The Project Gutenberg EBook of The Princess Pourquoi, by Margaret Sherwood
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.
Title: The Princess Pourquoi
Author: Margaret Sherwood
Release Date: June 23, 2016 [EBook #52402]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE PRINCESS POURQUOI ***
Produced by Ernest Schaal and The Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)
By Margaret Sherwood
=THE PRINCESS POURQUOI.= Illustrated. $1.50.
=THE COMING OF THE TIDE.= With frontispiece. 12mo, $1.50.
=DAPHNE=: An Autumn Pastoral. 12mo, $1.00.
HOUGHTON, MIFFLIN & CO.
BOSTON AND NEW YORK
THE
PRINCESS POURQUOI
[Illustration]
[Illustration: EVERY DAY HER BIG EYES GREW WISER]
THE PRINCESS
POURQUOI
BY
MARGARET SHERWOOD
ILLUSTRATED
[Illustration]
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN & COMPANY
MDCCCCVII
COPYRIGHT 1902 AND 1903 BY CHARLES SCRIBNER'S SONS
COPYRIGHT 1907 BY THE S. S. McCLURE CO.
COPYRIGHT 1906 AND 1907 BY HOUGHTON, MIFFLIN & CO.
COPYRIGHT 1907 BY MARGARET SHERWOOD
ALL RIGHTS RESERVED
_Published October 1907_
CONTENTS
THE PRINCESS POURQUOI 1
THE CLEVER NECROMANCER 43
THE PRINCESS AND THE MICROBE 81
THE SEVEN STUDIOUS SISTERS 131
THE GENTLE ROBBER 175
[asterism] The Princess Pourquoi, The Princess and the Microbe,
and The Seven Studious Sisters appeared first in _Scribner's
Magazine_, The Clever Necromancer in the _Atlantic Monthly_, and
The Gentle Robber in _McClure's Magazine_. They are here
reprinted by the courteous permission of the publishers of those
magazines.
ILLUSTRATIONS
EVERY DAY HER BIG EYES GREW WISER _Frontispiece_
SIDE BY SIDE THEY WALKED TOGETHER 22
"IT'S GOT TO BE KILLED," SAID THE PRINCESS STURDILY 101
"WHAT!" THUNDERED HIS MAJESTY 142
CAME RIDING FROM ALL PARTS OF THE KINGDOM 148
HE BEGAN TO WEAR THE LOOK OF THOSE WHO SEE MORE
THAN MEETS THE EYE 185
FOR SOME HALF SMILED AND HID THEIR SMILES AS
BEST THEY COULD 203
A GLIMPSE OF AN HERETIC BEING BURNED TO DEATH 210
THE PRINCESS POURQUOI
THE
PRINCESS POURQUOI
[Illustration]
Once upon a time, in a country very far away, a new princess was born.
As is usual in such cases, the King, her father, and the Queen, her
mother, held a great christening feast, to which were invited all the
crowned heads for miles around, all the nobility of their own kingdom,
and the fairies whose good wishes were considered desirable. In the
middle of the ceremony, as is also customary, a very angry little old
lady, with a nose like a beak, burst into the room.
"May I ask why I was not invited?" she demanded. "These are here," and
she pointed to the fairy who rules the hearts of men, and to the fairy
who rules circumstance. She herself was the fairy who rules men's minds.
"You!" stammered his Majesty. "Why, it is only a girl. We--we thought
you would be offended. Later, if a son should be born"--
"You thought!" shrieked the enraged little creature, gathering her
shoulder-shawl about her. "You thought nothing whatever about it. I am
insulted, and I shall be revenged. Before anything yet has been given to
this child I shall curse her"--
"Oh!" begged the crowned heads and the nobility.
"Yes," said the fairy, stamping and growing angrier, "I shall curse her
with a _mind_."
"Anything but that," groaned his Majesty.
"Not that for a woman-child," moaned the mother, from under her silken
coverlid.
"Yes," said the fairy, and her wicked black eyes snapped over her
withered red cheeks. "She is a woman-child, and yet she shall think. She
shall be alien to her own sex, and undesired by the other. She shall ask
and it will not be given her. She shall achieve and it shall count her
for naught. Men shall point the finger at her like this" (and she
pointed one skinny forefinger at the King), "and shall whisper, 'There
goes the woman with brains, poor thing!' As for your Majesty, in her
shall you find your punishment. She shall think what you do not know,
and divine what you cannot find out. Now," added the wicked fairy,
turning to the two godmothers who stood by the child's cradle, "see if
you, with all your giving, can do anything to lessen the curse that I
have spoken," and she rushed away like a whirlwind, leaving every face
dismayed.
The fairy who rules circumstance stood by the cradle and spoke. Her face
was the face of one who wavers two ways, and her voice was unsure.
"The child shall have fortune," she said, "good-fortune, so far as is
consistent with what has already been given. I wish," she added
apologetically, "that I had spoken first."
"Why didn't you?" grumbled his Majesty under his whiskers, but he dared
not speak aloud, for he was afraid of circumstance, being a king.
The other fairy stood silent, looking down into the child's face.
"But she shall know love," she said softly, after a little time. The
sleeping princess smiled.
From the time that it was spoken the curse was felt. Before the baby
could talk, she would lie in the royal cradle, fixing upon the King, her
father, and the Queen, her mother, when they came to see her, eyes so
big, so wise, so full of question, that his Majesty fled, and her
Majesty covered her face with her hands, wondering what it could be that
the child remembered and she forgot. The first word the Princess uttered
was "Why." She said it so often that presently, through the whole length
and breadth of the kingdom, she was known as the "Princess Pourquoi,"
though her real name was Josefa Maria Alexandra Renée Naftaline.
"Why," she asked, when she was very small, "did trees grow this way,
instead of the other end up? Why did people stand on their feet instead
of on their heads? Why did you like some people better than others, and
why couldn't it be just as easy to like them all alike?"
She was a good little girl, but she had all the credit of being a bad
one. She saw through what she was not intended to see through; she heard
what she was not meant to hear; she understood what others wished to
keep hidden. Therefore it came to pass that she was very lonely. She had
a way of climbing affectionately up to the neck of some favored person,
drawing down the head for a loving embrace, and then asking some
terrible question, whereupon she was quickly put down on the floor and
left alone. There she would sit, with so grieved a look in her big blue
eyes that the next one who entered would pity the golden-haired baby,
and would take her up, only to become a victim to some other
unanswerable inquiry.
When she was four and five, her questions were theological or
philosophical. "Why was she made at all, if she were as naughty as
people said? Wouldn't it have been less trouble not to have made her, or
to have made her good? Why were you you, and I I? Who was going to bury
the last man?" The king's philosophers stood about in silence and gnawed
their beards. They were terribly afraid of the little girl with chubby
legs and dimples. As she grew older, her questioning turned more toward
social matters and practical affairs. "Why," she asked his Majesty, her
father, who also was afraid of her, "did he say that he loved his
neighbor and yet make war? Why was he king? Was it because he was wiser
and better than other people?" She looked at him so long and so
doubtfully that his Majesty wriggled in the royal chair. He felt that
this wretched child was endangering his power. Sometimes he was so
miserable that he would willingly have abdicated, but he could not
abdicate his little daughter. Besides, he was a king, and he did not
have any place to go. Other children had been granted him, a line of
little princesses, who wore long, stiff embroidered robes; and a nice,
fat, stupid little prince, who was a great comfort to his father. All
these other princelets obeyed the court etiquette and wore the court
clothes, and never felt the ripple of an idea across their little minds,
but they could not atone to the King for the thorn in his flesh known as
Josefa Maria Alexandra Renée Naftaline.
The Princess Pourquoi objected to wearing a stomacher, for she liked to
lie flat on her face in the park, watching the ants. She objected to
making the court bow, and smiling the court smile, and putting out her
hand to be kissed. Why should she? The ladies-in-waiting could only tell
her, "It was so." She objected to taking mincing walks in the royal
gardens among the peacocks, and sometimes, to the horror of all the
court, escaped and played games with peasant children outside. She
disliked her lessons. Why should she say, like a parrot, what her
governess told her to, when there were birds and beasts and creeping
things outside to study, and a library inside full of things really
worth learning? So she went her own way, growing wistful and more
lonely, and every day her big eyes grew wiser and fuller of secrets.
Those who saw her crossed themselves and murmured, "The Curse!"
Once his Majesty held a great festival to celebrate the thousandth
anniversary of the founding of his kingdom by his imperial ancestor,
Multus Pulvius Questus, who had conquered 500,000 men with his own arm,
and had laid the cornerstone of a great principality. The festival was a
brilliant one, and all the royal neighbors came. Just before the
ceremonies began, in the large audience chamber, the governess of the
Princess Pourquoi, stung by questions she could not answer regarding the
achievements of Multus Pulvius, burst out with:
"You are a naughty little girl, and if you act this way, the fairy
prince will never come."
"I don't want a fairy prince," replied the Princess proudly, looking at
her governess with steady blue eyes. "I want a real one."
A little prince standing near, in a red velvet suit, looked at her very
hard.
As time went on, the Princess Pourquoi was not quite content. She was
too eager for that.
"I shall be happy when I find out," she said sadly one day.
"Find out what, your Highness?" asked the chief philosopher.
"It," answered the girl, and she pointed toward the horizon. "What it
means, where we came from, what you are for and I am for."
The chief philosopher took a golden goblet of wine that a page had
brought him and drank it to its dregs. Perhaps he meant this for an
answer. Then he winked at his fellow-philosopher, and the two went arm
in arm down a long path between box hedges in the garden. The Princess
entered the royal palace and knelt at the feet of the King.
"Your Majesty," she asked, "why are people who do not know anything
called wise men and philosophers?"
It was soon after this that the King made a great proclamation, offering
the hand of his daughter to any one who would answer one of her
questions satisfactorily. Suitors came by scores, although her
unfortunate propensity was known, for the Princess was growing to be
very beautiful, and his Majesty the King was very rich. The aspirant to
her hand usually stood before the royal throne in the presence of the
court, and the Princess was ushered in by the major domo. The Princess
Pourquoi did not trouble herself to find new questions; she only asked
some of the old ones over again, and the Crown Prince of Kleptomania,
the Heir Apparent to the throne of Rumfelt Holstein, the reigning King
of Nemosapientia, besides dozens of others, went sorrowfully back to
their homes, rejected. When it was found that the ordeal was terrible,
and the result always the same, the suitors gradually ceased coming, and
the Princess Pourquoi remained a great matrimonial problem, aged
fifteen, on the hands of her parents.
It was at this time that the Princess resolved to study, and to achieve
something that was really her own. People should respect her, not
because she was a princess, but because she could do great things. She
pleaded with his Majesty until he ordered the greatest scholar in his
kingdom to act as tutor for her, the greatest sculptor to teach her
modeling, the greatest painter to teach her how to draw. For five long
years the Princess worked and was happy, but the eyes of her mother were
full of pity when they rested on her, and the passers-by in the streets
whispered, "Poor thing!" Mothers drew their little ones closer to them
when they saw her, and said: "Take care! It is the woman with a mind!"
And the young ladies of the court, when they came out into the park with
their long trains, and saw the Princess seated by herself with a book
under a tree, said to themselves, under their breath: "Like that, too,
but for the grace of God!"
At one of the annual exhibitions of works of art in the city was a
statue, anonymously exhibited, that won great praise. It was of white
marble, and represented a woman standing on tiptoe and reaching up and
out with one hand. The fingers closed on nothing, and the look of the
face was disappointed. Perhaps the greatest skill was shown in the
rendering of the eyes. Their expression was baffling, and no one could
say whether the woman was blind or not.
"What masculine strength of handling!" said the artists.
"What wonderful inner meaning!" said the philosophers.
The Princess Pourquoi came one day to visit it, and stood a long time
watching the people who saw it. The outspoken praise made her eyes
glisten. A workingman, in a peasant's blue blouse, strolled near. There
was fine powder of chipped stone upon his sleeve.
"There is great power there," said the workingman, "but the work is
crude."
The peasant was hustled out of the room, and an admiring crowd gathered
about the statue of the groping woman. Some one whispered that it was
not a man's work at all, but the work of a woman. Surprise, incredulity,
disapproval passed in waves over the faces of the crowd. The rumor was
established as a fact, though the woman's name was withheld. Every one
could see faults now.
"We suspected it from the first," said the philosophers. "The lack of
virility is apparent."
"You can see the woman's carelessness in regard to details in every fold
of the drapery!" said the artists.
The Princess Pourquoi listened. Presently she faced the crowd.
"It is my work," she said simply. Then she summoned her lackeys and
ordered her carriage, and disappeared before artists or philosophers
could find any knot-holes to crawl through.
Their Majesties, the royal parents, were greatly pleased when they heard
of this scene. Perhaps this condemnation of her statue would bring their
daughter to her senses.
It was very fortunate that just at this time there came rumors of the
advent of the Fairy Prince. From Bobitania, a kingdom leagues away, he
was reported to be approaching, presumably to woo the Princess Pourquoi.
The King and the Queen chuckled in secret together the day a messenger
arrived to announce the advent of his Royal Highness, Prince Ludwig
Jerome Victor Christian Ernst, Heir-Apparent to the throne of Bobitania.
This was a very great principality, indeed. Surely the Princess would
for once act like other people, and would, for the sake of all that was
to be gained, profess herself satisfied in regard to her questions.
The royal household was ordered into its very best clothing. The King
and the Queen, the Prince and the Princesses, shimmered in velvet and
jewels. The pages were resplendent in yellow and silver. The
philosophers were profound in rich black. The woolly white dogs of the
ladies-in-waiting were combed and tied with the colors of Bobitania,
crimson and black. Everywhere, in jewels, in flower devices, among the
hangings on the wall, were displayed the arms of Bobitania, a crimson
star on a dusky background.
After the ceremonies of greeting were over, when Prince Ludwig Jerome
Victor had bent before the King and the Queen on their throne, and had
had presented to him all the royal offspring, the Princess Pourquoi was
requested to show his Highness the garden of flowers, that his eyes
might be refreshed after his long journey. So side by side they walked,
talking together, between long rows of stately chrysanthemums, white,
yellow, and red, she very erect in her brocaded gown, whose deep blue
folds swept the grass, he all smiles and obeisance, in a slashed suit of
scarlet and black. The waiting-women, by two and two, came on behind.
[Illustration: SIDE BY SIDE THEY WALKED TOGETHER]
As they paced the garden, the peacocks retreated slowly, a statelier
procession than they. They passed a fountain where a single workman was
busy sculpturing a figure from a block of gray granite. His face was
shaded by a cap, but the splendid action of strong arms and muscular
shoulders was visible. The Princess paused, and the waiting-women
turned, pretending to be busy with the box of the hedges or the
pink-tipped daisies at their feet. The face of Prince Ludwig Jerome
Victor grew uneasy, for he felt that the hour for his questioning had
come. But the Princess was not thinking of him, for her eyes were
following the workman's fingers.
"Why blue jean for one man's arm and velvet with pearls for another?"
she said half to herself. "Why hunger for that man, and for me surfeit?"
