The Project Gutenberg EBook of Samantha Among the Brethren, Part 2.
by Josiah Allen's Wife (Marietta Holley)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Samantha Among the Brethren, Part 2.
Author: Josiah Allen's Wife (Marietta Holley)
Release Date: August 10, 2004 [EBook #9444]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK SAMANTHA AMONG THE BRETHREN, ***
Produced by Juliet Sutherland, David Widger and PG Distributed
Proofreaders
SAMANTHA
AMONG THE BRETHREN.
By
"Josiah Allen's Wife"
(Marietta Holley)
Part 2
CHAPTER IV.
Never knew a word about the threshin' machine a-comin' till about half
an hour before. Josiah Allen wuzn't to blame. It come just as onexpected
onto him as it did onto me.
Solomon Gowdey wuz a-goin' to have 'em first, which would have left me
ample time to cook up for 'em. But he wuz took down bed sick, so they
had to come right onto us with no warnin' previous and beforehand.
They wuz a drivin' up just as Josiah got the stove-pipe up. They had to
go right by the side of the house, right by the parlor winders, to get
to the side of the barn where they wanted to thresh; and just as they
wuz a-goin' by one of the horses got down, and of all the yellin' I ever
heard that was the cap sheaf.
Steve Yerden is rough on his horses, dretful rough. He yells at 'em
enough to raise the ruff. His threshin' machine is one of the kind where
the horses walk up and look over the top. It is kinder skairful any way,
and it made it as bad agin when you expected to see the horse fall out
every minute.
Wall, that very horse fell out of the machine three times that day. It
wuz a sick horse, I believe, and hadn't ort to have been worked. But
three times it fell, and each time the yellin' wuz such that it skairt
the author of "Peaceful Repose," and me, almost to death.
The machine wuz in plain sight of the house, and every time we see the
horse's head come a mountin' up on top of the machine, we expected that
over it would go. But though it didn't fall out only three times, as I
said, it kep' us all nerved up and uneasy the hull of the time expectin'
it. And Steve Yerden kep' a-yellin' at his horses all the time; there
wuzn't no comfort to be took within a mile of him.
I wuz awful sorry it happened so, on her account.
[Illustration: "IT DIDN'T FALL OUT ONLY THREE TIMES."]
Wall, I had to get dinner for nine men, and cook if all from the very
beginnin'. If you'll believe it, I had to begin back to bread. I hadn't
any bread in the house, but I had it a-risin', and I got two loaves out
by dinner time. But I had to stir round lively, I can tell you, to make
pies and cookies and fried cakes, and cook meat, and vegetables of all
kinds.
The author of "Wedlock's Peaceful Repose" came out into the kitchen. I
told her she might, if she wanted to, for I see I wuzn't goin' to have a
minute's time to go into the parlor and visit with her.
She looked pretty sober and thoughtful, and I didn't know as she liked
it, to think I couldn't do as I promised to do, accordin' to agreement,
to hear her lecture, and lift my hand up when I differed from her.
But, good land! I couldn't help it. I couldn't get a minute's time to
lift my hand up. I could have heard the lecture, but I couldn't spare my
hands.
And then Josiah would come a-rushin' in after one thing and another,
actin' as was natural, accordin' to the nater of man, more like a wild
man than a Christian Methodist. For he was so wrought up and excited by
havin' so much on his hands to do, and the onexpectedness of it, that he
couldn't help actin' jest as he did act. I don't believe he could. And
then Steve Yerden is enough to distract a leather-man, any way.
[Illustration: "TO FIND A PIECE OF OLD ROPE TO TIE UP THE HARNESS."]
Twice I had to drop everything and find cloths to do up the horse's
legs, where it had grazed 'em a-fallin' out of the machine. And once I
took my hands out of the pie-crust to find a piece of old rope to tie up
the harness. It seemed as if I left off every five minutes to wait on
Josiah Allen, to find somethin' that he wanted and couldn't find, or
else to do somethin' for him that he couldn't do.
Truly, it was a wild and harrowin' time, and tegus. But I kept a firm
holt of my principles, and didn't groan--not when anybody could hear me.
I won't deny that I did, out in the buttery by myself, give vent to a
groan or two, and a few sithes. But immegiately, or a very little after,
I was calm again.
