving--that was all that made me come."
"I'd give the whole world to believe that--it would cover up a power
of sins, Tom. I'd 'most be glad you'd run off and acted so bad. But it
ain't reasonable; because, why didn't you tell me, child?"
"Why, you see, when you got to talking about the funeral, I just got
all full of the idea of our coming and hiding in the church, and I
couldn't somehow bear to spoil it. So I just put the bark back in my
pocket and kept mum."
"What bark?"
"The bark I had wrote on to tell you we'd gone pirating. I wish, now,
you'd waked up when I kissed you--I do, honest."
The hard lines in his aunt's face relaxed and a sudden tenderness
dawned in her eyes.
"DID you kiss me, Tom?"
"Why, yes, I did."
"Are you sure you did, Tom?"
"Why, yes, I did, auntie--certain sure."
"What did you kiss me for, Tom?"
"Because I loved you so, and you laid there moaning and I was so sorry."
The words sounded like truth. The old lady could not hide a tremor in
her voice when she said:
"Kiss me again, Tom!--and be off with you to school, now, and don't
bother me any more."
The moment he was gone, she ran to a closet and got out the ruin of a
jacket which Tom had gone pirating in. Then she stopped, with it in her
hand, and said to herself:
"No, I don't dare. Poor boy, I reckon he's lied about it--but it's a
blessed, blessed lie, there's such a comfort come from it. I hope the
Lord--I KNOW the Lord will forgive him, because it was such
goodheartedness in him to tell it. But I don't want to find out it's a
lie. I won't look."
She put the jacket away, and stood by musing a minute. Twice she put
out her hand to take the garment again, and twice she refrained. Once
more she ventured, and this time she fortified herself with the
thought: "It's a good lie--it's a good lie--I won't let it grieve me."
So she sought the jacket pocket. A moment later she was reading Tom's
piece of bark through flowing tears and saying: "I could forgive the
boy, now, if he'd committed a million sins!"
CHAPTER XX
THERE was something about Aunt Polly's manner, when she kissed Tom,
that swept away his low spirits and made him lighthearted and happy
again. He started to school and had the luck of coming upon Becky
Thatcher at the head of Meadow Lane. His mood always determined his
manner. Without a moment's hesitation he ran to her and said:
"I acted mighty mean to-day, Becky, and I'm so sorry. I won't ever,
ever do that way again, as long as ever I live--please make up, won't
you?"
The girl stopped and looked him scornfully in the face:
"I'll thank you to keep yourself TO yourself, Mr. Thomas Sawyer. I'll
never speak to you again."
She tossed her head and passed on. Tom was so stunned that he had not
even presence of mind enough to say "Who cares, Miss Smarty?" until the
right time to say it had gone by. So he said nothing. But he was in a
fine rage, nevertheless. He moped into the schoolyard wishing she were
a boy, and imagining how he would trounce her if she were. He presently
encountered her and delivered a stinging remark as he passed. She
hurled one in return, and the angry breach was complete. It seemed to
Becky, in her hot resentment, that she could hardly wait for school to
"take in," she was so impatient to see Tom flogged for the injured
spelling-book. If she had had any lingering notion of exposing Alfred
Temple, Tom's offensive fling had driven it entirely away.
Poor girl, she did not know how fast she was nearing trouble herself.
The master, Mr. Dobbins, had reached middle age with an unsatisfied
ambition. The darling of his desires was, to be a doctor, but poverty
had decreed that he should be nothing higher than a village
schoolmaster. Every day he took a mysterious book out of his desk and
absorbed himself in it at times when no classes were reciting. He kept
that book under lock and key. There was not an urchin in school but was
perishing to have a glimpse of it, but the chance never came. Every boy
and girl had a theory about the nature of that book; but no two
theories were alike, and there was no way of getting at the facts in
the case. Now, as Becky was passing by the desk, which stood near the
door, she noticed that the key was in the lock! It was a precious
moment. She glanced around; found herself alone, and the next instant
she had the book in her hands. The title-page--Professor Somebody's
ANATOMY--carried no information to her mind; so she began to turn the
leaves. She came at once upon a handsomely engraved and colored
frontispiece--a human figure, stark naked. At that moment a shadow fell
on the page and Tom Sawyer stepped in at the door and caught a glimpse
of the picture. Becky snatched at the book to close it, and had the
hard luck to tear the pictured page half down the middle. She thrust
the volume into the desk, turned the key, and burst out crying with
shame and vexation.