"Most gracious Princess," answered Prince Ludwig Jerome Victor, secure
in his reply, "the earth with all upon it is glad to lie as dirt beneath
the feet of the most beautiful lady in the world."
He fell upon one knee and kissed her hand. She looked down intently into
his narrow, upraised face.
"Queen among princesses," he begged, "question me and accept my answer.
From far Bobitania I have come to woo, and if I fail, I die. What is the
question I must answer?"
"You have answered," said the Princess. "Rise."
The hand of the workman had paused, uplifted, with a sculptor's hammer
in its grasp. There was a queer little smile upon his face below the
shadow of the cap.
The waiting-women paced in silence behind the Princess back to the
presence of the King.
"Most august Sovereign," said the Prince, bending his knee in the royal
presence, "I have come to place my kingdom at your daughter's feet.
Deign to ask her if I have found favor in her eyes."
"What say you, my daughter?" asked the King, his delight shining through
his face. "Is it not a noble prince and a fair offer?"
"My Lord and Father," said the Princess Pourquoi, bending in courtesy,
then standing erect, more haughty than before, "it is no prince, but a
man with a lackey's soul. He may come to reign, but a king he can never
be. As for my hand, he may not again touch it. I go to make it clean."
Then she turned and walked, in a great silence, between the parted lines
of frightened people, out of the audience-chamber and away.
How Prince Ludwig Jerome Victor Christian Ernst went away in great
anger, how the royal apologies were presented in vain, how the Princess
Pourquoi was imprisoned for three days in her chamber with no books to
read and was held in deep disgrace by all the court, is a long story,
and one that would take much time to tell. But the Princess only smiled
serenely, presented her duty to her parents, saying that she was deeply
grieved if her necessary words had hurt them, and, the first day she was
free, went walking in the royal garden alone.
The artisan was there at the fountain, working at the same stone figure.
The Princess stood in silence and watched him. At her approach he had
taken off his cap and had laid it on the grass. Yellow autumn leaves
fell on his blue blouse and on her crimson velvet robe.
"Do you like to work?" asked the Princess Pourquoi timidly.
A look of amusement crept into the man's keen, dark eyes, and his lips
quivered with a suppressed smile.
"Yes, your Highness," he answered, making an inclination of his head.
And he went on working.
"Why?" asked the Princess Pourquoi.
"Gracious Lady and Princess," replied the artisan, "I do not know."
The Princess stared at his deft fingers and the quivering muscles of his
arms. Then she strolled away to pick a late white rose, and presently
wandered back, as if forgetful where her feet were going.
"I have seen you before," she remarked absent-mindedly.
He bent again, and murmured something respectful that she could not
hear. The chance given him to continue the subject he did not improve.
"Once," continued the Princess, "in a hovel among other hovels at the
foot of the hill. Through the open door of the sick-room where I stood,
I saw you sitting at a poor man's table, sharing his black bread and
muddy ale. Why were you there?"
"He was my friend," said the artisan. "His hut was then my home."
"Why do you wear a workingman's blouse and carve in stone?" demanded the
Princess abruptly.
"Madame and Princess," replied the man, "it is the work that I have
chosen," and he went on chipping away fine flakes of stone.
The lady walked away again, this time following a wayward peacock across
the grass. The workingman paused to look after her, with the sunshine
falling on her brown hair. Then he picked up a chisel that he had
dropped, and, in doing so, bent to kiss the grass where her feet had
rested, for she had trodden very close.
When the Princess came back the next time, she spoke with the quiet air
of one who is greeting an old friend.
"You criticised my statue," she remarked. "You called it crude."
"Whoever reported my poor opinion to the Princess," said the man, "had
evidently heard but part of what I said."
The Princess showed no curiosity as to the rest.
"Why were the others so unjust?" she demanded. "They praised my work
when they thought it was a man's. They turned upon it and called it bad
when they knew a girl had done it, and did not yet know that it was a
princess. What can one do when it is all so unfair?"
The artisan answered not a word, but went on chipping, chipping, bending
all his energy to the curve of a finger. The Princess watched with eyes
in which all the blue of the autumn sky and all the shining of the
autumn sun seemed centred. When the young man at length looked at her,
her head was thrown back, and her face wore the look of one who feels
her blood to be royal.
"Do you know," she asked sternly, though the expression of her eyes was
of one who pleads, "what fate is reserved for the man who answers even
one of my questions satisfactorily."
"Gracious Lady and Princess," he said humbly, "I have answered nothing,
for I did not know. My mind, too, has questioned ceaselessly into the
injustice of many things. I only"--
"You only," said the Princess, with a sweep of her hand,--"you only
_kept on working_! Come!"
Refusing to walk at her side, he followed at a little distance, stepping
unsurely, as one would walk in a dream. The lackeys looked at him and
sneered as he went. His Majesty the King and her Majesty the Queen
looked down in impatience from the throne when they saw the Princess
Pourquoi leading in a peasant clad in blue jean.
"Some injury to redress!" muttered his Majesty. "Always a new grievance!
I never have time to sleep or think."
The Princess swept across the audience-chamber with the air of one whom
nature, not circumstance alone, had made a queen. She bent before her
royal parents, then laid her hand upon that of the artisan.
"Your Majesties will remember," she said, "the decree made regarding me
when I was fifteen years old. This man alone has answered one question
of mine to my satisfaction. I come to beg"--and her face wore a
frightened look, yet shone with a sudden gleam of mischief--"I come to
beg that he incur the penalty."
Her Majesty fainted and was carried from the room. His Majesty
turned purple, and the calves of his legs swelled with rage. The
ladies-in-waiting hid their faces behind their hands and whispered,
"Shameless!" The philosophers shook their heads and muttered, "The
Curse!" As soon as the King could find his voice he thundered: "Away
with him to the donjon keep! Let the executioner come and do his duty!
Cut off the head of the impostor who would steal my daughter's hand!"
"He is no impostor," said the Princess scornfully. "Whatever his birth
may be, his soul is royal."
The men-at-arms came forward to seize him, but the Princess flung
herself between him and them. He put her gently aside, and stepped
forward to defy them all, but his eyes rested all the while on her with
a look that made great throbbings in her wrists. The clash of arms in
the chamber was interrupted by the sound of commotion outside. Shouts of
"Make way!" were heard. Then there were cries of: "A messenger, a
messenger from his Grace of Bobitania!" Free way was left in the crowded
hall for a man in a travel-stained riding-costume, who entered and
hurried toward the throne.
"May it please your Grace," he panted, "his Majesty the King of
Bobitania desires to make known that the Heir-Apparent to the throne,
who disappeared many weeks ago, has not been discovered. News has just
reached Bobitania that his valet, who stole much of the Prince's
clothing after his disappearance, has been here representing himself to
be the Prince. Let it therefore be known that the person who of late
called himself Prince Ludwig Jerome Victor Christian Ernst of Bobitania
is an impostor, being the son of a liberated serf, and the grandson of a
swineherd."
The nobles, the ladies-in-waiting, the philosophers crowded about the
messenger. While he was explaining that Prince Ludwig Jerome Victor was
eccentric, though deeply loved by every man, woman, and child in
Bobitania; how he had insisted on learning a trade; how he had often
disappeared for a time, living in disguise among his poorest
subjects--the Princess was looking at the stone-cutter's face and
smiling. She forbore to cast one glance of triumph upon the King.
The messenger took his leave of his Majesty and turned to go. Suddenly
he fell upon his knees and kissed the hand of the peasant.
"My Lord the Prince!" he cried. And the vaulted ceiling gave back the
cry, for all the people in waiting took it up and shouted for the Prince
who wore blue jean.
* * * * *
"Why did you do it?" asked the Princess Pourquoi, two hours later, when
she stood in the garden with her betrothed, the real Ludwig Jerome
Victor Christian Ernst, Heir-Apparent to the throne of Bobitania.
"Gracious Lady and Princess," he answered, laughing, "I wanted to be
real."
Then he told her how, many years ago, he, a tiny princeling, had heard a
naughty little princess, in that very audience-chamber, demanding, not a
fairy prince, but a real one.
"I took the only way I knew to become real," he said. "Have I found
favor in your eyes, O beloved of my heart?"
"How long beloved?" asked the Princess anxiously, for she was much
ashamed of the way in which she had wooed him.
"All my life long," he answered. And the peacocks never told how he
kissed her.
His Majesty the King and her Majesty the Queen were delighted with the
match. The royal father spent hours in telling the young Prince how
great a delight his daughter's mind had always been to him, and how he
should miss companionship with her when she was far away in Bobitania.
All the court agreed with their Highnesses that they had had suspicions
of the valet-prince from the very first, and the lackeys mentioned to
the Princess the fact that from the first they had suspected the
stone-cutter to be something more than appeared on the outside. The
Princess Pourquoi became very popular up and down the length and breadth
of the kingdom, and the philosophers, as they sipped their wine in the
afternoon sunshine, said over and over what a wonderful child she had
been, and how they had always prophesied a great destiny for her.
So there was a great wedding, the preparations for which shook
Christendom to its foundations. All the crowned heads that were known
were there. Barbaric kings from beyond Bobitania graced the ceremony in
gorgeous embroidered robes sewn with diamonds and rubies and pearls. No
colors that are known could paint the procession with its rainbow tints
of banners and of clothing. Man has not senses enough to take in a
description of the food that was provided. Peacocks' brains, served in
golden dishes, were the simplest viands there.
The Princess Pourquoi was attired in white velvet, with a train eleven
feet and six inches long; her lord and master glowed like a tropical
bird in scarlet, and Christendom exclaimed that there had never been so
beautiful a pair. While the trumpets were blowing and the dishes were
rattling, and the after-dinner speeches of the philosophers were
reaching their most blatant point, Prince Victor was quietly telling his
bride that he had no intention of giving up his occupation of
stone-cutter, and none of sitting upon his father's throne unless
requested to by all the inhabitants of Bobitania. They talked in
snatched whispers about the drawing-schools they would establish for the
poor, and the model cottages that should be built from end to end of
Bobitania, and they made great plans for the Princess's further work in
sculpture. What else they said in sweet whispers, I shall not tell, for
it was no one's affair but their own.
The most magnificent guest of all was the fairy godmother who had cursed
the bride in her cradle. This wicked person was attired in black samite,
made with incredible puffs and a train. She had a stomacher picked out
with jet, and wore a very stiff ruff underneath her hooked chin. Her
general expression was very fierce, but once she was heard to murmur,
hiding a pleased smile behind her bony hand:--
"A pretty age of the world, when not even the curse of a mind can harm a
woman!"
THE CLEVER NECROMANCER
THE CLEVER NECROMANCER
[Illustration]
Once, a long, long, long, long, _long_ time ago, there was a city by the
sea, and it was called Marmorante. Little gray mists floated down the
gray streets, past the tall gray houses with carven windows and doors;
pale, silvery fogs wrapped tower and spire, and oftentimes low, dark
clouds hung sullenly for days together over gabled roofs and dull red
chimneys; nor could the bravest winds that blew nor the swiftest golden
sunbeams drive mist and cloud and fog away.
In Marmorante lived all manner of folk: a duke, a count, two marquises,
and several squires; there were merchants many, with white-sailed ships
that cut the waves; there were wool-combers and flax-beaters and
haberdashers and marketmen; but most of all there were women:
countesses, duchesses, and stately marchionesses; wives of merchants,
wool-combers, haberdashers, flax-beaters,--women, women, women, maidens
innumerable, and hosts of little girls. There were little girls with
flaxen ringlets, little girls with long braids of yellow hair;
dark-haired, slender maidens, maidens with white arms, maidens with blue
eyes, brown eyes, or gray--every kind of maiden that ever lived, in life
or in story.
Life went on quietly in the city by the sea. In the gray mornings count
and countess talked amicably together in their great hall, and
wool-carder and his wife gossiped cheerily as they rolled and carded the
white fleece; in the gray afternoons Sir Knight walked in the castle
garden among the flowers with my lady, and the butcher's 'prentice met
his maid by the postern door: by embroidery frame and spinning-wheel, by
tiring-room and kitchen spit, all was gray peace.
Then one day, when the clouds hung low, a raven croaked above the castle
wall; black rooks cawed dismally with hints of coming disaster; and
bats, mistaking clouded noon for night, flew out with squeaks and
gibberings at noonday--yet nothing happened. Peasants' carts came
creaking, as was their wont, to the city gate, with blue-smocked Jean or
yellow-trousered Pierrot driving roan mare or piebald steed, and
bringing bags of grain and great rolls of tanned skins to market. Old
women with their flower baskets on their arms came nodding and
courtesying, giving hollyhock or rose for toll to the porter, who would
not say them nay because of their skinny arms and hungry faces. At last
came one who was not of the line of sun-browned farmers, withered dames,
or ruddy boys who drove in flocks of sheep.
It was a man, tall and long, and thin of face, clad in doublet and hose
of sober drab, and he had naught with him save three small, transparent
bags or bladders, one rose-colored, one purple, and one yellow, which
seemed to be filled with but empty air.
"What bringest hither?" asked the porter, in a surly voice.
"Naught save my rattle," answered the tall man in drab; and with that he
struck the bags together, so that there came out a tinkling sound
wondrous cunning and small.
"Is danger therein?" said the man at the gate, holding back. "Mayhap
they go off, like powder, and do harm."
Then the tall man smiled a strange, three-cornered smile, for his chin
was long and protruding, and strained his lips that way.
"Ay," he confessed, "they go off, but they do no hurt;" then he paid his
penny toll and went unmolested in. The porter stood long, with arms
akimbo, and looked after him.
"'Tis some fool," said the porter, and went back to his mug of ale.
The sad-hued man went on through the narrow streets that let in only a
strip of the sky's blue, and anon he came to the open market-place,
where little was doing that day, for the flowers were wilted, and the
vegetables for the most part gone; only the lambs that were left bleated
piteously now and then. The stranger sprang upon a counter where wheat
had been sold, and he struck his little bags together, so that they
rattled merrily as he called aloud:--
"Come, hear, hear, hear! Come, hear the words of wisdom I shall say, the
greatest words that shall ever meet your ears. Come, hear, hear, hear!
To-day I speak, and to-morrow I may not: 'tis the chance of a lifetime,
and not to be overlooked. Come, hear, hear, hear!"
Now with the rattling of the bags, and the rattling of the man's voice,
many people came running hither: squire and 'prentice and count,
marchioness and merchant's lady, and the cook from the castle, all
hurrying toward the empty sound. Soon a great crowd was gathered, of men
and of maidens, of women with white wimples and folded kerchiefs, and of
little girls with yellow hair.
"Come, hear, hear, hear!" repeated the man, in slow singsong, watching
the people with his narrow blue eyes which were rimmed with red; then,
so swiftly that none could see, he bent his head and touched his lips to
the transparent bags. He spoke, and lo! a miracle, for out of his mouth
came a beautiful, iridescent mist of words that floated and floated and
broke against the gray fog, and rested across the eyes of an elderly
woman who stood buxom and comely, and fell like a halo upon the fair
hair of a young girl standing bareheaded in the sun, and flashed like an
opal, flickered like a flame, so that at last the whole market-place was
full of floating color; yet all that the man had said was, "Be good and
you will be happy," with variations.