Wall, worse things wuz a-comin' onto me, though I didn't know it. I owed
a tin peddler; had been owin' him for four weeks. I owed him twenty-five
pounds of paper rags, for a new strainer. I had been expectin' him for
over three weeks every day. But in all the three hundred and sixty-five
days of the year, there wuzn't another day that would satisfy him; he
had got to come on jest that day, jest as I wuz fryin' my nut cakes for
dinner.
I tried to put him off till another day. But no! He said it wuz his last
trip, and he must have his rags. And so I had to put by my work, and lug
down my rag-bag. His steel-yards wuz broke, so he had to weigh 'em in
the house. It wuz a tegus job, for he wuz one of the perticuler kind,
and had to look 'em all over before he weighed 'em, and pick out every
little piece of brown paper, or full cloth--everything, he said, that
wouldn't make up into the nicest kind of writin' paper.
And my steel-yards wuz out of gear any way, so they wouldn't weigh but
five pounds at a time, and he wuz dretful perticuler to have 'em just
right by the notch.
And he would call on me to come and see just how the steel-yards stood
every time. (He wuz as honest as the day; I hain't a doubt of it.)
But it wuz tegus, fearful tegus, and excitin'. Excitin', but not
exhileratin', to have the floor all covered with rags of different
shapes and sizes, no two of a kind. It wuz a curius time before he come,
and a wild time, but what must have been the wildness, and the curosity
when there wuz, to put a small estimate on it, nearly a billion of crazy
lookin' rags scattered round on the floor.
[Illustration: "SHE LOOKED CURIUS, CURIUSER THAN THE FLOOR LOOKED."]
But I kep' calm; I have got giant self-control, and I used every mite of
it, every atom of control I had by me, and kep' calm. I see I must--for
I see that Miss Fogg looked bad; yes, I see that the author of
"Wedlock's Peaceful Repose" wuz pretty much used up. She looked curius,
curiuser than the floor looked, and that is goin' to the complete end of
curosity, and metafor.
Wall, I tussled along and got dinner ready. The tin peddler had to stay
to dinner, of course. I couldn't turn him out jest at dinner time. And
sometimes I almost think that he delayed matters and touzled 'round
amongst them rags jest a purpose to belate himself, so he would have to
stay to dinner.
I am called a good cook. It is known 'way out beyend Loontown and
Zoar--it is talked about, I spoze. Wall, he stayed to dinner. But he
only made fourteen; there wuz only thirteen besides him, so I got along.
And I had a good dinner and enough of it.
I had to wait on the table, of course--that is, the tea and coffee. And
I felt that a cup of good, strong tea would be a paneky. I wuz that wore
out and flustrated that I felt that I needed a paneky to soothe.
And I got the rest all waited on and wuz jest a liftin' my cup to my
lips, the cup that cheers everybody but don't inebriate 'em--good,
strong Japan tea with cream in it. Oh, how good it smelt. But I hadn't
fairly got it to my mouth when I wuz called off sudden, before I had
drinked a drop, for the case demanded help at once.
Miss Peedick had unexpected company come in, jest as they wuz a-settin'
down to the dinner-table, and she hadn't hardly anything for dinner, and
the company wuz very genteel--a minister and a Justice of the Peace--so
she wanted to borrow a loaf of bread and a pie.
She is a good neighbor and is one that will put herself out for a
neighborin' female, and I went into the buttery, almost on the run, to
get 'em for her, for her girl said she wanted to get 'em into the house
and onto the table before Mr. Peedick come in with 'em from the horse
barn, for they knew that Mr. Peedick would lead 'em out to dinner the
very second they got into the house, and Miss Peedick didn't want her
husband to know that she had borrowed vittles, for he would be sure to
let the cat out of the bag, right at the table, by speakin' about 'em
and comparin' 'em with hern.
I see the necessity for urgent haste, and the trouble wuz that I hurried
too much. In takin' down a pie in my awful hurry, I tipped over a pan of
milk right onto my dress. It wuz up high and I wuz right under the
shelf, so that about three tea-cupsful went down into my neck. But the
most went onto my dress, about five quarts, I should judge besides that
that wuz tricklin' down my backbone.
[Illustration: "I SEE THE NECESSITY FOR URGENT HASTE."]
Wall, I started Serintha Ann Peedick off with her ma's pie and bread,
and then wiped up the floor as well as I could, and then I had to go and
change my clothes. I had to change 'em clear through to my wrapper, for
I wuz wet as sop--as wet as if I had been takin' a milk swim.