"Tom Sawyer, you are just as mean as you can be, to sneak up on a
person and look at what they're looking at."
"How could I know you was looking at anything?"
"You ought to be ashamed of yourself, Tom Sawyer; you know you're
going to tell on me, and oh, what shall I do, what shall I do! I'll be
whipped, and I never was whipped in school."
Then she stamped her little foot and said:
"BE so mean if you want to! I know something that's going to happen.
You just wait and you'll see! Hateful, hateful, hateful!"--and she
flung out of the house with a new explosion of crying.
Tom stood still, rather flustered by this onslaught. Presently he said
to himself:
"What a curious kind of a fool a girl is! Never been licked in school!
Shucks! What's a licking! That's just like a girl--they're so
thin-skinned and chicken-hearted. Well, of course I ain't going to tell
old Dobbins on this little fool, because there's other ways of getting
even on her, that ain't so mean; but what of it? Old Dobbins will ask
who it was tore his book. Nobody'll answer. Then he'll do just the way
he always does--ask first one and then t'other, and when he comes to the
right girl he'll know it, without any telling. Girls' faces always tell
on them. They ain't got any backbone. She'll get licked. Well, it's a
kind of a tight place for Becky Thatcher, because there ain't any way
out of it." Tom conned the thing a moment longer, and then added: "All
right, though; she'd like to see me in just such a fix--let her sweat it
out!"
Tom joined the mob of skylarking scholars outside. In a few moments
the master arrived and school "took in." Tom did not feel a strong
interest in his studies. Every time he stole a glance at the girls'
side of the room Becky's face troubled him. Considering all things, he
did not want to pity her, and yet it was all he could do to help it. He
could get up no exultation that was really worthy the name. Presently
the spelling-book discovery was made, and Tom's mind was entirely full
of his own matters for a while after that. Becky roused up from her
lethargy of distress and showed good interest in the proceedings. She
did not expect that Tom could get out of his trouble by denying that he
spilt the ink on the book himself; and she was right. The denial only
seemed to make the thing worse for Tom. Becky supposed she would be
glad of that, and she tried to believe she was glad of it, but she
found she was not certain. When the worst came to the worst, she had an
impulse to get up and tell on Alfred Temple, but she made an effort and
forced herself to keep still--because, said she to herself, "he'll tell
about me tearing the picture sure. I wouldn't say a word, not to save
his life!"
Tom took his whipping and went back to his seat not at all
broken-hearted, for he thought it was possible that he had unknowingly
upset the ink on the spelling-book himself, in some skylarking bout--he
had denied it for form's sake and because it was custom, and had stuck
to the denial from principle.
A whole hour drifted by, the master sat nodding in his throne, the air
was drowsy with the hum of study. By and by, Mr. Dobbins straightened
himself up, yawned, then unlocked his desk, and reached for his book,
but seemed undecided whether to take it out or leave it. Most of the
pupils glanced up languidly, but there were two among them that watched
his movements with intent eyes. Mr. Dobbins fingered his book absently
for a while, then took it out and settled himself in his chair to read!
Tom shot a glance at Becky. He had seen a hunted and helpless rabbit
look as she did, with a gun levelled at its head. Instantly he forgot
his quarrel with her. Quick--something must be done! done in a flash,
too! But the very imminence of the emergency paralyzed his invention.
Good!--he had an inspiration! He would run and snatch the book, spring
through the door and fly. But his resolution shook for one little
instant, and the chance was lost--the master opened the volume. If Tom
only had the wasted opportunity back again! Too late. There was no help
for Becky now, he said. The next moment the master faced the school.
Every eye sank under his gaze. There was that in it which smote even
the innocent with fear. There was silence while one might count ten
--the master was gathering his wrath. Then he spoke: "Who tore this book?"
There was not a sound. One could have heard a pin drop. The stillness
continued; the master searched face after face for signs of guilt.
"Benjamin Rogers, did you tear this book?"
A denial. Another pause.
"Joseph Harper, did you?"
Another denial. Tom's uneasiness grew more and more intense under the
slow torture of these proceedings. The master scanned the ranks of
boys--considered a while, then turned to the girls:
"Amy Lawrence?"
A shake of the head.
"Gracie Miller?"