"A necromancer!" said the red-faced butcher under his breath.
"A prophet!" cried the countess, as a floating bit of the colored mist
lighted on her lips.
"I never heard such truth," said the fair-haired maiden, with a bar of
iridescent cloud across her eyes.
Watching and silent the Necromancer stood, the three-cornered smile upon
his lips. They prayed him to do his trick again, but he shook his head
and would not.
"To-morrow," he said, "at two P.M.;" and he smiled at the shower of
golden coin that rained into his bell-crowned hat.
When they were sure that nothing more was forthcoming, they went
marveling away; but all about the silvery fog that clung to the
steeples, and the gray mists that lay along the streets, and the clouds
that hung sullenly above, still hovered little rosy flecks of flame and
hints of rainbow color.
Day after day the Necromancer stood in the market-place, and put his
lips secretly to his colored bags, and spoke. He had searched all the
copy-books of the kingdom, and had taken familiar truths, such as: "The
good die young;" "To be selfish is to be miserable;" "Haste makes
waste;" "A bird in the hand is worth two in the bush;" and he clothed
them in rainbow colors and breathed his mist about them, so that they
stalked in beauty wonderful and strange, and the folk who listened did
not know their own ideas when they met them face to face, because of the
garment of many-colored words in which they came. Then the women went
mad throughout the city, mad for the loud-sounding voice and the rattle
of the bags, rose-colored, purple, and yellow. By her broidery frame the
Countess Angélique forgot to draw green thread of silk through the dim
web, and in her lap her white hands lay idle. Walking to and fro by her
spinning-wheel, little Jeanne wove into the blue yarn the glittering
phrases of yesterday, so that the strands tangled and knotted at the
spindle. Margot, the cook, forgot her chickens roasting on the spit, but
turned and turned them by the glowing coals till they were burned and
black; and Joan the butcher's wife could no longer tell haunch of
venison from flitch of bacon, but greeted customers with a vacant stare,
for her mind was quite gone, gone the way of the wind, after the
wonderful bits of colored fog.
Now the fair-haired maid who had stood awed in the market-place on the
day when the enchanter came was a rich merchant's daughter, and her
given name was Blanche. She was betrothed to one Hugh of a neighboring
city, and he came often to Marmorante, lodging always at the sign of the
Red Dragon. Thus had been his wooing, as he stood one day with the maid
and her father by the lattice that looked forth on the street.
"Wilt have me?" he asked, and the words cost him much, for he was a man
of plain speech, and oft of no speech at all.
The maid stood in the sunshine and looked upon him, and he thought her a
goodly sight. Green was her gown, and cut square at the throat, and with
it the color of her eyes seemed green, and he knew not if her hand or
her neck were whiter.
"I could give thee white velvet to thy train," he stammered, and the old
man, her father, stood and watched.
"Dost love me?" asked the maid, for she was one that had heard old
ballads sung; and the man opened wide his honest eyes.
"Ay, surely, else had I not asked thee to wife."
"Then will I wed thee," said the maid, and the wooer stood gazing at
her, not daring the kiss that was in his mind.
"'Tis a good chaffer," said young Hugh. "We shall get on rarely
together;" and thereafter, as heretofore, he had no eyes for aught save
the maiden's face. All this was a month agone, and to-day, when he came
again, the maid would have it that he must needs go forth with her to
the market-place to listen to this wonder; and he followed, willing
enough, for he would have gone into the very dragon's teeth after the
hem of her gown. Howsoever, the thought of going to listen to mere
speech seemed to him but folly.
When they came to the open place, and he saw what was there, his eyes
opened wide, and he whistled softly for sheer amazement, for never yet
had he seen so great a concourse gathered together. There were women in
velvet and in satin, women in homespun and in blue jean, even women in
rags; and there were maidens as many and as lovely as the leaves upon
the maple tree when it turns to rosy color in the fall, maidens dull or
bright of hair as the case might be, but always bright of eye and of
cheek. Far and near they gathered, crowding close together; many stood
on bench or on counter, straining white necks forward; and all the
windows that looked upon the market were crowded with fair faces.
Presently, with long and pensive stride, came the lean man in drab; and
as he came, honest Hugh heard the sudden, sharp breathing of the maid at
his side, and felt her lean forward as if she were one quivering ear.
What followed puzzled the young man sorely. It was one of the great days
of the Necromancer: forth from his mouth came a violet speech in the
form of a bubble, and it floated over the heads of the people in lovely
changing shades that ranged all the way from deep purple to the palest
tint that is not yet white. Midway across the gray cloud it burst, and
its gleaming bits drifted hither and yon, and the speaker smiled as he
saw the eager fingers raised to catch the tiny vapors which melted as
soon as touched. Forth came another and another; it was a day of
loveliest froth. Anon came a speech of the color of gold that shimmered
and shone in the sunlight, and burst into sparkles a thousand ways, and
so golden bubble followed golden bubble. All the little girls with
floating hair or yellow braids ran after them, with hands lifted high to
catch them before they burst, and the least maids wept because the
taller ones caught more than they.
Young merchant Hugh stood watching, with his hand upon his chin.
"'Tis a strange sight," he murmured to himself. "Jugglers enow have I
seen in the East, and many of their devices have I learned, but I have
seen naught like this."
Then he turned to his betrothed.
"Dost know the trick, Blanche?" he asked, but when he saw her face, he
knew that there was somewhat amiss with his words. All awed was she, and
in her eyes was the look of one who had seen a vision; and, glancing
about, he saw that the other women and maids wore the same expression.
He came home pondering, having noted the shower of coin that had fallen
into the Necromancer's hat; nor could he understand, for he gave ever
good measure for the gold that was given him. Also he was sore troubled,
for his betrothed had no words for him, only looks of high disdain.
"Well, daughter," said the old merchant, as the two came in, "what saith
the prophet to-day?"
"Oh!" cried the maiden, "all was wonderful and full of beauty. Each day
is his discourse more marvelous than yesterday's."
"But what was it all about?" he asked, laying his hand upon her hair,
for he was tender of her.
"How could I presume to tell?" she asked, with a grieved red lip. "'Twas
too wonderful to put into words;" and she swept from the room, with no
glance for her lover.
Young merchant Hugh, to whom the very rushes on which the maiden stepped
were dear because of his great speechless love, gazed after her, jealous
of the look upon her face, and cruelly wounded by her scorn.
"I will find out the trick," said the young man to himself, between set
teeth; and he was one who ever made good his words.
Now the maiden Blanche was glad when her lover begged to go forth with
her the next day and the next, at two P.M.
"Mayhap he may learn something of this wondrous speech," she said
wistfully, thinking to herself that it would be sweet to be wooed in
violet words and words of the color of gold. When he bent shyly to kiss
her before they went, with lips that trembled for the great love they
might not say, she drew stiffly back, nor would she thereafter permit
touch or caress, and much she spoke of the joy of a maiden's life that
would leave time free for thought; yet she took him gladly with her for
a week of days. Ever he listened, as one spellbound, nor once removed
his glance from the Necromancer's face; and he was keen of eye, and wont
in traffic to detect word or look of fraud, and he saw what no one else
had seen.
"I have it!" he cried, and he slapped his fist upon the palm of his left
hand. "Those be bags of many-colored words that he hath with him, and he
but sucks them up and breathes them forth."
That day he sent his sweetheart home with Dame Cartelet, that lived hard
by, and was as besotted as she on the man with the magic words; then he
went and lay in wait in the street through which the Necromancer passed
each day in going home; and as he waited, he turned back his velvet
cuffs, and felt lovingly of the muscle of shoulder and arm. So it was
not long before a tall man in drab went running through the narrow
streets on the outskirts of the town, crying and wringing his hands, and
the rattling bags of rose color, and purple, and gold were gone from his
neck.
"Oh, my vocabulary!" he wailed. "Oh, my bags, my bags, my bags! What am
I but a man undone without my bag of adjectives!"
The dogs and the children that ran at his heels did not understand, nor
did smith and weaver as they stood in their doorways.
"Oh, my other bag, my bag of epithets, of polysyllabic epithets!" cried
the fugitive as he ran.
A squealing pig joined the chase, and the men children and maid children
who ran after laughed aloud. The women who watched from lattice or stone
doorstep were of those who, by means of ten skillfully selected
adjectives from the rose-colored bag, and a dozen golden epithets from
the bag of yellow, had been made to gape and quiver with the sense of
the birth of new truth, yet they failed to recognize the juggler, for
iridescent mist and ruddy vapor had vanished from his head and
shoulders, and they saw naught save a lean and ugly man fleeing under a
gray sky; and, hearing, they yet did not understand his cry of deep
dismay.
"Oh, my exclamation points, my lost exclamation points! Oh, my pet
hiatus that laid all low when nothing else would avail!"--and so he
passed out of their sight, and out of the city of Marmorante.
At the sign of the Red Dragon that afternoon, young merchant Hugh was
closely locked in his room. Behind great iron bolts he sat upon a
three-legged stool, and worked with the colored, rattling bags.
"'Tis well that men have devised this thing," he said, holding a mirror
before his face, as he sucked air from the bag of rose; "else could I
not see if all goes well." And his heart was well-nigh bursting with joy
when he saw that the breath of his mouth was even as the breath of the
Necromancer upon the air. Then he slipped downstairs and begged for a
cup of ale, and as the maid served him in the kitchen, he blew out a
whiff from the bag of gold, and of a sudden her face became as the faces
of the women who stood in the market-place under the spell of the
juggler, and Hugh was glad.
The next day he hid the bags in a neckerchief of fine silk, and went to
the house of his sweetheart, asking to see her; but when she came, it
was with a face set and cold, and she paused with the great oaken table
between them.
"Hugh," she said, unsmiling, "I have been thinking."
"'Tis foolish work for a woman," he answered stoutly.
"That which thou dost say but confirms my thought," she answered, still
more coldly. "We cannot be wed; waking and sleeping have I considered
this matter, and thus have I resolved."
"Now, why?" cried honest Hugh bluntly.
"We have so little in common," said Blanche.
"Thou shalt have all," he stammered, forgetting, in his hurt, the magic
bags. "Why, 'tis for thee I send forth all my ships. I will be but thy
pensioner."
A shadow of pain passed over the maiden's face.
"I mean not goods nor possessions, nor any manner of vulgar things; 'tis
of mind and soul I speak, and ours be far apart."
"My goods be not vulgar!" cried young merchant Hugh. "Rare silks and
cloths from the East have I, and purest pearls, for thy white throat. No
common thing is there in all my store."
Then the little foot of Blanche tapped impatiently on the stone floor.
"'Tis of no avail that I try to make thee understand! I say there be
depths in my nature that thou mayst not satisfy; also am I full busy
this morning and must beg to be excused"--and with that she drew open
the heavy oaken door, leaving him in the long room as one dazed.
Then he bethought him of his bags, and drew them out too late, taking a
whiff from each as a sob rose in his throat. Suddenly the fair hair of
Blanche appeared again in the doorway, and she smiled as a stranger upon
him.
"I forgot to say that I wish thee all manner of good, and great
prosperity," she said amiably.
Then out of Hugh's mouth came a purple speech, and a speech of the color
of gold; and little iridescent mists floated through the air, while a
rose-colored bubble rested for a moment on the white eyelids of the
maiden. The dull-paneled room was as the breaking of a rainbow; yet all
he had said was, "Wilt not wed me, Blanche?" But he said it in rose
color and purple and gold.
"What have I done?" cried the maiden sorrowfully; and he rejoiced to see
that the look upon her face was as it had been when she had listened to
the Necromancer's philosophies and faiths.
Then he turned and smiled, saying: "I love thee, Blanche," and he spoke
in the juggler's speech, which made a glory on the maiden's hair, and
about her gown of green. With outstretched hands she came toward him,
and she laid her head upon his breast, smiling up at him.
"I was mad but now, Hugh," she breathed. "Our two souls be but one."
"Wilt come with me to the market-place this afternoon?" he asked.
"Nay," sighed the maiden. "I care not for the market-place, for I am
happy here, where I have found my home."
"I speak there," he said bluffly, "at two P.M."
"Thou!" and the maiden's laughter rang out like the touch of silver
bells, "and of what?"
"Of phases of occult thought," he answered gravely.
"Ay," cried Blanche, and she raised her face to kiss him. "Ay, Hugh, be
sure that I shall be there when thou dost talk philosophies."
The young merchant was good as his word, and that afternoon he stood in
the market-place upon a counter, rattling the juggler's bags as he
waited. As before, men, women, and maidens came, by tens, by twenties,
by hundreds, till there was no spot where he could look without meeting
a pair of wistful eyes.
"It looks to be but plain Hugh, the merchant," whispered one to another.
"Hath he undertaken to sell his wares here?" asked one.
"He hath choice pearls," whispered a maiden who was not yet wholly given
over to occult thought.
But Hugh had begun to speak, and faces of wonder were lifted to him, for
he was strong of lung, and the breath from the magic bags went farther
than ever before.
"Our friend the Necromancer is indisposed, and I must take his place,"
he began. "Like him, I have chosen a theme from the depths of human
thought; and now, hear! hear! hear!"
Then eloquence poured forth from the man's lips so fast, so full a
stream, that the very welkin was rose-tinted, and a great rainbow seemed
to overspread the sky. Gray clouds above the tallest spires broke into
tints of opal, and all the air shaded into the violet and purple of
exclamation points, and of the pet hiatus, which was hard to work, but
came well off. Golden glory haunted carven door and window, and words of
flame crept around the tracery of arch and gable. Women sobbed for very
joy; others wrote madly on their tablets; maidens gasped with red lips
slightly opened; never, during the whole lecture season, had come so big
a wind from out the bags, and honest Hugh blushed with mingled shame and
triumph when he saw the face of his betrothed, for it wore the look of
one who had seen the white vision of naked truth.
Following the fashion of the Necromancer, he had taken a maxim, and had
dressed it up so that men knew it not, and so that it came forth as
revelation. All that he had said from the first to the last was the
truth that he knew best: "Honesty is the best policy;" but this was the
way in which he had said it, with constantly shifting color:
"Glory awaits the equable! All-hails are the portion of him, who,
unswerving, with eyes upon the path ahead, with lofty head erect,
perambulates his chosen path through this world's tangled wilderness,
turning neither to the right hand nor to the left, though golden cohorts
beckon. The goal is for the upright feet. The crown waits.... What
matter if the victor be sobbing and breathless, so that he be
conqueror?" (Observe the hiatus.) "So saith golden-tongued Plato; so
saith heavy-browed Aristotle of persuasive speech; so saith Aulus
Gellius, withdrawn in his inner truth, and his brother, Currant Gellius,
whose essence clings; so say the holy fathers, subtle Basil,
myriad-minded Chrysostom; so saith the copy-book."
When the speech was over, and the bags hidden away, Hugh bore as best he
might the tears and congratulations of the women, their murmured
plaudits, and inspired looks.
"'Tis the first time I have ever failed to give honest measure," he said
shamefacedly to himself as they flocked about him.