CHAPTER V.
Wall, the author of "Wedlock's Peaceful Repose" wuz a-waitin' for me to
the table; the men had all got through and gone out. She sot right by
me, and she had missed me, I could see. Her eyes looked bigger than
ever, and more sad like.
She said, "she was dretful sorry for me," and I believed her.
She asked me in a awe-stricken tone, "if I had such trials every day?"
And I told her "No, I didn't." I told her that things would run along
smooth and agreeable for days and days, but that when things got to
happenin', they would happen right along for weeks at a time, sometimes,
dretful curius. A hull batch of difficulties would rain down on anybody
to once. Sez I, "You know Mr. Shakespeare says that' Sorrows never come
a-spyin' along as single fighters, but they come in hull battles of
'em,' or words to that effect."
Sez I, in reasonable axents, "Mebby I shall have a hull lot of good
things happen to me right along, one after another, some dretful
agreeable days, and easy."
Sez she in the same sad axents, and wonderin', "Did you ever have
another day in your hull life as hard as this you are a-passin'
through?"
"Oh, yes," sez I, "lots of'em--some worse ones, and," sez I, "the day
has only jest begun yet, I presume I shall have lots and lots of new
things happen to me before night. Because it is jest as I tell you, when
things get to happenin' there hain't no tellin' when they will ever
stop."
Miss Fogg groaned, a low, deep groan, and that is every word she said,
only after a little while she spoke up, and sez:
"You hain't eaten a bit of dinner; it all got cold while you wuz a
changin' your dress."
"Oh, wall," sez I, "I can get along some way. And I must hurry up and
get the table cleared off any way, and get to my work agin', for I have
got to do a lot of cookin' this afternoon. It takes a sight of pies and
cakes and such to satisfy twelve or a dozen men."
So I went to work vigorously agin. But well might I tell Miss Fogg "that
the day had only jest begun, and there wuz time for lots of things
to happen before night," for I had only jest got well to work on the
ingregiences of my pies when Submit Tewksbury sent over "to see if I
could let her have them sturchien seeds I had promised her--she wanted
'em to run up the inside of her bedroom winder, and shade her through
the winter. She wuz jest a-settin' out her winter stock of flower roots
and seeds, and wanted 'em immegiatly, and to once, that is, if it was
perfectly convenient," so the boy said.
Submit is a good creeter, and she wouldn't have put that burden on me on
such a time for nothin', not if she had known my tribulations; but she
didn't, and I felt that one trial more wouldn't, as the poet hath well
said, "either make or break me."
So I went to huntin' for the seeds. Wall, it wuz a good half-hour before
I could find 'em, for of course it wuz natural nater, accordin' to the
total deprivity of things, that I should find 'em in the bottom of the
last bag of seeds that I overhauled.
But Submit had been disappointed, and I didn't want to make her burdens
any heavier, so I sent her the sturchien seeds.
But it wuz a trial I do admit to look over more than forty bags of
garden and flower seeds in such a time as that. But I sent 'em. I sent
Submit the sturchien seeds, and then I laid to work again fast as I
possibly could.
But I sez to the author of "Peaceful Repose," I sez to her, sez I:
"I feel bad to think I hain't gettin' no time to hear you rehearse your
lecture, but you can see jest how it is; you see I hain't had a minute's
time today. Mebby I will get a few minutes' time before night; I will
try to," sez I.
"Oh," sez she, "it hain't no matter about that; I--I--I somehow--I don't
feel like rehearsin' it as it was." Sez she, "I guess I shall make some
changes in it before I rehearse it agin."
Sez I, "You lay out to make a more mean thing of it, more megum."
"Yes," sez she, in faint axents, "I am a-thinkin' of it."
[Illustration: "AS I STARTED FOR THE BUTTERY."]
"Wall," sez I cheerfully, as I started for the buttery with a pile of
cups in one hand, the castor and pickle dish in the other, and a pile of
napkins under my arm, "I believe I shall like it as well again if you
do, any way," sez I, as I kicked away the cat that wuz a-clawin' my
dress, and opened the door with my foot, both hands bein' full.
"Any way, there will be as much agin truth in it."
Wall, I went to work voyalently, and in two hours' time I had got my
work quelled down some. But I had to strain nearly every nerve in the
effort.