The same sign.
"Susan Harper, did you do this?"
Another negative. The next girl was Becky Thatcher. Tom was trembling
from head to foot with excitement and a sense of the hopelessness of
the situation.
"Rebecca Thatcher" [Tom glanced at her face--it was white with terror]
--"did you tear--no, look me in the face" [her hands rose in appeal]
--"did you tear this book?"
A thought shot like lightning through Tom's brain. He sprang to his
feet and shouted--"I done it!"
The school stared in perplexity at this incredible folly. Tom stood a
moment, to gather his dismembered faculties; and when he stepped
forward to go to his punishment the surprise, the gratitude, the
adoration that shone upon him out of poor Becky's eyes seemed pay
enough for a hundred floggings. Inspired by the splendor of his own
act, he took without an outcry the most merciless flaying that even Mr.
Dobbins had ever administered; and also received with indifference the
added cruelty of a command to remain two hours after school should be
dismissed--for he knew who would wait for him outside till his
captivity was done, and not count the tedious time as loss, either.
Tom went to bed that night planning vengeance against Alfred Temple;
for with shame and repentance Becky had told him all, not forgetting
her own treachery; but even the longing for vengeance had to give way,
soon, to pleasanter musings, and he fell asleep at last with Becky's
latest words lingering dreamily in his ear--
"Tom, how COULD you be so noble!"
CHAPTER XXI
VACATION was approaching. The schoolmaster, always severe, grew
severer and more exacting than ever, for he wanted the school to make a
good showing on "Examination" day. His rod and his ferule were seldom
idle now--at least among the smaller pupils. Only the biggest boys, and
young ladies of eighteen and twenty, escaped lashing. Mr. Dobbins'
lashings were very vigorous ones, too; for although he carried, under
his wig, a perfectly bald and shiny head, he had only reached middle
age, and there was no sign of feebleness in his muscle. As the great
day approached, all the tyranny that was in him came to the surface; he
seemed to take a vindictive pleasure in punishing the least
shortcomings. The consequence was, that the smaller boys spent their
days in terror and suffering and their nights in plotting revenge. They
threw away no opportunity to do the master a mischief. But he kept
ahead all the time. The retribution that followed every vengeful
success was so sweeping and majestic that the boys always retired from
the field badly worsted. At last they conspired together and hit upon a
plan that promised a dazzling victory. They swore in the sign-painter's
boy, told him the scheme, and asked his help. He had his own reasons
for being delighted, for the master boarded in his father's family and
had given the boy ample cause to hate him. The master's wife would go
on a visit to the country in a few days, and there would be nothing to
interfere with the plan; the master always prepared himself for great
occasions by getting pretty well fuddled, and the sign-painter's boy
said that when the dominie had reached the proper condition on
Examination Evening he would "manage the thing" while he napped in his
chair; then he would have him awakened at the right time and hurried
away to school.
In the fulness of time the interesting occasion arrived. At eight in
the evening the schoolhouse was brilliantly lighted, and adorned with
wreaths and festoons of foliage and flowers. The master sat throned in
his great chair upon a raised platform, with his blackboard behind him.
He was looking tolerably mellow. Three rows of benches on each side and
six rows in front of him were occupied by the dignitaries of the town
and by the parents of the pupils. To his left, back of the rows of
citizens, was a spacious temporary platform upon which were seated the
scholars who were to take part in the exercises of the evening; rows of
small boys, washed and dressed to an intolerable state of discomfort;
rows of gawky big boys; snowbanks of girls and young ladies clad in
lawn and muslin and conspicuously conscious of their bare arms, their
grandmothers' ancient trinkets, their bits of pink and blue ribbon and
the flowers in their hair. All the rest of the house was filled with
non-participating scholars.
The exercises began. A very little boy stood up and sheepishly
recited, "You'd scarce expect one of my age to speak in public on the
stage," etc.--accompanying himself with the painfully exact and
spasmodic gestures which a machine might have used--supposing the
machine to be a trifle out of order. But he got through safely, though
cruelly scared, and got a fine round of applause when he made his
manufactured bow and retired.
A little shamefaced girl lisped, "Mary had a little lamb," etc.,
performed a compassion-inspiring curtsy, got her meed of applause, and
sat down flushed and happy.