That night, as he sat with the maiden and her father, he spoke of
departing on the morrow with a ship that would sail for Morocco to be
gone many months, and his sweetheart came to him, creeping into his
arms.
"Do not leave me, Hugh," she pleaded. "It is so far away."
"I must go, little one," he answered, smoothing her fair hair. "Men sit
not ever by the fire to hear tabby purr."
"Say them again," she pleaded, "say again the words thou didst speak
this morning, that I may have them with me when thou art far away."
"Far in illimitable recesses of time and of space," he began
shamefacedly, "before phenomena existed, thy bodiless soul and mine met
and mingled as one"--
"Where hast learned that jargon, Hugh?" asked the old merchant, with a
loud guffaw.
"Hush!" said Hugh, with loving hands upon the maiden's ears so that she
might not hear. "All is fair in love, father!"
But Hugh was still an honest merchant, and never in his long and happy
life did he use the stolen vocabulary in bargaining, or to gain
dishonest advantage in trade. Only, when the face of Blanche, his wife,
grew sad, he would take out the colored bags, which he kept secretly
locked in an iron chest, and then the old smiles would come back to her
beautiful face, and with them the look of awe wherewith she regarded her
husband, as the mist of purple, and the flecks of rose color, and the
bubbles of gold, fell on hair and eye and ear.
THE PRINCESS
AND THE MICROBE
THE
PRINCESS AND THE MICROBE
[Illustration]
The Princess Olivera Rinalda Victorine sat on a stone seat by the
mermaid fountain in the royal gardens, crying bitterly because she was
not a prince. The sun was warm, the water splashed merrily over the
mermaids' tails, and not far away two infant counts, an archduckling,
and a baby baroness were playing on the green grass, but the Princess
would have none of their game of tag. She only howled with her mouth
open, and paused for breath, and howled again. Then Lady Marie Françoise
Godolphin and the Duchess Louise of Werthenheim, who were pacing the
garden paths by box hedge and rose bed (Lady Marie was superb in pink
chiffon over white silk, and the Duchess wore blue embroidered tulle
looped with clusters of artificial lilies), frowned and whispered to
each other that the naughty child ought to be punished, which was
manifestly unfair, as it was all their fault. Never would the Princess
Olivera Rinalda Victorine have thought of being wickedly ungrateful for
the privilege of being a girl, if the following conversation had not
reached her through the box hedge:--
_Lady Marie_: His Majesty will be _so_ relieved that it is a son. Think,
the boy will be Auguste Philippe the Twenty-fourth!
_The Duchess_: I distinctly remember the grief of both the King and
Queen when the Princess turned out to be a girl.
It was then that the Princess Victorine, who had been dandling her doll
and gaining great comfort from this distinctly feminine occupation,
threw this same doll from her with violence, unconscious of the symbolic
character of the act, and digging her little fists into her eyes, burst
into weeping so loud that Lady Marie Françoise and Duchess Louise
dragged their buckram-stiffened trains away over the grass to escape
from their victim's cries.
Presently sobbing became hard work, and the Princess sat still in the
sunshine, thinking. Her blue eyes had red rims about them, her yellow
hair was dried in wisps on her forehead, her fat legs hung dejectedly
down. She was reaching back farther and farther into her dim little
consciousness, trying to remember how she ever came to make that
dreadful initial mistake. She had disappointed the Queen, her
mother--here the sobs began again, for the Princess loved that royal
lady; she had chosen, though she could not remember when, and had chosen
wrongly. Then she began to wonder what it was to be this thing that the
King and Queen and Lady Marie and the Duchess were so grateful for, a
boy. She candidly thought that she was nicer than the two little counts
and the archduckling, and she found her riddle hard to read, for no one
had ever before suggested to her, much less explained, the disgrace of
sex.
Crying was difficult, and thinking was harder still--for the Princess.
Presently she jumped down from her bench and trotted away almost
joyfully, for a happy thought had struck her. The Princess was the
sweetest, most obliging little soul in the world, and helpful withal. A
way of escape had suggested itself to her: she would find out what boys
were like and be one. The Queen, her mother, should be no longer
disappointed in her, nor should any ladies of the court make invidious
remarks through box hedges. Whatever happened, she would never again
turn out to be a girl. So, in an unfortunate comparison, made by two
people who could obviously ill afford to be critics, began the evolution
of that unnatural monster, more "fell than hunger, anguish, or the sea,"
a mannish woman.
At first the Princess Victorine prayed about it. Every night, in her
little golden crib, which had the arms of her house--a spotless leopard,
_couchant_--embroidered on the blue satin hangings, she shut her eyes
and begged to be made into a prince with yellow love-locks and scarlet
doublet and pink hose. Would he be Olivero Rinaldo Victor the
Twenty-fourth, she wondered? But every morning she wakened with
indignation to the fact that she was still a girl. As her faith in
miracle weakened, her determination to succeed by her own efforts grew
stronger, and she never doubted that she could do it if she tried hard
enough. Her face took on an expression of firmness, "most unfeminine,"
said Lady Marie, who was her governess.
"Do not run, my dear--it is so masculine," said Lady Marie, often; or
"Do not climb trees, your Highness--such rough playing is fit only for
boys."
Then the Princess would look at her with non-committal, wide-opened eyes
and say nothing. She had a secret, inner knowledge, dating from that
moment of revelation in the garden, of the superiority of being a boy,
and henceforward nothing could take it from her, not precept, nor
example, nor soft insinuation of the beauty and propriety of
womanliness. She knew that people were trying to deceive her; she had
heard of conspiracies before--but she never let them see that she knew.
On occasions like this she had a way of looking stupid which was nearer
cleverness than anything else that she ever did.
Now, there are people for whom one idea, with variations, will last a
lifetime, and the Princess Olivera Rinalda Victorine was one of them. As
to questions about the whys and wherefores of things, she never asked
one in her life, nor answered one. Very systematically she set about her
life-work. As his Highness, her baby brother, grew up, she imitated him.
Once she was found standing with her sturdy legs apart and her arms
akimbo, whistling. Lady Marie and the Queen both wept, and deprived the
Princess that day of her bread and jam, but to no effect. She seemed
inspired by the energy of the small boy or the demon. Her legs could not
keep still; she ran, she jumped, she leaped, she climbed, she played all
boyish games, and once, but my ink blushes red in recording this, she
was caught by the Duchess turning somersaults in the garden. Terrible
were the reproaches heaped upon her, and her misdeeds seemed greater
because they went unexplained. On this occasion Lady Marie and the
Duchess were both sent to discipline her. (Lady Marie was attired in
rose satin covered with black lace, and the Duchess was charming in
Nile-green brocade, with pearls.) When Lady Marie said, with her scented
handkerchief at her eyes: "My dear, your actions are bringing me into
disrepute; what will their Majesties think of me?" the Princess, who
detested scents, only turned red and said nothing. Not once did she
retort that she never would have tried to be a boy if these two had not
taught her the desirability of it; she only trudged on in her own way
toward the longed-for goal, sure that the scoldings, the reproaches,
and, saddest of all, her mother's tears, came because she had not tried
hard enough and had not succeeded.
There were times when the Princess Victorine surpassed Auguste Philippe.
One sunshiny morning, when the two were playing knight and ogre in the
courtyard, the Prince announced that he meant to climb the castle wall.
He did it only out of bravado, for, being a boy, with a boy's common
sense, he knew that it was impossible.
"I'm going to climb it, too," said Olivera Rinalda Victorine stubbornly.
"Pshaw, you can't! You're only a girl," said Auguste Philippe, strutting
up and down in his slashed velvet doublet and his feathered cap.
"And you are only a boy," said the Princess, meditatively eying him. She
did not say it to be saucy--she was only thinking. Then she deliberately
took the hem of her embroidered blue satin skirt in her teeth and began
to climb the wall, while Auguste Philippe watched from below with wrath
and terror in his eyes. By means of a niche here, a clinging ivy vine
there, a window ledge, and, now and then, a friendly, grinning gargoyle,
the Princess succeeded, and stood at last triumphant upon the
battlements, waving her blue skirt for a flag. But all that she got for
it was a scolding, and, to the day of his death, Auguste Philippe never
admitted that it was true. In fact, he never entirely believed it,
though he had watched every step from the courtyard below.
Better even than boyish sports, the Princess loved stories of knightly
deeds, and the very pith and marrow of chivalry entered into her bones.
She could not read, but that did not matter, for the story-tellers could
not write, but oh! they could tell tales. Stories of dragons slain and
ogres vanquished, stories of maidens rescued, enchanters caught and
prisoned, stories of caitiff knights thrust through at the moment of
their greatest villainy by the swords of heroes, all these the Princess
Victorine drank up with greedy ears and mind, and her heroic little
heart throbbed within her. Often--it was most unmaidenly--she furtively
felt of her muscle in leg or arm, wondering when she would be strong
enough to go forth in quest, for not one tale roused in her the desire
to become a teller of stories herself--she only wanted to act one. Once
she took Auguste Philippe aside, saying:--
"I'll tell you a secret, if you won't tell."
"Go ahead!" said Auguste Philippe graciously. He had doubly the air of a
sovereign, being at once a brother and heir presumptive.
"I'm going out to find and fight a dragon," said Princess Victorine.
"Huh!" sneered the Prince. "There aren't any dragons any more. You are
behind the times."
"Aren't any dragons!" cried the Princess. "What do you mean?"
"There haven't been any for a long time," remarked Auguste Philippe
nonchalantly, his hands in his pockets. But the Princess would not have
the foundations of her faith shaken too easily.
"What do they mean by telling us about them all the time?" she demanded.
"Every minstrel that comes here does, and so does old Lord Jean, and the
Countess Madeline, and everybody nice."
"I don't care," asserted the Prince. "There aren't any--there's only the
Microbe."
"What's the Microbe?" gasped the Princess.
"It's worse than dragons, that's what it is," said Auguste Philippe
viciously.
"What does it do?" asked the Princess.
"It bites," answered the Prince. "It stays somewhere in the woods and
swamps, and every year it eats a great number of youths and maidens, and
old men and children. It's always hungry."
"Why doesn't somebody go and kill it?" said the Princess.
"Dunno!" answered Auguste Philippe.
"What does it look like?"
"It has one great eye," answered the Prince unhesitatingly, knowing that
life demanded that he should instruct the feminine mind whether he had
information or not; "it has ten great rows of teeth, and what it does
not bite with one set it bites with another. It never roars--that makes
it worse than a dragon, for you can't tell when it is coming. And it has
a hundred thousand claws reaching everywhere."
The Princess went and sat by a rosebush, wearing her most enigmatical
expression. If she was overawed, she was too plucky to show it. Prince
Auguste Philippe looked at her, not without remorse. He was aware that
he knew nothing of the Microbe save its name, but he decided not to
confess--it would only shake a sister's confidence, so he went away to
fly his kite.
Now, years flew past, and every day the Princess's bosom swelled with
knightly ardor, and every waking thought was of the slaying of the
Microbe. The words of Auguste Philippe that day by the rosebush became
the second inspiration of her life, and the second only completed and
strengthened the first. At eighteen, as at six, the Princess Olivera
Rinalda Victorine was round of face and pink of cheek. Her big blue
eyes, set in the baby fairness of her face under the yellow hair, had
the confiding look of a little child. All this was very pretty, but
manly sports had developed her physique far beyond the bounds of
feminine propriety. There were muscles on her lovely shoulders, and they
made her tiring-women weep. As for her biceps, she had always to wear
loose, flowing sleeves, for the strong arms broke through the embroidery
of tight ones. She was taller than she should have been, and her waist
refused to taper. If her sex had been different, the royal parents would
have gloried in her strength and her agility, but as it was, they cast
down their eyes in her presence and begged her, if she had any filial
reverence, to talk mincingly and small, at least in their presence.
One day the Princess Olivera Rinalda Victorine sought out Lady Marie.
"I am going on a quest, to find and fight the Microbe," she remarked
briefly. Lady Marie gave her one look, and fainted, and the Princess
revived her by means of her vinaigrette.
"My dear!" whimpered Lady Marie, "think how many gray hairs you are
bringing down in sorrow. I do not mean mine," she added hastily; and,
in truth, hers were no longer gray.
"It's got to be killed," said the Princess sturdily. "It's a pest."
[Illustration: "IT'S GOT TO BE KILLED," SAID THE PRINCESS STURDILY]
"But what is it?" whispered Lady Marie, blushing through her rouge. "Is
it a thing that a young girl ought to know about?"
There was hubbub in the court for ten days. Counts, marchionesses,
dukes, and earls gathered in corners and talked under their breath. Some
thought that the Princess should be imprisoned in a dungeon; others
spoke of her with pity, believing her mad. One party, headed by old Lord
Jean and the Countess Madeline, said that it was all nonsense. Everybody
knew that there was no such thing as the Microbe; it was only a new
heresy, wickedly devised to shake the established faith in dragons. The
Princess might just as well be allowed to go the way of her folly and
find out the truth. Another faction, made up of believers, spoke darkly
of the mystery that enshrouded the foe, for he lived in a fog, and went
out to kill veiled in cloud, and they hinted that if the Princess went
to find him, she would not return alive. His Majesty and her Majesty,
bewildered, agreed with both parties, wept, protested, but did not
forbid the Princess to go, for fear that she would not mind. Auguste
Philippe said a bad word.
At first the Princess tried to reason with them--an unwonted occupation
for her.
"It really is a combat that a lady could very well engage in," she said
earnestly. "It isn't as if it were a dragon, you know." But they only
pooh-poohed and ha-haed until she shut her lips very tightly together,
and went on her way as usual, unexplained.
Just here attention was diverted from her, for his Majesty, who had been
hurt in hunting, sickened and died, and amid sobs and whisperings and
discussions, Auguste Philippe the Twenty-fourth came to the throne.
There were many rumors and whispers of how the late King had come to his
death: some said that it was a fall from his steed; others hinted the
Microbe, shivering with horror at the name. No one was sure of anything,
and the court physicians very cleverly gave out that they could not
explain at length his Majesty's ailment because nobody knew enough to
understand.
But the Princess Victorine, who was not a person of doubts, was
convinced from the first. With her head held very erect, she went to the
court armorer, and gave orders that he dared not disobey; then she went
to the royal stables and made her choice, while all stood still to watch
her, spellbound, no one venturing to lift a hand. Her Majesty was too
much overcome with grief to care what happened; Lady Marie and the
Duchess were absorbed and happy getting the court into mourning, and so
there was no one but Auguste Philippe to say good-by to the Princess
when she went away. He had risen very early, and stood upon the
battlements to see her go.
It was one brave June day when the Princess Olivera Rinalda Victorine,
armed _cap-à-pie_, went forth to war. She was mounted on a charger of
dapple gray; a palfrey she would not have. On her head was a shining
steel helmet, through the back of which her tawny hair floated down her
back--there was not room to do it high. Through her visor her blue eyes
sparkled with a steady light. On her arm she carried a blue shield, for
even in her battle mood she could not forget what color was becoming. It
bore the device that she had chosen for herself, a virgin _rampant_,
gules. The armor that covered her from head to foot was of wrought rings
of finest steel, made with a flowing skirt that fell in protecting folds
about her feet. Her right hand held a spear; with her left she guided
her steed.