And I am afraid I didn't use the colporter just exactly right, who come
when I wuz right in the midst of puttin' the ingregiences into my tea
cakes. I didn't enter so deep into the argument about the Revised
New Testament as I should in easier and calmer times. I conversed
considerable, I argued some with him, but I didn't get so engaged as
mebby I had ort to. He acted disappointed, and he didn't stay and talk
more'n an hour and three quarters.
He generally spends half a day with us. He is a master hand to talk;
he'll make your brain fairly spin round he talks so fast and handles
such large, curius words. He talked every minute, only when I wuz
a-answerin' his questions.
[Illustration: "THERE WUZ SOMETHIN' WRONG ABOUT 'EM."]
Wall, he had jest gone, the front gate had just clicked onto him, when
Miss Philander Dagget came in at the back door. She had her press-board
in her hand, and a coat over her arm, and I see in a minute that I had
got another trial onto me. I see I had got to set her right.
I set her a chair, and she took off her sun-bonnet and hung it over the
back of her chair, and set down, and then she asked me if I could spend
time to put in the sleeves of her husband's coat. She said "there wuz
somethin' wrong about em', but she didn't know what."
She said "she wouldn't have bothered me that day when I had so much
round, but Philander had got to go to a funeral the next day, as one of
the barriers, and he must have his coat."
Wall, I wrung my hands out of the dish-water they was in at the time,
and took the coat and looked at it, and the minute I set my eyes on it
I see what ailed it I see she had got the sleeves sot in so the elbows
come right in front of his arms, and if he had wore it in that condition
to the funeral or anywhere else he would have had to fold up his arms
right acrost his back; there wuzn't no other possible way.
And then I turned tailoress and helped her out of her trouble. I sot
the sleeves in proper, and fixed the collar. She had got it sot on as a
ruffle. I drawed it down smooth where it ort to be and pinned it--and
she went home feelin' first rate.
I am very neighborly, and helpful, and am called so. Jonesville would
miss me if any thing should happen.
[Illustration: "SHE IS APT TO GET THINGS WRONG."]
I have often helped that woman a sight. She is a good, willin' creeter,
but she is apt to get things wrong, dretful apt. She made her little
boy's pantaloons once wrong side before, so it would seem that he would
have to set down from the front side, or else stand up.
And twice she got her husband's pantaloons sewed up so there wuz no way
to get into em' only to crawl up into 'em through the bottom of the
legs. But I have always made a practice of rippin' and tearin' and
bastin', and settin' her right, and I did now.
Wall, she hadn't hardly got out of the back door, when Josiah Allen came
in in awful distress, he had got a thorn in his foot, he had put on an
old pair of boots, and there wuz a hole in the side of one of 'em, and
the thorn had got in through the hole. It pained him dretfully, and he
wuz jest as crazy as a loon for the time bein'. And he hollered the
first thing that "he wanted some of Hall's salve." And I told him "there
wuzn't a mite in the house."
And he hollered up and says, "There would be some if there wuz any sense
in the head of the house."
[Illustration: "HE WANTED SOME OF HALL'S SALVE."]
I glanced up mechanically at his bald head, but didn't say nothin', for
I see it wouldn't do. And he hollered out agin, "Why hain't there any
Hall's salve?" Sez I, "Because old Hall has been dead for years and
years, and hain't made any salve."
"Wall, he wouldn't have been dead if he had had any care took of him,"
he yelled out.
"Why," sez I, "he wuz killed by lightnin'; struck down entirely
onexpected five years ago last summer."
"Oh, argue and dispute with a dying man. Gracious Peter! what will
become of me!" he groaned out, a-holdin' his foot in his hand.
Sez I, "Let me put some Pond's Extract on it, Josiah."
"Pond's Extract!" he yelled, and then he called that good remedy words I
wuz ashamed to hear him utter.
And he jumped round and pranced and kicked just as it is the nater of
man to act under bodily injury of that sort. And then he ordered me to
take a pin and get the thorn out, and then acted mad as a hen at me
all the time I wuz a-doin' it; acted jest as if I wuz a-prickin' him
a-purpose.
He talked voyalent and mad. I tried to hush him down; I told him the
author of "Wedlock's Peaceful Repose" would hear him, and he hollered
back "he didn't care a cent who heard him. He wuz killed, and he
shouldn't live to trouble anybody long if that pain kept up."