Tom Sawyer stepped forward with conceited confidence and soared into
the unquenchable and indestructible "Give me liberty or give me death"
speech, with fine fury and frantic gesticulation, and broke down in the
middle of it. A ghastly stage-fright seized him, his legs quaked under
him and he was like to choke. True, he had the manifest sympathy of the
house but he had the house's silence, too, which was even worse than
its sympathy. The master frowned, and this completed the disaster. Tom
struggled awhile and then retired, utterly defeated. There was a weak
attempt at applause, but it died early.
"The Boy Stood on the Burning Deck" followed; also "The Assyrian Came
Down," and other declamatory gems. Then there were reading exercises,
and a spelling fight. The meagre Latin class recited with honor. The
prime feature of the evening was in order, now--original "compositions"
by the young ladies. Each in her turn stepped forward to the edge of
the platform, cleared her throat, held up her manuscript (tied with
dainty ribbon), and proceeded to read, with labored attention to
"expression" and punctuation. The themes were the same that had been
illuminated upon similar occasions by their mothers before them, their
grandmothers, and doubtless all their ancestors in the female line
clear back to the Crusades. "Friendship" was one; "Memories of Other
Days"; "Religion in History"; "Dream Land"; "The Advantages of
Culture"; "Forms of Political Government Compared and Contrasted";
"Melancholy"; "Filial Love"; "Heart Longings," etc., etc.
A prevalent feature in these compositions was a nursed and petted
melancholy; another was a wasteful and opulent gush of "fine language";
another was a tendency to lug in by the ears particularly prized words
and phrases until they were worn entirely out; and a peculiarity that
conspicuously marked and marred them was the inveterate and intolerable
sermon that wagged its crippled tail at the end of each and every one
of them. No matter what the subject might be, a brain-racking effort
was made to squirm it into some aspect or other that the moral and
religious mind could contemplate with edification. The glaring
insincerity of these sermons was not sufficient to compass the
banishment of the fashion from the schools, and it is not sufficient
to-day; it never will be sufficient while the world stands, perhaps.
There is no school in all our land where the young ladies do not feel
obliged to close their compositions with a sermon; and you will find
that the sermon of the most frivolous and the least religious girl in
the school is always the longest and the most relentlessly pious. But
enough of this. Homely truth is unpalatable.
Let us return to the "Examination." The first composition that was
read was one entitled "Is this, then, Life?" Perhaps the reader can
endure an extract from it:
"In the common walks of life, with what delightful
emotions does the youthful mind look forward to some
anticipated scene of festivity! Imagination is busy
sketching rose-tinted pictures of joy. In fancy, the
voluptuous votary of fashion sees herself amid the
festive throng, 'the observed of all observers.' Her
graceful form, arrayed in snowy robes, is whirling
through the mazes of the joyous dance; her eye is
brightest, her step is lightest in the gay assembly.
"In such delicious fancies time quickly glides by,
and the welcome hour arrives for her entrance into
the Elysian world, of which she has had such bright
dreams. How fairy-like does everything appear to
her enchanted vision! Each new scene is more charming
than the last. But after a while she finds that
beneath this goodly exterior, all is vanity, the
flattery which once charmed her soul, now grates
harshly upon her ear; the ball-room has lost its
charms; and with wasted health and imbittered heart,
she turns away with the conviction that earthly
pleasures cannot satisfy the longings of the soul!"
And so forth and so on. There was a buzz of gratification from time to
time during the reading, accompanied by whispered ejaculations of "How
sweet!" "How eloquent!" "So true!" etc., and after the thing had closed
with a peculiarly afflicting sermon the applause was enthusiastic.
Then arose a slim, melancholy girl, whose face had the "interesting"
paleness that comes of pills and indigestion, and read a "poem." Two
stanzas of it will do:
"A MISSOURI MAIDEN'S FAREWELL TO ALABAMA
"Alabama, good-bye! I love thee well!
But yet for a while do I leave thee now!
Sad, yes, sad thoughts of thee my heart doth swell,
And burning recollections throng my brow!
For I have wandered through thy flowery woods;
Have roamed and read near Tallapoosa's stream;
Have listened to Tallassee's warring floods,
And wooed on Coosa's side Aurora's beam.
"Yet shame I not to bear an o'er-full heart,
Nor blush to turn behind my tearful eyes;
'Tis from no stranger land I now must part,
'Tis to no strangers left I yield these sighs.