"Good-by, dear!" called the Princess, waving her hand to Auguste
Philippe.
"You are a silly thing," he remarked, affectionately, from the
battlements. "You won't do anything but tear your clothes."
He did not try to stop her. In the strain of becoming Auguste Philippe
the Twenty-fourth he found that there were many things he was not so
sure of as he had been before. The flame in his sister's eyes he did not
understand, and he wondered why she was not content to stay at home and
play at quoits and dance to music, as he was; but he resolved that
Victorine should make a fool of herself in her own way, and that it
should not cost her too dear. So he stood long watching her as she went
shining across the great green plain with the light flashing from a
thousand glittering points on her armor.
Now, the Princess rode by night and day, and not once did her courage
fail or her arm grow weary. She left behind the green plain and the
pleasant trees, and traveled in a grievous waste beyond the songs of
birds, and anon she came to a woodland that was dark and old. She was
sorely puzzled as to the habitat of the Microbe, for in his raids he
came from east and west and north and south, and no one could tell if he
had a permanent abiding-place. Often in the dusky shadows of the wood,
she stopped to call a challenge: "What, ho! Come out and try thy skill!"
But that was not his way of fighting, and he stayed hidden. Sometimes
she inquired at a cottage door or at a shepherd's hut on the edge of the
wood, but all thought that the lovely lady in armor was surely mad,
wearing such strange clothing and asking such strange questions. Once
she came upon a witch-wife who was gathering simples by a swamp in the
wood.
"Is the pretty lady looking for the pretty knight that passed this way
yestere'en?" asked the witch-wife, with a horrible leer of her sunken
eyes.
The Princess elevated her eyebrows with a look of scorn.
"No," she answered coldly; "I am looking for the Microbe."
"How?" asked the witch-woman, with her hand behind her ear.
"The Microbe!" shouted the Princess.
"Is it a man, or a lady, or a place?"
"It's a monster!" shrieked the Princess. "It kills, and eats, and
destroys." And then followed a faithful repetition of Auguste Philippe's
description of the beast. The witch-wife laughed and rocked to and fro,
her yellow teeth showing in her shrunken gums.
"Oh, deary, deary, deary!" she said, "there ain't any such critter,
truly there ain't. I've lived here in the swamp seventy-nine year; I
never saw one, and I sees pretty nigh everything."
"Who eats the youths and the maidens, and the old men and the children?"
demanded the Princess sternly.
"How do I know? How do I know?" cackled the old woman. "_I_ don't."
The Princess Victorine rode away, and behind her the witch-wife laughed.
"That's the way the pretty knight went," she called. "You'll find him
further on."
The Princess indignantly turned her charger and rode in the opposite
direction. That morning came her moment of great reward, for, by the
side of a noxious swamp, a gray mist met her, blinding her eyes, and she
thought she heard sounds of gurgling and lashing and clawing. Once she
caught sight of the great shining eye of which Auguste Philippe had told
her, and then she dimly detected the grin of teeth. Olivera Rinalda
Victorine was sure that she had met the Microbe at last. With lifted
spear, and with the shout, "A maiden to the rescue!" she rode into the
floating cloud and thrust it through and through. Her spear crashed
on--something; her charger seemed to trample a living creature under
foot, and snorted with terror. Thrice came swift blows upon the
Princess's shield, but whether they were of claws or tail, she could not
tell. Her ears were deafened by the noise; her armor ripped in the
gathers at the waist; her good steed for a moment lost his footing in
the morass, but she reined him up, and, mad with the thrill of victory,
struck out again and again with more than woman's strength. Then, was it
fancy, or did she hear a roar as of mortal pain? Did she catch the sound
of swift retreat of a hundred thousand wounded legs?
At home, upon the battlements, that morning, stood Auguste Philippe with
some ladies of the court. (Lady Marie was lovely in deepest crêpe, and
the Duchess was looking her best in heavy mourning.)
"It was in that direction that she went, did you say?" sobbed the
Duchess, with a black-bordered handkerchief at her eyes.
The young king nodded.
"How can I bear it?" asked Lady Marie, raising her clasped hands to
heaven. "Oh, your Highness, send out a searching party! Send fifty armed
knights! Think what may happen at any moment!"
"Pshaw!" said Auguste Philippe the Twenty-fourth, "Victorine can take
care of herself. She is four inches taller than I, and her arms are like
iron. Let her be. She is foolish, but she has got to have her fling."
"In my day," said Lady Marie, "no modest girl would have suggested such
a thing."
"I dare say," sighed his Majesty; "but the thing has got to come; they
must sow their wild oats! She will come back all right."
Though Lady Marie did not know it, his Majesty Auguste Philippe then, as
always, spoke the truth.
At that very moment, beyond the wide green plain, and beyond the sandy
waste, a young knight, riding slowly, with his head bent down upon his
breast, came upon a maiden sitting at the edge of a wood. Near her,
cropping the grass, strayed a gray charger, with his bridle falling
loose upon his neck. The maiden was curiously clad in shining armor,
only her helmet was off, and tears were trickling down her cheeks. Now
and then she dried them with strands of her yellow hair, and then she
shuddered, gazing at a bloody spear that she held in her left hand.
"Fair lady," said the Knight, riding toward her, "tell me your trouble,
that I may help you."
The Princess Olivera Rinalda Victorine looked up at him and sobbed, and
her chain armor rose and fell upon her bosom. She had not cried this way
since that memorable day on the stone bench in the garden, twelve years
ago.
"I've--I've killed the Microbe!" gasped Princess Victorine.
"Indeed?" said the Knight, raising his visor and showing a pleasant
smile upon a pale face. "And are you not glad?"
"Ye-es!" said the Princess, with a great heave of her bosom as she
looked at the disfigured spear.
The stranger alighted from his horse and came slowly toward the
Princess. He was tall and strongly built, but he walked as one to whom
every motion brings pain.
"Are you quite sure that the beast is dead?"
The Princess nodded.
"Quite."
"I wonder," said the Knight meditatively, "if you brought away his head
or a claw?"
"No, I didn't; but I feel very sure. Men are so skeptical!" said the
Princess, with some heat.
"Not at all," answered the Knight courteously, "only your quest is the
same as mine, and I should be glad to know that it is over. I, too, am
hunting him."
A beautiful expression swept over the Princess's face and into her blue
eyes. She looked less like a baby than she had done at any time for
seventeen years.
"I thought men didn't care."
"Some do."
"Auguste Philippe doesn't--he only laughs, and so does old Lord Jean;
but I think that this will convince them," and Princess Victorine
triumphantly brandished her spear.
"Ah!" said the Knight, looking at it with sudden interest, "may I see
your point?" But as he moved to take it, he gave a sudden groan and
fainted at the Princess's feet.
"Oh, oh, oh!" cried Olivera Rinalda Victorine. In a trice she unlaced
the Knight's helmet and corselet, and was horrified to find blood
flowing from an open wound in his shoulder. Hastily she brought water in
her helmet from a spring hard by, and bathed his forehead and eyes, and
then ran for more to pour on the wound, saying, as she went, something
unpleasant about her skirt of chain armor, which kept getting in her
way. As she worked, the eyelids fluttered, and the dark eyes slowly
opened.
"Are you hurt?" asked the Princess eagerly.
"I'm afraid that I am rather badly cut up," he answered, with a groan.
"Did that--Beast do it?" asked the Princess.
"It may be," said the Knight.
The Princess rose and put on her helmet.
"Where are you going?" asked the Knight.
"After It," said Victorine sternly.
"Lovely lady," he said feebly, "don't you think you ought to wait until
I am better?"
"I'm not a lovely lady, I'm a warrior," said the Princess; "but of
course I'll stay if you want me to."
"You are both," said the Knight. "Do you know I think that it would make
me forget my pain if you should tell me of your fight."
So the Princess, with a shining face, told him of her battle in the
mist, and of the monster with the great, glowing eye, and as she talked,
she failed to see that the wounded man kept looking toward the spot
where his gleaming helmet lay.
"And now," said the Princess reproachfully, with red flushing her
cheeks, "tell me how you were wounded. Do you mind explaining how you
came to be hurt in the back?"
"Somebody or something attacked me from behind," said the Knight, with a
smile half hiding the look of pain on his face.
"The coward!" cried the Princess Victorine, in great anger.
"It may have been some one who did not know the rules of the game," said
the Knight.
"That makes _no_ difference," said Princess Victorine loftily.
"Well, it was a strange combat," remarked the Knight, "and the blows
were the oddest I ever received. They came thrashing from all sides, in
defiance of all the laws of fighting. Whether they came from man or
beast I could not see--you know yourself that it is foggy in the woods,
and I was disabled by the blow in the back."
"I know," nodded the Princess sympathetically. "You've been fighting
that same monster that I killed." And for the life of her, she could not
help a little feeling of triumph that the beast had gone down before her
rather than before him.
"When did you kill him?" asked the wounded man.
"This morning," beamed the Princess. "When were you hurt?"
"Oh, I believe it was this morning," said the Knight carelessly.
"I wish, for your sake, I had done it sooner," said Victorine
regretfully. One of her greatest charms was her slowness in putting two
and two together. Now she had little time for it, for the Knight fainted
again. For the first time in her life, the Princess repented of her
aversion to smelling-salts. However, there was plenty of water in the
spring, and she kept her best lawn handkerchief, which she had carried
up her sleeve, wet upon the sick man's brow. Through the fever of that
day she watched him, and all night, and again a second one, and on the
third day there was a look of weariness upon her face that had never
been there before. As the fever abated, and the Knight was aware of the
tender nursing that he was receiving, he watched the Princess with eyes
full of gratitude. She had laid aside her armor, and was becomingly
attired in blue brocade, which she had worn underneath the steel. The
sun shone pleasantly on her yellow hair, and if the color in her cheeks
was less pink than it had been, it meant, with the dark shadows under
her eyes, only new beauty. When he spoke his thanks, she turned red as a
boy would have done, and asked him please to stop, which he did.
That afternoon the Princess grew confidential. She was sitting near the
invalid, who was propped up on a mossy pillow, supported from underneath
by her armor and her shield.
"Just feel my muscle!" said the Princess impulsively.
"I have!" said the sick Knight gravely.
"Why, when?" demanded the Princess. "Oh, you mean when I lifted your
head. But look how it stands out."
He did so.
"You see," said Olivera Rinalda Victorine, "I am so unfeminine. I ought
to have been a boy."
"Never!" cried the Knight vehemently.
The Princess looked at him in surprise.
"I'm very sure," she said gently. "I've known it ever since I was so
high," and she measured off the stature of six years by holding her
white hand above the ground.
"I don't agree with you," said the Knight. "You're not in the least like
a boy, really. You do not look like one, nor use your arms like one."
"When have you noticed that?" asked the Princess, in surprise.
"Oh, lots of times," he answered evasively. "But tell me why you think
so."
Sitting beside him, with the beech leaves making a flickering shade on
her face and throat, the Princess told him all the tragedy of her life,
her discovery of her initial great mistake, her unavailing efforts to
set it right, and the persecutions she had suffered because she was not
ladylike. It was the first confidence that she had made in all her life,
and her cheeks flushed deep red. Overhead sang thrush and sparrow, and a
little breeze came and played with her floating hair. Suddenly the
Knight reached out and took the white hand in his and kissed it.
"Why did you do that?" asked the Princess softly. "To comfort me for not
being a boy?"
"No," growled the sick man.
"Then why?" she persisted, drawing it away.
"Oh, I can't tell you," he groaned, "until I know whether I shall get
well of this beastly wound."
But the Princess, taking both hands to arrange the wet handkerchief,
suddenly found them prisoned and covered with kisses.
"It is because I love you," he moaned. "Don't you understand?"
Princess Victorine eyed him with curiosity, and shook her head.
"No," she answered, kneeling down and looking at him, "I'm afraid I
don't. Nobody ever did before."
The Knight laughed out from the mossy green pillow.
"That's just what makes you so adorable."
"Won't you try to make me understand?" said the Princess. "I am very
slow, but when I once learn, I never forget."
"Victorine," said the Knight, fixing his dark eyes on her, "I love you,
and I need you. I love your hair and your eyes and the touch of your
hands, and I want you to be my queen. You are a princess, I know, but
then I am a prince."
Olivera Rinalda Victorine was silent a long time, kneeling on the moss.
"Are you angry?" asked the Knight, at length.
"No," said the Princess, in a whisper. "I think I like it." Then he
smiled up at her, but did not even touch her hand.
"Tell me truly," said the Princess, "don't you mind my climbing trees
and doing all those things?"
"Not a bit."
"Nor the device on my shield?"
He laughed and shook his head.
"Nor my wanting to go on a quest, and do all those unfeminine things?"
"Victorine," said the Knight, "it is the brave soul of you that I love.
We will go on and fight together."
Then there was a sudden shining that was neither from the sun nor the
Princess's hair, but from the light that sprang into her face, and when
the wounded man lifted his arms and drew her toward him, she bent and
kissed him on the eyes, and no one ever knew, she least of all, where
she had learned that.
Three days more and three nights they stayed there, and the sick man's
strength came slowly back. In the quiet they talked of many things in
the past and many yet to come. Only once in all that time did Princess
Victorine looked troubled.
"Dear," she said one day, "there are moments when I am afraid that you
do not quite believe in me. I am not sure that you are convinced that I
have really killed the Microbe."
"Beloved," said the Knight, putting down a piece of his armor, where he
had been idly fitting the point of the Princess's spear into a great
hole, "I believe in you utterly, only, there may be more than one, you
know, and so our quest is not over."
On the fourth day they put their armor on, caught their steeds, and rode
away. On the Princess's shield the maiden stood out bravely against the
blue; the stranger Knight carried the device of an ugly worm transfixed
by a glittering sword, and the motto was "I search." The maiden knight
and the man looked at each other from under their visors.
"To the death!" he cried, and he spurred his steed.
"To the death!" echoed the Princess, dashing after him, and so they rode
gallantly away. Whether they have found and fought the Microbe none can
say, but this is known, that they are happy in the quest.
THE SEVEN
STUDIOUS SISTERS
THE SEVEN
STUDIOUS SISTERS
[Illustration]
His Majesty the King was in a terrible state of mind. Leaning back,
speechless, upon his throne, with his crown over one ear, his fists
clenched, he strove in vain to speak, but only an inarticulate gurgling
made its way from the royal throat. Behind him stood his Jester, merry
in cap and bells; on the right, the court philosophers, with puckered
brows and sagely folded arms; and all about knights-at-arms and
ladies-in-waiting silent and dismayed.
Before the King, on the lowest step of the throne, almost under the
gold-brocaded canopy, knelt, with clasped hands and beseeching eyes,
Sylvie, Natalie, Amelie, Virginie, Sidonie, Dorothée, and Clementine,
the seven beautiful daughters of old Count Benoît of Verdennes, all
badly frightened, but intrepid.
"Speak!" thundered the King at last. "No, do not speak! Every word will
be used against you!"