His acts and words wuz exceedingly skairful to anybody who didn't
understand the nater of a man. But I wuzn't moved by 'em so much as the
width of a horse hair. Good land! I knew that jest as soon as the pain
subsided he would be good as gold, so I kep' on, cool and collected, and
got the thorn out, and did up the suffering toe in Pond's Extract, and I
hadn't only jest got it done, when, for all the world! if I didn't see a
double team stop in front of the house, and I peeked through the winder
and see as it wuz the livery stable man from Jonesville, and he had
brung down the last straws to be lifted onto the camel's back--a hull
lot of onexpected company. A hull load of 'em.
There wuz the Baptist minister and his wife and their three children,
and the minister's wife's sister-in-law from the West, who wuz there
a-visitin', and the editor of the _Augur'ses_ wife (she wuz related to
the visitor from the West by marriage) and three of the twins. And old
Miss Minkley, she wuz acquainted with the visitor's mother, used to go
to school with her. And Drusilly Sypher, she wuz the visitor from the
West's bosom friend, or used to be.
Wall, they had all come down to spend the afternoon and visit with each
other, and with me and Josiah, and stay to supper.
CHAPTER VI.
The author of "Peaceful Repose" sez to me, and she looked pale and
skairt; she had heard every word Josiah had said, and she wuz dretful
skairt and shocked (not knowin' the ways of men, and not understandin',
as I said prior and before, that in two hours' time he would be jest as
good as the very best kind of pie, affectionate, and even spoony, if I
would allow spoons, which I will not the most of the time). Wall, she
proposed, Miss Fogg did, that she should ride back with the livery man.
And though I urged her to stay till night, I couldn't urge her as hard
as I would otherwise, for by that time the head of the procession of
visitors had reached the door-step, and I had to meet 'em with smiles.
[Illustration: "SHE PROPOSED THAT SHE SHOULD RIDE BACK WITH THE LIVERY
MAN."]
I smiled some, I thought I must. But they wuz curius smiles, very,
strange-lookin' smiles, sort o' gloomy ones, and mournful lookin'. I
have got lots of different smiles that I keep by me for different
occasions, every woman has, and this wuz one of my most mournfulest and
curiusest ones.
Wall, the author of "Wedlock's Peaceful and Perfect Repose" insisted on
goin', and she went. And I sez to her as she went down the steps, "That
if she would come up some other day when I didn't have quite so much
work round, I would be as good as my word to her about hearin' her
rehearse the lecture."
But she said, as she hurried out to the gate, lookin' pale an' wan (as
wan agin as she did when she came, if not wanner): "That she should make
_changes_ in it before she ever rehearsed it agin--_deep changes_!"
And I should dare to persume to say that she did. Though, as I say, she
went off most awful sudden, and I hadn't seen nor heard from her sence
till I got this letter.
Wall, jest as I got through with the authoresses letter, and Lodema
Trumble's, Josiah Allen came. And I hurried up the supper. I got it all
on the table while I wuz a steepin' my tea (it wuz good tea). And we sot
down to the table happy as a king and his queen. I don't s'pose queens
make a practice of steepin' tea, but mebby they would be better off if
they did--and have better appetites and better tea. Any way we felt
well, and the supper tasted good. And though Josiah squirmed some when I
told him Lodema wuz approachin' and would be there that very night or
the next day--still the cloud wore away and melted off in the glowin'
mellowness of the hot tea and cream, the delicious oysters and other
good things.
[Illustration: "MY PARDNER ENJOYS GOOD VITTLES."]
My pardner, though, as he often says, is not a epicack, still he duz
enjoy good vittles dretful well and appreciates 'em. And I make a stiddy
practice of doin' the best I can by him in this direction.
And if more females would foller on and cipher out this simple rule, and
get the correct answer to it, the cramp in the right hands of divorce
lawyers would almost entirely disappear.
For truly it seems that _no_ human man _could be_ more worrysome, and
curius, and hard to get along with than Josiah Allen is at times; still,
by stiddy keepin' of my table set out with good vittles from day to day,
and year to year, the golden cord of affection has bound him to me by
ties that can't never be broken into.
He worships me! And the better vittles I get, the more he thinks on me.
For love, however true and deep it is, is still a tumultous sea; it has
its high tides, and its low ones, its whirlpools, and its calms.
He loves me a good deal better some days than he does others; I see it
in his mean. And mark you! mark it well, female reader, these days are
the ones that I cook up sights and sights of good food, and with a
cheerful countenance and clean apron, set it before him in a bright
room, on a snowy table-cloth!