Welcome and home were mine within this State,
Whose vales I leave--whose spires fade fast from me
And cold must be mine eyes, and heart, and tete,
When, dear Alabama! they turn cold on thee!"
There were very few there who knew what "tete" meant, but the poem was
very satisfactory, nevertheless.
Next appeared a dark-complexioned, black-eyed, black-haired young
lady, who paused an impressive moment, assumed a tragic expression, and
began to read in a measured, solemn tone:
"A VISION
"Dark and tempestuous was night. Around the
throne on high not a single star quivered; but
the deep intonations of the heavy thunder
constantly vibrated upon the ear; whilst the
terrific lightning revelled in angry mood
through the cloudy chambers of heaven, seeming
to scorn the power exerted over its terror by
the illustrious Franklin! Even the boisterous
winds unanimously came forth from their mystic
homes, and blustered about as if to enhance by
their aid the wildness of the scene.
"At such a time, so dark, so dreary, for human
sympathy my very spirit sighed; but instead thereof,
"'My dearest friend, my counsellor, my comforter
and guide--My joy in grief, my second bliss
in joy,' came to my side. She moved like one of
those bright beings pictured in the sunny walks
of fancy's Eden by the romantic and young, a
queen of beauty unadorned save by her own
transcendent loveliness. So soft was her step, it
failed to make even a sound, and but for the
magical thrill imparted by her genial touch, as
other unobtrusive beauties, she would have glided
away un-perceived--unsought. A strange sadness
rested upon her features, like icy tears upon
the robe of December, as she pointed to the
contending elements without, and bade me contemplate
the two beings presented."
This nightmare occupied some ten pages of manuscript and wound up with
a sermon so destructive of all hope to non-Presbyterians that it took
the first prize. This composition was considered to be the very finest
effort of the evening. The mayor of the village, in delivering the
prize to the author of it, made a warm speech in which he said that it
was by far the most "eloquent" thing he had ever listened to, and that
Daniel Webster himself might well be proud of it.
It may be remarked, in passing, that the number of compositions in
which the word "beauteous" was over-fondled, and human experience
referred to as "life's page," was up to the usual average.
Now the master, mellow almost to the verge of geniality, put his chair
aside, turned his back to the audience, and began to draw a map of
America on the blackboard, to exercise the geography class upon. But he
made a sad business of it with his unsteady hand, and a smothered
titter rippled over the house. He knew what the matter was, and set
himself to right it. He sponged out lines and remade them; but he only
distorted them more than ever, and the tittering was more pronounced.
He threw his entire attention upon his work, now, as if determined not
to be put down by the mirth. He felt that all eyes were fastened upon
him; he imagined he was succeeding, and yet the tittering continued; it
even manifestly increased. And well it might. There was a garret above,
pierced with a scuttle over his head; and down through this scuttle
came a cat, suspended around the haunches by a string; she had a rag
tied about her head and jaws to keep her from mewing; as she slowly
descended she curved upward and clawed at the string, she swung
downward and clawed at the intangible air. The tittering rose higher
and higher--the cat was within six inches of the absorbed teacher's
head--down, down, a little lower, and she grabbed his wig with her
desperate claws, clung to it, and was snatched up into the garret in an
instant with her trophy still in her possession! And how the light did
blaze abroad from the master's bald pate--for the sign-painter's boy
had GILDED it!
That broke up the meeting. The boys were avenged. Vacation had come.
NOTE:--The pretended "compositions" quoted in
this chapter are taken without alteration from a
volume entitled "Prose and Poetry, by a Western
Lady"--but they are exactly and precisely after
the schoolgirl pattern, and hence are much
happier than any mere imitations could be.
CHAPTER XXII
TOM joined the new order of Cadets of Temperance, being attracted by
the showy character of their "regalia." He promised to abstain from
smoking, chewing, and profanity as long as he remained a member. Now he
found out a new thing--namely, that to promise not to do a thing is the
surest way in the world to make a body want to go and do that very
thing. Tom soon found himself tormented with a desire to drink and
swear; the desire grew to be so intense that nothing but the hope of a
chance to display himself in his red sash kept him from withdrawing
from the order. Fourth of July was coming; but he soon gave that up
--gave it up before he had worn his shackles over forty-eight hours--and
fixed his hopes upon old Judge Frazer, justice of the peace, who was
apparently on his deathbed and would have a big public funeral, since
he was so high an official. During three days Tom was deeply concerned
about the Judge's condition and hungry for news of it. Sometimes his
hopes ran high--so high that he would venture to get out his regalia
and practise before the looking-glass. But the Judge had a most
discouraging way of fluctuating. At last he was pronounced upon the
mend--and then convalescent. Tom was disgusted; and felt a sense of
injury, too. He handed in his resignation at once--and that night the
Judge suffered a relapse and died. Tom resolved that he would never
trust a man like that again.