"Your Majesty," began Sylvie, who was the eldest and had black hair, "we
came to beg,"--
"With great earnestness," continued Natalie, who had brown hair,--
"That you will give us the opportunity," said golden-haired Amelie,
shivering,--
"To study," said Virginie, who had brown eyes,--
"And grow wise," said Sidonie, whose eyes were blue,--
"And so we ask," said Dorothée, who had gray eyes,--
"That we may enter the university," said little Clementine, who had
dimples.
It was sad for the youngest to say the hardest part of all, yet perhaps
it was only fair, as it was the strong will of Clementine that had led
them there, and the courage of Clementine that had kept them from
faltering by the way.
They were simply repeating what they had just said; the parts had been
arranged before coming, in hope that his Majesty could not resist. Never
in their worst forebodings, when they had talked it over as they braided
one another's hair in the tiring-room of the castle, had they dreamed of
anything so terrible as this.
"Wh-what put this idea into your heads?" thundered his Majesty.
Then the seven answered as one maiden: "The Princess Pourquoi."
The King groaned aloud, and the knights-at-arms and the
ladies-in-waiting groaned with him. Was it not enough for him to have
had a daughter whose useless thinking had embittered his reign? She,
with her quick intellect and ready questions, had made his throne totter
under him; and now, when she was safely married and away--ay, and had
made as good a match as the dullest maid in Christendom, must the spirit
of inquiry come back to him in seven shapes? Since she was gone, all had
been peace; he had been able to sleep most of the other half of the day
also. His Majesty fidgeted under his purple robe. The Church had taught
him that it was right for the sins of the fathers to be visited upon the
children, but nothing about the sins of the children being visited upon
the fathers, and he could not understand.
Sylvie, Natalie, Amalie, Virginie, Sidonie, Dorothée, and little
Clementine looked at him with begging eyes. Now brown eyes and blue eyes
and gray eyes and black hair and brown hair and golden hair and dimples
all appealed strongly to the King, and he was surprised at himself for a
moment for not being able to act as ugly as he thought he felt.
"What do you want to study for?" he demanded, his hands slowly
unclenching.
"I don't know," faltered little Clementine, blushing into her dimples.
Somewhere there was a faint ripple of laughter, and yet the Jester's
face was perfectly sober when he lifted his head.
"To be wise and know things," said Sidonie. The King stamped.
"To be a power," said Natalie.
"Pshaw!" said the King.
"To understand all things," said Virginie. The King groaned.
"So that people will like us," said Amelie. Then came again that echo of
mocking laughter, and the Jester muttered from behind the throne:--
"Now are there some here that are greater fools than I; for the whole
world knows that a woman is better beloved for what she understands not
than for what she understands."
The King looked desperately about him, for he was at his wits' end, but
none came to his aid. The philosophers, with their eyes cast down, were
stroking their beards; the ladies-in-waiting were looking away, as
delicacy demanded, after so shocking a request; the knights-at-arms were
frankly gazing at blue eyes or brown, as taste suggested. Then the King
spoke hoarsely:--
"This is treason. The lowest dungeon in my castle is not too hard a
punishment for such offense. At any cost this spirit must be
quenched--at any cost."
Tears flowed softly down the cheeks of the seven maidens, and fell on
their clasped hands, and the drops from Virginie's brown eyes sparkled
like jewels on Amelie's golden hair. Then, in the sorrowful pause, the
King's Jester stepped softly forward, and the little bells upon his
patches rang as he came.
"Sire," said he, "I could tell a remedy more potent than this and less
savage."
"Speak, Fool!" said the King.
"Not afore folks," answered the Jester, with a smile.
"They understand not your folly," said the King.
"Ay, but they might, for none can tell when words of wisdom may begin to
penetrate dull brains. Clear me the room of these philosophers and the
others, and let the maidens begone, for I cannot abide a woman's tears."
"Go!" said his Majesty.
Then the weeping maidens and the ladies-in-waiting passed out in a
shimmer of gold color, and crimson, and blue, and rich green; and after
them, like a shadow, crept the philosophers in garments of black; and
then, with a clash of steel and flashing of wrought armor, went the
knights-at-arms, and the presence chamber was empty, save for the King
on the throne and the Jester, who stood before him in the posture of the
philosophers, with folded arms and head bent low.
"Sire," said the Fool, "when women grow wise"--
"The kingdom is lost," said his Majesty. "Little enough comfort is there
now."
"They will outstrip their brothers," said the Jester.
"They will meddle with matters of state," said the King.
"They will see through us all," continued the Fool. "For my part, I
would keep them the sweet, blind creatures that they are. 'Tis enough
for me that I see through myself. Now there is one way, and one only, to
check the growing intellect of women."
"And what may that be?" asked the King, the sadness lifting from his
face.
"Forsooth, they must have a university of their own," answered the
Jester.
"What!" thundered his Majesty.
[Illustration: "WHAT!" THUNDERED HIS MAJESTY]
"Ay!" said the Fool, nodding; "there is no other way. The Princess
Pourquoi has lighted in this land a fire that can be put out in only one
fashion. Let a foundation be made; let walls arise; let lecturers come.
Naught save a university curriculum will avail now to dull the wits and
divert the minds and check the thought of women."
"In truth you have a pretty wit," said the King, and he smiled. "But who
will take charge of this undertaking and plan me the work that it may
avail?"
"I," said the Jester. "Who else? Cap and gown would become me well, and
though the King may lose his fool, he will gain My Lord Rector, who will
speak bravely in the Latin tongue."
"And whom can we trust to aid in the work?" asked his Majesty.
"Lend me but the philosophers," said the Jester, with a wink, "and their
natural parts shall prevail where intent might come badly off in this
great task of dulling women's wits."
Then the two spoke long between themselves, and when they had finished,
the Jester went and called the pages, and the great doors were thrown
open, so that all entered as they had gone, and there was shimmer of
silk and shining of jewels and gleaming of armor. The seven maidens came
trembling in every limb, not knowing but their heads should fall, and
they knelt as before at the foot of the throne, only now they had
nothing to say. Then the King lifted up his voice and, smiling, said
that it should be even as they had desired, and that learning and wisdom
should be theirs. In one thing only should change be made: they should
not mingle with the herd of men, but should have, sequestered and apart,
a place of learning for womankind. When they heard this, Sylvie leaned
her face upon the head of Natalie and wept for joy; and Natalie hers
upon the head of Amelie, and Amelie upon Virginie, and Virginie upon
Sidonie, and Sidonie upon Dorothée, and Dorothée upon little Clementine,
and because Clementine had nowhere to lean her head, she wept into her
own dimples.
Then the King's Fool went away and did not come again, and of this there
was great talk for three days, and then all was forgotten, for another
jester filled his place. One day appeared at court a grave gentleman
clad all in flowing black, bearded, and with eyes cast down in a sort of
inward look. All called him My Lord Rector, and none knew him for the
King's Jester because he had changed his cap. He spoke but little, and
that in Latin, as "_Verbum sat sapienti; depressus extollor; veni, vidi,
vici_;" and if he made gibe or jest, there were none who could
understand.
There was upon the outskirts of the city a great building that had once
been the Palace of Justice, but was no longer used because a loftier one
had been erected in the square where the minster rose. This stood not
far from the river-bank, and was all of gray stone that had crumbled
somewhat, so that the tracery of leaf and flower in the Gothic windows
and the faces and claws of the gargoyles that peered from roof and
corner were in many places worn away. It was built on three sides of a
great court, where now grass and vine and flower grew unchecked, on the
spot once worn by the feet of gathering citizens and the tramp of
steeds. Bluebird and swallow and wren had entered through the broken
windows, and had built about the window niches and in the crannies of
the carven vine. This, said the King, should be the place of learning
consecrated to the maidens, for it was not meet that they should gather
in the market square or on the hill beyond the minster, as young men did
in those days when thousands came together to listen to philosophical
disputes, and no roof was sufficient to cover them. Workmen came and
mended broken arch and column, and cleared away the tangled vines of the
court, but left growing grass and flower, and did not touch the nesting
birds, for the seven lovely sisters begged that they might stay. Hither
flocked innumerable damsels, who came riding from all parts of the
kingdom, with squires before them and waiting-maids behind. They came on
black jennet and white palfrey and pony of dapple gray; maiden madness
had run throughout the kingdom, and all who could sit on saddle or hold
rein rushed hither for their share of the new learning. Many were
pursued by father or brother, by maiden aunt or widowed mother, begging
them to abide at home in safety as modest maidens should.
[Illustration: CAME RIDING FROM ALL PARTS OF THE KINGDOM]
It was noised abroad that the Lord Rector would deliver the first
lecture when the new work began, and all were eager to hear; so it came
to pass one day that a huge company passed in procession under the
carven Gothic gate and into the great hall whose stained windows looked
one way on the river and the other way on the court. First, in gown of
velvet and of silk, came My Lord Rector, muttering in his beard; after
him followed the philosophers, with stately step and slow; and then
young squires a-many, who were eager to see what would befall; and lords
and ladies in gay clothing, rarely embroidered in choice colors. There
were maiden students also, many score, and at their head Sylvie, in
scarlet silken gown, and Natalie in green; Amelie in brown velvet,
curiously slashed, and Virginie in yellow; Sidonie in blue samite, and
Dorothée in silver, and little Clementine in white, as befitted her
tender years. Now behold! within the great hall the King was already
waiting in a chair of state under a velvet canopy, and My Lord Rector
and the philosophers of the new faculty bowed low to him as they
entered. Then the Rector mounted upon a platform, and bowing to the King
with "_Rex augustissimus_" he winked in his old fashion and fell
a-coughing, and the King winked back and then fell a-sneezing, to hide
the smile that his beard only half concealed.
"_Viri illustrissimi_," continued the Rector, bowing again before his
audience and speaking in a solemn voice: "_mutatis mutandis, horresco
referens, da locum melioribus, dux femina facti, humanum est errare, nil
nisi cruce, graviora manent, post nubila Phoebus, sunt lachrimae rerum,
vae victis_."
The last words came with a quiver of the voice, and many wept, for they
did not understand his folly. Then My Lord Rector turned to the fair
body of women students and spoke, seeing only the face of little
Clementine:--
"_Feminae praeclarissimae, credo quia impossibile est, inest Clementia
forti, crede quod habes et habeo, sic itur ad astra, toga virilis, vita
sine literis mors est, varium et mutabile semper femina, vade in
pace_," and with this there was hardly a dry eye in the house. So the
new university was opened.
Needless to say, the success of the undertaking was great. Throughout
the land, bower and hall and dell were left empty, for the maidens had
all gone to the capital to get learning. They no longer wrought fair
figures in the embroidery frames in the great halls of their ancestral
castles, or polished the armor of father and brother, or brewed cordials
for the sick over the glowing coals. They no longer wandered in gowns of
green on their palfreys by hill or dale for the joy of going. By
hundreds they bowed their fair heads before the philosophers as they
lectured, taking notes upon the tablets of their minds, for they did not
know how to write. My Lord Rector, when he spoke, could find no room
large enough to contain his audiences, so he lectured only on sunshiny
days, and stood on a platform in the centre of the great court; and
words of grave nonsense fell from his lips as the light fell on golden
hair or brown. So intently did the maidens listen that they did not
smell the fragrance of the flowers crushed beneath their feet, wild rose
and lily and violet, nor did they hear the beat of the wings of startled
birds, nor see red crest, or golden wing, or blue, flash across the sky.
Being a cunning man and keen, My Lord Rector had left to the flocking
students the choice of the lectures that they should pursue.
"Let them but manage it themselves," he said, smiling wickedly, at a
private audience with the King, "and we shall see great things."
So the maidens met in assembly and consulted gravely together, and
conferred with Rector and with faculty, and presently many branches of
learning were established and all was going with great vigor. Each
student chose for herself what course she should pursue, and it was
pretty to see how maiden whims worked out into hard endeavor.
Black-haired Sylvie specialized in dramatics, for she made, with her
sweeping locks, an excellent tragedy queen; Natalie in athletics, and
she took the standing high-jump better than any knight in Christendom;
golden-haired Amelie devoted all her time to fiddling and giglology, and
soon became proficient; Virginie, of the brown eyes, took ping-pong and
fudge; blue-eyed Sidonie, acrostics and charades; Dorothée took
chattering and cheering, and soon her sweet voice could be heard above
the noise of building, or the roar of battle; while little Clementine
worked at all branches of frivology, and became a great favorite, for in
looks and in manner and in taste she represented that which is most
pleasing in woman.
To tell of all they did and learned and thought would be too long a
tale, and, moreover, the records of much of it have perished, but men
say that their life was both strenuous and merry, and that womankind
blossomed out into new beauty of face and form and mind. The infinite
range of opportunity has been but faintly shadowed forth in the hints
already given; and to those who philosophized and those who poetized,
those who took societies and those who took cuts, life was one long
burst of irrelevant, joyous activity. Most zealous of all the students
was little Clementine. Ceaselessly alert, she listened with upturned
face to lectures in the great flower-grown court; with infantile
audacity she ventured out into vast unknown realms of thought, and
puckered her white forehead in trying to work out the unutterable
syllable. Now she walked the cloisters where the shadow of carven leaf
and tendril fell on her hair, studying a parchment; and again, in
moments of relaxation, she rode her dog-eared pony fast and furiously.
To some this animal may seem strange, but there were many queer
creatures in those days, as Sir John Maundeville tells.
It came to pass, no one knows how, that nothing done by little
Clementine escaped the notice of My Lord Rector, for his eyes followed
her always. When he lectured, he lectured to Clementine; whether he said
words of Latin or of the vulgar tongue, he spoke them to her eyes; and
he was ashamed of the learned nonsense he was speaking when he gazed on
Clementine. Sleeping, he saw her walking so-and-so under the shadow of
Gothic arch with leaf shadows on her face, and he dreamed of taking the
parchment from her white fingers and--But here he always woke, though he
tried to dream farther. Clearly, something had happened to him that
neither his experience as Sir Fool nor as Lord Rector had prepared him
to understand.
Save for this haunting thought, he was very gay behind a solemn face.
Dearly he loved his task, and none but the King and himself heard the
faint tinkle of bells from under his scholar's cap. Always they greeted
each other with Latin words, and they had many conferences wherein they
chuckled together over the success of their plan, for they knew that
they had drawn all these women forth to follow after the very shadow of
learning, and that the end would leave them more ignorant than before.
Always, however, in these moments of mirth, like a stab at the heart
came to the Lord Rector the thought of deception practiced upon
Clementine. Her trusting eyes, lifted to him in uttermost faith,
reproached him by night and by day. If, by force, he put his conscience
from him, he was sure to see her face as she listened, hiding in the
recesses of her heart the silly words he said. Once, as she went alone
toward the lodgings, and he followed at a great distance, a foot-pad set
upon her in a dark corner, where a stone stairway gave shelter to
thieves, and My Lord Rector, rushing forward, struck lustily about him
right and left and felled the knave, taking from him the lady's netted
purse and giving it back to her. She said no word save one of thanks,
but after, when her eyes were raised, he saw that a new light had been
added to the old, and that little Clementine reverenced him not only as
a learned man, but as a brave one, too.