Great--great is the mystery of men's love.
I have often and often repeated this simple fact and truth that
underlies married life, and believe me, dear married sisters, too much
cannot be said about it, by those whose hearts beat for the good of
female and male humanity--and it _cannot_ be too closely followed up and
practised by female pardners.
But I am a-eppisodin'; and to resoom.
Wall, Lodema Trumble arrove the next mornin' bright and early--I mean
the mornin' wuz bright, not Lodema--oh no, fur from it; Lodema is never
bright and cheerful--she is the opposite and reverse always.
She is a old maiden. I do think it sounds so much more respectful to
call 'em so rather than "old maid" (but I had to tutor Josiah dretful
sharp before I could get him into it).
I guess Lodema is one of the regular sort. There is different kinds of
old maidens, some that could marry if they would, and some that
would but couldn't. And I ruther mistrust she is one of the
"would-but-couldn't's," though I wouldn't dast to let her know I said
so, not for the world.
Josiah never could bear the sight of her, and he sort o' blamed her for
bein' a old maiden. But I put a stop to that sudden, for sez I:
"She hain't to blame, Josiah."
And she wuzn't. I hain't a doubt of it.
Wall, how long she calculated to stay this time we didn't know. But we
had our fears and forebodin's about it; for she wuz in the habit of
makin' awful long visits. Why, sometimes she would descend right down
onto us sudden and onexpected, and stay fourteen weeks right along--jest
like a famine or a pestilence, or any other simely that you are a mind
to bring up that is tuckerin' and stiddy.
And she wuz disagreeable, I'll confess, and she wuz tuckerin', but I
done well by her, and stood between her and Josiah all I could. He loved
to put on her, and she loved to impose on him. I don't stand up for
either on 'em, but they wuz at regular swords' pints all the time
a'most. And it come fearful tuff on me, fearful tuff, for I had to stand
the brunt on it.
But she is a disagreeable creeter, and no mistake. She is one of them
that can't find one solitary thing or one solitary person in this wide
world to suit 'em. If the weather is cold she is pinin' for hot weather,
and if the weather is hot she is pantin' for zero.
[Illustration: "BUT SHE IS A DISAGREEABLE CREETER."]
If it is a pleasant day the sun hurts her eyes, and if it is cloudy she
groans aloud and says "she can't see."
And no human bein' wuz ever known to suit her. She gets up early in the
mornin' and puts on her specs, and goes out (as it were) a-huntin' up
faults in folks. And she finds 'em, finds lots of 'em. And then she
spends the rest of the day a-drivin' 'em ahead of her, and groanin' at
'em.
You know this world bein' such a big place and so many different sort o'
things in it that you can generally find in it the perticuler sort of
game you set out to hunt in the mornin'.
If you set out to hunt beauty and goodness, if you take good aim and are
perseverin'--if you jest track 'em and foller 'em stiddy from mornin'
till night, and don't get led away a-follerin' up some other game,
such as meanness and selfishness and other such worthless head o'
cattle--why, at night you will come in with a sight of good game. You
will be a noble and happy hunter.
[Illustration: "BUT FIT WITH THEIR TONGUES, FEARFUL."]
At the same time, if you hunt all day for faults you will come in at
night with sights of pelts. You will find what you hunt for, track 'em
right along and chase 'em down. Wall, Lodema never got led away from
her perticuler chase. She just hunted faults from mornin' till night,
and done well at it. She brought in sights of skins.
But oh! wuzn't it disagreeable in the extreme to Samantha, who had
always tried to bend her bow and bring down Beauty, to have her familiar
huntin' grounds turned into so different a warpath. It wuz disagreeable!
It wuz! It wuz!
And then, havin' to stand between her and Josiah too, wuz fearful
wearin' on me. I had always stood there in the past, and now in this
visit it wuz jest the same; all the hull time, till about the middle of
the fifth week, I had to stand between their two tongues--they didn't
fight with their hands, but fit with their tongues, fearful.
End of the Project Gutenberg EBook of Samantha Among the Brethren, Part 2.
by Josiah Allen's Wife (Marietta Holley)
*** END OF THIS PROJECT GUTENBERG EBOOK SAMANTHA AMONG THE BRETHREN, ***
***** This file should be named 9444.txt or 9444.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/9/4/4/9444/
Produced by Juliet Sutherland, David Widger and PG Distributed
Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