The funeral was a fine thing. The Cadets paraded in a style calculated
to kill the late member with envy. Tom was a free boy again, however
--there was something in that. He could drink and swear, now--but found
to his surprise that he did not want to. The simple fact that he could,
took the desire away, and the charm of it.
Tom presently wondered to find that his coveted vacation was beginning
to hang a little heavily on his hands.
He attempted a diary--but nothing happened during three days, and so
he abandoned it.
The first of all the negro minstrel shows came to town, and made a
sensation. Tom and Joe Harper got up a band of performers and were
happy for two days.
Even the Glorious Fourth was in some sense a failure, for it rained
hard, there was no procession in consequence, and the greatest man in
the world (as Tom supposed), Mr. Benton, an actual United States
Senator, proved an overwhelming disappointment--for he was not
twenty-five feet high, nor even anywhere in the neighborhood of it.
A circus came. The boys played circus for three days afterward in
tents made of rag carpeting--admission, three pins for boys, two for
girls--and then circusing was abandoned.
A phrenologist and a mesmerizer came--and went again and left the
village duller and drearier than ever.
There were some boys-and-girls' parties, but they were so few and so
delightful that they only made the aching voids between ache the harder.
Becky Thatcher was gone to her Constantinople home to stay with her
parents during vacation--so there was no bright side to life anywhere.
The dreadful secret of the murder was a chronic misery. It was a very
cancer for permanency and pain.
Then came the measles.
During two long weeks Tom lay a prisoner, dead to the world and its
happenings. He was very ill, he was interested in nothing. When he got
upon his feet at last and moved feebly down-town, a melancholy change
had come over everything and every creature. There had been a
"revival," and everybody had "got religion," not only the adults, but
even the boys and girls. Tom went about, hoping against hope for the
sight of one blessed sinful face, but disappointment crossed him
everywhere. He found Joe Harper studying a Testament, and turned sadly
away from the depressing spectacle. He sought Ben Rogers, and found him
visiting the poor with a basket of tracts. He hunted up Jim Hollis, who
called his attention to the precious blessing of his late measles as a
warning. Every boy he encountered added another ton to his depression;
and when, in desperation, he flew for refuge at last to the bosom of
Huckleberry Finn and was received with a Scriptural quotation, his
heart broke and he crept home and to bed realizing that he alone of all
the town was lost, forever and forever.
And that night there came on a terrific storm, with driving rain,
awful claps of thunder and blinding sheets of lightning. He covered his
head with the bedclothes and waited in a horror of suspense for his
doom; for he had not the shadow of a doubt that all this hubbub was
about him. He believed he had taxed the forbearance of the powers above
to the extremity of endurance and that this was the result. It might
have seemed to him a waste of pomp and ammunition to kill a bug with a
battery of artillery, but there seemed nothing incongruous about the
getting up such an expensive thunderstorm as this to knock the turf
from under an insect like himself.
By and by the tempest spent itself and died without accomplishing its
object. The boy's first impulse was to be grateful, and reform. His
second was to wait--for there might not be any more storms.
The next day the doctors were back; Tom had relapsed. The three weeks
he spent on his back this time seemed an entire age. When he got abroad
at last he was hardly grateful that he had been spared, remembering how
lonely was his estate, how companionless and forlorn he was. He drifted
listlessly down the street and found Jim Hollis acting as judge in a
juvenile court that was trying a cat for murder, in the presence of her
victim, a bird. He found Joe Harper and Huck Finn up an alley eating a
stolen melon. Poor lads! they--like Tom--had suffered a relapse.
End of the Project Gutenberg EBook of The Adventures of Tom Sawyer, Part 5.
by Mark Twain (Samuel Clemens)
*** END OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER ***
***** This file should be named 7197.txt or 7197.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/7/1/9/7197/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