So weeks drifted by, and months, and then came a great event, for the
maidens had determined to carry out a custom that belonged to that olden
time and formed the final test of the scholar. All agreed that
Clementine, brave, childish, perverse little Clementine, should initiate
the new audacity. Therefore, one early morning, when the first rays of
the sun were just peeping over the high stone city wall, she might have
been observed stealing in academic garb of black over her white dress to
the great oak, iron-studded door of the old Palace of Justice. Here,
with a stone, she hammered a long parchment, and she established herself
hard by, so that all who saw her knew that she was there to defend
against all comers the theses she had nailed up. Now there were eight,
and they ran as follows:--
1. That the ineffable and the intangible are not the same.
2. That all that is not, is, and all that seems to be, is not.
3. That--but it would be foolish to transcribe all the theses that
little Clementine defended, for no one would understand. Suffice it to
say that they were subtle beyond the mind of man, and clothed in words
drawn from the deep abyss of the inane, where unborn thought goes ever
crying for birth. One by one her six sisters came against her and
argued, but to no avail, for little Clementine, no less skillful than
David of yore, gathered together verb and adjective and slung them so
unerringly that antagonist after antagonist went down, and she, often
snubbed as being but the youngest, stood forth in the eyes of the
admiring crowd a victor.
The picture that she made, standing against that gray stone wall flecked
with green moss, with a grinning gargoyle leaning down toward her, was
very sweet. In little Clementine the brown hair and the golden hair, the
brown eyes and the gray eyes, of the family met in a peculiarly
bewitching combination that had a chameleon quality of color constantly
changing. Moreover, as she argued in well-chosen words, she was
unconsciously establishing the unspoken thesis:--
That four dimples may exist at the same time in a maiden's face without
seeming too many.
This My Lord Rector saw, and something gave way within him. When the
argument was over and the audience was departing, he called Clementine
to him inside the gate as one who would ask something, and then stood
speechless. The maiden, who was flushed and weary, lifted her scholar's
cap, and he saw, in the locks of hair that were neither brown nor gold,
pearls woven; and above the collar of the gown showed the embroidered
white samite of her dress.
"Little Clementine," said My Lord Rector, "your student life is almost
done. Does that fact cause rejoicing?"
"Nay," said Clementine, casting down her eyes.
"Shall you grieve for anything left behind?"
"Ay," said the maiden.
"And what?" asked My Lord Rector.
"The learned lectures, the dissertations, the wise words," said
Clementine, looking up and dimpling.
"And any special ones?" asked he, wondering if she heard about him the
jingle of bells.
"Ay," said Clementine, smoothing her gown with slim white fingers and
setting her lips together. Not another word would she say, though the
great man begged humbly.
"Clementine," asked My Lord Rector, changing the subject, "shall you
ever wed?"
"If the right man comes," said the maiden.
"And what must he be?"
"He must be very wise."
"Am I wise, little one?" asked the Rector.
"Wisest of all," answered the maiden, whispering.
Then he took her white hand in his and said softly, "_Amo. Amas?_" but
Clementine did not understand a word of Latin. Looking up, however, she
saw something she did understand, and then My Lord Rector bent and
kissed her hand, wisely using the old, old way of wooing that was found
before words, Latin or other, were invented.
Then Clementine drew back trembling and looked, and behold, he who had
been but a wonderful voice was changed, and she saw that he was a man,
and young, and comely, with merry eyes touched with sadness, and a mouth
whose curves were both cynical and sweet.
"Why, why should you choose me?" asked the maiden, in a voice that shook
for reverence.
"Because you are so adorably foolish!" cried the lover, forgetting, and
that was a mistaken speech, which mere words could not explain away.
It was agreed between them that none should know what had befallen until
the day when old Count Benoît and his Lady Myriel came up to the city to
take home their seven daughters, for their work was counted done. So the
two lived a glad life, though they spoke but seldom; often a glance of
the eyes made food for both day and night. All the time My Lord Rector's
conscience pricked him more and more, until he could no longer bear it,
and one day, coming upon Clementine where she passed the path by the
rippling river, near three willow trees that were freshly leaved out,
for it was spring, he told her the tale of how he and the King had
deceived womankind, and, with torture of spirit, confessed himself the
King's Fool. Then Clementine looked up at him with eyes where the gray
and the brown seemed flecked with green, perchance from the shadow of
the willows, and said firmly:--
"I have always seen that they who call themselves fools are the least
so," nor could he ever after by any words of confession shake her
steadfast faith in his wisdom.
At last came the day when Count Benoît arrived, and with him cousins and
other kin from far and near, for all would know something of the strange
new ways in the city. At lecture hour all crowded together in the great
hall, and again the King was there upon the dais, solemn of look, but
merry of heart, for his eyes twinkled under his heavy eyebrows as he
looked at the fair, fresh faces before him, innocent of thought as any
other maidens' faces, and he chuckled to think how he and his dear Fool
had outwitted them all. Then he looked with affection at his trusty
philosophers who stood near in silk robes with slashes of velvet and
hoods of rainbow colors, and he thanked heaven that had given him strong
supporters in the crisis that had threatened his kingdom. Gazing upon
the assembled audience of friends and kinsfolk, he rejoiced to think
that for them, as for him, the country had been saved.
But My Lord Rector was speaking in the Latin tongue, "_ad hoc gradum
admitto ..._," and Sylvie, Natalie, Amelie, Virginie, Sidonie, Dorothée,
and little Clementine, with all the other maidens who had frolicked with
them merrily so long a time, arose, as pretty a sight to see as ever
king in Christendom had before him, and their new honors fell upon
untroubled white foreheads. Then there was sound of rejoicing, and light
shone through the stained windows on the glad faces and gay garments of
the people assembled there; and suddenly, lo! My Lord Rector stepped
from his high place and went to take the hand of little Clementine. With
eyes cast down she followed him, and now she was rosy and now pale, and
so the two kneeled at the feet of the king under the canopy.
"We two do crave your Majesty's blessing," said My Lord Rector, "on our
betrothal."
Then a ripple of wonder and of laughter ran through the great hall, and
his Majesty, smiling, blessed them with extended hands, and as they
rose, he bent forward with a twinkle, whispering:--
"You have done well, My Lord Rector, in carrying out your purpose. It is
pity that you may not marry them all."
For the first time he found no answering jest in his favorite's eyes,
and would have inquired why, but the philosopher who stood nearest, and
had caught the whisper, smiled, and taking Sylvie's hand, led her to the
foot of the throne, saying:--
"But I, your Majesty, may wed this lady with the King's consent, for she
has given hers." Then a second philosopher led forth Natalie, and a
third Amelie, and a fourth Virginie, and a fifth Sidonie, and a sixth
Dorothée, and behold! the seven sisters were again kneeling before the
throne awaiting the King's blessing, but with their lovers at their
sides.
Then his Majesty leaned back his head and roared with laughter till the
vaulted ceiling reëchoed, and tears of mirth ran down his cheeks and
shone upon his beard, and all laughed with him, though they knew not
why, all save My Lord Rector, whose face wore the saddest look a man may
wear.
"Now, was this planned among you?" asked his Majesty.
Then they shook their heads, and each philosopher said:--
"Forsooth, I thought I was the only one," and with that the King roared
again.
In the bustle that followed, when old Count Benoît and his Lady Myriel
hung upon the necks of their seven daughters in turn, the King tapped
the Lord Rector upon the arm.
"You have builded even better than the promise said," whispered his
Majesty. "From this blow shall the aggressive intellect of woman not
arise."
But the Rector looked gloomily upon him and knelt again, and begged that
his Majesty would release him from further service that he might go to
the wars.
"Two parts of the Fool have I played for your Majesty," said the man
bitterly, "and from both I would be released, for you and I have done a
great wrong."
Little Clementine had drawn nearer, and many-colored light of purple and
crimson and gold fell on her fair face and parted lips as she looked in
wonder at her lover. Then the King saw and understood, and he was
ashamed.
"Nay, My Lord Rector," he said, bending low, "what we have done of wrong
we will right. You shall even go on with the task set before you, and
that that you do lack of a wise man shall this woman's faith make good."
THE GENTLE ROBBER
THE
GENTLE ROBBER
[Illustration]
Once there was a robber bold--not that he looked bold, for he had the
gentlest of manners and the most persuasive tongue. It was with a
certain manly shyness that he approached his victims, and his voice was
very low and soft as he convinced them how greatly to their interest it
would be to hand over their purses, so that many went on through the
green forest paths with empty pockets, it is true, but with eyes full of
tears of gratitude for the benefactor who had held them up.
"Pray don't mention it!" said the Robber Chief, as he deprecatingly
thrust into his wallet the purses he had taken and heard the outpoured
thanks. "It is nothing, nothing! You would have done as much for me at
any time if you had"--he never finished his sentence, but the wistful
admiration of the man with empty pockets always added the right
clause--"if you had had the brains."
Now the Gentle Robber, it need hardly be said, was highly successful in
his chosen calling, or, as he put it, "the holy saints had given him
rich possessions." He had started out moderately in a remote corner of
the forest, as became a young and unassuming retail cut-purse, but soon
his domain extended from his own retired dell to the adjacent glade, and
the merry outlaw who had prospered there gave up the business and became
a scrivener's clerk. It was not long before the Robber Chief owned the
whole forest: the title-deeds, to be sure, belonged to the Abbey, which
lay in a fat green meadow at the edge of the wood, but the monks could
not work the forest as the robber could, and whatever harvest of gold
and of silver, of jewels, of rich cloths from the packs of merchants of
the East was to be gathered there, this one man reaped in his own
apologetic way, which always seemed to beg pardon of those who were
despoiled, for doing them so much good at one time. Soon the country
round the forest was his, and yokel, franklin, and squire, Sir Bertram
from the Castle, and the Prior from the Abbey, began to render him
accounts, and it came to pass that the Bishop at the capital city,
Mertoun, and the King upon his throne, and the strong nobles about him
trembled at the robber's name, for the waves of his power flowed out
until they met the waves of the sea.
Dearly the Gentle Robber loved his work in all its aspects, and he was
master of its least details. A brave fight with a sturdy yeoman going
home from market with a half-year's gains was joy to him, and merry in
his ears was the sound of the thwack, thwack, thwack of the oaken staves
as they fell on head and shoulders; an encounter with a rich merchant's
train brought him naught but exhilaration, and the deft, swift hand that
emptied the pack and purse thrilled as it went about its chosen task.
There was slow, sensuous pleasure in stripping off the garments of
knight and of squire and leaving their limbs uncovered to the cold.
Daintiest amusement of all was the spoiling of widow and of orphan:
something of the ascetic lingered in the bosom of the Robber Chief, and
rare and delicate was the task of emptying the scantily furnished
larder, of carrying away the worn clothes, and the single jewel saved
from the wreck of happier days. He found delight in feeling about his
knees the clasp of the thin arms of the naked orphan as it wept for
food, for genius knows no distinction of small and great, and yeoman and
squire, knight and merchant, widow and orphan alike, thrilled him with a
sense of his power, and through their cries sang in his ear the word
"success."
In the course of time it came to pass that he became the chief support
of the kingdom which he had caused to totter as he swept its riches into
his own bulging pockets. When he came to court, as he sometimes did,
wearing grave apparel and showing a modest face, the King leaned
lovingly upon him; was he not financing the war with Binnamere and
causing a half-dozen universities, which had but lately come into
fashion, to rise in different parts of the land? The Bishop conferred
weightily with him in quiet corners; was he not building the great
cathedral which was to be the glory of the city throughout coming ages?
"Nay, nay, nay!" said the Bishop, waving a white, jeweled hand as the
Chief began to divulge some of his larger plans. "Tell me not of thy
wicked schemes! Thy methods I must condemn utterly, but if thou bringest
me the money, well, I can at least see to it that it be not used for bad
purposes. And speaking of money, we need for the walls of the apse a
hundred bags of gold. Dost thou think thou couldst manage it?"
"Ay," said the Gentle Robber, and that night he despoiled nine men,
killing three that resisted longest, for he was a great lover of Holy
Church, and a devout believer, nor could she ask of him any service that
he would not perform.
Now the lust for gold is a strange thing. There be that gather it
together into stockings and go hungry and dirty to the day's end for
gold, and that is the miser's lust. There be that win it and spend it
again freely for delicate food and fiery drink, and this is the
sensualist's lust. There be that get it by cruel means and scatter it
abroad on church and hospital, and this is the philanthropist's lust,
which possessed the Robber Chief. Gold and jewels were piled so high in
his forest cave that he could not see out of its window, and he hardly
knew whether winter snow or the shadow of flickering leaves lay on the
ground, nor could hungry church nor greedy halls of learning lessen his
piles of treasure enough to let the sunlight in.
Far on the edge of the kingdom to eastward lived blunt Sir Guy of
Lamont, and his son and heir was a young squire, Louis by name, who had
grown up much alone, wandering in the greenwood that circled the castle.
Strong of arm and lusty he grew, yet cared not for the hunt, for he was
friend to fox and hare, and the wild deer knew and loved him. Living
close to spreading oak and delicate beech, among green leaves and
nesting things, he began to wear the look of those who see more than
meets the eye, and knight and franklin chaffed him as he sat apart while
they grew merry over mug of ale or glass of wine in his father's hall.
As he dreamed his dreams and thought his thoughts, rumors of the deeds
of the Robber Chief floated to his ears, and he was sorely puzzled. It
was a wandering merchant who brought the tale, spreading out his stuffs
of velvet and of silk over table and settle and chair, and showing three
great fresh sword-cuts on his arm as he spoke:--
"Andrew, my brother, lost his head in the encounter, and it was severed
by a single blow, but I escaped, though there be few that may."
[Illustration: HE BEGAN TO WEAR THE LOOK OF THOSE WHO SEE MORE THAN
MEETS THE EYE]
With that he recounted all the tales that he had heard in his wanderings
of the wrong-doing of this man, and they were many. Sir Guy listened
with "Zounds!" and "'Sdeath!" but the youth said never a word of pity or
of blame; yet, when the story-teller had finished, he marveled at the
lad's eyes. They were gray eyes, with lashes dark and long, and the look
in them was as the look in the eyes of a gentle beast when he is hurt to
the death; then came to them the sudden fire of the avenger of misdeeds.
"My hour has come to fight," said young Louis of Lamont to the great
stag that licked his hand that evening in the forest as the sun went
down in golden haze. "Men do not know this cruel wrong; I must go to
tell them, and mayhap lead them forth with banner and with sword."
Early the next morning, when all were making merry at the hunt, he set
the face of his snow-white steed to westward and rode down long, green,
leafy ways and across a great level plain toward the setting of the sun.
In doublet and hose of scarlet, laced with gold thread, he was comely to
see, with a white plume in his velvet cap, and thick hair of yellow,
clipped evenly at his neck, and on his face the beauty that shines out
from a light within. All day he journeyed on, yearning to meet alone the
Robber Chief, whom he pictured as a man brawny of arm and of evil
countenance, wherein black brows hid the sinister eyes, and a black
beard covered a cruel mouth; and the lad longed with the lusty strength
of untried youth to measure swords with this terrible foe. That night a
woman gave him shelter at a wayside hut, and told a tale of the Chief
that chilled the young man's blood; the next night, as he lodged at a
hall, deeds yet more cruel were recounted to him; and ever as he came
nearer the heart of the kingdom, he found the air more rife with tidings
of the Robber Chief's ill doings.
"They do not know," he said, lightly touching spur to his steed. "The
King and the Bishop do not know of these wicked things. Pray God that I
may come in time to lead men forth!"
At the edge of a great forest he met, one day, a tired-looking man on a
tired horse. The rider was neatly clad in sober gray, and was both
freshly shaven and neatly combed. Across his saddle lay a great bag of
something that was wondrous heavy.
"Halt!" said the man, with a pleasant glance from his mild blue eyes.
Then blood rose red to the young squire's cheek, and anger too great for
any words lighted in his eyes, as his hand went to his dagger, and he
urged his horse forward. It was a brave fight that he made, while the
two steeds drew near and parted and drew near again, but a slender white
hand with an iron grip reached deftly and snatched the dagger from his
hand, nor could he reach the short sword which he had so proudly belted
to his side; and the strength of his adversary was as the strength of
ten.
"Nay, be not foolish," said a soft voice, as the lad struck out with
stinging fist; "'tis but thy purse I ask, and it would grieve me to do
thee wrong. The purses of the kingdom belong to me."
"Now, by what right?" cried Louis of Lamont, between set teeth, his
cheeks flaming deeper red.
"By the right of having wit enough to get them," answered the robber.
Then he pinioned the lad's arm to his side and thrust a deft hand into
his pocket, drawing out a purse of wrought gold.
"It will be to thy best advantage if thou canst but see it that way," he
said courteously.
In the mind of the other the vision of dark, beetling brows and red,
hairy cheeks was fading.
"Thou--thou art the Robber Chief," he stammered. His adversary bowed.
"It is thou who didst murder Baron Divonne, and who didst starve the
Squire's daughter of Yverton with her seven children, and"--So great was
his horror of the tales that flocked to his tongue that he failed to
speak them, but a light as from the wings of the Angel of Judgment shone
from his eyes and brow.
"The question is not, 'Shall I take thy purse?'" the Chief said gently.
"I have it. The question is, 'How shall I dispose of it to the best
advantage?'"
"It isn't that! I do not want the purse," said the young man scornfully;
"but how canst thou traffic in crime?"
"I have little time for talking," said the Gentle Robber, with a hurt
look on his face; he was extremely sensitive to adverse criticism. "Now
I must be off. This great bag of gold is for the orphan hospital at the
Abbey. If I may mention it without boasting, it derives most of its
supplies from me," and he looked wistfully for approval.
"Its supplies of orphans?" demanded Louis of Lamont, with his stern
young lip curved in scorn; but the face of the other was as the face of
a man who has failed to teach a great lesson of good.
As the lad rode on through the forest, his head was bent as if a hand
had struck it and had laid it low, but coming into the open, he saw far
off, across the valley, the spires of the capital city, Mertoun, and its
many red roofs gleaming by the blue river, and his heart throbbed within
him for thankfulness and joy.
"Hasten!" he cried to the beast that bore him. "Yonder in that strong
city be strong men to help me right ill deeds, and a minute gained may
save some woman's life, or spare the bitter crying of a child."
His eyes were filled with a vision of the knights that would go out with
him to war for the right, with the waving of plumes and the flaming of
banners, in their hearts the anger of God for cruel wrong; and a
yearning for coming combat tugged at the muscles of shoulder and of arm.
The palace of the Bishop was moated, and there was a drawbridge there,
and within, as on a green island, rose walls of fine gray stone, with
window arch and doorway delicately carved. There was one at hand who
took his steed, and one who led the way for him, and anon he found
himself in a sunlit chamber where the Bishop stood looking out upon the
great cathedral which was rising stone by stone, with its blue-clad
workmen standing against a bluer sky.
"What is it, my son?" asked the Bishop, when he saw a young squire
standing before him, worn, dust-stained, with anger burning in his eyes.
"Sire," said the guest, bending low, "I have hasted thither to tell thee
of great wrongs."
"They shall be redressed," said the Bishop, laying his hand upon the
lad's head.
"There is a man," said Louis of Lamont, kneeling, his lips white with
wrath, "who doeth cruel wrong and bringeth folk to death, and it must
needs be that none in high places know, for he goeth unpunished."
"He shall be found and placed in my lowest dungeon," said the Bishop
fiercely. "Now tell me what he hath done."
"On my way hither I lodged with a poor woman who told me that he had
slain before her eyes her husband and her sons, and all for a cup of
silver coin that stood upon the mantel."
"A mere cup of silver coin!" groaned the Bishop. "He shall hang."
Then he told of the murder of Baron Divonne, and of the Squire's
daughter of Yverton, who was starved with her seven children; and he
told all the tales that the wandering merchant had brought with his
cloths of cashmere and of silk. As he spoke longer, the face of his host
grew anxious, and when he finished, saying, "Men call him the Gentle
Robber," black care sat upon the brow of the host.
"Delay not," pleaded Louis. "Give me armed men, for thou hast said that
he shall die for his sins, and I have the blood of fighters in my
veins."
"Nay, child," said the Bishop. "Not so."
"Thou hast promised!" he cried in amaze.
"Ay," he made answer, "but I knew not then that the offenses were so
many and so great, or that the enterprise was--ahem!--planned upon so
large a scale. That makes all different."
"That makes the need to punish him a thousandfold greater," stammered
the lad.
"Tut, tut!" said the Bishop, with the solemn smile he wore. "Thou dost
not understand: logic is ever lacking in the young."
"Should not stripes be laid upon him for each cry he hath drawn forth?
Should he not lay down his life, if that were possible, for each life he
hath taken?"
"I had thought, when I heard the first tale, that he should die for the
single crime," the Bishop made answer, "but the case is altered by the
later facts. 'A life for a life,' saith the Scripture, but naught of a
life for a dozen or threescore, or an hundred, as the case may be."
Then a flame of anger shone out in the lad's face, and he waited.
"My son," said the Bishop tenderly, "thou art young and ignorant, yet
will I try to teach thee something of right ways of thought. In judging,
all depends upon the point of view, and matters that look often black at
first statement grow white or gray when thoroughly understood. Let us
look upon this question in another aspect. Dost see yonder great
cathedral rising?"
Though the youth made no answer, the Bishop saw that he was looking at
the gray stones and at the blue-clad workmen.
"'Tis God's house," said the Bishop, "nor may it arise save through the
gifts of this man. Wrong hath he done, but all is forgiven for that his
gold is bent to holy purposes."
"But wrong he doeth still," said Louis of Lamont, in the stern voice of
youth.
The Bishop coughed behind his hand even while he spoke.
"There is much in the ways of Providence that we may not comprehend. God
moveth in a mysterious way."
"Had the Robber Chief ceased from his crime and shown true
penitence"--began the lad, but the Bishop interrupted.
"God hath need of the man and of all the gold that he will bring, that
institutions of learning and holy places may arise in the land."
"God may be worshiped by wood and stream," said the youth, in the still,
small voice of one who knew; "nor hath He need of gold that is the price
of suffering and pain and tears;" and so he turned and went down the
steps, worn and weary, with dust on his crimson garments, and shame on
his spirit, and the light of his face grown dim.
It had come back to its shining, however, the next day, when he went
before the King.
"It may well be that there is one bad man who hath power," he said to
himself, "and he the Bishop; but God would not grant that all be so,"
and hope beamed again from his eyes.
"'Tis the son of my old friend, Guy of Lamont, sayest thou?" cried the
King, as he raised the lad's chin with one royal finger. "By my troth,
'tis his father's face again, but different."
"Sire," said Louis, as he did reverence, "I have come to tell of cruel
wrong, and to win from thee a promise of redress."
"Thou shalt have it!" cried the King, with his hand upon his sword.
"Friend or child of my friend went never yet uncomforted from the foot
of my throne. Speak thy wrong."
Then the youth told him all that he had told the Bishop, and added
thereto other tales, and hope shone sternly in his eyes.
"Send forth with me a band of thy men-at-arms," prayed the suppliant.
"Even now, perchance, are orphans made that might have grown tall in
happiness save for this man's lust for gold."
Then the King looked about, and his face grew dark with anger, for some
half smiled and hid their smiles as best they could with jeweled hand or
velvet sleeve; some showed fear at seeing this thing, which was not
breathed at court, boldly brought to light.
[Illustration: FOR SOME HALF SMILED AND HID THEIR SMILES AS BEST THEY
COULD]
"Boy," said the King sternly, "hast no respect for them that be
appointed to sit in high places, nor awe before an anointed King?"
"Yea, sire," answered Louis, marveling.
"Dost come before my throne with slanderous tales of one on whom I lean
heavily and lovingly?"
"Sire," he said bravely, "thou dost not know his cruel deeds. He hath
robbed and killed to the sickening of the heart."
"Mayhap," said the King, "but he hath carried all before him with great
success, and so is the case altered. 'Tis a man of whom we have great
need, and the young should not speak ill of older folk."
Then Louis of Lamont said never a word, but rose to his feet staggering,
for the knowledge he had gained of men came as hard blows about the
ears, and bending low, he turned away.
"Stay!" cried the King. "Thy offense is great: thou hast spoken ill of a
public benefactor, yet if thou wilt hold thy tongue, nor repeat thy
silly tales, I will make thee one of my courtiers, and thou shalt go
brave in velvet and in jewels."
But the youth shook his head and went forth alone from the
presence-chamber; all looked after him, with smiles and jeers and
whispered words of scorn.
"'Sdeath!" cried the King. "'Tis a madman fit but for a dungeon, yet,
for the sake of my old friend, Guy of Lamont, can I not cast him there."
The lad groped his way unevenly down the marble steps of the palace as
one gropes in a path that is full of pitfalls and has suddenly grown
dark, and he wandered, not knowing where, through the dark streets,
until he found himself in the square before the great cathedral. Here
many were passing with hands full of flowers, red roses and tall white
lilies and blue blossoms that grow pale among the wheat, for it was the
feast day of a saint, and they went to deck the altar which stood within
unfinished walls, that men might worship there under the blue sky.
"I will tell them," said the lad; so he stood upon the cathedral steps
and repeated all the tale, and blossoms red and blossoms white were
dropped at his feet, as men and women clustered about to hear.
"Ay!" they cried out, "we go hungry for this man, but who shall deliver
us from him? Horses and armor could we find, perchance. Wilt lead us to
him?"
Then of a sudden he smiled, and ceased speaking because of the choking
in his throat; but after, he took up the tale and told it in the
market-place and before the Palace of Justice and wherever he could
gather folk together.
As days passed, all this came to the ears of the King and of the Bishop
and of the nobles of the court, and grave head met with grave head, and
both were shaken solemnly in conference over this new peril which
threatened the kingdom. One morn there went throughout the city a crier,
who called aloud and read from a parchment in his hand to let men know
that Louis of Lamont, son of Sir Guy, was cast out from Holy Church for
slander of one of her greatest sons. Henceforward no man should give him
shelter, no woman food or drink, lest they too come under the ban; and
should he speak future evil words, his life would be forfeit.
Yet one who loved him--and there were many--hid him; and the next day
and the next he wandered in the streets, begging men to rise in
vengeance against the Robber Chief. On the third day he was taken by
armed men, and the decree went forth that Louis of Lamont should, after
three days, be burned at the stake in the square of the Palace of
Justice. The youth smiled when he heard his doom; almost he was glad to
escape from a world which he had not logic enough to understand.
So the day came when he should die, and it was a Friday of midsummer. In
the centre of the square stood an iron post to which criminals were wont
to be tied, and to this they bound him. Close about him were heaped
fagots of wood and dried branches, and within he stood in a motley
garment, and the look upon his face was as the coming of the day. All
about was a great press of people, merchant and butcher and
cloth-spinner, and peasant folk from the country round; and on a dais,
built high for better seeing, were knights and ladies and nobles of the
court, with the King himself, and the Gentle Robber at his side, trimly
clad in sober gray and gently smiling.
It was a soft day of golden sun, and the sky was blue above the place,
and the least wind sighed softly as if for pity as it breathed about the
iron stake and played with the yellow locks of the young Squire's hair
and moved the red folds of the shameful garment that they had placed
upon him. Lifting his face, he leaned his cheek against the wind, for it
seemed to him a breeze that had played among the beech leaves in the
ancient forest by his father's hall, and in taking leave of it he said
farewell to his hound and to the woodland paths and to his father's
face.
Now came a ghostly father, with a torch that flamed backward against the
blue day, and in the name of God and Holy Church he bent and kindled the
fagots. Then was there quick tumult and rush and stir through the
square, for all rushed forward to see and to hear, and little maids were
sorely trampled in the press by the great feet of smith and of
husbandman, and women's aprons were badly torn. None cared, for all knew
that saving grace was to be won for their own souls if their eyes but
caught a glimpse of an heretic that was being burned to death, and when
the fire leaped high into the air, they gave God thanks. There was a
flame in the young martyr's face that was not as the flame that leaped
about him; but smoke and fire were speedy with their work, and his head
bent over his breast, his body over the chain that bound him, and as his
soul went free, folk breathed deeply in relief, saying that an evil-doer
was dead. Upon the dais the King's broad face showed satisfaction; the
Bishop lifted his eyes to heaven, thanking God, then let them rest on
the gray stone walls of the cathedral, glad that now naught should
prevent the walls of God's house from rising. In all the great crowd,
none other was so devout and so thankful as the Gentle Robber, and his
mild blue eyes were moist with tears as he whispered to the King:--
"'Tis marvelous, the ways by which Providence brings evil-doers to
justice; ever the right prevails."
[Illustration: A GLIMPSE OF AN HERETIC BEING BURNED TO DEATH]
Then all went to the cathedral, knight, squire, and lady in velvet and
in silk, the Bishop in holy robes of purple and of white, and common
folk in blue jean and plain linen, that special service might be held in
praise for this great deliverance, and the _Te Deum_ sung.
The Riverside Press
CAMBRIDGE . MASSACHUSETTS
U . S . A
Transcriber Notes:
Passages in italics were indicated by _underscores_.
Passages in bold were indicated by =equal signs=.
Small caps were replaced with ALL CAPS.
Throughout the dialogues, there were words used to mimic accents of the
speakers. Those words were retained as-is.
The illustrations have been moved so that they do not break up
paragraphs and so that they are next to the text they illustrate.
Errors in punctuations and inconsistent hyphenation were not corrected
unless otherwise noted.
On page 97, a single quotation mark was replaced with a double quotation
mark.
End of Project Gutenberg's The Princess Pourquoi, by Margaret Sherwood
*** END OF THIS PROJECT GUTENBERG EBOOK THE PRINCESS POURQUOI ***
***** This file should be named 52402-8.txt or 52402-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/2/4/0/52402/
Produced by Ernest Schaal and The Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
